Tag: Character Interactions

The Armour of Light by Ken Follett

On By The Unseen LibraryIn Five-Star Books, Historical Fiction4 Comments

The Armour of Light Cover

Publisher: Macmillan (Hardcover – 26 September 2023)

Series: Kingsbridge – Book Four

Length: 737 pages

My Rating: 5 out of 5 stars

Amazon

Acclaimed author Ken Follett returns with another exceptional addition to his iconic Kingsbridge historical fiction series with the fantastic and captivating The Armour of Light.

Out of all the authors who dive into the complex and impressive genre of historical fiction, few are as well-known or epic as Ken Follett, who has been dominating the genre for years with his massive and epic thrillers.  I have only really had the chance to explore Follett’s historical fiction books, with his Century trilogy being a particular favourite of mine (one of my favourite trilogies of all time).  However, Follett’s most iconic work is his Kingsbridge series, which has long gained mass recognition and accolades

The Kingsbridge books are a series of massive, epic novels that chronicle the complex lives of the residence of the town of Kingsbridge in historical England.  Each book follows the lives of several intriguing characters as they attempt to survive the various challenges and turmoil of the age, often coming into conflict with each other in some elaborate and extended ways.  The series started in 1989 with The Pillars of Earth, which is probably Follett’s most successful novel.  Set over the course of 50 years in the 12th century, The Pillars of Earth showcased a range of personal, political, economic and social issues that the characters spent their lives overcoming in different ways, often loaded with dramatic or historical significance.  An exceptionally epic book, The Pillars of the Earth is very highly regarded and was turned into a compelling TV miniseries with an awesome cast.

Follett has since followed up his original novel several times throughout his career, with each of the Kingsbridge books set in a different period of the town’s history.  For example, the 2007 release World Without End (which was also adapted into a miniseries), is set in the 14th century around the start of the Hundred Year’s War.  The 2017 novel, A Column of Fire, was another compelling sequel that mirrored the life and reign of Queen Elizabeth I and featured a compelling plot involving Catholic spies and religious conflict.  The fourth book was the 2020 novel, The Evening and the Morning (one of my favourite books of 2020), which served as a prequel to the rest of the series and showed the founding of Kingsbridge in the early years of Viking infested 11th century.  All four of these books have been exceptionally good, and I love following a whole new group of characters while exploring the unique aspects and conflicts of their historical era.  Due to how much love I have for this amazing series, I was pretty damn excited when I found out that Follet had a new Kingsbridge novel coming out in late the 2023 with The Armour of Light.  Set during the early years of the English Industrial Revolution, The Armour of Light sounded so damn good, and it was one of my most anticipated books of 2023 as a result.

England, 1792.  As Napoleon Bonaparte begins his rise to power in France, the people of England look on in fear and curiosity at the changes wracking their neighbour.  As the march towards progress continues throughout England, many people find their way of life changing faster than they can adapt.  Nowhere is this felt more keenly that the town of Kingsbridge.  A major hub of England’s cloth industry, Kingsbridge has been transformed by the rampant industrialisation and modernisation of ancient textile processes.  Now the cloth workers of Kingsbridge are forced to work in crowded factories, pushing out vast amounts of material in often unsafe conditions.  But with each new advance and new dangerous machine, the number of workers needers diminishes, and soon many in Kingsbridge find themselves out of work and thrust into poverty.

As the march towards war with France continues, many inhabitants of Kingsbridge will find themselves thrust into a conflict between the rich and the poor of England.  Spinner Sal Clitheroe tries to make an honest living, but her stubborn determination to get justice continues to put her into conflict with the town’s rich and elite.  Wool merchant Amon Barrowfield attempts to salvage his family’s business, only to find tough rivals on every front.  Weaver David Shoveller attempts to run a fair business, but an ill-advised love affair could ruin everything, while Sal’s son Kit finds himself obsessed with the new machines manipulating the wool.  These figures personal struggles will define the struggle of their generation, as the fight for freedom and enlightenment coincides with a much bigger war.

Ken Follett has another fascinating and impressive character-driven read with The Armour of Light that once again follows several complex figures as they live their lives in historical England.  Clever, powerful and chock full of historical detail, The Armour of Light was an outstanding addition to the Kingsbridge series and just had to give it a full five-star review.

Much like the other books in the Kingsbridge series, The Armour of Light follows a group of intriguing characters as they navigate life during a turbulent period of England’s history and attempt to change their destiny and the destiny of the people they love.  Set between 1772 and 1824 (although most of the main story ends in 1815), you get an intriguing examination of each of these characters as they overcome all manner of adversity, oppression, war and more.  The scope of The Armour of Light’s story is pretty damn epic as Follett really lays on the challenges and tragedies for his characters to endure and overcome.  There is intrigue, politics, imprisonment, business rivalries, unexpected deaths, conscription, unrequited loved and much more as many of the protagonists find themselves going up against the system and often coming off second best.  You really grow attached to these characters as you follow them throughout the decades and see many of them grow up, find their callings, fall in love, and more, only to often see them then at their worst as they encounter setbacks they can’t overcome.  While most of the story deals with the industrial changes the characters are trying to get used to, the plot does also tie into the Napoleonic War.  Naturally, pretty much all the characters find themselves over in Belgium in 1815, so everyone is involved at Waterloo to some degree or another.  This proves to be an impressive end to the story, and it was fascinating to see where all the various characters ended up, especially after experiencing the deadliest of battles.  I had an outstanding time getting through this elaborate story, which honestly had me hooked the entire time.  Despite The Armour of Light’s near 750-page length, I managed to power through it in a matter of days, its story was that damn interesting.

As I mentioned, The Armour of Light is part of the Kingsbridge series and serves as a sequel to all four previous novels.  However, due to compartmentalised nature of the book’s plot and the focus on completely new characters, readers do not need a prior knowledge of the rest of the Kingsbridge books to enjoy The Armour of Light.  The novel is very accessible, and due to the substantial gap between it and A Column of Fire, readers should really consider this a standalone novel that any historical fiction fan can easily enjoy.  However, long-term fans of Follett and the Kingsbridge series will no doubt appreciate seeing how the setting of Kingsbridge has evolved over the years, especially in the face of industrial revolution, which changed the nature of the textiles industry that has always been central to the series’ plots.  There are also a bunch of clever references and connections to the previous novels, although if you don’t pick these up it in no way ruins your flow or enjoyment of the story.  As such, The Armour of Light is a book most readers and historical fiction fans will be able to enjoy, while also serving as an intriguing continuation to the Kingsbridge series.

One of the main reasons why I enjoy the Kingsbridge books so much is because Follett excels at showcasing fascinating historical periods and working his characters into unique situations based on the events of the period.  The Armour of Light is an incredibly good example of this as it examines the impact of the early Industrial Revolution on a textile town like Kingsbridge.  Follett really dives into the intricacies of the mechanised weaving process that would have taken place in factories like this, and the various issues they caused.  As the book progresses, the characters are introduced to new machines more efficient than the last, which causes more of the characters and inhabitants of Kingsbridge to lose work.  This leads to discontent amongst the working classes, many of whom are trying to raise themselves up through any means possible, and the rich factory owners and the other elites try to hold them down using various legal and political angles.  As such, the story captures interesting aspects about the English legal system and the controversial politics at the time, especially as parliament was so against unionisation and other actions after seeing the revolution in France.  I quite enjoyed the discussions that occurred surrounding the French Revolution and Napoleon at various points of the book, and it was fascinating to see the various classes reactions to these events, such as fear from the wealthy, and interest from the poor.  Other intriguing historical elements were also examined throughout the book, such as the growing rivalry between the Church of England and the Methodist faith, and I had a wonderful time seeing them all introduced into the plot.  Follett did a remarkable job working so many of these historical details into The Armour of Light’s story, and it helped to make this a fantastic and fascinating read I couldn’t put down.

Finally, I need to highlight the great characters featured throughout the plot.  Follett came up with an intriguing collection of figures to follow in The Armour of Light, and each of them goes through some compelling trials and tribulations.  I really enjoyed the range of different characters featured within the novel, although most of them were tied into the wool trade to some degree to really hammer home the novel’s main point about change and industrial revolutions.  Follett came up with some very interesting personal stories for each of these characters, and their powerful journeys through life, love and loss, was the true heart of the book.  This includes Sal Clitheroe, the heart and soul of the book, Amon Barrowfield, the always hopeful young merchant, and David Shoveller, a mostly noble figure who works to help those he can.  I also loved the striking Alderman Joseph Hornbeam, who served as the book’s main villain.  The wealthiest man in Kingsbridge, Hornbeam is determined to expand his empire no matter who he must crush to do so.  As such, he comes into conflict with many of the protagonists, and his actions are usually the crux for much of the book’s plot.  I really enjoyed Hornbeam as an antagonist, and Follett weaves some interesting storylines around him, including a hidden backstory, and a redeeming examination of his love of family.  Pretty much all the characters in The Armour of Light were extremely well written, although I thought it was a bit odd that every major female character either committed adultery or lusted after another man while married.  I’m not sure if that was commentary on women’s lack of choice back in the 18th and 19th centuries or some particularly interesting choices from Follett, but it was weird that it happened at least four times.

Ken Follett did an outstanding job continuing his amazing Kingsbridge series with the wonderful book, The Armour of Light.  A compelling and historically rich novel, The Armour of Light was another great read and I had such a fantastic time getting through it.  I have so much love for the Kingsbridge series, and I cannot wait to see what period Follett decides to explore next.  Highly recommended.

Amazon

House of Open Wounds by Adrian Tchaikovsky

On By The Unseen LibraryIn Fantasy, Five-Star Books21 Comments

House of Open Wounds Cover

Publisher: Head of Zeus (Ebook – 7 December 2023)

Series: The Tyrant Philosophers – Book Two

Length: 636 pages

My Rating: 5 out 5 stars

Amazon

The always deeply impressive Adrian Tchaikovsky returns with an exceptional and remarkable piece of fantasy fiction, House of Open Wounds, which presents the reader with a particularly unique and ruthlessly entertaining story, chock full of brilliant characters.

Few fantasy authors have the range and style of Adrian Tchaikovsky, whose distinctive contributions to the science fiction and fantasy fields are quite remarkable.  While Tchaikovsky has written several highly regarded series, I have only just scratched the surface of his works, having read a few of his recent reads.  This includes his first foray into the Warhammer 40,000 universe, with the captivating standalone read, Day of Ascension, as well as the brilliant and elaborate novella, Ogres.  However, my favourite book from Tchaikovsky so far would have to be the outstanding City of Last Chances.

The first book in The Tyrant Philosophers series, City of Last Chances was an outstanding read that I had the pleasure of enjoying earlier this year.  Set around a conquered city with several unique magical inclusions, City of Last Chances introduced the reader to a cool new world and told a range of character driven stories about resistance, religion and sacrifice.  City of Last Chances got a very easy five-star rating from me, and it honestly was one of the best books and audiobooks I enjoyed in the first half of 2023.  I had such a brilliant time with City of Last Chances that when Tchaikovsky announced he was releasing a sequel in the second half of 2023, I was ecstatic.  This sequel, House of Open Wounds, continued some of the complex storylines Tchaikovsky started in City of Last Chances, and it was one of my most anticipated books for the second half of the year.

There are few nations more feared or relentless than the ever-expanding Palleseen.  A rising empire of zealots who are determined to bring Perfection and Correctness to an imperfect world, the Palleseen have advanced out of their homeland in an unstoppable wave, wiping out all religion and superstition as they go.  As cities and kingdoms fall before their military might, their armies leave behind mounds of dead and wounded soldiers who require tending in field hospital tents just behind the frontline.

Into this chaos is thrust the god smuggler Yasnic.  A former priest, miracle healer and occasional rebel, whose previous experiences with the Palleseen saw him hanged, attacked and banished from his city, Yasnic has experienced many upheavals throughout his life.  Saved from another execution by the army bureaucracy, Yasnic and his box of orphan gods arrive at the frontlines, where he has been assigned to work in an unorthodox medical unit.

Made up of a mixture of former priests, gods, magicians, alchemists, artificers, necromancers and led by a gigantic brute known as the Butcher, the experimental medical unit treats the soldiers no one else can save and recycles the rest into the war effort.  Entrusted to save the Palleseen soldiers, but doomed if anyone ever discovers the full extent of their abilities, the surgeons and orderlies of this unit ply their bloody trade as best they can while living as part of an unusual family, but the arrival of Yasnic could change everything.

As Yasnic works to fit into the unit and save lives, his unusual connections to the weakened and hidden gods of the world slowly begin to cause chaos throughout the army.  Not only is he aware of the divine forces that secretly hang around the hospital, but his own illegal and crotchety God is determined to bring miracles to the Palleseen, whether that want them or not.  As an outbreak of impossible healing and sudden pacifism spreads through the regiment, can Yasnic keep himself and his gods alive, or will the full force of the Palleseen zealots come crashing down upon him?

This was another epic and truly remarkable novel from Tchaikovsky that had me hooked the entire way through.  Featuring a dark, bloody and fun story, House of Open Wounds was a particularly distinctive read that told its own captivating story while continuing some of the best elements from City of Last Chances.  Funny, thoughtful and moving in equal measures, House of Open Wounds was an incredible and addictive novel that gets another very easy five-star rating.

I was very impressed with the exceptional and moving narrative that Tchaikovsky pulled together for House of Open Wounds, and I was hooked the second I got into it.  After the events of City of Last Chances, the reader is thrust into a new part of Tchaikovsky’s fantasy world as you find yourself imbedded in a Palleseen battalion following the members of an unusual but effective military hospital.  Like City of Last Chances, House of Open Wounds is strongly character driven, as you follow the personal stories surrounding each of these unusual outsider characters and learn about their complex pasts while watching their lives play out in the present.  Much of the plot revolves around returning protagonist Yasnic and his God, who are drafted into the unit, and you get to see his experiences of the other characters, the wars, and the internal Palleseen bureaucracy.  Most of the first half of House of Open Wounds is dedicated to exploring the new cast of characters and introducing their unique stories, as they find themselves closely following a bloody and dangerous war.  This part of the book is primarily focused on the healing and medical work of the protagonists, as well as diving into their reasons for being there and the unique skills they bring to the surgical table.  Apart from that, there isn’t an amazing amount of major plot progression here, except when Yasnic starts to mix things up around the battalion.  While this pace is a little slow, this first half of the book was really fun and enjoyable, as you find yourself getting really lost in the characters’ lives, unique struggles, desires, and experiences.  It also helps that many of these character details, as well as the mundane events of the hospital, eventually lead to bigger things later in the main plot, and Tchaikovsky does an outstanding amount of set up here.

