Throwback Thursday – Mr Mercedes by Stephen King

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

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The Traitor by Anthony Ryan

The Traitor Cover

Publisher: Orbit (Audiobook – 11 July 2023)

Series: Covenant of Steel – Book Three

Length: 19 hours and 15 minutes

My Rating: 5 out of 5 stars

Amazon

Acclaimed fantasy author Anthony Ryan brings his epic and exceptional Covenant of Steel trilogy to an end in a massive way with the impressive third and final book, The Traitor.

Over the last three years I have had an outstanding time getting my first taste of the works of leading fantasy author Anthony Ryan.  A veteran author who has been enthralling fantasy audiences for over a decade, Ryan has several highly regarded series under his belt, including his Raven’s Shadow books, the Slab City Blues series, the Seven Swords series and The Draconis Memoria trilogy.  However, I have so far only had the opportunity to read his latest body of works, The Covenant of Steel trilogy, which has been more than enough to make me a major fan of this author.

The Covenant of Steel books are an outstanding series that follows an intriguing and well-developed protagonist, the notorious Alwyn Scribe.  Told in a chronicle format written by Alwyn, the Covenant of Steel books follow the protagonist as he embarks upon a powerful and exciting character journey that sees him overcome his bandit past to take on several new roles, including that of a scribe, soldier and knight, all while serving the mysterious religious figure, Lady Evadine Courlain.  I have had an epic time with this series over the last few years, and the first two books, The Pariah (one of my favourite books and audiobooks of 2021) and The Martyr (one of my favourite books and audiobooks of 2022) have been exceptional five-star reads that proved near impossible to put down.  Loaded with action, intrigue, a fantastic new world, and some complex characters, this series is so damn good, and I have been eagerly awaiting the third and final book for a while.  This third book, The Traitor, was one of my most anticipated reads for 2023, and I was so excited when I finally got the chance to listen to it.

Alwyn Scribe is a man in real trouble.  Now a renowned knight, general, spymaster, and trusted advisor, the former outlaw has relentlessly championed the cause of his lady, the Risen Martyr Evadine Courlain, and ensured she is now the most beloved and influential religious figure in all of Albermaine.  But what if he made a terrible mistake?

Cryptic visions from the past have warned Alwyn that, despite her claims to be a servant of the divine Seraphile, Evadine actually serves the Malecite, the source of all evil in the land, who will use her to bring about a cataclysmic future.  Blinded by love, Alwyn is convinced that these visions are false, and he is determined to keep Evadine alive and ensure that her vision of a united Albermaine are brought to life, even if that means starting another destructive war.

However, the closer Evadine gets to achieving her goal, the more Alwyn begins to realise that she is no longer the same woman that he swore his life to.  Her messages of peace and tolerance have been replaced by the fires of puritanical fury, and Evadine soon launches a brutal crusade to rid the country of her enemies and place herself on the throne as an Ascendant Queen.  But is she truly corrupted by the Malecite or is her brutal work a necessity to keep Albermaine safe from a greater evil?  As a devastating civil war is unleashed upon the kingdom, Alwyn will be forced to choose whose side he is truly on and what he is willing to sacrifice to keep the world from burning.

Well damn, Ryan really didn’t disappoint with this fantastic and powerful conclusion to the fantastic Covenant of Steel trilogy.  Weaving together all the elaborate elements from his first two books and then lighting everything you love on fire, The Traitor was a complex and deeply enjoyable read that I honestly couldn’t stop listening to.  Powerful, thrilling, and oh so beautifully dark, The Traitor was a perfect ending to the Covenant of Steel trilogy that got an easy five-star rating from me.

The Traitor has a heck of a powerful narrative to it that takes the protagonist and the reader to the emotional limit.  After an effective and entertaining recap of the previous two books, The Traitor starts in the immediate aftermath of the previous novel, The Martyr, with Alwyn leading Evadine’s army to war against the dangerous Ascendant Arnabus and his forces, resulting in a major, religious war.  This initial conflict is the focus for a good part of the early story, and it serves as a great warm-up for the rest of the plot, allowing for some much-needed character reintroductions and development, while also providing some intriguing new context for the main story.  This initial fight only serves as a taste for the wars to come, as Evadine seeks to overthrow the current order and rule herself.  This incoming conflict ensures that the first half of The Traitor has a range of great story elements to it, with a mixture of intrigue, political manoeuvrings, espionage, and battles, ensuring that every second of The Traitor at this point is highly entertaining.  This also serves as an excellent prelim for the anticipated change in the middle of the book, where the protagonist is finally forced to confront the fact that Evadine is no longer the woman he fell in love with.

Due to the reveal at the end of The Martyr, you had to know that Evadine was going to have some sort of fall from grace in this final novel, and when it comes, boy does it come hard.  The betrayals, shocks and losses at this point are exceedingly impactful, and you soon realise that Ryan intends to go full scorched earth with his storytelling, forcing the reader to deal with some major tragedies.  I liked the dark turns that occurred at this point in The Traitor, especially as Ryan had been hinting at them since book one, and it was awesome to get some payoff for the previous dark predictions.  This forces Alwyn to make some tough choices, and there is a major and compelling change in the protagonist’s objectives and loyalties for the second half of the book.  Thanks to the great setup at the start, as well as the major events in the middle, the reader will be very strongly caught in the narrative at this point, and even though the final half of The Traitor slows down in places, you really cannot put it down.  Ryan really dives into the lore of his land in this second half, which provides some very unique scenes and moments, even if some of these story elements got a little away from the author.  Still, this part of the book has some pretty impactful moments, and you will not be prepared for some of the key touching events.

Everything leads up to a final confrontation, which releases three books worth of pent-up emotion and revelations in some spectacular scenes.  While part of this confrontation is a bit more metaphysical than it needed to be, you honestly will be blown away with how it all comes to an end, especially as there is layer upon layer of tragedy involved, and I deeply enjoyed the compelling and satisfying resolutions that followed.  This entire story was a fantastic read from start to finish, and I really loved how Ryan wrapped up so many of his ongoing storylines and arcs here.  While most plot points are finalised here, a couple do remain unresolved, and it wouldn’t surprise me if we get a sequel series at some point.  I personally would be very keen for that, as I had such an exceptional time seeing this elaborate trilogy and ongoing narrative come together in some excellent ways.

I have always really enjoyed how Ryan set out the previous Covenant of Steel books, and he did a fantastic job of continuing his awesome writing style in this third and final book.  The author sets out The Traitor using a chronicle style told from the protagonist’s perspective, which is such an effective writing tool.  This deeply personal vision of events, combined with the author’s regretful insights of the future, really helps to drag the reader into the story, and Ryan really makes the most of this story format the entire way through.  Like with the rest of the trilogy, Ryan keeps up a pretty steady pace in The Traitor, and there aren’t a lot of quiet moments in the book.  The author really hit the right blend of powerful character focus, fantasy world building, and storytelling loaded with intrigue and action, and there is generally something for everyone here.

I loved the darker, more tragic feel that The Traitor had, especially compared to the earlier books, and it was easy to tell that this is the final book in the series.  While the detailed plot recap and cast list at the front of the book is very helpful at reminding readers of prior events, readers unfamiliar with The Pariah and The Martyr probably won’t be able to jump into this final novel too easily as there are so many details from the first two books that reader’s need to be aware of to fully appreciate the impacts of this story. As such, people new to the series should really head back to the start, and I guarantee you will have a great time doing so.  I really enjoyed how this awesome book came together, and Ryan’s ability to weave together an intense read with so many layers to it is very impressive.

One of the great highlights of the Covenant of Steel series has been the exceptional and detailed fantasy realm that the book has been set in, shown through the eyes of the narrator as he explores it.  The reader has been given a very detailed look at these settings throughout the last two novels, and it has served as a great background to the plot.  Primarily a medieval landscape dominated by a quasi-Christian religion, this background setting initially didn’t have a lot of fantasy elements to it except for a couple of wandering beings with strange powers.  But Ryan slowly built up the fantasy elements throughout the book, with cumulation of magic occurring about halfway through The Martyr, which I think was an excellent choice, as it allowed him to instead focus on character growth, other world building elements, and the general politics and wars of the realm, in excellent detail.  A lot of these political and religious elements are strongly explored throughout The Traitor, especially in the first half, and Ryan had a lot of fun showcasing the land’s dark turn towards religious conflict as his character’s embark on a bitter holy war.  The dark and destructive changes to this well utilised setting are very notable, disturbing and compelling, and it was fascinating to see how much everything changed throughout the course of the series.

The Traitor does get a lot more fantasy heavy in the second half of the book, as the protagonist returns to a hidden realm and fully experiences the mysterious magic and powers that reside there to counter the dark visions of Evadine.  I do think that there might have been a few too many magical inclusions here, as the plot did get a tad convoluted in places.  Still, Ryan definitely had some fantastic and unique ideas here, and many of these fantasy elements have been utilised in the past to great effect.  One particular ability that emerges actually brings part of the story around full circle, and it allowed for some very compelling interactions with characters from the past that I quite enjoyed.  The fantasy revelations that emerge during the big concluding confrontation are very over the top, which some readers might have issues with.  However, I quite enjoyed it, and it lead to a particularly dark final meeting between protagonist and antagonist that had me hooked the entire time.  This really was an awesome fantasy series, loaded with cool settings and unique features, and I hope that we might get to revisit them in the future, especially as the events of this book will leave Albermaine a much darker and traumatised setting.

