Four Ruined Realms by Mai Corland

Publisher: Recorded Books/Zaffe (Audiobook – 7 January 2025)

Series: The Broken Blades – Book Two

Length: 13 hours and 31 minutes

My Rating: 4.75 out of 5 stars

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One of the hottest fantasy sequels of 2025 is the impressive Four Ruined Realms by Mai Corland, that once again follows an entertaining band of killers and self-interested liars as they get drawn into dark events that threaten their entire world.

Last year I had the pleasure of reading the outstanding debut Five Broken Blades by Mai Corland.  The first book in Corland’s Broken Blades trilogy and one of my favourite debuts of 2024, Five Broken Blades was an impressive fantasy novel with some great Korean aesthetics that followed five deadly killers who are recruited to kill the king of Yusan and steal the magical crown that makes him invulnerable.  However, their planned assassination and heist becomes complicated by secrets, treachery and the fact that each member of the group had hidden motivations for being there.  Corland provided a pretty wonderful story for this first book, loaded with betrayals, lies and compelling character-driven perspective chapters, and I loved the great twist at the end that saw the protagonists captured and forced to engage in a new heist.  As such, I have been eagerly awaiting the sequel since last year, especially as I couldn’t wait to see how Four Ruined Realms resolved the awesome cliffhanger Corland left the first book on.

The group known as the Blades are five of the best killers, liars and thieves in the kingdom of Yusan.  Made up of a master spy, a beautiful poison-maiden, a murderous banished prince, a lethal thug and a mysterious thief, the Blades were hired to pull off an impossible task: kill Yusan’s God King Joon and steal his crown.  Each of the killers had a reason for becoming involved with the plot, as well as their own dark secrets that drove them onwards.  However, all of them underestimated Joon’s manipulations and greed, as the entire job was a ploy from the King to bring them together and evaluate their skills.

Captured and forced by bribes and threats to accept a new mission, the Blades now find themselves journeying to the neighbouring nation of Khitan, which has long resisted the armies of Yusan.  Ruled over by Joon’s vengeful sister, Quilimar, Khitan remains free thanks to the power of the Golden Ring of the Dragon Lord, one of five legendary magical treasures gifted to the ruling houses of the rival realms.  Determined to possess all the treasures, Joon gives the Blades one month to steal the ring and return it to him.  If they succeed, they will have everything they desire, but if they fail, then they and everyone they love will be killed.

Arriving in Khitan, the Blades find dangerous enemies all around, an impossible theft before them and their once cohesive group fractured thanks to their uncovered lies.  But even with their conflicting motivations and secrets out in the open, these killers can all agree on one thing: King Joon is their true enemy.  Determined to fight back, the Blades embark on a mission to gain an audience with Quilimar and find a way to use Khitan’s resources to defeat Joon.  However, there is a darker conspiracy at play within the borders of Khitan, and the Blades have once again underestimated the lengths their enemies will go to win.  Worse, each of the band still has secrets, and soon a new set of lies will tear them apart from within.

Four Ruined Realms was another exceptional fantasy novel from Corland that effortlessly drags you in with its fun action, compelling story, doomed romances and outstanding and damaged protagonists.  Perfectly telling a massive, multi-character narrative, Four Ruined Realms was a very worthy sequel to Five Broken Blades that proved very hard to put down.

Corland set forth another complex and emotionally charged narrative in Four Ruined Realms, and I loved how well she continued after the cool cliffhanger ending of the first book.  Taking place right in the aftermath of the betrayals and lies of Five Broken Blades, Four Ruined Realms begins just as the Blades arrive in Khitan and are forced to work together to survive and secure the prize, despite the complete lack of trust and the anger brought about by their revealed secrets.  Corland works a lot of great character development into these early chapters, as the book flits between the protagonists and showcases their respective mindsets.  There is a good blend of early planning, espionage, and personal issues, as the protagonists try to work together, while also maintaining additional secrets that they know will tear the group apart.  The first part of the book features some very fun sequences, especially when the male protagonists depart on an expedition for knowledge, while the girls attend a party that ends in turmoil.  At the same time, there are hints of a bigger conspiracy beneath the surface of the new realm they are in, and Corland provides some interesting clues that perfectly come into play later.

As Four Ruined Realms continues, Corland enhances the book by including more chapters from the perspective of returning protagonist Tiyung.  Tiyung, while a perspective character in Five Broken Blades, only had a relatively minor point-of-view role, so it was interesting to see him as more of an equal protagonist in the sequel.  His storyline of being stuck in a notorious prison back in Yusan proved to be particularly compelling, especially as he gets to interact with two of the book’s best supporting characters.  Tiyung’s storyline blends well with that of the main protagonists, and thanks to the simultaneous timeline, you get to see him react to the events occurring over in Khitan and find out secrets that have potential impacts on how the Blades succeed in their task.

The second half of the book primarily details the Blades’ attempts to learn more about Khitan and find a way to get an audience with its queen.  Their plans to achieve this see them once again split up into dramatic groupings, and you get some interesting adventures and interactions as a result, especially as all the powerful emotions come to the surface.  It also perfectly sets up the final massive sequence of Four Ruined Realms, which really delivered in both action and tragedy.  While I don’t want to spoil too much, readers will come away from this novel pretty heartbroken, and there are some very intense moments going on in the last third of the book.  Combined with a series of final reveals and twists, all of which are nicely foreshadowed by earlier subtle inclusions from the author, you come away from Four Ruined Realms both moved and extra excited to see how the series is going to come to an end.

As with the first book in the series, Corland sets Four Ruined Realms out in a fantastic manner, and I deeply enjoyed how the complex narrative came across.  The use of six separate perspective characters was a major highlight as it allowed for a multi-layered narrative with a focus on character development and interactions.  The author did an outstanding job of balancing the different perspectives, with all the protagonists getting their chance to shine in their respective chapters, and even the increased use of Tiyung didn’t throw this out of whack.  Indeed, Tiyung’s chapters honestly pulled the other perspectives together into a tight and captivating overarching narrative, as the inclusion of an outsider character viewing events from afar increased the complexity of the plot.

The author makes full use of the book’s alternating viewpoints to insert a lot of great story elements into the plot, so there is a little something for everyone here.  The constant intrigue and danger that the protagonists found themselves in was well balanced by the author’s excellent worldbuilding, while the cool action scenes are guaranteed to get anyone’s blood pumping.  There are also multiple romance subplots that none of the protagonists are immune to.  While not a full-on romantasy novel, a good chunk of the book is focused on the complicated relationships that have formed between various protagonists, which will appeal to some readers, especially as the doomed nature of many of these romantic affairs leads to some excellent drama and heightened personal tensions.  While there were a few more romantic subplots than I typically enjoy in a fantasy novel, I felt that Corland got the right equilibrium here, with the focus on relationships and failed love enhanced the main fantasy intrigue elements of the plot rather than distracting from them.

Four Ruined Realms proved to be a very worthy sequel to Five Broken Blades, and I really enjoyed how effectively the author continued her elaborate storylines and continued to build up her great characters.  Corland uses this book to substantially expand the overarching setting of the series, including exploring a second realm and diving into the larger politics of the world.  The primary new setting, Khitan, worked extremely well as a background to the story, especially as its history and inherent intrigue played nicely into the chaotic mission of the protagonists and the plots surrounding it.  While I loved how the narrative continued in this sequel, readers should be warned that Four Ruined Realms isn’t necessary the best place to dive into the Broken Blades books, primarily because it is the second entry in a complex ongoing fantasy series.  While Corland does a great job of recapping the key events of the first book throughout Four Ruined Realms to make it accessible to newcomers, readers should really start at the start of the trilogy as it will give you the full emotional impact, especially when it comes to the character arcs.  Still, there is plenty for everyone to enjoy here, and I feel that Four Ruined Realms was a great book and sequel for readers new or returning.

As with the first book in this trilogy, the element that really ensures Four Ruined Realms stands out was its well-crafted main characters through whose eyes we see the narrative unfold.  Corland brings back all six protagonists from the first novel, made up of Royo, Sora, Euyn, Mikail, Aeri and Tiyung, and features them as equal parts of the plot.  After exploring their tragic backstories in Five Broken Blades, Corland spends this second novel diving into the drama and turmoil caused by the events of the first book, including the reveal of their darkest secrets and hidden motivations.  This brings out a lot of mistrust, antagonism and broken romances, which works to create quite a turbulent and entertaining plot.  I really appreciated how well each of these protagonists came through as a result, and it was fascinating to see their next set of secrets and hidden concerns, especially the deeper you get into their new mission.

Of the six, Royo, Mikail and Tiyung probably had the best arcs in Four Ruined Realms.  Royo continues to be the loveable, tough street thug with a past, and his more straightforward approach to life and honest need for redemption are quite refreshing amongst the rest of the schemers in the group.  Mikail, the dark spy master, proves to be the book’s ultimate badass, and his entertaining persona, complex backstory, and conflicted opinions about his love interest Euyn, ensure that he is one of the better perspectives in Four Ruined Realms, especially as he continues to mislead and lie to everyone.  Tiyung, as I mentioned above, gets much more of a chance to shine in this sequel, and his transformation from spoiled rich kid to starving prisoner ensures you get a better look at his character.  A genuinely good person, Tiyung continues to rise above his family legacy here, and his narrative of prison life and unexpected connections was a true highlight of the book.

The rest of the Four Ruined Realms protagonists also had some excellent moments, and I really appreciated their storylines.  Euyn, the fugitive prince of Yusan, has a troubled time in this sequel, primarily as he has the most paranoia and mistrust after the events of the first book.  This leads to a lot of conflict, and Euyn’s character growth from the first book starts to reverse in places as he seeks fights and alienates his allies.  However, Corland works this conflict into an excellent overarching narrative for Euyn, with its resolution being a key part of the plot.  I also felt that Sora, the beautiful and deadly poison-maiden, had a great arc in this sequel, especially as she loses her confidence and her killing edge, becoming the group’s conscience.  The final protagonist, Aeri, is my least favourite, although she ties the central cast together nicely.  The secret child of the main antagonist Joon and the group’s traitor in the first book, Aeri is the most mistrusted protagonist, despite being in the same boat as the rest of the Blades, and spends much of Four Ruined Realms trying to prove herself again.  While her storyline is really interesting and an essential part of the overall plot, I still didn’t connect with Aeri.  I’m not sure if this is because of how she is written, or because of the narrator assigned to Aeri’s chapters, but I feel that there is a huge disconnect between Aeri and the other protagonists which makes her not quite fit in, especially with her overly manic (and horny) personality.  Still, she does have some great moments in Four Ruined Realms, and it will be very interesting to see where Aeri and her doomed romance ends up.  Throw in an array of excellent supporting figures, including outstanding and ruthless antagonists, and this proves to be an amazing overall cast, whose layered roles and interactions helps to turn Four Ruined Realms into quite an exceptional read.

As with the first book in the series, I chose to listen to the audiobook version of Four Ruined Realms, especially after Five Broken Blades came across so epically on the format.  Unsurprisingly, the sequel was just as impressive on audiobook with Four Ruined Realms also featuring talented narrators, Greg Chun, Zion Jang, Roger Yeh, Donald Chang, Jaine Ye and Sophie Oda, each of whom voiced the chapters of a particular character.  These multiple narrators worked wonders to tell Four Ruined Realms’s elaborate character-driven story, and I loved how each of them inhabited the role of their respective protagonist.  All the narrators really impressed me in Four Ruined Realms and thanks to the even spread of chapters between characters, they all got a chance to shine.  There was a fantastic array of voices featured in each chapter, and we get to hear several differing tones for the same characters throughout the course of the audiobook.  I will admit that the narration for Aeri’s chapters still didn’t quite seem to fit the tone of the rest of the audiobook, but the other chapters more than made up for it, and I really enjoyed some of the elaborate and varied voices that emerged.  Featuring a 13-and-a-half-hour runtime, this was a quicker audiobook to get through than Five Broken Blades, and it ended up being a wonderful way to appreciate Corland’s fantastic story.  As such, this format comes very highly recommended for Four Ruined realms, and I am currently planning to finish this series off on audiobook.

With even more betrayals, secrets and tragedy, Four Ruined Realms was another exceptional novel from Mai Corland, who is really starting to impress me as an author.  An outstanding sequel to Five Broken Blades, Four Ruined Realms perfectly continues the trilogy’s captivating narrative, and you won’t be prepared for all the cool twists, turns and major moments.  A brilliant and moving fantasy novel with some dramatic character moments, Four Ruined Realms was such a good book and I’m so very glad I continued this fantastic series.  I cannot wait to see how this trilogy concludes, and luckily the final book, Three Shattered Souls, is out in July.

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The Dragon in Winter by Jonathan Maberry

Publisher: Macmillan Audio (Audiobook – 20 August 2024)

Series: Kagen the Damned – Book Three

Length: 20 hours and 57 minutes

My Rating: 5 out of 5 stars

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The damned rush to their final battle in the epic dark fantasy novel, The Dragon in Winter, which brings an exceptional conclusion to author Jonathan Maberry’s Kagen the Damned series.