The plot picks up a lot more in the second half, when the main battalion moves to a different warzone and find themselves involved in a substantial fight that really pushes the medical unit to its limits.  The new battles, as well as the intriguing location they find themselves in, move several of the character arcs in some big directions, and you find out more and more about each of the main characters as a result.  The constant chaos that surrounds Yasnic also starts to take its toll on the main story, as his strangeness and the double-edged miracles he occasionally brings cause him to make enemies and upset the delicate balance of the Palleseen army.  At the same time, the Palleseen war machine starts to alienate the members of the medical unit, who find their talents being stolen to create weapons.  Everything leads up to the big finale, where the protagonists attempt to free themselves with an elaborate and ambitious plan.  This plan makes great use of all their individual skills and histories, and so many little details and elements from the story are used to bring a fun and creative conclusion to the book.  Each of the fascinating character arcs conclude nicely and I loved how Tchaikovsky masterfully brought everything together in a satisfying and entertaining way.

Tchaikovsky utilises his typical excellent and distinctive writing style to convey this elaborate and entertaining narrative to the reader, and I had such a wonderful time seeing it unfold.  As with the previous novel in the series, Tchaikovsky relies very heavily on perspective changes to tell a multilayered, character-driven story.  Like the previous book, many of the major characters are initially showcased in their own chapter at the beginning, which often leads to additional cast introductions.  As the book progresses, the chapters feature perspective changes so you can see more interactions and a wider view of the entire story.  I loved the immediate deep background on several of these characters, and while you still often must wait a while to get their full story, you learn enough to like them in the opening parts of the novel.  Tchaikovsky makes full use of these characters to tell a fantastic story, and I loved how well he showcases some unique events through their eyes.  As with the previous book, House of Open Wounds has a range of tones as Tchaikovsky works hard to produce the right balance of humour, excitement, and moving and powerful character moments.  The multiple detailed and confronting scenes of the bloody battlefield hospitals are well balanced out by the fantastic and subtle humour, which often comes from the outrageous situations that occur throughout the book, as well as the various character’s unique outlooks on life.  This made for a particularly compelling book as you found yourself moving from comedic scene to a more dramatic or tragic moment with frequent regularity, as you find yourself stuck onboard a well-thought-out emotional roller coaster.

House of Open Wounds proves to be an intriguing and clever follow-up to City of Last Chances, especially as the author deepens the lore surrounding this fantasy world and brings back two fantastic protagonists.  Readers of City of Last Chances will have an absolute blast with this book, as you get some interesting follow up to Yasnic’s compelling storyline while also seeing a different side to the antagonistic nation from the first book.  This is a somewhat loose follow-up, and you really don’t need to have read City of Last Chances to enjoy House of Open Wounds.  In many ways this is a good standalone novel, especially as most of the focus is on a whole new group of protagonists, and even Yasnic is given a new name for much of the book.  Tchaikovsky does ensure that some of the key details and plot points from the first book are carried over when needed, although he does leave a bit of context out in places so as not to overwhelm new readers.  As such, House of Open Wounds is a very accessible read, although established fans of Tchaikovsky are going to particularly enjoy this, especially if they loved City of Last Chances.

One thing you can always rely on Tchaikovsky to do is to pull together an elaborate and deeply compelling world to set his stories around.  This is extremely true in this series as Tchaikovsky has come up with a war-torn landscape filled with magic, gods, demons and a new rising empire.  The author did some interesting set up for this world in the previous novel, although the plot there was primarily contained inside a single city.  In House of Open Wounds, the reader gets to see a bigger chunk of this world, even though much of the plot takes place either on the battlefield or in the camp behind the lines.  Despite this, you get a better idea of the politics, wars and conquests that have taken place in recent history, and you particularly learn more about the Palleseen.  The Palleseen are a group of ideological zealots dedicated to bringing their version of perfection to the world, which primarily involves breaking everything down into logic and reason, and doing away with superstitions and beliefs.  As such, their goal is to rid the world of gods, deities and other superstitions, usually by conquering the lands and bringing them under the control of their relentless bureaucracy.  Most of this book is dedicated to exploring the nature of their war machine, and you really get to see just how corrupt and ambitious some of their members are as a result.

I loved the focus on the military hospital and the war camp for most of the book, especially as seeing the various members of Palleseen camp allows the reader to fully understand the many problems, compromises and cruelties the Palleseen experience on their road to perfection.  Tchaikovsky throws in some great critiques of militarisation and empire building throughout the book as you see these perfect Palleseen become racked with pride, ambition and greed to prove themselves and advance up the ranks.  Their determination to win means they turn a blind eye to gods and superstitions when it suits them, and that results in the experimental medical unit that serves as the centre of the book.  However, while they appear to only want the assembled gods, alchemists, and other strange magics for healing, really they are working to corrupt them into terrible weapons to further their war capability.  There are several great storylines that see the Palleseen turning benevolent tools and creatures into highly inventive tools of war, and it serves as a major plot point and motivation for several characters, including a few Palleseen who have enough of their colleague’s lust for power.  Combine that with the returning minor gods, who end up having their own impact on several characters, and the reader comes away with a very cynical look at the Palleseen, and empires in general, which both ridicules them and shows just how malevolent and insidious they can be.

The real key that pulls together House of Open Wounds is the huge array of memorable and complex characters that are introduced throughout the course of the plot.  Tchaikovsky does a remarkable job of introducing and swiftly building up some truly amazing characters in this novel, and their compelling and often traumatic personal stories become so highly ingrained in the plot as a result.  There are so many great protagonists and supporting figures in this novel, and I was personally impressed with how all of them were original characters that were not built up in the prior novel.

The main exception to this rule is Yasnic and his god, both of whom were introduced in City of Last Chances and who are masterfully inserted into this sequel.  Yasnic was honestly one of Tchaikovsky’s best characters in City of Last Chances and I was so glad to see more of him here, especially as the author somehow manages to work in even more development after all the defining character moments that shaped him in the prior novel.  Since we last saw him, Yasnic has moved on from being the last priest of a forgotten god and has instead become a more generalised religious figure, offering shelter and assistance to fallen and orphaned gods who no longer have any power or believers by carrying them around in a box on his back.  After everything he has gone through, including his own crisis of faith, Yasnic now has a different view of the world, although he is still being haunted by his demanding and petty god.  Yasnic has some wonderful moments in this book as he tries to fit into his new role while also hanging onto the trappings of his old life.  Desperate to save everyone he can, Yasnic finds his views and pacifism really badly damaged by the constant war and the relentless and orderly Palleseen, and he is forced to make some haunting compromises.  You really get some very interesting insights into Yasnic’s mind in this book, especially as you see how the aftermath of him abandoning his position as a priest impacted him.  You cannot help but feel for the extremely likeable Yasnic at times, as he is thrust into tragic and heartbreaking positions against his will, and his quiet determination and general positivity pluck at your heartstrings.  Throw in some great new friends, an unusual but surprisingly wholesome love interest and a series of unfortunate misunderstandings that frustrate even this gentle soul, and Yasnic once again stands out as a particularly awesome and likeable protagonist.

The other side of Yasnic’s character resides in the body of his tiny, stumpy, and petty deity, God, a former major healing god who has lost all his worshippers apart from Yasnic, but still maintains his powerful healing abilities.  However, God refuses to heal anyone unless they swear a vow of pacifism, and if they cause harm to someone in any way, it will result in their wounds automatically returning, generally resulting in a sudden death.  Thanks to his stubbornness, pride, and his whiny focus on Yasnic’s soul, God was one of the most entertaining characters in City of Last Chances, and I am really glad that Tchaikovsky brought him back for House of Open Wounds.  While he is still a judgemental, mischievous and ugly angel on Yasnic’s shoulder in this sequel, you get to learn more about God and why he refuses to help save people.  There are some surprisingly emotional scenes where God expresses why he is so bitter and you really get a much better understanding of his angry mind, especially when Yasnic makes the same mistakes, adding to God’s sadness.  I also loved how well God played off Yasnic as he proves to be a surprising and entertaining counterpoint to the humble and nice former priest.  While most of their dialogue is quite contentious, with God trying to control his increasingly independent former priest, you can see deep down that God cares about Yasnic, and they form quite an interesting and fun duo.  Tchaikovsky took God’s character arc in some interesting directions towards the end of House of Open Wounds, and I have a feeling he is going to be a real nuisance to people in the next book.

House of Open Wounds also features quite a fun range of supporting characters, each of whom has their own compelling story to tell.  This primarily includes the crazy and unusual group of associated healers and hospital workers that work in the experimental hospital unit, as well as the competitive and dangerous Palleseen officers controlling their destinies.  I won’t go into too much detail here, as I could honestly go one for a paragraph about each, but I was really impressed with how well Tchaikovsky set each of them up and explored their histories and stories as the booked continued.  There are some brilliant and very well fleshed out character arcs everywhere in House of Open Wounds, and I loved just how compelling a story Tchaikovsky was able to make as a result.

Adrian Tchaikovsky once again shows why he is one of the absolute best authors of complex and intelligent fantasy fiction with this outstanding and epic read.  House of Open Wounds is a deeply clever, compelling and moving read that hooks the reader with its unique scenarios, fantastic humour, and memorable characters.  I loved every single second I spent reading this novel and I really appreciated the amazing way Tchaikovsky chose to continue the great story started in City of Last Chances.  I cannot wait to see what over elaborate fantasy stories Tchaikovsky creates in this universe in the future, and this epic novel is one of the best pieces of fantasy fiction I enjoyed in 2023.

Amazon

The Last Devil to Die by Richard Osman

On By The Unseen LibraryIn Audiobook, Murder Mystery16 Comments

The Last Devil to Die Cover

Publisher: Penguin Audio (Audiobook – 12 September 2023)

Series: Thursday Murder Club – Book Four

Length: 10 hours and 50 minutes

My Rating: 5 out of 5 stars

Amazon

The exceedingly talented and amazing Richard Osman returns with another exceptional entry in his acclaimed Thursday Murder Club series, with the entertaining and emotionally rich The Last Devil to Die.

Over the last few years I have been blown away by the incredible Thursday Murder Club novels, the debut series of British television personality Richard Osman.  This amazing series follows four residents of a retirement village who solve murders as the Thursday Murder Club.  Featuring a perfect blend of gripping mystery, brilliant and likeable characters, a fantastic sense of humour and a certain amount of tragedy, the series has been a real joy to read.  This includes The Thursday Murder Club (one of my favourite books, debuts and audiobooks of 2020), The Man Who Died Twice (one of my favourite books and audiobooks of 2021), and The Bullet That Missed (one of my favourite books and audiobooks of 2022), each of which got full five-star reviews from me.  As such, I have been eagerly awaiting the fourth book in this series, and The Last Devil to Die was one of my most anticipated books for 2023.  Unsurprisingly, Osman did not disappoint and presented another compelling and highly addictive read that I absolutely adored.

Elizabeth, Joyce, Ibrahim and Ron are the Thursday Murder Club, four bored and bright retirees living at Coopers Chase retirement village, spend their spare time keeping busy with an unusual hobby, solving murders.  Already responsible for bringing several crooks to justice, the club hope to enjoy a nice Christmas without any deaths.  However, murderers are rarely so considerate, and the four friends soon find themselves involved in a complex case that hits close to home.

Antiques dealer Kuldesh Sharma, an acquaintance of the group and an old friend of Elizabeth’s husband, Stephen, has been found shot dead on a dark country lane, apparently the victim of a professional hit.  Determined to get justice for their friend, the club and their associates jump into action and begin their usual unconventional investigation.  Their prying soon uncovers connections between Kuldesh and a local gang of drug importers who were using Kuldesh’s shop as cover for one of their deals.

It quickly becomes apparent that Kuldesh’s death is related to a box of heroin that was in his possession and which has since gone missing.  To find Kuldesh’s killer, the members of the club will need to discover where the heroin is hidden, as well as why Kuldesh decided to steal it.  Their investigation will take them into the dark world of drug dealers, art forgers and stolen antiquities, and force them up against several different groups of criminals each searching for the same prize.  Can the Thursday Murder Club once again solve the case before the murderer escapes, especially when an even greater tragedy waits on the horizon?

This honestly might be one of the very best books I have read all year.  Osman, who I have extremely impressed with in recent years, did a remarkable job with this fourth entry in the series, producing another superb and emotionally charged novel with a clever mystery around it.  Thanks to some high-intensity inclusions and some brilliant character work, The Last Devil to Die is easily one of the strongest entries in this entire exceptional series, and I was hooked the entire way through.  This latest book gets an easy five-star rating from me, and I doubt I will ever forgive Osman for everything I was forced to feel while getting through it.

The Last Devil to Die has an outstanding story behind it, and I was once again deeply impressed by how Osman effortlessly combines an elaborate mystery with intriguing character driven storylines.  The book starts with Kuldesh Sharma, who appeared in the prior novel, getting murdered apparently over a missing box of heroin.  This quickly sets off the new investigation, and the protagonists and their continuously growing group of associates utilise their usual unorthodox methods to get a good picture of events and pull together a group of unusual suspects.  Of course, it doesn’t take long for the case to go in some very interesting directions, especially with extra murders and a segue into the world of antiquities forgeries.  I really got caught up in the intriguing mystery, especially as there are some great complexities, an array of fun professional villains, and some highly entertaining encounters, including a remarkably fun lunchtime meeting with all the suspects.  At the same time, I was also there for the characters, as Osman dove into their unique lives and provided some fantastic development.  However, one major piece of character development proved to be the most compelling part of the entire book and really knocks you for six with a major event around two-thirds of the way through.  This bit of development has been building for the entire series, but when tragedy finally hits you are not ready and it strikes you very hard in the feels.  I honestly was near tears at parts of the book, it was that damn sad, and Osman works to ensure that every major character is affected in a noticeable and gloomy way.

Following this major event, Osman moves towards solving the various murders featured within the book.  This last part of The Last Devil to Die is noticeably more subdued, which was honestly very fitting and completely understandable.  Despite this darker tone, the reader is still very invested in the plot, especially as a solution to the mystery promises to bring some much-needed emotional relief.  Osman delivers this in spades, and there are several clever and thoughtful solutions chucked in as a result.  While I saw a few reveals coming, the way the characters solved the compelling case was impressive and quite brilliant.  Several subtle and well-placed clues were masterfully exploited, and the way that Osman hid them in plain sight is exceedingly clever.  The solutions to the other killings were great as well, especially as they tied into a fun longer-running storyline around a secondary character, and I loved how many of the villains got an appropriate reward for their deeds.  The conclusion of the plot is very well handled, and the reader comes away from The Last Devil to Die both highly satisfied and very sad, much like the protagonists.  This was such a brilliant and moving narrative, and Osman does a wonderful job of fitting in his mystery while wrapping up several long-running narrative threads.

