Throwback Thursday – The Death of Superman

Death of Superman Poster

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read.  This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday.  Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time.  Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another.  There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies.  However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience.  As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War.  Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good.  His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor.  However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work.  As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean.  When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous.  Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis.  With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings.  Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance.   Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match.  Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there.  However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was.  This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart.  Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives.  This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time.  Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history.  He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever.  The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender.  After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films.  This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film.  I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League.  All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town.  The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways.  While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman.  This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her.  This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more.  However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in.  As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis.  The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight.  Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it.  You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons.  However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday.  This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too.  The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike.  Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”.  The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock.  Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling.  This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it.  This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character.  This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched.  The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film.  However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film.  The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances.  The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday.  The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way.  The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them.  However, it is the giant fight with Superman which is the true highlight of The Death of Superman.  This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants.  Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight.  There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out.  I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences.  The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music.  This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene.  There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above.  This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters.  This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries.  Up until this point, I felt that Superman was a bit underutilised.  Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse.  However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona.  You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you.  His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy.  His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent.  I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human.  I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes.  Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane.  Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her.  This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about.  I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film.  I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her.  The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up.  The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark.  The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing.  This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson.  Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans.  However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind.  The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy.  He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes.  I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge.  I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat.  I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films.  I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday.  Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction.  Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights.  I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense.  This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film.  Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles.  Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman.  The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson.  Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both.  I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments.  I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters.  Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film.  Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford.  His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero.  It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him.  I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching.  I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans.  Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions.  Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle.  I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film.  A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

Star Wars: The High Republic: The Rising Storm by Cavan Scott

Star Wars - The Rising Storm Cover

Publisher: Penguin Random House Audio (Audiobook – 6 July 2021)

Series: Star Wars – The High Republic

Length: 15 hours and 32 minutes

My Rating: 4.75 out of 5 stars

Prepare to dive back down into one of the most unique parts of the current Star Wars canon, as bestselling author Cavan Scott presents the next exciting adventure in The High Republic era, The Rising Storm.

The High Republic is a massive collaborative multimedia Star Wars project that started earlier this year and which represents a new area of focus for the Star Wars franchise.  Set in the Golden Age of the Republic, hundreds of years before the events of the Skywalker Saga, The High Republic currently contains several amazing pieces of tie-in fiction, with unique tales making up an overarching storyline.  I have so far read two entries in this series, the introductory novel Light of the Jedi by Charles Soule and the great young adult book Into the Dark by Claudia Gray.  The next major entry in this series is the fantastic and exciting The Rising Storm by Cavan Scott, which continues several storylines from Light of the Jedi.  Scott, who previously wrote the fantastic Dooku: Jedi Lost audio drama, has come up with a fascinating and compelling novel that I really enjoyed.

Two hundred years before the events of The Phantom Menace, the Republic was at its zenith, with the Jedi leading the expansion outwards to the Outer Rim.  However, following the Great Hyperspace Disaster, the Republic’s safety and security looks uncertain.  Even after the creation of Starlight Beacon, the Outer Rim is still a dangerous place, especially with the machinations of the notorious pirate group, the Nihil, as well as the spreading attacks from the plant monsters known as Drengir.

Determined to show that the Republic and the principles that govern it are still strong, Chancellor Lina Soh has organised the Republic Fair on the planet of Valo.  The fair will bring together cultural displays, new technology, Jedi artifacts and other wonders of the galaxy in a massive celebration to demonstrate the possibilities that an expanding Republic will have on the entire galaxy.  Attended by high-ranking Republic dignitaries, visiting diplomats, celebrities, leading scientists and prominent Jedi, all eyes in the galaxy will be on the fair and its participants.  However, some of these watching eyes have far more hostile intent and are determined to see the Republic Fair fail at all costs.

The most dangerous of these is Marchion Ro, the mysterious and unpredictable Eye of the Nihil.  Under his leadership, the Nihil have achieved much infamy and caused inordinate destruction throughout the Outer Rim, and Ro is determined to keep the Republic and the hated Jedi out of his territory.  As the fair begins, Ro orders a devastating attack that will shake the very galaxy to its core.  As Jedi such as Stellan Gios, Bell Zettifar and Elzar Mann attempt to hold back to the tide of evil descending on Valo, they are about to discover that there is something far more dangerous afoot in the galaxy.  Marchion Ro has uncovered an ancient evil and the entire galaxy, and every Jedi in it, is about to fear his wrath.

Now this was an awesome book, and one that is really starting to make me fall in love with The High Republic.  Scott has produced an intense and powerful story that continues to develop some of the best The High Republic characters, while also advancing some great storylines established in the previous novels and comics.  I had a wonderful time getting through this book, and this may be one of my favourite The High Republic novels so far.

This book has an awesome and captivating narrative to it.  Set about a year after the events of the first High Republic novel, The Rising Storm quickly introduces several intriguing storylines that each follow a different key character.  This includes a great storyline surrounding Elzar Mann as he attempts to decipher a warning given to him by the Force, as well as the tale of the conflicted and distracted Jedi apprentice Bell Zettifar.  There is also great storyline that follows a new character, mercenary Force user Ty Yorrick, as she takes on a new contract, and several storylines that follow key characters in the Nihil.  All these initially separated storylines are quite fun and do a good job setting up the various main characters, as well as establishing the current relevant events occurring in the galaxy.  While these individual storylines are quite fun and feature a mixture of intriguing characters, they swiftly come together into one combined narrative, when all the participants arrive at Valo for the Republic Fair.  Based on the book’s synopsis and the initial planning by the Nihil, you know that the fair is going to be attacked in some way, and Scott makes sure to ramp up anticipation for the upcoming carnage, showing multiple scenes that could lead into it.  However, even after all that, I was still not quite prepared for how amazing the main part of the novel turned out to be.

The eventual raid on the fair ended up lasting for quite a substantial part of the novel, as a coordinated attack separates the key characters.  With communications down and chaos reigning all around them, the protagonists are on their own, with each of their separate storylines focusing on their own encounters with the Nihil.  The entire raid is utter bedlam and proves to be a hotbed of action, intense moments, and dangerous character development.  I was honestly surprised at how dark parts of this book got, and readers are guaranteed a thrilling experience as there are several outstanding and intense action sequences.  Each of the main characters is effectively highlighted during this period, and readers will quickly become engrossed in their storylines and their attempts to navigate the dangers they encountered.  The entire raid sequence comes to an end with a decent part of the novel still left, which I initially thought was a bit of a mistake, as Scott could have ended the novel perfectly in the attack’s aftermath.  Instead, he constructed an incredible final sequence that really tied the entire narrative together, resulting in a memorable conclusion that sets up the next wave of novels perfectly.  While I did feel the story could have used a little bit of trimming, this was an overall excellent narrative, which I think was stronger than the preceding Light of the Jedi, mainly because it did not require the universe setup that Soule was required to chuck in.

While I deeply enjoyed The Rising Storm’s addictive story, this novel is a bit of a niche read and is mostly going to appeal to established fans of the franchise.  The Star Wars extended universe is an interesting and enjoyable place to explore, but it can be easy to get a little lost while checking out these books.  This is especially true with the new High Republic range, which takes the reader to a fictional period that has not been introduced to a wider universe either in a film or television series.  Due to its position as a second wave High Republic novel, you really need to check out some of the earlier works in the series before you try this one out, especially Light of the Jedi, which sets up most of the storylines and characters featured in this novel.  It is also important to add that this novel ties into several of the other High Republic comics and novels.  Events from these books and comics are referenced throughout The Rising Storm as Scott’s key characters interact with the protagonists of these other works, such as the junior novel, Race to Crashpoint Tower.  Knowledge of some of these contemporaneous pieces of fiction is not 100 per cent necessary, although several plot points and references become a lot clearance once you recognise the connection.  While Scott did do his best to make story accessible to new readers, I think that most High Republic newcomers would be better served reading Light of the Jedi first, which will make it so much easier to enjoy this awesome novel.

One of the more difficult things about reading a High Republic novel is the lack of any recognisable characters from the Star Wars films or television shows, as the only character from them alive at this point is Yoda (who keeps disappearing).  However, I found myself getting really invested in the complex and intriguing characters featured in The Rising Storm, as Scott makes use of both original characters and characters introduced in previous pieces of High Republic fiction.  This novel focuses on a huge selection of supporting characters, each of whom have their own adventures and stories.  One of my favourites was damaged Jedi Elzar Mann.  Mann is a troubled being who spends most of this novel haunted by both a dark vision from the Force and his unrequited and forbidden love to his friend and fellow Jedi Avar Kriss.  Because of this, Mann spends most of the novel walking the very edge of the Jedi code, breaking nearly every rule he can, including that major one about not falling in love or having a physical relationship with someone.  This sets him on a knife’s edge, and when the Nihil come, he is pushed dangerously close to the Dark Side (which mirrors Anakin’s fall in several ways) with some spectacular results.  This portrayal of Mann is one of the most compelling and exciting in the entire novel, and I appreciated the inclusion of a rogue Jedi.  Another complex Jedi character that I enjoyed was apprentice Bell Zettifar, who was a major point-of-view character in Light of the Jedi.  Bell is still reeling from the events of the first book where his master was apparently killed by the Nihil.  Because of this and other traumatic events, Bell spends much of the novel doubting the Force and his place in it.  I found myself really drawn to this character, and I appreciated the tough journey he was going on.  Unfortunately, it looks like Bell is going to go into some very dark places in the future, which should make for some excellent and moving storylines.

Aside from Mann and Bell, another great character I liked was Stellan Gios, a Jedi recently elevated to the Jedi Council.  Stellan, who had a minor role in previous pieces of High Republic fiction gets a lot more focus in this novel and proves to be a fantastic point of view character.  He is another complex figure, especially as he also has doubts and regrets, despite his position as a Council member.  I saw Stellan as the Obi-Wan Kenobi of the High Republic (partially because of the voice used by the audiobook narrator) and I liked his mostly calm demeanour, unrelenting friendship with the wilder Elzar Mann and the way he acts as straight man to several unusual Jedi characters.  Stellan goes through a lot in The Rising Storm, and it was fantastic to see him continuously overcoming adversity as he becomes more use to his place on the Council.  I also deeply enjoyed the character of Ty Yorrick, who was probably the best original character in this novel.  Ty is a former Jedi apprentice turned rogue mercenary who uses her Force abilities and spiked purple lightsaber to hunt monsters.  Despite her aversion for getting mixed up with the Jedi, Ty finds herself at the Republic Fair and must contend with both Jedi and Nihil.  While Ty was not the most developed character in this novel, I really liked her unique style and the fantastic mentor-student bond she eventually forms with Elzar Mann.  She has a lot of potential as a character, and I can see her becoming a major figure in the High Republic novels.

Some of the final characters I need to mention include Rhil Dairo, a spunky reporter who finds herself in the middle of all the key events of the book, recording with her cam droid.  Rhil is a fantastic and fun reporter character, much in the vein of Lois Lane, who can kick ass and get the scoop at the same time.  I also loved the scenes that featured Orbalin, a Jedi archivist and history buff.  Despite his more academic inclinations, Orbalin is quite a fun character who proves to be a real badass, especially as he manages to hold off several Nihil characters, including the lethal Lourna Dee, while giving a history lesson.  Finally, it was also great to see more of Wookie Jedi Burryaga, the cuddliest and nicest Jedi of all time, who everyone loves and who the reader feels inordinately protective of.  All these protagonists and more add so much to The Rising Storm’s narrative, and it was absolutely great to see all of their storylines unfold.

