Everyone this Christmas has a Secret by Benjamin Stevenson

Publisher: Penguin Australia (Hardcover – 22 October 2024)

Series: Ernest Cunningham – Book Three

Length: 229 pages

My Rating: 4.5 out of 5 stars

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One of my favourite Australian authors, the clever and eternally funny Benjamin Stevenson, returns with the third book in his Ernest Cunningham series, Everyone this Christmas has a Secret.

Over the last few years, one of the most impressive Australian crime fiction authors has been the exceptional Benjamin Stevenson.  After a successful career as one half of musical comedy duo The Stevenson Experience, Stevenson has successfully made the move to crime fiction author with several amazing books.  I was a big fan of his debut novel, Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations.  The first book in the series, Everyone in My Family has Killed Someone, was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery.  I really enjoyed this exceptional book (one of my favourite Australian novels of 2022), especially as the author successfully played to his comedic background to produce an outstanding read that satirised classic crime fiction conventions.  Stevenson continued to impress the following year, with the amazing book Everyone on this Train is a Suspect.  One of my favourite books and pieces of Australian fiction of 2023, Everyone on this Train is a Suspect was a worthy sequel to the first Ernest Cunningham book, and I loved how the author took the opportunity to further parody various crime fiction subgenres.  Due to how much fun I’ve had with the previous novels in the series, I was very excited when I found out Stevenson was releasing an Ernest Cunningham Christmas special.  This latest book, Everyone this Christmas has a Secret, was an excellent read that continued to showcase unique style and flair for outrageous stories.

Ernest Cunningham, amateur detective, novelist and all-round meddler, had been looking forward to Christmas with his highly dysfunctional family.  However, a surprising phone call from his ex-wive, Erin, forces him to journey to the Blue Mountains to solve another murder.  Erin has been accused of killing her new husband, a wealthy philanthropist and former actor dedicated to helping former drug addicts by introducing them to the performing arts.  Found upstairs covered in the victim’s blood, the case against Erin seems airtight, but Ernest isn’t willing to believe that the women he used to love is capable of committing murder.

Determined to prove Erin’s innocence, Ernest begins to investigate hoping to find anything that will clear her name.  His first stop is a large charity Christmas show headlined by a famed magician that the victim had been working on in the leadup to his death.  Exploring backstage, Ernest soon discovers that the staff of the charity show are a mixed bag of tricksters, manipulators and performers, each of whom had history with the victim.  But before he can investigate any further, another person dies publicly on stage.

With the police refusing to listen and time counting down to Christmas, Ernest once again uses his knowledge of the conventions of crime fiction to try and solve the case.  However, all his suspects have motive, and all of them know how to lie and misdirect.  Can Ernest work out which of these performers is concealing the truth, or will a killer get away with murder this Christmas?

This was another outstanding novel from Stevenson, who clearly has a ton of fun with his Ernest Cunningham books.  A brilliant Christmas special, Everyone this Christmas has a Secret proved to be yet another captivating and hilarious book that proved extremely hard to put down.

Everyone this Christmas has a Secret proved to be a very entertaining addition to the Ernest Cunningham series.  Using the conventions of a Christmas special, Everyone this Christmas has a Secret provides readers with a short standalone book that can easily be enjoyed by any reader, even those unfamiliar with the previous entries in the series.  Due to the limited length of the novel, Stevenson wastes no time diving into the plot, and you are soon presented with a new unique murder mystery, with the protagonist’s ex-wife painted as the killer.  After some effective introductions to the case, the protagonist travels to the charity show that seems to lie at the heart of the case and begins to learn more about the potential suspect.  This was a necessarily concise introduction, although it works to set up much of the future plot, and there are a ton of subtle clues hidden throughout the first half.  This first half leads to a dramatic and exciting second murder that changes the scope of the plot and forces the protagonist to up his game.

Stevenson doesn’t waste any time after this second death, moving the plot at a murderous pace (pun intended), and bombarding the reader with clues, reveals and intrigues.  There are several great twists here as we get closer to the conclusion, and I loved how the protagonist worked his way through the Christmas mystery in his own unique way.  Everything leads up to the big reveal, where Ernest brings all his suspects together in a single location and talks them through the solution to the murder.  There are some brilliant moments here as Ernest eliminates suspects, bringing all the hidden secrets to life and slowly whittling down the field of potential killers.  The big reveal about the real killer was well handled and extremely clever, as the author brings together the multitude of clues he sprinkled throughout the plot in an entertaining manner.  While the identity of the murder was a tad obvious to me thanks to one clue in particular, the route the protagonist takes to get there is fun, and I loved seeing everything come together.  The resulting final confrontation is a little over-dramatic and follows the pattern of the other novels in the series, but it proved to be a great ending to this shorter, Christmas-themed Ernest Cunningham book, and I loved how well this book sat as a standalone entry to the series.

As with the previous books in this series, Everyone this Christmas has a Secret is a cleverly written and highly entertaining read that seeks to blend a complex murder mystery with comedic writing that satirises classic fiction tropes, especially those around golden-age crime fiction.  Perfectly set in the iconic Australian setting of the Blue Mountains and told from the first-person chronicle perspective of protagonist Ernest Cunningham, this book has a compelling, quick-fire narrative enhanced by the protagonist’s amusing observations about the situation and the people involved in the case.  Stevenson expertly utilises his comedy background to keep the mood of Everyone this Christmas has a Secret light, and you will love the fantastic way he keeps the audience laughing, while also providing some very clever in-jokes for those readers familiar with classic murder mysteries and whodunnits.

Stevenson also leans into the Christmas theme of this book by including a range of themes and tropes from holiday special novels/shows, which helps to give this third book a unique and memorable edge.  The author’s rules for holiday specials, which are set down at the end of the novel, are cleverly overlayed over his established rules for detective fiction, and I really appreciated how Stevenson incorporated them into the plot.  As such, Everyone this Christmas has a Secret has a distinctive change in style compared to the previous novels, which I think worked extremely well.  If I had one criticism, it would be that the shorter length of this novel ensured that Stevenson didn’t have as much space or time to try to implement some of his classic meta-hints (like revealing on what page a murder was going to occur, or how many times the killer’s name is mentioned in the book), and the entire book did feel a bit rushed at times.  Still, this was a great read, and one that works both as a continuation of the Ernest Cunningham series, as well as a compelling, holiday standalone read.

