
Originally published in the Canberra Weekly on 15 September 2022.
Expert reviews of the latest and the best in Fantasy, Historical Fiction, Science Fiction and Crime Fiction from an Australian reviewer.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For my latest Waiting on Wednesday I check out two fantastic upcoming crime fiction novels from some of the very best authors Australia has to offer.
Due to my location I tend to receive a lot of fiction written by Australian authors and I have really grown to appreciate the talent that my countrymen have for writing brilliant crime fiction reads. I have already had the pleasure of reading some truly impressive Australian murder mysteries and thrillers this year, including several great debuts. However, for this post I want to highlight two outstanding sequels coming out later this year that I am very excited for. Both books are written by exceptional writers, and I can’t wait to see how their respective series continue.

The first book I want to look is Retribution by Sarah Barrie. Last year Barrie presented an incredible and deeply powerful book in Unforgiven, a gripping Australian thriller that ended up being one of the best Australian fiction releases of 2021. Unforgiven followed former child abuse victim turned vigilante, Lexi Winter, who spends her days hunting down and destroying paedophiles around Sydney. However, Lexi is forced to work with the detective who failed her years ago when evidence emerges that suggests that the monster from her past is still out there. This resulted in an impressive and deeply captivating read that saw Lexi and the police dive into a particularly dark part of Sydney’s criminal underbelly only to be thwarted at every turn by a master manipulator. I had an outstanding time with this book, and I was utterly enthralled all the way to the final epic twist, especially as Barrie left the story open for a potential sequel.
This sequel is set for release in a few months’ time with the intriguing follow-up Retribution. Retribution, which has a release date of 30 November 2022, will bring back the main characters from the first book and set them on a new thrilling case, as threads from the previous investigation continue to haunt them. I am quite excited for this new book, especially as it will feature an evolution for the compelling main protagonist, while also continuing the dark crime fiction elements that Barrie set up so well in the first book. I have no doubt that this is going to be one of the most intense Australian reads of 2022 and I can’t wait to see how this latest mystery unfolds.
Plot Synopsis:
Once a vigilante, she’s now a cop … but she still plays by her own rules. A fast-paced, suspenseful thriller for readers of Candice Fox and Sarah Bailey.
Ace hacker, ex-prostitute, Jack Daniels drinker and part-time vigilante Lexi Winter returns, now working with the police – mostly – with a new enemy in the target and an old foe at the back of her mind.
Most probationary constables would baulk at chasing a drug dealer into a train tunnel in the dead of night. Not Lexi Winter. She emerges injured but alive, to face the wrath of her boss. Lexi may now be in uniform, but she has as much trouble with authority as ever, and is quietly using her hacking skills to investigate a notorious drug-dealing Sydney crime family with links to her old prey, the paedophile Damon Vaughn.
Meanwhile, Detective Sergeant Finn Carson investigates a death on a Sydney building site … which oddly enough, leads him to the picturesque Wondabyne station on the Hawkesbury River, and Inspector Rachael Langley oversees an investigation that could tie it all together. Lexi holds the key … if only she’ll toe the line …
The next upcoming book I want to highlight is Headcase, written by fellow Canberran Jack Heath. Heath is swiftly working his way up the list of Australia’s best crime fiction authors, especially as he has delivered some absolutely cracking reads in the last couple of years. While he has written some great young adult thrillers, Heath is probably best known for his ongoing Timothy Blake series, which follows a deranged cannibalistic serial killer as he investigates impossible crimes throughout America. The Timothy Blake books are thrilling, gory and utterly entertaining reads, and I had a lot of fun with the last book, Hideout (one of my favourite Australian releases of 2020), which saw Blake trapped in a house with a group of other serial killers, which predictably resulted in a massive bloodbath. I also deeply enjoyed Heath’s last book, Kill Your Brother, a five-star read that saw a woman caught in a terrible situation where the only way to survive is to kill a fellow captive, her beloved brother. Loaded with clever twists and with some amazing characters, Kill Your Brother was an exceptional read that has made extremely keen in checking out anything else Heath releases.

Luckily for me, Heath has a new book coming out in a few months’ time, and I am very happy to see that it is another Timothy Blake thriller. This new Timothy Blake entry, which is set for release around the same time as Retribution, has the very intriguing title of Headcase, and it sounds like it is going to be quite the awesome read. Following the psychotic Blake as he investigates a mysterious murder of a Chinese astronaut in a highly secure NASA base, Headcase sounds pretty damn epic book that will blend together a spy thriller narrative, with the dark psychological aspects of Heath’s amazing protagonist. I have a feeling that Headcase is going to be one of the craziest books of 2022 and I will love every single second I spend reading it.
Plot Synopsis:
Timothy Blake returns in a tense, unputdownable thriller from the author of Hangman.
A Chinese astronaut is found dead in a NASA training environment in Houston, Texas. No one can explain how he got there. Amid fears of a diplomatic catastrophe, the CIA dispatches Timothy ‘Hangman’ Blake to investigate, because a convicted kidnapper works in the facility – someone Blake put away a long time ago.
Blake is deeply insane, afflicted by terrible urges he can barely control – but he’s also brilliant. Zara, his beautiful and deadly CIA handler, suspects a secret Chinese spacecraft is surveilling the United States, but Blake can see something much more sinister is going on. Something connected to the kidnapping seven years ago, to the technologies being developed at NASA, and to the serial killer known as the Texas Reaper.
Will Blake survive long enough to uncover the truth? And if he does, will anyone even believe him?
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For this latest entry, I check out an intriguing and fantastic upcoming new Australian murder mystery novel with Red Dirt Road by S. R. White.

Last year I was lucky enough to receive a copy of a fantastic novel from a new-to-me author, S. R. White, with Prisoner. Prisoner was an awesome and compelling crime fiction read that featured a complex and deeply impressive investigation in the remote Australian outback. Emphasising interrogation scenes and clever crime scene investigation, this was an extremely good piece of Australian crime fiction that I had an outstanding time reading. As such, I have been very interested in reading more books from White, and I was very happy to find out that he has a new novel coming out in a few months’ time.
