Tag: Australian Crime Fiction

High Rise by Gabriel Bergmoser

On By The Unseen LibraryIn Australian, Thriller1 Comment

Publisher: Harper Collins (Trade Paperback – 1 August 2025)

Series: Standalone/The Hunted spin-off

Length: 309 pages

My Rating: 4.5 out 5 stars

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Prepare for carnage as rising Australian author Gabriel Bergmoser presents a high-octane and beautifully brutal thriller, High Rise, an outstanding and deeply entertaining novel with some real intensity behind it.

Gabriel Bergmoser is an intriguing author who has written some compelling and exciting pieces of Australian fiction over the last few years.  Originally known more for his work as a playwright, Bergmoser has been more active as a thriller author in recent years with his Hunted books, as well as the standalone novel The Caretaker.  High Rise serves as continuation of Bergmoser’s previous Hunted books, The Hunted and The Inheritance, as well as some of the author’s separately released Audible Originals, and follows a supporting character from The Inheritance on his own brutal adventure.

Plot Synopsis:

After a year of searching, rogue ex-cop Jack Carlin has finally found his estranged daughter, Morgan, holed up in the top floor of a rundown, grimy high-rise building. The trouble is, Jack’s unconventional policing and information-gathering methods in the past has made him some serious enemies. And what Jack doesn’t know as he heads into the building, intent on saving his daughter, is firstly, that Morgan doesn’t want to be saved – particularly not by him – and secondly, that the entire criminal underworld in the city are on their way too… There’s a bounty on his head, and they’re after his blood – and they don’t mind if Morgan is collateral damage.

As bounty hunters and gang members converge on the building, father and daughter are thrown into a desperate fight for survival through fifteen storeys of deadly enemies – with only each other to rely on. Die Hard meets The Raid, but the funnier, grittier Australian version. Fast, furious and ferocious, this is thriller writing at its nail-biting, unputdownable best.

Now that was a load of fun.  High Rise was a highly entertaining and relentlessly exciting Australian novel, as Bergmoser unleashes one of his dangerous protagonists on a horde of criminals.  Featuring a continuous blast of action, violence and family drama, High Rise was an amazing and addictive novel that I absolutely powered through.

I had a great time reading the ultra-exciting narrative featured within High Rise, especially as Bergmoser eagerly created an Australian thriller in the same vein as some classic over-the-top action films.  Starting off fast with an effective reintroduction to protagonist Jack Carlin, Bergmoser sets up the main points of the narrative extremely well, and you soon get stuck into the main part of the book, with Jack finding himself trapped on the top floor of a high-rise building filled with petty criminals, bikies, thugs and even some professional hitmen.  What follows is an entertaining blitz of outrageous and brutal action as Jack, and his daughter Morgan, attempt to fight their way downstairs.

Unsurprisingly for an action-packed brawl against criminals and killers, the plot of High Rise moves at a very quick pace.  Bergmoser does a good job splitting the narrative between the two main protagonists, Jack and Morgan, which allows the author to dive into their strained relationship, as well as their own complicated pasts.  Thanks to some creative splitting up, both characters have some interesting solo moments in the middle part of the novel, which also features some unlikely allies.  The climax of the story comes on fast, and there are a couple of good twists there, as well as the appearance of a figure fans of Bergmoser will be very familiar with.  While the identity of the main antagonist of the novel isn’t too surprising, some of the supporting villains were quite fun, especially as the author made good use of the character history he introduced in this novel.  Everything leads up to an intense and emotionally charged finale, which features even more over-the-top action for the reader to enjoy, including some very unique weaponry for an urban Australian setting.  The conclusion of the High Rise was quite poignant and served as a good wrap up to the character development Bergmoser had been exploring throughout the book.  This was an overall exciting and intense narrative that has a lot of great moments for action fans.

Bergmoser did a great job of showcasing his action-packed story throughout High Rise, and this proved to be a very entertaining and addictive read as a result.  The many, many fight sequences I have already gushed about are well-written, and readers can easily visualise these brutal battles and over-the-top sequences thanks to Bergmoser’s descriptive style.  The author also successfully kept up his frenetic pace the entire way through, which allowed me to easy power through this book quickly.  There is a certain level of humour to High Rise, especially with a range of clueless goons and other entertaining characters, and things do get a little ridiculous at times.  This bit of comedic charm is well balanced by the deeper personal issues of the two protagonists, whose dysfunction is further showcased by various flashback sequence, which Bergmoser works into the plot without slowing the pace of the book down.  As such, there are no impediments to powering through this book quickly, and I guarantee most readers will knock this off in only a few sessions.

