Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

Star Wars - Kenobi Cover

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis.  Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels.  I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine.  Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show.  I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller.  Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome.  As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

Star Wars - Kenobi Cover 2

These are dark days for the galaxy.  The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place.  All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi.  After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy.  Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past.  However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders.  The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks.  When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for.  Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done.  But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life.  Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out.  With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine.  However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them).  While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure.  Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities.  Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi.  Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides.  The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations.  Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story.  Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way.  This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe.  Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you).  Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains.  There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways.  Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series.  Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details.  As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

Star Wars - Kenobi Cover 3

I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi.  This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet.  Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point.  The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders.  I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point).  I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle.  However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark.  You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon.  I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan.  You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi.  This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe.  I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character.  Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben.  This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope.  I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith.  The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy.  While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain.  This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind.  As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist.  This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past.  Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel.  I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways.  All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them.  My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi.  Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure.  However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations.  Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist.  The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker.  I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault.  Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona.  Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him.  While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben.  She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements.  Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour.  Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book.  A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch.  They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do.  All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

Star Wars - Kenobi Cover 4

I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format.  Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome.  With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days.  Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on.  Both were really good throughout Kenobi, with the sound effects in particularly being put to great use.  I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis.  Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama.  He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb.  He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes.  Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities.  I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation.  This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure.  Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed.  Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down.  Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.

Throwback Thursday: Star Wars: Darth Plagueis by James Luceno

Star Wars - Darth Plagueis Cover

Publisher: Random House Audio (Audiobook – 10 January 2012)

Series: Star Wars Legends

Length: 14 hours and 45 minutes

My Rating: 4.75 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday I look at one of the more interesting novels from the Star Wars Legends universe, Darth Plagueis by James Luceno.

With Star Wars day on the horizon, I have decided to go back and check out some of the key books in the now defunct Star Wars Legends universe.  While no longer canon, there are still some amazing books in the Legends range, including some that will no doubt serve as an inspiration for some future shows or movies.  I have already enjoyed several Legends books, such as Maul: Lockdown, Scoundrels and Death Troopers, but there are still more epic reads that I really want to check out.  Probably the one I was most interested in reading was the epic Darth Plagueis by James Luceno.  Luceno, who also wrote the fantastic novel Tarkin in the current Disney canon, is a very talented author, and I was very excited in checking out his take on the elusive and mysterious Darth Plagueis.

“Did you ever hear the tragedy of Darth Plagueis the Wise?”

Throughout the long and bloody history of the Republic, many Sith lords have risen to threaten the peace and order maintained by their hated rivals, the Jedi.  While some have put complex and deadly plans into effect, few have reached the pinnacle of power, influence or mastery of the Dark Side of the Force as the mysterious Darth Plagueis, whose malign guidance shaped the galaxy in terrible ways and introduced a great darkness.

Upon killing his master and obtaining all the power he ever desired, Darth Plagueis set out to continue his order’s greatest goal: destroying the Jedi and claiming the Republic as his own.  Using his position as a powerful member of the Banking Clan, Darth Plagueis worked to manipulate the Republic into chaos and slowly lead the Jedi to a war they had no hope of winning.  However, even a Sith as powerful as Darth Plagueis is unable to do everything on his own, and he soon seeks out a powerful Force user to take on as his apprentice, a talented politician from Naboo known only as Palpatine.

Renaming Palpatine Darth Sidious, Plagueis begins manipulating events to ensure that his apprentice becomes a major power in the Senate, planning to elevate him to the role of Supreme Chancellor while also destroying those opponents who threaten their plans.  However, despite the importance of their plan, Plagueis’s main desire is not the defeat of the Jedi but of a far older enemy, death itself.  Diving into the mysteries of the Force, Plagueis will explore avenues of power not seen for millennia as he attempts to become the immortal master of the galaxy.  But his obsession with endless life could yet be his greatest undoing.

Wow, Luceno did not disappoint with this fantastic Star Wars novel.  Darth Plagueis is an impressive and captivating read that perfectly tells the story of a particularly elusive figure.  Bringing in some heavy Star Wars elements from the extended lore, Luceno has crafted a brilliant character-driven story that I had an extraordinary time listening to.

Luceno has come up with an interesting story for the Darth Plagueis novel that achieves several goals at once.  Not only does it tell the complete story of this legendary Sith Lord but it provides some interesting context for other pieces of Star Wars fiction, while also containing a powerful story of intrigue, betrayal and darkness.  Set over a period of roughly 35 years and told from the perspectives of Darth Plagueis and Darth Sidious (with a few scenes seen from other characters, like Darth Maul), this brilliant novel does an excellent job of exploring the primary characters while also showing their malicious actions across various theatres of the Star Wars universe.  While the novel starts off a little slow, you soon become engrossed in the story as you encounter multiple layers of manipulation and politics as Plagueis attempts to control the galaxy and make his major plans.  The story is broken into three distinct periods, the first showing some of Plagueis’s early movements as a Sith Master and his initial meeting and recruitment of Sidious.  The second part of the book, set 20 years before the events of The Phantom Menace, showcases Sidious as he becomes established as a Senator as Plagueis contends with some dangerous opponents and plots as he sets up the earliest stages of his master plan.  The final third of the novel is set in the lead-up/during the events of The Phantom Menace, where you see many of the storylines come together, as well as the final chapters of the relationship between Plagueis and Sidious.

I had a really great time with this compelling story, and it is one that I feel will appeal to a lot of Star Wars fans.  While I was a little surprised at the suddenness of some of the time skips, I felt that all three major parts of the novel were really good, and I loved how well they flowed together to create one coherent and fantastic read.  The three separate time periods allow for a massive story, while also featuring some of the key moments of the main character’s lives.  Featuring a ton of intriguing and heavy bits of Star Wars lore, parts of the story do drag a little in places, especially as there is a little less action than your typical Star Wars novel.  However, I found all the politics, machinations and expansions of the Star Wars lore to be extremely fascinating, and there is a brilliant story hidden in there.  The story is also not completely bereft of action, and there are some pretty cool fight sequences scattered throughout the book, including some that show off Plagueis’s full, terrifying abilities.  This story had an excellent tone and pace to it, and I feel that everything came together extremely well and I was pretty enraptured by every damn moment of it.

Star Wars - Darth Plagueis Cover 2

This was a really good Star Wars novel, and it is one that will appeal to a wide range of fans, especially those who enjoyed the Legends range.  While Darth Plagueis is technically no longer canon, Luceno really went out of his way to connect it to the wider Star Wars canon, which is something I really appreciated about this book.  In many ways, Darth Plagueis serves as the ultimate companion to the prequel films as Luceno attempted to fill in some plot holes and unexplained bits of the movies, by exploring the entirety of the Sith’s rise to power.  Bringing in a ton of obscure lore, you get an unparalleled view of how Plagueis and Sidious manipulated events in the Legends canon to lead to the events of the films, and this really helps to fill in some gaps.  Luceno also includes multiple moments from The Phantom Menace film throughout the story, and it was pretty fascinating to see why parts of the antagonist’s plot came together like they did, as well as some excellent alternate views of certain key scenes.  I also deeply enjoyed how Darth Plagueis tied into a ton of other pieces of Star Wars Legends fiction, including books, comics and games.  Multiple prior novels are mentioned or connected to this novel in some way, and I felt that Luceno did a really good job of inserting elements from the already massive extended universe into his book and connecting the stories together and giving all of them more context and interest.  All these connections helped to create a novel that is particularly compelling and intriguing to dedicated Star Wars fans, who will love seeing the events of this book unfold.  While those fans who have only seen the movies will probably be able to enjoy this book easily enough (with only some minor confusion to some of the more obscure parts of the lore), this is a novel best enjoyed by readers who have checked out some other Star Wars Legends books and will appreciate how it fits into that wider version of the canon.

I did like a lot of the universe-building that Luceno did in this novel, as the author explored some fascinating parts of the Legends universe.  Not only does the reader get to experience a lot of obscure elements of Star Wars lore, including aliens, technology, locations and other cool things, but this also serves as one of the most impressive looks at the Sith and the Dark Side of the Force.  Due to the deep examinations of the Sith and its history by Plagueis, as well as other elements contained in the training of Palpatine, the reader is flooded with knowledge about these Dark Side users and their ways, which proves to be quite intriguing.  I had a brilliant time learning more about these deep elements of lore, especially as the characters talk about practicalities as well as history.  The difference between various forms of the Dark Side are very cool, as you see some comparisons between Plagueis’s more scientific based usage of the Force and the Dark Side sorcery preferred by Sidious.  I also found the characters’ own description and assessment of the Sith and the Force to be surprisingly deep, as the characters see themselves as more of a necessary force there to save the galaxy and the Republic from the Jedi.  Darth Plagueis also contains some fantastic detail about the history of the planet Naboo, which I also found really fascinating.  Darth Plagueis goes out of its way to explore the history of the planet and the reasons why it became a political and economic factor in the Republic in the lead-up to The Phantom Menace, and I loved seeing the political strife and manipulation that led to this initial war, as well as the rise of characters like Palpatine and Amidala.  These brilliant pieces of lore are so much fun to learn about, and I had an incredible time finding out more about the Sith in this canon.

Of course, one of the best bits of the lore that Luceno examines in this novel is the role that Darth Plagueis had in the Star Wars universe.  First mentioned in that iconic monologue in Revenge of the Sith, Plagueis remained a mostly shadowy and unknown figure until the release of this book, which serves as the ultimate guide to the character and his history.  Luceno, who at this point had been planning a Darth Plagueis story for years, does a brilliant job of telling the full story of this great character, and you get an outstanding focus on his entire life, especially his time as a Sith Master.  Plagueis, a Muun also known as Hego Damask, is portrayed as a thoughtful, powerful and manipulative being with a surprising nobility and dignity to him.  Fitted with an intriguing backstory and motivations, you see him grow into an extremely powerful Sith Lord throughout the course of the book, and it was fascinating to see all his plans and machinations.   The most significant part of the character’s motivations is his hunt for immortality through the force.  As such, you get a fantastic look at his obsessive experiments and research, as he tries to uncover this ultimate secret.  I felt that Luceno did an incredible job of working this mysterious character into the wider Star Wars canon.  There are some great moments throughout this book that show this shadowy figure manipulating key events from the shadows to bring about the events of the prequel films.  I particularly loved how Luceno fit Plagueis into some scenes from The Phantom Menace, and it is very fun to imagine him watching these moments from just outside camera shot.  This really was an incredible examination and exploration of this character, and I had so much fun finally finding out who Darth Plagueis was and how he was connected to the wider story.  Despite this story no longer being canon, this novel is really the only guide to Darth Plagueis, and it wouldn’t surprise me if it is used as the primary source material for anyone wanting to introduce him in a future film or television series.

While this book does tell the story of Darth Plagueis, in many ways it is just as much about Palpatine as it provides readers with an outstanding look at his early history.  Essentially set during the time he was Darth Plagueis’s apprentice, you get some amazing insights into who Palpatine is and how he turned to the Dark Side of the Force.  Portrayed as manipulative and insidious since birth, you get to see Palpatine at his most evil and dangerous as he learns about the Force and the Sith.  I loved how you get to see various stages of Palpatine’s early life, from his teenage years where he first learns about his powers, to his middle age where he becomes a young ambitious senator and apprentice, to his time as an experienced manipulator and Force user just before coming Supreme Chancellor.  I had a brilliant time seeing Palpatine grow as both a Sith and a politician throughout this book, and you get some fantastic views of his early interactions with key players in the Star Wars canon.  I also deeply enjoyed seeing his intriguing dynamic with Darth Plagueis.  In pretty much all his other appearances, Star Wars fans only ever see the confident and controlling Palpatine who has no-one above him.  However, in Darth Plagueis, you see a somewhat more subservient Palpatine who is forced to bow to the will of one more powerful.  Watching working under another is an interesting change of pace, although some reveals towards the end of the book (and in some other novels, such as Maul: Lockdown), show that he is never as loyal as Plagueis believes.  This truly was an outstanding depiction of Palpatine and it was so awesome to see more about our favourite soon-to-be emperor.

Aside from Plagueis and Palpatine, the Darth Plagueis novel is loaded with a ton of interesting supporting characters, many of whom had roles in the films, animated series or other pieces of Legends fiction.  These intriguing characters help to create the novel’s rich tapestry of politics, intrigue and betrayals, and all of them served some fantastic roles in the book.  I particularly enjoyed seeing the inclusion of other Sith characters like Count Dooku and Darth Maul, especially as this novel serves as a bit of an origin story for both, as you see Palpatine obtaining and training Maul as well as Plagueis and Palpatine manipulating Dooku to leave the Jedi.  I also enjoyed the intriguing look at Plagueis’s own master, Darth Tenebrous, whose brief role showed a whole other aspect to the Sith as he had his own distinctive style.  I did think that the crowd of supporting figures with their own story elements slowed the pace of the novel down a little in the middle of the book, but I ended up having a brilliant time enjoying the story set around the awesome main characters.