Due to its nature as a standalone holiday special, Everyone this Christmas has a Secret doesn’t feature a massive amount of character development, and apart from the protagonist there is a noticeable lack of recurring characters physically appearing here (it’s one of the rules of a holiday special).  That being said, it was fun to see protagonist and humorous point-of-view character Ernest Cunningham again, especially as he is starting to lean into his role as a detective.  While his investigation style is still quite chaotic (earning him the moniker “the Slapdash Detective”), Cunningham proves to be a much more skilled sleuth, although he once again makes some foolish mistakes at the grand reveal at the end.  Aside from Cunningham, the rest of the cast is fun, with an intriguing mixture of suspects, victims, and related characters.  While Stevenson does a good job introducing these characters and setting up some competing motivations, I did think the speed of the plot didn’t allow the reader to really appreciate this extended cast as much, and as such the big reveal at the end loses a little punch.  Still, Stevenson features a solid cast for a shorter holiday special, and I enjoyed seeing how Ernest dives through their chaotic lives to find the killer.

Benjamin Stevenson once again shows why he is one of Australia’s top crime fiction authors with another captivating and clever murder mystery book, Everyone this Christmas has a Secret.  Once again featuring the author’s trademark humour and satirical take on classic whodunnit tales, Everyone this Christmas has a Secret was a great read that was both gripping and fun.  I look forward to seeing how the author continues the Ernest Cunningham books in the future, although I must admit I do wonder how far Stevenson can take this concept.  An overall excellent and funny murder mystery that anyone can enjoy this Christmas.

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Quick Review – The Youngest Son by John Byrnes

Publisher: Pan Macmillan Australia (Trade Paperback – 30 July 2024)

Series: Standalone

Length: 386 pages

My Rating: 4.25 out of 5 stars

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Rising Australian author John Byrnes dives into a new genre with the fascinating and compelling historical fiction novel, The Youngest Son, which focuses an exciting and moving narrative around one damaged family.

Plot Synopsis:

On the unforgiving streets of 1920s Sydney, the Leach family have nothing but each other.

In a tale spanning decades, three children of the broken, working-class family find adventure, heartache and trouble as their lives drift apart.

John finds faith and love at a young age. The inevitable clash between the two leads him into a different kind of brotherhood as war clouds gather.

Maureen dreams of a life ‘just like the movies’ and waits to be swept off her feet. Yet at every crossroad, she makes the wrong choice.

Bob discovers a natural talent with his fists and an instinct for trouble. But with every win he earns the hard way, more enemies rise.

From police corruption and gambling dens to brothels and blood feuds, the Leach family toil in Sydney’s seedy underbelly and on battlefields far away. Against the backdrop of the Great Depression and the Second World War, The Youngest Son chronicles one family’s mesmerising fate in a grand saga and a masterclass in epic storytelling.

The Youngest Son was a fast-paced and addictive novel that cleverly followed the youngest members of a disadvantaged working class 1920s Sydney family through the highs and lows of early 20th century Australian history.  Byrnes, who really impressed me last year with his first novel, the gripping modern thriller Headland (one of my favourite debuts of 2023), did an outstanding job diving into the historical fiction genre, and I enjoyed the excellent and personal story that emerged.

The plot of The Youngest Son works very well, as Byrnes follows the varied lives of the three Leach children, John, Maureen and Bob, as well as a raft of other entertaining and complex characters.  Starting in the 1920s and continuing towards the end of World War II, The Youngest Son’s narrative splits between each of these primary characters and follows the highs and lows of their lives.  This includes the criminal activities of the youngest son, Bob, whose career fighting for Sydney’s criminal underbelly leads him into trouble time and time again.  The oldest son, John, attempts to live a good life and join the church, but misfortune and deceit instead lead him towards the horrors of war.  Finally, the daughter of the Leach family, Maureen, tries to find the excitement and glamour missing from her working-class life, but finds only heartbreak and bad decisions as she is constantly led along the wrong path in life.  Each of these characters experience conflict, betrayal, and tragedy as they attempt to find their way in life, and it helps produce one hell of a story.

I really enjoy historical fiction books that follow the lives of multiple characters as they follow their own path amid the backdrop of real-life history, and it is a format that has served many authors, such as Ken Follett, Jeffrey Archer and Peter Watt extremely well over the years.  Byrnes is another great author who perfectly utilised this story telling method, and I had a lot of fun getting to know the Leach family and their various friends and associates.  The author pulls together a great layered narrative, and I loved the mixture of story elements that emerged, including personal stories of self-discovery, a gritty war narrative, and a continued dive into the criminal underbelly of Sydney during the 1930s and 40s.  While all these major storylines are great in their own way, I personally found myself drawn more to Bob’s narrative, mainly because his dangerous dive into the world of underground boxing is full of excitement and action.

Each of the three main protagonists have intriguing journeys in their respective chapters, and I deeply enjoyed where each of their specific storylines go.  All their story arcs have a great mixture of success, tragedy and self-discovery, and you grow attached to all of them as a result.  The storylines also blend into a fantastic major narrative, and while for the most part they are kept separate from each other, they play off each other well, ensuring that readers get a good mixture of emotions and different experiences, as well as alternating character highs and lows.  Byrnes also makes excellent use of the 1930s and 40s background setting throughout The Youngest Son, and the author ensures each character’s story cleverly evolves to face the various changes occurring around Sydney.  The entire narrative goes in some interesting directions, and you willingly follow these characters wherever they end up, even if that leads you even deeper into tragedy.

While the three main characters are all entertaining in their own ways, I felt that the fourth perspective character Byrnes added in really helped to make The Youngest Son especially special.  This fourth character is the villainous Vince, a cowardly street thug who makes a big impact on the Leach family’s lives in different ways.  Vince proves to be a great recurring antagonist, and his slimy story of success blends in well with the alternating fortunes of the Leach children while also providing some real entertainment value.  You really cannot help but dislike Vince as he succeeds, but you really can’t look away as he succeeds, especially as his various dastardly and snivelling interactions with the other characters, primarily Bob and Maureen, prove to be excellent bridges between these protagonist’s respective storylines.  I really appreciate how Byrnes wove the story of Vince amongst the other major narrative threads of The Youngest Son, and the use of the excellent antagonist continuously moves the plot in the best direction, including with the big finale.

Overall, I felt that this was a great book from John Byrnes, who created an amazing and captivating novel with The Youngest Son.  A slick and easy-to-read novel with some real heart that makes excellent use of its impressive character-driven narrative, historical setting, and engaging protagonists, The Youngest Son is an awesome book to get lost in, and it was fantastic to see how Byrnes has grown as an author.