This new novel from White is Red Dirt Road, which is currently set for release in January 2023. Red Dirt Road has another great sounding narrative to it that will see White’s recurring protagonist, Detective Dana Russo, travel to a new town and investigate two crazy murders. Set in a very remote location, it appears that Russo will be trapped in town with the potential murderer and must work to uncover why and how this crime occurred. I really love the sound of the cool plot that White has come up with for Red Dirt Road, and I have a strong feeling that this is going to be one of the better Australian novels of 2023. I love the sound of this unique case and I look forward to grabbing this book next year.
Synopsis:
One outback town. Two puzzling murders. Fifty suspects.
In Unamurra, a drought-scarred, one-pub town deep in the outback, two men are savagely murdered a month apart – their bodies elaborately arranged like angels.
With no witnesses, no obvious motives and no apparent connections between the killings, how can lone police officer Detective Dana Russo – flown in from hundreds of kilometres away – possibly solve such a baffling, brutal case?
Met with silence and suspicion from locals who live by their own set of rules, Dana must take over a stalled investigation with only a week to make progress.
But with a murderer hiding in plain sight, and the parched days rapidly passing, Dana is determined to uncover the shocking secrets of this forgotten town – a place where anyone could be a killer.
A gripping and vividly atmospheric story from the international bestseller, this is a searing story perfect for fans of Jane Harper, Chris Hammer and Garry Disher.

Publisher: Allen & Unwin Australia (Trade Paperback – 5 July 2022)
Series: Standalone/Book One
Length: 354 pages
My Rating: 4 out of 5 stars
The Australian crime fiction debut hits keep on coming with the excellent and highly exciting first novel from Frank Chalmers, Conviction, with takes the reader on an amazing journey back into 1970s rural Australia.
Plot Synopsis:
A town ruled by fear. A cop who won’t be broken. A pulse-pounding debut thriller that pulls no punches.
A STUNNING NEW VOICE IN CRIME FICTION
Queensland in 1976 churns with corruption. When Detective Ray Windsor defies it, he is exiled deep into the state’s west. It’s easy out there to feel alien in your own country.
Royalton is a town on its knees, stricken by drought, riven by prejudice, and plagued by crimes left largely uninvestigated by the local police chief, Kennedy, and his elusive boss.
Mutual dislike between Kennedy and Ray gradually turns ugly as Ray and his new partner, Arshag, uncover a pattern of crimes that no one seems concerned about solving. But when two girls from local immigrant families are found dead and another disappears, Ray and Arshag are forced to take the law into their own hands. Not knowing who to trust, nor how deep the corruption runs, how long will it be before their lives are also threatened?
A spare and uncompromising crime thriller that pulls no punches.
Conviction is a compelling and fun crime fiction thriller that sets a bold protagonist against a brace of criminals and dirty cops in a remote and hopeless town. Essentially reading like a contemporary Australian western, with protagonist Detective Ray Windsor acting as the new sheriff in town, Chalmers crafts together a compelling read that is very easy to get through.
Conviction has a very interesting and complex story to it that sees the new cop arrive in the remote town of Royalton and get caught up in a series of crimes. Not only is he forced to deal with the corruption of his peers and a local crime ring that has been stealing stock and damaging the local farms, but he is also investigating two recent violent deaths of young immigrant women. This results in quite a fantastic series of investigation elements, as Detective Windsor attempts to solve these crimes while being constantly hampered by his colleagues. The novel also deals with Ray’s attempt to integrate into the Royalton community, and he soon finds some unexpected connections and friends which draw him in. Taking place over the course of several months, Conviction’s plot goes in some exciting and intense directions, and the reader is provided with intriguing plotlines that are loaded with action and excitement. The eventual reveals lead to some big moments, and while the identity of the book’s villains is well-foreshadowed and not especially surprising, watching the protagonist attempt to overcome them is fun. This ended up being a great and enjoyable piece of Australian fiction, and I had a good time getting through this awesome debut.
Like many impressive Australian crime fiction novels, one of the best things about Conviction is its excellent setting in a rural Australian town. Royalton is a compelling location, which even in the 1970s, is starting to fall apart and feel the strain as more and more people left the country to live in the big cities. Royalton has many of the best features that make up a small-town setting, from the sunburned countryside, the various surrounding farms, the neglected buildings within the town itself, as well as a colourful cast of people living in it. I felt that Royalton in Conviction was a pretty good example of this compelling Australian setting, and the intriguing historical context makes it stand out from other recent Australian crime fiction books. I particularly liked how Chalmers depicted the town as having a large migrant population, which is an accurate representation of most of Australia, and the stratification of classes that resulted based on nationality and culture gave the story another fascinating dimension that I felt added a lot to the story. The farms surrounding the town are also under siege by an organised group of criminals who are working to bankrupt them for their own nefarious reasons, and this adds to the tension in Royalton. All this proves to be rich ground for the intense and compelling crime fiction narrative that Chalmers crafted together, and I felt that this was an amazing setting for Conviction.
However, the best thing about Conviction was the eclectic and troubled group of characters who can be found within. The author comes up with some great and flawed figures throughout Conviction, and the reader soon gets some intriguing views of the sort of people who would live in such a remote and troubled town. Naturally most of the focus is on Detective Ray Windsor, who immediately finds himself in all manner of trouble once he arrives in Royalton. Now, I must admit that I had a hard time liking Windsor in this book, as he is a bit of an over-the-top hero who is prone to violence at a drop of hat. While this attribute does help him out in some of the situations, I was never too attached to him as a character, especially when he flew off the handle. Still, I liked the compelling background that Chalmers attributed to Windsor, especially his dark childhood, and the portrayal of an honest cop sent out to the country as a punishment was well explored. There are some great moments with Windsor in the book, and I did enjoy seeing his take on the case and the corruption going on around town. The author also did a good job setting up Windsor’s growing attachment to Royalton, especially once he gets to know the people within. This, as well as his commitment to getting the job done, eventually win the reader over, and you are rooting for him to succeed as the story continues. The rest of the cast are also really good, and I deeply enjoyed some of the other characters featured within Conviction. I felt that Chalmers did a particularly good job with the villains of this book, and it was satisfying to see Windsor standing up to them and finally bringing them to justice. An awesome group of characters that Chalmers did a good job bringing to life.
