Throwback Thursday – Cold Days by Jim Butcher

Cold Days Cover

Publisher: Penguin Audio (Audiobook – 27 November 2012)

Series: Dresden Files – Book 14

Length: 18 hours and 47 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday, I check out yet another exceptional entry in Jim Butcher’s outstanding Dresden Files urban fantasy series with Cold Days.

Readers of this blog will know that I have been having an incredible time getting through the epic Dresden Files series by Jim Butcher.  An iconic urban fantasy series, the Dresden Files follows maverick wizard Harry Dresden as he defends the city of Chicago from all manner of supernatural threats.  This series is so impressive, and I have been steadily making my way through out it since 2020.  My previous burst of reading saw me get through four of these amazing books in a row, including Small Favor, Turn Coat, Changes and Ghost Story, and while that momentarily sated my interest in this series, I am still very keen to continue, and I’m hoping to finish it off this year.  I’m already off to a good start as I just knocked off the 14th book in the series, Cold Days, which proved to be another gripping and clever read.

Despite his best efforts, professional wizard Harry Dresden is once again alive, and his troubles are only just beginning.  Forced into a Faustian deal to gain the power he needed to save his daughter, Dresden, now finds himself indebted to Mab, Queen of Air and Darkness and ruler of the Winter Court of the Faerie.  While he’d hoped his murder would get him out of this dark responsibility, Mab had other plans and now Dresden finds himself dragged back to life as the Winter Knight, Mab’s personal champion and hitman.

Determined not to fall under the alluring sway of his new position and power, Dresden finds himself once again thrust into the middle of a conflict outside of his abilities when Mab sets him on his first mission, killing her own immortal daughter.  Grappling with such an impossible task, Dresden returns to his beloved Chicago, only to find even more trouble awaiting him there.  Demonreach, the mystical island in the middle of Lake Michigan that Dresden bound himself to, is under magical siege, and it if falls, billions will die.

With only 24 hours to complete both his allotted assassination and save Demonreach, Dresden soon finds himself under attack from all manner of foes, including manipulative faeries, dangerous beings originating from outside of reality, and former friends with new agendas.  To survive, Dresden will need to reconnect with his old allies and work with them to prevent a dark cataclysm.  But faced with impossible choices and hidden enemies, Dresden soon finds himself unsure who to trust.  Worse, his new powers are working to change him into something primal and dark.  Can Harry defeat both his foes and his own inner darkness before it is too late?

I doubt anyone is going to be surprised to find out that I loved Cold Days.  Butcher did a wonderful job continuing his exceptional series, especially as he presents the reader with a complex and intriguing new adventure, loaded with mystery, sacrifice and surprises.  A gripping read from start to finish, Cold Days gets another easy five-star rating from me, and I had an amazing time getting through it.

At this point in the series, Butcher had been on a real roll, and the last two books, Changes and Ghost Story, had exceptional stories that dramatically shifted the status quo for the protagonist.  This trend continued in Cold Days as Butcher simultaneously reintroduced Dresden back to the world after his death, showed his first adventure as the Winter Knight, and provided some massive detail about the major antagonist that his been hinted about since the start of the series.  I honestly was hooked on Cold Days the second I started it, especially as it begins with a particularly entertaining training montage, before dumping the protagonist right into the midst of complex Winter Court politics.  From there, Dresden is given an impossible task, and his attempts to understand his new mission reveal additional obstacles, including the danger posed by Demonreach.  This swiftly morphs into a classic Dresden Files novel, with the protagonist attempting to solve several concurrent mysteries, while entertaining antagonists try to take him off the board.  A lot of the story involves the always fascinating and manipulative Faeries, and I liked how well Butcher expanded the lore surrounding them.  Naturally, this means that the protagonist must deal with politics, intrigue, and so many betrayals, as he finds himself in the middle of their deadly games.

Once Dresden fully understands the stakes of his new mission, he is forced to make some big decisions, especially as the true antagonists of this book are obscured and hidden.  Everything leads up to a massive and extended final confrontation, which was pretty damn awesome to see, especially as Dresden leads some interesting forces to war and finds himself going up against some big players.  There are some brilliant and well-setup twists at the end of Cold Days that really highlight just how manipulative a certain character is, as well as how good Butcher is at planning ahead with his writing, and the status-quo of the series changes once again.  This entire story was so damn entertaining, clever and moving, and I just flew through it.

As always, I love the excellent first-person style that Butcher utilises to tell his Dresden Files stories, and Cold Days came across in a fun and entertaining way.  Told exclusively from the perspective of protagonist Harry Dresden, you are given a front row seat to the chaotic events of the book as they occur, and I always love the fantastic blend of mystery, action, humour and character moments that result from this.  Cold Days was a particularly good example of this, and it featured an amazing pace, loaded with major set pieces and powerful interactions between the protagonist and other characters.  The action scenes were particularly fun, and I loved how well Butcher was able to enhance the battles with the continuously expanding lore surrounding his excellent series.  Everything about this book was a lot of fun, and this ended up being an impressive entry in the wilder Dresden Files series.

One of the things I particularly enjoyed about Cold Days was the intriguing and impressive ways that Butcher provides some massive expansions to his universe.  Cold Days features some major revelations which completely shift the entire perspective of the Dresden Files, especially as you get some reveals about who the true antagonists of previous books were.  The protagonist’s place in this universe is greatly enhanced, as not only does he get some major power boosts but the true responsibilities of certain posts he took on are revealed.  As such, the stakes of Cold Days and the future books in the series are now higher than ever, which I personally enjoyed.  These changes were an outstanding natural progression of story elements from the previous 13 novels, and it was great to get some payoffs to some of the clever hints Butcher has been lacing into the series since book one.  Because of this, I would strongly recommend that readers go back and read the series from the start rather than beginning with Cold Days, as you will get so much more out of it.  At the very least, I think you need to read the previous two novels, Changes and Ghost Story first, as some of the major story elements and character arcs from there are concluded or continued here.  However, if you decide to start reading the series here at Cold Days, you should still be able to follow along, especially as Butcher always ensures that key elements and characters are always succinctly and effectively reintroduced.

I must really highlight the excellent character work featured in Cold Days, as Butcher does an outstanding job featuring a huge cast of fascinating figures, each of whom plays an important role in the complex plot.  Naturally most of this focus revolves around the point of view protagonist, Harry Dresden, who has been going through a real emotional and personal roller coaster in the last few books.  Not only did he recently find out he had a daughter who was hidden from him, but he was forced to accept a deal with Mab to save her, which he then tried to get out of by dying.  Fully resurrected by the start of Cold Days, Dresden is forced to deal with the consequences of his choices.  It was interesting to see the usually moral and independent Dresden under the control of a historically malevolent figure like Mab, and his attempts to understand her motivations and his place in this new regime are a huge part of the plot.  At the same time, his new powers are slowly changing him, and he is constantly forced to fight back against various primal urges.  This results in some very interesting personal moments, especially as Dresden is finally properly reunited with his friends and family.  I loved how emotional and powerful parts of this book get, especially as Dresden comes to terms with some of the darker moments and thoughts that have plagued him over the last few adventures.  As such, this is an important entry in Dresden’s personal story, and I look forward to seeing what other develops occur in the future.  Of course, while this book does get emotional and moving at times, Dresden was still mostly the same funny and disrespectful figure he always was, and much of Cold Days’ humour was derived from him making fun of and picking fights with people way outside his weight class.  I have so much love for most of Dresden’s character traits, even when being turned slowly evil, and Cold Days is so much more entertaining with him as the narrator.

In addition to Dresden, Cold Days featured a great batch of returning figures, each of whose storylines are also expanded on once Dresden returns.  I loved some of the interactions that occurred in Cold Days, especially as we once again got to see the fun sibling relationship Dresden has with his brother, Thomas, and there was finally some movement on the long-simmering romance between Dresden and Karin Murphy.  It was great to also see more of recurring characters Butters, Bob the skull and Dresden’s dog, Mouse, who are all quite entertaining in their own way.  However, I think the most interesting character development occurred around Dresden’s apprentice, Molly Carpenter.  Like Dresden, Molly has gone through a ton of trauma in the last few books, and it was great to see her mostly on her feet in this novel.  Of course, as Butcher is a cruel author, we had to know it wouldn’t last, and some very significant changes occur to Molly in the big conclusion.  Butcher did a great job setting the scene for these changes, and it will be interesting to see how much her personality changes in the next few books.  I still don’t love the constant hints about a potential romance between Dresden and Molly that were featured here; if they ever get together in a future book, it will be gross.

Aside from these familiar figures, Butcher also loads Cold Days up with nearly every Faerie character and figure he had, including several sinister new antagonists.  The Dresden Files books featuring the Faerie Courts and characters can often be quite entertaining and I think Butcher did a really good job of showcasing the intricate figures who make up these courts in Cold Days. Mab was a fantastic, dark and sinister figure for much of the book as Dresden’s new master, and I enjoyed how she cast a big shadow over much of the plot.  While mostly shown to be villainous, Butcher did attempt to humanise her in places, and it was great to finally get some more depth around her.  The rest of Faeries all had their own unique purpose in the story, and you are never quite certain whose side they are on, especially when more revelations come through as part of this book.  All the characters in Cold Days were very impressive and well-written, and I really appreciated how their complex character arcs helped to enhance an already powerful story.

As usual, I ended up enjoying Cold Days on audiobook, which is honestly just the best way to enjoy a Dresden Files novel.  Coming in with a run time of just under 19 hours, Cold Days was one of the longest Dresden Files audiobooks, but I still managed to power through it in one fantastic week.  Butcher’s outstanding storytelling is always deeply enhanced by this format, and you really get the full experience of the action, unique fantasy elements and cool characters through it.  Of course, the epic voice work from long-running narrator James Marsters is a huge factor in this.  Marsters always moves the story along perfectly, and it is hard not to get caught up in the plot when he dives into the cool features and narrative.  I still really love all the unique and enthusiastic voices he brings to the table, and all the characters, be they new or established, came across perfectly here.  I always deeply appreciate how well Marsters can dive into protagonist and point of view character Harry Dresden, and his narration once again pulled out all this character’s pain, inner turmoil, and relentless cheek.  Marsters also has a lot of fun with the various monsters, faeries and other ethereal figures featured throughout Cold Days, and he always ensures these mysterious creatures come across as something inhuman or terrifying.  This great voicework really turns the Cold Days audiobook into something deeply addictive and fun, and I really cannot recommend this format enough.

Look, there was no way I wasn’t going to enjoy Cold Days, as frankly the entirety of the Dresden Files series has been pretty damn impressive.  However, I felt that Jim Butcher did a really good job with this 14th book, as Cold Days features a compelling and emotionally charged narrative that expertly continues some of the most impressive storylines from the last few entries.  Loaded with action, compelling lore expansion, and Butcher’s distinctive humour, Cold Days was an exceptional book that I cannot recommend enough.  I love this series so much and I cannot wait to finish it off this year.

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Warhammer 40,000: Creed: Ashes of Cadia by Jude Reid

Creed - Ashes of Cadia Cover 2

Publisher: Black Library (Audiobook – 9 September 2023)

Series: Warhammer 40,000

Length: 14 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Exciting new Warhammer 40,000 author Jude Reid presents an action-packed and captivating novel that takes the reader to one of the most desolate places in the franchise’s universe, the ruins of Cadia, with the exciting novel Creed: Ashes of Cadia.

Last year proved to be an outstanding year for new authors producing their first Warhammer 40,000 novel, with several highly talented authors, such as Rob Young (Longshot) and Jonathan D. Beer (The King of the Spoil), producing amazing and intense reads in this fantastic universe.  One of the most interesting of these 2023 Warhammer 40,000 debuts was the impressive and captivating Creed: Ashes of Cadia by new author Jude Reid.  Reid’s first full novel after writing multiple Warhammer 40,000 short stories, Ashes of Cadia takes the reader on an epic journey with a new major protagonist.

Years after the fall of Cadia to the dread forces of Chaos, the Imperium of Man is still reeling from the carnage wrought in its aftermath which saw a massive warp rift cleave their besieged intergalactic realm in two.  Led by the returned Primarch Roboute Guilliman, humanity fights back as best it can in a great crusade, but its victories are never enough.  When word reaches Guilliman of a potential weapon on the most unlikely of locations, desperation requires him to investigate, and there is only one person he can call on for this dangerous mission.

After continually proving herself on the field of battle, Ursula Creed has succeeded her father, Ursarkar E. Creed, in becoming the new lord castellan of Cadia.  Leading the remaining Cadian forces in the Imperium, Ursula hopes to erase the stain of her legendary father’s great defeat, however, she can never seem to leave behind his complicated legacy.  When summoned by Guilliman for a secret mission, Creed is shocked to discover that she is being sent back to one place she never thought to return to, the shattered remains of Cadia.

Accompanied by a select team of Cadians with an unusual mixture of skills and experience, Ursula is sent to the surface to recover her father’s final battle plans and the secret weapons they supposedly lead to.  However, the surface of Cadia is a blasted wasteland, filled with foul energies and unnatural magic that causes even the dead to attack the invaders.  Left without support and hopelessly outnumbered, Ursula must lead her unprepared followers onwards in the hope of securing the prize.  But terrible evils lay claim to the remnants of Cadia, and Ursula will be forced to confront both the forces of Chaos and her own inescapable legacy as the daughter of Creed if she wants to survive.  Can Ursula succeed where her father failed and redeem Cadia, or is she already lost?

Reid had a very ambitious story idea for Ashes of Cadia, in that she needed to provide a human solider focused, character-driven adventure narrative that simultaneously examined the complex legacy of the Cadians in a new way, while also providing the reader with an intense and action-packed read.  Reid more than succeeded, as Ashes of Cadia takes the reader back to Cadia, one of the most significant landscapes in the Warhammer 40,000 universe and puts several intriguing and damaged protagonists through absolute hell.

Starting off a little slow to establish the main cast, remind people about the Cadian legacy, and set up the mission, Ashes of Cadia doesn’t really speed up until the protagonists land on shattered Cadia, and naturally all hell breaks loose.  The protagonists essentially find themselves thrust into a zombie apocalypse scenario, as a sorcerer attacks with a horde of living dead and decimates the protagonist’s team, leaving them trapped on the planet.  The disparate band of damaged and disillusioned survivors are forced to journey across the ravished planet to find either an escape or the rumoured secret weapon, encountering all manner of horrors, tragedy and continuous losses of supporting characters, all the while being hunted.  At the same time, the cast become more and more disheartened and internal conflicts seek to fracture them in a range of emotionally charged scenes.  This harsh adventure takes them to several key places on the ruins of the planet, as they get closer to their various personal goals.  There are some interesting false starts and twists, as well as some heartbreaking scenes, and you are constantly on edge, especially as a new danger of betrayal might emerge just around the corner.  I liked the reveal of Creed’s treasure in the novel, especially as it has some interesting potential consequences for the future of the Cadians, and the use of Creed’s daughter as a protagonist was a smart choice.  While I did see the big twist of the book regarding a certain traitor coming, it was still really well written, and I loved how Reid tried to misdirect with multiple bloody red herrings.  Everything leads up to a big, brutal, and over-the-top final confrontation, the sees the survivors redeemed in various ways, and it ended up being a fantastic and powerful piece of Warhammer 40,000 fiction.