I am also deeply enjoying the villains of The High Republic, the Nihil.  The Nihil are a collection of murderous and self-centred pirates, who use their unique technology and tactics to bedevil the Republic and the Jedi.  With their own unique look and style, which is a mixture of spacefaring Vikings and Mad Max villains, the Nihil are a pretty fun group of characters to follow.  After a very strong introduction in Light of the Jedi, they have another amazing showing in The Rising Storm, achieving some major acts of destruction.  Thanks to their weird weapons, violent attitude and being constantly high on a cocktail of drugs and stimulants, the Nihil prove to be pretty dangerous opponents, even to the Jedi.  This makes for some very unique fight sequences, and it was fascinating to see the Jedi overwhelmed by these criminals.  At the same time, there is also an intriguing focus on the leadership of the Nihil, as the top commanders, the Tempest Runners, fight for dominance against each other and Marchion Ro.  Ro is proving to be a particularly intense and fascinating villain and Scott really builds on the character in this novel, showing more of his flaws, his motivations and his abilities to deceive and destroy.  There are several amazing storylines following Ro throughout this novel, including one where he obtains a mysterious evil item from the past.  The eventual partial reveal of this plot device results in The Rising Storm’s memorable conclusion and the High Republic creative team clearly has some fantastic plans for Ro in the future and they are turning him into one of the more complex and dastardly villains in the entire Star Wars canon.

As is becoming my recurring habit, I ended up listening to an audiobook version of this Star Wars novel.  This of course was a wonderful experience, as the team behind these books ensured that this latest Star Wars audiobook was the usual audio treat that I have come to love.  Featuring a decent run time of just over 15 and a half hours, The Rising Storm audiobook was an exceptional listen that I managed to power through in just over a week and which proved to be an exceptional way to enjoy this Star Wars adventure.  The entire narrative of The Rising Storm is enhanced and supported by a range of awesome and iconic Star Wars sound effects and music, which are intended to draw the listener into the story.  Both the sound effects and music are used to incredible effect throughout, and I think that they both added so much to my overall enjoyment of The Rising Storm.  The sound effects do a remarkable job presenting the ambient noise of every single scene, with crowd noises, the hum of a lightsaber, the engine noises of a ship or the sounds of blaster fire, constantly played in the background.  I was particularly impressed by the chaotic sound effects used during the Nihil attack on the fair, as you are treated to background noises of terror and destruction for several hours, which helps to highlight just how devastating the entire affair is.  In addition, the always impressive John Williams musical score is so much fun to hear, and it was put to particular good use in several significant scenes to enhance dramatic impacts.  I was extremely moved when I heard some of this music, as it either pumped me up during key action scenes (Duel of the Fates always gets me hyped), or to be deeply saddened when the more tragic musical cords struck up.

In addition to the exceptional use of sound effects and music, I also was deeply impressed with the incredible voice work featured in this audiobook.  Leading Star Wars narrator Marc Thompson once again lends his voice to this audiobook, continuing the work that he did in the Light of the Jedi.  Thompson has previously narrated some of my favourite Star Wars audiobooks, including Thrawn, Chaos Rising, Greater Good, Scoundrels, Dark Disciple, and the Doctor Aphra audio drama.  I also really enjoyed the awesome work he did in The Rising Storm, as Thompson not only revises the many voices that he introduced in Light of the Jedi but also adds in several new ones for the new characters.  I felt that various voices that Thompson did fit each of the characters extremely well, and he was able to perfectly personify their personality and written nature using a variety of fun accents.  I also found that Thompson was able to highlight the various emotions that the characters were feeling, giving the listeners a great sense of what they were feeling through his tone.  It was also cool to hear the combination of sound effect and Thompson’s voice when it comes to several alien characters featured within the audiobook, especially those whose voices were altered by technology.  All this outstanding voice work, combined with the awesome sound effects and music, helps to turn The Rising Storm into an absolutely incredible and addictive audiobook, and this is easily the best way to enjoy this fantastic Star Wars book.

The High Republic continues to expand as the amazing Cavan Scott adds his own unique spin on events with the exciting and memorable Star Wars: The Rising Storm.  This latest addition in the intriguing High Republic range does a fantastic job introducing the next stage of this unique Star Wars time period, complete with a devastating event, some major changes and some outstanding new characters.  I had an incredible time reading this great novel, and The Rising Storm is a must read for all fans of the Star Wars franchise, especially in its audiobook format.  If you have not gotten into the High Republic yet, you are missing out, and I cannot wait to see what happens next.  I will also have to make sure to grab a copy of Cavan Scott’s next Star Wars audio drama, Tempest Runner, a High Republic entry which is set for release in a couple of months and which will tell the tale of one of the more intriguing Nihil characters, Lourna Dee.

Star Wars - The Rising Storm Cover 2

Star Wars: Thrawn Ascendancy: Greater Good by Timothy Zahn

Star Wars - Thrawn Ascendancy - Greater Good Cover

Publisher: Penguin Random House Audio (Audiobook – 27 April 2021)

Series: Thrawn Ascendancy – Book Two

Length: 16 hours and 17 minutes

My Rating: 4.75 out of 5

One of the most impressive authors of Star Wars fiction in the world today, the legendary Timothy Zahn, returns with another epic entry in his Thrawn Ascendancy series, Greater Good, which continues to explore the early life of that awesome Star Wars character, Grand Admiral Thrawn.

Zahn is an outstanding author who has been writing Star Wars fiction since 1991, with the highly regarded Heir to the Empire.  Since then, Zahn has written several amazing Star Wars novels in both the current canon and the Star Wars Legends canon.  While I have not read all of Zahn’s Star Wars novels (yet!), the ones I have were all incredible and are some of my all-time favourite Star Wars novels (such as the awesome Star Wars: Scoundrels).  However, his most distinctive works have all surrounded the awesome character of Thrawn.

Grand Admiral Thrawn is an alien officer in the Imperial Navy, renowned for his amazing tactical knowledge, brilliance in battle and ability to discern insights about his opponents by observing their personality or culture, especially art.  Ever since his introduction in Heir to the Empire, Thrawn has been a firm favourite among the fans, so much so that he was one of the few characters from the Legends extended universe reintroduced in the new canon.  This reintroduction was done in the third season of the Star Wars: Rebels animated series, where he served as an impactful antagonist for the third and fourth season.  It also looks like Thrawn will also be getting a live-action appearance at some point in the future after his name was dropped in The Mandalorian, which is pretty damn exciting.

The character has been heavily featured in the current range of Star Wars novels, as Zahn was brought back in to write some exciting new Thrawn-based novels.  This started with a brand new Thrawn trilogy in 2017, made up of Thrawn, Alliances and Treason, which showed how Thrawn joined the Imperial Navy and his early career as an officer.  These novels were all incredible reads (Thrawn got a five-star review from me, and Treason was one of the best books I read in 2019), and I loved the character’s unique adventures.  Thrawn’s story was furthered expanded last year with Chaos Rising; the first novel in Zhan’s Thrawn Ascendancy series, which examines the character’s pre-Empire life. 

While the armies of the Republic and the Separatists battle for supremacy in the Clone Wars, another deadly conflict is occurring beyond the bounds of known space.  Deep in the unexplored regions, known as the Chaos, the mighty Chiss Ascendancy have just defeated the forces of General Yiv the Benevolent, shattering his empire, the Nikardun Destiny, and bringing peace back to their territories.  As the Chiss Ascendancy returns to normal, they are unaware that they are still under attack from a malevolent and clever foe that is determined to finish off the Chiss once and for all.

On a Chiss agricultural planet, a group of peaceful and seemingly harmless aliens have arrived, seeking to temporarily make a home.  In addition to their good nature, kind hearts and unique spices, these aliens have also brought something of great value that many people will kill for.  As news of the alien’s resources spread, cracks begin to appear in the very foundation of the Ascendancy, as the various powerful families fight for supremacy.

With civil war on the horizon, the future of the Chiss Ascendancy may lay in the hands of the brilliant and infamous Senior Captain Mitth’raw’nuruodo of the Chiss Expansionary Defence Fleet.  Thrawn, who is personally responsible for the defeat of Yiv and the Nikardun, is currently investigating the origins of their attack on the Ascendancy and, in doing so, comes across a previously unknown planet destroyed by its own deadly civil war.  As Thrawn attempts to explore this new mystery, he soon finds himself in the midst of a dark conspiracy.  An unseen force is attempting to take control of the entire Chaos, and the Chiss are the greatest obstacle to their plot.  Hamstrung by politics, family ties and his own inability to see the deeper motivations of his fellow Chiss, can Thrawn stop the oncoming conflict before it is too late, or will the Chiss Ascendancy burn from the inside out?

Zahn has once again produced an exceptional and outstanding piece of Star Wars fiction that further explores the fantastic early adventures of his greatest creation.  Greater Good is an excellent middle novel in this cool trilogy, and readers will deeply enjoy this book’s blend of intricate storytelling, great characters and impressive universe-building.  All of this results in an exciting and compelling novel that quickly draws readers in and has absolutely no trouble keeping their attention.  I had an outstanding time getting through this great novel and I was able to power through its audiobook format in no time at all.

At the heart of this outstanding novel is a clever and addictive narrative that follows Thrawn and a bevy of supporting characters as the Chiss Ascendancy finds itself in danger from an indirect attack.  Greater Good follows on immediately after Chaos Rising, and examines the next stage of a compelling conspiracy against the Chiss, while also focusing on Thrawn’s battles during this period.  The author utilises a substantial number of alternate perspectives to tell a rich and varied story and, while Thrawn is the centre of much of the book’s plot, Zahn has widened the focus of the novel with several compelling storylines and characters.  These include an investigation into the origins of a Nikardun attack on a remote planet, several jaunts out into different parts of space, internal political conflicts that are a threat to Thrawn, and exciting encounters with other inhabitants of the Chaos.  There is also a substantial focus on a new plot to destroy the Chiss, which includes several compelling flashback sequences that examines the origins and initial planning of the conspiracy.  This use of flashback is pretty impressive, and while certain aspects of the antagonist’s storyline are a tad odd, it was still an interesting tale.  I really enjoyed the vast array of different storylines and character arcs that really highlighted the richness of the setting and the unique plotlines they could inspire.  While some of these storylines might seem rather disconnected at times, Zahn cleverly brings them together at the end of the novel, resulting in a very impressive and intriguing conclusion.

As with most of Zahn’s novels, Greater Good is loaded to the brim with Star Wars lore and intriguing universe-expanding ideas as the author dives deeper into the origins, culture and history of the Chiss Ascendancy.  Zahn really expands on what he introduced in his previous Thrawn and Thrawn Ascendancy novels, especially Chaos Rising, and highlights the proud Chiss warrior culture.  A vast amount of new information of the Ascendancy is featured within this latest book, and the reader gets a fascinating look at the planets, political makeup and social hierarchy of this race, especially at the family level.  Not only is this really intriguing, especially for those readers who have enjoyed Zahn’s previous additions to the Star Wars canon, but the author uses it extremely well within the plot.  Much of the main narrative, including the conspiracy that threatens to destroy the Chiss, is based on their family makeup and the accompanying politics and family mentalities that go along with that.  I felt that Zahn integrated this into the narrative extremely well, forcing the characters to navigate their unusual and insane politics in order to survive.

The author also expands the reader’s knowledge of the previously unexplored area of the Star Wars universe known as the Chaos.  The Chaos, thanks to certain celestial anomalies, is harder to navigate and transverse than regular space; it is a mess of isolated planets, unknown societies and new alien races.  Zahn introduces several new aliens throughout this novel, with each unusual race playing an interesting role in the overall story.  I love the unique Star Wars setting of the Chaos, especially as many of the established Star Wars rules and technology are not as present.  For example, the various warships have some different armaments and shielding, such as acid-filled missiles, resulting in some unique and previously unseen battle tactics.  It was also interesting to see the different takes on the Force that the inhabitants of the Chaos have come up with.  Without any Jedi present, the various races within the Chaos each have their own interpretations or uses for the Force, such as the Chiss Sky-Walkers, young children who can use the Force to help ships navigate the Chaos more effectively, and it was intriguing to encounter different views of this throughout Greater Good.  Hardcore Star Wars fans will enjoy the intriguing additions that Zahn makes to the expanded universe, and the final few pages hint at some major lore introductions occurring in the next Thrawn Ascendancy novel that I am rather curious about.

