Quick Review – Landfall by James Bradley

Publisher: Penguin (ebook – 23 April 2025)

Series: Standalone

Length: 336 pages

My Rating: 4.25 out of 5 stars

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Those in the mood for a though-provoking and powerful Australian crime fiction read would do well to check out the excellent 2025 release, Landfall.  Written by acclaimed Australian author James Bradley, Landfall was a clever and intense standalone novel that presented a gritty crime fiction scenario in a dark Australian future.

Plot Synopsis:

In an already swamped city, a disastrous weather system looms, making the search to find a missing child urgent.

A missing child.

A city on edge.

Time is running out…

The world is in the grip of climate catastrophe. Sydney has been transformed by rising sea levels, soaring temperatures and rocketing social divide and unrest.

When a small girl on the margins goes missing, Senior Detective Sadiya Azad is assigned to find her. She knows exactly what it is to be displaced, and swallowed by the landscape. A murder at the site of the child’s disappearance suggests a connection and web of corruption, but fear keeps eyes turned and mouths closed.

With few leads to go on and only days until a deadly storm strikes the city, Sadiya and offsider Detective Sergeant Paul Findlay find themselves locked in a race against time.

Chilling and utterly compelling, Landfall is crime writing at its best – and a terrifying vision of the future bearing down on us.

Landfall was an excellent and exciting novel from earlier this year that presented a compelling crime fiction read with a complex and emotionally charged background setting.  Taking place in a dystopian version of modern Sydney that is starting to flood due to climate change, Landfall follows Senior Detective Sadiya Azad and her new partner, Detective Sergeant Paul Findlay, as they attempt to find a child who went missing around the Tideline, a slum area of the city that has been most impacted by rising sea levels.  However, they soon find their investigation hampered by multiple elements including corrupt policing, uncooperative family members with their own political agendas, rampart social divides and more.  This proves to be a strong start to Landfall, and Bradley does a good job of setting up the reality of Sydney, as well as introducing the case and some of the key players.

The story takes an interesting turn when a murdered body is found at a site connected to the child’s disappearance.  Assuming the two cases are linked, the protagonists are forced to investigate suspects related to the murder victim and her corporate ties, and the missing child, trying to find out who is responsible, while also dealing with the dark threat of an oncoming tropical cyclone that looks set to destroy half the city.  At the same time, several other key perspective character are introduced, including Tasim, a refugee living on the streets, who witnesses the abduction and finds himself dragged into events, and Sadiya’s dementia-suffering father, Arman, whose fractured mind provides greater context to their family’s history, as well as showing the early days of some of the environmental crisis’s impacting the world.

These character-focused storylines combine nicely to create an intriguing and compelling overall narrative, and I liked the various themes and outlooks at the future they contained.  The main investigative focus of Sadiya’s narrative is well balanced by the more human stories of Tasim and Arman, and Bradley also makes use of some intense flashback sequences to really build up the tragedy surrounding all these figures.  The mystery narrative also goes in some interesting directions, and while the culprit isn’t too surprising, Bradley does a good job focusing on the characters building their case and pulling together the conclusions.  Unsurprisingly, the climax of Landfall comes together amid the cyclone, with all the characters facing the storm in different ways.  This last part of the book, while dramatic and featuring a high-stakes backdrop, was a little rushed, and could have used a little padding to make it more satisfying.  Still, this is a mostly well-balanced narrative that allows for a good conclusion to the main story arc while also allowing Bradley to make all his thematic points.

Landfall ended up being an excellent overall read and Bradley succeeded in pulling together a complex novel with a lot of moving parts to it.  The central mystery element of the novel, while compelling on its own, was greatly enhanced by the author’s examinations of the future, which features some dire predictions and warnings, wrapped up in very human stories to make them even more impactful.  While an excellent police protagonist, I felt that Sadiya’s personal story was a bit overshadowed by Tasim and Arman’s arcs, especially as Tasmin’s story about losing his family to heatwaves and the harsh journey to Australia, as well as the very realistic depictions of dementia with Arman.  All three of these character’s stories are well wrapped up in the final chapters of the book, although I do wish there had been another chapter or two just to showcase what happened in the aftermath.  The overall focus on the potential dire future for Sydney and the world was probably the most impressive and notable part of Landfall, and Bradley provided a compelling, if terrifying, portrait of probable events to come that gives this book a fantastic edge that scrapes the edge of overshadowing the main mystery, and allows for quite a powerful overall read.

With its complex characters, intense story, and compelling visions of the future, Landfall by James Bradley was one of the more distinctive Australian novels of 2025, and I was glad I got the chance to check out my first book from the author.  An extremely interesting novel that blends crime fiction with social messaging, Landfall comes highly recommended, especially for those with one eye on the future.

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Waiting on Wednesday – Everyone in this Bank is a Thief by Benjamin Stevenson

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday post, I highlight an incredible upcoming piece of Australian crime fiction with the sure-to-be hilarious novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

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For the last few years, the Australian crime fiction scene has been soundly dominated by the highly talented Benjamin Stevenson.  A comedian and performer, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations.  The first book in the series, Everyone in My Family has Killed Someone, was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery.  I really enjoyed this exceptional book (one of my favourite Australian novels of 2022), especially as the author successfully played to his comedic background to produce an outstanding read that satirised classic crime fiction conventions.  Stevenson continued to impress the following year, with the amazing book Everyone on this Train is a Suspect.  One of my favourite books and pieces of Australian fiction of 2023, Everyone on this Train is a Suspect was a worthy sequel to the first Ernest Cunningham book, and I loved how the author took the opportunity to further parody various crime fiction subgenres.  Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024.

Due to how exceptional, clever and funny the last few books from Stevenson have been, I have been eagerly waiting for a 2025 novel from him and the author has just released details about his next awesome novel, Everyone in this Bank is a Thief.  A new entry in the Ernest Cunningham series Everyone in this Bank is a Thief will once again force the author’s unlucky protagonist to investigate a classic whodunnit when someone is murdered.  However, Stevenson has come up with a very interesting hook, as Ernest will need to find the killer while a hostage in the middle of a bank robbery.