Reid wrote a very intense and personal novel here with Ashes of Cadia, and I really enjoyed her captivating writing style.  Expertly splitting the focus of the book between several complex and unconventional soldiers with their own individual baggage, Ashes of Cadia becomes a much more emotionally charged novel than I was expecting, but the result was an impressive read, especially as you quickly get invested in the various character arcs.  However, Reid is no slouch when it comes to the action, as the many combat sequences are sharp and brutal, keeping you on your toes as any of your favourite figures can quickly fall.  While the pace of Ashes of Cadia does slow a bit at the beginning and in the middle, for the most part Reid keeps her novel moving along, and I had a hard time putting it down as a result.  I especially loved how well Reid portrayed the fallen planet of Cadia throughout this novel, especially as she really laid out the horrors and dangers associated with this planet.  Fans of Warhammer 40,000 fiction who know this planet well will be shocked by how disturbing and different it turns out, and I loved that we finally got an adventure in the ruins.  A brilliant and exceptionally written novel, you will have a lot of fun with this book.

As I have mentioned a few times in this review, Ashes of Cadia is a significant piece of Warhammer 40,000 fiction, mainly because it provides a continuation to a lot of the major story elements that have been a big part of the franchises fiction since the lore changes surrounding the fall of Cadia.  Quite a bit of in-universe time has taken place since that event, and most of the recently released Warhammer fiction focuses on how the loss of the planet effected the Imperium and the many Cadian soldiers fighting throughout it.  If followed through, the events of Ashes of Cadia are going to give these Cadian characters and stories new purpose, and I loved that we also have new Creed character to follow in Ursula.  Reid does an excellent job of building up to these reveals, and there was another interesting look at how traumatised and demoralised the Cadians are, which really fit into the plot of this book.  There are also a lot of references to other novels and events from the lore that fans of the franchise will appreciate, and I personally liked how it had some connections to another Warhammer 40,000 novel from last year, The Fall of Cadia by Robert Rath (one of my favourite books and audiobooks of 2023).  As such, Ashes of Cadia is probably best enjoyed by those established fans of the Warhammer 40,000 universe, especially those who have enjoyed the recent influx in Cadian fiction.  However, there is still a lot for newer readers to the franchise to enjoy, especially as Reid does a wonderful job of explaining the key lore elements that lead up to this story.  General fans of adventure, science fiction and even horror, can have a lot of fun with Ashes of Cadia, and this turned into quite an intense and bloody war narrative.

Easily the most distinctive part of Ashes of Cadia is the complex and damaged cast of characters that make up the main cast.  Reid produced some unique figures for this impressive narrative, and their individual stories, as well as the general despair of the Cadian trooper following the loss of their planet, proves to be a major driving point in the plot, and I really enjoyed seeing the various character arcs unfold.

Ashes of Cadia’s story had three primary point of characters, and Reid did a pretty good job of jumping the story around them, showcasing each of their unique and well-written storylines.  The most prominent of these is the titular Ursula creed, the current lord castellan of the lost planet of Cadia.  The daughter of the beloved Cadian leader who lost the planet before disappearing, Ursula has big boots to fill, especially as she is resentful for her father’s legacy and the fact she barely knew him.  The resulting insecurities, responsibilities and bitterness play a huge part in her character arc, and watching her walk in the steps of her father and attempt to become the leader he was proved to be a great part of the plot.

The next major character, Shael Laskari, adds a more general viewpoint to the story as a recently graduated cadet who is chosen to accompany Creed to the surface for propaganda reasons.  Inexperienced and fearful, Laskari is the everywoman of Ashes of Cadia, and it proved interesting to see her deal with the unknown horrors of the planet while also trying to find her courage in her squad.  Reid also does an exceptional job with the unique character of Mac Ossian.  A former medic and member of a Cadian regiment, Ossian was assigned to a penal legion after killing his former commander, and now finds himself back on Cadia as part an expendable distraction.  Managing to meet up with Creed’s unit, Ossian spends much of the book trying to prove his loyalty and worth, while also wondering if Creed and Cadia still deserves his surface.

These central characters are accompanied by several fantastic supporting cast members, several of which have their own exceptional character arcs.  I personally really enjoyed Colonel Hadrian Aurelius Van Haast, who serves as a guide with local knowledge of the area.  Van Haast is a stupendously arrogant figure, who you can’t help but dislike, and he added a fantastic dynamic to the cast.  However, this arrogance is a cover for a much darker secret, which Reid slowly and expertly reveals as the book continues.  I also must highlight Ossian’s fellow penal legionnaire Liga Yager, another prisoner who tries to survive after being dropped on Cadia to die.  Due to her much more cynical perception of Creed and the Cadians, as well as her compelling backstory, Yager goes on a very different path than Ossian, and proved to be a devil on his shoulder that speaks some much-needed truth.  Finally, I loved the villain of the story, the Death Guard sorcerer, Livor Opilionis, who is mostly called The Huntsman throughout the book.  The Huntsman is a gloriously sinister and dangerous foe, who relentlessly hunts them throughout the ruins of Cadia, heralded by his hunting horn and packs of plague zombies, and the confrontations the protagonists have with him always leads to carnage.  This outstanding cast of characters, and more, really turned Ashes of Cadia into an amazing novel, and I loved the brilliant character arcs that Reid developed around them.

As with most Warhammer 40,000 books I check out, I made sure to grab Ashes of Cadia on audiobook.  The Warhammer 40,000 audiobooks are always pretty damn awesome, and I love how much the action, horror and unique setting came through in this format.  Coming in with a decent runtime of just over 14 and a half hours, Ashes of Cadia was a very easy book to listen to, and I managed to knock it off quickly.  It helped that Ashes of Cadia was narrated by the superbly talented Colleen Prendergast, who is swiftly becoming the go-to narrator of Warhammer 40,000 audiobooks with female Cadian protagonists.  Prendergast has a great and intense voice for Warhammer 40,000 fiction, and I love how well she was able to move the plot along.  She also provides a series of great and fitting voices for the cast of this book, especially the female characters.  I loved how dignified and complex she made some of these characters, as well as how monstrous and threatening the main antagonist sounded in his terrifying scenes.  As such, Ashes of Cadia was an absolute joy to listen to and I would strongly recommend this audiobook version to anyone interested in this fantastic piece of Warhammer 40,000 fiction.

Creed: Ashes of Cadia was a fantastic, dark and captivating novel from Jude Reid, who produce an impressive debut with some intriguing potential for the wider Warhammer 40,000 universe.  Loaded with action, intrigue and several complex characters, Creed: Ashes of Cadia was an excellent read that cleverly ties into the history and existing lore of this complex and highly fun franchise.  Intense, moving, and oh so brutal, Ashes of Cadia comes highly recommended, especially for fans of Warhammer 40,000 fiction.

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Resurrection Walk by Michael Connelly

Resurrection Walk Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 31 October 2023)

Series: Mickey Haller/Lincoln Lawyer – Book Seven

Length: 407 pages

My Rating 5 out of 5 stars

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Acclaimed crime fiction author Michael Connelly returns with another outstanding and captivating read, Resurrection Walk, a clever and impressive legal thriller featuring two of Connelly’s best characters.

Gosh it has been a very good few years for fans of crime fiction author Michael Connelly.  Not only have we got two fantastic television adaptations currently going, but Connelly has been producing several great books across his multiple subseries.  Most of these books were part of his Ballard and Bosch series, with excellent novels like Dark Sacred Night, The Night Fire (one of my favourite books and audiobooks of 2019), The Dark Hours (one of my favourite books of 2021) and Desert Star (one of my favourite books of 2022), and he has also released a cool book from his fantastic Jack McEvoy series with Fair Warning (one of my favourite books of 2020).  Each of these novels has been excellent in its own way, but for the best Connelly fun nothing beats a Mickey Haller novel.

The Mickey Haller series, also known as the Lincoln Lawyer books, follow Mickey Haller, an infamous and effective defence attorney in L.A who got his nickname, “the Lincoln Lawyer” by working out of a Lincoln town car.  Known for intricate cases, elaborate court scenes and fantastic legal shenanigans, the Mickey Haller books are always a ton of fun and I love both the books and its current television adaption.  Connelly’s last Mickey Haller book came out in 2020 with The Law of Innocence, and I was very happy to find out that he was releasing a new one this year with Resurrection Walk.  Resurrection Walk was one of my most anticipated books of 2023, especially as it featured a great plot and fantastic team-up between Haller and Connelly’s best-known protagonist, Harry Bosch.

Following a successful case that freed an innocent man from prison, defence attorney Mickey Haller has gotten a taste for hopeless cases and is now working on helping those unfairly convicted of crimes they didn’t commit.  Hiring his half-brother, retired detective Harry Bosch to vet the various requests for help being sent to him, Haller hopes that he can do a little good alongside his usual controversial legal practice.  However, the first case that Bosch picks might be the most dangerous.

Several years ago, Lucinda Sanz was accused of killing her sheriff’s deputy ex-husband in front of her house, a crime she always claimed she was innocent of.  Reading through her case, Bosch is convinced that there is far more to the murder than the files indicate, especially when he discovers evidence that the victim was part of a notorious police gang.  Convincing Haller to take on Lucinda’s case, the pair begin to investigate further and begin the process of having her conviction appealed.

However, proving Lucinda’s innocence is no easy task, especially with substantial evidence proclaiming her guilt, a police force closing ranks against them, and no new witnesses willing to come forward.  Worse, there are many people who don’t want Lucinda’s case re-opened, and soon Bosch and Haller find themselves being threatened on all fronts.  With determined legal opponents facing them in the court and dangerous foes waiting for them at home, can even the Haller-Bosch dream team uncover the truth and save their client?

Connelly does it again with an outstanding and deeply addictive read that had me hooked from the very beginning.  Expertly bringing together two of his best characters into an intense and clever legal thriller, Resurrection Walk is an amazing book, and it was probably one of my favourite Connelly reads from the last few years.

Resurrection Walk has a brilliant story around it that sees the characters of Haller and Bosch teaming up to try and get an innocent woman out of prison.  While billed as a Lincoln Lawyer novel, the plot of Resurrection Walk is split between Bosch and Haller, with both characters working on the case from their own unique perspectives.  Connelly dives into the fantastic story of Resurrection Walk quickly, effectively setting up the primary case, while also including some intriguing minor side cases and the compelling personal issues of the two protagonists.  While a couple of the side cases and adventures at the start of the book do seem a little unnecessary in the context of the main plot, I quite enjoyed them, and Connelly does tie a couple of them back into the story in some compelling ways.

The main plot itself is extremely fun as it cleverly builds on Haller and Bosch’s existing character arcs, while also presenting the reader with a unique case.  Haller and Bosch working to free a woman who pled no contest to a murder charge was always going to be a recipe for success, and Connelly turns it into gold with his writing.  The author breaks the story perfectly down the middle between Haller and Bosch, and the combination of an intriguing investigation arc and Haller’s entertaining legal manoeuvrings was a ton of fun.  There were also some intriguing thriller elements as the two protagonists are targeted by parties interested in stopping their investigation, which really ensures the reader gets more invested in the story.  The start of the book deals with the initial investigations into their client’s claims and coming up with a game plan for a potential appeal.  This proved to be a fascinating and vital part of the book as it expertly introduced a lot of the salient points to the reader while also quickly indicating that there are a ton of anomalies at play.

I really liked that Connelly took his time getting to the trial, and it helped to set up anticipation for the legal shenanigans to come.  The trial in question takes up most of the second half of the novel, and it proved to be the best part of the entire novel as it brings together a lot of the story threads that Connelly previously set up.  By the time you get to it, the reader is pretty invested in Lucinda Sanz’s story of innocence, and you want to see her triumph over the system that oppressed her.  It also helped that Connelly was presenting a unique legal case in this book as Haller goes federal and sues the State of California with a habeas petition to try and overturn his client’s decision to plead out a murder they were framed for.  This results in a very different game plan for Haller, and the resulting trial goes in some very interesting directions.  Connelly really keeps the reader on their feet during the trial, and there is a blazing back and forth between Haller and his opposition, especially when both start playing some dirty tricks.  Both sides have victories and defeats, and I liked how Connelly kept the reader in constant suspense, as you were never certain which way the case was going to go.  Haller of course puts in his typical over-the-top and unconventional legal strategies, which throws the case in some interesting directions and leaves the reader very entertained at times.  It was especially fun when some of them backfire on him, and the reminder that the protagonist isn’t legally invulnerable was a great part of the plot.

Everything leads up to a big conclusion which wraps up the plot in an interesting way.  While I liked elements of the finale, I did think that Connelly got there a little suddenly, and it kind of messed up the overall flow of the book.  I also wasn’t the biggest fan of the fact that the major event that sealed the deal occurred outside of the courtroom, and I honestly would have preferred some form of elaborate legal tactic to save the day.  Still, there are some great moments at the end, especially when Haller uses a few more tricks to make things go his way, minus some funny legal repercussions, but it was a generally satisfying ending that I deeply enjoyed.

Connelly did a wonderful job writing Resurrection Walk, and I loved how well he set out the story.  I deeply appreciated how there was some real authenticity in the various legal elements of this book, from the unique trial, the boundless prep-work, and the other vital work involved in the process.  Connelly also broaches some interesting concepts during the trial, including AI generated crime scene renderings, which was fascinating, even if it didn’t always go the way you hoped it would.  This book has a wonderful pace to it, especially during the intense and moving trial sequences, and I loved how invested I got in events, including those associated with the main case, and the personal lives of the two dynamic protagonists.  Connelly has a lot of experience of inserting his main protagonist, Harry Bosch, into other protagonists’ stories, and I think that he was a strong inclusion in Resurrection Walk as an equal protagonist to tell an outstanding story.  There is an equal balance of storylines and actions between the two, and I deeply appreciated the different tenses that the author uses depending on who the perspective character is, especially as the first-person perspective is perfect for Haller and his ego, while the third-person perspective fits Bosch’s quieter personality better.  This, and other elements, ensured Resurrection Walk’s narrative really popped, and Connelly amazing writing helped to turn this into an amazing read.

I mentioned how well the author switched between these two well-established protagonists, but Resurrection Walk also had some awesome character dynamics and arcs that added to the overall impact of the plot.  Both Haller and Bosch have been going through some intriguing ongoing storylines for several of their last appearances, and it was great to see some resolution or continuation of it here.  Haller, for example, has been trying to come to terms with what he wants to do as a lawyer as he has been having a certain amount of dissatisfaction with being a defence attorney for the city’s scum.  Bosch, on the other hand, has been slowly (ever so slowly) dying of cancer for the last few books, and his work with Haller in Resurrection Walk is due to Haller getting him on his insurance.  However, this raises even more issues for Bosch, as he, a former cop, is now working for a defence attorney, and he finds himself on the other end of the law process as a result.  This results in some intriguing and tense interactions between the two protagonists, especially as these brothers have different interpretations of the law, and it was really fascinating to see them come at the same case from very different angles.  Tension, inner drama, and other personal concerns added some excellent emotional weight to Resurrection Walk’s plot, and I really enjoyed seeing these protagonists in action, especially as there is a certain amount of respect gained between them as the case proceeds.  The author handles both characters extremely well in Resurrection Walk, and while I am a little dissatisfied that Connelly seems to be backing away from Bosch being on death’s door (an experimental treatment is making him better), both of Connelly’s amazing and iconic protagonist have an amazing time in this book and their collaboration was pure gold.