While this was a great book and piece of Star Wars fiction, I did feel that it required some pre-knowledge of Zahn’s prior works.  The narrative of Greater Good is heavily linked to the events of its preceding novel, Chaos Rising, and while the author does re-explain some of the elements or storylines, a lot of the plot does rather assume you read the first book.  Having greatly enjoyed Chaos Rising, I was able to follow this quite easily, but I could easily see some newer readers getting a little lost or overwhelmed in places.  In addition, parts of the Thrawn Ascendancy series are heavily linked to the events of the previous Thrawn trilogy, and certain references or comments might not make much sense unless you had already read these books.  As a result, I would suggest newer readers check out some of Zahn’s earlier novels first, although it is still possible to enjoy Greater Good without it.  Those readers who have enjoyed these prior books are definitely in for a great treat though and will find the deeper dive into the Chiss and Thrawn’s past to be really enjoyable.

I cannot review one of Zahn’s Thrawn-centric novels without talking about the awesome space battle sequences they contain.  Each of these awesome books features some impressive and detailed space battles as the protagonists encounter a range of ships and fleets that they must fight against.  Greater Good is a particularly good example of this, as Zahn has written several outstanding sequences that are attention-grabbing and fun.  The sheer level of detail and planning that Zahn puts into these action sequences is incredible, and you get an amazing sense of what is occurring during the battle as well as the associated tactics and plans.  The sequences involving Thrawn are easily the best, as Zahn goes out of his way to showcase the character’s tactical brilliance.  This results in some very elaborate sequences, as Thrawn quickly determines the weaknesses of his opponents and uses that knowledge to craft intricate and somewhat insane strategies to utterly defeat them.  Watching these plans come to fruition is always amazing, especially as the reader has no idea in advance what is going on in Thrawn’s mind.  Instead, you only get to see the brilliance and impact of his tactics at the same time as the other characters, and it is always a lot of fun seeing how Thrawn was able to come to his conclusions about his opponents and use them against him.  Zahn comes up with some outstanding sequences for Greater Good that are guaranteed to leave readers on the edge of their seats.

In addition to the awesome narrative, action and universe-building, Greater Good also features an awesome collection of characters, each of whom add so much to the novel.  Naturally, the most impressive character is Thrawn himself.  Even amongst his own people, Thrawn is a strange being who sees the world in a very unique way, and everyone he encounters is impressed by his tactical know-how and unnatural observational skills.  I always enjoy the way in which Zahn depicts Thrawn’s actions in the novel, as Thrawn is one of the few characters whose perspective we do not see.  Instead, Thrawn is only portrayed through the eyes of the major point-of-view characters who observe and react to his actions.  Not only does this remove the inherent difficulties in depicting Thrawn’s mind, but it really enhances the impacts of his deductions and subsequent reactions.  The observing characters view Thrawn making his moves or claiming some impossible bit of knowledge, and then slowly work out how he did it, either through their own observations or thanks to comments by Thrawn.  This is done in a similar manner to the classic Sherlock Holmes novels, with the supporting characters in Greater Good acting in the role of Watson to witness and be impressed by the protagonist’s intelligent leaps.  Like with Sherlock Holmes, the use of the outside narrator in Greater Good deeply enhances the impact of Thrawn’s action, resulting in some awesome scenes.

One of the intriguing aspects of Thrawn’s character in Greater Good that I appreciated was the way in which Zahn continued to highlight his character’s one major weakness: politics.  Thrawn has absolutely no concept of politics, family alliances or some of the inner conflicts impacting the Chiss, and as such is unable to defend himself or others against political ambitions or vindictiveness.  I always really enjoy this trait in the Thrawn novels, especially as it gives Thrawn a noticeable weakness, while also enhancing the impact his fellow supporting characters have, as all of them understand politics better and can help Thrawn in this arena.  This blindness to political realities is particularly important in Greater Good, as not only is Thrawn being attacked by politicians from within his own family but the main threat facing the Chiss is more political than militaristic in nature.  This results in a rather intriguing handicap for Thrawn throughout Greater Good, and it was cool to see the sort of plan that the character came up with to compensate for it, as well as the mistakes he then makes.  Overall, Thrawn is a pretty awesome and fascinating character to follow, and I cannot wait to see what events happen to him in the final book in the trilogy.

Aside from Thrawn, I also really enjoyed some of the supporting characters featured throughout Greater Good.  In addition to being perfect conduits to observing Thrawn’s actions, each of these characters have their own intriguing storylines, many of which are continuing from Chaos Rising.  Examples of this include Thrawn’s old friend, Admiral Ar’alani, Thrawn’s second in command Mid Captain Samakro, the former Sky-Walker Thalias, who has tied her fate with that of Thrawn, and the powerful Mitth family politician, Thurfian, who serves as a secondary antagonist.  Each of these characters is further developed in Greater Good, and I enjoyed some of the cool storylines that Zhan is coming up for them.  Thurfian’s storyline is particularly intriguing going into the next novel, as the final scenes hint that he is going to come into possession of some very interesting knowledge soon.

Zhan also introduces several great new characters throughout Greater Good, many of whose narratives are tied into the malevolent plot to destroy the Chiss.  I found myself quite intrigued by the character of Lakinda, a fellow Senior Captain in the Chiss Expansionary Defence Fleet, who serves alongside Thrawn.  Not only does Lakinda offer an intriguing alternate observation angle on Thrawn, tinged with a bit of jealously and mistrust, but this character provides greater insight into the Chiss family structure.  Lakinda is an extremely loyal member of a mid-tier Chiss family, and she often finds her loyalties conflicted as she attempts to choose between family and the fleet.  This results in some captivating and emotional sequences which really help to highlight the unusual nature of Chiss society.

I also quite liked how Zahn spends time following the main antagonist of Greater Good, the mysterious alien Haplif.  Haplif and his people have been hired by a mysterious third party to orchestrate chaos and dissent within the Chiss Ascendancy to destroy them.  As a result, he masterminds an ingenious plot to promote conflict between various members of the Ascendancy.  I really enjoyed the complex and clever plot that this character came up with, and it was really cool to see him manage to manipulate several people throughout the course of the book, and he was an interesting alternative to the previous antagonist, Yiv.  It was a little odd to see Haplif, a supposedly brilliant planner and master manipulator, find his plans constantly stymied by a spoiled teenager and a backwater rancher, but it was fun to see his arrogance work against him.  All of these characters are amazing, and I really appreciate the time and effort that Zahn put into developing them.

It will not surprise anyone that I ended up listening to this Star Wars novel’s audiobook format rather than seeking out a physical copy of the book.  I absolutely love Star Wars audiobooks, and this was another excellent example that comes highly recommended.  The Greater Good audiobook has a runtime of just over 16 hours, which, while substantial for a Star Wars novel, is extremely easy to get through, especially once you become engrossed in Zahn’s cool story.  Like most modern Star Wars audiobooks, Greater Good makes amazing use of the classic Star Wars sound effects and film score to enhance the story.  I particularly enjoyed its use in Greater Good’s various space combat sequences, and it really amps up how epic those scenes were.

The real standout of this audiobook was the outstanding narration by Marc Thompson.  Thompson is an experienced narrator of Star Wars fiction who, aside from contributing his voice to all the books in the Thrawn and Thrawn Ascendancy novels, has also narrated awesome audiobooks like Light of the Jedi, Doctor Aphra, Dooku: Jedi Lost, Dark Disciple and more.  Thompson does an incredible voice for Thrawn that is filled with the character’s control, intelligence, and gentle menace, and which is very, very close to how the character is portrayed in Star Wars: Rebels.  This amazing voice for Thrawn is easily one of the best parts of the audiobook, and it is fun to listen to the character lay out his elaborate strategies in Thompsons’s awesome tones.  Aside from Thrawn, Thompson also produces a great range of different voices for Greater Good’s supporting characters.  Each character gets their own distinctive voice, which matches their personality and physical qualities, and the listener is never in doubt about who is talking.  I also quite enjoyed how Zahn makes fun accommodations for the various different species featured within the audiobook, tailoring his voices to make them sound more alien at times.  Zahn also gives more rural accents to some of the Chiss characters featured in this novel who are from, or are located on more backwater planets, which I thought was a very nice touch.  All of these amazing features help to turn the Greater Good audiobook in an absolute treat for your ears, and it is an incredible way to enjoy this epic novel.

Thrawn Ascendancy: Greater Good is another exceptional piece of Star Wars fiction from Timothy Zahn.  Featuring his iconic and impressive creation, Grand Admiral Thrawn, Greater Good serves as an outstanding second entry in the Thrawn Ascendancy series, which charts the early life of this great character.  With a clever and exciting story, chock full of universe building, fantastic characters and some unique and memorable battle moments, Greater Good is an excellent novel that comes highly recommended.  I have so much love for Zahn’s Thrawn and Thrawn Ascendancy novels and, after really enjoying Greater Good, I am very excited to see how this series ends.  The final book in the Thrawn Ascendancy trilogy, Lesser Evil, is coming out in November 2021, and I cannot wait to get my hands on it.

Throwback Thursday – Star Wars: Maul: Lockdown by Joe Schreiber

Star Wars - Maul - Lockdown Cover

Publisher: Random House Audio (Audiobook – 28 January 2014)

Series: Star Wars

Length: 12 hours and 20 minutes

My Rating: 4.5 out of 5 stars

This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. 

2021 has so far been a fantastic year for Star Wars novels with excellent releases such as the two Star Wars: The High Republic novels, Light of the Jedi and Into the Dark, and the final entry in the Alphabet Squadron trilogy, Victory’s Price.  I have been really enjoying these new Star Wars novels but I recently got a hankering for something a little different and decided to go back and check out some of the older Star Wars tie-in novels.  While there were several intriguing options (I was strongly eyeing off A New Dawn by John Jackson Miller, Darth Plagueis by James Luceno and Razor’s Edge by Martha Wells), I eventually settled for the one of the last entries in the Star Wars: Legends range of books, Maul: Lockdown by Joe Schreiber, an intensely exciting and dark novel with an amazing story to it.

Welcome to the space station Cog Hive Seven, the most dangerous prison in the entire galaxy.  Here inmates are forced to fight to the death in matches broadcast to millions of gamblers across the Republic determined to make a profit off the blood of the galaxy’s worst killers and criminals.  No one escapes from Cog Hive Seven, and every one of its deadly and evil inhabitants know that they will eventually die there.  However, not even these deranged inmates are prepared for the new evil that has been thrown into their midst, the lethal dark-side assassin, Darth Maul.  

Sent by Darth Sidious to contact a secretive weapons merchant, Iram Radique, Maul has disguised himself as a notorious mercenary and killer.  Determined to complete the mission his master has given him, Maul begins to upend the prison to find the elusive Radique, quickly establishing himself as a destructive force of chaos.  However, his notoriety also sees him forced into progressively more dangerous matches against some of the deadliest creatures in the galaxy. 

Bereft of his lightsaber, forbidden from using the force and with bombs injected into both his hearts, Maul must rely on his brutal combat abilities and own inner strength to succeed.  But the closer he gets to finding Radique, the more he realises that not everything is as it seems aboard Cog Hive Seven and that his target will do everything is his power to avoid meeting with Maul.  Worse, dangerous factions have taken notice of the prison and its deranged warden and soon Maul must contend with a death cult, the followers of Jabba the Hutt and a horrifying monster living within the walls of the prison.  Can even Darth Maul overcome the odds in front of him, or will the creatures of Cog Hive Seven swallow him whole?

