Kill Your Boss by Jack Heath

Publisher: Allen & Unwin Australia (Trade Paperback – 4 November 2025)

Series: Kill Your Brother – Book Three

Length: 368 pages

My Rating: 4.75 out of 5 stars

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The most relatable new Australian crime book for all office drones is the awesome and addictive Kill Your Boss by the always impressive Jack Heath, an exceptional read that proves very hard to put down.

There are a lot of talented and entertaining Australian authors writing outstanding novels these days, but one of my favourites due to his consistently clever and entertaining reads is the wonderful Jack Heath.  Hailing from my home city of Canberra, Heath has been entertaining Australian readers for years with his interesting combination of complex works.  I am a massive fan of his amazing crime fiction novels, which includes his spectacularly over-the-top Hangman series (including Hideout and Headcase).

In recent years, some of Heath’s best work has been some amazing and twisted murder mysteries set in small-town Australia.  The series started with Kill Your Brother (one of my favourite Australian novels of 2021), a clever read that saw a damaged protagonist imprisoned and forced to choose between killing her guilty brother or dying alongside him.  I had an outstanding time with Kill Your Brother, and I eagerly dove into the loosely connected sequel, Kill Your Husbands.  Featuring two of the protagonists from Kill Your Brother as they get drawn into a devastating case involving a series of murders after some ill-advised partner-swapping.  I deeply enjoyed this fantastic sequel, and it ended up being one of my favourite Australian books of 2023.  Naturally I was very keen when I saw that Heath had a third book in this series coming out in late 2025 with the awesome title of Kill Your Boss.  I dove into Kill Your Boss as soon as I could, and it proved to be another great read with a very fun plot behind it.

Plot Synopsis:

What would it take to turn you into a killer?

Detective Sergeant Kiara Lui has just broken up a loud brawl between two blokes in front of the Warrigal Public Library. But just as she’s about to leave the scene, a man inexplicably plummets from the sky and slams into the bike rack right in front of her, dead.

Neville Adams was the head of library services, hated by staff, borrowers, or in fact anybody who had ever met him. Kiara quickly seals the building, trapping everyone who might have pushed him off the roof. She expects to have someone in custody within minutes.

Instead, the investigation becomes the most challenging and dangerous of her career as it spirals outward, ensnaring half the town. It seems that Neville was connected to the disappearance of Emmylou Chisholm – a case that Kiara could never solve, and that has haunted her ever since.

If the killer isn’t found fast, the first two victims won’t be the last . . .

Compelling, propulsive and darkly funny, this is a perfect follow-up to Jack Heath’s bestselling Kill Your Husbands.

Kill Your Boss was a particularly amazing novel from Jack Heath and one of the better pieces of Australian fiction I had the pleasure of reading in 2025.  Featuring an extremely compelling crime fiction narrative with some fantastic dark humour behind it, Kill Your Boss was extremely fun to get through, and I had a brilliant time with this latest twisted offering from Heath.

Heath cleverly builds around the fantastic and entertaining concept of a villainous and wildly disliked boss getting murdered.  Once again set in the small Australian town of Warrigal, Kill Your Boss has an instantly great opening with the victim, Neville Adams, plummeting to the ground from the library roof, right in front of main police protagonist Detective Sergeant Kiara Lui.  Kiara, who previously served as a supporting character in Kill Your Brother and the main investigator of Kill Your Husbands, quickly takes charge of the case, locking down the library and hoping to identify the killer amongst the people trapped inside.  However, Kiara soon hits a wall with her investigation when it becomes apparent that everyone in the library, especially Adams’s employees, hated him.  With multiple motives and no witnesses, Kiara starts diving into the crime, assisted by rookie cop Ben Higgens.

This first part of Kill Your Boss sets the story up nicely, and you are soon quite hooked on the case, especially as the novel breaks apart to follow either the police or one of the suspects.  Thanks to this split, you get a good insight into the compelling investigation, while also examining the combined motives of the potential suspects, each of whom are covering something up, including involvement in an alternate case that the protagonist is familiar with.  Heath keeps the story moving quickly and effectively, and there is some additional grim humour as it becomes apparent that multiple characters tried to kill Adams, but only one succeeded.  This perfectly leads up to the final third of Kill Your Boss, as all the various motives come to light, and the various suspects are whittled down thanks to some additional gruesome killings before the big conclusion.  I think that Heath set up this entire mystery extremely well, and the various red herrings ensured you were guessing right up to the end.

Heath once again manages to pull together a brilliant book that is somehow fun and twisted at the same time.  Featuring a series of murders that starts with a very relatable sentiment around bad bosses, Kill Your Boss effectively builds up a complex mystery that has a lot of fantastic layers to it.  This mystery is then well supported by the author’s great use of multiple different perspectives, especially as you get invested in all the complex suspects and their lives.  This tight and entertaining story hits hard while also presenting the reader with dark humour, especially when it comes to motives for murder, and the result is a particularly addictive book that you can’t turn away from.  Heath also successfully endeavours to make Kill Your Boss a particularly open book to all sorts of readers, from those looking for an amusing Australian mystery with a great small-town setting, to those readers already familiar with the author’s wicked humour and aptitude for murder.

While part of a larger series that started with Kill Your Brother, Kill Your Boss is primarily a standalone read, which I honestly think enhances the story, as the various new characters, as well as the existing protagonist, get a lot more prominence without tying the narrative down to previous events.  Detective Sergeant Kiara Lui once again works extremely well as the book’s primary investigator, and it was interesting to see her take more of a leading role in this novel.  While Kiara was an excellent primary protagonist, as well as a mentor to a new police character, it is the other larger-than-life supporting characters who make Kill Your Boss very impressive.  This includes a truly despicable murder victim whom you honestly don’t feel too sympathetic to, especially after the flashbacks.  This excellent use of a villainous victim adds some great complexity to the plot, especially when it’s revealed that multiple people tried to kill him simultaneously.  This victim is well matched by the various suspects, who serve as supporting perspective characters in the plot.  Without giving too much away, each of the suspects in this novel is very entertaining, and the range of complex interactions and grudges they held made for a very entertaining read.  I particularly enjoyed the final revelation about why the main killer committed the first murder, which fits the overall entertaining mood of Kill Your Boss perfectly, and was a perfect endcap on these outstanding characters.

Jack Heath continues to showcase why he is one of Australia’s most entertaining crime fiction authors.  Featuring a brilliant plot loaded with outrageous revelations and supporting characters, Kill Your Boss was a wonderfully addictive novel from start to finish.  Compelling, twisted and just so much fun, Kill Your Boss is a very impressive read, and it was easily one of the top Australian novels of 2025.