Easily my favourite element of The Traitor, and indeed the entire Covenant of Steel trilogy, has been the complex, damaged and memorable characters that the story has focussed on.  Ryan has come up with an exceptional group of protagonists and villains over the course of the trilogy, and there are some deeply elaborate character arcs ongoing throughout the last two books.  Many of these continue and conclude here in The Traitor, and Ryan really went out of his way to finalise the development of his characters in some powerful ways that will really strike the reader in the feels.

The main character of The Traitor is once again Alwyn Scribe, who serves as the primary narrator of the trilogy as he recounts his historical adventures.  Alwyn has been a particularly compelling character throughout the series, mainly because you get to see him grow from a common outlaw to key advisor of the Risen Martyr as she begins her campaign across the country.  Ryan has done such a great job telling Alwyn’s unique tale in the previous books, and the reader should already be highly invested in his story before The Traitor even starts.  Of course, this ensures that the reader is hit even harder by some of the big moments of the book, as Alwyn goes through a lot here.  Not only is he still involved in a series of deadly wars and political battles, but now he finds himself being torn between love and his sense of right and wrong, as Evadine becomes more and more unstable.  Watching Alwyn continue to justify Evadine’s actions, even though deep down he knows she’s in the wrong, is both frustrating and understandable, as you realise just how much he is devoted to her.  This sense of frustration is only enhanced by the constant recriminations Alwyn throws towards his past self as he narrates his own story, and you can feel the regret pouring of the pages there.  While I won’t give too much away here, Alwyn ends up going through quite a lot in The Traitor, and the emotional toil that inflicts is pretty terrible, especially as he has to make some bitter and ruthless choices.  It was very touching and intense to see Alwyn’s story come full circle in some ways, especially as there are some intriguing callbacks to his past, and all the major impactful moments that affect Alwyn are expertly portrayed by the author.  Despite everything he goes through, Alwyn still maintains much of his humour, wit, ingenuity, and disrespectful attitude that were such a great part of the Covenant of Steel trilogy.  It was so much fun to once again get his unique take on events, and he ended up being a pretty perfect narrator for this fantastic series.

The other major character that I have to talk about is Evadine Courlain, the Risen Martyr and Alwyn’s love interest, who has been such a significant figure in the last two books.  A religious leader who inspired people with her visions, Evadine has always been a fascinating character, especially as you are never quite sure if she is actually divinely chosen, a delusional madwoman, or something even worse.  After the reveal at the end of The Martyr that Evadine might be an avatar of evil, you come into The Traitor naturally highly suspicious of her, and Ryan caters to these expectations by ensuring that she quickly starts to descend into further darkness.  Despite Alwyn’s continual attempts to restrain her, and justify her actions to the reader, Evadine becomes more of a darker figure as she pursues her various wars, although initially never going quite far enough to alienate her friends.  Of course, that changes about halfway through the book, and when she goes dark, she goes dark in a big way, turning into quite a fantastic and sinister antagonistic figure.  I really loved how Ryan turned Evadine here, and it is such an outstanding cumulation of so many key story arcs from the first two books.  Despite everything she does, there is still a powerful bond between Alwyn and Evadine that deeply impacts both of them, and it was fascinating to see these great characters walk the thin line between love and hate again and again.  The complex interactions between these two characters at various different points of The Traitor are beautifully written, and you have to appreciate just how damaged and dangerous their bond got at times.  Evadine honestly was the perfect counterpoint to Alwyn in The Traitor, and I cannot emphasise how impressive her entire story arc ended up being.

In addition to Alwyn and Evadine, Ryan has loaded The Traitor with an exceptional cast of supporting characters who add a great deal to the impact of the story.  This supporting cast is mostly made up of figures from the first two books, as Ryan brings back many of the old favourites and seeks to wrap up many of the intriguing storylines that have been such a fantastic part of the series.  Highlights include Alwyn’s returning comrades, such as the unstable but very likeable Ayin, disgraced knight Wilhum, former outlaw Tiler, outlaw queen turned legitimate Duchess Lorine, and Juhlina, also known as the Widow.  These characters, and more end up having some interesting roles throughout The Traitor, and it was fascinating to see the various sides that many of them chose, especially as the plot continued.  I liked some of the surprising directions Ryan took a few of these returning characters, and there are some interesting choices, romances and entertaining fates that were wonderful to see.  Ryan also features several great new characters who got a good introduction and utilisation in The Traitor, even if it was only for a single book.  Quite a few of these characters were cast in antagonistic roles, which I think worked really well, and it was amazing how quickly Ryan was able to turn some of these characters into quite hateable figures.

While I did really enjoy the return of so many great characters featured within The Traitor, readers should be warned that Ryan does go on a bit of a murder spree here.  While I won’t give too much away here, several great characters meet an untimely end in The Traitor, and this honestly gets pretty heartbreaking.  While I usually don’t love it when authors kill off most of their characters in a finale, I think it worked quite well in The Traitor, especially as each death served an important narrative purpose.  It also helped that for many of these characters, Ryan worked to resolve their storylines in advance, so readers got some closure with them, even as they were taken away.  As such, The Traitor turns into quite a bloody and impactful read at times, and you will not be prepared for just how grim and tragic it gets when it comes to your favourite Covenant of Steel characters.  I really cannot emphasise just how good Ryan’s character work is though, and I hope we see some of the surviving figures again in the future.

I ended up grabbing a copy of the audiobook version of The Traitor, mainly because it has been the format that I have enjoyed the rest of the Covenant of Steel books in.  Coming in at a bit over 19 hours, this is a decently long audiobook, but I absolutely flew through it once I got caught up in the exceptional story.  This format really lent itself to Ryan’s writing style and epic storytelling, and I deeply appreciated how listening to The Traitor allowed me to absorb all the key character moments, action and world building a lot better.  My enjoyment of this book was enhanced even further by the return of narrator Steven Brand, who has given his voice to most of Ryan’s audiobooks.  Brand is a very talented narrator with a great voice that fits this darker fantasy novel extremely well, especially as he perfectly encapsulates the protagonist, Alwyn Scribe.  Brand really brings Ryan’s chronicle style to life in Alwyn’s voice, and I really loved his take on the protagonist and all the other characters.  The sheer despair, weariness and self-loathing that Brand envisions in Alwyn’s voice at times is really moving, and I deeply appreciated how expertly he dove into the role of the main character.  The rest of characters in The Traitor also receive some great, fitting voices, and the entire cast really came to life, if but briefly.  I honestly had such a great time listening to The Traitor on audiobook and this is easily my preferred way to enjoy this fantastic book.  As such, this format comes highly recommended, and it will probably end up being one of my top audiobooks of 2023.

Honestly, after how much fun I had with the first two books in this series, as well as my lengthy write-up above, it should come as no surprise that I deeply enjoyed The Traitor.  Anthony Ryan brought his epic Covenant of Steel trilogy to a near perfect end, and I cannot emphasise enough how great and impactful this exceptional novel was.  Featuring some excellent dark moments, powerful character development, and an outstanding war-focused narrative, The Traitor delivered everything I wanted and more.  Easily one of the best fantasy books of 2023 so far, The Traitor was a joy to read from start to finish, and I am so glad I got the experience this awesome and amazing fantasy trilogy.

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Quick Review – The Paris Agent by Kelly Rimmer

The Paris Agent Cover

Publisher: Hachette Australia (Trade Paperback – 28 June 2023)

Series: Standalone

Length: 337 pages

My Rating: 4.5 out of 5 stars

Amazon

One of Australia’s premier authors of historical fiction, the supremely talented Kelly Rimmer, returns with another moving and intense novel that dives into the horrors of World War II, The Paris Agent.

Over the last couple of years, I have been deeply impressed with the works of Kelly Rimmer, a well-established Australian author whose previous novels have been excellent historical dramas set during the Second World War.  Rimmer’s books are pretty spectacular, as they masterfully blend powerful personal stories with intense depictions of key parts of the war, especially those involving the evils of the Nazi regime.  Her last two books, The Warsaw Orphan (one of my favourite Australian books of 2021) and The German Wife (one of my favourite books and Australian books of 2022), were exceedingly moving, and I now make it a point to grab her new books each year.  Her latest novel, The Paris Agent, presented the reader with an interesting new story, one that focuses on female espionage agents in occupied France.

Plot Synopsis:

Two otherwise ordinary women become spies in WWII France in this sweeping new novel of historical suspense by New York Times bestselling author Kelly Rimmer

Twenty-five years after the end of the war, ageing British SOE operative Noah Ainsworth is reflecting on the secret agent who saved his life when a mission went wrong during his perilous, exhilarating years in occupied France. He never knew her real name, nor whether she survived the war.

