Daughters of Eve by Nina D. Campbell

Daughters of Eve Cover

Publisher: Allen & Unwin Australian (Trade Paperback – 29 March 2022)

Series: Standalone

Length: 370 pages

My Rating: 4.5 out of 5 stars

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Impressive debuting Australian author Nina D. Campbell presents one of the most intense, captivating, and thought-provoking thrillers of 2022 so far, with the outstanding Daughters of Eve.

Detective Emilia Hart is a dedicated New South Wales homicide detective whose gender and experience often sees her regulated the domestic violence murders.  When a prominent defence attorney is expertly shot in front of her, Hart jumps at the opportunity to investigate a high-profile case, despite opposition from her superiors.  However, this proves to be no simple investigation, especially when a second dead man with similar bullet wounds is also found.

As Hart and her colleagues investigate, they struggle to find any connection between the two victims until more men start dying and the killer releases a brazen manifesto to the world.  Claiming to be part of an organisation known as The Daughters of Eve, determined to tip the scales of justice once and for all, the killers reveal that their victims have been abusive men responsible for terrible acts against women.  They also claim that they are only just getting started, and they soon ask the public to identify more violent men for them to hunt down.

As more bodies start to drop, chaos starts to reign across Sydney, especially when a series of copycat murders begin around Australia.  Facing immense pressure from all around, Hart doggedly pursues the case, trying to find a link between the victims and the women they hurt.  However, with angry male protestors storming the city and soldiers deployed on the street, Hart is unprepared for how much her world is about to change, especially as the killer may be closer than she ever realised.

Daughters of Eve was an exceptional and outstanding first novel from Campbell that really sticks out.  Featuring a particularly powerful narrative that combines a terrific and clever mystery with some of the darkest elements of modern society, Daughters of Eve proves to be extremely addictive, and I actually ended up reading it in just one day once I got hooked on its powerful events.

I loved the intense and captivating murder mystery that this book contains, especially as it sets the protagonist down a moving and memorable rabbit hole.  Daughters of Eve has an awesome start, with a sleezy defence attorney shot down by a sniper in the middle of Sydney right in front of the protagonist.  This ensures her a key role in the investigation, and she quickly discovers that there is much more to the case, especially once more bodies drop with each of the victims identified as a potential abuser or rapist.  This initial part of the mystery is very well written, with several key elements set up for later in the book, while the reader is left guessing with the various potential suspects or motivations.  While this early investigation is ongoing, you get to know more about the protagonist, Emilia Hart, and her complex life, including her unique personal relationships and compelling professional life, especially as she works with several terrible people.

The story takes an excellent turn about halfway through when The Daughters of Eve organisation emerges and takes credit for the murders.  The entire city erupts into chaos as angry, scared men attempt to regain control, soldiers are deployed to the street, and multiple murders occur across Australia.  Hart and her colleagues are stuck desperately investigating more obscure potential suspects to discover who is behind the initial murders, while they try not to get overwhelmed by other events.  This middle section of Daughters of Eve goes into some very dark directions, especially when certain revelations and secrets come out.  This eventual leads up to the big reveal about who the killer is, which, while a little predictable, serves as a major and compelling moment in the plot, and was very well handled by the author.  The story continues for a decent while after the killer is arrested, as the events further deteriorate, and the protagonist finds herself extremely involved in everything going on.  It all leads up to the moving and dramatic conclusion, which, while tragic in its own way, leaves the reader on a somewhat hopefully note that think really worked.  This was an incredible and deeply moving story, and I deeply enjoyed the brilliant combination of captivating mystery and dark tone.

Without a doubt, the most memorable part of Daughters of Eve is the strong and powerful look at sexual and domestic violence that exists within the world today, as much of the story focuses on victims-survivors and abusive men.  Campbell paints an appropriately bleak picture of how society can hurt women of all ages, which gives the story a very grim, if realistic, coating that will both shock and move you.  Featuring multiple female characters, each with their own unique story, you get a deep understanding of some of the violence or discrimination out there, and the various issues and societal problems surrounding it, such as the restrictions on policing it.  There are so many dark elements about abusive men and sexual violence throughout this book, and I think Campbell utilised it perfectly throughout Daughters of Eve to create her captivating tale.  I particularly appreciated the way in which Campbell envisions the reaction that would occur if some vigilante women did start to target abusive men in a violent way.  The subsequent counterviolence, male protests, and over-the-top use of authorities and the military is a cynically entertaining inclusion, and the subsequent comparison between this and the existing violence against women makes for a harsh counterpoint.  While parts of the reaction by authorities, politician and men might seem somewhat unrealistic, certain recent events might potentially suggest that Campbell is right, and it is probably exactly how events would occur.  While I do think that Campbell did get a little heavy handed with some of these elements throughout the book, it produced a very emotional and confronting story that expertly enhanced the main mystery narrative.  I would probably suggest that people who are triggered by sexual and domestic violence may want to avoid Daughters of Eve because of these inclusions; this is a very thought-provoking part of the book that will stick with you for a long time.

Naturally, such dark and dramatic elements necessitate several strong and complex central characters, and Campbell uses them to great effect throughout the book.  Daughters of Eve’s main character is point of view protagonist Emilia Hart, who proves to be an excellent central focus for the entire plot.  Hart is a character with a substantial amount of baggage, and her own terrible childhood and long experience as a police officer, especially one who primarily deals with domestic murders, ensures the events of this book deeply impact her.  Watching her try to come to terms with some of the outrages she witnesses, as well as the deep personal stakes that emerge, is pretty inspirational and moving, and you end up feeling really connected to her.  The rest of the characters in this book are fantastic and they all add a great supporting edge to Hart’s story.  This includes Emilia’s adopted daughters, both of whom have their own tragic backstories, her brash but loyal police partner, and her surprisingly understanding love interest from Melbourne.  You get a real sense of some of the terrible sexism and violence experienced by women every day, and each of the characters in Daughters of Eve do a good job exploring this.  I really grew attached to several of the characters in this great cast and found their powerful stories to be brilliant.

Daughters of Eve ended up being an exceptional and distinctive Australian thriller and it is one that I am really glad I got the opportunity to read.  Nina D. Campbell hit her debut out of the park, and I really got addicted to the excellent, dark and moving story that her first book contained.  With some very powerful and insightful elements, Daughters of Eve will stick with you well after you have finished powering through its amazing story.  I cannot wait to see what Campbell produces next, and I look forward to reading more stuff from this exciting new Australian author.

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Throwback Thursday: Usagi Yojimbo: Volume 14: Demon Mask by Stan Sakai

Usagi Yojimbo - Demon Mask Cover

Publisher: Dark Horse Comics (Paperback – March 2001)

Series: Usagi Yojimbo – Book 14

Length: 224 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In this latest Throwback Thursday I once again dive into the awesome and elaborate world of Usagi Yojimbo as I check out the 14th epic volume, Demon Mask.

It feels good to be on a Usagi Yojimbo review streak here at The Unseen Library, and I have been having a lot of fun diving into some of the awesome middle volumes of one of my absolute favourite comic series.  My last two Throwback Thursday reviews of the 12th Usagi Yojimbo volume, Grasscutter, and the 13th volume, Grey Shadows, were really fun to pull together, and I really had no choice but to also have a look at the 14th volume this week with Demon Mask.

Usagi #31

Demon Mask is another excellent addition to the Usagi Yojimbo series that unsurprisingly gets a full five-star rating from me.  Exclusively written and drawn by Stan Sakai, this impressive entry once again follows the rabbit ronin Miyamoto Usagi as he continues his action-packed adventures through the anthropomorphic animal filled version of feudal Japan this series is set in.  Containing issues #31-38 of the Dark Horse Comics run on the series, as well as a few additional issues from associated magazines, Demon Mask continues the trend of featuring several shorter stories, while also leading back towards the next volume, Grasscutter II, which will contain a big crossover story.  I deeply enjoyed all the cool stories in this volume, and there are some real classics here.

The first story contained within Demon Mask is the entertaining and elaborate tale, The Inn on Moon Shadow Hill.  In this story, a travelling Usagi comes across a mysterious inn surrounded by strange sights and an unusual group of patrons.  The land surrounding the inn is apparently haunted, filled with all manner of monsters, demons and obakemono (haunts), which attracts many wealthy individuals to the safe inn to watch.  However, Usagi is soon drawn into a hefty wager with an arrogant merchant and must travel outside the inn to encounter the haunts and the forces behind them.

This is quite an amusing story that perfectly combines Sakai’s fantastic humour with his love of classic Japanese monsters and haunts.  The entire story comes together really well, first introducing the situation, and then forcing Usagi outside to face the ghosts after making a bet.  The subsequent reveal of the various monsters and creatures is pretty spectacular, and Sakai goes out of his way to include as many uniquely Japanese legendary creatures as possible, especially in one breathtaking and elaborate panel.  I really enjoyed the fun twist that occurred here, especially as it allowed Usagi to win his bet with the merchant, and his over-the-top explanation of what he experienced was pretty damn amusing with all the exaggerated facial expressions and reactions from Usagi and his audience.  This ends on a very satisfying and entertaining note, and The Inn on Moon Shadow Hill ended up being a fantastic and light-hearted start to the entire volume.

Usagi #32

Following on from the first fun story is the touching tale, A Life of Mush.  In this story Usagi encounters a brash peasant boy, Eizo, who wishes to become a warrior to avoid the farmer’s simple lifestyle (a life of eating mush).  However, Eizo soon grows tired of Usagi’s honourable warrior philosophy and attempts to befriend a group of bandits, only to discover that there is more to life and battle than brashness and toughness.  This was a great shorter story that presents an interesting outside perspective on the life of a warrior in this setting.  I liked the comparison between a child’s view of a warrior to Usagi’s intense dedication and spiritual thoughts, which in fairness, does seem a little more boring.  The subsequent events provide a fantastic lesson on perception and life choices, as Eizo and the bandits he encounters discover just how tough a true warrior like Usagi can be.  A compelling and thoughtful addition to the volume, A Life of Mush was a powerful and clever read.

The next story is a shorter entry, Deserters, which brings us back to the iconic Neko Ninja and their leader, Chizu.  Deserters examines a tragic tale of two Neko Ninja, Take and Saruko, who attempt to leave the Neko Ninja and start a new life together.  Captured by their fellows, they are taken before Chizu for trial, and must soon face the treachery and manipulation of Chizu’s ambitious second in command, Kagemaru.  This was another excellent shorter entry in Demon Mask, especially as it combines some quick, but efficient, character introductions, with some inherent tragedy and betrayal.  The result of the story, while a little predictable, ends up being very moving, and you can’t help but feel for the star-crossed lovers.  I also really like how this shorter entry turns out to be an interesting bridging story between several of the plot lines in the 11th volume, Seasons, and some of the big storylines in the next few volumes.  A surprisingly important and powerful story, Deserters is a great read that adds a lot to the overall volume.

Usagi #33

Up next, we have the rather entertaining and fun story, A Potter’s Tale, which makes great use of amusing coincidences to create a fantastic and hilarious story.  A Potter’s Tale sees the notorious thief, Samo, steal a precious jewel from a wealthy merchant and have to stash it.  Choosing an unfired pot in a small pottery shop, Samo makes the vessel distinctive before he is brought in for questioning.  Unfortunately, Usagi is staying with the same family of potters and chaos ensues when Usagi and his friends take a liking to Samo’s inadvertent innovation.