Plot Synopsis:

The new instalment of the million-copy bestselling mystery series. What if an Agatha Christie style murder mystery happened inside OCEAN’S ELEVEN…

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.

I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before.

The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.
THE BANK ROBBER
THE MANAGER
THE SECURITY GUARD
THE KID
THE FILM PRODUCER
THE PRIEST
THE RECEPTIONIST
THE PATIENT
THE CARER
ME

Turns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.

Who is stealing what? Are they willing to kill for it? And can I solve the crime before the police kick down the door and rescue us?

This sounds like another particularly fun book from Stevenson, and I love the new scenario that the author came up with for his next Ernest Cunningham book, especially as he once again works to cross a classic whodunnit with a more modern crime fiction storyline.  Coming up with a murder amid a high stakes bank heist and filling the vault with an array of characters that would fit into any Agatha Christie novel is an awesome idea, and I cannot wait to see how the author deconstructs all the tropes surrounding the scenario as he builds up a clever and entertaining mystery.  The oncoming police intervention also adds a certain interesting time crunch element to the plot, and it will be interesting to see the protagonist try to solve the murder before all the suspects are set free.  As such, this should be a particularly awesome story and I look forward to unwinding the entire complex mystery.

Based on what Stevenson has featured in his previous Ernest Cunningham novel, I am expecting this mystery of Everyone in this Bank is a Thief to be matched with some fantastic humour.  A lot of this will be due to the protagonist’s internal narration, as he deals with an array of over-the-top figures, while even more will be due to the writer’s funny, yet loving, takedowns of classic murder mystery and whodunnit tropes and overused plot devices.  I am also assuming there will be a bit of a takedown of heist novels with this book, and I cannot wait to see what fun the author will have with a compelling bank robbery plot.  I have no doubt this great humour will mesh well with the main crime fiction elements of the story, and I cannot wait to see what outrageous events and complex webs emerge as a result.

I cannot emphasise just how happy I am that Benjamin Stevenson is continuing his Ernest Cunningham series, and I was always going to be excited at grabbing the next entry in the series. However, I must admit I’m even more excited now that I’ve gotten some plot details for Everyone in this Bank is a Thief, which sounds like it is going to be a truly awesome read.  I cannot wait to see crazy shenanigans and clever jokes Stevenson slips into this excellent upcoming novel, and I have a feeling that Everyone in this Bank is a Thief is going to be one of my top reads of 2025.

Pacific Heights by S. R. White

Publisher: Headline (Trade Paperback – 25 March 2025)

Series: Standalone

Length: 279 pages

My Rating: 4.5 out of 5 stars

Amazon

Over the last couple of years one of the more compelling authors of Australian crime fiction has been S. R. White.  A former member of the UK police, White has been writing intriguing crime fiction novels since his move to Australia.  His main body of work has so far included excellent reads like PrisonerRed Dirt Road and White Ash Ridge (part of the Detective Dana Russo series), which featured complex mysteries centred around layered suspects.  I really enjoyed the compelling way in which White’s investigators break down the motivations and personalities of the suspects and the victim to get to the truth, and the author has a unique and striking writing style.  As such, I was eager to read his 2025 novel, Pacific Heights, which is a standalone spin-off of White Ash Ridge, featuring one of the supporting characters from the previous book in a more substantial role.

Plot Synopsis:

FIVE WITNESSES. FIVE DIFFERENT STORIES. WHO IS THE KILLER?

In the courtyard of the Pacific Heights building, a local waitress is found dead.
Five apartments overlook the murder scene. Five people witnessed a crime take place.
Finding the killer should be simple.

Except none of the witnesses’ stories match.
They all saw something – from a different angle, at a different time.
None of them saw everything. Anyone could be the killer.

Detectives Carl “Bluey” Blueson and Lachlan Dyson, each with their own careers in peril, must solve what others assume is a straightforward case. But to unmask a killer they must unpick a complex puzzle – where the motivations of the witnesses are as mystifying as the crime itself.

How can you solve a crime if anyone could be lying?

This was a very clever and addictive Australian crime fiction read that I had such a blast getting through.  White wove together a very compelling mystery narrative for Pacific Heights that cleverly explored a range of great characters and examined how people view events differently.

White starts Pacific Heights off well by introducing the detective protagonists and swiftly bringing them to the scene of the crime, where they attempt to ascertain the events leading up to the victim’s death by interviewing several people who either witnessed part of the murder or knew the victim.  The author takes his time with these initial interviews, ensuring that readers get a complete picture of what the witness’s account of events, as well as how they knew the victim.  It doesn’t take long for the reader and the protagonists to realise that the witnesses’ stories don’t match and none of them can definitively say who the murderer was.

By this point in the book, you’re strongly hooked, especially as the author has raised some interesting question about the victim and you are very intrigued by the main five witnesses and their potential secrets.  White rewards your interest with a series of insightful re-interviews, as well as bringing in new suspects and additional investigation methods to paint a larger picture of events, none of which quite fits together.  There is a great methodical style to the investigation, as the police chip away at all the inconsistencies and questions, although they are never quite as close to an answer due to the conflicting testimonies.

Everything leads up to the final third of Pacific Heights, which I honestly thought was a tad rushed, but which presented a solid and very clever ending.  Thanks to a brilliantly laid-out series of clues throughout in the plot, the protagonists are eventually able to solve the case, and I felt that the solution was extremely smart.  While I did predict who the killer would be, getting to their motivations behind the murder, as well as finding out how events unfolded, ensured that this was a powerful conclusion that fit the rest of the story really well.  I especially loved the twist around which of the witnesses were lying, and it tied in nicely to the complex character profiles White provided for the supporting cast, as well as utilising the protagonist’s own prejudices.  The result was an extremely impactful and captivating crime fiction story that I couldn’t stop reading and managed to power through in a couple of short days.