I think readers of this blog will not be too surprised to hear that the moment I found out that there was a book that followed Darth Maul participating in death matches aboard a space prison, I knew I would have to read it, and boy am I glad I did.  Maul: Lockdown is an impressive and fantastic novel that I found to be instantly captivating and which I powered through in a short amount of time.  Author Joe Schreiber, whose previous novel, Death Troopers, featured an outstanding story about key Star Wars characters encountering a zombie horde (it is as awesome as it sounds) came up with a pretty epic narrative for this Star Wars novel, and I really enjoyed this cool, Darth Maul-centric book.

I have to say that I was really surprised about how complex and impressive Maul: Lockdown’s narrative turned out to be.  Based on the plot description, I would have expected a simple, action-orientated story, but instead Schreiber crafted together a dark and powerful Star Wars tale with some compelling mystery elements.  This book reads a lot like a prison thriller, with Maul thrust into the middle of a dangerous jail which he must navigate to find his target.  While there is a natural focus on the fights between Maul and the other dangerous inmates, which results in some exceptional action sequences, the author also works in some great mystery and crime fiction elements that combine perfectly with the Star Wars backdrop.  The author utilises a bunch of multiple perspectives to show the chaotic nature of the prison, and there are several great storylines based around supporting characters which twist their way around Maul’s central story of surviving and attempting to find the secretive arms dealer. 

As the story progresses, more and more dangerous elements and antagonists are thrown into the narrative, including monsters, deranged cultists and even Jabba the Hutt, intensifying the obstacles facing Maul and raising the thrilling stakes of the narrative.  I really enjoyed the main storyline of the hunt for Radique, and there were plenty of false leads and twists around who he was and where he was hiding.  I did think the eventual reveal of the character (spoiler ahead!!!) was a tad weak, mainly as it ended up being a character we hadn’t seen before (spoiler end), but it was still an interesting and exciting centre to the narrative.  Schreiber also weaves some excellent horror elements into the story, especially surrounding one unique creature in the prison.  The author makes this creature particularly horrifying to behold, both because of its appearance and its unsettling abilities, and there are some real terrifying sequences surrounding it.  All these great elements come together perfectly into one fantastic and captivating tale that proves to be extremely addictive and very clever.

This is an exciting Star Wars novel that fans of the franchise are really going to enjoy.  Maul: Lockdown was one of the later entries in the previous Star Wars extended universe which is now known as the Star Wars: Legends range.  Despite no longer being considered canon, the Star Wars: Legends books still have some great stories, such as the impressive heist novel Scoundrels, and this was a pretty cool entry.  Set a year before The Phantom Menace, this book is loaded with a ton of references to other pieces of Star Wars media, including several previous Star Wars: Legends novels and comics, Schreiber’s previous book Death Troopers (featuring a clever cameo), and even an old Star Wars video game, Bounty Hunter.  There are lots of interesting pieces of Star Wars lore in here, and the author features a couple of major figures from the prequel films, as well as a few obscure characters from some of the older Star Wars novels, including a corrupted Padawan of Count Dooku I had not heard of before (she is not in the new canon).  I really enjoyed the author’s inclusion of a battle of intrigue between Darth Sidious and his master Darth Plagueis, and the story in Maul: Lockdown has some great connections to certain events in the Darth Plagueis novel.  While Schreiber has included a lot of high-level lore, I felt that this was quite an accessible Star Wars novel and anyone who saw Darth Maul emerge in The Phantom Menace will definitely enjoy this darker and captivating piece of Star Wars fiction.

One of the most intriguing things about this novel is the way in which the author attempts to dive into the mindset of fan-favourite character Darth Maul.  Ever since he whipped out his dual-bladed lightsaber in The Phantom Menace, Maul has been a much beloved figure in the Star Wars franchise, but you do not often get to see much of his inner thoughts.  While I would probably be happy reading a simple hack-and-slash adventure featuring Maul, I really appreciated the way in which Schreiber takes the time to examine Maul’s inner psyche, and you get an intriguing glimpse into his thoughts about his mission, his purpose in life and his loyalty to his master.  I found it quite fascinating to see the way in which Schreiber portrays Maul’s complex feelings about Sidious, as he is both simultaneous absolutely loyal to him while also being deeply suspicious about his intentions.  Maul spends most of the book believing that everything he is experiencing is a test or deception levelled at him by his Master and he also hints at his suspicions that he will eventually be betrayed.  While this examination of Maul’s more complex thoughts and feelings is quite interesting, it is also perfectly counterbalanced by a huge number of scenes that examine just how much of a badass Maul is.  Schreiber has loaded this book up with awesome and brutal fight sequences pitting Maul up against a range of deadly opponents, which are made even more awesome by the fact that Maul is unable to use either his lightsaber or force abilities.  Instead, Maul shows off his impressive unarmed fighting skills and his natural cunning, as he overwhelms his opponents in some brutal and clever ways.  The author also fits in some compelling hints and depictions of Maul’s training and early life, which I found to be very interesting, particularly as some of these events slightly differ from the current canon.  All of this makes for an exceptionally cool Darth Maul novel, and I loved seeing this great character in all his deadly glory.

I ended up checking out Maul: Lockdown on audiobook, which is easily the best way to enjoy a Star Wars book.  The Maul: Lockdown audiobook has a reasonable run time of 12 hours and 20 minutes, which dedicated listeners can get through in a couple of sittings.  I absolutely powered through this audiobook myself, especially once I got caught up in the cool story, and I had a great time experiencing all the features of this format.  Like most Star Wars audiobooks, Maul: Lockdown makes excellent use of the iconic sound effects and musical scores from the Star Wars films and television series to enhance its story.  The sound effects are particularly impactful in Maul: Lockdown, and I liked the way they made the many fight sequences pop with the sounds of violence and weapons blasting.  They also made one horrifying creature even more terrible to listen to thanks to the slithering and sucking sounds that played when it appeared.  This audiobook also made great use of John Williams’ amazing scores.  I always love hearing the inspirational and moving Star Wars music during these audiobooks, and while it was more restrained in this audiobook than some others I have enjoyed, it still helped to make several emotional or exciting scenes just a little more epic.

In addition to the cool sound effects and awesome music, Maul: Lockdown’s audiobook also made great use of exceptional narrator Jonathan Davies.  Davies is a veteran narrator who has lent his voice to several Star Wars novels in the past, such as Doctor Aphra, Dooku: Jedi Lost, Master and Apprentice and Lords of the Sith.  He does a fantastic job bringing the various characters in Maul: Lockdown to life, and I really enjoyed the unique tones that each character received.  I really liked the voices that he used for established Star Wars characters, which were close, if not spot on, to how they appeared in the films or television series.  This includes the menacing tones he came up with for Maul, which contained all the character’s barely supressed anger and hatred, and he did a rather good Darth Sidious which was reminiscent of Tim Curry’s take on him in The Clone Wars animated series.  Davis also did a perfect Jabba the Hutt (not exactly sure that is a compliment, but please take it as such), and I loved hearing him do Jabba’s iconic laugh.  Overall, his narration was pretty damn awesome and, when combined with the fantastic sound effects and great musical inclusions, helped to really enhance Maul: Lockdown’s narrative and continued the trend of outstanding Star Wars audiobooks.

Star Wars: Maul: Lockdown by Joe Schreiber is an outstanding and awesome novel that sees one of the best characters in the Star Wars canon fighting for his life in a dangerous setting.  Featuring a powerful and addictive narrative, loaded with intrigue, betrayal, and a whole lot of violence, this is a rich, clever, and dark Star Wars novel that comes highly recommended.  I had an incredible time reading this cool and captivating book and I really need to check out some of the other amazing sounding novels in the Star Wars: Legends range.

Star Wars: Victory’s Price by Alexander Freed

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series. 

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story. 

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future. 

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him. 

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

Star Wars: The High Republic: Light of the Jedi by Charles Soule

Star Wars - Light of the Jedi Cover

Publisher: Random House Audio (Audiobook – 5 January 2021)

Series: Star Wars – The High Republic

Length: 13 hours and 35 minutes

My Rating: 4.5 out 5 stars

Boldly venture into a bright new era of the Star Wars universe as acclaimed science fiction author Charles Soule introduces the first entry in the High Republic multimedia publishing project, Light of the Jedi.

We are all the Republic!

Two hundred years before the events of The Phantom Menace and the Skywalker Saga, the Republic was at its absolute height in influence, technology and culture, in a period of time known as the High Republic.  With the glorious Jedi Order leading the charge, nothing seems capable of slowing down the inevitable expansion of the Republic, especially with the creation of the Starlight Beacon, a vast space station designed to bring Republic influence to the darkest corners of the Outer Rim.

However, all it takes is one event to threaten everything.  In the depths of hyperspace, tragedy strikes when the transport ship Legacy Run, taking settlers to the Outer Rim, encounters something while travelling at light speed and is torn apart.  Shortly after, in the agricultural system of Hetzal, chunks of the ship emerge from hyperspace at incredible speeds and begin to rain down across the systems, planets and moons in an extinction-level event.  Disaster is only partially averted by the arrival of the Jedi, who work tirelessly and valiantly in an effort to save as many lives as possible.

As more pieces of debris begin to strike other systems within the Republic and the Chancellor initiates a hyperspace blockade, the Jedi are tasked with determining the origin of the crashed ship before more tragedies can occur.  As the Jedi, led by Master Avar Kriss, begin to investigate, they quickly determine that a mysterious new party has taken a twisted interest in the disaster, the Nihil.   The Nihil are a group of ruthless and chaotic raiders with dark secrets and a sinister origin, who appear out of nowhere and take what they want.  Armed with unique technology and abilities, the Nihil are about to engage in a deadly campaign against the Republic and the Jedi which the galaxy may never recover from.

I think it is fair to say that the High Republic is off to a smashing start with this exciting and captivating novel.  The High Republic is an intriguing new publishing campaign that aims to present a bold new era of Star Wars tie-in fiction.  Set around 200 years before the events of the earliest Star Wars film, the High Republic will consist of a series of connected novels, including adult, young adult and young reader books, as well as several comics, manga and audiobooks, all set in the same period of Star Wars history, with a whole new range of different characters and storylines.  The High Republic project has been in the works for some time, with several of the best Star Wars tie-in fiction authors banding together to come up with the overarching story and universe.  These various storylines are likely going to lead into some form of movie of television series in the future, especially after the success of shows like The Mandalorian, representing a whole new creative frontier for these amazing authors.

The subject of this review is Light of the Jedi, the first book in the High Republic range, which introduces readers to this fascinating time period in the Star Wars universe.  This essential introductory novel was written by the extremely talented Charles Soule, who is one of the main creative voices of this project.  Soule is a fantastic author who, in addition to writing several cool science fiction novels, is probably best known for his work in the comic book world, having authored a number of major series, such as Thunderbolts vol. 2, She-Hulk vol. 3, Death of Wolverine, and Daredevil vol. 5, just to name a few.  I personally know Soule best from his various Star Wars comics, including the very cool Poe Dameron series, The Rise of Kylo Ren miniseries and his current run on the main Star Wars series (I really need to review the first volume of that).  My favourite of Soule’s Star Wars comics is the exceptional Darth Vader: Dark Lord of the Sith series, which followed Darth Vader in the immediate aftermath of his turn to the dark side.  This was a deeply impressive series (check out my reviews for Volume 2: Legacy’s End and Volume 3: The Burning Seas, the latter of which was one of my favourite releases of 2018), with some captivating and clever storylines, and it easily one of my favourite Star Wars comics of all time.  As a result, I have been eagerly awaiting this impressive author’s first Star Wars novel, and Light of the Jedi did not disappoint as Soule created a fantastic and epic tale that I really enjoyed.