This is a great story that always gets a good laugh out of me when I read it.  While a rather quick story, Sakai manages to achieve a lot with it, setting up the base of the humour quickly and ensuring that the reader becomes invested with both the potters and the caddish thief.  The subsequent fantastic use of surprises, reveals and coincidences results in some amusing scenes, especially when the unlucky thief discovers that he must give up all his ill-gotten loot to fix his mistake.  The reveal that all his endeavours are for naught and his loot has returned to its original owner, in a roundabout way, is pretty entertaining, as is the ironic comeuppance he gets for his actions.  Sakai makes sure to enhance this story by featuring a compelling look at traditional Japanese pottery making (I love it when he examines authentic Japanese industries or art forms), and there are some beautiful sequences drawn as a result.  Easily one of the most entertaining stories in this volume, I deeply enjoyed A Potter’s Tale, and it is always guaranteed to crack me up.

Usagi #34

Sakai follows this funny story with another shorter entry, The Missive, which sees Nakamura Koji’s request for a duel reach Usagi’s master, Katsuichi.  Reflecting on the matter of honour brought before him, Katsuichi remembers a moment from Usagi’s childhood and the lessons it contains.  This was another quick but excellent entry from Sakai, which once again highlights how much he can do with only a few short pages.  Not only do we get an excellent bridging storyline between a good entry in the 11th volume, Seasons, and another future volume, but you also get an interesting reveal about a major supporting character.  Throw in an amusing childhood tale about a young Usagi, and you have an entertaining and unique entry that helps to break up the flow of the overall volume.

Now we get to the main event of the volume, with the three-issue story, The Mystery of the Demon Mask.  After receiving a dire warning about his future, Usagi ventures into a new town, only to witness a deadly duel between a fellow ronin and a mysterious opponent wearing a demon mask.  Encountering the police, including the venerable Inspector Kojo, Usagi soon learns that the killer, known as Demon Mask, has been targeting and killing ronin around town.  Helping with the investigation, Usagi encounters all manner of potential suspects as he also finds himself firmly in Demon Mask’s sites.

Usagi #35

The Mystery of the Demon Mask is probably the best story in the entire volume, and Sakai has put a lot of effort into developing a powerful and elaborate murder mystery storyline in this unique Japanese setting.  The entire story has a great flow to it, quickly introducing the villain, the murderous Demon Mask, and then introducing Usagi to the various players involved in the investigation.  From there Usagi is thrust into several dangerous situations as Demon Mask stalks him and other masterless samurai around the town.  There are several complex and intriguing characters introduced during this story, each of whom is a potential suspect.  This story ends on a big finale, with Demon Mask exposed as he faces off against Usagi in a deadly duel.  Sakai does a brilliant job of revealing who the killer is, and I really appreciated the various subtle clues scattered throughout the story to set this up.  This ended up being quite a fantastic murder mystery story that works extremely well despite the limitations of the shorter comic form.  The motivations behind the killer are pretty heartbreaking, and I really appreciated Sakai’s portrayal of their madness and grief.  There is an excellent focus on fighting and duels throughout this story, especially as Demon Mask engages several skilled samurai in personal combat, and I loved seeing all these fights unfold.  An excellent entry that has a brilliant balance of mystery, complex characters, classic Japanese elements and comic book action.

Following on from this awesome murder mystery story, we have another intriguing dive into Japanese mythology and monsters with the spooky story, Kumo.  In this story, Usagi, who is eager to reach his friends, takes a shortcut across the mountains and finds himself in an isolated village, surrounded by an unusual number of spiders and an insane amount of webbing.  When the innkeeper’s daughter is kidnapped in an improbable attack, it becomes apparent that something more is haunting the village, and that Usagi’s only hope might be another traveller in town, Sasuke.

Usagi #36

This was another particularly good entry in Demon Mask; I always love Sakai’s more supernatural narratives.  The story premise is somewhat typical, with Usagi arriving in a troubled town that needs his help, this time in defeating the monsters haunting them.  The subsequent conflict with this threat gets pretty wild, not just because of the cool monster (in this case a Spider Goblin and her giant spider minions), but also because it introduces the intriguing side character of Sasuke.  Sasuke, also known as The Demon Queller, is a mystical monster hunter who travels around Japan taking down supernatural threats (no doubt with Kansas blaring in the background).  Sasuke goes on to become a major recurring character within this series, having most recently appeared in the 34th volume, Bunraku and Other Stories (where he does some cool Demon Slayer-esque sword fighting).  However, he gets a very awesome introduction here in Kumo, with Sakai perfectly setting up the character’s mystique, as well as his powerful magical abilities.  This story literally sees Sasuke summon up a giant frog to fight a Spider Goblin, which has so many levels of awesome to it, and I loved seeing the magic on monster fight that ensures.  Another fantastic story that makes excellent use of Japan’s rich spiritual and mythological past, I always have an outstanding time reading Kumo.

The final major story in this volume is the intriguing tale, Reunion.  Usagi returns to the monastery of his friend, priest Sanshobo, only to discover it under attack by brigands, apparently after a rich merchant sheltering inside.  Working with Sanshobo and a recovered Gen, Usagi must find a way to overcome the brigand horde and save the monastery from attack.  However, the real threat may already be inside the walls, and soon Usagi, Sanshobo and Gen must overcome a dangerous enemy determined to take the most precious treasure, the legendary sword Grasscutter.

Usagi #37

Reunion was another fun entry which ended the main Demon Mask stories on a compelling and interesting note.  While a distinctive story itself, Reunion is primarily focused on setting up the events of the following major volume, Grasscutter II.  This presents a fun scenario where Sanshobo’s temple is attacked (again, it honesty gets attacked a lot), while the real danger remains inside the wall.  There are several fun parts to this story, from Usagi’s attempted infiltration of the gang, the many fight scenes against to the bandits, to the dangerous confrontation against the disguised adversaries within the temple.  This proved to be an excellent story, and it was great to see Sanshobo and Gen again, especially as they prepare for their next epic adventure.

While Reunion concludes the main stories, this volume also has a couple of shorter stories that were contained in other publications, such as Dark Horse Presents (vol. 1) #140, Dark Horse Presents Annual #3, Wizard Magazine #3, Oni Double Feature #11, and Dark Horse Extra #20-23.  These short stories provide a couple of quick, highly amusing tales which leave the reader smiling as they close the volume.  Sakai achieves a lot in these shorter stories, and each has an entertaining or moving story, even if they only last for only a page.  The most detailed of these was the entertaining Death and Taxes, which sees Usagi fighting bandits for a conniving and amusingly clever peasant.  There is also the sweet little story, A Funny Thing Happened on the Way to the Tournament, which shows a young Usagi meeting his future friend (and love interest) Tomoe Ame when they were children.  The short but powerful Netsuke sees Usagi reflect on a former comrade, while The Leaping Ninja has a hilarious one-page tale about an acrobatic infiltrator who leaps before he looks.  The final story was the intense Tsuru, which sees Usagi encounter a member of the Koroshi assassins with a love for paper cranes, who has a contract out on Usagi, resulting in a fantastic duel.  Despite their length, each of these stories features all of Sakai’s usual attention to detail and excellent story writing, and it was great to see these excellent examples of the creators shorter writing style.

Usagi #38

I must once again highlight all the incredible artwork featured in this impressive volume, as Sakai continues to showcase all his amazing artistic talent.  Pretty much every panel in this volume is filled with some excellent and powerful art, as Sakai tells his complex tales.  There is the usual brilliant focus on Japanese landscapes and towns, and Sakai has such a talent for capturing all the elaborate cultural elements of the period, as well as the beautiful locations that dotted Japan.  While all the art is really well drawn in this volume, I definitely have to highlight a few panels in particular.  The first story, The Inn on Moon Shadow Hill, has so many great drawings of creatures and haunts from Japanese folklore, and there is one brilliant panel were all of them are they facing Usagi at once.  The spider goblin and her minions in Kumo are also very cool and spooky, and the various scenes where they fight a samurai like Usagi and the magical Sasuke are pretty extraordinary.  I also loved the awesome character design on the antagonist Demon Mask from the main story.  Not only does it bear an interesting similarity to Usagi’s main foe, Jai (who himself is based on a character with distinctive mask), but it looks so dangerous and intimidating, especially when they silently engage in battle.  I deeply enjoyed the exceptional artwork in Demon Mask, and Sakai has once again shown how much feeling and emotion he can portray with his brush and ink.

Another week, another epic and incredible Usagi Yojimbo volume reviewed on my blog.  The 14th volume of this outstanding series, Demon Mask, was another awesome comic as Stan Sakai provides his usual blend of impressive writing, stunning artwork, and powerful characters.  Featuring several memorable and exciting short stories, Demon Mask serves as an excellent and wonderful entry in this wider series, and it is one that I always look forward to reading.  A highly recommended read, Sakai really can do no wrong with this exceptional series.

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Quick Review – The Maid by Nita Prose

The Maid Cover

Publisher: Harper Collins (Trade Paperback – 20 January 2022)

Series: Standalone

Length: 334 pages

My Rating: 4 out of 5 stars

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Get ready to follow a unique and entertaining protagonist into an intriguing mystery in this compelling debut novel by Nita Prose, The Maid.

The Maid is an interesting read that I was lucky enough to receive earlier in the year.  Written by new author Nita Prose, The Maid is already getting a substantial amount of attention across the literary world, with a ton of positive reviews and media coverage.  This positive attention has only been enhanced by news that this book is already in line to become a film starring current movie sensation Florence Pugh.  Well, after having a great time reading this book, I am also throwing my opinion about The Maid into the fray, especially as it proved to be an entertaining and captivating read that did a good job blending an unusual protagonist with a fantastic story.

Plot Synopsis:

Molly Gray is not like everyone else. She struggles with social skills and misreads the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by.

Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.

But Molly’s orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what’s happening, Molly’s unusual demeanor has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black—but will they be able to find the real killer before it’s too late?

A Clue-like, locked-room mystery and a heartwarming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.

This was a very enjoyable and fantastically addictive novel that I had a lot of fun reading, especially with its cool and slick narrative.  Told exclusively from the perspective of this central character, Molly, The Maid starts off quickly, introducing the odd-duck character of Molly and the subsequent terrible events as she discovers a body within the hotel.  What follows is an intense and fast-paced story that sees Molly inadvertently dragged into the midst of the investigation as a suspect as forces within the hotel conspire to hide the truth.  Forced to rely on her unique outlook on life and a few trusted people, Molly soon finds herself the key to solving the case thanks to her connections to various guests and staff, as well as her obsessive attention to detail and the secrets only a maid would know.  The story unfolds at a great pace, with a strong beginning, moving centre and shocking and well-established ending, which comes together extremely well, especially as the narrative thrusts its distinctive protagonist into several unique and serious situations.  Prose sets up several great twists throughout the story, and while a couple of reveals and guilty individuals were a little obvious, a couple of things did come as a surprise, including one impressive reveal right at the end.  I really liked this cool, mystery filled narrative and you will quickly find yourself powering through it to see how everything comes together.