As I mentioned in my recent review for the author’s other 2024 release, NecroTek, I am a huge fan of Jonathan Maberry, having really gotten into his elaborate and deliciously gritty thrillers and other pieces of fiction since I started this blog.  While I am most familiar with the author’s long-running Joe Ledger series, one of his more intriguing recent bodies of work has been the Kagen the Damned series.  A dark fantasy fiction series that follows a highly damaged figure who seeks bloody revenge after the dastardly Witch-king uses magic to destroy his kingdom and kill the royal children in his care, the Kagen the Damned books were an incredible pivot into the fantasy fiction genre for Maberry that I deeply enjoyed.  Both of the previous books in the series, Kagen the Damned (one of my favourite books and audiobooks of 2022) and  Son of the Poison Rose (one of my favourite books and audiobooks of 2023) were five-star reads, and I have so much love for this series (which also includes the novella I Say Your Name in the Dark Nights) due to its elaborate storytelling, damaged characters, and intriguing take on the fantasy genre.  Because of how impressive the first two entries in this series are, I have been eagerly awaiting the third and seemingly final book, The Dragon in Winter, for a long time, and it was one of my most anticipated books of 2024.

Nearly a year after the bloody massacre that saw the dread Witch-king of Hakkia conquer the former Silver Empire in a single night, the war to reclaim the throne is finally here.  As the Witch-king continues to plot, planning to ascend to godhood, his enemies have rallied around the unlikely figure of Captain Kagen Vale, better known as Kagen the Damned.

Once the loyal guardian of the Silver Empire’s heirs, Kagen has survived despair, damaging revelations and damnation from his gods to stand against the Witch-king and gain the bloody vengeance he so desperately needs.  Having proven his valour in combat and his ability to face off against the darkest of magic, Kagen has managed to gather a massive army of rebels, outlaws and the soldiers of various allied nations determined to stop the Witch-king for good.  But this army of flesh and blood men will not be enough to stand against the destructive power of the Witch-king alone.

As magic continues to return to the land, Kagen and his allies soon find themselves beset by the Witch-king’s sinister powers and dread allies, as vampires, demons, magic users and other fell creatures emerge, determined to keep the Witch-king on his bloody throne.  To survive, Kagen will need to find magic of his own that will allow him to withstand the Witch-king’s power.  But the more he looks, the darker secrets he unravels, and soon everything he thought he knew about the world will come tumbling down around him.  Worse, an even more dangerous threat is rising in the frozen north, as a tortured dragon calls out in despair and is answered by a being of unimaginable power.  Can Kagen stop the Witch-king before his dark plans come to pass, or will the dread flames of vengeance consume the entire world?

What an outstanding end to one of my favourite new fantasy trilogies!  The Dragon in Winter was another exceptional novel from Jonathan Maberry that serves as a fitting and powerful end to the Kagen the Damned dark fantasy series.  Loaded with insane action, brilliantly damaged characters, and some fantastic storytelling, The Dragon in Winter was an incredible book that perfectly utilises Maberry’s distinctive style.  I had an amazing time listening to this impressive book, and it gets an easy five-star rating from me, especially on audiobook.

Maberry had to achieve a lot with this third Kagen the Damned novel, as not only did readers require a satisfying end to the trilogy, but this book needed a distinctive story much like the previous entries.  I feel that Maberry achieved both these goals, as The Dragon in Winter was a compelling and dark read that provided a great mixture of adventure, war, intrigue and character growth, all while continuing and concluding the storylines from the previous books.  This third novel starts shortly after Son of the Poison Rose and sees Kagen taking on the role of general by leading a small army against the Witch-King’s forces, while the previously established story threads about the various nations building their armies to join the war come to fruition.  Maberry does a great job of resetting the scene in these early chapters, and not only do you get to see the situation from Kagen’s perspective but multiple scenes are shown from the antagonists’ side as they make their preparations to foil the protagonist and his allies.

Much of the middle of the story follows Kagen and his unlikely allies as they prepare for the inevitable final confrontation, attempting to gain additional ways to fight against the Witch-king.  While some of Kagen’s sequences aren’t entirely necessary for the full advancement of the plot (the goblin cave sequence, for example), they are all generally intense and character building, and they all tie in nicely amongst the other storylines about war preparations and the Witch-king unleashing his dark minions upon the world.  A secondary major storyline focuses on the characters of Jheklan and Faulker, Kagen’s brothers, who journey up to the frozen Winterwilds in search of the last dragon.  This storyline proves to be quite an interesting addition to the story, as while the characters are disconnected from the rest of the plot due to distance, their actions have big impacts on the overarching narrative.  This middle part of the story ends with a major confrontation between a memorable supporting character and a dark set of antagonists, which was not only very awesome but helped to set the scene for the rest of the book.

The final third of The Dragon in Winter is all action and excitement as the final battle of the war is unleashed on multiple fronts.  Maberry expertly brings all the various ongoing storylines to the boil, as the protagonists find themselves in mortal peril.  There is a little bit of everything here, including massive war sequences, smaller battles with huge sacrifice and big revelations finally coming to the surface.  The author keeps the tension extremely high during this third act, and you are constantly on the edge of your seat, especially as your favourite characters face doom and destruction at every turn.  I loved the way many of these storylines came together, and while a couple of big moments were easy to see coming (although for me that just increased the anticipation), there were also some reveals I couldn’t have predicted.  This includes the book’s massive twist that turns around much of what you thought you knew for the last two entries in the series.  I felt that this twist was very clever, especially when you consider the subtle hints leading up to it, and I appreciated how it changed the emotional impact of some previous scenes.  Everything leads up to the big final confrontation, which was as bloody and hard-hitting as you would expect.  This confrontation was chaos, carnage and catastrophe, and I felt that it was a fitting end to a dark trilogy that revelled in bloodshed.  While I do feel that the final boss takedown was a tad anticlimactic due to who got the kill, and Maberry reigned in the tragedy far more than I expected, this conclusion was extremely awesome, and I hung on every word right to the very end.  Everything was very nicely wrapped up, although there is potential for Maberry to revisit this series in the future, which could result in some more gripping adventures.

I always love the way that Maberry manages to apply his distinctive writing style to all his novels, no matter the genre, and it always works to create a powerful and exciting read, especially in The Dragon in Winter.  The large number of short chapters allows for a quick pace, and you are constantly jumping from sequence to sequence, eager to see what will happen next.  Maberry also excels at featuring a huge range of alternating perspectives as the book continues, with the point of view jumping around various interesting characters chapter to chapter.  While much of this focuses on the main protagonist, you are often following many of the fascinating and fun supporting characters as they go about their own adventures.  There are also multiple chapters shown from the perspective of the villain or his minions, and I love how the reader are constantly let into the antagonist’s plans, which helps to raise tension as you worry that they are one step ahead.  Throw in several additional perspective chapters from one-off characters, which often help to highlight some of the darker events going on in the wider setting, and this great jump in perspectives allows for a particularly complex and layered narrative that is so fun to navigate.  Of course, the real highlight of any Maberry book is the exceptional action sequences that pump some massive excitement into the plot.  Maberry is extremely talented at envisioning fight scenes of any size or shape, and I found myself constantly enthralled by the many, many battles that were contained in The Dragon in Winter.  This includes deep personal battles, running skirmishing or even a truly massive full-on war sequence with unique participants, all of which come across extremely well thanks to the author’s powerful and descriptive writing that captures every sword thrust or slice of the protagonist’s blades.

The Dragon in Winter continues to exhibit many of the dark fantasy elements that made the first two Kagen the Damned books so awesome to read.  Maberry really dove into the genre with a vengeance in this series, and I love how he pulled together a rich and powerful fantasy world loaded with both unique features and classic fantasy creatures and monsters.  Thanks to the author’s detailed writing and tendency to effectively recap key elements of the series, readers can easily absorb all the key elements of this universe, and it proves to be fascinating to take in, especially as Maberry loads it with secrets, deep history, and hints of other lands yet to be visited.  Of course, as this is Maberry, there is also a strong Lovecraftian vibe to this universe, as many of the elder gods and other associated beings have a place in this realm.  The author does a great job of exploring these classic Lovecraftian creatures throughout the course of the series, and the way they are worked into the main plot of The Dragon in Winter is extremely clever, especially if you have seen examples of them in some of Maberry’s other series.  For readers expecting a typical fantasy read, I should warn that The Dragon in Winter, like the rest of the Kagen the Damned series, gets very dark and brutal at times, and there are a lot of strong references to violence, torture, sexual assault and other troubling features that probably won’t appeal to every reader.  I feel that while Maberry occasionally goes a bit overboard with these darker inclusions, for the most part it helps to create a powerfully grim overarching tone that raises the stakes and ensure you are constantly rooting for the protagonist to succeed and bring a bit of justice to the world.  It also works very well alongside the awesome action sequences, and for those fans of some very bloody fights, including those featuring pure evil fantasy and horror creatures, you are in for an amazing time here.

While the action, setting and clever storytelling is an exceptional part of The Dragon in Winter, I also need to highlight the various impressive characters featured throughout this book.  Due to The Dragon in Winter being the last entry in this trilogy, Maberry spends much of this book finalising key character storylines, allowing for a much more personal entry in the series that will really appeal to those readers who have grow attached the protagonists in the first two books.  As such, this final Kagen the Damned novel features an array of great characters who are so well written and who often feature their own powerful and personal character arcs. 

Like with the rest of the series, much of the book’s character work is focussed on the main protagonist, Kagen Vale, who thanks to the dark deeds he has witnessed has been given the title Kagen the Damned.  A moody and deadly figure, Kagen has gone through so much despair and darkness in this series, and it has been a powerful journey following him this far.  Maberry did an outstanding job continuing Kagen’s story in The Dragon in Winter, and it was great to see how far Kagen has come, especially as he now uses his inner darkness, past trauma, and even the damnation of his gods, to fuel his desire to fight.  While he has overcome many of his past traumas, Kagen does experience new ones in The Dragon in Winter, as he finally understands the full scope of the evils unleashed upon the world, including by his own people.  This allows for some more dramatic sequences from the protagonist, and part of the emotional strength of the story is watching Kagen overcome even these revelations, especially with the help of his friends.  I have really appreciated how well Maberry has written Kagen’s pain and deeper heart throughout the series, and it was fantastic to see some of this pain finally come to an end in this final novel.

Aside from Kagen, the rest of the supporting cast proves to be quite exceptional, and there are many fascinating characters you become attached to as a result.  I personally loved seeing more of Kagen’s two friends and comrades, Tuke and Fillia, who form a hilarious put powerful trio as they fight together against the odds.  Essentially Kagen’s conscience and voice of reason, Tuke and Filia are the perfect supporting characters to the protagonist, and I love how they constantly anticipate Kagen’s behaviour and manipulate events to ensure he does what they want.  However, they also have their own compelling adventures outside of Kagen, especially when they lead the final battle, and you care nearly as much for them (if not more) than you do Kagen by the end of things.  Maberry also invests a lot of time in The Dragon in Winter to the amusing characters of Jheklan and Faulker Vale, Kagen’s brothers and mischievous adventurers.  While they have had minor appearances in the previous novels, Maberry only featured them as major, fleshed out characters in this final book, as they lead their own expedition to the frozen Winterwilds.  While they are relatively new figures, the reader quickly becomes intrigued by their storylines, especially as it is loaded with adventure and a certain comedic charm thanks to the brother’s juvenile nature.  However, while they are often unserious, when the chips are down Jheklan and Faulker get serious quick, and Maberry ensured that they encounter some real tragedy that shows the true heart of these figures.

While there are other great supporting characters I could talk about, including a vengeful widow and a scarily powerful vampire elf, I want to finish by mentioning the various villains, who are some of the best characters in The Dragon in Winter.  This includes the sinister Witch-king and his court, who are constantly plotting to destroy the world and kill Kagen.  The Witch-king is particularly malevolent in this book, and Maberry continues to build on the revelations surrounding him in this final book, providing even more fun context and twists.  I also love the continued focus on the Witch-king’s terrified advisors, Lord Nespar and Jakob Ravensmere, who find themselves way over their heads as they try to serve their lord and their own agendas.  However, the devilishly fun character known as the Prince of Games easily steals every scene he is in, and I loved his constant manipulations and chaotic nature, especially as it brings great fun to the Witch-king’s dark court.  The Prince of Games, who has some interesting links to some of Maberry’s other series, perfectly rounded out this cast of villains, and I really appreciate how much depth and complexity these antagonists, and indeed every character in the Kagen the Damned series, brought to the overall story.

As with all Maberry’s previous books, I chose to check out The Dragon in Winter on audiobook, which is the best format to enjoy the author’s captivating narratives in.  Maberry’s short chapters, elaborate world building, intense action and over-the-top characters really come to life when they are read out loud, especially when it is done by the legendary Ray Porter.  Porter has long perfected the tones to get the most out of Maberry’s writings and his infectious and compelling voice expertly captures the inherent dark nature of Maberry’s writing and helps to send the crazy scenes of carnage straight into the listener’s head.  The narrator knows exactly how to portray Maberry’s great, larger-than-life protagonists and villains, and you can easily imagine each of the figures and their actions as Porter reads them out.  I particularly enjoy how well Porter captures the various emotional states of these characters, and you always hear the despair, anger or fear of each of these figures when they speak.  This especially true for the primary protagonist, Kagen, and I always appreciate how well the narrator showcases his many dark emotions as he goes through the wringer time and time again.  Throw in some truly chilling voices for the various villains and evil monsters that the protagonists encounter, and Porter’s performance was once again exceptional, allowing for quite an awesome audiobook.  With a runtime just short of 21 hours, this is a long audiobook to check out, although you really don’t mind as it becomes hard to stop listening to The Dragon in Winter, especially during the various climatic or intense sequences.  I had such a great time listening to The Dragon in Winter, and this such an amazing format to enjoy this latest Maberry novel on.  Indeed, I loved it so much I listed it as one of my favourite audiobooks of 2024, even before I finished it, so do yourself a favour and check out this novel on audiobook right away.