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Whisper in the Wind by Luke Arnold

Publisher: Orbit (Trade Paperback – 29 April 2025)

Series: Fetch Phillips – Book Four

Length: 381 pages

My Rating: 5 out of 5 stars

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Australian author Luke Arnold delivers another incredible fantasy hit with his deeply impressive fourth novel, Whisper in the Wind.

In recent years, one of my favourite fantasy series has been the underrated but always amazing Fetch Phillips Archive.  Written by Australian actor Luke Arnold, who has very successfully transferred to a whole new career, the Fetch Phillips series is a clever and memorable urban fantasy series with an amazing, if dark, twist to it.  Primarily set around the fantasy metropolis of Sunder City, the Fetch Phillips books showcase the aftermath of a worldwide catastrophe that destroyed all magic and permanently warped the various magical citizens of the city into disfigured mortal beings.  Following titular investigator and odd-job man Fetch Phillips, a human partially responsible for the disaster, the books see Fetch attempt to solve unique crimes in the ruined city, while also looking to bring back magic in the face of human technological progress.  All three previous books in the series have been very impressive, including The Last Smile in Sunder City (one of my favourite debuts and Australian novels of 2020), Dead Man in a Ditch and One Foot in the Fade (one of my favourite Australian novels of 2022).  I have been eagerly awaiting this fourth book for a while, and Whisper in the Wind really did not disappoint.

Plot Synopsis

The fourth instalment of Luke Arnold’s Fetch Phillips series, Whisper in the Wind, takes readers to a very different Sunder City. One where government corruption is rampant and tensions are rising.

Fetch is done being a hero. Once a detective, all he wants now is to run his cafe in peace. Sunder City is still recovering from the sudden and violent end of magic, and if one man can’t solve all its problems, he can at least stop some people going hungry. But when a kid on the run shelters in Fetch’s cafe, and a chain of gruesome murders begins among Sunder’s high and mighty, trouble is brought to Fetch’s door.

There’s a word whispered on the wind, and that word is revolution…

Whisper in the Wind was another exceptional novel from Luke Arnold, who is very clearly getting better as an author with each new book he writes.  Bringing his damaged protagonist back into action, Whisper in the Wind was another extremely clever and impressive fantasy crime novel that makes full use of the author’s exceptional imagination and world-building.

I really enjoyed the new story that Arnold came up with for Whisper in the Wind, which, thanks to its great combination of a complex mystery, compelling characters and some ongoing storylines about changes to a former magical land, is probably the author’s best work yet.  Arnold starts the story off very effectively by showcasing returning protagonist Fetch Phillips as a changed man, no longer obsessed with trying to return the magic he helped destroy.  Managing his friend’s café in peace, Fetch is dragged back into the chaotic life when one of the city’s police officers is murdered after talking to him.  Initially trying to stay out of it, Fetch is blackmailed into investigating some additional killings plaguing the city, seemingly caused by acts of magic.

Arnold sets up this early part of the story extremely well, and you are once again dragged into Fetch’s often unsuccessful attempts to make his city a better place.  Things get very intense as the story continues, especially as it becomes apparent that the murderer has started targeting the city’s elite who are responsible for handing effective control of Sunder City over to a ruthless corporation that Fetch has long opposed.  Caught between various big players, Fetch tries to find the killer and uncover the latest corruption besetting his city from those in charge.  There is a great mixture of compelling investigation which dives into some outstanding character arcs and some fantastic action as the protagonist gets closer to his goal.  Arnold throws in some amazing and powerful twists as the reader gets towards the end of Whisper in the Wind, and the dark revelations play into the author’s long-term storytelling extremely well.  I loved the complex revelation about who the killer was and why they were doing their crime, as well as final big moments of the plot as Fetch shows the reader what kind of hero he really is.  Ending the book on a fantastic cliffhanger that brings back some interesting moments from the very first book, the entirety of Whisper in the Wind’s narrative was extremely awesome, and I honestly could not get enough of it.

As I have mentioned above, Luke Anrold has really gotten better as an author since starting the Fetch Phillips series, and I think that Whisper in the Wind showcased how good an author he really is.  Perfectly continuing the series from the turbulent conclusion of One Foot in the Fade, Arnold once again paints a compelling picture around a despondent former hero who is only now finding his way again.  This book’s mystery is probably one of Arnold’s best, as he presents an excellent conspiracy laden plot that presents as much tragedy as possible.  The author also once again expertly utilises his chaotic setting to really enhance his narrative, forcing the protagonist to deal with his past mistakes as well as the pliable nature of people.  A lot of the story revolves around a focus on how the wealthy and powerful manipulate the working classes through lies, fear and promises of safety and comfort, which has a certain real-world resonance to it, especially after the last year.  Arnold handled these elements extremely well, especially as it provided extra despair to his already damaged protagonist in a particularly relatable way.  The result is a particularly powerful read, that provides an exceptional balance of mystery, character growth, and a focus on the author’s unique fantasy elements.

While Whisper in the Wind would likely work well as a standalone novel for new readers, especially as Arnold is able to provide useful in-text recaps of the relevant prior books, this book is probably best read by those who have enjoyed the previous Fetch Phillips novels.  The author brings back a lot of ongoing storylines from these books, especially those involving the human corporate takeover and modernisation of a formerly magical city, which is quite fascinating.  In addition, reading the other Fetch Phillips books allows readers to get a lot more emotional impact from Whisper in the Wind, especially as you get some much better insights into the protagonist’s growth as well as his ongoing trauma and despair.  I personally also loved seeing more of the world that the Fetch Phillips books are set in, especially the changes around the main setting of Sunder City.  It has been fascinating to watch Arnold’s continued world-building since the first book, and he has turned this setting into some unique and distinctive.  I honestly cannot wait to see what changes come to this world next, and Arnold has some interesting avenues when it comes to continuing his current storylines.

A lot of Whisper in the Wind’s strength, and indeed that of the whole series, lies in the excellent portrayal of the titular protagonist Fetch Phillips.  Arnold has done an exceptional job turning Fetch into a highly tragic and repentant figure who was manipulated into betraying the magical races and taking away their power.  Fetch’s growth from the first book has been very impressive, especially as he spent much of that time trying to undo the damage he did, before he was worn down by hopelessness and the machinations of the powerful who like the new status quo.  This new book sees a somewhat healed Fetch who has managed to find a more peaceful life and has become an impromptu mentor to several younger characters.  However, the spectre of his past and his frustrations with the world around him keep coming back to haunt him, and he finds himself in the fight again, although this time in a more thoughtful and less emotional way.  I enjoyed the compelling and understandable changes to Fetch’s personality in this novel, playing off his prior failures extremely well, and his genuine attempts to stay out of trouble this time allowed for a refreshing change in narrative focus.  Despite his best efforts, Fetch once again has his life unravelled, and his attempts at being a hero backfire on him again.  Still, there was some genuine growth here, and I really appreciate the compelling way Arnold explores and enhances this great protagonist as the series continues.  Throw in an excellent collection of supporting characters, as well as some wonderfully despicable corporate adversaries, and the cast of this book was extremely awesome, and added a lot to both the story, and the emotional impacts of Whisper in the Wind.