Michael Connelly once again produces one of the best crime fiction books of the year with the exciting legal thriller Resurrection Walk.  This is a captivating and powerful novel that combines a fascinating and intense legal case with two fan favourite characters to produce an exceptional and awesome read.   I powered through Resurrection Walk in no time at all, and it ended up getting an easy five-star rating from me.  One of my favourite books of the year, I cannot recommend the clever, moving, and highly addictive Resurrection Walk enough.

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Throwback Thursday – Lord of the Night by Simon Spurrier

Lord of the Night Cover

Publisher: Black Library (Paperback – 25 January 2005)

Series: Warhammer 40,000

Length: 413 pages

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I check out an impressive and dark older entry from the excellent Warhammer 40,000 extended universe, Lord of the Night by Simon Spurrier.

Readers of this blog will know that I have a lot of love for the always intense and fun Warhammer 40,000 fiction, having read quite a bit of it this year.  One of the better older pieces of this fiction I managed to check out this year was the awesome novel Lord of the Night by acclaimed author Simon Spurrier.  Spurrier is an excellent author who is best known for his work on various graphic novels and comics series across the major companies.  I have read a couple of his comics over the years, although my favourite is probably his run on the original Doctor Aphra series (check out my reviews for the awesome volumes Unspeakable Rebel Superweapon and A Rogue’s End).  Spurrier also wrote several Warhammer 40,000 novels back in the mid-2000s, including the highly regarded Lord of the Night.  I was lucky enough to get a copy of Lord of the Night second-hand, and I ended up reading it while away on holiday.  Unsurprisingly I loved it, as Spurrier came up with a powerful story about two complex characters caught up in a deadly game of cat and mouse.

Interrogator Mita Ashyn of the Ordo Xenos is newly arrived in the service of veteran Inquisitor Kaustus after the death of her previous master.  Desperately trying to earn her place amongst the Inquisitor’s haughty acolytes and her mysterious new master, Mita is isolated due to the taint associated with her advanced psychic powers.  Seeking alien cultists on the hive-world of Equixus, Mita is tasked with rooting out minor corruption and heresy.  However, when an ancient ship crash lands on the planet, Mita receives psychic warnings of a dark and terrible foe.

Ten thousand years ago at the end of the Horus Heresy, Commander Sahaal was chosen by his crazed Primarch, Konrad Cruz, as the heir to the Night Lords legion of Space Marines.  However, before Sahaal could take command of the Legion, his Primarch’s most sacred artefact was stolen, and Sahaal’s pursuit of the thief saw him trapped out in the depths of space for millennia.  Awaking on his crashed ship on Equixus, Sahaal finds the artefact gone, stolen by thieves from the planet.  Determined to claim lordship of his legion, Sahaal will stop at nothing to reclaim what is rightfully his, no matter how many people he has to kill.

As Sahaal begins a deadly campaign of fear in the underbelly of Equixus, Mita appears to be the only person in the Inquisitor’s retinue concerned about the danger.  Working against the wishes of her master, Mita attempts to destroy the traitor Astartes that has invaded the city before it is too late.  However, Sahaal is a master of urban warfare and soon his solo campaign of destruction has the entire hive on its knees.  As the two lost souls move to confront each other, they soon discover that there are even greater secrets at work than either of them realises, and soon the fate of Equixus hangs in the balance.

This was a powerful and compelling Warhammer 40,000 story from Spurrier that had me hooked from the very beginning.  Focussed on the two unique perspective characters of Mita and Sahaal, Spurrier sets up an intriguing and vicious story with great thriller elements in a fantastic and gloomy hive-city setting.  Starting off with some effective set-up that introduces both protagonists and their complex lives, Lord of the Night soon evolves into an impressive cat and mouse scenario between the two as Mita fights to stop Sahaal before he recovers his prize and destroys the city from within.

This leads to all manner of chaos and destruction, as Sahaal initiates a brutal urban warfare campaign by enlisting the help of a curious raft of unconventional allies, while Mita manipulates the city’s official resources to her use.  While this battle rages, Spurrier also introduces some compelling and highly important side storylines which see Mita trying to gain the respect and aid of her secretive Inquisitor master, while Sahaal comes to terms with his missing years, his complex past, and what it is to be a Night Lord.  This leads up to several great confrontations before all the characters finally come together a brutal final sequence.  There are some great reveals here, especially about who is pulling all the strings surrounding the characters, and I loved some the brilliant twists that emerged.  The book ends on a pretty dark note, with both protagonists getting what they wanted, even though it nearly destroys them, and this ended up being quite an epic and captivating read.

I love how dark and intense Spurrier made this novel, and it has such an elaborate and complex narrative surrounding it.  The split between the two main characters works extremely well to tell an elaborate and multilayered story, and I enjoyed how the two separate arcs bounced off each other, with both dealing with betrayals, personal lows and the realisation that nothing is as it seems.  The grim setting of the hive city is also very impressive, and there is a reason that Warhammer 40,000 authors use it as a prime location for their stories.  The multiple layers of tunnels, caverns, and cityscapes makes for an outstanding background to this story of urban warfare and bloody revenge, and you can easily feel the confinement, corruption and fear that Spurrier envisions in this epic location.

Lord of the Night also turns out to be quite an impressive and elaborate piece of Warhammer 40,000 fiction.  Spurrier clearly has a great appreciation and love for the lore, and it really shows in his portrayal of both a secretive Inquisitor squad and the Night Lords Space Marines.  While Inquisitors are well covered in Warhammer 40,000 fiction, such as the Eisenhorn books by Dan Abnett (Xenos, Malleus and Hereticus), I personally loved seeing a book focussing on a Night Lord, especially as they are a little unrepresented in the extended universe fiction.  Spurrier really dives into what it is to be a Night Lord, especially during the Horus Heresy and before their full corruption, and his primary Night Lord character gives the reader a full course on how to terrorise and manipulate a city to get what you want.  It was so cool to see a Night Lord in all his fear-bringing glory, and it made for quite a dark and bloody read as a result.  Spurrier also does a great job of exploring some of the wider lore of the Warhammer 40,000 universe and working it into the plot of Lord of the Night.  This ensures that readers a little less familiar with the canon can enjoy this book fairly easily and not have to worry about external lore details.  That being said, fans of the franchise are always going to get a little more out this book and Lord of the Night proved to be a particularly good earlier novel in the canon, especially with its great insights into both the protagonist and antagonist.

One of the things that I most liked about Lord of the Night was the complex and impressive protagonists that the story was set around.  Despite being on different sides, Mita Ashyn and Sahaal have a lot in common with each other, having been lost and reviled in various different ways.  Mita proves to be a great example of how dark and unfair the Warhammer 40,000 universe is, as the thing that makes her a useful servant to the Imperium, her psychic abilities, also ensures that everyone sees her as unclean and tainted.  Watching her desperately trying to prove herself to the Inquisitor, his cronies, and the people of Equixus, only to be rejected and reviled, is very heartbreaking, and you can’t help but feel for Mita as she is routinely betrayed, spurned, or ignored.  Spurrier does some wonderful work with Mita as Lord of the Night continues, and it was great to see her find her confidence, fight back against those who oppress her, and start to question her superior and the teachings that bound her and her powers.  Watching her come to terms with her place in the Imperium, and still try to do the right thing was extremely powerful, and it leads to some impressive and emotionally charged scenes.

Sahaal also prove to be a surprisingly deep and complex character to follow.  Before reading Lord of the Night, I thought Sahaal would be a deranged Chaos Space Marine, and indeed the first few scenes with Sahaal show him to be a deadly and remorseless killer who uses terror as an effective weapon.  However, as the book continues, you start to realise that there is more to Sahaal than meets the eyes.  While he kills to achieve his goals, often in brutal ways, some of the interactions he has with his surprising allies, as well as a series of compelling flashbacks, paint him in a somewhat noble light defined by his loyalty to his Primarch and his ideals for control and order.  This paints a bit more as a victim of circumstance rather than a full Chaos infected traitor, and it was fascinating to see him act very differently from other antagonistic Space Marines characters.  There are some intriguing hidden depths to Sahaal that are revealed towards the end of the book, especially when certain manipulations are uncovered, and there are some good revelations regarding his actual mindset and mental status.  I also loved the scene where he is finally reunited with his beloved Legion, only to realise just how far they have fallen in his absence.  Sahaal ends up having some intriguing interactions with Mita throughout the course of the book, and the two play off each other perfectly, representing different angles of betrayal, loyalty and misunderstood misuse.  I deeply appreciated how well Spurrier utilised both of these point of view characters in Lord of the Night and the helped to turn this into quite an amazing read.

Overall, Lord of the Night was an exceptional read and a wonderful piece of Warhammer 40,000 fiction.  Simon Spurrier does an excellent job of bringing together two amazing, misunderstood characters together in a brutal battle across a terrified city and I was hooked the entire way through this plot.  Clever, intense, and loaded with some intriguing pieces of Warhammer lore, Lord of the Night is an outstanding read and it was one of the better pre-2023 Warhammer 40,000 novels I enjoyed in 2023.

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The Last Devil to Die by Richard Osman

The Last Devil to Die Cover

Publisher: Penguin Audio (Audiobook – 12 September 2023)

Series: Thursday Murder Club – Book Four

Length: 10 hours and 50 minutes

My Rating: 5 out of 5 stars

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The exceedingly talented and amazing Richard Osman returns with another exceptional entry in his acclaimed Thursday Murder Club series, with the entertaining and emotionally rich The Last Devil to Die.

Over the last few years I have been blown away by the incredible Thursday Murder Club novels, the debut series of British television personality Richard Osman.  This amazing series follows four residents of a retirement village who solve murders as the Thursday Murder Club.  Featuring a perfect blend of gripping mystery, brilliant and likeable characters, a fantastic sense of humour and a certain amount of tragedy, the series has been a real joy to read.  This includes The Thursday Murder Club (one of my favourite books, debuts and audiobooks of 2020), The Man Who Died Twice (one of my favourite books and audiobooks of 2021), and The Bullet That Missed (one of my favourite books and audiobooks of 2022), each of which got full five-star reviews from me.  As such, I have been eagerly awaiting the fourth book in this series, and The Last Devil to Die was one of my most anticipated books for 2023.  Unsurprisingly, Osman did not disappoint and presented another compelling and highly addictive read that I absolutely adored.

Elizabeth, Joyce, Ibrahim and Ron are the Thursday Murder Club, four bored and bright retirees living at Coopers Chase retirement village, spend their spare time keeping busy with an unusual hobby, solving murders.  Already responsible for bringing several crooks to justice, the club hope to enjoy a nice Christmas without any deaths.  However, murderers are rarely so considerate, and the four friends soon find themselves involved in a complex case that hits close to home.

Antiques dealer Kuldesh Sharma, an acquaintance of the group and an old friend of Elizabeth’s husband, Stephen, has been found shot dead on a dark country lane, apparently the victim of a professional hit.  Determined to get justice for their friend, the club and their associates jump into action and begin their usual unconventional investigation.  Their prying soon uncovers connections between Kuldesh and a local gang of drug importers who were using Kuldesh’s shop as cover for one of their deals.

It quickly becomes apparent that Kuldesh’s death is related to a box of heroin that was in his possession and which has since gone missing.  To find Kuldesh’s killer, the members of the club will need to discover where the heroin is hidden, as well as why Kuldesh decided to steal it.  Their investigation will take them into the dark world of drug dealers, art forgers and stolen antiquities, and force them up against several different groups of criminals each searching for the same prize.  Can the Thursday Murder Club once again solve the case before the murderer escapes, especially when an even greater tragedy waits on the horizon?

This honestly might be one of the very best books I have read all year.  Osman, who I have extremely impressed with in recent years, did a remarkable job with this fourth entry in the series, producing another superb and emotionally charged novel with a clever mystery around it.  Thanks to some high-intensity inclusions and some brilliant character work, The Last Devil to Die is easily one of the strongest entries in this entire exceptional series, and I was hooked the entire way through.  This latest book gets an easy five-star rating from me, and I doubt I will ever forgive Osman for everything I was forced to feel while getting through it.

The Last Devil to Die has an outstanding story behind it, and I was once again deeply impressed by how Osman effortlessly combines an elaborate mystery with intriguing character driven storylines.  The book starts with Kuldesh Sharma, who appeared in the prior novel, getting murdered apparently over a missing box of heroin.  This quickly sets off the new investigation, and the protagonists and their continuously growing group of associates utilise their usual unorthodox methods to get a good picture of events and pull together a group of unusual suspects.  Of course, it doesn’t take long for the case to go in some very interesting directions, especially with extra murders and a segue into the world of antiquities forgeries.  I really got caught up in the intriguing mystery, especially as there are some great complexities, an array of fun professional villains, and some highly entertaining encounters, including a remarkably fun lunchtime meeting with all the suspects.  At the same time, I was also there for the characters, as Osman dove into their unique lives and provided some fantastic development.  However, one major piece of character development proved to be the most compelling part of the entire book and really knocks you for six with a major event around two-thirds of the way through.  This bit of development has been building for the entire series, but when tragedy finally hits you are not ready and it strikes you very hard in the feels.  I honestly was near tears at parts of the book, it was that damn sad, and Osman works to ensure that every major character is affected in a noticeable and gloomy way.

Following this major event, Osman moves towards solving the various murders featured within the book.  This last part of The Last Devil to Die is noticeably more subdued, which was honestly very fitting and completely understandable.  Despite this darker tone, the reader is still very invested in the plot, especially as a solution to the mystery promises to bring some much-needed emotional relief.  Osman delivers this in spades, and there are several clever and thoughtful solutions chucked in as a result.  While I saw a few reveals coming, the way the characters solved the compelling case was impressive and quite brilliant.  Several subtle and well-placed clues were masterfully exploited, and the way that Osman hid them in plain sight is exceedingly clever.  The solutions to the other killings were great as well, especially as they tied into a fun longer-running storyline around a secondary character, and I loved how many of the villains got an appropriate reward for their deeds.  The conclusion of the plot is very well handled, and the reader comes away from The Last Devil to Die both highly satisfied and very sad, much like the protagonists.  This was such a brilliant and moving narrative, and Osman does a wonderful job of fitting in his mystery while wrapping up several long-running narrative threads.

Just as he has with the previous novels in the Thursday Murder Club series, Osman backs up his excellent story with some top-notch writing that drags you in with its tone, subtly and entertainment.  The Last Devil to Die features Osman’s typical exquisite blend of mystery, humour and character development, which is expertly featured in every scene.  While the main mystery is great, watching the brilliant characters grow as they solve it in the most entertaining way is so much fun, and you will be glued to the book as you go.  The comedic charm of a Thursday Murder Club novel is very subtle and undeniably British, but it constantly flows into every scene, with the restrained and often topical jokes and observations of the characters working well with the other story elements.  This includes a large amount of sombre and darker moments, as many of the characters experience a certain amount of tragedy, especially related to the woes of getting older.  Osman honestly turns the heartbreak up to 11 in certain parts of The Last Devil to Die, and readers are in for some powerful emotional blows in this novel, which works both in the context of this single novel but the series as a whole, as it cleverly builds on prior events from the earlier books.  Due to this, I would strongly recommend that readers start the series back at the first book, rather than diving into The Last Devil to Die first, as it will allow you to get the full emotional impact.  However, Osman does ensure that The Last Devil to Die is open enough for new readers to experience, and they honestly will not be spared from the feels either.  Osman does such a good job wrapping together the hurt with the humour, and the emotional combination really strengthens both the character arcs and the mystery elements of this outstanding read.