At the heart of this great novel is an exciting and compelling narrative that takes the reader on a wild adventure into the depths of Star Wars space and beyond.  Soule presents a brilliant multifaceted tale in Light of the Jedi, told from the perspective of a huge number of different characters, each of whom add some fantastic perspectives to the wider narrative.  This novel has an amazing start, with the first third of Light of the Jedi showing the cataclysmic event that rocks the galaxy and the subsequent attempts to avert it in great detail.  This entire first part of the book is pretty fantastic, filled with destruction, heroics and amazing character introductions, all of which is overlayed to a countdown clock that hints at a bigger and more destructive event to come.  I really enjoyed this fast-paced and intense start to the book, especially as Soule adds in some fantastically written action-packed scenes, loaded with some dramatic and tragic moments, setting up the novel’s subsequent story perfectly.  The rest of the book splits into several separate but related storylines that show the aftermath of the opening chaos, introduces and highlights the overall antagonists of the book, and expands on the introduced characters.  All of the storylines featured in this part of the book are extremely interesting and compelling, presenting several unique adventures with some excellent twists, while also examining cool aspects of the Star Wars universe.  The huge range of storylines and character arcs complement each other really well, producing a balanced and captivating tale that comes together extremely well in the end.  All of this leads up to an epic conclusion that not only serves as a great ending to the various storylines featured in Light of the Jedi but which also sets up some intriguing storylines for the future High Republic novels.

Perhaps the most interesting part of this book is the huge extensions that Soule, and the associated High Republic creative brain trust, made to the Star Wars universe.  The High Republic period, as portrayed in this novel, is a gleaming beacon of civilisation and democracy, where unity and positivity run rampant, especially with their near-religious catchphrase of “We are all the Republic”.  Light of the Jedi serves as the perfect introduction to this period, and Soule does an amazing job exploring all the key aspects of it, including the technology, the set-up, the significant figures and the major differences between this period and future eras of the Republic that readers are more familiar with.  I liked the overall setting of this version of the Star Wars universe, especially as it has a very distinctive frontier feel to it, with people moving out from the settled core of the Republic and encountering some of the hidden and malicious dangers in the less settled regions.  There is also something shiny and exquisite about a lot of inclusions in this book, and I particularly liked all the depictions of the spaceships and technology featured.  This historical Republic is definitely at a high-point of culture and technology, and as such this book is loaded with a ton of elegant and beautiful battleships, which sound so much more impressive than rougher technology featured even in the prequel films.

I also appreciated the way in which the author portrays people having a general sense of naivety throughout the Republic, as they all believe that everything is peaceful and nice.  This will no doubt change in future entries in the series, and it will be interesting to see if this peaceful version of the Republic starts to go downhill a bit as a result of the events featured within this series.  For me though, one of the highlights of Light of the Jedi had to be the titular Jedi.  The Jedi featured in the High Republic series are at the height of their power and majesty, and they prove to be a very impressive bunch in their white and gold robes.  There is a really fascinating collection of unique Jedi throughout the novel, and it looks like Soule attempted to feature Jedi of nearly every Star Wars species he could think of.  The thing that really stood out to me were all the cool Jedi powers that they had, as the Jedi characters in this novel were doing a ton of amazing force techniques that none of the characters featured in the films seemed possible of doing.  All of this was really cool to see, and I think that Soule and Light of the Jedi did an amazing job of introducing this impressive setting.

Another very intriguing inclusion is the Nihil.  The Nihil, who are set to be the main antagonists of the entire High Republic range, are a group of ultra-violent raiders who live by a simple code of taking what they want, when they want, and are massively opposed the ideas of law and order imposed by the Republic and the Jedi.  Soule does an amazing job introducing these antagonists in Light of the Jedi, with their first scene showing them coming out of nowhere and brutally pillaging a fleet of ships.  There was something particularly savage and intense with this first sequence, and I was getting serious Mad Max or Firefly Reaver vibes in the way that they attacked, using harpoons and vicious boarding tactics.  The author continues to expand on these antagonists throughout the course of the book, and the reader is given a solid idea of their structure, tactics, history and general mindset, as a number of chapters are told from their perspective.  The Nihil have some very interesting and unique characteristics to them, and there is a certain Viking theme to them, especially with their storm motif.  I loved the portrayal of them throughout the book, and this group of mask-wearing, savage aliens really left an impression on me, especially with their gas-based weapons, under-handed battle tactics (there is one particularly awesome sequence around that) and unique hyperspace technology.  I was slightly worried that the Nihil were going to simply be portrayed as a group of common raiders throughout the course of this series, and it appeared at times within Light of the Jedi that this is what was going to happen.  However, this was a bit of clever misdirection from Soule, who produced a very compelling and well-written story arc around these antagonists that really sets them up as a major deadly force in the Star Wars universe.  A lot of this menace is due to the many cool hints and reveals about the Nihil’s hidden secrets throughout the course of the story, especially surrounding Nihil’s mysterious leader, the Eye, and I look forward to unravelling them in future entries in this series.

Soule introduces a large range of compelling characters in Light of the Jedi, including a range of intriguing new Jedi.  Due to the author going for a mass perspective story, this novel really does not have a main character; instead Soule splits the tale across many characters, each of whom have their own unique storylines and arcs.  I have to admit that before reading this novel I was slightly concerned that the High Republic series would have a bit of a hard time gaining traction with characters, as the only figure from the films to actually be alive at this point is Yoda (and apparently Yarael Poof, who I mostly recognise from a fun Robot Chicken sketch).  However, I quite enjoyed a lot of the characters featured within this book and I appreciated the way that Soule was able to build them up into compelling and unique individuals within the series of shorter story arcs that they had.

Some of the key characters include Jedi Master Avar Kriss and Jedi Knight Elzar Mann (the two humans on the cover), powerful Jedi with unique abilities who are being set up as two of the main characters of the entire franchise.  Kriss and Mann, who are lifelong friends, form an intriguing team, especially with their underlying romantic tensions that they cannot act on (Soule makes a fun joke about Jedi and their lightsabers earlier in the novel that works perfectly there).  Another fantastic pair are Twi’lek Jedi Loden Greatstorm (awesome name) and his Padawan, Bell Zettifar, a more action orientated pairing who get into some scrapes throughout the novel.  Loden and Bell have an excellent arc throughout the novel and I enjoyed their great master-and-apprentice relationship, which mainly consists of Loden throwing Bell off high locations for training purposes.  Both characters, especially Loden, end the novel in an interesting position, and it will be very cool to see how these two characters develop and change in future entries in the series.  Other highlights for me include the Trandoshan Jedi Sskeer, mainly because of his cool look and species, and the Wookiee Padawan Burryaga Agaburry, who the reader swiftly warms up to, even if he doesn’t say anything comprehensible throughout the book.

In addition to the Jedi mentioned above, I really have to highlight some of the chaotic and intense Nihil characters, who make for some great antagonists.  The main one of these is the mysterious Marchion Ro, a leader and mystic of the Nihil with a hidden past and a sinister agenda who is being set up as the major villain of this franchise.  Ro, is a unique new antagonist, with hints of other Star Wars villains in his inspiration (particularly Kylo Ren), who has a fun arc within Light of the Jedi, completely changing and manipulating his followers for his own betterment.  I also quite liked the Tempest Runner Kassav Milliko, the drugged up, vicious and opportunistic Nihil warlord who clashes with Ro throughout the book and who serves as a major catalyst for story advancement throughout the book.  All of these characters and more prove to be quite compelling to follow, and I look forward to seeing what happens to them in future entries in this overarching publishing project.

Like I do for many Star Wars novels, I ended up grabbing Light of the Jedi in its audiobook format.  This proved to be a fantastic decision on my behalf, as the Light of the Jedi audiobook is really awesome, featuring the usual outstanding blend of great narration, epic music and clever sound effects to create an intense and enjoyable listening experience.  It had a reasonable runtime of 13 hours and 35 minutes, which listeners should be able to get through rather quickly; I personally was able to power through it rather quickly once I really got into the fantastic story.  The audiobook’s creative team did an exceptional job enhancing the story with the iconic Star Wars sound effects, and I loved the amazing ambiance that every single scene had, whether it was the sounds of destruction that occurred during a fight scene, or the simple sounds of people whispering that gave realistic life to group scenes.  The Star Wars music was also on point again, and I cannot emphasise how much emotion and excitement the awesome musical scores added to each scene in the novel.  For example, they expertly utilised John Williams’ tune of Anakin’s Betrayal during one particularly sudden and tragic scene, giving it an added layer of depth and despair that really struck me.  Many other different and iconic Star Wars musical scores were featured at various points throughout the novel, and I quite enjoyed the inclusion of several numbers that were a little less familiar to me, and which gave this audiobook a more unique flair.  Listeners will also really appreciate the cool heavy metal music that ran in the background of some of the Nihil scenes.  Identified as “wreck punk” by some of the characters (apparently created by instruments made from the metal of wrecked star ships), this heavy metal music adds an additional Mad Max edge to the Nihil in battle, and I loved how the audiobook’s creators went the extra mile to make these villains even more edgy.

In addition to the excellent musical inclusions and awesome sound effects, the Light of the Jedi audiobook also featured the superb vocal talents of veteran narrator Marc Thompson.  Thompson, who I recently mentioned in my review of Thrawn Ascendancy: Chaos Rising, did another fantastic job with Light of the Jedi, telling the story at a swift and enjoyable pace, while also giving voice to all the fun characters featured within the story.  Each of the characters gets their own unique voice, ensuring the reader can identify who is speaking at all times.  I felt that these voices fit each character perfectly, and Thompson has fun giving some of these character distinctive accents.  Thompson is also able to convey an amazing amount of emotion with his tone, adding fear, suspense and anguish into both his main narration speech, as well as the voices of the various characters.  This great outpouring of emotion in his dramatic voice helps to enhance several scenes, drawing listeners in with its realism and intensity.  I should note that listening to the audiobook did give me a clue at a fun little twist that Soule added to the story, as you can identify who a hidden speaker is at one point via his voice, something someone reading a physical copy of the book would not get.  This did not ruin the book for me in any way shape or form; indeed I kind of liked having this hint and it added a little more intrigue to the overall story.  Overall, this was some exceptional voice work from Thompson, which makes this audiobook an outstanding way to check out Light of the Jedi.

Star Wars: Light of the Jedi by Charles Soule is a fantastic and exciting new novel that serves as an intriguing and powerful introduction into the new High Republic range of novels and comics.  Featuring an epic and action-packed narrative, some awesome new characters, and an impressive amount of universe-building, this is an incredible book that was really fun to read.  Thanks to the introductory nature of the story, it is very accessible to fans with various levels of franchise knowledge, and may even prove to be a good entry point into the wonderful world of Star Wars novels.  I am a little uncertain at this point how this new Star Wars franchise is going to proceed in the future and how some of the storylines will continue, but I am really looking forward to finding out.  The future of Star Wars tie-in fiction leading into the High Republic looks bright, especially if we get more outstanding novels like Light of the Jedi, and this should be an interesting new chapter in Star Wars history.

Star Wars: Thrawn Ascendancy: Chaos Rising by Timothy Zahn

Thrawn Ascendancy - Chaos Rising Cover

Publisher: Random House Audio (Audiobook – 1 September 2020)

Series: Thrawn Ascendancy – Book One

Length: 15 hours and 5 minutes

My Rating: 4.5 out of 5 stars

The master of Star Wars fiction, Timothy Zahn, returns with a brand-new series that explores the early days of his most iconic character, Grand Admiral Thrawn, with the first book in the Thrawn Ascendancy trilogy, Chaos Rising.

A long time ago, beyond a galaxy far, far away…

Beyond the edges of the known galaxy, past the borders of the Republic, beyond even the backwater Outer Rim, lies the Unknown Regions.  The Unknown Regions are a chaotic and barely explored section of space, where hyperspace travel is difficult and dangers lurk around every corner.  Despite this, many species flourish in this region, fighting for their survival and forming civilisations hidden from the eyes of the Republic and the Separatists as they fight their bitter civil war.  However, out of all these races, none are more mysterious, secretive and dangerous than the Chiss Ascendancy.

