Murder Mile by Lynda La Plante

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Publisher: Zaffre

Publication Date – 23 August 2018

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One of English crime fiction’s most distinctive voices, Lynda La Plante, returns with her iconic female detective, Jane Tennison, for another dark and shocking case.

In February 1979, recently promoted Detective Sergeant Jane Tennison has been posted to Peckham CID, one of the toughest beats in all of London.  Previously known as the Golden Mile due to its well-to-do shopping areas, the area is now in decline, a fact not helped by the garbage strikes besetting the entire city, ensuring that the entire area is covered rubbish and filth.

When the body of a young woman is found in the heart of Peckham, Jane and her team must investigate the suspicious circumstances surrounding her death.  But when another body is found nearby, the possibility of a serial killer raises all sorts of problems.  The media scrutinise the case and rename the area Murder Mile.  Even worse, the second victim’s son is well connected, and several important people want the matter dealt with quickly.

As more bodies are uncovered, Tennison must use all of her investigative ability to uncover this dark murderer, while also dealing with the police force’s inherent sexism and disregard for her talent that she has dealt with her entire career.  Can Tennison catch this killer, or will they find a terrible and unexpected way to win?

Lynda La Plante is a talented author and screenwriter responsible for several hit British crime series and movies.  She achieved early success with the 1983 television series, Widows, which has been adapted into a major motion picture set to be released in November this year.  Other successful shows that La Plante has created include Trial and Retribution and Above Suspicion, with nearly all of her books having been either adapted into screenplays or inspired by one of her televisions shows.  Murder Mile is the fourth book in her Jane Tennison series, which serves as a prequel series to one of La Plante’s most successful and iconic shows, Prime Suspect, which features Helen Mirren as an older Jane Tennison.  The first book in this prequel series, Tennison, also served as the basis for the short-lived prequel television series Prime Suspect 1973.

Murder Mile features a dark and disturbing mystery that serves as the central focus of this book.  The protagonist must investigate a series of murders spread out among the dilapidated Peckham area. La Plante has created an intriguing and compelling investigation storyline as Tennison and her team follow a series of promising leads across Peckham and the rest of London, finding clues in a variety of places, as well as several other bodies.  While the majority of the book leading up the conclusion of the story and the solution of the mystery is captivating in its own right, the best part of the book has to be its chilling conclusion.  Not only is the revealed antagonist a despicable creature, but the way in which they attempt to manipulate Jane and the rest of the police characters is just plain creepy.  The conclusion of the story and the ultimate reveal of the antagonist’s last actions are particularly shocking in their execution and extent.  Worse, both the reader and the protagonist can see that the villain is planning something, but you just cannot predict the terrible lengths they will go to win and spite the police.  This memorable conclusion serves as the perfect end to this dark and powerful story and represents some excellent writing from La Plante.

This story is set in 1970s London, and the author does a fantastic job bringing this iconic city to life during a period of economic downturn.  There is a certain gloom around the city, especially in Peckham, where the majority of the book’s investigation takes place.  The plot of Murder Mile is set during the infamous Winter of Discontent, a period of strikes and financial uncertainty that hit the country during 1978 and 1979.  There are several discussions about the situation from the characters and it is interesting to see a fictional perspective of this part of England’s recent history.  In addition, some of the physical effects of the ‘Winter of Discontent’ have some significant impacts on the case.  During January and February 1979, the waste collectors of London were on strike, resulting in a build-up of rubbish throughout the city.  As a result, many of the scenes set in the city feature streets strewn with garbage and littered with filth and rats.  La Plante also examines the parks that were filled with rubbish by London authorities as a stopgap measure for this situation.  This becomes particularly important in the story, as the police discover a dismembered body in one of these parks as the murderer attempted to utilise the situation for their own ends.  The author has also cleverly highlighted the police techniques and technologies that would have been available during the time.  Overall, La Plante has made full use of this chaotic period in Murder Mile, and readers will enjoy her vivid descriptions of these events.

In addition to the general descriptions of 1970s England, one of the key features of La Plante’s latest book is an examination of the inherent sexism in the London police force.  Jane as a Detective Sergeant must continue to fight to gain respect from her co-workers.  In Murder Mile she is constantly talked down to by her superiors, deals with disrespectful comments from the rank-and-file police, and must also deal with having her authority undercut by colleagues she considers to be her friends as they step in quickly to defend her.  It is infuriating to see how senior police ignore Tennison’s detective work and observations, especially as she is right most of the time.  This sexism also requires Tennison to act in a more maverick way, as her frustrations force her to work outside the main police investigation in order to prove herself – a decision that will have significant impacts on her life and career.

