Tag: Multiple Character Perspectives

The Shadow Casket by Chris Wooding

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books5 Comments

The Shadow Casket Cover

Publisher: Gollancz (Audiobook – 16 February 2023)

Series: The Darkwater Legacy – Book Two

Length: 32 hours and 37 minutes

My Rating: 5 out of 5 stars

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Chris Wooding continues The Darkwater Legacy in a big way with his second awesome and massive entry in this great fantasy series, The Shadow Casket.

I was recently in the mood for more epic fantasy reads, so I finally got around to checking out The Shadow Casket by Chris Wooding, which has been on my to-read list for most of the year.  The Shadow Casket is the sequel to Wooding’s exceptional 2018 novel, The Ember Blade, which I had a ton of fun reading back when it originally came out.  The Ember Blade followed a band of revolutionaries, including two young teens caught up in the carnage, as they fought to free their country from an evil empire that had conquered it a generation before.  Featuring a classic fantasy adventure plot with some awesome real-life overtones and loaded with a ton of great characters, a powerful story, and a fantastic new world, The Ember Blade was such a great read, and it got an easy five-star read from me.  I have been eagerly awaiting a sequel for some time now, and Wooding finally delivered his second Darkwater Legacy book this year with The Shadow Casket, which took the reader on another dark and captivating journey.

It has been three years since the destructive events at Hammerholt, when the ragtag band of revolutionaries, known as the Dawnwardens, managed to steal back the sacred Ember Blade and kill the Krodan Emperor’s son, seemingly lighting the fires of revolution.  However, despite the Dawnwardens’ hope that recovering the Ember Blade would encourage their people to rise in revolt, the powerful Krodan empire still reigns over Ossia, bringing new levels of terror in their occupation.  With revolution still as far away as ever, the Dawnwardens, and the Ember Blade’s champion, young Aren of Shoal Point, are forced to take a risk that could turn the tide of war.

Taking the Ember Blade out of hiding, the Dawnwardens travel to the Reaches in the far north of Osia, where the wild and rebellious clans of the Fell Folk fight amongst themselves.  Hoping to recruit the fractious clans to their cause, the Dawnwardens soon find themselves once again under attack from the Krodans and their deadliest weapons, the malevolent dreadknights.  Forced to flee with new allies and returning friends, the Dawnwardens embark on mission to find out what the Krodans are truly doing in Osia and just how far they are willing to go to maintain order.

Finding their first successes since the events of Hammerholt, the Dawnwardens form a new plan to finally strike back at the Krodans and start the revolution they have long hoped for.  However, no matter how hard they fight, the Dawnwardens constantly find themselves outmatched by the dreadknights and their foul magic.  To survive this insidious threat, the Dawnwardens hope to call upon the ancient magic of a lost artefact, the Shadow Casket, which has the potential to either save them or doom the world.  But with deadly foes facing them at every corner, and traitors within their own ranks, can the heroes succeed, or will their revolution finally be cut down?

Wooding continues his epic series in a big way with The Shadow Casket, producing an exceptional and captivating novel that was quite a treat to read.  Expertly following the existing storylines from the first book while also providing an awesome new adventure, The Shadow Casket was a gripping and powerful novel that I had an absolute blast reading.

I really loved the amazing story that Wooding came up with for The Shadow Casket, which is massive in every sense of the word.  Told from many different perspectives, The Shadow Casket has a very powerful character-driven plot that really gets you involved in the lives of all the protagonists while advancing the compelling main plot.  The transition to three years after the events of The Ember Blade was a very interesting overarching choice for this new book, but it was one that works very well, and I loved the realistic detail that the protagonist’s previous adventures didn’t magically save the day as they had hoped.  Wooding starts events off at a somewhat slow pace, which was definitely necessary as he had to re-establish all the key story elements, while also introducing the new setting of Northern Ossia and the Fell Folk.  This does mean that the initial chapters of the book might drag a little for some readers, especially those who did not read The Ember Blade first, although I appreciated the refresher on all the protagonists after all this time.  This early part of the book also sets up many plot points for the rest of The Shadow Casket, and Wooding did an outstanding job laying down a lot of groundwork here.

Things do speed up quickly after the reintroductions are done, as all hell breaks loose around the protagonists in some amazing scenes.  This early part of the book also brings back Cade and Klyssen, who were seemingly killed off at the end of The Ember Blade.  This honestly isn’t that much of a spoiler as both come back very early in the plot, and frankly it wasn’t too surprising considering the deliberate ambiguity of their “deaths” in the previous book.  Their return sets up some great character-driven plots which are very well explored in the first half of the book and have some major impacts on the overall story.  The protagonists soon find themselves involved in several distinctive character-focused quests, including the liberation of a prison camp, the machinations of a traitor, and an intriguing dive into a magical organisation that was only lightly featured in the first book.  These various storylines blend into one cohesive plot, and I liked the early focus on world building and character growth in the aftermath of the first book.  Wooding works in an interesting blend of intrigue, action, adventure, and even some horror elements, which really enhanced the classic adventure quest vibe he was trying to replicate.  I did have issues with an ungainly love triangle that got a lot of attention in the first half of The Shadow Casket, which sapped my enjoyment in places.  However, the other complex storylines that were occurring simultaneously did make up for this, and it thankfully does not last the entire length of the book.

The second half of The Shadow Casket is where things really picked up, and it features all the awesome story moments that the author had been expertly building up.  This includes a deadly adventure quest to a lethal island, which amped up the intensity of the plot, especially as secrets are revealed and tragedy awaits several characters.  These storylines and more, all lead up to epic final quarter of the novel, where the protagonists have their long-awaited mass confrontation with the enemy.  Wooding really set up everything leading up to this final quarter perfectly, and I was very excited going into it, especially as it featured a massive siege.  While there is a focus on the action in this final part of the book, Wooding also amps up the intrigue, as various parties make their moves to betray or mislead either side of the conflict.  The author plays this plot line about betrayal and intrigue perfectly, and there were times when you honestly didn’t know who was betraying who, which was so much fun to see.  This last quarter honestly has a bit of something for everyone, and I loved the inherent tragedy, the gritty battles, and the awesome resolution to so many different plotlines and character arcs.  I also really enjoyed the multitude of clever twists and reveals that Wooding layered in this part of the book, especially as I did not see several of them coming despite the great setup surrounding them.  The final play of the protagonists was particularly brilliant, and the unique siege tactics were quite inventive.  While I did think a few things were wrapped up a little too easily or positively at the end, this was honestly a very strong conclusion for this second entry, and it sets up many great storylines for the rest of the series.  I really came away from The Shadow Casket feeling very satisfied, and I cannot wait to see how my heart will get broken in the next book.

I felt that Wooding did a rather wonderful job of presenting his elaborate narrative to the reader, and his fantastic style definitely drew me into the story.  While there are a lot of positives to the author’s writing, the main thing that I was mostly grateful for was how easy he set everything up so that I could dive back into this series.  As I mentioned above, it has been over four years since I read The Ember Blade, itself a hefty read, so I was initially worried that I wouldn’t remember all the key details and get a little lost.  However, Wooding expertly led readers, both new and old, into his new book and those well-thought-out and slower paced introductory chapters really filled in all the gaps for me.  As such, there wasn’t a single moment that I was lost about what was going on, which considering how elaborate The Shadow Casket gets, is pretty damn impressive.

While The Shadow Casket is a great continuation of The Ember Blade, it also has a bit of a different tone to it.  The focus on failure, regret and fighting losing battles was quite interesting and reflected the continued failed rebellion nicely.  The book itself also comes across as more of an adventure novel, with the protagonists constantly moving and taking on new quests and journeys, rather than the more heist focused revenge plot of the first book.  This ensured that The Shadow Casket stood out a lot more than I was expecting, and it really didn’t feel like a sequel or a tired middle book.  Wooding has a great sense for pacing, and the fantastic mixture of action, character growth and betrayal and intrigue helped to turn this into quite an impressive read.  I have so much love for the multiple elaborate espionage storylines that emerged, and Wooding ensured that the reader never knew what was coming.  The excellent use of multiple character perspectives really helped with this, and it was compelling and often very moving to see the various internal struggles, history and biases that drove the characters to do what they do.  The clever alternate views of the same events also helped to create a much more expansive and captivating plot, and I think that Wooding did a great job of splitting the story up, ensuring that all the key characters got their time to shine.  There was the occasional rough chapter transition that added a touch of confusion at times, but this was usually pretty harmless, and I found the overall narrative to be very powerful and bound together excellently.  Throw in a ton of brilliant and brutal action sequences, including the extended battle at the end, and The Shadow Casket has so much going for it that you will find it very hard to put down.

One of the things I liked most about The Ember Blade was the elaborate and complex world that the book was set in.  In particular, the focal nation of Ossia was such an interesting main setting, especially as it was occupied by its stronger neighbour, who had ruled it for years.  This portrayal of Ossia had a lot of similarities to occupied France during World War II, especially as the invading Krodans were an obvious stand-in for Nazis/fascism.  This occupied fantasy nation had a certain realism to it that deeply enhanced the story, especially as the characters interacted with collaborators, rebels and locals who believed the Krodans were helping them, all while witnessing examples of Krodan cruelty.  These issues were further compounded by the fact that Ossia was already a rather fractious nation, and their lack of cooperation and unity helped the Krodan conquest years before.  Wooding continued to expand on this examination of occupied Ossia in The Shadow Casket, especially as revolution and uprisings were such an important part of the plot.  I loved the intriguing plot point about how, despite the protagonist’s actions in the first book, most of Ossia was still too cowed or wracked with infighting to join in the rebellion, making the sacrifices in the first book seem pointless.  This ensured that occupied Ossia continued to be a dangerous and compelling setting for much of the story, and Wooding doubled down on the Krodan comparisons to Nazis, especially as the Krodan’s engaged in massive retaliation strikes against the Ossian populace while also rounding up a minority group into concentration camps.  These intriguing details add a lot to the plot, and it was interesting to see how they continued from the first book.