His daughter Charlotte begins a search for answers. What follows is the story of Fleur and Chloe, two otherwise ordinary women who in 1943 are called up by the SOE for deployment in France. Taking enormous risks with very little information or resources, the women have no idea they’re at the mercy of a double agent within their ranks who’s causing chaos.

As Charlotte’s search for answers continues, new suspicions are raised about the identity of the double agent, with unsettling clues pointing to her father.

This was another powerful and clever novel from Rimmer, who takes on another aspect of World War II and weaves together an outstanding story.  The focus on Allied female spies being dropped into occupied France is a well-established and highly utilised topic in historical fiction and historical dramas, and Rimmer manages to produce a very distinctive read in The Paris Agent that I found very hard to put down.

To tell her story, Rimmer utilises an excellent multi-perspective narrative, with some interesting time differences also added in for each of the timelines.  The first timeline, shown from the perspective of Charlotte, is set in 1970, and follows the protagonist’s attempts to find out more about her amnesic father’s activities during the war after she finds out he was a spy in France.  The other two storylines focus on the characters of Fleur and Chloe respectively.  Both characters were dropped into France at different points of the war to do their own specific missions, including committing sabotage and investigating reports that the local network had been compromised.  These two past storylines are set across a couple of years in the war, with the two protagonists interacting with each other, and Chloe’s father, Noah, at various points, and together the three storylines wrap together to provide a complex and powerful narrative of espionage, personal relationships, and betrayal, all set in front of the brutal Nazi occupation of France.

All three stories are brought together throughout the course of The Paris Agent, and I liked the complex and intriguing narrative threads that emerged.  The risks and sacrifices of the characters during the war are pretty intense, and the emotional connections that they make bring a compelling balance to the dark story elements of espionage and betrayal.  The third storyline that focuses on Charlotte and her father is also very good, both on its own and for how it supports and enhances the other two plot lines.  This more modern storyline gives some great hints at the tragedy to come in the other storylines, while also underlying further the cost that these intelligence agents had to make.  The intriguing hints that Noah might have been a traitor responsible for terrible events is very compelling, and it is fascinating to see the impact that the war was still having on survivors like him.

The two storylines in the past eventually come together in the last quarter of the novel, and some of the compelling twists that come from this are moving and dark.  The identity of the traitor, while not overly surprising, does have some major emotional heft to it, and you can’t help to despise the antagonist, especially as Charlotte’s storyline serves to underline all the terrible things they did.  Both the Fleur and Chloe storylines end on a very tragic, if inspiring, note, and readers will come away from that exceedingly saddened but impressed by how well written these storylines were.  I did think that the ending of the Charlotte storyline was a little weaker, mainly because it relied on a little too much on coincidence, and I think that the author left some intriguing story opportunities closed.  Still, I really appreciated how cleanly and powerfully these three separate storylines came together, and it resulted in an overall exceptional read.

Rimmer utilises some intriguing writing elements to ensure her story is extra impactful.  As I mentioned before, the use of multiple character perspectives and timelines was a major part of this book, and I was mostly happy with how that turned out.  I must admit that I am not the biggest fan of historical novels that features a storyline where someone in the present day attempts to uncover family secrets, as frankly it is bit of a cliché at this point.  However, I think that Rimmer did a good job here, as it was set far closer to the war, and the family secrets that the protagonist is trying to uncover are the result of amnesia, which is well balanced by the potential spy aspect.  The rest of the story flows through extremely well as a result, and I loved how cleverly the separate wartime storylines interacted and enhanced each other, especially when it came to Noah’s connected story and the examination of the potential treachery.

However, one of the best things about The Paris Agent for me was the outstanding and deep portrayals of the Nazi occupation of France and the espionage efforts the Allies utilised in response.  Rimmer always excels at diving into some of the darkest and most intriguing parts of World War II history, and The Paris Agent was another great example of this.  The author provides some intriguing examinations of how the Nazis controlled France during the war, and Rimmer tries to showcase the occupation from several different sets of eyes in various French settings.  However, the real focus of the book is on the intelligence networks that the Allies set up in France during the war and the missions they engaged in.  This compelling part of the war is always rich ground for historical fiction authors, and I think that Rimmer’s take on it was particularly noteworthy.  She really captures the intensity and dedication that these agents had, as well as the constant risk that they found themselves in.  The focus and portrayal of tradecraft, intelligence gathering, and communication was very realistic, and I cannot emphasise how well each of the major spy protagonists were developed and featured throughout the book.  Of course, as this is a Rimmer book, The Paris Agent does get very dark in places, mainly when it comes to the fate of captured spies and intelligence agents.  Rimmer pulls no punches when it comes to how badly these prisoners were treated, nor when it comes to the terrible fates they experienced.  The fact that many of the characters are based on real historical people makes parts of the book hit even harder, and you really won’t come away from The Paris Agent without a tear in your eye.

Kelly Rimmer continues to showcase why she is one of Australia’s best writers of intense and moving historical fiction.  The Paris Agent was an excellent piece of historical drama that features a powerful and compelling story about spies, tragedy and betrayal.  Cleverly written and guaranteed to stick with you long after you’ve finished reading it, The Paris Agent is an outstanding and highly recommend book that I am really glad I got to experience.

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Fearless by M. W. Craven

Fearless Cover

Publisher: Constable (Trade Paperback – 27 June 2023)

Series: Standalone/Book One

Length: 435 pages

My Rating: 4.5 out of 5 stars

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The talented M. W. Craven debuts an awesome thriller protagonist with his epic and intense new novel, Fearless.

Craven is an interesting thriller author who has been establishing himself over the last few years.  Craven already has a fantastic catalogue of novels behind him, including his Washington Poe and Avison Fluke series, although I had not previously had the pleasure of reading any of his books.  As such, I was intrigued when I received a copy of Fearless, which looks to be the first book in an awesome new series.  I really liked how cool Fearless sounded and I was glad I got the opportunity to check out another author who was new to me this year.

Ben Koenig is a man who knows how to disappear.  The former leader of the US Marshals’ elite Special Ops Group, Koenig was the man who brought the very worst fugitives to justice, and his relentless attitude and uncanny abilities made him feared throughout the criminal community.  But after an operation goes bad, Koenig goes into hiding, drifting from small town to small town.

After managing to stay off everyone’s radar for six years, Koenig suddenly finds his face plastered across every television screen in America.  His old boss at the US Marshalls desperately needs Koenig’s help for a personal mission, and he’ll do anything he can to get his attention.  Soon Koenig finds himself back on the job, but this time he has no limits, no backup, and no idea the amount of trouble he is about to find himself in.

His assignment will eventually lead him to the small town of Gauntlet in the middle of the Chihuahuan Desert.  Someone in Gauntlet has a dark secret that they will do anything to protect, and they have the entire town, and more, at their disposal.  However, they have never encountered anyone like Koenig and they soon begin to realise that Koenig has no fear, no mercy and no desire to stop.  But against the dangerous forces in front of him, as well as dangerous assassins from his past, can even the fearless Koenig stay alive and complete his mission?

Fearless was a very fun and over-the-top thriller from Craven, who crafts together a very intense and addictive narrative for this new book.  Starting off with a strong introduction to the character of Ben Koenig, the reader gets quickly swept up in both his unusual life and his new mission as he is drafted in to find a missing girl and revenge on the people that hurt her.  Fearless’ story has a lot of great elements to it, and Craven takes his protagonist on a wild and blood-soaked thrill ride through several great locales and impressive scenarios.  Most of the story takes place in the Texas town of Gauntlet, where Koenig investigates a mysterious solar energy company involved with his case.  Craven does a great job setting up the antagonists of this series, as well as a compelling underlying mystery about who they are and why they are there, and I loved the combination of suspense and intrigue that emerged, as well as the fear and brutality of the villains as they try to take Koenig down.  At the same time, Craven works in several compelling flashback chapters that give greater context to Koenig’s character and flesh out why he was on the run and the implications that has on his current situation.

Craven works a ton of brilliant and action-packed set pieces into the story as he goes, and the reader really sticks around to check out all the violence that emerges as a result.  The author goes pretty over the top multiple times throughout the book as he tries to make the scenarios, and his protagonist, as explosive and unpredictable as possible.  These memorable sequences mesh well with the investigative and character driven aspects of the story, and the reader really gets drawn into the entire compelling plot.  Everything leads up to the big finale, where the author unleashes several massive and exceptionally brutal fights, which really draw the reader in and ensure that they cannot stop turning the pages.  Everything ends on a very interesting note, although a couple of the final twists are clearly only there to set up the future books.  Still, this ended up being a very thrilling and enjoyable story, and I honestly managed to knock off this lengthy book in a couple of fun-filled days.

