Waiting on Wednesday – Star Wars: Visions: Ronin by Emma Meiko Candon

This week I am also going to do a quick Waiting on Wednesday article highlighting a cool upcoming Star Wars novel which I previously mentioned a few weeks ago.  This novel is Ronin by Emma Mieko Candon, an intriguing and distinctive entry in the Star Wars universe that will tie into the upcoming anime series, Star Wars Visions

Star Wars Visions - Ronin Cover

Star Wars Visions is one of the more unique upcoming inclusions in the Star Wars canon, and one that looks set to contain some very distinctive stories.  This new series, which streams on 22 September 2021, will feature nine original short films, done in the anime style by different Japanese animation studios.  This is going to be quite an ambitious and distinctive series, and I personally am quite keen to see the franchise brought back to its Japanese-inspired roots.

There are several fascinating stories currently planned within this series, although one of the most intense and distinctive ones is The Duel, produced by the Kamikaze Douga company.  The Duel will feature an alternate history of the Jedi and the Sith, inspired by Feudal Japan, and will focus on a duel between members of these two sides.  The clips I have seen about The Duel look pretty badass, and I love how the Jedi and Sith are modelled on historical wandering samurai.

In addition to being a cool sounding animated feature, The Duel will have one other thing that sets it apart from the other Star Wars Visions films, a tie-in novel.  This tie-in novel, Ronin by Emma Meiko Candon, which is currently set for release in October, will expand on the unique universe created in The Duel by focusing on the film’s wandering Sith duellist.  They have only just recently released the full synopsis for Ronin, and it looks like it is going to be a fun and compelling novel.  I also must highlight the novel’s unique and visually impressive cover, which combines cool Star Wars iconography with a classic Japanese design to create something that is beautiful and awesome.

Synopsis:

A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology.

A mysterious former Sith wanders the galaxy in this stunning Star Wars tale. An original novel inspired by the world of The Duel from the Star Wars Visions animated anthology.

The Jedi are the most loyal servants of the Empire.

Two decades ago, Jedi clans clashed in service to feuding lords. Sickened by this endless cycle, a sect of Jedi rebelled, seeking to control their own destiny and claim power in service of no master. They called themselves Sith.

The Sith rebellion failed, succumbing to infighting and betrayal, and the once rival lords unified to create an Empire . . . but even an Empire at peace is not free from violence.

Far on the edge of the Outer Rim, one former Sith wanders, accompanied only by a faithful droid and the ghost of a less civilized age. He carries a lightsaber, but claims lineage to no Jedi clan, and pledges allegiance to no lord. Little is known about him, including his name, for he never speaks of his past, nor his regrets. His history is as guarded as the red blade of destruction he carries sheathed at his side.

As the galaxy’s perpetual cycle of violence continues to interrupt his self-imposed exile, and he is forced to duel an enigmatic bandit claiming the title of Sith, it becomes clear that no amount of wandering will ever let him outpace the specters of his former life.


All the above sounds extremely interesting and cool and I am rather looking forward to seeing what sort of unique narrative that Candon comes up with.  Ronin has a lot of potential to be one of the more distinctive and innovative Star Wars novels released in 2021, and I am quite keen for its alternate universe samurai story, especially if it enhances the tale told in The Duel.  I also cannot get over the incredible cover above, and I look forward to having that prominently on my shelf.

Usagi Yojimbo: Volume 35: Homecoming by Stan Sakai

Usagi Yojimbo - Homecoming

Publisher: IDW Publishing (Paperback – 13 April 2021)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Volume 35

Length: 192 pages

My Rating: 5 out of 5 stars

It is that time of the year again when I absolutely gush about the latest volume of the epic and outstanding Usagi Yojimbo comic series by the infinity talented Stan Sakai.  This time I look at the 35th volume in this incredible long-running series, Homecoming, which presents the reader with a rich and emotional tale of regret and loyalty as Usagi returns home.

Anyone who has spent any amount of time reading my blog will already know of my deep love for the amazing Usagi Yojimbo series.  Following the adventures of the rabbit ronin Miyamoto Usagi, this series is set in an alternate version of Feudal Japan populated by anthropomorphic animals, and features incredible stories about samurais and honour.  Homecoming, which contains issues #8-14 of the IDW run on the Usagi Yojimbo series, is the second volume printed completely in colour, and features the work of colourist Tom Luth in addition to Sakai’s writing and drawing.  This latest volume follows on shortly after the events of previous volume, Bunraku and Other Stories, and continues three intense and powerful unique stories.

The first story in this volume is the two-issue entry TatamiTatami sees Usagi return to the lands of his former master, the late Lord Mifune, now ruled over by nefarious series villain, Lord Hikiji.  Journeying through a now hostile countryside, Usagi finds himself following an armed procession who are transporting high-quality tatami mats to the castle of one of Lord Hikiji’s rivals.  Usagi finds the caravan under attack by the Neko Ninja, who are determined to destroy the tatami.  When Usagi’s long-time ally and former Neko Ninja head, Chizu, appears, it soon becomes apparent that Hikiji has dispatched the ninja to destroy the tatami in order to damage his rival’s reputation.  Determined to defy Hikiji, Usagi and Chizu travel with the caravan to help guard the tatami from attack.  However, Chizu soon comes into conflict with her rival, Kagemaru, as they fight for leadership of their clan.  Can Usagi and Chizu disrupt the plans of Hikiji and Kagemaru, or will the dark lord continue to reign supreme?

Anyone who thinks it impossible to write a compelling story with death, politics and ninja around tatami mats has clearly never had the joy of reading one of Sakai’s stories before.  Throughout the Usagi Yojimbo series, Sakai has written some thrilling and intense stories around unique elements of Japanese culture, including seaweed farming, pottery making, sake brewing, and giant kite making, just to name a few.  This latest example, Tatami, is no exception to this, as Sakai crafts together a fascinating story that not only highlights the importance and prestige of tatami mats but which also perfectly ties into the wider Usagi Yojimbo universe.  Tatami starts strong, with a fantastic and exquisitely drawn sequence that shows the crafting process behind the tatami, from harvesting the reeds, to the lengthy weaving process.  The story then introduces Usagi to the narrative, also providing some key background for the main storyline in the Homecoming volume.  The action swiftly follows with the tatami caravan under attack from cunning ninja, and Usagi is convinced to help guard the tatami with the help of Chizu.  This all leads up to an epic night fight as Usagi and his allies face off against a horde of ninja.  This fight scene is particularly well drawn and features some great examples of sword play, a beautiful scene of fire and intensity as Usagi appears to stand alone in front of a swarm of ninja, and several massive explosions as the ninjas detonate black powder bombs.  This all leads up to a rather poignant finale, as Usagi suffers from a rare and moving defeat and people he respects are called upon to sacrifice everything for their samurai sense of honour.

In addition to the main story surrounding the tatami, there is also a rather interesting side-plot surrounding Chizu and her battle with Kagemaru for control of the Neko Ninja.  This has been a long-running conflict going back all the way to 11th volume, Seasons, and it was great to see some more progress on it, especially as it ties Tatami into some of the wider Usagi Yojimbo storylines.  This subplot proves to be pretty damn cool, as Chizu works to manipulate Kagemaru and her former followers, using the catspaw of Usagi and the other tatami guards.  This ends up in a fun ninja duel, as Chizu faces off against Kagemaru and another ninja, Kimi, above the plain where Usagi is fighting.  This is a fast-paced and deadly fight which makes use of several different ninja tricks and weapons, and which proves to be an exciting and cool addition to the plot.  There are a couple of intriguing, if slightly predictable, developments within this narrative, although it does hint that we are getting closer to a conclusion of this long-running Neko Ninja plot line.

The real highlight of the Chizu subplot, and indeed the entire story, is the outstanding epilogue where Kagemaru meets with Lord Hikiji’s main advisor, the giant serpent Lord Hebi.  While Kagemaru is initially expecting praise for his actions, it becomes apparent that Hebi and Hikiji are displeased that Chizu continues to disrupt their plans when Kagemaru is offered unique sake, brewed using poisonous serpents.  There is an incredible amount of menace in this entire sequence, especially once Hebi pours out the dead serpent from the sake, and then proceeds to eat in front of Kagemaru (nothing is more intimidating that some light cannibalism).  Hebi’s simple warning: “Do not ever fail us, Kagemaru,” is an amazing way to end this scene, and the mighty ninja leader is left absolutely shaken as he leaves Hebi’s presence.  This epilogue was perfectly written and drawn, and it proves to be an outstanding way to end this story arc, while also hinting that the Chizu-Kagemaru rivalry is about to heat up.  I absolutely loved this great first story, and Tatami proves to be an exceptional start to the entire volume.

The next story in this volume is the moving and intriguing Mon, which also follows Usagi’s travels through the land of his former lord, Mifune.  However, Usagi soon encounters much fear and resentment from the people he encounters, many of whom try to avoid his attention.  He soon discovers that they are shunning him because he still wears the mon (crest) of his former lord on his clothes, reminding people of the costly war that Mifune fought and lost against Lord Hikiji.  The tense situation gets even worse for Usagi when several Hikiji soldiers notice him and attempt to take their anger and resentment out on him, which does not go well for them.  Further, when a desperate innkeeper and former Mifune soldier works out who Usagi truly was, various ambitious Hikiji soldiers gather to claim the substantial bounty of Usagi’s head.

This was another fantastic entry, and one that proves to be rather touching and dramatic.  Sakai does a wonderful job setting up the main story around the Mifune mon and why it is currently feared and hated throughout his former lands.  The impeccably loyal Usagi is forced to deal with unexpected hatred and concern from those he encounters, which once again makes him think about the past with great regret and concern, especially as he continues to battle with his own conflicted loyalties about whether he should continue to serve a dead master.  There are several fantastic references to Usagi’s role in the war’s final battle, as shown in Volume 2: Samurai, and it was interesting that there is still fallout after all these years.  It was also great to learn more about mons and the importance that they can have to the people wearing them.  This is explored to a degree within the story itself, but Sakai also includes a detailed author note at the end of Mon which describes the history behind mons in general and their current role in Japanese society, while also discussing Usagi and the Sakai family mons.  I particularly liked the story surrounding the innkeeper, who, after years of desperation, finally loses his loyalty to the Mifune cause by informing on Usagi.  The final encounter between Usagi, the Hikiji troops and the bartender is also amazingly drawn, and the dramatic cliffhanger helps turn this into a pretty impressive story.

The final story in Homecoming is the powerful tale, The Return, which finds Usagi in the one place he has been trying to avoid the most, his old home village.  After the conclusion of Mon, Usagi washes up in his village and soon finds himself in the care of the love of his life, Mariko, and her husband, Kenichi.  As the usual feelings of regret, anger and resentment quickly grow between the childhood friends once more, Usagi finds himself forced into a far more serious conflict.  A cadre of former Mifune samurai have arrived in town and captured all the villagers.  Led by the fanatical Kato, these samurai seek vengeance for their lord and plan to destroy Hikiji’s influence and power by attacking an emissary of the Shogun as he travels through the village.  Torn between loyalty to his dead lord and the survival of his village, Usagi must work with Kenichi if there is any chance to save the people they love most in the world.

The Return is an exceptional and moving story which serves as the centrepiece and main entry of the Homecoming volume.  There is a lot going on in this final story, and Sakai manages to craft together an outstanding narrative that continues the dramatic and touching arc surrounding the failed love between Usagi and Mariko and the multiple complications accompanying it, and which also places Usagi and everyone he loves in great danger.  The Return continues immediately after the events of Mon, and Usagi is quickly engulfed in both the drama surrounding Mariko and Kenichi and the overall danger of the former Mifune samurai.  This soon results in a conflicted Usagi forced to bluff his way through the encounter in order to try and save his village from the samurai’s deadly revenge plot.  Working together with Mariko and Kenichi, Usagi’s plan eventually results in a bloody, extended battle against the invading samurai.  This proves to be a pretty epic and intense narrative, and Sakai really amped up the action and the stakes of the entire story by setting Usagi up against some of his former comrades.  There are so many great elements to this story, although you have to love the extended battle sequence at the end, especially once recurring characters Katsuichi and Jotaro make their appearance.  The final parts of this entire story are pretty touching, as the various characters say their goodbyes, and Sakai leaves this entire volume on an intriguing note, as for the first time it hints at another fencing master Usagi trained after, and which makes me eager for the next volume in this series.