Pacific Heights proved to be an excellent read, and I really appreciated the intricate, character-focused mystery that White came up with.  Featuring a similar style to his Detective Dana Russo novels, the investigation is primarily based around understanding the people associated with the case, including the victim, witnesses, and other potential suspects.  This ensures that the author spends a lot of time carefully constructing and utilising his cast of supporting characters, and the array of motivations, personal issues and hidden histories, results in a particularly complex and emotionally charged read.  The focus on the various witnesses blends well with the character arcs surrounding the detective protagonists, and there is also a complex dive into the life of the victim, Tahlia Moore, even though she never actually appears alive in the plot.  Thanks to the protagonists diving into every aspect of her life, Tahlia comes to life through the descriptions of the other characters, and you soon begin to realise that she wasn’t as innocent or perfect as you are initially led to believe.  While I did feel that the author could have revealed some key history around certain witnesses earlier, for the most part I really appreciated how well White set up these compelling characters, and it helped to create a very powerful novel with some heavy emotional edges to it.

I also must commend how White worked this character-focused plot into Pacific Height’s police investigation narrative, as the protagonists are forced to wade through the conflicting testimonies to get the truth.  There is a certain amount of gritty realism to how White examines witness testimony and people’s motivations that really enhances the impact of Pacific Height’s plot, and I liked the underlying theme about how the way we see the world is flawed.  This focus on witness testimony blended well with the additional investigative tools featured in the plot, and this entire story came together extremely well. These combine nicely with the series of subtle clues that White lays down throughout the course of the book, and I loved how effectively this mystery came about.  While I did once again have minor issues with the author’s vagueness around where in Australia this book was set, this was honestly a very impressive crime fiction read that works well as both a standalone novel and a continuation of White’s existing series. 

Loaded with great characters, a deeply addictive mystery, and an excellent story hook, Pacific Heights was a very impressive read, and I had such an amazing time with this new novel from S. R. White.  Pacific Heights is White at his very best, and I really cannot recommend this book enough.

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The Reunion by Bronwyn Rivers

Publisher: Constable (Trade Paperback – 11 February 2025)

Series: Standalone

Length: 360

My Rating: 4.5 out of 5 stars

Amazon

New author Bronwyn Rivers bursts onto the Australian crime fiction scene in a big way with her impressive debut, The Reunion, a compelling and highly addictive read set in Australia’s iconic Blue Mountains that brings up dark secrets from the past.

Plot Synopsis:

Ten years ago, six teenagers hiked into the Blue Mountains wilderness – and only five came out alive.

The survivors have barely seen each other since the tragic bushwalk. Yet when an invitation arrives to attend a 10-year memorial of their friend’s death, Hugh, Charlotte, Alex, Laura and Jack find themselves travelling back into the rugged landscape where it all began.

The weekend at an isolated homestead in the bush – no phone signal, no distractions – should be a chance to reflect and reconnect.

But each of the friends has been carrying secrets from the fateful hike. And someone will stop at nothing to get the truth.

The Reunion was an impressive first novel from Rivers, who brings together a powerful, character-focused mystery that drags her protagonists through trying times in both the present and the past.  Intense, captivating and filled with great twists, The Reunion was an excellent Australian debut that I had an amazing time reading.

This was a very exciting and intricate Australian crime fiction book that follows several damaged characters as they navigate their darkest secrets.  Following five school friends reuniting for the 10-year anniversary of their friend Ed’s death, The Reunion starts with a necessary introduction of the characters in the present and their current issues.  Cut with flashback chapters to the fateful group hike where Ed died, the initial 50 pages of the book are a tad slow to start with, although there is some very useful set-up here, as Rivers establishes the key characters and the scenario they are getting into.  However, I didn’t think things really get started until the protagonists find themselves trapped in Ed’s family homestead in the Blue Mountains, caught up in a desperate plan by his grieving mother, who is convinced that there is more to the story then they ever told.

Suddenly finding themselves alone on the homestead with no water, no communication, and no ability to safely leave the property, the five friends start to find their secrets coming to light around them, which they must confront before Ed’s mother will let them leave.  The protagonists’ attempts to survive at the homestead are perfectly cut with a variety of flashback chapters that showcase both the events of the hike and look at other key events of the protagonists’ lives that give them potential motive for killing Ed all those years ago.  The blend of past and present storylines works extremely well to tell a complex story of lies, secrets and dark events, and you soon become obsessed with working out what really happened all those years before, as well as how the current scenario plays out.  I felt that these storylines came together extremely well, as not only is there an intriguing end to the flashback sequences in the bush, but the main story ends with some intense and dangerous moments as the well-written and complex protagonists face the consequences of their actions.  Featuring a surprisingly fast-paced but satisfying end to the captivating narrative, The Reunion came together extremely well, and I personally really liked the final twist, which wraps everything up in a fantastic way.

I felt that Rivers pulled together The Reunion quite nicely, and this ended up being a tight and powerful crime fiction read that really grabs the reader’s attention.  Featuring an excellent narrative that perfectly oscillates between the present storyline and the various glimpse of the past, Rivers was able to provide a very moving and thrilling read that cleverly explored the history and psyches of the damaged characters and provided greater context for the main plot.  The switches each chapter between the five characters worked well to expand each of their roles, and it was fascinating to see the differences between all the protagonists in the past and the present.  While Rivers could have possibly made it a bit clearer who each chapter was focussing on (say by putting the name next to the chapter number), the switch between characters allowed for a highly personal read, as you experience each character’s growth and current damage.  The author also ensures that the reader gets some interesting alternate views of the hike’s missing person, Ed, especially as the more you see of him the more you realise several characters may have had very valid reasons to kill him, which helps to deepen the mystery.  Throw in the excellent use of the beautiful Blue Mountains setting as background for this story, which Rivers lovingly brings to life with her effective descriptions, and this was a very cool standalone crime fiction read that had a lot of impressive layers to it.

An overall sharp, captivating and well-thought-out Australian crime fiction debut, The Reunion was an outstanding first book from Bronwyn Rivers that proved hard not to enjoy.  Featuring great twists, damaged characters, and excellent use of flashback chapters to paint a complex story of secrets, betrayal and tragedy, The Reunion comes highly recommended, especially for those readers keen for an impressive new talent.

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Waiting on Wednesday – The Bluff, Pacific Heights and Vanish

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s post, the name of the game is Australian crime fiction as I check out three outstanding upcoming novels set for release in 2025.

