Star Wars: Thrawn Ascendancy: Greater Good by Timothy Zahn

Star Wars - Thrawn Ascendancy - Greater Good Cover

Publisher: Penguin Random House Audio (Audiobook – 27 April 2021)

Series: Thrawn Ascendancy – Book Two

Length: 16 hours and 17 minutes

My Rating: 4.75 out of 5

One of the most impressive authors of Star Wars fiction in the world today, the legendary Timothy Zahn, returns with another epic entry in his Thrawn Ascendancy series, Greater Good, which continues to explore the early life of that awesome Star Wars character, Grand Admiral Thrawn.

Zahn is an outstanding author who has been writing Star Wars fiction since 1991, with the highly regarded Heir to the Empire.  Since then, Zahn has written several amazing Star Wars novels in both the current canon and the Star Wars Legends canon.  While I have not read all of Zahn’s Star Wars novels (yet!), the ones I have were all incredible and are some of my all-time favourite Star Wars novels (such as the awesome Star Wars: Scoundrels).  However, his most distinctive works have all surrounded the awesome character of Thrawn.

Grand Admiral Thrawn is an alien officer in the Imperial Navy, renowned for his amazing tactical knowledge, brilliance in battle and ability to discern insights about his opponents by observing their personality or culture, especially art.  Ever since his introduction in Heir to the Empire, Thrawn has been a firm favourite among the fans, so much so that he was one of the few characters from the Legends extended universe reintroduced in the new canon.  This reintroduction was done in the third season of the Star Wars: Rebels animated series, where he served as an impactful antagonist for the third and fourth season.  It also looks like Thrawn will also be getting a live-action appearance at some point in the future after his name was dropped in The Mandalorian, which is pretty damn exciting.

The character has been heavily featured in the current range of Star Wars novels, as Zahn was brought back in to write some exciting new Thrawn-based novels.  This started with a brand new Thrawn trilogy in 2017, made up of Thrawn, Alliances and Treason, which showed how Thrawn joined the Imperial Navy and his early career as an officer.  These novels were all incredible reads (Thrawn got a five-star review from me, and Treason was one of the best books I read in 2019), and I loved the character’s unique adventures.  Thrawn’s story was furthered expanded last year with Chaos Rising; the first novel in Zhan’s Thrawn Ascendancy series, which examines the character’s pre-Empire life. 

While the armies of the Republic and the Separatists battle for supremacy in the Clone Wars, another deadly conflict is occurring beyond the bounds of known space.  Deep in the unexplored regions, known as the Chaos, the mighty Chiss Ascendancy have just defeated the forces of General Yiv the Benevolent, shattering his empire, the Nikardun Destiny, and bringing peace back to their territories.  As the Chiss Ascendancy returns to normal, they are unaware that they are still under attack from a malevolent and clever foe that is determined to finish off the Chiss once and for all.

On a Chiss agricultural planet, a group of peaceful and seemingly harmless aliens have arrived, seeking to temporarily make a home.  In addition to their good nature, kind hearts and unique spices, these aliens have also brought something of great value that many people will kill for.  As news of the alien’s resources spread, cracks begin to appear in the very foundation of the Ascendancy, as the various powerful families fight for supremacy.

With civil war on the horizon, the future of the Chiss Ascendancy may lay in the hands of the brilliant and infamous Senior Captain Mitth’raw’nuruodo of the Chiss Expansionary Defence Fleet.  Thrawn, who is personally responsible for the defeat of Yiv and the Nikardun, is currently investigating the origins of their attack on the Ascendancy and, in doing so, comes across a previously unknown planet destroyed by its own deadly civil war.  As Thrawn attempts to explore this new mystery, he soon finds himself in the midst of a dark conspiracy.  An unseen force is attempting to take control of the entire Chaos, and the Chiss are the greatest obstacle to their plot.  Hamstrung by politics, family ties and his own inability to see the deeper motivations of his fellow Chiss, can Thrawn stop the oncoming conflict before it is too late, or will the Chiss Ascendancy burn from the inside out?

Zahn has once again produced an exceptional and outstanding piece of Star Wars fiction that further explores the fantastic early adventures of his greatest creation.  Greater Good is an excellent middle novel in this cool trilogy, and readers will deeply enjoy this book’s blend of intricate storytelling, great characters and impressive universe-building.  All of this results in an exciting and compelling novel that quickly draws readers in and has absolutely no trouble keeping their attention.  I had an outstanding time getting through this great novel and I was able to power through its audiobook format in no time at all.

At the heart of this outstanding novel is a clever and addictive narrative that follows Thrawn and a bevy of supporting characters as the Chiss Ascendancy finds itself in danger from an indirect attack.  Greater Good follows on immediately after Chaos Rising, and examines the next stage of a compelling conspiracy against the Chiss, while also focusing on Thrawn’s battles during this period.  The author utilises a substantial number of alternate perspectives to tell a rich and varied story and, while Thrawn is the centre of much of the book’s plot, Zahn has widened the focus of the novel with several compelling storylines and characters.  These include an investigation into the origins of a Nikardun attack on a remote planet, several jaunts out into different parts of space, internal political conflicts that are a threat to Thrawn, and exciting encounters with other inhabitants of the Chaos.  There is also a substantial focus on a new plot to destroy the Chiss, which includes several compelling flashback sequences that examines the origins and initial planning of the conspiracy.  This use of flashback is pretty impressive, and while certain aspects of the antagonist’s storyline are a tad odd, it was still an interesting tale.  I really enjoyed the vast array of different storylines and character arcs that really highlighted the richness of the setting and the unique plotlines they could inspire.  While some of these storylines might seem rather disconnected at times, Zahn cleverly brings them together at the end of the novel, resulting in a very impressive and intriguing conclusion.

As with most of Zahn’s novels, Greater Good is loaded to the brim with Star Wars lore and intriguing universe-expanding ideas as the author dives deeper into the origins, culture and history of the Chiss Ascendancy.  Zahn really expands on what he introduced in his previous Thrawn and Thrawn Ascendancy novels, especially Chaos Rising, and highlights the proud Chiss warrior culture.  A vast amount of new information of the Ascendancy is featured within this latest book, and the reader gets a fascinating look at the planets, political makeup and social hierarchy of this race, especially at the family level.  Not only is this really intriguing, especially for those readers who have enjoyed Zahn’s previous additions to the Star Wars canon, but the author uses it extremely well within the plot.  Much of the main narrative, including the conspiracy that threatens to destroy the Chiss, is based on their family makeup and the accompanying politics and family mentalities that go along with that.  I felt that Zahn integrated this into the narrative extremely well, forcing the characters to navigate their unusual and insane politics in order to survive.

The author also expands the reader’s knowledge of the previously unexplored area of the Star Wars universe known as the Chaos.  The Chaos, thanks to certain celestial anomalies, is harder to navigate and transverse than regular space; it is a mess of isolated planets, unknown societies and new alien races.  Zahn introduces several new aliens throughout this novel, with each unusual race playing an interesting role in the overall story.  I love the unique Star Wars setting of the Chaos, especially as many of the established Star Wars rules and technology are not as present.  For example, the various warships have some different armaments and shielding, such as acid-filled missiles, resulting in some unique and previously unseen battle tactics.  It was also interesting to see the different takes on the Force that the inhabitants of the Chaos have come up with.  Without any Jedi present, the various races within the Chaos each have their own interpretations or uses for the Force, such as the Chiss Sky-Walkers, young children who can use the Force to help ships navigate the Chaos more effectively, and it was intriguing to encounter different views of this throughout Greater Good.  Hardcore Star Wars fans will enjoy the intriguing additions that Zahn makes to the expanded universe, and the final few pages hint at some major lore introductions occurring in the next Thrawn Ascendancy novel that I am rather curious about.

While this was a great book and piece of Star Wars fiction, I did feel that it required some pre-knowledge of Zahn’s prior works.  The narrative of Greater Good is heavily linked to the events of its preceding novel, Chaos Rising, and while the author does re-explain some of the elements or storylines, a lot of the plot does rather assume you read the first book.  Having greatly enjoyed Chaos Rising, I was able to follow this quite easily, but I could easily see some newer readers getting a little lost or overwhelmed in places.  In addition, parts of the Thrawn Ascendancy series are heavily linked to the events of the previous Thrawn trilogy, and certain references or comments might not make much sense unless you had already read these books.  As a result, I would suggest newer readers check out some of Zahn’s earlier novels first, although it is still possible to enjoy Greater Good without it.  Those readers who have enjoyed these prior books are definitely in for a great treat though and will find the deeper dive into the Chiss and Thrawn’s past to be really enjoyable.

I cannot review one of Zahn’s Thrawn-centric novels without talking about the awesome space battle sequences they contain.  Each of these awesome books features some impressive and detailed space battles as the protagonists encounter a range of ships and fleets that they must fight against.  Greater Good is a particularly good example of this, as Zahn has written several outstanding sequences that are attention-grabbing and fun.  The sheer level of detail and planning that Zahn puts into these action sequences is incredible, and you get an amazing sense of what is occurring during the battle as well as the associated tactics and plans.  The sequences involving Thrawn are easily the best, as Zahn goes out of his way to showcase the character’s tactical brilliance.  This results in some very elaborate sequences, as Thrawn quickly determines the weaknesses of his opponents and uses that knowledge to craft intricate and somewhat insane strategies to utterly defeat them.  Watching these plans come to fruition is always amazing, especially as the reader has no idea in advance what is going on in Thrawn’s mind.  Instead, you only get to see the brilliance and impact of his tactics at the same time as the other characters, and it is always a lot of fun seeing how Thrawn was able to come to his conclusions about his opponents and use them against him.  Zahn comes up with some outstanding sequences for Greater Good that are guaranteed to leave readers on the edge of their seats.

In addition to the awesome narrative, action and universe-building, Greater Good also features an awesome collection of characters, each of whom add so much to the novel.  Naturally, the most impressive character is Thrawn himself.  Even amongst his own people, Thrawn is a strange being who sees the world in a very unique way, and everyone he encounters is impressed by his tactical know-how and unnatural observational skills.  I always enjoy the way in which Zahn depicts Thrawn’s actions in the novel, as Thrawn is one of the few characters whose perspective we do not see.  Instead, Thrawn is only portrayed through the eyes of the major point-of-view characters who observe and react to his actions.  Not only does this remove the inherent difficulties in depicting Thrawn’s mind, but it really enhances the impacts of his deductions and subsequent reactions.  The observing characters view Thrawn making his moves or claiming some impossible bit of knowledge, and then slowly work out how he did it, either through their own observations or thanks to comments by Thrawn.  This is done in a similar manner to the classic Sherlock Holmes novels, with the supporting characters in Greater Good acting in the role of Watson to witness and be impressed by the protagonist’s intelligent leaps.  Like with Sherlock Holmes, the use of the outside narrator in Greater Good deeply enhances the impact of Thrawn’s action, resulting in some awesome scenes.