Just as he has with the previous novels in the Thursday Murder Club series, Osman backs up his excellent story with some top-notch writing that drags you in with its tone, subtly and entertainment.  The Last Devil to Die features Osman’s typical exquisite blend of mystery, humour and character development, which is expertly featured in every scene.  While the main mystery is great, watching the brilliant characters grow as they solve it in the most entertaining way is so much fun, and you will be glued to the book as you go.  The comedic charm of a Thursday Murder Club novel is very subtle and undeniably British, but it constantly flows into every scene, with the restrained and often topical jokes and observations of the characters working well with the other story elements.  This includes a large amount of sombre and darker moments, as many of the characters experience a certain amount of tragedy, especially related to the woes of getting older.  Osman honestly turns the heartbreak up to 11 in certain parts of The Last Devil to Die, and readers are in for some powerful emotional blows in this novel, which works both in the context of this single novel but the series as a whole, as it cleverly builds on prior events from the earlier books.  Due to this, I would strongly recommend that readers start the series back at the first book, rather than diving into The Last Devil to Die first, as it will allow you to get the full emotional impact.  However, Osman does ensure that The Last Devil to Die is open enough for new readers to experience, and they honestly will not be spared from the feels either.  Osman does such a good job wrapping together the hurt with the humour, and the emotional combination really strengthens both the character arcs and the mystery elements of this outstanding read.

While the story, mystery and humour are all outstanding parts of The Last Devil to Die, without a doubt the high point of any Thursday Murder Club novel are the characters.  Osman has an incredible knack for producing compelling, delightful, and impressive characters who you cannot help but fall in love with.  Thanks to his split between different perspective characters (which includes a change in writing style for Joyce’s journal entries), you get to see so many different angles of this mystery, and I loved the amazing personal arcs that emerged as well.  Osman does a great job of balancing the narrative between the many characters featured in the novel, including the recurring protagonists from the previous books and several new intriguing figures.  These characters form the emotional heart of The Last Devil to Die and Osman really amps up the feelings, tragedy and love for this latest book to produce an exceptional and memorable read.

At the centre of the story are the members of the titular Thursday Murder Club: Elizabeth, Joyce, Ibrahim and Ron, four cheeky and brilliant retirees who pass their time solving murders.  Osman has done such a good job setting these characters up as a group throughout the previous books, and they each have a well-defined role in the group, with Elizabeth the hard-nosed former spy serving as leader, Joyce the loving grandmother figure who is a lot more devious and strong then people realise, Ron the tough larrikin who is starting to come to terms with his feelings, and Ibrahim the sensitive soul who can connect with everyone.  These fantastic characters prove to be the usual dedicated and brilliant investigators, and it is always fun to see them utilise their unique skills and their old age to solve their crime.  Much of the book’s humour is derived from them leveraging their advanced years and apparent helplessness to trick or manipulate the younger suspects, and I always enjoy their direct and hilarious take on crime solving.  However, while there is a certain humorous element around these characters in The Last Devil to Die, certain significant events throw them into an emotional tailspin and watching them become unstuck and devastated really hits the reader hard.

Elizabeth in particular is hit the hardest and this is honestly the most significant novel for her, especially as the great tragedy she has been expecting for the entire series finally comes to pass, and your heart hurts at seeing such a strong character broken down so much.  Joyce proves to be the emotional rock the novel, stepping up when the others are down and trying to keep the investigation going.  I loved seeing Joyce the leadership role, and watching her come out of her shell proves to be quite heartwarming in light of other tragedies.  Ron probably gets the least amount of focus in The Last Devil to Die, but he still has his moment to shine throughout this book.  Not only does he have one of the funniest scenes when he has to pretend to be traumatised at discovering a body, but his chaotic romantic relationship raises some fun questions about when Christmas gifts should be opened.  I also deeply enjoyed Ibrahim’s character focus, not only because of his warmth and insights, but because of his unusual friendship with imprisoned criminal Connie Johnson and his fantastic patter with Ron.  Osman also finally reveals some secrets about Ibrahim’s past that have been hinted at in previous books, and I loved the extra layer of understanding about Ibrahim that results.  Each of these main characters are so well featured and their emotional struggles prove to be such an important part of the plot and help to turn The Last Devil to Die into in a very powerful and moving novel.

In addition to the main cast, Osman’s ever expanding collection of supporting characters were very well featured in The Last Devil to Die, and while they are primarily there to assist the main characters with their investigation, the author always takes the time to develop some intriguing and heartfelt storylines around them.  This includes the duo of DCI Chris Hudson and PC Donna De Freitas, who find themselves once again competing against their retiree friends to solve the case, despite their futile attempts to keep them out of trouble.  While many of their scenes are played for laughs, especially as they get exasperated trying to stop the club members, they add in a good official police presence and move the story along in some interesting ways.  There is also a continued focus on their personal lives, especially as they have both found true happiness thanks to the events of the prior books.  Cocaine queen and jailbird Connie Johnson proves to be another great recurring figure here, especially as much of her story deals with her simultaneously manipulations of Ibrahim and her attempts at rehabilitations.  Her scenes opposite the team’s psychiatrist are pretty hilarious, and it’s going to be fun to see how her storyline continues.  The always dependable Bogdan is also a fantastic presence in The Last Devil to Die, and I loved how he proves to be both a supportive partner to Donna and a reliable assistant in Elizabeth’s attempts to undermine the police.  Bogdan is also hit emotionally hard in this book and you really have to feel for this wonderfully written character who has the body of a thug and a heart of pure gold.  Throw in several great new antagonists, an unpopular elite police officer and several entertaining new residents at Coopers Chase, and this proves to be an amazing book when it comes to supporting characters.

However, the character I need to talk about the most is Elizabeth’s academic husband, Stephen, who honestly has been one of the strongest and saddest figures in the entire series due to his growing dementia.  A caring and intelligent figure, despite his ailment and his wife’s attempts to hide him from the world, Stephen is such an impressive character you honestly cannot help but fall in love with.  It is always so tragic to see Stephen slowly lose his mind while Elizabeth’s heart breaks next to him, and I really appreciate how well Osman portrays the complexities of dementia when it comes to this figure.  Despite that, he proves to be an essential part of the plot, and his insights into his friend have some major impacts on the case, even if you do not realise it at the time.  Osman also makes sure to enhance the misery around Stephen again in this book, especially as he finally becomes aware of his condition in one of his lucid periods, and the resulting scenes are so damn moving and emotional as a result.  Everything about Stephen in The Last Devil to Die, from his continued warmth, his love for Elizabeth even when he doesn’t know who she is, his sad friendship with a local fox, and his journeys back inside the past of his mind, is handled perfectly and powerfully, and he honestly steals every moment he is in.  Stephen steals the show in his own way in The Last Devil to Die, but honestly every character in this book is pretty exceptional, and you will find yourself falling in love with them again, even if it breaks your heart.

Due to my previous experiences with this series, I chose to check out The Last Devil to Die on audiobook, rather than reading the physical copy I received.  Coming in with a runtime of just under 11 hours, this is a relatively quick audiobook to get through, especially once you get caught up in the story, which you definitely will.  I find that the audiobook format is pretty damn good at getting so many elements of Osman’s story across, including the characters, the powerful emotions and the fun humour, and you really will have a hard time turning off this audiobook of as a result.  It also definitely helps that they keep getting such awesome narrators in to read these books.  The first two entries in the series were narrated by Lesley Manville, who did such a great job bringing the characters to life, especially Joyce.  Unfortunately, Lesley left after narrating the first two books, which I was initially sad about.  However, they did a really good job of replacing her in the third audiobook with acclaimed actress Fiona Shaw, who also returns for The Last Devil to Die.

Now I was already a fan of Fiona Shaw before her work here, and I think she was honestly the best possible replacement they could have gotten for Lesley Manville.  Utilising her trademark Scottish accent, Shaw hits the story with a soft and gentle voice that perfectly fits the more relaxed tone of these murder mystery novels.  These gentler tones are excellent at conveying the unique humour and emotions of the Thursday Murder Club books, and I really got enveloped by the powerful story as a result.  Shaw also does an outstanding job voicing each of the brilliant characters featured within this book and I have a lot of love for the vocal choices she makes here.  Now, while there is a little difference between Shaw’s performances and the previous audiobooks with Manville (Manville is a natural Joyce, while Shaw more of an Elizabeth), Shaw really keeps the magic from the first two books going.  She does a great job of matching many of the key voices Manville originally used, while also adding her own flairs to make the characters her own.  I really loved how effortlessly Shaw slipped into the various members of the cast, and this honestly helps you fall in love with all the characters and the story as a whole.  This entire audiobook honestly comes up pretty perfectly, and there is even a fantastic and cosy chat at the end between Osman and Shaw discussing the series.  As such, I would strongly recommend the audiobook version of The Last Devil to Die to anyone interested in checking out this novel, and it is easily the best way to enjoy this fantastic series.  One of the best audiobooks of 2023!

Look, I could go on about how good The Last Devil to Die is, but the bottom line is that this was an exceptional read and one of the best entries in the already great Thursday Murder Club series.  Richard Osman did a wonderful job of producing an elaborate and compelling book that featured both an amazing mystery, and some outstanding character work.  Funny and tragic in equal measures, and with some of the most emotionally charged scenes of 2023, The Last Devil to Die was an incredible book from start to finish and I cannot recommend it enough.  This fantastic book is going to top all my end-of-year best of lists and I cannot wait to see what Osman releases next.

Amazon

Throwback Thursday – Ghost Story by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday5 Comments

Ghost Story Cover

Publisher: Penguin Audio (Audiobook – 4 August 2011)

Series: Dresden Files – Book 13

Length: 17 hours and 36 minutes

My Rating: 5 out of 5 stars

Amazon

So by this point in my explosion of Throwback Thursday articles I think I’ve made it pretty clear that I have been really enjoying the epic Dresden Files series lately.  This amazing series has so much going for it, and after listening to and reviewing Small Favour, Turncoat and Changes, I honestly had no choice but to dive into the 13th entry in the series, Ghost Story, especially as it continued on from a great cliffhanger at the end of Changes, and boy am I glad that I did.

Harry Dresden is dead.  Brutally and suddenly gunned down following his victory over the Red Court of vampires and his decision to sell his soul to Queen Mab, Dresden’s life is over, and his body is lost to the murky depths of Lake Michigan.  However, nothing is ever simple for Chicago’s only professional wizard and supernatural protector, and even his own death proves to be far too complicated for his own good.

Waking up in spiritual realm between life and death, Dresden is given an option to travel back to Chicago as ghost to clear up his irregular death.  If he manages to find out who killed him, he may save the lives of the friends he left behind, but if he fails, he will be wiped from existence completely.  Determined to save those he loved, Dresden elects to return home and finds himself back in his city, but in the six months he has been away, everything has changed.

Without his protection, Chicago has become a target of deadly dark powers wishing to capitalise on the destruction of the Red Court.  Worse, his allies have each been affected by his death, and their attempts to keep Chicago safe in his absence have led many of them upon a dark path.  Determined to save who he can, Dresden calls upon the services of ectomancer Mortimer Lindquist.  However, Mortimer is facing his own difficulties as a sinister force seeks to capture him using an army of dark spirits.  To help Mortimer and his friends, and to discover who has behind his death, Dresden will need to master his new ghostly abilities and face down some of the deadliest creatures stalking the afterlife of Chicago.  But even if he succeeds, is the remnants of Dresden’s soul ready for the dark truths and hidden secrets lurking just around the corner?

Well damn, the further I get in this series the more I appreciate just how good an author Jim Butcher is.  Ghost Story is another exceptional and epic Dresden Files book, and it might be one of the very best things he has ever written.  A dark and complex character-focused tale that places its protagonist is his most unique situation yet, Ghost Story has so much going for it, and I loved every second I spent reading it.

Ghost Story probably has one of the most unique and memorable narratives in the entire Dresden Files series, primarily because the protagonist and narrator is dead.  Cleverly following on from the intense cliffhanger of Changes, in which Dresden gets shot and killed in the final scene of the book, Ghost Story sees Dresden’s shade sent back to Chicago six months later to solve his own murder.  The initial scenes of Ghost Story are pretty interesting, and I quite liked how Butcher set up the scenario and reinforced it with the book’s first major action sequence at Mortimer Lindquist’s house, where the protagonist learns some of the rules about being a spirit and has his first encounter with the book’s antagonist.  The story really takes off when Dresden meets up with all his old friends and sees how much things have changed since his death.  The emotional damage his murder has caused is pretty damn moving, and the unintended consequences of his victory against the Red Court serve as a good set-up for some new long-running storylines.

The narrative from here continues at a brisk pace as Dresden attempts to simultaneously solve his murder, aid his lost apprentice, help a bunch of street kids being controlled by a minor sorcerer, and save Mortimer from a dangerous entity.  The last one proves to be the major storyline of the book, especially as it involves an old foe of Dresden’s, and the protagonist is forced to use all his limited ghost powers to save him.  This leads to several intense and distinctively dark set pieces, including a memorable storming of the beaches, an invisible ghost duel, and some major sacrifices.  The final confrontation of the book is very impressive, especially as it helps to reveal the full truth behind Dresden’s murder.  Butcher was really clever in setting this up big reveal, and I thought it was very fitting and complex, especially as it ties nicely to some events in Changes and hints at some great evils yet to come.  The scenes that follow are some of the best and most emotionally charged, as many of the characters get closure, and you get to see just how important Dresden is to his friends and family.  In some ways I kind of wish that Butcher ended series here, as there was a certain finality to some of the storylines that I really appreciated.  However, I’m also not upset that Butcher chose to continue the Dresden Files even further, and the inevitable scene returning Dresden to life was handled extremely well, setting up a whole new course for the protagonist.

I really liked how effectively Butcher wrote Ghost Story so that it had a different feel to most of the other Dresden Files books.  Thanks to the protagonist’s ghostly form, there is less traditional action and adventure, although Dresden compensates for this by bringing in a lot more world building and a lot of emotional character moments.  Thanks to the situation of the protagonist and the general gloomy atmosphere of the current setting, this is a much more subdued and grimmer Dresden Files novel than you might be used to.  Luckily, Butcher does try to break through this darker content with Dresden’s usual humour, which helped to lighten up some of the other characters in the book.  The usual investigative elements are still strongly represented here, especially as Dresden has to find his own killer, and I really enjoyed how the protagonist’s new limitations forced him to think about the case in new ways.  The main mystery is set up extremely well throughout this book, with clues hidden both in Ghost Story and Changes.  I particularly appreciated how the subtle absence or mention of a recurring character ended up being a clue, and it’s a brilliant bit of writing once you understand it.  Butcher really got the right blend of story elements here in Ghost Story, and I liked how he made the book a bit darker while still allowing established readers the sense of familiarity to keep them going.  These excellent writing decisions really enhanced the overall impact of the book, especially when combined with the exceptional character work and intriguing new fantasy elements.