The most intriguing elements of the entire story are the complex antagonists that are former comrades of Usagi who are willing to commit atrocities in the name of their dead lord.  For years, the former followers of the late Lord Mifune are seen in a bit of a tragic light, with most of them, especially Usagi, portrayed as extremely honourable men, much in the vein of their deceased lord.  As a result, it is extremely jarring to see former Mifune samurai engage in such vile actions, especially as they justify as part of their oaths to their lord: “A samurai cannot live under the same sky as the killer of his lord!”  There are some clear 47 Ronin inspirations here, with former samurai gathering after many years to achieve a final vengeance, even if this story is a little darker than the classic Japanese tale.  There are also some deep and compelling discussions about honour and loyalty throughout The Return, especially as Usagi is forced to balance his loyalty to his late lord against his own personal honour, feelings about his childhood village, and his own memories about Lord Mifune’s character.  The inevitable confrontation between Usagi and his former comrades is pretty harsh, and it was interesting to see a fight between two different groups of Mifune supporters who believe that their way is the right way.  I felt that the use of colour was particularly effective in The Return, as it made the final battle sequence really pop.  It was also very memorable to see Usagi face off against samurai dressed in the same Mifune clothes and colours that Usagi has worn in every comic.  Seeing a group of similarly coloured and clothed characters facing off against Usagi makes for a very different battle sequence, and it was really interesting to see.

Easily the thing I was most looking forward to in this volume was the emotional fireworks that would occur when Usagi eventually returned to his home village.  This has previously happened in two separate occasions, in Volume 1: The Ronin and Volume 6: Circles, both of which proved to be utterly heartbreaking.  Much of this revolves around the complicated love triangle between Usagi, who is still deeply in love with Mariko, who is married to his old rival, Kenichi.  While Mariko still has great feelings for Usagi, she is bound to Kenichi by her honour, and will not leave them, especially as it will shatter her whole family.  At the same time, Kenichi, who has always resented Usagi for his talent and luck, knows that Usagi and Mariko have feelings for each other, which breaks his heart, as he has also always loved Mariko.  All this is further complicated by the fact that Mariko and Kenichi’s son, Jotaro, is really Usagi’s child, who Kenichi willingly raised as his own son.  This has resulted in much conflict and despair amongst the three in the past, and it honestly does not take long for the anger and resentment to build up once more in The Return, especially as Kenichi is angry that Usagi encouraged Jotaro to seek out his old fencing master rather than go to the school Kenichi learned from.  While there are several great sequences where Usagi and Mariko once again display their unspoken love, much of the focus of The Return revolves around the intense rivalry between Usagi and Kenichi.  The story starts with their usual resentment and anger towards each other, but the two eventually start to work on their differences, especially as they prepare to save their villages.  There are several fun flashbacks to some of their adventures as children, which showed their early rivalries, as well as the two of them achieving great things together.  This comes to the fore as the story progresses, and the two are once again able to set aside their differences for the greater good.  This was an amazing thing to see, especially as they have been mostly antagonistic to each other throughout the entire series, and I liked how Sakai worked to resolve their conflict.  There were also several touching scenes between Jotaro and both of his fathers, which really represented one of the most important things the two former rivals have in common, and I loved that Sakai included Jotaro in this story.

There were some amazing moments in The Return, and I was deeply impressed with the incredible story that Sakai used as the centrepiece of this volume.  I really liked how Sakai successfully blended together so much action and intrigue with a powerful character-driven narrative, and I loved the cool examinations of honour and loyalty as a formerly bitter rivalry started to come to an end.  This final entry really delivered on all the potential of Homecoming and Sakai has done an exceptional job here crafting this story together.  I also really appreciated the way in which the other stories within Homecoming served as prequels to The Return, with key plot elements introduced in the earlier entries in the volume.  This was some extremely clever storytelling, and it really helps Homecoming to stand out as an exceptional and fantastic volume in this epic series.

As usual, the art of this Usagi Yojimbo comic was absolutely exquisite, and Sakai has worked his typical visual magic, creating several striking and powerful sequences throughout the entire volume.  In addition to some of the impressive action sequences and scenes I have mentioned above, Sakai produces some outstanding shots of the iconic Japanese landscape, with some incredible drawings of forests, mountains, towns and plains.  Each of these is pretty breathtaking, especially now that they are in colour, as the recently introduced colour work of Tom Luth really adds some new depth to the already awesome drawings.  I absolutely love the way in which Sakai matches his simple yet beautiful drawings with the complex storylines contained within Homecoming, and readers are in for a fantastic visual treat when they check this volume out.

Even after 35 outstanding volumes of the Usagi Yojimbo series, the amazing Stan Sakai continues to show why he is one of the best comic creators in the business with the incredible Homecoming.  Featuring several touching and powerful stories, which are backed up with some exceptional character work and stunning artwork, Homecoming is another superb collection of Usagi Yojimbo tales.  Fans of this long-running series are going to have an absolute blast reading this latest volume and it is very much worth checking out.

Waiting on Wednesday – Star Wars Novels – Second Half of 2021

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday I take a look at several intriguing Star Wars tie-in novels that are set for release later this year.

2021 has so far been a pretty spectacular year for Star Wars tie-in fiction (my favourite so far is easily Victory’s Price by Alexander Freed).  However, the year is far from over and there are still an intriguing collection of upcoming Star Wars novels set for release in the next few months.  Considering it was only just Star Wars day yesterday (and it’s probably still May the Fourth somewhere in the world), I thought I would take this opportunity to highlight which Star Wars novels I am looking forward to in the second half of 2021.  There a several really cool-sounding books set for release before the end of the year, and I am confident that one or two will find their way onto My Favourite Star Wars Novels list next year.

Star Wars - The Rising Storm Cover

The first entry in this Waiting on Wednesday article is the next adult novel in The High Republic range, The Rising Storm by Cavan Scott.  The High Republic is an intriguing multimedia project that is getting a lot of attention at the moment.  Set 200 years before the events of the Skywalker Saga, the High Republic series is made up of semi-connected novels, comics, young adult books, junior novels, anime, and other pieces of Star Wars media.  I have been rather enjoying some of the early entries in this series so far, including the cool first book, Light of the Jedi by Charles Soule, which introduced a lot of the key settings and storylines that will be explored in future High Republic entries.  This next book looks set to follow up some of the storylines started in Light of the Jedi, and I look forward to seeing how Cavan Scott continue this interesting plot, especially after I previously enjoyed his awesome audiodrama, Dooku: Jedi Lost.

Synopsis:

The heroes of the High Republic era return to face a shattered peace and a fearsome foe, following the dramatic events of Light of the Jedi.

In the wake of the Great Hyperspace Disaster and the heroism of the Jedi, the Republic continues to grow, bringing more worlds together under a single unified banner. Under the leadership of Chancellor Lina Soh, the spirit of unity extends throughout the galaxy, with the Jedi and the newly established Starlight Beacon station at the vanguard.

In celebration, the chancellor plans The Republic Fair, a showcase of the possibilities and the peace of the expanding Republic—a peace the Jedi hope to foster. Stellan Gios, Bell Zettifar, Elzar Mann, and others join the event as ambassadors of harmony. But as the eyes of the galaxy turn toward the Fair, so too does the fury of the Nihil. Their leader, Marchion Ro, is intent on destroying this unity. His storm descends on the pageantry and celebration, sowing chaos and exacting revenge.

As the Jedi struggle to curb the carnage of the rampaging Nihil, they come face-to-face with the true fear their enemy plans to unleash across the galaxy—the kind of fear from which even the Force cannot shield them.

This sounds like a pretty fun novel and it looks like Scott has come up with a really interesting story that will continue some of the fantastic threads from the previous novels.  The fight between the Jedi and the mysterious and chaotic Nihil has so far been pretty cool, especially as there is very little information about their past or ultimate motivations.  Scott is also bringing back several of the key characters introduced in the previous High Republic works, and it will be interesting to see how their story continues.  I have a feeling that several questions previously raised in Light of the Jedi are going to get answered here, although I’m sure that Scott will come up with some more mysteries and reviews.  Because of that, I am quite looking forward to reading The Rising Storm, which is currently set for release in late June 2021.  Scott also has another entry in the High Republic coming out later this year, an audiodrama called Tempest Runner, although I may hold off talking about this too much until some more details are revealed (such as the voice cast).

Star Wars - Out of the Shadows Cover

The next book I am going to look at is another High Republic novel, Out of the Shadows by Justina Ireland.  Out of the Shadows is a young adult novel set for release on 22 July 2021, which will explore a different part of the High Republic universe.  I have so far had some great experiences with High Republic young adult novels, as I really enjoyed the last example, Into the Dark by Claudia Gray, which was released earlier this year.  This will be my first book from author Justina Ireland, although I have heard some good things about her Dread Nation series.  Ireland has previously written several junior Star Wars novels, including Lando’s Luck and A Test of Courage, and it will be interesting to see what unique tale she comes up with for Out of the Shadows.

Synopsis:

The darkest secrets are the hardest to bring to light….

Sylvestri Yarrow is on a streak of bad luck with no end of sight. She’s been doing her best to keep the family cargo business going after her mom’s death, but between mounting debt and increasing attacks by the Nihil on unsuspecting ships, Syl is in danger of losing all she has left of her mother. She heads to the galactic capital of Coruscant for help, but gets sidetracked when she’s drawn into a squabble between two of the Republic’s most powerful families over a patch of space on the frontier. Tangled up in familial politics is the last place Syl wants to be, but the promise of a big payoff is enough to keep her interested…

Meanwhile, Jedi Knight Vernestra Rwoh has been summoned to Coruscant, but with no idea of why or by whom. She and her Padawan Imri Cantaros arrive at the capital along with Jedi Master Cohmac Vitus and his Padawan, Reath Silas―and are asked to assist with the property dispute on the frontier. But why? What is so important about an empty patch of space? The answer will lead Vernestra to a new understanding of her abilities, and take Syl back to the past…and to truths that will finally come out of the shadows.

I have to say that I really like the sound of Out of the Shadows, and I think that this cool novel will prove to be an incredible addition to the High Republic.  I like how Out of the Shadows is planning to bring back several of the awesome characters introduced in previous High Republic novels, such as Jedi Knight Vernestra Rwoh, who Ireland created in her previous novel, A Test of Courage, and Cohmac Vitus and Reath Silas, who were introduced in Into the Dark.  At the same time, this novel is also going to introduce a fun new character in Sylvestri Yarrow, and I am intrigued about the interactions between her and the four Jedi characters.  I am quite intrigued about where Out of the Shadows’ story is going to go, and it will be interesting to see how it ties into the rest of the High Republic range.  Ireland also has another piece of High Republic fiction coming out later this year, and I will have to grab the cool manga series she is doing with Shima Sinya and Mizuki Sakakibara, The Edge of Balance, when it comes out later this year.

Star Wars - Queen's Hope Cover

One of the other Star Wars books I am quite keen for is the young adult book, Queen’s Hope by E. K. Johnston.  Queen’s Hope will be the third entry in a fun series Johnston has been writing that follows the adventures of Padmé Amidala and her handmaidens.  The first two novels in this series, Queen’s Shadow and Queen’s Peril, have followed very different parts of Padmé’s life, including early days of being Queen and her transition to life as a Senator.  This upcoming book, which will be released in early November 2021, will be set during the Clone Wars.

Synopsis:

A peace-loving senator faces a time of war in another thrilling Padmé Amidala adventure from the author of the New York Times best-sellers Queen’s Peril and Queen’s Shadow!

Padmé is adjusting to being a wartime senator during the Clone Wars. Her secret husband, Anakin Skwyalker, is off fighting the war, and excels at being a wartime Jedi. In contrast, when Padmé gets the opportunity to see the casualties on the war-torn front lines, she is horrified. The stakes have never been higher for the galaxy, or for the newly-married couple.

Meanwhile, with Padmé on a secret mission, her handmaiden Sabé steps into the role of Senator Amidala, something no handmaiden has done for an extended period of time. While in the Senate, Sabé is equally horrified by the machinations that happen there. She comes face to face with a gut-wrenching decision as she realizes that she cannot fight a war this way, not even for Padmé.

And Chancellor Palpatine hovers over it all, manipulating the players to his own ends…

I have to admit that I was a little surprised to see that Johnston was still continuing this series.  While I did enjoy her previous Padmé Amidala novels, it felt a little played out after the second book, mainly because the publishing order was a little disjointed.  However, this next book does sound pretty awesome, and I am rather keen to check it out.  Thanks to shows like The Clone Wars, this period of Star Wars history is pretty well chronicled, although there are plenty of great opportunities for stories and tales, especially around Padmé.