One of the intriguing aspects of Thrawn’s character in Greater Good that I appreciated was the way in which Zahn continued to highlight his character’s one major weakness: politics.  Thrawn has absolutely no concept of politics, family alliances or some of the inner conflicts impacting the Chiss, and as such is unable to defend himself or others against political ambitions or vindictiveness.  I always really enjoy this trait in the Thrawn novels, especially as it gives Thrawn a noticeable weakness, while also enhancing the impact his fellow supporting characters have, as all of them understand politics better and can help Thrawn in this arena.  This blindness to political realities is particularly important in Greater Good, as not only is Thrawn being attacked by politicians from within his own family but the main threat facing the Chiss is more political than militaristic in nature.  This results in a rather intriguing handicap for Thrawn throughout Greater Good, and it was cool to see the sort of plan that the character came up with to compensate for it, as well as the mistakes he then makes.  Overall, Thrawn is a pretty awesome and fascinating character to follow, and I cannot wait to see what events happen to him in the final book in the trilogy.

Aside from Thrawn, I also really enjoyed some of the supporting characters featured throughout Greater Good.  In addition to being perfect conduits to observing Thrawn’s actions, each of these characters have their own intriguing storylines, many of which are continuing from Chaos Rising.  Examples of this include Thrawn’s old friend, Admiral Ar’alani, Thrawn’s second in command Mid Captain Samakro, the former Sky-Walker Thalias, who has tied her fate with that of Thrawn, and the powerful Mitth family politician, Thurfian, who serves as a secondary antagonist.  Each of these characters is further developed in Greater Good, and I enjoyed some of the cool storylines that Zhan is coming up for them.  Thurfian’s storyline is particularly intriguing going into the next novel, as the final scenes hint that he is going to come into possession of some very interesting knowledge soon.

Zhan also introduces several great new characters throughout Greater Good, many of whose narratives are tied into the malevolent plot to destroy the Chiss.  I found myself quite intrigued by the character of Lakinda, a fellow Senior Captain in the Chiss Expansionary Defence Fleet, who serves alongside Thrawn.  Not only does Lakinda offer an intriguing alternate observation angle on Thrawn, tinged with a bit of jealously and mistrust, but this character provides greater insight into the Chiss family structure.  Lakinda is an extremely loyal member of a mid-tier Chiss family, and she often finds her loyalties conflicted as she attempts to choose between family and the fleet.  This results in some captivating and emotional sequences which really help to highlight the unusual nature of Chiss society.

I also quite liked how Zahn spends time following the main antagonist of Greater Good, the mysterious alien Haplif.  Haplif and his people have been hired by a mysterious third party to orchestrate chaos and dissent within the Chiss Ascendancy to destroy them.  As a result, he masterminds an ingenious plot to promote conflict between various members of the Ascendancy.  I really enjoyed the complex and clever plot that this character came up with, and it was really cool to see him manage to manipulate several people throughout the course of the book, and he was an interesting alternative to the previous antagonist, Yiv.  It was a little odd to see Haplif, a supposedly brilliant planner and master manipulator, find his plans constantly stymied by a spoiled teenager and a backwater rancher, but it was fun to see his arrogance work against him.  All of these characters are amazing, and I really appreciate the time and effort that Zahn put into developing them.

It will not surprise anyone that I ended up listening to this Star Wars novel’s audiobook format rather than seeking out a physical copy of the book.  I absolutely love Star Wars audiobooks, and this was another excellent example that comes highly recommended.  The Greater Good audiobook has a runtime of just over 16 hours, which, while substantial for a Star Wars novel, is extremely easy to get through, especially once you become engrossed in Zahn’s cool story.  Like most modern Star Wars audiobooks, Greater Good makes amazing use of the classic Star Wars sound effects and film score to enhance the story.  I particularly enjoyed its use in Greater Good’s various space combat sequences, and it really amps up how epic those scenes were.

The real standout of this audiobook was the outstanding narration by Marc Thompson.  Thompson is an experienced narrator of Star Wars fiction who, aside from contributing his voice to all the books in the Thrawn and Thrawn Ascendancy novels, has also narrated awesome audiobooks like Light of the Jedi, Doctor Aphra, Dooku: Jedi Lost, Dark Disciple and more.  Thompson does an incredible voice for Thrawn that is filled with the character’s control, intelligence, and gentle menace, and which is very, very close to how the character is portrayed in Star Wars: Rebels.  This amazing voice for Thrawn is easily one of the best parts of the audiobook, and it is fun to listen to the character lay out his elaborate strategies in Thompsons’s awesome tones.  Aside from Thrawn, Thompson also produces a great range of different voices for Greater Good’s supporting characters.  Each character gets their own distinctive voice, which matches their personality and physical qualities, and the listener is never in doubt about who is talking.  I also quite enjoyed how Zahn makes fun accommodations for the various different species featured within the audiobook, tailoring his voices to make them sound more alien at times.  Zahn also gives more rural accents to some of the Chiss characters featured in this novel who are from, or are located on more backwater planets, which I thought was a very nice touch.  All of these amazing features help to turn the Greater Good audiobook in an absolute treat for your ears, and it is an incredible way to enjoy this epic novel.

Thrawn Ascendancy: Greater Good is another exceptional piece of Star Wars fiction from Timothy Zahn.  Featuring his iconic and impressive creation, Grand Admiral Thrawn, Greater Good serves as an outstanding second entry in the Thrawn Ascendancy series, which charts the early life of this great character.  With a clever and exciting story, chock full of universe building, fantastic characters and some unique and memorable battle moments, Greater Good is an excellent novel that comes highly recommended.  I have so much love for Zahn’s Thrawn and Thrawn Ascendancy novels and, after really enjoying Greater Good, I am very excited to see how this series ends.  The final book in the Thrawn Ascendancy trilogy, Lesser Evil, is coming out in November 2021, and I cannot wait to get my hands on it.

Star Wars: The High Republic: Light of the Jedi by Charles Soule

Star Wars - Light of the Jedi Cover

Publisher: Random House Audio (Audiobook – 5 January 2021)

Series: Star Wars – The High Republic

Length: 13 hours and 35 minutes

My Rating: 4.5 out 5 stars

Boldly venture into a bright new era of the Star Wars universe as acclaimed science fiction author Charles Soule introduces the first entry in the High Republic multimedia publishing project, Light of the Jedi.

We are all the Republic!

Two hundred years before the events of The Phantom Menace and the Skywalker Saga, the Republic was at its absolute height in influence, technology and culture, in a period of time known as the High Republic.  With the glorious Jedi Order leading the charge, nothing seems capable of slowing down the inevitable expansion of the Republic, especially with the creation of the Starlight Beacon, a vast space station designed to bring Republic influence to the darkest corners of the Outer Rim.

However, all it takes is one event to threaten everything.  In the depths of hyperspace, tragedy strikes when the transport ship Legacy Run, taking settlers to the Outer Rim, encounters something while travelling at light speed and is torn apart.  Shortly after, in the agricultural system of Hetzal, chunks of the ship emerge from hyperspace at incredible speeds and begin to rain down across the systems, planets and moons in an extinction-level event.  Disaster is only partially averted by the arrival of the Jedi, who work tirelessly and valiantly in an effort to save as many lives as possible.

As more pieces of debris begin to strike other systems within the Republic and the Chancellor initiates a hyperspace blockade, the Jedi are tasked with determining the origin of the crashed ship before more tragedies can occur.  As the Jedi, led by Master Avar Kriss, begin to investigate, they quickly determine that a mysterious new party has taken a twisted interest in the disaster, the Nihil.   The Nihil are a group of ruthless and chaotic raiders with dark secrets and a sinister origin, who appear out of nowhere and take what they want.  Armed with unique technology and abilities, the Nihil are about to engage in a deadly campaign against the Republic and the Jedi which the galaxy may never recover from.

I think it is fair to say that the High Republic is off to a smashing start with this exciting and captivating novel.  The High Republic is an intriguing new publishing campaign that aims to present a bold new era of Star Wars tie-in fiction.  Set around 200 years before the events of the earliest Star Wars film, the High Republic will consist of a series of connected novels, including adult, young adult and young reader books, as well as several comics, manga and audiobooks, all set in the same period of Star Wars history, with a whole new range of different characters and storylines.  The High Republic project has been in the works for some time, with several of the best Star Wars tie-in fiction authors banding together to come up with the overarching story and universe.  These various storylines are likely going to lead into some form of movie of television series in the future, especially after the success of shows like The Mandalorian, representing a whole new creative frontier for these amazing authors.

The subject of this review is Light of the Jedi, the first book in the High Republic range, which introduces readers to this fascinating time period in the Star Wars universe.  This essential introductory novel was written by the extremely talented Charles Soule, who is one of the main creative voices of this project.  Soule is a fantastic author who, in addition to writing several cool science fiction novels, is probably best known for his work in the comic book world, having authored a number of major series, such as Thunderbolts vol. 2, She-Hulk vol. 3, Death of Wolverine, and Daredevil vol. 5, just to name a few.  I personally know Soule best from his various Star Wars comics, including the very cool Poe Dameron series, The Rise of Kylo Ren miniseries and his current run on the main Star Wars series (I really need to review the first volume of that).  My favourite of Soule’s Star Wars comics is the exceptional Darth Vader: Dark Lord of the Sith series, which followed Darth Vader in the immediate aftermath of his turn to the dark side.  This was a deeply impressive series (check out my reviews for Volume 2: Legacy’s End and Volume 3: The Burning Seas, the latter of which was one of my favourite releases of 2018), with some captivating and clever storylines, and it easily one of my favourite Star Wars comics of all time.  As a result, I have been eagerly awaiting this impressive author’s first Star Wars novel, and Light of the Jedi did not disappoint as Soule created a fantastic and epic tale that I really enjoyed.

