Operation Bounce House by Matt Dinniman

Publisher: Penguin Random House Audio (Audiobook – 10 February 2026)

Series: Standalone

Length: 10 hours and 49 minutes

My Rating: 5 out of 5 stars

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The always inventive and uniquely funny Matt Dinniman kicks off a big year with the epic and outstanding read, Operation Bounce House, an incredible and heartfelt novel with one of the most distinctive plots of 2026.

In the last year, I have become one of the many readers/reviewers that has irrevocably fallen in love with the writings of Matt Dinniman.  A clever and hilarious author, Dinniman has gained attention from the world thanks to his intriguing contributions to the LitRPG franchise, producing some very compelling and over-the-top books.  This includes his most famous body of work, the beloved Dungeon Crawler Carl series, which has attracted a diehard group of fans thanks to its addictive overarching plot, complex characters and bonkers humour.  I personally read the entire Dungeon Crawler Carl collection in one straight go last year, with the then seven books in the series, including Dungeon Crawler CarlCarl’s Doomsday ScenarioThe Dungeon Anarchist’s CookbookThe Gate of the Feral Gods, The Butcher’s MasqueradeThe Eye of the Bedlam Bride and This Inevitable Ruin, all getting very easy five star ratings from me.  Due to how unbelievably addictive the Dungeon Crawler Carl books are, I just had to check out Dinniman’s latest read, the standalone novel Operation Bounce House.  Due to both my experiences with Dinniman and its very cool sounding plot, Operation Bounce House ended up being one of my most anticipated releases of early 2026, and boy did it not disappoint.

In the far future, humanity has expanded out amongst the stars, with massive ships sent to colonise remote planets.  Many planets were found and settled, but few experienced the hardships of New Sonora, where tragedy forced the colonists to adapt through minor changes to their genetics.  Now, after years of isolation, New Sonora is on the brink of opening its public transport gate back to Earth.  However, this attempt at reconnection will cause hell to reign down upon the peaceful planet.

Young New Sonoran native Oliver Lewis has only ever wanted to live peacefully on his family farm, where his biggest problems are his uncertain love life, his sister’s plans to move to Earth, and the slow decline of his family’s aging fleet of ‘honeybee’ agricultural robots.  However, the craziness of a futuristic Earth comes abruptly crashing down on him when a deadly mech descends on his farm, remotely piloted by a petulant child trying to kill him.

As more mechs land on New Sonora, it becomes clear that something disastrous is befalling the planet.  Instead of New Sonora’s promised independence, the governments of Earth and their proxy, the Apex Corporation, have declared that New Sonora is home to anti-Earth terrorists, and have initiated a plan to wipe out the entire population in a shameless landgrab.  Worse, the Apex Corporation has decided to maximise their profits by starting the online hit Operation Bounce House, in which bored Earth gamers are given the opportunity to design and remotely pilot their own armed mechs to massacre the supposed terrorists on New Sonora, all from from the comfort and safety of their own home.

Oliver and his friends decide to fight back.  Utilising a hidden defence protocol left behind by his grandfather, the fleet of honeybee robots are converted into deadly war machines, armed with impromptu but effective weaponry.  But even with these new weapons, can the remaining New Sonorans survive the relentless wave of mechs coming for them, or do they have to find another way to bring the pain to their long-lost cousins from Earth?

Operation Bounce House was another exceptional novel from Matt Dinniman, who takes a break from his Dungeon Crawler Carl books with a unique and heartfelt standalone novel.  Exciting, well-written and extremely clever, Operation Bounce House was an inescapably addictive read that I absolutely absorbed, and which gets an easy five-star rating from me.

Operation Bounce House honestly has one of the more unique science fiction plots of 2026, as Dinniman sets up a powerful narrative of survival, sacrifice and friendship.  Starting with a quick introduction to the protagonist and main point-of-view character, Oliver Lewis, and his sassy farm robot Roger, the plot quickly gets explosive when the two encounter a remotely piloted mech on the outskirts of their land, which serves as a harbinger for a larger force of mechs coming for the planet.  Perfectly utilising a single protagonist perspective to tell the main story, the reader is soon very much enmeshed in the resulting story of survival and the fun interactions between Oliver and Roger.  These opening sequences do an excellent job of setting up the larger story of Operation Bounce House, and you get addicted fairly on, especially once Dinniman started expanding the world building and introducing more characters.

After this effective introduction, Dinniman starts to the throw the readers into the action, including an extended sequence to a nearby town.  A lot of these initial action sequences are quite bleak and really showcase the stakes of the war and the innocence of the protagonists.  Dinniman cleverly cuts these sequences with some deeper dives into the history of future Earth and New Sonora, all of which is relevant for later revelations in the plot.  Many of these deeper dives include transcripts of an in-universe documentary series, The Rhythm Mafia Tapes, which are scattered throughout the plot and provide humanising shots of the main characters and the world that is being destroyed.

The plot of Operation Bounce House eventually devolves into a relentless and bloody siege, with the protagonist and other surviving New Sonoran locals defending the Lewis farm from waves of oncoming mechs.  However, their unique strategies escalate the situation beyond their control, with all of Earth and the Apex Corporation focused on them.  This results in even more carnage, tragedy and hopelessness, and you are unbelievably hooked the entire way through the second half of the book.  I don’t want to go into too much detail about the conclusion of Operation Bounce House, but I will say it is crazy, and nothing goes the way you’d expect.  The big finale sequence is the perfect way for the protagonists to respond to the war around them, and it was one of my favourite parts of the entire book.  Dinniman also lays down several impressive swerves and revelations, many of which perfectly tie back to story and worldbuilding elements he cleverly laid down earlier in the plot, and you are constantly left guessing about where this bloody standalone story will go next.  Readers are guaranteed to come away from Operation Bounce House very satisfied with its ending, and I honestly wished for a longer story.

Dinniman presented another outstanding narrative in Operation Bounce House, and I really enjoyed how this powerful story came together.  Most readers are probably coming into this novel as fans of Dinniman’s Dungeon Crawler Carl books, and as one of those people I can guarantee that if you loved the author’s previous works, you’re going to love Operation Bounce House.  This new novel has a similar style in some places to the Dungeon Crawler Carl books, especially when it comes to the over-the-top story elements and outstanding character work.  Dinniman also once again showcasing his exceptional abilities at worldbuilding, and I was very impressed by how quickly and effectively Dinniman introduced the setting and brought you into the crazy scenario, loaded with dark action, complex tragedy and some incredible personal history.  There are so many compelling details featured within this setting, and I loved how well the author utilised these details and history in the larger narrative.  Dinniman makes sure to feature some similar themes his readers may be familiar with, including his love of RPGs, his anti-corporation messaging and his focus on the uncertainty around artificial intelligence, all of which are taken to fun new extremes in this novel.  The book also works as a dark parody of the current streaming culture, with interesting comparisons between crass online personalities and humble farmers, there are a range of clever messages thrown into the story about the future of modern society.

While there are some notable similarities to the author’s previous work here, I do think that Operation Bounce House also serves as an evolution of the author’s writing ability, and I really appreciate him branching out into something more straightforwardly science fiction.  I was very impressed with how well Operation Bounce House works as a standalone story, as there was a lot of detail expertly crammed into this read.  In many ways Operation Bounce House was a somewhat more grounded and personal story than the Dungeon Crawler Carl books.  Thanks to a smaller cast and the carnage focused on the protagonist’s local area, there is a lot more emotion, and I appreciated the focus on family, friends and local community.  Dinniman also provided some more subdued humour for most of the book, which I think helped to raise the impact of the stakes at time.  There are still of course a ton of funny moments in this book though, especially when it comes to fighting back against the mech controllers in unique ways, and things do get very out of hand at times.  Dinniman also ensures that the action is extremely unique, especially considering the context of the conflict, and his depictions of overpowered mechs attacking older robots and lightly armed people were realistic, brutal and intense.