While this is nominally a murder mystery, the real appeal of The Maid is easily its central character, Molly, who gives the story some real heart and is easily the best thing about this entire book.  Prose has done an incredibly good job of creating a distinctive and troubled figure in Molly, the obsessive and socially awkward maid, and I really appreciated how complex and unique she turned out to be.  I always like a character who is a little different than established norms, and Molly is particularly noteworthy, as, thanks to her atypical outlook on life, sheltered upbringing, odd way of talking and stunted social instincts, everyone thinks she is weird and stupid.  However, as the book is told from her perspective, the readers soon understand that she is indeed quite a complex and clever being in her own way, as her tough upbringing and family situation has ensured that she views the world in a different way.  It proves to be extremely moving to see everything from Molly’s mind, especially as you soon understand all the heartbreak and betrayal she has experienced.  Despite this, Molly keeps her positive attitude and determination, and this notable attribute quickly steals the readers’ hearts and ensures that they are firmly in her corner as the novel unfolds.  The focus on her ability as a maid to help solve the crime was pretty fun, and it was interesting to see how the insights of “the help” can reveal so much about us.  There is also a certain darkness to the character which, while mostly hidden, comes up in certain points in the book, and I deeply appreciated how Prose worked into the character and the story.  I loved so many aspects of this character’s creation, and it proved to be extremely fun to see her develop and find some happiness throughout the novel.

Overall, The Maid was a fun and captivating first novel from Prose that I really enjoyed reading.  The cooky and distinctive central character helps to turn this great mystery into a very entertaining and addictive novel which is well worth checking out.  I look forward to seeing the eventual film adaptation of The Maid, and I am sure that Florence Pugh will kill it in the central role.

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Her Perfect Twin by Sarah Bonner

Her Perfect Twin Cover

Publisher: Hodder Studio (Trade Paperback – 25 January 2022)

Series: Standalone

Length: 329 pages

My Rating: 5 out of 5 stars

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Prepare yourself for shocks, twists and so many sweet surprises as impressive new author Sarah Bonner presents her epic debut thriller, Her Perfect Twin.

Megan Hardcastle has always lived in the shadow of her estranged twin, Leah, who always took everything Megan had, while exploiting their dramatic family past to obtain fame, fortune and the freedom to do anything she wanted.  Despite that, deep down Megan still loves her sister, until she finds explicit photos of her on her husband’s phone.  Rushing to her sister’s house, she is unable to contain her rage, and their argument ends tragically when she kills Leah.

Determined not to get caught, Megan comes up with the desperate plan to become Leah, fooling the world into thinking she is still alive.  Diving deep into Leah’s perfect life, Megan starts to become her sister and soon finds her carefree life intoxicating and irresistible, especially when she falls in love with the new man in Leah’s life.  As life at home with her controlling husband gets even more difficult, Megan decides to give up her entire existence and start living as Leah.  However, just before she can enact her escape, the pandemic lockdown hits.

As the country adjusts to a new normal, Megan struggles to maintain two separate lives under lockdown.  Her problems are only just beginning when it becomes clear that someone else knows her secret and they are willing to use it to take everything from her.  Soon, Megan finds herself engaged in a deadly game of cat and mouse against a sadistic foe with her life, freedom and identity on the line.  However, not everything is as it seems, and all the dark secrets from these twin’s life are about to come out.

OMG, well that turned out to be exceedingly epic and amazing.  Sarah Bonner has come out of the gates swinging here, and her first book was such an outstanding and epic read.  Her Perfect Twin is easily one of the best psychological thrillers of the year, and I loved the exceptionally clever and wildly entertaining story it contained.  Loaded with complex and deeply flawed characters as well as some impressive examinations of self and identity, Her Perfect Twin is an incredibly addictive novel that gets a five-star rating from me.

Let me just start off here saying that you are going to really fall in love with the intense and captivating narrative contained within Her Perfect Twin.  Bonner has gone out of her way here to create an exceptional read that quickly drags you in and then hits you with clever twist after clever twist, until the only thing you can think about is getting to the end of the story.  Her Perfect Twin starts off strong, introducing the protagonist Megan and showing the events through her eyes as she uncovers her husband’s affair with her twin sister, Leah, who she then kills after they get into an argument.  The reader slowly gets to see Megan enjoying the new freedoms and fun associated with living her sister’s life, while she also plans to escape from her normal life and terrible marriage.  This first part of the book is very good and I enjoyed seeing the protagonist dive into her new identity, especially as she grows as a person under it.  While I liked this part of the story, I thought I could see where the story was going, including the introduction of lockdown part way through.  However, it turns out that I was so very, very wrong, as Bonner had some amazing tricks up her sleeve.

The first real indication you get about how much Her Perfect Twin is going to change happened about halfway through when, after a major and surprising reveal, the narrative suddenly starts getting told from the perspective of an entirely different character.  This honestly altered everything, as not only did it throw you right into the mind of a psychopath but it starts showing some of the previous events of the book in an entirely new context, revealing just how much set up and foreshadowing Bonner included in the first half of the novel.  From there you are forced to watch an incredibly evil villain make their move, manipulating the situation to their advantage while appearing to have total control, which is both infuriating and extremely compelling at the same time.  And then, just when you think you have a handle on the situation, Bonner throws another big twist at you, along with another new point-of-view character, and you honestly have no idea what the hell is going to happen next.  At this point, I was honestly reeling with all the revelations as I began to fully understand just how talented Bonner is as an author, but the story isn’t done yet.  There are even more great reveals and twists from there as the third character tells their story, which changes everything that you thought you knew already.  A final major shift occurs for the last part of the book, which seeks to wrap up everything and showcases the full cleverness and feelings off all the previous characters.  While this final part of the book is a tad slower and seems a little disconnected from the main plot, it concludes everything up beautifully and leads to an impressive and well-thought-out ending that will leave you incredibly satisfied.

This was a pretty incredible story, and it is one that I had so much fun getting through.  I honestly read the last 250 pages in a single sitting, and it was physically impossible for me to put down the book after the first big reveal.  I cannot emphasize enough just how clever and brilliant all the twists in Her Perfect Twin were, and Bonner sets all of them up perfectly.  I loved how multiple small details and seemingly throwaway lines came back in a big way as the novel progressed, and there was some brilliant planning here.  Bonner writes a pretty dark psychological tale here, and Her Perfect Twin does an impressive dive into the inner psyches of its various characters, with a particular focus on identity, freedom and the terrible secrets that bind us together.  While a few scenes get a bit disturbing and might be upsetting for some readers, it all works for the greater good of the story, and every brutal scene is incredibly well written and impressively moving.  I did appreciate the way in which Bonner was able to work England’s COVID-19 lockdowns into the story.  While some recent novels tend to shoe-horn lockdowns into their story, Bonner’s examination and use of the lockdowns was particularly clever, expertly tying into the story and becoming one of the better inclusions of it that I have seen in recent years.  An overall incredible and powerful narrative, you will fall in love with Her Perfect Twin’s perfect story.

I must also highlight the incredible characters that Bonner featured throughout Her Perfect Twin, although I might avoid specifics to keep some of the twists hidden.  All the characters in this book are extremely well developed, and Bonner produces some intricate and powerful backstories for them that drive them to do the bad things in this novel.  Megan was extremely well written, and her constant battles with her identity, her devious twin, and the constant fear of obtaining the same memory issues that plague her mother, become important parts of her story.  Watching her develop and attempt to find happiness is pretty satisfying, although she goes through a lot in this novel, especially as the story gets darker and darker.  The rest of the main characters were also really good, and you get some intriguing perspectives as the novel progresses, which help to produce such a rich and striking story.  A particular shoutout must go to the main antagonist of the book, who is quite frankly one of the best/worst villains I have seen in fiction.  This antagonist is a malicious, deceitful and sadistic figure who puts all the other characters through the emotional wringer as they attempt to get their ultimate goal.  I hated this character so much in Her Perfect Twin, especially after finding out the full extent of their plans, and once the book jumps to their arrogant perspective, you will grow to hate them too.  Watching them put their devious designs into motion is pretty horrific, and you will hang in there just to wait and see if they fail.  You will really come to love or hate these characters by the end of Her Perfect Twin, which just goes to show how awesome an author Bonner really is.

I think it is clear from my excitable ramblings up above that I really loved this incredible novel.  Her Perfect Twin was an exceptional debut from Sarah Bonner and I still cannot get over how much I loved its cool and clever story.  Loaded with insane twists and powerful characters, this novel is just so damn good, and you honestly will not be prepared for how crazy the story gets.  A must-read for all fans of the thriller genre; I cannot recommend Her Perfect Twin enough.

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Throwback Thursday: Usagi Yojimbo: Volume 13: Grey Shadows by Stan Sakai

Usagi Yojimbo - Grey Shadows Cover

Publisher: Dark Horse Comics (Paperback – March 2000)

Series: Usagi Yojimbo – Book 13

Length: 200 pages

My Rating: 5 out 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I check out another epic entry in the amazing Usagi Yojimbo series by Stan Sakai with the 13th volume, Grey Shadows.

Usagi #23

I had a lot of fun reviewing the 12th volume, Grasscutter, last week and it set me down a bit of a reread journey which saw me revisit several other Usagi Yojimbo volumes.  As such I thought I would take the time to do another review of one of Stan Sakai’s comics, and luckily the next one on my list, Grey Shadows, is a particularly good one.

Grey Shadows takes place immediately after the massive events of Grasscutter and details several adventures that rabbit ronin protagonist Miyamoto Usagi goes on during this period.  Made up of issues #23-30 of the Dark Horse Comics run on the Usagi Yojimbo series, Grey Shadows returns to the series norm of featuring several shorter stories, each of which pit Usagi against a new threat or opponent.  Grey Shadows have several excellent stories, including some that focus on fantastic murder mystery elements while simultaneously introducing interesting new characters.

The first story in this volume is the intriguing and touching entry, My Father’s Swords.  This single-issue story first sees Usagi at the temple of his friend priest Sanshobo recovering from his deadly duel with the demonic spearman Jei at the end of Grasscutter.  Still troubled by the disappearance of Jei’s body and the sudden burden of being responsible for the legendary Grasscutter sword, Usagi journeys out from the temple to scout the surrounding area and determine if it is safe to move the divine blade.  His journeys eventually lead him to meet young wandering samurai, Donbori Chiaki, whose father was an old friend of Usagi’s who served with him under Usagi’s former lord.  While travelling with Chiaki, a chance encounter reveals secrets that will rock Usagi’s soul as a samurai.

Usagi #24

This was an interesting first story for Grey Shadows and it is one that I really appreciated.  I liked the excellent start that revisited key events of the previous volume and examined the burden that Usagi, Sanshobo and Gen now bear.  Not only does Sakai use this opportunity to inform the protagonists about some of the other events of Grasscutter that they were unaware of, but it also helps set up the future 15th volume, Grasscutter II, which will end this overall storyline.  Sakai also takes a little time to showcase Usagi dealing with the dark details of the defeat of his adversary Jei, especially after Jei’s body disappeared upon his defeat.  There is a great scene where a clearly shaken Usagi destroys Jei’s fallen black spear to convince himself that his foe is truly dead, although you can tell he doesn’t believe it.  I am rather impressed that Sakai manages to do such a comprehensive wrap up of the events of the previous volume in such a short amount of time, while also leaving room for another interesting story.