At the heart of this great novel is an exciting and compelling narrative that takes the reader on a wild adventure into the depths of Star Wars space and beyond.  Soule presents a brilliant multifaceted tale in Light of the Jedi, told from the perspective of a huge number of different characters, each of whom add some fantastic perspectives to the wider narrative.  This novel has an amazing start, with the first third of Light of the Jedi showing the cataclysmic event that rocks the galaxy and the subsequent attempts to avert it in great detail.  This entire first part of the book is pretty fantastic, filled with destruction, heroics and amazing character introductions, all of which is overlayed to a countdown clock that hints at a bigger and more destructive event to come.  I really enjoyed this fast-paced and intense start to the book, especially as Soule adds in some fantastically written action-packed scenes, loaded with some dramatic and tragic moments, setting up the novel’s subsequent story perfectly.  The rest of the book splits into several separate but related storylines that show the aftermath of the opening chaos, introduces and highlights the overall antagonists of the book, and expands on the introduced characters.  All of the storylines featured in this part of the book are extremely interesting and compelling, presenting several unique adventures with some excellent twists, while also examining cool aspects of the Star Wars universe.  The huge range of storylines and character arcs complement each other really well, producing a balanced and captivating tale that comes together extremely well in the end.  All of this leads up to an epic conclusion that not only serves as a great ending to the various storylines featured in Light of the Jedi but which also sets up some intriguing storylines for the future High Republic novels.

Perhaps the most interesting part of this book is the huge extensions that Soule, and the associated High Republic creative brain trust, made to the Star Wars universe.  The High Republic period, as portrayed in this novel, is a gleaming beacon of civilisation and democracy, where unity and positivity run rampant, especially with their near-religious catchphrase of “We are all the Republic”.  Light of the Jedi serves as the perfect introduction to this period, and Soule does an amazing job exploring all the key aspects of it, including the technology, the set-up, the significant figures and the major differences between this period and future eras of the Republic that readers are more familiar with.  I liked the overall setting of this version of the Star Wars universe, especially as it has a very distinctive frontier feel to it, with people moving out from the settled core of the Republic and encountering some of the hidden and malicious dangers in the less settled regions.  There is also something shiny and exquisite about a lot of inclusions in this book, and I particularly liked all the depictions of the spaceships and technology featured.  This historical Republic is definitely at a high-point of culture and technology, and as such this book is loaded with a ton of elegant and beautiful battleships, which sound so much more impressive than rougher technology featured even in the prequel films.

I also appreciated the way in which the author portrays people having a general sense of naivety throughout the Republic, as they all believe that everything is peaceful and nice.  This will no doubt change in future entries in the series, and it will be interesting to see if this peaceful version of the Republic starts to go downhill a bit as a result of the events featured within this series.  For me though, one of the highlights of Light of the Jedi had to be the titular Jedi.  The Jedi featured in the High Republic series are at the height of their power and majesty, and they prove to be a very impressive bunch in their white and gold robes.  There is a really fascinating collection of unique Jedi throughout the novel, and it looks like Soule attempted to feature Jedi of nearly every Star Wars species he could think of.  The thing that really stood out to me were all the cool Jedi powers that they had, as the Jedi characters in this novel were doing a ton of amazing force techniques that none of the characters featured in the films seemed possible of doing.  All of this was really cool to see, and I think that Soule and Light of the Jedi did an amazing job of introducing this impressive setting.

Another very intriguing inclusion is the Nihil.  The Nihil, who are set to be the main antagonists of the entire High Republic range, are a group of ultra-violent raiders who live by a simple code of taking what they want, when they want, and are massively opposed the ideas of law and order imposed by the Republic and the Jedi.  Soule does an amazing job introducing these antagonists in Light of the Jedi, with their first scene showing them coming out of nowhere and brutally pillaging a fleet of ships.  There was something particularly savage and intense with this first sequence, and I was getting serious Mad Max or Firefly Reaver vibes in the way that they attacked, using harpoons and vicious boarding tactics.  The author continues to expand on these antagonists throughout the course of the book, and the reader is given a solid idea of their structure, tactics, history and general mindset, as a number of chapters are told from their perspective.  The Nihil have some very interesting and unique characteristics to them, and there is a certain Viking theme to them, especially with their storm motif.  I loved the portrayal of them throughout the book, and this group of mask-wearing, savage aliens really left an impression on me, especially with their gas-based weapons, under-handed battle tactics (there is one particularly awesome sequence around that) and unique hyperspace technology.  I was slightly worried that the Nihil were going to simply be portrayed as a group of common raiders throughout the course of this series, and it appeared at times within Light of the Jedi that this is what was going to happen.  However, this was a bit of clever misdirection from Soule, who produced a very compelling and well-written story arc around these antagonists that really sets them up as a major deadly force in the Star Wars universe.  A lot of this menace is due to the many cool hints and reveals about the Nihil’s hidden secrets throughout the course of the story, especially surrounding Nihil’s mysterious leader, the Eye, and I look forward to unravelling them in future entries in this series.

Soule introduces a large range of compelling characters in Light of the Jedi, including a range of intriguing new Jedi.  Due to the author going for a mass perspective story, this novel really does not have a main character; instead Soule splits the tale across many characters, each of whom have their own unique storylines and arcs.  I have to admit that before reading this novel I was slightly concerned that the High Republic series would have a bit of a hard time gaining traction with characters, as the only figure from the films to actually be alive at this point is Yoda (and apparently Yarael Poof, who I mostly recognise from a fun Robot Chicken sketch).  However, I quite enjoyed a lot of the characters featured within this book and I appreciated the way that Soule was able to build them up into compelling and unique individuals within the series of shorter story arcs that they had.

Some of the key characters include Jedi Master Avar Kriss and Jedi Knight Elzar Mann (the two humans on the cover), powerful Jedi with unique abilities who are being set up as two of the main characters of the entire franchise.  Kriss and Mann, who are lifelong friends, form an intriguing team, especially with their underlying romantic tensions that they cannot act on (Soule makes a fun joke about Jedi and their lightsabers earlier in the novel that works perfectly there).  Another fantastic pair are Twi’lek Jedi Loden Greatstorm (awesome name) and his Padawan, Bell Zettifar, a more action orientated pairing who get into some scrapes throughout the novel.  Loden and Bell have an excellent arc throughout the novel and I enjoyed their great master-and-apprentice relationship, which mainly consists of Loden throwing Bell off high locations for training purposes.  Both characters, especially Loden, end the novel in an interesting position, and it will be very cool to see how these two characters develop and change in future entries in the series.  Other highlights for me include the Trandoshan Jedi Sskeer, mainly because of his cool look and species, and the Wookiee Padawan Burryaga Agaburry, who the reader swiftly warms up to, even if he doesn’t say anything comprehensible throughout the book.

In addition to the Jedi mentioned above, I really have to highlight some of the chaotic and intense Nihil characters, who make for some great antagonists.  The main one of these is the mysterious Marchion Ro, a leader and mystic of the Nihil with a hidden past and a sinister agenda who is being set up as the major villain of this franchise.  Ro, is a unique new antagonist, with hints of other Star Wars villains in his inspiration (particularly Kylo Ren), who has a fun arc within Light of the Jedi, completely changing and manipulating his followers for his own betterment.  I also quite liked the Tempest Runner Kassav Milliko, the drugged up, vicious and opportunistic Nihil warlord who clashes with Ro throughout the book and who serves as a major catalyst for story advancement throughout the book.  All of these characters and more prove to be quite compelling to follow, and I look forward to seeing what happens to them in future entries in this overarching publishing project.

Like I do for many Star Wars novels, I ended up grabbing Light of the Jedi in its audiobook format.  This proved to be a fantastic decision on my behalf, as the Light of the Jedi audiobook is really awesome, featuring the usual outstanding blend of great narration, epic music and clever sound effects to create an intense and enjoyable listening experience.  It had a reasonable runtime of 13 hours and 35 minutes, which listeners should be able to get through rather quickly; I personally was able to power through it rather quickly once I really got into the fantastic story.  The audiobook’s creative team did an exceptional job enhancing the story with the iconic Star Wars sound effects, and I loved the amazing ambiance that every single scene had, whether it was the sounds of destruction that occurred during a fight scene, or the simple sounds of people whispering that gave realistic life to group scenes.  The Star Wars music was also on point again, and I cannot emphasise how much emotion and excitement the awesome musical scores added to each scene in the novel.  For example, they expertly utilised John Williams’ tune of Anakin’s Betrayal during one particularly sudden and tragic scene, giving it an added layer of depth and despair that really struck me.  Many other different and iconic Star Wars musical scores were featured at various points throughout the novel, and I quite enjoyed the inclusion of several numbers that were a little less familiar to me, and which gave this audiobook a more unique flair.  Listeners will also really appreciate the cool heavy metal music that ran in the background of some of the Nihil scenes.  Identified as “wreck punk” by some of the characters (apparently created by instruments made from the metal of wrecked star ships), this heavy metal music adds an additional Mad Max edge to the Nihil in battle, and I loved how the audiobook’s creators went the extra mile to make these villains even more edgy.

In addition to the excellent musical inclusions and awesome sound effects, the Light of the Jedi audiobook also featured the superb vocal talents of veteran narrator Marc Thompson.  Thompson, who I recently mentioned in my review of Thrawn Ascendancy: Chaos Rising, did another fantastic job with Light of the Jedi, telling the story at a swift and enjoyable pace, while also giving voice to all the fun characters featured within the story.  Each of the characters gets their own unique voice, ensuring the reader can identify who is speaking at all times.  I felt that these voices fit each character perfectly, and Thompson has fun giving some of these character distinctive accents.  Thompson is also able to convey an amazing amount of emotion with his tone, adding fear, suspense and anguish into both his main narration speech, as well as the voices of the various characters.  This great outpouring of emotion in his dramatic voice helps to enhance several scenes, drawing listeners in with its realism and intensity.  I should note that listening to the audiobook did give me a clue at a fun little twist that Soule added to the story, as you can identify who a hidden speaker is at one point via his voice, something someone reading a physical copy of the book would not get.  This did not ruin the book for me in any way shape or form; indeed I kind of liked having this hint and it added a little more intrigue to the overall story.  Overall, this was some exceptional voice work from Thompson, which makes this audiobook an outstanding way to check out Light of the Jedi.