Craven utilises a pretty effective style for this book that is focused on making the novel as fast-paced and easy to read as possible.  Fearless is dominated by multiple short and impactful chapters which are very easy to power through and which encourage the reader to keep going, especially as you can get through the next exciting chapter with only a few page turns.  I honestly found myself just going and going as I was reading, as I really wanted to see what awesome event was going to pop up next in the story.  The author did a really good job of quickly and effectively setting up the protagonists, the story, and the general vibe of Fearless, and you quickly realise what sort of fun and compelling story the author has planned, which helps to keep you hooked.  The primary focus on protagonist Ben Koenig is nicely balanced with several chapters told from the perspective of the antagonists, and I loved seeing some of the different angles of the story, especially as the villains get more and more desperate, and ruthless, as the book continues.  This ended up being quite an attractive and highly accessible new series to test out, and Fearless will appeal to most thriller readers, especially those who are interested in something with a ton of action and a fun plot.  There are obviously some interesting parallels between Fearless and the Jack Reacher novels, which Craven does cleverly and humorously reference at the start.  I think this book will appeal to anyone who appreciates intense, fast, and unpredictable thrillers, and this really was a great treat.

One of the more interesting and distinctive elements of Fearless is the over-the-top protagonist, Ben Koenig.  Written as an elite former government agent on the run after upsetting the wrong crime family, Koenig is a very capable and effective killer who serves as the book’s main point-of-view character and narrator.  Koenig is a fun central figure for Fearless, and I loved his unique and entertaining viewpoint of the world, which translates through his chapters and gives the book more of a humorous edge.  Most of the novel is designed to introduce readers to the author’s new major protagonist up and I liked the intriguing background that Craven built around him in several fantastic flashback chapters.  There is a certain arrogance and cockiness to Koenig that some people might not like, but I though it fit his story arc well, and he does get called out on it a bit.  There is also a great ruthlessness to him at times, which does make you wonder if he is really a good guy.  These elements are cleverly tied into Koenig’s most defining character feature: due to a medical condition, he lacks the ability to feel any fear.  While this does seem like a bit of a weird character element, Craven does an excellent job working it into the story, and the entertaining interactions that emerge from Koenig failing to react with any fear make for some fantastic reading.  It was surprisingly fun to see Koenig blithely walk through a range of scenarios without any concern at all, such as when he’s digging his own grave, and the resulting reactions from his opponents are so much fun.  The character’s inability to feel fear does has some downsides, as Koenig’s risk assessment capability is shot, so he does end up making some mistakes from a lack of caution, which was a useful narrative handicap.  Still, the inventive ways that he gets out of several unfortunate scenarios makes for some compelling reading, and Craven really manages to stretch his imagination thanks to this protagonist.  I honestly enjoyed seeing the story from his perspective, and I look forward to reading a larger series featuring this character in the future.

Overall, I had an absolute blast reading Fearless by M. W. Craven, and it really was a particularly fun and exciting thriller.  While the story might get a bit to over-the-top crazy in places for some readers, I honestly enjoyed how silly and insane it got, as it made for some entertaining reading that I could quickly power through with a big smile on my face.  As such, I am giving Fearless a pretty good rating, and I would strongly recommend this novel to anyone who wants a huge dealing of action, funny characters, and wonderfully violent thriller storylines.

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Kill For Me Kill For You by Steve Cavanagh

Kill For Me Kill For You Cover

Publisher: Headline (Trade Paperback – 25 July 2023)

Series: Standalone

Length: 356 pages

My Rating: 4.5 out of 5 stars

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The always entertaining Steve Cavanagh returns with another outstanding thriller, this time with an awesome new take on an old classic with Kill For Me Kill For You.

Steve Cavanagh is an outstanding author who I have been having a wonderful time reading in recent years.  Cavanagh is best known for his awesome Eddie Flynn legal thriller series that follows a former conman turned defence attorney as he uses his unique insights and tricks to win impossible cases, even when everything is stacked against him.  I have had a ton of fun with the last few books in the series, The Devil’s Advocate and The Accomplice, and Cavanagh is firmly on my yearly must-read list now as a result.  I had been hoping for another Eddie Flynn novel this year, but I was happy to receive a copy of Cavanagh’s new standalone thriller, Kill For Me Kill For You, which throws a grieving mother into a terrible situation.

Amanda White is a woman who lost everything in life when her young daughter was kidnapped and murdered.  Left helpless as the prime suspect is found innocent while her own husband killed himself out of despair, all Amanda has left is a desire for revenge.  But with her target aware of her hatred, and the police certain to arrest her if she tries anything, Amanda can only sit back and do nothing.

Required by the court to attend a trauma support group, Amanda has a chance encounter with another member, Wendy, who has her own desire for revenge.  Like Amanda, Wendy wants to kill the man responsible for her own child’s death but is determined to avoid police retaliation.  Together, the two women plot on how to take out the men that they hate, and soon draw inspiration from a classic Hitchcock film in which two strangers kill the other’s target.

However, when Wendy suddenly kills Amanda’s obsession, she is forced to act quickly and commit her murder for Wendy before the police come for her.  But nothing is as it seems, and Amanda soon finds herself trapped in a deadly situation with the police hot on her trail.  To survive, Amanda will need to dive into the past to discover a legacy of hatred, death and manipulation that will drive her to the brink of sanity and despair.

This was an excellent new thriller from Cavanagh that I managed to power through in no time at all thanks to its exciting and fast-paced plot.  Told from several different perspectives, Kill For Me Kill For You tells a clever and multi-layered narrative that proves very hard to put down, especially as Cavanagh loads it with his usual fun collection of twists, betrayals and compelling reveals.

Kill For Me Kill For You has a great character-driven narrative that follow several very damaged protagonists in a series of compelling situations.  The main storyline follows the character of Amanda White, whose desire for revenge against her daughter’s killer sees her form a friendship with Wendy, when they try to enact their Strangers on a Train inspired double murder.  At the same time, a good chunk of the plot revolves around the character of Ruth Gelman, who survives a brutal attack by a serial killer and is forced to deal with the traumatic consequences.  These two storylines are linked by a third major point-of-view character, Detective Farrow, who investigates both the assault on Ruth and the murder of Amanda’s daughter and finds himself getting drawn into both of their lives.

Both major storylines continue at a fast and compelling pace throughout the book, with Amanda’s storyline focusing on the clever intrigue, while Ruth’s storyline has a more emotional edge to it as she and her husband Scott are forced to deal with her injuries and ongoing fear of the killer’s return.  There are some fantastic developments in both, especially for Amanda when the Strangers on a Train plan goes out the window as expected.  I really loved the fantastic twists that surround Amanda at the middle of the book which completely change the trajectory of her entire plot as a result.  Both stories continue mostly unrelated for the rest of the book, and I think both develop in a great way independent of the other.  They do eventually come together towards the end of the book, and for me that was where Kill For Me Kill For You fell apart a little.  The joining twist of these two independent storylines is very predictable, even though Cavanagh did try to cover it up in a few clever ways.  Certain elements of this twist also stretch the feasibility of the plot to a degree, and while possible, it was a very unlikely.  Still, this only ruins the flow of the book a little and readers will still be hooked on the plot.  I loved the final few twists that Cavanagh loaded towards the end of the book, and the overlying emotional story writing and character moments that are utilised throughout the entire plot ensure that this is a very powerful read.  Readers will come away from this book very satisfied, and I honestly could not put Kill For Me Kill For You down the entire way through.

With the exception of the that problematic twist I discussed above, I mostly enjoyed how Cavanagh wrote Kill For Me Kill For You.  The excellent use of multiple character perspectives which shift from chapter to chapter works well to tell an expansive story with a lot more facets than I thought it would.  The different story focuses is very interesting and I liked the unique stories that both of the major characters (Amanda and Ruth) told throughout the book.  While I did find the chapters focusing on Amanda and her crisscross a lot more interesting, the Ruth storylines are more psychologically powerful and have some compelling edges to them.

I have to say that I was also very impressed with how Cavanagh made excellent use of the Strangers on a Train inspired murder plot throughout Kill For Me Kill For You.  Cavanagh makes some clever references to the classic film (and the book it is based on) throughout the novel, and I loved how he put his own spin on this classic tale.  I was worried in advance that it would be too much like other crime fiction homages to Strangers on a Train that I have seen before, but Cavanagh really made this plot element his own in Kill For Me Kill For You, working the film into his story in an excellent and memorable way.  The resulting compelling storyline was so much fun, and I cannot emphasise how brilliant and captivating this part of the book was.

In addition to the fun story elements, I also deeply appreciated the powerful character focus that Cavanagh featured throughout Kill For Me Kill For You.  There are four major point-of-view characters in Kill For Me Kill For You, and Cavanagh ensures that they have some complex and emotionally charged moments throughout the course of the plot.  All four of these characters are damaged by trauma or loss in their own unique way, including Amanda’s deep obsessive need for revenge, Ruth’s intense fear after surviving her traumatic attack, Scott’s guilt for not being there for his wife which leads to anger and despair and Farrow’s detrimental connection to his cases and the people impacted by them.  The author does an amazing job of diving into each of these character aspects throughout the course of Kill For Me Kill For You and you really grow to understand their individual traumas, obsessions and motivations throughout the course of the book.  Each character reacts to their damage and obsessions in different ways, and watching them overcome them, or succumb to them, are a key part of the plot.  This was probably the most emotionally charged and character focused book of Cavanagh’s that I have read so far, and I really appreciated how he dove into his complex protagonist’s psyches and attempted to highlight just how damaging death, violence and trauma can be on a person.