While the story, mystery and humour are all outstanding parts of The Last Devil to Die, without a doubt the high point of any Thursday Murder Club novel are the characters.  Osman has an incredible knack for producing compelling, delightful, and impressive characters who you cannot help but fall in love with.  Thanks to his split between different perspective characters (which includes a change in writing style for Joyce’s journal entries), you get to see so many different angles of this mystery, and I loved the amazing personal arcs that emerged as well.  Osman does a great job of balancing the narrative between the many characters featured in the novel, including the recurring protagonists from the previous books and several new intriguing figures.  These characters form the emotional heart of The Last Devil to Die and Osman really amps up the feelings, tragedy and love for this latest book to produce an exceptional and memorable read.

At the centre of the story are the members of the titular Thursday Murder Club: Elizabeth, Joyce, Ibrahim and Ron, four cheeky and brilliant retirees who pass their time solving murders.  Osman has done such a good job setting these characters up as a group throughout the previous books, and they each have a well-defined role in the group, with Elizabeth the hard-nosed former spy serving as leader, Joyce the loving grandmother figure who is a lot more devious and strong then people realise, Ron the tough larrikin who is starting to come to terms with his feelings, and Ibrahim the sensitive soul who can connect with everyone.  These fantastic characters prove to be the usual dedicated and brilliant investigators, and it is always fun to see them utilise their unique skills and their old age to solve their crime.  Much of the book’s humour is derived from them leveraging their advanced years and apparent helplessness to trick or manipulate the younger suspects, and I always enjoy their direct and hilarious take on crime solving.  However, while there is a certain humorous element around these characters in The Last Devil to Die, certain significant events throw them into an emotional tailspin and watching them become unstuck and devastated really hits the reader hard.

Elizabeth in particular is hit the hardest and this is honestly the most significant novel for her, especially as the great tragedy she has been expecting for the entire series finally comes to pass, and your heart hurts at seeing such a strong character broken down so much.  Joyce proves to be the emotional rock the novel, stepping up when the others are down and trying to keep the investigation going.  I loved seeing Joyce the leadership role, and watching her come out of her shell proves to be quite heartwarming in light of other tragedies.  Ron probably gets the least amount of focus in The Last Devil to Die, but he still has his moment to shine throughout this book.  Not only does he have one of the funniest scenes when he has to pretend to be traumatised at discovering a body, but his chaotic romantic relationship raises some fun questions about when Christmas gifts should be opened.  I also deeply enjoyed Ibrahim’s character focus, not only because of his warmth and insights, but because of his unusual friendship with imprisoned criminal Connie Johnson and his fantastic patter with Ron.  Osman also finally reveals some secrets about Ibrahim’s past that have been hinted at in previous books, and I loved the extra layer of understanding about Ibrahim that results.  Each of these main characters are so well featured and their emotional struggles prove to be such an important part of the plot and help to turn The Last Devil to Die into in a very powerful and moving novel.

In addition to the main cast, Osman’s ever expanding collection of supporting characters were very well featured in The Last Devil to Die, and while they are primarily there to assist the main characters with their investigation, the author always takes the time to develop some intriguing and heartfelt storylines around them.  This includes the duo of DCI Chris Hudson and PC Donna De Freitas, who find themselves once again competing against their retiree friends to solve the case, despite their futile attempts to keep them out of trouble.  While many of their scenes are played for laughs, especially as they get exasperated trying to stop the club members, they add in a good official police presence and move the story along in some interesting ways.  There is also a continued focus on their personal lives, especially as they have both found true happiness thanks to the events of the prior books.  Cocaine queen and jailbird Connie Johnson proves to be another great recurring figure here, especially as much of her story deals with her simultaneously manipulations of Ibrahim and her attempts at rehabilitations.  Her scenes opposite the team’s psychiatrist are pretty hilarious, and it’s going to be fun to see how her storyline continues.  The always dependable Bogdan is also a fantastic presence in The Last Devil to Die, and I loved how he proves to be both a supportive partner to Donna and a reliable assistant in Elizabeth’s attempts to undermine the police.  Bogdan is also hit emotionally hard in this book and you really have to feel for this wonderfully written character who has the body of a thug and a heart of pure gold.  Throw in several great new antagonists, an unpopular elite police officer and several entertaining new residents at Coopers Chase, and this proves to be an amazing book when it comes to supporting characters.

However, the character I need to talk about the most is Elizabeth’s academic husband, Stephen, who honestly has been one of the strongest and saddest figures in the entire series due to his growing dementia.  A caring and intelligent figure, despite his ailment and his wife’s attempts to hide him from the world, Stephen is such an impressive character you honestly cannot help but fall in love with.  It is always so tragic to see Stephen slowly lose his mind while Elizabeth’s heart breaks next to him, and I really appreciate how well Osman portrays the complexities of dementia when it comes to this figure.  Despite that, he proves to be an essential part of the plot, and his insights into his friend have some major impacts on the case, even if you do not realise it at the time.  Osman also makes sure to enhance the misery around Stephen again in this book, especially as he finally becomes aware of his condition in one of his lucid periods, and the resulting scenes are so damn moving and emotional as a result.  Everything about Stephen in The Last Devil to Die, from his continued warmth, his love for Elizabeth even when he doesn’t know who she is, his sad friendship with a local fox, and his journeys back inside the past of his mind, is handled perfectly and powerfully, and he honestly steals every moment he is in.  Stephen steals the show in his own way in The Last Devil to Die, but honestly every character in this book is pretty exceptional, and you will find yourself falling in love with them again, even if it breaks your heart.

Due to my previous experiences with this series, I chose to check out The Last Devil to Die on audiobook, rather than reading the physical copy I received.  Coming in with a runtime of just under 11 hours, this is a relatively quick audiobook to get through, especially once you get caught up in the story, which you definitely will.  I find that the audiobook format is pretty damn good at getting so many elements of Osman’s story across, including the characters, the powerful emotions and the fun humour, and you really will have a hard time turning off this audiobook of as a result.  It also definitely helps that they keep getting such awesome narrators in to read these books.  The first two entries in the series were narrated by Lesley Manville, who did such a great job bringing the characters to life, especially Joyce.  Unfortunately, Lesley left after narrating the first two books, which I was initially sad about.  However, they did a really good job of replacing her in the third audiobook with acclaimed actress Fiona Shaw, who also returns for The Last Devil to Die.

Now I was already a fan of Fiona Shaw before her work here, and I think she was honestly the best possible replacement they could have gotten for Lesley Manville.  Utilising her trademark Scottish accent, Shaw hits the story with a soft and gentle voice that perfectly fits the more relaxed tone of these murder mystery novels.  These gentler tones are excellent at conveying the unique humour and emotions of the Thursday Murder Club books, and I really got enveloped by the powerful story as a result.  Shaw also does an outstanding job voicing each of the brilliant characters featured within this book and I have a lot of love for the vocal choices she makes here.  Now, while there is a little difference between Shaw’s performances and the previous audiobooks with Manville (Manville is a natural Joyce, while Shaw more of an Elizabeth), Shaw really keeps the magic from the first two books going.  She does a great job of matching many of the key voices Manville originally used, while also adding her own flairs to make the characters her own.  I really loved how effortlessly Shaw slipped into the various members of the cast, and this honestly helps you fall in love with all the characters and the story as a whole.  This entire audiobook honestly comes up pretty perfectly, and there is even a fantastic and cosy chat at the end between Osman and Shaw discussing the series.  As such, I would strongly recommend the audiobook version of The Last Devil to Die to anyone interested in checking out this novel, and it is easily the best way to enjoy this fantastic series.  One of the best audiobooks of 2023!

Look, I could go on about how good The Last Devil to Die is, but the bottom line is that this was an exceptional read and one of the best entries in the already great Thursday Murder Club series.  Richard Osman did a wonderful job of producing an elaborate and compelling book that featured both an amazing mystery, and some outstanding character work.  Funny and tragic in equal measures, and with some of the most emotionally charged scenes of 2023, The Last Devil to Die was an incredible book from start to finish and I cannot recommend it enough.  This fantastic book is going to top all my end-of-year best of lists and I cannot wait to see what Osman releases next.

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Cave 13 by Jonathan Maberry

Cave 13 Cover

Publisher: Macmillan Audio (Audiobook – 29 August 2023)

Series: Rogue Team International/Joe Ledger – Book 3/13

Length: 19 hours and 5 minutes

My Rating: 5 out of 5 stars

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One of my favourite twisted authors returns with an outstanding new entry in one of his best series with Cave 13 by Jonathan Maberry.

It has already been a massive year for fans of thriller/horror author Jonathan Maberry, who previously released the exhilarating and intense dark fantasy novel Son of the Poison Rose.  The awesome sequel to Kagen the Damned (one of my favourite novels and audiobooks of 2022), Son of the Poison Rose was one of my favourite books and audiobooks from the first half of the year, and if that had been the only Maberry novel I’d received in 2023 I would have been content.  However, Maberry chose to spoil us by providing us with another epic Joe Ledger novel, which is so damn amazing.

The Joe Ledger novels are an amazing science fiction thriller series that follows titular protagonist Joe Ledger as he attempts to stop a series of insane world-ending threats initiated by compelling group of villains.  The initial Joe Ledger series featured 10 epic books with some outrageous and addictive stories around them, including Patient Zero, The Dragon Factory, Code Zero, Predator One and Deep Silence, just to name a few.  Maberry followed up these novels with a new Joe Ledger focused series, the Rogue Team International books.  This series has so far featured Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), both of which were pretty exceptional in their own ways.  As such, I have been quite excited to see a new Rogue Team International book and Cave 13 was one of my most anticipated books for 2023 as a result.

To many, Jason Aydelotte, better known to the world as Mr. Miracle, is a smiling and beatific public figure celebrated for his archaeological endeavours and his vast antiquities business.  However, beneath the smiles, Mr. Miracle is a far more ruthless and sinister operator.  Smart, determined and ambitious, Aydelotte has entered the world of international arms dealing and is willing to sell his advanced weapons to anyone who will buy them, including ISIS, and his latest product might be the scariest thing ever created.

Thanks to discoveries made in a hidden ancient Egyptian tomb, Aydelotte’s team has developed a powerful new bioweapon that drives its victims insane with a mere breath.  Its effect is terrifying and its potential for destruction in the wrong hands is immeasurable.  With the world going insane and chaos rising in the Middle East, the only people who might be able to stop such a potent weapon are Joe Ledger and the highly specialised agents of the independent intelligence agency, Rogue Team International.

However, the release of a deadly bioweapon soon proves to be the least of Ledger’s problems in the Middle East.  Far more dangerous materials were recovered from the tomb, including bizarre books of magic dating back to the time of Moses.  At the same time, greater secrets have been pillaged from a hidden cave containing even more Dead Sea Scrolls, some of which could alter the very fabric of the universe.  With threats piling up all around them, and enemies on all sides engaging in their own dangerous plots, can Ledger survive both the carnage and his own fractured mind to save the day, or will a new ruthless opponent destroy everything?

Cave 13 was another outstanding and captivating Joe Ledger adventure from Maberry that sets his troubled protagonist against another brilliantly elaborate world-ending plot.  Slick, intense and loaded with complex characters, Cave 13 was an amazing read that gets an easy five-star rating from me, especially in its audiobook format.

Maberry produced another unique and compelling story for Cave 13 that is once again perfectly told in his unique writing style.  Utilising a vast number of shorter chapters, Maberry quickly starts the story off, reintroducing the protagonist and his team, while also setting up the compelling antagonists and their complex evil plan.  A series of well-placed and absolutely fascinating interludes throughout the book provide greater context to the events that are about to unfold, and you get to see the entire genesis of the antagonist and their plans, which adds a lot to the overall story.  Maberry artfully blends this together with the main storyline that sees Ledger and his team investigate several unique occurrences, including conflicts in the Middle East, increases in unique weapon trafficking, the recovery of the Dead Sea Scrolls, as well as mysterious events that could only have been done by certain biblical magic (“you’re playing with the big boys now”).  The intriguing blend of science, mysticism, faith and mystery gives Cave 13 a particularly fun edge, and I really liked the intriguing set-up surrounding the antagonist’s plot and its full potential for destruction. At the same time, the author also dives back into the complexity surrounding his protagonist’s damaged psyche, and how this new case might affect it.

While I loved all the set-up in the first third or so of the novel, it does ensure that the initial plot is a tad slower.  This changes once Ledger and his team arrive in Israel and find themselves under attack in a particularly brutal action sequence right off the bat.  Maberry’s action scenes are always extremely awesome, and you have to love the attention and detail he puts into making them as intense as possible.  This cool action sequence is well balanced at this point by some further background, as well as a compelling sequence of events surrounding recurring side-character Toys, who finds themselves at a different side of the conflict following an undercover operation gone wrong.  This part of the story, especially the twist about the antagonist’s true plan, really increases the stakes and intensity of the story, and Maberry has a lot of fun creating some intense visual horrors for the readers, especially when it comes to a series of twisted and brutal hallucinations.

The final third of Cave 13 is probably the strongest part of the book, and I honestly was hooked the entire way through, desperately trying to get to the end.  All the great set-up, intriguing interludes, and multitudes of well-established characters comes together for the big confrontation at the end as the antagonist’s plan goes full circle and Ledger and his team once again find themselves in hell.  Things get so damn dark, desperate and freaky at this point in the book, and you are left completely worried about all your favourite characters as Maberry doesn’t have the best track record of keeping likeable cast members alive.  There are some brutal scenes here, as well as a ton of tragedy, and the reader is left on the edge of their seat right until the very end.  While I came away from parts of this book a bit shellshocked, I was overall very happy with the conclusion, which was dark, had a good twist around the villain, raised a lot of questions about the protagonists, and left you with a little ray of hope that will no doubt get snuffed out in the future.  An overall pretty epic story that really came to life in Maberry’s hands, especially thanks to his unique set out and brilliant ability to write an action sequence.

Cave 13 ended up being quite an interesting Joe Ledger novel, especially as it presents a great story and the first original villain of the Rogue Team International era, while also cleverly diving into the prior events of the series and utilising them to enhance the characters and narrative.  I really enjoyed the step away from the villains of Rage and Relentless for this one book, although I also appreciated how well the author examined the aftermath of these novels and the dark things they’ve done to the protagonist.  Like most of the Joe Ledger books, Cave 13 can be read as a standalone novel, and Maberry does a good job of recapping all the relevant prior events and characters to ensure that new readers can fully understand and appreciate everything going on.  However, established fans of Maberry are going to get the most out of Cave 13, and there are a ton of unique hints or suggestions about what is to come.  I found it particularly interesting that Maberry chose to include multiple scenes in Cave 13 that were clearly intended to set up certain events for future entries.  While these scenes are a tad disjointed from the main story, I won’t lie and say it didn’t make me excited for the next book in the series, especially when it comes to those hints about certain villains returning.  I was a little less impressed that several storylines or mysterious events from Cave 13 were deliberately left unanswered by Maberry, but I guess I’ll just have to wait and see what happens with them in the next exciting Joe Ledger novel.