Star Wars: Light of the Jedi by Charles Soule is a fantastic and exciting new novel that serves as an intriguing and powerful introduction into the new High Republic range of novels and comics.  Featuring an epic and action-packed narrative, some awesome new characters, and an impressive amount of universe-building, this is an incredible book that was really fun to read.  Thanks to the introductory nature of the story, it is very accessible to fans with various levels of franchise knowledge, and may even prove to be a good entry point into the wonderful world of Star Wars novels.  I am a little uncertain at this point how this new Star Wars franchise is going to proceed in the future and how some of the storylines will continue, but I am really looking forward to finding out.  The future of Star Wars tie-in fiction leading into the High Republic looks bright, especially if we get more outstanding novels like Light of the Jedi, and this should be an interesting new chapter in Star Wars history.

Star Wars: Thrawn Ascendancy: Chaos Rising by Timothy Zahn

Thrawn Ascendancy - Chaos Rising Cover

Publisher: Random House Audio (Audiobook – 1 September 2020)

Series: Thrawn Ascendancy – Book One

Length: 15 hours and 5 minutes

My Rating: 4.5 out of 5 stars

The master of Star Wars fiction, Timothy Zahn, returns with a brand-new series that explores the early days of his most iconic character, Grand Admiral Thrawn, with the first book in the Thrawn Ascendancy trilogy, Chaos Rising.

A long time ago, beyond a galaxy far, far away…

Beyond the edges of the known galaxy, past the borders of the Republic, beyond even the backwater Outer Rim, lies the Unknown Regions.  The Unknown Regions are a chaotic and barely explored section of space, where hyperspace travel is difficult and dangers lurk around every corner.  Despite this, many species flourish in this region, fighting for their survival and forming civilisations hidden from the eyes of the Republic and the Separatists as they fight their bitter civil war.  However, out of all these races, none are more mysterious, secretive and dangerous than the Chiss Ascendancy.

The Chiss have long considered themselves to be one of the most powerful races within the Unknown Regions.  Boasting vast fleets of powerful vessels which can appear anywhere within the Unknown Regions thanks to their great secret weapon, the force-sensitive children who can navigate hyperspace in the Unknown Regions, known as Skywalkers, the Chiss believe themselves safe and secure.  However, a sudden ill-fated attack on their home planet by a mysterious fleet quickly shatters this allusion.  While many, including the Chiss ruling council, are convinced that the attacking ships are a precursor to an invasion and begin preparations to withdraw their outer fleets, Supreme General Ba’kif believes that there is more to this attack then what is apparent.  In order to explore his suspicions, Ba’kif calls upon one of his most talented officers to investigate, the young tactical genius Senior Captain Mitth’raw’nuruodo, better known as Thrawn.

Many years before he became the Emperor’s most effective weapon as a Grand Admiral in the Imperial Navy, Thrawn, served his own people as a member of the Chiss Expansionary Defence Fleet.  Already renowned for his rare tactical ability, as well as his disregard for the politics and rules of the Ascendancy, Thrawn begins his investigation into the attack and swiftly determines that it was merely a feint, designed to draw the Ascendancy’s attention away from a much more dangerous threat.  A new malevolent alien empire is building strength in the Unknown Regions, and its eyes are firmly fixed on the Chiss.  With his hands tied by protocol and with his political enemies within the Ascendancy trying to take him down, Thrawn may be unable to stop the upcoming attack before it is too late.  However, Thrawn always has a plan, and the Unknown Regions are about to understand just how dangerous he truly is.

This was another fantastic outing from Timothy Zahn, who has produced a cool and intriguing prequel novel to his previous series.  Zahn is one of the most experienced and highly regarded authors of Star Wars tie-in fiction in the world today, having written several impressive novels for both the current Disney-owned canon, and the previous Star Wars Legends canon.  While he has written various Star Wars novels, such as the fun standalone novel Scoundrels, Zahn is probably best known for his 1991 release, Heir of the Jedi, which is generally considered to be the start of a whole new era of Star Wars tie-in fiction.  While there are a number of interesting aspects to Heir of the Jedi, one of the most important things about it was that it introduced Zahn’s most distinctive and popular creation, Grand Admiral Thrawn, a rare alien officer in the xenophobic Imperial Navy who was revered as their ultimate tactician.  Thrawn proved to be a very popular character whose backstory and characterisation was later expanded on in a number of Zahn’s other Star Wars Legends novels.

Due to the Disney purchase of the Star Wars franchise and the subsequent removal of everything except the movies and the animated series from canon, Thrawn was temporarily erased as a canon character until the third season of the Star Wars Rebels animated television series, where he was reintroduced with an altered backstory and history.  As part of this reintroduction, Zahn was contracted to write several new Star Wars novels examining this new history of the character, and thus he wrote the Thrawn trilogy, featuring the excellent novels Thrawn, Alliances and Treason, which are among some of the best pieces of Star Wars tie-in fiction I have so far read.  This trilogy ended in 2019, but Zahn is far from done, having started a new trilogy, the Thrawn Ascendancy series, last year.  The Thrawn Ascendancy trilogy, of which Chaos Rising is the first entry, is an intriguing and detailed series that serves as a prequel to the novel Thrawn and which show a younger version of the character as he serves the Chiss during the same time period as the Clone Wars.  Chaos Rising is an excellent and enjoyable novel which I read a few months ago, but which I have only just had a chance to review.  It was fantastic to see this complex and compelling character in action again, as well as more of Zahn’s impressive world-building.

This new novel from Zahn contains an amazing story that looks at the earliest adventures of Thrawn.  This is a very clever and layered tale that explores the main character in more detail while also providing him a new opponent to face in this book as he attempts to engage in battle against a dangerous enemy threatening his people.  Zahn builds a great narrative around the fight against this new antagonist, with Thrawn forced to engage in a number of intricate campaigns in order to obtain information and determine which points of weakness to exploit, whilst also have to contend with the machinations of members of his own race who are concerned with the reckless Thrawn’s actions.  At the same time, the author builds up a number of intriguing side characters who help to tell the tale of Thrawn in greater detail and with some interesting personal arcs.  This main storyline proves to be an extremely enjoyable and captivating read which flows at a great pace for most of the book, broken up with a number of cool and impressive battle sequences.  The main story is also supported by a fantastic collection of flashback sequences that depict an even younger version of Thrawn, showing some of his earlier encounters with many of the characters featured in the novel and highlighting how different the character has always been.  These flashbacks are used to great effect throughout the novel, not only building up the various characters’ pasts and personalities but also creating a great pace for the novel, with several key events from the protagonist’s life introduced where necessary to the main plot.  All of this helps to turn Chaos Rising, and indeed the entire Thrawn Ascendancy series, into an intriguing prequel to the Thrawn trilogy as it begins to set up the various reasons why Thrawn was sent away by his people and recruited by the Empire.  One part of Chaos Rising even directly ties into the events of one of the books from the previous trilogy, Alliances, with the reader seeing an alternate viewpoint to Thrawn meeting with Anakin Skywalker that gives an entertaining context to the events of that previous book.  All of this results in a fantastic and clever story that is easy enjoy and which sets up some more intriguing adventures in the later entries in this series.

One of the things I always try to address while reviewing a Star Wars novel is what level of franchise knowledge a reader needs to have in order to fully enjoy the story.  While most Star Wars novels are generally fairly accessible to new readers or casual fans, I would say that Chaos Rising is one of those books that should primarily be read by major fans of the franchise.  This is because Zahn loads this novel up with a ton of Star Wars references and details, including details of obscure parts of Star Wars lore and characters.  While the author does do a good job of explaining all the relevant aspects of this extended universe through the book, I would say that having some pre-knowledge about some of these elements is important.  At a minimum I would suggest that the readers read Zahn’s original Thrawn trilogy first, especially as Chaos Rising serves as a prequel to them, although fans with some basic knowledge of the character of Thrawn should be able to follow along without too much difficulty.  For new readers who do get through Chaos Rising, you are going to experience a huge amount of new information about the Star Wars universe as Zahn does a substantial amount of universe building throughout this book.  In particular, the author explores the legendary Chiss Ascendancy, a mysterious alien empire existing outside of the main Star Wars galaxy.  This is the first time that the Chiss planets and culture have been explored in any real detail in the current canon, and it proves to be a fascinating experience learning more about them and seeing the culture that produced such a unique character as Thrawn.  This novel contains a lot of detail about this alien race, as well as many other aspects of life outside the main galaxy setting of the Star Wars franchise, and while it is a tad overwhelming at times, I had a great time expanding my Star Wars knowledge and exploring this new, intriguing region.  It seems likely that Zahn will go into even more detail about this part of the Star Wars universe in future novels in the trilogy, and I look forward to seeing what other cool aspects he comes up with.

One of the best things about this book was seeing the return of the amazing and compelling character of Thrawn.  Thrawn is a very unique and enjoyable character, mainly because he has an unfathomable mind and is able to tactically outthink and outmatch any opponent that he comes across.  A highly analytical being who is able to discern fantastic insights about a person or species’ intentions, personalities and general mindsets from viewing some aspects of their creativity, mainly their artwork, Thrawn is easily able to predict actions and provide effective or crazy counters that shock and surprise everyone watching.  This makes him an incredibly fun character to see in action, especially as he makes some amazing and credible leaps of logic off the smallest details that Zahn features in his descriptions.  These analytical leaps then lead into a number of awesome and cool scenes where he outsmarts everyone around them, including in the book’s various battle sequences, which are awesome to read as there are some truly outrageous and clever tactical moves that no one can see coming.  Because of his way of thinking, Thrawn has a very closed off and odd personality that unnerves a lot of the people he deals with and makes many wary of his motivations and actions.

Just like he did in the previous novels, Zahn portrays Thrawn as a little less vicious and dangerous than he appears in Star Wars Rebels, with a little more humanity (or the Chiss version of it) added into his character.  Zahn also continues to explore the character’s lack of political awareness, a major flaw in his thinking that continues to cause him trouble as he constantly battles against the overarching hierarchy to take actions he knows will benefit or save his people.  I felt that Chaos Rising took a very interesting look at the character’s history, personality and backstory, and I quite liked the examination of his earliest trials and battles.  Thanks to the author’s use of flashback sequences, the reader gets a great view at different parts of his history, and you see the various steps that he takes rising up the military ladder and the various aliens and people he crossed or destroyed on the way.  All of this proved to be really cool to see, and Thrawn remains one of my favourite characters in the Star Wars canon, especially after this great outing from his past.