The main story of My Father’s Swords is pretty moving, as Usagi is immediately brought back to another trauma, his service to Lord Mifune and the Battle of Adachi Plain (see Volume 2: Samurai and Volume 11: Seasons).  Travelling with the son of an old comrade lets Usagi briefly relive his glory days, before the past is once again thrust upon him when it is revealed that his friend, Donbori Matsuo, is still alive, following his son anonymously as a cripple.  The reasons for Matsuo hiding his existence from his son and the burden he then places on Usagi to keep this secret for him is a little heartbreaking, and it provides more context about the samurai way of life Usagi is bound to.  The entirety of this storyline is handled perfectly, from the great introduction to Chiaki, the fun remembrances of Usagi’s past, to the final revelation about Matsuo that ends the story on a poignant note that will leave you very thoughtful and moved.  I enjoyed some of the clever artistic tricks in this story, such as the dark shade around Usagi when he deals with Jei’s spear, and the fun way in which Sakai slips in the beggar Matsuo into the background of several scenes, revealing his subtle surveillance of his son.  An excellent entry that not only references the events of Grasscutter but also features a powerful story of its own, My Father’s Swords proves to be a great start to this entire volume.

Usagi #25

Sakai follows up the moving first story of Grey Shadows with the dark second entry, The Demon’s Flute, a clever and memorable horror story.  The Demon’s Flute sees Usagi traversing some remote hills only to be drawn to a small town by the haunting melodies of a flute.  Once there, he discovers that the village is under attack by a mystical menace which kills villagers in utter darkness while the sound of a flute plays.  Believing it to be a ghostly figure of a flutist who wanders around with a white tokage (the dinosaur lizards that serve as this world’s main animals), the villagers implore Usagi to help save them.  However, the true evil attacking them proves to be more complicated and sinister than anyone of them believed.

The Demon’s Flute is a great story that shows just how haunting a Usagi Yojimbo story can be, especially when Sakai utilises some of the creepiest elements of Japanese mythology.  While some of the elements of the story are slightly predictable (Usagi has rocked up to save a lot of random villages over the years), the story has a great pace to it that sees Usagi attacked by dark forces he cannot overcome.  The various scenes where Usagi runs around the village chasing the darkness and the sound of a playing flute are extremely tense, and the sudden reveal of the story’s monster proves to be very thrilling.  I loved the great art that surrounded this part of the story, especially as Sakai makes great use of pure blackness to enhance the tension and threat of a scene, with Usagi often only illuminated by a small hand torch.  The final reveal of the monster and the reason for the haunting flute is pretty cool, and I liked the dark sense of honour and duty that drives even the evil and dead of this realm.  While parts of the story are wrapped up a little too neatly, this was still a brilliant entry which reaffirms my love for Sakai’s horror stories.

The next entry in Grey Shadows is the wholesome and enjoyable Momo-Usagi-Taro, which sees Usagi arrive at a large town.  However, he is almost immediately accosted by a group of orphan children who wrangle him into accompanying them to their orphanage, where he tells them an epic tale to keep them entertained.  This is a genuinely nice entry in this volume, which helps to break up the tension and serves as a gentle buffer between the darker stories in the volume.  While Sakai does take the time to do a little set up for the upcoming stories, most of Momo-Usagi-Taro is dedicated to Usagi’s story to the children, which is a retelling of the classic Momotarō folk story.  I always love it when Sakai tells traditional Japanese stories in his comic, especially as you get to see his artistic take on the legend (which usually results in the protagonist being altered to resemble Usagi), and it was great to see this classic tale brought to life in a new way.  Readers are in for a nice story here, and I loved the fun revelation at the end that the orphanage is the same one shown in Daisho, which is supported by the bounty hunter Stray Dog.

Usagi #26

Now we are getting to some of the main stories of Grey Shadows with The Hairpin Murders.  Set across two issues, The Hairpin Murders sees Usagi get involved in a murder mystery case in town when several prominent merchants are killed using a woman’s hairpin.  Teaming up with the brilliant detective, Inspector Ishida, Usagi helps with the investigation and is soon thrust into a long-hidden conspiracy that bind the victims together.  However, the closer they get to the truth the more resistance they encounter from Ishida’s superiors, forcing them to decide just how far they want to go to get justice.

This was an excellent and intriguing story that serves as one of the more impressive entries in this entire volume.  While still maintaining its comic style and focus, The Hairpin Murders reads just like a classic murder mystery story and sees the protagonist involved in a constricted investigation to find the truth.  Sakai sets up this mystery perfectly, and you are soon racing along to find out who is responsible and why.  There are a couple of great twists here, as well as some interesting connections to kabuki theatre, with the eventual reveal of the murderer and their motivations is handled really well.  The story ends on a pretty satisfying note, and it proves to be quite an intense and intriguing story.

Usagi #27

One of the best things about The Hairpin Murders is the introduction of new character Inspector Ishida, who serves as a supporting figure in the rest of Grey Shadow’s stories.  Based on real-life policeman Chang Apana (the inspiration for fictional detective Charlie Chan), Ishida is a hard-boiled police inspector who is tasked with investigating various crimes around his town, mostly murders.  Despite being restricted by feudal Japanese practices (he can’t do a proper investigation of a body), and the interference of his corrupt superiors, Ishida is a brilliant detective, able to solve complex crimes with the most basic of clues.  Ishida gets a great introduction in The Hairpin Murders, as not only do you see him investigating a tough case but you also learn more about his personality, dedication to justice and elements of his tragic past.  It is so fun to see him in action in this story, especially as he has that great fight scene that shows of his unconventional fighting style (which is surprising considering his small, hunched stature), as well as his excellent use of the cool jutte weapon (I love the jutte so much).  However, the real hint at just how complex and fascinating a character Ishida is occurs at the end of The Hairpin Murders when Ishida is presented with a massive dilemma of justice.  It is strongly implied that Ishida, who spends most of the story sticking to the rules, takes justice into his own hands, and I think it fits perfectly into his character arc, while also leaving some ambiguity about how far he went.  This really was one of the best character introductions of the entire Usagi Yojimbo series and it was so successful that Ishida would become a major recurring character in future volumes (such as Volume 32: Mysteries and Volume 33: The Hidden).

The other two-issue long story in Grey Shadows is the compelling and moving tale, The Courtesan.  In The Courtesan, Usagi runs into the scared young woman he has noticed multiple times in the last few stories and saves her from a group of masked attackers.  His actions lead to him gaining the attention of the town’s leading courtesan, the alluring Lady Maple, who begs Usagi to help save the life of her young son, who is the legitimate heir to the local lord.  However, dangerous forces within the lord’s court see Lady Maple kidnapped and her son in danger, with only Usagi able to help.

Usagi #28

This was another powerful story that really helps to make this volume stand out in terms of story building and character work.  The Courtesan is a particularly well-paced story that ties in well with the other entries of the Grey Shadow’s volume.  Sakai has come up with a pretty compelling narrative here, and the secret battle for control of the lord’s inheritance is played out with some awesome elements, such as a dive into the world of Japanese courtesans and including several great fight sequences.  The character of Lady Maple is particularly strong, as not only does Sakai make a lot of effort to highlight her elaborate beauty with his artwork, but he also shows the mother hidden underneath the fancy makeup and costume, one who is concerned solely for the welfare of her child.  This leads up to an epic and tense conclusion, as Usagi faces down all the conspirators, only for his victory to be marred by tragedy.  I loved the powerful ending this story contained, which, while sad, also ensures that several worthy characters get what they most wanted in life.  Easily one of the strongest tales in the entire volume, I always enjoy reading this impressive story.

The final entry in Grey Shadows is the fast-paced and action-packed single-issue story, Tameshigiri, which serves as an excellent conclusion to the entire volume.  Tameshigiri is another mystery story that sees Usagi assist Inspector Ishida to investigate some murders around town.  This time the two friends are looking into a series of random killings by mysterious masked samurai.  The attacks seem extremely random and lacking in motivation, but the two are soon drawn towards the acolytes of a failing sword testing school who may have a dark reason for dropping bodies around town.

Usagi #29

This was a pretty fun and cool final story for the volume, and it leaves an exciting end note for the reader.  Sakai pulls together a fantastic and compelling shorter story here that once again combines murder mystery elements with the traditional comic book action.  While the culprits of the murder are quite clear from the outset, it is pretty fun to see their plan unfold and the protagonist’s subsequent investigation into it.  The reasons behind the antagonists’ actions are pretty fascinating, and the author paints an outstanding picture of desperation and duty that drives them to kill.  I also quite liked the intriguing investigation into traditional sword testing, which ties into the story extremely well and proves to be a fascinating addition to Tameshigiri’s plot.  The entire story leads up to a massive action sequence that sees multiple participants on both sides engage in a deadly battle to the death.  Not only doe we get to see more of Inspector Ishida’s unique fighting style, but Usagi also shines in an awesome duel.  Throw in the amusing jokes about the events of the preceding story, where Ishida clearly knows Usagi is behind some of the mayhem, and you have a very entertaining entry that not only wraps up the Ishida-based storylines extremely well, but also ensures that the reader has some fun on the way out.

I must once again highlight Sakai’s brilliant artistic work in this cool volume, as Grey Shadows contains impressive examples of Sakai’s amazing style.  There are so many beautiful and intricately detailed drawings throughout this awesome volume, and I love how perfectly it enhances the already great storylines.  I particularly love the amount of detail that he throws into the various panel backgrounds, ensuring that the reader sees both the full breadth of Japan’s majestic natural landscape and the traditional feudal style buildings in the towns and villages Usagi visits.  Sakai also does incredible justice to the many battle sequences scattered throughout Grey Shadows, perfectly portraying the intricate deadly movements that make up the character’s sword play.  You always get an impressive sense of how the characters moved as they battled, and I deeply appreciated all the brilliant and brutal fight scenes.  This incredible artwork always pairs so perfectly with the written story, ensuring that this 13th volume was very spectacular and awesome to look at.

Usagi #30

As you can see, I had a lot of fun with Grey Shadows, and it proved to be another excellent entry in Stan Sakai’s Usagi Yojimbo series.  This 13th volume features several outstanding stories, which really dive into their unique protagonists and antagonists and show the full majesty of this version of feudal Japan.  Serving as a key entry in the overall series thanks to the introduction of a cool new character, Grey Shadows is a must read for all Usagi Yojimbo fans and it gets another five-star rating from me.

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City of the Dead by Jonathan Kellerman

City of the Dead Cover 2

Publisher: Century (Trade Paperback – 15 February 2022)

Series: Alex Delaware – Book 37

Length: 319 pages

My Rating: 4.5 out of 5 stars

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Prepare to dive back into the excellent world of Jonathan Kellerman’s Alex Delaware series with the latest fantastic entry, City of the Dead.

There are some awesome crime fiction authors out there now who have some brilliant long-running series, but one I have been particularly drawn to is bestselling author Jonathan Kellerman.  Kellerman, who debuted in 1985, is an impressive murder mystery author who is best known for his Alex Delaware books.  This fantastic series follows titular protagonist psychologist Alex Delaware as he helps his police detective best friend solve some of the strangest or disturbing murders throughout Los Angeles.  I started reading this book a few years ago and have had an excellent time with the last three entries, The Wedding Guest, The Museum of Desire and Serpentine, all of which had an impressive and clever murder mystery narratives.  As such, I made a real effort to grab City of the Dead when it came out as I knew I was going to have a great time with it.  City of the Dead is the 37th Alex Delaware book and features another twisty and powerful mystery.