While the portrayal of sexism mentioned above has been used in all of the books of the Jane Tennison series, in Murder Mile La Plante has chosen to also focus on police homophobia and how it affects the investigation.  The police homophobia is quite prevalent throughout the series, especially when one of the suspects is revealed to be gay.  The police response to this is extreme, as several of the characters are quite hostile to this suspect and his relatives, alienating potentially helpful people in the investigation.  In addition, there is the stupid assumption that all homosexual males were automatically paedophiles, and this sends the investigation into several biased directions.  Tennison and several of the other characters attempt to change the minds of their colleagues, often without much success.  In addition, one of the more approachable and capable members of the police team is revealed to be homosexual in this book, which serves as a good counterpoint to the more old school and homophobic cops.  Overall, this is an intense and important part of the story, and it is intriguing to see how these old biases would likely have affected cases in the past.

Crime legend Lynda La Plante returns in fantastic form with Murder Mile, an exciting continuation of her Prime Suspect prequel series.  Featuring some deep and powerful examinations of the 1970s London police force, this absorbing mystery takes its readers to the edge of darkness and beyond.  Featuring an incredibly dark and unforgettable ending, Murder Mile is another exceptional release from La Plante and a highly recommend piece of crime fiction.

My Rating:

Four and a half stars

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Hit-Girl, Volume 1: Colombia by Mark Millar and Ricardo Lopez Ortiz

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Publisher: Image Comics

Publication Date – 26 June 2018

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The baddest little vigilante in America goes international in this outrageous new series from comic book legend Mark Millar.

Hit-Girl is the moniker of Mindy McCready, a pre-teen vigilante killer who is the Kick-Ass universe’s most effective and terrifying hero.  Introduced early on in the first volume of the Kick-Ass comic, Mindy was a 10-year-old girl who had been indoctrinated by her father, Big Daddy, into becoming an expert killer and crime fighter.  Despite an attempt to live a normal life after the death of her father, Mindy has reverted to her vigilante ways with her trademark extreme violence and sassy attitude.

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Following the events of the Kick-Ass 3 comic, Hit-Girl has decided to take her vigilante gig international and bring her version of justice to criminals around the world.  However, with her partner, Dave Lizewski, the original Kick-Ass, retired, and his replacement (a young man Hit-Girl randomly recruited off the street) deciding to quit in the face of armed criminals, Hit-Girl is all on her own.  With a request for help in Colombia looking too big to handle by herself, Hit Girl decides to recruit a partner as deadly and deranged as herself.

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Enter Fabio ‘Mano’ Mendoza, the most ruthless and dangerous hitman in Palmira, Colombia.  Freeing him from imprisonment, Hit-Girl ‘convinces’ Mano to help her with her mission, utilising an explosive device to keep him in line.  Armed with an array of advanced and insanely destructive weapons, Mano helps Hit-Girl turn all of the city’s gangsters into corpses.  But what will happen when Hit-Girl forces Mano to target his own gang?

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Hit-Girl was created by author Mark Millar, one of the most impressive and recognisable names in modern comics.  Millar has worked with a number of different publishers throughout his career, including DC, where left his mark on titles including Swamp Thing, Superman and The Flash, and Marvel, where he wrote the iconic Civil War series and had significant input in Marvel’s Ultimate Universe, which serves as the inspiration for many recent comic book movies.  Millar has also created a number of the best alternate universe stories these two major comic book publishers have ever produced, from the inventive Superman: Red Son to the incredible Old Man Logan, which served as the basis for 2017’s best comic book movie, Logan.  Millar has also created a range of independent series, many of which are quite dark and brutal, such as Kingsman: The Secret Service, Jupiter’s Legacy, Superior and Wanted.  However, one of Millar’s most iconic works is his independent series, Kick-Ass, which was adapted into a fantastic movie in 2010 that helped dramatically increase the author’s general profile.  Kick-Ass ran for three volumes, and the final issue revealed that Kickass and the above independent series all exist in a shared universe, known as the Millarverse.  Readers may recognise several of the above comics from recent movies, with Kingsman and Wanted both having been adapted into big screen movies.  In addition to this current Hit-Girl series, Millar is currently working with Netflix to create a number of intriguing new comics, such as The Magic Order, and a range of movies and television series.