Thanks to its powerful story, intense action and damaged characters, The Dragon in Winter was another incredible read from Jonathan Maberry that I could not get enough of.  One of the best books of 2024, The Dragon in Winter was an outstanding final entry in the Kagen the Damned series, and I loved every single second I spent reading it.  Highly recommended on all formats, especially those read out by Ray Porter, The Dragon in Winter is so damn good, and it will be interesting to see if Maberry decides to return to the fantasy genre again the future.  In the meantime, we’re only a few months off from Maberry’s next book, Burn to Shine, which will probably be one of the best things I read in 2025.

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Blood Over Bright Haven by M. L. Wang

Publisher: Del Rey (Trade Paperback – 29 October 2024)

Series: Standalone

Length: 431 pages

My Rating: 5 out of 5 stars

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One of the biggest rising stars in fantasy fiction, M. L. Wang, effortlessly showcases her amazing talent with the outstanding read, Blood Over Bright Haven.

M. L. Wang is an awesome author who I have been hearing a lot about over the last few years. Debuting back in 2018 with her first book, The Sword of Kaigen, Wang blew away the fantasy crowd with this intriguing debut fantasy novel that featured a compelling Asian inspired setting and theme. While I have yet to have the pleasure of reading The Sword of Kaigen, it is currently high on my to-read list, especially as it has received an exceptional amount of love in fantasy circles.  As such, this has made me very curious about Wang, so when I saw that her new book, Blood Over Bright Haven, was coming out in Australia, I made sure to grab a copy of it.  Wang’s second adult fantasy novel, Blood Over Bright Haven was originally self-published in 2023, although I think I will be counting it as a 2024 release later this year.  I really loved the sound of this cool book from Wang, and boy did Blood Over Bright Haven deliver, as it proved to be an epic and highly impressive read.

In a world full of death, despair and fear, the city of Tiran serves as a gleaming beacon of civilisation and safety.  Protected by a magical dome that keeps out the destructive Blight, a mysterious occurrence that destroys everything it touches, Tiran has managed to survive while the rest of the world withers away.  Many of Tiran’s citizens believe that the dome, and the magic that powers it, are a gift from the city’s forefathers and only they have the right to benefit from it.  However, not everyone is treated the same within Tiran.

Sciona is a talented young mage seeking to become the first women ever admitted to the High Magistry at the University of Magics and Industry.  After studying for 20 years Sciona finally proves herself worthy to become a highmage and is excited to push the field of magic forward with her inventive techniques and unparalleled ambition.  However, despite everything she has achieved, when Sciona arrives at the university, she is treated with scorn and derision by her male colleagues and assigned only a janitor to help her rather than a qualified assistant.

Determined to show everyone what she is capable of, Sciona sets out to pioneer new ways of harnessing magical power that will allow Tiran’s dome to be expanded.  Forced to work with the tools in hand, Sciona decides to train her new assistant, the Kwen janitor Thomil, and soon discovers a bright and focused mind.  A former hunter from the plains who sort sanctuary with the city after seeing his entire tribe torn apart by the Blight, Thomil has lived within the oppressive Tiranish system for ten years, trying to survive the city’s prejudice for the Kwen.

Despite their differences, Sciona and Thomil form a formidable team, especially when Sciona begins using Thomil’s knowledge of the world outside of Tiran to good use.  But their work will uncover a dark secret, one rooted at the heart of Tiran’s history and their ability to harness magic.  Can Sciona and Thomil overcome the shocking truth before them to ensure both their people’s survival, or will everything they know come crashing down?

Well damn, now that was a particularly awesome book!  While I had high hopes for Blood Over Bright Haven, this honestly blew me away as Wang produced a truly inventive and powerful novel loaded with dark twists, complicated characters, and a unique magical system.  I could not stop reading Blood Over Bright Haven once I started as this was such an addictive and memorable read.  As such, I have very little choice but to award Blood Over Bright Haven a well-deserved five-star rating, and this was easily one of the best fantasy books I read in 2024.

Wang brings together an addictive and complex stand-alone fantasy narrative for Blood Over Bright Haven that I am frankly still not over due to its very clever twists and dark turns.  Starting off with a great prequel scene that sets the stage for much of the drama to come, you are soon introduced to main character Sciona as she works to become a highmage in the male-dominated magical trade of the city.  The fantastic entrance exam for the High Magistry was honestly the part of the book that first really grabbed my attention, and I loved how it simultaneously introduced the ambitious protagonist and several key plot points, all while presenting the basics for the novel’s distinctive magical system.  I really cannot emphasise how well these initial scenes set the rest of Blood Over Bright Haven up, and you really plunge into the rest of the story from there.

From there the book quickly evolves into a complex story that is part intriguing magical research story part societal piece, as Sciona tries to overcome the inherent sexism of her colleagues while also working with her new assistant Thomil.  Thomil, a Kwen from outside of the city, provides some further insights into the plight of the refugees in the city, which really amps up the excellent social commentary that the author is making.  Thomil’s introduction also allows Wang to further dive into the complex elements of the book’s magic as Sciona teaches him the basics to make him a better assistant.  You swiftly become attached to this new partnership between the idealistic and academic Sciona and the more pragmatic Thomil, and their combined dive into magical theory and the deeper issues of the city proves fascinating, right up until you hit the book’s big twist about halfway through.  Now, I don’t want to reveal too much about this twist because it is so damn impactful, but I also really want to gush about how clever it is.  I must commend Wang for how effectively she set up elements of this reveal in the first half of the book and I was really impressed with how it made so much sense looking back.  It also completely changes the entire tone and context of much of the previous plot, which is frankly brilliant, and you go into the next part of the book a little traumatised as a result.

Naturally the second half of the book is very dark, as Sciona and Thomil try to move past the terrible secrets they have learned.  This results in multiple brilliant scenes, as Sciona has her eyes full opened to all the secrets and lies around her.  I particularly enjoyed the great sequence where Sciona overcomes the initial trauma of learning the book’s big secret by completely outthinking a doctor (who’s alchemical ‘cures’ is another grim plot inclusion which allusions to the historical medical treatment of women), and her somewhat naïve attempts to rationalise everything going on.  Wang takes the reader into the final third of the book with some major moments as the protagonists go on the offensive and try to show the city the truth, even if they don’t want to see it.  I particularly enjoyed the protagonist’s initial inventive attempt to sway people to her cause, which backfires in some shocking, if predictable ways, and everything is set up nicely for the final big twist, which I had honestly been hoping for most of the book.  Wang wraps everything up brilliantly, and there is a bleak, yet hopeful, conclusion, which I think fit the powerful overarching narrative extremely well.  You honestly come out of finishing Blood Over Bright Haven extremely thoughtful, and I cannot emphasise enough just how complex, compelling and clever this entire story was.

I deeply enjoyed how Wang set out her outstanding story, and I really found myself drawn to her compelling writing style in Blood Over Bright Haven.  A very impressive and though-provoking stand-alone fantasy read, Wang balances a lot of great elements in her writing and sets it out extremely well for the reader to appreciate.  The focus on some complex and highly relatable protagonists, whose perspective of the story allows to fully appreciate the hidden horrors of the plot, works extremely well, and I got so drawn into the various elements of the story as a result.  Wang also proves effective at changing the tone of the book to match the plot, and I appreciated how the feel of the book went from a determined tale of magical research against the odds to something far bleaker.  The background setting of Tiran was also extremely effective at helping to showcase the various social issues and concerns that Wang was strongly alluding to with her writing, and the more you learned about the city, the more you understand the points that the author was making.  Wang also proved very effective at hiding the set-up for her big twists throughout her writing, including in examining history and magical theory, which is something I really appreciated.  All the elaborate elements and reveals are extremely well foreshadowed in the earlier parts of the book, and I really enjoyed how everything came together in this plot.

As I have mentioned quite a few times above, I loved the compelling fantasy elements of the Blood Over Bright Haven, which were extremely inventive and highly memorable.  This includes the magical city of Tiran, which, in addition to providing societal elements for the plot, also had a compelling history tied around magic and religion.  However, the best fantasy elements of Blood Over Bright Haven was the truly unique magical system that so much of the plot was focussed on.  In this case, magic revolves around a spellograph, essentially a magical steam-punk computer/typewriter, that allows its wielder to perform magic by setting out specific tasks and drawing energy from an alternate dimensional plain.  While this sounds a bit clunky, it works extremely well, and Wang does an impressive job of setting it out and explaining it to the reader.  The more you learn about this elaborate system, the more you appreciate Wang’s inventiveness, as she clearly put a lot of thought into the various processes and aspects of her system.  The author furthers this by focusing much of the narrative around the protagonist’s magical research, and the reader finds themselves following all of Wang’s thoughts and complex in-universe theories to their inevitable conclusions.  This outstanding magical system adds so much to the book, especially as so much of story’s darker moments are tied into understanding the full extent of how the citizens of Tiran came by their magic and how they utilise it.  This was easily one of the more inventive new sorcerous concepts that I have seen in fantasy fiction for a while, and I cannot emphasise enough about how impressive I found it.

Finally, I need to highlight the great characters who Wang’s impressive narrative was set around, the brilliant, self-absorbed magical student Sciona and the former hunter turned desperate refugee Thomil.  While on paper they sound like the leads of a rom-com, Wang has some elaborate and deep storylines around them that allow for some massive emotional depth and character growth.  The two characters play off each other extremely well in the first half of the book, being an interesting duo trying to prove to the world what they can do.  Both characters represent the oppressed classes of Tiran, and it was fascinating to see the different ways in which they try to address it, from Sciona trying to prove herself to those who will never respect her, while Thomil learns to knuckle under to survive, despite his pride and deep fury.  While there is a little bit of a romantic edge to them at the start, the big reveal at the centre of the novel and their wildly different, but understandable, reactions to it, drives a big wedge, especially as it forces Sciona to finally fully address the many ills of her society, while Thomil comes to understand just how badly he has been wronged.  I felt that both protagonists had some brilliant changes in their personality in the second half of the book, especially Sciona, who loses everything she previously believes in.  Their subsequent interactions are laced with tension, especially as Sciona still attempts to see good in those around her, while Thomil has a more realistic viewpoint.  Despite this, Thomil still tries to help her, and their final interactions, especially once Sciona finally understands everything, is very heartfelt and moving.  These two protagonists are so well written, and Wang’s ability to dive into their minds and hit them with dark emotional curveballs created some gripping and powerful moments.  Throw in Thomil’s wild, but entertaining niece, and a group of fantastic villains whose entitlement, selfishness, and determination to continue institutionalised oppression (cough, sounds familiar, cough), really make you hate them, and this proved to be an outstanding character-driven book.

M. L. Wang is easily one of my favourite new fantasy authors as Blood Over Bright Haven was so damn good. The epic combination of compelling narrative, extremely inventive fantasy elements, effective social commentary, and great characters made for a particularly impressive read, which sticks in your mind long after you put Blood Over Bright Haven down. I honestly cannot recommend this fantastic book enough, and you are in for an incredible treat if you decide to pick it up.  As for myself, I am planning to check out The Sword of Kaigen in the new year, as I really want to read more awesome fantasy fiction from this brilliant new author.

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Quick Review – The Heart of the World by Amie Kaufman

Publisher: Allen & Unwin Australia (Trade Paperback – 27 August 2024)

Series: The Isles of the Gods duology – Book Two

Length: 424 pages

My Rating: 4.25 out of 5 stars

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One of Australia’s leading authors of young adult fiction, Amie Kaufman, presents a cool conclusion to The Isles of the Gods duology with the fun read, The Heart of the World.

Amie Kaufman is an impressive Australian author who has produced multiple entertaining and enjoyable series over the years, mostly in collaboration with other awesome authors.  For example, I best know Kaufman from the intriguing and addictive young adult science fiction trilogy she cowrote with Jay Kristoff, the Aurora Cycle trilogy, which proved to be particularly fun (see my reviews for Aurora Rising, Aurora Burning and Aurora’s End).  Kaufman’s latest body of work has been The Isles of the Gods duology, a great young adult fantasy series that follows several teenage protagonists who find themselves drawn into an ancient war between gods.  This series began last year with the first book, The Isles of the Gods, and has just come to an end with the compelling read, The Heart of the World.

Plot Synopsis:

Magic and sacrifice will collide as lovers and gods, enemies and allies vie for the fate of the world in this heart-pounding sequel to The Isles of the Gods, which Stephanie Garber called deliciously diabolical and full of heart.

When Selly and Leander began their treacherous voyage to the Isles of the Gods, the captain’s daughter and the playboy prince were strangers. But amid talk of war and a deadly attack on their ship, the unthinkable happened.

They fell in love.