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Quick Review – The Death of Dora Black by Lainie Anderson

Publisher: Hachette Australia (Trade Paperback – 28 August 2024)

Series: Petticoat Police Mystery – Book One

Length: 312 pages

My Rating: 4.25 out of 5 stars

Amazon

Australian author Lainie Anderson presents a fun and compelling historical murder mystery that looks at a unique Australian historical figure with The Death of Dora Black.

Plot Synopsis:

Summer, Adelaide, 1917. The impeccably dressed Miss Kate Cocks might look more like a schoolmistress than a policewoman, but don’t let that fool you. She’s a household name, wrangling wayward husbands into repentance, seeing through deceptive clairvoyants, and rescuing young women (whether they like it or not) with the help of a five-foot cane and her sassy junior constable, Ethel Bromley.

When shop assistant Dora Black is found dead on a city beach, Miss Cocks and Ethel are ordered to stay out of the investigation and leave it to the men. But when Dora’s workmate goes missing soon after, the women suspect something sinister, and determine to take matters into their own hands. After all, who knows Adelaide better than the indomitable Miss Cocks?

*In 1915, Fanny Kate Boadicea Cocks became the first policewoman in the British Empire employed on the same salary as men. This novel is a rich exploration of that little-known chapter of Australian history.*


The Death of Dora Black
was a particularly interesting and entertaining read from Lainie Anderson, who has struck upon a fascinating figure to set her book around.  The first book in Anderson’s new Petticoat Policy Mystery series, The Death of Dora Black was a clever novel that blended the real-life history of the infamous Miss Kate Cocks with the author’s own crime fiction narrative.

Starting out in Adelaide, 1917, the book’s story sees formidable real-life police officer Miss Kate Cocks become embroiled in a deadly murder mystery when shop assistant Dora Black is found dead on the city’s beach.  What follows is an excellent story that blends the historical exploits of Cocks, which included helping the needy of Adelaide in her own unique way and attempting to save the morality of the young women of the city with her cane, with a gritty informal murder investigation.  This later investigation of course adds most of the meat to the story, as Cocks, and her junior constable Ethel Bromley, uncover a dark conspiracy of murder, drugs and kidnapping, with its roots deep in the heart of the city.

Anderson brings these disparate elements together into a fantastic overall read, and it was fascinating to see the more cozy and historical elements you would associate with Kate Cocks and her real-life actions blend with a darker murder plot.  I felt that Anderson’s main murder mystery was very well set out, and the resulting investigation by two underestimated women got quite thrilling and exciting.  There are some dark moments and intriguing twists featured throughout this plot, and Anderson produces a particularly powerful crime fiction narrative.  The entire murder mystery and the investigative arc came together extremely well, and I really enjoyed seeing Anderson’s unique protagonists trying to solve the case in their own unique way.  The background setting of Adelaide during World War I also added quite a lot to the narrative, and the author provided a complex and detailed recreation of the historical setting.

The real highlight of The Death of Dora Black was the intriguing main protagonists, Miss Kate Cocks and her junior constable Ethel Bromley.  The two protagonists play off each other extremely well throughout the course of the novel, and the blend of personalities, with the strict but caring Kate and the sassy and exceedingly keen Ethel, proved to be a winning combination.  Readers will particularly enjoy Anderson’s portrayal of Miss Kate Cocks in this book, especially as the author tried to capture all this unique figures’ quirks and historical reputation.  Anderson, who is a major expert on Kate Cocks, paints her as a particularly complex and conflicted figure driven by her religious principals but also willing to do the moral choice and help anyone in need.  It was fascinating to see Miss Cocks wander around historical Adeliade, distributing her moral judgement with her cane, while also solving problems no-one else can.  Anderson succeeded in capturing various aspects of her occasionally controversial history, and I really appreciated the way in which she converted her into a fearsome crime-fighting force, capable of hunting down murderers and drug smugglers.  The utilisation of this very distinctive figure helped to turn The Death of Dora Black into something very special, and I look forward to more exploits with Miss Kate Cocks in the future.

Overall, I felt that The Death of Dora Black was an amazing and highly entertaining novel from Lainie Anderson, who successfully brings her real-life historical protagonist to life and sets a wonderfully enjoyable crime fiction book around her.  Clever, fascinating, and with a lot of crossover appeal to many different readers, The Death of Dora Black was a great book, and I had a ton of fun getting through it.

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Waiting on Wednesday – Gunnawah and The Reunion

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday, I highlight two intriguing upcoming Australian crime fiction debuts.

2025 is already shaping up to be a big year for Australian crime fiction debuts, as there are several compelling and epic novels from first-time authors set for release next year.  I always love checking out compelling Australian fiction from new authors, and it is fun to see these writers develop their style and produce complex reads set in our distinctive landscapes.  As such, I am very excited for 2025, especially with the focuses of today’s Waiting on Wednesday set for release right at the start of the year.

The first debut I want to highlight is the awesome and unique sounding novel, Gunnawah from new author Ronni Salt.  Set for release on 1 January 2025, Gunnawah is an interesting crime fiction novel, that will feature a rural mystery with a historical background setting.

Plot Synopsis:

It’s 1974 in the Riverina

The weather is hot

But the body in the Murray River is stone cold . . .

A captivating and compulsive crime thriller about guns, drugs and a young woman dead on the money

Riverina 1974:

When nineteen-year-old farmgirl Adelaide Hoffman applies for a cadetship at the Gunnawah Gazette, she sees it as her ticket out of a life too small for her. Its owner, Valdene Bullark, sees something of the girl she once was in young Adelaide.

Val puts Adelaide straight to work. What starts as a routine assignment covering an irrigation project soon puts Adelaide on the trail of a much bigger story. Water is money in farming communities, and when Adelaide starts asking questions, it’s as if she’s poked a stick in a bull ant’s nest. Violence follows. Someone will do whatever it takes to stop Adelaide and Val finding out how far the river of corruption and crime runs.

Shady deals. Vested interests. A labyrinth of lies. It seems everyone in Gunnawah has a secret to keep. But how many want to stop Adelaide dead?

Set deep in the heart of rural Australia during the era of Gough Whitlam, pub brawls and flared jeans, Gunnawah is a compulsive crime thriller of corruption, guns and drugs from Australian Noir’s most arresting new voice.