Overall, I felt that Conviction was a pretty awesome novel that the debuting Frank Chalmers should be proud of. This fantastic novel has a great crime fiction narrative that not only crosses into historical fiction territory but which works as an exceptional example of a rural Australian story. All these elements work extremely well together, and I had a blast getting through Conviction, which is really worth checking out.

Publisher: Allen & Unwin Australia (Trade Paperback – 2 August 2022)
Series: Standalone/Book One
Length: 373 pages
My Rating: 5 out of 5 stars
Debuting author Vikki Petraitis delivers an impressive and deeply moving Australian thriller skilfully set around the powerful subject of sexual violence with The Unbelieved. This is Petraitis’s first novel, which has been receiving a large amount of buzz, including some awards. As such, I was very interested in checking it out, especially as it had a very interesting plot, and this ended up being one of the most compelling and memorable Australian debuts of 2022.
Senior Detective Antigone Pollard has spent many years investigating terrible and destructive crimes in Melbourne. After one case goes horribly wrong, Antigone decides to seek the quieter life and moves to her grandmother’s house in the Victorian coastal town of Deception Bay, where she was raised. However, her attempts at finding peaceful policing quickly go up in smoke when a series of drug assisted sexual attacks occur throughout Deception Bay and the neighbouring towns.
After a sting operation at the local pub reveals a suspect who attempts to drug her, Antigone believes that they have perpetrator dead to rights. However, they are soon forced to let him go when the male witnesses to the event refuse to cooperate and her superior attempts to brush the case under the rug. Reaching out to the community, she finds a wall of silence and shame surrounding sexual crimes in Deception Bay, which has failed to lead to any convictions in the town.
Determined to stop the attacks no matter what, Antigone continues her investigation against her superior’s wishes, and uncovers a series of attacks across town. Attempting to break through the fears of the women of Deception Bay, Antigone and her partner begin closing on the information they need. However, Antigone also finds herself under threat from all corners and must work swiftly before she is shut down for good. But can she succeed before another girl is attacked, and what happens when the darkness from her past rears its ugly head again?
Wow, I was not prepared for just how good and moving The Unbelieved was going to be. Vikki Petraitis has really shown off her skill and talented as a writer with her first book, presenting a powerful read on an extremely relevant subject that strikes the reader hard. Featuring an exciting and very clever mystery storyline that also intensely examines violence against women in Australia, The Unbelieved is an outstanding novel that gets a full five-star rating from me.
At its centre The Unbelieved has an exceptional multifaceted narrative that follows detective Antigone Pollard as she finds herself investigating terrible events occurring around Deception Bay. Detective Pollard initially attempts to stop a series of sexual attacks, but she soon becomes involved in several other cases while trying to fit in to the community, despite opposition from some of its male residents. As her case develops and more victims come forward, Pollard also finds herself investigating a suspicious death, a historical murder-suicide, a series of domestic violence cases, and more. These investigations are often hampered by her superior and problematic members of the community, and Pollard also finds herself being threatened or attacked as she attempts to do her duties. At the same time, elements from her past in Melbourne are revealed through a series of well-crafted flashbacks that expand on her motivations and begin to bleed into her current cases, especially once a prior suspect is brought back into the light.
Petraitis takes the story in some interesting directions throughout the course of The Unbelieved, and I loved the fantastic combination of the compelling yet heartbreaking cases that are explored throughout. This investigation angle is well balanced with the character development of the protagonist, as well as the emotional exploration of several interesting supporting characters, and you really get involved in the narrative and the character’s fates as The Unbelieved continues. The story becomes more complex as the book unfolds, and the protagonist finds herself caught up in a devious local conspiracy that seeks to take her down at the same time. There are some brilliant twists and reveals throughout the plot, and I loved how several of the storylines developed. The entire book was very well paced out, and I found myself getting really absorbed in so many key elements of the plot, especially as the author blends compelling investigations with dark, emotional examinations of the victims. This all leads to up to a moving, thought-provoking and extremely satisfying conclusion that will leave every reader caught up in the plot happy. I particularly enjoyed the final twist that Petraitis left the story on, and the way it was hinted at through the rest of the novel was extremely clever. I honestly had such a remarkable time reading this great narrative, and there are so many excellent story elements to enjoy within it.
Easily the most distinctive part of The Unbelieved is the author’s detailed and powerful examination of the current situation of sexual and domestic violence in Australia. Most of the book’s plot revolves around the investigation and attempted conviction of multiple sexual predators, and the author does not hold back in showcasing just how dark and damaging these sorts of cases can be. Multiple viewpoints of the impacts of these crimes are examined throughout The Unbelieved, and readers are in for some emotionally devastating moments as you see so many of the different aspects of them. There is a particularly good and dramatic look at how police investigating sexual crimes are impacted, especially when they are unable to get justice for the victims. More importantly, Petraitis spends a lot of time exploring how Australian society perceives sexual crimes, and the book is loaded up with characters who don’t see them as a big deal or attempt to blame the victim. There are multiple interludes within The Unbelieved that show short transcripts of interviews with people involved with these crimes, either as a witness or the accused, and the unguarded and unsupportive comments they make are both enlightening and a little infuriating. Throw in some comments and interviews by the author’s accurate depiction of a typical Australian radio shock jock, which really boil the blood, and you have an excellent depiction of some of the main issues and attitudes towards sexual crimes, such as victim blaming. These issues become a key part of the book’s plot, especially when the system fails so many victims, and it leads to some extremely emotional and painful moments. I felt that Petraitis did a spectacular job working this confronting subject into the plot of her novel, and it certainly gave The Unbelieved a powerful edge that is hard to ignore.