Leander’s ritual at the island temple was meant to prevent a war between the gods. Instead, it nearly cost him his life, and drew the goddess Barrica back from exile. Now, as her Messenger, Leander is imbued with her deadly magic, and only Selly’s presence can stop it from consuming him.

But Barrica wasn’t the only immortal roused from sleep. The God of Risk, Macean, was awakened by an enemy all thought dead, and across the sea he’s calling for war.

The fight to save their world will take Selly and Leander from the gilded ballroom of the royal palace to the hallowed halls of an ancient library. Battle lines will be drawn, and bonds will break.

With the wrath of gods and the machinations of power-hungry rulers straining their loyalties, can their love withstand the trials that await them?

The Heart of the World was an exciting and moving book that did an excellent job wrapping up the storylines started in the first book.  Set immediately after the events of The Isles of the Gods, Kaufman presents an intense, character-driven narrative, as the teenage protagonists attempt to deal with the return of gods into their world.  Told from the perspective of five characters, you get some interesting storylines here, including Leander learning to control his power as his god’s Messenger while Selly tries to help him while also learning about the deadly politics of the realm.  Other character storylines of note include the scholar Keegan attempting to determine how to stop the oncoming chaos while also dealing with his many personal issues, the antagonistic Messenger of Macean, Laskia dealing with having power for the first time, and the conflicted Jude trying to determine where he stands in the world.

Kaufman does a great job blending these cool, character-driven storylines together into one compelling and exciting narrative with a very fast pace.  There is an excellent blend of politics, character growth and a deepening of personal relationships, as each of the protagonists react to the changes brought on by the events of the first book.  Things take a more urgent turn halfway through as the warring gods emerge and the characters find themselves desperately caught up trying to stop or control the destructive fight to come.  Featuring a countdown towards inevitable carnage, I liked how Kaufman kept the intensity and stakes of the second half of the book high without showing too much actual conflict and bloodshed, instead relying on compelling character moments thanks to a variety of unique interactions.  The protagonists are forced to overcome the consuming influence of their gods, both of whom want war, as they attempt to save their world, and I felt that the author came up with a well-written and cleverly set up solution to the entire plot.  The book ends on a satisfying and hopeful note, and I really had a fun time getting through this compelling story.

I really liked how The Heart of the World came together, and Kaufman ensures that it is accessible and enjoyable for a range of fantasy fans.  While I would recommend reading The Isles of the Gods first, new readers can probably dive into The Heart of the World straight away without too much prior context, as the author’s descriptive writing style and ability to effectively recap events really helps.  While some of the key fantasy elements from the last book aren’t as comprehensively covered in this sequel, such as spirit magic, Kaufman ensures that all the key features of this universe are well covered.  Indeed, there is a major religious focus throughout The Heart of the World, and it was fascinating to see various characters react to the direct influence and power of the two warring deities.

The resulting story moves at high speeds, and I honestly found myself powering through The Heart of the World every time I picked it up.  It helped that Kaufman made excellent use of quick and sharp perspective changes, and the jump from one short character-focused chapter to the next allowed for some quick plot progression.  As with the prior book in the duology, I felt that The Heart of the World was an excellent fantasy book that would appeal to a lot of readers, not just its intended young adult audience.  In particular, Kaufman sets up a lot of mature and intelligent themes and moments, most of the based around her complex protagonists, which I think will resonate with a teenage audience.  However, older fantasy readers can also enjoy The Heart of the World thanks to Kaufman’s clever writing and intriguing themes.

I also need to quickly highlight the excellent character work contained within The Heart of the World, which I felt helped to turn this sequel into something special.  Kaufman does an outstanding job continuing to explore her five damaged protagonists, and there is some great continuation to the complex character elements set up in the first book.  This includes a compelling look of the romance angle between Leander and Selly, who are forced to deal with major obstacles, including Leander’s sudden uncontrollable power, while Selly is forced out of her comfort zone on the waves and into the deadlier wilderness of court life.  I also loved the storyline of Laskia, who’s experience as her god’s Messenger went in a darker direction, as she struggles with finally having power and the ability to control her destiny after a lifetime of being manipulated by others.  All of the other protagonists have their own unique moments as well, and I really appreciated how all their respective family issues became even more apparent in this second book, as all five of them experience some form of betrayal or disappointment at the hands of their family which they must overcome.  Throw in a particularly entertaining new supporting character in Kiki, a bubbly and unstoppable force of social energy, and the cast of The Heart of the World was particularly strong and resulted in some moving moments.

Overall, The Heart of the World was an amazing new novel from Amie Kaufman that I was glad I checked out.  Providing a great ending to The Isles of the Gods duology, The Heart of the World had a brilliant, character-driven narrative, that is so easy to get lost in.  A fantastic and very fun novel that is worth checking out, especially if you enjoyed Kaufman’s previous work.

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The Last Shield by Cameron Johnston

Publisher: Angry Robot (Ebook – 13 August 2024)

Series: Standalone

Length: 376 pages

My Rating: 5 out of 5 stars

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One of the rising stars of dark fantasy fiction, Cameron Johnston, returns with an intense, gritty and addictive novel of revenge, desperation and brutal murder, with the brilliant novel, The Last Shield.

One of the more intriguing authors of fantasy fiction I have enjoyed reviewing in recent years is the outstanding Cameron Johnston, who has deeply impressed me with his small but excellent collection of works.  Since his debut book in 2018, The Traitor God, I have grown to enjoy Johnston’s novels, especially as his first book was a brilliant story of dark magical revenge.  Following up with the awesome sequel, God of Broken Things, Johnston cemented himself as an author to watch, and I have yet to be disappointed by him since.  His third novel, The Maleficent Seven, was a fantastically bonkers read that saw a small town become the unwilling recipients of a band of monstrous defenders when a massive army comes to destroy them.  I had an amazing time with The Maleficent Seven, and indeed all of Johnston’s books, which is why I was so eager for his latest novel, The Last Shield.  One of my most anticipated books of 2024, The Last Shield had an epic and cool plot behind it, and I was so very eager to check it out.

In a world of warring realms and dark magic, the ancient forest realm of Sunweald survives by serving as a buffer country between two far mightier nations on either side of its borders.  A realm of tradition and druidical magic, the heart of the nation lies in Sunweald Palace, where the Lord Regent, and the young heir to the throne reside, guarded by Sunweald’s elite warriors, the Shields.  Rough and old, Sunweald Palace is an impenetrable fortress designed protect the nation’s royal family, as well as safeguarding a massive vault of unspeakably powerful magical artefacts.

Despite its peaceful status, Sunweald finds itself beset by a group of vicious brigands, the Wildwood Reivers, who have made a living stealing away magical artefacts and trading them across the border.  Led by a mysterious witch, the Wildwood Reivers have grown bold, even launching an attack on the royal family.  When word reaches the palace of the location of the brigand’s base, the Shields depart to destroy them once and for all.  However, their mission is a devious decoy, as through treachery, dark magic and deceit, the Wildwood Reivers and their allies manage to take over Sunweald Palace.

With the Shields away and traitors holding the wall, the brigands plan to loot the palace’s ancient vaults and steal every magical artefact hidden within.  However, the Wildwood Reivers face one substantial obstacle to their success, Briar, feared, if hobbled, commander of the Shields.  Despite being outnumbered, wounded and near retirement, Briar is determined to perform her duty and reclaim the palace.  Using her knowledge of the palace’s secret tunnels and ancient corridors, Briar sets about dismantling the invaders in brutal fashion.  But battered, alone and loosing strength, can even a legendary Shield like Briar face the overwhelming odds and lethal magic set against her?

Gosh this was a very impressive and exciting read.  Cameron Johnston has a real flair for fantastically over-the-top narratives, and The Last Shield is some of his best work yet.  A complex and compelling tale of revenge and redemption, The Last Shield was a non-stop thrill ride, and I loved the deeply intense story that emerged.  This was a truly outstanding book that gets a full five-star rating from me thanks to how much sheer fun I had reading it.

The narrative that Johnston pulls together for The Last Shield is extremely awesome, and it can best be described as a gender bent, dark fantasy Die Hard, with some amazing fantasy elements.  An excellent standalone story, The Last Shield was a constantly moving book, which drew me in with its clever plot concept and the promised resulting violence.  Part of the reason the story works so well is the initial setup, which introduces the new intriguing world, but more importantly effectively gets you across the central characters and the main setting of Sunweald Palace.  There are some great early character moments here, especially when it comes to the main protagonist, Briar.  The veteran leader of the Shields, Briar is badly wounded in the opening scenes of the book, which kicks off a great arc for her as she attempts to find her purpose after the injury potentially robs her of her position.  Some other key character arcs and storylines are also introduced here, including around the young heir to the throne, whose brush with death drives him closer to the disapproving Briar as a mentor.  Johnston also takes the time to explore the full extent of the conspiracy to takeover Sunweald Palace, and you grow to appreciate just how dastardly the plot is.  As such, you are well prepared for the chaos and carnage to come, and the anticipation Johnston expertly builds up in first part of the book, really enhanced the overall impact of The Last Shield.

As such, the reader is very much ready to go when the villains initiate their plan around a third of the way into The Last Shield.  The resulting takeover is as dark and brutal as you’d expect, and the reader is well prepared to despise the antagonists and root for any sort of victory from the protagonist.  You don’t have to wait long as the despondent Briar quickly finds herself in the ideal position to fight back and begins her bloody and justified one-woman assault on the invaders.  Johnston initiates a series of intense, powerful and increasingly desperate battles, as Briar encounters greater and great hurdles and opponents as she attempts to save the Lord Regent and stop the looting of the castle’s vaults.  The author expertly ramps up the intensity every confrontation, and you really find yourself more and more off the edge of your seat as the story proceeds and Briar becomes increasingly injured.  There are some brilliantly brutal confrontations all the way to the end, and the author throws in some great twists and major final threats.  I honestly loved every second of the epic second half of The Last Shield, and Johnston wrote an amazing, blood-soaked story.

I felt that Johnston did an outstanding job bringing his cool story to life in The Last Shield, and readers are in for a great time if they check this book out.  The excellent blend of dark action, intriguing fantasy, and powerful characters really worked for me, and I felt that Johnston perfectly blended storytelling elements throughout the entire book.  The writing of The Last Shield is crisp, fast-paced, and well planned out, and it proves impossible not to be drawn into the fantastic scenario and intriguing storytelling.  Cameron does an excellent job exploring the new fantasy world that The Last Shield is set in, and you really get drawn into the bronze-age Celtic setting, and the focus on a small kingdom with some intriguing gender roles.  I particularly enjoyed how Jonston managed to emulate the feel of a classic action thriller like Die Hard or Under Siege and blend it with the dark fantasy setting.  The resulting scenes, which forced a nearly retired badass female palace guard to crawl through the secret tunnels of the castle to save the male reagent while disrupting a magical heist, were so damn fun, and it was a fantastic take on a classic film trope.  It helped that Johnston brought his typical, over-the-top mindset to the action sequences in The Last Shield, presenting the readers with an increasing bloody series of fights as the protagonist unleashed her inner fury.  These scenes of carnage and brutality paired perfectly with the complex narrative and character arcs that Johnston built up, and the resulting book was so much fun.

I need to highlight The Last Shield’s awesome characters which were a fantastic part of the book.  I have mentioned the main protagonist, Briar, a few times already, and frankly she was the heart of The Last Shield due to her intense personality and well-written storyline.  Johnston very cleverly set up Briar’s story at the start of the novel, first showing the warrior in her prime, before hobbling her and forcing her to consider retirement before the main plot kicked off.  As such, the version of Briar we see for much of the novel is a desperate, tired and absolutely pissed-off figure, especially when she realises the many betrayals that led up to both this current assault and her previous injury.  I loved how well Johnston set up this character’s revenge arc, and it was so much fun to see Briar finally get her hands on all the people responsible for her misery.  The author really dives into Briar’s mindset and emotions as the book continues, and it proves very, very hard not to root for her, especially when she is driven to her absolute limit.

While most of the focus of The Last Shield is on Briar, there are several other great characters featured throughout the book who also enhance the story.  The most prominent of these is probably the heir to the Sunweald, Ves, who has excellent parallel character growth to Briar.  Initially portrayed as a young fop, Ves grows due to the sacrifices he witnesses in his name and the brash mentorship of Briar, and he ends up proving himself in his own way.  Aside from that, I really need to highlight the excellent group of villains who Briar finds herself up against.  Featuring a band of traitors, brigands, an assassin and a dark witch, the antagonists of The Last Shield play off the stoic Briar extremely well, especially as each of them enrage her in a different way.  Johnston does a fantastic job showcasing the antagonist’s perspective throughout the course of the story, and their early scenes really work to ensure the reader dislikes them.  I personally loved seeing their point of view once they realised that Briar was loose in the castle with them, and the outrageous sequences of fear, anger and regret that followed are incredibly fun.  These characters proved to be a great boon to The Last Shield’s plot, and I deeply enjoyed the fantastic and powerful storylines that Johnston built around them.

Cameron Johnston continues to greatly impress with his fourth novel, The Last Shield.  An exceptional, addictive and gloriously over-the-top dark fantasy novel that takes inspiration from some classic action films, The Last Shield was pure entertainment and excitement, that I could not turn away from.  With great characters, an awesome setting, and so much damn action, there is something for every dark fantasy fan in The Last Shield, and I cannot recommend it enough.  One of my favourite fantasy books of 2024.