I am rather curious to see more of Senator Amidala during this period, and I am looking forward to learning more about her political exploits, especially with future Rebel Alliance leaders (as seen in some of the deleted scenes of Revenge of the Sith).  This will no doubt be complicated by the inclusion of Sabé, Padmé’s handmaiden and body double, who serves as a fantastic secondary protagonist in this series, and having her covering for her mistress for a long period of time should result in some thrilling moments. I am also really keen to see more of Chancellor Palpatine’s manipulations and machinations, and it should prove interesting to find out how he is playing everyone.  One thing that I am not too keen on is the inclusion of Anakin Skywalker in this story.  While there are many fine aspects to Anakin as a character, his romance with Padmé never really worked in the film, thanks to too much whining, murder and sand (the sand, not the sand!), and hopefully that won’t be too prevalent in this upcoming book.  It will be interesting to see how Queen’s Hope turns out and I think it should end up being an excellent read.

Star Wars - Thrawn Ascendancy - Lesser Evil Cover

The final book I really want to feature is the third and final book in the awesome Thrawn Ascendancy series, Lesser Evil, by Timothy Zahn.  The Thrawn Ascendancy trilogy is a great collection of books that examine the early life of one of the best characters in the entire Star Wars canon, Grand Admiral Thrawn.  Serving as a prequel series to Zahn’s Thrawn series (made up of Thrawn, Alliances and Treason), the Thrawn Ascendancy novels are a fascinating series heavy in Star Wars lore.  The series has so far consisted of Chaos Rising and Greater Good, which only came out a few days ago.  Due to its recent release date, I have not had a chance to read Greater Good yet, but I already know I am in for an excellent time with it.  However, Zahn has clearly been on a writing roll (like everyone, he has probably had a lot of spare time in the last year), and his next book is set for release on 16 November.

Synopsis:

The fate of the Chiss Ascendancy hangs in the balance in the epic finale of the Star Wars: Thrawn Ascendancy trilogy from bestselling author Timothy Zahn.

For thousands of years The Chiss Ascendancy has been an island of calm, a center of power, and a beacon of integrity. Led by the Nine Ruling Families, their leadership stands as a bulwark of stability against the Chaos of the Unknown Regions.

But that stability has been eroded by a cunning foe that winnows away trust and loyalty in equal measure. Bonds of fidelity have given way to lines of division among the families. Despite the efforts of the Expansionary Defense Fleet, the Ascendancy slips closer and closer toward civil war.

The Chiss are no strangers to war. Their mythic status in the Chaos was earned through conflict and terrible deeds, some long buried. Until now. To ensure the Ascendancy’s future, Thrawn will delve deep into its past, uncovering the dark secrets surrounding the ascension of the First Ruling Family. But the truth of a family’s legacy is only as strong as the legend that supports it. Even if that legend turns out to be a lie.

To secure the salvation of the Ascendancy, is Thrawn willing to sacrifice everything? Including the only home he has ever known?

Now, it is hard to talk about this upcoming novel when I have not even read the preceding book yet, but I can guess that I am really going to enjoy Lesser Evil.  This book will no doubt contain Zahn’s amazing storytelling and impressive development of his most notable character, and I look forward to more outstanding space battles.  This will probably be one of the best Star Wars novels in 2021, and I cannot wait to see how Zahn rounds out this fantastic series.

Aside from the four above novels, there is also a potentially interesting book coming out called Ronin by Emma Mieko Candon.  Ronin will be connected to an upcoming Star Wars animated series, Star Wars: Visions, which will contain several animated shorts from various Japanese anime studios.  Ronin will apparently tie into one of these upcoming shorts, and I look forward to seeing what the short film is like and how this intriguing novel will be connected.

As you can see from the above, there are some really cool Star Wars novels coming out later in the year, and I am quite excited.  All of the above books sound incredibly awesome and I fully intend to read and review each of them.  Based on my overwhelming love of Star Wars, I have no doubt that I will love them all.  It does look like I am going to be busy with Star Wars stuff this year though, especially as I am going to also check out the Star Wars comics, including some High Republic comics, as well as the audiodrama and manga I mentioned above.  Still, this should be a lot of fun and I cannot wait to get to it.  First step is start reading the second Thrawn Ascendency book, which I am going to start doing right now.

Throwback Thursday: Usagi Yojimbo: Volume 11: Seasons by Stan Sakai

Usagi Yojimbo Seasons

Publisher: Dark Horse Books (Paperback – 1999)

Series: Usagi Yojimbo – Book 11

Length: 198 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It has been a while since I have done a Usagi Yojimbo Throwback Thursday, but after doing a Waiting on Wednesday for the next upcoming volume in this epic series, Homecoming, I was in a Usagi mood and decided to write something extra.  As a result, I check out the 11th Usagi Yojimbo volume by the legendary Stan Sakai, Seasons.

Seasons is a fantastic and spectacular entry in the series that presents the reader with a series of great Usagi Yojimbo adventures that follow the rabbit ronin Miyamoto Usagi as he traverses his version of feudal Japan during the various seasons of the year.  This is a key entry in the series as it sets up a number of storylines for the next several volumes while also introducing some great new characters.  Needless to say, I had an incredible time reading this volume of the series and I have a lot of love for a number of the stories contained within it.  Seasons contains issues #7-12 of the Dark Horse Comics run on the Usagi Yojimbo series, as well as stories taken from the Usagi Yojimbo Colour Special.  This results in 11 separate stories throughout the volume, made up of single-issue entries and a couple of shorter tales, all of which contain an impressive and deeply enjoyable story with beautiful artwork.

USagi #7

The first story featured within Seasons is The Withered Field, an epic story of samurai honour and the warrior’s way.  In this story, Usagi is visiting a famed fencing school with the hope of challenging some of its instructors to test his skill.  However, before he can issue his challenge, all of the school’s instructors are beaten by another ronin, Nakamura Koji, a skilled swordsman who demands a fight with the school’s master.  As he waits for his challenge, Usagi befriends him and discovers that he was once a famed sword master himself, who began the warrior’s pilgrimage after suffering a humiliating defeat at the hands of a mysterious and unconventional swordsman.  Now determined to find this swordsman and rechallenge him, Nakamura Koji shows great interest in Usagi, especially when they must content with treachery from the fencing school.

The Withered Field is an outstanding story that serves as a compelling and powerful start to this volume.  I really enjoyed the amazing narrative that examined honour and martial prowess, with Usagi encountering a famed warrior who is even better than he is.  This great story does an excellent job of introducing the character of Nakamura Koji, who becomes a major figure in some of the future volumes in this series and who has an interesting connection to Usagi and his past.  The entire storyline around the two ronin facing off against the fencing school is extremely cool and action packed, and it appears to take a lot of influence from the second entry in the iconic 1950s Samurai film trilogy (which follows the adventures of Miyamoto Musashi, the historical samurai who serves as an inspiration for Usagi), Duel of Ichijoji Temple, with the students attempting to stop the wandering ronin from defeating their master.  There are amazing action sequences throughout this story, with Usagi and Nakamura Koji engaging in several awesome duels.  I particularly loved the opening sequence where Koji goes through the pre-fight forms before facing off in his sparring match against a fencing school instructor.  The eventual reveal that the samurai who defeated Koji when he was younger was Usagi’s mentor, Katsuichi, comes as little surprise, but it sets up an amazing story later in the series which makes this great story a must read for fans of Usagi Yojimbo.

Seasons’ second story is the thrilling but haunting A Promise in the Snow, which sees Usagi travelling through a snowy mountain pass during the height of winter.  As he trudges along, he comes across bandits attacking an innocent merchant and his servants.  Intervening, Usagi is able to slay all the bandits, but not before they severely wound the merchant.  Usagi finds the merchant’s young daughter and promises to save her father, carrying him back to his village.  However, the mountain passes are treacherous, and Usagi must contend with harsh weather, a pack of hungry wild tokage lizards and a dangerous avalanche.  But no matter what the mountain throws at him, nothing will prepare Usagi for the great shock awaiting him at the end of his journey. 

Usagi #8

This is a great entry in this volume that features a desperate struggle for survival in a dangerous location.  Sakai came up with an epic story for A Promise in the Snow, and I really love seeing Usagi power through great trials and tribulations to keep his promise to a young girl.  There are some beautifully drawn scenes throughout this story, and Sakai does a fantastic job bringing the snowy landscape to life in all its wondrous, deadly glory.  I also loved the way in which Sakai’s drawings highlighted Usagi’s struggles to get through the tough terrain; you can see him get more and more weary with each obstacle he encounters.  This story has a fantastic ending that is reminiscent of a lot of classic ghost tales, and looking back you see that Sakai set this twist up brilliantly, with tons of little clues.  Overall, this was an exceptional story which is a true highlight of this volume.

Next up with have the action-packed, intriguing story, The Conspiracy of Eight.  In this entry, Usagi is visiting the temple of his friend, priest Sanshobo, when an injured samurai wearing the crest of the notorious Lord Hikiji arrives at the gate.  The samurai bears a dangerous letter that names eight conspirators who are plotting against the Shogun.  As Usagi and Sanshobo debate what to do with the information, a large force of ronin arrives at the temple, determined to claim the injured samurai and kill all witnesses. 

This is another fantastic entry in Seasons that once again sees Usagi drawn into a major conspiracy impacting the realm.  There are a lot of cool elements to this story, such as Usagi and Sanshobo being forced to mount a defence of the temple from a dangerous siege.  This is a great, fast-paced story, and I really liked the unique battle scenes, especially the monks with staffs facing off against sword-wielding bandits.  Many of the plot elements contained within this tale come into play in several later Usagi Yojimbo stories, including one featured later in this volume, and I think Sakai did an exceptional job introducing them in The Conspiracy of Eight.  I also liked seeing the return of Sanshobo, the wise and noble priest and former samurai general.  Sanshobo serves as a good foil to Usagi’s more impulsive nature, cautioning him about acting in the affairs of great lords and counselling him that his proposed actions could lead to the death of many people.  While mainly a figure of wisdom, Sanshobo also serves as a great leader, utilising his experiences as a general to defend his temple and keep his monks alive.  The Conspiracy of Eight ends up being a very solid and enjoyable entry in this volume and I very much enjoyed seeing Sakai solidify a great new side character.

Usagi #9

Right after The Conspiracy of Eight comes another intriguing story that is primarily set within Sanshobo’s temple, Snakes and Blossoms.  In this entry, Usagi tells two short tales to Sanshobo: one that describes a crazy misadventure he had, and another that describes some important lessons from his past.  This two shorter tales work as sub-stories to Snakes and Blossoms and ensures that it is a distinctive entry in Seasons.  The first of the shorter tales is titled Hebi, which is set shortly after the events of the final story in Volume 7: Gen’s Story and sees Usagi and Gen once again lost following one of Gen’s shortcuts.  As the two ronin wander the unused paths, Gen saves Usagi from a wild snake that attempts to kill him.  However, Gen’s heroic actions has unexpected consequences when the two travellers are confronted by a mysterious nun at an abandoned temple later that night.  This was a rather cool horror story that exemplifies the sort of weird situations that Usagi can find himself in.  I loved the way in which Sakai plays Usagi and Gen off each other, and there are some very humorous interactions between this oddball pairing.  There is also some really insane artwork in this short story, and I loved the fantastic and scary sight of a giant snake emerging from its disguise to try and kill the protagonists. 

The other short story contained within Snakes and Blossoms is the cute tale, The Courage of the PlumThe Courage of the Plum takes place during Usagi’s childhood when he is training with his master, Katsuichi.  As the two walk through the snow, Katsuichi attempts to teach his student the various hidden aspects of nature around them, including the trees, each of which can represent human virtues.  The young Usagi is particularly intrigued by Katsuichi’s description of the humble plum tree as brave, and Katsuichi schools Usagi on how this smaller tree can be braver than the mightiest of oaks.  I always enjoy the depictions of Usagi’s unorthodox training under Katsuichi, as the student and teacher have a very amusing dynamic, and The Courage of the Plum turned out to be a delightful shorter entry with some intriguing philosophical discussion and some lovely drawings of the winter landscape.  Overall, Hebi and The Courage of Plum make for a fantastic combination of tales and I quite enjoyed seeing these two unique, short stories come together.

Up next in Seasons is an amazing shorter entry, Return to Adachi Plain, which sees Usagi journey back to the site of his greatest defeat, Adachi Plain, the battlefield where his lord Mifune (named after actor Toshiro Mifune, who starred in multiple classic samurai films that Sakai references in his works, including as Miyamoto Musashi in the Samurai trilogy), was killed in front of him.  Flashing back to tragic events that started his wandering lifestyle, Usagi remembers the battle in greater detail and the reader sees not only the role he played in saving the head of his lord from mutilation but also the first time he came directly in conflict with the villainous Lord Hikiji. 