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A large amount of the success of Kick-Ass can be attributed to the character of Hit-Girl, a sensational addition to both the comics and the subsequent movie adaption.  Hit-Girl is easily the most popular character in the series due to the sheer craziness of having a 10-year-old girl tearing through groups of dangerous criminals while swearing her head off.  This cool character continued in the movie, where Chloë Grace Moretz brought Hit-Girl to life in all her foul-mouthed, murderous glory, albeit with an altered costume.  Hit-Girl appeared in all three volumes of Kick-Ass, and has already been the star of her own Hit-Girl miniseries comic, much of which was adapted into the Kick-Ass 2 movie.  This current series of Hit-Girl represents the first work that has been done on the Kick-Ass storyline since 2014.  The first volume of this new series is called Colombia and contains issues #1-4.  The second volume of this series will continue Hit-Girl’s international murder spree as she heads to Canada, and will be released in late October.

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This new Hit-Girl series contains pure insanity as the titular character goes on a rampage down in Colombia.  There are some fantastic sequences throughout this book as artist Ricardo Ortiz draws a series of demented murders and deaths as Hit-Girl and Mano attack and kill hundreds of gang members in Palmira.  These gang members suffer an insane amount of different gruesome deaths including being shredded by bullets, sliced by swords, shot with arrows, killed by a train, blown up into tiny pieces, vaporised by flesh-eating gas, and thrown off buildings.  Ortiz’s artwork pulls no punches during these scenes, with the highlight having to be the microwave gun that cooks one gang member from the inside out.  There are also a ton of great action sequences throughout this book, with the artist presenting some excellent battle artwork that really highlights the fast-paced and frenetic action portrayed within.  Some of these scenes are so wonderfully over the top that it is hard not to laugh, such as the sequences where Hit-Girl and Mano are forced to overcome a zoo of coked-up animals standing between them and their target.  This is some brilliant work from the artist and a real highlight of the volume.

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While all the superfluous violence is outstanding, this first volume of Hit-Girl is far more than just about the killing of criminals.  It is actually a complicated revenge plot, and Millar has created a fantastic overarching story for this entire volume.  Watching the full extent of Hit-Girl’s plan unfold is so much fun, especially when you realise just how much she is playing all the other characters in the book.  Hit-Girl revealing that her plan involves saving a kid who served as her patsy from joining a gang is pretty powerful, especially when the kid is left wondering about the origin of the ‘final message’ from his brother.  By the end of these four issues, all the characters get what they deserve, leaving the reader extremely satisfied with the result, while Hit-Girl is left determining where to go for her next rampage against crime.

Hit-Girl is once again a fantastic main character for this book, and Millar and Ortiz’s portrayal of her is absolutely amazing.  Placing murderous attitude and terrifying adult personality inside the body of a little girl is still spectacular to see, and it is quite jarring and very entertaining to see this little kid doing crazy stuff like jumping up and down in excitement while requesting that her associate perform a particularly gruesome murder.  Ortiz presents some incredible changes in facial expression throughout the book that really show off the dual personality of the character.  In some scenes, she looks quite innocent and childlike, while in others, she looks positively demonic, especially when she establishes control of a situation.  While she is mostly portrayed as destructive, adult and emotionless, there are times when she comes across as more human and acting her age.  She spends several scenes getting closer to Mano, and the two work out that they have some interesting similarities, including being manipulated by a controlling father figure for most of their lives.  In hindsight, it is quite horrifying that she spent time getting close to Mano, considering the multiple ways she was playing him and her eventual intentions for him, but it is still great to see her team up with someone who has the same killer instinct, as well as a similar moral compass.  I also love the scene at the end when Hit-Girl allows her ally, Camila to get a chance at revenge, but is not surprised when she does not take the shot, stating “you’re a good person”.  Hit-Girl’s facial expression while she says that is perfect, as it helps portray the fact that our protagonist knows she is not a good person and never will be.  Overall, this is some amazing character work and Hit-Girl is still an amazing protagonist.