I feel that Gunnawah has a lot going for it, especially as Salt looks set to combine rural crime antics with Australia’s distinctive 1970s vibe.  The combination of 70s nostalgia, unique criminal activity, and plucky characters trying to get to the truth has some big potential, and I’m personally interested in seeing what sort of story Salt has planned here, especially with the focus seemingly on corruption around farmland irrigation.  This is one of the more distinctive crime fiction books coming out in 2025, and I have a feeling that Gunnawah is going to be a top debut of next year, and I cannot wait to see how Salt will impress us.

The other fascinating Australian crime fiction debut coming out in early 2025 that I want to highlight is The Reunion by Bronwyn Rivers.  Set in the iconic and beautiful Blue Mountains wilderness, The Reunion will see five isolated protagonists relive the sins of their shared past as the truth comes for them.  The Reunion has a very cool story concept around it that has really grabbed my attention, and I am quite keen to grab it in February 2025.

Plot Synopsis:

THEY’LL WISH THEY NEVER WENT BACK.

Ten years ago, six teenagers hiked into the Blue Mountains wilderness – and only five came out alive.

The survivors have barely seen each other since the tragic bushwalk. Yet when an invitation arrives to attend a 10-year memorial of their friend’s death, Hugh, Charlotte, Alex, Laura and Jack find themselves travelling back into the rugged landscape where it all began.

The weekend at an isolated homestead in the bush – no phone signal, no distractions – should be a chance to reflect and reconnect.

But each of the friends has been carrying secrets from the fateful hike. And someone will stop at nothing to get the truth.

This is another particularly cool sounding book, and I think that Rivers has an excellent story idea that is really going to pay off.  The classic scenario of isolated protagonists revisiting a traumatic event from years before is always a reliable basis for a story, and I am curious to see how Rivers will make it her own.  Unwrapping the separate and joint secrets of five protagonists has a lot of potential, and I cannot wait to see what sort of twists and compelling reveals this new author comes up with.  I am also very excited to see how Rivers will utilise the wilderness setting of the Blue Mountains in The Reunion.  I literally just got back from a holiday in the Blue Mountains, so I can imagine some of the elaborate bushland settings and locals that can be used to hide secrets, bodies and lies.

Overall, I think that both Gunnawah and The Reunion have a lot of potential and I am very excited to read them.  I cannot wait to see how these first Australian crime fiction novels from Ronni Salt and Bronwyn Rivers will turn out and they will probably be amongst my top debut novels of 2025.

Waiting on Wednesday – Endgame by Sarah Barrie

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I look at an epic upcoming Australian thriller that is bound to get very dark, with Endgame by Sarah Barrie.

Endgame Cover

Amazon

I have a lot of love for complex reads by my fellow Australians, and boy have there some great Australian crime fiction series coming out in recent years.  One of my absolute favourites has been the Lexi Winter series by impressive Australian author Sarah Barrie.  A dark and compelling crime fiction series, the Lexi Winter books follow the titular protagonist whose childhood was destroyed by a murderous paedophile.  Growing up rough, Lexi became a talented hacker and vigilante, who targeted suspected child abusers.  The first book in the series, Unforgiven, saw Lexi team up with several intriguing police characters when the man who ruined her life once again began killing young children.  Unforgiven was an extremely awesome and captivating novel, that effortlessly blended powerful character work with a dark thriller scenario that kept me on my toes the entire way through.  This ended up being one of my favourite Australian books of 2021, and I deeply enjoyed it.

Due to how good Unforgiven was, I ended up grabbing the next two books in the series the second they came out.  Made up of Retribution (one of my favourite Australian books of 2022) and Vendetta (one of my favourite Australian books of 2023), the Lexi Winter series went in some very interesting directions as Lexi attempted to make the jump from vigilante to legitimate police officer, while also facing off against criminals and demons from her past.  Both sequels were extremely compelling and exciting, and I have had so much fun with this great Australian series.

Naturally, I am very eager to see how this series is going to come to an end, and it looks like Barrie is about to put the finishing touches on her captivating story, with the upcoming book Endgame.  Billed as the fourth and final entry in the series, Endgame will force the protagonist to go up against her nemesis in a final game of cat and mouse that will destroy everyone around her.  Set for release in late October 2024, Endgame sounds extremely cool, and you can see that Barrie is going to bring the emotional pain to her readers in this finale.

Plot Synopsis:

Vigilante turned cop Lexi Winter is drawn into the investigation of a chain of apparently random murders. As the bodies pile up, Lexi realises she is a pawn in a psychotic – and deadly – game.

Lexi Winter is studying for her detective exams but her nemesis Vaughn is out there somewhere and her concentration is fractured. Just as she’s wondering if her hypervigilance is tipping over into madness, Vaughn resurfaces and issues a challenge. Five people will be dead by the end of the month. If Lexi can identify and save the last one before the deadline, he’ll turn himself in.

As Lexi’s colleagues scramble to untangle what it all means, Lexi is implicated deeper and deeper into the murders. On top of this, she begins to see a strange figure everywhere she goes. Branded as suffering from PTSD, Lexi’s credibility is in tatters with her colleagues, but Lexi knows it isn’t her mind that is the problem. A wicked game is afoot, and Lexi is just a chess piece in play – and she suspects that check mate will mean her death. There is only one thing that Lexi can do – play along, wait for the chance to strike back, and bring about the endgame…

Now this sounds like a very epic addition to the series as Barrie is definitely planning to end this story on a very dark note, which I am very there for.  A violent game of cat and mouse between the series’ big bad and a traumatised protagonist is an extremely strong basis for a story, and you have to know that Barrie is going to really dive into the dark side of Lexi’s mind in Endgame.  Having the protagonist once again isolated from all the new friends and connections she has made as they lose faith in her sanity is going to be very hard to watch, but I am confident that it will lead to a great overall story.

I have no doubt whatsoever that Endgame is going to be an extremely awesome piece of Australian crime fiction.  Sarah Barrie has been absolutely killing it with her Lexi Winter books the last couple of years, and this dark conclusion she has been building towards is going to be epic.  I am even more excited for Endgame after the above plot synopsis, and this may end up being one of the most compelling and emotionally charged novels I read this year.

Waiting on Wednesday – High Wire by Candice Fox

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday, I look at an awesome upcoming piece of Australian fiction from an author who is having a particularly good 2024, with High Wire by Candice Fox.