Kill For Me Kill For You was an outstanding read from Steve Cavanagh and one that I would very strongly recommend.  Featuring a unique and highly entertaining thriller narrative that cleverly balances intensity, twists, a wonderful homage to a classic piece of crime fiction, and powerful character moments, this is an excellent read that I really got attached to.  While I did have issue with a certain key point in the book, Kill For Me Kill For You was an overall strong and compelling novel that really showcases Cavanagh’s rising talents as an awesome thriller writer.

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Quick Review – Fatal Legacy by Lindsey Davis

Fatal Legacy Cover

Publisher: Hodder & Stoughton (Trade Paperback – 11 April 2023)

Series: Flavia Albia – Book 11

Length: 397 pages

My Rating: 4.5 out of 5 stars

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Return to one of my favourite historical fiction series with another clever crime fiction read set in ancient Rome with Fatal Legacy by Lindsey Davis.

While I have had the pleasure of reading many great historical fiction series and books over the years, few have been as enjoyable to me as the Flavia Albia books by legendary author Lindsey Davis.  The follow-up to her iconic and long-running Falco novels, the series follow the titular Flavia Albia, a private investigator in Rome who finds herself involved with a series of unusual or gruesome crimes, often resulting in a series of over-the-top events.  I have had a great deal of fun with the Flavia Albia books over the years, including The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020), A Comedy of Terrors and Desperate Undertakings (one of my favourite books of 2022), and I am always excited to check out the latest novel in the series, especially when it has an intriguing plot behind it.

Plot Synopsis:

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest.

The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil – and might there be another one?

But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina’s grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.

Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.


Fatal Legacy
was another compelling and fun entry in the series which once again brings together Davis’ fantastic take on Roman historical fiction with a unique mystery and several entertaining characters.  Fatal Legacy was the 11th book in the Flavia Albia series, and it proved to be quite an exciting and addictive read.

I had a lot of fun with Fatal Legacy’s great story, especially as it requires the protagonist to dive into an elaborate family feud.  Starting off by chance as Flavia attempts to appease one of her many eccentric relatives by investigating an unpaid bar bill, Flavia soon finds a family even more disastrous than her own when she encounters an infamous Roman clan embroiled in a variety of issues, including a feud with another family over a profitable orchard, as well as various internal conflicts and problems.  Hired to find proof that one member of the family was legally freed by their previous master, Flavia is forced to examine the labyrinthine relationships, family history and feuds that define this conflict, all while trying to deal with her own personal concerns.  This swiftly descends into a complex mess of many, many secrets, and readers will be left completely enthralled by how the story unfolds.

This was one of the more unique mysteries that Davis has come up with in her series, which really helped to set this book apart.  I personally enjoyed how Davis changed the focus of the book onto a family’s internal and external history and drama rather than the typical murder investigation, especially as it made for quite entertaining reading.  There are layers upon layers of secrets, betrayals, and hidden family connections that the reader needs to travel through to get to the truth, and you really get caught up in the new characters as a result.  The slow trawl through this history results in several great twists and turns, and it was fun watching the protagonist slowly unwind the many threads of the case, while also trying to avoid as much as their bitter conflict as possible.  I appreciated have Davis tried to break up this family focused investigation in places by adding in a few entertaining scenes, such as a farcical brawl at the protagonist’s house, as well as several over-the-top encounters amongst the family that Flavia is trying to investigate/help.  Despite that, the story does get rather dry and slow in places, especially towards the centre of the book as the reader gets a bit weary of finding out even more layers to the slow-paced mystery that emerges.  It also doesn’t help that this case has low stakes, especially compared to some of Davis’s other books that feature murder and serial killers, and this occasionally dulls the reader’s excitement.  Despite that, Davis manages to bring together quite an excellent read, and I loved the elaborate and fun reveal sequence at the end, which in some ways acts as a parody to classic whodunnits.

In addition to the clever and elaborate mystery, Fatal Legacy also features a great combination of entertaining characters and the typical fun ancient Rome setting.  I always love Davis’ vision of ancient Rome that are featured in the Flavia Albia books, especially as she tries to bring together classic Roman elements with characters and attitudes that are more recognisable in a modern setting.  Having the ancient characters speak with modern dialogue and act in ways we would associate more with contemporary people rather than figures in classic times gives the story a relatable and humorous edge at times, and it is always fun to see this version of ancient Rome.  This combines well with the cast of Fatal Legacy, especially as Davis introduces an eclectic group of new characters whose complex personal problems result in the book’s intriguing mystery.  The fun interactions between Flavia and these figures are very entertaining, and you have to love the protagonist’s cynical and sarcastic observations about the people she is forced to deal with.  The chaotic family she is forced to investigate contrasts comedically with Flavia’s own dysfunctional household, which got a good amount of focus in Fatal Legacy.  I think that Davis featured Flavia’s own family just the right amount in this latest book (sometimes they can be a bit overwhelming and distracting), and it was fun to see them interact, and at one point get into a massive punch up, with some of the case-specific character of the main plot.  All this helps to turn Fatal Legacy into a great read with an excellent blend of mystery, comedy and big personalities.

Overall, I felt that Fatal Legacy was a pretty awesome entry in one of my favourite historical fiction series.  Lindsey Davis wrote an outstanding and distinctive story for Fatal Legacy, and readers will enjoy the complex and character-focussed mystery that emerges as a result.  While aspects of Fatal Legacy’s narrative might not be as sharp as some of the other books in the Flavia Albia series, this was still an excellent read and one that fans of Davis will have a great time reading.

Fatal Legacy Cover 2

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Quick Review – Fairy Tale by Stephen King

Fairy Tale Cover

Publisher: Hodder & Stoughton (Trade  Paperback – 6 September 2022)

Series: Standalone

Length: 579 pages

My Rating: 4.25 out of 5 stars

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The master of horror and thriller fiction, Stephen King, dives into the world of fantasy in a big way with his compelling 2022 novel, Fairy Tale.

I have finally started to get into some of the more recent books of legendary author Stephen King, which has usually worked out pretty well for me.  His two 2021 novels, Later and Billy Summers were both excellent reads, with the later proving to be one of my favourite novels of 2021.  We also have another new Stephen King novel, Holly, coming in a couple of months, but before we get to that I thought I would quickly review King’s 2022 release, Fairy Tale, which I read last year.  While I had fun with Fairy Tale, I failed to write a review for it, which is something I am hoping to rectify now, especially after all the recent interest people have shown in his next book.  Fairy Tale was a great dark fantasy read from King that took his typical teenager protagonist on a harrowing and compelling journey into a unique and hidden realm.

Plot Synopsis:

Legendary storyteller Stephen King goes deep into the well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for their world or ours.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was ten, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. Then, when Charlie is seventeen, he meets Howard Bowditch, a recluse with a big dog in a big house at the top of a big hill. In the backyard is a locked shed from which strange sounds emerge, as if some creature is trying to escape. When Mr. Bowditch dies, he leaves Charlie the house, a massive amount of gold, a cassette tape telling a story that is impossible to believe, and a responsibility far too massive for a boy to shoulder.

Because within the shed is a portal to another world—one whose denizens are in peril and whose monstrous leaders may destroy their own world, and ours. In this parallel universe, where two moons race across the sky, and the grand towers of a sprawling palace pierce the clouds, there are exiled princesses and princes who suffer horrific punishments; there are dungeons; there are games in which men and women must fight each other to the death for the amusement of the “Fair One.” And there is a magic sundial that can turn back time.

A story as old as myth, and as startling and iconic as the rest of King’s work, Fairy Tale is about an ordinary guy forced into the hero’s role by circumstance, and it is both spectacularly suspenseful and satisfying.


Fairy Tale
was a pretty awesome book, although I have to admit that it wasn’t my absolute favourite Stephen King novel so far.  While it was a great story loaded with King’s usual coming-of-age themes and great characters, it did have a few issues regarding pacing and a somewhat disconnected story.

The main issue that I had with the book was that Fairy Tale honestly felt like it was two separate novels combined into one massive read.  The first half of Fairy Tale is probably my favourite, mainly because it contains the classic King coming-of-age story as the author introduces the reader to the protagonist of Charlie Reade and his complicated life.  King really hits the reader strong from the beginning, describing the tragic events of Charlie’s young life, including the death of his mother, the alcoholic crumbling of his father, and the eventual resumption of a normal life once his father recovers from grief and drink.  These events are covered perfectly, and they form a great basis for Charlie’s story, especially as they drive him to be a better person, which leads him to try and help his elderly neighbour, Howard Bowditch.

Mr Bowditch is a fantastic character, mainly because King gets his cranky persona and loner attitude down perfectly.  The growing friendship between Charlie and Mr Bowditch, as well as Charlie’s bonding with Mr Bowditch’s old dog, Radar, forms a solid emotional centre for Fairy Tale’s narrative, which really hangs around to the end.  I had a great time with the part of the book that followed Charlie helping Mr Bowditch and Radar, and I honestly think King could have written a great story purely around that.  The combination of brilliant character work, a fun generational divide, true friendship, and even some mystery elements, really produced an excellent first part to the story.  Even the hints of the fantasy elements to come are very well done, and King did a good job of only featuring a few subtle moments meant to tease the imagination.  However, this doesn’t last nearly as long as I would have liked, as you are soon drawn into the next part of the story once Mr Bowditch dies.  This sad but expected death serves as the catalyst for the second half the story, and the reader gets a full story about the hidden realm which can be accessed via a portal in the toolshed.