I also really appreciated Petraitis’s examination of regional towns in Australia, which proves to be a great setting for this compelling book. Rural and remote settings are always an excellent feature of Australian fiction, and I think that Petraitis used it extremely well in The Unbelieved. The transfer of a big-city cop to the small town she grew up in results in a great change of pace for the protagonist, and the change in priorities and issues helps to add to the narrative complexity of The Unbelieved. The use of this small-town setting comes into play throughout The Unbelieved in multiple intriguing ways, from the constant spread of rumours, the lack of secrets, and the fact everyone knows each other, and I liked how this affected several aspects of the police investigation plot line. However, the most important part of this setting is the wall of silence that springs up during the book. Many people know about the sexual and domestic violence going in in Deception Bay, but are unwilling to talk for various reasons, often keeping secrets from the police. This becomes a key complication in the investigation, and it was fascinating and moving to see the protagonist attempt to overcome it. As such, I felt that this small-town setting worked extremely well for The Unbelieved’s plot, especially with its specific criminal focus, and it definitely enhanced the story for me.
The final thing that I need to highlight is the excellent protagonist that Petraitis works the story around in Detective Antigone Pollard. Pollard is an emotionally charged badass who has returned to her hometown after a devastating case in Melbourne, and now finds herself amid all manner of dark criminal activity. While she is raw from the impacts of her last case and there are some dramatic moments surrounding here, the author portrays her as a practical and very capable cop, who takes charge and starts to clean up Deception Bay. I really do think that Petraitis hit the right balance of vulnerable and determined in Pollard, and you grow quite attached to her as the book continues, especially once you learn the full extent of her last case. Combine Pollard with several other fantastic characters in The Unbelieved, such as her partner, Detective Senior Constable Warren “Wozza” Harvey, and her loyal dog, Waffles, as well as some slimy villains, and you have a great cast for The Unbelieved that really add to the overall quality of this remarkable book.
With her impressive debut novel, The Unbelieved, Vikki Petraitis has set herself up as an exceptional talent in the Australian crime fiction game and she is a major new author to watch out for. The Unbelieved has an outstanding crime fiction narrative to it that does an amazing job balancing a compelling mystery storyline with powerful dive into a sensitive and highly relevant subject. Thanks to its well-written plot, clever mystery, distinctive setting and great characters, The Unbelieved comes together perfectly, and it proves to be extremely hard to put down. While this book might be best avoided by those readers triggered by depictions of sexual violence, I cannot recommend this powerful novel enough, and it stands as one of the better Australian crime fiction books and debuts of 2022 so far.

Publisher: Macmillian (Trade Paperback – 31 May 2022)
Series: Standalone
Length: 359 0ages
My Rating: 4.25 out of 5 stars
Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.
Plot Synopsis:
My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.
On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.
Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.
Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.
Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.
Five days later, Esther’s buried body is discovered.
What do we owe the girl who isn’t there?
Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.
Esther will always be a Dirt Town child, as we are its children, still.
Dirt Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading. Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home. The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days. The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.
The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more. This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing. All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light. At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative. The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here. The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there. Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.
This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale. While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk. This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways. It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship. Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring. These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.
Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction. A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.

Publisher: Hachette Australia (Trade Paperback – 27 April 2022)
Series: Standalone
Length: 360 pages
My Rating: 4.5 out of 5 stars
2022 is proving to be quite the year for Australian crime debuts, with several compelling and thrilling read already out. However, one of the more impressive recent debuts is probably the amazing release by new Canberran author Shelley Burr, Wake, a gripping and powerful crime thriller that takes the reader on a wild and emotionally charged ride.
Nannine is a small rural town in the harsh heart of New South Wales, punished by drought and slowly declining as the local agriculture industry starts to deteriorate. However, Nannine will always have one harrowing claim to fame: the unsolved disappearance of Evelyn McCreery. In 1999, young Evelyn disappeared from her rural house in the dead of night, right from the bedroom that she shared with her twin sister, Mina.
Now, 19 years after Evelyn’s disappearance, Mina lives a reclusive life on the destocked family farm, desperately seeking some shreds of normality. However, the shadow of the unsolved case and the subsequent massive media storm that bombarded her family still haunts her, especially as many question whether she had a role in the tragic events, while others constantly attempt to claim the massive reward the family posted. However, despite the time and her attempts to not get involved in the craziness again, Mina finds old wounds reopened when Lane Holland arrives in town.
Lane is a private investigator and failed Federal Police cadet who has made a living out of cracking cold cases involving missing girls. Interested in claiming the substantial reward, Lane begins his own in-depth investigation of Evelyn’s disappearance, and his determination and insights soon grab Mina’s attention and she finds herself drawn close to Lane. However, Lane has his own personal reasons for solving the case, and his dark ghosts could end up dragging Mina down with him.
This was an excellent and captivating debut novel from Shelley Burr, which is already gaining some major recognition, including some major Australian awards. While I knew I was likely to enjoy this amazing novel, I ended powering through Wake in a day as I got really hooked on its compelling and intense outback story.
I deeply enjoyed Wake’s awesome story, especially as Burr makes sure that it contains all the necessary elements to grab your attention. This novel starts in the modern day, 19 years after the disappearance that rocked Nannine, and sees newcomer Lane Holland arrive to attempt to solve the case. The introduction of this sleuth character helps to jumpstart the narrative, especially as his new investigation allows the reader to find out all the relevant details about the old case, while also revealing the lasting issues it had on the various protagonists, including the long-running infamy of being involved with such a major case. Most of the first half of the book revolves around Lane trying to find his feet in the investigation and get close to Mina, while also finding himself involved in a separate case involving another missing girl. At the same time you get to know Mina from her perspective, and find out just how messed up she is because of the disappearance and media scrutiny. All the key characters, major story elements, hints and settings are perfectly set up in the first half of Wake, and the captivating mystery and damaged characters really drag you in and ensure that you become deeply invested in seeing how the case unfolds.
After some big reveals about halfway through the novel, the story intensifies even further, especially once you fully understand Lane’s drive and get to know the characters even better. There are some compelling twists and turns in this second half of the book, with multiple theories and red herrings to cleverly distract the reader, while major personal moments hit all the key characters. This all perfectly sets up the big finale, as all the plot points, tragic backstories and hidden hints come together extremely well for the major reveal. I really liked how Wake’s story concluded, and I think both the solution to the mysteries and the resolution of all the character arcs was pretty ingenious, especially with how well it tied together the various character’s secrets, histories and regrets. Overall, the reader will come away very satisfied with how everything is tied up, and this ended up being a very impressive and compelling narrative that was well-paced and loaded with some great surprises, major moments, and a very intriguing central mystery.