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A Darkness Returns by Raymond E. Feist.

Publisher: Harper Voyager (ebook – 1 August 2024)

Series: Dragonwar Saga – Book One

Length: 480 pages

My Rating: 4.5 out of 5 Stars

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Prepare to return to one of the most iconic realms of fantasy as acclaimed author Raymond E. Feist presents the reader with another high fantasy adventure set across multiple worlds with A Darkness Returns.

Raymond E. Feist is one of the most impressive and long-running authors of fantasy fiction in the world today, who has been writing intriguing reads for over 40 years.  Feist is best known for his extensive Riftwar Cycle, a connected series of books that follow a variety of threats and conflicts on several fantasy words created by Feist.  Starting with Magician in 1982, The Riftwar Cycle initially focused on a war between two different fantasy worlds joined together by a magical rift in space, with the realm of Midkemia, which had a more classic European fantasy vibe, being invaded by armies from the Asian inspired world of Kelewan.  Feist would write an interesting array of different storylines as he continued to expand his fantasy series across many years of internal plot, and there ended up being nearly 30 books in the Riftwar Cycle, which ended back in 2013.  I have been a huge fan of this series for years, as it was one of the first fantasy series I ever really got into, thanks to various unique sub-series that moved the history of Midkemia and its associated realms along at an intriguing pace.  Key highlights for me include the associated Empire trilogy, that Feist co-wrote with fellow fantasy author Janny Wurts, and Talon of the Silver Hawk, which was one of the first big fantasy novels I read as a young teenager.

While Feist apparently ended his Riftwar Cycle books some years ago, it turns out that he couldn’t leave his original world alone for too long.  His next trilogy, the Firemane Saga, which started back in 2018 with King of Ashes, initially showed a captivating adventure on the new fantasy world of Garn, following a whole new group of protagonists.  However, as the series continued with Queen of Storms and Master of Furies, it became apparent that the Firemane Saga existed in the same dimension as the Riftwar Cycle, with several characters from Feist’s original novels having cameo appearances.  The final book, Master of Furies, identified a major threat lying dormant beneath Garn, and the novel ends with the protagonists of the Firemane Saga travelling through a rift to Midkemia to learn how to defeat it.  This new novel, A Darkness Returns, is set immediately after the events of Master of Furies and seeks to bring together the worlds of the Riftwar Cycle and the Firemane Saga for one epic adventure, while also introducing Feist’s new The Dragonwar Saga series.  Naturally, as a fan of both prior series and Feist’s writing in general, I was very excited, and A Darkness Returns has been one of my most anticipated books of 2024.

A new darkness is rising, one that could destroy two worlds and everything in them.

After finally defeating the nefarious Pride Lords on their home planet of Garn, Hatushaly, last scion of the Firemane dynasty, has agreed to travel to the world of Midkemia to attempt to learn how to harness his unique magic.  Accompanied by his wife Hava and their trouble-seeking friend Donte, Hatu finds Midkemia to be a strange world, but one filled with boundless opportunity and magic as he begins to study on the peaceful Sorcerer’s Island, under the tutelage of the great magician Magnus, and Magnus’s reincarnated father, Pug.

As the newcomers settle into Midkemia and attempt to find their place in this new world, word quickly reaches them of the trouble they left behind on Garn.  The nefarious Church of One has risen to power and seeks to enslave or destroy everything in front of it.  The only independent nation left is the newly formed kingdom of Marquensas, under the rule of the benevolent King Daylon Dumarch.  There, Hatu’s friend Declan Smith, a master swordsmith and Daylon’s newly discovered brother, has been declared prince and struggles to accept the new responsibilities thrust upon him.

As Declan leads the newly formed Marquensas army against the invading forces of the Church of One, it becomes apparent that there is something far more sinister behind the fanatical soldiers.  A dark presence is guiding them, one the magicians of Midkemia are painfully familiar with: the Dread creatures from the Void.  Having waged several destructive wars to hold back the malign influence of the Void, Magnus and Pug are determined to save Garn as well, and it soon becomes apparent that the only thing that can save it is Hatu’s unique magic.  As Hatu learns to control his powers, he must work with his friends, both new and old, to find a way to hold back the oncoming darkness before both his home, and the other worlds in his dimension, are destroyed for good.

A Darkness Returns sees Feist back in fine form as he combines two of his iconic worlds into one impressive and exciting story.  Following several excellent protagonists across a series of compelling adventures, A Darkness Returns was the classic high fantasy story I had really been craving, and I had such an amazing time with this book.

I deeply enjoyed the story contained with A Darkness Returns, and Feist produced a fantastic read that strongly harkens back to his original stories.  Set shortly after the events of Master of Furies, A Darkness Returns’ plot follows key protagonists from both the more recent Firemane Saga trilogy and Feist’s classic Riftwar Cycle as they complete a series of connected adventures across the worlds of Garn and Midkemia.  Feist focuses on several different character arcs and storylines simultaneously, which presents a rich and complex narrative with a bit of something for everyone.  The main protagonist of the Firemane books, Hatu, finds his story strongly enmeshed with that of key Riftwar Cycle characters Magnus and Pug, who attempt to uncover the secrets of Hatu’s magic as well as the dangers hiding in Garn.  At the same time, we have a more classic fantasy war story back in Garn as Declan and his brothers prepare for battle against the encroaching Church of One, with his arc feature several small-scale battles.  There are also some intriguing storylines around Hava’s attempts to get back to life on the sea, no matter which world she’s on, the ever-unpredictable Nakor, begins to explore certain multi-dimensional areas to quantify the threat coming for both worlds, while Donte goes rogue and starts his own criminal organisation in Midkemia.

I found myself getting really stuck into the various storylines that Feist came up with for A Darkness Returns, and this proved to be a very fun story.  Each character arc went in some interesting directions, and they all proved entertaining in their own way.  I personally found myself getting more drawn towards the parts of the books focusing on Declan and his brothers’ military actions in Garn and Donte’s burgeoning criminal enterprise in Midkemia, which prove to be an excellent contrast to the more magical theory laden storylines of Hatu, Magnus and Pug.  As the book progresses, Feist works to bring the various storylines together, usually done by having the magical characters using rifts to transport between worlds and working with the other relevant protagonists.  I think this helped to create an overall compelling narrative, as the various characters work together to discover the full extent of the threats facing them.

I did feel that A Darkness Return’s narrative did get a little overcomplicated towards the end the book, especially as Feist, through his characters, started diving into all the magical theory and knowledge that the author has been building up for 40 years.  This made parts of the last half of the book a little hard to get through, especially for the more casual reader, as there were a lot of elaborate concepts to digest.  The story also suffers a little from being the first book in a new series, with Feist having to spend a lot of time setting stuff up and revisiting old storylines, and as a result A Darkness Return’s conclusion is a little less epic or memorable than it could have been.  However, those who weather through some of the more problematic aspects of this narrative through it are in for a lot of fun with A Darkness Returns, as Feist produces some outstanding and exciting moments while also setting up a lot of future adventures.  I ended up really enjoying where each of the separate storylines went, and readers are in for a fun mixture of magic, military action, and criminal adventure.  These separated storylines come together extremely well as the book continues, and it proves hard not to get addicted to the overall story.  I think that A Darkness Returns proved to be a strong start to this new series, and I am confident it will only get better from here.

One of the things that might possibly impact a person’s ability to enjoy A Darkness Returns is their prior experiences with reading Feist’s books.  As I mentioned above, A Darkness Returns is heavily related to both the author’s more recent Firemane Saga, and his long-running Riftwar Cycle, which started back in the 1980s.  As a continuation of both series, the plot of A Darkness Returns is heavily enmeshed with the events that occurred in the prior books, and there are constant references back to them.  While Feist does do a pretty good job of recapping these events, especially those featured in the Riftwar Cycle, I could see a reader who is unfamiliar with the past 40 years of Feist fiction getting lost as A Darkness Returns continues.  While dedicated fantasy lovers can probably get away with starting their Feist experience with A Darkness Returns, I would probably recommend reading the Firemane Saga first at a minimum to understand the history around several of the main characters and the world of Garn.  As such, this book might not be for everyone, especially those looking for a new series to start off with.  However, fans who have read a lot of Feist’s work in the past are in for a real treat, as you once again get to visit two of Feist’s epic worlds and see figures from both interact for the first time.  I especially enjoyed the long-awaited return to the world of Midkemia, which was such a vital part of my early fantasy experiences, and it was fascinating to see how it has changed since the previous books.  I appreciated seeing Midkemia through the eyes of the fresh characters from Garn, which ensured some extra recapping that will help returning readers.  It proved quite entertaining to see these newer characters find out all the magical and interdimensional craziness that occurred during the many Riftwar Cycle books, and I deeply enjoyed getting back to Feist’s most iconic setting.

Another great highlight of A Darkness Returns was the large and varied cast of characters that Feist focussed the story around.  Most of these characters were established figures from previous books, and it was great to get a continuation of many of their storylines, especially as Feist left many character arcs open from their last appearances.  It was fun to see many of these characters interact throughout A Darkness Returns, especially as a major feature of this book was figures from separate series coming together for the first time.  This includes the intriguing returning cast of the Firemane Saga, who were a key part of this book.  These younger figures (young in the sense that they are all in their early 20s and because Feist only created them recently), serve in great contrast to the older wizard from the Riftwar Cycle, especially with their more energetic adventures.  My favourite of these characters was either the dependable and brave Declan or the brash wildcard character Donte, both of whom had the best segments in A Darkness Returns.  The primary protagonist of the book, Hatu, while interesting, did have too much of a chosen-one vibe around him, and I think Feist decreases his enjoyability by making him too powerful and all-knowing.  Still, it was great to see all these Firemane Saga characters again, and Feist set up some interesting storylines and interactions around them.

However, the characters that Feist fans are probably most excited to see again where Magnus, Pug and Nakor all of whom are major established figures in the Riftwar Cycle.  All three characters are quite fascinating in their own ways and have long histories in Feists books.  Magnus has long been one of the main wizards of the series, and it was great to see him return here as the elder statesman guiding the various younger characters.  Nakor is an entertaining trickster who is the reincarnation of long-running figure of the same name.  While the details of his reappearance in this series does get a little technical, he was still a lot of fun, and it was great to once again see his more unusual approach to magic.

However, the most interesting figure was the returning Pug.  Pug has been Feist’s main character since the very first Riftwar Cycle book, Magician, with many of the subsequent plots revolving around his magical adventures, and he is probably one of fantasy fiction’s most iconic protagonists.  Pug was killed off in the final Riftwar Cycle novel, although the last scene saw his son, Magnus, finding him resurrected as a young man without any memory of his past life.  However, this reincarnation story element is at an end as with his return in A Darkness Returns, Feist utilises the strange magics of Hatu to bring back Pug’s old personality.  While you could argue that Feist might be better off stepping away from this long-running character, I personally loved seeing Pug again, and it gave me a major nostalgia hit.  Between these great figures and more, I really loved the cast of A Darkness Returns, and it was so much fun to see the figures from both series come together for one massive adventure.  I look forward to seeing how their storylines further advance through the rest of The Dragonwar Saga, and I have no doubt that Feist will provide them with exciting stories and massive tragedy.

I had an amazing time getting through A Darkness Returns, and it was so much fun to have another high fantasy adventure from Raymond E. Feist.  Between the nostalgia, the exciting action, fantastic characters, and the ambitious way in which Feist brought together two of his major series, A Darkness Returns has a lot going for it, and it proves hard not to get caught up in the resulting story.  While there are a few issues that may turn off newer readers, I personally had an outstanding time, and all established Feist fans are guaranteed to love A Darkness Returns.  An overall awesome and impressive read from one of fantasy fiction’s most enduring authors.

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The Silverblood Promise by James Logan

The Silverblood Promise Cover

Publisher: Arcardia (Trade Paperback – 30 April 2024)

Series: The Last Legacy – Book One

Length: 595 pages

My Rating: 4.75 out of 5 stars

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Promising new author James Logan presents an epic fantasy debut in the form of The Silverblood Promise, the first entry in his planned The Last Legacy series, and one of my most anticipated books of 2024.

Lukan Gardova, the disgraced heir of a noble family, is a man who has lost everything following a duel that ended tragically.  Forced to drop out of his prestigious academy and abandoned by his family, Lukan travels the wild edges of the world, gambling, drinking, and seeking what adventure he can.  Despite his malaise and despair, Lukan is still shaken when he is informed that his estranged father has been murdered by mysterious assassins.

Armed with fresh purpose and a determination to find out who was responsible for his father’s death, Lukan follows the only clue he has, a note his dying father wrote in his own blood.  The names it contains lead him to Saphrona, an old and prosperous city ruled by merchant princes where everything can be bought.  Filled with rogues, scoundrels, thieves, and miscreants, Saphrona seems an unlikely place to find his reclusive, academic father’s killers.

Engaging in an exhaustive search throughout Saphrona, Lukan discovers that the answers he seeks lie with one of the city’s merchant princes.  Unfortunately, they have been condemned to death for the murder of another merchant prince, and if Lukan wants the information they have, he will first have to prove their innocence.  Working with an unlikely group of criminal acquaintances, Lukan follows the few clues surrounding the merchant prince’s unusual murder.  But the further he digs, the more danger he finds himself in.  There is a deadly conspiracy at work in Saphrona, one that seeks to undermine everything the city stands for.  Forced to contend with desperate nobles, deadly criminals, and dangerous forces beyond his comprehension, Lukan fights to keep his promise and find the truth behind his father’s murder.