Wooding also worked in quite a lot of world building as he sought to explore new areas within the larger fantasy realm.  This includes several intriguing and deadly new locations, such as a swamp full of dark spirits and the lethal island of Yaga, where ogres and magical slavers reign supreme.  These areas, which serve as cool settings for several key parts of the book, are great to explore, adding in some very distinctive risks, and it served as a compelling expansion of an already great world.  However, the most significant new setting is probably the northern area of Ossia known as the Reaches.  A hilly area populated by warring tribes, this part of Ossia was culturally segregated from the more urbanised southern setting before the Krogans arrived, and now is even more oppressed.  A large chunk of the novel revolves around the complex tribal politics and history of this region as the protagonists attempt to bring them together as allies while also striking back at the forces oppressing them.  Several of the best sequences, including the final battle, are set around here, and I loved the craggy and isolated feel that Wooding gave this setting.  The author also does a wonderful job expanding on some of the fantasy aspects of his series.  While there were quite a number of great and freaky magical and fantasy elements in the first book, The Shadow Casket really dives into this further, showing several different batches of magic.  This includes a fascinating examination of the Ossian druids, whose magical conclave in the first half of the novel serves as a major plot setting.  There is also a fantastic and dark examination of the magic being used by the Krogans to create their more elaborate weapons.  This look at Krogan mysticism is pretty fascinating and serves as a great contrast to their usual anti-magic dogma.  It also leads to some of the darker scenes in the book, including the exploration of a corrupted prison camp, which honestly bordered more on horror than anything else.  There are some fantastic and complex hints at the dangers to come, and I cannot wait to see how dark and compelling Wooding makes his setting in the future.

However, the most impressive and memorable part of The Shadow Casket has to be the outstanding and elaborate character work that Wooding expertly inserted into the story.  The Shadow Casket has an exceptional and memorable cast, which includes a great combination of characters from The Ember Blade, as well as several intriguing new figures.  All the characters are damaged and complex, especially after the events of The Ember Blade, and thanks to the author’s excellent use of alternating perspectives, you get to see into their minds and find out what drives them and what their intentions are.  I deeply appreciated how well the character stories altered and drove the main narrative and Wooding’s excellent character work really gets you invested in everyone’s personal journey.

As with The Ember Blade, the main character of The Shadow Casket is Aren of Shoal Point.  A teenager drafted into the rebellion by circumstances, Aren is trying to live up to his own legend after masterminding the Ember Blade heist and being declared champion.  Now a figurehead leader chafing under the responsibilities and expectations of everyone around him, Aren starts the book with a lot of his usual certainty and confidence gone, especially as the disappointments of the last three years are hanging over him.  Most of his arc involves him trying to decide whether he deserves all the fame and trust people are putting into him, as well as wondering what his destiny is.  I really liked this compelling character arc that Wooding came up with for Aren, especially as it is totally understandable that he would feel these doubts with his complex history.  While Aren probably was a more passive protagonist than some readers were hoping for, I felt his early mindset of following others fit nicely into the uncertainty he felt, and Wooding did a great job of portraying this and his eventual regained confidence.  Aren also proves to be a linchpin character for The Shadow Casket, mainly because so many other character arcs are defined by the relationships that Aren has formed over the years.  While a couple of these relationships do have some flaws in them, the rest are exceedingly emotionally rich and Aren’s connections help the other characters to grow and develop alongside him.  Aren continued to be an outstanding and complex protagonist for this second Darkwater Legacy novel and I look forward to seeing how he develops in the future.

One of the other major characters I need to highlight is Cade, Aren’s childhood friend who was forced into the adventures in the last book before heroically sacrificing himself at the end of The Ember Blade.  Cade returns quite early in The Shadow Casket, having spent three years away from his friends.  However, he is now carrying some dark secrets and a new hidden history that defines most of his actions throughout The Shadow Casket.  Cade had one of the best and most powerful character arcs in the entire novel, which I will not elaborate on too much here to avoid spoilers.  However, it was extremely well written and added some much-needed emotional depth to Cade’s character.  Wooding does an outstanding job of expanding on Cade’s character arc and story from the first book and the examination of the complex relationship between Aren and Cade resulted in some of the most moving moments in the book.

There are several great antagonistic characters in The Shadow Casket, including sinister Krodan officials and several hidden traitors, but my favourite villainous figure has to be the great character Klyssen.  A member of the Krodan secret police, Klyssen was the primary villain of The Ember Blade, and Wooding takes the opportunity to develop him further in some fantastic ways in the sequel.  Not only does he provide an alternative viewpoint to the Krodans but Wooding manages to make Klyssen into a surprisingly sympathetic character in The Shadow Casket.  Thanks to the events of The Ember Blade, Klyssen starts this new book scarred, disgraced, demoted and divorced, and is now at something of a moral and emotional crossroads.  Now driven by personal reasons, Klyssen has a bit of a redemption arc in The Shadow Casket, and it is honestly a sign of just how good Wooding is at writing characters that you actually feel sorry for this previously despicable villain.  Klyssen ends up being one of the more complex and damaged figures in the entirety of this second book, and I loved his more nuanced mindset and desperate motivations, which make his chapters particularly compelling and emotionally charged.  You really begin to feel for Klyssen, even if you don’t want to, and I really appreciated the complex additional development Wooding worked into him for this sequel.

Of course, I cannot talk about characters in The Shadow Casket without mentioning Grub, who honestly might be one of the most entertaining and hilarious figures I have ever had the pleasure to read.  Gruff, crude and inappropriate in every way imaginable, Grub is a slippery and self-obsessed figure who never fails to get a laugh thanks to his jokes, selfish mindset, fun observations on the people around him, and pure disinterest in what is actually happening.  Thanks to this humour, Grub has some of the best chapters in the entire book, and you always know you are in for a good time.  However, Wooding also creates a particularly complex and intriguing story arc around Grub that really resonates with the reader.  Coming from a culture that venerates heroic actions and tales, Grub was exiled from his people after claiming another person’s deeds.  As such, a lot of Grub’s sVVavsdtoryline involves him trying to redeem himself by become a hero, which really does not come naturally to him due to his selfish nature and upbringing.  This honesty proves to be one of the more complex story arcs in the entire book and you really get invested in his attempts to do the right thing.  A lot of this story revolves around his unlikely friendship with Aren, who serves as Grub’s moral compass, and their compelling relationship is one of the most heartwarming parts of the entire book.  I cannot emphasise just how much fun Grub is as a character, and it honestly is impossible not to fall in love with him, especially with the fantastic depth Wooding adds to his story.  While I would read an entire book about Grub, I think that Wooding did a good job not overusing him in The Shadow Casket, and blending in the other characters extremely well.

Other significant characters include Vika, a powerful druid whose connection with the spirits and the gods offers the only hope against the Krodan dreadknights.  Wooding weaves a fantastic narrative around Vika that dives into her unique and desperate personality while also using her as a focus for the more mystical elements of the book.  I quite enjoyed seeing Vika develop into more of a powerful magical user, although the emotional cost associated with it turns her into a bit of an unpredictable figure.  Wooding really laces Vika’s narrative with some powerful tragedy and distinctive moments, and while I felt that the ending of her arc could have been handled a little better, she was still an outstanding and enjoyable protagonist to follow.

I also need to highlight Mira, the team’s strategist and leader of the Dawnwardens, who comes up with elaborate plans and schemes in the name of liberation.  While Mira does not have as many chapters assigned to her as I would have liked, Wooding does a lot with her in a short amount of time, and I liked how dark the character got as the book progressed.  The dour knight Harod also proves to be an excellent protagonist, mainly because so much of his arc is based around his grief after losing the woman he loved in the last book.  Wooding does a good job expanding a bit on the typically emotionally devoid Harod in this book, especially when a fantastic new secondary character is introduced, and his martial focussed chapters have some heavy personal weight to them.  Throw in the team’s hunter, Fen, whose arc mostly survives an unenjoyable love triangle, and several great new characters, including a troubled revolutionary and a mysterious fighter with his own agenda and this proved to be an exceptionally rich novel in terms of outstanding characters.  This fantastic mixture of compelling cast members really helped to turn The Shadow Casket into an extremely powerful read and I cannot wait to see how these characters develop in the rest of the series.

Like with many epic fantasy novels, I chose to check out The Shadow Casket on audiobook, which I found to be an awesome experience.  Elaborate fantasy novels always come across better in the audiobook format for me, especially when there is a ton of detail and world building, and this was once again the case with The Shadow Casket.  Wooding’s deeply impressive setting was so much cooler when it was read out to me, and I definitely absorbed a lot more detail in this format.  It also helped that they brought back narrator Simon Bubb for this second audiobook in the series.  Bubb does such a good job highlighting all the cool action, fantastic detail, and unique features of this series in The Shadow Casket, and I really liked how effortlessly he moved events along.  Bubb also has a very good handle on the massive cast featured with this book, coming up with original and fitting voices and accents for all the characters, and bringing out all their inherent emotion and struggles.  Highlights for me include the amazing characters of Klyssen, Aren and Grub, all of who really shine through in this format in the most entertaining ways, and I cannot emphasise enough how well Bubb captures all these elaborate figures.  Coming in at over 32.5 hours, The Shadow Casket is a hefty audiobook to get through, and it is one of the longest audiobooks I have ever listened to (coming in at number five on the current list).  I did struggle a bit to get through The Shadow Casket quickly due to its length, and there were a few times where I got a bit fatigued and had to take a break for a while.  However, the compelling story kept dragging me back in, and I maintain that The Shadow Casket is very much worth checking out on audiobook, especially as this format gives you the very best experience.  The great voices, fun depiction of detail, and enhanced story absorption more than make up for the length, and The Shadow Casket audiobook comes very highly recommended as a result.

Overall, this is a very impressive book, and if I did not get it across with the massive review above, I really enjoyed The Shadow Casket.  Chris Wooding is really writing something special with his Darkwater Legacy series and The Shadow Casket proved to be an exceptional second entry.  While I did have a couple of issues with length and some character elements, the sheer power and complexity of the story ensures that The Shadow Casket gets a full five-star rating from me and I had such an incredible time getting through this amazing book.  This is easily one of the best fantasy series currently going and I cannot wait to see how it continues, even if I have to wait a while for the third book to appear.  Highly recommended, all fans of epic fantasy need to get into this series.

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Traitors Gate by Jeffrey Archer

On By The Unseen LibraryIn Historical Fiction, Thriller3 Comments

Traitors Gate Cover 2

Publisher: Harper Collins (ebook – 26 September 2023)

Series: William Warwick – Book Six

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Bestselling author Jeffrey Archer returns with another exciting addition to his fun and compelling William Warwick series with Traitors Gate.

Jeffrey Archer is a well-known and interesting British figure: a former politician, a convicted criminal, a life peer and member of the House of Lords.  However, these days Archer is best known as a bestselling author, having written a large catalogue of novels that usually contain a historical or thriller element to them.  Some of his works include the Kane and Abel series, his well-known Clifton Chronicles and a range of standalone books like Heads You Win.  I particularly enjoy the William Warwick series, which is a fun and entertaining collection of historical thrillers.