One of the most distinctive parts of any novel that follows Thrawn is the fact that none of the story is shown from his point of view; instead other characters tell his story.  This is mainly done to really highlight just how brilliant Thrawn is and to ensure that his eventual plans and insights come as a major surprise to the reader, much in the same way that a Sherlock Holmes novel is told from Watson’s perspective.  Chaos Rising features several different point-of-view characters, including one or two antagonists, who encounter Thrawn throughout the course of this novel and witness him utilise his tactical acumen.  I love seeing the various characters react to Thrawn’s impressive and clever schemes, and it is always fun when they realise that the impossible is happening right in front of them.  Several of these characters, particularly Thrawn’s allies, also provide a much deeper examination of the main character’s personality and mentality, and you see a different side to the character as a friend and mentor.

While these characters are primarily there to follow Thrawn, Zahn does take the time to explore each of these characters, with a particular focus on Thrawn’s impact on their life.  Many of these characters have some excellent and enjoyable backstories to them, and it was fascinating to see these great characters have their carefully planned out lives completely thrown around when they meet Thrawn.  While I failed to connect to some of these point-of-view side characters (for example, I just could not get invested in the arc surrounding the Skywalker Che-ri), others proved to be quite intriguing to follow.  Examples include Admiral Ar’alani, Thrawn’s former classmate at the academy, who becomes a lifelong friend and constantly finds herself trying to protect the protagonist from himself, or Thalias (Mitth’ali’astov) a former Skywalker whose encounter with a young Thrawn inspired her to join his clan and gave her a new vision for the future.  I also rather enjoyed following Qilori, an Unknown Regions navigator-for-hire, who secretly serves the Nikardun Destiny while also taking jobs for other clients like Thrawn and the Chiss.  It was immensely entertaining seeing Qilori attempting to manipulate Thrawn on the orders of the main antagonist, especially as Thrawn sees through every single one of his tricks.  Each of these great side characters added their own edge to the story, and I really appreciated having so many varied and unique viewpoints of the fantastic main character.

While I did receive a physical copy, I decided to listen to the audiobook format of Chaos Rising, not only because it made my reading schedule easier but because Star Wars audiobooks are always so much fun to listen to.  I think that I made the right decision here, as the Chaos Rising audiobook was a very awesome experience and I had a great time listening to it.  With a run time of just over 15 hours, this is a somewhat longer Star Wars audiobook, although once you get wrapped up in the story you don’t really mind.  Everything about this audiobook is cool, from the classic Star Wars sound effects, which help to drag the listener into the story (it is so much easier to imagine a dangerous fight scene when you can hear the blaster shots), to the outstanding use of John Williams’ iconic musical score, which just makes everything epic.  This audiobook also features the superb narration of the amazing Marc Thompson, who does a wonderful job.  Thompson, who has a vast experience voicing Star Wars audiobooks (for example, all the previous Thrawn novels, Dark Disciple, and roles in the Count Dooku and Doctor Aphra audio dramas), has an exceptional range of different voices which he uses to full effect throughout Chaos Rising.  Each of the characters is given a distinctive and enjoyable voice which allows the listener to easily follow who they are, while also getting an impressive and comprehensive idea of the character’s emotions and passion.  However, his most impressive work is saved for the main character himself.  Thompson has an excellent Thrawn voice, which very closely matches the voice of Lars Mikkelsen, the actor playing Thrawn in the Star Wars Rebels animated show, which helps to bring the character to life in vivid and impressive detail.  Thompson’s take on the character captures the character perfectly, and you get an amazing sense of the character’s deep analytical nature and constantly calm façade.  This was an exceptional bit of voice work from Thompson, and it really added so much to my enjoyment of the story to have this character’s words read out to me.  An overall exceptional and outstanding audiobook, this is the perfect format to check out Chaos Rising.

Thrawn Ascendancy: Chaos Rising is another outstanding novel from amazing Star Wars author Timothy Zahn that provides the reader with a captivating look at the early life of the incredible character of Grand Admiral Thrawn.  Featuring a clever and intriguing tale set deep in an unexplored area of the Star Wars universe, this novel serves as a fantastic and addictive prequel to Zahn’s impressive Thrawn trilogy and adds new layers to the author’s most iconic creation.  The second entry in this series, Greater Good, is set for release in a few months and looks set to be one of the most intriguing Star Wars novels of 2021, especially with renewed interest in the character of Thrawn after the second season of The Mandalorian.  I am extremely keen to see how the next novel turns out, but if it as good as Chaos Rising, then we should be in for a treat.

Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

Doctor Aphra Audio Cover

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of GamesDoctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

Star Wars: Dooku: Jedi Lost

Dooku - Jedi Lost Cover

Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

Throwback Thursday: Star Wars: Dark Disciple by Christie Golden

Star Wars Dark Disciple Cover

Publisher: Penguin Random House Audio (Audiobook – 7 July 2015)

Series: Star Wars

Length: 11 hours and 11 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I go back and check out an amazing piece of Star Wars fiction with Star Wars: Dark Disciple by tie-in fiction extraordinaire Christie Golden. Dark Disciple is a compelling and intense Star Wars novel that features two fan-favourite characters from the extended universe in a fantastic adventure that is deeply connected with The Clone Wars animated series.

A Jedi shall not know anger. Nor hatred. Nor love!

For years, the galaxy has been locked in one of the most destructive struggles it has ever known, the Clone Wars. Led by the ruthless Sith Lord Count Dooku, the Separatists have engaged in a gruelling and bloody conflict with the Republic that has led to the death of countless innocents. While the guardians of the Republic, the Jedi, have tried in vain to capture Dooku and end the war, their methods appear inadequate to stop him. After a particularly brutal massacre, the Jedi Council do the unthinkable and sanction the assassination of Count Dooku, believing that only his death will bring peace to the galaxy.

To that end, the Council turns to maverick Jedi Master Quinlan Vos. Unpredictable, brash and experienced in undercover work, Vos is the perfect candidate for this dangerous mission. However, this is not a one-man job. In order to track down Dooku, infiltrate his defences and defeat him in battle, Vos is going to need a partner. At the suggestion of Master Yoda, Vos seeks out the one person who knows the Count better than anyone else, Dooku’s former apprentice and assassin, Asajj Ventress.

After losing everything she held dear at the hands of Dooku, Ventress is desperate to leave her past as a Sith behind. But her hatred for Dooku is all-consuming, and she jumps at the chance to finally kill him. However, Ventress believes that Dooku can only be defeated by someone empowered by their emotions and able to access the dark side of the Force. Tutoring Vos in the methods of her race, the Nightsisters, Ventress is able to make Vos stronger and more powerful as he sits on the knife’s edge between the light and the dark side. But this balance is fragile at best, and all it will take is a single push for Vos to fully embrace the darkness. Between the machinations of Dooku, terrible secrets from the past and his growing feelings for Ventress, can Vos remain true to his vows and complete his mission, or have the Jedi have unleashed a great new evil upon the galaxy?

Dark Disciple is an intriguing addition to the Star Wars canon which not only has some major connections to the popular Star Wars: The Clone Wars animated series but also contains a cool and at times dramatic story about love, darkness within and redemption. Dark Disciple was actually based on a script for eight unproduced episodes of The Clone Wars that were never made due to the Disney buyout of Star Wars and the subsequent cancellation of the animated show. These episodes were written by The Clone Wars screenwriter Katie Lucas (who provides a foreword for this book) and subsequently adapted into this book by acclaimed science fiction and fantasy author Christie Golden. Golden has authored many tie-in novels for various franchises, and I have previously enjoyed her World of Warcraft novels, including War Crimes (probably my favourite piece of Warcraft fiction) and Before the Storm. While Golden had written a few pieces of Star Wars fiction before this book, Dark Disciple ended up being her first novel in the current canon. In the end, this turned out to be an excellent read and I was really impressed in the way that Golden ended up turning this cool script into a deep and compelling novel.

Seeing as it is based off an unused script for the show, this book obviously has some strong connections to The Clone Wars television show. This book is set a little while after the events of the already aired episodes of The Clone Wars and continues their range of storylines a little further. Not only does Dark Disciple contain several characters whose main appearance was in the animated show, but it also refers to events from several episodes, including episodes that Katie Lucas wrote herself. As a result, Dark Disciple is probably best enjoyed by those readers who are familiar with the show, who will have a greater appreciation of the book’s various story elements. That being said, anyone who has seen the Star Wars prequel movies will be able to easily follow what is going on, and will no doubt enjoy the complex story it contains.

Fair warning to fans of The Clone Wars series, though: you are going to experience some sense of crushing disappointment after reading this. The book itself is pretty damn awesome, but it’s supremely disappointing that the story contained within this novel never featured as the amazing extended arc for the animated series it clearly would have been. While I really loved this novelisation, I cannot help but imagine how emotional and explosive it would have been acted out and animated as part of the show. As I review this book, it is actually less than a month until the release of the seventh and final series of The Clone Wars. While I am deeply excited for this final season, after reading this book I am a little sad as I know that the storyline contained within Dark Disciple is unlikely to be featured in it.

That being said, I really enjoyed the fact that this book focuses on two amazing characters from the animated series, Asajj Ventress and Quinlan Vos. Ventress and Vos are fan-favourite characters who have had significant appearances within the expanded Star Wars universe. Ventress is best known for her role within The Clone Wars universe (first appearing in the original 2003 Clone Wars show), where she first served as a major antagonist, before developing into more of an anti-hero. Ventress ended up being the focus of several major arcs within The Clone Wars series, some of which were written by Katie Lucas. Her success in the animated series saw her utilised in several books and comics set in the same period, although most of these are no longer canon. Vos also has an interesting origin as he was first seen as a background character in The Phantom Menace. Thanks to his cool look and some fan interest, the character was given a fleshed-out origin story as a Jedi and subsequently utilised in several works of expanded fiction. This included books and comics and an appearance in one episode of The Clone Wars. While Ventress and Vos had several interactions in the old Star Wars Legends canon, Dark Disciples is actually the first time that they meet in the current canon. Their whole relationship is a major part of the story, and I liked how it formed and developed throughout the course of the book.