Now, I was initially very onboard for this second part of the book, especially as the protagonist’s main reason to visit the fantasy realm was to find a way to save Radar.  Frankly anyone who has ever owned a dog should be pretty drawn into this part of the story, and the sheer desperation that the protagonist experiences as he journeys towards the potential restorative device made this story very relatable to me.  This desperate quest with a tangible and heartbreaking time constraint melded well with the unique new land that the protagonist found himself in, and I loved seeing King’s imagination as he crafted a dying world of mysterious and damaged figures.  The story at this point had an intriguing old-school quest vibe to it, very much like a classic fable, and I was so damn invested in seeing what happened to Radar.  However, once that part of the story was resolved, there was so much left of the book left to go, and that’s where I had a little less fun with Fairy Tale.

Don’t get me wrong, King still brought together a lot of great elements that cleverly carried on from the front of the book.  The dark fantasy realm had some great fairy tale inspirations which made for an excellent background, and the deranged figures who ruled over it were excellent villains.  King also works in a very dark storyline where Charlie experiences some major adversity that he must literally battle to overcome, all while meeting a cohort of desperate new supporting characters.  However, this part of the book just didn’t grab me as much as the first half, and there is somewhat of a disconnect between this story and the earlier awesome chapters of the book.  Still, it was pretty fun to continue, and the story morphed into a classic hero narrative, with Charlie leading a mystical revolution.  I ended up quickly getting through this chunky novel, and it was great to see Charlie grow into Mr Bowditch’s shadow as he encounters some of the events that made him.  King ends everything a pretty happy and final note, and the reader comes away from Fairly Tale fairly satisfied with how everything turned out.  I felt that the second half, while not as enticing as the first, combined well with the rest of the story and together you have a great, character-driven story, that you can really sink your teeth into.

Overall, I rather enjoyed Fairy Tale, even though it took me a little while to review it.  Stephen King showed off his unsurpassed ability to create compelling stories focused on intriguing protagonists, and I love his amazing imagination and awesome ability to make me care about these fiction figures.  While I did have some issues with the second half of Fairy Tale, this was still and excellent novel, and it is really worth checking out, especially if you are an established fan of King and his complex stories.

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Her Sweet Revenge by Sarah Bonner

Her Sweet Revenge Cover

Publisher: Hodder & Stoughton (Trade Paperback – 6 April 2023)

Series: Standalone

Length: 408 pages

My Rating: 4.75 out of 5 stars

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Last year I was lucky enough to receive a copy of the fun and twisty thriller novel, Her Perfect Twin by Sarah Bonner, an outstanding read that got a full five-star rating from me and which ended up being one my top debuts of 2022.  I have a lot of love for Her Perfect Twin thanks to its murderous plot and brilliant surprises, and I have been eager to see how Bonner was going to follow up her first book.  As such, I was pretty excited to see that she had a second cool thriller, Her Sweet Revenge, coming out this year, and I just finished it off.  Her Sweet Revenge was another outstanding read that blends complex characters with a fantastic and complex revenge plot to create an outstanding story.

Helena is a successful fashion blogger living in Exeter and married to a seemingly perfect man.  While her controlling in-laws seem to be her biggest problem, Helena is hiding a dark secret, one that could twist her entire life around and turn everyone against her.  When a series of notes begin to arrive, threatening to expose her, Helena desperately tries to keep her secrets hidden from her husband and evil mother-in-law.  But her attempts to stop the truth leaking out have lethal consequences.

Several years later, Thea is still mourning the loss of her best friend, Helena, and is convinced that her death was no accident.  Digging into the mysterious circumstances surrounding Helena’s demise, Thea is contacted by someone who claims to have known Helena and is also convinced that her death was deliberate.  Determined to get revenge for her friend’s murder, Thea dives even further down the rabbit hole and soon begins to create a lethal plot against those she thinks is responsible.  But not everything is as it seems, and the secrets surrounding Helena’s death are far more complex and dark than anyone realises.  As she gets closer to her target, Thea will need to determine just how far she is willing to go for revenge, and who truly deserves her wrath.

This was another exceptional novel from Bonner, who really looks set to make a name for herself in the thriller genre.  Her Sweet Revenge was another brilliant standalone novel which takes the reader on a wild and dark journey through death, bad relationships and revenge, and which proves near impossible to put down.

Bonner came up with quite the intricate and complex narrative for Her Sweet Revenge, and it really worked to tell a unique and powerful story.  Told in a similar style to her first book, Her Sweet Revenge is broken up into several parts and employs a series of time jumps and different character perspectives to tell a particularly intense story.  The first part of the book, which is one of the more substantial sections of Her Sweet Revenge, is told from the point of view of Helena in 2018 and Thea in 2022, with the story jumping between them chapter to chapter.  Both character-focused storylines set the scene extremely well, with the Helena chapters showing her turbulent life and the events that led up to her death, with the Thea chapters show the characters initial investigations into her friend’s death.

These two disparate timelines complement each other extremely well, and the reader is soon drawn into each character’s distinctive emotionally charged narratives.  Both storylines are pretty powerful in different ways, with Helena’s story focusing on her abuse by her in-laws and the trauma of being blackmailed for her secrets.  Watching Helena’s slow dive into instability is both shocking and moving, and you can’t help but feel for the injustices that the character is experiencing.  These feelings are further expanded on in the Thea chapters, as you feel the pain the character is experiencing at the loss of her friend, as well as the guilt that drives her to investigate Helena’s death and find the truth.  Bonner makes great use of this first part of the book to primarily set the scene for the rest of the plot, as well as introduce the key characters to the reader, and as such there are limited big reveals or twists at this point in the plot.  However, Bonner does do a good job of whetting the reader’s anticipation for what is to come by leaving several plot points unfinished and really showcasing just how bad all the people involved are.  The jump between 2018 and 2022 works really well, and it was interesting to see events from Helena’s chapters play into Thea’s storyline, especially when you know that there are still secrets being kept from both characters.

The second act of Her Sweet Revenge is where the plot really starts to fire up.  This section of the book is primarily focused on revenge, as Thea finds out some truths about Helena’s death and starts to plot about how to get her justice.  This section is solely shown from Thea’s perspective, and Bonner uses this to full effect to really dive down into the character and show how she got so vengeful and clever.  There are a lot of great moments here, especially when it comes to the plotting for revenge, and I loved the great character focuses that emerged.  There still aren’t a lot of twists at this part of the book, as Bonner is mostly building on what was revealed in the first half of the novel, but the author does do some good set-up here that works perfectly for the rest of the story.

The final third of the book is broken up into several separate parts, each of which is told from a different perspective character.  I won’t go into too much detail, but it works really well in the context of the story, and it is very interesting to see who gets focused on and why.  Bonner really starts to layer in her trademark twists and turns here, as everything you thought you knew about several characters turns out to be false, as motivations change, people are revealed to be something completely different, and the author includes some great dives into the past to show what really happened to Helena.  All the accompanying revelations have been masterfully set up in the earlier chapters, and I loved how the twists and turns seemed to build on top of one and other, with one betrayal or lie for a character followed by a bigger lie from another.  You honestly don’t know where the story is going at times, and I was extremely hooked for the last 150 pages as I waited to see who was going to come out on top and just who was getting revenge on whom.  While there are a lot of twists and reveals, Bonner keeps the story pretty tidy, and at no point did things get too convoluted or unbelievable.  I loved fully untangling the clever web that Bonner came up with, and the final result is pretty amazing and highly satisfying, especially as the very last reveals are some of the best, with everyone who should be punished getting what they deserve.  This was such a well-written and impressively crafted thriller narrative, and I guarantee that you won’t be able to stop yourself from reading more and more, just to see how everything ends.

In addition to the meticulously crafted narrative, I really need to highlight the outstanding characters featured throughout Her Sweet Revenge, each of whom is driven to edge in various different ways.  Bonner does an excellent job of introducing and building up several great characters throughout the course of her plot, and each of them was distinctive in their own way.  A good chunk of the plot’s focus is on the initial point-of-view characters, Helena and Thea, old friends who go through quite a lot during the novel.  Bonner introduces some excellent development to both in different ways, with Helena given a crash course in personal destruction, while Thea is slowly built up as a caring friend with a scary vengeful streak.  You get very invested in both of their respective storylines, one because of how sudden and emotionally crushing it is, and the other because of the reader’s natural sense of justice and loyalty, and I felt they were great focuses for so much of the book.  The rest of the cast is interesting and distinctive as well, mainly because so many of them are just naturally bad or dislikeable characters, with Helena’s mother-in-law, Geraldine, being an extremely good example.  Everything about Geraldine is designed to aggravate the reader and make them feel extreme sympathy for Helena, and Bonner made excellent use of her throughout the plot as a compelling side character.  These complex figures and more added a ton to the impact of the narrative, and I deeply appreciated Bonner’s ability to create intriguing characters with such fantastic nasty streaks behind.