Wow, now this was an awesome debut from Logan and one that I was really glad I got the chance to read.  The Silverblood Promise has been on my radar for a while, and Logan did not disappoint with its excellent and exciting story, which is loaded with action, intrigue, cool fantasy elements and some great characters.  Entertaining and fast-paced, The Silverblood Promise was an absolute joy to read, and I had an amazing time getting through it.

The Silverblood Promise has a deeply compelling narrative behind it that kept drawing me in with its intrigue, revelations and exciting adventure.  While this is a lengthy novel, I honestly powered through it as it proved very easy to get caught up in the story.  Logan maintains a very fast pace the entire way through The Silverblood Promise, and I enjoyed the mixture of action, character development and unique fantasy inclusions that the reader is treated to.  Starting off with a strong introduction that effectively showcases the protagonist and his current situation, the reader is quickly thrust into the main background city of Saphrona, which proves to be a fantastic setting.  Able to quickly interpret his one clue, the protagonist works with several connected figures to try and contact the person his father sent him after.  What follows is a series of interlocking quests as Lukan must befriend a master forger, mastermind a break-in to a notorious prison, and then discover who set up one of the city’s leaders for murder.  This results in a constant stream of adventures as Lukan jumps from one hurdle to the next, uncovering dark secrets about the city, and making unlikely friends.

The revelations about the true villain of the story occurs about two-thirds of the way through The Silverblood Promise, and while it isn’t too surprising, their methods and motivations are, especially as they reveal some interesting figures to the story.  Forced to go up against some big fish, Lukan is caught up in their power play, which adds a lot of chaos to the narrative, and must desperately come up with a plan to fight back.  The resulting carnage and confrontations are well handled, and I loved the great combinations of intrigue, battles and clever ploys that brought everything together.  All the action within The Silverblood Promise is sharp and well written, and you get drawn into the many confrontations and battles of wits that emerge.  Logan proved very able at hiding hints about the big bad’s schemes throughout much of the plot, and it was fun to see it all come together.  I had such a great time with this impressive story, and I ended up reading the last 300 pages of the book in less than a day, it was that damn good.  The reader comes away both satisfied and wanting more, which is lucky as it is clear Logan has some big plans for the series, with the adventure set to continue.

I felt that Logan came up with an excellent fantasy setting for The Silverblood Promise, and I really enjoyed how he utilised the new world throughout his plot.  Filled with magic, adventurers, complex cities, mysterious interdimensional beings, and powerful artefacts from long-lost advanced races, there is so much for the reader to enjoy here, especially when hints about far greater hidden powers are also included.  While a couple of the fantasy elements in The Silverblood Promise are a little derivative of other fantasy works, I personally didn’t mind, mainly because Logan makes them his own and they fit nicely into the fast and intense narrative of The Silverblood Promise.

While I loved the new fantasy world as a whole, the setting highlight of this book is the city of Saphrona, where most of the plot is set.  Saphrona proves to be a complex and compelling trade city ruled by merchant princes and filled with dangerous commerce, criminal enterprises, alien structures, unlikely monsters, and all manner of political intricacies and plots.  Readers will really enjoy unwinding the various elements of this city and it proved to be fun watching the protagonist explore Saphrona and attempt to find answers and stop a major disaster unfold.  In a way Saphrona becomes a character in its own right as the book progresses, and I really appreciated how effectively Logan introduced the reader to the setting and inserted the story in its survival and underlying politics.  Logan also ensured that readers got a good deal of information about some of the other locations outside of Saphrona, which are likely to become relevant to the plot in future books of the series.  While a of map of the continent or Saphrona would have been appreciated, readers come away with a great sense of the world and will be interested in seeing more stories within it.  Indeed, it looks like Logan plans to set each of The Last Legacy books in a different city of the world, and I for one am very excited to see what other memorable locations Logan will come up with.

I also really need to highlight the fun and memorable characters who were featured throughout The Silverblood Promise.  Logan did a great job pulling together an intriguing and often outrageous cast for his first book, and I loved some of the awesome storylines that emerged.  Most of the focus revolves around protagonist and primary point-of-view character, Lukan Gardova, a former noble turned roguish adventurer who finds himself way over his head in Saphrona.  Lukan is a great central figure for this book, and he brings a lot of emotion to the story due to his disastrous past and determination to find his father’s killer.  I felt that Logan provided just the right amount tragic history for his protagonist to enhance the dramatic tone of the book, and the character’s frustrations at the dangerous tasks he finds himself involved with, as well as his own stubborn need to move forward, were very relatable.  Lukan also provides a fun scoundrel vibe to the plot at times, and it was interesting to see his cynical perspective on events throughout the book.  I liked how Logan set Lukan up as a newcomer to the main setting of Saphrona, as this allowed the reader to see the city fresh through the eyes of someone unfamiliar with it, which enhanced the majesty, strangeness and cruelty of the setting.  As such, I felt that Lukan was an excellent central protagonist, and I look forward to seeing how his story evolves in the future, especially as there are many more secrets around his family that need to be revealed, and other character elements that need to be expanded upon.

Aside from Lukan, The Silverblood Promise features an interesting array of fun figures, the majority of whom are locals to Saphrona.  I loved all the unique characters that emerged, especially as Lukan is forced to deal with killers, scheming nobles, a mysterious forger, a blind beggar with way too much knowledge, an unlikely crime lord and a notorious band of mercenaries that Lukan is forced to alternatively fight or make deals with.  One of the most distinctive characters is an infamous thief who joins the main cast late in the story, but who proves to be a fantastic addition thanks to her skills, kindness and pragmatism.  However, my favourite character would have to be the young street urchin and pickpocket, Flea, who forms an unlikely partnership with Lukan early in the story.  Hired by Lukan to help him around the city, Flea proves to be an invaluable ally, despite her age, and works to keep her benefactor alive against all manner of dangers.  Bold, curious and utterly unflappable, Flea is a highly entertaining figure, especially as she keeps jumping into danger while also proving to be far wiser than Lukan.  Flea and Lukan serve as fun contrasts to each other, and I liked their entertaining banter and the touching bond they form throughout the course of the book.  This fantastic partnership really helped to make The Silverblood Promise that much more special, and all the characters featured within this book were really well written and cleverly featured.

Overall, The Silverblood Promise is an excellent and exciting fantasy novel that had me hooked the entire way through.  Intense, compelling and wildly entertaining, The Silverblood Promise was very awesome, and James Logan did wonders with his debut novel.  I will definitely be grabbing the eventual sequel to The Silverblood Promise when it comes out, and I cannot wait to see how this adventure continues and how Logan develops as an author.

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Play of Shadows by Sebastien de Castell

Play of Shadows Cover

Publisher: Jo Fletcher Books (Trade Paperback – 26 March 2024)

Series: Court of Shadows – Book One

Length: 482 pages

My Rating: 5 out of 5 stars

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Prepare yourself for a riveting good time in the impressive and wildly entertaining fantasy novel, Play of Shadows by the always amazing Sebastien de Castell.

Last year I had the very great pleasure of being introduced to Sebastien de Castell when I received a copy of his book The Malevolent Seven.  Set outside his major series, The Malevolent Seven was a wickedly clever and chaotic book that followed seven dangerous mages who suddenly find themselves as humanity’s last hope.  I had a wonderful time with The Malevolent Seven, and it honestly was one of the most entertaining fantasy books I read in 2023.  As such, I was curious to read more from de Castell and I recently got the chance when I received a copy of his new novel, Play of Shadows.  Serving as the first official book in his new Court of Shadows series, Play of Shadows is set within de Castell’s overarching Greatcoats universe, where most of his novels have been set, including his original Greatcoats books, the Spellsinger series and his Argosi series.  While I haven’t had the pleasure of reading any of de Castell’s Greatcoats books before, I loved the awesome sounding story of Play of Shadows, and I decided to check it out, which proved to be a very wise decision.

Damelas Chademantaigne is one of the most unfortunate people in the entire city of Jereste.  The grandson of two legendary Greatcoats, Damelas has always had a strong sense of justice, but he lacked the skills with a sword needed to back it up.  So when he finds himself forced to accept a duel from the Vixen, the most feared duellist in the entire city, to save his ailing grandfather, his chances of surviving the night seem impossible.  However, a fleeing Damelas finds sanctuary in the most unlikely of places: the Operato Belleza and its resident acting company, the Knights of the Curtain.

Now part of the illustrious company, Damelas finds himself protected by the city’s laws regarding actors and begins to eek a living as a minor player.  However, his temporary haven soon becomes a deadly trap when one night he spontaneously manifests the spirt of the city’s greatest historical villain, Corbier, the Red-Eyed Raven.  Identified as a newly emerged Veristor, an actor who can literally bring the past to life during a play, Damelas begins to constantly hear Corbier’s voice in his head and finds himself exploring the notorious rogue’s life each time he appears on stage.  Forced to continue by the machinations of Jereste’s new duke, Damelas begins to tell the untold true history of Corbier, and it soon becomes apparent that he was far from the unrepentant monster everyone believed him to be.

As the play continues, Damelas gains the attention of the entire city, who become enthralled with finding out the truth.  However, not everyone wants the past to come out, and soon Damelas finds out just how dangerous the theatre can be as he is targeted by the city’s nobles, a militant band of bravos, and the Vixen seeking her pound of flesh.  Diving deeper into Corbier’s mind, Damelas beings to uncover a deadly conspiracy that threatens the entire realm.  But can a mere actor, even one personifying a legendary fighter, survive the onslaught of villains on his tail?  It’s going to take all of Damelas’s courage and skills as an actor, as well as the help of an eccentric collection of fellow players to make it to final curtain.

Wow, now this was an outstanding and epic book that I could just not put down.  I was unprepared for how impressive Play of Shadows would be as de Castell unleashes a brilliant and complex read, loaded with intrigue, adventure, and a ton of theatrical humour.  Entertaining and enthralling in equal measures, this was an incredible read and one that gets a full five-star review from me.

Play of Shadows is an epic book full of big personalities, big stakes, and an elaborate story of intrigue, adventure, and self-discovery.  Set in the Three Musketeer’s inspired realm of the Greatcoats books, Play of Shadows initially seems set to feature the same focus on duels, bravos and rogues, as the rest of the series as the protagonist is forced to flee a fight from the infamous duellist, the Vixen, which sets him on course for his destiny.  However, the first scene of Play of Shadows, in which Damelas escapes his pursuers by tricking his way into becoming an actor, changes expectations and perfectly sets the scene for the rest of the exciting, compelling, and wildly entertaining novel.  I love how de Castell set a fantasy novel around the theatre , and having the protagonist be an actor rather than a master swordfighter is a great touch, especially for a Greatcoats book.  Indeed, much of the book is set out like a play, which proves to be a clever guideline for the plot, while also allowing in the author’s fantastic humour about actors, the theatre, and the protagonist’s unlikely situation.

From there the story evolves into a compelling direction, as Damelas finds himself at the centre of the all the intrigue infecting the city, especially once he starts to manifest the great historical villain Corbier, the Red-Eyed Raven, as part of a legendary magical gift.  This allows him to showcase the true events surrounding the past, which differ very greatly from the established history of the city.  Due to the deep secrets hidden amongst the true history, the protagonist finds himself the target of many interested parties and becomes a tool in the battle between shadowy forces.  The plot of Play of Shadows then begins to revolve around the three separate acts of the resulting play that tells the real story of Corbier.  Each of these different acts reveal new secrets about the past that impact the present, and prove to be excellent centres for the plot, especially as each performance becomes increasingly deadly for Damelas and his fellow players, and there intense, action-packed, tragic moments occurring after each of them.

Between each of these acts of the play, Damelas is forced to interact with a variety of deadly and over-the-top figures, each of whom have a different motive to help or to kill the protagonist.  The author also uses this time to provide new insights into both the historical and present-day conspiracies being uncovered as Damelas and his friends attempt to discover the true secrets of the city.  De Castell does a really good job of building up the stakes in each of these intermissions, and there are some amazing set-pieces loaded here, from high-intensity duels, larger-scale battles between unlikely foes, and a raft of political intrigue and personal issues.  Everything leads up to Play of Shadow’s massive climax, where the final act of the play unfolds, and all the secrets are revealed.  There are some excellent twists and turns here, and while a couple of reveals are a little overly foreshadowed, the overall picture that is exposed is quite interesting and ensures that the rest of the trilogy is going to be very interesting.  The big climax fight is so over-the-top bonkers, as all manner of magic, betrayals, personal vendettas, duels, and even an outrageous monologue, are used to resolve the issue.  The reader comes away intensely satisfied, amused, and very curious about the future of the series.