The Chiss have long considered themselves to be one of the most powerful races within the Unknown Regions.  Boasting vast fleets of powerful vessels which can appear anywhere within the Unknown Regions thanks to their great secret weapon, the force-sensitive children who can navigate hyperspace in the Unknown Regions, known as Skywalkers, the Chiss believe themselves safe and secure.  However, a sudden ill-fated attack on their home planet by a mysterious fleet quickly shatters this allusion.  While many, including the Chiss ruling council, are convinced that the attacking ships are a precursor to an invasion and begin preparations to withdraw their outer fleets, Supreme General Ba’kif believes that there is more to this attack then what is apparent.  In order to explore his suspicions, Ba’kif calls upon one of his most talented officers to investigate, the young tactical genius Senior Captain Mitth’raw’nuruodo, better known as Thrawn.

Many years before he became the Emperor’s most effective weapon as a Grand Admiral in the Imperial Navy, Thrawn, served his own people as a member of the Chiss Expansionary Defence Fleet.  Already renowned for his rare tactical ability, as well as his disregard for the politics and rules of the Ascendancy, Thrawn begins his investigation into the attack and swiftly determines that it was merely a feint, designed to draw the Ascendancy’s attention away from a much more dangerous threat.  A new malevolent alien empire is building strength in the Unknown Regions, and its eyes are firmly fixed on the Chiss.  With his hands tied by protocol and with his political enemies within the Ascendancy trying to take him down, Thrawn may be unable to stop the upcoming attack before it is too late.  However, Thrawn always has a plan, and the Unknown Regions are about to understand just how dangerous he truly is.

This was another fantastic outing from Timothy Zahn, who has produced a cool and intriguing prequel novel to his previous series.  Zahn is one of the most experienced and highly regarded authors of Star Wars tie-in fiction in the world today, having written several impressive novels for both the current Disney-owned canon, and the previous Star Wars Legends canon.  While he has written various Star Wars novels, such as the fun standalone novel Scoundrels, Zahn is probably best known for his 1991 release, Heir of the Jedi, which is generally considered to be the start of a whole new era of Star Wars tie-in fiction.  While there are a number of interesting aspects to Heir of the Jedi, one of the most important things about it was that it introduced Zahn’s most distinctive and popular creation, Grand Admiral Thrawn, a rare alien officer in the xenophobic Imperial Navy who was revered as their ultimate tactician.  Thrawn proved to be a very popular character whose backstory and characterisation was later expanded on in a number of Zahn’s other Star Wars Legends novels.

Due to the Disney purchase of the Star Wars franchise and the subsequent removal of everything except the movies and the animated series from canon, Thrawn was temporarily erased as a canon character until the third season of the Star Wars Rebels animated television series, where he was reintroduced with an altered backstory and history.  As part of this reintroduction, Zahn was contracted to write several new Star Wars novels examining this new history of the character, and thus he wrote the Thrawn trilogy, featuring the excellent novels Thrawn, Alliances and Treason, which are among some of the best pieces of Star Wars tie-in fiction I have so far read.  This trilogy ended in 2019, but Zahn is far from done, having started a new trilogy, the Thrawn Ascendancy series, last year.  The Thrawn Ascendancy trilogy, of which Chaos Rising is the first entry, is an intriguing and detailed series that serves as a prequel to the novel Thrawn and which show a younger version of the character as he serves the Chiss during the same time period as the Clone Wars.  Chaos Rising is an excellent and enjoyable novel which I read a few months ago, but which I have only just had a chance to review.  It was fantastic to see this complex and compelling character in action again, as well as more of Zahn’s impressive world-building.

This new novel from Zahn contains an amazing story that looks at the earliest adventures of Thrawn.  This is a very clever and layered tale that explores the main character in more detail while also providing him a new opponent to face in this book as he attempts to engage in battle against a dangerous enemy threatening his people.  Zahn builds a great narrative around the fight against this new antagonist, with Thrawn forced to engage in a number of intricate campaigns in order to obtain information and determine which points of weakness to exploit, whilst also have to contend with the machinations of members of his own race who are concerned with the reckless Thrawn’s actions.  At the same time, the author builds up a number of intriguing side characters who help to tell the tale of Thrawn in greater detail and with some interesting personal arcs.  This main storyline proves to be an extremely enjoyable and captivating read which flows at a great pace for most of the book, broken up with a number of cool and impressive battle sequences.  The main story is also supported by a fantastic collection of flashback sequences that depict an even younger version of Thrawn, showing some of his earlier encounters with many of the characters featured in the novel and highlighting how different the character has always been.  These flashbacks are used to great effect throughout the novel, not only building up the various characters’ pasts and personalities but also creating a great pace for the novel, with several key events from the protagonist’s life introduced where necessary to the main plot.  All of this helps to turn Chaos Rising, and indeed the entire Thrawn Ascendancy series, into an intriguing prequel to the Thrawn trilogy as it begins to set up the various reasons why Thrawn was sent away by his people and recruited by the Empire.  One part of Chaos Rising even directly ties into the events of one of the books from the previous trilogy, Alliances, with the reader seeing an alternate viewpoint to Thrawn meeting with Anakin Skywalker that gives an entertaining context to the events of that previous book.  All of this results in a fantastic and clever story that is easy enjoy and which sets up some more intriguing adventures in the later entries in this series.

One of the things I always try to address while reviewing a Star Wars novel is what level of franchise knowledge a reader needs to have in order to fully enjoy the story.  While most Star Wars novels are generally fairly accessible to new readers or casual fans, I would say that Chaos Rising is one of those books that should primarily be read by major fans of the franchise.  This is because Zahn loads this novel up with a ton of Star Wars references and details, including details of obscure parts of Star Wars lore and characters.  While the author does do a good job of explaining all the relevant aspects of this extended universe through the book, I would say that having some pre-knowledge about some of these elements is important.  At a minimum I would suggest that the readers read Zahn’s original Thrawn trilogy first, especially as Chaos Rising serves as a prequel to them, although fans with some basic knowledge of the character of Thrawn should be able to follow along without too much difficulty.  For new readers who do get through Chaos Rising, you are going to experience a huge amount of new information about the Star Wars universe as Zahn does a substantial amount of universe building throughout this book.  In particular, the author explores the legendary Chiss Ascendancy, a mysterious alien empire existing outside of the main Star Wars galaxy.  This is the first time that the Chiss planets and culture have been explored in any real detail in the current canon, and it proves to be a fascinating experience learning more about them and seeing the culture that produced such a unique character as Thrawn.  This novel contains a lot of detail about this alien race, as well as many other aspects of life outside the main galaxy setting of the Star Wars franchise, and while it is a tad overwhelming at times, I had a great time expanding my Star Wars knowledge and exploring this new, intriguing region.  It seems likely that Zahn will go into even more detail about this part of the Star Wars universe in future novels in the trilogy, and I look forward to seeing what other cool aspects he comes up with.

One of the best things about this book was seeing the return of the amazing and compelling character of Thrawn.  Thrawn is a very unique and enjoyable character, mainly because he has an unfathomable mind and is able to tactically outthink and outmatch any opponent that he comes across.  A highly analytical being who is able to discern fantastic insights about a person or species’ intentions, personalities and general mindsets from viewing some aspects of their creativity, mainly their artwork, Thrawn is easily able to predict actions and provide effective or crazy counters that shock and surprise everyone watching.  This makes him an incredibly fun character to see in action, especially as he makes some amazing and credible leaps of logic off the smallest details that Zahn features in his descriptions.  These analytical leaps then lead into a number of awesome and cool scenes where he outsmarts everyone around them, including in the book’s various battle sequences, which are awesome to read as there are some truly outrageous and clever tactical moves that no one can see coming.  Because of his way of thinking, Thrawn has a very closed off and odd personality that unnerves a lot of the people he deals with and makes many wary of his motivations and actions.

Just like he did in the previous novels, Zahn portrays Thrawn as a little less vicious and dangerous than he appears in Star Wars Rebels, with a little more humanity (or the Chiss version of it) added into his character.  Zahn also continues to explore the character’s lack of political awareness, a major flaw in his thinking that continues to cause him trouble as he constantly battles against the overarching hierarchy to take actions he knows will benefit or save his people.  I felt that Chaos Rising took a very interesting look at the character’s history, personality and backstory, and I quite liked the examination of his earliest trials and battles.  Thanks to the author’s use of flashback sequences, the reader gets a great view at different parts of his history, and you see the various steps that he takes rising up the military ladder and the various aliens and people he crossed or destroyed on the way.  All of this proved to be really cool to see, and Thrawn remains one of my favourite characters in the Star Wars canon, especially after this great outing from his past.

One of the most distinctive parts of any novel that follows Thrawn is the fact that none of the story is shown from his point of view; instead other characters tell his story.  This is mainly done to really highlight just how brilliant Thrawn is and to ensure that his eventual plans and insights come as a major surprise to the reader, much in the same way that a Sherlock Holmes novel is told from Watson’s perspective.  Chaos Rising features several different point-of-view characters, including one or two antagonists, who encounter Thrawn throughout the course of this novel and witness him utilise his tactical acumen.  I love seeing the various characters react to Thrawn’s impressive and clever schemes, and it is always fun when they realise that the impossible is happening right in front of them.  Several of these characters, particularly Thrawn’s allies, also provide a much deeper examination of the main character’s personality and mentality, and you see a different side to the character as a friend and mentor.

While these characters are primarily there to follow Thrawn, Zahn does take the time to explore each of these characters, with a particular focus on Thrawn’s impact on their life.  Many of these characters have some excellent and enjoyable backstories to them, and it was fascinating to see these great characters have their carefully planned out lives completely thrown around when they meet Thrawn.  While I failed to connect to some of these point-of-view side characters (for example, I just could not get invested in the arc surrounding the Skywalker Che-ri), others proved to be quite intriguing to follow.  Examples include Admiral Ar’alani, Thrawn’s former classmate at the academy, who becomes a lifelong friend and constantly finds herself trying to protect the protagonist from himself, or Thalias (Mitth’ali’astov) a former Skywalker whose encounter with a young Thrawn inspired her to join his clan and gave her a new vision for the future.  I also rather enjoyed following Qilori, an Unknown Regions navigator-for-hire, who secretly serves the Nikardun Destiny while also taking jobs for other clients like Thrawn and the Chiss.  It was immensely entertaining seeing Qilori attempting to manipulate Thrawn on the orders of the main antagonist, especially as Thrawn sees through every single one of his tricks.  Each of these great side characters added their own edge to the story, and I really appreciated having so many varied and unique viewpoints of the fantastic main character.

While I did receive a physical copy, I decided to listen to the audiobook format of Chaos Rising, not only because it made my reading schedule easier but because Star Wars audiobooks are always so much fun to listen to.  I think that I made the right decision here, as the Chaos Rising audiobook was a very awesome experience and I had a great time listening to it.  With a run time of just over 15 hours, this is a somewhat longer Star Wars audiobook, although once you get wrapped up in the story you don’t really mind.  Everything about this audiobook is cool, from the classic Star Wars sound effects, which help to drag the listener into the story (it is so much easier to imagine a dangerous fight scene when you can hear the blaster shots), to the outstanding use of John Williams’ iconic musical score, which just makes everything epic.  This audiobook also features the superb narration of the amazing Marc Thompson, who does a wonderful job.  Thompson, who has a vast experience voicing Star Wars audiobooks (for example, all the previous Thrawn novels, Dark Disciple, and roles in the Count Dooku and Doctor Aphra audio dramas), has an exceptional range of different voices which he uses to full effect throughout Chaos Rising.  Each of the characters is given a distinctive and enjoyable voice which allows the listener to easily follow who they are, while also getting an impressive and comprehensive idea of the character’s emotions and passion.  However, his most impressive work is saved for the main character himself.  Thompson has an excellent Thrawn voice, which very closely matches the voice of Lars Mikkelsen, the actor playing Thrawn in the Star Wars Rebels animated show, which helps to bring the character to life in vivid and impressive detail.  Thompson’s take on the character captures the character perfectly, and you get an amazing sense of the character’s deep analytical nature and constantly calm façade.  This was an exceptional bit of voice work from Thompson, and it really added so much to my enjoyment of the story to have this character’s words read out to me.  An overall exceptional and outstanding audiobook, this is the perfect format to check out Chaos Rising.