The William Warwick novels, which originated within the fiction universe of the Clifton Chronicles series, follows the life and career of titular protagonist William Warrick, an idealistic London police officer who rises through the ranks while solving a series of dastardly crimes.  This series, which is defined by its character-driven plots, new criminal focuses for each novel, and the protagonist’s bitter rivalry with a notorious crook, are always very entertaining and feature some compelling stories.  I personally really enjoyed the first three books in the series, Nothing Ventured, Hidden in Plain Sight, and Turn a Blind Eye, although I unfortunately missed the next two books in the series.  Luckily, I was able to grab a copy of the upcoming sixth William Warwick book, Traitors Gate, which honestly might be one of the best entries in the series.

London, 1996.  There is nothing more sacred nor valuable in the entire realm than the crown Jewels of England.  Kept secure within the Tower of London, the jewels are only brought out once a year for the Queen to attend the State Opening of Parliament.  Providing security for the transfer between the Tower and the palace is one of the most important jobs done by the Metropolitan Police, and this vital duty is now overseen by Chief Superintendent William Warwick and his crack team.  Thanks to all the elaborate precautions around the transfer, the jewels are considered unstealable, but there is one audacious crook who is about to prove them wrong.

For years, William has sought to bring down notorious criminal mastermind Miles Faulkner, a gentleman thief and deadly rogue who has brought nothing but misery to William’s friends and family.  But despite the best effort of William and the men under his command, Faulkner has always managed to elude justice as he continues to hatch his despicable plots and thefts.

However, Faulkner also has a vengeful streak, and when William manages to finally get one over on his rival by recovering a stolen artwork, Faulkner decides it is time to get his final retribution against William and everyone close to him.  Pulling together a team of rogues and villains, Faulkner sets in place his boldest plan yet: steal the Crown Jewels and ruin the career of William and the other police involved in its protection.  Can William stop this plan before everything he loves is destroyed, or has Faulkner finally won their decades-long game of cat and mouse?

Archer continues to impress with his latest William Warwick book, which honestly had me hooked the entire way through.  An intriguing continuation of his fun ongoing series, Traitors Gate was a great character-driven thriller that was fun from start to finish.

Traitors Gate has a great story to it that expertly combines existing storylines from the series with an excellent and wildly entertaining new plot.  Once again focusing on protagonist William Warwick and fantastic antagonist Miles Faulkner, Archer sets up a great story that takes their rivalry to a new level.  The author does an outstanding job of setting this up, with the early parts of the novel recapping key events from the previous William Warwick novels whilst highlighting the protagonist’s current role in protecting the Crown Jewels.  The first half of Traitors Gate follows some intriguing story threads focused on several key existing characters that eventually lead to William getting one over on Faulkner in their long-running feud.  This first half of this book is very entertaining, especially as the rivalry between the protagonist and antagonist is so damn fun, and you really get drawn into the unique and continuing character stories.

The second half of the book really amps up a notch as Faulkner initiates a series of elaborate and daring revenge plots against those who wronged him, while also setting up his master heist.  These various storylines, which include a con job and a fantastically fun court sequence, work together well to tell an excellent overall story, and they play into the build-up for the big conclusion extremely well.  However, the crown jewel (pun intended) of the plot has to be the great heist scene, which was so damn tense and exciting.  Archer sets the entire thing up perfectly, and by constantly switching back and forth between various characters on both sides, you get quite the intense and captivating sequence.  This entire heist is a ton of fun from conception to implementation and leads to a compelling final part of the novel which sees the characters all desperately trying to come out on top.  The various elements of this, from the fun characters involved, the multiple elaborate steps the antagonists take, and the ticking clock the protagonists need to beat, are designed to keep the reader on their toes, and I had such a fun time seeing everything unfold.  The entire story honestly comes together extremely well, and frankly this was one of the more impressive and addictive stories that Archer has come up with yet.

Archer pulled this excellent story together in his typical style that focuses on the characters and makes great use of quick jumps between various perspectives.  I loved the multiple fantastic storylines that emerge as a result, and the author does a great job of balancing the various elements and character arcs.  Archer also proves very apt at building suspense and laying down the ground work for the key sequences for his story where the real magic happens.  Watching some of the more impressive scenes, such as the excellent entertaining court sequences (which are generally the highlight of all the William Warwick books) and the brilliant heist, are so much fun, and you really appreciate the planning and build-up he puts into it.  The author also makes excellent use of the 1990s London setting for the majority of the plot, and I have really enjoyed how the William Warwick books have moved from the 80s to the 90s, incorporating real-life events as they go.  The 1996 election plays a key role in the plot of Traitors Gate, and I loved the historical colour that Archer added to the plot, including a great in-story presentation about Colonel Blood and his own infamous Crown Jewel heist.  I also really need to highlight the way that Archer makes each of his novels inclusive and open so that new readers can easily dive into Traitors Gate.  Thanks to some quick and effective recaps and reintroductions, new readers can start the series at Traitors Gate without any issues, and indeed even after missing the last two books in the series, I was able to dive in without any pause at all.  This book comes together so well and I had a great time reading it.

I really need to highlight the fantastic and outrageous characters the plot of Traitors Gate follows.  Throughout the course of six William Warwick books, Archer has built up quite an intriguing cast of characters to follow, and he does an excellent job of breaking up the story between them.  There is a notable divide between the protagonists and the antagonists throughout the course of Traitors Gate, and watching the cast play off each other with their moves and countermoves is exceedingly fun.  Each of the protagonists, especially the police characters, are very righteous in their dealings (William goes by the nickname “Choir Boy”, for example), although they aren’t averse to breaking the rules if it gets them justice, which makes for some great scenes.  However, it’s the baddies are the ones who really make the book extremely entertaining.

Archer has done such a great job building up main antagonist Miles Faulkner throughout the course of the series, and the elaborate and spiteful rivalry he forms with William and his friends drives so much of the plot.  Faulkner honestly steals every scene he is in with his elaborate schemes, villainous persona, and sheer petty hate of the protagonists, and I have so much fun following throughout the book.  I also have a lot of fun with secondary antagonist Booth Watson QC, Faulkner’s lawyer, who seems to act for every criminal and villain in the William Warwick series.  A morally corrupt lawyer who specialises in every devious legal trick you can think of, Watson is nearly as bad as Faulkner, and he proves to be such a delightful thorn in the protagonist’s side.  Watching him legally manipulate and pontificate is so much fun, especially when he faces off against William’s straightlaced and proper father, Sir Julian Warwick, who he brings out the worst in.  These two characters are at their best when they face off against each other in the courtroom, and it so damn entertaining to see them get childish and outraged in the middle of a trail.  These characters, and more, add so much enjoyment to Traitors Gate and I look forward to seeing the epic rivalry between William and Faulkner continue in the future.

Jeffery Archer has produced a fantastic and awesome new addition to his always entertaining William Warwick series with Traitors Gate.  Featuring a fun and inventive narrative that makes great use of the bitter rivalries of Archer’s well-established cast, Traitors Gate is a highly addictive and exciting novel that has some outstanding moments to it.  Slick, hilarious and always compelling, Traitors Gate is an amazing novel that is well worth checking out.

Traitors Gate Cover

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Warhammer 40,000: Longshot by Rob Young

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer11 Comments

Longshot Cover

Publisher: Black Library (Audiobook – 12 August 2023)

Series: Warhammer 40,000

Length: 10 hours and 28 minutes

My Rating: 4.5 out of 5 stars

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Prepare to dive into one of the grittiest battles in Warhammer 40,000 fiction with the awesome and captivating novel, Longshot by Rob Young.

2023 has definitely been an outstanding year for Warhammer 40,000 fiction, and I have had a ton of fun reading several pretty amazing entries from this extended universe in recent months.  Examples of this include The Lion: Son of the Forest, Warboss, Shadowsun: The Patient Hunter, Leviathan and The King of the Spoil just to name a few.  However, the year is far from over and there are still several great-sounding Warhammer 40,000 novels coming out that I have my eyes on.  One of the more intriguing was the fantastic Longshot by new author Rob Young, which sounded extremely fun.  Longshot, which follows on from Young’s short stories, Transplants and Memories of Broken Glass, is the author’s debut Warhammer 40,000 novel, and it proved to be a very intense and action-packed novel with a great story.

Several years after the fall of Cadia, which saw the Imperium of Man split in two by a great rift in space, humanity is still attempting to recover as many lost planets and systems as possible.  The latest target of the relentless Indomitus Crusade sees the troops of the Cadian 217th arrive at the former manufactorium world of Attruso, whose people have fallen under the sway of the seeming beatific alien t’au.

As the initial assault begins in the battered city of Miracil, the Cadian forces struggle to make progress against the determined t’au defenders and their human auxiliaries.  As the fighting gets even more desperate, the tides of war soon place the keys to victory into the hands of Sergeant Darya Nevic and her squad of snipers.  Nevic is a legendary figure within the 217th, a transplant from a non-Cadian regiment renown for her abilities of infiltration, assassination and survival, Nevic excels at disrupting the enemy from the top down.  However, when the t’au unleash their own deadly sniper against the Cadians, Nevic is forced into a battle of wits with a killer just as skilled and ruthless as she is.  But has Nevic finally come across a foe even she can’t best, especially as she begins to doubt her mission in the face of her own infamy, the lies of her commanders and the t’au’s insidious promises?

Longshot is an awesome and fast-paced novel that perfectly showcases the horror of war in this grim universe through the lens of a skilled sniper.  Young did an outstanding job with his debut novel and I loved the intriguing and powerful narrative that placed great characters into a deadly setting.  I managed to knock this book off in a couple of days, and it is one of the most exciting and fun Warhammer 40,000 novels of 2023 so far.

I loved the complex and intense story that Young pulled together for Longshot, which perfectly presents a tale of the common soldier in the grim Warhammer 40,000 universe.  I have often said that some of the very best Warhammer 40,000 novels are those that focus on the common human soldier facing off against alien or inhuman forces (for example, Steel Tread, the Gaunt’s Ghosts books or Catachan Devil).  Longshot is a very good example of this as you follow a tired soldier as she faces internal and external threats on the frontline of a desperate conflict.  Thanks to its focus on snipers, city fighting, camaraderie and propaganda, Longshot is honestly the Warhammer 40,000 version of Enemy at the Gates, which I deeply enjoyed.  The reader really gets invested in the protagonist’s journey which follows her through some fantastic missions, battles and character growth in the first half of the novel.  This leads to a great second half, where Nevic becomes a victim of her own success and is forced to go up against a deadly enemy sniper.  Due to everything the protagonist experiences, there is some real tension leading into the final third of Longshot, especially after she experiences some terrible losses.  Thanks to the protagonists’ conflicted state, you honestly don’t know how the story is going to turn, and Young loads up some great twists and swerves.  While the ending was a tad predictable, I really enjoyed it and the author really pulled together a satisfying and exciting read that you can really power through.