There were many cool elements to Wake that I deeply enjoyed and which I felt helped to enhance the mystery-laden story. I liked the rural setting of Nannine, a fictional town that captures the heart of feel of many rural Australian communities, especially those that are suffering from many issues such as drought and the slow decline of the agricultural economy. This decaying agricultural town serves as the perfect backdrop to this amazing story, and you really get to see how the small-town vibes and attitudes affect the investigation of the case. I also appreciated the fantastic dive into the over-the-top press coverage that surrounds famous crime cases. The disappearance attracted a massive media focus, and Burr spends a lot of time exploring how it initially covered the case, how it morphed over the years, and the lasting impact that growing up as a media sensation had on both Mina and the other supporting characters from Nannine. I particularly enjoyed the examination of how the case became a favourite of true-crime fanatics, which is primarily shown through a series of posts on the murder forum that appears in front of multiple chapters. These posts highlight the attitudes, theories, mindsets and more of the true-crime internet community and serves as an intriguing weather vane for the wider Australian community. I loved these posts, not only because they were entertaining and realistic but because it proved to be a great way to provide the reader with some interesting context while also having some impacts on the main story. Throw in the great way that Burr utilised several flashback sequences, some hidden clues in character names, some clever insights into missing person cases, and other outstanding elements, and you have a really impressive book that will easily keep your attention.
I also need to highlight Wake’s awesome damaged characters that the plot focuses on. Burr has come up with some sensational and powerful story arcs for these great characters, and their various histories, connections and life events add some excellent emotional heft to the story that I really enjoyed. This includes Mina McCreery, who serves as a major point-of-view character for most of the plot. Mina is the twin of the disappeared Evelyn, and has spent the last 19 years living in her disappeared sister’s shadow. Not only did she have to deal with the emotional backlash of her sister being either killed or abducted but she also had to experience the intense media scrutiny and other issues associated with the major case, especially as her mother ended up becoming a media sensation to keep the focus on Evelyn’s case. Due to this, the strained relationship she had with her sorrowful mother, and certain suspicions from some that she had something to do with her sister’s disappearance, Mina now lives a solitary life, avoiding most people and not having many friends. This makes her rather standoffish, angry and a little paranoid (for good reason) for most of the novel, and she has a hard time connecting to anyone, especially Lane. The events of this book really shock her in some major ways, as the years of repressed trauma and emotional uncertainty come to the surface again, especially once secrets and long-hidden truths come to the surface. I felt that the author did an amazing job highlighting all the major issues contained within Mina’s psyche, and the subsequent emotional moments were a fantastic and powerful part of the book.
Aside from Mina, the other major character in Wake that I need to discuss is private investigator Lane Holland, who arrives in Nannine to investigate the case. Burr created something really impressive in Lane, a former police cadet turned private investigator, as he ends up having one of the more intense and memorable character arcs in the entire novel. Initially seen as an unwelcome outsider by most of the other characters, apparently interested in only the reward money, Lane is able to prove himself to Mina and other characters and manages to gain their trust. However, everything you think you know about Lane is blown out the water when you find out his surprising connection to the case, as well as his motivations for investigating it. Burr sets up the connections extremely well in the early parts of the novel, putting in several clever hints and suggestions, while also doling out useful flashbacks to Lane’s past that explain everything. These revelations, as well as some insights into Lane’s personal history and motivations, help to both intensifies the story, while also dragging you closer to Lane as a character, hoping that he will succeed for everyone’s goods. Burr takes Lane’s character arc into some very dark, by captivating, directions, and his entire story comes together in a brilliant and powerful way, especially with some major decisions made towards the end of the book. These two excellent, intense, and very damaged central characters, really acted as the heart-and-soul of Wake, and I was really drawn into the outstanding narrative Burr wove around them.
With her excellent debut novel, Wake, Shelley Burr has successfully entered the world of Australian crime fiction in a big way. Featuring a captivating and distinctively dark murder mystery narrative that sees damaged characters bring a notorious cold case into the light, Wake was a gripping and deeply thrilling read that I had a fantastic time reading. A moving and enthralling novel, Wake was an exceptional Australian crime debut and I am extremely excited to read more stories from Burr in the future.


Publisher: Allen & Unwin Australian (Trade Paperback – 29 March 2022)
Series: Standalone
Length: 370 pages
My Rating: 4.5 out of 5 stars
Impressive debuting Australian author Nina D. Campbell presents one of the most intense, captivating, and thought-provoking thrillers of 2022 so far, with the outstanding Daughters of Eve.
Detective Emilia Hart is a dedicated New South Wales homicide detective whose gender and experience often sees her regulated the domestic violence murders. When a prominent defence attorney is expertly shot in front of her, Hart jumps at the opportunity to investigate a high-profile case, despite opposition from her superiors. However, this proves to be no simple investigation, especially when a second dead man with similar bullet wounds is also found.
As Hart and her colleagues investigate, they struggle to find any connection between the two victims until more men start dying and the killer releases a brazen manifesto to the world. Claiming to be part of an organisation known as The Daughters of Eve, determined to tip the scales of justice once and for all, the killers reveal that their victims have been abusive men responsible for terrible acts against women. They also claim that they are only just getting started, and they soon ask the public to identify more violent men for them to hunt down.
As more bodies start to drop, chaos starts to reign across Sydney, especially when a series of copycat murders begin around Australia. Facing immense pressure from all around, Hart doggedly pursues the case, trying to find a link between the victims and the women they hurt. However, with angry male protestors storming the city and soldiers deployed on the street, Hart is unprepared for how much her world is about to change, especially as the killer may be closer than she ever realised.
Daughters of Eve was an exceptional and outstanding first novel from Campbell that really sticks out. Featuring a particularly powerful narrative that combines a terrific and clever mystery with some of the darkest elements of modern society, Daughters of Eve proves to be extremely addictive, and I actually ended up reading it in just one day once I got hooked on its powerful events.