As with all Maberry’s work, one of the main highlights of Cave 13 was the excellent and complex characters.  Maberry features a pretty massive cast in this novel, including a range of recurring figures from the previous novels, as well as several intriguing new figures who I really enjoyed.  As usual, Maberry does a remarkable job of showcasing all his characters, diving into the compelling histories and minds, and showcasing just how crazy or morally dubious they are (you have to be in order to survive in this universe).

Naturally, the most prominent character is protagonist Joe Ledger, who has been the leading figure and main point-of-view character in this series since the beginning.  An unstoppable action man and natural leader, Ledger is always a fun character to follow, especially as Maberry installs an overwhelming level of snark and disrespect in his personality, ensuring that every scene he’s in is full of quips, jokes and very funny observations about the crazy things he encounters.  While this alone makes him a great character, and the source of much of Cave 13’s humour, Maberry ensures that Ledger is one of his most complex protagonists ever due to the sheer amount of trauma the character experiences.  Ledger has gone through so much damage, darkness, loss and despair during the course of the series, and Maberry spends a substantial part of the protagonist’s chapters diving into this, showcasing just how emotionally and mentally battered Ledger is.  While I always love how effectively Maberry showcases the building trauma surrounding his character, it is even more poignant and important in Cave 13, as this is Ledger’s first adventure since the events of Relentless, where Ledger was taken over by a murderous personification of his own inner darkness and went on a deadly revenge trip.  Some of the most emotionally powerful parts of the book revolve around Ledger and his friends coming to terms with his terrible actions in the last book, and it is clear that Ledger has been extremely changed by the events of the prior book.  Naturally, Maberry decides to twist the knife even further in Cave 13 by subjecting Ledger to a series of traumatising visions and hallucinations thanks to the book’s big bioweapon.  This drives Ledger even further over the edge, and there are some fascinating and highly revealing scenes that give you further insights into just how cracked this protagonist is and the dangers lurking just beneath his mental surface.  Honestly one of the best and most compelling action protagonists out there, I really love how Maberry showcases Ledger in this gripping novel.

In addition to Ledger, Cave 13 features a range of other compelling characters who get their moment to shine.  My favourite would have to be the always mysterious Mr Church, the head of the secretive Rogue Team International.  A highly elusive and deadly figure whose origins and full capabilities are only hinted at; Church is easily one of the best characters featured in the entire series.  Maberry makes exceptional use of Church in Cave 13, and there are so many more tantalising hints about who or what this character might be.  This actually proves to be one of the most substantial Church novels in the entire series, and Maberry goes out of his way to not only show that this seemingly unstoppable figure is actually vulnerable, and is in some ways just as much of a bastard as the book’s villains.  There are several amazing and highly powerful monologues from Church in Cave 13 that give you some fascinating insights into his mind, especially when it comes to Ledger and the constant war that he and Church are fighting, and I loved getting an idea of just how ruthless this figure can be.  Several of these monologues are delivered to another awesome figure in Cave 13, the team’s psychiatrist, Rudy Sanchez, a notoriously calm figure who finally loses his cool in this novel after Ledger goes back into the field, straining their relationship.  I loved seeing Rudy particularly passionate and angry in Cave 13, especially when he stands up to Church, and Maberry’s portrayal of his concern really helps to highlight just how much damage was done to Ledger in the previous book.

Another major figure from Cave 13 that I need to highlight is the intriguing figure of Alexander “Toys” Chismer.  A former villain turned repentant ally, Maberry set Toys on a redemptive arc several novels ago, and it has been really paying off as Toys has turned into a fascinating figure trying to atone for his past.  His impressive long-running storyline is extremely well featured in Cave 13, and indeed he is one of the major protagonists, leading his own team and experiencing some substantial additional trauma.  Toys honestly has one of the darkest and most impressive character arcs in the entire novel, and the scenes he shared with Ledger are particularly moving and play into their complex antagonist history perfectly.  The various recurring members of Rogue Team International are well featured again in Cave 13, and it was fascinating to see how some of their character arcs have developed over the course of 13 novels.  My favourite fuzzy assassin, Ledger’s dog, Ghost, was of course awesome in this book, and I always loved just how in touch with his human’s emotions Ghost is.  There was even an intriguing extended cameo from F. Paul Wilson’s iconic protagonist, Repairman Jack, who Maberry utilises extremely well in Cave 13’s story, simultaneously working them into the plot while also diving into the Repairman’s unique life in his own series.

Finally, I must highlight some of the villains in this book.  Maberry always excels in creating complex and insane antagonists for each of his novels, and Cave 13 is no exception, as you are introduced to several intriguing villains who are set to unleash chaos upon the world.  I won’t give away too much about them and their plans here, but I will say that Maberry did an exceptional job of introducing them and diving into their various quirks, plans and desires, in some cases humanising them.  This actually helps to make them even more sinister as you start to understand and appreciate some of their actions, even if they are reprehensible.  I deeply enjoyed the complex examinations of each of Cave 13’s main villains, especially as the various interludes showcase their intriguing histories as well as the genesis of their current plans and schemes, allowing you to fully appreciate everything about them.  These villains, as well as a couple of seemingly returning antagonists hidden in the shadows, ensure that Cave 13’s stakes are always extremely high, and I loved how well the various complex character arcs mixed together to create an outstanding and powerful read.

As with every Jonathan Maberry novel I have so far had the pleasure of enjoy, I chose to check out Cave 13 on audiobook, which is the only way to enjoy one of Maberry’s epic tales.  Not only does the author’s awesome writing style and action sequences really come across well in the audiobook format, but the exceptional narration of acclaimed voice actor Ray Porter, who narrates all of Maberry’s projects, is so damn awesome.  Porter has such a brilliant handle on Maberry’s great characters, and it is always fun to hear the familiar voices of the main cast come out of Porter’s mouth again.  I particular love Porter’s take on main character Joe Ledger, as Porter always manages to capture the key parts of his personality, including the humour, mental instability and the pure rage contained within.  This, and other excellent performances, really helps to turn Cave 13 into an amazing listen, and I had such a brilliant time getting through it, and its 19-hour runtime just flew by.  Indeed, it really helped to ensure an extended road trip in an uncomfortable van was actually pretty tolerable, so kudos for that.  Easily one of the better audiobooks of 2023 so far, I cannot recommend this format enough to anyone wanting to check this epic novel out.

Unsurprisingly, I had fun with the latest Rogue Team International novel by Jonathan Maberry and it is always so damn epic to get another Joe Ledger adventure.  Cave 13 was a particularly awesome and intense entry in the series that expertly brings together an elaborate narrative, evil villains, exceptional action and complex character in an impressive overall read.  Fun, exciting and oh so darkly addictive, Cave 13 was a powerful and gripping novel that I cannot recommend enough, especially for established fans of Ledger’s amazing books.

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Throwback Thursday – Ghost Story by Jim Butcher

Ghost Story Cover

Publisher: Penguin Audio (Audiobook – 4 August 2011)

Series: Dresden Files – Book 13

Length: 17 hours and 36 minutes

My Rating: 5 out of 5 stars

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So by this point in my explosion of Throwback Thursday articles I think I’ve made it pretty clear that I have been really enjoying the epic Dresden Files series lately.  This amazing series has so much going for it, and after listening to and reviewing Small Favour, Turncoat and Changes, I honestly had no choice but to dive into the 13th entry in the series, Ghost Story, especially as it continued on from a great cliffhanger at the end of Changes, and boy am I glad that I did.

Harry Dresden is dead.  Brutally and suddenly gunned down following his victory over the Red Court of vampires and his decision to sell his soul to Queen Mab, Dresden’s life is over, and his body is lost to the murky depths of Lake Michigan.  However, nothing is ever simple for Chicago’s only professional wizard and supernatural protector, and even his own death proves to be far too complicated for his own good.

Waking up in spiritual realm between life and death, Dresden is given an option to travel back to Chicago as ghost to clear up his irregular death.  If he manages to find out who killed him, he may save the lives of the friends he left behind, but if he fails, he will be wiped from existence completely.  Determined to save those he loved, Dresden elects to return home and finds himself back in his city, but in the six months he has been away, everything has changed.

Without his protection, Chicago has become a target of deadly dark powers wishing to capitalise on the destruction of the Red Court.  Worse, his allies have each been affected by his death, and their attempts to keep Chicago safe in his absence have led many of them upon a dark path.  Determined to save who he can, Dresden calls upon the services of ectomancer Mortimer Lindquist.  However, Mortimer is facing his own difficulties as a sinister force seeks to capture him using an army of dark spirits.  To help Mortimer and his friends, and to discover who has behind his death, Dresden will need to master his new ghostly abilities and face down some of the deadliest creatures stalking the afterlife of Chicago.  But even if he succeeds, is the remnants of Dresden’s soul ready for the dark truths and hidden secrets lurking just around the corner?

Well damn, the further I get in this series the more I appreciate just how good an author Jim Butcher is.  Ghost Story is another exceptional and epic Dresden Files book, and it might be one of the very best things he has ever written.  A dark and complex character-focused tale that places its protagonist is his most unique situation yet, Ghost Story has so much going for it, and I loved every second I spent reading it.

Ghost Story probably has one of the most unique and memorable narratives in the entire Dresden Files series, primarily because the protagonist and narrator is dead.  Cleverly following on from the intense cliffhanger of Changes, in which Dresden gets shot and killed in the final scene of the book, Ghost Story sees Dresden’s shade sent back to Chicago six months later to solve his own murder.  The initial scenes of Ghost Story are pretty interesting, and I quite liked how Butcher set up the scenario and reinforced it with the book’s first major action sequence at Mortimer Lindquist’s house, where the protagonist learns some of the rules about being a spirit and has his first encounter with the book’s antagonist.  The story really takes off when Dresden meets up with all his old friends and sees how much things have changed since his death.  The emotional damage his murder has caused is pretty damn moving, and the unintended consequences of his victory against the Red Court serve as a good set-up for some new long-running storylines.

The narrative from here continues at a brisk pace as Dresden attempts to simultaneously solve his murder, aid his lost apprentice, help a bunch of street kids being controlled by a minor sorcerer, and save Mortimer from a dangerous entity.  The last one proves to be the major storyline of the book, especially as it involves an old foe of Dresden’s, and the protagonist is forced to use all his limited ghost powers to save him.  This leads to several intense and distinctively dark set pieces, including a memorable storming of the beaches, an invisible ghost duel, and some major sacrifices.  The final confrontation of the book is very impressive, especially as it helps to reveal the full truth behind Dresden’s murder.  Butcher was really clever in setting this up big reveal, and I thought it was very fitting and complex, especially as it ties nicely to some events in Changes and hints at some great evils yet to come.  The scenes that follow are some of the best and most emotionally charged, as many of the characters get closure, and you get to see just how important Dresden is to his friends and family.  In some ways I kind of wish that Butcher ended series here, as there was a certain finality to some of the storylines that I really appreciated.  However, I’m also not upset that Butcher chose to continue the Dresden Files even further, and the inevitable scene returning Dresden to life was handled extremely well, setting up a whole new course for the protagonist.

I really liked how effectively Butcher wrote Ghost Story so that it had a different feel to most of the other Dresden Files books.  Thanks to the protagonist’s ghostly form, there is less traditional action and adventure, although Dresden compensates for this by bringing in a lot more world building and a lot of emotional character moments.  Thanks to the situation of the protagonist and the general gloomy atmosphere of the current setting, this is a much more subdued and grimmer Dresden Files novel than you might be used to.  Luckily, Butcher does try to break through this darker content with Dresden’s usual humour, which helped to lighten up some of the other characters in the book.  The usual investigative elements are still strongly represented here, especially as Dresden has to find his own killer, and I really enjoyed how the protagonist’s new limitations forced him to think about the case in new ways.  The main mystery is set up extremely well throughout this book, with clues hidden both in Ghost Story and Changes.  I particularly appreciated how the subtle absence or mention of a recurring character ended up being a clue, and it’s a brilliant bit of writing once you understand it.  Butcher really got the right blend of story elements here in Ghost Story, and I liked how he made the book a bit darker while still allowing established readers the sense of familiarity to keep them going.  These excellent writing decisions really enhanced the overall impact of the book, especially when combined with the exceptional character work and intriguing new fantasy elements.

Ghost Story is honestly one of the most significant entries in the entire Dresden Files series, not only because it resolves the cliffhanger from the previous novel but because it starts to change the status quo of the series’ wider world.  A lot of major ongoing storylines start in Ghost Story, and the six-month gap between Changes and Ghost Story also results in some intriguing changes to the main setting and supporting cast.  These changes are pretty jarring for established fans but are really clever, and I liked the darker picture of the world they painted.  Unlike most of the books in the Dresden Files series, Ghost Story really should not be read as a standalone novel or an entry into the series.  While Butcher does do his usual excellent recaps, there are just too many big story elements going on in Ghost Story for it to be an effective launchpad for new readers.  The emotional impact of the character interactions will also be reduced for those unfamiliar with the characters, and the big reveal at the end also loses a lot of punch if you haven’t read Changes.

One of the things that I really enjoyed about Ghost Story was the way in which Butcher worked some cool new fantasy elements into the story.  The spiritual world and the undead aren’t unfamiliar concepts to the series, especially with previous entries like Grave Peril and Dead Beat, but Ghost Story takes it in a whole new fascinating direction with Dresden’s death and return as a spirt.  This transformation forces Dresden to learn about spirits and ghosts extremely quickly, especially when he needs to utilise all his new abilities to save his friends.  This proves to be an excellent and complex inclusion, and Butcher does an amazing job of completely changing the abilities of his protagonist for an entire book.  The resultant changes and new talents are very cool, and I loved the dive into what ghosts are and how they can affect the world around them.  It also allows for some impressive scenes, and it was a lot of fun seeing pitched battles between ghostly magical practitioners while the mortals are completely unaware.  Throw in some intriguing new long-term baddies, the Fomor, and some new abilities for established characters, and Ghost Stories proves to be a book where Butcher was at his most inventive.

As with all the Dresden Files novels, one of the key highlights of Ghost Story is the excellent characters and the elaborate personal stories that Butcher weaves around them.  The characters arcs in Ghost Story are particularly poignant and moving, even compared to Butcher’s usual high emotional standard, as the lingering impacts of the protagonist’s death drive many of them to do things they would never expect.

Naturally, most of the focus returns to protagonist Harry Dresden, who experiences some major life changes after dying.  Despite losing his physical body, Dresden maintains much of his usual drive, humour and general disrespect for all the dangerous and scary creatures out there, and if there were ever a character who would excel as a nosey and noble ghost, it would be Dresden.  However, despite his outer façade of good cheer and comedic charm, Dresden is experiencing a great deal of emotional turmoil, because of both the events of the previous books and his regrets of leaving those close to him behind.  There are some brilliant examinations of the pure guilt he feels, especially around his destructive choices in Changes and their impact on his friends.  Despite all this, Dresden is still his usual bold and determined self, and I had an excellent time watching him come to terms with his spiritual nature and his new abilities.  Dresden had to be a lot more passive in this book, which honestly drove him a little crazy at times, and it was an interesting change of pace to see him so helpless.  Butcher also used this book to dive back into Dresden’s past, providing us with some intriguing looks at his early adventures, including his first traumatic apprenticeship, which has been mentioned but not fully explored until now.  I really enjoyed how Dresden was portrayed in this book, especially as Butcher wrote some particularly emotional and hard-hitting scenes for him, and this was one of his most unique adventures.  I look forward to seeing what happens to him next, especially as he comes to terms with certain new facts of his life in the rest of the series.