This ended up being a pretty addictive standalone book, and it is one that would definitely serve as a great introductory novel to Warhammer 40,000 fiction for those readers unfamiliar with the franchise.  Young does a great job of expanding his previous short stories into his first full-length novel, and you really get to grips quickly with the situation, the characters, and the wider universe.  The sharp and intense character-driven story which primarily focuses on the protagonist, Darya Nevic, with a few chapters shown from other key character perspective, has a lot of great elements to it.  The focus on character motivation, the depravities of war, and the grim realities of the background universe really cut through the main story, and you understand the difficulties that many of the conflicted characters experience.  The subsequent focuses on morale in battle and the impacts of propaganda and manipulation also proves to be very fascinating and adds a great edge to Longshot.  I also deeply appreciated how well Young built up his main protagonist throughout the course of Longshot, diving into Nevic’s complex history and examining how she gained her legend.  You grow quite attached to Nevic as the book continues, especially she is forced to make several difficult decisions, and Young turns her into a relatable and understandable figure, especially when it comes to her conflicted feelings about her fame and leadership.  Nevic is well supported by other great characters, and Young was able to establish and utilise these figures in a short amount of time.

The real highlight of Longshot is the awesome and well-written action sequences that dominate the book and constantly keep the reader on their toes.  Young paints an effective and dark picture of brutal city fighting, and you can tell he was using the battle of Stalingrad as inspiration.  The gritty battles that take place are very exciting and powerful, and you can really feel the desperation and weariness of the combatants.  The author proves particularly adept at writing high-quality sniper scenes, and the focus on shooting, infiltration and calculated strikes makes Longshot stand out from other battle-heavy Warhammer 40,000 novels.  This ended up being a very slick and addictive read and Young proved quite skilled at getting his fantastic story across to the reader in the most effective way.

Well-established fans of Warhammer 40,000 canon will really appreciate Young’s compelling and insightful look into two distinctive factions who provide a very interesting contrast to each other.  This includes the members of the Cadians, one of the most iconic Imperial Guard factions in the game.  While the Cadians are already pretty heavily featured in Warhammer 40,000 fiction, I felt that Young provided a particularly effective dive into their current problems, namely the gradual deaths of the natural-born members of the regiment and their replacement by transplants from other regiments.  Thanks to the focus on Nevic, herself a transplant from another regiment, you see the dire internal conflict this causes as the strongly traditional Cadian regiment begin to lose their identity after the loss of their planet.  Young does a wonderful job of expressing this throughout the course of Longshot and the resultant impacts this has on the characters makes for some interesting story moments.  I also quite enjoyed seeing several outsider perspectives of the Cadians that Young worked into the story, which often contrasts well with what the Cadian protagonists feel, and it makes for some fantastic story moments. The author also examines other fascinating elements of the Imperial war machine, such as the exhausting Indomitus Crusade, the current crumbling state of the Imperium, the way other supporting regiments are treated, and the internal propaganda and planning of the regiment.

While the Cadians do get most of the story focus in Longshot, Young does take the time to also dive into the alien t’au who serve as the main antagonists of the plot.  Most Warhammer 40,000 novels that have the t’au as antagonists often nerf or underutilise them to a degree (for example Kill Team or Deathwatch: Shadowbreaker), which is frustrating for fans of the faction.  However, Young effectively showcases the t’au as skilled and deadly enemies who are able to weather the Imperial forces and overwhelm them in several key theatres.  Young has fun bringing several key t’au units to life throughout the course of Longshot and you really start to appreciate them as effective opponents to the Cadians.  There is also an interesting examination of t’au motivations, philosophies and manipulations, specifically around their recruitment of human auxiliaries.  This compelling dive into the t’au muddies the moral waters around the protagonists and the Cadians, and you soon start to question who has the best interest of the people of Attruso at heart.  This, and other intriguing similarities to the human soldiers, adds an awesome edge of consideration and concern to the story that I quite enjoyed.  I really think that Young had some of the better portrayals of the Cadians and the t’au I have so far seen in Warhammer 40,000 fiction, and fans of the franchise are going to have a wonderful time diving into that in this book.

Unsurprisingly, I chose to check out Longshot on audiobook, which in my opinion the best way to enjoy a Warhammer 40,000 novel.  Longshot is a particularly good example of this, as the audiobook format really helped to move the already exciting novel along at a fast clip, especially when the action scenes are brought to life by the narrator.  Coming in at around 10 and a half hours, this is very easy audiobook to get through quickly, and I made sure to power through it in only a few days.  It helped that this book was narrated by the very talented Colleen Prendergast, who already has a bit of experience narrating Warhammer novels featuring the Cadians.  Prendergast did a wonderful job bringing all the major characters to life, especially the main protagonist of Darya Nevic, and I loved the elaborate and fitting voices that she gifted the cast which really helped to draw you into the story.  However, the real benefit of Prendergast’s narration is the way that she walks the listener through all the elaborate battle sequences, especially those that show the snipers facing off against each other.  I felt that this narration expertly captured all the inherent intensity and danger of these scenes and I got really invested into the book as a result.  Thanks to this amazing narration and story enhancement, I would strongly recommend checking out Longshot on audiobook and I know I had a lot more fun thanks to this amazing format.

Overall, Longshot is an awesome and compelling addition to the Warhammer 40,000 canon and one that I had a ton of fun with.  Young produced a powerful and intriguing character driven war story that will appeal to a wide audience of readers, especially with its fantastic focus on sniping and some of the more fascinating elements of Warhammer lore.  I deeply enjoyed this fantastic novel and Longshot comes highly recommended.

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Warhammer 40,000: The King of the Spoil by Jonathan D. Beer

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer12 Comments

The King of the Spoil Cover

Publisher: Black Library (Audiobook – 1 July 2023)

Series: Warhammer Crime

Length: 12 hours and 33 minutes

My Rating: 4.75 out of 5 stars

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Get ready for another awesome round of Warhammer Crime goodness as Jonathan D. Beer presents an epic and captivating novel thick with action, intrigue and cool characters in The King of the Spoil.

Out of all the many Warhammer 40,000 novels and series currently running, few are as fun as the very impressive Warhammer Crime collection of books.  An intriguing subseries designed to mix distinctive crime fiction narratives with the awesome grimdark Warhammer 40,000 universe, the Warhammer Crime novels are a ton of fun, and I love the crazy and powerful stories that result.  All loosely connected and set in the same massive dystopian city of Varangantua, the Warhammer Crime series has so far produced some epic reads, including The Wraithbone Phoenix and Dredge Runners by Alec Worley, Grim Repast by Marc Collins, Flesh and Steel by Guy Hayley, and Bloodlines by Chris Wraight.  Each of these Warhammer Crime books has been pretty damn exceptional in their own way, and most of them appeared on my recent favourite Warhammer 40,000 list.  As such, I was very excited when I saw that a new Warhammer Crime novel was on its way with The King of the Spoil.

The King of the Spoil was an outstanding novel from author Jonathan D. Beer that introduced the reader to a new area of the overarching setting of Varangantua while also supplying them with a compelling and impressive story.  This is actually the first full novel from Beer, and it continues several of his short stories that were previously published in the Warhammer Crime collected editions, Broken City and Sanction and Sin.  I had an epic time with this fantastic novel as Beer produced an exceptional and addictive read.

In the vast continent-spanning city of Varangantua, there is no section of the city more desperate or devastated than the broken chunk of land known as the Spoil.  A formerly prominent industrial area, time has turned the Spoil in a useless wasteland abandoned by the rest of the city.  With the remaining populace of the Spoil forced to remain within its bounds, there are very few choices for survival and little chance for escape.  But even in this fallen area, someone must rise to the top, and only one man can be king.

For over a generation, the Spoil was ruled by Andreti Sorokin, the self-proclaimed King of the Spoil.  His rule brought stability to the once lawless section of the city, while his unpopular alliance with the Valtteri business cartel ensured that money once again flowed through the Spoil.  However, no king can rule forever, and when Sorokin is brutally murdered by a mysterious assassin, it doesn’t take long until someone tries to replace him.

As the Spoil devolves into a deadly gang war, with rival factions fighting for control of whatever they can get, the Valtteri turn to their most effective agent to find them an edge.  Melita Voronova is an info-broker and hacker of unsurpassed skill who has been forced to work for the Valterri.  However, after failing to predict Sorokin’s assassination, her only hope to survive her employer’s wrath is to travel to the Spoil and determine who killed Sorokin.  However, many people within the Spoil had a motive for killing the king, and Melita is about to discover that Sorokin’s death is only the first step in an elaborate plot that could change the very foundation of the Spoil.  Can Melita find the truth before it’s too late, or will this massive conspiracy destroy her and everything she cares about?

This was a pretty awesome book from Beer, who really showcases his fantastic writing ability in his debut novel.  Featuring an excellent and intense story, loaded with intrigue, action and complex characters, The King of the Spoil is an excellent addition to the Warhammer Crime series and I had so much fun getting through it.

Beer comes up with a very elaborate and fun story in The King of the Spoil, which starts very strong and never really slows down.  Beginning with the assassination of the titular king, Beer takes his time before introducing the main protagonist, instead utilising a series of short chapters to effectively bring several supporting cast members into the narrative while also showcasing the immediate aftermath of Sorokin’s death.  I really liked how Beer decided to focus on these other characters first, especially as it adds in some interesting story angles that come into play later in the story.

Once the scene has been effectively set, the story starts to primarily focus on protagonist Melita Voronova who, after failing to warn her dangerous corporate employers about Sorokin’s death, is forced to journey to the Spoil to find out who killed him and manage the appointment of a successor.  Beer also introduces a great alternate point of view protagonist in young Spoil resident Haska Jovanic, who provides an intriguing look at the events occurring on the ground in the Spoil, especially as warlords and other involved parties make their move.  Both major narratives evolve at a steady pace, mostly independent of each other, and I liked the competing views of the events and the city that they provided to the reader.  Out of the two, Melita’s investigation-focused chapters were probably the more entertaining, and she leads the reader on the hunt for the killer and the complex politics of the Spoil and its gangs.  These two main perspectives are cleverly interspersed with a series of interludes shown from other side characters, including the true antagonist and their patsies, as they put their masterplan into commission.  While a more detailed perspective from the antagonist might have been interesting, Beer chose to keep their involvement mostly mysterious for the moment, and it was interesting to see their intermittent involvement to the larger plot.