Unsurprisingly, I chose to listen to Darth Plagueis on audiobook rather than seeking out a physical copy of this excellent novel.  I naturally had a very fun time listening to this version of the book, which not only featured a brilliant narrator but also made excellent use of the typical Star Wars audiobook production elements.  Darth Plagueis is loaded with cool sound effects and awesome Star Wars music, all of which add to the ambiance of the story in various ways.  I particularly liked the use of John Williams’s iconic scores throughout this audiobook, which did a great job of enhancing several scenes and increasing their emotional impact.  This was particularly true for some of the darker moments in the book, as some of the music associated with the Sith, the Dark Side and death/destruction, are blasted at full volume during some key moments, such as Palpatine discovering his destructive abilities for the first time, or during a couple of massacres.  This awesome music was so cool to hear during these scenes, and you really got an increased sense of the powerful emotions and dark deeds that were going on.

I also deeply enjoyed the epic narration, as this fantastic audiobook features the vocal talents of actor Daniel Davis (whom audiences of taste will recognise as Niles from The Nanny).  Davis gives a powerful and commanding performance here, bringing some major gravitas to the role and the characters.  His voice work for the titular character, Darth Plagueis, is really good, and you get a fantastic sense of the character’s power and wisdom as the novel continues.  Davis also does a brilliant job of voicing multiple characters and species from the Star Wars films, sounding quite close to their original actors.  I loved the voice work for Palpatine, capturing much of the villain’s iconic voice, while also giving it a youthful tilt for the earlier parts of the book.  Other characters, such as Count Dooku and Darth Maul, are also expertly portrayed here, and I particularly liked Davis’s take on Christopher Lee’s amazing voice.  This outstanding voice work, combined with the sound effects and music, helped to turn this into an exceptional listen that I deeply enjoyed.  With a run time just under 15 hours, this is a descent sized Star Wars audiobook, but listeners can power through it in no time at all.  This format comes highly recommended and you will have an outstanding time listening to the Darth Plagueis audiobook.

Overall, Darth Plagueis is an impressive and addictive Star Wars Legends novel that I had an incredible time reading.  James Luceno really excels at telling complex narratives that examine character origins, and Darth Plagueis did a wonderful and comprehensive job of expanding on a mostly unknown figure.  I loved learning everything about this awesome Star Wars figure, and Luceno wove an outstanding tale of intrigue and power around him and his apprentice.  An absolute must read for all fans of the Star Wars extended universe, I cannot wait until they finally introduce this complex figure into the current canon.

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Star Wars: The High Republic: The Fallen Star by Claudia Gray

Star Wars - The Fallen Star

Publisher: Del Rey/Penguin Random House Audio (Audiobook – 4 January 2022)

Series: Star Wars – The High Republic

Length: 13 hours and 31 minutes

My Rating: 4.5 out of 5 stars

The awesome new focus of Star Wars fiction, the intriguing High Republic range, continues to shine brightly with the latest epic adult novel, The Fallen Star, a dark and impressive entry by the extremely talented Claudia Gray.

Ever since its start at the beginning of 2020, the High Republic multimedia project has presented some unique Star Wars stories that I have deeply enjoyed.  Set in the golden age of the Republic and the Jedi, hundreds of years before the films, The High Republic focuses on a different generation of Jedi facing off against the murderous raiders known as the Nihil.  This series has so far produced some excellent gems across various forms of media, including novels, comics, audio dramas and other cool entries written by some of the best authors of Star Wars fiction.

While there is an interesting spread of fiction in The High Republic, the key storylines are generally contained in the main adult novels such as The Fallen Star, and the previous novels, Light of the Jedi by Charles Soule, which introduced the High Republic era and the Nihil, and The Rising Storm by Cavan Scott, which saw the Nihil launch a bold attack at the very heart of the Republic.  Other cool entries, such as the young adult novels Into the Dark and Out of the Shadows, and the audio drama Tempest Runner, added to this tapestry, and it has resulted in a fantastic and compelling overarching narrative and setting.  As such, I have been very excited to see where this franchise goes next, especially as The Fallen Star acts as one of the finales to the current phase of High Republic fiction.  Written by Claudia Gray, who previously authored the incredible Master & Apprentice (one of my favourite Star Wars novels), this was an epic book with a fantastic adventure story.

Following the brutal Nihil attack on the Republic Fair, the entire galaxy is hunting for the Nihil, determined to destroy them and their mysterious leader, the Eye, once and for all.  However, the Republic and the Jedi are unaware that the true Eye of the Nihil is the fearsome Marchion Ro, who plans to devastate the Jedi and the Republic headquarters, Starlight Beacon.  A massive space station out in the Outer Rim, Starlight Beacon was intended to bring light and cooperation to the most remote areas of the galaxy.  Staffed by some of the most powerful Jedi, Starlight Beacon stands a symbol of hope and determination, but that is about to change.  Determined to make the Jedi and the Republic pay, Ro sends his cohorts on a deadly mission to destroy Starlight Beacon from the inside, causing a massive explosive that rips through the station, causing chaos and destruction, as Starlight Beacon loses all power.

Determined to save the station and its inhabitants no matter what, the Jedi try to restart the station before it is too late.  However, something else is aboard Starlight Beacon, something ancient, unseen and bearing an insatiable hunger that drives it to hunt and feast on Jedi.  With their abilities to connect with the Force disrupted by the foul beasts stalking them, the Jedi will need the help of everyone on the station, including weird pilots, annoying droids and rogue Nihil, to save the people around them.  But even their combined abilities might not be enough to save Starlight Beacon from its imminent destruction, nor from monsters capable of turning even the most skilled Jedi into dust.

The Fallen Star was an incredible book from Claudia Gray that does an excellent job of continuing the impressive High Republic storylines.  Gray has come up with a very unique Star Wars tale that sees some of this era’s best characters trapped in an impossible and dangerous situation.  Loaded with a ton of action, some major plot moments, interesting storyline continuation and a ton of character development, this was an excellent novel that proves very easy to get drawn into.

Honestly the best way to describe The Fallen Star’s story is as a nautical disaster story, like Titanic or The Poseidon Adventure, in space.  This novel begins with the initial stages of the disaster as a small team of Nihil saboteurs infiltrate Starlight Beacon and systematically take out the station.  These early parts of the novel have a great sense of tension, as the reader is forced to watch the Nihil continue to succeed while the Jedi remain oblivious.  The story starts to pick up as the Nihil plan goes into effect, not only because of the explosion that knocks Starlight Beacon out of orbit, but because several unseen creatures immediately start to attack the Jedi in brutal mind-bending ways while also disrupting their connection to the Force.  The true disaster narrative takes over from here as the characters attempt to survive the destruction while also trying to save the station.  Gray really dives into character psychology here, as the Jedi are forced to overcome their guilt and the building fear of the creatures attacking, while the other characters try to determine whether to focus on self-preservation or helping those around them.  The last two-thirds of the book is purely devoted to the attempts to survive the station’s slow destruction, and Gray really does not let up the plot intensity.  Every time the protagonists seem to make some progress or success they are immediately hit with obstacles or tragedy that seek to overwhelm them.  This leads to some impressive and confronting moments throughout the book, and you honestly will be surprised and shocked by some of the deaths or twists that occur.  While there are one or two fake-outs designed to ramp up the feels, you will come away from this book being extremely moved and a little emotionally drained.

This was a very well put together novel; it has an amazing flow to it, and once the various disasters start up, the pace and stakes of the novel just keep jumping higher and higher.  The use of multiple character perspectives helps to tell a massive and impressive story, and you really get the full sense of how deadly and disastrous the events of the book are.  I loved how well Gray layered tension and grief into the non-stop action of the plot, and you are honestly left reeling or yelling at the book, wishing to help the characters you have become extremely attached to.  Gray also is also very skilled at detailing some fun and compelling action and disaster sequences, which works extremely well to showcase all the chaos and destruction occurring around.  I did find that there were a few plot gaps here and there throughout the novel, most likely because the full extent of this event will be featured in other High Republic media, such as the main comic series, although this didn’t impact the story too dramatically.  Overall, thanks to its powerful moments, character growth and great action, and you have an outstanding narrative that hits all the right notes at the right time.

In addition to its excellent narrative, The Fallen Star is also a great new entry in the High Republic sub-series.  Gray does an impressive job of continuing the events from the previous pieces of High Republic fiction, and aspects from most of the preceding novels are strongly featured here.  I deeply enjoyed seeing the return of several great characters and the continuation of some interesting story arcs, and Gray brings them together to create an outstanding Star Wars story.  Like most of the High Republic series, The Fallen Star is probably best read by fans of the expanded literary universe, especially as much of the build-up for this period was in the prior novels.  While I would recommend at least reading The Light of the Jedi and The Rising Storm first, people with a basic knowledge of Star Wars should be able to follow what is happening here, as Gray does a good job of recapping key events.  While there are a few good reveals here, there is still an aura of mystery around other parts of the book, particularly the character of Marchion Ro and the real motivations of the Nihil.  An epic conclusion to this phase of the High Republic novels, I will be interested to see if any other reveals or revelations occur in the connected comics.

Star Wars - The Fallen Star Cover 3

To support her fantastic narrative, Gray makes use of an excellent collection of great characters, and I loved the mixture of protagonists and antagonists that she chose.  Not only are the protagonists of the previous adult High Republic books heavily featured, but Gray also makes strong use of characters from young adult novels like Into the Dark and Out of the Shadows.  This amazing blend of character perspectives really helped to craft a unique and interesting book, and it was great to see the different protagonists react to the situation.  Readers should be aware that Gray has gone on a bit of a killing spree here, and several fan favourite characters may not survive.  These deaths really help to ratchet up the tension and emotional weight of this novel, and you will really be left reeling.  While I might question the wisdom of killing off as many characters as they did, especially as the High Republic has a greater need of recognisable characters than other Star Wars novels, I think they all worked in the context of the plot and served the overall narrative extremely well.

The most prominent characters of The Fallen Star are the Jedi protagonists of Light of the Jedi and The Rising Storm.  These Jedi go through some big moments in The Fallen Star, especially as they face disaster and failure on a scale they have rarely seen before.  Gray works in some very interesting changes in the various Jedi’s characterisation because of the unseen monsters let loose on the station who disrupt the Jedi’s connection to the Force, which messes with their heads.  As a result, for most of the book the Jedi are scared, uncertain and irritable, which is a fun and clever change of pace that I felt added to the high-stakes disaster narrative extremely well.  The most prominent of these characters include Stellan Gios, Bell Zettifar, Elzar Mann, who have had some excellent character arcs in the previous novels, and it was great to see them again.

The first of these is Elzar Mann, who has been a standout figure due to his battles with his emotions, his romantic feelings towards fellow Jedi Avar Kriss, and his inadvertent connection to the Dark Side of the Force.  Following this dark moment, Mann has gone into a deep meditation retreat with a unique spiritual guide, who is teaching him to have a different perspective on life.  As a result, when Mann returns to Starlight Beacon just before the first attack, he has mostly cut himself off from the Force.  While this impacts his ability and mentality as a Jedi, his lack of a Force connection ensures that he is one of the only Jedi not incapacitated by the monsters roaming the station, which forces him take on more responsibility during the crisis.  I liked seeing this side of Mann, and it was great to watch him attempt to step up and protect his more responsible friends.  Unfortunately, Mann also experiences some big losses and failures in this novel which really strike him hard.  The final few chapters of The Fallen Star have some major moments for this character, and there was some brilliant development occurring here.  Gray did an incredible job expanding on one of the best and most complex High Republic protagonists here, and I loved Mann’s story in this book.

I also deeply enjoyed the story arc that surrounded apprentice Bell Zettifar.  Bell has gone through a lot in the last two books, especially as his master was killed before him in The Rising Storm.  This has led to some excellent and dark moments for Bell, and Gray does a wonderful job continuing them here as Bell struggles for most of this book, dealing with intense doubt and a sense of failure that gets enhanced by the influence of the strange creatures stalking the station.  I enjoyed seeing Bell slowly regain his confidence as he finds himself in the middle of another crisis and it led to some great and heartfelt moments, even as Bell suffered even more personal tragedies.

I must also highlight the continued story of Stellan Gios, the Jedi Master and rising star of the Order who was such a fantastic figure in The Rising Storm.  Stellan starts this book off as the new Marshal of Starlight Beacon, but he is still impacted by the doubts and trauma of the last Nihil attack at the Republic Fair.  Thanks to this and the influence of the Nihil’s monsters, Stellan shows a very different side to his character in The Fallen Star, being more petty, angry, and dispirited.  This is such a substantial change to what we have previously seen out of Stellan that it really hammers home just how dangerous the Nihil monsters are.  Watching Stellan battle with his emotions is pretty intense, and it proved to be exceptional to see him slowly overcome everything that is happening to him.  Gray writes an amazing couple of moments for Stellan in this book, and you end up with an impressive appreciation of this character by the end of this awesome book.