While Dresden does get a lot of compelling and emotionally rich development in Ghost Story, I really need to highlight how exceptionally well Butcher featured several of his key supporting characters in this novel.  Many of the characters the reader has grown to know and love throughout the course of this series really change in Ghost Story, especially as they have all had to spend six months dealing with the death of Dresden and the crazy world that developed in his absence.  There is some outstanding and brilliant development here as a result, and I really appreciated how effectively Butcher examined the impacts of grief, anger and guilt.

This excellent development can be particularly seen in the character of Karrin Murphey, who, after losing her position in the police and her potential romantic partner in Dresden, was forced into a dangerous war to keep Chicago safe from supernatural threats.  The resulting fights made her a lot more dangerous and unforgiving than we’ve previously seen, especially as she barely manages to keep her grief and anger contained.  The always fun Waldo Butters also grows up a lot for Ghost Story, especially now he is the holder of Bob the Skull.  Butters honestly becomes a better character with each appearance in the series, and it was great to see him being a more determined and bold figure here to try and live up to Dresden’s example.  I also really loved how well Butcher featured the character of Mortimer Lindquist in Ghost Story, as he had a sizeable role here.  A somewhat minor figure from several of the previous Dresden Files novels, Mortimer has been slowly growing into a better person with each appearance, something attributed to Dresden’s influence.  However, Ghost Story is the book were he finally shines, as you get some real insights into his abilities and heart.  While he might not be a traditional heroic figure, he does his best in this book, especially when it comes to helping the lost spirits of Chicago, and I really enjoyed how Butcher featured him, and his ghostly companions, in this novel.

While I loved all the work for the characters above, the most impactful and tragic character development revolves around the fascinating character of Molly Carpenter, Dresden’s wizard apprentice.  Molly has always been a potentially dangerous figure due to her talent for mental magic.  However, the loss of Dresden drives her off the deep end as her guilt and sorrow turn her into something a lot more dangerous and unhinged.  Molly ends up becoming the murderous, magical vigilante, the Rag Lady, to scare sinister creatures away from Chicago, and begins living on the streets, untrusted by her former friends.  This is such a powerful and surprising transformation from her previous appearances, although it’s not too surprising considering some of the darker things she’s done in the past.  Butcher does an exceptional job of diving into her grief, her growing power, and the reasons behind her actions, and it is very heartbreaking to see Molly go down such a dark path.  The full extent of her mental issues is a major part of the book’s plot, and I think that Molly had some of the best development in this whole emotionally charged novel.

As with all the other Dresden Files novels I enjoyed, I made sure to check out Ghost Story on audiobook, which frankly never fails to impress me.  Coming in with a runtime of just over 17 and a half hours, Ghost Story is one of the longer Dresden Files audiobooks, but you really don’t mind as Butcher packed so much awesome moments into this complex story.  Interestingly enough, Ghost Story is the only Dresden Files audiobook that has two separate versions to it, as actor John Glover provided the narration for the first version before James Marsters narrated a second edition a few years later.  While I did love John Glover in Smallville, I decided to listen to the Marsters version, mainly because I have gotten so used to him over the previous 12 Dresden Files audiobooks.  Marsters of course was exceptional here, and his particularly emotional and heartfelt performance in Ghost Story really highlights why he is one of my favourite audiobook narrators at the moment.  There is honestly no better way to enjoy a Dresden Files novel than by having it read out by James Marsters, and this format comes very highly recommended.

Overall, the fourth and final Dresden Files novel I review here today, Ghost Story, was an impressive and highly captivating read, especially when it comes to powerful characters and intriguing fantasy changes as Jim Butcher really showcased his writing skills here.  Exciting, emotionally charged and featuring a very different story than fans are used to, Ghost Story is one of the strongest books Butcher has ever written, and I was hooked the entire way through.  I honestly cannot express just how epic and awesome this series is at times, and I look forward to getting through the last few Dresden Files novels in the coming months.

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Throwback Thursday – Changes by Jim Butcher

Changes Cover

Publisher: Penguin Audio (Audiobook – 15 April 2010)

Series: Dresden Files – Book 12

Length: 15 hours and 26 minutes

My Rating: 5 out of 5 stars

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As promised in the previous posts for Small Favour and Turn Coat, this Throwback Thursday is a four-way special as I look at another epic entry in the exciting and fun Dresden Files series by Jim Butcher.  This review looks at the 12th entry in the series, Changes, which is one of the most intense and compelling books that Butcher has so far produced.

It is Harry Dresden’s darkest hour.  For years, Dresden has been Chicago’s only defence against the various mystical and monstrous threats that seek to destroy it.  His crusade to keep Chicago safe resulted in a deadly war between the White Council of wizards and the vampires of the Red Court, with Dresden firmly in the centre of the battle.  After years of fighting, the Red Court look set to launch their final killing blow, aimed directly at a weak spot Dresden was unaware he even had: his daughter.

Kept from him by his former lover, Susan Rodriguez, Dresden is shocked to discover that he has a child and that she has been kidnapped by a vengeful vampire noble.  Determined to get his daughter back no matter the cost, a reckless Dresden begins a new battle against the Red Court.  However, with the White Council unwilling to back him, Dresden has few options available to him as he is relentlessly hunted by agents of the Red King.

Injured, tired and desperate, Dresden will need all his most powerful allies to survive, but even the full might of Dresden’s most loyal friends isn’t enough to overwhelm the forces in front of them.  To succeed, Dresden may be forced to compromise everything he has ever believed in, especially if it brings him the tools and power he needs to save his daughter.  But the price demanded may be far more terrible than anything he could imagine.

Well damn, now this must be one of the most intense and powerful entries in this already outstanding series.  Butcher outdid himself with Changes as he wraps up several brilliant storylines while also taking his protagonist to the very edge in the worst ways possible.

Butcher provides a very powerful start to Changes, which places Harry in a dark position as he finds out that he has a daughter and that she has been kidnapped by Red Court vampires.  This expertly follows on from several long-running storylines around Dresden’s war with the Red Court (including those started Grave Peril and Death Masks), and it was really interesting to see an emotionally untethered Dresden trying to come to terms with having a child and the evils being done to them.  The first half of Changes is highly compelling, especially as Dresden faces attacks and obstacles he hasn’t seen before, with his office building getting blown up and increased interest from law enforcement in the city.  There are several great set pieces here, and Butcher quickly builds up the many threats surrounding Dresden as well as unprecedented stakes.

However, Butcher really saves the best for the second half of the book, as Dresden finds himself going down some dark roads to save his child.  After a particularly heartbreaking moment in the centre of the book, the weakened Dresden is forced to make a Faustian deal in one of Changes most powerful scenes.  However, this proves to be only the beginning as Dresden leads all his allies to the big final battle, which was something particularly impressive.  There are several outstanding fight sequences, including a magical pitched battle with everyone involved, and the ending sequence of the entire event is pretty dark.  There are losses, tragedies and massive changes featured here, and you really are left blown away by just how epic and brutal Butcher made everything.  However, that is only the beginning as, after a series of revelations and sacrifices, Butcher chooses to end Changes on a massive cliffhanger, one that is guaranteed to shock every Dresden Files fan and force them to dive right into the next book.

Changes is definitely one of the most impressive and expansive entries in the entire Dresden Files series, and it had me hooked the entire way through.  Thanks to the massive battles, intense and extremely epic action scenes, and the game-changing and emotionally charged moments where the protagonist is forced to make all the hard decisions, it honestly proves very hard to put Changes down and I loved how well Butcher wrapped up several long-running storylines while setting up key elements for some of the later novels.  This is one of the darker books in the Dresden Files series, although Butcher still manages to maintain a good amount of inherent humour and investigative focus.  I felt that the typical Dresden humour blended well with the more desperate and brutal parts of the book, especially as it helps to underline just how grim Changes becomes in places.  Unlike some of the previous books in the series, I would not recommend Changes as a place to start reading the Dresden Files books.  While Butcher provides his usual excellent recap of prior events throughout the book, there are way too many ongoing storylines and complex character moments featured here that you won’t get the full effect of unless you understand the full history of the protagonist and all he’s overcome.  This was honestly one of the better books in the entire series, especially with how much Butcher raised the stakes, and I love just how well the entire story came together.

Out of all the Dresden Files novels Changes has some of the best character moments in the entire series, mainly because of just how big events turned out to be.  Dresden, despite his attempts to keep his usual defiant humour intact, is emotionally wrecked time and time again in this book following the revelation that he has a daughter he didn’t know about.  Enraged, desperate and determined to not leave her alone like he was as a child, Dresden is forced into some very dark places to save her, and the resulting scenes where he sells his soul are very heartbreaking and emotionally charged.  A lot of these compromises come after he has been physically chopped away at throughout the book, and you can really understand why he is forced to make these decisions and just how much they cost him spiritually and morally to do so.  As such, Dresden spends a good chunk of this book unsure of whether he is making the right decisions, but he remains determined to do so all the same and would even go further if needed.  Despite this, Dresden still has the support of his friends, and it was great to see how they kept him grounded and certain that he was on the right path.  I particularly enjoyed the fun Lord of the Rings analogy that was revealed to him by his friends to show how they see him (he’s more of a Sam than a Gandalf), and Dresden’s concern that he might instead be a different, less heroic character from the series hits you right in the feels.  I may never forgive Butcher for how brutally and effectively he tugged at my heartstrings in Changes when it came to Dresden and this is probably one of the most substantial novels in the entire series when it comes to his character development.

Aside from Dresden, Changes features a great range of supporting characters, many of whom return to help the protagonist in his hour of need.  A lot of focus went into Susan Rodriguez, Dresden’s former lover and the secret mother of his child, who has struggled with her vampiric corruption since the third book.  While there is a certain amount of resentment towards her for her actions, you can completely understand why Susan might try to keep her daughter away from both herself and Dresden, which is honestly heartbreaking.  Butcher does a great job of featuring Susan again here after a lengthy absence, and I felt that he wrapped up her storyline and the relationship she had with Dresden really well.  Several other characters get a great showing in Changes, with Murphy becoming a literal Holy Knight for one particularly glorious sequence and Dresden’s apprentice Molly really showcasing her skills and her emotional vulnerability.  I also must mention one of my favourite characters, Dresden’s dog, Mouse, who continues to be one of the best figures in the series, especially here where he reveals more of his supernatural potential and his actual intelligence.  The scene where you can hear him talking is just hilarious, especially as Mouse has a very different view about his relationship with his human.  These characters and more really help to turn Changes into one of the most emotionally charged books in the entire Dresden Files series, and I loved seeing each and every one of them.

As has been the recurring theme with the Dresden Files, I checked out Changes on audiobook, which was another epic listen.  Narrator James Marsters can do no wrong with this audiobook, and with a runtime of 15.5 hours, you will find yourself quite engrossed with this elaborate tale.  Thanks to Marsters’s exceptional narration, I absolutely powered through this audiobook, and I loved the sheer emotion and power he brought to the production.  The epic set pieces were particularly cool in this audiobook, and I loved how well the climatic battles came across in this format.  As a result, Changes is definitely best enjoyed as an audiobook and I cannot recommend this format enough.

Unsurprisingly, Changes also gets a five-star rating from me and it was honestly one of the most impressive Dresden Files novels that Butcher has written.  The powerful character work and brutal story had me hooked the entire way through, and it honestly has some of the most significant moments in the entire series.  In fact it was so good that it instantly made me start listening to yet another Dresden Files novel, Ghost Story (that cliffhanger at the end left me no choice), which I am also reviewing today.  This is an exceptional read that once again shows why Butcher is such an incredible author.

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Holly by Stephen King

Holly Cover

Publisher: Hodder & Stoughton/Scribner (Audiobook – 5 September 2023)

Series: Holly Gibney

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

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The master of thrills and chills, Stephen King, returns with his latest exceptional read, the powerful and gruesome thriller Holly, an outstanding and utterly gripping read that brings back an amazing original protagonist.

Fans of this blog will be aware that I have been in a bit of a Stephen King mood recently, especially being quite a latecomer to his books.  I have had a wonderful time reading some of his latest works, including Later, Billy Summers and Fairy Tale, each of which has been great in its own way.  I have also been keeping a firm eye out for any upcoming books from King, and I was highly intrigued when I saw that he was releasing Holly in the second half of 2023.

Holly, which was one of my most anticipated books of the year, serves as a continuation of the adventures of protagonist Holly Gibney.  Holly Gibney, who first appeared in Mr Mercedes, is a unique and damaged figure who ended serving a vital supporting role in all three Bill Hodges books, as well as the horror-filled thriller, The Outsider (both of which have been adapted into awesome television series).  Holly is the first full novel where this quirky figure will be the main protagonist (although there was the novella, If It Bleeds), and I was very intrigued to see how that turned out.  I even went back and read Mr Mercedes for the first time so I would have a better idea of the character and their fascinating story.

It is the height of the 2021 COVID pandemic, and Holly Gibney is reeling from the sudden death of her domineering and stubborn mother.  Initially planning to take some time off, Holly finds herself drawn to a new case when distraught mother Penny Dahl calls the Finders Keepers detective agency hoping to get help in finding her missing daughter, Bonnie.  With her partner, Pete, out of commission with COVID, Holly decides to take on the case by herself, especially when Penny’s desperation breaks through to her.

Diving into the case to distract herself from her deep personal concerns, Holly begins to uncover all the details surrounding Bonnie’s sudden disappearance.  But the further she digs, the more sinister the case becomes, especially when it becomes apparent that more than one person has disappeared in the same residential area.  To uncover the truth, Holly will need to find out more about these other disappearances.

However, Holly is unaware of a deadly threat watching her from the suburban shadows.  Professors Rodney and Emily Harris are octogenarians living an easy life as semi-retired academics.  But this old married couple is keeping a dark and unimaginable secret in their basement, one that will shake Holly to her very core.  Can Holly find out what really happened to Bonnie and the other missing persons before the clever and patient professors make their move?

Wow, just wow!  This was such an exceptional and powerful read, and it is one of the best books I have ever read from Stephen King.  Featuring an exciting, emotionally charged and highly gruesome story that will leave you breathless and horrified, Holly had me hooked from the second I started it and it refused to let me go even after I finished it.  Intense, clever, and oh so beautifully disturbing, Holly gets an easy five-star review from me for so many delicious reasons.