One of the most impressive things about Operation Bounce House was the complex and deeply moving character storylines that Dinniman was able to work into this standalone narrative.  Featuring a well-written cast of colonists defending their homes against insane gamers, you really get absorbed into their powerful story of loss, despair and family.  The story is primarily told through the eyes of main protagonist, Oliver Lewis, a young man who is forced to transform from a farmer worried about everyone leaving him behind, to a traumatised resistance leader trying to save the last sparks of his planet.  Thanks to powerful first-person perspective, you fully witness Oliver’s growth into a reluctant leader throughout the book, while experiencing his sadness and loss.  Dinniman does an excellent job writing Oliver as an everyman character, and while he steps up, he isn’t as overpowered or strategic as some of Dinniman’s other protagonists, allowing for a more relatable story.  I deeply enjoyed the compelling and full narrative that Dinniman wrote around Oliver in this book, which was loaded with love of family and friends, and he worked well as a main character for this plot.

The rest of the natives of New Sonora serve as a wonderful supporting cast, with all of them having a great out-of-their-depth edge to them.  Most of the main cast are Oliver’s friends who find themselves the unlikely faces of a revolution.  Featuring several excellent characters, each with their own distinctive arc, whose relationship with Oliver and each other defines them in the chaos to come.  Standouts include Sam Amboya, Oliver’s best friend and one of the main comic reliefs in the plot.  A dedicated friend and soon-to-be parent, Sam is one of the emotional hearts of the story, whose survival you become very invested in.  I also really enjoyed Oliver’s sister, Lulu, who serves as an interesting and more worldly foil to her brother.  A sassy and confident figure, Lulu has some interesting scenes around her, including her fame in an adult vocation that works surprisingly well in building her up as an independent and charismatic woman.  These great New Sonoran characters, and more, prove to be excellent focusses for the plot, who the reader can really get behind.  The Rhythm Mafia Tape interludes provide some great snapshots and help to build up the defenders as real people.  Dinniman perfectly matches these likeable farmers with some very over-the-top antagonists, primarily the Earth based mech pilots participating in Operation Bounce House, as well as some shady corporate overlords.  Dinniman clearly had fun introducing a range of sadistic gamer characters and corporate managers, who while exaggerated, seem like a natural progression for some current trends.  These antagonists contrast in very entertaining ways to the New Sonoran defenders, and it was amusing to see many of them get their just-deserts thanks to the unique tactics of the protagonists.

While all these human characters are amazing, I honestly found that one of the best figures in the book was a robot, which is typical for a Dinniman novel.  This character is Roger (short for Roger-Roger), the Oliver family hive queen, an AI robot used to manage the farm and the other honeybee robots.  Roger serves various roles in this novel, including a key deliver of exposition about the larger setting, as well as a great comedic figure due to his role as a strict tutor and disciplinarian for the adult Oliver and Lulu (and their friends).  However, when the mechs invade, he starts following a hidden “perimeter defence protocol”, turning him into the control nodule for the protagonist’s entire defence network.  Dinniman writes some intriguing narratives around Roger, as the new protocols allow him to expand his learning capacity and overcome his coded limitations to make him a truly terrifying weapon.  Roger’s history, and the fear that future Earth has for AI, also serves as a fascinating central narrative thread for Operation Bounce House, and it proves interesting to see Roger transform from a simple farm robot to a major threat to all humanity.  Despite this, there are some heartwarming personality traits attached to Roger, and he honestly proves to be one of the more loveable figures in the novel, especially when seen through the protagonist’s eyes.  All this allows for quite a powerful and personal narrative, with Dinniman once again showing his aptitude for creating distinctive and complex characters.

While I was lucky enough to receive a physical copy of Operation Bounce House, I just had to listen to the audiobook version of it, especially after loving the Dungeon Crawler Carl series on this format.  Unsurprisingly, the Operation Bounce House audiobook was also extremely awesome, and listening to the plot really enhanced the unique scenario, elaborate plot and crazy characters.  I ended up powering through Operation Bounce House’s near 11-hour runtime in a very short amount of time (it’s a great book for a road trip), and there was frankly not a single second that I wasn’t enjoying this great audiobook experience.

Part of the reason that this audiobook was so damn fun was the incredible narration that accompanied it, with two outstanding and familiar voice actors coming along for the ride.  The primary narrator for Operation Bounce House was Travis Baldree, who Dinniman fans would be familiar with due to his appearances in two of the Dungeon Crawler Carl audiobooks, including The Eye of the Bedlam Bride where he had one of the series’ funniest lines: “I need a baby seal”.  Baldree continues his exceptional work in Operation Bounce House, successfully voicing the tense plot perfectly, ensuring that the story moved along at a tight clip while also expertly enhancing the book’s tight humour.  Baldree also does an outstanding job with the various characters, with a compelling range of voices attributed to the entire cast.  My personal favourite was probably the amazing tone he gave to Roger, which helped showcase his robot nature while also still containing some excellent emotion and humour.  I also enjoyed how his various human main characters had a good rural rasp to their voice, that fit nicely with the agricultural nature of their world, and Baldree unsurprisingly did justice to the various Latino characters featured in the plot.

On top of Baldree’s outstanding central narration, we also get the legendary Jeff Hays, the voice of the Dungeon Crawler Carl audiobooks, voicing several secondary characters.  Hays, who is just so damn good, has a ton of fun with these characters, including one of the main antagonists, who he gifts a particularly entertaining and arrogant voice, which was just perfect.  The combination of voices coming out of this impressive narration team was so damn amazing, and they really turned this audiobook into something special.  This is frankly the absolute best way to enjoy Operation Bounce House, and I cannot recommend it enough.

Matt Dinniman has fun showcasing a new, unhinged narrative with the wonderfully powerful Operation Bounce House.  An outstanding standalone science fiction novel that perfectly showcases Dinniman’s ability to craft elaborate universes and intense character arcs, Operation Bounce House was just incredible, and I still cannot get over some of the clever twists and intense action.  A deeply impressive read, and an outstanding novel to check out before Dinniman’s new Dungeon Crawler Carl novel, A Parade of Horribles, which I am currently reading as I write this review.

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Warhammer 40,000: Chem Dog by Callum Davis

Publisher: Black Library (Audiobook – 27 March 2026)

Series: Warhammer 40,000

Length: 9 hours and 28 minutes

My Rating: 4.5 out of 5 stars

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The Warhammer 40,000 universe continues to grow with an outstanding debut novel from new author Callum Davis, Chem Dog, a cool and intense read with a great plot behind it.

Readers of this blog will know that I have so much love for the awesome Warhammer 40,000 franchise, which produces so many amazing and unique books each year.  Part of the reason this works so well is that the Black Library makes use of an intriguing collection of new and established authors to tell tales of this complex and grim dark universe.  This includes a range of first-time authors, many of whom have a compelling Warhammer 40,000 book as their debut novel.  I have had a blast reading several of these debuts over the years, and the latest one I want to highlight is the impressive Chem Dog by Callum Davis.  The very first full novel from Davis, Chem Dog is a follow up to his previous short story, Those Without Mercy, and tells a gripping story of war, mistrust and unlikely camaraderie amid a brutal campaign.

Upon the vital, war-torn planet of Kruxx, disaster has struck the Imperium of Man.  Under attack by ruthless ork invaders, Kruxx’s most heavily defended fortress, the Bastion Ajaxus, has fallen.  Overwhelmed by hordes of brutish aliens, the defenders have been brutally cut down, and the bastion reforged into a crude but deadly ork fort.  To ensure victory on Kruxx, the remaining Imperial soldiers need to retake the bastion at any cost, but the fate of the war may lay in the hands of the most unlikely of soldiers, the Savlar Chem-Dogs.