Aside from these main three figures, The Fallen Star also features an interesting array of supporting Jedi characters.  This includes the friendliest and fluffiest Jedi of all-time, the Wookie Burryaga, who everyone loves due to his kind nature and innate connection to the Force.  Burryaga forms a moving friendship with Bell, and he is easily one of the best supporting characters in the entire novel.  I also liked the reappearance of the Jedi Wayseeker, Orla Jareni, a semi-rogue Jedi who offers her own insights into the Force.  I will say I was surprised that there was barely any Ava Kriss in this novel.  Kriss, who is frequently touted as the main protagonist of the High Republic, has barely appeared in any of the novels since The Light of the Jedi, being more of a feature in the comics.  I feel that she leaves a noticeable absence in the novel, especially as the other character seem to reference how awesome she is in every second sentence.  Still, I think it worked without her, although I hope they use her more in the future.

Aside from the Jedi characters, Gray also makes exceptional use of an interesting collection of other characters trapped aboard the station who offer a great alternate viewpoint to the various Jedi.  What is interesting is that most of these characters are creations of Gray’s who first appeared in her last High Republic book, Into the Dark.  This includes the crew of the Vessel, a unique and unusual ship that transports Mann and Orla Jareni to Starlight Beacon and then gets trapped there.  The Vessel is crewed by a very entertaining trio of characters who balance each other out nicely.  This includes owner Affie Hollow, who plays straight woman to her unusual crew, and is a great central adventurer and emotional base for much of the book.  However, Affie is very much overshadowed by the rest of the crew, including captain Leox Gyasi, who is essentially a space hippy.  Leox is a wildly entertaining figure, with his Zen mindset, pacifistic tendencies, unique way of talking, and outrageous sense of humour, and you will quickly fall in love with him as the book progresses, especially in the few scenes where he gets serious.

The most solid member of the Vessel’s crew is Geode, a Vintian who ends up being the heart and soul of not only the Vessel but all of Gray’s High Republic novels.  Geode is essentially a sentient rock who never talks, rarely moves, and for most of his first appearance in Into the Dark, you were half convinced was some sort of elaborate prank and was really just a rock.  However, Geode ends up being a remarkable figure, capable of great feats of ingenuity and courage, while also being a social genius and a massive flirt.  I cannot emphasise how hilarious it is to see all the outrageous things that the other characters attribute to this silent, giant rock, especially as he just sits there for the entire book.  However, the other characters can apparently all see the “facial” expressions he gives off, and he is apparently quite an emotional and thoughtful character, who ends up being the solution to several problems.  Honestly, having a motionless rock as a major supporting character should not work, but it really does in The Fallen Star, and I loved every second that was spent on him.  I enjoyed seeing all these characters return, and I hope that Gray brings them back in the future, although I do worry the Geode joke might eventually becomes too overused.

Former Nihil members Nan and Chancey Yarrow perfectly rounded out the main cast aboard Starlight Beacon.  Both have had some interesting appearances in the young adult books, and it was great to see them here.  Nan is another character created by Gray and is a young and zealous Nihil member, while Chancey is a brilliant scientist working for the Nihil while also promoting her own agenda.  After leaving the Nihil and starting their own partnership, Nan and Chancey get captured by the Jedi and are being questioned about Starlight Beacon when events kick off.  Freed by the Nihil infiltrators, they spend most of the book on the fence about where their loyalties lie as they try to find their own way to escape.  This results in a fantastic and compelling alternate viewpoint to the book, and I loved seeing these two morally grey characters interact with the more selfless protagonists.  Gray comes up with a great dynamic between Nan and Chancey, which is semi mother-daughter in nature, and there are some interesting moments as Nan struggles to overcome her loyalty to the Nihil.  Their storyline comes to a very interesting and powerful end, and I will be deeply intrigued to see what happens to them next.

I want to make a final mention about the antagonists of The Fallen Star, especially as there is a rather unusual dynamic with this book.  This because, in many ways, the main villain of the story isn’t the Nihil, but is instead time, despair, impossible choices, panic, and human nature.  To a degree, these basic, uncontrollable elements end up causing more damage, and the impossible battle against them results in much of the book’s most dramatic and powerful moments.  There are a few proper villains in this book, such as series antagonist Marchion Ro.  Despite only being in it for a short while, Marchion cuts a distinctive and menacing figure in The Fallen Star, especially as he instigates the next stage of his master plan.  There are some interesting developments around Marchion here, and although they are probably saving any major revelations for his upcoming comic limited series, I felt that he continues to shine as the main villain of The High Republic.  The rest of the Nihil aren’t shown as much in this book, although I did enjoy the examination of the fear and hatred associated with them, especially after all the pain and suffering they caused.  I was very intrigued by the mysterious Nihil controlled monsters that infest Starlight Beacon and mess with the Jedi.  Despite the fact you never see them, they are incredibly intimidating, effortlessly defeating the Jedi and sending them on some dangerous head-trips.  I cannot wait to find out more about them in the future, especially as they are bound to explore their history more, and it should lead to interesting discoveries.  Overall, The Fallen Star had an exceptional group of characters and their intense, compelling and entertaining story arcs really elevated this around exciting novel.

I will come as very little surprise to anyone familiar with this blog that I chose to check out The Fallen Star audiobook.  I have so much love for Star Wars audiobooks, and this ended up being a very good example of how fantastic this format could be as it combines impressive narration with clever sound effect and epic music.  With a run time of 13 and a half hours, this is a somewhat shorter Star Wars audiobook.  I had a wonderful time getting through the story in this format, and I found that the compelling narrative became even more intense when read to me.  This is particularly true in such a trauma and action laden book like The Fallen Star, with the awesome medium of the audiobook helping to enhance the danger and despair of the situation.  The use of sound effects and music was once again superb, and I loved how hearing the distinctive sound of blasters, lightsabers and other pieces of Star Wars technology, helped to bring me into the story and enhance the events being described.  I also cannot overemphasise how awesome it is to hear the incredible and iconic Star Wars music during this plot as well.  Whenever the music is played, especially during some of the more dramatic or action-packed sequences, it really enhances the impact of the moment, drawing the listener in and ensuring that they are perfectly entrapped by the events occurring.

You can’t talk about this audiobook without mentioning the epic voice work of the narrator Marc Thompson.  At this point in his career, Thompson is essentially Star Wars royalty, as he has narrated so many amazing Star Wars audiobooks over the years.  He is easily one of my favourite audiobook narrators and I loved his work on previous audiobooks like Thrawn, Chaos Rising, Greater Good, Lesser Evil, Scoundrels, Dark Disciple and more.  He once again does a great job on The Fallen Star, bringing all the characters to life and moving the story along at a swift pace.  I loved the consistency in voices from all the previous High Republic books he narrated, and he also did a great job voicing characters from other books he hasn’t worked on.  All the characters have very distinctive and fitting voices, which included some very distinctive accents, which helped to highlight the characters and what they did.  I also loved the sheer emotional range that Thompson was able to fit into these great characters, ensuring that all the intense emotions were on full display.  It was pretty intense hearing all the character’s despair, anger and grief as everything they knew and loved was burned around them, and it makes for some incredible sequences.  This was easily the best way to enjoy this cool Star Wars novel, and I would strongly recommend The Fallen Star audiobook to anyone interested in checking this book out.

Overall, Star Wars: The Fallen Star by Claudia Gray is an excellent read that I would strongly recommend.  Featuring a clever, action packed, and emotionally rich, character driven story, The Fallen Star brilliantly continues the outstanding High Republic series, and you will love the dark places this story goes. I deeply enjoyed this cool book and I cannot wait to see what happens in this brilliant sub-series next.  Long live the High Republic!

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Star Wars: The High Republic: Tempest Runner written by Cavan Scott and performed by a full cast

Star Wars - Tempest Runner Cover

Publisher: Random House Audio (Audio Drama – 31 August 2021)

Series: Star Wars – The High Republic

Script: Cavan Scott

Cast: Jessica Almasy, Dan Bittner, Orlagh Cassidy, Sullivan Jones, January LaVoy, Kathleen McInerney, Tara Sands, Vikas Adam, Jonathan Davis, Neil Hellegers, Saskia Maarleveld, Soneela Nankani, Marc Thompson and Shannon Tyo

Length: 6 hours and 5 minutes

My Rating: 4.5 out of 5 stars

The epic High Republic era of Star Wars fiction continues in Tempest Runner, the brilliant and captivating full-cast audio drama written by impressive author Cavan Scott.

Ever since its beginnings in early 2021, I have been having a lot of fun with the cool new focus of the Star Wars extended universe known as The High Republic.  Set hundreds of years before the Skywalker Saga, The High Republic has featured several impressive novels, comics and other media releases that tell a grim story of destruction and strife in the golden age of the Republic and the Jedi.  One of more interesting pieces of this fiction from late 2021 was this fantastic full-cast audio drama, Tempest Runner, which focused on one of this era’s best villains, the Nihil Tempest Runner, Lourna Dee.  This awesome audio drama was authored by the exceedingly talented Cavan Scott, who not only wrote my favourite High Republic book so far, The Rising Storm, but also a great previous Star Wars audio drama, Dooku: Jedi Lost.

Synopsis:

The Nihil storm has raged through the galaxy, leaving chaos and grief in its wake. Few of its raiders are as vicious as the Tempest Runner Lourna Dee. She stays one step ahead of the Jedi Order at the helm of a vessel named after one of the deadliest monsters in the galaxy: the Lourna Dee. But no one can outrun the defenders of the High Republic forever.

After the defeat of her crew, Lourna falls into the hands of the Jedi – but not before she hides her identity, becoming just another Nihil convict. Her captors fail to understand the beast they have cornered. Just like every fool she’s ever buried, their first mistake was keeping her alive.

Lourna is determined to make underestimating her their last.

Locked onto a Republic correctional ship, she’s dragged across the galaxy to repair the very damage she and her fellow Tempest Runners inflicted on it. But as Lourna plans her glorious escape, she makes alliances that grow dangerously close to friendships. Outside the Nihil – separated from her infamous ship, her terrifying arsenal, and her feared name – Lourna must carve her own path. But will it lead to redemption? Or will she emerge as a deadlier threat than ever before?

Tempest Runner ended up being an entertaining and captivating piece of Star Wars fiction.  Featuring another excellent story from Scott that not only dives into the past of great character Lourna Dee but continues the story set up in several of the past High Republic novels.  Perfectly told using a full cast of narrators, this was an outstanding audio drama that I had a wonderful time listening to.

It was clear that Scott was on quite a roll last year when it came to fantastic storytelling.  Tempest Runner is set after the events of The Rising Storm and continues several interesting storylines from this novel, as well as other pieces of High Republic fiction such as Light of the Jedi and Out of the Shadows.  Starting off with Lourna’s capture by the Jedi, the story shows her successfully hide her identity and get imprisoned aboard a Republic prison ship doing hard labour as punishment.  Trapped with some of the worst criminals in the galaxy, as well as former Nihil members who utilise her identity for her own good, Lourna is forced to survive while also coming to terms with who she is, what drives her and what she wants from the future, especially when she connects with one of the prison guards.  However, an enemy from her past has found out where she is and is determined to kill her no matter what.  This leads to several intense and brutal confrontations as Lourna is forced to once again bring out her inner monster to save herself and defeat her opponents, while also setting her path for future endeavours in the High Republic universe.

Tempest Runner’s narrative ended up being pretty intense, and I loved the cool and intriguing plot, especially as there are several fun twists and reveals, including that great one towards the end.  While this is a mostly self-contained piece of Star Wars fiction, there are multiple intriguing connections to other High Republic novels and comics.  I particularly loved how several of the best villains from the main two novels were used here, and it also sets up Lourna’s storyline for the next book in the series.  Scott employs an interesting and roundabout way of telling Tempest Runner’s story, utilising a series of flashbacks and interludes to continue the main plot which occasionally helps compensate for the lack of descriptive words that is characteristic of the audio drama format.  I really need to highlight the book’s great opening section in which the capture of the protagonist is recounted in compelling detail to the novel’s main antagonist, with the storyteller and his audience providing questions and commentary during the dramatisation of the events being discussed to provide context.  The storyline has a great blend of elements, and I loved the fantastic prison story, the intrigue of the Nihil, the fantastic revenge plot surrounding the antagonist, as well as the massive amount of character development that occurs around the main character.

Scott really went out of his way to explore the character of Lourna Dee in Tempest Runner.  Despite being one of the most distinctive and entertaining villains in the High Republic canon, very little was known about Lourna Dee before now, except that she is an unassailable badass who is even capable of hanging with a Jedi in a fight.  Tempest Runner, however, dives deep into the heart of this cool character, and I liked the complex and intriguing development and history around her.  Most of the story is dedicated to the modern Lourna, who, after being captured, attempts to turn over a new leaf in the prison system to survive.  This provides some interesting insights into her mind and motivations, especially as she is not as mindless a killer as some of the previous books would lead you to believe.  Instead, she is quite a complex and tragic figure, something that is made clear when you see the various flashbacks to her past that Scott comes up with.  These flashbacks tell a captivating tale of betrayal and heartbreak, showcasing what led an innocent girl to a life of hardship and crime.  This backstory is extremely fascinating, with some powerful moments of love, loss, and revenge.  In addition, the story also dives into how she became a member of the Nihil and rose in its ranks.  This interesting background weaved into the main plot extremely well, and I think that Scott showcased the character’s past perfectly, ensuring that it explains her current mentality and motivations.  I am deeply happy that we finally got to see this character’s backstory, and it really did not disappoint.