Mark Millar is once again in top form as he brings in the first volume of his new Hit-Girl series.  Featuring some outstanding artwork from Ricardo Ortiz, Hit-Girl Volume 1: Colombia contains an insane amount of graphic and entertaining violence and death, while also containing a fun and satisfying story with an awesome main character.  I am already excited for the next volume of this new series, and I cannot wait to see what chaos Hit-Girl causes in Canada.

My Rating:

Five Stars

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A Shot in the Dark by Lynne Truss

A Shot in the Dark Cover

Publisher: Raven Books

Publication Date – 28 June 2018

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From Lynne Truss, one of England’s most creative minds, comes A Shot in the Dark, a hilarious take on the historical murder mystery that sets three fantastic and exaggerated police characters against a sinister and surprising criminal mastermind.

Brighton, 1957.  Following a terrible massacre that saw the death of every member of two rival gangs some years before, the city of Brighton is now clear of all crime.  At least, that’s what Inspector Steine believes, and, as he is the famous and inspirational police detective whose actions allowed the eradication of these vicious gangs, that’s what the rest of the Brighton Constabulary believe as well.  Unfortunately for everyone, Inspector Steine is nowhere near as smart as he thinks he is.  Despite all the evidence, he simply refuses to believe the theory of his long suffering ‘bagman’ Sergeant Brunswick that a mysterious third crime boss organised the massacre and is currently running crime in Brighton.

So when the young, keen and exceedingly annoying Constable Twitten arrives in Brighton and starts investigating a series of burglaries, Steine is particularly aggrieved.  Despite Steine’s insistence that Brighton’s criminal element is no more, Twitten seems determined to find criminal activity – and he does.  The opening night of a new controversial play is unfortunately ruined when the opinionated and unpleasant film critic that Twitten is sitting next to is shot in the head.  Finally a crime that even Steine can’t ignore.

Who could have wanted the critic dead?  Is his death due to the multiple plays and productions that his reviews have destroyed?  Or is it perhaps related to a bank robbery that the critic witnessed many years ago, and that Steine failed to solve.  As Twitten and Brunswick start their investigation and Steine provides his own special brand of ‘help’, a second body is found.  As the case continues, Brighton’s newest constable is about to uncover a dark secret about his city and the sinister figure manipulating everything behind the scenes.

Truss is a highly talented writer, author and radio personality who has produced a huge range of different works, including the non-fiction book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation.  Truss has also created several other fictional and non-fictional books, as well as a number of popular radio series.  A Shot in the Dark is Truss’s fifth fiction novel and is the first book in her Constable Twitten Mystery series.

One of the most interesting features of A Shot in the Dark is that it is actually a novelisation of Truss’s popular radio comedy drama series, Inspector Steine, which ran between 2007 and 2013 and starred the inimitable Michael Fenton-Stevens.  This is a great introduction to the franchise that will have a massive amount of appeal both to fans of the radio show and people who are unfamiliar with this great comedy series.  Rather than being a simple write-up of one of the Inspector Steine episodes, A Shot in the Dark is a combination of several different episodes, containing plot elements from various seasons of the show’s run.  In particular, it contains components borrowed from the series one episodes While the Sun Shines, Separate Tales and The Deep Blue Sea, the series two episode The Entertainer, and the series three episode While the Sun Shines.  As a result of this combination, people unfamiliar with this series get to experience several of the radio show’s best stories and plot points in their first outing.  On the other hand, fans of the radio series get a completely new adventure that re-imagines Constable Twitten’s early days at Brighton.  Storylines listeners may be familiar with have been altered in some new and substantial ways to create a fun and excellent combination of some key stories in the series.

In the original Inspector Steine series, Truss created some amazing characters who are not only terrific by themselves but who played off each other extremely well.  The author has done an amazing job transplanting these characters into a completely different format.  The three main characters are Inspector Steine, Constable Twitten and Sergeant Brunswick.  Inspector Steine is your classic self-important senior management figure who thinks they are so much smarter than they actually are.  Steine is extremely self-absorbed and very easily manipulated, but ultimately well meaning, given he is completely convinced that all the crime in Brighton was erased years ago as a result of his brilliant actions.  Twitten, on the other hand, is actually as smart as he thinks and has no trouble letting everyone he meets know it.  His clever investigative work is capable of solving the crime, but his cleverdick attitude ensures that no-one, especially Inspector Steine, will actually listen to him.  Sergeant Brunswick plays straight man to both of his colleagues, and seems to be the middle ground between these two extreme personalities.  However, while he is a competent investigator, he is also easily manipulated, and fails to see that his brilliant plans to go undercover on every case are hampered by the fact that all of Brighton’s criminals already know who his is.  These three are all extreme examples of some of the classic police characters.  In a normal piece of crime fiction, these three characters work well together (think Endeavour for example), but in A Shot in the Dark they bring out the worst in each other and combine together for great comedic value.