Thrawn Ascendancy: Chaos Rising is another outstanding novel from amazing Star Wars author Timothy Zahn that provides the reader with a captivating look at the early life of the incredible character of Grand Admiral Thrawn.  Featuring a clever and intriguing tale set deep in an unexplored area of the Star Wars universe, this novel serves as a fantastic and addictive prequel to Zahn’s impressive Thrawn trilogy and adds new layers to the author’s most iconic creation.  The second entry in this series, Greater Good, is set for release in a few months and looks set to be one of the most intriguing Star Wars novels of 2021, especially with renewed interest in the character of Thrawn after the second season of The Mandalorian.  I am extremely keen to see how the next novel turns out, but if it as good as Chaos Rising, then we should be in for a treat.

Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

Doctor Aphra Audio Cover

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of GamesDoctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

Star Wars: Queen’s Peril by E. K. Johnston

Queen's Peril Cover

Publisher: Random House Audio (Audiobook – 2 June 2020)

Series: Star Wars

Length: 6 hours and 10 minutes

My Rating: 3.75 out of 5 stars

Prepare to dive back into a galaxy far, far away, as bestselling young adult author E. K. Johnston presents the very first Star Wars novel of 2020, Star Wars: Queen’s Peril.

Padmé Naberrie has always wanted to serve the people of her home planet of Naboo, and she knows that the best way to do that is to become Queen. Entering the competitive election, the 14-year-old politician is elected as ruler of Naboo. Casting aside her real identity for the protection of herself and her family, Padmé takes on a new name, Amidala, and moves into the royal palace, determined to bring change to Naboo. However, even a ruler as brilliant and diplomatic as Padmé is unable to do everything by herself, and she finds out that she is going to need help.

In order to keep her safe and to assist her with her needs, Padmé is introduced to a group of talented young women who will serve as her handmaidens. Acting as her assistants, confidantes, bodyguards and decoys, each of her handmaidens brings something different to the group, and it is up to Padmé to turn them into an effective team. Together, Padmé and her new friends seem capable of dealing with any challenge that may impact them.

However, there is a dark plot at work within the Republic, and its mastermind has Naboo in their sights. Soon Naboo is invaded by the armies of the Trade Federation, who seek to capture Queen Amidala and force her to sign away the planet. Forced to flee in disguise, Padmé sets out to reclaim her home and will do anything to free her planet. While Jedi, soldiers and a young chosen one may rally to their cause, the fate of Naboo ultimately rests on the shoulders of a young queen and her loyal handmaidens.

Queen’s Peril is an intriguing and enjoyable new addition to the Star Wars canon from bestselling author E. K. Johnston. I have been rather enjoying some of Johnston’s recent Star Wars releases, and I had a fun time reading her 2016 novel, Ahsoka, as well as last year’s fantastic release, Queen’s Shadow. Queen’s Peril is the first of several Star Wars books being released in 2020 (although some have been delayed), and I have been looking forward to seeing how this book turns out. This new novel acts as a prequel to Queen’s Shadow and is set both before and during the events of the first Star Wars prequel film, The Phantom Menace. This ended up being a fun and interesting read that explores some unique parts of Star Wars lore.

This latest Star Wars novel contains an intriguing tale that starts from the moment that Padmé is elected queen and takes on the Amidala persona. The first two thirds of this book follow the early days of Amidala’s reign, introducing Padmé and her handmaidens and showing how they became such a tight-knit team. There are a number of great moments during this first part of the story, and it was interesting to see the origin of a number of elements of the Amidala character that are shown in The Phantom Menace, such as her voice, the establishment of the decoy system, and a huge range of other compelling features. There are also several scenes that are dedicated to exploring why the Trade Federation decided to target Naboo and what the origins of their conflict were. I really enjoyed the first two thirds of this book, and I feel that the final third kind of let it down a little. The last part of the book focuses on the invasion of Naboo and follows the events of The Phantom Menace. While it was cool to see some different perspectives on the events of the film, this part of the book felt rather rushed, as the narrative jumped between a number of sequences from the movie in rather quick succession. Despite the problems with the ending, this was still a rather compelling story, and I did enjoy Johnston’s additions to the Star Wars universe.

While on the surface this book appears to be purely about Padmé, Queen’s Peril is actually about a number of different characters who made Padmé’s role as Queen Amidala possible. Padmé is naturally one of the main characters of the book, but all five of her handmaidens are just as important to the story. Johnston previously introduced each of these handmaidens in Queen’s Shadow, and briefly explored their unique skills and what they brought to the group. She does this again in Queen’s Peril, although this is done in greater detail, as this book shows each character’s history and how each of them became a handmaiden. Each of the handmaidens is given a distinctive personality, and all five get a number of scenes told from their point-of-view. I really enjoyed learning more about these characters, and it was great to see them come together as a group and work towards ensuring that Padmé was protected and an effective queen. While each of the characters are explored in some detailed, the biggest focus is on Sabé, Padmé’s first handmaiden and her main decoy (played by Keira Knightly in the film). The author spends time showing the unique relationship between Sabé and Padmé, and it was captivating to see the trust between them grow. Because she was so heavily focused on in the movie, Padmé does not get a lot of scenes in the last third of the book, so quite a bit this part of the story is told from the perspective of all the handmaidens. It was rather interesting to see how each of these characters went during the course of the film, and it was particularly cool to see some scenes with Sabé as she pretended to be the Queen.

In addition to Padmé and her handmaidens, Queen’s Peril also featured point-of-view chapters or scenes from pretty much all the key characters from The Phantom Menace film. The use of all these extra characters was an interesting choice from Johnston, and I liked how it expanded the story and showed some fresh perspectives and backstory for several major Star Wars protagonists. Most of these appearances are rather brief, with characters like Anakin, Obi-Wan Kenobi and Qui-Gon Jinn only getting a few minor scenes. However, other characters do get some extended sequences, especially Captain Panaka, the head of Amidala’s palace guards. Several chapters are told from Panaka’s perspective, and he becomes quite a key character within the book, mainly because he is the person who finds and recruits all of the handmaidens. Panaka is a major driving force of the plot, and it was interesting to see his role expanded from the films, especially as you get more insight into why he is so dedicated to the Queen. I also really liked how the book features several sequences told from the perspective of Senator Palpatine/Darth Sidious. These scenes were fun, as they showed a lot of Palpatine’s earliest manipulations, including how he was able to organise the invasion of Naboo. Overall, I rather appreciated how the author utilised all the characters within Queen’s Peril, and watching their development and interactions proved to be quite compelling.

Like the author’s other Star Wars novels, Queen’s Peril is intended for a young adult audience, and Johnston does a fantastic job tailoring it towards younger readers. This book has a lot of great young adult moments to it, especially as it focuses on a group of teen girls working together to outsmart a variety of adults and then eventually save their entire planet from an invasion. Queen’s Peril has some fantastic portrayals of these teen protagonists, and there are a number of sequences which show them stepping up or dealing with complicated issues that younger female readers will appreciate. While it is intended for younger readers, Queen’s Peril, like most young adult Star Wars novels, is also very accessible to all readers who are major fans of the franchise, and it is easy for older readers to get into and enjoy the plot of the book and its intriguing new additions to the Star Wars lore.

I did have a minor complaint about the release order of the books in Johnston’s series about Padmé. While I enjoyed both Queen’s Peril and Queen’s Shadow, I really do think that it was an odd decision to release Queen’s Shadow first, and then release a prequel novel a year later. It would have been better to release Queen’s Peril first to introduce the various handmaidens and help build up the emotional connection between them and Padmé, making their use and inclusion in Queen’s Shadow a bit more impactful. It might also have made a bit more sense to have Queen’s Peril only focus on events before The Phantom Menace, have another book focus exclusively on what was happening with the handmaidens and Padmé during the course of the film (which would have ensured that Queen’s Peril did not feel as rushed as it did towards the end), and then release Queen’s Shadow. While I am sure that there is some reason why the order for these books was a bit off, probably at the publisher level, I think they could have planned this out a little better.

I ended up grabbing the audiobook version of Queen’s Peril, and I had a great time listening to this book. Queen’s Peril has a short run time of just over six hours, so it is rather easy to get through this book quickly. Like all Star Wars audiobooks, this version of Queen’s Peril was a real auditory treat, due to the excellent use of the iconic Star Wars sound effects and scores from the movies, which are used to enhance each of the scenes. While it was great to once again hear all the fantastic music and intriguing background noises, Queen’s Peril’s greatest strength as an audiobook comes from its fantastic narrator, Catherine Taber. Taber is the actress who voiced Padmé in The Clones Wars animated television show, and, short of getting Natalie Portman in, is the perfect person to narrate a novel about the character. Taber also narrated the previous Johnston book about Padmé, Queen’s Shadow (indeed all of Johnston’s Star Wars books have featured the character’s voice actor as a narrator for their audiobook), and it was great to see her return. She naturally does a perfect voice for the character of Padmé, as well as for the handmaidens, who had similar speaking patterns due to their role as decoys. There are some great vocal scenes between these characters, especially when they are trying to perfect the Amidala voice, and they go through several variations throughout the book. In addition, because Queen’s Peril features nearly every major character from The Phantom Menace, Taber also had to voice several different people who were brought to life by some amazing actors in the original film. I felt that Taber did a fantastic job as imitating some of these voices, and it proved to be a real showcase for her skills as a voice actor. Overall, I had an amazing time listening to this audiobook, and I would strongly recommend this format to anyone interested in checking out Queen’s Peril.

Star Wars: Queen’s Peril is an intriguing and exciting new young adult Star Wars release from E. K. Johnson that acts as a sequel to her previous awesome novel, Queen’s Shadow. Johnston comes up with another compelling story that explores the early life of Padmé/Queen Amidala and her loyal handmaidens. While it does have some flaws, it is a very good book, and it should prove to be a fun read for established fans of the franchise and younger readers who are interested in breaking into the expanded universe. I had an amazing time listening to this book and I look forward to seeing what sort of Star Wars story Johnston produces next.

Throwback Thursday: Usagi Yojimbo: Volume 9: Daisho by Stan Sakai

Usagi Yojimbo Daisho Cover

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 9

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Usagi Yojimbo Mirage - #7

It has been another good week of reading and reviewing for me, so I thought I would reward myself by doing a Throwback Thursday review of Daisho, the ninth volume in the outstanding, long-running Usagi Yojimbo series from one of my favourite authors, Stan Sakai.

Daisho is an impressive and exciting entry in the series, which unsurprisingly gets a five star rating out of me (full disclosure, every volume of this series is going to get five stars from me, it is just that damn good). This volume contains Issues #7-14 of the second run on the Usagi Yojimbo series, which was originally published by Mirage Comics (Issues #7 and #8 are only partially represented in Daisho as some stories from these issues were used in the prior volume, while a story from Issue #13 appears in the tenth volume that I will review next), and which has been collected into this volume by Dark Horse Books. This ninth Usagi Yojimbo volume is filled with several fantastic and creative stories that follow Usagi as he journeys across the land, getting into all manner of trouble and misadventures in this version of feudal Japan populated solely by anthropomorphic animals. Daisho serves as a significant inclusion in the overarching series, due to its connections to previous stories, and its introduction or resurrection of several key characters.