While most of Tempest Runner’s focus was on Lourna Dee, a couple of other characters really stood out to me.  This included Tasia, the former Nihil member who blackmails Lourna to help her survive in prison.  Tasia is a fun secondary antagonist, and it was very entertaining to see her try and make a power play on Lourna once she was no longer in control.  I also loved seeing more of Pan Eyta, a former Nihil Tempest Runner who was betrayed by Lourna in The Rising Storm.  Pan, who is dying thanks Lourna, goes on a big revenge mission here and ends up being the major antagonist of this novel.  I personally thought this was an amazing conclusion to his compelling character arc established in the previous novels and it was great to see him and Lourna have several aggressive and deeply personal confrontations throughout Tempest Runner.  I also enjoyed seeing a young version of High Republic arch-antagonist Marchion Ro, before he took control of the Nihil, as well as a glimpse of his often-discussed father Asgar Ro.  Several other supporting characters in this novel were also pretty fun, and I had a great time seeing some of their storylines unfold.

While I had to highlight Tempest Runner’s cool narrative and great characters, you can’t talk about this amazing piece of Star Wars fiction without mentioning the awesome audio drama format.  I have a lot of love for Star Wars audiobooks and audio dramas (such as Doctor Aphra), and this was a particularly good one.  The team behind this epic audio drama did an amazing job of combining Scott’s great story with a team of brilliant voice actors, as well as the typical Star Wars sound effects and music.  With a run time of just over six hours, this is a very easy audio drama to quickly power through, and I think I managed it in just over a day myself.  While some people unfamiliar with the format might have some issues regarding the full reliance on descriptive dialogue and sound effects rather than expositional text to describe action, I thought that Tempest Runner was adapted extremely well and I had an absolute blast getting through it.

I must highlight the exceptional cast of voice actors that were featured in this awesome audio drama, as the team behind it pulled together a great group of narrators, including several actors well known for their work bringing Star Wars audiobooks to life.  The most prominent actor in this group is probably Jessica Almasy, who voiced main character Lourna Dee.  Almasy brings a great deal of complexity to the role and I loved the semi-French accent she utilised throughout Tempest Runner, which was reminiscent of how Twi’lek characters speak in shows like Star Wars: Rebels.  I thought that Almasy did a brilliant job of highlighting Lourna’s true feelings and personality in this audio drama, and it was great to see her transform the character in several intense, emotional scenes.  This was some brilliant voice work and it was an amazing highlight of this exceptional production.

I also deeply appreciated the great work that the other actors contributed to Tempest Runner and its characters.  While there were a few new narrators here whose work I enjoyed, the ones that impressed me the most were established narrators from other Star Wars audiobooks.  This includes January LaVoy, who voiced the character of Tasia, providing her with some much-needed depth and spite.  LaVoy, who I loved in works such as Star Wars: Victory’s Price (one of my favourite books and audiobooks of 2021) and Star Trek: Discovery: Die Standing, was just great here and I really appreciated the characterisation her voice added to Tasia.  Marc Thompson, who has previously narrated all the main High Republic novels, as well as the Thrawn Ascendancy books (Chaos Rising, Greater Good and Lesser Evil), was another standout narrator, especially as he voiced three characters, including antagonists Pan Eyta and Marchion Ro.  Having this cool continuation from Light of the Jedi and The Rising Storm for these great villains helped me enjoy their appearances in Tempest Runner a lot more, especially as Thompson has come up with some extremely sinister and fitting voices for them.  I also had a lot of fun with Jonathan Davis (who previously narrated Master & Apprentice, Lords of the Sith and Maul: Lockdown), who voiced two characters here.  I particularly enjoyed his work on the mysterious Asgar Ro, and the calm and wise tone he utilises for him (which is reminiscent of another major Star Wars character), works perfectly to give him some great depth.  An overall exceptional collection of narrators, I had an amazing time listening to this audio drama.

With a great cast, a brilliant story and a great focus on an incredible central character, Tempest Runner was an outstanding addition to the High Republic range of Star Wars fiction.  The always impressive Cavan Scott came up with an awesome narrative for Tempest Runner and I loved learning more about fun character Lourna Dee.  A must-listen for all fans of The High Republic, you really won’t regret checking out Tempest Runner.

Star Wars: Thrawn Ascendancy: Lesser Evil by Timothy Zahn

Star Wars - Thrawn Ascendancy - Lesser Evil Cover

Publisher: Del Rey/Penguin Random House Audio (Audiobook – 16 November 2021)

Series: Thrawn Ascendancy – Book Three

Length: 23 hours and 13 minutes

My Rating: 5 out of 5 stars

The undisputed master of Star Wars extended fiction, Timothy Zahn, returns with final book in the Thrawn Ascendancy series, Lesser Evil, which brings this excellent prequel trilogy to a fantastic and dramatic end.

Out of all the awesome authors who have contributed to the Star Wars extended universe over the years, few are more talented or highly regarded than Timothy Zahn.  Zahn, who is one of the key architects of the original extended universe (now rebranded as Star Wars Legends), is probably best known for his original trilogy of Star Wars novels, which started with Heir to the EmpireHeir to the Empire served as the introduction of several major extended universe characters, such as Mara Jade; however, his most iconic creation is probably the legendary character of Grand Admiral Thrawn.

Grand Admiral Thrawn is an intriguing and complex figure considered the greatest tactician in the entire Star Wars canon.  Serving as a major figure in the Imperial Navy, Thrawn was the brilliant antagonist of Heir to the Empire and other major Star Wars Legends novels.  The subsequent popularity of Thrawn saw him eventually introduced into the Disney canon in the Star Wars: Rebels animated series, as well as a future live-action appearance.  This also resulted in Zahn being contracted to write six new Thrawn-centric novels.  The Thrawn trilogy (made up of Thrawn, Alliances and Treason), detailed Thrawn’s introduction, rise and career in Imperial Navy and filled in some of the gaps of the show.  Zahn followed this up with the Thrawn Ascendancy trilogy, which served as a prequel to the original trilogy.

The Thrawn Ascendancy series is set during the Clone Wars period and takes place in the Chaos, the unexplored area of space outside of the main galaxy of the Star Wars series, and focuses on Thrawn’s species, the Chiss.  As such, the series is primarily set in and around the Chiss Ascendancy and focuses on several threats to the Ascendancy that Thrawn attempts to overcome.  This series has so far consisted of Chaos Rising and Greater Good, both of which were extremely cool, filled with detailed battles, fun new characters, and some intense political machinations.  Now this brilliant trilogy comes to an end, with a final chapter telling the full story of Thrawn’s greatest victory and lowest moment.

For thousands of years, the legendary Chiss Ascendancy has been one of the greatest powers within the Chaos, keeping its people safe from the alien races who seek to conquer or destroy them.  Confident in its own power and determined not to interfere in the lives of its neighbours, the Chiss maintain their borders through the Expansionary Defence Fleet.  However, in recent months, the Ascendancy has found itself under attack from a dangerous and manipulative force that seeks to utterly destroy the Chiss.  After defeating a potential external invader and weathering an attempt to drag some of the Ascendancy’s powerful families into conflict, the threat to the Chiss appears to be over.  However, these were merely a precursor to a much more sophisticated and dangerous attack by a new alien race, known as the Grysk.  Led by the dangerous and manipulative Jixtus, the Grysk seek to unleash a deadly, multi-pronged assault against the Chiss to rip the ascendancy apart inside and out.

As Jixtus traverses the planets of the Ascendancy, manipulating the great Chiss families towards civil war, his powerful fleet lies just outside its borders, waiting to attack.  With the Chiss getting closer and closer to a devastating internal and external conflict, the fate of the Ascendancy lies in the hands of Senior Captain Mitth’raw’nuruodo (Thrawn), the Chiss Expansionary Defence Fleet’s most brilliant and unconventional commander.  Having defeated the previous attacks on the Ascendancy, Thrawn is the only person that fully understands the oncoming danger and he is determined to stop Jixtus and permanently end the threat he represents.  However, Thrawn has long worn out the patience of the ruling families, and he now finds himself hamstrung by politics and personal grievances.  To save his people, Thrawn will be forced to break all the rules he has sworn to uphold.  But just how far will Thrawn go to defeat his enemy, and what consequences will his actions have on himself and the future of the Chiss Ascendancy?

Lesser Evil was another brilliant and exceptional read from Zahn that did an amazing job of wrapping the complex Thrawn Ascendancy series to an end.  Containing some awesome and unique Star Wars elements, Lesser Evil fills in all the gaps between this trilogy and the sequel Thrawn trilogy, and I think it ended up being one of Zahn’s strongest recent novels.

This novel contains an amazing narrative that brings together all the elaborate and compelling storylines from the previous Thrawn Ascendancy novels and provides a satisfying and fantastic conclusion to the trilogy.  The novel starts off right after the events of Greater Good, with several characters dealing with the aftermath of the near civil war and Thrawn’s latest unofficial mission.  The story quickly introduces the book’s antagonist, the master manipulator Jixtus, as he starts his grand plan to destroy the entire Chiss Ascendancy.  This brings out an impressive amount of intrigue, infighting and dissent, which forces many of the protagonists to attempt to slow it down.  At the same time, Thrawn engages in his own mission to try and identify the enemy’s master plan, which reintroduces several key storylines and settings from the previous novels and helps tie them into the plot of this book.  Zahn also throws in a series of flashback interludes that dive into key parts of Thrawn’s past and give some context to his current mindset and plans.  This all leads up to the big conclusion in which the great adversaries, Thrawn and Jixtus, finally meet in battle.  Lesser Evil proves to be a particularly exciting and intriguing read, and I loved the brilliant combination of world building, political intrigue, character development and fantastic battle sequences.  I had a lot of fun with this story, and it was one of the strongest in the entire Thrawn Ascendancy trilogy.

I really enjoyed how Zahn told this final entry in the series.  The great use of multiple character perspectives not only allows for a richer story that examines all angles of the conflict but it also presents several impressive character driven storylines that were wonderful to follow.  In addition, Zahn once again lays onto the universe building by expanding the reader’s knowledge of the alien Chiss Ascendancy and their domain outside of the main galaxy of the Star Wars universe.  This universe building excellently comes into play as the novel progresses, especially as the antagonist’s plan relies on manipulating the politics and history of the various ruling families.  I really appreciated this cool extended look into this intriguing setting, especially as it ties into some of Zahn’s prior work.  Due to the extensive and elaborate Star Wars lore contained within Lesser Evil, this book is probably best read by experienced fans of the franchise who will appreciate all the inclusions.  It is also highly recommended that readers check out the first two novels in this trilogy first, as the storylines of Lesser Evil are very strongly tied into them.

Lesser Evil contains some intriguing connections to the wider Star Wars universe and canon that long-term fans of the franchise will deeply appreciate.  These connections mainly revolve around Thrawn’s prior appearances and fills in many gaps that were left open from the Thrawn trilogy.  This includes the full reason why the original series began with Thrawn banished from his people and left stranded on an alien planet.  It has been pretty clear since the first Thrawn Ascendancy novel that this entire trilogy has been leading up to this moment, and Zahn did not disappoint, including a moving and complex reason for the banishment that played perfectly into the character’s personality and the events of the previous novels.  Zahn also layers in a ton of intriguing connections to his Star Wars Legends novels that fans will deeply enjoy.  For example, parts of Lesser Evil are deeply connected to Zhan’s previous novel, the now non-canon Outbound Flight, which also focused on a younger Thrawn.  Parts of Outbound Flight’s story and setting have been adapted into the Thrawn Ascendancy trilogy, such as some elements of Chiss culture and some supporting characters, and it was interesting to see Zahn retrofit his previous works for the new canon.  In addition, key flashbacks within Lesser Evil take place in a version of Outbound Flight’s narrative, and while I did think this was cool, Zahn did not include a lot of context, so readers unfamiliar with his prior book may be left a little confused.  Still, this was a clever homage to the author’s prior works, and I appreciated Zahn’s fascinating references to his now defunct novels.

One of the strongest things about Lesser Evil was the great array of characters featured throughout.  There is a very strong cast in this final book, with most of the key characters having been established in the previous Thrawn Ascendancy novels or re-introduced from some of Zahn’s Star Wars Legends novels.  All the major characters featured in Lesser Evil have some amazing story arcs and Zahn spends a lot of time fleshing out their personalities, motivations, and histories, which deeply enhances this brilliant narrative.

The most prominent of these characters is Thrawn himself, who has an epic showing in Lesser Evil after being somewhat underutilised in Greater Good. Lesser Evil proves to be a defining novel for Thrawn, especially as he encounters his true enemy, the Grysk, for the first time.  The reader is also given insights into certain previously unseen relationships that Thrawn had, namely with his adopted brother, Thrass.  It also finally reveals the reasons why he was banished from the Chiss and marooned on the deserted alien planet by the start of Thrawn.  I deeply enjoyed the cool character arc surrounding Thrawn in this book, and Zahn does a great job once again highlighting his unique personality and motivations.  Despite being a little less sinister in literary form than in Star Wars Rebels, Thrawn has a harsh edge here, and the reader gets some great insights into his constant motivation of protecting the Chiss Ascendancy.  Throughout the course of the book, it becomes deeply apparent that Thrawn will risk everything to achieve his goal, and I loved how heartless Thrawn can become when dealing with his enemies.  This motivation and background go a long way to exploring Thrawn’s actions while serving the Empire, and fans of this fantastic character will deeply appreciate this compelling story arc.  Zahn also answers several intriguing questions about Thrawn’s past in this book, and it proved incredibly fascinating to see this great character expanded even further.