While the three police characters are excellently used and a whole lot of fun by themselves, special mention needs to be given to the brilliant antagonist of this story.  Whiles fans of the radio series will not be surprised about their identity, I will try to avoid revealing too much in order not to ruin the surprise for any new readers.  That being said, this character is an excellent villain who is able to manipulate the three police characters in some suitably comedic ways.  The various and often quite unsubtle ways in which this villain manoeuvres the protagonists in A Shot in the Dark is absolutely hilarious, especially when their ridiculous plots actually work.  New readers will have a fantastic time finding out who this character is and how they’ve gotten away with their crimes, while fans of the radio series will love seeing this outstanding antagonist in all their criminal glory once again.

A Shot in the Dark contains a fantastic story that expertly combines a clever murder mystery with hilarious comedy elements.  As mentioned above, due to main characters’ various shortcomings and the devious nature of the villain, this is not your standard criminal investigation.  The protagonists have to deal with some absurd situations as well as various unusual plans to stop them solving the case.  That being said, the police do perform an investigation and the truth of the various crimes are eventually uncovered, although again without the standard solution crime fiction readers would be used to.  The crime elements are compelling and there is a really interesting mystery contained within this book, with some imaginative twists leading up to the conclusion.  In addition, the two murders are connected together in some clever ways, and the overarching conspiracy about Brighton is particularly intriguing.  While the book contains some gripping mystery elements, it is a comedy at heart; there are some really amazing comedy elements, including some great sequences that really cracked me up.  In addition to the shenanigans of the main characters, there are a range of other eccentric characters throughout the book that provide some fun moments of comic relief with their antics.  These elements come together perfectly, and it is incredibly fun watching all attempts at a serious investigation get disrupted in various silly ways.

Truss set the Inspector Steine series within Brighton in the early 1950s.  While this would already be an interesting setting, the author has amped this up by using elements from the classic crime novel and movie, Brighton Rock.  Truss has stated that her series is based on captions at the start of the 1948 movie which declared that Brighton went from a crime hub between the two World Wars to an area completely free of criminals and corruption by the 1950s.  While many people would be somewhat suspicious of such a statement, the Inspector Steine series is based on the idea that a member of the police actually believed this and acted accordingly.  As a result, the whole city has, on the surface, a wholesome family atmosphere.  That makes the crime hiding underneath a lot more fun to see, especially as the criminals really don’t need to do too much to disguise their activities, secure in Steine’s blissful ignorance.  In addition, fans of the crime classic may be interested to know that there are a number of elements from Brighton Rock that play a key part in the story.  As both the book and the movie exist within the Inspector Steine universe, Inspector Steine actually blames the events of this book on Graham Greene, the original author of Brighton Rock (a sentiment shared by Truss).  In addition, various characters within A Shot in the Dark are obsessed with the events of the classic crime book, and many locations from the Brighton Rock book and movie become major plot settings in the story.  In particular, there are several sequences based around one certain murder from the movie that results in some very entertaining scenes.  Overall, this is a great setting for this excellent comedy-mystery hybrid, which also has some fantastic tie-ins to a classic post-war crime novel.

Lynne Truss delivers an extremely fun and very entertaining adaption of her popular Inspector Steine radio series with A Shot in the Dark.  Featuring all of the exceptional characters that were a standout feature of the original series, A Shot in the Dark is an excellent piece of comedy that also contains some intriguing mystery elements and a unique settings with ties to the crime classic Brighton Rock.  This five-star book comes highly recommended and is guaranteed to leave you laughing for hours.  I am already looking forward to the next Constable Twitten Mystery.

My Rating:

Five Stars

Special thanks need to be given to my partner, Alex, who, on top of her usual editorial expertise for my reviews, happens to be a geek for BBC Radio 4 comedies and was able to help me properly analyse A Shot in the Dark without spoiling the identity of Brighton’s greatest criminal mastermind.

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