Luke Arnold continues to impress as one of Australia’s more captivating current authors of fantasy fiction.  His fourth Fetch Phillips novel, Whisper in the Wind, was so damn good, and I honestly could not get enough of his elaborate and addictive plot, loaded with clever mystery and complex characters, all set in a unique fantasy world.  I must give Whisper in the Wind a full five-star review, and this ended up being one of my favourite books of 2025.  A highly recommended read, if you are a fantasy fan and you haven’t tried the Fetch Phillips series yet, you are missing out.

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Broke Road by Matthew Spencer

Publisher: Allen & Unwin (Trade Paperback – 1 July 2025)

Series: Rose Riley – Book Two

Length: 389 pages

My Rating: 5 out of 5 stars

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Australian author Matthew Spencer presented one of the best Australian crime fiction reads of 2025 with his outstanding and deeply impressive sequel novel, Broke Road.

Back in 2022, I had the great pleasure of reading the fantastic debut novel of Australian journalist turned author Matthew Spencer, Black River.  Featuring a compelling crime fiction narrative about a mysterious series of deaths around the Sydney river system, Black River was a wonderful novel that ended up being one of my favourite debuts of 2022.  I had a lot of fun with Spencer’s first book, and I was very curious when I saw that he had a sequel coming out this year, Broke Road.  I made sure to grab a copy as soon as I could, and I ended up being blown away by how good this sequel was.

Plot Synopsis:

A late-night phone call is never good news for Homicide Detective Sergeant Rose Riley. This time she’s being sent up to the Hunter Valley, where a woman has been found dead in her home.

Rose grew up further along the valley. She knows that for every vineyard and golf course resort visited by tourists to the ‘wine country’ there are as many dilapidated fibro houses and drug dens, in the shadow of one of the state’s largest prisons.

A media hound points the finger at the husband, angering Rose but capturing the attention of journalist turned true crime author Adam Bowman. His book on the ‘Blue Moon Killer’ made him famous but the case nearly cost Rose her life, and she’s not sure how she feels about seeing him again.

Suspects abound, from the grieving husband to sinister business interests and suspicious locals. But when new evidence connects the crime to an old case, Rose realises they have no time to lose. The murderer is ready to strike again.

Broke Road was an amazing new novel from Matthew Spencer, who really impresses with this second outing, producing a complex and gritty Australian crime fiction narrative that really draws you in.  Intense, clever and featuring some likeable characters, Broke Road ended up being an incredible sequel to the author’s first book, and it was one that I deeply enjoyed.

Spencer made some very interesting narrative choices that worked extremely well to tell an elaborate and deeply personal crime fiction story.  Set after the climatic events of Black River, the novel initially follows main protagonist, Detective Sergeant Rose Bailey, as she travels to investigate a brutal murder of a married woman with connections to a successful local winery.  Transferring this book from the urban streets of Sydney to the iconic Hunter Valley in rural New South Wales, Spencer provides a whole new feel to this sequel, which allows Broke Road to do its own thing.  Initially set up as a typical small-town Australian murder mystery, with Rose investigating first the victim’s husband and other members of the nearby town, things take an interesting twist when Black River’s other protagonist, reporter Adam Bowman, arrives in town to investigate the case.

What follows is a complex and deeply captivating mixture of story elements as the protagonists are forced to deal with their complicated feelings towards each other.  Simultaneously exploring the traumatic aftermath of the events of Black River while also seeing both main characters investigate the case in their own way, the plot of Broke Road becomes extremely addictive.  A lot of this is due to how the author expertly raises the stakes as the plot continues, with the several related murders across the country coming to light, hinting at a deadly and notably chilling predator stalking the Hunter Valley.  I really appreciated how the book’s story threads came together, and Spencer throws in various alternative motives, clever red herring and some great personal interactions in the lead-up to the conclusion.  The eventual big reveal in Broke Road’s finale was extremely well handled, with an exciting confrontation well mixed with all the author’s clever clues coming together.  Spencer ends everything on a great personal note, which ties everything up quite nicely and resulted in particularly outstanding narrative.

I felt that Broke Road was an outstanding novel in many ways, especially as it worked well as both a complex standalone crime novel and as a sequel to Spencer’s first book.  While any new reader can easily jump into Broke Road, Spencer works the fallout of Black River’s plot into both the plot and the protagonist’s character arcs, with both main characters still dealing with their trauma and leftover feelings.  This allows for a much more emotionally rich narrative, especially when tied into other character elements, such as Rose’s past connections to the area surrounding the murder scene.  Spencer cleverly chose to focus more on Rose in this sequel, allowing her to develop more as a character after spending much of the first book in Adam’s shadow.

Spencer also provides a very compelling change of scenery from his previous novel, taking the protagonists and readers into a much more rural setting.  Australia’s iconic Hunter Valley worked perfectly as a background to Spencer’s complex mystery, and the beautiful landscape, as well as its interesting mixture of inhabitants, added a lot to Broke Road’s impact and distinctive feel.  I also personally felt that Spencer provided a much more well-written novel with this sequel, which showcases his growth from the first book.  While the author does maintain his series’ grim tone, especially when it comes to the very disturbing killer, the story in this sequel was a lot sharper and the character arcs managed to hit a little harder.  I also think that the author brought all the story elements together a bit more concisely in the finale, allowing for a much more enjoyable journey to the end of the book.  All this really highlighted Spencer’s great development as a writer, and it will be interesting to see how he continues to improve going forward.

With some outstanding writing, clever storytelling and many grim murders, Broke Road was an exceptional book from Matthew Spencer, who really showcased his writing ability with this book.  An amazing sequel that also stands on its own feet, Broke Road is guaranteed to hook you early, and it was easily one of the best Australian crime fiction novels of 2025.

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Waiting on Wednesday – Redbelly Crossing by Candice Fox

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday post, I check out an outstanding upcoming Australian crime fiction read with Redbelly Crossing by the always awesome Candice Fox.

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I’m always down for an epic crime fiction read from a talented local author, and few Australian authors have been as consistently impressive with their thrillers and murder mysteries then Candice Fox.  Currently one of Australia’s top authors of the genre, Fox has been on a roll in recent years, providing a range of excellent novels, from complex American thrillers like The Chase, Devil’s Kitchen and Fire With Fire, to unique Australian outback thrillers such as High Wire.  She has also continued her exciting partnership with the legendary James Patterson, with some recent releases including 2 Sisters Detective Agency, 2 Sisters Murder Investigations and The Murder Inn.  All these books have been a ton of fun to get through, and I always make sure to keep an eye out for anything new from Fox, especially as it’s likely to be a guaranteed hit.