Her Sweet Revenge was another outstanding thriller from Sarah Bonner, who produces a brilliant and captivating narrative, loaded with fantastic twists and surprising turns.  The revenge focused story is deeply addictive, and you find yourself quickly getting dragged into the intense and clever book.  I had a wonderful time reading Her Sweet Revenge, and it comes very highly recommended to anyone who wants a slick and memorable thriller read.

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Dead of Night by Simon Scarrow

Dead of Night Cover

Publisher: Headline (Trade Paperback – 14 February 2023)

Series: Berlin Wartime Thriller – Book Two

Length: 422 pages

My Rating: 4.75 out of 5 stars

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One of my favourite historical fiction authors, the always impressive Simon Scarrow, dives back into turbulent World War II Germany with his latest compelling read, Dead of Night, an excellent and intense historical thriller with a dark twist to it.

Readers of this blog will know that I have long been a fan of Simon Scarrow ever since I read his first exceptional novel many years ago.  I particularly enjoy his long-running Eagles of the Empire series, an outstanding adventure series that follows two Roman officers as they travel throughout the empire.  The Eagles of the Empire books are some of the best historical fiction I have ever read, and I have had the pleasure of reviewing several of them, including The Blood of Rome, Traitors of Rome, The Emperor’s Exile, The Honour of Rome and Death to the Emperor.  Aside from his Roman novels, Scarrow has also written several other series and standalone books set in various periods of history.  This includes his 2021 release, Blackout, a gritty and complex murder mystery set in Nazi-controlled Berlin.  Blackout was an awesome book, and I was very happy to hear that Scarrow was producing a sequel, Dead of Night, which turned out to be another outstanding read.

Berlin, January 1940.  As Germany’s invasion of Poland rolls along, the Nazis continue to take complete control of their own country.  While the people of Berlin wait to see how the Allies will retaliate, a mysterious death is about to occur with massive ramifications.  A prominent SS doctor and his wife return home, having had a seemingly normal night attending a concert with the Nazi elite of the city.  However, by the morning, the doctor will be dead in his study, the result of an apparent suicide.

After his last near-fatal brush with the Nazi state, Criminal Inspector Horst Schenke of the Berlin Kripo is determined to simply do his job and stay off the party’s radar.  However, when Ruth Frankel, the Jewish woman whose life he saved during his previous investigation, reappears, Horst is once again dragged into unwanted trouble.  The dead SS doctor is an old friend of Ruth’s family, and Ruth has promised his widow that she would help find out the truth behind his death, and Horst is her tool to do so.

Reluctantly agreeing to help, Horst looks into the case and quickly realises that the doctor’s death was no suicide.  However, his superiors soon pull him off the investigation and forbid him from digging any further.  But with his curiosity peaked, Horst cannot turn away, especially when he manages to connect the victim to the mysterious deaths of several children throughout Germany.  Determined to find the truth no matter what, Horst soon discovers a terrible secret that places him in the firing line of the entire Nazi party and other volatile factions in the city.  Can Horst survive this new case, or will the regime he despises finally take him off the board?

This was an excellent read from Scarrow, who has been on a real roll lately with his awesome books.  Dead of Night not only served as an incredible sequel to Blackout, but it also features an intense and historically powerful narrative that had me hooked from the very beginning.

Dead of Night follows several of the same characters from the first book, primarily Criminal Inspector Horst Schenke, who serves as the main protagonist and point of view character, in another intriguing and complex case.  Schenke must again work with Ruth Frankel to investigate the apparent suicide of a prominent SS doctor, which produces an intriguing and compelling early investigation storyline that I really enjoyed.  However, Schenke soon runs into political problems, as well as threats of violence, which force him to conduct a subtle investigation.  At the same time, Schenke’s socially crusading love interest, Karin, requests that he look into the mysterious deaths of several children at a remote medical institute.  This second investigation takes up a good chunk of the novel and the protagonists dive into really starts to enhance the intensity of the plot.  This is because Scarrow starts to utilise particularly sinister elements of Nazi history in the plot, which ensures that the novel gets fairly dark in tone and content.  Scarrow is very subtle in how he brings these elements to the character’s attention, and there is a lot of emotion and disgust that emerges in the story as the protagonists realise what is going on.

From there the two divergent investigations start to come together as subtle clues that the author introduced in the first half of the book are brought to light again.  The revelation of how the two cases are connected is pretty captivating, especially as it gives the ‘antagonists’ of the novel a very compelling and relatable motivation.  The protagonist is forced to make some hard decisions as they come to terms with just what is going on and this leads to some great scenes about the differences between duty and what is right.  Everything leads up to an emotionally charged confrontation which cleverly brings the entire story together and wraps up all the remaining mysteries and character arcs.  This final major sequence is pretty damn awesome and it results in some of the most dramatic and powerful moments in the entire novel.  I really liked how the entire novel came together at the end, especially as the protagonist is left in several unenviable positions while he watches his country descend further into darkness.  I felt that the entire novel was very well paced out, and it doesn’t take long for the readers to get hooked on the story, especially with the two quality mysteries that Scarrow came up with.  The blend of mystery, dark historical moments, and intriguing character interactions is pretty perfect, and it works to create a memorable and haunting tale.  Combined with some of the great twists, many of which are based around evil parts of real-life history, and I felt that Dead of Night surpassed is predecessor in some very awesome ways

For me, the best thing about Dead of Night was the fantastic and distinctive wartime setting that surrounded the plot.  Stories set in Nazi controlled Germany are always intense and dark for obvious reasons, but I felt that Scarrow did a particularly outstanding job of capturing it, especially as he pairs the dark mood with a gritty winter backdrop.  Just like with Blackout, there is a focus on the evils of the Nazi regime in Dead of Night, and quite a lot of the plot is devoted to seeing how normal citizens, including non-political police officers, view what their city and country has turned into.  There is a good focus on the fear and control that the Nazis blanket the city with, and the investigation angles of the narrative become even more complex and compelling due to the protagonist being constantly blocked by his Nazi and SS superiors.  However, the best, or worst, historical elements of the book revolve around one of the cases that Inspector Schenke is dragged into, specifically around the death of several children.  This case thrusts the protagonist right into the heart of some of the darkest things the Nazis ever did to their own people, which really gives this entire book a powerfully tragic edge.  Scarrow uses this historical inclusion to his full advantage, as not only does it provide an excellent motivation for some of the crimes being committed, but it also increases the emotional conflict of the protagonist.  Scarrow really does not hold back when it comes to showcasing these historical horrors and the readers get a full idea of what is going on and the sort of people behind it.  This dark historical inclusion really helped to turn Dead of Night’s narrative into something particularly distinctive and captivating, and I felt that Scarrow did a fantastic job of drawing the reader in by giving them knowledge of this terrible moment from history.

I also need to highlight some of the excellent characters featured within Dead of Night, several of whom carry on from the previous novel in the series.  Most of the focus is around Inspector Horst Schenke, one of the few senior police officers left in Berlin without a connection to the Nazi Party.  Dedicated to the law, Schenke, a man already traumatised by his past, keeps finding it harder and harder to do his job in the new regime.  Despite his best efforts, Schenke keeps getting dragged into the middle of the several Nazi plots and hidden schemes, which constantly place him in political danger.  I loved the deep conflict that this builds within him as he is forced to choose between ignoring what he discovers, or trying to get justice and doing something.  Further complicating matters are his relationships with the two women in his life, his girlfriend, Karin, and the Jewish women he previously saved, Ruth Frankel.  Both keep pushing him to do more to oppose the Nazis or get to the truth of crimes they are covering up, and he is forced to balance his desires to help them with his sense of pragmatism while trying to protect them from the Nazis.

Other great characters in this book include Schenke’s police backup, Sergeant Hauser and former Gestapo agent Liebwitz.  These two are great supporting characters and they provide interesting counterviews to German life, with Hauser being a more everyman figure, while Liebwitz is bound up by his Gestapo training.  Despite the apparent differences between Hauser and Liebwitz, the two work together well and serve as good support to Schenke, and I liked the fun odd-couple team that they formed.  They also have some intriguing moments throughout the book, especially when they encounter some of the horrors of the Nazi regime.  While Hauser has some great emotional reactions, especially when it comes to the death of children, Liebwitz has the more intriguing responses, as he balances his loyalty to the state with his own past experiences and conscious.  Watching him come to terms with some of the evils he witnesses makes for some powerful reading and I am glad that Scarrow added in these intriguing alternate characters.  I also really enjoyed the complex main antagonists of the story, as they had quite a powerful motivation for some of the crimes committed in the book.  While they are not as noble as they believe, the antagonist’s goal still serves to trouble the protagonist’s sense of justice, and interesting compromises have to be made as a result.  I deeply appreciated some of the deep characters that Scarrow featured in this novel and I look forward to seeing how they are utilised in any future books in the series.