Usagi #10

Return to Adachi Plain is a fantastic entry in this series as it is essentially one big war sequence, showing Usagi amid a violent battle from his past.  This story expands on the war sequence that was shown in Volume 2: Samurai, and it was really cool to see more of this battle, especially the combat scene between Usagi and Hikiji, which serves as the origin for Usagi’s distinctive forehead scar.  A fantastic shorter story that provides greater depth to Usagi’s role in this major defeat, this battle sequence was later reused in colour in Volume 34: Bunraku and Other Stories, and the events disclosed within is likely to come up in the upcoming Volume 35: Homecoming.

The next story in this volume is a relatively short entry called The CrossingThe Crossing is set aboard a small passenger ship where a group of rowdy peasants sing and dance to a fun folk song on deck.  However, during the climax of the performance, one of the peasants accidently bumps into an arrogant samurai who takes offence and moves to kill the transgressor, until a fellow passenger intervenes.  Unfortunately for everyone involved, the Good Samaritan isn’t Usagi; instead it is the demon spearman Jei. 

This is a captivating darker story that once again highlights just how dangerous and deranged Jei, one of the best antagonists in the entire Usagi Yojimbo series, is.  Sakai has written an extremely clever tale here that does a wonderful job showcasing Jei’s compelling nature as both a defender of the innocent and a raging psychopath who views nearly everyone as evil in form or another.  It’s fantastic watching the expressions on the peasants’ faces turn from relief to absolute terror as they slowly realise just how crazy Jei is, and you have to love that entertaining ending with the unsuspecting dock worker.  The Crossing serves as an excellent follow-up to several other shorter Jei stories that appeared in recent volumes, including The Nature of the Viper (which appeared in Volume 9: Daisho) and Black Soul (which appeared in Volume 10: The Brink of Life and Death), and this ends up being an impressive and compelling filler story in this volume.

Usagi #11

The shorter entries keep on coming! The Patience of the Spider introduces a new compelling character, General Ikeda.  Ikeda is a famed warrior and general who led a revolt against the Geishu Clan years ago (when the clan was ruled by the father of Usagi’s friend Lord Noriyuki).  When his revolt fails and his army is vanquished, Ikeda and two of his retainers flee to an abandoned farm and determine that their next course of action is to hide and wait.  Using a patient web-building spider as inspiration, Ikeda and his comrades show fortitude and restraint by disguising themselves as peasants and farming the land as they wait for the opportune moment.  However, as the years pass and Ikeda gains a family and faces the many harsh trials and dangers that await a peasant farmer, he begins to see the world differently, until the once notorious general is a completely new person, one with very different desires and dreams.

The Patience of the Spider is an outstanding example of how Sakai can quickly build up an intriguing and powerful character and ensure that the reader is utterly transfixed by their tale.  While this entry is relatively short, it is very impactful and may be one of the best stories in Seasons.  The tale of General Ikeda, as he faces the many different hardships of peasant life, including drought, bandits, floods and great personal loss, while also experiencing great joy and community, is extremely well written.  It proves to be extremely captivating to see this resolute man slowly change his nature as life overcomes him.  This also proves to be an excellent introduction to the character of Ikeda, who will go on to have a substantial role in the two big Grasscutter storylines, and his amazing character arc has an exceptional start here.  A very impressive and powerful tale, The Patience of the Spider is an amazing character-driven narrative from Sakai that is an absolute treat to read.

The next story featured in Seasons is the curious tale, The Lord of the Owls, which sees Usagi encounter a strange fellow traveller.  As Usagi stops at an inn, he witnesses a group of ruffians follow after a mysterious hooded samurai walking the road with the intention of robbing him.  Following them, Usagi witnesses the figure quickly kill the bandits after first startling him with his hypnotic and powerful gaze.  This man is eventually introduced as Oyama Tadanori, the mysterious Lord of the Owls, who reputedly can see the future and who claims that his destiny is intertwined with Usagi. 

Usagi #12

This was an interesting story that presents the reader with a lot of curious and unanswered questions.  While the main story is rather good, especially when it comes to the fate of the greedy bandits, the reader is left extremely mystified by the Lord of the Owls and his powers of prediction.  This entry opens up a rather fascinating storyline that is still not complete; despite an appearance in a later comic, Usagi is still waiting to uncover more about this figure and their combined destiny.  While I am hopeful that this story will pay off somewhere down the line, but in the meantime this particular entry has some great action sequences, a fun new character and some stunning landscape shots, which makes it really worth checking out. 

Up next with have a clever story, The First Tenet, which deals with the machination and inside politics of the Neko Ninja clan.  In this entry, Kagemaru, the second in command of the Neko Ninja, makes a move to betray his commander, Chizu, by reporting some of her recent personal missions to Lord Hebi, Lord Hikiji’s chief advisor.  Hebi, who is enraged by the news that Chizu is moving the Neko Ninja against the interests of Lord Hikiji, considers supporting Kagemura but is reluctant, especially as “deceit is the first tenet of the ninja”.  However, Kagemaru has subtle ways of getting what he wants, and soon Hebi finds himself in a dangerous situation that will change the future of the Neko Ninja forever. 

The First Tenet is a great story that masterfully shows of the duplicitous internal politics of the Neko Ninja and the supporters of Lord Hikiji.  The storyline started here will eventually have some interesting implications for major side character Chizu, and Sakai does a fantastic job setting it up.  I loved all the plotting and subterfuge that appears in this story, and it proves to be a fun and clever read.  I also love the massive battle scene that occurs in the middle of the tale, and it was particularly cool to see Lord Hebi, a massive snake, finally get into a fight.  Hebi is a terrifying figure to behold in combat, and it is worth reading this story just to see that.  An excellent and exciting addition to Seasons, I really enjoyed The First Tenet, especially as it leads to a lot of outstanding ninja storylines down the road.

Usagi Colour Special - Green Persimmon

Seasons’ penultimate story is The Obakeneko of the Geishu Clan, a chilling supernatural tale that sees Usagi and his companions face off against a malignant spirit.  As Usagi draws closer to the lands of his friends in the Geishu Clan, he stops outside a ruined mansion where he suddenly recalls the last time he was there.  Flashing back to shortly after the events of Volume 4: The Dragon Bellow Conspiracy, Usagi, Gen and Tomoe are travelling back to Geishu lands and attempt to seek shelter at a beautiful mansion.  The mansion belongs to the Lady Takagi, a mysterious woman who provides them with rooms and food and seems quite happy for the company.  However, as the night continues, Tomoe grows suspicious with their host and attempts to investigate, eventually revealing that Lady Takagi is a demon who is determined to kill and eat her guests. 

This was a very fast-paced and exciting tale that provides an awesome horror edge to the stories contained with Seasons.  I love it when Sakai features iconic Japanese supernatural monsters in his tale as they always prove to be outstanding and fearsome opponents for the protagonists.  The monster featured within The Obakeneko of the Geishu Clan is no exception, and I loved the freaky tale based around her and the desperate fight for survival that Usagi and his friends are forced to undertake.  While Sakai mostly focuses on the horror aspects of this story, I liked how he included a few humorous moments, such as including a great reference to Sakai’s prior comic, Groo the Wanderer: “did I err?”, as well as the funny concluding moment that sees Usagi fleeing in terror from a couple of woodcutters.  This was a really fantastic supernatural tale and it is always cool to see Sakai’s amazing depictions of these inventive Japanese monsters.

The final story in this excellent volume is the intense and action-packed Green Persimmon.  In this story Usagi, who is on his way to the Geishu lands, comes across a dying Geishu retainer who entrusts Usagi with delivering a mysterious package to his lord.  Opening the package reveals a simple and seemingly unremarkable ceramic green persimmon.  However, moments after receiving the persimmon, Usagi is attacked by a band of armed samurai who are desperate to reclaim it at all costs.  Managing to defeat his attackers, Usagi continues along the rough and windy coast road to the Geishu lands, but he encounters even more men determined to reclaim the persimmon and is soon forced to fight for his life as his attackers employ ruthless means to kill him.

Usagi-Yojimbo-Book-11-Seasons-Print-

Green Persimmon is an awesome and fantastic story that I deeply enjoyed, and which holds a great deal of significance for me.  This was actually the first Usagi Yojimbo story that I ever read, as a colour version of this story appeared in a magazine aimed at younger teens down here in Australia when I was a lot younger.  This story really stuck with me over the years due to the exciting story and cool action sequences, and it was one of the main reasons (along with Usagi’s appearances in the Teenage Mutant Ninja Turtles cartoons) that I decided to check out the Usagi Yojimbo comics in later life.  Needless to say, I am still very impressed with Green Persimmon years later; it is an enjoyable and memorable story to end this 11th volume.  I love the fluid combat sequences in this issue, including Usagi throwing the persimmon into the air and killing all his opponents before deftly catching it, and there are also some great banter scenes between Usagi and his attackers.  I also enjoyed the epic scene where Usagi finds himself trapped within a field of flame thanks to a flurry of fire arrows around him.  Not only is it cool that Usagi successfully survives by utilising the lessons of the legend of Prince Yamato Takeru and the Grass-Cutting Sword (the full events of which are drawn by Sakai in the next volume), but when he emerges from the ground covered in soot and dirt, he looks particularly demonic and enraged as he faces his opponents, making for an epic and amazing scene.  All of this is set to a fantastically drawn background of the rugged coastal landscape, which proves to be a fantastic setting for the various combat scenes.  If I had to offer any criticism about this story, it would be that the conclusion and reveal of the purpose of the ceramic persimmon did not really go anywhere and there were no mentions of this victory over series antagonist, Lord Hikiji, ever again.  However, I still really love this entry as Green Persimmon has so many cool and impressive elements to it and it is a great end note for this volume.

Seasons is another fantastic and incredible comic by Stan Sakai that sees Usagi engage in some captivating and intriguing adventures.  Featuring a cool mixture of different Usagi Yojimbo tales, Seasons is an amazing entry in the series.  I absolutely love a lot of the stories contained within this volume, which are once again anchored by outstanding character and breathtaking artwork.  This volume gets a full five-star rating from me and comes highly recommended.  On a side note, I am very glad that I decided to do another Usagi Yojimbo comic in a Throwback Thursday article as I have a lot of fun reviewing them.  I might have to skip ahead a volume for my next Throwback Thursday, as I cannot find my copy of Volume 12, Grasscutter.  However, I will either find it or get a new copy soon, as Grasscutter is too major a storyline to miss.  I hope you enjoy the review and make sure to check out some of the other reviews I have done of this epic and amazing series.

Throwback Thursday: Usagi Yojimbo: Volume 10: The Brink of Life and Death by Stan Sakai

Usagi Yojimbo - The Brink of Life and Death

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 10

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Another week, another Throwback Thursday review of an early volume of one of my all-time favourite comic book series, Usagi Yojimbo, by legendary author and artist Stan Sakai.  This week I will look at the epic 10th volume in the series, The Brink of Life and Death, which proved to be another amazing and exciting five-star read.

Usagi Yojimbo Mirage 15

The Brink of Life and Death continues the adventures of the rabbit ronin, Miyamoto Usagi, as he travels throughout the lands encountering all manner people and dangers.  This 10th volume is a fantastic addition to the series, featuring a great mixture of stories, from the tragic to the supernatural, and utilising some iconic recurring characters.  This volume is the third that has been collected by Dark Horse Books, and it features a mixture of issues from two separate publishers.  This includes the final issues of the Mirage Comics run on the Usagi Yojimbo series, with Issues #15 and 16, as well a story taken from Issue #13 (the rest of Issue #13 was used in the last volume, Daisho).  It also contains the first six issues of the Dark Horse Books publication run of Usagi Yojimbo and serves as the starting point to Dark Horse’s lengthy connection to the series.  As a result, the volume starts off with a quick recap of the series (titled Origin Tale), containing some very broad strokes and ensuring that new readers could start on this volume if they wanted (although Sakai does make most of his comics fairly accessible to unfamiliar readers).  This volume also contains Dark Horse’s trademark story notes at the end of the volume, which proved to be a particularly intriguing companion to the excellent stories contained within The Brink of Life and Death.

The first story contained within this volume is the intriguing and exciting Kaiso.  In Kaiso, Usagi encounters a local peasant, Kichiro, while wandering on the coast, and travels with him to his village.  There, Usagi becomes familiar with Kichiro’s family and begins to learn more about the village’s main trade, seaweed (kaiso) farming.  While Usagi enjoys the seemingly simple life of the villagers, he soon finds himself involved in a feud with a neighbouring village, who Kichiro believes are poaching their seaweed fields.  However, not everything is as it seems, and Usagi manages to uncover a conspiracy that threatens to destroy his new friends.