Play of Shadows was a fast-paced, exciting, and continuously amusing book that was so much fun to get through, while also maintaining a darker edge that struck readers with tragedy and intense moments when they least expected it.  This set-up of the book around the various acts of the play worked extremely well, and I loved how de Castell kept bringing the book back to the importance of the arts, even in the swordcraft-focused nation of the Greatcoats series.  The magic of performance, both literal and figurative, is a major part of the book’s setting, which I thought was a clever choice from de Castell that made Play of Shadows really stand out.  Much of the book’s humour is derived from the outrageous members of the acting troupe and their takes on the dramatic events overtaking their city.  This comedic feature of the book was so much fun, and some of the best scenes involved the actors attempting to pivot the scenes around the protagonist’s unlikely visions.  Other highlights include impromptu moments that made the actors great heroes in real life, or a sudden, extremely risqué monologue that manages to keep an approaching army at bay.  This overarching action and entertaining theatre focus is well-balanced by a high level of intrigue and a dash of mystery, due to the elaborate conspiracies that seem to be infesting the city.  De Castell does an exceptional job of contrasting these intriguing elements throughout Play of Shadows, and I really got drawn into its story as a result.

As I mentioned above, Play of Shadows falls within de Castell’s wider Greatcoats universe, which I personally don’t have any experience with.  I must admit that I was initially a little wary of reading Play of Shadows, not only because I had no pre-knowledge of the other Greatcoats books, but because de Castell also released another Court of Shadows book last year with Crucible of Chaos, which serves as book zero in the series (Play of Shadows is the first official novel).  However, my fears proved to be for naught as Play of Shadows stands on its own and easily welcomes new readers in.  While there are references to the wider Greatcoats universe, having no pre-knowledge of this doesn’t impact a reader’s enjoyment or understanding of this book, and anything that does is naturally explained.  Even the inclusion of a couple of characters from the previous series towards the end of the story was well handled, and the reader can easily follow what is happening while getting a good idea about who the characters are.  The same is true for the apparent prequel, Crucible of Chaos, and people can easily start the Court of Shadows series here, rather than with book zero.  While I am sure that established Greatcoats fans would probably get a little more out of these references than I was, this is a very good book for those readers who want to experience de Castell’s style or wider universe for the first time.  As such, I would recommend Play of Shadows to all fantasy fans, and you really don’t need to do any other reading first.  I am really looking forward to seeing how the Court of Shadows series continues, and I may also go back and read some of the other Greatcoats’ books, mainly because I am really enjoying de Castell’s writing and unique stories.  I must try and read Crucible of Chaos before anything else though, and I will be interested in seeing how it unfolds and connects with this current book.

One of the great highlights of Play of Shadows is the excellent cast of characters featured throughout the book, all of whom add so much to the fantastic plot of the book.  Naturally, most of the focus goes towards central protagonist and point-of-view character Damelas Chademantaigne, whose unexpected exploits in the theatre lead to so much drama.  Damelas is a great entertaining fantasy protagonist, with a complex past, an often-irreverent take on current events that leads to a good chunk of the book’s excellent humour, and a desire to change the world, even if it wants to kill him.  De Castell works in some amazing character development for Damelas, as he attempts to escape his pragmatic past that saw him run from a duel, to become the unlikely hero of his city.  Watching him gain the skills and courage he needs thanks to the murderous spirit in his mind is just great, and de Castell does a wonderful job of highlighting his abilities as a Veristor.  The tight line between controlling his gift and insanity is quite thin, and I loved the various sequences where he tried to showcase the past on stage, only for it to go in unexpected directions.  Damelas goes through a lot in Play of Shadows, especially as he witnesses the many tragic consequences of his search for the truth, and I felt that de Castell perfectly showcases his doubts, fears and anger at how he is being manipulated.  This was some incredible character work and I look forward to seeing how de Castell features Damelas in the future books now that he has found his purpose.

The rest of the cast of Play of Shadows are also quite impressive, and I love the huge array of outrageous and memorable figures that de Castell expertly dropped into the story.  The historical ghost, Corbier the Red-Eyed Raven, was a brilliant ethereal figure in Damelas’s head, and the author has a lot of fun contrasting the instinctive and expert killer that is Corbier, with the inexperienced and pragmatic Damelas.  In addition, Damelas’s acting companions, the Knights of the Curtain, also prove to be exceptional figures, and you really grow to care for this outrageous and eclectic group of actors.  Every Knight brings something fun to the table, although my favourite had to be Damelas’s best friend, Beretto, the gentle giant, who steals every scene he’s in with his jokes, insights, and desire to ship Damelas with dangerous killers.  However, props also need to go to head actor Abastrini and director Shoville, both of whom rise above expectations and show they have heart and the true passion of an actor.  I also had a lot of fun with the Vixen, the ruthless duellist who serves as one of the best villains in the book.  Her vengeful pursuit of Damelas is a major part of the book, and the various encounters they have, especially once Damelas gains the skills and courage to fight back, are very awesome.  Throw in a beautiful assassin, a sarcastic musician who doubles as a secret agent, a duke with a complex past, and Damelas’s grandfather, a legendary retired Greatcoat who has some brilliant scenes, including one amazing sequence that shows why you don’t mess with old fighters, and the cast of Play of Shadows is something truly special.  I had so much fun witnessing the battles and hijinks of this amazing group of characters, and I cannot wait to follow their future adventures in the rest of the series.

Overall, Play of Shadows was a particularly impressive novel from Sebastien de Castell that has made me very keen to read the rest of his books.  Loaded with action, intrigue, humour, and an entertaining ode to the magic of the theatre, Play of Shadows was a remarkable and highly fun fantasy novel that I could not get enough of.  Easily one of the best books I have so far read in 2024, Play of Shadows comes highly recommended, and I cannot wait to see how this outstanding series continues.  You will not be disappointed by this book!

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The Maleficent Seven by Cameron Johnston

The Maleficent Seven Cover 2

Publisher: Angry Robot (Trade Paperback – 10 August 2021)

Series: Standalone

Length: 416 pages

My Rating: 5 out of 5 stars

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One of the fastest rising authors of dark fantasy fiction, Cameron Johnston, returns with his most entertaining book yet, the outstanding and epic novel, The Maleficent Seven.

Cameron Johnston is a great author who I was lucky to come across a few years ago with his debut novel, The Traitor God.  Bought on a whim because it sounded cool, The Traitor God ended up being one of my favourite fantasy books of the year thanks to its excellent revenge storyline.  The Traitor God was such an epic read and I ended up grabbing the intriguing sequel the following year, God of Broken ThingsGod of Broken Things (one of my favourite books of 2019) proved to be an outstanding sequel, and it ensured that I would be keeping an eye out for more of Johnston’s work.  This included his 2021 novel, The Maleficent Seven, which had an awesome plot behind it.  I honestly have been meaning to read The Maleficent Seven for ages but could never fit it into my schedule.  That was until last year, when I managed to power through the entire book in a single plane ride.  The Maleficent Seven ended up being a pretty darn exceptional novel that I wish I read a hell of a lot sooner.

It is a dangerous time in the lands of Essoran, as the Lucent Empire, a nation of apparent holiness and light, continuously expands, sweeping away all opposition and either burning or converting the survivors to their faith.  Despite their apparent benevolence, the Lucent Empire has a dark side dedicated to destroying all magic, heretics, and anything it deems evil through fire, blood and death.  The final stage of their invasion is set, but to proceed they first need to cross through the mountain road, which exits at the small town of Tarnbrooke.  All looks lost for the inhabitants of Tarnbrooke, who are likely to burn in the Lucent Empire’s light, until an unlikely figure appears to lead them.

Forty years ago, the dread demonologist Black Herron led a black horde of bloodthirsty soldiers, dark creatures and monsters on a deadly campaign that rocked all Essoran.  Total conquest of the realm looked certain, until she suddenly disappeared the eve of the final battle.  Without the will of their leader to hold them together, the army fell to infighting allowing their enemies to prevail.  No one knew what happened to Black Herron, until she reappears in Tarnbrooke, having lived there in disguises for decades.

Determined to stop the Lucent Empire and their fanatical leader no matter what, Black Herron takes over the town and prepares it for siege.  But even a being as powerful as Black Herron is unable to stop an entire divinely infused army by herself.  Instead, Herron seeks to bring together the six deadly captains of her army, whose skills and ferocity helped her to nearly conquer the world.  Together, this assortment of dangerous beings, including a vampire, a necromancer, an orc chieftain, a war god, a pirate queen and a deranged alchemist, might stand a chance against the coming storm.  But first they need to learn to work together once more, especially as each of them have a very different reasons to fight with Black Herron again.

The Maleficent Seven is a powerful, captivating and fantastically over-the-top novel that showcases Cameron Johnston’s impressive writing skill and ability to bring together great characters with dark fantasy settings.

Now, as you can probably guess from the name, The Maleficent Seven is a dark fantasy take on classic films like The Magnificent Seven and its predecessor, Seven Samurai.  Johnston sets the scenario perfectly, first introducing protagonist Black Herron and her previous evil horde, which disbands in the starting chapter.  From there, we get a time skip and are introduced to the book’s antagonists in the form of the Lucent Empire, their divinely empowered inquisitors and their leader, the Falcon Prince.  Their initial actions are enough to paint them as dangerous religious zealots who use their divine light and apparent holiness as a shield for their dark ambitions.  Their quest leads them on the road to Tarnbrooke, where the elderly Black Herron waits for them, having decided to make a stand and bring together her six former captains.

The first half of the book is dedicated to recruiting the six captains, who have scattered across the world.  All evil or deadly figures, none of them particularly wants to fight another war, but each are drawn back for different reasons, including family, pride, revenge and more.  Johnston does a good job of breaking up the recruitment process throughout the early chapters, and each of the revealed captains turn out to be crazier than the last, enhancing your anticipation for how they are going to act in the coming battles.  At the same time, you get to know the Lucent Empire, as they send agents against the captains, trying to eliminate the danger they pose.  Johnston lays down some very solid groundwork in this first half of the book, and you quickly get drawn to each of the seven main characters for various reasons.  There are a great range of character arcs spread out amongst these unlikely protagonists, and while a couple of them are purposely irredeemable, the rest prove to be surprisingly likeable and complex.  Johnston also takes the time to build up the antagonist, showcasing just how sinister they truly are, while also providing some slightly predictable revelations about their leader.

The second half of the book is dedicated to the battle for Tarnbrooke, which after seeing how crazy the first half of The Maleficent Seven is, you know is going to be good.  There is some good additional setup once the captains arrive in town, with the building of siegeworks, the training of the townsfolk, and other unusual preparations, all of which is reminiscent of the films the book is an homage to.  Johnston also builds up some additional character interactions that I really enjoyed, as certain townsfolk become connected to different saviours and there is some good follow-up regarding the protagonist’s prior adventures.  The resulting siege is everything you could hope for and more.  I am a huge fan of sieges in fiction (check out my previous list on the subject) and The Maleficent Seven is a particularly good example of an epic siege, especially as Johnston goes very over-the-top when it comes to the different weapons and methods the defenders employ.  Everything from vampiric conversion, exploding pigs and drugged townspeople are used to hold the line against the enemy in several brilliant and brutal fight sequences, while a major sea battle simultaneously occurs, featuring, amongst other combatants, a giant kraken.  All the fighting is fierce, desperate, and pretty damn bleak, while the characters each go through their own intriguing and powerful journeys.  I honestly was enthralled once the main fighting started, and Johnston really did not let up until the end.

The final sequence of the main fight turns into an impressive and extremely horrific brawl for survival as the protagonists fight against increasingly desperate odds.  There are also several betrayals as certain telegraphed plots from the evil protagonists come to fruition, and everyone fights to survive and come out on top.  You will be a bit unprepared for who lives and who dies during the final few chapters as Johnston loads up some fantastic twists and cool revelations that constantly leave you guessing.  Even when you’re sure you know who is going to survive, Johnston swiftly changes everything around with a few hilariously ironic reveals, as well as some more tragic deaths.  I liked how Johnston imbued the story with a certain level of hope towards the end, even if that was somewhat overshadowed by the carnage surrounding it.  There were also some darker moments in the conclusion, as certain characters realise just how damned they truly are.  Throw in a final great twist that really tied together a hidden motivation from the very start, and Johnston ends The Maleficent Seven on the perfect note for the reader.

Johnston did a remarkable job with this awesome book, and I loved how dark, powerful, and compelling The Maleficent Seven turned out to be.  Thanks to the unique array of characters, insane fight sequences and entertaining twists, The Maleficent Seven will prove really appealing to a wide array of readers, especially as Johnston got the right balance of action, tragedy, and humour throughout the entire read.  I especially loved how well the author flipped the established concept of heroes defending a town from villains on its head with the inclusion of seven fantasy supervillains leading the charge against a holy army.  The clever reveal that the apparently good warriors are far more sinister than the literal monsters is so well handled, and it was impressive to see a classic idea so well refreshed.  Throw in some excellent world building, an interesting collection of fantasy creatures and the sheer overwhelming chaos of a desperate siege, and there is something in The Maleficent Seven for all fantasy fans.

Something I really loved about The Maleficent Seven was the cool collection of characters who made up the key cast.  All the titular seven are very well represented throughout the book, and it proves very hard not to fall in love with each crazy member of the team; thanks to the narrative split, you get some intriguing insights into their motivations, actions, and history.