For 2026 it looks like Fox will be returning to Australian outback thriller fiction, with Redbelly Crossing, an intriguing, character-focused novel with a lot of interesting potential behind it.  Set for release in late March 2026, Redbelly Crossing will follow two estranged cop brothers who are assigned to the same murder case in small-town, outback Australia.  Fox looks set to combine a compelling mystery with some intense character moments, as these two damaged police protagonists are forced to work together.  I cannot wait to see what dark family secrets and historical wounds are reopened as the story continues, and it should provide a particularly dramatic backdrop to an intriguing outback mystery.  Combine that with Fox’s exciting and fast-paced writing style and Redbelly Crossing looks set to be a particularly awesome piece of Australian fiction coming out in early 2026, and it’s one I cannot wait to check out.

Plot Synopsis:

Blood is thicker than water. But too much leaves a trail . . .

Russell and Evan Powder are cops.

The brothers haven’t spoken for five years, since a violent confrontation tore their family apart.

Now they are both assigned to the murder of a young journalist, Chloe Lutz, in the small town of Redbelly Crossing (population 205).

It’s the last thing Russell wants. This is supposed to be the week he repairs things with his teenage daughter Bridie. Now he’s had to drag her on a murderous ride-along to the middle of snake-infested nowhere.

But a big case like this is just what Evan needs after a terrible mistake nearly tanked his career.

Then a dark discovery leaves Evan with only one way out; to bury the truth Russell is so determined to uncover …

Waiting on Wednesday – Ironwood by Michael Connelly

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I highlight the outstanding upcoming novel Ironwood by the master of crime fiction, Michael Connelly.

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Michael Connelly is an author who needs very introduction on this blog, especially with the impressive array of awesome crime fiction novels he has released over the years.  I have had so much fun reading and reviewing several of his most recent books ever since I started the Unseen Library, including his latest novel, The Proving Ground, which recently appeared on my favourite books of 2025 list.  As such, all of Connelly’s new books are instantly at the top of my to-read lists, and this includes his next intriguing novel, Ironwood.

Set for release in May 2026, Ironwood is the sequel to Connelly’s other 2025 novel, Nightshade, and will once again follow the author’s newest protagonist, Detective Sergeant Stilwell of the Los Angeles County Sheriff’s department, a stubborn and dedicated detective banished to Catalina Island.  This novel will once again see Stilwell in trouble, as he attempts to find out who targeted his men in a deadly firefight, while also crossing paths with another Connelly protagonist.

Plot Synopsis:

Sworn to protect a scenic island that is meant to be far from the evils of the mainland, Detective Sergeant Stilwell can feel danger closing in.

Detective Sergeant Stilwell knows that his posting on Catalina Island is no paradise, but to most residents it seems blissfully separated – by twenty-two miles of ocean – from the troubles of Los Angeles County. But now a threat is coming to his safe haven.

Acting on a tip from a confidential informant, Stilwell and his deputies watch a plane land in the middle of the night at the Airport in the Sky, a remote airstrip in the mountains. A duffel bag of drugs is dropped and the deputies move in, but things quickly go sideways. While Stilwell chases the fleeing pickup man into the mountainside brush, shots are fired on the runway and the plane flies off.

An internal inquiry follows, putting Stilwell on the bench until he is cleared of responsibility for the disastrous operation. But he is determined to find out who brought deadly violence to his island and begins his own secret investigation into the drug deal gone wrong.

While under orders to remain in the sheriff’s substation, he finds in the lost and found a valuable backpack that was never claimed. He traces it to a woman who disappeared while hiking on the island four years ago. But then why was the pack only turned in two months back? Now thoroughly intrigued, he follows the mystery all the way to the LAPD’s Open-Unsolved Unit and Detective Renée Ballard.

Stilwell and Ballard work the case from both sides of the channel, and soon realize they are on the trail of a criminal who revels in taunting the authorities. Meanwhile, frustrated at being shut out of an investigation on his own island, Stilwell risks his already shaky standing in the department to pursue a case whose reach is wider than he ever imagined.

Ironwood sounds like another awesome novel from Connelly, especially as he expands on story elements from Nightshade.  Once again utilising the unique Catalina Island as an interesting background setting, Ironwood will continue to see the banished protagonist try to uncover a deadly crime on his supposed island paradise.  Once again sideline by his superiors, the main case of Ironwood sounds extremely awesome, and I’m curious to see how it will follow-up on some of the excellent storylines from the previous book.  This will no doubt be an outstanding center to Ironwood’s exciting narrative, and I cannot wait to see how this main case unfolds.

While the focus on the failed drug arrest and shootout should be awesome on its own, Connelly will further expand the narrative of Ironwood by teaming up Stilwell with another one of his protagonists, Detective Renée Ballard.  Ballard has been one of Connelly’s main police/LAPD protagonists in recent years (having appeared in books like Dark Sacred Night, The Night Fire, The Dark Hours and Desert Star), with Connelly clearly setting her up as one of the replacements for the aging Harry Bosch.  As such, it isn’t too surprising that Stilwell’s first crossover will be with Ballard, especially as both characters are outsiders amongst their respective organisations.  As such, I’m very curious to see the two of them work together in this new novel, especially as it will likely annoy both of their superiors.  It is going to be very interesting to see how the Detective Stilwell series is incorporated into Connelly’s larger crime fiction universe, and it should result in a complex new novel from this great author.

Based on how exceptional all of Connelly’s most recent books have been, Ironwood is automatically at the top of my to-read list for 2026, and it is probably one of the crime fiction books I’m most excited to get my hands on.  I had such an outstanding time with Nightshade last year, and I cannot wait to see how Connelly continues to utilise his new protagonist in this cool upcoming sequel.  I have very high hopes for Ironwood, and I have no doubt it is going to be epic.

Waiting on Wednesday – Dark Sanctuary by Sarah Barrie

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I check out an outstanding upcoming piece of Australian crime fiction with the intriguing thriller Dark Sanctuary by Sarah Barrie.

Over the past through years, one of my favourite Australian authors has been the impressive Sarah Barrie.  An author of excellent and compelling crime fiction with some truly dark twists to them, Barrie successfully enthralled me through her Lexi Winter series.  An excellent series, the Lexi Winter books followed a former vigilante hacker turned police officer as she attempts to bring down the worst criminals in Sydney, including the leader of a murderous paedophile ring who has a sinister connection to her.  This great series started with the amazing read, Unforgiven (one of my favourite Australian books of 2021), and continued with the excellent follow-ups Retribution (one of my favourite Australian books of 2022), Vendetta (one of my favourite Australian books of 2023), and Endgame one of my favourite Australian books of 2024).  All four books were quite exceptional, and it has made me very curious to see what sort of intense novel Barrie would write next.