Ghost Story is honestly one of the most significant entries in the entire Dresden Files series, not only because it resolves the cliffhanger from the previous novel but because it starts to change the status quo of the series’ wider world.  A lot of major ongoing storylines start in Ghost Story, and the six-month gap between Changes and Ghost Story also results in some intriguing changes to the main setting and supporting cast.  These changes are pretty jarring for established fans but are really clever, and I liked the darker picture of the world they painted.  Unlike most of the books in the Dresden Files series, Ghost Story really should not be read as a standalone novel or an entry into the series.  While Butcher does do his usual excellent recaps, there are just too many big story elements going on in Ghost Story for it to be an effective launchpad for new readers.  The emotional impact of the character interactions will also be reduced for those unfamiliar with the characters, and the big reveal at the end also loses a lot of punch if you haven’t read Changes.

One of the things that I really enjoyed about Ghost Story was the way in which Butcher worked some cool new fantasy elements into the story.  The spiritual world and the undead aren’t unfamiliar concepts to the series, especially with previous entries like Grave Peril and Dead Beat, but Ghost Story takes it in a whole new fascinating direction with Dresden’s death and return as a spirt.  This transformation forces Dresden to learn about spirits and ghosts extremely quickly, especially when he needs to utilise all his new abilities to save his friends.  This proves to be an excellent and complex inclusion, and Butcher does an amazing job of completely changing the abilities of his protagonist for an entire book.  The resultant changes and new talents are very cool, and I loved the dive into what ghosts are and how they can affect the world around them.  It also allows for some impressive scenes, and it was a lot of fun seeing pitched battles between ghostly magical practitioners while the mortals are completely unaware.  Throw in some intriguing new long-term baddies, the Fomor, and some new abilities for established characters, and Ghost Stories proves to be a book where Butcher was at his most inventive.

As with all the Dresden Files novels, one of the key highlights of Ghost Story is the excellent characters and the elaborate personal stories that Butcher weaves around them.  The characters arcs in Ghost Story are particularly poignant and moving, even compared to Butcher’s usual high emotional standard, as the lingering impacts of the protagonist’s death drive many of them to do things they would never expect.

Naturally, most of the focus returns to protagonist Harry Dresden, who experiences some major life changes after dying.  Despite losing his physical body, Dresden maintains much of his usual drive, humour and general disrespect for all the dangerous and scary creatures out there, and if there were ever a character who would excel as a nosey and noble ghost, it would be Dresden.  However, despite his outer façade of good cheer and comedic charm, Dresden is experiencing a great deal of emotional turmoil, because of both the events of the previous books and his regrets of leaving those close to him behind.  There are some brilliant examinations of the pure guilt he feels, especially around his destructive choices in Changes and their impact on his friends.  Despite all this, Dresden is still his usual bold and determined self, and I had an excellent time watching him come to terms with his spiritual nature and his new abilities.  Dresden had to be a lot more passive in this book, which honestly drove him a little crazy at times, and it was an interesting change of pace to see him so helpless.  Butcher also used this book to dive back into Dresden’s past, providing us with some intriguing looks at his early adventures, including his first traumatic apprenticeship, which has been mentioned but not fully explored until now.  I really enjoyed how Dresden was portrayed in this book, especially as Butcher wrote some particularly emotional and hard-hitting scenes for him, and this was one of his most unique adventures.  I look forward to seeing what happens to him next, especially as he comes to terms with certain new facts of his life in the rest of the series.

While Dresden does get a lot of compelling and emotionally rich development in Ghost Story, I really need to highlight how exceptionally well Butcher featured several of his key supporting characters in this novel.  Many of the characters the reader has grown to know and love throughout the course of this series really change in Ghost Story, especially as they have all had to spend six months dealing with the death of Dresden and the crazy world that developed in his absence.  There is some outstanding and brilliant development here as a result, and I really appreciated how effectively Butcher examined the impacts of grief, anger and guilt.

This excellent development can be particularly seen in the character of Karrin Murphey, who, after losing her position in the police and her potential romantic partner in Dresden, was forced into a dangerous war to keep Chicago safe from supernatural threats.  The resulting fights made her a lot more dangerous and unforgiving than we’ve previously seen, especially as she barely manages to keep her grief and anger contained.  The always fun Waldo Butters also grows up a lot for Ghost Story, especially now he is the holder of Bob the Skull.  Butters honestly becomes a better character with each appearance in the series, and it was great to see him being a more determined and bold figure here to try and live up to Dresden’s example.  I also really loved how well Butcher featured the character of Mortimer Lindquist in Ghost Story, as he had a sizeable role here.  A somewhat minor figure from several of the previous Dresden Files novels, Mortimer has been slowly growing into a better person with each appearance, something attributed to Dresden’s influence.  However, Ghost Story is the book were he finally shines, as you get some real insights into his abilities and heart.  While he might not be a traditional heroic figure, he does his best in this book, especially when it comes to helping the lost spirits of Chicago, and I really enjoyed how Butcher featured him, and his ghostly companions, in this novel.

While I loved all the work for the characters above, the most impactful and tragic character development revolves around the fascinating character of Molly Carpenter, Dresden’s wizard apprentice.  Molly has always been a potentially dangerous figure due to her talent for mental magic.  However, the loss of Dresden drives her off the deep end as her guilt and sorrow turn her into something a lot more dangerous and unhinged.  Molly ends up becoming the murderous, magical vigilante, the Rag Lady, to scare sinister creatures away from Chicago, and begins living on the streets, untrusted by her former friends.  This is such a powerful and surprising transformation from her previous appearances, although it’s not too surprising considering some of the darker things she’s done in the past.  Butcher does an exceptional job of diving into her grief, her growing power, and the reasons behind her actions, and it is very heartbreaking to see Molly go down such a dark path.  The full extent of her mental issues is a major part of the book’s plot, and I think that Molly had some of the best development in this whole emotionally charged novel.

As with all the other Dresden Files novels I enjoyed, I made sure to check out Ghost Story on audiobook, which frankly never fails to impress me.  Coming in with a runtime of just over 17 and a half hours, Ghost Story is one of the longer Dresden Files audiobooks, but you really don’t mind as Butcher packed so much awesome moments into this complex story.  Interestingly enough, Ghost Story is the only Dresden Files audiobook that has two separate versions to it, as actor John Glover provided the narration for the first version before James Marsters narrated a second edition a few years later.  While I did love John Glover in Smallville, I decided to listen to the Marsters version, mainly because I have gotten so used to him over the previous 12 Dresden Files audiobooks.  Marsters of course was exceptional here, and his particularly emotional and heartfelt performance in Ghost Story really highlights why he is one of my favourite audiobook narrators at the moment.  There is honestly no better way to enjoy a Dresden Files novel than by having it read out by James Marsters, and this format comes very highly recommended.

Overall, the fourth and final Dresden Files novel I review here today, Ghost Story, was an impressive and highly captivating read, especially when it comes to powerful characters and intriguing fantasy changes as Jim Butcher really showcased his writing skills here.  Exciting, emotionally charged and featuring a very different story than fans are used to, Ghost Story is one of the strongest books Butcher has ever written, and I was hooked the entire way through.  I honestly cannot express just how epic and awesome this series is at times, and I look forward to getting through the last few Dresden Files novels in the coming months.

Amazon

Holly by Stephen King

On By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Thriller17 Comments

Holly Cover

Publisher: Hodder & Stoughton/Scribner (Audiobook – 5 September 2023)

Series: Holly Gibney

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

Amazon

The master of thrills and chills, Stephen King, returns with his latest exceptional read, the powerful and gruesome thriller Holly, an outstanding and utterly gripping read that brings back an amazing original protagonist.

Fans of this blog will be aware that I have been in a bit of a Stephen King mood recently, especially being quite a latecomer to his books.  I have had a wonderful time reading some of his latest works, including Later, Billy Summers and Fairy Tale, each of which has been great in its own way.  I have also been keeping a firm eye out for any upcoming books from King, and I was highly intrigued when I saw that he was releasing Holly in the second half of 2023.

Holly, which was one of my most anticipated books of the year, serves as a continuation of the adventures of protagonist Holly Gibney.  Holly Gibney, who first appeared in Mr Mercedes, is a unique and damaged figure who ended serving a vital supporting role in all three Bill Hodges books, as well as the horror-filled thriller, The Outsider (both of which have been adapted into awesome television series).  Holly is the first full novel where this quirky figure will be the main protagonist (although there was the novella, If It Bleeds), and I was very intrigued to see how that turned out.  I even went back and read Mr Mercedes for the first time so I would have a better idea of the character and their fascinating story.

It is the height of the 2021 COVID pandemic, and Holly Gibney is reeling from the sudden death of her domineering and stubborn mother.  Initially planning to take some time off, Holly finds herself drawn to a new case when distraught mother Penny Dahl calls the Finders Keepers detective agency hoping to get help in finding her missing daughter, Bonnie.  With her partner, Pete, out of commission with COVID, Holly decides to take on the case by herself, especially when Penny’s desperation breaks through to her.

Diving into the case to distract herself from her deep personal concerns, Holly begins to uncover all the details surrounding Bonnie’s sudden disappearance.  But the further she digs, the more sinister the case becomes, especially when it becomes apparent that more than one person has disappeared in the same residential area.  To uncover the truth, Holly will need to find out more about these other disappearances.

However, Holly is unaware of a deadly threat watching her from the suburban shadows.  Professors Rodney and Emily Harris are octogenarians living an easy life as semi-retired academics.  But this old married couple is keeping a dark and unimaginable secret in their basement, one that will shake Holly to her very core.  Can Holly find out what really happened to Bonnie and the other missing persons before the clever and patient professors make their move?

Wow, just wow!  This was such an exceptional and powerful read, and it is one of the best books I have ever read from Stephen King.  Featuring an exciting, emotionally charged and highly gruesome story that will leave you breathless and horrified, Holly had me hooked from the second I started it and it refused to let me go even after I finished it.  Intense, clever, and oh so beautifully disturbing, Holly gets an easy five-star review from me for so many delicious reasons.

Holly has an epic and addictive narrative that grabs the reader’s attention right off the bat, especially as you are immediately introduced to the horrifying schemes of the antagonists.  This great introduction perfectly leads into the main story, which focuses on the protagonist’s investigation into the disappearance of a missing girl.  This is very much a character driven plot, as the protagonist simultaneously deals with her troubled history and roiling emotions following the death of her mother.  King features a range of intriguing character perspectives throughout the course of Holly, showcasing different angles to the case and introducing several additional personal stories.  Thanks to these intriguing perspectives, especially those surrounding Holly herself, the investigative storyline rolls along at a fast and exciting pace, and Holly quickly begins to realise something nefarious did happen to her client’s daughter, as well as other people in the same area.  King backs up these revelations with great flashback chapters that showcase the actual sinister deeds of the antagonists, while also giving you some fascinating insights into who they are and what drives them to commit these insanities.

The resulting story continues at a fast and compelling clip, as you get further drawn into both Holly’s case and the intriguing history of the Harrises and the people whose lives they impact.  King writes a very tight and captivating investigative storyline around the protagonist, and I liked how Holly methodically finds connections and identifies new victims through a series of fun character interviews.  Thanks to the flashback sequences, the reader already knows what the Harrises have done and what Holly is going to find as her investigation continues, which gave the protagonist’s scenes more of an edge as you wait for her to uncover the full horrors awaiting her.  As this unfolds, you are also gifted to several compelling and emotionally charged scenes around Holly, as well as several other great supporting figures, as they go about their damaged and complex lives.  This includes a large sub-story thread around returning character Barbara Robinson, whose foray into the literary world proves quite powerful and personal, while also revealing several major clues in the case.  These multiple character-driven storylines are pretty fascinating and captivating in their own way, and they pull together perfectly into one cohesive and bloody narrative that you can’t prove away from.

While the first two thirds of Holly are extremely cool and addictive, the third act is where everything comes together, and boy is it glorious.  King came up with an excellent and very impressive conclusion that keeps you irresistibility hooked up to the end.  Several lingering questions, such as the fates of characters, are cleverly and gruesomely answered in the leadup to Holly pulling the clues together.  At the same time, the author also revolves several key character arcs and storylines, which set up these various figures for the big confrontations, for better or for worse.  I love how King maneuverers all the characters around through chance, tragedy and mistakes so that there is the maximum risk for his protagonists, and you are seriously left wondering who is going to survive and how the entire story will unfold.  The climatic scenes are pretty damn memorable, as King brings everything together in a brutal way that only he could envision.  The shock, the emotional damage and the horrors that are revealed are extremely powerful and cool, and you will come away from Holly disturbed and satisfied in equal measure.

While I already had a great deal of respect for King’s writing ability before reading this book, I have to say that I was even more deeply impressed with how he pulled Holly together.  This fantastic book was the perfect blend of mystery, suspense and character-driven narrative, and there was frankly not a single second that I did not enjoy.  The way that the author told his complex narrative is outstanding, and I loved how the perspective switches between the various intriguing characters, as well as featuring flashback chapters that range from heartfelt to highly sinister.  The constant changes in focus helped to create a very compelling and elaborate read, and showcasing all the key characters ensures that the reader gets a much more complete and powerful narrative, especially during the main investigative storyline.  While I liked the protagonist’s narrative, some of the best scenes were those that focused on the antagonists and their sinister secrets in the basement.  The Harrises’ scenes are pure and exquisite horror that had me shuddering and shivering the entire way through, especially when you find out exactly what they are doing and why.  I cannot fully express how gruesome King made this part of the book, and I could not stop reacting at his horrifying descriptions at times; it was that damn dreadful.  Combine that with the highly personal and relatable character arcs, and this ended up being an exceptional read that you will have a hard time putting down.

While Holly is part of a larger series of books and stories that feature the main character of Holly Gibney in some way, King makes sure to cover all the relevant details from these previous works where needed, and this can be read as a standalone novel.  Both I and my wife (who hasn’t read any of the books, but did watch the Mr Mercedes television series), were able to follow every point of this book without any issue, although established King readers will probably have fun seeing the story continue from these previous reads.  As such, Holly is an easy and compelling read to check out, even if you are unfamiliar with King’s work, and you are guaranteed to have fun with it.

I cannot talk about Holly without discussing the outstanding and beautifully written characters that help to turn this amazing novel into such a classic and exceptional read.  King has always excelled at wrapping his elaborate narratives around powerful and distinctive protagonists and villains, and Holly is a brilliant example of this.  The heart of the tale lies in the motivations and actions of Holly’s excellent cast, and the simultaneous examination of their lives and the case is so very addictive.