I must once again highlight the great way in which Zahn displays his central protagonist.  As with his previous appearances in Zahn’s novels, Thrawn is one of the few characters whose perspective is not shown; instead all his actions and interactions are viewed through the eyes of his friends, allies, and even a couple of enemies.  I have always felt that this was a very clever technique from Zahn as it helps to highlight just how mysterious and distinctly complex his protagonist is.  Readers are only given glimpses into his brilliance, and it allows for increased suspense and surprise throughout the novel as the reader often has no idea what Thrawn is thinking or how he plans to get out of a certain situation.  The use of other observers also really helps to highlight the tactical ploys Thrawn employs, especially as he usually is forced to explain his insights, strategies, and the entire scope of his plans to the less tactically gifted people he is working with.  These elaborate explanations, coupled with the observations of the relevant side character, ensures that the readers get a much more detailed picture of Thrawn’s observations and subsequent tactics.  I have often compared this to how Watson amps up the deductive ability of Sherlock Holmes by having Sherlock explain everything to him, and the result is pretty much the same here.  I deeply enjoyed this fantastic use of perspective and I love everything that Zahn did with his iconic protagonist throughout Lesser Evil, and indeed the entire Thrawn Ascendancy series.

If Thrawn was Sherlock Holmes, then I would say that antagonist Jixtus was the Professor Moriarty of the Thrawn Ascendancy series.  A member of the mysterious Grysk species, Jixtus has been a shadowy figure throughout the proceeding novels, influencing events from the shadows and sending out proxies to fight Thrawn and the Chiss.  This comes to an end in Lesser Evil as Jixtus takes a personal hand in attacking the Chiss Ascendancy.  Jixtus proves to be an excellent and brilliant counterpoint to Thrawn and it is fascinating to see the battle of minds between them, especially as both have alternate strengths.  While Thrawn is tactically brilliant, Jixtus is better at personal manipulation and politics, something Thrawn struggles with.  As such, there is a real battle of styles here in Lesser Evil and the result is pretty brilliant.  I also really appreciated how you also never see any part of the book told from Jixtus’ perspective, ensuring that he is just as mysterious and ethereal as Thrawn.  I loved how Zahn portrays Jixtus in this novel; he comes across as an incredibly dangerous and malevolent being, even though you never see his face.

The other new character I wanted to focus on in this book was Thrass (Mitth’ras’safis), Thrawn’s friend and fellow member of the Mitth family.  Thrass is an interesting character, initially introduced in the previous canon as Thrawn’s brother.  There have only been hints of him in the Thrawn Ascendancy novels, and this final book finally features in him to a degree, showing him in a series of flashback interludes set in Thrawn’s past.  Thrass is shown to be a Mitth politician who finds himself befriending and then partnering with Thrawn through a series of adventures.  The two complement each other extremely well, with Thrass serving as a bridge for the more unconventional Thrawn, while also supporting him with his political knowledge.  Thrass’s scenes proved to be a great inclusion to the novel and I felt the author did a great job re-introducing the character, even if only for flashback sequences.  I really appreciated the author’s examination about how this friendship, and later brotherhood, was vital to Thrawn’s growth and current abilities, and I particularly enjoyed the examination about how Thrass helped develop Thrawn’s flair for the dramatic.  Fans of Zahn’s Legend’s work will deeply enjoy the new appearance of this established character in Lesser Evil, and I think it was an interesting and fun choice from the author, that ended up working incredibly well.

I must also highlight how Zahn featured the other recurring characters from the Thrawn Ascendancy series.  Pretty much all the major characters from the previous two novels are featured strongly in Lesser Evil, and there are some remarkably good storylines set around them.  Thrawn’s crew aboard the Springhawk get a decent amount of focus throughout this book, particularly Samakro, Thalias and Che’ri, and each of their storylines are nicely concluded.  In addition, I loved the continued use of Ziinda, another Senior Captain, who, after barely averting a civil war in the previous book, finds herself subsequently vilified and forced into a new family.  Ziinda proves to be a vital part of the plot, and it was great to see how much she had developed since the previous novel, especially as Zahn starts her on the path to becoming as determined as Thrawn.  Zahn also makes great use of Roscu, a former member of the Expansionary Defence Fleet who had issues with Thrawn in Chaos Rising. Roscu is initially set up as a secondary antagonist, especially as her mistrust of Thrawn, his friends, and all the rival families, drives her to do some stupid things.  However, Zahn slowly turns her into a surprisingly sympathetic character as the novel progresses and you end up really rooting for her.  I also loved Qilori, a supposedly neutral Pathfinder with a grudge against Thrawn; and Thurfian, the Mitth Patriarch who views Thrawn and his actions as a threat to his family and the Chiss as a whole.  These two serve as interesting secondary antagonists to the story, and it was great to see their outraged reaction to Thrawn’s actions, as well as their own attempts to end him.  These characters, and many more, added so much to this book, and I loved seeing all their arcs conclude with the trilogy.

I cannot talk about a Zahn Star Wars novel without highlighting the amazing and exciting space battles featured within.  No one does a space battle in Star Wars fiction better than Zahn, who devotes an impressive amount of time and detail into making them as impressive, thrilling, and tactically awesome as possible.  The reader gets a detailed mental impression of the space engagements that occur, and you can practically feel every shot, roll, or manoeuvre.  Lesser Evil was a particularly good example of this, featuring several great battle scenes, including one massive and action-packed confrontation towards the end.  Each sequence was beautifully rendered and perfectly portrayed, with the reader getting the full sense of everything that happened.  Throw in the distinctive technology of the Chiss, as well as the tactical abilities of Thrawn, and you have some of the most unique and brilliant battles in all of Star Wars fiction, especially as there is a great focus on larger cruisers and battleships, rather than smaller fighter craft.  I deeply enjoyed every battle sequence in this book, and fans of fights in space are in for a real treat here.

Unsurprisingly, I ended up checking out the audiobook version of Lesser Evil, rather than reading a psychical copy.  I cannot overemphasise just how amazing the Star Wars audiobooks are, thanks to their usual amazing combinations of impressive voice acting, clever sound effects and moving Star Wars music.  Lesser Evil is a great example of this, and I had a wonderful time getting through this brilliant audiobook, even with its extensive 23+ hours run time (it would rank 17th on the current version of My Longest Audiobook I Have Ever Listened To list).  I must once again highlight the cool sound effects that were utilised throughout the audiobook to great effect.  These effects, most of which have been taken from Star Wars films and animated shows, add so much depth and power to the audiobook’s scenes, building up a strong atmosphere around the words.  Sounds like blaster fire or roaring engines really help to bring the listeners into the centre of the book’s climatic scenes, while even smaller scenes get a boost thanks to having crowd noises or computer sounds lightly running in the background.  The audiobook also makes good use of the iconic Star Wars score in various parts.  While not featured as heavily as other Star Wars audiobooks, in several places the amazing orchestral music from the films is utilised to give some major scenes a dramatic punch.  This is particularly true in some of the battle sequences, and the listeners are treated to some of the more exciting or moving tunes, which makes the battles or major moments feel bigger and more important.

In addition to this great use of sound effects and epic Star Wars music, Lesser Evil’s audiobook also benefited immensely from the narration of Marc Thompson.  Thompson is an amazing narrator (one of my personal favourites), who has contributed his voice to a huge range of Star Wars novels, including all of Zahn’s previous Thrawn and Thrawn Ascendancy novels, and other audiobooks such as Scoundrels, Light of the Jedi, The Rising Storm, Dark Disciple and more.  Thompson has such a great range for Star Wars fiction, and he can produce some amazing and fitting voices for the various characters featured within.  Most of these voices are continuations of the ones used in the previous Thrawn Ascendancy novels, and I enjoyed the consistency from the previous two books.  I must also really highlight Thompson’s epic Thrawn voice, that perfectly captures the character’s essence, and which is incredibly close to Lars Mikkelsen’s voice from Star Wars: Rebels.  I also loved the voice that Thompson assigned to Jixtus, and the dark and sinister tones perfectly fit this awesome villain.  Thompson also cleverly modulated his voice for certain alien races to capture the unique characteristics Zahn assigned to them in his writing.  You really get a sense about how alien and strange these creatures are, which helped bring me into the zone.  This was another exceptional Star Wars audiobook, and this is easily the best way to enjoy this clever and impressive novel.

With the brilliant and captivating Lesser Evil, the legendary Timothy Zahn brings his awesome Thrawn Ascendancy trilogy to an end in a big way.  Loaded up with excellent universe building, an outstanding story, some excellent characters and some truly impressive space battles, Lesser Evil is probably the best entries in the entire Thrawn Ascendancy trilogy.  I loved how Zahn brought the trilogy’s various storylines together in this final novel, providing an exciting and captivating conclusion that perfectly leads into the original Thrawn trilogy.  Thanks to all of this and more, Lesser Evil gets a full five stars from me and comes extremely highly recommended, especially in its audiobook format.  I have had an incredible time reading the various Thrawn novels over the last few years and I really hope that Timothy Zahn continues to explore his iconic protagonist in the future, especially once Thrawn gets his long overdue live action debut.

Throwback Thursday – The Death of Superman

Death of Superman Poster

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read.  This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday.  Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time.  Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another.  There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies.  However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience.  As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War.  Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good.  His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor.  However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work.  As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean.  When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous.  Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis.  With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings.  Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance.   Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match.  Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there.  However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was.  This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart.  Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives.  This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time.  Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history.  He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever.  The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender.  After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films.  This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film.  I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League.  All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town.  The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways.  While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman.  This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her.  This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more.  However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in.  As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis.  The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight.  Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it.  You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons.  However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday.  This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too.  The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike.  Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”.  The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock.  Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling.  This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it.  This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character.  This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched.  The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film.  However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film.  The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances.  The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday.  The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way.  The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them.  However, it is the giant fight with Superman which is the true highlight of The Death of Superman.  This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants.  Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight.  There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out.  I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences.  The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music.  This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene.  There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above.  This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters.  This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries.  Up until this point, I felt that Superman was a bit underutilised.  Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse.  However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona.  You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you.  His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy.  His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent.  I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human.  I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes.  Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane.  Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her.  This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about.  I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film.  I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her.  The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up.  The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark.  The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing.  This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson.  Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans.  However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind.  The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy.  He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes.  I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge.  I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat.  I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films.  I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday.  Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction.  Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights.  I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense.  This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film.  Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles.  Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman.  The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson.  Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both.  I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments.  I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters.  Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film.  Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford.  His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero.  It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him.  I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching.  I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans.  Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions.  Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle.  I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film.  A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

Star Wars: The High Republic: The Rising Storm by Cavan Scott

Star Wars - The Rising Storm Cover

Publisher: Penguin Random House Audio (Audiobook – 6 July 2021)

Series: Star Wars – The High Republic

Length: 15 hours and 32 minutes

My Rating: 4.75 out of 5 stars

Prepare to dive back down into one of the most unique parts of the current Star Wars canon, as bestselling author Cavan Scott presents the next exciting adventure in The High Republic era, The Rising Storm.

The High Republic is a massive collaborative multimedia Star Wars project that started earlier this year and which represents a new area of focus for the Star Wars franchise.  Set in the Golden Age of the Republic, hundreds of years before the events of the Skywalker Saga, The High Republic currently contains several amazing pieces of tie-in fiction, with unique tales making up an overarching storyline.  I have so far read two entries in this series, the introductory novel Light of the Jedi by Charles Soule and the great young adult book Into the Dark by Claudia Gray.  The next major entry in this series is the fantastic and exciting The Rising Storm by Cavan Scott, which continues several storylines from Light of the Jedi.  Scott, who previously wrote the fantastic Dooku: Jedi Lost audio drama, has come up with a fascinating and compelling novel that I really enjoyed.

Two hundred years before the events of The Phantom Menace, the Republic was at its zenith, with the Jedi leading the expansion outwards to the Outer Rim.  However, following the Great Hyperspace Disaster, the Republic’s safety and security looks uncertain.  Even after the creation of Starlight Beacon, the Outer Rim is still a dangerous place, especially with the machinations of the notorious pirate group, the Nihil, as well as the spreading attacks from the plant monsters known as Drengir.

Determined to show that the Republic and the principles that govern it are still strong, Chancellor Lina Soh has organised the Republic Fair on the planet of Valo.  The fair will bring together cultural displays, new technology, Jedi artifacts and other wonders of the galaxy in a massive celebration to demonstrate the possibilities that an expanding Republic will have on the entire galaxy.  Attended by high-ranking Republic dignitaries, visiting diplomats, celebrities, leading scientists and prominent Jedi, all eyes in the galaxy will be on the fair and its participants.  However, some of these watching eyes have far more hostile intent and are determined to see the Republic Fair fail at all costs.