Usagi Yojimbo Mirage - 16

Kaiso is a fantastic and compelling story that once again highlights a traditional Japanese industry, in this case, seaweed farming.  Sakai does a fantastic job exploring seaweed farming in this story, as he introduces and portrays a number of key tools, concepts and techniques involved with the production of edible seaweed, all the way from harvesting it from the ocean to turning it into its dried form, nori.  This examination of seaweed farming serves as a surprisingly good centre for this story, and it is a testament to Sakai’s skill as a writer that he was able to produce an exciting and intrigue filled narrative around this industry in just 20 pages.  There are some great action sequences throughout this story, and it was cool to see Usagi fighting off a bunch of attackers whilst on a small fishing boat, utilising traditional farming tools as weapons.  There are also several impressive drawings throughout this story, as Sakai seeks to capture the beauty of the Japanese coastline as well as the complexities of the seaweed trade.  Kaiso proved to be an awesome first entry in this volume, and its intriguing story content and premise really helps to draw the reader in right off the bat.

The next story within The Brink of Life and Death is a great entry titled A Meeting of Strangers.  While enjoying a quiet lunch at an inn, Usagi watches as a striking swordswoman, later revealed to be called Inazuma, enters the inn.  Wary of this mysterious woman, Usagi bears witness to her skill and ferocity in combat as she takes down a band of bounty hunters who attack her, before departing into the wilds.  However, Inazuma is not the only person being hunted, and soon Usagi finds himself under attack from a group of killers who have been hired to end him.

Usagi Yojimbo Dark Horse #1

This is a really good story that showcases Sakai’s ability to quickly introduce an intriguing new character.  Inazuma goes on to become a major figure in the Usagi Yojimbo series for the next 14 volumes, and she gets an amazing introduction in this story, instantly coming across as something new, due to her striking appearance and her tough mannerisms.  Sakai shows early in the story that she is pretty damn dangerous, as Usagi casually reaches for his sword the moment he sees her, a completely new action from the character, which clearly identifies Inazuma as a major threat.  She quickly backs this up with her impressive swordplay, including slicing up the clothes of a local creep, and then taking out a band of bounty hunters.  She has a brutal fighting style as shown in this comic, and I loved her trademark finishing manoeuvre of completely cleaning the blood off her blade with one deft swish through the air.  In addition to the introduction of this great character, other fun elements of the story include the return of the Snitch (who was introduced in the last volume), who facilitates the hit on Usagi.  The Snitch is such a fantastic minor antagonist, and it is really entertaining seeing him running around doing his thing: “money, money, money!”  There is also a particularly impressive fight sequence in the last half of the story between Usagi and the assassins in the woods.  This scene sees Usagi take on over 20 guys in quick succession and is a real showcase of his ability.  There is a particularly fun panel in this sequence which sees Usagi kill several people at the same time, with his defeated opponents arranged in a semi-circle, all of them dying in dramatic fashion while making a different death rattle (including one guy who goes: “Trout, Trout!” for some reason).  All of this was over-the-top and helped show off just how crazy and action-packed this series can be.

The third story in this volume is the short entry Black Soul, which continues to showcase the return of series antagonist, Jei.  During a stormy night, a young girl and her grandfather have their house invaded by three bandits who steal their food and kill the grandfather.  However, the bandits are far from the only predators out that night, as the mysterious and frightening Jei appears at the door.  This was a great story that added a lot of key elements to the character of Jei in only a few pages.  Jei’s sudden appearance is suitably dramatic, and it shows off how terrifying he can be.  I loved the way that Sakai portrayed Jei’s fight against the three bandits, as all you see is several drawings of the hut’s exterior while terrified screams run out.  The story then returns to the interior of the house, where the bandits’ corpses are strewn around the house, including one guy who is hanging upside-down from the rafters, dripping blood.  Not seeing what actually happened makes the reader imagine the very worst scenario, and it really amps up the dread that this antagonist emanates.  Sakai then continues to hint at Jei’s more supernatural abilities by having him ‘consecrate’ the spear of one of his fallen opponents, with the blade visibly turning black in his hands, matching the soul of the wielder.  Perhaps the most interesting part of the story is the young peasant girl, Keiko.  At first it appears that Jei is going to kill her; however, he stops after not sensing any evil in her.  This is the first time we have seen Jei show mercy, and it is a defining moment for the character, especially as Keiko starts following him as his companion.  Having Jei care for a young girl really adds to the complexity around Jei’s character, and in many ways it makes him seem even more evil, as he is corrupting this innocent with his dark crusade.  Overall, Dark Soul is a great and scary story which leaves the reader wanting to see more of this fantastic antagonist.

Usagi Yojimbo Dark Horse #2

Now we move on to Noodles, the only multi-issue entry in the volume which contains a powerful and impressive narrative that I really enjoyed.  In Noodles, Usagi enters a new town, only to be immediately accosted by the police, who are searching for a thief behind a recent crime wave.  Proving his innocence, Usagi swiftly finds out the source of the recent crimes is his friend Kitsune, who is up to her usual tricks.  Kitsune has a new companion, a soba noodle street vendor and mute giant known only as Noodles, who assists Kitsune to hide from the police.  However, Kitsune has underestimated the deviousness and corruption of the local police administrator who puts a deadly plan into place to save his own skin.

This was an incredible entry in this volume, and I have a lot of love for Noodles’s fantastic crime narrative.  Sakai crafts together a fantastic storyline that follows Usagi as he meets up once again with the entertaining side character Kitsune and intriguing new character Noodles.  Kitsune is her usual fun self, and the introduction of the mute gentle giant Noodle adds a lot of dimensions to her character.  Up to now, Kitsune has been shown to be a generally good person, although she is motivated by greed or a sense of mischief.  However, in this story, she is given someone to care for, and she is determined to protect him no matter what.  Unfortunately, this leads to some great tragedy for her, which I found to be extremely moving, and you cannot help but feel bad for her.  Luckily, this leads to a rather good revenge plot in the second part of the story, which gives Noodles a satisfying and enjoyable ending.  This entire story was extremely well written, combining together humour, intrigue, character interactions and some genuine tragedy to produce an epic and compelling read.  I also really enjoyed Sakai’s amazing depictions of life in a larger feudal Japanese town, and it is clear that he did a lot of research to show what day-to-day life would look like, as well as examining how the criminal justice system worked during this period.  There are some really impressive drawings throughout this story, from the multiple detailed street and crowd views filled with all manner of activities and people (there is a sneaky shot of Jei and Keiko walking through town at one point), to the amazing action sequences, including a great scene where the gigantic Noodles is attacked by the police.  However, I really must highlight a particularly gruesome execution sequence that was a key part of the story.  While this scene is sad and horrifying, it is extremely well drawn, very memorable and it does its job of producing a major emotional response from the reader.  Noodles is probably the best entry in this entire volume, and I cannot praise just how amazing its clever and captivating story is.

Usagi Yojimbo Dark Horse #3

The next story within this volume is the supernatural tale, Wrath of the Tangled Skein, which sees Usagi arrive at a local inn which is experiencing some trouble.  A rich merchant’s daughter has been taken mysteriously ill, and her entourage fear that it is the work of a demon or haunt, picked up from their travels through the dangerous forest known as The Tangled Skein.  Usagi, who has previously travelled through The Tangled Skein (back in Volume 7: Gen’s Story), offers his assistance and takes command of the merchant’s ronin while they wait for a priest to arrive.  It does not take long for events to come to a head, and Usagi finds himself facing off against dangerous and malicious terrors.

I really like it when Sakai does a supernatural tale in the Usagi Yojimbo series, and this one was particularly awesome as the author expertly utilises some fascinating creatures from Japanese mythology.  There are two separate monsters contained within this story.  First you have the nue, a terrifying chimeric creature with the head of a monkey, the body of a badger, the legs of a tiger and a snake for a tail.  Needless to say, this is a particularly weird creature, and Sakai does a fantastic job drawing it and then portraying a chaotic and dangerous fight around it as Usagi attempts to defeat it.  In addition to the nue there is also a tanuki, a shape-changing racoon dog, who manages to trick Usagi and almost costs him everything.  I really loved the designs of both these creatures within the comic, and it was extremely cool to see and learn more about these facets of Japanese culture and tradition.  This story is set up extremely well, and the author has a great blend of action, supernatural intrigue and fun character moments.  Wrath of the Tangled Skein also introduces the character of Sanshobo, a Bonze priest who goes onto become a key recurring character, helping to make this a significant and important entry in the Usagi Yojimbo series.

Up next we have another short character-driven tale, The Bonze’s Story.  In this entry, Usagi travels with the Bonze priest Sanshobo after the events of the previous story.  The two quickly find camaraderie with each other, especially when Usagi realises that his companion is a former samurai.  Sanshobo then relates the tragic tale of how he gave up his warrior ways, which occurred when the young son of his lord accidently died in his care.  This forced Sanshobo’s own son to take his own life to restore his family’s honour, an event that broke Sanshobo.  This was a rather fascinating tale that does a lot to cement interest in a new side character.  The origin tale for Sanshobo is really good, and the whole story of sacrificing a son to save honour is extremely captivating and memorable.  The entire background story is drawn amazingly, and the various expressions of horror, sorrow and pride on the face of participants as they attempt to survive in a storm are quite exceptional.  This was another amazing example of what sort of impressive story Sakai can tell in only a few short pages, and The Bonze’s Story definitely sticks in the mind.

Usagi Yojimbo Dark Horse #4

Following this shorter tale, we have the fun, action-packed Bats, the Cat and the Rabbit.  In this entry, Usagi seeks shelter in an old temple, but his quiet night is ruined when several Komori Ninja arrive, seeking a specific prey.  After they leave, Usagi discovers that the person they are hunting is an injured Chizu, the leader of the Neko Ninja.  Helping her, Usagi learns that she is carrying a valuable and dangerous scroll that the Komori Ninja are desperate to obtain.  Can Usagi and Chizu keep it out of their hands, or will a powerful new weapon be unleashed upon the lands?

Bats, the Cat and the Rabbit was an exciting and entertaining entry that sees Usagi reunited with one of his potential love interests Chizu, who we last saw back in Volume 8: Shades of Death.  This is a fast-paced story that focuses on the conflict between two rival ninja clans, Chizu’s Neko Ninja and the Komori Ninja.  The Komori Ninja, giant bats with blades on their wings who had an amazing introduction back in Volume 5: Lone Goat and Kid, are fantastic antagonists for this story, and it is always cool to see them in action, especially when Sakai draws them slicing through trees to get their prey.  The highlight of this story is the impressive ninja-on-ninja combat, as the more traditional ninja techniques of Chizu and the Neko Ninja go up against these flying opponents, all with Usagi in the middle.  This results in some epic fight sequences which end up being a lot of fun to see come to life.  I also really enjoyed the fantastic conclusion to this story, which not only has a great twist but which also adds a bit of tragedy to the life of Chizu, as she reflects on what constitutes duty for ninja.  An overall awesome and enjoyable story, this was another fantastic entry in this volume.

The penultimate entry in The Brink of Life and Death is the gripping story, The Chrysanthemum Pass.  After humiliating a group of thugs in a town, Usagi obtains a new travelling companion, Icho, a wandering medicine peddler.  The two become friendly as they wander around the mountains, but Icho is not what he seems.  Instead, he is secretly a member of the Koroshi, a notorious assassins’ guild, and is planning to take out a rich lord who is travelling through the Chrysanthemum Pass, and Usagi is also on his kill list.

Usagi Yojimbo Dark Horse #5

This was another outstanding story.  I loved the entire cleverly written narrative, which sees Usagi dragged into the middle of another devious plot.  Having his companion, Icho, turn out to be secretly evil was a fantastic choice by Sakai, and he sets it up perfectly, with only minor hints of his true intentions being revealed to the reader until about halfway through the story.  The rest of the story deals with Icho trying to subtly kill Usagi before his assassination mission and failing, allowing Usagi to be in the midst of the events in the pass.  This story then features a number of fantastic twists, including the fact that Usagi suspected that Icho was an assassin the entire time, implying that his reasons for travelling with him was to keep an eye on him and intervene if he was proven correct.  It was great to see the return of the Mogura Ninja, ninja moles with some really cool character designs who were introduced in the very first volume, The Ronin, and they once again proved to be surprisingly effective adversaries.  This story also serves to introduce a new group of antagonists for Usagi, with the first mention of the Koroshi assassins’ guild, whose various members tangle with Usagi multiple times throughout the rest of the series.  The Chrysanthemum Pass is therefore a fantastic and notable entry within this volume, and it ended up having quite an impressive story.

The final story in this volume is Lightning Strikes Twice, a powerful and captivating entry which provides new background for new character Inazuma.  In this story, Usagi once again runs into the mysterious Inazuma after finding several dead bodies on the road.  Encountering her within a temple, surrounded by other travellers, Usagi sits and listens to her tragic tale of love, loss and revenge as she recounts how she became so skilled with the sword, and the reasons why she is constantly being hunted throughout the lands.