Holly has an epic and addictive narrative that grabs the reader’s attention right off the bat, especially as you are immediately introduced to the horrifying schemes of the antagonists.  This great introduction perfectly leads into the main story, which focuses on the protagonist’s investigation into the disappearance of a missing girl.  This is very much a character driven plot, as the protagonist simultaneously deals with her troubled history and roiling emotions following the death of her mother.  King features a range of intriguing character perspectives throughout the course of Holly, showcasing different angles to the case and introducing several additional personal stories.  Thanks to these intriguing perspectives, especially those surrounding Holly herself, the investigative storyline rolls along at a fast and exciting pace, and Holly quickly begins to realise something nefarious did happen to her client’s daughter, as well as other people in the same area.  King backs up these revelations with great flashback chapters that showcase the actual sinister deeds of the antagonists, while also giving you some fascinating insights into who they are and what drives them to commit these insanities.

The resulting story continues at a fast and compelling clip, as you get further drawn into both Holly’s case and the intriguing history of the Harrises and the people whose lives they impact.  King writes a very tight and captivating investigative storyline around the protagonist, and I liked how Holly methodically finds connections and identifies new victims through a series of fun character interviews.  Thanks to the flashback sequences, the reader already knows what the Harrises have done and what Holly is going to find as her investigation continues, which gave the protagonist’s scenes more of an edge as you wait for her to uncover the full horrors awaiting her.  As this unfolds, you are also gifted to several compelling and emotionally charged scenes around Holly, as well as several other great supporting figures, as they go about their damaged and complex lives.  This includes a large sub-story thread around returning character Barbara Robinson, whose foray into the literary world proves quite powerful and personal, while also revealing several major clues in the case.  These multiple character-driven storylines are pretty fascinating and captivating in their own way, and they pull together perfectly into one cohesive and bloody narrative that you can’t prove away from.

While the first two thirds of Holly are extremely cool and addictive, the third act is where everything comes together, and boy is it glorious.  King came up with an excellent and very impressive conclusion that keeps you irresistibility hooked up to the end.  Several lingering questions, such as the fates of characters, are cleverly and gruesomely answered in the leadup to Holly pulling the clues together.  At the same time, the author also revolves several key character arcs and storylines, which set up these various figures for the big confrontations, for better or for worse.  I love how King maneuverers all the characters around through chance, tragedy and mistakes so that there is the maximum risk for his protagonists, and you are seriously left wondering who is going to survive and how the entire story will unfold.  The climatic scenes are pretty damn memorable, as King brings everything together in a brutal way that only he could envision.  The shock, the emotional damage and the horrors that are revealed are extremely powerful and cool, and you will come away from Holly disturbed and satisfied in equal measure.

While I already had a great deal of respect for King’s writing ability before reading this book, I have to say that I was even more deeply impressed with how he pulled Holly together.  This fantastic book was the perfect blend of mystery, suspense and character-driven narrative, and there was frankly not a single second that I did not enjoy.  The way that the author told his complex narrative is outstanding, and I loved how the perspective switches between the various intriguing characters, as well as featuring flashback chapters that range from heartfelt to highly sinister.  The constant changes in focus helped to create a very compelling and elaborate read, and showcasing all the key characters ensures that the reader gets a much more complete and powerful narrative, especially during the main investigative storyline.  While I liked the protagonist’s narrative, some of the best scenes were those that focused on the antagonists and their sinister secrets in the basement.  The Harrises’ scenes are pure and exquisite horror that had me shuddering and shivering the entire way through, especially when you find out exactly what they are doing and why.  I cannot fully express how gruesome King made this part of the book, and I could not stop reacting at his horrifying descriptions at times; it was that damn dreadful.  Combine that with the highly personal and relatable character arcs, and this ended up being an exceptional read that you will have a hard time putting down.

While Holly is part of a larger series of books and stories that feature the main character of Holly Gibney in some way, King makes sure to cover all the relevant details from these previous works where needed, and this can be read as a standalone novel.  Both I and my wife (who hasn’t read any of the books, but did watch the Mr Mercedes television series), were able to follow every point of this book without any issue, although established King readers will probably have fun seeing the story continue from these previous reads.  As such, Holly is an easy and compelling read to check out, even if you are unfamiliar with King’s work, and you are guaranteed to have fun with it.

I cannot talk about Holly without discussing the outstanding and beautifully written characters that help to turn this amazing novel into such a classic and exceptional read.  King has always excelled at wrapping his elaborate narratives around powerful and distinctive protagonists and villains, and Holly is a brilliant example of this.  The heart of the tale lies in the motivations and actions of Holly’s excellent cast, and the simultaneous examination of their lives and the case is so very addictive.

The most prominent of these characters is titular protagonist Holly Gibney, who returns this time as the main character of her own book.  Holly is such a fascinating and complex figure to focus a story around, and while much of her development occurred in previous novels, King still has a lot to work with here.  Already somewhat emotionally damaged and immature, especially after a lifetime of anxiety and manipulation, Holly has only come out of her shell in recent years thanks to the help of her friends and her new career as a private investigator.  However, the death of her mother brings up a whole new bag of issues, especially as it uncovers additional layers of manipulation that Holly had previously been unaware of.  Most of Holly’s scenes see her try to deal with continual feelings of guilt, betrayal and regret that results from these revelations, while the words of her mother continue to play in her head, influencing her decisions.  While this pain and uncertainty is a big part of Holly’s personality, King expertly balances this with some more positive character aspects, including her expert investigation skills, the emotional strength she draws from her friends, and her unyielding determination to find the truth.  King really did a great job of reintroducing and utilising Holly here, and I felt that she served as an excellent central protagonist of her own novel.  I did think that King really didn’t write Holly as a woman in her mid-50s, as she felt a lot younger than she should have, but a lot of this is due to how emotionally immature the character is due to her hard life.  Honestly, her unique insights, thoughts and relationships are extremely refreshing and so much fun, and I would read so many more novels that have Holly Gibney as the main protagonist.

While Holly is a great protagonist, this book would be nothing without the fantastic figures of Rodney and Emily Harris, who might be some of the best villains that King has ever written (which is saying something).  The Harrises are quickly shown to be anything but the harmless retired academics they present to the world, especially when readers are treated to a view of their basement.  I don’t want to give too much away here, because you really need to read King’s excellent buildup to fully experience the horror around them, but they are gloriously and exceptionally sinister.  Part of this is because their age belies how dangerous and malicious they truly are, with other characters constantly underestimating them, and watching these frail figures commit acts of utter evil is very shocking.  Other elements of their sinister nature are derived from the initial secrecy surrounding their motivations as well as the uncertainty around whether their actions are normal human evil or something more unnatural.  King does such a good job of diving into the mind of these characters throughout the course of Holly, and you really get some powerful and captivating insights into who they are and why they are committing their crimes.  The author works in a complex layer of fear, regret, love and insanity underneath their actions, you can kind of empathise with their desires and understand why they are doing what they are doing.  However, these brief flashes of empathy only ensure that the reader is even more repulsed by their actions, especially when you also get the points of view from their victims.  Honestly, I could go on, but I think I will just leave it here and say that Rodney and Emily Harris are exceptional villains, and you won’t be the same after visiting their basement.

Aside from the complex protagonist and the amazing villains, Holly is also loaded with a great cast of supporting characters, each of whom have their own moments to shine.  Many of these are returning figures from the previous Bill Hodges books, such as Jerome and Barbara Robinson, Holly’s friends and emotional support.  Both Jerome and Barbara have had a lot of growth in the previous novels, and it was great to see their stories continue in Holly.  Barbara in particular has a fascinating and moving character arc in this novel, as her horrifying experiences from the previous books inspire her to write haunting poetry.  This proves to be an intriguing and moving side storyline for part of the book, which, while it does have certain implications for the main investigation, also expands on Barbara’s creativity and highlights the joy that writing and creativity in all forms can bring to a person.  Barbara’s mentor, elderly poet Oliva Kingsbury, also proves to be a wonderful additional to the cast, and her canny insights and elaborate experiences add some great depth to parts of the novel.  I also need to highlight the poor unfortunates who serve as the victims of this story.  While many of them are only briefly featured throughout Holly, King ensures that each of them is effectively and emotionally highlighted.  While each of them is primarily shown at their very worst, you really get a sense of who they are, and the inherent tragedy of their lives and what is being done to them, will stick with you.  All these characters and more are so perfectly written by King, and their unique journeys and powerful emotions, help to drive Holly’s narrative in some outstanding directions.

King also injects an interesting level of social commentary into Holly by strongly featuring some of the key events of the last couple of years into this story.  Holly is King’s first novel set during COVID times, and he really tries to showcase how life was changed during this period.  The characters are constantly talking about masks, vaccines, and the impact of the pandemic on their lives.  While this is somewhat repetitive and traumatic for people trying to put that behind them, I felt that it was a perfect reenactment of how life was a few years ago.  The characters encounter all manner of different mindsets and opinions about the pandemic and other key events during this time, which will be instantly recognisable to readers, and I liked seeing the protagonists react to it, especially when it plays into their own personal experiences.  While King mostly speaks through his protagonists, there is a certain level of social commentary, and you can feel that King has some strong opinions about recent events.  While this commentary might not be for everyone, I really appreciated it and I felt that it gave the story some more realism, especially when the author sticks his narrative right in the middle of recent major events.

While I did get a physical copy of Holly, I decided to check out the audiobook version instead, because I had a road trip that this was the perfect accompaniment for, and also because they got the perfect narrator in Justine Lupe, who plays the character of Holly Gibney in the Mr Mercedes television series.  I love it when audiobooks get fun and appropriate narrators with connections to related media, and Justine Lupe was easily one of the best examples of this.  Not only does she perfectly capture Holly’s spirit, emotions and personality due to her experiences with Mr Mercedes, but she also does an amazing job narrating the rest of the story and bringing the other characters to life.  Lupe really dives into all the members of this brilliant cast in a great way, and I love how each of them is gifted a distinctive and fitting voice, such as how she made the Harrises sound both innocent and sinister at the same time.  I was really impressed with Holly’s perfect choice in casting, and I loved the continuation on from the existing portrayal of the titular protagonist.  Coming in at around 15 and a half hours, the Holly audiobook has a decent length to it, but once you start listening to it, you really can’t stop.  As such, I would strongly recommend this audiobook to anyone interested in checking out Holly in all its gory glory, especially if you also enjoyed the Mr Mercedes television series.

I could go on about Holly, but the point is that this latest Stephen King novel is pretty damn exceptional.  Perfectly blending established characters and an elaborate new narrative with some gruesome and intense elements, Holly had me hooked from the first scene thanks to its brilliant storytelling.  Dark, shocking and deeply personal, there is so much to love about Holly, and it was one of the strongest King stories that I have had the pleasure of reading.  I honestly cannot recommend this book enough, both to new readers and established King fans, and Holly is easily one of the best books of 2023.

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The Shadow Casket by Chris Wooding

The Shadow Casket Cover

Publisher: Gollancz (Audiobook – 16 February 2023)

Series: The Darkwater Legacy – Book Two

Length: 32 hours and 37 minutes

My Rating: 5 out of 5 stars

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Chris Wooding continues The Darkwater Legacy in a big way with his second awesome and massive entry in this great fantasy series, The Shadow Casket.

I was recently in the mood for more epic fantasy reads, so I finally got around to checking out The Shadow Casket by Chris Wooding, which has been on my to-read list for most of the year.  The Shadow Casket is the sequel to Wooding’s exceptional 2018 novel, The Ember Blade, which I had a ton of fun reading back when it originally came out.  The Ember Blade followed a band of revolutionaries, including two young teens caught up in the carnage, as they fought to free their country from an evil empire that had conquered it a generation before.  Featuring a classic fantasy adventure plot with some awesome real-life overtones and loaded with a ton of great characters, a powerful story, and a fantastic new world, The Ember Blade was such a great read, and it got an easy five-star read from me.  I have been eagerly awaiting a sequel for some time now, and Wooding finally delivered his second Darkwater Legacy book this year with The Shadow Casket, which took the reader on another dark and captivating journey.

It has been three years since the destructive events at Hammerholt, when the ragtag band of revolutionaries, known as the Dawnwardens, managed to steal back the sacred Ember Blade and kill the Krodan Emperor’s son, seemingly lighting the fires of revolution.  However, despite the Dawnwardens’ hope that recovering the Ember Blade would encourage their people to rise in revolt, the powerful Krodan empire still reigns over Ossia, bringing new levels of terror in their occupation.  With revolution still as far away as ever, the Dawnwardens, and the Ember Blade’s champion, young Aren of Shoal Point, are forced to take a risk that could turn the tide of war.

Taking the Ember Blade out of hiding, the Dawnwardens travel to the Reaches in the far north of Osia, where the wild and rebellious clans of the Fell Folk fight amongst themselves.  Hoping to recruit the fractious clans to their cause, the Dawnwardens soon find themselves once again under attack from the Krodans and their deadliest weapons, the malevolent dreadknights.  Forced to flee with new allies and returning friends, the Dawnwardens embark on mission to find out what the Krodans are truly doing in Osia and just how far they are willing to go to maintain order.

Finding their first successes since the events of Hammerholt, the Dawnwardens form a new plan to finally strike back at the Krodans and start the revolution they have long hoped for.  However, no matter how hard they fight, the Dawnwardens constantly find themselves outmatched by the dreadknights and their foul magic.  To survive this insidious threat, the Dawnwardens hope to call upon the ancient magic of a lost artefact, the Shadow Casket, which has the potential to either save them or doom the world.  But with deadly foes facing them at every corner, and traitors within their own ranks, can the heroes succeed, or will their revolution finally be cut down?

Wooding continues his epic series in a big way with The Shadow Casket, producing an exceptional and captivating novel that was quite a treat to read.  Expertly following the existing storylines from the first book while also providing an awesome new adventure, The Shadow Casket was a gripping and powerful novel that I had an absolute blast reading.

I really loved the amazing story that Wooding came up with for The Shadow Casket, which is massive in every sense of the word.  Told from many different perspectives, The Shadow Casket has a very powerful character-driven plot that really gets you involved in the lives of all the protagonists while advancing the compelling main plot.  The transition to three years after the events of The Ember Blade was a very interesting overarching choice for this new book, but it was one that works very well, and I loved the realistic detail that the protagonist’s previous adventures didn’t magically save the day as they had hoped.  Wooding starts events off at a somewhat slow pace, which was definitely necessary as he had to re-establish all the key story elements, while also introducing the new setting of Northern Ossia and the Fell Folk.  This does mean that the initial chapters of the book might drag a little for some readers, especially those who did not read The Ember Blade first, although I appreciated the refresher on all the protagonists after all this time.  This early part of the book also sets up many plot points for the rest of The Shadow Casket, and Wooding did an outstanding job laying down a lot of groundwork here.

Things do speed up quickly after the reintroductions are done, as all hell breaks loose around the protagonists in some amazing scenes.  This early part of the book also brings back Cade and Klyssen, who were seemingly killed off at the end of The Ember Blade.  This honestly isn’t that much of a spoiler as both come back very early in the plot, and frankly it wasn’t too surprising considering the deliberate ambiguity of their “deaths” in the previous book.  Their return sets up some great character-driven plots which are very well explored in the first half of the book and have some major impacts on the overall story.  The protagonists soon find themselves involved in several distinctive character-focused quests, including the liberation of a prison camp, the machinations of a traitor, and an intriguing dive into a magical organisation that was only lightly featured in the first book.  These various storylines blend into one cohesive plot, and I liked the early focus on world building and character growth in the aftermath of the first book.  Wooding works in an interesting blend of intrigue, action, adventure, and even some horror elements, which really enhanced the classic adventure quest vibe he was trying to replicate.  I did have issues with an ungainly love triangle that got a lot of attention in the first half of The Shadow Casket, which sapped my enjoyment in places.  However, the other complex storylines that were occurring simultaneously did make up for this, and it thankfully does not last the entire length of the book.