Usagi Yojimbo Mirage - 8

This volume starts off with an inspiring and tragic story, The Music of Heavens, which once again sees Usagi traversing the wilderness. His solitude is broken when he encounters the pack of Tokage lizards who he unwittingly befriended in a previous story, The Lizards’ Tale (which was featured in Volume 8: Shades of Death). While Usagi is less than thrilled to see the Tokages, they end up leading him towards another traveller who is making their camp in the woods. The traveller, Omori Kazan, is a mendicant Buddhist priest and skilled musician, who invites Usagi into his camp and talks to him about the various forms of music he studies. However, someone is stalking their camp, determined to get revenge and unafraid to kill an innocent bystander to get it.

I really liked The Music of Heavens and it proved to be a compelling first entry in this volume. The story is based on Usagi’s encounter with a new character, Omori Kazan. Kazan is an intriguing person due to his position as a komuso monk (the monks of emptiness) of a particular sect of Buddhism, which lends him a very distinctive look thanks to the woven basket hat (tengai) he wears on his head disguising his features. Kazan has an amazing arc that delivers a lot in a short while, as he introduces himself to Usagi and the reader, discusses music and religion, and then simultaneously meets his end while also experiencing the divine for the first time. This entire character arc is both beautiful and tragic at the same time, and it provides both Usagi and the reader with some significant emotional moments, especially when it comes to Usagi’s farewell to the Tokages. I also liked how Sakai utilises an antagonist from a previous story, and the fight between Usagi and this character was swift and well-drawn. This was an excellent introductory entry for this volume, and it is a story that I really enjoyed.

Usagi Yojimbo Mirage - 9

The second story in Daisho is the entertaining and clever entry, The Gambler, the Widow, and the Ronin. This story reintroduces the gambler from the previous story, The Duel (featured in Volume 6: Circles), who is up to his old tricks of organising deadly sword duels and cashing in on the bets of the local townsfolk. After the death of his previous samurai accomplice, Shubo, during a duel with Usagi, the gambler has been forced to find a new partner, the brutish and less skilled swordsman, Kedamono. However, Kedamono’s greed has convinced the gambler that it is time to end their partnership, and he quickly finds the ideal solution when Usagi arrives in town. However, as the gambler plots, he fails to realise that he is being stalked by Shubo’s widow, who is determined to get her revenge for the role he played in her husband’s death.

This was another amazing story that serves as a fantastic follow-up to a great prior Usagi Yojimbo story. I always get a real western vibe out of The Gambler, the Widow, and the Ronin, due to its title and the premise around a duel, it proves to be an excellent entry in this volume. Usagi is once again drawn into the plots of the gambler, and thanks to his humility, honour and good manners, which are mistaken as a weakness, both Kedamono and the local villagers are convinced that Usagi is a poor swordsman. However, the gambler, who has seen Usagi in action before, manipulates the odds so that he wins all the money when Usagi defeats his opponent, in a fun reversal of the events of The Duel. This was an incredibly entertaining scene as Usagi is again forced to deal with a bloodthirsty crowd, while the gambler feigns being saddened by the loss of his companion, despite being secretly delighted. However, the gambler ends up getting his comeuppance, and the widow, whose sad final scene was so memorable in The Duel, finally gets a small measure of justice. This was a very clever and enjoyable story, and I really loved how Sakai dived back to a prior standalone story to provide some closure and a fun continuation.

Usagi Yojimbo Mirage - 10

The next story is called Slavers, and it is a longer entry made up of two separate issues. In Slavers, Usagi encounters a young boy being pursued by bandits. Usagi defeats them and learns that the boy was attempting to get help for his village, which has been taken over by a gang of bandits who have enslaved the villagers as part of a destructive scam to steal their harvest and make a small fortune. Deciding to help the villagers, Usagi infiltrates the gang and attempts to rally the villagers to his cause. However, the gang’s leader, the villainous General Fujii, discovers the deception and captures Usagi, planning to kill all the villagers to make good his escape. Slavers is an amazing story that is not only intriguing in its own right but which also expertly sets up the series of follow-up stories that make up most of this volume. While the standalone narrative of Slavers gets a bit dark at times, due to an extended capture scene surrounding Usagi, it is a rather compelling story filled with action, deception and struggles against adversity.

Slavers is quickly followed up by three separate but distinct stories that can be combined together with Slavers into one large narrative that wraps up all the loose ends from the initial entry. The first one of these stories, Daisho Part One, sees Usagi in hot pursuit of General Fujii, who is in possession of Usagi’s precious swords. Due to the brutal actions of Fujii, Usagi loses his quarry and is forced into an extended hunt for him, eventually coming to a ransacked village. It turns out that the village had recently been raided by Fujii’s new gang, and Usagi must make a hard choice between recovering his soul or helping those in need.

Usagi Yojimbo Mirage - 11

I have a lot of love for Daisho Part One; it is probably one of my favourite entries in this entire volume. The story starts out with a magnificent and beautifully drawn sequence that shows the various elaborate processes by which a samurai’s swords are created. This impressive opening sequence is one of my favourite pieces of Usagi Yojimbo art from the entire series, and its creation highlights not only Sakai’s skill as an artist but his ability to research and portray intriguing parts of Japan’s unique culture and heritage. This sequence also shows the important a samurai’s swords to their wielder, as they are reflections of that warrior’s soul. This key concept is then brought to life in the main story, as it sees a somewhat unhinged Usagi risking everything to reclaim his swords from Fujii. Sakai does an outstanding job showing off how frustrated and enraged Usagi is at having his swords stolen from him, and he comes across as being quite frightening several times through the story. Usagi’s anger comes to a head when he reaches the village and his initial decision is to abandon the villagers and immediately follow Fujii and his men. However, a local village girl is able to shame him into thinking of others, and the old Usagi returns, providing aid to the villagers. This was an extremely compelling story that does a wonderful job combining a powerful, character driven narrative, with some exquisite artwork and some intriguing aspects of history, into an exceptional entry in this volume.

The next story in this volume is Mongrels, a quick story about a recurring Usagi Yojimbo side character, the bounty hunter Gen, which occurs around the same time as Daisho Part One. In this story, Gen enters a village and starts asking questions about his current bounty, General Fujii. However, he is not the only bounty hunter in town, as he soon encounters the notorious hunter Stray Dog, who is also hunting for Fujii. After a tense conversation, the two-part ways; however, both are determined to capture Fujii and outsmart their competition. This was a fun story that not only brings Gen into this multi-issue narrative but also introduces a couple of great recurring characters. Stray Dog is a fantastic character in the Usagi Yojimbo universe, and he often appears as a compelling rival (and sometime partner) to Gen (such as in the latest Usagi Yojimbo volume, Bunraku and Other Stories). This story serves as a swift and clever introduction to the character, and it was fun to see the rivalry between Gen and Stray Dog form so quickly. Mongrels also introduces the extremely entertaining side character, the Snitch (also called Toady), a sneaky, greedy character who provides information to the highest bidder. While the Snitch has only a short appearance in this story, he is going to start appearing in a lot of follow up volumes, and it is always fun to see where a character starts out. Overall, this was a great story that fits a lot of significant introductions and events into a few short pages.

Usagi Yojimbo Mirage - 12

The final story in this arc surrounding General Fujii is Daisho Part Two, in which Usagi and his guide meet up with Gen and Stray Dog right at the end of Mongrels. The three samurai decide to team up to raid General Fujii’s lair, and they engage in an all-out fight for money and honour. However, not everyone on the team is keen to work together, and betrayal is afoot. This was an excellent conclusion to the entire storyline, which I really enjoyed. This is a story chocked full of action, as the entire narrative sets up a massive fight between multiple combatants within an abandoned temple. There is some great character work within this story, not only from the protagonists, who bicker and fight amongst themselves, but also with the major antagonist, General Fujii. There some intriguing scenes that show Fujii’s efforts to lead and control a gang of bandits and cutthroats, and I also liked how Sakai shows him being haunted by thoughts of Usagi, whose swords he is holding onto. Usagi and Fujii finally get their showdown in this story, and it served as a fantastic end to this whole extended narrative. There are also some compelling moments surrounding Stray Dog, as he seeks to cheat the others out of the reward money for Fujii. While this initially paints him in a bad light, the source of his need for money is quickly shown, and it highlights just how complex and multifaceted this new side character is. I really liked how this entire story narrative ends, and Daisho Part Two is an excellent part of this volume.

The next story in this volume is the two-part entry, Runaways. In Runaways, Usagi journeys through a small town, when he finds himself in the path of a procession of the local noble lady. Hearing the lady’s name, Usagi is thrown back into the past as he remembers an adventure that occurred many years prior, when he was in the service of Lord Mifune. After finding out that the love of his life, Mariko, has married another man, Usagi is given a seemingly simple mission as a distraction. His task, to escort the young Princess Kinuko to the lands of her future husband, becomes infinitely more complicated, when their party is ambushed by a horde of Neko Ninja. Escaping with the princess, Usagi disguises Kinuko as a peasant in an attempt to hide her from their pursuers. However, the more time that Usagi and Kinuko spend together, the closer they become, until the lines of duty, honour and station become extremely blurred.

Usagi Yojimbo Mirage - 13

This was another exceptional story within the volume, and I liked how it flashed back to an adventure during his pre-ronin life. Set during the period when Usagi served Lord Mifune (as shown in Volume 2: Samurai), Runaways contains a powerful and emotional narrative that is actually based on Roman Holiday (Sakai is a massive Audrey Hepburn fan), which sees a princess run away with a strong male protagonist and grow close to him, despite her responsibilities and their differences in station. This proves to be a fun, if extremely loose adaption of the movie, and Sakai builds up a complex relationship between Usagi and Kinuko, as the two characters, both tragic victims of circumstances when it comes to love, grow closer to each other. However, despite their feelings, this relationship is fated to never be, and it ends in heartbreak, with the memories of it haunting both Usagi and Kinuko years later. I really liked how this story played out, and it was interesting to see aspects of samurai honour folded into the narrative from Roman Holiday. Other fantastic highlights of this story include the multitude of impressive fight scenes between Usagi and the Neko Ninja, starting with a major battle between two large groups of samurai and ninja. I also liked the exploration of the traditional Tanabata Matsuri festival that the two characters find themselves attending, especially as Kinuko has fun experiencing local customs, foods and activities that someone of her station will never get to enjoy. It was also cool to see an early adventure from Usagi, especially as this entry foreshadows events that have occurred in other volumes, including the return of several now-dead characters, such as Shingen (future leader of the Neko Ninja, who was introduced in Volume 3: The Wanderer’s Road, and died in Volume 4: The Dragon Bellow Conspiracy). An overall exciting and impressive story, Runaways is an amazing highlight of this volume.

The final entry is the short story, The Nature of the Viper. In this tale, a local fisherman finds the badly injured body of Usagi’s recurring foe, Jei, after he was thrown from a cliff during the climatic events of Circles. Bringing him back to his hut, the fisherman tends to Jei and manages to save his life. When Jei awakens, he shows his gratitude to the farmer be recounting a tale of viper and a peasant (a version of the classic fable, The Farmer and the Viper), before killing him and resuming his hunt for Usagi. This is a good, short entry that shows the fate of Jei after his last appearance. Jei comes across just as villainous and creepy as ever, and it was fun seeing the fisherman slowly realise just how much trouble he is in as the story progresses. While having a villain recount The Farmer and the Viper as justification for why they are killing a person is somewhat cliched at this point (although to be fair, this story was written back in the 90s), it was still a fantastic sequence. I think that this was an excellent way to end the volume, especially as the reader is left knowing that Jei has returned and that Usagi will be encountering him once again in the future.

Usagi Yojimbo Mirage - 14

Sakai has once again knocked it out of the park with the ninth volume in his series. Daisho contains several outstanding and memorable stories that are all wildly entertaining and contain some clever links to past and future entries in this series. I had an absolute blast reading this volume, and it is an extremely strong addition to the incredible Usagi Yojimbo series that comes highly recommend.