As I mentioned at the start of the novel, High Rise serves as an extension to the author’s Hunted series.  The protagonist has previously appeared in some of Bergmoser’s previous novels and audiobook releases, most prominently The Inheritance, while another of the author’s protagonists is reintroduced later in the novel.  Despite being part of a larger series, any reader interested in checking out High Rise should be able to follow the plot of this novel without any issues.  Indeed, I personally haven’t had the chance to read Bergmoser’s previous books, and I was able to enjoy High Rise quite easily.  While there are references to previous events from the series, and the author is a little cagey at first about the protagonist’s connections to Maggie, the main character of The Hunted and The Inheritance, Bergmoser quickly fills in any necessary gaps with his accessible writing, and new readers should be able to follow along easily.  As such, High Rise is a great book for any thriller reader, and indeed it works quite well as an introduction to Bergmoser and his writing style.

While I did decide to read High Rise mainly because of its fun-sounding plot and the excessive violence it promised, I came away appreciating the great character work that Bergmoser featured.  Most of the book follows main protagonist Jack Carlin and his daughter Morgan, both of whom have a troubled past and a tense relationship with each other.  The author does an excellent job diving into their complex personal history, especially with the novel’s regular split in perspective, and you get some intriguing insights into their pasts, much of which impacts their current motivations and reactions.  This includes Carlin’s regretful history as a corrupt cop, much of which impacted his relationship with Morgan, who herself suffered a dark childhood due to her mother, as well as her own alcohol induced mistakes.  These character elements become cleverly entwined with the main narrative, and the antagonism and mistrust between the two added to the drama of the plot.  I think that Bergmoser handled this troubled relationship very well, and it was a great highlight of High Rise’s plot, especially attempt to address it in their own troubled way.

While High Rise is primarily focused on Jack and Morgan, several other characters do get their moment to shine.  This includes Maggie, the protagonist of several of the author’s previous books, who has a more supporting role in this novel after appearing later in the plot.  Due to her lack of perspective chapters, Maggie does have less of an impact than the author’s previous novels, but her intense personality and unique friendship with Jack ensure she stands out.  Other key figures, including a Swedish assassin and the violent former member of a bikie club that Jack and Maggie previously destroyed, add some interesting flair to the plot, especially when some unlikely alliances form, and both had some memorable histories and appearances here.  Throw in an army of low-level thugs and criminals who also attempt to claim the bounty on Jack, including some who have history with him, and High Rise features a very entertaining cast of characters, and it was very fun to see them try to kill each other.

Gabriel Bergmoser continues to produce extremely thrilling and entertaining Australian crime fiction content with his latest novel High Rise.  A relentlessly brutal novel, loaded with action, bloodshed and some fantastic emotional depth, High Rise was a great read that I had an amazing time getting through.  Highly recommended!

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Waiting on Wednesday – The Shark by Emma Styles

On By The Unseen LibraryIn Australian, Thriller, Waiting on Wednesday4 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday post, I check out an intriguing and intense upcoming Australian thriller with The Shark by Emma Styles.

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Back in 2022 I had the pleasure of reading the exciting and entertaining thriller, No Country For Girls, which was the debut novel of new Australian author Emma Styles. Set in the harsh Western Australian outback, No Country For Girls was an outstanding read, featuring two great protagonists on a gritty and deeply personal journey. Fun and compelling, No Country For Girls ended up being one of my top debut novels of 2022, and I was curious at the time to see what Styles would write next.

Well, it looks like I will finally be able to find out soon as Styles has her second novel coming out in early 2026, and it sounds pretty epic. This new novel, The Shark, is set for release in March 2026, and features a powerful plot about a deadly Australian serial killer and two teenage girls who attempt to stop him.

Plot Synopsis:

A killer is stalking the suburbs of Western Australia. Two teenage girls hell-bent on revenge take matters into their own hands, with deadly results. Another dark, uniquely voice-led crime thriller from Wilbur Smith Adventure Writing Prize-winner Emma Styles.

Every monster has a weakness.

At the height of Australian summer, a serial killer dubbed The Shark stalks a beachside suburb, targeting young female swimmers whose bodies are later found on the shoreline.

Disempowered and angry at the failures of the police to protect them, two young women are hell-bent on revenge. Raych has lost someone and will go to any length to discover what happened to her, while Carmen suspects a disturbing connection to the killer.

Together they form an uneasy alliance and, in a moment that changes the trajectory of their lives, Carmen and Raych abduct and imprison the prime suspect. Do they think they can save the day, or are their intentions darker? Can they trust one another’s agenda? And when another young woman goes missing, what stops them from going to the police?

A dark and voice-led serial killer thriller that subverts the tropes of crime fiction at every turn, The Shark is an unforgettably propulsive novel about victimhood, power and autonomy.

Now this is a very interesting book by Styles.  I love the awesome scenario above, which promises to turn The Shark into a particularly intense read.  Pitting two teenage protagonists against a potential serial killer, while other deaths and disappearances are occurring outside their prison has so much potential, and this thriller has one of the more distinctive and exciting plot synopses of novels coming out in early 2026. 