I really enjoyed how Ventress was utilised in this book. Ventress is one of the best original characters in The Clone Wars, and I have always loved the gradual journey to redemption that occurred within her story arc. As a result, a book where she is one of the main characters is deeply intriguing to me and I was excited to see how she continued to evolve after her last appearance in the animated series. There are some major developments for Ventress in this book, and if you ever enjoyed this character in the animated series and wanted to know her ultimate fate than you need to read this book. Personally, I think that this was an amazing continuation to the character arcs that had been featured within the shows, and as I mentioned above, I am disappointed that it was never included as part of The Clone Wars. In adapting the script into this novel, Golden makes sure to really cover the background of this character, so those readers who are unfamiliar with the shows will be able to understand her complex and tragic backstory. I also think that Golden did an amazing job of capturing the complex character that was Ventress in this book, getting past her prickly outer layer to see the more complicated emotional person within. This was a near perfect examination of one of the best Star Wars characters who never appeared in a movie, and after reading this book it will be a shame not to see more of her in any of the planned animated shows.

Perhaps the most compelling part of this book is the complex and gripping central tale about Quinlan Vos’s fall to the dark side of the Force. This was an intrinsic part of the book’s overall plot, as Vos and Ventress both believed that having the easy power obtained by dark side users was the only way to defeat Dooku. This turn to the dark side is spurred on by lies, revelations and intense emotions, and it necessitates some deep dives into Vos and Ventress’s respective psyches, resulting in some dramatic and personal moments from both of these great characters. Watching Vos’s slow decline as he slips further and further away from the light side is painful at times, especially when you just know he is eventually going to turn. Even then, despite realizing it was coming, the point when he fully breaks bad for the first time (yellow eyes included) is pretty powerful, as he lashes out at the only person he has, and will ever, truly love. In many ways, Vos’s fall reflects Anakin’s later turn in Revenge of the Sith, in that he believes learning about the dark side is for the greater good, the Jedi Council pushes him to do something he has moral issues with and his emotional connections to a women push him over the edge. There are also some amazing scenes in the later part of the book where the reader is unsure whether Vos is actually evil or is just pretending to have fallen to fool his foes, which leads to a lot of uncertainty and hostility from the other Jedi and Ventress as they try to work out his plan. Overall, this was an outstanding centre for this book, and the complex web of deceit, deeper examination of how one falls to the dark side and all the drama surrounding this part of novel, was really cool to read.

One of the other parts of the story that I found to be interesting was the depiction of some of the other Jedi in this book. Throughout this story the Jedi, particularly the members of their ruling council, are shown to be walking a bit of a darker path thanks to the impacts of the Clone Wars. While not attempting to learn more about the dark side of the Force, members of the Council are beginning to propose action that they usually wouldn’t consider, such as the assassination of Dooku, or the execution of Vos and Ventress. This is a really intriguing take on their characterisation which plays in well with the future events of Revenge of the Sith, where their boldness in attempting to take over the Republic to protect it or Mace Windu’s attempt to kill Chancellor Palpatine backfires on them. Windu in particular comes across as a bit of an arse in this book, and the rest of the council (with the exception of Yoda and Kenobi) seem like meek followers going along with him. I thought that this aspect of the books was pretty interesting, and it liked seeing some hints of this once wise and noble Jedi Council beginning to act more rashly and dramatically.

Like most of the Star Wars books that I look at for my Throwback Thursday articles, I ended up listening to the audiobook version of Dark Disciple, which was narrated by Marc Thompson and ran for just over 11 hours. I have mentioned several times before about how I find Star Wars audiobooks to be a step above most other audiobook productions I listen to, and Dark Disciple was yet another awesome example of just how cool they can be. This audiobook in particular does an excellent job of utilising the huge range of iconic Star Wars sound effects to create an exciting or appropriate atmosphere for much of the story, and there is nothing cooler than hearing lightsaber or blaster sound effects during a battle sequence. In addition, this format also features some of the incredible and memorable music from the films. John Williams’s epic score from the prequels was on full display in this book, with some of his most awesome pieces being used throughout several scenes to great effect. Nothing amps up an action scene quite as much as having the pulse pumping Duel of the Fates playing in the background, while hearing the mournful composition known as Anakin’s Betrayal playing during the scenes where Vos is turning to the dark side of the Force is a real emotional gut punch that brings back memories of Vader and the Emperor killing all the Jedi. This was actually one of the best utilisations of Star Wars music in an audiobook that I have so far experienced, and I really loved how much it increased my enjoyment of this fantastic audiobook.

In addition to the cool sound effects and dramatic music, the audiobook also benefited from the talented voice work of Marc Thompson. Thompson is a veteran narrator of Star Wars audiobooks, having worked on a huge number of their tie-in books since 2007. I have previously listened to two Star Wars books narrated by Thompson, Thrawn and Scoundrels, and with both of these I was really impressed with the realistic and clever voices that he came up with for some of iconic Star Wars characters. Dark Disciple is another exceptional example of Thompson’s skill, as he was able to reproduce the voices of several of the book’s major characters. Not only does he do an amazing job replicating Ventress’s voice, but he also produced excellent examples of Yoda, Count Dooku and Obi-Wan Kenobi’s voices from The Clone Wars show. This is some first-rate voice work which, when combined with all the extra sound effect and musical inclusions, made Dark Disciples an absolute treat to listen to, and I cannot recommend this format highly enough.

Star Wars: Dark Disciple by Christie Goldie is an outstanding and highly enjoyable piece of Star Wars fiction that I had an amazing time listening to. Featuring a first-rate story that revolves around two amazing characters and their complicated relationship to the force (and each other), Dark Disciple is one of the better Star Wars novels that I have had the pleasure of reading. A perfect tie-in to the amazing The Clone Wars animated series, this book is a must read for all fans of that series, especially before the seventh and final season is released. Dark Disciple comes highly recommend and is a force to be reckoned with.

Throwback Thursday – Star Wars: Scoundrels by Timothy Zahn

Star Wars Scoundrels Cover

Publisher: Random House Audio (Audiobook – 1 January 2013)

Series: Star Wars Legends

Length: 13 hours and 57 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

If you like the sound of a widely entertaining read that combines a clever heist-themed storyline with iconic Star Wars elements, then you need to check out Star Wars: Scoundrels by Timothy Zahn.

Scoundrels is set shortly after the events of A New Hope and follows Han and Chewie after they have temporarily left their friends in the Rebel Alliance to return to their old jobs as smugglers. The two are desperate to make some money in order to repay Han’s debt to Jabba the Hutt and have travelled to the planet of Wukkar to meet a contact. Instead of their contact, Han and Chewie are approached by a local businessman who wishes to recruit the pair to help him break into a local crime lord’s supposedly impenetrable vault to recover a vast fortune in stolen credits.

Lured in by the promise of a rich reward, Han sets about recruiting a team of highly skilled thieves, con artists and specialists, including their old friend Lando Calrissian, to help them pull off the heist. However, as they start to put together a master plan to enter the vault, they make a startling discovery: their target is a high-ranking member of the notorious Black Sun crime syndicate, who is currently hosting one of the organisation’s most powerful leaders. More importantly, in addition to the stolen credits, the vault now contains a collection of Black Sun’s blackmail files, which are a vital and closely guarded part of their operation.

Still determined to pull off the job, Han and his team need to work out a way to break into the unbreakable vault without painting a massive target on their backs. However, they are not the only group interested in the blackmail files, as an ambitious Imperial Intelligence agent is determined to capture them. Caught between two of the most powerful organisations in the entire galaxy, these scoundrels will need every trick up their sleeve to survive and raid the vaults. But when the stakes are this high, can any of them really be trusted?

Scoundrels is a fast-paced and well-written novel that does an outstanding job setting a compelling and entertaining heist story inside the Star Wars universe. This book was written by legendary Star Wars author Timothy Zahn, who I have mentioned several times before on my blog, especially for his recent Thrawn trilogy (Thrawn, Alliances and Treason). Scoundrels is a standalone novel that was released in 2013 and was the last Star Wars novel Zahn wrote before the Disney buyout of Lucasfilm. As a result, Scoundrels technically never happened in the current canon of the franchise and is instead part of the Star Wars Legends range.

At the heart of this novel is a complex and amazing heist storyline that sees the protagonists attempt to steal a vast fortune from a high-security vault. Scoundrels, or Solo’s Eleven, as I started to think of it, features a pretty classic heist set-up, with an impossible job offered and accepted, Solo building up a team of skilled criminals to help him pull off the job, recon, various complications, and then the attempt to break into the vault. I did find in some ways this part of the story was a bit typical and derivative of other examples of the heist genre, although I think a lot of the reason why I was having these thoughts is because I saw Rick and Morty’s excellent take-down of heist movies, One Crew over the Crewcoo’s Morty, immediately before I started reading this book (literally all I could think whenever a new crew member was recruited was “You son of a bitch, I’m in”).

However, this was still an incredibly entertaining novel and Zahn did create a storyline that was unique in a number of ways. In particular, Zahn makes excellent use of the technology (a combination of pre-introduced technology and stuff that Zahn made up himself) and the political turmoil in the Star Wars Legends universe to create a truly captivating piece of crime fiction. The story is loaded with all manner of twists, turns and doublecrosses, and I really enjoyed a number of the big reveals that were featured throughout the book (the character reveal at the very end of the book was pretty cool, for example). The entire plan for breaking into the vault and stealing its contents was also extremely clever and memorable, containing an excellent combination of subtly, manipulation, improvisation and number of massive explosive distractions. Also, the way they actually got out of the heavily armed compound was very cool, and definitely one of the best heist moves I’ve ever seen. All of this results in a first-rate heist thriller storyline which I deeply enjoyed and which has actually put me in the mood for more heist-centric books.

Another great part of Scoundrels is the fantastic group of characters that the story focuses on. Not only does the book showcase the classic partnership of Han and Chewie but we also get to see more of the suavest man in the galaxy, Lando Calrissian. Han is a great leader for the team, able to come up with a cool plan and improvise when they are faced with chaos, while Lando shines as the charismatic front man of the operation, able to charm or swindle everyone he comes in contact with. Quite a bit of time is spent exploring the turbulent relationship between Han and Lando at this point of their friendship, as several prior operations (some of which were featured in other novels and comics in the Star Wars Legends range) have fallen through, resulting in some bad blood between them. While both claim that they have forgiven the other for the sake of this operation, they both have a lot of doubts and are worried that the other is going to screw them over. This adds a whole bunch of extra drama to the story and ends in a rather entertaining and typical manner.