Simon Scarrow continues to impress me as one of the best historical fiction authors out there with this incredible new read.  Dead of Night has a brilliant and powerful story behind it that takes full advantage of its bleak and historically rich setting.  Featuring an outstanding investigation narrative and some dark insights into the horrors of the Nazi regime, Dead of Night will easily grab your attention and ensure you will not forget it anytime soon.  A highly recommended novel from one of my favourite authors.

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The Malevolent Seven by Sebastien de Castell

The Malevolent Seven Cover

Publisher: Jo Fletcher Books (Trade Paperback – 9 May 2023)

Series: Standalone/Book One

Length: 373 pages

My Rating: 4.5 out of 5 stars

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Rising fantasy star Sebastien de Castell returns with a bold and highly entertaining new fantasy novel, The Malevolent Seven, that takes several dangerous and dastardly characters on a magical journey of death, deceit and despair which is so much fun to behold.

Magic is power and only the strong can hope to wield it, especially if they can make a profit out of it.  Cade Ombra is a powerful wonderist, a magic user who makes his living as a war mage, selling his services to highest bidder to fight in their wars and kill their enemies, even if his employers are monsters.  Cade has long struggled with the ethics of his job, and when his latest employment ends badly, with Cade framed for murder resulting in a relentless band of holy enforcers hunting him, he knows he needs to find a way out.

Luckily, a lucrative new job is looking for wonderists, and the payment is something he’s always desired, an artefact capable of changing everything about his life.  However, to get paid he needs to do one last very bad thing: kill seven heroic mages attempting to take down a corrupt noble and survive everything that wants to kill him along the way.  Determined to win no matter the cost, Cade and his violent colleague Corrigan set off to claim the reward before any of their rivals can.  But to succeed, they’ll need to recruit five more mages capable of taking down their powerful enemies and who have no moral qualms about killing heroes for money.

So begins a deadly recruitment mission as Cade and Corrigan seek out five mages just as crazy as they are.  But even with a mentally unstable blood mage, a fallen angel, a moral demon knight, a charismatic rat mage and a mysterious jackal, can even this mismatched bad of rogues hope to survive against the seven most deadly magic users on this plane of existence?  However, nothing about this job is as it seems, and Cade and the Malevolent Seven find themselves caught up in a deadly game between gods, demons and monsters, with the fate of the world lying in the balance.

Wow, now this was a very, very fun and addictive novel.  Sebastien de Castell wasn’t an author I was too familiar with before this point, although I had heard good things about The Greatcoats series.  However, I am now going to have to go out of my way to read more of his stuff, especially after reading the epic and entertaining The Malevolent Seven.

The Malevolent Seven was such a great read as de Castell pulls together a dark fantasy reimagining of heroic stories like Seven Samurai and The Magnificent Seven.  The book starts of strong with a great introduction to the main character, Cade Ombra, the rules of magic in this realm, and the author’s very entertaining and outrageous sense of humour.  Expertly and hilariously told from the first-person perspective of Cade, whose observations about the insane events going on around him adds so much value to the story, you soon get a great sense of what to expect from this book and de Castell does not disappoint.  The story initially focuses on Cade and his friend Corrigan’s efforts in a brutal war for a mad ruler, but things go south when their employer is killed, Cade is betrayed by his fellow wonderists, and a band of ruthless religious warriors, the Glorian Justiciars, arrive determined to hunt down Cade for his use of demonic magic.  Forced to take a new job with Corrigan to save his skin and quickly get out of dodge, the two take up the mysterious contract to kill seven heroic mages in exchange for a powerful artefact, and begin a recruitment drive for five additional mages.

I love a good recruitment montage in heist or action fiction, and this one is pretty damn fun as de Castell writes in a particularly eclectic and insane group of mages for the protagonists to recruit.  Naturally nothing goes as plan, as the two are forced to take along a half-insane junior blood mage who Cade feels responsible for.  Their subsequent recruitment attempts land them in all manner of trouble as they rescue a highly chivalrous rat mage, save a mysterious fallen angel from a pleasure ship, journey to hell to recruit a demon knight, and end up in the middle of a wasteland, chased by everyone.  This recruitment period took up more of the plot than I thought it would, but it works really well to tell a great overall narrative.  Each scene introduces the reader to more of the world and it allows a compelling dynamic to grow between the various protagonists, especially as they grow to understand each other crazy tendencies.  De Castell also builds up several intriguing long-running storylines of manipulation and betrayal as it becomes clear that someone is influencing their mission and has set gods and demons against them.  This middle section of the book is a lot of fun, and I loved how de Castell keeps up the same blend of humour, intriguing character development, and insane over-the-top moments, that really draws you in at the start of the novel.

Everything perfectly leads up to the final third of the book, when the protagonists arrive at their destination.  Of course, as can be expected by the theme of this story so far, nothing is what they thought it would be, and instead they find themselves facing off against a mysterious foe with very different motivations to what they expected.  I loved how de Castell turned the plot a little on its head at this point, as the characters find themselves in the unexpected position of being the good guys.  This leads to some amazing scenes in the final third, loaded with magic, chaotic confrontations and more, all of which is a ton of fun to see.  There is some great character growth as several storylines come full circle, as well as a ton of twists and turns.  I loved some of the epic reveals that came across, and while I saw a few coming, de Castell managed to surprise me in places, which I really enjoyed.  The final twists about why the characters were on the job and who really wins were pretty damn epic and it sets the story up nicely for a sequel, which I am definitely going to grab a copy of.  I loved how de Castell really enhanced the drama in this final third of the book, especially as several character relationships or conflicts come to the boil in some explosive and captivating ways.  This combines really well with the continued craziness of the story and the inherent humour of the plot, and you really get drawn into all the fantastic elements of this book.  The Malevolent Seven ended up being an incredible read, and I managed to power through this entire story in a couple of days and had a ton of fun doing so.

I loved the dark and despairing world that served as the cool new setting for The Malevolent Seven and de Castell has a ton of fun showcasing this new fantasy landscape throughout the book.  Loaded with petty tyrants, warring nobles, and wandering wonderists who dish out death to the highest bidder, this land is the perfect backdrop for the crazy and self-serving narrative, and I loved seeing de Castell’s great characters traverse it causing trouble.  While there are some outstanding locations, including a magically blasted wasteland and several deadly battlegrounds, the highlight of this setting is the complex magical system that the author came up with.  This magical system is primarily predicated on wonderists breaching dimensional barriers and utilising magic that they have an infinity for.  This results in several unique rules and abilities that de Castell did an outstanding job of effectively introducing, and I loved how weird some of the abilities were, especially those that played into the novel’s humour.  Some of the more interesting realms require the magical users to interact with the associated denizens, including this world’s equivalent of angels and demons, all of whom have a stake in the mortal realms.  Several of the best scenes in the book require the protagonist to make dark and forbidden deals with his demonic contact, and the manipulation of the various mystical entities from both heaven and hell becomes a key part of the book.  The author makes sure to utilise all these fantastic and lethal abilities to their full extent throughout The Malevolent Seven and the epic, ultra-destructive battles that emerged, as well as the clever combination of talents, resulted in some amazingly, electrifying sequences.  It will be interesting to see what crazy abilities de Castell brings to the table for the sequel, but it’s going to be good.

The final thing I want to highlight about The Malevolent Seven are the excellent and compelling damaged characters featured throughout the plot.  De Castell really went out of his way to make his main seven protagonists as random, broken and insane as possible, and this really works in the context of this brilliant story.  The main protagonist is point-of-view character Cade Ombra, a wonderist with a secret past whose current magical ability comes from deals with a literal demon (nice guy actually).  Because of this and many other mistakes in his life, Cade is pretty alone and damaged when the story starts, and he is constantly trying to balance his survival instincts and desire for power, with his conscience, something that keeps getting him in trouble.  De Castell builds up Cade extremely well throughout The Malevolent Seven and I liked his constant growth as he tries to do the right thing, even though it usually makes life even harder for him.  The author sets Cade up as a reluctant leader and hero, and it was intriguing to see the dynamics that form between him and the rest of the team fate brings together around him.  The rest of the titular Malevolent Seven are all pretty entertaining and uniquely crazy in their own way, and the range of diverse and entertaining personalities makes for a great overall dynamic to the story. My favourite character in the group was the excessively violent Corrigan Blight, whose thunder magic matches his outrageous personality.  Corrigan served as the straight speaking, highly reactive and trigger-happy organiser of the group, who plays off the more reserved Cade perfectly, especially as they form a unique and fragile friendship.  Other highlights include the highly charismatic and surprisingly noble Aradeus, whose rat magic proves to be highly effective if a little weird, and the novice blood mage Galass, whose spunky personality is only matched by her deadly abilities that are slowly driving her insane.  I loved this impressive and very entertaining cast and I cannot wait to see what happens to them next.

I think it is very clear that I loved The Malevolent Seven as Sebastien de Castell’s outrageous and inventive dark fantasy tale was a real joy to behold.  The great blend of fantastic humour, twisty storytelling, brutal magic and over-the-top characters, works exceedingly well and I loved the witty and extremely fun story that emerged.  The Malevolent Seven is a great read and if you are in the mood for a cool and highly compelling fantasy adventure than this is the book for you.

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