The refuse of an infamous prison world, the Savlar Chem-Dogs are a notorious and unreliable penal legion.  Killers and thieves given the chance to die on the field of battle, the Chem-Dogs are an unlikely group of defenders for humanity whose only incentive to stay in the fight is the promise of loot taken from the bodies of the fallen.

Few know how imperfect the Chem-Dogs are more than Commissar Bastun Hasp, a relentless rule follower, dedicated to lethally enforcing order with his bolt pistol.  However, ordered to join the likely fatal assault on Bastion Ajaxus and recover vital intelligence from its occupied halls, Hasp begins to feel doubt for the first time in his career, especially as his only backup are a squad of Chem-Dogs he previously sentenced to death.  Forced to cross over deadly enemy-infested territory and join a bloody siege, can Hasp keep the Chem-Dogs loyal long enough to complete his mission, or will a far more sinister threat claim all their lives?

Chem Dog was an awesome new Warhammer 40,000 entry that quickly grabs your attention and keeps you hooked with its compelling narrative, entertaining characters and great action sequences.  A powerful and intense first full novel from new author Callum Davis, Chem Dog was an easy book to fall in love with and is a must read for all Warhammer fans.

Davis crafts together a very entertaining action and adventure narrative for Chem Dog that brings in some interesting character moments and overarching Warhammer intrigue to create a captivating and exciting read.  Starting off with an intense extended battle sequence with some short-lived characters that shows the helpless and grimdark nature of the Warhammer 40,000 universe perfectly, the story soon switches to the main protagonist, Commissar Bastun Hasp, as he is given his mission to journey to a besieged former Imperial citadel.  Chem Dog quickly expands on some story points introduced in the preceding short story Those Without Mercy, with several characters from this previous entry returning to accompany Hasp to the citadel.

Much of the resulting first half of Chem Dog is an exciting and brutal adventure arc, as Hasp and the Savlars travel across the hostile Kruxx terrain, fighting against deserters and rampaging ork bands.  This does an excellent job of setting up the desperate nature of the plot, as well as showcasing the unstable main characters as they attempt to work together.  After some great action set pieces and locations, several of which showcase just how expendable members of the main cast truly are, the book evolves into an intrigue-laden siege story, as the protagonists arrived at the Bastion Ajaxus and find themselves drawn into the big assault on the citadel, which quickly goes to hell in one particularly amazing extended sequence.

The second half of Chem Dog soon turns into one continuous and bloody affair, as the protagonists and some contentious allies are forced to fight throughout the enemy fortress in some unique ways.  Davis loads in some excellent action scenes here, while overlaying a level of mystery and mistrust over proceedings, especially as nothing goes the way they expect.  Things get progressively darker as the story continues, with the last major sequence seeing some very interesting antagonists, including a unique take on the threat of the orks.  The big finale of the story is brutal and features some not unexpected betrayals and revelations, as well as some genuinely tragic loss.  I rather enjoyed how the story came together, although I will admit I was a little disappointed by the somewhat abrupt ending to the book.  I think that Davis could have expanded on a few points and allowed for a more satisfying conclusion, however, it does leave some elements open for a potential sequel, which I would be very interested in checking out.

I felt that Davis did an excellent job writing his first full-length Warhammer novel, structuring his story and telling it in an effective manner.  While there were some issues with the ending, for the most part Chem Dog was a particularly powerful read that combined clever character work with some intriguing dives into the Warhammer 40,000 universe.  Effectively told from several alternating perspectives, the structure draws the reader into the overarching quest as well as the unashamedly criminal protagonists.  Taking some inspirations from The Dirty Dozen (although not as directly as Gav Thorpe’s Last Chancers series), this was a brutal read that covered compelling elements of trust, loyalty and intrigue, especially in the last half.  I was quite impressed by how Davis was able to capture the gritty nature of the continuous conflict the protagonists found themselves in, with the exhaustion and anger of the characters on full display.  The real highlight of the book has to be the various battle sequences that Davis loaded into the plot, with the protagonists caught up in a ton of intense and well-written action scenes.  I had such an easy time envisioning the very realistic and intense fights that emerged, as this is clearly a part of the writing process that Davis really excels at.

Unsurprisingly, considering this is Davis’s first novel, Chem Dog works well as a standalone read, written in way that made it open to a wide range of readers.  While elements of the author’s previous short story are referenced by the characters, it is done in a way that lets the reader know what previously happened, so you won’t be lost if you hadn’t read it first.  Davis’s style also allows readers with less familiarity with the Warhammer 40,000 universe to come in and read Chem Dog, and it would serve as an interesting entry novel for potential fans, especially for those who enjoy criminal antics and grim, military aesthetics with their science fiction plots.

Chem Dog naturally will appeal more to established fans of the universe, especially those who want to see the notorious Savlar Chem Dogs in action.  The author expertly captured the resourcefulness, resentment and looter mentality of these unlikely soldiers, and it was entertaining to see them in action, especially when compared to other traditional Imperial Guard regiments.  This excellent portrayal of the Chem Dogs and other human troops, as well as the Commissars commanding them, was a great highlight of the plot, and it more than made up for some certain eccentric portrayals of the orks that Davis slipped in.  As such, I felt that Chem Dog was a particularly awesome Warhammer 40,000 novel, which is guaranteed to grab the imagination or a huge range of readers.

On top of the excellent writing, I need to highlight the amazing characters.  The most prominent of these is the relentless Commissar Bastun Hasp, who is reluctantly forced to lead these criminal soldiers into battle.  Serving as the primary narrator and protagonist for the book, much of the book’s drama is based around Hasp’s inner conflict in leading the Savlars.  Initially shown to be implacable in his disdain for Chem Dogs under his command, Hasp’s growing respect for them causes him some major issues, as his harsh commissar mentality and training requires him to see them as unredeemable.  This inner conflict is perfectly enhanced by Hasp receiving comparable contempt from other officers and commissars for leading a group of criminals, as well as Hasp’s secret reliance on the battle chems that the Savlars are forced to breath.  This great inner conflict results in some powerful moments for Hasp throughout the book, and he proved to be an excellent and compelling central character for the plot.

While Hasp serves as the main protagonist of the story, Davis does ensure that the various other members of the squad are shown in some detail.  While a generally expendable group of characters, you do get quite invested in the group of criminal misfits that Hasp leads, and it was fun to see them influence and get influenced by their commissar throughout the course of the plot.  While there are a bunch of fun Salvar members in Chem Dog, the main one you follow is the squad leader, Rastus, who serves as a great secondary protagonist and point-of-view character.  Rastus’s more straightforward, if criminally minded, narrative worked well alongside Hasp’s conflict-laden thoughts, and it was entertaining to see Rastus act as a bridge between the Commissar and his opportunistic squad.  Davis has fun with the rest of this group of killers, although my favourite had to be the extremely loyal ogryn (the universe’s equivalent of an ogre) Grukkur, who serves as a dim-witted enforcer for Hasp.  Grukkur was a wonderfully over the top and simple figure, and I felt he rounded out the cast nicely, providing both comic value and insane moments in combat.  Throw in some other human solider with uncertain motives and a particularly fanatical extra commissar, and Chem Dog is loaded with some amazing drama and character conflicts, that allows for quite an addictive read.