The most dangerous of these is Marchion Ro, the mysterious and unpredictable Eye of the Nihil.  Under his leadership, the Nihil have achieved much infamy and caused inordinate destruction throughout the Outer Rim, and Ro is determined to keep the Republic and the hated Jedi out of his territory.  As the fair begins, Ro orders a devastating attack that will shake the very galaxy to its core.  As Jedi such as Stellan Gios, Bell Zettifar and Elzar Mann attempt to hold back to the tide of evil descending on Valo, they are about to discover that there is something far more dangerous afoot in the galaxy.  Marchion Ro has uncovered an ancient evil and the entire galaxy, and every Jedi in it, is about to fear his wrath.

Now this was an awesome book, and one that is really starting to make me fall in love with The High Republic.  Scott has produced an intense and powerful story that continues to develop some of the best The High Republic characters, while also advancing some great storylines established in the previous novels and comics.  I had a wonderful time getting through this book, and this may be one of my favourite The High Republic novels so far.

This book has an awesome and captivating narrative to it.  Set about a year after the events of the first High Republic novel, The Rising Storm quickly introduces several intriguing storylines that each follow a different key character.  This includes a great storyline surrounding Elzar Mann as he attempts to decipher a warning given to him by the Force, as well as the tale of the conflicted and distracted Jedi apprentice Bell Zettifar.  There is also great storyline that follows a new character, mercenary Force user Ty Yorrick, as she takes on a new contract, and several storylines that follow key characters in the Nihil.  All these initially separated storylines are quite fun and do a good job setting up the various main characters, as well as establishing the current relevant events occurring in the galaxy.  While these individual storylines are quite fun and feature a mixture of intriguing characters, they swiftly come together into one combined narrative, when all the participants arrive at Valo for the Republic Fair.  Based on the book’s synopsis and the initial planning by the Nihil, you know that the fair is going to be attacked in some way, and Scott makes sure to ramp up anticipation for the upcoming carnage, showing multiple scenes that could lead into it.  However, even after all that, I was still not quite prepared for how amazing the main part of the novel turned out to be.

The eventual raid on the fair ended up lasting for quite a substantial part of the novel, as a coordinated attack separates the key characters.  With communications down and chaos reigning all around them, the protagonists are on their own, with each of their separate storylines focusing on their own encounters with the Nihil.  The entire raid is utter bedlam and proves to be a hotbed of action, intense moments, and dangerous character development.  I was honestly surprised at how dark parts of this book got, and readers are guaranteed a thrilling experience as there are several outstanding and intense action sequences.  Each of the main characters is effectively highlighted during this period, and readers will quickly become engrossed in their storylines and their attempts to navigate the dangers they encountered.  The entire raid sequence comes to an end with a decent part of the novel still left, which I initially thought was a bit of a mistake, as Scott could have ended the novel perfectly in the attack’s aftermath.  Instead, he constructed an incredible final sequence that really tied the entire narrative together, resulting in a memorable conclusion that sets up the next wave of novels perfectly.  While I did feel the story could have used a little bit of trimming, this was an overall excellent narrative, which I think was stronger than the preceding Light of the Jedi, mainly because it did not require the universe setup that Soule was required to chuck in.

While I deeply enjoyed The Rising Storm’s addictive story, this novel is a bit of a niche read and is mostly going to appeal to established fans of the franchise.  The Star Wars extended universe is an interesting and enjoyable place to explore, but it can be easy to get a little lost while checking out these books.  This is especially true with the new High Republic range, which takes the reader to a fictional period that has not been introduced to a wider universe either in a film or television series.  Due to its position as a second wave High Republic novel, you really need to check out some of the earlier works in the series before you try this one out, especially Light of the Jedi, which sets up most of the storylines and characters featured in this novel.  It is also important to add that this novel ties into several of the other High Republic comics and novels.  Events from these books and comics are referenced throughout The Rising Storm as Scott’s key characters interact with the protagonists of these other works, such as the junior novel, Race to Crashpoint Tower.  Knowledge of some of these contemporaneous pieces of fiction is not 100 per cent necessary, although several plot points and references become a lot clearance once you recognise the connection.  While Scott did do his best to make story accessible to new readers, I think that most High Republic newcomers would be better served reading Light of the Jedi first, which will make it so much easier to enjoy this awesome novel.

One of the more difficult things about reading a High Republic novel is the lack of any recognisable characters from the Star Wars films or television shows, as the only character from them alive at this point is Yoda (who keeps disappearing).  However, I found myself getting really invested in the complex and intriguing characters featured in The Rising Storm, as Scott makes use of both original characters and characters introduced in previous pieces of High Republic fiction.  This novel focuses on a huge selection of supporting characters, each of whom have their own adventures and stories.  One of my favourites was damaged Jedi Elzar Mann.  Mann is a troubled being who spends most of this novel haunted by both a dark vision from the Force and his unrequited and forbidden love to his friend and fellow Jedi Avar Kriss.  Because of this, Mann spends most of the novel walking the very edge of the Jedi code, breaking nearly every rule he can, including that major one about not falling in love or having a physical relationship with someone.  This sets him on a knife’s edge, and when the Nihil come, he is pushed dangerously close to the Dark Side (which mirrors Anakin’s fall in several ways) with some spectacular results.  This portrayal of Mann is one of the most compelling and exciting in the entire novel, and I appreciated the inclusion of a rogue Jedi.  Another complex Jedi character that I enjoyed was apprentice Bell Zettifar, who was a major point-of-view character in Light of the Jedi.  Bell is still reeling from the events of the first book where his master was apparently killed by the Nihil.  Because of this and other traumatic events, Bell spends much of the novel doubting the Force and his place in it.  I found myself really drawn to this character, and I appreciated the tough journey he was going on.  Unfortunately, it looks like Bell is going to go into some very dark places in the future, which should make for some excellent and moving storylines.

Aside from Mann and Bell, another great character I liked was Stellan Gios, a Jedi recently elevated to the Jedi Council.  Stellan, who had a minor role in previous pieces of High Republic fiction gets a lot more focus in this novel and proves to be a fantastic point of view character.  He is another complex figure, especially as he also has doubts and regrets, despite his position as a Council member.  I saw Stellan as the Obi-Wan Kenobi of the High Republic (partially because of the voice used by the audiobook narrator) and I liked his mostly calm demeanour, unrelenting friendship with the wilder Elzar Mann and the way he acts as straight man to several unusual Jedi characters.  Stellan goes through a lot in The Rising Storm, and it was fantastic to see him continuously overcoming adversity as he becomes more use to his place on the Council.  I also deeply enjoyed the character of Ty Yorrick, who was probably the best original character in this novel.  Ty is a former Jedi apprentice turned rogue mercenary who uses her Force abilities and spiked purple lightsaber to hunt monsters.  Despite her aversion for getting mixed up with the Jedi, Ty finds herself at the Republic Fair and must contend with both Jedi and Nihil.  While Ty was not the most developed character in this novel, I really liked her unique style and the fantastic mentor-student bond she eventually forms with Elzar Mann.  She has a lot of potential as a character, and I can see her becoming a major figure in the High Republic novels.

Some of the final characters I need to mention include Rhil Dairo, a spunky reporter who finds herself in the middle of all the key events of the book, recording with her cam droid.  Rhil is a fantastic and fun reporter character, much in the vein of Lois Lane, who can kick ass and get the scoop at the same time.  I also loved the scenes that featured Orbalin, a Jedi archivist and history buff.  Despite his more academic inclinations, Orbalin is quite a fun character who proves to be a real badass, especially as he manages to hold off several Nihil characters, including the lethal Lourna Dee, while giving a history lesson.  Finally, it was also great to see more of Wookie Jedi Burryaga, the cuddliest and nicest Jedi of all time, who everyone loves and who the reader feels inordinately protective of.  All these protagonists and more add so much to The Rising Storm’s narrative, and it was absolutely great to see all of their storylines unfold.

I am also deeply enjoying the villains of The High Republic, the Nihil.  The Nihil are a collection of murderous and self-centred pirates, who use their unique technology and tactics to bedevil the Republic and the Jedi.  With their own unique look and style, which is a mixture of spacefaring Vikings and Mad Max villains, the Nihil are a pretty fun group of characters to follow.  After a very strong introduction in Light of the Jedi, they have another amazing showing in The Rising Storm, achieving some major acts of destruction.  Thanks to their weird weapons, violent attitude and being constantly high on a cocktail of drugs and stimulants, the Nihil prove to be pretty dangerous opponents, even to the Jedi.  This makes for some very unique fight sequences, and it was fascinating to see the Jedi overwhelmed by these criminals.  At the same time, there is also an intriguing focus on the leadership of the Nihil, as the top commanders, the Tempest Runners, fight for dominance against each other and Marchion Ro.  Ro is proving to be a particularly intense and fascinating villain and Scott really builds on the character in this novel, showing more of his flaws, his motivations and his abilities to deceive and destroy.  There are several amazing storylines following Ro throughout this novel, including one where he obtains a mysterious evil item from the past.  The eventual partial reveal of this plot device results in The Rising Storm’s memorable conclusion and the High Republic creative team clearly has some fantastic plans for Ro in the future and they are turning him into one of the more complex and dastardly villains in the entire Star Wars canon.

As is becoming my recurring habit, I ended up listening to an audiobook version of this Star Wars novel.  This of course was a wonderful experience, as the team behind these books ensured that this latest Star Wars audiobook was the usual audio treat that I have come to love.  Featuring a decent run time of just over 15 and a half hours, The Rising Storm audiobook was an exceptional listen that I managed to power through in just over a week and which proved to be an exceptional way to enjoy this Star Wars adventure.  The entire narrative of The Rising Storm is enhanced and supported by a range of awesome and iconic Star Wars sound effects and music, which are intended to draw the listener into the story.  Both the sound effects and music are used to incredible effect throughout, and I think that they both added so much to my overall enjoyment of The Rising Storm.  The sound effects do a remarkable job presenting the ambient noise of every single scene, with crowd noises, the hum of a lightsaber, the engine noises of a ship or the sounds of blaster fire, constantly played in the background.  I was particularly impressed by the chaotic sound effects used during the Nihil attack on the fair, as you are treated to background noises of terror and destruction for several hours, which helps to highlight just how devastating the entire affair is.  In addition, the always impressive John Williams musical score is so much fun to hear, and it was put to particular good use in several significant scenes to enhance dramatic impacts.  I was extremely moved when I heard some of this music, as it either pumped me up during key action scenes (Duel of the Fates always gets me hyped), or to be deeply saddened when the more tragic musical cords struck up.

In addition to the exceptional use of sound effects and music, I also was deeply impressed with the incredible voice work featured in this audiobook.  Leading Star Wars narrator Marc Thompson once again lends his voice to this audiobook, continuing the work that he did in the Light of the Jedi.  Thompson has previously narrated some of my favourite Star Wars audiobooks, including Thrawn, Chaos Rising, Greater Good, Scoundrels, Dark Disciple, and the Doctor Aphra audio drama.  I also really enjoyed the awesome work he did in The Rising Storm, as Thompson not only revises the many voices that he introduced in Light of the Jedi but also adds in several new ones for the new characters.  I felt that various voices that Thompson did fit each of the characters extremely well, and he was able to perfectly personify their personality and written nature using a variety of fun accents.  I also found that Thompson was able to highlight the various emotions that the characters were feeling, giving the listeners a great sense of what they were feeling through his tone.  It was also cool to hear the combination of sound effect and Thompson’s voice when it comes to several alien characters featured within the audiobook, especially those whose voices were altered by technology.  All this outstanding voice work, combined with the awesome sound effects and music, helps to turn The Rising Storm into an absolutely incredible and addictive audiobook, and this is easily the best way to enjoy this fantastic Star Wars book.

The High Republic continues to expand as the amazing Cavan Scott adds his own unique spin on events with the exciting and memorable Star Wars: The Rising Storm.  This latest addition in the intriguing High Republic range does a fantastic job introducing the next stage of this unique Star Wars time period, complete with a devastating event, some major changes and some outstanding new characters.  I had an incredible time reading this great novel, and The Rising Storm is a must read for all fans of the Star Wars franchise, especially in its audiobook format.  If you have not gotten into the High Republic yet, you are missing out, and I cannot wait to see what happens next.  I will also have to make sure to grab a copy of Cavan Scott’s next Star Wars audio drama, Tempest Runner, a High Republic entry which is set for release in a couple of months and which will tell the tale of one of the more intriguing Nihil characters, Lourna Dee.

Star Wars - The Rising Storm Cover 2

Star Wars: Thrawn Ascendancy: Greater Good by Timothy Zahn

Star Wars - Thrawn Ascendancy - Greater Good Cover

Publisher: Penguin Random House Audio (Audiobook – 27 April 2021)

Series: Thrawn Ascendancy – Book Two

Length: 16 hours and 17 minutes

My Rating: 4.75 out of 5

One of the most impressive authors of Star Wars fiction in the world today, the legendary Timothy Zahn, returns with another epic entry in his Thrawn Ascendancy series, Greater Good, which continues to explore the early life of that awesome Star Wars character, Grand Admiral Thrawn.