Well, it looks like I’ll once again be able to enjoy the powerful and exciting writing of Barrie soon, as she has a new novel coming out in April 2026.  This new novel, Dark Sanctuary, looks set to be a particularly compelling read, as Barrie will balance several complex and dark character arcs as part of an intriguing crime fiction read.  I’m very curious to see how this awesome piece of Australian crime fiction comes together, especially as the awesome combination of storylines below has so much potential.  I have no doubt that Dark Sanctuary is going to be a particularly gripping read, and it is one of the Australian books I am most keen to read in 2026.

Plot Synopsis:

A mother’s worst fear, a killer on the loose, a darkness visible… A gripping page-turner for readers of Candice Fox and Karen Slaughter from an award-winning author.

Sergeant ‘Hex’ Rexford is the detective who caught the infamous serial killer Dr. Witcherton. Now, with a series of gruesome murders unfolding inside Coast Sanctuary – a hospital for the criminally insane – Witcherton claims to know who’s behind them. Hex takes the case, determined to uncover the truth, even as his own body is failing him.

Beth Thompson is desperate to keep her children safe. Her violent ex is stalking her, her son’s behaviour is growing strange, and his beloved teddy bear, Theo, might be more than just a toy. When an elderly woman offers Beth a remote cottage, it feels like a chance to breathe – but safety is an illusion.

Meanwhile, true crime podcasters Eve and Zane are chasing the story of the murders. But as Eve edges closer to the truth, the danger closes in.

As past and present collide, and the body count rises, the threads connecting them all begin to tighten – and something terrifying is watching from the dark.

Never Flinch by Stephen King

Publisher: Hodder & Stoughton/Simon & Schuster Audio (Audiobook – 5 September 2023)

Series: Holly Gibney – Book Two

Length: 14 hours and 44 minutes

My Rating: 5 out of 5 stars

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Legendary author Stephen King continues to dominate the horror and crime fiction genres with his brilliant 2025 release, Never Flinch, a gripping and intense thriller that brings back one of his more unique protagonists and keeps the reader constantly on the edge of their seat.

Ever since I started reviewing a wider range of fiction on my blog, I have been really drawn to the works of iconic author Stephen King.  King is a truly impressive author who has impacted so many levels of world fiction with his brilliant imagination, and I have had such an epic time getting through some of his latest novels.  Highlights for me so far include the fun coming-of-age story Later, the clever fantasy novel Fairy Tale, the gripping and personal thriller Billy Summers (one of my favourite books of 2021), and the impressive short story collection You Like It Darker (one of my favourite books of 2024), just to name a few.

While I have loved some of these impressive and varied reads, some of my favourite recent Stephen King books have been those where King dives into the crime fiction genre, producing some complex and particularly powerful narrative, especially when his mysteries border on horror stories.  The author’s current dive into the crime fiction genre mostly originated with his 2014 novel, Mr Mercedes.  The first book in the author’s Bill Hodges series, Mr Mercedes was a fantastic read that saw a gritty detective attempt to stop a deranged killer haunting his town.  While the Bill Hodges books featured several compelling characters, a true standout was unusual new protagonist, Holly Gibney.  An initially timid and unsocial figure, Holly grew into a competent detective as the Bill Hodges books continued and was a true standout for this clever trilogy.

King enjoyed Gibney so much as a character that she was eventually brought back for several additional books.  This included the horror thriller The Outsider (one of my favourite horror novels), where Holly is brought in halfway through the book’s plot to investigate a murder conclusively proven to be committed by a man with a perfect alibi.  The Outsider was an exceptional read, and King soon upgraded Holly to a sole protagonist with his 2023 novel Holly.  Featuring a particularly powerful and deeply shocking story, Holly saw the protagonist take on an unlikely pair of killers with a shocking motivation for committing their crimes.  Holly ended up being one of my favourite books and audiobooks of 2023, and I am still very impressed with where that dark story went.  As such, I have been very keen to read more books from Stephen King since then, and I was particularly thrilled when I found out that the author’s 2025 release was another Holly Gibney novel.  This sequel, Never Flinch, was one of my most anticipated novels of 2025, and I have been meaning to write a review about it for a while now.

Plot Synopsis:

From master storyteller Stephen King comes an extraordinary new novel with intertwining storylines—one about a killer on a diabolical revenge mission, and another about a vigilante targeting a feminist celebrity speaker—featuring the beloved Holly Gibney and a dynamic new cast of characters.

When the Buckeye City Police Department receives a disturbing letter from a person threatening to “kill thirteen innocents and one guilty” in “an act of atonement for the needless death of an innocent man,” Detective Izzy Jaynes has no idea what to think. Are fourteen citizens about to be slaughtered in an unhinged act of retribution? As the investigation unfolds, Izzy realizes that the letter writer is deadly serious, and she turns to her friend Holly Gibney for help.

Meanwhile, controversial and outspoken women’s rights activist Kate McKay is embarking on a multi-state lecture tour, drawing packed venues of both fans and detractors. Someone who vehemently opposes Kate’s message of female empowerment is targeting her and disrupting her events. At first, no one is hurt, but the stalker is growing bolder, and Holly is hired to be Kate’s bodyguard—a challenging task with a headstrong employer and a determined adversary driven by wrath and his belief in his own righteousness.

Featuring a riveting cast of characters both old and new, including world-famous gospel singer Sista Bessie and an unforgettable villain addicted to murder, these twinned narratives converge in a chilling and spectacular conclusion—a feat of storytelling only Stephen King could pull off.

Thrilling, wildly fun, and outrageously engrossing, Never Flinch is one of King’s richest and most propulsive novels.

Honestly, how the heck is King still this damn good?  Never Flinch was another exceptional novel from King, who continues to impress with his elaborate narratives, slick writing and relatable characters.  Featuring a particularly clever crime fiction plot that keeps the readers on their toes to the very end, Never Flinch proved near impossible to put down at times, especially as King keeps amping up the intensity and the danger.  Never Flinch gets a very easy five-star rating from me, and I’m already listed it as one of the top books and audiobooks from the first half of 2025.