As is my habit with most Warhammer novels I check out, I ended up getting the audiobook version of Chem Dog, which is easily the best way to enjoy the elaborate and varied tales of the Warhammer 40,000 universe.  Chem Dog was a particularly good audiobook, as it easily presented its intense action narrative and unique characters, and ensured that listeners could easily power through its nine-and-a-half-hour-long runtime.  A big reason that Chem Dog was such an epic listen was thanks to the vocal talents of narrator Richard Reed.  One of more versatile narrators who lends their voice to the Warhammer franchise, Reed has previously impressed me on several previous outstanding audiobooks, including The Infinite and the Divine by Robert Rath, Lords of Excess by Rich McCormick (another great debut), Grim Repast by Marc Collins, just to name a few.  Reed does another outstanding job here in Chem Dog, with a range of awesome voices and a great overall tone that moves this slick action narrative along at a quick pace.  I loved the various over-the-top, yet fitting, voices that Reed came up with for several of the characters, including the stringent commissars, the unruly criminal soldiers and even a booming ogryn voice, that was particularly fun.  All this results in an exceptional listen, which allowed me to power through Chem Dog in no time at all, and I cannot recommend this format enough, especially with one of the best Warhammer narrators voicing it.

The future of Warhammer 40,000 fiction continues to look bright, as Callum Davis produced an outstanding read with his debut novel.  An exciting and intense novel, loaded with action and compelling characters, Chem Dog was an amazing read that provides some fantastic look at a unique faction in the grim dark universe.  A sharp, well-written novel that you can easily get addicted to, Chem Dog was a very impressive debut, and I hope to see more from Davis in the future, especially if he revisits the protagonists from this novel again.

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King Sorrow by Joe Hill

Publisher: Headline (Trade Paperback – 21 October 2025)

Series: Standalone 

Length: 881 pages

My Rating: 5 out of 5 stars

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One of the more unique and addictive novels I’ve had the great pleasure of reading in recent months has to be the exceptional horror read, King Sorrow, by the very impressive Joe Hill.

Joe Hill is an author who is well known for his creative and over-the-top narratives, especially with his very interesting contributions to the horror genre.  The son of the legendary Stephen King, Hill has followed in the family footsteps with some amazing releases, including several standalone novels like Horns, Heart-Shaped Box and NOS4A2, a huge array of short stories (including The Black Phone), and even some comics (Locke & Key being the obvious candidate).  Several of these publications have been turned into film and television adaptations over the years, and I have been keen to read something from Hill for a while.  As such, when I saw the compelling narrative of Hill’s new book, the massive King Sorrow, I knew I had to check it out, and boy was I glad that I did.

Plot Synopsis:

Bookish dreamer Arthur Oakes is a student at Rackham College, Maine, renowned for its frosty winters and beautiful buildings.

But his idyll – and burgeoning romance with Gwen Underfoot – is shattered when local drug dealers force him into a terrible crime: stealing rare and valuable books from the exceptional college library.

Trapped and desperate, Arthur turns to his closest friends for help: the wealthy, irrepressible Colin Wren; brave, beautiful Allison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen. Together they dream up an impossible, fantastical scheme that they scarcely imagine will work: to summon the fabled dragon King Sorrow to kill those tormenting Arthur.

But the six stumble backwards into a deadly bargain – they soon learn they must choose a new sacrifice for King Sorrow each year or one of them will become his next victim. Unleashing consequences they can neither predict nor control, this promise will, over the course of four decades, shape and endanger their lives in ways they could never expect.

King Sorrow was a truly outstanding read from Hill that had me hooked from the very beginning, all the way to its heartfelt and complex end.  A wonderfully powerful read filled with great characters and dark moments, King Sorrow was an exceptional horror epic that proves near impossible to put down.  King Sorrow was one of my favourite books of 2025, and I cannot recommend it enough.

I really loved the elaborate narrative of King Sorrow, which I can tell Hill put an awful lot of care and thought into.  Told initially from the perspective of Arthur Oaks, a young scholar at Rackham College (in Maine, naturally) who is forced to steal rare books from the school’s library for local drug dealers with the ability to hurt his mother in prison.  When his secret becomes known to his friends, an eclectic mixture of fellow students at the college, they agree to help him with his troubles.  However, this help gets out of hand when, after a night of drinking, the group decides to use an infamous occult tome to summon a fabled dragon, King Sorrow, to kill those tormenting Arthur.  But to the group’s horror, this is no one-time occurrence, as King Sorrow decrees that the bargain they struck entitles him to a new soul each year.  This was a pretty awesome first part of King Sorrow, which, while long, was a very impactful introduction to the larger story and perfectly set up the chaotic events and dark bargains to come.

After this first part, King Sorrow’s story evolves into a more long-term storyline, skipping ahead years with each new part and focusing on the various main characters and how they are dealing with the Faustian bargain they have struck.  After deciding to live with King Sorrow and his desires, the group have primarily decided to use the dragon to punish the worst of humanity around the world, by setting him on murderers and terrorists.  However, thanks to the entertaining machinations of King Sorrow, many of these kills have unexpected consequences, forcing the protagonists to react in different ways, and bringing new characters into the group’s orbit.  Highlights include a particularly intense extended sequences, where two members of the group try to save a passenger jet containing one of their intended targets, which King Sorrow wants to burn as collateral.  Another harrowing part of the book sees twin protagonists Donna and Donovan McBride kidnapped and held hostage by a government organisation with knowledge of their actions, a course of action that goes well for nobody.  At the same time, Hill throws in some fascinating interludes that provide greater depth for some of the book’s more interesting characters, while also providing glimpses at a long-term threat that is coming for the main cast.

The author effectively keeps up the drama much of King Sorrow’s plot, and you are constantly on the edge of your seat as you attempt to guess where the story will go next.  However, even I was really thrown by the great antagonistic curveball that Hill threw in about three-quarters into King Sorrow, that really adds in some substantial drama and provides some fascinating revelations about previous adventures in the plot.  With one of the protagonists brilliantly taking on a far more villainous role, the surviving characters are constantly thrown through a loop as they attempt to find a way to end their bargain.  However, nothing goes the way anyone anticipates, with tragedy, more betrayals and dark moments consuming the entire cast.  Everything leads up to an excellent full-circle confrontation with the beast that shaped all of them, with some heartwarming final encounters and resolutions to the plot.  Hill wraps everything up perfectly, and you come away from King Sorrow extremely satisfied, especially after getting so wrapped up in the author’s elaborate, character-driven plot.

I must admit that before I read King Sorrow, I didn’t know quite what to expect from Joe Hill as a writer.  However, his style really resonated with me, and I ended up being quite blown away with the elaborate nature of this book when I got the chance to read it.  Set up as a complex character-focused book with a layered narrative, King Sorrow was a particularly powerful epic that covered decades of several brilliant characters.  Featuring an exceptional use of multiple character perspectives and interludes, King Sorrow was a cleverly and intricately written story that examined so many points of human nature and compelling character development throughout its near 900-page run.  Despite its length (it’s one of the longer physical books I’ve ever read), there was never a second that I was bored with King Sorrow, and I honestly powered through it in a relatively short amount of time.

Much of this addictive edge is because Hill effortlessly blended a great mixture of genres into this plot, with horror, fantasy and thriller elements all working well together.  Setting a terrifying and vengeful dragon spirit against the worst of humanity makes for some interesting contrasts, and I rather enjoyed seeing how normal criminals and even intelligence organisations would react to a magical dragon occasionally terrifying the world.  There are also some entertaining historical elements to King Sorrow, as the author cleverly ties the plot of this book into certain real-world events, with the actions of the protagonists often leading to some major tragedies.  I really enjoyed the unique feel that this gave the book, especially when combined with the certain gothic edge of the more supernatural scenes, especially the multiple varied depictions of the crazy occult ceremony that first summoned King Sorrow.  Hill maintains these elements for the entirety of the book, and I have a lot of appreciation, for the elaborate way he tied his cast together with tragedy and bad decision.  The result was an incredibly well written novel from Hill, who emulated aspects of his father’s style while also providing his own distinctive feel.