High Wire Cover

Amazon

This really is the year of the Fox as Australian author Candice Fox introduces her third epic thriller of 2024 with the exciting sounding High Wire.  Fox is an author who I have come to really appreciate over the years, especially as she has wowed me with some truly amazing reads.  This includes her great standalone novels, Fire With Fire, Gathering Dark and The Chase, as well as the novel she cowrote with James Patterson, 2 Sisters Detective Agency.  All these novels feature some intriguing and clever concepts that Fox works into effective and powerful stories that you can’t turn away from.  This was particularly true in 2024 as Fox’s other two books from this year, The Murder Inn (with Patterson) and Devil’s Kitchen, were extremely impressive and really drove home how good an author Fox is.

As such, it is little wonder that I am excited for Fox’s new novel, High Wire, which is currently set for release in late September 2024.  High Wire sees Fox return her focus to the Australian outback, as two people get caught up in all manner of trouble in the very worst place you could imagine.

Plot Synopsis:

You only take the High Wire if you’re desperate – or up to no good.|

A notorious unmarked track through outback Australia, the ‘Wire’ crosses slabs of lawless land, body dumping grounds and mobile phone blackspots.

Harvey Buck is certainly desperate. Racing to be with his dying girlfriend, he encounters Clare Holland, whose car has broken down. He offers the hapless traveller a ride . . . and then their nightmare begins.

The pair are ambushed by a vengeful crew – and strapped into bomb vests. As part of a deadly game, Harvey and Clare are forced to commit a series of increasingly murderous missions, or else be blown to smithereens.

Senior Sergeant Edna Norris is dealing with a runaway teenager; not an unusual job in a place where people go to disappear. But an unfolding crime spree turns this outback cop’s night into a fight for survival. Hot on Harvey and Clare’s trail, Edna finds a burnt-out car, a missing woman, a bank robbery and a bullet-riddled body.

And this road trip from hell has only just begun . . .


High Wire
sounds like it is going to be a pretty full-on and intense read, which I am totally here for.  An explosive race across the country with murderous intentions, dangerous games, and two apparently innocent people trapped in badly escalating situation has all the potential to be an amazing story, especially with a talented author like Candice Fox at the wheel.  Throw in the author’s ability to bring the wild outback Australian setting to life, as well as some great and intriguing characters, and I feel that High Wire is going to be a pretty epic book.

Honestly, after the 2024 that Candice Fox has been having, there is no way that I will not be picking up High Wire when it comes out later this year.  Fox’s other two books this year have been extremely impressive, and High Wire looks set to follow that trend.  This upcoming book has such an exciting and over-the-top plot behind it, and I fully believe that Fox will turn it into something special.  This is easily one of my most anticipated pieces of Australian fiction coming out in the second half of 2024 and I cannot wait to read it.

White Ash Ridge by S. R. White

White Ash Ridge Cover

Publisher: Headline (Trade Paperback – 12 March 2024)

Series: Detective Dana Russo – Book Four

Length: 343 pages

My Rating: 4.5 out of 5 stars

Amazon

One of Australian’s most distinctive new crime fiction authors returns with a complex murder mystery the blends compelling characters with unique methods, White Ash Ridge by S. R. White.

Over the last few years, I have really been enjoying the works of new author S. R. White.  White, a former UK Police officer who emigrated to Australia, has been producing some amazing pieces of Australian outback crime fiction.  His work has so far been part of his Detective Dana Russo series, which follows the titular detective as she investigates complex cases out in the Australian bush.  This series has so far featured three impressive reads, Hermit, Prisoner and Red Dirt Road and these amazing books have been very fun to read, especially as White comes up with some unique crimes which require the protagonist’s more unusual methods to solve.  I have really enjoyed White’s previous books, and I jumped on his new novel, White Ash Ridge, the moment I got my hands on it.

Murder, deceit and controversy are all that are on the limited menu of the White Ash Ridge hotel, especially when tragedy strikes its guests.  An isolated and decaying hotel, hidden away in the Australian wilderness, White Ash Ridge has been booked out by the inner circle of a high-profile charity organisation for urgent discussions about its future.  As the relentless heat raises tensions, the body of one of the charity’s founders is found dead on the track outside, his death caused by a blow to the head.

Called to the scene, Detective Dana Russo anticipates another complex murder case.  With no one else spotted in the area and tensions running high amongst the charity’s founders, it seems likely that one of the four remaining guests at the White Ash Ridge is the murderer.  However, as she begins to investigate, Dana is unprepared for the chaos that is about to descend upon her small command.  The charity the victim work for was founded by two parents whose son was killed after intervening in a violent assault.  The subsequent failed police investigation sparked public outrage and launched the boy’s mother into Australia’s political orbit.

Now thrust into the centre of a controversial family familiar with the police, Dana must quickly solve the case before events get out of hand.  With a lack of physical evidence, Dana and her small team are forced to pull the truth from the four suspects to determine their history with the victim and why anyone would want to kill him.  However, they only have limited time before the overwhelming public interest forces her to let the suspects go, likely at the cost of her career and reputation.  Can Dana convince her suspects, none of whom have any love of the police, to cooperate before it’s too late, or will the killer walk free thanks to the will of the people?

S. R. White delivers another complex, impressive, and highly distinctive piece of Australian crime fiction with White Ash Ridge. Blending White’s unique murder mystery style with great characters and a compelling situation, White Ash Ridge was an amazing read that I could not get enough of.

I have always really enjoyed White’s take on the Australian murder mystery, as his focus is always on finding out all the details of the victims and the suspects to solve the case, often through the medium of interrogation.  This was once again the case in White Ash Ridge, as the protagonists, under pressure to solve the case quickly, need to find out which of the four suspects committed the crime.  As such, the story develops in a very interesting way, as the detectives both investigate in the traditional way, including finding witnesses and evidence, while also diving into the lives of everyone involved in the case.  Much of this revolves around the eight main interviews of the investigation as the protagonists talk to each of the suspects twice to gain the relevant insights into themselves and the murder victim.  White, through his main protagonist, Detective Dana Russo, has a very person-centric take on the interrogation progress, and the resulting character-driven focuses become a key part of the plot.