Usagi Yojimbo Dark Horse #6

This was another epic story that really helps to build up Inazuma as an impressive and unique character within the series.  Her entire backstory as a girl who followed her heart and then lost everything is really emotional and humanising, adding layers of complexity to her rough exterior.  It was rather jarring to see such a strong woman stay with an abusive and uncaring partner, and it serves as an intriguing starting point for her road to exceptional warrior.  I enjoyed seeing her learning the way of the sword, and Sakai really builds her up as a natural prodigy with the blade.  Despite the humanising aspects of this story, Inazuma again comes across as a major badass within this story, thanks to the bloody fight sequence at the beginning, where she swiftly takes down a band of assassins with some very fancy moves, as well as the sequence at the end of the origin story, where she shows just how dangerous and cruel she can be.  I also absolutely loved the shocking reveal at the end of Lightning Strikes Twice where Usagi discovers that the people who have been quietly sitting through Inazuma’s story with him are all dead bounty hunters, which adds a real edge to Inazuma and her actions.  Lighting Strikes Twice proves to be a truly compelling and exciting tale, and I really liked learning more about this intriguing new character.  I also really appreciated how it tied into the previous Inazuma story and it ended up being a fantastic way to end the entire volume.

This 10th volume of the incredible Usagi Yojimbo series, The Brink of Life and Death, is another outstanding and addictive creation from Stan Sakai that features several impressive stories.  I loved this amazing combination of tales, and it was great seeing both standalone stories and entries that have deeper ties with the rest of the series.  Filled with awesome character moments, stunning artwork, and detailed depictions of feudal Japan, The Brink of Life and Death is a must read for fans of this series, and Sakai should be very proud of what he accomplished with this volume.

Throwback Thursday: Usagi Yojimbo: Volume 9: Daisho by Stan Sakai

Usagi Yojimbo Daisho Cover

Publisher: Dark Horse Books (Paperback – 1998)

Series: Usagi Yojimbo – Book 9

Length: 215 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Usagi Yojimbo Mirage - #7

It has been another good week of reading and reviewing for me, so I thought I would reward myself by doing a Throwback Thursday review of Daisho, the ninth volume in the outstanding, long-running Usagi Yojimbo series from one of my favourite authors, Stan Sakai.

Daisho is an impressive and exciting entry in the series, which unsurprisingly gets a five star rating out of me (full disclosure, every volume of this series is going to get five stars from me, it is just that damn good). This volume contains Issues #7-14 of the second run on the Usagi Yojimbo series, which was originally published by Mirage Comics (Issues #7 and #8 are only partially represented in Daisho as some stories from these issues were used in the prior volume, while a story from Issue #13 appears in the tenth volume that I will review next), and which has been collected into this volume by Dark Horse Books. This ninth Usagi Yojimbo volume is filled with several fantastic and creative stories that follow Usagi as he journeys across the land, getting into all manner of trouble and misadventures in this version of feudal Japan populated solely by anthropomorphic animals. Daisho serves as a significant inclusion in the overarching series, due to its connections to previous stories, and its introduction or resurrection of several key characters.

Usagi Yojimbo Mirage - 8

This volume starts off with an inspiring and tragic story, The Music of Heavens, which once again sees Usagi traversing the wilderness. His solitude is broken when he encounters the pack of Tokage lizards who he unwittingly befriended in a previous story, The Lizards’ Tale (which was featured in Volume 8: Shades of Death). While Usagi is less than thrilled to see the Tokages, they end up leading him towards another traveller who is making their camp in the woods. The traveller, Omori Kazan, is a mendicant Buddhist priest and skilled musician, who invites Usagi into his camp and talks to him about the various forms of music he studies. However, someone is stalking their camp, determined to get revenge and unafraid to kill an innocent bystander to get it.

I really liked The Music of Heavens and it proved to be a compelling first entry in this volume. The story is based on Usagi’s encounter with a new character, Omori Kazan. Kazan is an intriguing person due to his position as a komuso monk (the monks of emptiness) of a particular sect of Buddhism, which lends him a very distinctive look thanks to the woven basket hat (tengai) he wears on his head disguising his features. Kazan has an amazing arc that delivers a lot in a short while, as he introduces himself to Usagi and the reader, discusses music and religion, and then simultaneously meets his end while also experiencing the divine for the first time. This entire character arc is both beautiful and tragic at the same time, and it provides both Usagi and the reader with some significant emotional moments, especially when it comes to Usagi’s farewell to the Tokages. I also liked how Sakai utilises an antagonist from a previous story, and the fight between Usagi and this character was swift and well-drawn. This was an excellent introductory entry for this volume, and it is a story that I really enjoyed.

Usagi Yojimbo Mirage - 9

The second story in Daisho is the entertaining and clever entry, The Gambler, the Widow, and the Ronin. This story reintroduces the gambler from the previous story, The Duel (featured in Volume 6: Circles), who is up to his old tricks of organising deadly sword duels and cashing in on the bets of the local townsfolk. After the death of his previous samurai accomplice, Shubo, during a duel with Usagi, the gambler has been forced to find a new partner, the brutish and less skilled swordsman, Kedamono. However, Kedamono’s greed has convinced the gambler that it is time to end their partnership, and he quickly finds the ideal solution when Usagi arrives in town. However, as the gambler plots, he fails to realise that he is being stalked by Shubo’s widow, who is determined to get her revenge for the role he played in her husband’s death.

This was another amazing story that serves as a fantastic follow-up to a great prior Usagi Yojimbo story. I always get a real western vibe out of The Gambler, the Widow, and the Ronin, due to its title and the premise around a duel, it proves to be an excellent entry in this volume. Usagi is once again drawn into the plots of the gambler, and thanks to his humility, honour and good manners, which are mistaken as a weakness, both Kedamono and the local villagers are convinced that Usagi is a poor swordsman. However, the gambler, who has seen Usagi in action before, manipulates the odds so that he wins all the money when Usagi defeats his opponent, in a fun reversal of the events of The Duel. This was an incredibly entertaining scene as Usagi is again forced to deal with a bloodthirsty crowd, while the gambler feigns being saddened by the loss of his companion, despite being secretly delighted. However, the gambler ends up getting his comeuppance, and the widow, whose sad final scene was so memorable in The Duel, finally gets a small measure of justice. This was a very clever and enjoyable story, and I really loved how Sakai dived back to a prior standalone story to provide some closure and a fun continuation.

Usagi Yojimbo Mirage - 10

The next story is called Slavers, and it is a longer entry made up of two separate issues. In Slavers, Usagi encounters a young boy being pursued by bandits. Usagi defeats them and learns that the boy was attempting to get help for his village, which has been taken over by a gang of bandits who have enslaved the villagers as part of a destructive scam to steal their harvest and make a small fortune. Deciding to help the villagers, Usagi infiltrates the gang and attempts to rally the villagers to his cause. However, the gang’s leader, the villainous General Fujii, discovers the deception and captures Usagi, planning to kill all the villagers to make good his escape. Slavers is an amazing story that is not only intriguing in its own right but which also expertly sets up the series of follow-up stories that make up most of this volume. While the standalone narrative of Slavers gets a bit dark at times, due to an extended capture scene surrounding Usagi, it is a rather compelling story filled with action, deception and struggles against adversity.

Slavers is quickly followed up by three separate but distinct stories that can be combined together with Slavers into one large narrative that wraps up all the loose ends from the initial entry. The first one of these stories, Daisho Part One, sees Usagi in hot pursuit of General Fujii, who is in possession of Usagi’s precious swords. Due to the brutal actions of Fujii, Usagi loses his quarry and is forced into an extended hunt for him, eventually coming to a ransacked village. It turns out that the village had recently been raided by Fujii’s new gang, and Usagi must make a hard choice between recovering his soul or helping those in need.

Usagi Yojimbo Mirage - 11

I have a lot of love for Daisho Part One; it is probably one of my favourite entries in this entire volume. The story starts out with a magnificent and beautifully drawn sequence that shows the various elaborate processes by which a samurai’s swords are created. This impressive opening sequence is one of my favourite pieces of Usagi Yojimbo art from the entire series, and its creation highlights not only Sakai’s skill as an artist but his ability to research and portray intriguing parts of Japan’s unique culture and heritage. This sequence also shows the important a samurai’s swords to their wielder, as they are reflections of that warrior’s soul. This key concept is then brought to life in the main story, as it sees a somewhat unhinged Usagi risking everything to reclaim his swords from Fujii. Sakai does an outstanding job showing off how frustrated and enraged Usagi is at having his swords stolen from him, and he comes across as being quite frightening several times through the story. Usagi’s anger comes to a head when he reaches the village and his initial decision is to abandon the villagers and immediately follow Fujii and his men. However, a local village girl is able to shame him into thinking of others, and the old Usagi returns, providing aid to the villagers. This was an extremely compelling story that does a wonderful job combining a powerful, character driven narrative, with some exquisite artwork and some intriguing aspects of history, into an exceptional entry in this volume.

The next story in this volume is Mongrels, a quick story about a recurring Usagi Yojimbo side character, the bounty hunter Gen, which occurs around the same time as Daisho Part One. In this story, Gen enters a village and starts asking questions about his current bounty, General Fujii. However, he is not the only bounty hunter in town, as he soon encounters the notorious hunter Stray Dog, who is also hunting for Fujii. After a tense conversation, the two-part ways; however, both are determined to capture Fujii and outsmart their competition. This was a fun story that not only brings Gen into this multi-issue narrative but also introduces a couple of great recurring characters. Stray Dog is a fantastic character in the Usagi Yojimbo universe, and he often appears as a compelling rival (and sometime partner) to Gen (such as in the latest Usagi Yojimbo volume, Bunraku and Other Stories). This story serves as a swift and clever introduction to the character, and it was fun to see the rivalry between Gen and Stray Dog form so quickly. Mongrels also introduces the extremely entertaining side character, the Snitch (also called Toady), a sneaky, greedy character who provides information to the highest bidder. While the Snitch has only a short appearance in this story, he is going to start appearing in a lot of follow up volumes, and it is always fun to see where a character starts out. Overall, this was a great story that fits a lot of significant introductions and events into a few short pages.

Usagi Yojimbo Mirage - 12

The final story in this arc surrounding General Fujii is Daisho Part Two, in which Usagi and his guide meet up with Gen and Stray Dog right at the end of Mongrels. The three samurai decide to team up to raid General Fujii’s lair, and they engage in an all-out fight for money and honour. However, not everyone on the team is keen to work together, and betrayal is afoot. This was an excellent conclusion to the entire storyline, which I really enjoyed. This is a story chocked full of action, as the entire narrative sets up a massive fight between multiple combatants within an abandoned temple. There is some great character work within this story, not only from the protagonists, who bicker and fight amongst themselves, but also with the major antagonist, General Fujii. There some intriguing scenes that show Fujii’s efforts to lead and control a gang of bandits and cutthroats, and I also liked how Sakai shows him being haunted by thoughts of Usagi, whose swords he is holding onto. Usagi and Fujii finally get their showdown in this story, and it served as a fantastic end to this whole extended narrative. There are also some compelling moments surrounding Stray Dog, as he seeks to cheat the others out of the reward money for Fujii. While this initially paints him in a bad light, the source of his need for money is quickly shown, and it highlights just how complex and multifaceted this new side character is. I really liked how this entire story narrative ends, and Daisho Part Two is an excellent part of this volume.

The next story in this volume is the two-part entry, Runaways. In Runaways, Usagi journeys through a small town, when he finds himself in the path of a procession of the local noble lady. Hearing the lady’s name, Usagi is thrown back into the past as he remembers an adventure that occurred many years prior, when he was in the service of Lord Mifune. After finding out that the love of his life, Mariko, has married another man, Usagi is given a seemingly simple mission as a distraction. His task, to escort the young Princess Kinuko to the lands of her future husband, becomes infinitely more complicated, when their party is ambushed by a horde of Neko Ninja. Escaping with the princess, Usagi disguises Kinuko as a peasant in an attempt to hide her from their pursuers. However, the more time that Usagi and Kinuko spend together, the closer they become, until the lines of duty, honour and station become extremely blurred.