Another outstanding highlight of King Sorrow that I must mention are the incredible and complex characters loaded into the plot.  This includes its six main characters, whose inadvertent summoning of King Sorrow sets the dark events of the book in motion.  While I don’t want to go into too much detail about these characters to avoid spoilers, I will say that Hill does an amazing job introducing and exploring their experiences throughout the course of the novel, and you really get caught up in their specific arcs as a result.  Hill really dives into the dark choices surrounding their deadly bargain, and I found it fascinating to see how the impact of their decisions hit each of them differently, with each reacting in a fantastic manner.  There is some real tragedy involved with these characters, and you really fall in love with most of them (with one or two exceptions), even if it hurts to do so.

The character I will go into a little more detail about is the titular dragon, King Sorrow.  A malevolent, supernatural figure, King Sorrow is a haunting presence in the novel, stalking both the protagonists and their victims and revelling in their fear.  Thanks to his vindictive and manipulative nature, King Sorrow proves to be one of the more entertaining figures in this novel, and I loved the multitude of ways he messed with the protagonists, especially when it forces them to make hard decisions.  I really loved the various scenes King Sorrow was in, and he matched the main cast so perfectly, especially as he slowly brought out the worst in several of them.  Throw in an array of intriguing side characters, including several criminals whose actions haunt the group for decades, and the cast of King Sorrow was something special, especially once you get drawn into this novel’s outstanding narrative.

With a truly remarkable story, some amazing characters, and a brilliant writing style that sets him apart from other authors, Joe Hill’s latest novel, King Sorrow, was truly impressive and an exceptional novel to check out.  A sprawling epic with so many complex layers to it, King Sorrow was so damn addictive, and I still cannot believe how quickly I powered through it.  A highly recommended read that lives up to all the hype surrounding it, King Sorrow was Joe Hill at his finest, and I cannot wait to see what he writes next.

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Quick Review – We Saw What You Started by Carla Salmon

Publisher: Pan Australia (Trade Paperback – 1 July 2025)

Series: Standalone 

Length: 336 pages

My Rating: 4.25 out of 5 stars

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Prepare for some troubled fun in the sun with the fantastic 2025 Australian young adult fiction debut, We Saw What You Started by new author Carla Salmon.

Plot Synopsis:

Three deadly fires. One suspect. A thriller of surf and sea.

Otto was a star surfer back in California, but now he just wants a fresh start. When fires break out in Red Sands, the locals are suspicious. It’s no coincidence that Otto’s at the scene every time. Is it?

Milly isn’t so sure. Small town talk isn’t always right – especially when it comes to her ‘perfect’ brother, who doesn’t deserve to become captain of the surf lifesaving club. What if the new boy is innocent?

Can Otto and Milly trust each other to find the truth behind the fires? And what happens when you do the wrong things for the right reasons?

We Saw What You Started was a compelling and exciting debut from Salmon, who provides a cool thriller narrative amongst youthful hijinks on a rural Australian coastline.  Starting off with some immediate peril as the protagonist of the story, Otto, gets caught up in an apparently deliberate bushfire, you are quickly introduced to the small-town setting of Red Sands, as well as the dramas surrounding Otto and Milly.

Salmon effectively splits the narrative of We Saw What You Started between the perspectives of Otto and Milly, who grow close as the story progresses.  However, with an important swimming and lifesaving contest on the horizon, things become complicated for both as a series of arsons take place around town, often when Otto is nearby.  This naturally increases the drama of the plot, as Otto deals with suspicion from the Red Sands townsfolk, especially when his troubled past in America becomes known.  At the same time, Milly, driven by her own desire for independence and respect from her father, becomes one of Otto’s only allies.  The two start teaming up to investigate the arsons, resulting in some interesting moments of investigation, conflict and teenage rebellion, that play into the main plot extremely well.

The author does an exceptional job pulling together a great young adult crime fiction story in the second half of We Saw What You Started, loaded with high stakes and powerful dives into the protagonist’s traumatic past.  The revelation of who is responsible for the arsons, and the big confrontation at the end, are nicely set up, and Salmon loaded up a ton of fun hints throughout the book that really pay off.  Everything wraps up nicely, with the ongoing character struggles resolved and everyone getting their happy ending, allowing for a fantastic and heartfelt standalone read that did an excellent job of blending its crime fiction elements with the various personal problems of its intriguing young cast.

Overall, I felt that We Saw What You Started was an excellent debut novel that helped to showcase the Carla Salmon’s ability as a writer.  Expertly combining an intriguing crime fiction narrative with some fantastic young characters and a striking Australian setting, We Saw What You Started that will appeal to a wide range of readers, especially it’s intended young adult audience, who can relate to Salmon’s protagonists and their struggles.  This was a wonderful Australian novel and a great introduction to Carla Salmon, who looks set to continue her writing adventures in 2026.

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Redbelly Crossing by Candice Fox

Publisher: Penguin (ebook– 31 March 2026)

Series: Standalone

Length: 432 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s best-known thriller writers, Candice Fox, returns with another brilliant and complex outback crime fiction read that sees two estranged brothers get caught up in an intense and dark murder, Redbelly Crossing.

Candice Fox is a very impressive author whose compelling work I have been deeply enjoying in recent years, especially as she has some interesting range with her varied crime fiction releases.  This includes complex American thrillers like The ChaseDevil’s Kitchen and Fire With Fire, to unique Australian outback thrillers such as High Wire.  She has also continued her exciting partnership with the legendary James Patterson, with some recent releases including 2 Sisters Detective Agency, 2 Sisters Murder Investigations and The Murder Inn.  All these books have been a ton of fun to get through, and I always make sure to keep an eye out for anything new from Fox, especially as it’s likely to be a guaranteed hit.  As such, I made sure to read her next book, Redbelly Crossing, as soon as I could, and boy was it something special.

Plot Synopsis:

Blood is thicker than water. But too much leaves a trail . . .

Russell and Evan Powder are cops.

The brothers haven’t spoken for five years, since a violent confrontation tore their family apart.

Now they are both assigned to the murder of a young journalist, Chloe Lutz, in the small town of Redbelly Crossing (population 205).

It’s the last thing Russell wants. This is supposed to be the week he repairs things with his teenage daughter Bridie. Now he’s had to drag her on a murderous ride-along to the middle of snake-infested nowhere.

But a big case like this is just what Evan needs after a terrible mistake nearly tanked his career.

Then a dark discovery leaves Evan with only one way out; to bury the truth Russell is so determined to uncover …

Redbelly Crossing was an outstanding piece of Australian crime fiction from Fox, who effortlessly creates an elaborate and twisty read with some real-life emotional heft attached to it.  One of the best Australian mysteries so far released in 2026, Redbelly Crossing is a brilliant standalone novel that had me hooked from start to finish.

Fox pulls together one of her more complex and compelling narratives for Redbelly Crossing, as she goes back to her outback thriller roots with an emotionally charged, character-driven story.  Primarily told through the alternating perspectives of the Powder brothers, volatile Russell and the disgraced Evan, you are quickly drawn into both the murder and their chaotic lives, as they inadvertently reunite for the first time in years to solve a crime.  Fox does an excellent job setting the scene for the main case, which presents an intriguing murder mystery on its own, and the reader is soon quite curious about who killed Chloe Lutz.  This great early interest in the mystery is then further enhanced by the drama around this central plot point with the family turmoil represented by the two protagonists, which only becomes even more intense when Evan makes a discovery that change his motivations around investigating the case.