The most prominent of these characters is titular protagonist Holly Gibney, who returns this time as the main character of her own book.  Holly is such a fascinating and complex figure to focus a story around, and while much of her development occurred in previous novels, King still has a lot to work with here.  Already somewhat emotionally damaged and immature, especially after a lifetime of anxiety and manipulation, Holly has only come out of her shell in recent years thanks to the help of her friends and her new career as a private investigator.  However, the death of her mother brings up a whole new bag of issues, especially as it uncovers additional layers of manipulation that Holly had previously been unaware of.  Most of Holly’s scenes see her try to deal with continual feelings of guilt, betrayal and regret that results from these revelations, while the words of her mother continue to play in her head, influencing her decisions.  While this pain and uncertainty is a big part of Holly’s personality, King expertly balances this with some more positive character aspects, including her expert investigation skills, the emotional strength she draws from her friends, and her unyielding determination to find the truth.  King really did a great job of reintroducing and utilising Holly here, and I felt that she served as an excellent central protagonist of her own novel.  I did think that King really didn’t write Holly as a woman in her mid-50s, as she felt a lot younger than she should have, but a lot of this is due to how emotionally immature the character is due to her hard life.  Honestly, her unique insights, thoughts and relationships are extremely refreshing and so much fun, and I would read so many more novels that have Holly Gibney as the main protagonist.

While Holly is a great protagonist, this book would be nothing without the fantastic figures of Rodney and Emily Harris, who might be some of the best villains that King has ever written (which is saying something).  The Harrises are quickly shown to be anything but the harmless retired academics they present to the world, especially when readers are treated to a view of their basement.  I don’t want to give too much away here, because you really need to read King’s excellent buildup to fully experience the horror around them, but they are gloriously and exceptionally sinister.  Part of this is because their age belies how dangerous and malicious they truly are, with other characters constantly underestimating them, and watching these frail figures commit acts of utter evil is very shocking.  Other elements of their sinister nature are derived from the initial secrecy surrounding their motivations as well as the uncertainty around whether their actions are normal human evil or something more unnatural.  King does such a good job of diving into the mind of these characters throughout the course of Holly, and you really get some powerful and captivating insights into who they are and why they are committing their crimes.  The author works in a complex layer of fear, regret, love and insanity underneath their actions, you can kind of empathise with their desires and understand why they are doing what they are doing.  However, these brief flashes of empathy only ensure that the reader is even more repulsed by their actions, especially when you also get the points of view from their victims.  Honestly, I could go on, but I think I will just leave it here and say that Rodney and Emily Harris are exceptional villains, and you won’t be the same after visiting their basement.

Aside from the complex protagonist and the amazing villains, Holly is also loaded with a great cast of supporting characters, each of whom have their own moments to shine.  Many of these are returning figures from the previous Bill Hodges books, such as Jerome and Barbara Robinson, Holly’s friends and emotional support.  Both Jerome and Barbara have had a lot of growth in the previous novels, and it was great to see their stories continue in Holly.  Barbara in particular has a fascinating and moving character arc in this novel, as her horrifying experiences from the previous books inspire her to write haunting poetry.  This proves to be an intriguing and moving side storyline for part of the book, which, while it does have certain implications for the main investigation, also expands on Barbara’s creativity and highlights the joy that writing and creativity in all forms can bring to a person.  Barbara’s mentor, elderly poet Oliva Kingsbury, also proves to be a wonderful additional to the cast, and her canny insights and elaborate experiences add some great depth to parts of the novel.  I also need to highlight the poor unfortunates who serve as the victims of this story.  While many of them are only briefly featured throughout Holly, King ensures that each of them is effectively and emotionally highlighted.  While each of them is primarily shown at their very worst, you really get a sense of who they are, and the inherent tragedy of their lives and what is being done to them, will stick with you.  All these characters and more are so perfectly written by King, and their unique journeys and powerful emotions, help to drive Holly’s narrative in some outstanding directions.

King also injects an interesting level of social commentary into Holly by strongly featuring some of the key events of the last couple of years into this story.  Holly is King’s first novel set during COVID times, and he really tries to showcase how life was changed during this period.  The characters are constantly talking about masks, vaccines, and the impact of the pandemic on their lives.  While this is somewhat repetitive and traumatic for people trying to put that behind them, I felt that it was a perfect reenactment of how life was a few years ago.  The characters encounter all manner of different mindsets and opinions about the pandemic and other key events during this time, which will be instantly recognisable to readers, and I liked seeing the protagonists react to it, especially when it plays into their own personal experiences.  While King mostly speaks through his protagonists, there is a certain level of social commentary, and you can feel that King has some strong opinions about recent events.  While this commentary might not be for everyone, I really appreciated it and I felt that it gave the story some more realism, especially when the author sticks his narrative right in the middle of recent major events.

While I did get a physical copy of Holly, I decided to check out the audiobook version instead, because I had a road trip that this was the perfect accompaniment for, and also because they got the perfect narrator in Justine Lupe, who plays the character of Holly Gibney in the Mr Mercedes television series.  I love it when audiobooks get fun and appropriate narrators with connections to related media, and Justine Lupe was easily one of the best examples of this.  Not only does she perfectly capture Holly’s spirit, emotions and personality due to her experiences with Mr Mercedes, but she also does an amazing job narrating the rest of the story and bringing the other characters to life.  Lupe really dives into all the members of this brilliant cast in a great way, and I love how each of them is gifted a distinctive and fitting voice, such as how she made the Harrises sound both innocent and sinister at the same time.  I was really impressed with Holly’s perfect choice in casting, and I loved the continuation on from the existing portrayal of the titular protagonist.  Coming in at around 15 and a half hours, the Holly audiobook has a decent length to it, but once you start listening to it, you really can’t stop.  As such, I would strongly recommend this audiobook to anyone interested in checking out Holly in all its gory glory, especially if you also enjoyed the Mr Mercedes television series.

I could go on about Holly, but the point is that this latest Stephen King novel is pretty damn exceptional.  Perfectly blending established characters and an elaborate new narrative with some gruesome and intense elements, Holly had me hooked from the first scene thanks to its brilliant storytelling.  Dark, shocking and deeply personal, there is so much to love about Holly, and it was one of the strongest King stories that I have had the pleasure of reading.  I honestly cannot recommend this book enough, both to new readers and established King fans, and Holly is easily one of the best books of 2023.

Amazon

The Shadow Casket by Chris Wooding

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books5 Comments

The Shadow Casket Cover

Publisher: Gollancz (Audiobook – 16 February 2023)

Series: The Darkwater Legacy – Book Two

Length: 32 hours and 37 minutes

My Rating: 5 out of 5 stars

Amazon

Chris Wooding continues The Darkwater Legacy in a big way with his second awesome and massive entry in this great fantasy series, The Shadow Casket.

I was recently in the mood for more epic fantasy reads, so I finally got around to checking out The Shadow Casket by Chris Wooding, which has been on my to-read list for most of the year.  The Shadow Casket is the sequel to Wooding’s exceptional 2018 novel, The Ember Blade, which I had a ton of fun reading back when it originally came out.  The Ember Blade followed a band of revolutionaries, including two young teens caught up in the carnage, as they fought to free their country from an evil empire that had conquered it a generation before.  Featuring a classic fantasy adventure plot with some awesome real-life overtones and loaded with a ton of great characters, a powerful story, and a fantastic new world, The Ember Blade was such a great read, and it got an easy five-star read from me.  I have been eagerly awaiting a sequel for some time now, and Wooding finally delivered his second Darkwater Legacy book this year with The Shadow Casket, which took the reader on another dark and captivating journey.

It has been three years since the destructive events at Hammerholt, when the ragtag band of revolutionaries, known as the Dawnwardens, managed to steal back the sacred Ember Blade and kill the Krodan Emperor’s son, seemingly lighting the fires of revolution.  However, despite the Dawnwardens’ hope that recovering the Ember Blade would encourage their people to rise in revolt, the powerful Krodan empire still reigns over Ossia, bringing new levels of terror in their occupation.  With revolution still as far away as ever, the Dawnwardens, and the Ember Blade’s champion, young Aren of Shoal Point, are forced to take a risk that could turn the tide of war.

Taking the Ember Blade out of hiding, the Dawnwardens travel to the Reaches in the far north of Osia, where the wild and rebellious clans of the Fell Folk fight amongst themselves.  Hoping to recruit the fractious clans to their cause, the Dawnwardens soon find themselves once again under attack from the Krodans and their deadliest weapons, the malevolent dreadknights.  Forced to flee with new allies and returning friends, the Dawnwardens embark on mission to find out what the Krodans are truly doing in Osia and just how far they are willing to go to maintain order.

Finding their first successes since the events of Hammerholt, the Dawnwardens form a new plan to finally strike back at the Krodans and start the revolution they have long hoped for.  However, no matter how hard they fight, the Dawnwardens constantly find themselves outmatched by the dreadknights and their foul magic.  To survive this insidious threat, the Dawnwardens hope to call upon the ancient magic of a lost artefact, the Shadow Casket, which has the potential to either save them or doom the world.  But with deadly foes facing them at every corner, and traitors within their own ranks, can the heroes succeed, or will their revolution finally be cut down?

Wooding continues his epic series in a big way with The Shadow Casket, producing an exceptional and captivating novel that was quite a treat to read.  Expertly following the existing storylines from the first book while also providing an awesome new adventure, The Shadow Casket was a gripping and powerful novel that I had an absolute blast reading.

I really loved the amazing story that Wooding came up with for The Shadow Casket, which is massive in every sense of the word.  Told from many different perspectives, The Shadow Casket has a very powerful character-driven plot that really gets you involved in the lives of all the protagonists while advancing the compelling main plot.  The transition to three years after the events of The Ember Blade was a very interesting overarching choice for this new book, but it was one that works very well, and I loved the realistic detail that the protagonist’s previous adventures didn’t magically save the day as they had hoped.  Wooding starts events off at a somewhat slow pace, which was definitely necessary as he had to re-establish all the key story elements, while also introducing the new setting of Northern Ossia and the Fell Folk.  This does mean that the initial chapters of the book might drag a little for some readers, especially those who did not read The Ember Blade first, although I appreciated the refresher on all the protagonists after all this time.  This early part of the book also sets up many plot points for the rest of The Shadow Casket, and Wooding did an outstanding job laying down a lot of groundwork here.

Things do speed up quickly after the reintroductions are done, as all hell breaks loose around the protagonists in some amazing scenes.  This early part of the book also brings back Cade and Klyssen, who were seemingly killed off at the end of The Ember Blade.  This honestly isn’t that much of a spoiler as both come back very early in the plot, and frankly it wasn’t too surprising considering the deliberate ambiguity of their “deaths” in the previous book.  Their return sets up some great character-driven plots which are very well explored in the first half of the book and have some major impacts on the overall story.  The protagonists soon find themselves involved in several distinctive character-focused quests, including the liberation of a prison camp, the machinations of a traitor, and an intriguing dive into a magical organisation that was only lightly featured in the first book.  These various storylines blend into one cohesive plot, and I liked the early focus on world building and character growth in the aftermath of the first book.  Wooding works in an interesting blend of intrigue, action, adventure, and even some horror elements, which really enhanced the classic adventure quest vibe he was trying to replicate.  I did have issues with an ungainly love triangle that got a lot of attention in the first half of The Shadow Casket, which sapped my enjoyment in places.  However, the other complex storylines that were occurring simultaneously did make up for this, and it thankfully does not last the entire length of the book.

The second half of The Shadow Casket is where things really picked up, and it features all the awesome story moments that the author had been expertly building up.  This includes a deadly adventure quest to a lethal island, which amped up the intensity of the plot, especially as secrets are revealed and tragedy awaits several characters.  These storylines and more, all lead up to epic final quarter of the novel, where the protagonists have their long-awaited mass confrontation with the enemy.  Wooding really set up everything leading up to this final quarter perfectly, and I was very excited going into it, especially as it featured a massive siege.  While there is a focus on the action in this final part of the book, Wooding also amps up the intrigue, as various parties make their moves to betray or mislead either side of the conflict.  The author plays this plot line about betrayal and intrigue perfectly, and there were times when you honestly didn’t know who was betraying who, which was so much fun to see.  This last quarter honestly has a bit of something for everyone, and I loved the inherent tragedy, the gritty battles, and the awesome resolution to so many different plotlines and character arcs.  I also really enjoyed the multitude of clever twists and reveals that Wooding layered in this part of the book, especially as I did not see several of them coming despite the great setup surrounding them.  The final play of the protagonists was particularly brilliant, and the unique siege tactics were quite inventive.  While I did think a few things were wrapped up a little too easily or positively at the end, this was honestly a very strong conclusion for this second entry, and it sets up many great storylines for the rest of the series.  I really came away from The Shadow Casket feeling very satisfied, and I cannot wait to see how my heart will get broken in the next book.

I felt that Wooding did a rather wonderful job of presenting his elaborate narrative to the reader, and his fantastic style definitely drew me into the story.  While there are a lot of positives to the author’s writing, the main thing that I was mostly grateful for was how easy he set everything up so that I could dive back into this series.  As I mentioned above, it has been over four years since I read The Ember Blade, itself a hefty read, so I was initially worried that I wouldn’t remember all the key details and get a little lost.  However, Wooding expertly led readers, both new and old, into his new book and those well-thought-out and slower paced introductory chapters really filled in all the gaps for me.  As such, there wasn’t a single moment that I was lost about what was going on, which considering how elaborate The Shadow Casket gets, is pretty damn impressive.

While The Shadow Casket is a great continuation of The Ember Blade, it also has a bit of a different tone to it.  The focus on failure, regret and fighting losing battles was quite interesting and reflected the continued failed rebellion nicely.  The book itself also comes across as more of an adventure novel, with the protagonists constantly moving and taking on new quests and journeys, rather than the more heist focused revenge plot of the first book.  This ensured that The Shadow Casket stood out a lot more than I was expecting, and it really didn’t feel like a sequel or a tired middle book.  Wooding has a great sense for pacing, and the fantastic mixture of action, character growth and betrayal and intrigue helped to turn this into quite an impressive read.  I have so much love for the multiple elaborate espionage storylines that emerged, and Wooding ensured that the reader never knew what was coming.  The excellent use of multiple character perspectives really helped with this, and it was compelling and often very moving to see the various internal struggles, history and biases that drove the characters to do what they do.  The clever alternate views of the same events also helped to create a much more expansive and captivating plot, and I think that Wooding did a great job of splitting the story up, ensuring that all the key characters got their time to shine.  There was the occasional rough chapter transition that added a touch of confusion at times, but this was usually pretty harmless, and I found the overall narrative to be very powerful and bound together excellently.  Throw in a ton of brilliant and brutal action sequences, including the extended battle at the end, and The Shadow Casket has so much going for it that you will find it very hard to put down.