Usagi Yojimbo Mirage - 13

This was another exceptional story within the volume, and I liked how it flashed back to an adventure during his pre-ronin life. Set during the period when Usagi served Lord Mifune (as shown in Volume 2: Samurai), Runaways contains a powerful and emotional narrative that is actually based on Roman Holiday (Sakai is a massive Audrey Hepburn fan), which sees a princess run away with a strong male protagonist and grow close to him, despite her responsibilities and their differences in station. This proves to be a fun, if extremely loose adaption of the movie, and Sakai builds up a complex relationship between Usagi and Kinuko, as the two characters, both tragic victims of circumstances when it comes to love, grow closer to each other. However, despite their feelings, this relationship is fated to never be, and it ends in heartbreak, with the memories of it haunting both Usagi and Kinuko years later. I really liked how this story played out, and it was interesting to see aspects of samurai honour folded into the narrative from Roman Holiday. Other fantastic highlights of this story include the multitude of impressive fight scenes between Usagi and the Neko Ninja, starting with a major battle between two large groups of samurai and ninja. I also liked the exploration of the traditional Tanabata Matsuri festival that the two characters find themselves attending, especially as Kinuko has fun experiencing local customs, foods and activities that someone of her station will never get to enjoy. It was also cool to see an early adventure from Usagi, especially as this entry foreshadows events that have occurred in other volumes, including the return of several now-dead characters, such as Shingen (future leader of the Neko Ninja, who was introduced in Volume 3: The Wanderer’s Road, and died in Volume 4: The Dragon Bellow Conspiracy). An overall exciting and impressive story, Runaways is an amazing highlight of this volume.

The final entry is the short story, The Nature of the Viper. In this tale, a local fisherman finds the badly injured body of Usagi’s recurring foe, Jei, after he was thrown from a cliff during the climatic events of Circles. Bringing him back to his hut, the fisherman tends to Jei and manages to save his life. When Jei awakens, he shows his gratitude to the farmer be recounting a tale of viper and a peasant (a version of the classic fable, The Farmer and the Viper), before killing him and resuming his hunt for Usagi. This is a good, short entry that shows the fate of Jei after his last appearance. Jei comes across just as villainous and creepy as ever, and it was fun seeing the fisherman slowly realise just how much trouble he is in as the story progresses. While having a villain recount The Farmer and the Viper as justification for why they are killing a person is somewhat cliched at this point (although to be fair, this story was written back in the 90s), it was still a fantastic sequence. I think that this was an excellent way to end the volume, especially as the reader is left knowing that Jei has returned and that Usagi will be encountering him once again in the future.

Usagi Yojimbo Mirage - 14

Sakai has once again knocked it out of the park with the ninth volume in his series. Daisho contains several outstanding and memorable stories that are all wildly entertaining and contain some clever links to past and future entries in this series. I had an absolute blast reading this volume, and it is an extremely strong addition to the incredible Usagi Yojimbo series that comes highly recommend.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.

Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

Usagi Yojimbo Gen's Story

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

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Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

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Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

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The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

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The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

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Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

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The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

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The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

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I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

Throwback Thursday: Usagi Yojimbo: Volume 5: Lone Goat and Kid by Stan Sakai

Usagi Yojimbo Lone Goat and Kid Cover

Publisher: Fantagraphics Books (Paperback – January 1992)

Series: Usagi Yojimbo – Book Five

Length: 142 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this latest Throwback Thursday I once again check out another early volume of the excellent Usagi Yojimbo series, which I have been reviewing over the last couple of weeks. For this review, I am looking at the fifth volume, Lone Goat and Kid. Lone Goat and Kid was first released in 1992 by Fantagraphics Books and contains issues #19-24 of the Usagi Yojimbo series.

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This fifth volume of Usagi Yojimbo once again sees series protagonist, the rabbit ronin Miyamoto Usagi, traverse a feudal Japanese landscape populated solely with anthropomorphised animals. This volume follows on right after the chaotic events of the fourth volume, The Dragon Bellow Conspiracy, and contains five new stories across six issues. This is an interesting entry in the series, particularly as it is the first volume to barely feature any of the previously introduced recurring characters aside from Usagi (a huge departure from the last volume, which contained a number of recurring characters coming together and teaming up). Instead, Sakai takes the time to introduce a bunch of new characters and scenarios across the volume’s five separate stories. Unsurprisingly, I really liked this fifth volume of Usagi Yojimbo, especially as Sakai manages come up with some fantastic and exceedingly enjoyable tales.

The first story featured within this volume is titled Frost & Fire, and it is a tragic story with undertones of forbidden love and class struggle. In this story, Usagi is hired by the cold and proper widow of a samurai to travel to the place of her husband’s death and retrieve his swords. Upon arriving at the small village where the samurai died, Usagi discovers that the swords are in the possession of the dead man’s lover, a poor peasant girl, who wishes to keep them as a remembrance of the man she loved. Unwilling to take the swords by force, Usagi leaves, but the peasant girl’s greedy brother has other plans for the swords.

This was a rather heartfelt first story for the volume, and it contains some great underlying elements to it. Much of the story revolves around a forbidden romance between a samurai and a peasant girl who wanted to be together but were unable to due to class differences. This was a rather intriguing central element for this story, and you can’t help but feel for the poor peasant girl, especially after meeting the samurai’s harsh and honourable widow in the opening pages. There is also examination of the evils of greed and avarice, as several of the side characters attempt to deceive and murder in order to get a quick payday. Luckily, their greed proves to be their undoing, as karma quickly strikes throughout the course of the story. There are some great scenes in this story, including one sequence where Usagi stares down the peasant girl when she refuses to give up the swords, “You know I can just take them from you”, before ultimately backing down and refusing to force her to give them up. I also liked a scene later in the book where the brother’s greed proves to be his undoing, as not only does Usagi appear behind him at one point like a vengeful spirit, but he is then ironically attacked by his “friends”, who are jealous of the wealth he achieved because of his bad actions, and whose mindset mirrors that of the brother. All of this makes for a great first entry for this volume, and I really enjoyed the amazing and captivating story that Sakai came up with.

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The next story is a rather unique entry called A Kite Story, which I have a particular love for. A Kite Story is actually broken up into four distinctive parts, each of which focuses on a different character participating in a famous kite festival. The first part, called The Kite Maker’s Story, follows a kite maker, Tatsusaburo, in the lead up to the festival. This part of the story contains no dialogue, but instead features a first-person narration from Tatsusaburo that overlays the drawings. This narration explains how he gathers the resources for his kites and the various processes he goes through to craft them together. It particularly focuses on the work he puts into creating an odako, a giant kite that he and a team of handlers hope to fly. The story then jumps to its second distinctive part, called The Gambler’s Tale, which follows the crook Hatsu and his gang of itinerant gamblers as they work the crowds gathering for the kite festival. This part starts off with some first-person narration from Hatsu and explores how he and his gang set up a rigged game of dice. This part ends its narration on the second page, when Usagi arrives on the scene and it becomes purely dialogue driven after that. Usagi, upon noticing the game, gets involved and is able to prove the gamblers are cheating (thanks to some fancy sword work), which sees not only the crooked gamblers run out of town but also those gamblers who were running fair games, and who are none too pleased with how they have been treated. This then moves to the third part of the story, called The Ronin’s Tale, which is nearly entirely dialogue driven, with only a small bit of narration at the front. Usagi deals with some of the players from the first two parts of the book, as he is unfairly blamed by the cheating gamblers in The Gambler’s Tale as the source of all the trouble to the honest gamblers. This sees Usagi have to make a rather quick and unconventional exit from the festival, which quickly breaks down into chaos. The story then concludes with a quick two-page final part, called The Kite Maker’s Tale II, which follows Tatsusaburo again and serves as an epilogue to the whole story.

I really liked A Kite Story, as Sakai did a really good job blending together a couple of distinctive narratives into one fantastic story. I particularly enjoyed the fascinating first part of this story and I always love it when Sakai uses his stories to explore certain unique Japanese cultural elements and industries. For this one, the author presents the reader with an amazing examination of the traditional kite-making process, and I loved seeing the process explained by the titular kite maker. This part of the story blends in surprisingly well with the other sections of A Kite Story, and I was impressed with how Sakai was able to turn these seeming separate and disparate tales into a complete narrative that is both entertaining and informative. Sakai also produces some amazing artwork in this story, from the giant kite to the visually impressive and detailed crowd scenes, and this is easily one of the more innovative stories that Sakai has come up with.

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The third story is the action-packed spectacular, Blood Wings, which Sakai tells over two issues. Late one night, Usagi is wandering along the road when he comes upon a dying peasant. The peasant’s last words are a mysterious warning about whatever killed him, “wings of blood”. Travelling to a nearby village, he finds a settlement living in terror, completely cut off from the outside world. They are being kept prisoner by a new and dangerous group of ninja, the Komori Ninja Clan, killer flying bats. The Komori Ninja were accidently discovered by the villagers as they prepared to ambush a shipment from a nearby goldmine and the ninja are now keeping them prisoner while they execute their attack. Knowing that the ninja will not leave the villagers alive as witnesses after the heist, Usagi attempts to break out and warn the goldmine, and when that fails, he leads the villagers in a spirited defence of their home.

Blood Wings was a fantastic and exciting story that serves as an excellent set piece for the middle of this volume. This third story is an impressive read that not only introduces a notable new group of antagonists, but it also contains some rather good action sequences. The Komori Ninja prove to be a great group of villains, and I really liked the character design that Sakai came up for them, as they fly around with sword blades attached to their wings, cutting through anyone and anything they encounter. The highlight of this story has to be the thrilling action sequences between Usagi and this new foe, who are able to outmatch the protagonist with their unique combat style. This all culminates in an extended battle sequence which sees a swordless Usagi defending the village with a force of farmers. This is probably the fastest-paced story in the volume, and Sakai comes up with an awesome narrative for it. This is also the entry in this volume that is most tied into the overarching Usagi Yojimbo world, as the Komori Ninja are revealed to be working for Lord Hikiji and are seeking to replace the Neko Ninja. This story also contains my favourite joke in the whole volume, as only Saki would have a guard yell out, “Holy flying furball! It’s Bats, man!” as the Komori Ninja descend.

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The fourth story is an elaborate and compelling entry titled The Way of the Samurai. This story sees Usagi intervene when a gang of bandits (including a very cool-looking walrus samurai), attack a messenger, and is directed to seek out the magistrate of the local town. Arriving at the town, Usagi is amazed to discover that the magistrate is a famed former general Oyaneko, whose battles and tactics Usagi idolises. Staying in the general’s house for a night, he learns that Oyaneko was a loyal retainer to the land’s former lord but was cast aside when the lord’s brash young son came to power. Now regulated to the role as a simple administrator and slowly dying of a disease, Oyaneko is discontent with his life, and, after meeting an honourable and skilled Usagi, challenges him to a duel to the death, “The way of the Samurai is found in death”.

This fourth entry in the volume is a moving tale that the author uses to explore the complexity of the samurai code of duty, loyalty and service. I really liked the intricate story that Sakai weaved around the characters of Usagi and Oyaneko, and Oyaneko’s story is particularly tragic and fascinating. This entire story is set up really well, with Usagi encountering Oyankeo, the two gaining a mutual respect for the other, learning about Oyankeo’s past and motivations, before the emotionally charged duel at the end. Sakai did a fantastic job illustrating the stress and emotion surrounding this final duel with his epic drawings, and the end result was really touching. I think this is one of the best written stories in the entire volume, and it becomes quite an emotional ride for the reader in the end.

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That leaves us with the fifth and final story in this volume, which shares the same name as the overall volume, Lone Goat and Kid. This story focuses on the characters of Yagi and Gorogoro, the titular Lone Goat and Kid. Years ago, Yagi served the same lord as Oyaneko. However, when their old lord died, Yagi was falsely accused of a crime by the new lord’s corrupt advisors and forced out of his service. Yagi and his son Gorogoro now work as Lone Goat and Kid, assassins for hire who many believe now travel the road to hell. The two assassins are also constantly targeted by their former lords’ samurai and bounty hunters sent after them by the corrupt advisors who framed them. As part of their latest attempt to kill Yagi and Gorogoro, these advisors use a proxy to hire the Lone Goat and Kid to assassinate Usagi, who they believe may be able to defeat the infamous assassin. When they meet, Yagi and Usagi engage in a brutal fight to the death, with the corrupt lord’s forces waiting to ambush the winner.