The rest of the book sees both Powder brothers working at cross purposes, with Russell doggedly trying to get at the truth, with Evan attempts to hide certain facts from him to ensure certain evidence don’t come up.  This adds quite an interesting angle to the investigation, as the reader has access to all the information about the murder, while both protagonists only have fragments of it.  The resulting convoluted investigation is well matched by the dive into each of the protagonists’ troubled pasts, as Fox carefully doles out the full history of the brothers and their relationship, as well as the events that led to where they currently are.  Things seem to come to head with a cool action sequence in the second half of the book; however, Fox is only just starting with the twists, as the case goes in some dangerous and extremely personal directions.  There is a great reveal closer to the end of the book that really changes everything, especially with how it drives one of the brothers, and the resulting carnage, emotional turmoil, and conflict will leave everyone reeling one way or another.  Fox brings Redbelly Crossing to a captivating ending that readers will find bittersweet and a little heartbreaking, but which is a fitting end to such a compelling and powerful tale.

I really enjoyed how Fox pulled Redbelly Crossing together, and I felt that this was one of her better books, especially as she drew a compelling line between family drama and murder mystery.  Making great use of the narrative’s dual perspectives, Fox effectively drags the reader back into her classic outback setting, while also diving deep into two protagonist brothers and the events that formed them and tore them apart.  The character work around the two Powder brothers, Russell and Evan, is particularly good, as Fox paints them as two highly damaged figures, broken apart by their mistakes and the trauma caused by their abusive father, who is still a dark presence in their lives.  Fox really explores their trauma and how it impacts their current personalities, with Russell a highly competent investigator who acts overly aggressive to compensate for his past weaknesses and his homosexuality, whereas Evan attempts to do the right thing, but his mistakes allow him to be dominated by his father, who keeps corrupting him.  Their competing desires, and the family drama around them, drives both Russell and Evan on separate courses for much of the book, and while their attempts to do right by their family should make them better, it often leads to new conflicts and deeper sorrow down the line.

I really appreciate just how well Fox balanced this family turmoil and character uncertainty with the larger mystery of the plot, especially as a lot of secrets lie with the characters’ pasts.  This focus on history and generational trauma was a big recurring theme of Redbelly Crossing, and Fox covers it extremely well.  The author also did an amazing job diving into the lasting trauma and uncertainty surrounding murder and those it leaves behind, especially when it comes to these older cases.  Much of this was because Fox was carefully referencing two real-life unsolved Australian murders in her plot, with many of the key details of these historic cases brought across into Redbelly Crossing.  This was a bold decision from Fox, but one which pays off, as it increases the impact of Redbelly Crossing’s narrative, especially after you finish the book and read in Fox’s words why she decided to use these details.  This inherent drama, when combined with the author’s twisty writing style and her ability to create powerful characters, shaped by their past and their personal troubles, helps to turn Redbelly Crossing into something extremely special that you won’t be able to turn away from.

Candice Fox continues to showcase why she is one of Australia’s most talented and versatile authors of crime fiction with her latest exceptional read.  Redbelly Crossing was a complex and layered read that combined a great crime fiction story with powerful character moments, all wrapped up with a striking outback setting and some intense elements taken from real-life.  A captivating and impressive read, Redbelly Crossing was a particularly strong novel from Fox, who really pours her heart into this latest novel.  Highly recommended with a story guaranteed to stick in your mind.

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Sins of the Fathers by John Byrnes

Publisher: Macmillan (Trade Paperback – 1 July 2025)

Series: Standalone

Length: 399 pages

My Rating: 4.5 out of 5 stars

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A rising author in the field of Australian drama and historical fiction, John Byrnes, had a very interesting book back in 2025 that I have been meaning to review for a while, Sins of the Fathers.

Byrnes is a relatively new Australian author whose work I have been rather enjoying in recent years.  Byrnes career started back in 2023 with his cool thriller Headland, a compelling modern crime fiction novel with some interesting dramatic twists around it.  Headland ended up being one of my favourite debuts of 2023, and I made sure to read his next novel, the historical saga The Youngest Son (one of my favourite Australian novels of 2024).  It looks like Byrnes intends to continue his focus on Australian historical epics going forward, as his third book was the intriguing and exciting novel from last year, Sins of the Fathers, which followed several compelling characters through several major events of the 1910s.

Plot Synopsis:

In 1910s Australia, the sins of the fathers leave behind a bloody legacy in this historical epic saga, perfect for fans of Peaky Blinders.

Two fathers, their sons and the feud that binds them.

In the early years of the twentieth century, Billy and Tommy Smith are growing up on the mean streets of Sydney’s Millers Point. It’s a hungry, hard-scrabble life, made even worse when their violent father returns home from a long stint in prison.

In the wealthy eastern suburbs, Charles Davies is living an entirely different life, the beneficiary of his father’s business acumen and insatiable, unyielding greed. Charles wants for nothing – except perhaps his father’s approval.

When an incident on The Point leads to the deaths of both Charles’ and the Smith boys’ fathers, a hatred is born that will follow the three men through their lives. In an epic saga taking them from Sydney to Gallipoli and the killing fields of France in World War I, to the melting pot of Darwin and the opal fields at Lightning Ridge, the men’s paths all lead to one final revenge.

But in the end, what price must be paid for the sins of the fathers?

Sins of the Fathers was a very good historical fiction read that thrusts several damaged youths into the grinder of early 20th century Australian history.  Starting off strong, the book primarily begins in early 1910, when violent father of Billy and Tommy Smith is released from prison back into their already hard lives.  As the Smith children attempt to survive in harsh poverty, their lives take a dangerous spin when their father is murdered, and the evidence points to crooked businessman Arthur Davies, who soon also dies.  This leads to a life-long, mostly one-sided feud between the Smiths and the spoiled son of Davies, Charles, who is determined to get revenge for the slights against him.  This revenge plot also extends to the Smith’s young neighbour Angeline, who serves as a love interest to Tommy throughout the book.

After these early chapters, the plot of Sins of the Fathers keeps jumping ahead every couple of years, with the protagonists examining some key historical events that impacted Sydney in the early 1910s.  Naturally, this leads to the three male characters of the book getting enlisted in the Australian Army for World War I, with the Smiths and Charles Davies eventually ending up on the same battlefield, with disastrous results for all involved.  At the same time, Angeline remains in Sydney and serves as an interesting fourth point-of-view character, as she uses her business acumen to survive and gain status.  Back in Europe, the three male characters are eventually separated and start making their own way in the world in their own standalone adventures.  The exception is Davies, who continues to attempt to get revenge and gain money by attacking his apparent rivals.  Byres explores some interesting different historical locales and periods throughout the second half of Sins of the Fathers, with some intense and exciting adventures befalling the cast.  Everything eventually leads up to all the characters reuniting towards the end of the book, as the protagonists attempt to overcome one last plot from Davies.  The end result is a very compelling and intense standalone narrative, that drags you in with its fun characters and cool historical content.

At this point Byrnes has settled well into the historical fiction groove, producing a complex and layered narrative across several entertaining characters.  Making good use of a split between four key characters, Byrnes did an excellent job exploring the turbulent 1910s in Sins of the Fathers, with some great dives into key elements of early Australia and World War I.  This exploration of this crucial decade served as a captivating backdrop to the personal narratives of the four main characters, and the mixture of personalities and their separate struggles allows for a highly enjoyable read.

The resulting narrative is loaded with action, adventure and some excellent examples of personal determination, which allows for a very fast-paced read.  I also loved the thrilling intrigue that surrounds the book’s antagonist, Charles Davies, who is a devious and entertaining brat incapable of taking responsibility for his actions.  Byrnes did such a good job creating another repellent villain here with Davies, and watching his various schemes against the protagonists and others really amps up the stakes of the book as the reader is eager to see him fail.  I frankly had the most fun with Davies’s various chapters, and it was an entertaining foil to perspectives of the more likeable protagonists.  Throw in some interesting twists about the death of the Smith’s father and the resulting rivalry between them and Davies, and the entirety of Sins of the Fathers plot really comes together into a clever and deeply personal historical journey.