One of the things I liked most about The Ember Blade was the elaborate and complex world that the book was set in.  In particular, the focal nation of Ossia was such an interesting main setting, especially as it was occupied by its stronger neighbour, who had ruled it for years.  This portrayal of Ossia had a lot of similarities to occupied France during World War II, especially as the invading Krodans were an obvious stand-in for Nazis/fascism.  This occupied fantasy nation had a certain realism to it that deeply enhanced the story, especially as the characters interacted with collaborators, rebels and locals who believed the Krodans were helping them, all while witnessing examples of Krodan cruelty.  These issues were further compounded by the fact that Ossia was already a rather fractious nation, and their lack of cooperation and unity helped the Krodan conquest years before.  Wooding continued to expand on this examination of occupied Ossia in The Shadow Casket, especially as revolution and uprisings were such an important part of the plot.  I loved the intriguing plot point about how, despite the protagonist’s actions in the first book, most of Ossia was still too cowed or wracked with infighting to join in the rebellion, making the sacrifices in the first book seem pointless.  This ensured that occupied Ossia continued to be a dangerous and compelling setting for much of the story, and Wooding doubled down on the Krodan comparisons to Nazis, especially as the Krodan’s engaged in massive retaliation strikes against the Ossian populace while also rounding up a minority group into concentration camps.  These intriguing details add a lot to the plot, and it was interesting to see how they continued from the first book.

Wooding also worked in quite a lot of world building as he sought to explore new areas within the larger fantasy realm.  This includes several intriguing and deadly new locations, such as a swamp full of dark spirits and the lethal island of Yaga, where ogres and magical slavers reign supreme.  These areas, which serve as cool settings for several key parts of the book, are great to explore, adding in some very distinctive risks, and it served as a compelling expansion of an already great world.  However, the most significant new setting is probably the northern area of Ossia known as the Reaches.  A hilly area populated by warring tribes, this part of Ossia was culturally segregated from the more urbanised southern setting before the Krogans arrived, and now is even more oppressed.  A large chunk of the novel revolves around the complex tribal politics and history of this region as the protagonists attempt to bring them together as allies while also striking back at the forces oppressing them.  Several of the best sequences, including the final battle, are set around here, and I loved the craggy and isolated feel that Wooding gave this setting.  The author also does a wonderful job expanding on some of the fantasy aspects of his series.  While there were quite a number of great and freaky magical and fantasy elements in the first book, The Shadow Casket really dives into this further, showing several different batches of magic.  This includes a fascinating examination of the Ossian druids, whose magical conclave in the first half of the novel serves as a major plot setting.  There is also a fantastic and dark examination of the magic being used by the Krogans to create their more elaborate weapons.  This look at Krogan mysticism is pretty fascinating and serves as a great contrast to their usual anti-magic dogma.  It also leads to some of the darker scenes in the book, including the exploration of a corrupted prison camp, which honestly bordered more on horror than anything else.  There are some fantastic and complex hints at the dangers to come, and I cannot wait to see how dark and compelling Wooding makes his setting in the future.

However, the most impressive and memorable part of The Shadow Casket has to be the outstanding and elaborate character work that Wooding expertly inserted into the story.  The Shadow Casket has an exceptional and memorable cast, which includes a great combination of characters from The Ember Blade, as well as several intriguing new figures.  All the characters are damaged and complex, especially after the events of The Ember Blade, and thanks to the author’s excellent use of alternating perspectives, you get to see into their minds and find out what drives them and what their intentions are.  I deeply appreciated how well the character stories altered and drove the main narrative and Wooding’s excellent character work really gets you invested in everyone’s personal journey.

As with The Ember Blade, the main character of The Shadow Casket is Aren of Shoal Point.  A teenager drafted into the rebellion by circumstances, Aren is trying to live up to his own legend after masterminding the Ember Blade heist and being declared champion.  Now a figurehead leader chafing under the responsibilities and expectations of everyone around him, Aren starts the book with a lot of his usual certainty and confidence gone, especially as the disappointments of the last three years are hanging over him.  Most of his arc involves him trying to decide whether he deserves all the fame and trust people are putting into him, as well as wondering what his destiny is.  I really liked this compelling character arc that Wooding came up with for Aren, especially as it is totally understandable that he would feel these doubts with his complex history.  While Aren probably was a more passive protagonist than some readers were hoping for, I felt his early mindset of following others fit nicely into the uncertainty he felt, and Wooding did a great job of portraying this and his eventual regained confidence.  Aren also proves to be a linchpin character for The Shadow Casket, mainly because so many other character arcs are defined by the relationships that Aren has formed over the years.  While a couple of these relationships do have some flaws in them, the rest are exceedingly emotionally rich and Aren’s connections help the other characters to grow and develop alongside him.  Aren continued to be an outstanding and complex protagonist for this second Darkwater Legacy novel and I look forward to seeing how he develops in the future.

One of the other major characters I need to highlight is Cade, Aren’s childhood friend who was forced into the adventures in the last book before heroically sacrificing himself at the end of The Ember Blade.  Cade returns quite early in The Shadow Casket, having spent three years away from his friends.  However, he is now carrying some dark secrets and a new hidden history that defines most of his actions throughout The Shadow Casket.  Cade had one of the best and most powerful character arcs in the entire novel, which I will not elaborate on too much here to avoid spoilers.  However, it was extremely well written and added some much-needed emotional depth to Cade’s character.  Wooding does an outstanding job of expanding on Cade’s character arc and story from the first book and the examination of the complex relationship between Aren and Cade resulted in some of the most moving moments in the book.

There are several great antagonistic characters in The Shadow Casket, including sinister Krodan officials and several hidden traitors, but my favourite villainous figure has to be the great character Klyssen.  A member of the Krodan secret police, Klyssen was the primary villain of The Ember Blade, and Wooding takes the opportunity to develop him further in some fantastic ways in the sequel.  Not only does he provide an alternative viewpoint to the Krodans but Wooding manages to make Klyssen into a surprisingly sympathetic character in The Shadow Casket.  Thanks to the events of The Ember Blade, Klyssen starts this new book scarred, disgraced, demoted and divorced, and is now at something of a moral and emotional crossroads.  Now driven by personal reasons, Klyssen has a bit of a redemption arc in The Shadow Casket, and it is honestly a sign of just how good Wooding is at writing characters that you actually feel sorry for this previously despicable villain.  Klyssen ends up being one of the more complex and damaged figures in the entirety of this second book, and I loved his more nuanced mindset and desperate motivations, which make his chapters particularly compelling and emotionally charged.  You really begin to feel for Klyssen, even if you don’t want to, and I really appreciated the complex additional development Wooding worked into him for this sequel.

Of course, I cannot talk about characters in The Shadow Casket without mentioning Grub, who honestly might be one of the most entertaining and hilarious figures I have ever had the pleasure to read.  Gruff, crude and inappropriate in every way imaginable, Grub is a slippery and self-obsessed figure who never fails to get a laugh thanks to his jokes, selfish mindset, fun observations on the people around him, and pure disinterest in what is actually happening.  Thanks to this humour, Grub has some of the best chapters in the entire book, and you always know you are in for a good time.  However, Wooding also creates a particularly complex and intriguing story arc around Grub that really resonates with the reader.  Coming from a culture that venerates heroic actions and tales, Grub was exiled from his people after claiming another person’s deeds.  As such, a lot of Grub’s sVVavsdtoryline involves him trying to redeem himself by become a hero, which really does not come naturally to him due to his selfish nature and upbringing.  This honesty proves to be one of the more complex story arcs in the entire book and you really get invested in his attempts to do the right thing.  A lot of this story revolves around his unlikely friendship with Aren, who serves as Grub’s moral compass, and their compelling relationship is one of the most heartwarming parts of the entire book.  I cannot emphasise just how much fun Grub is as a character, and it honestly is impossible not to fall in love with him, especially with the fantastic depth Wooding adds to his story.  While I would read an entire book about Grub, I think that Wooding did a good job not overusing him in The Shadow Casket, and blending in the other characters extremely well.

Other significant characters include Vika, a powerful druid whose connection with the spirits and the gods offers the only hope against the Krodan dreadknights.  Wooding weaves a fantastic narrative around Vika that dives into her unique and desperate personality while also using her as a focus for the more mystical elements of the book.  I quite enjoyed seeing Vika develop into more of a powerful magical user, although the emotional cost associated with it turns her into a bit of an unpredictable figure.  Wooding really laces Vika’s narrative with some powerful tragedy and distinctive moments, and while I felt that the ending of her arc could have been handled a little better, she was still an outstanding and enjoyable protagonist to follow.

I also need to highlight Mira, the team’s strategist and leader of the Dawnwardens, who comes up with elaborate plans and schemes in the name of liberation.  While Mira does not have as many chapters assigned to her as I would have liked, Wooding does a lot with her in a short amount of time, and I liked how dark the character got as the book progressed.  The dour knight Harod also proves to be an excellent protagonist, mainly because so much of his arc is based around his grief after losing the woman he loved in the last book.  Wooding does a good job expanding a bit on the typically emotionally devoid Harod in this book, especially when a fantastic new secondary character is introduced, and his martial focussed chapters have some heavy personal weight to them.  Throw in the team’s hunter, Fen, whose arc mostly survives an unenjoyable love triangle, and several great new characters, including a troubled revolutionary and a mysterious fighter with his own agenda and this proved to be an exceptionally rich novel in terms of outstanding characters.  This fantastic mixture of compelling cast members really helped to turn The Shadow Casket into an extremely powerful read and I cannot wait to see how these characters develop in the rest of the series.

Like with many epic fantasy novels, I chose to check out The Shadow Casket on audiobook, which I found to be an awesome experience.  Elaborate fantasy novels always come across better in the audiobook format for me, especially when there is a ton of detail and world building, and this was once again the case with The Shadow Casket.  Wooding’s deeply impressive setting was so much cooler when it was read out to me, and I definitely absorbed a lot more detail in this format.  It also helped that they brought back narrator Simon Bubb for this second audiobook in the series.  Bubb does such a good job highlighting all the cool action, fantastic detail, and unique features of this series in The Shadow Casket, and I really liked how effortlessly he moved events along.  Bubb also has a very good handle on the massive cast featured with this book, coming up with original and fitting voices and accents for all the characters, and bringing out all their inherent emotion and struggles.  Highlights for me include the amazing characters of Klyssen, Aren and Grub, all of who really shine through in this format in the most entertaining ways, and I cannot emphasise enough how well Bubb captures all these elaborate figures.  Coming in at over 32.5 hours, The Shadow Casket is a hefty audiobook to get through, and it is one of the longest audiobooks I have ever listened to (coming in at number five on the current list).  I did struggle a bit to get through The Shadow Casket quickly due to its length, and there were a few times where I got a bit fatigued and had to take a break for a while.  However, the compelling story kept dragging me back in, and I maintain that The Shadow Casket is very much worth checking out on audiobook, especially as this format gives you the very best experience.  The great voices, fun depiction of detail, and enhanced story absorption more than make up for the length, and The Shadow Casket audiobook comes very highly recommended as a result.

Overall, this is a very impressive book, and if I did not get it across with the massive review above, I really enjoyed The Shadow Casket.  Chris Wooding is really writing something special with his Darkwater Legacy series and The Shadow Casket proved to be an exceptional second entry.  While I did have a couple of issues with length and some character elements, the sheer power and complexity of the story ensures that The Shadow Casket gets a full five-star rating from me and I had such an incredible time getting through this amazing book.  This is easily one of the best fantasy series currently going and I cannot wait to see how it continues, even if I have to wait a while for the third book to appear.  Highly recommended, all fans of epic fantasy need to get into this series.

Amazon

Throwback Thursday – Mr Mercedes by Stephen King

On By The Unseen LibraryIn Five-Star Books, Thriller, Throwback Thursday15 Comments

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

Amazon

Quick Review – The Last Orphan by Gregg Hurwitz

On By The Unseen LibraryIn Quick Review, Thriller10 Comments

The Last Orphan Cover 2

Publisher: Michael Joseph (Trade Paperback – 21 February 2023)

Series: Orphan X – Book 8

Length: 342 pages

My Rating: 4.5 out of 5 stars

Amazon

The always impressive Gregg Hurwitz continues his amazing Orphan X series with the awesome and wonderful new addition, The Last Orphan.

One of my favourite spy thriller series at the moment is easily the exciting and cool Orphan X series by rising thriller author Gregg Hurwitz.  This fantastic series follows a former elite government assassin, Evan Smoak, codenamed Orphan X, who is forced to go rogue and hide himself away from his old employers.  Hoping to redeem himself after all the killing he’s done, Evan takes up a new identity, the Nowhere Man, a vigilante who helps the most desperate people in ways no one else can.  I have been a fan of this series for ages, ever since I read Out of the Dark, which pitted the protagonist against a deranged US President.  Since then, I have had an outstanding time reading the latest books in the series, including Into the Fire, Prodigal Son, and Dark Horse.  I always make it a point to pick up the new Orphan X book each year, and the latest entry, The Last Orphan, was another pretty awesome book that I was quickly able to power through.

Plot Synopsis:

As a child, Evan Smoak was plucked out of a group home, raised and trained as an off-the-books assassin for the government as part of the Orphan program. When he broke with the program and went deep underground, he left with a lot of secrets in his head that the government would do anything to make sure never got out.

When he remade himself as The Nowhere Man, dedicated to helping the most desperate in their times of trouble, Evan found himself slowly back on the government’s radar. Having eliminated most of the Orphans in the program, the government will stop at nothing to eliminate the threat they see in Evan. But Orphan X has always been several steps ahead of his pursuers.

Until he makes one little mistake…

Now the President has him in her control and offers Evan a deal – eliminate a rich, powerful man she says is too dangerous to live and, in turn, she’ll let Evan survive. But when Evan left the Program he swore to only use his skills against those who really deserve it. Now he has to decide what’s more important – his principles or his life.


The Last Orphan was another outstanding entry in this great series and Hurwitz ensures that it features all his trademark features, including strong characters, a powerful emotional heart, and a ton of action and intrigue.

This latest Orphan X book has a very strong start to it as Evan is ambushed right at the beginning of the novel by a massive Secret Service detail, determined to finally bring him in after he went rogue on the President a few too many times.  Captured and trapped, Evan is forced to make a deal: kill mysterious industrialist Luke Devine or lose his own life.  However, Orphan X makes his own decisions about who he assassinates, and after escaping, he begins his own research into his target, hoping to determine if he deserves to die.  Investigating a mysterious death associated with Devine’s estate and the massive parties that go on there, Evan begins to make his own connections about the case and is forced to go up against Devine’s lethal and morally dangerous security detail.  There are some pretty intense scenes in this part of the book as Evan makes some curious discoveries about Devine and his company, while also being forced to protect potential witnesses from his target’s security.  At the same time, Evan begins to wonder if Devine actually deserves to die and must soon choose between his conscious and his peaceful life of anonymity.