On a dark LA early morning, a moving truck runs over a naked body on the street.  As the police investigate this tragic accident, they discover a blood trail, which leads them to a nearby house, where the body of a murdered female is found.  Finding many of the details of this case to be unusual, LAPD homicide lieutenant Milo Sturgis once again brings in his friend, psychologist Dr Alex Delaware, to consult.  While the identity of the naked male out on the street is unknown, Alex is shocked to discover that he knows the female victim from one of his custody cases.

The victim, Cordelia “Cordi” Gannett, was a fraudulent mental health practitioner who specialised in manipulating the vulnerable for her own advantage.  Concerned that her deceptive practices may have led to her death, Alex and Milo examine her past to try and discover who killed her.  But as they dig into her intriguing life, Alex and Milo quickly discover that their victim had a troubled past, filled with mistakes, betrayals and bad influences.  But the more they uncover, the more they begin to question everything they think they knew about this terrible murder.  Was Cordi the dangerous manipulator everyone believes, or was she something far more vulnerable?  And what role, if any, did the dead man on the street play in her death?  A dangerous and disturbed murderer lies behind this crime, and their reasons for killing will shock even the hardened team of Alex and Milo.

Kellerman has done it again, producing an excellent and compelling murder investigation that will quickly hook you and take you to some dark places.  I loved the brilliant narrative of City of the Dead, which combines a complex mystery with interesting characters and the author’s unique style and perspective.  The author sets the start the story perfectly, with a couple of bodies discovered in unique positions that immediately grabs the reader’s attention.  This interest is intensified once the connection between Delaware and the victim are established, which also reveals the victim’s scandalous past.  From there the story continues at a slower pace, with Alex and Milo carefully building their case and their profile of the victim through intriguing interactions with various people with connections to the victim and her past.  This helps to set the scene for the rest of the novel, and the reader gets to see how all the details of this case are collected and pulled together.  The plot picks up a notch about halfway through when certain interesting developments to key suspects occur, producing extra complexity to the case, although I question the use of a couple of outrageous figures around this point.  From there the story reaches its zenith, as the protagonists get closer to their answers and a big reveal comes to light.  I really liked the twist towards the end, although it did kind of come out of nowhere and relied a little too much on coincidence.  However, I was very impressed by how Kellerman set up the big reveal from the very beginning of the book, especially as it helped to soften the randomness factor of the sudden reveal.  The entire motivation behind the killings was pretty bonkers (in a good way), and I loved how dark the story got, as well as the intriguing connections to the protagonist’s psychology background.  While I did think the story ended a tad too abruptly after this reveal, this was still a great story and I honestly could not put this down once I started.

Kellerman has a great writing style which I think complemented this fantastic narrative perfectly.  There is a really unique feel to each of his novels, especially as the characters have a distinctive way of interacting and talking, which I feel is a little more natural, even if they sometimes go off on some odd tangents.  I definitely liked Kellerman’s sense of pacing, and he strings this story our extremely well, with the slower, investigative side of the narrative perfectly balanced with the more intense and powerful moments.  The author hits all the right notes when it came to timing and fun reveals, with every great scene or unique character receiving a great introduction that brings the reader in.  Like all of Kellerman’s Alex Delaware novels, I found City of the Dead to be extremely inclusive to new readers, and the reader does an excellent job of re-introducing the recurring characters, plot threads and dynamics.  City of the Dead can easily be read as a standalone novel, and people with no pre-knowledge of the series can jump in here without any problems.  I had a great time getting through this impressive story and I ended up powering through the last 200 pages in less than a day, especially after I got really invested in the outstanding mystery.

One of the main things that I love about the Alex Delaware novels is the grounded and realistic approach that Kellerman takes to investigating a murder.  The characters investigate each case, including the one in City of the Dead, with a very methodical style, assessing the facts and slowly building up the case one fact at a time.  There is a particular focus on interviews and research, with the characters talking to multiple people who might know something to gain insight into the victims or potential suspects, while also diving into their past anyway they can.  This, combined with other real-life details such as delayed lab results or overworked cops and technicians, makes for a much more accurate portrayal of a murder investigation.  I personally love this style of mystery solving, and it helps to give City of the Dead a much more unique feel than some other murder mysteries out there.  I will say that some of the jumps were a bit over-the-top in places, and certain key revelations are only gained due to coincidental interactions outside of the main investigation.  Still, this is a great crime fiction story and I have a lot of fun with how a typical Kellerman investigation unfolds.

The final thing I need to discuss are the great characters of City of Dead, especially the two protagonists, Alex Delaware and Milo Sturgis.  By this point at the series, Kellerman has established an excellent dynamic between these two characters, and the brilliant psychologist and the seasoned police detective play off each other perfectly.  You can really sense the close friendship they have, and their excellent and distinctive back-and-forth banter is very entertaining.  Pretty much any story involving this partnership really works, and I have a lot of fun with this great team.  I also was quite impressed with the unique character of Cordi, the main victim of the story.  While we never see the character when she’s alive, Kellerman does a deep dive into her past and personality throughout the course of the novel as the two protagonists attempt to find out everything about her.  While you initially form a negative opinion of Cordi (even though she’s a murder victim), Kellerman successfully builds some nuance around her as the investigation continues.  The resultant picture, of a neglected and damaged person who is determined to never be poor or mistreated again, is very moving, especially as it speaks to some of her notable character choices and mistakes.  This makes for a very striking and compelling figure, and it is fascinating how much you become invested in finding her killer.  The killer was also an interesting choice from Kellerman, and while I won’t reveal too much here, I liked how they connected into the narrative, and I had a lot of fun when their motivations were revealed.  An excellent group of characters who enhance a compelling and exciting narrative.

With this latest amazing novel, City of the Dead, Jonathan Kellerman continues to shine as one of the more interesting crime fiction authors currently writing.  This fantastic novel brilliantly continues the long-running Alex Delaware series and presents the reader with an entertaining and thought-provoking murder mystery narrative.  Filled with a great story, some excellent investigation elements and a fantastic cast, City of the Dead was an impressive and addictive read that comes highly recommended, especially to fans of the iconic Jonathan Kellerman.

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Throwback Thursday – X-Factor: Volume 1: The Longest Night

X-Factor - Volume 1 - The Longest Night

Publisher: Marvel Comics (Paperback – 7 March 2007)

Series: X-Factor (Vol. 3) – Volume One

Writer: Peter David

Pencils: Ryan Sook & Dennis Calero

Inks: Wade Von Grawbadger & Dennis Calero

Colour Art: Jose Villarrubia

Letters: Cory Petit

Length: 144 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday I look at the start of one of the best comic series I have ever had the pleasure of reading, with The Longest Night, the first volume in Peter David’s impressive and incredible X-Factor series.

X-Factor - Vol3 - 2 Cover

There are many awesome comic series that I have a great appreciation for, but to my mind one of the most entertaining, clever and captivating series I have ever had the pleasure of reading has to be the third major version of the X-Factor title that ran between 2005 and 2013.  This series span off the limited series, Madrox: Multiple Choice, with its entire run written by Peter David, with a rotating team of talented artists.  Also known as X-Factor (Vol.3) or X-Factor Investigations, this long-running series focused on a team of mutants who formed a detective agency after the events of House of M.  Calling themselves X-Factor Investigations and led by Jamie Madrox, the Multiple Man, this series followed the team as they investigated mutant related crimes, protected the area of New York formerly known as Mutant Town, and did general superheroics, often for a fee.  Despite its odd-sounding plot, this was an incredibly good series, and it is one of my all-time favourite comic series.  I have recently done a bit of a re-read of this series and thought that it would be a good time to talk about it on my blog, starting with this first volume, The Longest Night.

X-Factor is back, and this time they are in business for themselves as X-Factor Investigations, the weirdest and only mutant run private investigative agency in New York.  Led by Jamie Madrox (the Multiple Man), made up of the ragtag group of heroes including, Strong Guy, Wolfsbane, Siryn, Rictor and Monet, X-Factor investigates the cases no-one else will, especially if it helps current and former mutants.  However, X-Factor are about to find themselves investigating the most sinister case of their brief tenure, when a new client walks in the door, accompanied by the mysterious Layla Miller.  Following the breadcrumbs given to them by Layla, X-Factor begins looking into the rival organisation, Singularity Investigations, who have dire plans for the future of all mutant kind.  At the same time, X-Factor finds itself in the middle of the deteriorating conditions in Mutant Town, as they start their own investigation into what really depowered most of the mutant species.

As their investigations continue, X-Factor find themselves encountering crazy events and dire obstacles from all sides.  Forced to protect their client from being arrested for murder, as well as the deadly attentions of Singularity Investigations, X-Factor struggles to solve the case before it is too late.  However, their actions have awoken a dangerous enemy whose knowledge of time could prove disastrous.  Can X-Factor succeed and become the team the world needs, and what role will Layla Miller play in their future, especially as she actively attempts to hide the events of House of M and Decimation from her new friends?

X-Factor - Vol3 - 3 Cover

The Longest Night is a brilliant and intense comic volume that serves as the perfect introduction to this outstanding X-Factor series.  Containing issues #1-6 of X-Factor (Vol. 3), The Longest Night contains an incredible and epic story by Peter David that expertly introduces the new team and sets up many of their future adventures, perfectly accompanied by the excellent art of Ryan Sook and Dennis Calero.  This incredible comic will really start your fall towards X-Factor obsession.

To start this amazing series off, David has come up with an impressive narrative that not only introduces the team but also contains several clever mysteries and dangerous threats.  The Longest Night starts off in a very interesting way, with Madrox attempting to save the life of a suicidal Rictor, while other members of the team find themselves under attack from sinister forces.  The story quickly develops, with new player Layla Miller directing X-Factor Investigations towards the mysterious Singularity Investigations, while also implementing her own mysterious agenda.  This sets the X-Factor team down a dark path as they contend with the corrupt and deadly Singularity employees as well as other malicious threats that pop up.  I deeply enjoyed the main storyline, especially as the protagonists are forced to intervene in a murder case to prove that their client is innocent, despite dangerous interference from their competitors.  This leads to some dark consequences, as one of the team is attacked and then kidnapped in scenes that strongly remind you of a dark thriller.  The new villains of this early part of the series, Singularity Investigations and their management team the Tryps, prove to be pretty sinister, and I liked some of the unique storylines that are started up around them.  There are also some impressive and clever sequences that explore the aftermath of the Decimation, as well as the current mental states of the various team members, which is extremely powerful and deeply moving.

I loved the cool style that this comic had, especially as the creative team were trying to give it a classic noir detective vibe at times.  While some of the best themes from the X-Men comics are featured within this volume, such as prejudice, dual self-hatred and love of mutant abilities, and the fallout from the House of M limited series, this comic really stands on its own, and I loved the combination of mutant issues and crime fiction.  There is a certain dark edge to many of the storylines, with the character dealing with brutal murders and attempted killings.  While much of the focus is on the darker and more mature vibes, this comic also has a wicked sense of humour behind it which I deeply enjoyed.  All the characters are pretty fun, and there are some dark and clever jokes sprinkled throughout the story, especially when it comes to group clown Madrox and resident mystery girl Layla Miller.  This combination of superheroics, dark humour and crime fiction makes for quite an impressive read, and I always find myself getting really drawn into it.  Due to how many times I have read this series of the years I also really respect The Longest Night as a first entry in the overall X-Factor (Vol.3) series.  While all the best elements haven’t been introduced yet, this comic is still off to a brilliant start, and I loved all the hints and brief mentions of the events yet to come.  Multiple storylines are perfectly set up here, and there are some great references to upcoming events and some key moments from recent comics.  This proves to be an exciting and impressive first entry in this series, and I love how it spawns so many awesome moments in the future.

