Publisher: Simon & Schuster (ebook – 13 February 2025)
Series: Standalone
Length: 383 pages
My Rating: 4.25 out of 5 stars
I had a wonderful time reading one of the more unique murder mystery novels of 2025, the compelling and occasionally bonkers novel, Litte Red Death by bestselling author A. K. Benedict.
Plot Synopsis:
ONCE UPON A TIME LIKE YOU’VE NEVER READ IT BEFORE . . .
DI Lyla Rondell is on the case of a lifetime. Tasked with investigating a series of perplexing deaths, the only lead she has is that each appears to be based on a different classic fairy tale. Far from the stuff of bedtime stories, the press is having a field day with what they have named the Grimm Ripper Murders.
But as the bodies stack up, Lyla’s whole world is about to flip on its head. Because the killer’s bloody trail stretches deep into her own origin story, and when she discovers the truth, nothing will ever be the same again.
Faced with the fact that everything she knows is fiction, Lyla will have to take a little creative license of her own if she’s going to turn the final page on the killings . . .
Little Red Death was a quite a fascinating read that went in some very surprising directions. While I was expecting a less conventional crime fiction book, I honestly wasn’t prepared for just how fantastical Little Red Death turned out to be, as Benedict loads in some memorable twists that change everything, while keeping the readers engaged with its compelling plot.
I felt that Little Red Death started off strong and provided some intriguing details that will hook most readers. The main plotline revolves around DI Lyla Rondell, who is called in to investigate a killing that has been inspired by classic Grimm fairytales. This case strikes Lyla hard, as years before the girl she loved suddenly disappeared with a classic fairytale plot device left behind. Receiving taunting messages apparently from the killer, known as the Grimm Ripper, as more vicious fairytale themed murders are carried, Lyla becomes obsessed with the case, hoping that she will finally find her missing friend. This initial storyline around Lyla is quite impactful in its own right, and Benedict ensures that the first half of the book is made further intriguing thanks to a perspective from a second major character, Katie, a mystery writer who has been kidnapped by the killer and is now being forced to write a series of twisted fairytale murder stories that the Grimm Ripper is using as a guideline for his crimes. These two major storylines blend quite nicely, and Benedict cleverly layers in some clues at the major events to come, which was very well done in hindsight. However, despite some hints about the unusual nature of events, nothing quite prepares you for the big twist at the centre of the book.
Now, I don’t want to give too much away about what the big twist is, especially as it is quite fun to find out on your own. I will say that Benedict does set it up nicely, and it fits the unusual nature of Little Red Death extremely well. While I can see some murder mystery purists not enjoying it, especially as it veers the story towards fantasy grounds, I personally liked it. I must admit that I did laugh like crazy when I initially discovered what was happening, because it is pretty out there, but Benedict really commits to it, and it makes Little Red Death really stand out. Because of this twist, the second half of Little Red Death has a very different tone to it, but it also allows for some great character moments, especially as the main protagonists discover more about themselves and are forced to come to terms with some very hard truths. It leads up nicely to a series of big twists and shocking moments at the end, which were quite clever in their way, although it did feel like Benedict was trying to make things too complicated at times. Still, it was a very fun ending, and I liked the sadistically satisfying and unique overall conclusion to Little Red Death, which is extremely meta and brings together a lot of fun references from the rest of the book.
Little Red Death proved to be a very exciting and outrageous book in the end, and I think that Benedict did a great job of introducing and utilising all her unique ideas to create a very distinctive story. As I mentioned above, the use of multiple character perspectives between Lyla and Katie worked very well to tell a layered narrative with some great added complexity, especially after the big twist showcases their unlikely connection. Benedict also has fun including a series of Katie’s twisted fairytales throughout the book, which allows the reader to see the inspiration behind the killer’s next murders. These stories, and other inclusions, add a great self-referential edge to the plot, especially as the characters discuss writing techniques and how to come up with elaborate murders which clearly emulate the author’s own personal experiences. It also allowed Benedict to showcase knowledge of the original Grimm fairytales, and she twists the classic tales into even darker scenarios. Benedict further adds to the mystery and darker elements of the story by including multiple subtle meta references and hints throughout the book. While a few of these at the start seem weird, by the end you realise that Benedict was trying something very clever, and they play in nicely to the book’s complex ending. I quite liked this fun way in which the author tried to make Little Red Death just a bit more memorable and zanier, and it ensures that you come away from the book really thinking about the full implications of the plot and what it means to both the reader and all the characters.
With a very out-there plot, a unique mystery and some intriguing characters, Little Red Death was one of the more distinctive novels of 2025, and one that I had an outstanding time with. A. K. Benedict clearly had fun coming up with this dark fairytale themed romp (or maybe not depending on how you see the final meta twist), and Little Red Death is really worth a read, especially if you enjoy unusual and exciting murder mysteries.
The Unseen Library 