I have mentioned a few times on this blog that I have become a major fan of crime fiction in the last several years, ever since I started reviewing across the genres.  During this time, I have had the pleasure of reading an array of awesome crime fiction reads, although one sub-genre I get a ton of books of is Australian crime fiction.  There are so many great murder mysteries and thrillers released each year that make excellent use of the gritty Australian setting, whether its an outback thriller or a more complex murder mystery set within one of Australia’s urban settings.  Australian’s have proven quite adapt at producing epic and mysterious reads, and I tend to receive quite a few Australian focused books from local publishers as a result.

Naturally, after reading a ton of these great reads over the years, I have become skilled at picking out upcoming Australian crime fiction novels that I think are going to be excellent.  I have already recently identified a few upcoming 2025 Australian debuts that have a lot of potential, so in this post I am going to look at a series of sequels and releases from established authors that are coming out in the new year.  There are three amazing books I want to highlight in this post, and I have a lot of faith that all of them are going to be outstanding.

The first book that I want to talk about is The Bluff by Joanna Jenkins.  Jenkins is an excellent novel, whose debut, How to Kill a Client, was a ton of fun.  A clever and addictive novel that saw the members of an Australian law firm become suspects in a murder after one of the most important, and distasteful, clients dies suspiciously.  I really enjoyed How to Kill a Client, especially as Jenkins created some vivid and compelling characters, and it ended up being one of my favourite debuts of 2023.  As such, I have been curious to see what Jenkin’s would write next, and I was very excited to find out details about her upcoming book, The Bluff, especially it is a sequel to How to Kill a Client.  Set for release in March 2025, The Bluff places Jenkin’s previous big-city lawyer protagonist in a dangerous small-town setting for another intriguing read.

Plot Synopsis:

From the bestselling author of How to Kill a Client comes a page-turning rural thriller of loyalties and lies, murder and greed.

People like Dash didn’t die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.

Ruth Dawson has taken a break from big city law to fill in for a few months at a mate’s small-town legal practice in Myddle. It’s not what she’s used to . . .

So when she hears the front door of her office open she’s expecting a weird demand, or a question she doesn’t know the answer to. But it’s Bea Baulderstone’s mum, worried that she hasn’t seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.

Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea’s whereabouts.

An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.

I really like the sound of The Bluff and it should be an interesting change of pace from Jenkins’ first book.  Forcing the protagonist to deal with small town politics and loyalties while she attempts to find out the truth should result in a great read, and I am intrigued by the mystery that seems to be developing.  I’m also curious to see how Jenkins deals with another seemingly adored figure who dies suddenly, as the last one of those the author featured was a brilliant character study in bad behaviour.  I honestly think that The Bluff has a ton of potential and I cannot wait to dive into as soon as I can.

The next book that I want to highlight in this post is the deeply intriguing novel, Pacific Heights by S. R. White.  White is an exceptional author who has left an impression on the Australian outback thriller scene the last few years.  Known for his Detective Dana Russo series (Prisoner, Red Dirt Road and White Ash Ridge), White has produced some gripping reads that focus more on personalities and character motivations rather than evidence.  This has resulted in some outstanding mysteries, and I really get caught up in his excellent writing.

Due to this, I am always eager for a new book from White and it is generally one of the better Australian novels released at the start of the year.  The author’s next book sounds particularly awesome, as White is releasing a standalone novel outside of his main series with Pacific Heights.  Coming out in late March, Pacific Heights once again dives into human nature as the author brings together another distinctive crime fiction scenario.

Plot Synopsis:

FIVE WITNESSES. FIVE DIFFERENT STORIES. WHO IS THE KILLER?

In the courtyard of the Pacific Heights building, a local waitress is found dead.

Five apartments overlook the murder scene. Five people witnessed a crime take place.
Finding the killer should be simple.

Except none of the witnesses’ stories match.
They all saw something – from a different angle, at a different time.
None of them saw everything. Anyone could be the killer.

Detectives Carl “Bluey” Blueson and Lachlan Dyson, each with their own careers in peril, must solve what others assume is a straightforward case. But to unmask a killer they must unpick a complex puzzle – where the motivations of the witnesses are as mystifying as the crime itself.

How can you solve a crime if anyone could be lying?

Now this is another very cool and captivating scenario from White and it is one that I am really drawn to.  Forcing the protagonists to work out which of the five conflicting eyewitnesses is lying is going to require a deep dive into each of their characters, and I am very interested to see how the detectives unwind the complex motivations, histories and personality traits to determine which of them is telling the truth and which of them is keeping secrets.  As such, this should be a very deep, character-driven crime fiction read, which White really excels at.  Based on the plot synopsis alone, I believe that Pacific Heights is going to be a very exceptional read and I cannot wait to find out who is lying and why.

The final book I want to discuss in this Waiting on Wednesday is Vanish by Shelley Burr.  Burr is another rising Australian author who I have become very attached to.  Her debut novel, Wake, presented a complex and moving story of small-town mystery and the scars it leaves behind when an investigator with his own agenda attempts to uncover the long-hidden fate of a missing girl.  Wake was a very impressive read and it ended up being one of my favourite debuts of 2022.  Burr made sure to continue her story the next year, as she presented an outstanding sequel in 2023 with Ripper (also released as Murder Town).  This book also focused on small town crime, as a new mystery emerges in a picturesque community made infamous by the actions of a serial killer.  Ripper was a very worthy follow-up to Wake, and I loved the outstanding narrative that Burr featured in this awesome sequel.

Due to how impressive and clever Burr’s first two novels were, I have been keen to see what she releases next, and we luckily don’t have too much longer to wait for her third novel, Vanish.  Coming out in April 2025, Vanish will continue to follow the author’s protagonist, Lane Holland, as attempts to uncover long-hidden killers and their victims.  This new novel will take Holland on his darkest adventure yet, as dangerous personalities strike at the protagonist’s deepest desires.

Plot Synopsis:

People go to the isolated Karpathy farm looking for a new life – and are never seen again. A chilling thriller from the award-winning and bestselling author of Australian noir, Shelley Burr.

Lane Holland’s crime-solving career ended the day he went to prison. With his parole hearing approaching, he faces the grim reality that an ex-con can never work as a private eye. Yet one unsolved case continues to haunt him: the disappearance of Matilda Carver two decades ago.