Of these characters, my favourite was probably Tiarnach, the fading war god who has fallen on hard times.  Thanks to the death of all his followers and his inability to fight against the Lucent Empire, Tiarnach starts the book off as a broken, drunken figure with barely any power left.  Joining Black Herron’s cause to get revenge and some form of redemption, Tiarnach becomes the defenders’ nominal drill instructor, trying to whip the townsfolk into a fighting force.  The connection Tiarnach forms with the townsfolk, his journey towards redemption, and the fact that he is one of the few characters without ulterior motivations, ensures that readers are drawn towards him.  He easily has one of the best, most tragic character arcs in the entire book, and I really enjoyed how Johnston utilised him.  The same can also be said for the legendary orc warrior, Amogg.  Amogg leaves her responsibilities behind to sate her desire for battle and alleviate her restlessness.  Thanks to her blunt and entertaining personality, Amogg was another character the reader connects to.  However, Johnston ensured that she became a true favourite when she begins to turn the women of Tarnsdale into an effective fighting force against their will.  Watching her empower and lead a band of fighting women into battle was very impressive, and her storyline was heartwarming and bleak in equal measures.

The other five characters each have their moment to shine.  The vampire, Lorimer Felle, was a suave and brutal figure whose inability to die, connection to his one loyal servant, and desire for destruction left a major impression.  Verena, the pirate queen, was also really good, although she kind of gets overshadowed by the other characters.  Jerak the alchemist was the most unhinged, and I loved how he ended up becoming more of a danger to his friends than his enemies thanks to his gruesome experiments.  Maeven, the necromancer, has one of the more complex story arcs in the book as she blurs the line between ambition, revenge and a desire for family.  While she fights alongside the others, her own need for vengeance and power leads her down a dark path, especially with her connections to the Lucent Empire’s leader.  Maeven’s entire story goes in some very dark directions, and I appreciated the dark note Johnston left it on.  Finally, the leader of the group, Black Herron, has a very interesting storyline that runs the gambit from dark queen to unlikely hero.  Johnston does a great job showcasing her rise and fall throughout the story, and the question of why she chose to abandon her conquest and her army is a fantastic part of the book.  All these protagonists are outstanding in their own way, and I loved how Johnston was able to weave together some compelling, entertaining, and occasionally sad storylines around such wonderfully outrageous figures.

Look, with a story this awesome there was no way I wasn’t going to love The Maleficent Seven, and I think my lengthy review above proves this point extremely well.  Cameron Johnston was on fire when he wrote his third full-length novel, and The Maleficent Seven proved to be a particularly intense, clever and impressive read.  Bringing together entertaining characters with insane violence amid a classic story scenario, The Maleficent Seven proved near impossible to put down and I loved every second I spent reading it.  A highly recommended read for all fans of dark fantasy, I cannot wait to see how Johnston’s next book (coming out later this year) turns out.

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Peace Talks by Jim Butcher

Peace Talks Cover

Publisher: Penguin Audio (Audiobook – 14 July 2020)

Series: Dresden Files – Book 16

Length: 12 hours and 52 minutes

My Rating: 5 out 5 stars

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After nearly four fantastic years, I have officially come full circle with the epic Dresden Files series as I check out the final book I needed to read with the entertaining and compelling entry, Peace Talks.

Back in 2020, I had the very great pleasure of discovering Jim Butcher’s iconic Dresden Files urban fantasy series.  A powerful, action-packed, and intense read, Battle Ground was one of my favourite books and audiobooks of 2020, even though I started with the 17th entry in the series.  I had so much fun with Battle Ground that I instantly went back and listened to the first Dresden Files novel, Storm Front, which cemented my love for the series.  Since then, I have been slowly working my way through the entire Dresden Files audiobook collection, loving every second of it.  There are so many exceptional entries in this amazing series, with some of my favourites including Fool Moon, Dead Beat, Small Favour, Changes, Ghost Story, and Skin Game, just to name a few.  There was frankly not a single book in this series I didn’t love, and I had such a wonderful time with each of them.  I have been on the final stretch of this series for the last couple of months, which ended when I got through the intriguing Peace Talks.

Harry Dresden, professional wizard, White Knight, and supernatural defender of Chicago is adjusting to many of the changes in his life, including a new romance and his duties as a father.  However, things always have a way of becoming even more complicated for Dresden as the sins of his past and his twisted loyalties come back to haunt him, especially when an important gathering of supernatural entities is set to take place in his city.

Ever since Dresden destroyed the Red Court of vampires, the Fomor, an ancient and long hidden kingdom, have been making a play for power.  Their dark exploits have led them into conflict with many supernatural nations, and after years of skirmishes, the Fomor are finally ready to talk peace with the larger supernatural world in Chicago.  Assigned to summit as security for the White Council of wizards, as well as a liaison between the wizards and the Winter Court of Queen Mab, Dresden has his hands full, especially as he expects all hell to break loose.

As the various delegations descend upon Chicago, Dresden is proved right when his vampire half-brother, Thomas Raith, instigates a diplomatic incident that could lead to his death.  Forced to work with Thomas’ sister, Lara Raith, Dresden works to free his brother without starting a war.  But his actions soon draw the ire of several people close to him, especially as his loyalty to the White Council are in doubt.  Worse, an ancient evil has arrived in Chicago, one determined to destroy all chances of peace and bring about untold disaster.  Can Dresden save his brother while preparing for a force capable of destroying everything he has sworn to protect?

Peace Talks is a compelling addition to the long-running Dresden Files series that takes readers on an interesting ride in the lead up to the next big adventure.  Filled with great character moments, intriguing revelations, and some cool world-building, this was a solid addition to the series that I absolutely powered through.

Butcher comes up with a good story for Peace Talks that not only sets up some interesting plot points for later, but also tells its own unique narrative that is hard to put down.  To fully enjoy Peace Talks, you must appreciate that it is primarily a prelude for Butcher’s other 2020 release, Battle Ground, and as such a lot of story elements from it don’t get any real payoff until the second book.  As I’d already read Battle Ground before getting to Peace Talks, I could see where a lot of the hints, character arcs and storylines were going, so I think that gave me a bit more appreciation for what Butcher was doing here.

The story itself is an excellent character-driven narrative that contains a lot of great elements I really appreciated.  Starting off by showcasing the new normal for Dresden as a parent and partner, the story quickly moves along to the introduction of the summit, which brings several recurring characters back into the mix.  As various troubles begin to build on the horizon, the story introduces its major hurdle as Thomas apparently attempts to assassinate the leader of a supernatural nation.  Convinced of his innocence, Dresden reluctantly works with Thomas’ sister Lara to try to free him, resulting in a prison break sequence during a busy event.  Dresden’s determination to save his secret brother even at the risk of war begins to alienate several of his allies, including his grandfather, eventually resulting in an epic confrontation that was the highpoint of the book.  At the same time, the peace conference proves to be an intriguing addition to the plot, as you get to see some compelling interactions from multiple supporting characters, including many who haven’t been in the same book before.  The conclusion of the summit comes rather fast and shockingly, with the major antagonist for the next book arriving and making their intentions clear, and you come away greatly anticipating the chaos to come in Battle Ground.

I loved how Peace Talks came together as Butcher brings his usual charm, sharp writing and entertaining wit to the table in a big way.  Peace Talks features the trademark blend of mystery, adventure, character development, fantasy elements and snarky humour that I deeply enjoy about all the Dresden Files books, and it’s hard not to get caught up in the story.  There is a great focus on intrigue, politics and personal perception in this book, and I liked how a lot of the threats were more subtle and in the realm of future consequences rather than direct action.  Butcher also focused on setting up for the next book, and much of Peace Talks is geared towards providing context and character introductions for the coming war in Battle Ground.  While in some ways this reliance on setting things up for the next book made the events of Peace Talks seem a little less important, it was an overall strong book, and a great entry to the wider Dresden Files series.  While I do think that people should be really starting the series earlier than the 16th entry, new readers could slot themselves into the Dresden Files series here as Butcher continues his accessible style, minus a few references to some short stories.  Peace Talks also features some clever and subtle clues to major twists and big events in Battle Ground which you don’t fully appreciate until you read the following book.  I honestly came away from Peace Talks with an even greater appreciate for Butcher’s long-term writing skills, as well as his ability to expertly telegraph some major events.

I did feel that certain elements of Peace Talks did feel a bit rushed, especially when it came to the big bad who was revealed at the end of the peace summit.  Having already read Battle Ground, I was expecting more buildup for the villain Ethniu in Peace Talks, especially as she hasn’t been mentioned at all in any of the preceding 15 books.  However, she kind of just shows up, kicks ass for a few seconds, and then leaves, making her threats for the next book.  You don’t even get any history for her aside from the fact that she’s a long-dormant Titan who is annoyed at the world.  In hindsight, this is a little weak, and some explanation about who she is, how she took over the Fomor, or her history with the other magical leaders would have been good.  Butcher also failed to really set up any connection between her and Dresden before their fights in Battle Ground, which I think you needed.  This and other rushed bits of character interaction towards the end of Peace Talks weakened the overall story of both books, and it was clear that Butcher was keen to finish Peace Talks off and get into the major war sequences of the sequel.

As with most Dresden Files entries, Peace Talks excelled in the character department, which was a major highlight of the book.  Peace Talks features a huge cast of characters, most of whom are being reintroduced from previous novels so Butcher can feature them in Battle Ground.  As such, Peace Talks is loaded with some compelling interactions and character moments, especially as the protagonist must deal with a range of friends, family and foes who he hasn’t seen in years.

Naturally, most of the character work revolves around protagonist and point of view character Harry Dresden.  Dresden is such a fun character to follow, mainly because of his immaturity, sense of humour, and the lack of fear and respect he holds for powerful beings.  However, while deep down Dresden is still the same loveable rogue we’ve been following for years, he has been experiencing some major changes in his life that have had some intriguing impacts on his personality.  Peace Talks sees him dealing with a lot of these major life events in various ways, and it was interesting to see how much Dresden and his situation has changed since the start of the series.  Much of the book revolves around his changing relationships with certain people, including his new romance with Karrin Murphey, which finally came official in the previous book Skin Game.  This romance is one of the nicest parts of the whole book, and the two characters are just perfect for each other, which twists certain future emotional knives a little deeper.  It was also sweet to see Dresden as a father, even with their complicated relationship and the trauma surrounding them.

However, I think the most dramatic character relationship that was featured in Peace Talks involved Dresden and his mentor/recently revealed grandfather Ebenezar McCoy.  The two of them have been rocky for years, but their emotions finally spilled over in Peace Talks, especially when it came to Dresden’s relationship with Thomas and his plans to raise his daughter.  The anger between the two bubbles over throughout the course of Peace Talks, mainly because Dresden is forced to hide the true reasons for helping Thomas due to McCoy’s hatred of vampires.  The eventual and inevitable confrontation is very brutal as the two are unable to come to common ground and both think they are in the right.  The big fight between them is one of the best scenes in the book, and it simultaneously showed how powerful McCoy truly is while also highlighting how much more skilled Dresden has gotten over the years.  The eventual result is very heartbreaking, showcasing the fact that no one can hurt you more than family, while also containing a fun bit of sneakiness from Dresden.  It will be interesting to see where this relationship goes in the future, but it’s clear this family has some major issue to work out.

In addition, it was also particularly interesting to see Lara Wraith, leader of the White Court and Thomas’s half-sister become such a prominent character again in Peace Talks.  Butcher spent a good chunk of Peace Talks reintroducing Lara as a major character who is going to be a big part of the series going forward.  While this does result in the usual overly sexualised shenanigans that have accompanied Lara since her introduction in the infamous adult-film focused Blood Rites, Lara mostly proves to be a compelling and complex character.  Indeed, there were some moving examinations of her relationship with Thomas that showed just how much she cared for him.  While the differing goals and expectations for Thomas result in some conflict between Dresden and Lara, they prove to be an effective team, with a bit of hostility buried beneath them.  Considering these two are going to be forced to spend a lot of time together in the future, I liked how Butcher built up their relationship here, and it will be interesting to see how it develops in the future.  Overall, I felt the characters featured in Peace Talks were handled really well, and I loved the unique and powerful interactions that emerged.

As with the entire Dresden Files series, I ended up listening to Peace Talks on audiobook, and frankly there is no better way to enjoy one of these epic novels.  Coming in with a runtime just shy of 13 hours, this was slightly shorter Dresden Files book, especially when compared to the other later books in the series.  This shorter runtime allowed me to power through Peace Talks in no time at all, especially as I was once again wrapped up in the silky tones of narrator James Marsters.  Marsters, who is one of my favourite audiobook narrators, primarily due to his work in this series, is so damn good, and I love how effective he is at telling Butcher’s story.  Marsters honestly gets the tone of each scene perfectly and the way he inhabits each of the featured characters is just amazing.  I once again must highlight how well he portrays protagonist Harry Dresden in this book, and you can really sense the character’s conflicted emotions.  Due to the large cast associated with Peace Talks, Butcher needs fill in quite a few roles, including a ton of recurring figures from previous novels.  I felt that he did a great job voicing all of them, and it was fun to see him dust off a few voices that we haven’t seen in a few books.  Everything came together perfectly with Masters narration in Peace Talks, and this was another epic Dresden Files audiobook that I just loved listening to.

Jim Butcher provides another powerful and intriguing addition to the Dresden Files series here in Peace Talks.  Simultaneously setting up the events for the sequel Battle Ground while also telling a powerful, character-driven tale of betrayal and family trouble, Peace Talks was a great read that proves hard to put down, especially for established fans of the series.  A highly recommended book that leads to bigger things.

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