I loved the intense and captivating murder mystery that this book contains, especially as it sets the protagonist down a moving and memorable rabbit hole. Daughters of Eve has an awesome start, with a sleezy defence attorney shot down by a sniper in the middle of Sydney right in front of the protagonist. This ensures her a key role in the investigation, and she quickly discovers that there is much more to the case, especially once more bodies drop with each of the victims identified as a potential abuser or rapist. This initial part of the mystery is very well written, with several key elements set up for later in the book, while the reader is left guessing with the various potential suspects or motivations. While this early investigation is ongoing, you get to know more about the protagonist, Emilia Hart, and her complex life, including her unique personal relationships and compelling professional life, especially as she works with several terrible people.
The story takes an excellent turn about halfway through when The Daughters of Eve organisation emerges and takes credit for the murders. The entire city erupts into chaos as angry, scared men attempt to regain control, soldiers are deployed to the street, and multiple murders occur across Australia. Hart and her colleagues are stuck desperately investigating more obscure potential suspects to discover who is behind the initial murders, while they try not to get overwhelmed by other events. This middle section of Daughters of Eve goes into some very dark directions, especially when certain revelations and secrets come out. This eventual leads up to the big reveal about who the killer is, which, while a little predictable, serves as a major and compelling moment in the plot, and was very well handled by the author. The story continues for a decent while after the killer is arrested, as the events further deteriorate, and the protagonist finds herself extremely involved in everything going on. It all leads up to the moving and dramatic conclusion, which, while tragic in its own way, leaves the reader on a somewhat hopefully note that think really worked. This was an incredible and deeply moving story, and I deeply enjoyed the brilliant combination of captivating mystery and dark tone.
Without a doubt, the most memorable part of Daughters of Eve is the strong and powerful look at sexual and domestic violence that exists within the world today, as much of the story focuses on victims-survivors and abusive men. Campbell paints an appropriately bleak picture of how society can hurt women of all ages, which gives the story a very grim, if realistic, coating that will both shock and move you. Featuring multiple female characters, each with their own unique story, you get a deep understanding of some of the violence or discrimination out there, and the various issues and societal problems surrounding it, such as the restrictions on policing it. There are so many dark elements about abusive men and sexual violence throughout this book, and I think Campbell utilised it perfectly throughout Daughters of Eve to create her captivating tale. I particularly appreciated the way in which Campbell envisions the reaction that would occur if some vigilante women did start to target abusive men in a violent way. The subsequent counterviolence, male protests, and over-the-top use of authorities and the military is a cynically entertaining inclusion, and the subsequent comparison between this and the existing violence against women makes for a harsh counterpoint. While parts of the reaction by authorities, politician and men might seem somewhat unrealistic, certain recent events might potentially suggest that Campbell is right, and it is probably exactly how events would occur. While I do think that Campbell did get a little heavy handed with some of these elements throughout the book, it produced a very emotional and confronting story that expertly enhanced the main mystery narrative. I would probably suggest that people who are triggered by sexual and domestic violence may want to avoid Daughters of Eve because of these inclusions; this is a very thought-provoking part of the book that will stick with you for a long time.
Naturally, such dark and dramatic elements necessitate several strong and complex central characters, and Campbell uses them to great effect throughout the book. Daughters of Eve’s main character is point of view protagonist Emilia Hart, who proves to be an excellent central focus for the entire plot. Hart is a character with a substantial amount of baggage, and her own terrible childhood and long experience as a police officer, especially one who primarily deals with domestic murders, ensures the events of this book deeply impact her. Watching her try to come to terms with some of the outrages she witnesses, as well as the deep personal stakes that emerge, is pretty inspirational and moving, and you end up feeling really connected to her. The rest of the characters in this book are fantastic and they all add a great supporting edge to Hart’s story. This includes Emilia’s adopted daughters, both of whom have their own tragic backstories, her brash but loyal police partner, and her surprisingly understanding love interest from Melbourne. You get a real sense of some of the terrible sexism and violence experienced by women every day, and each of the characters in Daughters of Eve do a good job exploring this. I really grew attached to several of the characters in this great cast and found their powerful stories to be brilliant.
Daughters of Eve ended up being an exceptional and distinctive Australian thriller and it is one that I am really glad I got the opportunity to read. Nina D. Campbell hit her debut out of the park, and I really got addicted to the excellent, dark and moving story that her first book contained. With some very powerful and insightful elements, Daughters of Eve will stick with you well after you have finished powering through its amazing story. I cannot wait to see what Campbell produces next, and I look forward to reading more stuff from this exciting new Australian author.

Publisher: Picador (Trade Paperback – 22 February 2022)
Series: Standalone
Length: 406 pages
My Rating: 3.5 out of 5 stars
Intriguing new author Jessica Stanley produces a compelling Australian political drama, A Great Hope, an intense read that looks at the impact of the mysterious death of a politician on his family, set to the backdrop of a turbulent time in Australian politics.
Plot Synopsis:
John Clare was a titan in Australian politics. The head of a powerful union and a key player in the election of Kevin Rudd as prime minister in 2007, he had long been tipped as a future leader himself. Supporting him in his push for power were his elegant wife Grace, his troubled children Sophie and Toby, and Tessa, the mistress he thought would stay secret.
But now John has fallen, brutally, to his death. A terrible accident – or was it?
In the wake of losing John, his inner circle mourn and rage, remembering and trying to forget the many ways he’d loved and disappointed them. An adoring and unreliable father; a grateful and selfish husband; a besotted and absent lover; an authoritative and compassionate leader; a failed politician in an era when party politics failed a nation. As those around him reassess everything they knew of and felt for John, a new idea of what love and power really mean begins to emerge – as does the true cause of his death.
Gripping, propulsive and ambitious, A Great Hope untangles the mystery of John’s fall through the eyes of those who knew him best – or thought they did. Deftly displaying the clash of the political and the personal, this is a novel for our times, from a brilliant and forceful new Australian writer.
This was an excellent novel which I think did a great job telling a unique story by exploring some of the more controversial elements of recent Australian politics. A Great Hope’s story is a great blend of personal drama, political intrigue and contemporary historical fiction, with a little bit of mystery thrown in as various characters attempt to understand the death of John Clare and the impact he had on the world.