Never one to follow the rules, Lane finds a lead – a mysterious farm community led by the enigmatic Samuel Karpathy. His farm attracts lost souls. People who want a more meaningful life. People who are hiding from their pasts. People with nowhere else to go.

But those who go to the farm seem to vanish without a trace.

Is it a commune? Is it a cult? Is it something even more dangerous? Lane goes undercover at the farm to find its dark secret – but could he too find himself intoxicated by the prospect of a new life on the land?

Inspired by a real-life criminal case, VANISH is a nail-biting novel of suspense by the Number One-selling author of WAKE and RIPPER.


Vanish
sounds like another particularly amazing novel from Burr and I am very excited to see how it turns out.  Continuing her protagonist’s attempts to needlessly redeem himself by solving missing persons cases should result in a powerful read, and I am curious to see what dark secrets lie within this mysterious and sinister farm.  Forcing the protagonist to uncover truth amongst a band of lost souls, and a no doubt manipulative leader, should result in a very complex and intense story, and it is one I am very keen to dive into.  Based on Burr’s previous captivating novels, I am very sure that Vanish will be an excellent book that will keep me in suspense right to the very end.

It looks like 2025 is going to be a very good year for Australian crime fiction, especially with new releases from these three very talented authors.  Jenkins, White and Burr have all produced exceptional crime fiction novels in the past, and I have no doubt whatsoever that their new books are going to be just as impressive, especially as all of them feature incredible and unique plot ideas.  I look forward to exploring all these brilliant crime novels, and the new year is really looking up when it comes to awesome Australian fiction.

White Ash Ridge by S. R. White

White Ash Ridge Cover

Publisher: Headline (Trade Paperback – 12 March 2024)

Series: Detective Dana Russo – Book Four

Length: 343 pages

My Rating: 4.5 out of 5 stars

Amazon

One of Australian’s most distinctive new crime fiction authors returns with a complex murder mystery the blends compelling characters with unique methods, White Ash Ridge by S. R. White.

Over the last few years, I have really been enjoying the works of new author S. R. White.  White, a former UK Police officer who emigrated to Australia, has been producing some amazing pieces of Australian outback crime fiction.  His work has so far been part of his Detective Dana Russo series, which follows the titular detective as she investigates complex cases out in the Australian bush.  This series has so far featured three impressive reads, Hermit, Prisoner and Red Dirt Road and these amazing books have been very fun to read, especially as White comes up with some unique crimes which require the protagonist’s more unusual methods to solve.  I have really enjoyed White’s previous books, and I jumped on his new novel, White Ash Ridge, the moment I got my hands on it.

Murder, deceit and controversy are all that are on the limited menu of the White Ash Ridge hotel, especially when tragedy strikes its guests.  An isolated and decaying hotel, hidden away in the Australian wilderness, White Ash Ridge has been booked out by the inner circle of a high-profile charity organisation for urgent discussions about its future.  As the relentless heat raises tensions, the body of one of the charity’s founders is found dead on the track outside, his death caused by a blow to the head.

Called to the scene, Detective Dana Russo anticipates another complex murder case.  With no one else spotted in the area and tensions running high amongst the charity’s founders, it seems likely that one of the four remaining guests at the White Ash Ridge is the murderer.  However, as she begins to investigate, Dana is unprepared for the chaos that is about to descend upon her small command.  The charity the victim work for was founded by two parents whose son was killed after intervening in a violent assault.  The subsequent failed police investigation sparked public outrage and launched the boy’s mother into Australia’s political orbit.

Now thrust into the centre of a controversial family familiar with the police, Dana must quickly solve the case before events get out of hand.  With a lack of physical evidence, Dana and her small team are forced to pull the truth from the four suspects to determine their history with the victim and why anyone would want to kill him.  However, they only have limited time before the overwhelming public interest forces her to let the suspects go, likely at the cost of her career and reputation.  Can Dana convince her suspects, none of whom have any love of the police, to cooperate before it’s too late, or will the killer walk free thanks to the will of the people?

S. R. White delivers another complex, impressive, and highly distinctive piece of Australian crime fiction with White Ash Ridge. Blending White’s unique murder mystery style with great characters and a compelling situation, White Ash Ridge was an amazing read that I could not get enough of.

I have always really enjoyed White’s take on the Australian murder mystery, as his focus is always on finding out all the details of the victims and the suspects to solve the case, often through the medium of interrogation.  This was once again the case in White Ash Ridge, as the protagonists, under pressure to solve the case quickly, need to find out which of the four suspects committed the crime.  As such, the story develops in a very interesting way, as the detectives both investigate in the traditional way, including finding witnesses and evidence, while also diving into the lives of everyone involved in the case.  Much of this revolves around the eight main interviews of the investigation as the protagonists talk to each of the suspects twice to gain the relevant insights into themselves and the murder victim.  White, through his main protagonist, Detective Dana Russo, has a very person-centric take on the interrogation progress, and the resulting character-driven focuses become a key part of the plot.

This proves to be a very clever way to set out this excellent mystery and subsequent investigation, and thanks to White’s expert writing ability White Ash Ridge ended up being an extremely clever and captivating book.  The focus around the charity and its anti-police sentiments added some great intrigue to the narrative, and I liked the ticking clock aspect of the plot it brought in.  All eight of the main interviews were very intense and compelling in their own ways, and you soon get a great idea of the various people drawn into the case.  White combines this expertly with the personal dramas of the protagonists, including some ongoing storylines from the prior books, although the overarching threat of Dana’s new supervisor is getting a little stale at this point.  At the same time, the reader gets the full blast of the Australian wilderness from the unnamed part of the country that White sets his novels in, which adds a lot of character to the story in its iconic and beautiful ways.  The central mystery of White Ash Ridge comes together extremely well, and the eventual solution is smart, intriguing, and very well set up.  The entire story comes together in a powerful way, and I loved this unique mystery which was another strong story from White.