King pulls together an awesome and compelling story for Never Flinch, that had me hooked very early on.  Starting off on an interesting note as the reader is introduced the book’s antagonist, who goes by the nickname of Trig, you are soon thrown into his desperate ploy to murder 14 random people in Buckeye City to replicate the jury who put an innocent man in prison.  Serving as a very impressive start to a great story, King soon expands the narrative further by examining the police investigation into these murders, and showing protagonist Holly Gibney’s initial interest in the case.  From there the plot expands even further, as another dangerous killer starts to stalk a women’s rights activist, Kate McKay, and her assistant, and Holly is eventually hired to act as Kate’s bodyguard during the rest of her book tour.  King does an excellent job building up all the details of this second case, while also following the growing murders in Buckeye City, and you are soon absorbed in both cases, especially when you witness all the perspectives involved with the two scenarios, including the book’s various antagonists.  There are also some fun additional personal notes added to plot, as several compelling supporting characters, including recurring Holly Gibney cast members Jerome and Barbara Robinson, the later of whom builds a connection with famous gospel singer Sista Bessie, who is performing in Buckeye City.

The author keeps the pace of Never Flinch going strong and fast as you move into the story, with interesting storylines around Holly, the police, the antagonists, and other supporting characters.  There was a real interesting mixture of storylines once King had everything set up, and I really loved the various compelling character arcs and elements as the plot continued.  While some of the big twists about the antagonists aren’t too surprising and are revealed relatively early in the plot, you are still very drawn into their respective crusades, as well as the protagonists’ attempts to stop them.  Everything comes together nicely in the second half of the book, where both cases, as well as the more personal storylines of Never Flinch, collide violently, and various characters are forced to fight for their lives.  King provides an exceedingly tense final third to Never Flinch, which sees a blow-by-blow coverage of events leading up to a dramatic and bloody final confrontation.  The alternating movements of all the participants in this case, including a deranged killer, several hostages and coerced individuals, as well as the protagonists desperately trying to save the day, produced so much tension, and you really cannot turn away until all the dramatic confrontations come to an end.  I frankly powered through this final part of the book in one extended session, as I was so damn keen to see what happened next, and this ended up being an extremely satisfying ending to a really impressive book.

I really enjoy King’s great writing style when it comes to his captivating crime fiction novels, and he excels at creating tense and ultra-exciting reads, driven by multiple compelling character arcs.  Never Flinch was an excellent example of this, as King produces a brilliant story that quickly grabs the reader’s attention and never slows down.  Featuring slick, quickfire writing and very short chapters and subchapters, the story moves along at a very fast clip, and King effectively sets up the book’s compelling scenarios very effectively.  The great array of alternating character perspectives, as well as several compelling flashbacks, really works to create a layered plot, and I loved the constant switch between the many characters.  Showcasing several antagonist perspectives also helped to really increase tension, especially as you got to see their various plans in action.  This writing style also helped to make Never Flinch feel a lot more accessible to new readers, and while established fans of the author will probably get more out of some of the character developments that occur in the novel, I felt that Never Flinch was a book that any fan of crime fiction could easily get into and have no trouble following at all.

King also experiments with some interesting themes in this novel, which added a lot to Never Flinch’s emotional impact, while also helping to highlight character flaws in the cast.  This includes a very compelling look at addiction in all its forms, with a particular focus on how it drives people.  While this includes a focus on more obvious addictions like drugs and alcohol, other major addictions come to light throughout the book, including Trig’s growing desire to kill, and Kate’s addiction for the spotlight and controversy.  The examination of addiction served as a key part of the book’s plot, especially as it helps to explore some of the character’s motivations, and I felt that King was putting a lot of his own personal experiences into the book.  King also spends a bit of time in Never Flinch examining mentorship, as several junior characters find themselves coming under the wing of older, seemingly wiser, people.  While some of these relationships are quite positive, others, such as Kate and her assistant, come across as a little more toxic at times, especially when the mentor puts their own needs ahead of their student’s safety.  I liked the interesting comparisons in the mentor/mentee relationships that formed throughout Never Flinch, and it was a very compelling addition to the plot.

As with most of King’s books, the true heart of Never Flinch lies in its compelling and often larger-than-life characters, who the author meticulously brings to life.  The focus of this book is once again the quirky and silently talented Holly Gibney, a skilled investigator brought into the case by her own curiosity and a desire to help a prominent women’s rights activist.  Holly serves as a dependable and likeable heart to the entire novel, and it was fascinating to watch her continue to battle her own lack of confidence and lingering social issues.  Her continued growth as both an investigator and a person is an excellent part of this book, and it was great to see the various relationships she continues to cultivate.

These relationships for Holly result in an excellent cast of returning characters, including detective Isabelle ‘Izzy’ James, who has a much bigger role in this novel as the main police character in the story.  Izzy’s official investigation serves as a good counterpart to Holly’s more general queries into the case, and her maverick personality, especially in the face of police politics, added some extra intrigue to Never Flinch.  The other two major returning characters are siblings Jerome and Barbara Robinson, who have served as Holly’s backup and friends since Mr Mercedes.  While Jerome was a great emotional support to Holly and had some key roles in this book, the standout supporting figure was Barbara, whose compelling side-plot about her work with Sista Bessie helped to make Never Flinch a little more hopeful in places, especially as King has been detailing Barbara’s artistic growth in response to the darkest of encounters for the last couple of books.  Of course, as this is a Stephen King novel, this hopefulness often results in greater trauma down the line, as the author must ensure you are constantly worried that bad things are going to happen to the good people in Holly’s life.  Throw in some other compelling supporting characters, including the radiant and soulful Sista Bessie, the bombastic feminist icon Kate McKay, and Corrie Anderson, Kate’s young assistant who finds herself in the firing line alongside her boss despite her best judgement, and there are a lot of interesting figures in Never Flinch who you become quite attached to.

While I love the main cast, another major highlight of Never Flinch is the complex antagonists who King effortlessly works into the plot.  This includes a compelling stalker figure who is hunting after Kate and Corrie for their own religious reasons.  An interesting character whose deeper issues are well exploited, this stalker was an interesting alternate antagonist for Holly in this novel, and I liked how their complex actions added some additional risk to the plot.  However, the best villain was the serial killer stalking Buckeye City, determined to murder 14 people in response to an innocent man dying in jail.  This killer, Trig, was a truly fascinating figure, with some unique motivations and quirks.  King does an excellent job mostly obscuring Trig’s identity for much of the novel, while also showcasing many compelling scenes from his perspective as continues his murderous quest.  The resulting slow-burn loss of Trig’s sanity as he becomes addicted to his dark work was a particularly sinister part of Never Flinch, and King excelled at showcasing this antagonist’s changing motivations and plans.  These outstanding villains served as an impressive counterpart to the main cast, and I felt that Trig was King’s best character in Never Flinch.