Telling the story from a variety of different perspectives, including those of his family, his mistress, and other related figures, Stanley presents a complex and winding narrative that proves to be very compelling at times. Initially set one year after the death of John Clare, the story jumps around the various point-of-view characters, and the readers are shown not only their present situations and opinions but also the origins of the characters as well as the full events that led up to the night John Clare died. While this does produce a cluttered story with a few odd moments (such as the unnecessary and graphic sex scenes), the reader is soon treated to a unique story that cleverly builds up to the finale while also exploring the various key characters. You get a real sense of everyone featured in the novel, especially those closest to John Clare, and their complex lives and relationships with the political heavyweights. Unfortunately, most of these characters are pretty terrible people who are fairly insufferable and hard to enjoy. While this was no doubt the intent, to show the strain and ugliness a political life brings out, there are barely any relatable or redeemable figures here (honestly the only character I particularly liked was the mistress, Tessa, which is a bit odd when you think about it).
While this lack of likeable characters did slow the flow and my enjoyment of the story a little, I managed to power through the last 200 pages in a single sitting. There are some interesting resolutions and revelations towards the end, and I enjoyed seeing some of the storylines come full circle, especially those that are set up in the present and then expanded on in the flashbacks. The resolution of who or what caused the death of John Clare was pretty interesting and a little surprising, but it fit nicely into the unique feel and storytelling of A Great Hope.
One of the most distinctive elements of A Great Hope was the author’s intense and in-depth examination of Australian politics in the early 21st century, particularly around the 2007 and 2010 elections. This is mainly because the author, Jessica Stanley, was herself involved in some of these campaigns, particularly in 2007, when she served as one of the party’s social media consultants (similar to main character Tessa). As such, this book contains some compelling and fascinating insights into the election campaign, candidates, and voters, particularly those associated with Australia’s major left-wing party (the Labor party), which really added to my enjoyment of the book. Some of the more intriguing and compelling political moments of this period are scattered throughout A Great Hope, and I deeply enjoyed seeing the author’s take on what happened and why. The author also examines the growing impact of social media during this time, as well as other intriguing elements about campaigns and party politics. However, readers should be warned that these political elements do start to get very upsetting as the book continues, especially as Stanley dives into the failures of government, the increased political hostility, the rejection of climate change by the opposition, and the inherent sexism that defined the era between 2007 and 2010. This stirred up some unpleasant memories of the political landscape of the time, but I did find this to be an interesting and captivating part of the novel, and I really appreciated how much these unique and realistic inclusions added to the story.
Fantastic new author Jessica Stanley got off to a great start here with A Great Hope, producing an intriguing and distinctive novel that makes excellent use of the author’s political insights. While I had some issues with the story and characters, A Great Hope ended up being quite an entertaining book, and I was very interested in seeing how everything came together, as well as all the clever political inclusions. I look forward to seeing what Stanley writes in the future, especially as there are so many memorable moments in Australian politics to set a story around.

Publisher: HQ (Trade Paperback – 1 December 2021)
Series: Standalone/Book One
Length: 480 pages
My Rating: 5 out of 5 stars
Talented Australian author Sarah Barrie presents one of the darkest and best Australian thriller novels of 2021 with Unforgiven, a powerful and captivating read that sets determined protagonists against the very worst of human monsters.
Years ago, the city of Sydney was haunted by a terrible paedophile and murderer known as the Spider, who kidnapped, molested and killed young girls, all on camera. His reign of terror was ended suddenly one violent night thanks to two women, a determined rookie police officer, Rachael Langley, and one of the Spider’s young victims, Lexi Winter, who disappeared never to be seen again.
Now, after years of living on the street, Lexi has grown up tough and hard, determined to escape the tortures of her childhood through alcohol while trying to reconnect with the sister she was forced to leave behind. However, Lexi is still obsessed with taking down monsters, and with her impressive hacking skills she spends her days tracking paedophiles, entrapping them, and ensuring they are captured by the police. However, when her latest target proves to be particularly illusive online, she makes a fateful decision to break into his house, only to witness him being murdered.
At the same time, Rachael Langley is now a successful detective inspector, solving some of the toughest crimes in Sydney. Still lauded for her role in stopping the Spider, Rachael lives in regret for being unable to save Lexi all those years before. However, everything changes when a man calls her, claiming to be the real Spider and providing proof by horrifically murdering another child on camera. Quickly establishing a police taskforce, Rachael and her team must determine if the killer is a copycat or whether Rachael captured the wrong man all those years ago. To solve this case Rachael is going to need help from the last person who wants to see her, Lexi, but can these women work together after everything they have been through? And what happens when their killer learns that Lexi is still alive and hunting for him?
This was an intense, grim and deeply compelling Australian crime fiction read from Barrie, who has written an amazing and powerful story that proves very hard to put down. Unforgiven was the first of Barrie’s books that I have read, although several of her other Australian crime fiction novels are quite intriguing and I might try and read them at some point after being so captivated by this epic and moving read. This was such an addictive novel that it gets a full five-star rating from me.
Barrie has come up with a very impressive and intense narrative for Unforgiven that sees several damaged characters dragged into the web of a dangerous and clever criminal. The story has a great start that showcases the lives of the main protagonists, Lexi, Rachael and Rachael’s nephew and fellow police officer Finn, as well as giving some hints at the events of the original Spider case that so deeply impacted the female main characters. After this quick set-up, the story advances in all its dark and powerful glory, as two fascinating plot lines develop. Lexi, who has become an online vigilante hunting paedophiles on the dark web, finds herself caught up in a brutal murder when one of her targets is murdered by a mysterious figure while she is sneaking into his house. Most of her early story involves her continued attempt to hunt paedophiles while also trying to find a way to hide the body of the murdered man, for which she gains some help from an interesting source. At the same time, Rachael and Finn become involved in a brutal case when the man claiming to be the real Spider calls Rachael and leads them to murdered young girl, forcing them to once again dive into the unsettling world of paedophiles.