X-Factor - Vol3 - 4 Cover

One of the things that has always impressed me about this version of X-Factor is the excellent cast of characters featured.  The team is an intriguing combination of some of the more unique and enjoyable characters from the various X-Men comics.  The initial line-up featured in The Longest Night is a great example of this, as David has featured several previous X-Factor members alongside some interesting new choices.  There is a real mismatched feel to the characters, as not only are they angry and discontent, but there is some thinly veiled antagonism going on between them, despite them all being on the same team.  On top of that, they end up being some of the most damaged and complex figures you can expect to find in Marvel comics, as they are all dealing with unique personal issues.  This results in some major personality clashes and great internal struggles that really enhances the drama of the narrative and results in some brilliant storytelling.

The main character of this series is team leader Jamie Madrox, the Multiple Man.  Jamie is a very interesting figure in this series, due to the many divergent and tragic issues that result from his ability to create duplicates of himself.  Attempting to be a grounded and calm figure for the team, Jamie often finds himself undermined, not only by his time but also by his own dupes, which proves to be both entertaining and occasionally emotionally powerful.  A lot of these great elements are explored in The Longest Night, and you get a great sense of who the character is and his complex feelings, even if you haven’t read the lead-in limited series, Madrox: Multiple Choice.  Jamie cuts a great figure as a noir-inspired private detective leading a team of misfits, but in reality, he is scared and emotionally drained, even before the series starts.  Jamie ends up spending most of this comic battling his own inner demons and indecision, while also having difficulty controlling his team.  While in many ways Jamie is a tragic figure, he also serves as one of the main comic reliefs, and his smart-assed comments and dark jokes add a lot to the narrative, while barely hiding his struggles within.  I really liked how this comic spent significant time exploring Jamie’s power to create duplicates, as well as the many problems associated with it.  What makes this power very unique is the way that each of his dupes has their own personality, most of which are a manifestation of his own fears, internal struggles, inner dark side and more.  While this is often played for comedic effect, especially as his crazier dupes say some very random stuff, certain dupes show off a real mean side, such as one who pretends to be Zen, but is actually Jamie’s unpredictable side, his “X-Factor”.  This was an overall incredibly impressive introduction to Madrox, and it serves as a brilliant base to his various follow-on storylines that are such an impressive feature of the rest of this series.

X-Factor - Vol3 - 5 Cover

Aside from Madrox, the team is made up of former X-Factor members Julio Richter (Rictor), Guido Carosella (Strong Guy) and Rahne Sinclair (Wolfsbane), as well as X-Factor newcomers Theresa Cassidy (Siryn, daughter of Banshee) and Monet St. Croix (M from the Generation X comic).  I really liked this great blend of figures as it produces some awesome and entertaining team dynamics, such as having the arrogant party girl, Monet, getting into various disputes with the other characters.  All five of these characters have some interesting moments in this volume, such as Strong Guy and Wolfsbane’s interference against an anti-mutant riot, or Monet’s brief emotional breakdown after telepathically experiencing the murder of a young woman.  However, I the best moments of this volume probably occurred with Siryn and Rictor.  Siryn, who serves as a bit of a second-in-command, has several key storylines around her, and she ends up being the one most obsessed with the actions of Singularity Investigations.  The subsequent brutal attack and creepy hostage situation she suffers from is pretty horrifying, and the resultant mental and physical damage makes for some harrowing moments.  Rictor also has a great storyline in this series, as he is the only character on the team who lost their powers in the Decimation.  This leads him to some serious depression, especially as the first scene in the comic involves his attempted suicide, which is only just stopped by the rest of the team.  The author’s compelling and thought-provoking dive into Rictor’s feelings of loss and uncertainty is pretty heartbreaking, and I loved this complex look at the terrible impacts of the Decimation.  Despite his lack of powers, Rictor still serves as a great member of the team, and his involvement in saving Siryn from a terrible situation is extremely cool and very intense.

However, my favourite member of this new version of X-Factor had to be the young and mysterious Layla Miller.  Layla was first introduced as a unique character in House of M, as she could remember the real world and bring the memories back to the various heroes.  She reappears in this volume right in the first issue, walking into office, providing information and declaring herself a member of the team.  Despite the confusion of the other people on X-Factor and the fact that she’s a child, Miller manages to stick around on the team, mainly due to her uncanny insights into the future.  This results in some brilliant and hilarious moments, especially as she can manipulate everyone around her and change events to match what she wants.  Her sarcastic manner and funny reactions really help to enhance the humour of this entire comic, and I loved seeing her change future events in the most amusing ways.  The cloak of mystery and uncertainty that David brilliantly builds up around her is very impressive, and you have no idea the real reason why she is there or what she can do, with her only explanation to that being her favourite saying: “I’m Layla Miller, I know stuff.”  Despite this secrecy, the reader ends up getting some interesting reveals about her, such as her past in the orphanage, her secret mission to stop X-Factor finding out about House of M, and her tragic self-description as the Chaos Theory butterfly, which are pretty cool, even if they result in more questions than answers.  I really loved how dark the creative team made her at times, especially in that brilliant scene where she kills a Singularity Investigations assassin by simply taking screws out of a bath.  Her confession about her motivations to the assassin just before he gets killed is pretty heartbreaking as you can sense she’s revealing a deep secret that is eating her up.  The subsequent conversation as the assassin lies dying is just so damn dark that I love it, especially as she follows up the dying man’s question about who she is with another grim “I’m Layla Miller, I know stuff.”  Throw in that final scene where Rictor confronts Layla about her manipulations, only to completely miss her bringing a dead butterfly back to life, and you have such an impressive sequence of character moments.  I have so much love for this brilliant character, and while the rest of the team is good, Layla Miller is the real X-Factor of this series.

X-Factor - Vol3 - 6 Cover

The cool story and awesome characters are very well supported by the incredible artistic work of Ryan Sook, Dennis Calero and their team.  These great artists give The Longest Night a darker feel that fits into the noir-inspired narrative extremely well.  There are brilliant examples of shading and shadow throughout the comic, and you get a real sense of the dingy nature of the story and the depressed location of Mutant Town.  I deeply enjoyed the cool character designs featured throughout The Longest Night, especially as there is an interesting combination of new styles and classic looks from other X-Men comics.  You get a real sense of the dark emotions hiding within many of the different characters, especially around the various duplicates of Madrox, who run the gauntlet from depressed, to scared, to utterly insane.  However, I felt that the best artwork was utilised around Layla Miller, and perfectly helped to capture her true nature.  I particularly loved that brilliant scene where she killed the assassin in X-Factor headquarters, especially the final few panels.  Due to her machinations the power is out, resulting in her lighting the scene of the dying man with a torch.  The first appearance with her face completely black is just so fitting, especially given her death proclamation to the killer in the panel: ‘Your heart’ll give out in about five seconds.  Your mother will mourn you … but your wife won’t”.  The following two panels with her face in the light highlights her dark expression, followed by a perfectly set up final black panel that could either represent her turning the torch off or the death of the assassin.  I also loved all the panels focused on Layla in issue #6, especially it shows her at her most emotionally compromised as she tries to describe her various issues.  Throw in the reoccurring butterfly that is both dead and alive, and you have an excellent bit of art that emphasises just how complex this figure is.  The villains of this comic are also perfectly shown in this cool artwork, and I was especially impressed with how sinister and disturbed they made the crazy kidnapper in fifth issue.  I deeply enjoyed this and so many other aspects of the art in the volume, and I think it perfectly emphasised the darker nature of this incredibly cool comic.

Overall, The Longest Night was an incredible comic that I would strongly recommend.  The awesome team of Peter David, Ryan Sock, Dennis Calero and the other artists did a fantastic job combining exquisite storytelling with outstanding characters, darker themes and wonderful artwork.  Not only does it stand on its own as an excellent read, but it also works to introduce this superb run of X-Factor and its crime-fiction related storylines.  I have so much love for this series, and I will always appreciate the way in which The Longest Night sets everything up, especially its brilliant characters.  This first volume (and indeed every volume in this series) gets a full five-star rating from me and it comes very highly recommend to anyone wanting to find a unique and powerful comic series to get into.

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Unforgiven by Sarah Barrie

Unforgiven Cover

Publisher: HQ (Trade Paperback – 1 December 2021)

Series: Standalone/Book One

Length: 480 pages

My Rating: 5 out of 5 stars

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Talented Australian author Sarah Barrie presents one of the darkest and best Australian thriller novels of 2021 with Unforgiven, a powerful and captivating read that sets determined protagonists against the very worst of human monsters.

Years ago, the city of Sydney was haunted by a terrible paedophile and murderer known as the Spider, who kidnapped, molested and killed young girls, all on camera.  His reign of terror was ended suddenly one violent night thanks to two women, a determined rookie police officer, Rachael Langley, and one of the Spider’s young victims, Lexi Winter, who disappeared never to be seen again.

Now, after years of living on the street, Lexi has grown up tough and hard, determined to escape the tortures of her childhood through alcohol while trying to reconnect with the sister she was forced to leave behind.  However, Lexi is still obsessed with taking down monsters, and with her impressive hacking skills she spends her days tracking paedophiles, entrapping them, and ensuring they are captured by the police.  However, when her latest target proves to be particularly illusive online, she makes a fateful decision to break into his house, only to witness him being murdered.

At the same time, Rachael Langley is now a successful detective inspector, solving some of the toughest crimes in Sydney.  Still lauded for her role in stopping the Spider, Rachael lives in regret for being unable to save Lexi all those years before.  However, everything changes when a man calls her, claiming to be the real Spider and providing proof by horrifically murdering another child on camera.  Quickly establishing a police taskforce, Rachael and her team must determine if the killer is a copycat or whether Rachael captured the wrong man all those years ago.  To solve this case Rachael is going to need help from the last person who wants to see her, Lexi, but can these women work together after everything they have been through?  And what happens when their killer learns that Lexi is still alive and hunting for him?

This was an intense, grim and deeply compelling Australian crime fiction read from Barrie, who has written an amazing and powerful story that proves very hard to put down.  Unforgiven was the first of Barrie’s books that I have read, although several of her other Australian crime fiction novels are quite intriguing and I might try and read them at some point after being so captivated by this epic and moving read.  This was such an addictive novel that it gets a full five-star rating from me.

Barrie has come up with a very impressive and intense narrative for Unforgiven that sees several damaged characters dragged into the web of a dangerous and clever criminal.  The story has a great start that showcases the lives of the main protagonists, Lexi, Rachael and Rachael’s nephew and fellow police officer Finn, as well as giving some hints at the events of the original Spider case that so deeply impacted the female main characters.  After this quick set-up, the story advances in all its dark and powerful glory, as two fascinating plot lines develop.  Lexi, who has become an online vigilante hunting paedophiles on the dark web, finds herself caught up in a brutal murder when one of her targets is murdered by a mysterious figure while she is sneaking into his house.  Most of her early story involves her continued attempt to hunt paedophiles while also trying to find a way to hide the body of the murdered man, for which she gains some help from an interesting source.  At the same time, Rachael and Finn become involved in a brutal case when the man claiming to be the real Spider calls Rachael and leads them to murdered young girl, forcing them to once again dive into the unsettling world of paedophiles.