The King of the Spoil takes a big turn in the second half when the antagonist makes a big move and absolutely rocks the entire plot.  The full extent of their ambitious plan and its massive repercussions are pretty over the top, and I loved how Beer cleverly hinted at what was to come while setting everything up in the first half of the book.  Everything honestly goes to hell for Melita at that point while Haska finds herself in the middle of conflict, fighting for everything she believes in.  The stakes of the book keep getting bigger and bigger, and Melita is forced to find help more in keeping with the Warhammer Crime vibe to uncover who some of the major hidden players in the case are, which only results in a more sinister conspiracy than anyone realised.  This leads up to a massively explosive conclusion, which leads to some major changes and mostly resolves events, although there are some big plot points left open which Beer is clearly looking to explore in the future.  Both the main protagonists are left in interesting positions, which cleverly fits their respective development, and it will be great to see what happens to them next.  This was overall an exciting and gripping narrative that lived up to the lofty heights of the Warhammer Crime series.

Like many of the Warhammer Crime books, The King of the Spoil is a mostly standalone read that does not require a lot of pre-knowledge of the other entries in the series, or the wider Warhammer 40,000 universe to enjoy.  While Beer has written about the main character in several prior short stories, you don’t really need to check these out first, as the author makes sure that any relevant details are revisited or mentioned where necessary.  I think that Beer did a really good job of converting the characters and scenarios from his previous shorter works into the larger novel format, and his debut book was pretty epic as a result.

I loved the intriguing mixture of storylines that were featured within The King of the Spoil, and the blend of investigation, gang politics, and character driven storylines worked to produce a fantastic and complex read that fit well within the larger Warhammer Crime universe.  Beer maintains a steady and compelling pace throughout the course of The King of Spoil, and there honestly wasn’t a dull moment throughout the entire book, whether the focus was on intrigue, action, or character growth.  The intriguing crime elements of the novel, such as the protagonist’s major investigation, criminal politics, and the brewing gang war, were all expertly inserted into the story and it blended well with both the setting and the accompanying character arcs.  Beer proved competent at ratchetting up the tension at certain parts of the novel, as both main protagonists are continuously experiencing major threats, momentous decisions, and tragedy.  The action scenes were pretty damn awesome, and I loved how Beer was able to capture the intricacies of the various battles that occurred, whether they be gang scraps or something even more serious.  Thanks to the author’s inclusive writing style and determination to bring a powerful crime fiction story to life, I found The King of the Spoil to be a great entry novel into the Warhammer Crime series, and indeed this might even be a good read for those readers looking to explore the Warhammer 40,000 universe for the first time.  This entire story was showcased extremely well by Beer and I honestly had a hard time putting down The King of the Spoil.

One of the things I love so much about the Warhammer Crime books is the great overarching setting of the massive city of Varangantua, which each author adds to throughout the course of the series.  I love all the unique and different areas of the city that have so far been introduced, but I think the Spoil is one of the best.  Showcased as an extremely poor district that has been deliberately cut off from the rest of the city and is now completely ruled by gangs, the Spoil is a particularly grim and desperate place in an already notoriously grim city/universe.  Beer does a wonderful job diving into the unique history of the Spoil and its inhabitants throughout the course of the book, including how things changed during the reign of Andreti Sorokin, who brought some stability to the region, but in a way that damaged their pride and independence.  This desperation and desire to be free becomes a key part of the plot, as the antagonists use this to bring anarchy to the Spoil and beyond in some impressively destructive ways.  There is also an outstanding and enjoyable focus on gang politics and interactions, as various factions seek to take control of the Spoil throughout the course of the book.  I deeply appreciated how Beer wove these elements of his major setting into the plot, and it made for a much more complex story where neither side is really in the right.  Beer also cleverly works in some larger Warhammer 40,000 elements into the story, which work to enhance the stakes of the story.  The inclusion of one notorious Imperial organisation really showcases just how serious events get at times, and I honestly enjoyed just how widespread and massive Beer decided to make his plot, especially as there are implications of darker forces at work.  This was such a great addition to the Warhammer Crime sub-series of books, and I loved how Beer made this part of Varangantua his own and built an outstanding story around it.

One of the major highlights of The King of the Spoil was the intriguing group of characters the story was set around.  Beer does a great job of introducing a fantastic cast of thieves, gangsters, mercenaries, cut-throat industrialists and more throughout the book, and their battles for supremacy and respect ensured this was an excellent read.  The main protagonist is Melita Voronova, a talented info-broker who has been forced into service by the Valterri cartel and is tasked with keeping an eye on the Spoil.  A brilliant, analytical person with the ability to recruit and maintain a large spy network, Melita is a very intriguing protagonist, and you swiftly grow to ensure her unique outlook and abilities.  However, thanks to her indentured servitude, her complex past, and the cybernetic implants she’s received, Melita is a bit of a mess and is using drugs to cope.  Beer portrays Melita is a deeply damaged figure, who is resentful of her current lot in life and is constantly pushing everyone close to her away.  This makes for several deeply personal scenes throughout The King of Spoil, and it was heartbreaking at times to see her refuse any help, even when she really needs it.  Thanks to the chaotic events of the book, Melita experiences several tragedies in The King of the Spoil which adds further strain to her psyche and enhances the already dark tension of the novel.  I really liked where Beer left Melita’s character arc at the end of The King of the Spoil, especially as it became clear that she still has a lot of development to go, and it will be fascinating to see what happens to her next, especially as she is now on several powerful people’s radar.

The other major protagonist of The King of the Spoil was Haska Jovanic, a young resident of the Spoil who gets a front row view of all the changes and conflict that occurs throughout the book.  In some ways, Haska has a much more complete character journey in this book than Melita, especially as she goes from scared street rat to hardened and vengeful gang soldier.  Dragged into various conflicts in the book thanks to her eager friends, Haska is a bit of a reluctant figure for much of the story, and there are some intriguing chapters around her motivations and what she wants out of life.  Forced to choose between being a fighter or being exploited, Haska is thrust into some of the major plot points of the book, where she finds courage, motivation and tragedy.  Beer did a particularly good job of building up the reader’s attachment to Haska throughout The King of the Spoil, especially as she is one of the more relatable figures in the entire book.  Watching her be forced by circumstances, fear and loyalty into several deadly situations which usually backfire on her is pretty powerful, and the author builds some fantastic storylines around her as a result, especially in the second half of the book.  I deeply enjoyed how her entire complex storyline unfolded, and the compelling conclusion to her arc in The King of the Spoil ensures that she is going to be particularly interesting to follow when she shows up again next.

Aside from Melita and Haska, there are a ton of other great characters featured throughout The King of the Spoil, mainly to bolster the protagonist’s storyline or provide some intriguing antagonistic figures.  Some of the most notable includes Edi, Melita’s bodyguard and former enforcer who serves as the main character’s conscience, resolve and sounding board.  Edi is probably one of the more likeable and honourable figures in the novel, and his intriguing relationship with Melita as he tries to act like her father against her wishes, makes him that much more enjoyable.  The Valterri security chief Tomillan Vasimov, who controls Melita for his organisation, served as an outstanding secondary antagonist, especially due to his rivalry and disdain for the protagonist.  Beer turns him into quite a fantastically unlikeable figure, so much so that you quite enjoy it when the real antagonists take shots at him.  Haska’s ambitious and inexperienced gang friends also prove an excellent addition to the cast, especially as they give Haska a lot of motivation to get involved in events, while Mattix, the grizzled Probator (investigator for the Enforcers), adds a great police presence, despite his often less-than-honourable motivations.  Other great characters also have their moment in the book, such as the actual, and somewhat hidden, antagonist of the story, who masterfully sets every event into play.  I quite liked the deadly intrigue that surrounded this figure, although I do wish we had gotten to see more of them in The King of the Spoil or find out more about their motivations.  I imagine this antagonist will be a recurring figure in any future Beer Warhammer Crime novels, and I look forward to seeing them face off against the protagonist again.  These characters, and more, were all deeply enjoyable and I loved the intriguing range they brought to the plot.

I checked out The King of the Spoil on audiobook, as frankly it is the best way to enjoy a Warhammer 40,000 novel.  Unsurprisingly, I had an amazing time listening to The King of the Spoil, and I really felt that the audiobook format helped to enhance its already exciting and fantastic story.  The frenetic intrigue and brutal action sequences all really come to life when it is read out to you from the protagonist’s perspective, and I definitely absorbed more of the elaborate and desolate landscape of the Spoil thanks to the narration.  I also a very big fan of the narration provided by relatively new audiobook narrator, Gabrielle Nellis-Pain, whose intriguing range added a great deal to the impact and enjoyment of the story.  Nellis-Pain does such a great job of inhabiting the roles of the various characters contained within The King of the Spoil, especially the main two protagonists, Melita and Haska.  I felt that the narrator did a wonderful job capturing their various personalities, as well as the emotional pain and distress the events of this book inflict upon them, and you really get drawn into their story arcs as a result.  The rest of the cast also come together extremely well, and I liked how Nellis-Pain was able to really showcase some of their key character traits, which really helped me to enjoy the excellent story.  Coming in with a decent runtime of 12 and a half hours, dedicated listeners can get through The King of Spoil fairly quickly, especially once they get caught up in its wonderful detail.  I would strongly recommend The King of the Spoil’s audiobook to anyone interested in checking this book out and you will really enjoy it more in this format.

Overall, The King of the Spoil was an excellent and captivating Warhammer Crime novel that I had an epic time listening to.  Author Jonathan Beer did an outstanding job with his first Warhammer novel, and I deeply enjoyed the powerful and exciting crime fiction story he came up with, loaded with amazing characters and set in a fantastic and compelling new part of the Warhammer Crime shared setting.  The King of the Spoil was an impressive addition to an already awesome sub-series and it is clear that Beer has some interesting plans to continue the storylines started here in the future.  I cannot wait to see what Beer delivers in the future and if this first book is anything to go by, it’s bound to be exceptional.