Both storylines advance at a quick and compelling pace, with each of the main protagonists facing massive challenges as they attempt to achieve their objectives. I liked this initial separation of the storyline, and the two plotlines work well together in tandem, with the reader getting pretty caught up in both narrative threads. At the same time, the author drip-feeds in bits and pieces of Lexi and Rachael’s pasts, especially the events that led up to the arrest of the Spider and the disappearance of Lexi. This deepens the audiences’ connections to the two protagonists so that when their storylines inevitably connect it really enhances the impact of the scene. Unforgiven shifts into high gear once these plotlines are joined, with all three protagonists working towards the same goals, although Lexi maintains her secrets. Barrie starts throwing in some real curveballs here, providing a complex and intriguing case that throws the protagonists through the emotional wringer as they get closer to the big and powerful conclusion of the novel. There are some great twists in the last half of the book and while I saw a couple of things coming, there were some fantastic surprises that really threw me. This ends up being an outstanding and complex story, and the readers will be left wanting more, especially as Barrie leaves it open for a sequel, which I really hope she does.
While I deeply enjoyed the captivating and intense story contained within Unforgiven, this was a bit of a hard novel to read at times due to its very, very dark content. Unforgiven focuses on the hunt for a murderous paedophile and his child exploiting friends, which inevitably leads to some depictions of the terrible acts they commit, not only to children in the current storyline, but to the protagonist Lexi back in her childhood. Barrie really does not pull any punches here, and the book contains some very dark and grim moments that really stick in the mind. These powerful and shocking scenes really raised the stakes of the book and ensured that the reader becomes extremely invested in seeing the protagonists achieve justice through their actions. While I really appreciated that Barrie was trying to raise awareness and showcase just how evil some people can be, I will admit that some of these scenes did get to be a bit much at times, forcing me to stop and put the book down. Readers are warned that Unforgiven has very strong themes of violence and abuse against children and young people. However, if you can get past that, it is worth it, as Barrie does an excellent job telling this rough story about true human evil.
Unforgiven’s already brilliant and powerful narrative is enhanced by the impressively written and complex central characters contained within. Barrie has gone out of her way to introduce several very damaged and compelling protagonists, each of whom add so much to the overall plot thanks to their excellent backstories and substantial development. The most prominent and interesting of these characters are the two female leads of the book, Lexi Winter and Detective Inspector Rachael Langley, whose lives became irreparably entangled all those years ago. These two characters serve as two of the three main point-of-view characters, with most of the story told from their perspectives.
Lexi was a great character, and I was deeply impressed with the amount of work that Barrie put into her complex and damaging past, as well as her distinctive current personality. There were so many interesting aspects to Lexi, who immediately stands out as a protagonist thanks to her damaged personality, strong sense of deduction and observation, her badass ability with a computer and the fact that she is the only character whose chapters are told in the first person. I loved the intriguing contradictions in her life as Lexi makes a living as an escort while devoting most of her personal life to being an online vigilante/hacker extraordinaire who specialises in taking paedophiles down. This makes for such a distinctive character, especially once you figure in all the major impacts of her childhood that has left her such an emotional mess. Barrie does a good job of slowly revealing all the horrors of her early life, and while some of the scenes are pretty brutal, it is amazing to see everything that the character has risen above to still be such a strong figure. The reader swiftly gets attached to Lexi as a protagonist and it will be fascinating to see what happens to her next if Barrie decides to turn this into a series.
The other central character that I must talk about is Rachael, the veteran detective inspector whose career was built off the success of the Spider case. Rachael is a great police protagonist, a confident, intelligent and strong figure who is able to keep most of her people in line and pursue a vigorous investigation. However, Barrie builds in several great aspects to her character that really impact this protagonist throughout the course of Unforgiven. Firstly, there is the guilt that Rachael still feels over her past with Lexi, especially as Rachael failed her in a way which is slowly revealed over the course of the book, especially once the two reunite and have an awkward relationship. The other aspect is the doubt that slowly creeps into Rachael as the case proceeds, especially as the possibility that the original person convicted in the Spider case might be innocent. This doubt, coupled with the guilt over the fact that she could be responsible for the latest deaths by not actually catching the real Spider, starts to impact her throughout the book and proves to be an intriguing motivator for some of her decisions. These complex aspects really helped enhance the emotional power of Unforgiven and I really appreciated the intense storyline that Barrie wrote about people living in the past and accepting one’s mistakes. I really enjoyed seeing both Lexi and Rachael in this novel, and they had some great storylines in this book.
Aside from Lexi and Rachael, there are several other great characters in Unforgiven I should mention. The most prominent of these must be Detective Senior Sergeant Finn Carson, Rachael’s nephew and second-in-command of the investigation, who ends up being the third major point-of-view character. Finn was an excellent male police character who serves as an interesting counterpoint to the two female protagonists. While not as damaged as the other two, Finn has his own issues, and his viewpoint really added to the overall quality of the book. I was also a big fan of Lexi’s neighbour Dawny, an eccentric older woman who assists Lexi in several matters, including disposing of a body (what are good neighbours for?). Dawny was one of the funniest characters in the book and it was great to see the protagonists be completely baffled by her knowledge and ability to come up with effective solutions to problems while maintaining the batty old lady routine. I quite liked the eventual reveal of who Dawny really was, as it fit in well with the other characters in the book, and it will be fun to see if Barrie brings her back at some point in the future. Finally, I definitely need to highlight the villain of the book, the Spider, who is one of the most despicable fictional antagonists I have seen: a sordid child abuser and murderer who films their grisly crimes. You quickly feel a lot of hate towards this character, even if you don’t know who they are for most of the story. The eventual reveal and the various twists around them were quite clever and I had an amazing, if disturbing, time finding out who this monster was. An overall exceptional character driven novel, you will quickly find yourself getting stuck following all these fascinating and compelling figures.
Unforgiven by Sarah Barrie is an outstanding and impressive read that takes the reader of a gritty and vicious ride. Filled with a disturbing narrative and some brilliantly damaged central characters, Unforgiven is an utterly captivating read that is near impossible to put down or forget about. Easily one of the best Australian thrillers of 2021, Unforgiven comes highly recommended and I am extremely excited to see what other incredible novels Barrie comes up with in the future.