Both storylines advance at a quick and compelling pace, with each of the main protagonists facing massive challenges as they attempt to achieve their objectives.  I liked this initial separation of the storyline, and the two plotlines work well together in tandem, with the reader getting pretty caught up in both narrative threads.  At the same time, the author drip-feeds in bits and pieces of Lexi and Rachael’s pasts, especially the events that led up to the arrest of the Spider and the disappearance of Lexi.  This deepens the audiences’ connections to the two protagonists so that when their storylines inevitably connect it really enhances the impact of the scene.  Unforgiven shifts into high gear once these plotlines are joined, with all three protagonists working towards the same goals, although Lexi maintains her secrets.  Barrie starts throwing in some real curveballs here, providing a complex and intriguing case that throws the protagonists through the emotional wringer as they get closer to the big and powerful conclusion of the novel.  There are some great twists in the last half of the book and while I saw a couple of things coming, there were some fantastic surprises that really threw me.  This ends up being an outstanding and complex story, and the readers will be left wanting more, especially as Barrie leaves it open for a sequel, which I really hope she does.

While I deeply enjoyed the captivating and intense story contained within Unforgiven, this was a bit of a hard novel to read at times due to its very, very dark content.  Unforgiven focuses on the hunt for a murderous paedophile and his child exploiting friends, which inevitably leads to some depictions of the terrible acts they commit, not only to children in the current storyline, but to the protagonist Lexi back in her childhood.  Barrie really does not pull any punches here, and the book contains some very dark and grim moments that really stick in the mind.  These powerful and shocking scenes really raised the stakes of the book and ensured that the reader becomes extremely invested in seeing the protagonists achieve justice through their actions.  While I really appreciated that Barrie was trying to raise awareness and showcase just how evil some people can be, I will admit that some of these scenes did get to be a bit much at times, forcing me to stop and put the book down.  Readers are warned that Unforgiven has very strong themes of violence and abuse against children and young people.  However, if you can get past that, it is worth it, as Barrie does an excellent job telling this rough story about true human evil.

Unforgiven’s already brilliant and powerful narrative is enhanced by the impressively written and complex central characters contained within.  Barrie has gone out of her way to introduce several very damaged and compelling protagonists, each of whom add so much to the overall plot thanks to their excellent backstories and substantial development.  The most prominent and interesting of these characters are the two female leads of the book, Lexi Winter and Detective Inspector Rachael Langley, whose lives became irreparably entangled all those years ago.  These two characters serve as two of the three main point-of-view characters, with most of the story told from their perspectives.

Lexi was a great character, and I was deeply impressed with the amount of work that Barrie put into her complex and damaging past, as well as her distinctive current personality.  There were so many interesting aspects to Lexi, who immediately stands out as a protagonist thanks to her damaged personality, strong sense of deduction and observation, her badass ability with a computer and the fact that she is the only character whose chapters are told in the first person.  I loved the intriguing contradictions in her life as Lexi makes a living as an escort while devoting most of her personal life to being an online vigilante/hacker extraordinaire who specialises in taking paedophiles down.  This makes for such a distinctive character, especially once you figure in all the major impacts of her childhood that has left her such an emotional mess.  Barrie does a good job of slowly revealing all the horrors of her early life, and while some of the scenes are pretty brutal, it is amazing to see everything that the character has risen above to still be such a strong figure.  The reader swiftly gets attached to Lexi as a protagonist and it will be fascinating to see what happens to her next if Barrie decides to turn this into a series.

The other central character that I must talk about is Rachael, the veteran detective inspector whose career was built off the success of the Spider case.  Rachael is a great police protagonist, a confident, intelligent and strong figure who is able to keep most of her people in line and pursue a vigorous investigation.  However, Barrie builds in several great aspects to her character that really impact this protagonist throughout the course of Unforgiven.  Firstly, there is the guilt that Rachael still feels over her past with Lexi, especially as Rachael failed her in a way which is slowly revealed over the course of the book, especially once the two reunite and have an awkward relationship.  The other aspect is the doubt that slowly creeps into Rachael as the case proceeds, especially as the possibility that the original person convicted in the Spider case might be innocent.  This doubt, coupled with the guilt over the fact that she could be responsible for the latest deaths by not actually catching the real Spider, starts to impact her throughout the book and proves to be an intriguing motivator for some of her decisions.  These complex aspects really helped enhance the emotional power of Unforgiven and I really appreciated the intense storyline that Barrie wrote about people living in the past and accepting one’s mistakes.  I really enjoyed seeing both Lexi and Rachael in this novel, and they had some great storylines in this book.

Aside from Lexi and Rachael, there are several other great characters in Unforgiven I should mention.  The most prominent of these must be Detective Senior Sergeant Finn Carson, Rachael’s nephew and second-in-command of the investigation, who ends up being the third major point-of-view character.  Finn was an excellent male police character who serves as an interesting counterpoint to the two female protagonists.  While not as damaged as the other two, Finn has his own issues, and his viewpoint really added to the overall quality of the book.  I was also a big fan of Lexi’s neighbour Dawny, an eccentric older woman who assists Lexi in several matters, including disposing of a body (what are good neighbours for?).  Dawny was one of the funniest characters in the book and it was great to see the protagonists be completely baffled by her knowledge and ability to come up with effective solutions to problems while maintaining the batty old lady routine.  I quite liked the eventual reveal of who Dawny really was, as it fit in well with the other characters in the book, and it will be fun to see if Barrie brings her back at some point in the future.  Finally, I definitely need to highlight the villain of the book, the Spider, who is one of the most despicable fictional antagonists I have seen: a sordid child abuser and murderer who films their grisly crimes.  You quickly feel a lot of hate towards this character, even if you don’t know who they are for most of the story.  The eventual reveal and the various twists around them were quite clever and I had an amazing, if disturbing, time finding out who this monster was.  An overall exceptional character driven novel, you will quickly find yourself getting stuck following all these fascinating and compelling figures.

Unforgiven by Sarah Barrie is an outstanding and impressive read that takes the reader of a gritty and vicious ride.  Filled with a disturbing narrative and some brilliantly damaged central characters, Unforgiven is an utterly captivating read that is near impossible to put down or forget about.  Easily one of the best Australian thrillers of 2021, Unforgiven comes highly recommended and I am extremely excited to see what other incredible novels Barrie comes up with in the future.

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The Judge’s List by John Grisham

The Judge's List Cover

Publisher: Hodder & Stoughton (Trade Paperback – 19 October 2021)

Series: Standalone/The Whistler – Book Two

Length: 359 pages

My Rating: 5 out of 5 stars

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Those interested in a tense, complex and brilliant thriller should definitely check out the latest novel from legendary crime fiction author John Grisham, The Judge’s List.

Grisham is an exceedingly talented author who has been producing impressive and distinctive legal-based thrillers since his 1989 debut, A Time to Kill.  Grisham has since written over 40 novels, made up of mostly standalone reads with a couple of series thrown in, such as his Theodore Boone children’s thrillers.  Most of these books have been absolute hits, with several being turned into massive films or other adaptations such as The Firm, The Pelican Brief, The Rainmaker, and The Runaway Jury.  While I have enjoyed some of the movies that came out of his work, I haven’t actually ever read one of Grisham’s novels before.  So when I received a copy of Grisham’s latest book, The Judge’s List, I decided to check it out, not only to finally see how this author writes but because I really liked the sound of its awesome plot.

Throughout America’s long judicial history, no judge has ever been convicted or charged with murder, but that is about to change.  In Florida all criminal accusations against judges are handled by the Florida Board on Judicial Conduct, and their chief investigator is Lacy Stolz.  Still recovering from her ordeals during her last big case and forced to deal with the chronic underfunding affecting her agency, Lacy is strongly considering a new career path.  However, an intriguing new case may relight the fire within her when a mysterious woman contacts her, wishing to report a serious crime.

For years, Jeri Crosby has been hunting the man who murdered her father using every investigative trick and avenue she can find, while concealing her identity behind a series of elaborate aliases.  Jeri finally believes that she knows who killed her father, and her prime suspect is a sitting judge in Florida.  While this judge appears to be a dedicated legal professional, Jeri believes that he is the most dangerous form a serial killer capable of concealing his identity and using his vast legal and forensic knowledge to hide his tracks and keep his very existence secret from the police.

Determined to stop this killer no matter what, Jeri provides all her evidence to Lacy, who she believes can connect the pieces she cannot.  While initially reluctant to investigate a murder, even one potentially committed by a judge, Lacy is eventually dragged into the case by her own curiosity and sense of justice.  However, the suspected killer is no easy target; he is a compassionless psychopath capable of hunting down anyone who has ever wronged him and permanently ending them.  Now he has both Lacy and Jeri on his list of potential victims, and he is coming for both of them!

This was an amazing novel from Grisham which proves that I really should have read some of his stuff a long time ago.  The Judge’s List has a captivating and clever narrative that pits two determined women against a lethal and brilliant killer determined to survive no matter the costs.  Serving as a sequel to Grisham’s previous novel, The Whistler, The Judge’s List was an outstanding thrill ride that I had an incredible time reading.

I deeply enjoyed the amazing story of The Judge’s List as Grisham came up with an extremely clever and impressive thriller narrative.  The author starts things off extremely quickly, reintroducing the protagonist of The Whistler, Lacy Stoltz, and bringing her into contact with new character Jeri Crosby, who tells Lacy the story about the man who murdered her father.  Grisham drip feeds the details of who the killer is and what they have done to the reader, ensuring that they have just enough to whet their curiosity, without overloading them.  Thanks to the compelling and unique story that the clearly fearful Jeri tells, the readers are swiftly wrapped up in the plot, and this brilliant introduction ensures that they will come back for more.  The novel swiftly continues from here as Jeri reveals more details about the murderer she is stalking, setting him up as a real monster who is seemingly supernatural in his ability to avoid detection and destroy those hunting him.  As Lacy gets closer to starting the investigation, you start to get some scenes shown from the perspective of the killer, whose intense and chilling point of view serves as a grim counterpoint to that of the protagonists.  While Grisham initially keeps the identity of the killer hidden during his scenes to help cast doubt on Jeri’s story, you soon get a very good picture of who the killer is and why they are committing their crimes.

This proves to be an exceptional setup for when the killer become aware of the investigation and starts to take some drastic measures to eliminate their pursuers and fulfil their master plan.  I loved the impressive and clever cat-and-mouse game that soon develops as the killer attempts to stay one step ahead of the protagonists while also discovering who they are and how they can be eliminated.  There are some powerful and brutal moments in this second part of the book, and I honestly had a very hard time putting it down once I got concerned for the characters.  This second half of the book was just outstanding and it all leads up to an intriguing and surprising conclusion.  While I might have preferred a more legal-based ending, perhaps with some sort of trial, I appreciated the brilliant moves that the antagonist pulled and it was an overall satisfying and fantastic way to wrap this excellent story up.