This proves to be a very clever way to set out this excellent mystery and subsequent investigation, and thanks to White’s expert writing ability White Ash Ridge ended up being an extremely clever and captivating book.  The focus around the charity and its anti-police sentiments added some great intrigue to the narrative, and I liked the ticking clock aspect of the plot it brought in.  All eight of the main interviews were very intense and compelling in their own ways, and you soon get a great idea of the various people drawn into the case.  White combines this expertly with the personal dramas of the protagonists, including some ongoing storylines from the prior books, although the overarching threat of Dana’s new supervisor is getting a little stale at this point.  At the same time, the reader gets the full blast of the Australian wilderness from the unnamed part of the country that White sets his novels in, which adds a lot of character to the story in its iconic and beautiful ways.  The central mystery of White Ash Ridge comes together extremely well, and the eventual solution is smart, intriguing, and very well set up.  The entire story comes together in a powerful way, and I loved this unique mystery which was another strong story from White.

As with all of White’s books in the series, White Ash Ridge is a hugely character-driven read, not only because of the compelling and damaged protagonists, but because his style of writing relies on diving into the lives of the various suspects and victims of the case to solve the crime.  This all results in some exceptional character development and focuses, and I loved how complex and powerful the various stories that emerged were.  Most of the protagonists focused development occurred around returning main character Detective Dana Russo, who serves as the solid and empathetic centre of the investigation.  Dana once again showcases her unique investigation style that focuses on character interactions, history and mindsets to solve the case, which proves to be quite effective at diving into the minds of her targets.  This time Dana is backed up by new detective, Mila Jelovic, who serves as a great support for the main character.  While the development around Dana is a little light in White Ash Ridge, you do get an intriguing and powerful examination of Mila, whose previous undercover work has cost her severely in more than one way.

Aside from the police characters, the reader also gets an intense look at five specific figures who become the focus on the investigation, with the murder victim and the subsequent four suspects.  All five of these people are members of a high-profile charity formed in the aftermath of a botched police investigation, with goals of stopping teen violence and keeping the police accountable.  Due to the way the mystery is set out, there is a lot of focus on these characters and the events that brought them together, which provides the reader with an intriguing backstory to get familiar with.  All five of these characters are interesting and complex in their own way, with various interactions, lies, manipulations and plans bringing them all together.  Probably the most interesting of these is the charity’s figurehead, Keena Flynn, a major public figure following the death of her child.  Due to her previous interactions with the police and politicians, Keena proves to be a tough nut to crack, and her pain, anger and distrust become a major obstacle to overcome.  White does a wonderful job exploring these five characters, and indeed you often get more about them than the police protagonists.  There is such a dark and compelling web of relationships surrounding these characters, and the subsequent reasons for why one of them was killed and by who was pretty impressive and helped to produce an incredible mystery.

S. R. White continues to flourish with another awesome entry in his compelling murder mystery series that is setting him up as one of Australia’s most distinctive crime fiction authors. Expertly combining his ability for complex murder scenarios and character-focused investigation methods to produce an outstanding story, White did an amazing job with White Ash Ridge, and I had an incredible time reading it. One of the cleverest mysteries of 2024 so far, this book comes highly recommended.

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Quick Review – Body of Lies by Sarah Bailey

Body of Lies Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 27 February 2024)

Series: Gemma Woodstock – Book Four

Length: 470 pages

My Rating: 4.5 out of 5 Stars

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One of Australia’s best authors of crime fiction brings to life another complex and intense murder mystery with Body of Lies by Sarah Bailey.

Plot Synopsis:

A car crash victim clings to life and is rushed to hospital but can’t be saved. Hours later, her corpse is stolen from the morgue. No one knows who the dead woman was or why her body was taken.

Detective Sergeant Gemma Woodstock is back in her hometown of Smithson on maternity leave when the bizarre incident occurs. She is intrigued by the case but reluctant to get involved, despite the urging of her journalist friend Candy Fyfe. But in the days after the body goes missing, the town is rocked by another shocking crime and Gemma can’t resist joining the investigation.

Candy and Gemma follow the clues the dead woman left behind. As they attempt to discover the identity of the missing woman, Gemma uncovers devastating secrets about the people she thought she knew best. The closer Gemma gets to the truth, the more danger she is in. She desperately needs to confide in someone—but is there anyone she can trust?

This was another interesting and compelling read from Bailey, who really impressed me back in 2021 with her standalone novel, The Housemate, which ended up being one of my favourite books and Australian novels of that yearBody of Lies is another outstanding book from Bailey, which serves as the fourth entry in her Gemma Woodstock series and provides the reader with an amazing and dramatic mystery.

I had a lot of fun getting through Body of Lies as Bailey comes up with an elaborate story that really draws you in.  Whilst it is part of a larger series, Body of Lies is easily read as a standalone novel, with Bailey doing a good job of reintroducing key elements from the previous novels where necessary.  Thanks to this, Body of Lies has a quick start which reconnects readers with the protagonist while also providing key information about the initial death, as well as the unusual circumstances surrounding the missing body.  Despite still being on maternity leave, protagonist and main point-of-view character Gemma Woodstock begins investigating, and soon finds herself drawn into a series of additional crimes in the Smithson area that may or may not be related to the stolen body.

This resolves into quite an awesome story, as you really get drawn into Body of Lies’s intense and intricate mystery.  Bailey keeps making the case even more complex thanks to additional deaths and other unusual events, and the constant raising of stakes ensures the reader’s attention stays on the story.  At the same time, the protagonist’s personal life also takes centre stage in the plot as Gemma deals with a new baby, a traumatised older child, a lying family, a pushy friend, and multiple work conflicts as she attempts to reintegrate back into her own job.

While I got really invested in the story, I think that the final third of Body of Lies got a little off the rails.  Not only are there a huge number of emotional and family dramas surrounding the protagonist, many of which seem a little unnecessary, but there proves to be a huge number of personal connections to the case that drive the protagonist on.  While I liked the increased motivations for the protagonist, these connections seemed way too coincidental, and honestly it stole a lot of realism from the plot.  I also did get a little tired of the many personal dramas that seemed to surround the protagonist.  While I realise that Bailey was trying to showcase the complex life of her protagonist, much of which is driven by the tragic events of the prior books, as well as the side effects of single-minded determination to finding the truth, it honestly got a bit frustrating to follow her at times.  Still, Gemma’s struggles out of her own obsessed mind added some excellent drama and substance to the narrative and Bailey certainly kept her story arc interesting.

The solution to the big mystery turns out to be pretty darn bonkers, and I guarantee most people won’t see the full extent of it coming.  While Bailey did do a good job of setting this reveal up and laying down some hints, it ended up being a very surprising and over-the-top solution that might not work for everyone.  Still, readers are left with an excellent final confrontation and the mystery ends up wrapping up in a satisfying and intriguing way.  There is also a really good twist around a hidden antagonist, which is guaranteed to shock readers and keep them on their toes.  As such, this was a pretty awesome story, and I had a wonderful time getting through it.