Zahn is an outstanding author who has been writing Star Wars fiction since 1991, with the highly regarded Heir to the Empire.  Since then, Zahn has written several amazing Star Wars novels in both the current canon and the Star Wars Legends canon.  While I have not read all of Zahn’s Star Wars novels (yet!), the ones I have were all incredible and are some of my all-time favourite Star Wars novels (such as the awesome Star Wars: Scoundrels).  However, his most distinctive works have all surrounded the awesome character of Thrawn.

Grand Admiral Thrawn is an alien officer in the Imperial Navy, renowned for his amazing tactical knowledge, brilliance in battle and ability to discern insights about his opponents by observing their personality or culture, especially art.  Ever since his introduction in Heir to the Empire, Thrawn has been a firm favourite among the fans, so much so that he was one of the few characters from the Legends extended universe reintroduced in the new canon.  This reintroduction was done in the third season of the Star Wars: Rebels animated series, where he served as an impactful antagonist for the third and fourth season.  It also looks like Thrawn will also be getting a live-action appearance at some point in the future after his name was dropped in The Mandalorian, which is pretty damn exciting.

The character has been heavily featured in the current range of Star Wars novels, as Zahn was brought back in to write some exciting new Thrawn-based novels.  This started with a brand new Thrawn trilogy in 2017, made up of Thrawn, Alliances and Treason, which showed how Thrawn joined the Imperial Navy and his early career as an officer.  These novels were all incredible reads (Thrawn got a five-star review from me, and Treason was one of the best books I read in 2019), and I loved the character’s unique adventures.  Thrawn’s story was furthered expanded last year with Chaos Rising; the first novel in Zhan’s Thrawn Ascendancy series, which examines the character’s pre-Empire life. 

While the armies of the Republic and the Separatists battle for supremacy in the Clone Wars, another deadly conflict is occurring beyond the bounds of known space.  Deep in the unexplored regions, known as the Chaos, the mighty Chiss Ascendancy have just defeated the forces of General Yiv the Benevolent, shattering his empire, the Nikardun Destiny, and bringing peace back to their territories.  As the Chiss Ascendancy returns to normal, they are unaware that they are still under attack from a malevolent and clever foe that is determined to finish off the Chiss once and for all.

On a Chiss agricultural planet, a group of peaceful and seemingly harmless aliens have arrived, seeking to temporarily make a home.  In addition to their good nature, kind hearts and unique spices, these aliens have also brought something of great value that many people will kill for.  As news of the alien’s resources spread, cracks begin to appear in the very foundation of the Ascendancy, as the various powerful families fight for supremacy.

With civil war on the horizon, the future of the Chiss Ascendancy may lay in the hands of the brilliant and infamous Senior Captain Mitth’raw’nuruodo of the Chiss Expansionary Defence Fleet.  Thrawn, who is personally responsible for the defeat of Yiv and the Nikardun, is currently investigating the origins of their attack on the Ascendancy and, in doing so, comes across a previously unknown planet destroyed by its own deadly civil war.  As Thrawn attempts to explore this new mystery, he soon finds himself in the midst of a dark conspiracy.  An unseen force is attempting to take control of the entire Chaos, and the Chiss are the greatest obstacle to their plot.  Hamstrung by politics, family ties and his own inability to see the deeper motivations of his fellow Chiss, can Thrawn stop the oncoming conflict before it is too late, or will the Chiss Ascendancy burn from the inside out?

Zahn has once again produced an exceptional and outstanding piece of Star Wars fiction that further explores the fantastic early adventures of his greatest creation.  Greater Good is an excellent middle novel in this cool trilogy, and readers will deeply enjoy this book’s blend of intricate storytelling, great characters and impressive universe-building.  All of this results in an exciting and compelling novel that quickly draws readers in and has absolutely no trouble keeping their attention.  I had an outstanding time getting through this great novel and I was able to power through its audiobook format in no time at all.

At the heart of this outstanding novel is a clever and addictive narrative that follows Thrawn and a bevy of supporting characters as the Chiss Ascendancy finds itself in danger from an indirect attack.  Greater Good follows on immediately after Chaos Rising, and examines the next stage of a compelling conspiracy against the Chiss, while also focusing on Thrawn’s battles during this period.  The author utilises a substantial number of alternate perspectives to tell a rich and varied story and, while Thrawn is the centre of much of the book’s plot, Zahn has widened the focus of the novel with several compelling storylines and characters.  These include an investigation into the origins of a Nikardun attack on a remote planet, several jaunts out into different parts of space, internal political conflicts that are a threat to Thrawn, and exciting encounters with other inhabitants of the Chaos.  There is also a substantial focus on a new plot to destroy the Chiss, which includes several compelling flashback sequences that examines the origins and initial planning of the conspiracy.  This use of flashback is pretty impressive, and while certain aspects of the antagonist’s storyline are a tad odd, it was still an interesting tale.  I really enjoyed the vast array of different storylines and character arcs that really highlighted the richness of the setting and the unique plotlines they could inspire.  While some of these storylines might seem rather disconnected at times, Zahn cleverly brings them together at the end of the novel, resulting in a very impressive and intriguing conclusion.

As with most of Zahn’s novels, Greater Good is loaded to the brim with Star Wars lore and intriguing universe-expanding ideas as the author dives deeper into the origins, culture and history of the Chiss Ascendancy.  Zahn really expands on what he introduced in his previous Thrawn and Thrawn Ascendancy novels, especially Chaos Rising, and highlights the proud Chiss warrior culture.  A vast amount of new information of the Ascendancy is featured within this latest book, and the reader gets a fascinating look at the planets, political makeup and social hierarchy of this race, especially at the family level.  Not only is this really intriguing, especially for those readers who have enjoyed Zahn’s previous additions to the Star Wars canon, but the author uses it extremely well within the plot.  Much of the main narrative, including the conspiracy that threatens to destroy the Chiss, is based on their family makeup and the accompanying politics and family mentalities that go along with that.  I felt that Zahn integrated this into the narrative extremely well, forcing the characters to navigate their unusual and insane politics in order to survive.

The author also expands the reader’s knowledge of the previously unexplored area of the Star Wars universe known as the Chaos.  The Chaos, thanks to certain celestial anomalies, is harder to navigate and transverse than regular space; it is a mess of isolated planets, unknown societies and new alien races.  Zahn introduces several new aliens throughout this novel, with each unusual race playing an interesting role in the overall story.  I love the unique Star Wars setting of the Chaos, especially as many of the established Star Wars rules and technology are not as present.  For example, the various warships have some different armaments and shielding, such as acid-filled missiles, resulting in some unique and previously unseen battle tactics.  It was also interesting to see the different takes on the Force that the inhabitants of the Chaos have come up with.  Without any Jedi present, the various races within the Chaos each have their own interpretations or uses for the Force, such as the Chiss Sky-Walkers, young children who can use the Force to help ships navigate the Chaos more effectively, and it was intriguing to encounter different views of this throughout Greater Good.  Hardcore Star Wars fans will enjoy the intriguing additions that Zahn makes to the expanded universe, and the final few pages hint at some major lore introductions occurring in the next Thrawn Ascendancy novel that I am rather curious about.

While this was a great book and piece of Star Wars fiction, I did feel that it required some pre-knowledge of Zahn’s prior works.  The narrative of Greater Good is heavily linked to the events of its preceding novel, Chaos Rising, and while the author does re-explain some of the elements or storylines, a lot of the plot does rather assume you read the first book.  Having greatly enjoyed Chaos Rising, I was able to follow this quite easily, but I could easily see some newer readers getting a little lost or overwhelmed in places.  In addition, parts of the Thrawn Ascendancy series are heavily linked to the events of the previous Thrawn trilogy, and certain references or comments might not make much sense unless you had already read these books.  As a result, I would suggest newer readers check out some of Zahn’s earlier novels first, although it is still possible to enjoy Greater Good without it.  Those readers who have enjoyed these prior books are definitely in for a great treat though and will find the deeper dive into the Chiss and Thrawn’s past to be really enjoyable.

I cannot review one of Zahn’s Thrawn-centric novels without talking about the awesome space battle sequences they contain.  Each of these awesome books features some impressive and detailed space battles as the protagonists encounter a range of ships and fleets that they must fight against.  Greater Good is a particularly good example of this, as Zahn has written several outstanding sequences that are attention-grabbing and fun.  The sheer level of detail and planning that Zahn puts into these action sequences is incredible, and you get an amazing sense of what is occurring during the battle as well as the associated tactics and plans.  The sequences involving Thrawn are easily the best, as Zahn goes out of his way to showcase the character’s tactical brilliance.  This results in some very elaborate sequences, as Thrawn quickly determines the weaknesses of his opponents and uses that knowledge to craft intricate and somewhat insane strategies to utterly defeat them.  Watching these plans come to fruition is always amazing, especially as the reader has no idea in advance what is going on in Thrawn’s mind.  Instead, you only get to see the brilliance and impact of his tactics at the same time as the other characters, and it is always a lot of fun seeing how Thrawn was able to come to his conclusions about his opponents and use them against him.  Zahn comes up with some outstanding sequences for Greater Good that are guaranteed to leave readers on the edge of their seats.

In addition to the awesome narrative, action and universe-building, Greater Good also features an awesome collection of characters, each of whom add so much to the novel.  Naturally, the most impressive character is Thrawn himself.  Even amongst his own people, Thrawn is a strange being who sees the world in a very unique way, and everyone he encounters is impressed by his tactical know-how and unnatural observational skills.  I always enjoy the way in which Zahn depicts Thrawn’s actions in the novel, as Thrawn is one of the few characters whose perspective we do not see.  Instead, Thrawn is only portrayed through the eyes of the major point-of-view characters who observe and react to his actions.  Not only does this remove the inherent difficulties in depicting Thrawn’s mind, but it really enhances the impacts of his deductions and subsequent reactions.  The observing characters view Thrawn making his moves or claiming some impossible bit of knowledge, and then slowly work out how he did it, either through their own observations or thanks to comments by Thrawn.  This is done in a similar manner to the classic Sherlock Holmes novels, with the supporting characters in Greater Good acting in the role of Watson to witness and be impressed by the protagonist’s intelligent leaps.  Like with Sherlock Holmes, the use of the outside narrator in Greater Good deeply enhances the impact of Thrawn’s action, resulting in some awesome scenes.

One of the intriguing aspects of Thrawn’s character in Greater Good that I appreciated was the way in which Zahn continued to highlight his character’s one major weakness: politics.  Thrawn has absolutely no concept of politics, family alliances or some of the inner conflicts impacting the Chiss, and as such is unable to defend himself or others against political ambitions or vindictiveness.  I always really enjoy this trait in the Thrawn novels, especially as it gives Thrawn a noticeable weakness, while also enhancing the impact his fellow supporting characters have, as all of them understand politics better and can help Thrawn in this arena.  This blindness to political realities is particularly important in Greater Good, as not only is Thrawn being attacked by politicians from within his own family but the main threat facing the Chiss is more political than militaristic in nature.  This results in a rather intriguing handicap for Thrawn throughout Greater Good, and it was cool to see the sort of plan that the character came up with to compensate for it, as well as the mistakes he then makes.  Overall, Thrawn is a pretty awesome and fascinating character to follow, and I cannot wait to see what events happen to him in the final book in the trilogy.

Aside from Thrawn, I also really enjoyed some of the supporting characters featured throughout Greater Good.  In addition to being perfect conduits to observing Thrawn’s actions, each of these characters have their own intriguing storylines, many of which are continuing from Chaos Rising.  Examples of this include Thrawn’s old friend, Admiral Ar’alani, Thrawn’s second in command Mid Captain Samakro, the former Sky-Walker Thalias, who has tied her fate with that of Thrawn, and the powerful Mitth family politician, Thurfian, who serves as a secondary antagonist.  Each of these characters is further developed in Greater Good, and I enjoyed some of the cool storylines that Zhan is coming up for them.  Thurfian’s storyline is particularly intriguing going into the next novel, as the final scenes hint that he is going to come into possession of some very interesting knowledge soon.

Zhan also introduces several great new characters throughout Greater Good, many of whose narratives are tied into the malevolent plot to destroy the Chiss.  I found myself quite intrigued by the character of Lakinda, a fellow Senior Captain in the Chiss Expansionary Defence Fleet, who serves alongside Thrawn.  Not only does Lakinda offer an intriguing alternate observation angle on Thrawn, tinged with a bit of jealously and mistrust, but this character provides greater insight into the Chiss family structure.  Lakinda is an extremely loyal member of a mid-tier Chiss family, and she often finds her loyalties conflicted as she attempts to choose between family and the fleet.  This results in some captivating and emotional sequences which really help to highlight the unusual nature of Chiss society.

I also quite liked how Zahn spends time following the main antagonist of Greater Good, the mysterious alien Haplif.  Haplif and his people have been hired by a mysterious third party to orchestrate chaos and dissent within the Chiss Ascendancy to destroy them.  As a result, he masterminds an ingenious plot to promote conflict between various members of the Ascendancy.  I really enjoyed the complex and clever plot that this character came up with, and it was really cool to see him manage to manipulate several people throughout the course of the book, and he was an interesting alternative to the previous antagonist, Yiv.  It was a little odd to see Haplif, a supposedly brilliant planner and master manipulator, find his plans constantly stymied by a spoiled teenager and a backwater rancher, but it was fun to see his arrogance work against him.  All of these characters are amazing, and I really appreciate the time and effort that Zahn put into developing them.