In addition to Han, Chewie and Lando, the rest of the heist crew is made up of some strong and distinctive characters who are a lot of fun. All of these characters bring a lot of team, and at no point did any of them feel unnecessary to the plot. Zahn also goes out of his way to establish each of these characters separate backstories and motivations, which adds a large amount of substance to their inclusion. As these different motivations mean that there is also a constant potential for betrayal and sabotage, which is another layer to the heist aspect of the book. There is also a great look at the Black Sun underboss and his main security chief as they attempt to understand the threat coming their way, while also trying to stay on the right side of the powerful Black Sun overlord, who is staying at the manor and playing mind games with them. There is a growing sense of desperation and irrationality from the two of them as the various manipulations push them closer to the edge, so much so that a deal with Darth Vader actually seems like a tempting offer. I also loved the inclusion of the Imperial Intelligence agent who attempts to utilise the planned heist for his own ends. His ambitious attempts to undermine Black Sun are interesting, and he brings a whole new edge to the overall story. All of these amazing characters add so many different things to the books plot and it was a lot of fun to see how their various character arcs progressed.

As I mentioned above, Scoundrels falls within the now non-canon Star Wars Legends expanded universe. While I have not read a lot of fiction from the Star Wars Legends range recently (with the exception of Death Troopers by Joe Schreiber), I have always been impressed with the wide range of different stories and plot lines that make it up, many of which are being utilised or referenced to in the current canon (the inclusion of Zahn’s character of Grand Admiral Thrawn in the Star Wars Rebels animated show is a prime example of this). However, there are some significant differences between the two canons, and some of these can be seen in Scoundrels.

One of the most noticeable differences between these two canons is the dominance of the Black Sun crime syndicate. While they only have a few minor appearances in the current canon (and they potentially would not have been included at all if they did not show up in a couple of episodes of The Clone Wars animated show, which remained canon after the buy-out), there were a major part of the original canon as one of the premier criminal organisations the protagonists would go up against. A lot of this comes out of the 1996 novel, Shadows of the Empire (which I actually read a long, long time ago), which showed the Black Sun leader, Prince Xizor, having nearly as much power and influence as the Emperor, and as a result, was a major rival for Darth Vader. Much of the book’s plot that involves the members of Black Sun or the Imperial Intelligence agent revolves around this rivalry, as the agent is hoping to damage Black Sun to gain favour with Vader. The protagonists, knowing this, also attempt to use this conflict to their advantage, and it becomes a major part of the book. The examination of the various criminal organisations available during this period is also pretty darn fascinating, and it serves as a wonderful, larger setting behind the main story.

In addition to this focus on the criminal underbelly that was featured in the old canon, Zahn made sure to fill his book with all manner of references to other books and comics in the Star Wars Legends canon, especially those that featured Han, Chewie and Lando. No specific knowledge of these events is needed to understand these references, as Zahn makes sure to explain the necessary parts, which mostly revolve around Han having terrible luck when it comes to prior jobs. Other examples of the history and unique storylines that existed in the old Star Wars canon are also pretty fascinating, but you do not need to be an expert on any of this to enjoy Scoundrels. Indeed, anyone who has seen the original trilogy will be fully able to appreciate the cool story contained within, although, as always, those Star Wars fans with a bit more background knowledge of the franchise will get a bit more enjoyment out of this book.

Like a great many of the Star Wars books I enjoy, I ended up listening to the audiobook format of Scoundrels. Narrated by Marc Thompson, it runs for just under 14 hours, which makes it slightly longer than most Star Wars audiobooks. Scoundrels contains all the fun features of a typical Star Wars audiobook format, with the narration permeated with all manner of iconic Star Wars music and sound effects. I love hearing the amazing Star Wars music as I have the story read to me, and in many places having the music played really enhances the emotion or the significance of a scene. Scoundrels also contains an impressive abundance of various sound effects which are utilised in nearly every scene. Having blaster fire sizzling past your ears in a fire fight or listening to the gentle susurration of the crowd in a big party sequence is just amazing, and it helps bring the story to life as you listen. I was also very impressed with the way that they showed how helmets and comm links could distort a character’s voice, and the use of sound effects for Chewbacca’s communications was a smart choice.

I also have to say how impressed I was with Marc Thompson’s narration of this book. Thompson is one of the premier narrators of the Star Wars audiobook, having lent his vocal talents to a number of novels in both the Star Wars Legends and Disney canons, including for the recently released Resistance Reborn. I have previously listened to Thompson’s narration for the first book in Zahn’s recent Thrawn trilogy, and I loved the work he did on that, especially when it came to the voice he produced for the trilogy’s titular character. He also does an extraordinary job with this format of Scoundrels, producing a huge number of unique and memorable voices for the various characters featured within it. His portrayals of Han and Lando were very accurate, especially Han’s voice, and that really helped me enjoy this novel so much more. Scoundrels was a first-rate audiobook, and I would strongly recommend this format to anyone who wishes to enjoy this book.

Star Wars: Scoundrels was an outstanding read, and I cannot praise the clever combination of a heist storyline with Star Wars elements enough. Zahn really is one of the best authors of Star Wars fiction out there, and I was never in any doubt that I would love this novel. He has a new book coming out in a few months, and I am very much looking forward to it. In the meantime, I will have to check out a few more of his earlier books, and I might also look up some other novels in the Star Wars Legends range.

Throwback Thursday – Star Wars: Thrawn by Timothy Zahn – Audiobook Review

Thrawn Cover.jpg

Publisher: Random House Audio (11 April 2017)

Series: Star Wars

Length: 16 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

While Disney are currently releasing quite a large number of Star Wars tie-in novels and comics, none of them quite had the history behind them that Thrawn did. Timothy Zahn is probably one of the best authors of Star Wars fiction of all time, having written several books in the previous Star Wars expanded universe (now rebranded as Star Wars Legends) before Lucasfilm was bought out in 2012. Without a doubt, his most iconic contribution to the Star Wars universe was the character of Grand Admiral Thrawn, who was introduced in his 1991 book, Heir the Empire, the first book in Zahn’s original Thrawn trilogy. Grand Admiral Thrawn was the Empire’s greatest tactician and naval commander, who led the war against the protagonists of the original Star Wars trilogy following the events of Return of the Jedi and proved to be an effective major antagonist. Thrawn swiftly became a fan favourite, and Zahn revisited the character several times.

While Thrawn was an amazing character, many assumed that he was unlikely to be seen again after Disney shelved the original expanded universe to allow for their own stories and characters. However, Disney surprised many when they announced that Thrawn would be brought back to their extended universe in the Star Wars Rebels animated show. Thrawn was introduced as the show’s main antagonist for the third and fourth season and he shone as the villain of the show, bringing his tactical abilities and unique view of war to bear against the rebels. Brought to life with the voice work of the extremely talented Lars Mikkelsen, Thrawn is easily one of my favourite things about the show’s last two seasons and was a fantastic addition to the plot.

Disney also decided to include Thrawn in their slowly building collection of Star Wars novels, with a whole new Thrawn trilogy commissioned from Timothy Zahn. Given the unique opportunity to have a second go at introducing one of his most iconic creation, Zahn has so far written two books in this series, Thrawn and Alliances. I read and reviewed Alliances last year, but I unfortunately missed getting a copy of Thrawn when it first came out. With the third and final book, Treason, coming out at the end of July, I decided to finally go back and check out an audiobook copy of Thrawn.

In the Star Wars Legends canon, Thrawn was active for a long period of time, essentially from before the events of Attack of the Clones until several years after the events of Return of the Jedi, with a lengthy service in the Imperial Navy. In this book, however, Zahn has to reintroduce his character in a much earlier and compacted period of Star Wars history, as his character could only have come to prominence between Revenge of the Sith and the third season of Star Wars Rebels in the Disney canon. I was quite keen to see this new version of the character, especially as Zahn gets to once again show how an alien managed to rise to the highest of ranks in the xenophobic Imperial military.

Several years after the fall of the Galactic Republic and the Jedi, the Empire reigns supreme throughout the galaxy and is always looking to expand its control. A routine survey of an unexplored world in Wild Space uncovers a small, ramshackle settlement with items featuring writing in an unknown alien language. As the Imperial survey team investigates, they find themselves under attack from an unseen adversary who manages to inflict heavy causalities with minimal resources. Retreating back to their ship, the Imperials discover that their attacker, a blue-skinned, blue-haired alien, has stowed away on their transport. The alien identifies himself as Mitth’raw’nuruodo, a member of the Chiss Ascendency, a legendary race from the Unknown Regions. The Imperial commander takes Mitth’raw’nuruodo, or Thrawn, to Coruscant to be presented to the Emperor, who he impresses with his tactical ability and his mysterious connection to the Clone War General, Anakin Skywalker.

Taking Thrawn into his service, the Emperor makes him an officer in the Imperial Navy, along with his translator, cadet Eli Vanto. As Thrawn and Vanto are first enrolled in the Imperial Naval Academy and then assigned junior roles on a ship, they face opposition and resentment from other members of Navy. However, thanks to Thrawn’s unparalleled tactical and strategic mind, as well as his ability to understand and predict the actions of his opponents on the battlefield, the two are able to rise in the Imperial hierarchy.

As Thrawn is quickly promoted up the ranks, he starts to become obsessed with the enigmatic Nightswan, a brilliant rogue tactician who has been helping criminals and dissidents defy the Empire across the galaxy. At the same time, Thrawn’s inability to understand the political realities of the Imperial Navy proves to be a major threat. Luckily the politically ambitious Arihnda Pryce is willing to provide help, as long Thrawn assists with her plans to gain political power and become governor of her home planet of Lothal. As rebellion spreads through the galaxy, Thrawn leads the assault to cut it down as he heads towards his promotion as Grand Admiral.

This was a pretty outstanding novel. I absolutely loved Thrawn and it is probably the best canon Star Wars novel in that I have so far had the pleasure of reading. Zahn did an amazing job revamping his iconic character by presenting a fantastic new story that not only harkens back to the author’s original novels but also fits the character perfectly into the Disney timelines. Thrawn is an excellent balance of character work, action, political intrigue and exploration of the Star Wars universe, all of which adds up to an incredible novel that I was nearly unable to stop listening to and which results in an easy five-star rating from me.