As with all of White’s books in the series, White Ash Ridge is a hugely character-driven read, not only because of the compelling and damaged protagonists, but because his style of writing relies on diving into the lives of the various suspects and victims of the case to solve the crime.  This all results in some exceptional character development and focuses, and I loved how complex and powerful the various stories that emerged were.  Most of the protagonists focused development occurred around returning main character Detective Dana Russo, who serves as the solid and empathetic centre of the investigation.  Dana once again showcases her unique investigation style that focuses on character interactions, history and mindsets to solve the case, which proves to be quite effective at diving into the minds of her targets.  This time Dana is backed up by new detective, Mila Jelovic, who serves as a great support for the main character.  While the development around Dana is a little light in White Ash Ridge, you do get an intriguing and powerful examination of Mila, whose previous undercover work has cost her severely in more than one way.

Aside from the police characters, the reader also gets an intense look at five specific figures who become the focus on the investigation, with the murder victim and the subsequent four suspects.  All five of these people are members of a high-profile charity formed in the aftermath of a botched police investigation, with goals of stopping teen violence and keeping the police accountable.  Due to the way the mystery is set out, there is a lot of focus on these characters and the events that brought them together, which provides the reader with an intriguing backstory to get familiar with.  All five of these characters are interesting and complex in their own way, with various interactions, lies, manipulations and plans bringing them all together.  Probably the most interesting of these is the charity’s figurehead, Keena Flynn, a major public figure following the death of her child.  Due to her previous interactions with the police and politicians, Keena proves to be a tough nut to crack, and her pain, anger and distrust become a major obstacle to overcome.  White does a wonderful job exploring these five characters, and indeed you often get more about them than the police protagonists.  There is such a dark and compelling web of relationships surrounding these characters, and the subsequent reasons for why one of them was killed and by who was pretty impressive and helped to produce an incredible mystery.

S. R. White continues to flourish with another awesome entry in his compelling murder mystery series that is setting him up as one of Australia’s most distinctive crime fiction authors. Expertly combining his ability for complex murder scenarios and character-focused investigation methods to produce an outstanding story, White did an amazing job with White Ash Ridge, and I had an incredible time reading it. One of the cleverest mysteries of 2024 so far, this book comes highly recommended.

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Quick Review – Body of Lies by Sarah Bailey

Body of Lies Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 27 February 2024)

Series: Gemma Woodstock – Book Four

Length: 470 pages

My Rating: 4.5 out of 5 Stars

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One of Australia’s best authors of crime fiction brings to life another complex and intense murder mystery with Body of Lies by Sarah Bailey.

Plot Synopsis:

A car crash victim clings to life and is rushed to hospital but can’t be saved. Hours later, her corpse is stolen from the morgue. No one knows who the dead woman was or why her body was taken.

Detective Sergeant Gemma Woodstock is back in her hometown of Smithson on maternity leave when the bizarre incident occurs. She is intrigued by the case but reluctant to get involved, despite the urging of her journalist friend Candy Fyfe. But in the days after the body goes missing, the town is rocked by another shocking crime and Gemma can’t resist joining the investigation.

Candy and Gemma follow the clues the dead woman left behind. As they attempt to discover the identity of the missing woman, Gemma uncovers devastating secrets about the people she thought she knew best. The closer Gemma gets to the truth, the more danger she is in. She desperately needs to confide in someone—but is there anyone she can trust?

This was another interesting and compelling read from Bailey, who really impressed me back in 2021 with her standalone novel, The Housemate, which ended up being one of my favourite books and Australian novels of that yearBody of Lies is another outstanding book from Bailey, which serves as the fourth entry in her Gemma Woodstock series and provides the reader with an amazing and dramatic mystery.

I had a lot of fun getting through Body of Lies as Bailey comes up with an elaborate story that really draws you in.  Whilst it is part of a larger series, Body of Lies is easily read as a standalone novel, with Bailey doing a good job of reintroducing key elements from the previous novels where necessary.  Thanks to this, Body of Lies has a quick start which reconnects readers with the protagonist while also providing key information about the initial death, as well as the unusual circumstances surrounding the missing body.  Despite still being on maternity leave, protagonist and main point-of-view character Gemma Woodstock begins investigating, and soon finds herself drawn into a series of additional crimes in the Smithson area that may or may not be related to the stolen body.

This resolves into quite an awesome story, as you really get drawn into Body of Lies’s intense and intricate mystery.  Bailey keeps making the case even more complex thanks to additional deaths and other unusual events, and the constant raising of stakes ensures the reader’s attention stays on the story.  At the same time, the protagonist’s personal life also takes centre stage in the plot as Gemma deals with a new baby, a traumatised older child, a lying family, a pushy friend, and multiple work conflicts as she attempts to reintegrate back into her own job.

While I got really invested in the story, I think that the final third of Body of Lies got a little off the rails.  Not only are there a huge number of emotional and family dramas surrounding the protagonist, many of which seem a little unnecessary, but there proves to be a huge number of personal connections to the case that drive the protagonist on.  While I liked the increased motivations for the protagonist, these connections seemed way too coincidental, and honestly it stole a lot of realism from the plot.  I also did get a little tired of the many personal dramas that seemed to surround the protagonist.  While I realise that Bailey was trying to showcase the complex life of her protagonist, much of which is driven by the tragic events of the prior books, as well as the side effects of single-minded determination to finding the truth, it honestly got a bit frustrating to follow her at times.  Still, Gemma’s struggles out of her own obsessed mind added some excellent drama and substance to the narrative and Bailey certainly kept her story arc interesting.

The solution to the big mystery turns out to be pretty darn bonkers, and I guarantee most people won’t see the full extent of it coming.  While Bailey did do a good job of setting this reveal up and laying down some hints, it ended up being a very surprising and over-the-top solution that might not work for everyone.  Still, readers are left with an excellent final confrontation and the mystery ends up wrapping up in a satisfying and intriguing way.  There is also a really good twist around a hidden antagonist, which is guaranteed to shock readers and keep them on their toes.  As such, this was a pretty awesome story, and I had a wonderful time getting through it.

In the end, Body of Lies proved to be an outstanding and highly exciting novel that drew me in with its elaborate mystery.  While I didn’t love everything about Sarah Bailey’s new narrative, Body of Lies was still an amazing piece of Australian crime fiction, and well worth a read for anyone looking for a complex and impressive mystery with compelling character elements behind it.