Overall, I was quite impressed with John Byrnes’s second dive into the historical fiction genre, and Sins of the Fathers proved to be a strong and highly exciting piece of Australian fiction that you could really sink your teeth into.  An addictive epic that expertly showcased some key Australian moments and locations in the 1910s, Sins of the Fathers was a great read, and I am excited for whatever historical adventure Byrnes comes up with next.

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Quick Review – Barren Cape by Michelle Prak

Publisher: Simon & Schuster Australia (ebook – 2 April 2025)

Series: Standalone

Length: 352 pages

My Rating: 4 out of 5 stars

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Australian author Michelle Prak takes aim at a serious issue in Australian society, with her intriguing standalone thriller, Barren Cape, a great book I had the pleasure of reading in early 2025.

Plot Synopsis:

An abandoned resort seems the perfect place to hide, but is Barren Cape a refuge or a trap?

Former housemates Mac and Erika are homeless.

Well, Erika is fine, she just has to live with her parents until she can find another rental. Mac’s situation is much worse – family isn’t an option and she’s surfing the couches of her increasingly exasperated friends.

Driving around one lonely afternoon, Mac discovers Barren Cape. Once destined to be a luxury escape, now it’s just wire fence and grey cement. It’s stark, but quiet. There’s no harm in staying here a little while …

From the bestselling author of The Rush, this is the chilling result of people pushed to the fringes of society and forced to make unthinkable choices.

Barren Cape was a very compelling read from Prak that combines a cool thriller narrative with an interesting look at the current dire housing situation in Australia.  Set around the city of Adelaide, Barren Cape follows three separate protagonists, including roommates Mac and Erika who find themselves homeless after losing their rental, and young teen Brex, whose family life forces her to leave home and try to find alternate accommodation.

All three point-of-view characters are eventually drawn towards the abandoned building development of Barren Cape, whose cement rooms appear to be the perfect place to hang out while the protagonists try to find their separate ways in life.  However, the interactions between the three protagonists leads to a great layer of drama within the plot, which is thrown into overdrive when another resident of Barren Cape is discovered.  This leads to a dark, conflict laden second half of Barren Cape, which only gets worse with every single mistake and bad decision the protagonists make.  Prak constantly twists the story around, ensuring that you don’t know what’s going to happen next, and resulting in a complicated ending, where the characters try to move on to better things after experiencing some trauma.

I felt that Barren Cape came together extremely well, especially when it came to the author’s compelling examination of Australia’s housing crisis and its impacts.  Showcasing various levels of the struggle in one city, Prak paints a pretty desperate picture around the lack of accommodation for vulnerable people, enough so that camping out an isolated and abandoned building site seems like a reasonable option.  I really appreciated how Prak explored the characters’ desperation around this key issue, and the lengths they will go to maintain even this level of housing security.  The drama that flows from this desperation, which includes some characters even overlooking murder, is intense, and its connection to a real issue ensures that all the character’s struggles are quite relatable.

One issue I had with Barren Cape was that parts of this narrative weren’t as exciting as I had hoped, with the plot mostly resolving around interactions between relatively normal characters.  However, I think that this perceived lack of excitement was more on me as I was expecting a horror/slasher story, with some dangerous figures stalking the protagonists.  It did feel that Prak was setting that up at times, especially with a scene around a dangerous group on the beach and a stalker for one of the characters, two story elements that never really went anywhere.  One scene where a female character, who spends most of the book bodybuilding at the gym, was wrestled down by children, also took me out of the plot a little, although it led to some interesting follow-up moments.  Still, the rest of the book with its complex interactions and clever take on a major modern issue helped to balance these issues out, and I ended up having a good time with this compelling novel.

Overall, Barren Cape was an excellent Australian novel from Michelle Prak, who produced an interesting and thought-provoking read.  Moving, intense and diving into something that is causing a lot of concern in modern Australia, Barren Cape is well worth a read, and I’ll be curious to see what Prak writes next.

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Quick Review – Unhallowed Halls by Lili Wilkinson

Publisher: Allen & Unwin (ebook– 18 February 2025)

Series: Standalone

Length: 464 pages

My Rating: 3.75 out of 5 stars

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Prepare for magic and drama with the young adult, dark academia novel from the always entertaining Lili Wilkinson, Unhallowed Halls.  Wilkinson is a pretty awesome Australian author, who has previously wowed me with some complex and memorable young adult novels, including the twisted The Erasure Initiative and the very impressive After the Lights Go OutUnhallowed Halls was an interesting new novel from Wilkinson that followed a young protagonist who finds herself enrolled in a mysterious and isolated English boarding school.

Plot Synopsis:

A teen girl travels to an exclusive boarding school located deep within the Scottish moorlands after a deadly incident at her old school, but the wood-paneled halls of Agathion are built over centuries of secrets—including an ancient society which may have ties to demonic magic—in this dark academia fantasy perfect for fans of Curious Tides.

Page Whittaker has always been an outcast. And after the deadly incident that destroyed her single friendship at her old school, she needs a fresh start. Which is why when she receives a scholarship offer from Agathion College, an elite boarding school folded deep within the moors of Scotland, she doesn’t even consider turning it down.

Agathion is everything Page has ever a safe haven full of dusty books, steaming cups of tea and rigorous intellectual debate. And for the first time in her life, Page has even managed to become part of a close group of friends. Cyrus, Ren, Gideon, Lacey and Oak help her feel at home in Agathion’s halls–the only problem is, they’re all keeping secrets from her.

Page doesn’t know it yet, but her perfect new school has dark roots–roots that stretch back to its crooked foundation, and an ancient clandestine society with rumored ties to demonic magic. Soon, Page will be forced to learn that not everyone at Agathion is who they say they are. Least of all, her friends.

Agathion claims to teach its students history…but some histories should stay buried.

Unhallowed Halls is a great and compelling novel that quickly enchants you with its quirky mysteries and dark young adult content as the author produces her own take on the dark academia narrative.  Wilkinson builds a great initial mystery around the secrets of the academy as the protagonist initially tries to understand the underlying weirdness of the place, which includes mysterious disappearances, strange professors, and even a demonic pig that seems to have it out for her.  Things inevitably take a dark turn as the protagonist tries to work out who to trust, and the author does an amazing job building tension as you get closer to the reveal of what’s really going down in Agathion.

While I had fun with the first half of Unhallowed Halls, especially with its great gothic themes and slowly building dread, I must admit that it didn’t do a lot to stand out from other young adult novels set in mysterious school settings.  However, a great and well built-up twist that reveals the plot of the antagonists, and an intriguing attempt to fight back against it, helped to enhance the overall narrative of this book, allowing for a very exciting second half.  There were some great stakes for the characters here, as well as some truly dark moments related the compelling background fantasy elements.  Readers come away quite satisfied with the result, and this worked out to be an excellent read.

Thanks to the clever storytelling of Lili Wilkinson, who excels at crafting intense and compelling young adult novels that can easily be enjoyed by readers of all age ranges, Unhallowed Halls proved to be an outstanding standalone novel.  Featuring a cool story, a great setting, and some very dark moments, Unhallowed Halls is a fantastic 2025 novel to check out, especially if you like twisty, gothic reads with intriguing young protagonists.

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A Sociopath’s Guide to a Successful Marriage by M. K. Oliver

Publisher: Hemlock Press (ebook – 31 December 2025)

Series: Standalone/Book One

Length: 384 pages

Rating: 4.75 out of 5 stars

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Brillant new author M. K. Oliver presents one of the more entertaining novels of early 2026, with the wonderfully devious and captivating book, A Sociopath’s Guide to a Successful Marriage.

Plot Synopsis:

There’s a dead body in my living room.

I’ve not called the police because it was I who stabbed him. Seven times in all. The truth is, it’s surprisingly difficult to dispatch someone with a vegetable knife.

In case you’re wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn’t murder him for it. Not yet, anyway.