The events of this book take place over the course of nine years, between the events of Revenge of the Sith and A New Hope. More specifically, it starts 11 years after Revenge of the Sith, and continues directly at the start of the third season of Star Wars Rebels, approximately two years before A New Hope. Thrawn is split into two separate storylines: one that follows the rise of Thrawn through the Imperial Navy and another that focuses on the machinations of Arihnda Pryce as she becomes governor of Lothal. The Thrawn storyline is mostly told from the perspective of Thrawn’s companion, Eli Vanto, although a few chapters are shown from Thrawn’s perspective alone. While the two storylines start off showing Thrawn and Pryce’s separate rises to power and are not initially connected, once the two characters start working together, their stories mesh together a lot more. While I had a stronger preference for the parts of the book focussing on Thrawn, I did quite enjoy the sections focusing on Pryce, as they had some compelling elements and showed a different side of the Empire. The two separate storylines mesh together quite well, and together they tell a complete and intriguing story that highlights how the characters obtained the relevant positions in the Imperial hierarchy that they had when introduced in Star Wars Rebels.

At the heart of this book is the focus on Thrawn, an absolutely amazing central protagonist, whose escapades and adventures are some of the best parts of the book. Zahn has done an amazing job reinventing Thrawn for this new era of Star Wars history, keeping all the character traits that made him such a hit in the original expanded universe, while fitting his character timeline into a much shorter period. Thrawn is still the same highly intelligent alien with an unmatched tactical mind and an appreciation for the culture and art of the various people he encounters. However, in this universe, he achieves his rank of Grand Admiral in a far shorter period of time. Starting with his rescue on a remote planet after ambushing Imperial forces (the entire scene is a rewrite of Zahn’s 1995 short story, Mist Encounter, although with a few necessary changes), this book shows him joining the Imperial Academy, and then climbing the ranks all the way up to Grand Admiral within a few short years. The entire story of Thrawn’s early career in the Imperial Navy is absolutely fascinating, and I really enjoyed this look at the character’s history, especially as his rapid promotions were due to the multiple intriguing military actions he oversaw. His entire storyline is extremely well paced out, and the reader gets a full story that is incredibly captivating. This was a really clever reimagining of the character’s history, and it is a great story to tell.

Zahn does a great job showcasing Thrawn as an utterly brilliant individual who is clearly smarter than everyone else he encounters. There are some great characteristics to Thrawn, like the way he is able to get into his opponents’ heads and anticipate their actions and intentions. His shear analytic ability is showcased so many times throughout the book, most notably in the way that he analyses the emotions and body language of all the people he encounters. For example, whenever Thrawn is talking with someone, the reader gets a short description of the facial reactions or emotions that the character talking to Thrawn is exhibiting. I’m unsure what this looks like in the hard copy of the book, but in the audiobook version the narrator uses his chilling Thrawn voice rather than his baseline narrator voices. From these short descriptions, the reader gets an idea of what Thrawn thinks the other character is thinking, and it is deeply fascinating to see how this affects Thrawn’s actions. I loved that the author continued to show how Thrawn gains insight into a people’s culture and personalities through their art. Throughout the book, Thrawn is shown appreciating a potential opponent’s art and culture, and then using the conclusions and observations he gleams from the items to alter his strategies or the way that he deals with them. This is a fantastic character trait that I am glad Zahn continued to use in his works.

Probably one of the best things about the character of Thrawn in this book is the inventive and brilliant strategies that he comes up with to defeat his enemies. Throughout the course of the book, Thrawn utilises some deeply inventive plans for both large-scale conflicts and smaller battles, and it is always very entertaining to watch these plans come to fruition. I loved some of the strategies that Thrawn used in this book; whether he is swamping a shielded fortress with artificial tidal waves or using Clone Wars era buzz droids to take out a pirate ship, the end result is just spectacular. In many ways, the Thrawn in this book is a bit like Sherlock Holmes, if Sherlock worked for an evil space empire. His opponent, Nightswan, is essentially Moriarty (a man nearly as smart as Thrawn, who sells his tactical abilities to members of the underworld), and the author uses this to make the battle scenes even more intense, as a brilliant attack from Nightswan is countered by an even more sophisticated move from Thrawn. In addition, Thrawn also has a loyal sidekick in Eli Vanto, who is essentially the Watson to Thrawn’s Sherlock. Not only are there certain similarities between the two within the story, such as the way that Thrawn takes Vanto and train him in his methods, turning Vanto into an extremely competent strategist, but Zahn also uses him in a similar literary way to Watson in the Sherlock Holmes novels. Vanto is used as a proxy for the audience, so when he questions Thrawn on how he came up with his plans or anticipated his opponents, the audience gets a full explanation within the scope of the story. Thrawn was an extremely awesome character in this book, and his presence helps turn this into an outstanding read.

In addition to the character of Thrawn, Zahn also looks at Governor Arihnda Pryce, another major antagonist from Star Wars Rebels. Zahn spends a good amount of time showing Pryce’s past and how she went from a nobody to a powerful planetary governor with major political connections and a history working with Grand Admiral Thrawn. I liked this look at Pryce; her story is pretty compelling and it offers a great look at the political side of the Empire. Pryce is already a pretty despicable character in Star Wars Rebels (she is responsible for the tragic death of one of the main characters), but this book does a masterful job of showing just how evil she is. While it starts off showing her experiencing early hardship and difficulties, she quickly stops being a character you can root for the moment she has any sort of power within her grasp. The way she turns on her friends and her extreme act of self-preservation towards the end of the book are pretty dark, and you cannot help but dislike the character even more after reading her full arc in this book. This was some really good character work, and Zahn does an amazing job showcasing Pryce’s motivations and despicable nature.

If you are a fan of massive and electrifying space battles, there is a lot for you to love in Thrawn. Zahn has packed this book with a huge number of large and impressive battles between Imperial ships and the various pirates and rebels that are encountered throughout the story. There are some really fun ship-to-ship battles throughout this book, and they are absolutely spectacular to watch unfold. Thanks to the brilliant adversary that Thrawn faces for most of the book, the characters face some unique opposition, such as Clone War era ships, like the vulture droids, and an impressive island base with massive guns. These result in some amazing sequences, especially when Thrawn comes up with a surprising strategy to defeat the opposition. I had a lot of fun listening to these battle sequences, and they are a real highlight I feel that many readers will enjoy.

Thrawn takes quite an interesting look at certain parts of the Star Wars universe, and fans of the series will enjoy the author’s canonical deep dive into the Empire at the height of its power. Quite a lot of time is spend showcasing the ins and outs of the Imperial Navy, and readers get a good idea of how it operates and its system of command as the main character rises through the ranks during the course of the book. In addition to the military side of the Empire, the storyline focusing on Governor Pryce highlights how brutal Imperial politics is during this period, as she attempts to gain power and influence. Zahn also includes a number of key characters from Star Wars lore and inserts them into his story. Characters such as Grand Moth Tarkin and Colonel Wullf Yularen (a background Imperial character in A New Hope who was given an expanded role in The Clone Wars animated show) are used quite successfully in this book and offer some interesting insights into additional aspects of the Empire. There are also the obligatory hints at the Death Star (seriously, nearly every piece of Star Wars fiction set in the period has some mention of a “secret Imperial project”) and other elements of the Star Wars movies. I quite enjoyed this intriguing look at the Empire between the events of the first two trilogies, and it helped with the story.

Like most Star Wars tie-in novels, Thrawn is intended more for dedicated fans of the franchise, although I felt that this book would be particularly accessible to those readers with only a basic knowledge of the Star Wars franchise. Zahn does an excellent job explaining key aspects of the Star Wars universe that fans who are only familiar with the movies might not understand, and the book features some really fun and exciting moments. As a result, this might be the perfect book to try if you are interested in exploring the Star Wars expanded universe for the first time, especially if you happened to enjoy Thrawn in Star Wars Rebels. There really is so much in here for dedicated Star Wars fans to enjoy, and those readers who grew up with Zahn’s original Thrawn trilogy will no doubt be extremely curious to see this new version of the character.

Like most of the Throwback Thursday books I review, I chose to listen to the audiobook version of Thrawn rather than read the physical copy. The Thrawn audiobook is narrated by veteran Star Wars audiobook narrator Marc Thompson and runs for 16 hours and 56 minutes. I have mentioned before that listening to a Star Wars audiobook is an intriguing experience, as the productions are filled with all manner sound effects, including a number of iconic sounds from the Star Wars franchise. Thrawn continues this tradition, featuring a huge number of sound effects in pretty much every scene. These sound effects are really effective at creating an ambiance and atmosphere, and the reader gets a whole other experience of the events occurring in the book. This includes a background susurration during parties and large gatherings or the sound of blaster fire during a battle sequence. While I really love how most of these sound effects work, I did have a slight issue with an effect used to alter the voices of a certain alien species. The producers added a high-pitched screeching echo to the voices of the aliens known as the Afe in order to simulate their unique vocal patters as described in the book. However, this sound effect is extremely distracting and unpleasant, and I found it hard to listen to the dialogue of the Afe characters. While these characters were only in the book for a short while, their voices were extremely memorable and it is hard to forget that screeching sound. On the plus side, the audiobook also featured several pieces of John Williams’s epic music from the Star Wars films at key parts of the book, which helped enhance several of the scenes and bring the audience into the story.

In addition to all the sound effects and music, the Thrawn audiobook also featured the vocal talents of narrator Marc Thompson. Thompson is an extremely talented voice actor, and his work in Thrawn was pretty amazing. He has an excellent voice for the character of Thrawn that not only sounds like Lars Mikkelsen from Star Wars Rebels but which also carries all of the character’s intelligence and charm. Thompson comes up with a great voice for Eli Vanto, utilising an accent that screams space yokel and which stands out from the voices of other Imperial characters in this book. I was also quite impressed with how Thompson was able to imitate key characters from the Star Wars universe. For example, Thompson does a great Emperor Palpatine voice and also comes up with passable imitation of Grand Moth Tarkin. I felt that Thompson really got the heart of many of the characters he narrated, whether by showcasing Thrawn’s cool intelligent manner or by replicating the arrogance that comes off many of the book’s Imperial characters. As a result, I would wholeheartedly recommend the audiobook version of Thrawn, as not only do the producers continue to make good use of sound effects and music, but they also use an amazing narrator to bring this story to life.

I had an absolute blast going back and listening to Thrawn for the first time. This is an exception piece of Star Wars fiction and Zahn does an outstanding job bringing his iconic character, Grand Admiral Thrawn, into the new Disney canon. Featuring a ton of amazingly entertaining moments and some excellent character work, Thrawn is an exceedingly fun book that will prove to be extremely appealing to both hardcore Star Wars fans and novice readers. This was a wonderful five-star read, and I cannot wait to see how Zahn wraps up this trilogy.