Hit-Girl, Volume 3: In Rome by Rafael Albuquerque and Rafael Scavone

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Publisher: Image Comics

Publication Date: 19 February 2019

Length: 104 pages

My Rating: 4.5 out of 5 stars

The world’s most dangerous 12-year-old, Hit-Girl, continues her world tour of crime fighting, this time heading to Rome to bring her unique brand of justice to a new group of criminals in another fantastically fun and brutal adventure.

Mindy McCready, the pre-teen vigilante killer better known as Hit-Girl, has successfully embarked on a one-girl international crusade against crime. Not only has she decimated the criminal underworld of Colombia, but she successfully eliminated a group of Canadian drug dealers while surviving all the hazards of the Great White North. Her latest adventure sees her travel to romantic and historical Rome, where a completely different breed of gangsters awaits her.

After failing to stop a masked cat-burglar stealing a bejewelled skull at the Toronto International Airport, Mindy finds herself accidently transported to Rome. Managing to recover the skull from the thief, a talented young woman known as La Gatta (the Cat), Mindy attempts to uncover who hired her to steal it and why. However, her investigation puts her firmly in the crosshairs of a dangerous and deranged mob boss, Gilistina Malvolia, who is determined the have the skull no matter what.

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Teaming up with La Gatta, Mindy faces off against Gilisina’s legion of followers in Rome in a bloody game of cat and mouse. But between killer nuns, crazed bikers and medieval monks, Mindy might have bitten off a little more than she can chew. Is Hit-Girl capable of going up against Rome’s boss of all bosses, or will she meet a gruesome end at the hands of Gilistina and the bloody saint she serves?

In Rome is the third volume of the deeply entertaining new Hit-Girl series, which has spun off from the popular Kick-Ass comics by Mark Millar. The character of Hit-Girl appeared in all of the previous Kick-Ass comics and was also the main character of the Hit-Girl limited series (now referred to as Book Two of The Dave Lizewski Years of Kick-Ass). After the end of the final series of The Dave Lizewski Kick-Ass comics, Hit-Girl decided to leave New York and go on a worldwide tour of vigilante justice. This international killing spree is covered in the ongoing Hit-Girl comic series, which started in early 2018. The Hit-Girl comics now feature a series of four issue storylines (which are later released within their own collected volume), with each storyline featuring a change of writers and artists. I really enjoyed the first volume of the Hit-Girl series, In Colombia, last year and I previously reviewed it on this blog where I gave it a full five stars. The second volume, In Canada, was an interesting follow-up, and I quite enjoyed the fun change in location.

The focus of this review is In Rome, which is the third volume of the Hit-Girl series. Containing issues #9-12 of the Hit-Girl series, this comic was written by Rafael Albuquerque and was drawn by his frequent collaborator Rafael Scavone. In Rome was an excellent addition to this amazing series, and I really enjoyed where the creative team took this fun and exciting story. Not only does it feature an enjoyable and fascinating plot, but there is some excellent character work contained within and some superb artwork, making for a deeply entertaining read.

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This third volume of Hit-Girl is a pretty crazy and over-the-top read, containing a very weird story. Not only does it continue to showcase the rampage of a 12-year-old vigilante as she takes out every bad person she comes across in the most gruesome or hyper-violent way she can, but it also features a very unique new set of opponents for her. The villain of In Rome is a murderous old lady, Gilistina Malvolia, who has managed to take control of the entire criminal underbelly of Rome. Gilistina is a former nun who, after being kicked out of her order for murder, now follows the teachings of a former Vatican assassin who was canonised as a saint. To that end, she now controls the city through fear and violence, murdering anyone who disappoints her, including a poor wannabe pasta chef in a rather fun introductory scene for her. Gilistina is after the bejewelled skull that Hit-Girl liberates, the skull of her beloved saint, and she is tearing up Rome to find her. As a result, Hit-Girl must go up against Gilistina’s minions, including nuns armed with machine guns, angel inspired bikers and monks armed with medieval weapons. This is all deeply insane and I loved every minute of it as this crazy story is a deeply fun and thrilling treat.

In addition to the fantastically kooky story, there are also some great character moments throughout the comic which add some dramatic elements to the plot. One of my favourite parts of it is Mindy’s team-up with the thief La Gatta. La Gatta, whose real name is Paola, is a master thief who gets caught up in Gilistina’s plans to obtain the saint’s skull and is forced to work with Mindy to survive. Despite being way older than Mindy, La Gatta comes across as the more scared and incapable of the two and is constantly shocked by all the extreme violence going on around her. The two girls bond throughout the book, especially over apparent similarities in their familiar situations and their relationship reminded me a bit of her dynamic with Kick-Ass (sarcastic younger girl mentoring someone older but way more out of their depth). It was nice to see her team up with a friend for once in this series, rather than with a killer she is blackmailing or the ghost of her father, and there are some generally funny moments between the two of them. It also ends in a rather good plot twist that I will be interested to see if the series comes back to at some point.