I had a great time with the impressive writing style in this book and it has definitely made me want to check out more of Grisham’s work in the future.  The author tells a clever and sharp story, and there are some amazing twists and turns that I didn’t see coming.  I appreciated how the author revealed the identity of the killer quite early in the book and the rest of the narrative follows the protagonists’ attempts to prove it and then catch him, which was a refreshing change.  Thanks to the cool plot point of the killer being a well-respected genius judge, this proves to be a very complex and intense investigation, and you are honestly uncertain if the protagonists will succeed in their investigation.  I found the inclusion of a judicial conduct board to be an interesting investigative base for the narrative, and it was fascinating to see Grisham utilise his legal knowledge to make this organisation and the characters associated with it feel very realistic.  The author’s use of various perspectives worked well here, especially as you get some amazing shots from the antagonists’ point of view, and you really end up with a full and distinctive plot.  I can say with confidence that readers need no knowledge of any of Grisham’s previous books to enjoy The Judge’s List despite it being a sequel to The Whistler.  I deeply enjoyed the story this book contained and the way that Grisham told it, and it proved to be very addictive.

I also need to highlight the great characters contained within The Judge’s List, especially its two central protagonists, Lacy Stoltz and Jeri Crosby.  Lacy is the returning protagonist from The Whistler, and Grisham introduces some great storylines around her that impact how she investigates the case in this book.  Lacy is still traumatised and damaged after the murder attempt that occurred in the first book, which makes her reluctant to get involved with another dangerous case, especially with the increased profile her previous success has given her.  Lacy has also reached a bit of a mid-life crisis here as she is facing stagnation in both her career and her romantic life.  This becomes a major part of her character as the book progresses, and it was interesting to see her try and balance them with her role in the case.  I also liked the intriguing reluctant investigator angle that Grisham worked into this character, as Lacy isn’t convinced that she should be involved with a murder case.  However, her inherent curiosity and sense of justice keep dragging her back into the investigation despite her better judgement, and it makes for an intriguing story angle.  I had a great time getting to know Lacy in this book and I would love to see more of her in the future.

The other major protagonist is Jeri Crosby, who has been hunting the book’s killer for years.  The author does an amazing job with this character, and you soon get introduced to a dedicated woman deeply obsessed with finding the person who murdered her father.  I loved the great storylines written around Jeri, and it was amazing to see the various impacts of her obsession, including failed relationships and estrangements from family.  Despite her obsession, Jeri is a very collected and cautious person who has adapted to hunt the monster that killed her father.  For most of the book Jeri appears to be extremely paranoid, due to her belief that the killer can track down any pursuer and make them disappear, and I loved how Grisham justified her concerns.  Watching this character finally get to bask in the success of her lifelong venture is pretty cool, although I do question some of Jeri’s choices during the final stages of the case.  Still, this was a brilliant bit of character work here and I deeply enjoyed diving into the psyche of this obsessed character.

While I deeply enjoyed the protagonists of The Judge’s List, the true standout character must be its complex and dangerous antagonist who serves as a brilliant counterbalance to Lacy and Jeri.  Grisham has gone out of his way to produce a truly impressive and distinctive antagonist here, and I loved the concept of a murderous judge who uses their position and knowledge to get away with their crimes.  The author sets them up perfectly, first introducing the idea of the killer through Jeri’s eyes, and then fleshing them out in person with several excellent and thrilling chapters shown from their perspective.  From there, you find yourself caught in the mental web of an unrepentant killer, who acts on petty grudges for their own self-satisfaction.  You really get a sense of what this villain is capable as the book continues, and I found myself really starting to hate him, which is enraging as he manages to slip a lot of nets and proves to be near impossible to catch.  Grisham does a brilliant job diving into the head of this great antagonist, and the reader is given a powerful view into their motivations and history, ensuring that they know how and why he became a killer.  I really enjoyed following this excellent antagonist, and I thought that his character arc went perfectly, and it was fascinating to see the lengths they will go to win, no matter the personal cost.

Overall, The Judge’s List was an intense and impressive novel from John Grisham, which is making me really regret not checking out any of his books sooner.  This latest novel had a brilliant and powerful plot that takes the reader deep into the mind of a demented killer.  Filled with complex and compelling character moments and a thrilling and twist-filled narrative, I had an exceptional time reading The Judge’s List and it comes extremely highly recommended.  I will definitely be reading more books from Grisham in the future, and I cannot wait to see what other outstanding novels he has written.

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Kill Your Brother by Jack Heath

Kill Your Brother Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 November 2021)

Series: Standalone

Length: 339 pages

My Rating: 5 out of 5 stars

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One of Australia’s most brilliant and potentially psychotic crime fiction authors, Jack Heath, returns with a powerful and captivating thriller, Kill Your Brother, which was one of the best pieces of Australian fiction I read all year.

Would you kill your brother to save your own life?

That is the question that Elise Glyk is forced to ask herself after being placed in an impossible situation.  Elise, a disgraced athlete hated by the entire country, is a woman on a mission.  Her brother, Callum, a popular local teacher, has been missing for a month, and the police have been unable and unwilling to find him.  Determined to locate Callum, Elise’s investigation eventually leads her to a dilapidated local farm, where she is shocked to discover her brother being held prisoner in a modified septic tank.  However, before she can rescue him, Elise is captured and thrown into the same hole as her brother.

Their captor is heartbroken former sheep farmer Stephanie Hartnell, who believes that Callum is responsible for her daughter’s death and has been attempting to force him to confess to his supposed crimes.  However, Stephanie doesn’t have room for two prisoners, and while she doesn’t want to hurt the innocent Elise, she needs to make sure that she won’t immediately go to the police.  To that end, she offers Elise a deal: kill your brother and you’re free to go.

Not even considering the deal, Elise attempts to find another way to gain their freedom.  Trying to find a way to escape while also working to prove Callum’s innocence to Stephanie, Elise hopes that someone will eventually be able to find them before time runs out.  However, the more Elise digs into her brother’s story, the more inconsistencies she discovers.  What is her brother really hiding, and how will either sibling react when the truth comes out?

Kill Your Brother was an awesome and impressive novel that I powered through in a couple of days due to its incredible narrative and amazing twists.  This was a great standalone book from Jack Heath, an author from my home city of Canberra, who has written some fantastic thrillers over the years.  This includes his bestselling Timothy Blake series, the third book of which, Hideout, was one of my favourite pieces of Australian fiction in 2020Kill Your Brother was originally released as an Audible original audiobook, with the paperback version I read subsequently rewritten and adapted into a novel format.  I had an outstanding time reading this book, and it was an excellent and impressive Australian thriller.

This book has an incredible story that takes the reader on a powerful thrill ride that they cannot get off if they tried.  Told using several character perspectives, Kill Your Brother quickly launches into the book’s deadly and compelling scenario, with Elise, a universally hated woman, attempting to find her brother.  Her hunt, which has been going on for months, has been largely unsuccessful, and the evidence found at her brother house’s, combined with her own reputation, means that everyone in her life constantly brushes her off.  However, Elise’s perseverance pays off when she finds Callum being held in a septic tank in Stephanie Hartnell’s backyard.  Posing as a private investigator, Elise tries to reason with Stephanie while plotting an escape, but she is soon forced into the ultimate no-win situation when given the option to kill her brother.  From there, the story devolves even further, with several escape attempts and mounting danger from their captor, and the two siblings turning against each other as their situation gets more desperate.  As the story progresses, several viewpoints on the situation and the events leading up to it are presented.  As the protagonist attempts to survive you get an interesting view of what Callum is accused of, and the eventual reveal of the full picture really influences the rest of the narrative.  This all leads up to the gripping and deadly finale in which every secret comes out and no-one is left untouched by the revelations and accompanying violence.

I really cannot exaggerate how awesome this cool narrative is.  Heath has gone out of his way to make Kill Your Brother’s story as clever and thrilling as possible, and I loved every single second that I spent reading it.  This book is filled with some brilliant twists and reveals, and Heath does a wonderful job of setting each of them up and slowly revealing them as the book progresses.  I honestly did not see half the twists coming and I loved how several small and seemingly inconsequential details eventually come back with amazing significance towards the end.  Heath also perfectly utilises a series of flashbacks that examine Elise’s past, showing why she is so disliked, while also revealing several clues about her family and the circumstances that lead to her brother’s imprisonment.  This was a really good standalone read, and potential readers are guaranteed a satisfying ending after getting stuck into the unique mystery and scenario.  I deeply enjoyed how this novel flowed, and there were no obvious issues with this being an adaption of an audiobook novella.  The impressive combination of character history, twisty writing and fast-paced storytelling ensured that I was deeply addicted within a few pages of starting.

One of the things that I must highlight is the fantastic central protagonist, Elise.  Elise is a brilliantly complex and sympathetic figure due to her complicated and tragic past, which has led to her current ostracism from her community and the hatred of the entirety of Australia.  I really enjoyed the impressive and complex backstory that surrounds this interesting and unique protagonist, especially as Heath did a great job of gradually introducing the full character history as the book progressed.  The whole angle is perfectly portrayed, including her motivations and the distinctly unfortunate events surrounding her disgrace, as well as the predicted reaction of the ordinary Australian sports fans.  This compelling and damaging backstory gives her quite an interesting insight and set of emotions regarding the events around her, as well as some intense determination to survive no matter the odds.  This helps produce a really fascinating character driven narrative, and I deeply enjoyed seeing the captivating and emotionally rich development that surrounded this brilliant protagonist.

I also deeply appreciated the way that Heath captured the feel of small-town Australia in his writing.  Most of the story is set in the fictional town of Warrigal, which draws a lot of inspiration from the small rural settlements throughout Australia, such as Braidwood, where Heath apparently wrote a good portion of this novel.  I really think that Heath did an amazing job of portraying the attitudes and mindsets of people in these sorts of locations, and you get an impressive sense of the location.  Watching the protagonist attempt to deal with the challenges of being the biggest pariah in her small town is pretty fascinating, and it was also compelling to see some of the limitations of a police investigation in this location, especially when it comes to locating a missing teacher.  The impacts of growing up in such a location also become a major part of the protagonist’s backstory, especially as the pressures of succeeding and representing her family and town drive her to make some mistakes.  I also must highlight the tiny pit that the protagonist and her brother find themselves held captive in.  Heath ensures that the reader gets the full sense of claustrophobia and the feeling of being trapped as the book progresses, especially once the characters become weaker and start turning on each other.  This intense and claustrophobic setting really helps to amp up the tension, and you will feel very uncomfortable during the scenes set down there.  Finally, I had a lot of fun with the author’s occasional visits to Canberra throughout the book, mainly because it was interesting to see the author’s take on my home city.  Overall, these settings are perfectly portrayed and the reader gets a real sense of them, especially the small-town lifestyles.  These work in the narrative extremely well, and it was a lot of fun to see the various characters’ experiences and impressions of them.

Kill Your Brother was an exceptional read from Jack Heath, who is quickly becoming one of Australia’s most impressive thriller writers.  This brilliant, dark and exceedingly clever thriller takes the reader on an incredible ride, and I loved seeing all the unique and captivating twists and turns that Heath came up with.  Focused around an amazingly complex protagonist and making full use of the rural Australian landscape, Kill Your Brother’s story is just incredible, and I am still reeling about some of the twists it contains.  This is a highly recommended read that gets a well-deserved five-star rating from me.  I am extremely excited to see what Heath writes next.

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