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Quick Review – Glenrock by Lee Christine

Glenrock Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 January 2024)

Series: Standalone

Length: 320 pages

My Rating: 4.25 out of 5 stars

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Bestselling Australian author Lee Christine brings together a compelling and intriguing crime fiction read with the excellent Glenrock; a fantastic mystery set around the Australian city of Newcastle.

Plot Synopsis:

A murdered judge. Two missing lawyers. A thrilling tale of mystery and suspense from the bestselling author of Charlotte Pass and Dead Horse Gap.

When Justice Maurice Tempest is murdered in the Glenrock State Conservation Area in Newcastle, local detective Senior Sergeant Callan O’Connor is the first on the scene. News of a second body, found in the same location days later, makes what had looked like a revenge killing into so much more.

Angela Avery, formerly a political journalist, is spending a lot of time at the Hunter Valley Prison interviewing a soon-to-be-released forger, Benjamin Reid. When O’Connor’s investigation reveals an interest in Ben, Angela is determined to protect both her source and her fledgling relationship with O’Connor.

Meanwhile, two young, female lawyers have disappeared after making a devastating discovery in an upcoming case. Can O’Connor unravel the connections before the body count rises further? And how much does Angela Avery really know?’…


Glenrock
was a great and fast-paced crime fiction novel that I had the great pleasure of reading earlier in the year.  Christine came up with a fantastic story that really drew you in thanks to its multilayered mystery, compelling characters and high stakes.

The main mystery of Glenrock is set around the murder of a prominent judge in the Glenrock National Park area, which sets off an elaborate investigation primarily seen through the eyes of Senior Sergeant Callan O’Connor.  O’Connor is a great central protagonist, and I enjoyed his intriguing insights into the case, especially as it pairs well with his complex family life and adversarial past with the Sydney homicide detective who arrives to take over the case.  While the murder of a judge would be an interesting focus for the book by itself, especially when the apparent murderer is found in the most unlikely of scenarios, Christine raises the stakes by introducing two parallel storylines that combine into one heck of a novel.

The first of these storylines revolves around Angela Avery, a journalist for the local paper who finds herself drawn into the larger murder story thanks to the human-interest story she was writing.  Thanks to her relationship with Callan, which provides a good romantic subplot for the story, Angela gets more involved with the case, especially as her investigation reveals connections to two young lawyers who disappeared the day of the murder.  These two lawyers, who went on the run to save themselves, provide the third overlapping storyline, and it was fascinating to see their attempts to flee, especially as they provide some compelling context to the main mystery.

All three storylines prove to be very entertaining on their own, but their real strength is the way that they wrap together and form a complex, overarching narrative.  Christine ensures that all three character-focused storylines stand on their own before bringing the various characters together in a sensible and compelling way.  I really enjoyed seeing the various story arcs come together, and Christine enhances this with several moving dives into the complex characters.  The focus on O’Connor’s family life is a prominent one, although I was particularly drawn to the character of Angely Avery, the plucky reporter who drives much of the plot’s investigative angle.  Christine draws together a complex and harrowing past for Avery, as her previous reporting experiences resulted in great pain, and I would be very interested to see Christine revisit these characters in the future.  The entire story, including the clever mystery, comes together extremely well, and Christine ensures there are some intriguing twists and reveals that keep you hanging in to the very end.  Throw in some excellent depictions of Sydney and the picturesque area surrounding Newcastle, including Glenrock, and this proves to be quite an impressive read.

Overall, Glenrock was an excellent piece of Australian crime fiction by Lee Christine that I had a wonderful time reading.  The combination of a compelling story, fantastic characters and an intriguing mystery is hard to resist, and readers will come away from Glenrock very satisfied.  An amazing and exciting read from a talented Australian author.

Amazon

The Drowning Girls by Veronica Lando

The Drowning Girls Cover

Publisher: Harper Collins Australia (Trade Paperback – 5 July 2023)

Series: Standalone

Length: 323 pages

My Rating: 4.5 out of 5 stars

Amazon

Rising Australian crime fiction author Veronica Lando presents a particularly intense and captivating read in her latest gritty release, The Drowning Girls.

Port Flinders in the north of Australia is a desperate town, suffering from depleted fishing and a poor economic future.  The only thing that is keeping the tiny town going is its infamous Drowning Girl Festival, which draws vast crowds of tourists to the town’s mangrove-lined shores each year.  The festival honours a statue that is symbolically dropped into the water in a seemingly harmless bit of fun, recognising an old legend that a woman must be sacrificed each year to revitalise the town’s fishing.  But not everyone thinks that the legend is untrue, especially as a tragic drowning of two girls 25 years earlier seemed to save the town.

As the new festival beings, Nate Bass arrives, set to temporarily fill in as the town’s sole teacher.  Forced to take the job after an incident at his last school, Port Flinders is the last place Nate ever wanted to come back to, as he has history with the town and its sinister festival.  However, the past has a way of coming back to haunt everyone, and soon a new development in the towns infamous history emerges.

A dead woman is pulled from the water at the height of festivities, but is she the victim of an unfortunate drowning accident, or has someone sacrificed her to the ocean?  As Nate finds himself drawn to the case, he is forced to dive back into his tragic childhood to events that have haunted him for 25 years, especially when the identity of the drowned woman is revealed.  To discover the truth, the past and present will need to come together, but is Nate ready to reveal his biggest mistake to the world?

The Drowning Girls was a very distinctive and captivating bit of Australian fiction by Lando which deeply impressed me when I checked it out.  Set around a compelling rural Australian setting with some major baggage associated with it, The Drowning Girls has a great story to it that features an excellent blend of mystery, emotional dives into the past, and some major character moments that really drew me in.