It will not surprise anyone that I ended up listening to this Star Wars novel’s audiobook format rather than seeking out a physical copy of the book.  I absolutely love Star Wars audiobooks, and this was another excellent example that comes highly recommended.  The Greater Good audiobook has a runtime of just over 16 hours, which, while substantial for a Star Wars novel, is extremely easy to get through, especially once you become engrossed in Zahn’s cool story.  Like most modern Star Wars audiobooks, Greater Good makes amazing use of the classic Star Wars sound effects and film score to enhance the story.  I particularly enjoyed its use in Greater Good’s various space combat sequences, and it really amps up how epic those scenes were.

The real standout of this audiobook was the outstanding narration by Marc Thompson.  Thompson is an experienced narrator of Star Wars fiction who, aside from contributing his voice to all the books in the Thrawn and Thrawn Ascendancy novels, has also narrated awesome audiobooks like Light of the Jedi, Doctor Aphra, Dooku: Jedi Lost, Dark Disciple and more.  Thompson does an incredible voice for Thrawn that is filled with the character’s control, intelligence, and gentle menace, and which is very, very close to how the character is portrayed in Star Wars: Rebels.  This amazing voice for Thrawn is easily one of the best parts of the audiobook, and it is fun to listen to the character lay out his elaborate strategies in Thompsons’s awesome tones.  Aside from Thrawn, Thompson also produces a great range of different voices for Greater Good’s supporting characters.  Each character gets their own distinctive voice, which matches their personality and physical qualities, and the listener is never in doubt about who is talking.  I also quite enjoyed how Zahn makes fun accommodations for the various different species featured within the audiobook, tailoring his voices to make them sound more alien at times.  Zahn also gives more rural accents to some of the Chiss characters featured in this novel who are from, or are located on more backwater planets, which I thought was a very nice touch.  All of these amazing features help to turn the Greater Good audiobook in an absolute treat for your ears, and it is an incredible way to enjoy this epic novel.

Thrawn Ascendancy: Greater Good is another exceptional piece of Star Wars fiction from Timothy Zahn.  Featuring his iconic and impressive creation, Grand Admiral Thrawn, Greater Good serves as an outstanding second entry in the Thrawn Ascendancy series, which charts the early life of this great character.  With a clever and exciting story, chock full of universe building, fantastic characters and some unique and memorable battle moments, Greater Good is an excellent novel that comes highly recommended.  I have so much love for Zahn’s Thrawn and Thrawn Ascendancy novels and, after really enjoying Greater Good, I am very excited to see how this series ends.  The final book in the Thrawn Ascendancy trilogy, Lesser Evil, is coming out in November 2021, and I cannot wait to get my hands on it.

Throwback Thursday – Star Wars: Maul: Lockdown by Joe Schreiber

Star Wars - Maul - Lockdown Cover

Publisher: Random House Audio (Audiobook – 28 January 2014)

Series: Star Wars

Length: 12 hours and 20 minutes

My Rating: 4.5 out of 5 stars

This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. 

2021 has so far been a fantastic year for Star Wars novels with excellent releases such as the two Star Wars: The High Republic novels, Light of the Jedi and Into the Dark, and the final entry in the Alphabet Squadron trilogy, Victory’s Price.  I have been really enjoying these new Star Wars novels but I recently got a hankering for something a little different and decided to go back and check out some of the older Star Wars tie-in novels.  While there were several intriguing options (I was strongly eyeing off A New Dawn by John Jackson Miller, Darth Plagueis by James Luceno and Razor’s Edge by Martha Wells), I eventually settled for the one of the last entries in the Star Wars: Legends range of books, Maul: Lockdown by Joe Schreiber, an intensely exciting and dark novel with an amazing story to it.

Welcome to the space station Cog Hive Seven, the most dangerous prison in the entire galaxy.  Here inmates are forced to fight to the death in matches broadcast to millions of gamblers across the Republic determined to make a profit off the blood of the galaxy’s worst killers and criminals.  No one escapes from Cog Hive Seven, and every one of its deadly and evil inhabitants know that they will eventually die there.  However, not even these deranged inmates are prepared for the new evil that has been thrown into their midst, the lethal dark-side assassin, Darth Maul.  

Sent by Darth Sidious to contact a secretive weapons merchant, Iram Radique, Maul has disguised himself as a notorious mercenary and killer.  Determined to complete the mission his master has given him, Maul begins to upend the prison to find the elusive Radique, quickly establishing himself as a destructive force of chaos.  However, his notoriety also sees him forced into progressively more dangerous matches against some of the deadliest creatures in the galaxy. 

Bereft of his lightsaber, forbidden from using the force and with bombs injected into both his hearts, Maul must rely on his brutal combat abilities and own inner strength to succeed.  But the closer he gets to finding Radique, the more he realises that not everything is as it seems aboard Cog Hive Seven and that his target will do everything is his power to avoid meeting with Maul.  Worse, dangerous factions have taken notice of the prison and its deranged warden and soon Maul must contend with a death cult, the followers of Jabba the Hutt and a horrifying monster living within the walls of the prison.  Can even Darth Maul overcome the odds in front of him, or will the creatures of Cog Hive Seven swallow him whole?

I think readers of this blog will not be too surprised to hear that the moment I found out that there was a book that followed Darth Maul participating in death matches aboard a space prison, I knew I would have to read it, and boy am I glad I did.  Maul: Lockdown is an impressive and fantastic novel that I found to be instantly captivating and which I powered through in a short amount of time.  Author Joe Schreiber, whose previous novel, Death Troopers, featured an outstanding story about key Star Wars characters encountering a zombie horde (it is as awesome as it sounds) came up with a pretty epic narrative for this Star Wars novel, and I really enjoyed this cool, Darth Maul-centric book.

I have to say that I was really surprised about how complex and impressive Maul: Lockdown’s narrative turned out to be.  Based on the plot description, I would have expected a simple, action-orientated story, but instead Schreiber crafted together a dark and powerful Star Wars tale with some compelling mystery elements.  This book reads a lot like a prison thriller, with Maul thrust into the middle of a dangerous jail which he must navigate to find his target.  While there is a natural focus on the fights between Maul and the other dangerous inmates, which results in some exceptional action sequences, the author also works in some great mystery and crime fiction elements that combine perfectly with the Star Wars backdrop.  The author utilises a bunch of multiple perspectives to show the chaotic nature of the prison, and there are several great storylines based around supporting characters which twist their way around Maul’s central story of surviving and attempting to find the secretive arms dealer. 

As the story progresses, more and more dangerous elements and antagonists are thrown into the narrative, including monsters, deranged cultists and even Jabba the Hutt, intensifying the obstacles facing Maul and raising the thrilling stakes of the narrative.  I really enjoyed the main storyline of the hunt for Radique, and there were plenty of false leads and twists around who he was and where he was hiding.  I did think the eventual reveal of the character (spoiler ahead!!!) was a tad weak, mainly as it ended up being a character we hadn’t seen before (spoiler end), but it was still an interesting and exciting centre to the narrative.  Schreiber also weaves some excellent horror elements into the story, especially surrounding one unique creature in the prison.  The author makes this creature particularly horrifying to behold, both because of its appearance and its unsettling abilities, and there are some real terrifying sequences surrounding it.  All these great elements come together perfectly into one fantastic and captivating tale that proves to be extremely addictive and very clever.

This is an exciting Star Wars novel that fans of the franchise are really going to enjoy.  Maul: Lockdown was one of the later entries in the previous Star Wars extended universe which is now known as the Star Wars: Legends range.  Despite no longer being considered canon, the Star Wars: Legends books still have some great stories, such as the impressive heist novel Scoundrels, and this was a pretty cool entry.  Set a year before The Phantom Menace, this book is loaded with a ton of references to other pieces of Star Wars media, including several previous Star Wars: Legends novels and comics, Schreiber’s previous book Death Troopers (featuring a clever cameo), and even an old Star Wars video game, Bounty Hunter.  There are lots of interesting pieces of Star Wars lore in here, and the author features a couple of major figures from the prequel films, as well as a few obscure characters from some of the older Star Wars novels, including a corrupted Padawan of Count Dooku I had not heard of before (she is not in the new canon).  I really enjoyed the author’s inclusion of a battle of intrigue between Darth Sidious and his master Darth Plagueis, and the story in Maul: Lockdown has some great connections to certain events in the Darth Plagueis novel.  While Schreiber has included a lot of high-level lore, I felt that this was quite an accessible Star Wars novel and anyone who saw Darth Maul emerge in The Phantom Menace will definitely enjoy this darker and captivating piece of Star Wars fiction.

One of the most intriguing things about this novel is the way in which the author attempts to dive into the mindset of fan-favourite character Darth Maul.  Ever since he whipped out his dual-bladed lightsaber in The Phantom Menace, Maul has been a much beloved figure in the Star Wars franchise, but you do not often get to see much of his inner thoughts.  While I would probably be happy reading a simple hack-and-slash adventure featuring Maul, I really appreciated the way in which Schreiber takes the time to examine Maul’s inner psyche, and you get an intriguing glimpse into his thoughts about his mission, his purpose in life and his loyalty to his master.  I found it quite fascinating to see the way in which Schreiber portrays Maul’s complex feelings about Sidious, as he is both simultaneous absolutely loyal to him while also being deeply suspicious about his intentions.  Maul spends most of the book believing that everything he is experiencing is a test or deception levelled at him by his Master and he also hints at his suspicions that he will eventually be betrayed.  While this examination of Maul’s more complex thoughts and feelings is quite interesting, it is also perfectly counterbalanced by a huge number of scenes that examine just how much of a badass Maul is.  Schreiber has loaded this book up with awesome and brutal fight sequences pitting Maul up against a range of deadly opponents, which are made even more awesome by the fact that Maul is unable to use either his lightsaber or force abilities.  Instead, Maul shows off his impressive unarmed fighting skills and his natural cunning, as he overwhelms his opponents in some brutal and clever ways.  The author also fits in some compelling hints and depictions of Maul’s training and early life, which I found to be very interesting, particularly as some of these events slightly differ from the current canon.  All of this makes for an exceptionally cool Darth Maul novel, and I loved seeing this great character in all his deadly glory.

I ended up checking out Maul: Lockdown on audiobook, which is easily the best way to enjoy a Star Wars book.  The Maul: Lockdown audiobook has a reasonable run time of 12 hours and 20 minutes, which dedicated listeners can get through in a couple of sittings.  I absolutely powered through this audiobook myself, especially once I got caught up in the cool story, and I had a great time experiencing all the features of this format.  Like most Star Wars audiobooks, Maul: Lockdown makes excellent use of the iconic sound effects and musical scores from the Star Wars films and television series to enhance its story.  The sound effects are particularly impactful in Maul: Lockdown, and I liked the way they made the many fight sequences pop with the sounds of violence and weapons blasting.  They also made one horrifying creature even more terrible to listen to thanks to the slithering and sucking sounds that played when it appeared.  This audiobook also made great use of John Williams’ amazing scores.  I always love hearing the inspirational and moving Star Wars music during these audiobooks, and while it was more restrained in this audiobook than some others I have enjoyed, it still helped to make several emotional or exciting scenes just a little more epic.

In addition to the cool sound effects and awesome music, Maul: Lockdown’s audiobook also made great use of exceptional narrator Jonathan Davies.  Davies is a veteran narrator who has lent his voice to several Star Wars novels in the past, such as Doctor Aphra, Dooku: Jedi Lost, Master and Apprentice and Lords of the Sith.  He does a fantastic job bringing the various characters in Maul: Lockdown to life, and I really enjoyed the unique tones that each character received.  I really liked the voices that he used for established Star Wars characters, which were close, if not spot on, to how they appeared in the films or television series.  This includes the menacing tones he came up with for Maul, which contained all the character’s barely supressed anger and hatred, and he did a rather good Darth Sidious which was reminiscent of Tim Curry’s take on him in The Clone Wars animated series.  Davis also did a perfect Jabba the Hutt (not exactly sure that is a compliment, but please take it as such), and I loved hearing him do Jabba’s iconic laugh.  Overall, his narration was pretty damn awesome and, when combined with the fantastic sound effects and great musical inclusions, helped to really enhance Maul: Lockdown’s narrative and continued the trend of outstanding Star Wars audiobooks.

Star Wars: Maul: Lockdown by Joe Schreiber is an outstanding and awesome novel that sees one of the best characters in the Star Wars canon fighting for his life in a dangerous setting.  Featuring a powerful and addictive narrative, loaded with intrigue, betrayal, and a whole lot of violence, this is a rich, clever, and dark Star Wars novel that comes highly recommended.  I had an incredible time reading this cool and captivating book and I really need to check out some of the other amazing sounding novels in the Star Wars: Legends range.

Star Wars: Victory’s Price by Alexander Freed

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series. 

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story. 

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future. 

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him. 

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.