This was a pretty good entry in this series, although possibly not the best that I have so far read (in my mind, that’s Into the Fire).  I really liked the awesome start to The Last Orphan, especially as the over-the-top and intense capture by the Secret Service was so damn cool and it was interesting to finally see Evan taken down by the Government.  However, this doesn’t last long, and once he rather easily escapes, the intensity and pace of the story kind of slows down a bit.  Don’t get me wrong; I did really enjoy the subsequent storyline set around the investigation into the mysterious industrialist and his security crew, but it was a bit of a step down after the initial excitement.  Still, this second half of the novel is a ton of fun, and Hurwitz presents his usual blend of fascinating spy thriller moments, particularly intense and brutal action, as well as the focus on Evan’s strained and unique personal life.

The villains of this story, Devine’s security detail, are some pretty over-the-top but genuinely threatening figures, and Hurwitz comes up with some excellent scenes around them, even presenting them as real threats to the protagonist.  At the same time, Hurwitz works in a very compelling morality edge to the story, as Evan tries to work out whether Devine is actually evil or just a political threat to the President.  The author makes this determination pretty hard, especially as Devine comes across as a very manipulative and unusual figure who manages to make even the legendary Orphan X doubt himself.  The big conclusion of this books is very good and features all the typical action and carnage that you would expect.  However, parts of the story go in some very surprising directions and I liked the unique ideas that Hurwitz presented here.

In addition to all the action and intrigue, quite a lot of The Last Orphan revolved around the compelling and moving emotional and personal concerns of the protagonist and his great supporting cast.  Evan has always been a very complex figure due to his unusual upbringing, his lack of personal skills, and his crippling OCD, and a fantastic recurring theme of the books has been him trying to overcome this and finally make some connections.  This continues extremely well in The Last Orphan, as he once again relies on his friends and his surrogate daughter/little sister to pull him out of the fire and keep his sanity.  There are some pretty emotional interactions between Evan and these figures throughout the course of The Last Orphan, especially as it appears that Evan might not be able to come back from his latest adventure, and I felt that this was another powerful and impressive evolution of some already deep character growth.  There are some other pretty big personal moments for Evan in The Last Orphan, including the seeming end of one relationship due to Evan’s fugitive status, and the potential development of another as Evan finally attempts to dive into his own complex past.  It will be fascinating to see how this develops in the future, and I am sure that Hurwitz has some very intense moments planned for all of us.  I honestly felt that the author got the right balance between action and emotion for The Last Orphan, and this ended up being a stronger book as a result.

Overall, The Last Orphan was a pretty awesome new entry in the great Orphan X series, and I really liked how Gregg Hurwitz continued his fantastic ongoing narrative.  Featuring an excellent blend of spy thriller fun and powerful character work, The Last Orphan was an addictive and clever read, and I am glad I got the chance to check it out.  Highly recommended, especially to established fans of the series, The Last Orphan is really worth the read.

Amazon

The Book That Wouldn’t Burn by Mark Lawrence

On By The Unseen LibraryIn Fantasy, Five-Star Books15 Comments

The Book That Wouldn't Burn Cover

Publisher: Harper Voyager (Ebook – 1 May 2023)

Series: The Library trilogy – Book One

Length: 570 pages

My Rating: 5 out of 5 stars

Amazon

One of the world’s inventive and compelling fantasy authors returns with one of his best novels yet, the highly addictive and ambitious novel, The Book That Wouldn’t Burn, which sets off his new The Library trilogy.

Few authors have had the impact on the fantasy genre than Mark Lawrence has in the last few years, as the author has truly impressed readers throughout the world with his unique and captivating novels that routinely blend fantasy and science fiction elements.  His series include The Broken Empire trilogy, The Red Queen’s War series, and The Book of the Ancestor series.  I myself only started reading Lawrence’s work a couple of years ago with his compelling The Book of the Ice series, which followed several powered teens on a grim frozen planet.  I had an outstanding time with this series, which included The Girl and the Stars and The Girl and the Mountains.  While I still have to read the third book, The Girl and the Moon, I really enjoyed these books, and it was a pretty clever series.  As such, I was very keen to check out Lawrence’s new novel, The Book That Wouldn’t Burn, especially as it had a very intriguing plot synopsis behind it.

Throughout the world, there is nothing more important, more significant, nor more permanent than the library.  Built inside a mountain near the great city of Crath, the library contains an impossible number of books fitted within innumerable rooms that no one person can access.  The sheer amount of knowledge contained within the library represents the greatest power in the world, allowing its keepers and the King of Crath to wield great control in the world.  Into this vast and elaborate repository of knowledge and secrets, two young people are about to meet in unusual circumstances.

Livira is a young girl raised in the Dust, the desolate wasteland that surrounds Crath.  Plucky, curious, and incapable of giving up, Livira is a rarity among her people as she seeks to know more about the world outside her home.  But when the alien sabbers destroy her village and kill her people, Livira finds herself lost in the wilderness.  Rescued and brought to Crath, Livira soon becomes certain that her future lies in the library.  Overcoming prejudice and her own humble background, Livira learns to navigate the library and soon begins to find out some of its deeper secrets.  However, the most mysterious of these might be another strange inhabitant of the library, Evar.

Evar and his small family have known nothing but the library their entire lives.  Released after unknown eons frozen as children inside the library’s mysterious Mechanism, Evar and his siblings have grown up in a vast chamber of the library, learning from the books and becoming masters of specialised subjects.  However, Evar has always desired more and has long tried to find a way to leave their book filled prison.  His discovery of a portal within his home soon leads him to a place outside of time where he meets an exploring Livira.  Together, the two attempt to find the true history of the library and the threats it has withstood over the years.  But dark evils haunt the library, and soon the two explorers must find a way to uncover the truth behind the sabbers, their own history, and other deadly threats waiting for them in the future.  Can these two children of the library survive the revelations in front of them, or will the truth tear them apart in ways they can’t even understand?

Well damn, now this was a seriously impressive and epic book.  Lawrence has honestly outdone himself here with this incredible read, and this might be one of the best books he is ever written, which is saying something.  The Book That Wouldn’t Burn features one of the most elaborate settings and narratives you are likely to see in fantasy fiction, and this results in a powerful and moving read that will keep you guessing time and time again.  I had an exceptional time reading The Book That Wouldn’t Burn, and it would be impossible for me to give it anything less than a five-star rating.

The Book That Wouldn’t Burn is told from two separate perspectives, that of Livira and Evar, and covers their very different lives and experiences within the libraries.  These two character-driven storylines are initially kept separate from each other as Lawrence spends a good chunk of the book introducing the protagonists, setting up their unique stories, and bringing together the elaborate setting that the story is based around.  Both of these storylines are very interesting and fun off the bat, with Livira having her life torn apart, only to find purpose in the library, while Evar details his life lived purely within the library.  While both storylines are really good, I initially got drawn into Livira’s the most, especially as her outsider perspective of the library allows you to really appreciate how alien and strange the massive house of books is.  Livira’s storyline advances at an extended clip, covering years of her life as she learns, grows, and fully develops her adventurous personality as she seeks to fully understand the secrets of the library and everything within it.  Evar’s storyline on the other hand is a little more sedate in its pacing, as it is set only along the course of a few days as he tries to finally understand the structure that has kept him prisoner for so many years.

The first half of the book that showcases these two characters’ initial introduction and growth are pretty damn entertaining, and it does a wonderful job of setting the scene for Lawrence’s elaborate story and background location.  However, the story doesn’t find its true strength until the two protagonists meet and their storylines becomes a lot more intertwined.  Due to the impossible physics and requirements of the library, there is a compelling time element to the meetings between the characters, which Lawrence captures masterfully, and which really alters their perspectives of each other.  Once they are able to properly interact, the two characters grow close and spend an interesting chunk of the novel exploring their respective worlds, as well as the history of the library.  Lawrence really lays the world building on thick during these parts of the book, and it serves to bring the two protagonists together, which just ensures the last act of the book is as tragic, moving and devastating as possible.  The author drops some massive bombshell twists around two-thirds of the way through, which completely throws you and makes you rethink everything you have thought about the preceding narrative.  I honestly was pretty damn shocked at this epic and devastating revelation, and while I had already been pretty damn addicted to the story by this point, this was the moment I realised what a masterpiece The Book That Wouldn’t Burn truly was.

The final third of the novel gets even better as certain background elements of Livira’s storyline finally come to fruition and her entire life begins burning around her.  This causes her and many of the supporting characters from her part of the book to end up interacting with the characters from Evar’s storyline, which is a very interesting change of pace from the previous parts of the book.  There are also some frenetic conflicts and some very dark moments as everything you have previously known about the settings, the characters and the history of the library is thrown around in some excellent and compelling ways.  There are several great new twists in this final section of the book, and Lawrence gets very metaphysical with the reveals, relying on his setting’s unique temporal properties to mess with your mind and bring you surprise after surprise.  I really loved just how cool and complicated this novel got towards the end, and Lawrence leaves an awesome and open conclusion for you to enjoy while drawing you in towards the next book in the series.  I came away from this narrative desperately wanting more, especially after being blown away by all the twists within the book, and I cannot wait to see what happens next.

Those who are familiar with Lawrence will know that he is a very impressive and talented author, and I really liked how he developed his story and displayed all its outstanding elements to the reader.  The Book That Wouldn’t Burn is a particularly complex read, loaded with damaged characters, elaborate storylines and an inventive major setting.  Lawrence approaches his latest novel with his usual flair and imagination, expertly showcasing every clever detail of this world to the reader and keeping them enthralled the entire way through.  Due to the complexity of the story, you really need to dive into every single word that Lawrence writes, and it honestly took me a little longer to get through this lengthy novel than I expected, mainly because of how much focus I needed to fully appreciate everything.  That said, it has a very good pace to it and there is never really a dull moment as you are constantly drawn into what is happening or the elaborate depictions of the library.

I felt that the author’s use of two narrators was particularly effective, especially as they give very different views of what is happening around them and the setting they find themselves in.  The extra expansiveness of the separate narration really helps to expand the scale of the book, and it takes some major temporal shifts for the two protagonist’s storylines to align.  Once they do, the two separate character arcs intertwine extremely well, and I loved seeing their interactions through each other’s eyes, as well as the elaborate adventures they find themselves involved with.

Lawrence also was very skilled at setting up some of the book’s big twists, and while many of them surprised me when I read them, looking back you could see the subtle clues leading up to them, and you really appreciate just how clever the author was in the earlier stages of the book.  The initial big twist is probably the best, and you really have to love how careful Lawrence was with some of the dialogue and character descriptions to pull that off.  Some of the subsequent twists are a little less shocking, mainly because you are on guard at that point, but I did like how well some of the reveals based around the protagonist’s journey through time were utilised and hinted at in earlier scenes.  The fact that there are completely different faces to some of the major early figures of the book was very cool, and it was clear that the author had a very impressive plan while writing the early stages of the book.  These excellent writing elements, and more, served to enhance an already captivating story, and I cannot get past how well Lawrence set everything up.

There is no way I can move forward without talking about the elaborate library setting that was such an epic centrepiece of The Book That Wouldn’t Burn.  I love how the author’s ultimate major setting is a library, which is something that all readers can really appreciate.  While we can all imagine a pretty massive or full library, Lawrence amped that imagination up to an 11 in this book, describing a seemingly impossible structure, made up of innumerable rooms filled with massive climbable bookshelves and a seemingly infinite number of books and tomes.  The sheer scale of this setting when described by Lawrence boggles the mind to a degree, and it really is an outstanding setting for this story as it is the perfect place for exploration, adventure, and even habitation.  The library naturally features Lawrence’s trademark blend of fantasy and science fiction elements, and the structure has a transdimensional or alien feel to it, as the protagonists find different mechanisms within the structure, as well as strange and unique ways to travel through it.  This blend of fantasy and science fiction elements worked particularly well, especially as you get to experience an intriguing contrast between ancient advanced technology and endless shelves of paper books.

The more unique elements of the library, including the portals, the robotic guardians, the locked doors, and more, are worked into the plot extremely well, and it was fascinating to see how they impacted the story, especially while the characters attempted to find out their origins.  The time travel aspects of the library proved to be particularly awesome, and I loved how Lawrence used them, and other cool features, to twist the narrative in some powerful and unexpected directions, completely changing everything you thought you knew.  It was also really effective how Lawrence explored the library through two very different sets of eyes, as Livira and Evar see it in different ways based on their respective history and cultures.  These alternate views added even more depth to the epic setting, and you have to love the continued focus on exploration, especially when it resulted in some of the best scenes in the book.  Honestly, I could go on and on for pages about just how impressive this outstanding setting is, so let me just be blunt and say: read The Book That Wouldn’t Burn, as you really won’t be disappointed when it comes to this elaborate library setting and the dark world it inhabits.

The final thing that I really need to highlight are the great characters contained within The Book That Wouldn’t Burn, which Lawrence did an outstanding job pulling together.  There is a rich and compelling cast of characters featured within this novel, and their unique stories and experiences play a big role in how the story develops.  However, most of the character work is saved for the point of view protagonists, Livira and Evar.  Both characters have intriguing and tragic backgrounds brought about by encounters with sabbers, and they have found sanctuary within the library as a result.  However, this is where their storylines differ as Livira seeks out the treasures of the library and works to get deeper within, while Evar looks to escape and find a whole new world to explore. This leads to some very conflicted character moments, and it was fascinating to see how these characters’ intriguing histories influences their understanding of the world and what they want.  Both protagonists are well established and utilized by the author in The Book that Wouldn’t Burn, and their distinctive character arcs give the book a different flavour chapter to chapter as you explore both their lives.

I personally enjoyed Livira a little more as a protagonist, as her adventurous spirit, drive to be the best and sheer pluck were quite entertaining to see, especially as it allowed her to uncover so many cool secrets about the library.  However, you also have to appreciate the darker background and narrative around Evar, a man trapped all his life in the library, and who has known only limited contact and love in his life.  Evar’s entire life has been nothing but uncertainty, abandonment and a certain amount of inadequacy as he has only known a few other people, each of whom are the absolute experts in their fields.  These two protagonists, when they meet, prove to be a powerful and interesting combination, and Lawrence was quite masterful and subtle when it came to weaving their chapters together.  You really appreciate the pain, loss and sacrifices that both protagonists make throughout the book, and the bond they formed together, soon becomes such a key part of the story.  While they do experience some major, mind-blowing setbacks, you grow really attached to both of them, and seeing them continue and dive even deeper into the unknowable heart of the library, makes for powerful reading.