In the end, Body of Lies proved to be an outstanding and highly exciting novel that drew me in with its elaborate mystery.  While I didn’t love everything about Sarah Bailey’s new narrative, Body of Lies was still an amazing piece of Australian crime fiction, and well worth a read for anyone looking for a complex and impressive mystery with compelling character elements behind it.

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Quick Review – Glenrock by Lee Christine

Glenrock Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 January 2024)

Series: Standalone

Length: 320 pages

My Rating: 4.25 out of 5 stars

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Bestselling Australian author Lee Christine brings together a compelling and intriguing crime fiction read with the excellent Glenrock; a fantastic mystery set around the Australian city of Newcastle.

Plot Synopsis:

A murdered judge. Two missing lawyers. A thrilling tale of mystery and suspense from the bestselling author of Charlotte Pass and Dead Horse Gap.

When Justice Maurice Tempest is murdered in the Glenrock State Conservation Area in Newcastle, local detective Senior Sergeant Callan O’Connor is the first on the scene. News of a second body, found in the same location days later, makes what had looked like a revenge killing into so much more.

Angela Avery, formerly a political journalist, is spending a lot of time at the Hunter Valley Prison interviewing a soon-to-be-released forger, Benjamin Reid. When O’Connor’s investigation reveals an interest in Ben, Angela is determined to protect both her source and her fledgling relationship with O’Connor.

Meanwhile, two young, female lawyers have disappeared after making a devastating discovery in an upcoming case. Can O’Connor unravel the connections before the body count rises further? And how much does Angela Avery really know?’…


Glenrock
was a great and fast-paced crime fiction novel that I had the great pleasure of reading earlier in the year.  Christine came up with a fantastic story that really drew you in thanks to its multilayered mystery, compelling characters and high stakes.

The main mystery of Glenrock is set around the murder of a prominent judge in the Glenrock National Park area, which sets off an elaborate investigation primarily seen through the eyes of Senior Sergeant Callan O’Connor.  O’Connor is a great central protagonist, and I enjoyed his intriguing insights into the case, especially as it pairs well with his complex family life and adversarial past with the Sydney homicide detective who arrives to take over the case.  While the murder of a judge would be an interesting focus for the book by itself, especially when the apparent murderer is found in the most unlikely of scenarios, Christine raises the stakes by introducing two parallel storylines that combine into one heck of a novel.

The first of these storylines revolves around Angela Avery, a journalist for the local paper who finds herself drawn into the larger murder story thanks to the human-interest story she was writing.  Thanks to her relationship with Callan, which provides a good romantic subplot for the story, Angela gets more involved with the case, especially as her investigation reveals connections to two young lawyers who disappeared the day of the murder.  These two lawyers, who went on the run to save themselves, provide the third overlapping storyline, and it was fascinating to see their attempts to flee, especially as they provide some compelling context to the main mystery.

All three storylines prove to be very entertaining on their own, but their real strength is the way that they wrap together and form a complex, overarching narrative.  Christine ensures that all three character-focused storylines stand on their own before bringing the various characters together in a sensible and compelling way.  I really enjoyed seeing the various story arcs come together, and Christine enhances this with several moving dives into the complex characters.  The focus on O’Connor’s family life is a prominent one, although I was particularly drawn to the character of Angely Avery, the plucky reporter who drives much of the plot’s investigative angle.  Christine draws together a complex and harrowing past for Avery, as her previous reporting experiences resulted in great pain, and I would be very interested to see Christine revisit these characters in the future.  The entire story, including the clever mystery, comes together extremely well, and Christine ensures there are some intriguing twists and reveals that keep you hanging in to the very end.  Throw in some excellent depictions of Sydney and the picturesque area surrounding Newcastle, including Glenrock, and this proves to be quite an impressive read.

Overall, Glenrock was an excellent piece of Australian crime fiction by Lee Christine that I had a wonderful time reading.  The combination of a compelling story, fantastic characters and an intriguing mystery is hard to resist, and readers will come away from Glenrock very satisfied.  An amazing and exciting read from a talented Australian author.

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Quick Reviews – Cold People, Code Red and Ordinary Gods and Monsters

In recent weeks, I have been trying to get out reviews of several books I read last year but never got the chance to write anything about.  I am hoping to partially rectify that now by publishing quick reviews of three great novels from 2023 I had a fun time reading.

Cold People by Tom Rob Smith

Cold People Cover

Publisher: Simon & Schuster (Trade Paperback – 1 February 2023)

Series: Standalone

Length: 452 pages

My Rating: 3.5 out of 5 stars

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The first book I want to quickly review in this post is Cold People by established author Tom Rob Smith.  Cold People was an intriguing science fiction read that presented a very unique scenario to the reader.

Plot Synopsis:

The world has fallen. Without warning, a mysterious and omnipotent force has claimed the planet for their own. There are no negotiations, no demands, no reasons given for their actions. All they have is a message: humanity has thirty days to reach the one place on Earth where they will be allowed to exist… Antarctica.

Cold People follows the journeys of a handful of those who endure the frantic exodus to the most extreme environment on the planet. But their goal is not merely to survive the present. Because as they cling to life on the ice, the remnants of their past swept away, they must also confront the urgent challenge: can they change and evolve rapidly enough to ensure humanity’s future? Can they build a new society in the sub-zero cold?

This was a pretty cool (ha ha) story, although I must admit it went in some directions that I really wasn’t expecting.  Based on the synopsis, I was expecting Cold People to primarily show the harrowing journey that many different people would take to get to the safety of Antarctica, which  would have made for a great story on its own.  Instead, only the first section of the book really showcased this journey, which was honestly a rushed introduction to the whole plot.  The rest of the book skips ahead many years and dives into showcasing the ongoing struggles that humanity faces whilst trapped in Antarctica.  This part of the book then becomes a cautionary tale about genetic modification as various geneticists work to make humans more adaptable to living in the ice, only to unleash something far more dangerous than the alien threat above.