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Throwback Thursday – Mr Mercedes by Stephen King

On By The Unseen LibraryIn Five-Star Books, Thriller, Throwback Thursday16 Comments

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

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Dark Corners by Megan Goldin

On By The Unseen LibraryIn Australian, Murder Mystery, Thriller3 Comments

Dark Corners Cover 2

Publisher: Michael Joseph (Trade Paperback – 8 August 2023)

Series: Rachel Krall – Book Two

Length: 352 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s fastest-rising crime fiction authors, Megan Goldin, returns with another awesome read, the moving and entertaining novel, Dark Corners.

Over the last few years, I have been really enjoying the works of talented Australian author Megan Goldin, whose releases have become something of a must-read for me.  Goldin has written some amazing books throughout her relatively short career, including the very gripping and intense The Escape Room (one of my favourite Australian books of 2019) and the brilliant psychological thriller, Stay Awake (one of my favourite Australian books of 2022).  One of Goldin’s best books so far was The Night Swim, which was one of my favourite Australian books of 2020.  The Night Swim followed protagonist Rachel Krall, a true crime podcaster, as she investigated a notorious rape trial in a small American town.  This was a particularly moving and intense read that really showcased Goldin’s range.  As such, I was very interested when I saw that Goldin was releasing a second Rachel Krall book this year with Dark Corners, and I made sure to read a copy as soon as I could.

After returning from her latest recording exploit, famous true crime podcaster Rachel Krall finds herself dragged into another sinister case when a phone call from the FBI sees her flown to a maximum security prison outside of Daytona Beach, Florida.  A famous social media star has gone missing shortly after meeting with Terence Bailey, a notorious inmate serving time for a relatively minor crime, who many believe is a serial killer.  The only clue the FBI have is a message handed between the two requesting that the missing star seek Rachel out.

Unable to let go of such a curious and intriguing case that she is inexplicably linked to, Rachel resolves to remain in Florida until she finds the truth.  Checking into a massive influencer convention being held at Daytona Beach, Rachel looks to find out more about the missing girl and finds herself being dragged into the cutthroat world of influencers, Instagrammers and internet celebrities.  However, the more information she finds about the missing girl, the more she realises that there is something peculiar about the victim and her past.

Rachel’s investigation uncovers a series of sinister deaths and disappearances in the area, each of which may be connected to Terence Bailey, who is due to be released in a couple of days.  Racing against the clock, Rachel and the FBI must uncover the truth before Bailey gets out of prison.  But it soon becomes clear that there is another predator lurking around Daytona Beach, one who hides in plain sight and will do anything to cover their tracks, including taking Rachel out.

This was a very impressive new read from Goldin, who follows up The Night Swim in a big way.  Dark Corners is a fantastic novel that beautifully combines an intense narrative with some unique and entertaining elements to create an awesome read I easily powered through.

Goldin really comes out of the gate swinging with Dark Corners, and I was swiftly drawn into the clever mystery and intense, character-driven narrative that she pulls together for this follow-up read.  The author starts the reader off with the compelling mystery of a social media star who has been kidnapped after contacting an imprisoned convict.  With the protagonist dragged in thanks to her internet fame, this swiftly turns into an intense personal investigation, as Rachel and the FBI attempt to find the missing girl and solve several unsolved murders and disappearances.  Told through several key perspectives, including that of Rachel and a mysterious rideshare driver who has a dark connection to the case, the story evolves at a rapid and powerful pace, and the author sets up an intriguing series of mysteries both in the past and the present.  The story effectively unwraps all of these interlinked and compelling cases, and you are soon powering through the intriguing web of cases, desperate to find the conclusion.  With much of the story set to the fantastic background of an influencer convention, there are several great tangents and mysteries that emerge, especially as they provide some great alternate leads and red-herring suspects.  The final solution to the case is very interesting, if somewhat spoiled by one of the alternate perspectives, and the big confrontation is well set up and filled with intense moments.  While I was a little disappointed that some of the alternate cases were not as connected to the main mystery as they could have been, this was a very impressive and captivating story, and I had such a great time getting drawn in Goldin’s narrative web.

I really liked the captivating writing style that Goldin utilised for Dark Corners, which has some intriguing similarities and contrasts to the previous Rachel Krall book.  The use of multiple character perspectives, as well as excerpts from Rachel’s true crime podcast for context, work extremely well to tell an extensive and complex narrative.  I particularly liked the inclusion of a sinister antagonist perspective for much of the story, especially as it provides some compelling insights into the deadly case as they circle the protagonist like a shark.  Despite some similarities in style, Dark Corners has a very different tone to The Night Swim, with more of a faster edge given to the story, and less focus on traumatic character histories.  The story does still contain some powerful character moments, especially when the protagonist encounters several victims’ families, but the story was more thriller focused than the last book.  Despite the connections to The Night Swim, Dark Corners can easily be read as a standalone novel, and this actually serves as a great introduction to Goldin’s flexible writing style.  Dark Corners probably has the quickest pace of any of the Goldin books I have so far read, and you will really get drawn into this elaborate book as a result.

While the fantastic mystery and intriguing character-focused stories are great, I really must highlight Goldin’s entertaining take on the social media world as her protagonist attends an influencer convention at a glitzy beachside hotel.  It does not take long for the protagonist’s, and presumably the author’s, true feelings about the influencer crowd to emerge and there is a certain amount of amusing disdain there.  You really can’t help but laugh at Goldin’s mocking and somewhat over-the-top depictions of the typical social media stars’ day-to-day lives, including obsessively recording everything they do, exceedingly fake interactions, and hollow personal relationships.  Goldin really does not pull any punches here, which I personally deeply appreciated, and it added quite a humorous edge to the book, especially when combined with the protagonist’s exasperated reactions to the various scenarios she encounters.  Despite this somewhat critical edge, Goldin does include a lot of intriguing information about the community, such as the various types of influencers, their social makeup, the ins and outs of the trade, as well as the type of personalities that are attracted to the lifestyle.  There is even a quite nuanced take on several key influencers throughout the book, and it was quite compelling to see what sort of people they really are.  While this background setting is mostly entertaining and fun, it does serve quite a vital role in the story, and I felt that Goldin was able to weave quite an intriguing and unique mystery story around it.  This ended up being one of the best inclusions of the entire novel, and I really loved how Goldin made Dark Corners stand out even further with her clever, if slightly acerbic take, on social media personalities and their influence.

Overall, Dark Corners was another outstanding book from Megan Goldin, who continues to shine as one of Australia’s premier authors of thriller fiction.  Combing a clever mystery with an intriguing character focus and a unique background setting, Dark Corners was an addictive read from start to finish and I deeply enjoyed Goldin’s latest impressive novel.  Highly recommended!

Dark Corners Cover

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Quick Review – The Paris Agent by Kelly Rimmer

On By The Unseen LibraryIn Australian, Drama, Historical Fiction2 Comments

The Paris Agent Cover

Publisher: Hachette Australia (Trade Paperback – 28 June 2023)

Series: Standalone

Length: 337 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s premier authors of historical fiction, the supremely talented Kelly Rimmer, returns with another moving and intense novel that dives into the horrors of World War II, The Paris Agent.

Over the last couple of years, I have been deeply impressed with the works of Kelly Rimmer, a well-established Australian author whose previous novels have been excellent historical dramas set during the Second World War.  Rimmer’s books are pretty spectacular, as they masterfully blend powerful personal stories with intense depictions of key parts of the war, especially those involving the evils of the Nazi regime.  Her last two books, The Warsaw Orphan (one of my favourite Australian books of 2021) and The German Wife (one of my favourite books and Australian books of 2022), were exceedingly moving, and I now make it a point to grab her new books each year.  Her latest novel, The Paris Agent, presented the reader with an interesting new story, one that focuses on female espionage agents in occupied France.

Plot Synopsis:

Two otherwise ordinary women become spies in WWII France in this sweeping new novel of historical suspense by New York Times bestselling author Kelly Rimmer

Twenty-five years after the end of the war, ageing British SOE operative Noah Ainsworth is reflecting on the secret agent who saved his life when a mission went wrong during his perilous, exhilarating years in occupied France. He never knew her real name, nor whether she survived the war.

His daughter Charlotte begins a search for answers. What follows is the story of Fleur and Chloe, two otherwise ordinary women who in 1943 are called up by the SOE for deployment in France. Taking enormous risks with very little information or resources, the women have no idea they’re at the mercy of a double agent within their ranks who’s causing chaos.

As Charlotte’s search for answers continues, new suspicions are raised about the identity of the double agent, with unsettling clues pointing to her father.

This was another powerful and clever novel from Rimmer, who takes on another aspect of World War II and weaves together an outstanding story.  The focus on Allied female spies being dropped into occupied France is a well-established and highly utilised topic in historical fiction and historical dramas, and Rimmer manages to produce a very distinctive read in The Paris Agent that I found very hard to put down.

To tell her story, Rimmer utilises an excellent multi-perspective narrative, with some interesting time differences also added in for each of the timelines.  The first timeline, shown from the perspective of Charlotte, is set in 1970, and follows the protagonist’s attempts to find out more about her amnesic father’s activities during the war after she finds out he was a spy in France.  The other two storylines focus on the characters of Fleur and Chloe respectively.  Both characters were dropped into France at different points of the war to do their own specific missions, including committing sabotage and investigating reports that the local network had been compromised.  These two past storylines are set across a couple of years in the war, with the two protagonists interacting with each other, and Chloe’s father, Noah, at various points, and together the three storylines wrap together to provide a complex and powerful narrative of espionage, personal relationships, and betrayal, all set in front of the brutal Nazi occupation of France.

All three stories are brought together throughout the course of The Paris Agent, and I liked the complex and intriguing narrative threads that emerged.  The risks and sacrifices of the characters during the war are pretty intense, and the emotional connections that they make bring a compelling balance to the dark story elements of espionage and betrayal.  The third storyline that focuses on Charlotte and her father is also very good, both on its own and for how it supports and enhances the other two plot lines.  This more modern storyline gives some great hints at the tragedy to come in the other storylines, while also underlying further the cost that these intelligence agents had to make.  The intriguing hints that Noah might have been a traitor responsible for terrible events is very compelling, and it is fascinating to see the impact that the war was still having on survivors like him.