In Rome also does a great job of looking at the unique dynamics of Hit-Girl’s character. Despite the fact that she was raised as the ultimate killing machine, Mindy is still a little girl, and this shows through in a number of different ways, from her cute civilian outfit and toys to her rather black-and-white view of criminality. There is also a tangible sense of innocence lost around her, as well as a longing for family and her dead father, as she makes sure to interfere in an attempted theft from a tourist family she witnesses. The look of despair and unhappiness on her face after she sees the happy family walk off after she helps them is pretty heartbreaking and it makes you appreciate that she’s not as emotionally put together as her confident exterior would imply. This longing for family and connection also explains her willingness to work with La Gatta, as she sees a lot of herself in her, and it also opens her up to some subtle manipulation. All of this proves to be a really intriguing addition to the story, and I am curious to see what other examinations of Hit-Girl’s character are done in future volumes of this series.

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This volume of Hit-Girl contains some pretty amazing artwork which I really enjoyed. The artistic team behind In Rome have done a great job drawing this epic adventure, and there are some awesome scenes throughout. Based on what the story is about, there is an obvious focus on all elaborate violence and death that Hit-Girl brings wherever she goes. There are some gruesome and bloody sequences throughout the book and all the different forms of fights and violence are done pretty spectacularly. I also liked the cool designs they came up with for the various characters; I was especially impressed by the realistic faces which did a fantastic job conveying all the character’s emotions. For example, you get a real sense of the anger and hatred of Gilistina (whose stooped old-lady look is a lot of fun), the despair of the various victims of either Gilistina or Hit-Girl or the complex range of emotions of Mindy, which range from joy while she kills everyone, to something more subtle and tragic when she settles down long enough to feel. This great artwork combines extremely well with the volume’s excellent story, and it produces a really enjoyable Hit-Girl comic.

Overall, I really quite enjoyed the third volume of Hit-Girl, In Rome, and I thought it was an absolutely fantastic addition to the series. This is a perfect read for anyone interested in a fun and thoroughly entertaining comic chock full of ridiculous plot points, intense action and some character work that is surprisingly deep at times. This has proven to be an outstanding series, and I really like how they change creative teams with each volume. I must make an effort to get the next few volumes of this series, and I am especially intrigued by the fourth volume in the series, In Hollywood, which was written by Kevin Smith. In the meantime, In Rome is really worth checking out, and I would definitely recommend it.

Hit-Girl, Volume 1: Colombia by Mark Millar and Ricardo Lopez Ortiz

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Publisher: Image Comics

Publication Date – 26 June 2018

 

The baddest little vigilante in America goes international in this outrageous new series from comic book legend Mark Millar.

Hit-Girl is the moniker of Mindy McCready, a pre-teen vigilante killer who is the Kick-Ass universe’s most effective and terrifying hero.  Introduced early on in the first volume of the Kick-Ass comic, Mindy was a 10-year-old girl who had been indoctrinated by her father, Big Daddy, into becoming an expert killer and crime fighter.  Despite an attempt to live a normal life after the death of her father, Mindy has reverted to her vigilante ways with her trademark extreme violence and sassy attitude.

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Following the events of the Kick-Ass 3 comic, Hit-Girl has decided to take her vigilante gig international and bring her version of justice to criminals around the world.  However, with her partner, Dave Lizewski, the original Kick-Ass, retired, and his replacement (a young man Hit-Girl randomly recruited off the street) deciding to quit in the face of armed criminals, Hit-Girl is all on her own.  With a request for help in Colombia looking too big to handle by herself, Hit Girl decides to recruit a partner as deadly and deranged as herself.

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Enter Fabio ‘Mano’ Mendoza, the most ruthless and dangerous hitman in Palmira, Colombia.  Freeing him from imprisonment, Hit-Girl ‘convinces’ Mano to help her with her mission, utilising an explosive device to keep him in line.  Armed with an array of advanced and insanely destructive weapons, Mano helps Hit-Girl turn all of the city’s gangsters into corpses.  But what will happen when Hit-Girl forces Mano to target his own gang?

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Hit-Girl was created by author Mark Millar, one of the most impressive and recognisable names in modern comics.  Millar has worked with a number of different publishers throughout his career, including DC, where left his mark on titles including Swamp Thing, Superman and The Flash, and Marvel, where he wrote the iconic Civil War series and had significant input in Marvel’s Ultimate Universe, which serves as the inspiration for many recent comic book movies.  Millar has also created a number of the best alternate universe stories these two major comic book publishers have ever produced, from the inventive Superman: Red Son to the incredible Old Man Logan, which served as the basis for 2017’s best comic book movie, Logan.  Millar has also created a range of independent series, many of which are quite dark and brutal, such as Kingsman: The Secret Service, Jupiter’s Legacy, Superior and Wanted.  However, one of Millar’s most iconic works is his independent series, Kick-Ass, which was adapted into a fantastic movie in 2010 that helped dramatically increase the author’s general profile.  Kick-Ass ran for three volumes, and the final issue revealed that Kickass and the above independent series all exist in a shared universe, known as the Millarverse.  Readers may recognise several of the above comics from recent movies, with Kingsman and Wanted both having been adapted into big screen movies.  In addition to this current Hit-Girl series, Millar is currently working with Netflix to create a number of intriguing new comics, such as The Magic Order, and a range of movies and television series.