The story itself is told through two separate perspectives, that of Nate Bass, the town’s substitute teacher who returns during the height of the Drowning Girl Festival, and a young boy nicknamed Tack, who provides an intriguing alternate perspective of certain events.  Both get embroiled in the mysterious drownings that occur in Port Flinders in different ways, and their character-driven narratives swiftly come together to tell a story of tragedy, friendship, and secrets.  Nate’s story serves as the central focus of much of The Drowning Girl’s plot, and his exploration of the town’s history, the mindset of its people, and the impact of the festival adds some great depth to the story, especially as the author introduces some excellent supporting characters/suspects in the case.  The story revolving around Tack is an interesting coming-of-age tale, which shows the young protagonist trying to fit in around Port Flinders, while also learning about the mysteries of the festival.  This secondary storyline is a little harder to get into at the start, but the intriguing inclusions it features have some fantastic and fascinating impacts on the larger story.

There is a great reveal about halfway through the book that completely changes everything you thought you knew about The Drowning Girls’ plot, and which brings the two separate storylines together in an outstanding way.  I loved how Lando turned everything around at that point, and it led to a pretty addictive and exceptional second half of the book, which I honestly had a hard time putting down.  There are even more excellent twists revealed towards the end of the book, as well as some deeper dives into the protagonist, as he explores all the trauma from his past, as well as the deadly events from 25 years earlier.  The full extent of both the drownings in the past and the present are intense and very clever, and the elaborate and dramatic mystery that Lando came up with is extremely impressive and moving.  This entire story comes together pretty perfectly, and the full extent of the book’s tragic and moving storyline results in some truly shocking moments.  I honestly did not see the book’s big conclusion coming, and the Lando ensured that readers will come away from The Drowning Girls shocked and deeply moved.

There are a lot of great elements to The Drowning Girls that I enjoyed, and Lando has a real talent for writing and creativity that really connected with me.  Her creation of the fictional town of Port Flinders is fantastic, and she does a remarkable job of capturing the feel of a dying tourist town in Australia’s far north.  Everything about this town, including the crippling isolation, the rowdy tourists, the oppressive feel of the surrounding mangroves, and the various people who choose to call such a location home, feels highly realistic and it works into the dark storyline of The Drowning Girls extremely well.  I also loved the intense feelings invoked by the mysterious festival that is such a key part of the book’s plot, and you have to love the dark symbolism that Lando chose to associate with it.  You can almost understand the desperation that some of the town’s residents feel when it comes to the festival, and I felt that it was an outstanding and creepy plot focus that really stood out.  However, one of the best elements of The Drowning Girls was the main protagonist, Nate Bass, who has a complicated past and a deep and traumatic connection to the town.  Seeing the slow unravelling of Nate’s personal history is an outstanding and moving part of the book, and you really get attached to him as a result.  Watching him unload his guilt, trauma and resentment is some of the most powerful parts of the book, and you really must appreciate everything that Lando puts her protagonist through.  Thanks to the author’s great use of the split storyline, as well as the fantastic blend of drama and mystery that emerges throughout the narrative, The Drowning Girls’ story really shines through, and I came away with a huge appreciation for Lando’s style.

The Drowning Girls by Veronica Lando is one of the more unique and complex Australian crime fiction books I have so far read this year, and I was really impressed with how compelling and dark she was able to make it.  Featuring a clever and twisted mystery with some major character moments, The Drowning Girls is a highly recommended read and easily one of my favourite pieces of Australian fiction in 2023 so far.

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Waiting on Wednesday – Ripper by Shelley Burr

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight a great new upcoming Australian crime fiction novel from one of the breakout authors of 2022 with Ripper by Shelley Burr.

Ripper Cover

Last year I had the very great pleasure of reading the fantastic first novel from debuting Australian author Shelley Burr, Wake.  Set in a dying rural town out in the middle of the Australian outback, Wake examined an infamous crime where a young girl disappeared from her house without a trace, never to be seen again.  19 years later, two determined people with their own traumas attempt to find out what happened to the missing girl, including her haunted twin sister and a professional investigator with secret reasons for trying to solve the mystery.  Wake ended up being an outstanding novel and I loved how its compelling and intense mystery unfolded while also expertly showing off the desolate local landscape.  This was such an amazing read and it ended up being one of my top debuts and favourite Australian fiction novels of 2022.

Due to how impressive her first book turned out, I have been eager to see what Burr would come up with next and I was very happy that details about her second book was recently released.  This second book is Ripper, which is currently set for release in August 2023, and will take the reader to a new outback town with a murderous past, this time as the location of a serial killer’s final three murders.

Plot Synopsis:

Gemma Guillory has lived in Rainier her entire life. She knows the tiny town’s ins and outs like the back of her hand, the people like they are her family, their quirks as if they were her own.

She knows her once-charming town is now remembered for one reason, and one reason only. That three innocent people died. That the last stop on the Rainier Ripper’s trail of death seventeen years ago was her innocuous little teashop. She knows that the consequences of catching the Ripper still haunt her police officer husband and their marriage to this day and that some of her neighbours are desperate – desperate enough to welcome a dark tourism company keen to cash in on Rainier’s reputation as the murder town.

 When the tour operator is killed by a Ripper copycat on Gemma’s doorstep, the unease that has lurked quietly in the original killer’s wake turns to foreboding, and she’s drawn into the investigation. Unbeknownst to her, so is a prisoner named Lane Holland.

 Gemma knows her town. She knows her people. Doesn’t she?


Ripper
sounds like it is going to be quite an awesome book.  I love the idea of returning to another town whose reputation has been tainted by a notorious crime, and the setting of Ripper is pretty cool with its connection to the Rainier Ripper.  Seeing a dark tourist company coming to town, only to be targeted by a copycat at the place of the original killer’s last stand sounds fantastic, especially as it is going to reopen all the wounds the previous killings left open.

I have no doubt that Burr will produce an excellent mystery around that premise, however, the thing that is really interesting to me about Ripper’s plot synopsis is the reference to the prisoner Lane Holland.  Holland was one of the protagonists of Wake, so it looks like Ripper is going to be a direct sequel to Burr’s first book.  I am very interested in seeing Burr continue Holland’s story from Wake, especially as the character’s attempts to stop his terrible father saw him sent to jail, and it will be cool to see how the author brings him into this latest story.  While I was definitely going to seek out Burr’s new book no matter what, the fact that is a sequel is a major selling point to me and Ripper is now one of the books I most excited for in the next few months.  Ripper has a ton of potential and I look forward to seeing how this talented new Australian author follows up her first epic novel.