The two storylines in the past eventually come together in the last quarter of the novel, and some of the compelling twists that come from this are moving and dark.  The identity of the traitor, while not overly surprising, does have some major emotional heft to it, and you can’t help to despise the antagonist, especially as Charlotte’s storyline serves to underline all the terrible things they did.  Both the Fleur and Chloe storylines end on a very tragic, if inspiring, note, and readers will come away from that exceedingly saddened but impressed by how well written these storylines were.  I did think that the ending of the Charlotte storyline was a little weaker, mainly because it relied on a little too much on coincidence, and I think that the author left some intriguing story opportunities closed.  Still, I really appreciated how cleanly and powerfully these three separate storylines came together, and it resulted in an overall exceptional read.

Rimmer utilises some intriguing writing elements to ensure her story is extra impactful.  As I mentioned before, the use of multiple character perspectives and timelines was a major part of this book, and I was mostly happy with how that turned out.  I must admit that I am not the biggest fan of historical novels that features a storyline where someone in the present day attempts to uncover family secrets, as frankly it is bit of a cliché at this point.  However, I think that Rimmer did a good job here, as it was set far closer to the war, and the family secrets that the protagonist is trying to uncover are the result of amnesia, which is well balanced by the potential spy aspect.  The rest of the story flows through extremely well as a result, and I loved how cleverly the separate wartime storylines interacted and enhanced each other, especially when it came to Noah’s connected story and the examination of the potential treachery.

However, one of the best things about The Paris Agent for me was the outstanding and deep portrayals of the Nazi occupation of France and the espionage efforts the Allies utilised in response.  Rimmer always excels at diving into some of the darkest and most intriguing parts of World War II history, and The Paris Agent was another great example of this.  The author provides some intriguing examinations of how the Nazis controlled France during the war, and Rimmer tries to showcase the occupation from several different sets of eyes in various French settings.  However, the real focus of the book is on the intelligence networks that the Allies set up in France during the war and the missions they engaged in.  This compelling part of the war is always rich ground for historical fiction authors, and I think that Rimmer’s take on it was particularly noteworthy.  She really captures the intensity and dedication that these agents had, as well as the constant risk that they found themselves in.  The focus and portrayal of tradecraft, intelligence gathering, and communication was very realistic, and I cannot emphasise how well each of the major spy protagonists were developed and featured throughout the book.  Of course, as this is a Rimmer book, The Paris Agent does get very dark in places, mainly when it comes to the fate of captured spies and intelligence agents.  Rimmer pulls no punches when it comes to how badly these prisoners were treated, nor when it comes to the terrible fates they experienced.  The fact that many of the characters are based on real historical people makes parts of the book hit even harder, and you really won’t come away from The Paris Agent without a tear in your eye.

Kelly Rimmer continues to showcase why she is one of Australia’s best writers of intense and moving historical fiction.  The Paris Agent was an excellent piece of historical drama that features a powerful and compelling story about spies, tragedy and betrayal.  Cleverly written and guaranteed to stick with you long after you’ve finished reading it, The Paris Agent is an outstanding and highly recommend book that I am really glad I got to experience.

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The Drowning Girls by Veronica Lando

On By The Unseen LibraryIn Australian, Murder Mystery2 Comments

The Drowning Girls Cover

Publisher: Harper Collins Australia (Trade Paperback – 5 July 2023)

Series: Standalone

Length: 323 pages

My Rating: 4.5 out of 5 stars

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Rising Australian crime fiction author Veronica Lando presents a particularly intense and captivating read in her latest gritty release, The Drowning Girls.

Port Flinders in the north of Australia is a desperate town, suffering from depleted fishing and a poor economic future.  The only thing that is keeping the tiny town going is its infamous Drowning Girl Festival, which draws vast crowds of tourists to the town’s mangrove-lined shores each year.  The festival honours a statue that is symbolically dropped into the water in a seemingly harmless bit of fun, recognising an old legend that a woman must be sacrificed each year to revitalise the town’s fishing.  But not everyone thinks that the legend is untrue, especially as a tragic drowning of two girls 25 years earlier seemed to save the town.

As the new festival beings, Nate Bass arrives, set to temporarily fill in as the town’s sole teacher.  Forced to take the job after an incident at his last school, Port Flinders is the last place Nate ever wanted to come back to, as he has history with the town and its sinister festival.  However, the past has a way of coming back to haunt everyone, and soon a new development in the towns infamous history emerges.

A dead woman is pulled from the water at the height of festivities, but is she the victim of an unfortunate drowning accident, or has someone sacrificed her to the ocean?  As Nate finds himself drawn to the case, he is forced to dive back into his tragic childhood to events that have haunted him for 25 years, especially when the identity of the drowned woman is revealed.  To discover the truth, the past and present will need to come together, but is Nate ready to reveal his biggest mistake to the world?

The Drowning Girls was a very distinctive and captivating bit of Australian fiction by Lando which deeply impressed me when I checked it out.  Set around a compelling rural Australian setting with some major baggage associated with it, The Drowning Girls has a great story to it that features an excellent blend of mystery, emotional dives into the past, and some major character moments that really drew me in.

The story itself is told through two separate perspectives, that of Nate Bass, the town’s substitute teacher who returns during the height of the Drowning Girl Festival, and a young boy nicknamed Tack, who provides an intriguing alternate perspective of certain events.  Both get embroiled in the mysterious drownings that occur in Port Flinders in different ways, and their character-driven narratives swiftly come together to tell a story of tragedy, friendship, and secrets.  Nate’s story serves as the central focus of much of The Drowning Girl’s plot, and his exploration of the town’s history, the mindset of its people, and the impact of the festival adds some great depth to the story, especially as the author introduces some excellent supporting characters/suspects in the case.  The story revolving around Tack is an interesting coming-of-age tale, which shows the young protagonist trying to fit in around Port Flinders, while also learning about the mysteries of the festival.  This secondary storyline is a little harder to get into at the start, but the intriguing inclusions it features have some fantastic and fascinating impacts on the larger story.

There is a great reveal about halfway through the book that completely changes everything you thought you knew about The Drowning Girls’ plot, and which brings the two separate storylines together in an outstanding way.  I loved how Lando turned everything around at that point, and it led to a pretty addictive and exceptional second half of the book, which I honestly had a hard time putting down.  There are even more excellent twists revealed towards the end of the book, as well as some deeper dives into the protagonist, as he explores all the trauma from his past, as well as the deadly events from 25 years earlier.  The full extent of both the drownings in the past and the present are intense and very clever, and the elaborate and dramatic mystery that Lando came up with is extremely impressive and moving.  This entire story comes together pretty perfectly, and the full extent of the book’s tragic and moving storyline results in some truly shocking moments.  I honestly did not see the book’s big conclusion coming, and the Lando ensured that readers will come away from The Drowning Girls shocked and deeply moved.

There are a lot of great elements to The Drowning Girls that I enjoyed, and Lando has a real talent for writing and creativity that really connected with me.  Her creation of the fictional town of Port Flinders is fantastic, and she does a remarkable job of capturing the feel of a dying tourist town in Australia’s far north.  Everything about this town, including the crippling isolation, the rowdy tourists, the oppressive feel of the surrounding mangroves, and the various people who choose to call such a location home, feels highly realistic and it works into the dark storyline of The Drowning Girls extremely well.  I also loved the intense feelings invoked by the mysterious festival that is such a key part of the book’s plot, and you have to love the dark symbolism that Lando chose to associate with it.  You can almost understand the desperation that some of the town’s residents feel when it comes to the festival, and I felt that it was an outstanding and creepy plot focus that really stood out.  However, one of the best elements of The Drowning Girls was the main protagonist, Nate Bass, who has a complicated past and a deep and traumatic connection to the town.  Seeing the slow unravelling of Nate’s personal history is an outstanding and moving part of the book, and you really get attached to him as a result.  Watching him unload his guilt, trauma and resentment is some of the most powerful parts of the book, and you really must appreciate everything that Lando puts her protagonist through.  Thanks to the author’s great use of the split storyline, as well as the fantastic blend of drama and mystery that emerges throughout the narrative, The Drowning Girls’ story really shines through, and I came away with a huge appreciation for Lando’s style.

The Drowning Girls by Veronica Lando is one of the more unique and complex Australian crime fiction books I have so far read this year, and I was really impressed with how compelling and dark she was able to make it.  Featuring a clever and twisted mystery with some major character moments, The Drowning Girls is a highly recommended read and easily one of my favourite pieces of Australian fiction in 2023 so far.

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Quick Review – The Last Orphan by Gregg Hurwitz

On By The Unseen LibraryIn Quick Review, Thriller10 Comments

The Last Orphan Cover 2

Publisher: Michael Joseph (Trade Paperback – 21 February 2023)

Series: Orphan X – Book 8

Length: 342 pages

My Rating: 4.5 out of 5 stars

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The always impressive Gregg Hurwitz continues his amazing Orphan X series with the awesome and wonderful new addition, The Last Orphan.

One of my favourite spy thriller series at the moment is easily the exciting and cool Orphan X series by rising thriller author Gregg Hurwitz.  This fantastic series follows a former elite government assassin, Evan Smoak, codenamed Orphan X, who is forced to go rogue and hide himself away from his old employers.  Hoping to redeem himself after all the killing he’s done, Evan takes up a new identity, the Nowhere Man, a vigilante who helps the most desperate people in ways no one else can.  I have been a fan of this series for ages, ever since I read Out of the Dark, which pitted the protagonist against a deranged US President.  Since then, I have had an outstanding time reading the latest books in the series, including Into the Fire, Prodigal Son, and Dark Horse.  I always make it a point to pick up the new Orphan X book each year, and the latest entry, The Last Orphan, was another pretty awesome book that I was quickly able to power through.

Plot Synopsis:

As a child, Evan Smoak was plucked out of a group home, raised and trained as an off-the-books assassin for the government as part of the Orphan program. When he broke with the program and went deep underground, he left with a lot of secrets in his head that the government would do anything to make sure never got out.

When he remade himself as The Nowhere Man, dedicated to helping the most desperate in their times of trouble, Evan found himself slowly back on the government’s radar. Having eliminated most of the Orphans in the program, the government will stop at nothing to eliminate the threat they see in Evan. But Orphan X has always been several steps ahead of his pursuers.

Until he makes one little mistake…

Now the President has him in her control and offers Evan a deal – eliminate a rich, powerful man she says is too dangerous to live and, in turn, she’ll let Evan survive. But when Evan left the Program he swore to only use his skills against those who really deserve it. Now he has to decide what’s more important – his principles or his life.


The Last Orphan was another outstanding entry in this great series and Hurwitz ensures that it features all his trademark features, including strong characters, a powerful emotional heart, and a ton of action and intrigue.

