Publisher: Running Wild Press (ebook – 7 May 2024)

Series: Standalone

Length: 283 pages

My Rating: 4.25 out of 5 stars

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Intriguing new author C. A. Parker dives into an intriguing area of Japanese history with his debut novel, Song of the Samurai, a fantastic and deeply compelling historical read that I had a wonderful time getting through.

Fans of this blog will know that I have a lot of love for historical fiction, as it was one of the original genres that I started with as a book reviewer, and I still try to enjoy a range of great historical reads whenever I get the chance.  I also have a lot of love for Japanese history due to some amazing personal travels as well as my long-running fandom of the Usagi Yojimbo comics by Stan Sakai.  While there have been some very interesting Japanese historical fiction novels over the years (Child of Vengeance by David Kirk comes to mind), this setting doesn’t get utilised as some other historical backgrounds, which is a real shame when you consider just how awesome and complex the setting truly is.  As such, when I came across Song of the Samurai, I couldn’t pass it up, as it sounded like such an intriguing read.

Plot Synopsis:

Japan, 1745, is a land under the iron grip of the Tokugawa shoguns. Roads are monitored, dissent stifled, and order maintained through blackmail and an extensive network of informers. Amid rumors of rebellion, Kurosawa Kinko– samurai and monk– is expelled in disgrace as the head music instructor of his Zen temple in Nagasaki. He begins an odyssey across Japan, dogged by agents and assassins from an unknown foe. Along his journey, Kinko encounters a compelling cast of merchants, ronin, courtesans, spies, warriors, hermits, and spirits, on a quest to redeem his honor. Inspired by the life of the historical Kurosawa Kinko (1710-1771), master of the shakuhachi flute and founder of the Kinko-ryu school, Song of the Samurai takes the reader on a richly-textured exploration of feudal Japan and the complexities of the human spirit.

Song of the Samurai is the debut novel of C. A. Parker and provides readers with a compelling and fascinating historical adventure that also utilises the author’s personal passions and passes on a heartfelt message about spirituality and self-determination.

The plot of Song of the Samurai is a fictionalised narrative of real-life historical figure Kurosawa Kinko, who is known for his teachings and spiritual journeys to learn the Japanese shakuhachi flute.  Parker reimagines Kinko’s history somewhat by showing him as a young man who undertakes an extended pilgrimage from his original temple in Nagasaki all the way to the capital in Edo.  Banished from his temple due to a romantic scandal, Kinko initially starts the journey in disgrace, but soon embraces his pilgrimage, learning more and more about the people of Japan.  This ended up feeling like a bit of a quest narrative, and Parker throws in some fantastic side stories brought on by the multitude of intriguing and unique supporting characters the protagonist encounters along the way, including bandits, spies, courtesans, peasants, fellow monks and more.

While many of these side storylines don’t last too long, they do weave together into a compelling tapestry of events that aim to enhance Kinko’s personal journey.  There is a particular focus on the spiritual, as Kinko begins to fully appreciate the significance of the shakuhachi and the music that he plays, as well as the many different people who make up the nation of Japan.  I loved the impressive character development that surrounded the protagonist throughout this book, and the growth in spirit and attitude makes for a moving heart to this great narrative.  Parker also works in a compelling recurring storyline about espionage and potential rebellion against the ruling Shogun family, as Kinko finds himself wandering the outskirts of dangerous actions.  This part of the book adds in a little necessary excitement and action, and I think it balanced well with the historical and personal elements of the narrative.  While I did think this espionage element could have been a stronger part of the plot, especially as it gets sidelined several times throughout Song of the Samurai, for the most part this was a particularly engrossing and captivating story, and one that I had had a fun time getting through.

As a huge admirer of Japanese history, I felt that Parker did an exceptional job of capturing the feel and impact of the setting throughout his narrative, and the many, many depictions of Feudal Japan was an impressive part of Song of the Samurai.  Thanks to his wandering protagonist, Parker visits a ton of major cities and towns throughout Japan, and I loved the elaborate descriptions that were featured, especially as the author goes out of his way to cover some of the most intriguing parts of the country.  I personally loved it when Kinko visited locations I have been to, and you can really feel the author’s love for the setting through his writing.  Parker also makes sure to fit in a lot of discussion about key parts of Japanese history and mythology throughout the book, often included as part of a conversation or the protagonist’s thoughts.  While some of these historical inclusions weren’t as organic as they could have been, for the most part I found them to be very fascinating, and they added some excellent context to the locations the protagonist visited.

Unsurprisingly when you consider the title of the book and the author’s passion for the shakuhachi flute, there is a huge focus on music in Song of the Samurai.  The playing of the shakuhachi is a huge part of the protagonist’s identity as a monk and as a man, and the author really tries to capture Kinko’s love of the flute with his excellent writing.  The many, many scenes of Kinko playing his music are some of the best parts of Song of the Samurai, and it allowed the author to showcase the protagonist’s spiritual connection to the music and provide him with new insights into the world around him, especially as he finds music in many different people and locations.  The extended sequence where Kinko spent time learning music from a hermit monk on-top of the mountain was particularly fascinating, and I liked how moving those scenes came across.  I felt that the author did an excellent job of readapting Kurosawa Kinko’s life story in the book by showcasing these early stages of his lifelong mission to collect and understand music, and you will come away from Song of the Samurai with a whole new appreciation for traditional Japanese music.

Overall, I felt that Song of the Samurai was an outstanding and intriguing debut novel from C. A. Parker, and one I was very glad I decided to check out.  Featuring an outstanding historical story that blended great characters with unique locations, Song of the Samurai was an excellent read, and one of the more unique novels of 2024.

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