Aside from Livira and Evar, The Book That Wouldn’t Burn features an extensive and compelling cast of supporting characters, whose interaction with the protagonists adds some intriguing elements to the plot, especially as many of them are filled with some great surprises.  Both Livira and Evar’s storylines had some excellent supporting figures whose appearances are primarily limited to their respective narrator’s timeline.  My favourite supporting character in the Livira chapters had to be Malar, a rough and tough solider who becomes Livira’s protector mostly against his will.  His gruff attitude is a fun contrast to Livira’s bright and curious nature, and they have some entertaining scenes together, especially as he grows to care for her, and Lawrence works in some particularly compelling story elements around him in the later part of the book.

Evar’s chapters also feature a great range of supporting characters, and due to the more constricted nature of his story and setting, you get to know them a lot better than some of the cast associated with Livira.  These characters include Evar’s adopted siblings, Starval, Kerrol and Clovis, who were also trapped in the Mechanism as children and grew up with him in the library.  However, unlike Evar, who emerged relatively normal, each of Evar’s siblings were warped by the knowledge of the Mechanism and are now masters of a particular subject, including assassination and espionage, war and psychology.  Each of these siblings is now fairly damaged as a result of their complex upbringings and childhood traumas, and it was fascinating to see their unique mindsets, especially through the eyes of Evar, who holds a special place in each of their hearts.  These characters were all raised by the animatronic constructs, the Assistant and the Soldier, servants of the library who took charge of them, and I liked the fun interactions that resulted from them, especially once Lawrence worked his twisty magic on them.  All of these characters and more are pretty damn interesting, and I loved how complex and emotionally charged their interactions became.

Frankly I could go on and on about this book, but I still do not think I would really be able to fully encapsulate just how much I enjoyed The Book That Wouldn’t Burn.  This complex and clever fantasy novel is a true masterpiece from Mark Lawrence, who utilised all his impressive writing skills and imagination to create a unique and powerful read.  The Book That Wouldn’t Burn’s elaborate narrative and massive library setting really grabbed my attention and I had such an epic time getting through this outstanding novel.  Easily one of the best fantasy books of 2023, you need to check The Book That Wouldn’t Burn out, especially if you are already a fan of Mark Lawrence’s amazing works.

Amazon

White Night by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday7 Comments

White Night Cover

Publisher: Penguin Audio (Audiobook – 3 April 2007)

Series: Dresden Files – Book Nine

Length: 14 hours and 12 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday post, I continue to explore the epic Dresden Files series by Jim Butcher, with the exceptional White Night.

Readers of this blog will have noticed that my last few Throwback Thursday posts have been all about the amazing Dresden Files by Jim Butcher.  One of the most impressive and recognisable urban fantasy series in the world today, the Dresden Files are brilliant novels that follow Harry Dresden, a wizard and magical protector of humanity, as he faces off against all manner of unique supernatural foes and mysteries in modern day Chicago.  This series features so many incredible books, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites and Battle Ground, as well as the novella The Law, all of which are five-star reads.  I have been reading this series on and off since 2020, and I recently got back into it, managing to finish off two more books, Dead Beat and Proven Guilty in recent weeks.  These outstanding novels were also pretty exceptional, and I was in such a Dresden Files mood I ended up also listening to ninth book in the series, White Night, which turned out to be a pretty awesome decision.

Harry Dresden, wizard, private investigator, and now Warden for the White Council, is Chicago’s only defence against a range of supernatural threats lurking around its exterior.  However, due to his growing power, the extended war between the White Council and the Red Court vampires, and his new position as a Warden, a lethal magical law enforcer, the ordinary magical users of Chicago have grown to fear him and no longer consider him one of their own.  As such, Dresden is shocked to discover that several lesser practitioners in the city have either died in apparent suicides or simply disappeared.

Investigating the crimes, he discovers several mysterious messages that hint at a serial killer stalking female magic users in the city, one who seems to be taunting Dresden directly.  Diving into the city’s hidden magical underbelly, Dresden soon finds a group of minor witches living in fear, all of whom are convinced that Dresden has something to do with their comrade’s deaths.  Attempting to gain their trust, Dresden tries to find the truth, only to discover that all the evidence points towards his secret half-brother, the vampire Thomas Raith.

Unwilling to believe that his brother has become a murdering monster, Dresden dives deeper, only to discover a far more sinister plot lying beneath the surface.  The vampires of the White Court are on the hunt, and their malevolent schemes are expanding to capture all of Chicago, including Dresden and his friends, in their web.  Working with a range of allies, including wizards, gangsters and an old flame, can Dresden untangle the web and stop the White Court before every human magic user on the planet becomes the ultimate prey?

Damn, it really is proving impossible for me to have a bad time with one of the Dresden Files books.  The ninth novel in this series by Butcher, White Night, was another incredible addition and one that I absolutely inhaled in only a few short days.  Featuring a brilliant and well-written story loaded with the series’ great characters, White Night is an amazing and captivating read that gets another easy five-star rating from me.

Butcher has come up with a pretty epic story for White Night, and it was one that had me hooked the entire way through.  The narrative starts off in familiar ground for a Dresden Files novel, with Dresden helping the Chicago police with a suspicious death that might have magical implications.  Butcher draws the reader in at first by presenting them with a juicy and compelling case, that of a serial killer stalking minor magical practitioners in Chicago and leaving taunting messages or Dresden to find.  This story gets even more intriguing when it turns out that many witnesses or the victims’ friends consider Dresden to be the main suspect, not only because of circumstantial evidence, but because his damaged reputation.  Despite this, Dresden keeps trying to investigate, only to come across evidence that suggests his half-brother, Thomas, a White Court vampire, might be behind some of the crimes.  He also encounters his first love, Elaine, who has been hired by a local group of witches for protection, and who Dresden teams up with again to solve the case.

I really appreciated the investigative focus for the first third of the book, and it really reminded me of some of the more classic Dresden Files adventures that started the series off.  This initial investigation soon leads the protagonists into a pretty massive confrontation, and I loved how deadly and destructive things got around halfway through.  Butcher also works in a rather good flashback sequence at this point, which lends itself well to explaining the protagonist’s mental state and providing some excellent context to his recent actions.  As the story continues, Butcher starts to layer out and fully explore the major mystery of White Night in some fantastic ways.  Not only is one of the killers exposed after some fun revelations, but a massive, elaborate conspiracy is also revealed that places Dresden and his allies in a major predicament.  This leads up to an extended confrontation sequence in the last third of the book where Butcher really cuts loose and provides the reader with all the action and intense scenes that they can handle.  Not only is their a beautifully written duel sequence that was pretty cool to see, but Butcher than provides a massive battle sequence that had so much going for it.  There are explosions, betrayals, carnage and sacrifices here, and it is an impressive extended sequences that was near impossible to put down, especially as Butcher loads in epic surprise after epic surprise.  The entire sequence comes together perfectly, and I had so much fun with it, especially as it opens up some cool storylines for the future.  It also serves as a great conclusion to the narrative, and I was really impressed at the ongoing storylines that were either wrapped up or strengthen.  Everything comes together really well and it honestly left me wanting even more Dresden Files.

Butcher once again backs up his amazing story with some outstanding writing that always works to drag the reader write into the middle of the plot.  Featuring a great first-person perspective from Dresden that showcases his unique view of events, as well as his own deep personal concerns, Butcher moves White Night along at a swift pace, ensuring that every scene has something deeply interesting or exciting to keep the reader’s attention.  I really appreciated the great blend of elements within White Night, as Butcher cleverly balances action, adventure, humour, character growth and dark moments, which, along with the investigation elements, ensures that there is a little something for everyone in this book.  I particularly enjoyed some of the elaborate and intense major action sequences in White Night, especially that epic one at the end, and it was cool how massive and deadly some of them got.  Just like most of the previous Dresden Files novels, White Night can be read as a standalone urban fantasy adventure, as Butcher makes sure to recap and reference and relevant prior event, character or storyline so new readers can easily follow along and still have fun.  However, as this is a key novel in the series which concludes or continues several long-running storylines and character arcs, White Night is best enjoyed by those who have checked out the earlier Dresden Files books, especially as the emotional elements of some revelations or actions are greatly enhanced by continuous reading.  I always have so much fun with Butcher’s style in this series, and I felt that White Night was particularly well served by the author’s ability to tell an amazing story.

I have a lot of love for the cool fantasy setting that the Dresden Files utilises as the combination of modern-day Chicago and classic fantasy monsters and magic is always makes for an excellent story.  There are so many excellent elements to this fantasy society that Butcher has dreamed up over the years, and at this point in the series the lore and history of magic and its various factions is very well established.  Despite this, Butcher always finds intriguing new elements to dive into each book, which is something I really appreciate.  In White Night, he takes the time to look at the less powerful magic users in this society, the ones that don’t have enough magic to bother the White Council or interact with Dresden.  These somewhat marginalised magic users have created their own societies and communities as a result, and it was really interesting to see Dresden interact with them, especially as, due to his position as a Warden, they all fear what he represents, which is a fun reversal of how Dresden was persecuted at the start of the series.  I really loved seeing magic through the eyes of the little guy, and Butcher works them into the story in a very intriguing way.

The book also features quite a few White Court vampires, who feed on emotion and mental energy rather than blood.  The White Court are always a rather distinctive inclusion in any Dresden Files novel, and of course there is the requisite extremely beautiful women and focus on lust that are a key part of the White Court vampires.  However, several of the other factions of vampires are finally introduced here, those that induce and feed off fear and despair.  This adds a rather darker angle to parts of the book, especially when these abilities are unleashed at full blast, and it was interesting to see how badly it can be weaponised.  The accompanying vampiric schemes and backstabbing plans are also very fun, and Butcher manages to weave several elaborate ruses and plots into the narrative with some effective results.  These fantasy elements, and more, really help to create a distinctive and captivating read, and I cannot get enough of Butcher’s ability to come up with and utilise the inventive elements.

As always, the characters contained within White Night were pretty damn amazing, and I felt that their complex and powerful character arcs added so much value and intensity to the plot.  The focus is once again on protagonist and point-of-view character, Harry Dresden, who finds himself under all manner of immense pressure in White Night, which blows up around him in some big ways.  Not only is he dealing with the dual responsibilities of having an apprentice and being the magical law in Chicago, but he also has some major family issues and a tone of intense mental trauma that has been building up over the last few books.  A lot of this comes to a head in White Night, and Dresden actually comes across as a lot more angry and frustrated than he has in previous novels, especially after experiencing more losses and seeing some dreadful things.  Butcher writes some compelling and complex storylines around Dresden’s many emotional concerns in White Night, and it proves very intriguing and powerful to see him try to work through them, especially as he is in denial about several of the more prominent concerns.  The author does an amazing job exploring Dresden’s inner psyche here, and you come away feeling closer to him as a result.  White Night is actually a pretty significant book for Dresden’s character growth, especially as several long-running storylines about his mental state finish up here, and this ends up being a pretty satisfying read as a result, especially if you like how he was portrayed in the previous few novels.  Despite, or perhaps because of, his many issues, Dresden still brings his typical humour and complete disregard for decorum or his opponents to the table in White Night, and his fun comments and witty observations are responsible for most of the book’s comedy and entertainment.  As such, Dresden remains a pretty impressive and likeable central character, and I cannot wait to see what future adventures and pain he has coming to him in the future.

White Night also features a great supporting cast of friends and antagonists to liven up the plot in some awesome ways.  While most of the focus of the story is on Dresden, you see a lot of these characters and there are some fantastic and complex storylines written around them.  The most prominent of these characters in White Night is probably Dresden’s half-brother Thomas Raith, who has been a major figure for the last few books.  Due to his banishment from his vampire family, Thomas has been somewhat adrift in recent books, and it was clear that he had been keeping secrets from Dresden for various reasons.  Most of his secrets are finally revealed here in White Night and it was interesting to see what resulted.  Some of them are quite intriguing, some are pretty funny, and it was nice to finally get some answers, especially as it helped to strengthen the relationship between the two brothers.  Other great characters in White Night include Dresden’s former lover, Elaine, who has managed to bounce back since her last appearance and is trying to become more like Dresden by helping people; Dresden’s dog, Mouse, who is such a fun supernatural canine character; and the fallen angel in Dresden’s head Lasciel, who has some of the most emotionally powerful scenes in the book.  However, my favourite supporting character in White Night is probably Chicago gangster John Marcone, a mortal crime lord who dips his toes in supernatural affairs and often serves as an antagonist/uneasy ally of Dresden.  Marcone is always very fun in these books, especially as he and Dresden play off each other perfectly, and he is the perfect foil to the hot-headed protagonist.  His appearance in White Night is particularly good, as you get a deeper look at his true character, and realise he isn’t as evil as he appears.  Despite that, he still proves to be rather ruthless and Butcher writes some amazing and compelling scenes around him.  These characters and more add so much to the power and impact of White Night’s story, and I love how captivating and complex Butcher makes them.

I can’t talk about a Dresden Files novel without once again raving about its audiobook format.  I love, love, love the Dresden Files audiobooks, and there is honestly no substitute to listening to these amazing stories, especially when all the audiobooks feature the incredible vocal talents of actor James Marsters.  Marsters, who is one of my favourite audiobook narrators thanks to this series, is so damn talented, and his take on the Dresden Files books is very special.  This proves to be the case again in White Night, as Marsters utilises all his intensity and passion to bring this epic story to life.  His grip on all the major characters in White Night is pretty damn amazing, and I love how he manages to expertly portray all the characters, ensuring that the reader fully understands their personalities, emotions and inner thoughts when Marsters speaks in their voice.  This is particularly true for protagonist Harry Dresden, a character that Marsters has always done an incredible job voicing, and I deeply appreciated how the narrator was able to capture his full emotional turmoil in this fantastic audiobook.  This brilliant narration, as well as the great story it follows, ensures that White Night was another exceptional listen, and I had an outstanding time getting through this audiobook.  Coming in at just over 14 hours, White Night was slightly shorter than some of the other Dresden Files audiobooks out there, but it still takes a little bit to get through it.  However, it is well worth the time investment, and I cannot recommend White Night on audiobook enough.

Just like every Dresden Files novel I have read, White Night is an exceptional and captivating read that I had an absolute blast getting through.  Jim Butcher’s novels always drag me in with their brilliant storytelling, complex scenarios and fantastic characters, and White Night is one of his more intense and exciting inclusions in the series.  A highly recommended read and an outstanding addition to the series.  I will be reading more Dresden Files novels as soon as I can.

Amazon