This was another awesome story filled with epic duels, a massive battle sequence, some superb artwork featuring Japan’s exquisite landscape, and a fun narrative packed full of deceit and conspiracy. The titular Lone Goat and Kid are a rather cool adaptation of the iconic Japanese fiction duo, Lone Wolf and Cub. Lone Wolf and Cub was a manga series back in the 1970s that followed a samurai assassin and his child as they travel feudal Japan searching for vengeance. This series has inspired several movies and a television show, and many different pieces of fiction have paid homage to them over the years, from The Mandalorian to Bob’s Burgers. Heck, Rick and Morty literally just did an anime homage to them last week on YouTube. Sakai’s versions of the characters are rather good, and they become fun recurring characters within the Usagi Yojimbo series. I loved how Sakai came up with some fantastic and unique character designs for the two assassins, turning them into goats rather than wolves (which was a nice touch, especially as the name “kid” has that fun double meaning), and providing them with a different backstory. However, there are some excellent similarities, such as the father’s skill with the blade, the desire to take down conspirators who wronged them and the baby carriage the son travels in, equipped with all manner of hidden weapons and blades. The character of Yagi, the Lone Goat, is particularly intense, and is almost demonic in his attitudes and persona, while still maintaining a samurai’s sense of honour. I was also really impressed with the battle sequences that featured in the last half of this story, and I liked how Sakai went from an elaborate one-on-one duel, to a mass fight against multiple opponents. All of this leads to another excellent story in this volume, which I really enjoyed reading.

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This fifth volume of Usagi Yojimbo, Lone Goat and Kid, was another incredible and powerful addition to the series, and I think Stan Sakai did another amazing job with this volume. Featuring five fantastic stories that contained Sakai’s usual complex narratives, iconic artwork and compelling underlying themes, Lone Goat and Kid gets another five-star rating from me, and it is really worth checking out.

Throwback Thursday: Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy by Stan Sakai

Usagi Yojimbo The Dragon Bellow Conspiracy

Publisher: Fantagraphics Books (Paperback – September 1991)

Series: Usagi Yojimbo – Book Four

Length: 179 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this slightly belated Throwback Thursday, I continue my trend of the last couple of weeks by checking out another volume of Stan Sakai’s ground-breaking and utterly addictive Usagi Yojimbo series with the fourth volume, The Dragon Bellow Conspiracy. Reviewing all these Usagi Yojimbo books has proven to be a lot of fun, and I am really glad that I have been able to show off my love for this series (make sure to check out my reviews for volumes One, Two and Three). The Dragon Bellow Conspiracy is another excellent early volume in this long-running series, which features a fantastic full-volume-length story.

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A storm is brewing throughout feudal Japan, as war and revolution against the Shogun lie just beyond the horizon. In his fortress, the ambitious and dastardly Lord Tamakuro has been plotting. Despite appearing to be a loyal supporter of the powerful Lord Hikiji, Tamakuro has his own plans to take control of the country and rule as Shogun, utilising an army of ronin armed with teppo, black powder guns imported from the barbarian lands outside of Japan.

However, despite his best attempts at discretion, Lord Tamakuro’s actions have not gone unnoticed. His neighbour, Lord Noriyuki, has sent his trusted advisor and bodyguard, Tomoe, to investigate Tamakuro’s castle, where she discovers the hidden armaments he is planning to use in his upcoming revolution. At the same time, Lord Hikiji, suspicious of Tamakuro’s true loyalties, has sent the notorious Neko Ninja clan to infiltrate his castle. When both Tomoe and the Neko Ninja are discovered, Tamakuro makes ready for war against all his opponents.

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Into this vast conspiracy walks the wandering ronin Miyamoto Usagi. A friend to Lord Noriyuki and Tomoe, Usagi witnesses Tomoe being captured and rushes to Tamakuro’s castle to save her. Despite his best efforts, Usagi finds himself outmatched by the powerful forces Tamakuro has pulled together. His only chance at saving his friend and averting a civil war is to team up with the Neko Ninja, a group he his fought many times in the past. Can Usagi and his new allies succeed, or will Tamakuro’s greed engulf the entire country? And what role will blind swordspig Zato-Ino and the bounty hunter Gennosuke play in the final battle?

Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy is an outstanding and highly enjoyable comic that I have a huge amount of love for. Containing issues #13-18 of the Fantagraphics Books run of the Usagi Yojimbo series, this fourth volume is broken down into seven separate chapters. It is a major early edition in the series, as it contains a massive and wide-reaching story. This is the first storyline that takes up an entire volume (several notable stories do this later, such as the two Grasscutter volumes and the 33rd volume, The Hidden), and it presents the reader with an epic tale of war, friendship, honour, loyalty and uneasy alliances, while featuring a number of the best Usagi Yojimbo characters.

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The entire story contained within this fourth volume is quite spectacular and comes with minimal build-up from the Usagi Yojimbo issues that preceded this volume. Sakai does an amazing job introducing the relevant plot and new key players surrounding this storyline, and then telling a complex and detailed narrative within the confines of this one volume. In addition to the main conspiracy storyline, the story follows several different character-based storylines, all of which come together for one big epic confrontation. I really enjoyed where Sakai took the plot of this volume, and I liked how the story was broken up into several distinctive chunks defined by the respective chapter (the chapter names, which refer to parts of a storm, identify the intensity and importance of each chapter). The entire story is rather self-contained, and I think that the author did a great job wrapping it up and giving it several satisfying conclusions.

Like many of the Usagi Yojimbo issues out there, the true heart of The Dragon Bellow Conspiracy’s story is the outstanding characters, many of whom have appeared in prior issues in the series. Usagi once again accidently finds himself in the midst of a vast conspiracy and must risk everything to save his friend and stop a war. If I am going to be honest, Usagi has one of the weaker arcs in this volume, with several of the side characters getting much more interesting storylines and more development. That being said, parts of Usagi’s story are fairly intriguing, such as when he manages to infiltrate Lord Tamakuro’s castle as a new retainer in order to rescue Tomoe, or his guilt-ridden dream sequence where his regret over his perceived failure manifests itself as a series of ghosts and monsters. Usagi also has the fun job of recruiting reluctant and unusual allies to his cause, such as the Neko Ninja or his old foe Zato-Ino. Indeed, his whole storyline is similar to classic Japanese films such as The Seven Samurai (the inspiration for The Magnificent Seven) or The Hidden Fortress (which served as an inspiration for the first Star Wars movie), as he recruits or forms alliances with various people in order to take down an evil opponent (in a castle, no less, for The Hidden Fortress fans). He also has some rather fantastic interactions with several different characters throughout the volume, and it results in some major developments in his relationships with them.

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While Usagi’s storyline is quite enjoyable, several returning supporting characters also have some substantial and impressive arcs throughout this book, and I really loved the way in which Sakai brings back a number of key characters from earlier issues in the series. The best character in this entire volume is the blind swordspig, Zato-Ino. Both of Ino’s previous storylines have been extremely impressive, so it was great to see him return again for another volume. Ino, who had already found some measure of peace thanks to his new companion, the tokage lizard Spot, finds some major redemption in The Dragon Bellow Conspiracy, and he easily has the most character development. An entire chapter of this volume is dedicated to the eventual fate of Ino, and it was fantastic to see him finally find what he has been desperately searching for, even if he has to lose his only friend along the way. The rhino bounty hunter, Gennosuke, once again proves himself to be a fun and endearing character throughout this volume. Initially involved in a rather humorous hunt for Ino’s bounty, he finds himself working with him to fight Lord Tamakuro’s forces, although he always intends to betray him. However, Ino’s heroic actions end up changing his mind, and he once again reveals his hidden good nature by secretly assisting Ino and selflessly helping him. This is also the volume where Gen loses his horn, with all future versions of him appearing with just a small stump on his nose. His cut-off horn is quite an iconic look for the character, and after seeing him without out for all these years in later volumes, his earlier horned appearance just looks odd.

Recurring female samurai, Tomoe, also has an extremely strong appearance in The Dragon Bellow Conspiracy, as she finds herself captured within Lord Tamakuro’s castle quite early in the volume and is forced to resist his abuses. Tomoe has some great dialogue with Usagi about how her mission and her loyalty to Lord Noriyuki are more important than her own life, and she has to talk Usagi into abandoning her for the greater good. She also has a rather fantastic sequence where she manages to remain hidden in the fortress, right after she rides through various parts of the interior on a horse. I also really liked Shingen, the Neko Ninja chief who Usagi teams up within this volume. Shingen previously appeared in the Volume 3 story, The Shogun’s Gift, where he formed a great rivalry with Usagi. While the two clash in this volume, they eventually reach a level of mutual respect and work together for the greater good. Shingen gains multiple dimensions as a character in this volume, and it was interesting to see his discussion with Usagi about honour, and how even ninja have a code of duty. His story comes to a fantastic close towards the end of the volume, but Sakai really made him one of the standout characters of the volume: “A ninja’s duty in life is death!”

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In addition to the excellent inclusion of several amazing returning characters, The Dragon Bellow Conspiracy also featured a couple of terrific new characters, who really helped bring this story together. The evil Lord Tamakuro was a really good villain for this volume, and Sakai did a fantastic job of showing of his greed, brutality and utter disregard for anything except his own power. Needless to say, he was a rather vile character who the reader cannot help but dislike, making his eventual comeuppance all the sweeter. The best new character in this volume has to be the leader of Tamakuro’s samurai army, Captain Torame. Torame is a loyal and capable warrior, who is forced to serve an evil lord who takes him for granted. He forms a bond with Usagi when the protagonist infiltrates the fortress under the guise of a mercenary ronin, and they have several discussions about bushido, loyalty and the ways in which a samurai must serve his lord. Usagi’s subsequent betrayal in order to rescue Tomoe enrages Torame, who takes it as a personal afront. This leads to a fantastic duel later in the volume, although not before Usagi and Torame have one final discussion, in which Usagi attempts to talk Torame into abandoning Tamakuro. Torame however refuses, as his strict adherence to the samurai code forbids him betraying his lord, even if it is clear he disagrees with Tamakuro’s plans:

“is samurai honour so important?”

“Yes”.

The result of the quick and brutal duel that follows visibly saddens Usagi, who was once again forced to fight a man he respected. This volume also sees the brief introduction of the Neko Ninja Chizu, a major recurring character in later volumes of the series, whose one scene in this book was rather fun.

The Dragon Bellow Conspiracy is an extremely action-packed volume that actually features some of the best action scenes in the entire Usagi Yojimbo series. I absolutely loved all the action sequences in this book, as Sakai did an incredible job illustrating them and bringing the fights to life. The main action set piece of this volume has to be the assault on Lord Tamakuro’s fortress by Usagi, Ino, Gen, Shingen and a force of Neko Ninja armed with explosives, as they attempt to rescue Tomoe and put an end to Tamakuro’s ambitions. This entire extended action sequence is exceedingly impressive, and it was really cool to see all the characters engage in a massive battle throughout a castle complex. I also have to say how incredibly awesome it was to see a force of ninja face off against an army of samurai, predominately armed with European muskets. This made for some incredible fight scenes, all of which I really and truly loved. I also have to highlight a couple of duel sequences that occurred earlier in the volume. The first of this was a great fight between Usagi and Shingen, as the two face off against each other in a quick fight to the death. This duel focuses on the extreme clash of styles between the two, as Usagi had to contend with all manner of traps and ambushes before he got anywhere near this foe. However, this duel pales in comparison to the awesome fight between Ino and Gen that occurred towards the middle of the volume. This two engage in an incredible and beautifully drawn fight that lasted several pages. This fight did a fantastic job showing of their respective skills with the sword, and this fight helps feed into Sakai’s love for classic Japanese films, as this duel was essentially Zatoichi vs Yojimbo. This volume featured some first-rate action, which is really worth checking out.

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In addition to the extremely well-drawn action sequences, Sakai has filled this volume with some truly incredibly examples of his artistic style. This volume features so many impressive and iconic Japanese buildings, landscapes, traditional outfits and other aspects of the country, that the reader can’t help but feel they have been transported back to feudal Japan. I particularly loved the way he included a number of stormy backgrounds throughout this volume. The continued artistic rendering of rain, clouds, mud, wind and storms throughout the entirety of The Dragon Bellow Conspiracy really helped to set the mood of the entire volume, and I loved how the intensity of the storm seemed to match the volume’s story. I really enjoyed how a number of pages were streaked with massive bolts of lightning across cloudy or darkened skies, and several scenes, particularly the duel between Ino and Gen, were majorly enhanced by this artistic inclusion. As usual, this art does an amazing job backing up the volume’s fantastic stories, and I was once again left stunned by Sakai’s obvious and incredible artistic talent.

Usagi Yojimbo: Volume 4: The Dragon Bellow Conspiracy, is another exceptional and captivating comic which I am awarding a full five-star rating. Sakai is a truly incredible writer and artist, and this fourth volume did a fantastic job highlighting his talents for both. Not only does this volume feature some amazing and distinctive drawings, but it also contains an outstanding and enjoyable story backed up by some awesome characters. Sakai did an awesome job bringing together several key recurring characters into a compelling and well-written narrative, which I once again fell in love with. The Dragon Bellow Conspiracy is really worth checking out, and is a must read for fans of the masterpiece that is the Usagi Yojimbo series.

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