While I received copies of Never Flinch on a few different formats, I decided in the end to try out the audiobook version of this novel, especially after having some very good experiences with other Stephen King audiobooks.  This proved to be an outstanding choice, as the Never Flinch audiobook was an exceptional listen, with the layered and complex mystery really transforms into something special when read out.  Coming in with a near 15-hour long runtime, Never Flinch is a decently long audiobook, but it’s one that listeners will generally be able to power through quickly, especially with the compelling, if relatively new narrator Jessie Mueller bringing the story to life.  Now, I must admit that I was initially disappointed that Holly narrator Justine Lupe (who played Holly in the Mr Mercedes television adaptation), was not returning for Never Flinch, however Jessie Mueller quickly showed herself to be an excellent replacement.  Thanks to her outstanding voice work, Mueller quickly made the Never Flinch audiobook her own, and I liked the unique flair and compelling voices she gifted to the extended cast.  Several of these characters had a lot more personality thanks to Mueller’s narration, and I liked how well she voiced some of the distinctive members of the cast.  However, I think Mueller’s best inclusion to this audiobook was her very impressive singing voice, as there a couple of music focused scenes around Sista Bessie and Barbara.  Mueller captured these parts of the book perfectly, and her resulting singing performances were extremely good, and helped to give the audiobook more impact.  As such, Never Flinch was an overall exceptional listen and one of the best audiobooks of the year, and I would strongly recommend it as the best format to enjoy this great new King novel.

Stephen King once again showcases why he the world’s top author with another exceptional and truly gripping novel.  Never Flinch was an incredible read that combines a clever crime fiction narrative with some fantastic characters, to really grab the reader’s attention.  With its epic tension and high stakes, King’s latest novel was so damn addictive, and I really appreciated how clever the story got.  An overall exceptional read, Never Flinch was one of the best books I had the pleasure of reading in 2025, and I cannot wait to see what King writes next.

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Waiting on Wednesday – Dead Fall Lake by S. R. White

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday post, I check out an excellent upcoming Australian crime fiction novel from an author who has really impressed me in recent year with Dead Fall Lake by S. R. White.

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S. R. White is an outstanding author who has been making an intriguing impact on the Australian crime fiction scene in recent years. Primarily known for his Detective Dana Russo series, White has written some deeply complex, character-driven crime fiction novels, that provides some fresh new takes on the classic crime fiction narrative. This includes the first book of White’s that I had the pleasure of reading, Prisoner, which contained a fantastic murder mystery solved through a series of complex interrogations.  The next novel in the series, Red Dirt Road, was another impressive read, with the protagonist forced to uncover the truth amid a closed pool of suspects in a remote Australian town.  His fourth Dana Russo novel, White Ash Ridge, featured another clever story, as the protagonist needed to solve a murder likely committed by a board member of a charity formed after a previous failed police investigation.  All of these, as well as the 2025 spin-off novel Pacific Heights, have been extremely impressive, and I like the elaborate and memorable cases they contain.

As such, I am always keen to see what White will be writing next, and it looks like he has another very interesting novel coming out in March 2026 with Dead Fall Lake.  Featuring another compelling case, this time involving an extreme sports enthusiast found dead in a wilderness sinkhole, Dead Fall Lake sounds pretty damn awesome, and I am curious to see how this new novel unfolds.  Based on my experiences with White’s other novels, I already know I’m going to love Dead Fall Lake, and it is already one of the top Australian releases I am looking forward to in the new year.

Plot Synopsis:
Deep in the Australian wilderness, a famed sinkhole renowned as a stunning freediving spot attracts people from all over the world. But there’s a dark, puzzling mystery when a local sports hero – and the glamorous face of a high-adrenaline video channel – is found dead far beneath the surface.

Despite diving the sinkhole hundreds of times, his lifeless body is discovered dressed in normal clothes, handcuffed to a supply line. With no witnesses – and evidence submerged 30 metres underwater – how can Detective Dana Russo unravel such a shocking case?

Everyone in this Bank is a Thief by Benjamin Stevenson

Publisher: Penguin (Trade Paperback – 30 September 2025)

Series: Erenest Cunningham – Book Four

Length: 355 pages

My Rating: 5 out of 5 stars

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The over-the-top investigations of Ernest Cunningham resume in the outstanding and highly entertaining Australian crime fiction novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

For the last few years, the Australian crime fiction scene has been the playground of Benjamin Stevenson. A comedian and performer with his brother, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations. The first book in the series, Everyone in My Family has Killed Someone (one of my favourite Australian novels of 2022), was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery. Stevenson continued to impress the following year, with Everyone on this Train is a Suspect (one of my favourite books and pieces of Australian fiction of 2023) a worthy sequel that further parodied various crime fiction subgenres. Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024. Due to how wildly entertaining these books were, I just had to get the fourth book in the series, Everyone in this Bank is a Thief, when it came out this year, and it was one of my most anticipated reads for the second half of 2025, especially with its fun title and awesome plot concept.

Ernest Cunningham, murder mystery expert and Australia’s least likely detective, has so far solved three murders, each in its own outrageous scenarios.  But even he is unprepared to solve a case in the middle of a bank robbery.

Trapped in a small-town bank while trying to get a loan for their new detective agency, Ernest and his fiancé Juliette find themselves at the mercy of a masked armed bandit, who has locked down the bank and demanding access to the vault.  The only problem, the bank’s chief of security who knows the code is missing, and Ernest was just in the process of being hired to find him.

Besieged by the police and with no chance of escape, Ernest is determined to get his fellow hostages out alive by discovering out the vault’s code.  However, as he begins his enquiries, he quickly discovers that the armed man holding them hostage isn’t the only criminal he’s dealing with.  There are many different things that can be stolen in this bank, and all the trapped hostages have their own plots in motion.  However, only one person is there to steal a life, and when bodies start turning up, Ernest once again finds himself in the middle of a murder investigation.

With all the suspects trapped in the bank with him, Ernest works quickly to solve the murders before the police end the siege.  All the people in the bank are suspicious, but is the killer the bank robber, the silent priest, the greedy film producer, the teen gaming prodigy, the dying teenage girl and her mother, or a member of bank’s staff? To find the truth, Ernest will have to uncover everyone’s secrets and work them into his established rules for a murder mystery.  But can he solve the crime before the killer takes him out, or is this one crazy investigation that even Ernest Cunningham cannot survive?

Benjamin Stevenson once again deeply impresses as Everyone in this Bank is a Thief was a brilliant and highly addictive novel that perfectly combines over-the-top mystery with the author’s distinctive humour.  Clever, wildly entertaining, and just a little silly, Everyone in this Bank is a Thief was so much fun to read, and it gets a full five-star rating from me.