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A large amount of the success of Kick-Ass can be attributed to the character of Hit-Girl, a sensational addition to both the comics and the subsequent movie adaption.  Hit-Girl is easily the most popular character in the series due to the sheer craziness of having a 10-year-old girl tearing through groups of dangerous criminals while swearing her head off.  This cool character continued in the movie, where Chloë Grace Moretz brought Hit-Girl to life in all her foul-mouthed, murderous glory, albeit with an altered costume.  Hit-Girl appeared in all three volumes of Kick-Ass, and has already been the star of her own Hit-Girl miniseries comic, much of which was adapted into the Kick-Ass 2 movie.  This current series of Hit-Girl represents the first work that has been done on the Kick-Ass storyline since 2014.  The first volume of this new series is called Colombia and contains issues #1-4.  The second volume of this series will continue Hit-Girl’s international murder spree as she heads to Canada, and will be released in late October.

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This new Hit-Girl series contains pure insanity as the titular character goes on a rampage down in Colombia.  There are some fantastic sequences throughout this book as artist Ricardo Ortiz draws a series of demented murders and deaths as Hit-Girl and Mano attack and kill hundreds of gang members in Palmira.  These gang members suffer an insane amount of different gruesome deaths including being shredded by bullets, sliced by swords, shot with arrows, killed by a train, blown up into tiny pieces, vaporised by flesh-eating gas, and thrown off buildings.  Ortiz’s artwork pulls no punches during these scenes, with the highlight having to be the microwave gun that cooks one gang member from the inside out.  There are also a ton of great action sequences throughout this book, with the artist presenting some excellent battle artwork that really highlights the fast-paced and frenetic action portrayed within.  Some of these scenes are so wonderfully over the top that it is hard not to laugh, such as the sequences where Hit-Girl and Mano are forced to overcome a zoo of coked-up animals standing between them and their target.  This is some brilliant work from the artist and a real highlight of the volume.

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While all the superfluous violence is outstanding, this first volume of Hit-Girl is far more than just about the killing of criminals.  It is actually a complicated revenge plot, and Millar has created a fantastic overarching story for this entire volume.  Watching the full extent of Hit-Girl’s plan unfold is so much fun, especially when you realise just how much she is playing all the other characters in the book.  Hit-Girl revealing that her plan involves saving a kid who served as her patsy from joining a gang is pretty powerful, especially when the kid is left wondering about the origin of the ‘final message’ from his brother.  By the end of these four issues, all the characters get what they deserve, leaving the reader extremely satisfied with the result, while Hit-Girl is left determining where to go for her next rampage against crime.

Hit-Girl is once again a fantastic main character for this book, and Millar and Ortiz’s portrayal of her is absolutely amazing.  Placing murderous attitude and terrifying adult personality inside the body of a little girl is still spectacular to see, and it is quite jarring and very entertaining to see this little kid doing crazy stuff like jumping up and down in excitement while requesting that her associate perform a particularly gruesome murder.  Ortiz presents some incredible changes in facial expression throughout the book that really show off the dual personality of the character.  In some scenes, she looks quite innocent and childlike, while in others, she looks positively demonic, especially when she establishes control of a situation.  While she is mostly portrayed as destructive, adult and emotionless, there are times when she comes across as more human and acting her age.  She spends several scenes getting closer to Mano, and the two work out that they have some interesting similarities, including being manipulated by a controlling father figure for most of their lives.  In hindsight, it is quite horrifying that she spent time getting close to Mano, considering the multiple ways she was playing him and her eventual intentions for him, but it is still great to see her team up with someone who has the same killer instinct, as well as a similar moral compass.  I also love the scene at the end when Hit-Girl allows her ally, Camila to get a chance at revenge, but is not surprised when she does not take the shot, stating “you’re a good person”.  Hit-Girl’s facial expression while she says that is perfect, as it helps portray the fact that our protagonist knows she is not a good person and never will be.  Overall, this is some amazing character work and Hit-Girl is still an amazing protagonist.

Mark Millar is once again in top form as he brings in the first volume of his new Hit-Girl series.  Featuring some outstanding artwork from Ricardo Ortiz, Hit-Girl Volume 1: Colombia contains an insane amount of graphic and entertaining violence and death, while also containing a fun and satisfying story with an awesome main character.  I am already excited for the next volume of this new series, and I cannot wait to see what chaos Hit-Girl causes in Canada.

My Rating:

Five Stars