This latest Orphan X book has a very strong start to it as Evan is ambushed right at the beginning of the novel by a massive Secret Service detail, determined to finally bring him in after he went rogue on the President a few too many times.  Captured and trapped, Evan is forced to make a deal: kill mysterious industrialist Luke Devine or lose his own life.  However, Orphan X makes his own decisions about who he assassinates, and after escaping, he begins his own research into his target, hoping to determine if he deserves to die.  Investigating a mysterious death associated with Devine’s estate and the massive parties that go on there, Evan begins to make his own connections about the case and is forced to go up against Devine’s lethal and morally dangerous security detail.  There are some pretty intense scenes in this part of the book as Evan makes some curious discoveries about Devine and his company, while also being forced to protect potential witnesses from his target’s security.  At the same time, Evan begins to wonder if Devine actually deserves to die and must soon choose between his conscious and his peaceful life of anonymity.

This was a pretty good entry in this series, although possibly not the best that I have so far read (in my mind, that’s Into the Fire).  I really liked the awesome start to The Last Orphan, especially as the over-the-top and intense capture by the Secret Service was so damn cool and it was interesting to finally see Evan taken down by the Government.  However, this doesn’t last long, and once he rather easily escapes, the intensity and pace of the story kind of slows down a bit.  Don’t get me wrong; I did really enjoy the subsequent storyline set around the investigation into the mysterious industrialist and his security crew, but it was a bit of a step down after the initial excitement.  Still, this second half of the novel is a ton of fun, and Hurwitz presents his usual blend of fascinating spy thriller moments, particularly intense and brutal action, as well as the focus on Evan’s strained and unique personal life.

The villains of this story, Devine’s security detail, are some pretty over-the-top but genuinely threatening figures, and Hurwitz comes up with some excellent scenes around them, even presenting them as real threats to the protagonist.  At the same time, Hurwitz works in a very compelling morality edge to the story, as Evan tries to work out whether Devine is actually evil or just a political threat to the President.  The author makes this determination pretty hard, especially as Devine comes across as a very manipulative and unusual figure who manages to make even the legendary Orphan X doubt himself.  The big conclusion of this books is very good and features all the typical action and carnage that you would expect.  However, parts of the story go in some very surprising directions and I liked the unique ideas that Hurwitz presented here.

In addition to all the action and intrigue, quite a lot of The Last Orphan revolved around the compelling and moving emotional and personal concerns of the protagonist and his great supporting cast.  Evan has always been a very complex figure due to his unusual upbringing, his lack of personal skills, and his crippling OCD, and a fantastic recurring theme of the books has been him trying to overcome this and finally make some connections.  This continues extremely well in The Last Orphan, as he once again relies on his friends and his surrogate daughter/little sister to pull him out of the fire and keep his sanity.  There are some pretty emotional interactions between Evan and these figures throughout the course of The Last Orphan, especially as it appears that Evan might not be able to come back from his latest adventure, and I felt that this was another powerful and impressive evolution of some already deep character growth.  There are some other pretty big personal moments for Evan in The Last Orphan, including the seeming end of one relationship due to Evan’s fugitive status, and the potential development of another as Evan finally attempts to dive into his own complex past.  It will be fascinating to see how this develops in the future, and I am sure that Hurwitz has some very intense moments planned for all of us.  I honestly felt that the author got the right balance between action and emotion for The Last Orphan, and this ended up being a stronger book as a result.

Overall, The Last Orphan was a pretty awesome new entry in the great Orphan X series, and I really liked how Gregg Hurwitz continued his fantastic ongoing narrative.  Featuring an excellent blend of spy thriller fun and powerful character work, The Last Orphan was an addictive and clever read, and I am glad I got the chance to check it out.  Highly recommended, especially to established fans of the series, The Last Orphan is really worth the read.

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Kill For Me Kill For You by Steve Cavanagh

On By The Unseen LibraryIn Thriller5 Comments

Kill For Me Kill For You Cover

Publisher: Headline (Trade Paperback – 25 July 2023)

Series: Standalone

Length: 356 pages

My Rating: 4.5 out of 5 stars

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The always entertaining Steve Cavanagh returns with another outstanding thriller, this time with an awesome new take on an old classic with Kill For Me Kill For You.

Steve Cavanagh is an outstanding author who I have been having a wonderful time reading in recent years.  Cavanagh is best known for his awesome Eddie Flynn legal thriller series that follows a former conman turned defence attorney as he uses his unique insights and tricks to win impossible cases, even when everything is stacked against him.  I have had a ton of fun with the last few books in the series, The Devil’s Advocate and The Accomplice, and Cavanagh is firmly on my yearly must-read list now as a result.  I had been hoping for another Eddie Flynn novel this year, but I was happy to receive a copy of Cavanagh’s new standalone thriller, Kill For Me Kill For You, which throws a grieving mother into a terrible situation.

Amanda White is a woman who lost everything in life when her young daughter was kidnapped and murdered.  Left helpless as the prime suspect is found innocent while her own husband killed himself out of despair, all Amanda has left is a desire for revenge.  But with her target aware of her hatred, and the police certain to arrest her if she tries anything, Amanda can only sit back and do nothing.

Required by the court to attend a trauma support group, Amanda has a chance encounter with another member, Wendy, who has her own desire for revenge.  Like Amanda, Wendy wants to kill the man responsible for her own child’s death but is determined to avoid police retaliation.  Together, the two women plot on how to take out the men that they hate, and soon draw inspiration from a classic Hitchcock film in which two strangers kill the other’s target.

However, when Wendy suddenly kills Amanda’s obsession, she is forced to act quickly and commit her murder for Wendy before the police come for her.  But nothing is as it seems, and Amanda soon finds herself trapped in a deadly situation with the police hot on her trail.  To survive, Amanda will need to dive into the past to discover a legacy of hatred, death and manipulation that will drive her to the brink of sanity and despair.

This was an excellent new thriller from Cavanagh that I managed to power through in no time at all thanks to its exciting and fast-paced plot.  Told from several different perspectives, Kill For Me Kill For You tells a clever and multi-layered narrative that proves very hard to put down, especially as Cavanagh loads it with his usual fun collection of twists, betrayals and compelling reveals.

Kill For Me Kill For You has a great character-driven narrative that follow several very damaged protagonists in a series of compelling situations.  The main storyline follows the character of Amanda White, whose desire for revenge against her daughter’s killer sees her form a friendship with Wendy, when they try to enact their Strangers on a Train inspired double murder.  At the same time, a good chunk of the plot revolves around the character of Ruth Gelman, who survives a brutal attack by a serial killer and is forced to deal with the traumatic consequences.  These two storylines are linked by a third major point-of-view character, Detective Farrow, who investigates both the assault on Ruth and the murder of Amanda’s daughter and finds himself getting drawn into both of their lives.

Both major storylines continue at a fast and compelling pace throughout the book, with Amanda’s storyline focusing on the clever intrigue, while Ruth’s storyline has a more emotional edge to it as she and her husband Scott are forced to deal with her injuries and ongoing fear of the killer’s return.  There are some fantastic developments in both, especially for Amanda when the Strangers on a Train plan goes out the window as expected.  I really loved the fantastic twists that surround Amanda at the middle of the book which completely change the trajectory of her entire plot as a result.  Both stories continue mostly unrelated for the rest of the book, and I think both develop in a great way independent of the other.  They do eventually come together towards the end of the book, and for me that was where Kill For Me Kill For You fell apart a little.  The joining twist of these two independent storylines is very predictable, even though Cavanagh did try to cover it up in a few clever ways.  Certain elements of this twist also stretch the feasibility of the plot to a degree, and while possible, it was a very unlikely.  Still, this only ruins the flow of the book a little and readers will still be hooked on the plot.  I loved the final few twists that Cavanagh loaded towards the end of the book, and the overlying emotional story writing and character moments that are utilised throughout the entire plot ensure that this is a very powerful read.  Readers will come away from this book very satisfied, and I honestly could not put Kill For Me Kill For You down the entire way through.

With the exception of the that problematic twist I discussed above, I mostly enjoyed how Cavanagh wrote Kill For Me Kill For You.  The excellent use of multiple character perspectives which shift from chapter to chapter works well to tell an expansive story with a lot more facets than I thought it would.  The different story focuses is very interesting and I liked the unique stories that both of the major characters (Amanda and Ruth) told throughout the book.  While I did find the chapters focusing on Amanda and her crisscross a lot more interesting, the Ruth storylines are more psychologically powerful and have some compelling edges to them.

I have to say that I was also very impressed with how Cavanagh made excellent use of the Strangers on a Train inspired murder plot throughout Kill For Me Kill For You.  Cavanagh makes some clever references to the classic film (and the book it is based on) throughout the novel, and I loved how he put his own spin on this classic tale.  I was worried in advance that it would be too much like other crime fiction homages to Strangers on a Train that I have seen before, but Cavanagh really made this plot element his own in Kill For Me Kill For You, working the film into his story in an excellent and memorable way.  The resulting compelling storyline was so much fun, and I cannot emphasise how brilliant and captivating this part of the book was.

In addition to the fun story elements, I also deeply appreciated the powerful character focus that Cavanagh featured throughout Kill For Me Kill For You.  There are four major point-of-view characters in Kill For Me Kill For You, and Cavanagh ensures that they have some complex and emotionally charged moments throughout the course of the plot.  All four of these characters are damaged by trauma or loss in their own unique way, including Amanda’s deep obsessive need for revenge, Ruth’s intense fear after surviving her traumatic attack, Scott’s guilt for not being there for his wife which leads to anger and despair and Farrow’s detrimental connection to his cases and the people impacted by them.  The author does an amazing job of diving into each of these character aspects throughout the course of Kill For Me Kill For You and you really grow to understand their individual traumas, obsessions and motivations throughout the course of the book.  Each character reacts to their damage and obsessions in different ways, and watching them overcome them, or succumb to them, are a key part of the plot.  This was probably the most emotionally charged and character focused book of Cavanagh’s that I have read so far, and I really appreciated how he dove into his complex protagonist’s psyches and attempted to highlight just how damaging death, violence and trauma can be on a person.

Kill For Me Kill For You was an outstanding read from Steve Cavanagh and one that I would very strongly recommend.  Featuring a unique and highly entertaining thriller narrative that cleverly balances intensity, twists, a wonderful homage to a classic piece of crime fiction, and powerful character moments, this is an excellent read that I really got attached to.  While I did have issue with a certain key point in the book, Kill For Me Kill For You was an overall strong and compelling novel that really showcases Cavanagh’s rising talents as an awesome thriller writer.

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