What another brilliant and hilarious story.  Everyone in this Bank is a Thief was such an entertaining read, and I loved how crazy and exciting Stevenson made it.  Starting off with an interesting introductory note from the protagonist that sets the scene and foreshadows some of the events to come, you are quickly taken to the bank setting in small-town Australia, where Ernest and returning character Juliette are tasked with investigating the missing head of security, who has changed the code to the vault.  Stevenson does an effective job of introducing the locked room scenario, as well as the various suspects in these opening chapters, before the bank is taken over by the masked armed robber.  With everyone gathered as hostages and the bank surrounded by police, Ernest finds himself taking on the task of finding the combination to the vault to fulfil the robber’s unusual request of a single dollar from the bank’s vault.  This initial investigation provides a lot of hints about events for the future, before the story takes an enticing turn when someone dies in a spectacularly unusual situation.  This inspires Ernest to take on an unadvised secondary role in the case, which moves the story into an entertaining new direction.

The second half of the book is even more compelling, and you power through it fast as you can to get to the conclusion.  It quickly becomes apparent that there are multiple murders associated with this case, in addition to the other simultaneous heists taking place throughout the bank, all of which Ernest needs to uncover to solve the entire case.  The author selectively reveals some of these secondary crimes earlier in the plot, which allow the story to move forward, while also moving the suspicion away from some of the potential suspects.  While Stevenson continues to work in even more details about the suspects and the circumstances of their heists, there is also a certain amount of personal drama added into the mix, especially once Juliette realises the lengths Ernest has gone to solve the case, with some excellent moments leading up to it.  The interplay between the main plot and the author’s notes that hint at the future become even more entangled and urgent as the book continues, especially as the events of the two start to catch up, and Stevenson works in the usual concern about the protagonist’s survival a little earlier than usual.  Everything leads up to the classic summation gathering, where all the remaining secrets are revealed in hilarious and over-the-top fashion.  Featuring a big and deadly climax that all of Ernest’s investigations seem to require, the book ends on an entertaining note, with the series still having the potential to go forward.

I really enjoyed this new novel from Stevenson, which was an excellent continuation of the Ernest Cunningham series.  Working well as either the fourth book in the series, or an excellent standalone novel, Everyone in this Bank is a Thief was a lot of fun, with the concept of a crime fiction expert using the tropes of the genre to identify the killer in a humorous situation still as effective as ever.  Told in the form of a true-crime book by the protagonist as he recounts the events of the bank heist, the narrative features a classic closed circle of suspects as Ernest investigates several murders, including an actual locked-room mystery, as well as several adjacent thefts, all while trapped in the murder scene.  The result is an over-the-top mess of an investigation, as the various big personalities trapped in the bank clash with Ernest’s unusual methods and style, much to the audience’s glee.  While there is a lot of focus on the book’s humour, Stevenson also does a great job pulling together a complex mystery with a lot of compelling suspects.  There are a lot of intricate details and clues loaded into the story, often hidden by the more comedic interactions, and all these elements are well used later in the book, whether in solving the murders or examining the various hidden motivations of the other characters.  The eventual reveal of the killer also proves to be quite clever, and there is some fantastic build-up to the discovery, even if the methods the protagonist uses to uncover them, as well as the crimes itself, are a tad ridiculous.

As with the previous books in the series, Everyone in this Bank is a Thief is a great satirical take on classic crime fiction novels, with the author and the protagonist both keen to utilise and honour the well-known tropes of the genre.  While Stevenson once again features a fun takedown of old-school detective fiction murder mysteries, he also takes his protagonist outside of his crime fiction wheelhouse with the murder taking place amid a heist.  Forcing the protagonist to apply heist tropes alongside his established rules for classic murder mysteries results in a great hybrid case, with a lot of jokes and references about both subgenres of crime fiction.  Stevenson naturally goes overboard with the heist elements, with several concurrent thefts happening in the bank, all of which could serve as a potential motive for murder.  I loved the outrageous variety of thefts that were worked into the plot, especially as most weren’t typical fictional robberies, and it was quite impressive to see Stevenson work them into the novel’s larger murder mystery.  The series’ usual pre-narrative hints of events and murders to come, with accompanying page numbers, were missing in this latest novel, instead replaced by the alternate focus on the protagonist’s plight, as he instead uses the introduction to reveal that he is trapped in a safe and slowly running out of air.  The humour of this situation, as well as build-up of suspense to when Ernest gets locked in the safe, added some extra fun and drama to the plot, and it was an interesting twist on the usual Ernest Cunningham book.  I really enjoyed how Stevenson continues to experiment and alter the initial story and writing concepts he introduced in Everyone in my Family has Killed Someone, and this book was a worthy addition to this series, especially with the new focus on heist fiction in addition to other comedic differences.

As with the previous books in the series, Everyone in this Bank is a Thief features a memorable and over-the-top cast of characters.  This includes series protagonist Ernest Cunningham, a writer and crime fiction expert who has accidently found himself in the middle of several murder investigations.  Attempting to continue his unlikely career as a professional detective, Ernest proves to be an intriguing and entertaining protagonist, especially with his cynical outlook on the world.  Much of the book’s humour comes from Ernest’s entertaining observations of the people around him, and he has a unique way of solving crimes that mocks traditional murder mysteries in all the best ways.  There is a compelling addictive element to Ernest’s need to solve crime in this latest novel, which often forces him to make some stupid decisions, and the author adds in some interesting and entertaining self-reflective moments that I quite enjoyed.  There is also and quite entertaining look at Ernest’s notoriety and semi-fame in wider society, which plays into the story in several fun ways, including making him a potential target for murder.  I loved how much Ernest has developed over the series, and this proved to be a great extra inclusion to his story.

The rest of the cast of Everyone in this Bank is a Thief is also quite impressive, with my favourite being Ernest’s patient fiancé, Juliette.  A strong-willed, intelligent supporting character who has been Ernest’s love interest since the first book, Juliette often finds herself trapped in these elaborate murder investigations alongside her partner.  Her latest outing in Everyone in this Bank is a Thief was particularly fun, as Stevenson used some interesting shenanigans to showcase Juliette’s feelings about Ernest’s antics, especially when he gets caught up in an investigation.  The real brains and emotional heart of this novel, Juliette was extremely awesome, and I love how well she complements Ernest as the protagonist.  The rest of the cast, the majority of whom are fellow hostages in the bank, also prove to be a ton of fun, especially as all of them are thieves in one way or another.  While I’m going to limit my discussion about these supporting characters to avoid spoilers, I will say that Stevenson came up with an awesomely eclectic group of suspects, red herrings and rogues here, and uncovering their associated ploys and schemes made for some great reading.

Overall, Everyone in this Bank is a Thief was outstanding fourth entry in the Ernest Cunningham series, and I had such an epic time getting through it.  Benjamin Stevenson has perfected his formula for highly entertaining murder mysteries, and the intricate blend of complex mystery, excellent humour and outrageous characters makes for quite an impressive read.  One of the best Australian crime fiction novels of 2025, Everyone in this Bank is a Thief comes very highly recommended, and I cannot wait to see what Stevenson writes next.

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