I honestly had some issues with how Cold People is structured.  I felt that this book might have been better if the author had either focused fully on the journey to Antarctica or set it completely in the isolated future and explored the journey in flashbacks for several characters.  The focus on genetically enhanced humans was also an interesting choice, and while it was primarily to explore how humans are capable of surviving anything, it felt very unrealistic in places and got way out of hand.  It was also odd that you really don’t get to find out anything about the mysterious aliens who caused the human exodus, and you are instead left wondering about who or what they were.

Still, there were some great elements to this book.  The genetic antagonists are pretty scary, and Smith does a good job diving into the psychology behind them.  I also really loved the author’s intriguing insights into the hostility of Antarctica as a continent and how hard it would be to live on it.  The clever way Smith built up the background setting to showcase several ingenious ways that humans could potentially adapt and survive in such a scenario was quite fascinating, and it proved to be a great part of the book.  As such, Cold People is an interesting novel to check out, and many readers will appreciate Smith’s ideas about humanity and its strong desire to survive.

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Code Red by Kyle Mills (Based on the series by Vince Flynn)

Code Red Cover

Publisher: Simon & Schuster (ebook – 4 October 2023)

Series: Mitch Rapp – Book 22

Length: 352 pages

My Rating: 4 out of 5 stars

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The next book I want to highlight here is Code Red by Kyle Mills, which served as the 22nd entry in the long-running Mitch Rapp series that was originally written by the late Vince Flynn.  Following a hyperviolent veteran American spy as he goes up against a range of deadly threats in unusual thriller situations, the Mitch Rapp books are a key part of my yearly reading schedule, and I have really enjoyed several of the latest entries, including Red War, Lethal Agent, Total Power, Enemy at the Gates and Oath of Loyalty.

Plot Synopsis:

Mitch Rapp returns to make a mortal enemy of Russia in this high-octane and up-to-the-minute installment in the #1 New York Times bestselling series from “one of the best thriller writers on the planet” (The Real Book Spy).

Mitch Rapp hates owing anyone a favor—especially when it’s the world’s most powerful crime lord. But when Damian Losa calls, Mitch is honor-bound to answer.

The Syrian government appears to have created a highly addictive new narcotic that it plans to distribute throughout Europe. It’s a major threat to Losa’s business and he’s determined to send someone to keep him on top by any means necessary. Rapp is the perfect choice for the mission. Not only does he have extensive experience operating in the Middle East, but he’s also entirely expendable. As he crosses into war-torn Syria, Rapp quickly discovers a shocking truth. The new drug isn’t being produced by Damascus to prop up the government’s collapsing finances. Instead, it was created by Russia’s asymmetrical warfare unit, not for profit but as a weapon against the West.

With far more than Damian Losa’s interests at stake, Rapp devises a desperate plan that forces him and his team onto a battlefield where the United States is virtually powerless and allegiances shift almost hourly. Further, if Russia uncovers their plot, it will set off a confrontation between the two countries that could change the course of human history.

This was another exciting entry in the Mitch Rapp books, although I must admit this book wasn’t my absolute favourite novel in the series.  Don’t get me wrong, Mills came up with a very compelling story that thrust the protagonist into some dangerous situations as he attempts to repay his debt to the entertaining crime lord Damian Losa.  However, in some ways Code Red is a little by the numbers, especially as we have just come off several impressive reads where Rapp was in some very ridiculous or deadly situations, such as a massive power-outage impacting all of America, or the last two books where Rapp found himself at war with a corrupt US President.  An infiltration mission into Syria seems a little tame in comparison, so this might have coloured my appreciation for Code Red a little.

Despite this minor complaint, Code Red was a great action-packed read that showcased Mitch Rapp doing what he does best, infiltrating the Middle East and frustrating Russian plans.  There are loads of firefights and intense action scenes scattered throughout this book, and I thought the underlying Russian plot to destroy economies and weaken Western society through an addictive drug was very intriguing, especially as it also featured some dark scenes of exploitation and utilisation.  Easily read as a standalone novel or as an entry into the wider Mitch Rapp series, Code Red was a fantastic novel that I managed to get through quickly, and it is well worth checking out.

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Ordinary Gods and Monsters by Chris Womersley

Ordinary Gods and Monsters Cover

Publisher: Picador (Trade Paperback – 29 August 2023)

Series: Standalone

Length: 300 pages

My Rating: 4.25 out of 5 stars

The final book I want to feature in this post was the excellent Australian novel, Ordinary Gods and Monsters by Chris Womersley.

Plot Synopsis:

It could have been any summer’s evening, but of course it wasn’t.
It was the end of some things, the beginning of so many others.

Nick Wheatley has finished high school, but he isn’t ready for the rest of his life. His parents are getting divorced, his sister is downright weird and his best friend and neighbour, Marion, seems to have acquired a boyfriend.

One hot night, Marion’s father is killed in a hit-and-run. There are no suspects and no leads. But a sly tip from the local psychic sends Nick and Marion into the undertow of a strange and sinister world they hadn’t known existed in the suburbs – one of inscrutable gangsters, speed-dealing bikies and unpredictable, one-eyed conspiracy theorists.

It’s a world they’ll be lucky to survive.


Ordinary Gods and Monsters
was a pretty awesome book from Womersley that proved to be one part crime fiction novel, one part Australian coming-of-age story.  Following Nick Wheatley, a young teenager in 1980s suburban Melbourne, as he simultaneously deals with life, complex family issues, and his uncertain relationship with his best friend and neighbour Marion.  Life becomes even more complicated when he is forced come to terms with the death of Marion’s father.  Thanks to a tip from a drug-dealing psychic, Nick finds himself identifying a series of clues that suggest that Marion’s father was murdered, and he takes it upon himself to investigate.

The resulting story is an interesting mixture of elements that will appeal to a range of different readers.  Womersley does an excellent job of portraying the life and difficulties of a teenage protagonist, and I loved the protagonist’s very relatable take on the various events, both mundane and unusual, going on around him.  This dramatic, 80’s focused, character-driven storyline blends extremely well with the more crime fiction elements of the book, as the protagonist finds himself becoming more and more involved with searching for the person responsible for Marion’s father’s death.  His unlikely investigation adds some exciting spice to an already engrossing coming of age tale, and you get drawn into his attempt to find answers.

The result of this plot is very interesting, especially as the reveal about who is behind everything is well handled and compelling.  Womersley also adds in a very compelling final sequence, where Nick and Marion find themselves confronting the perpetrators in a dangerous scenario.  The conclusion of this confrontation will leave readers wondering about what truly happened, and which I felt was a great end to this book.  An overall excellent piece of Australian fiction that I had a great time reading.