The second half of The Shadow Casket is where things really picked up, and it features all the awesome story moments that the author had been expertly building up.  This includes a deadly adventure quest to a lethal island, which amped up the intensity of the plot, especially as secrets are revealed and tragedy awaits several characters.  These storylines and more, all lead up to epic final quarter of the novel, where the protagonists have their long-awaited mass confrontation with the enemy.  Wooding really set up everything leading up to this final quarter perfectly, and I was very excited going into it, especially as it featured a massive siege.  While there is a focus on the action in this final part of the book, Wooding also amps up the intrigue, as various parties make their moves to betray or mislead either side of the conflict.  The author plays this plot line about betrayal and intrigue perfectly, and there were times when you honestly didn’t know who was betraying who, which was so much fun to see.  This last quarter honestly has a bit of something for everyone, and I loved the inherent tragedy, the gritty battles, and the awesome resolution to so many different plotlines and character arcs.  I also really enjoyed the multitude of clever twists and reveals that Wooding layered in this part of the book, especially as I did not see several of them coming despite the great setup surrounding them.  The final play of the protagonists was particularly brilliant, and the unique siege tactics were quite inventive.  While I did think a few things were wrapped up a little too easily or positively at the end, this was honestly a very strong conclusion for this second entry, and it sets up many great storylines for the rest of the series.  I really came away from The Shadow Casket feeling very satisfied, and I cannot wait to see how my heart will get broken in the next book.

I felt that Wooding did a rather wonderful job of presenting his elaborate narrative to the reader, and his fantastic style definitely drew me into the story.  While there are a lot of positives to the author’s writing, the main thing that I was mostly grateful for was how easy he set everything up so that I could dive back into this series.  As I mentioned above, it has been over four years since I read The Ember Blade, itself a hefty read, so I was initially worried that I wouldn’t remember all the key details and get a little lost.  However, Wooding expertly led readers, both new and old, into his new book and those well-thought-out and slower paced introductory chapters really filled in all the gaps for me.  As such, there wasn’t a single moment that I was lost about what was going on, which considering how elaborate The Shadow Casket gets, is pretty damn impressive.

While The Shadow Casket is a great continuation of The Ember Blade, it also has a bit of a different tone to it.  The focus on failure, regret and fighting losing battles was quite interesting and reflected the continued failed rebellion nicely.  The book itself also comes across as more of an adventure novel, with the protagonists constantly moving and taking on new quests and journeys, rather than the more heist focused revenge plot of the first book.  This ensured that The Shadow Casket stood out a lot more than I was expecting, and it really didn’t feel like a sequel or a tired middle book.  Wooding has a great sense for pacing, and the fantastic mixture of action, character growth and betrayal and intrigue helped to turn this into quite an impressive read.  I have so much love for the multiple elaborate espionage storylines that emerged, and Wooding ensured that the reader never knew what was coming.  The excellent use of multiple character perspectives really helped with this, and it was compelling and often very moving to see the various internal struggles, history and biases that drove the characters to do what they do.  The clever alternate views of the same events also helped to create a much more expansive and captivating plot, and I think that Wooding did a great job of splitting the story up, ensuring that all the key characters got their time to shine.  There was the occasional rough chapter transition that added a touch of confusion at times, but this was usually pretty harmless, and I found the overall narrative to be very powerful and bound together excellently.  Throw in a ton of brilliant and brutal action sequences, including the extended battle at the end, and The Shadow Casket has so much going for it that you will find it very hard to put down.

One of the things I liked most about The Ember Blade was the elaborate and complex world that the book was set in.  In particular, the focal nation of Ossia was such an interesting main setting, especially as it was occupied by its stronger neighbour, who had ruled it for years.  This portrayal of Ossia had a lot of similarities to occupied France during World War II, especially as the invading Krodans were an obvious stand-in for Nazis/fascism.  This occupied fantasy nation had a certain realism to it that deeply enhanced the story, especially as the characters interacted with collaborators, rebels and locals who believed the Krodans were helping them, all while witnessing examples of Krodan cruelty.  These issues were further compounded by the fact that Ossia was already a rather fractious nation, and their lack of cooperation and unity helped the Krodan conquest years before.  Wooding continued to expand on this examination of occupied Ossia in The Shadow Casket, especially as revolution and uprisings were such an important part of the plot.  I loved the intriguing plot point about how, despite the protagonist’s actions in the first book, most of Ossia was still too cowed or wracked with infighting to join in the rebellion, making the sacrifices in the first book seem pointless.  This ensured that occupied Ossia continued to be a dangerous and compelling setting for much of the story, and Wooding doubled down on the Krodan comparisons to Nazis, especially as the Krodan’s engaged in massive retaliation strikes against the Ossian populace while also rounding up a minority group into concentration camps.  These intriguing details add a lot to the plot, and it was interesting to see how they continued from the first book.

Wooding also worked in quite a lot of world building as he sought to explore new areas within the larger fantasy realm.  This includes several intriguing and deadly new locations, such as a swamp full of dark spirits and the lethal island of Yaga, where ogres and magical slavers reign supreme.  These areas, which serve as cool settings for several key parts of the book, are great to explore, adding in some very distinctive risks, and it served as a compelling expansion of an already great world.  However, the most significant new setting is probably the northern area of Ossia known as the Reaches.  A hilly area populated by warring tribes, this part of Ossia was culturally segregated from the more urbanised southern setting before the Krogans arrived, and now is even more oppressed.  A large chunk of the novel revolves around the complex tribal politics and history of this region as the protagonists attempt to bring them together as allies while also striking back at the forces oppressing them.  Several of the best sequences, including the final battle, are set around here, and I loved the craggy and isolated feel that Wooding gave this setting.  The author also does a wonderful job expanding on some of the fantasy aspects of his series.  While there were quite a number of great and freaky magical and fantasy elements in the first book, The Shadow Casket really dives into this further, showing several different batches of magic.  This includes a fascinating examination of the Ossian druids, whose magical conclave in the first half of the novel serves as a major plot setting.  There is also a fantastic and dark examination of the magic being used by the Krogans to create their more elaborate weapons.  This look at Krogan mysticism is pretty fascinating and serves as a great contrast to their usual anti-magic dogma.  It also leads to some of the darker scenes in the book, including the exploration of a corrupted prison camp, which honestly bordered more on horror than anything else.  There are some fantastic and complex hints at the dangers to come, and I cannot wait to see how dark and compelling Wooding makes his setting in the future.

However, the most impressive and memorable part of The Shadow Casket has to be the outstanding and elaborate character work that Wooding expertly inserted into the story.  The Shadow Casket has an exceptional and memorable cast, which includes a great combination of characters from The Ember Blade, as well as several intriguing new figures.  All the characters are damaged and complex, especially after the events of The Ember Blade, and thanks to the author’s excellent use of alternating perspectives, you get to see into their minds and find out what drives them and what their intentions are.  I deeply appreciated how well the character stories altered and drove the main narrative and Wooding’s excellent character work really gets you invested in everyone’s personal journey.

As with The Ember Blade, the main character of The Shadow Casket is Aren of Shoal Point.  A teenager drafted into the rebellion by circumstances, Aren is trying to live up to his own legend after masterminding the Ember Blade heist and being declared champion.  Now a figurehead leader chafing under the responsibilities and expectations of everyone around him, Aren starts the book with a lot of his usual certainty and confidence gone, especially as the disappointments of the last three years are hanging over him.  Most of his arc involves him trying to decide whether he deserves all the fame and trust people are putting into him, as well as wondering what his destiny is.  I really liked this compelling character arc that Wooding came up with for Aren, especially as it is totally understandable that he would feel these doubts with his complex history.  While Aren probably was a more passive protagonist than some readers were hoping for, I felt his early mindset of following others fit nicely into the uncertainty he felt, and Wooding did a great job of portraying this and his eventual regained confidence.  Aren also proves to be a linchpin character for The Shadow Casket, mainly because so many other character arcs are defined by the relationships that Aren has formed over the years.  While a couple of these relationships do have some flaws in them, the rest are exceedingly emotionally rich and Aren’s connections help the other characters to grow and develop alongside him.  Aren continued to be an outstanding and complex protagonist for this second Darkwater Legacy novel and I look forward to seeing how he develops in the future.

One of the other major characters I need to highlight is Cade, Aren’s childhood friend who was forced into the adventures in the last book before heroically sacrificing himself at the end of The Ember Blade.  Cade returns quite early in The Shadow Casket, having spent three years away from his friends.  However, he is now carrying some dark secrets and a new hidden history that defines most of his actions throughout The Shadow Casket.  Cade had one of the best and most powerful character arcs in the entire novel, which I will not elaborate on too much here to avoid spoilers.  However, it was extremely well written and added some much-needed emotional depth to Cade’s character.  Wooding does an outstanding job of expanding on Cade’s character arc and story from the first book and the examination of the complex relationship between Aren and Cade resulted in some of the most moving moments in the book.

There are several great antagonistic characters in The Shadow Casket, including sinister Krodan officials and several hidden traitors, but my favourite villainous figure has to be the great character Klyssen.  A member of the Krodan secret police, Klyssen was the primary villain of The Ember Blade, and Wooding takes the opportunity to develop him further in some fantastic ways in the sequel.  Not only does he provide an alternative viewpoint to the Krodans but Wooding manages to make Klyssen into a surprisingly sympathetic character in The Shadow Casket.  Thanks to the events of The Ember Blade, Klyssen starts this new book scarred, disgraced, demoted and divorced, and is now at something of a moral and emotional crossroads.  Now driven by personal reasons, Klyssen has a bit of a redemption arc in The Shadow Casket, and it is honestly a sign of just how good Wooding is at writing characters that you actually feel sorry for this previously despicable villain.  Klyssen ends up being one of the more complex and damaged figures in the entirety of this second book, and I loved his more nuanced mindset and desperate motivations, which make his chapters particularly compelling and emotionally charged.  You really begin to feel for Klyssen, even if you don’t want to, and I really appreciated the complex additional development Wooding worked into him for this sequel.

Of course, I cannot talk about characters in The Shadow Casket without mentioning Grub, who honestly might be one of the most entertaining and hilarious figures I have ever had the pleasure to read.  Gruff, crude and inappropriate in every way imaginable, Grub is a slippery and self-obsessed figure who never fails to get a laugh thanks to his jokes, selfish mindset, fun observations on the people around him, and pure disinterest in what is actually happening.  Thanks to this humour, Grub has some of the best chapters in the entire book, and you always know you are in for a good time.  However, Wooding also creates a particularly complex and intriguing story arc around Grub that really resonates with the reader.  Coming from a culture that venerates heroic actions and tales, Grub was exiled from his people after claiming another person’s deeds.  As such, a lot of Grub’s sVVavsdtoryline involves him trying to redeem himself by become a hero, which really does not come naturally to him due to his selfish nature and upbringing.  This honesty proves to be one of the more complex story arcs in the entire book and you really get invested in his attempts to do the right thing.  A lot of this story revolves around his unlikely friendship with Aren, who serves as Grub’s moral compass, and their compelling relationship is one of the most heartwarming parts of the entire book.  I cannot emphasise just how much fun Grub is as a character, and it honestly is impossible not to fall in love with him, especially with the fantastic depth Wooding adds to his story.  While I would read an entire book about Grub, I think that Wooding did a good job not overusing him in The Shadow Casket, and blending in the other characters extremely well.

Other significant characters include Vika, a powerful druid whose connection with the spirits and the gods offers the only hope against the Krodan dreadknights.  Wooding weaves a fantastic narrative around Vika that dives into her unique and desperate personality while also using her as a focus for the more mystical elements of the book.  I quite enjoyed seeing Vika develop into more of a powerful magical user, although the emotional cost associated with it turns her into a bit of an unpredictable figure.  Wooding really laces Vika’s narrative with some powerful tragedy and distinctive moments, and while I felt that the ending of her arc could have been handled a little better, she was still an outstanding and enjoyable protagonist to follow.

I also need to highlight Mira, the team’s strategist and leader of the Dawnwardens, who comes up with elaborate plans and schemes in the name of liberation.  While Mira does not have as many chapters assigned to her as I would have liked, Wooding does a lot with her in a short amount of time, and I liked how dark the character got as the book progressed.  The dour knight Harod also proves to be an excellent protagonist, mainly because so much of his arc is based around his grief after losing the woman he loved in the last book.  Wooding does a good job expanding a bit on the typically emotionally devoid Harod in this book, especially when a fantastic new secondary character is introduced, and his martial focussed chapters have some heavy personal weight to them.  Throw in the team’s hunter, Fen, whose arc mostly survives an unenjoyable love triangle, and several great new characters, including a troubled revolutionary and a mysterious fighter with his own agenda and this proved to be an exceptionally rich novel in terms of outstanding characters.  This fantastic mixture of compelling cast members really helped to turn The Shadow Casket into an extremely powerful read and I cannot wait to see how these characters develop in the rest of the series.

Like with many epic fantasy novels, I chose to check out The Shadow Casket on audiobook, which I found to be an awesome experience.  Elaborate fantasy novels always come across better in the audiobook format for me, especially when there is a ton of detail and world building, and this was once again the case with The Shadow Casket.  Wooding’s deeply impressive setting was so much cooler when it was read out to me, and I definitely absorbed a lot more detail in this format.  It also helped that they brought back narrator Simon Bubb for this second audiobook in the series.  Bubb does such a good job highlighting all the cool action, fantastic detail, and unique features of this series in The Shadow Casket, and I really liked how effortlessly he moved events along.  Bubb also has a very good handle on the massive cast featured with this book, coming up with original and fitting voices and accents for all the characters, and bringing out all their inherent emotion and struggles.  Highlights for me include the amazing characters of Klyssen, Aren and Grub, all of who really shine through in this format in the most entertaining ways, and I cannot emphasise enough how well Bubb captures all these elaborate figures.  Coming in at over 32.5 hours, The Shadow Casket is a hefty audiobook to get through, and it is one of the longest audiobooks I have ever listened to (coming in at number five on the current list).  I did struggle a bit to get through The Shadow Casket quickly due to its length, and there were a few times where I got a bit fatigued and had to take a break for a while.  However, the compelling story kept dragging me back in, and I maintain that The Shadow Casket is very much worth checking out on audiobook, especially as this format gives you the very best experience.  The great voices, fun depiction of detail, and enhanced story absorption more than make up for the length, and The Shadow Casket audiobook comes very highly recommended as a result.

Overall, this is a very impressive book, and if I did not get it across with the massive review above, I really enjoyed The Shadow Casket.  Chris Wooding is really writing something special with his Darkwater Legacy series and The Shadow Casket proved to be an exceptional second entry.  While I did have a couple of issues with length and some character elements, the sheer power and complexity of the story ensures that The Shadow Casket gets a full five-star rating from me and I had such an incredible time getting through this amazing book.  This is easily one of the best fantasy series currently going and I cannot wait to see how it continues, even if I have to wait a while for the third book to appear.  Highly recommended, all fans of epic fantasy need to get into this series.

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