Right now, I have far more pressing scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse.

A woman’s work is never done. I’ve created the perfect life – and I’ll kill to keep it.

A Sociopath’s Guide to a Successful Marriage was a fantastic and very amusing crime fiction thriller that I honestly couldn’t get enough of.  The debut novel of M. K. Oliver, A Sociopath’s Guide to a Successful Marriage perfectly utilised it’s delightfully deceitful and pragmatic protagonist to tell an outstanding story.

Oliver pulls together an awesome and insane narrative for A Sociopath’s Guide to a Successful Marriage, which follows a particularly compelling protagonist in Lalla Rook, a busy wife, mother and relentless sociopath, with dreams of a bigger home and getting her daughter into the perfect private school.  However, Lalla’s plans threaten to come crashing down around her when she brutally murders an intruder who breaks into her home before her child’s birthday party.  What follows is a deeply entertaining romp of secrets, lies and ambition, as Lalla tries to balance achieving her goals for the future with disposing of the dead body currently hidden in the house.  Oliver builds a very amusing and fast-paced story around this, as Lalla soon encounters problems with inconvenient witnesses, prying police, and a whole second murder.  These problems brought on by the inopportune murder blend with the protagonist’s other issues, including with her disinterested husband not working hard enough to achieve the career goals Lalla set for him, her controlling mother-in-law trying to destroy her marriage, her daughter is starting to showcase similar sociopathic tendencies that are ruining her chances at an elite academic institution, and the constant issues of her social-climbing friends.

These fun elements come together into a very entertaining story, and it is a ton of fun to watch A Sociopath’s Guide to a Successful Marriage’s ruthlessly pragmatic protagonist deal with each of these issues in her own manipulative and intense way.  Of course, things continue to get further out of hand for Lalla as the narrative continues, with the mysterious dead man who started her recent misadventures having a connection to dark secrets from her past.  Worse, Lalla soon finds her carefully constructed life starting to come crashing down as her plans hit annoying snags as those closest to her are plotting against her.  I love how well Oliver showcases the protagonist losing control in the last third of this book, and it really ups the stakes of A Sociopath’s Guide to a Successful Marriage, especially as you have no idea just how far his protagonist is going to go to achieve her goals.  The final part of this book came together extremely well, as the protagonist’s various schemes and problems blend into a series of manipulations and deadly encounters, which results in a highly entertaining and chaotic conclusion.  The result was pretty damn perfect, as nearly every character gets exactly what they deserve thanks to some hilarious and insightful carnage.

I must admit I was quite surprised when I found out that A Sociopath’s Guide to a Successful Marriage was Oliver’s very first novel, as it was impressively well written.  Featuring a fast-paced narrative perfectly told from the first-person perspective of a particularly captivating protagonist, A Sociopath’s Guide to a Successful Marriage blends a thriller narrative, loaded with personal tales of deceit and murder, with some fantastic humour set around an amazing protagonist.  This protagonist, Lalla, allows for much of the book’s comedic charm, as you watch her casually manipulate those around her to get what she wants.  Oliver does such a good job of capturing Lalla’s sociopathic nature with his writing, and I loved his take on this amazing female character.  The way this protagonist goes after what she wants with no shame or regret, while being completely aware and uncaring of the impact she is having on those around her, is very refreshing and entertaining, and while you know she is evil, you can’t help rooting for her.

It helps that even though Lalla is a murderous and manipulative figure, she honestly isn’t the most selfish character in the book, and it proves quite fun to see the resourceful Lalla go up against the spoiled upper-class housewives, corrupt businessmen and other elites in her quest to get what she wants.  This great character-driven humour is further enhanced by some amusing examinations of ambition and avarice in various forms, especially as some characters get exactly what they are looking for in some very unlikely ways.  This all deeply enhances Oliver’s very impressive story, and I really enjoyed just how hilarious and thrilling this story could be in equal measures.

Overall, A Sociopath’s Guide to a Successful Marriage was an outrageous and hilarious debut thriller that I cannot recommend enough. M. K. Oliver did a remarkable job with this first book, and I loved the wildly entertaining scenario he created and the brilliant story he wrote around it.  Clever and funny in equal measure, A Sociopath’s Guide to a Successful Marriage was an incredible read and I cannot wait to see what amazing books Oliver writes in the future.

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Quick Review – An Ethical Guide to Murder by Jenny Morris

Publisher: Simon & Schuster (ebook – 16 January 2025)

Series: Standalone/Book One

Length: 400 pages

My Rating: 4.5 out of 5 stars

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In the mood for a curious crime fiction read with a clever philosophical edge?  Then make sure to read the outstanding 2025 debut, An Ethical Guide to Murder by new author Jenny Morris.

Plot Synopsis:

How to Kill Your Family meets The Power in this entertaining and thought-provoking read, that asks:

If you had the power between life and death, what would you do?

Thea has a secret.

She can tell how long someone has left to live just by touching them.

Not only that, but she can transfer life from one person to another – something she finds out the hard way when her best friend Ruth suffers a fatal head injury on a night out.

Desperate to save her, Thea touches the arm of the man responsible when he comes to check if Ruth is all right. As Ruth comes to, the man quietly slumps to the ground, dead.

Thea realises that she has a godlike power: but despite deciding to use her ability for good, she can’t help but sometimes use it for her own benefit.

Boss annoying her at work? She can take some life from them and give it as a tip to her masseuse for a great job.

Creating an ‘Ethical Guide to Murder’ helps Thea to focus her new-found skills.

But as she embarks on her mission to punish the wicked and give the deserving more time, she finds that it isn’t as simple as she first thought.

How can she really know who deserves to die, and can she figure out her own rules before Ruth’s borrowed time runs out?

Early last year I had the very great pleasure of reading Jenny Morris’s very first novel, An Ethical Guide to Murder.  This excellent book featured a compelling plot focused on a protagonist Thea, with the ability to transfer life between one person to another.  After accidentally fatally utilising this power to save her friend, Thea soon finds herself tempted to tip scales between life and death to make a better world.  Working with an ambitious love interest, Thea soon sets up her own Ethical Guide to Murder and begins to target those she believes to be truly wicked.  However, not everything is as it seems, especially when Thea comes face to face with the consequences of her actions, and the dark side of choosing who gets to life and who gets to die.  The resulting personal conflicts with those closest to her, followed by shocking revelations about those she has placed her faith in, will push her over the edge especially when she comes face to face with the person responsible for ruining her life.

I really enjoyed the unique story that Morris came up with for An Ethical Guide to Murder, which proves very easy to get addicted to.  Morris does a good job setting the scene for Thea’s unique abilities in the first part of the book, as well as her stressful life and the people around her.  The transition towards a secret, life-taking vigilante is well written, especially with the inclusion of a seemingly noble love interest with his own plans for her abilities, and the reader is poised to support Thea with her plans.

The last half of the book continues this story in a fantastic manner, while also adding in some strong philosophical and ethical elements, as Thea finds herself torn about whether she was ever doing the right thing.  The resulting battle of morals, especially as Thea also finds herself under investigation and forced to try and contend with true evil closer to home, allows for some deep and heartfelt moments in the book, until you honestly don’t know what the right course of action is for Thea anymore.  Everything wraps up on a heartfelt note, as the protagonist comes to terms with their powers in their own way, while also addressing all their personal problems.  I think Morris’s strong choice of ending for An Ethical Guide to Murder fit the rest of the narrative extremely well, and you come away from this book very thoughtful and appreciative of Morris’s dive into her protagonist’s psyche, and the fantastic discussion about the value of life and the impact of those who misuse it.

Overall, An Ethical Guide to Murder was a very strong debut that I was glad I got the chance to read last year.  Clever, thought-provoking, and filled with some strong characters, An Ethical Guide to Murder was an outstanding read that is worth checking out.

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