While I would probably have grabbed The Shark no matter what in 2026, especially after really enjoying No Country For Girls, I must admit that I’m already a little obsessed with the above plot.  Emma Styles has come up with an extremely interesting idea for her second novel and I am extremely curious to see how it comes together.  If Styles backs up this great plot with some amazing characters and dark moments of dread and uncertainty, then The Shark will likely be one of the top pieces of Australian fiction in 2026.  I cannot wait to see how this book comes together, and I have a strong feeling that I am going to love it.

Everyone in this Bank is a Thief by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Five-Star Books, Murder MysteryLeave a comment

Publisher: Penguin (Trade Paperback – 30 September 2025)

Series: Erenest Cunningham – Book Four

Length: 355 pages

My Rating: 5 out of 5 stars

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The over-the-top investigations of Ernest Cunningham resume in the outstanding and highly entertaining Australian crime fiction novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

For the last few years, the Australian crime fiction scene has been the playground of Benjamin Stevenson. A comedian and performer with his brother, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations. The first book in the series, Everyone in My Family has Killed Someone (one of my favourite Australian novels of 2022), was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery. Stevenson continued to impress the following year, with Everyone on this Train is a Suspect (one of my favourite books and pieces of Australian fiction of 2023) a worthy sequel that further parodied various crime fiction subgenres. Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024. Due to how wildly entertaining these books were, I just had to get the fourth book in the series, Everyone in this Bank is a Thief, when it came out this year, and it was one of my most anticipated reads for the second half of 2025, especially with its fun title and awesome plot concept.

Ernest Cunningham, murder mystery expert and Australia’s least likely detective, has so far solved three murders, each in its own outrageous scenarios.  But even he is unprepared to solve a case in the middle of a bank robbery.

Trapped in a small-town bank while trying to get a loan for their new detective agency, Ernest and his fiancé Juliette find themselves at the mercy of a masked armed bandit, who has locked down the bank and demanding access to the vault.  The only problem, the bank’s chief of security who knows the code is missing, and Ernest was just in the process of being hired to find him.

Besieged by the police and with no chance of escape, Ernest is determined to get his fellow hostages out alive by discovering out the vault’s code.  However, as he begins his enquiries, he quickly discovers that the armed man holding them hostage isn’t the only criminal he’s dealing with.  There are many different things that can be stolen in this bank, and all the trapped hostages have their own plots in motion.  However, only one person is there to steal a life, and when bodies start turning up, Ernest once again finds himself in the middle of a murder investigation.

With all the suspects trapped in the bank with him, Ernest works quickly to solve the murders before the police end the siege.  All the people in the bank are suspicious, but is the killer the bank robber, the silent priest, the greedy film producer, the teen gaming prodigy, the dying teenage girl and her mother, or a member of bank’s staff? To find the truth, Ernest will have to uncover everyone’s secrets and work them into his established rules for a murder mystery.  But can he solve the crime before the killer takes him out, or is this one crazy investigation that even Ernest Cunningham cannot survive?

Benjamin Stevenson once again deeply impresses as Everyone in this Bank is a Thief was a brilliant and highly addictive novel that perfectly combines over-the-top mystery with the author’s distinctive humour.  Clever, wildly entertaining, and just a little silly, Everyone in this Bank is a Thief was so much fun to read, and it gets a full five-star rating from me.

What another brilliant and hilarious story.  Everyone in this Bank is a Thief was such an entertaining read, and I loved how crazy and exciting Stevenson made it.  Starting off with an interesting introductory note from the protagonist that sets the scene and foreshadows some of the events to come, you are quickly taken to the bank setting in small-town Australia, where Ernest and returning character Juliette are tasked with investigating the missing head of security, who has changed the code to the vault.  Stevenson does an effective job of introducing the locked room scenario, as well as the various suspects in these opening chapters, before the bank is taken over by the masked armed robber.  With everyone gathered as hostages and the bank surrounded by police, Ernest finds himself taking on the task of finding the combination to the vault to fulfil the robber’s unusual request of a single dollar from the bank’s vault.  This initial investigation provides a lot of hints about events for the future, before the story takes an enticing turn when someone dies in a spectacularly unusual situation.  This inspires Ernest to take on an unadvised secondary role in the case, which moves the story into an entertaining new direction.

The second half of the book is even more compelling, and you power through it fast as you can to get to the conclusion.  It quickly becomes apparent that there are multiple murders associated with this case, in addition to the other simultaneous heists taking place throughout the bank, all of which Ernest needs to uncover to solve the entire case.  The author selectively reveals some of these secondary crimes earlier in the plot, which allow the story to move forward, while also moving the suspicion away from some of the potential suspects.  While Stevenson continues to work in even more details about the suspects and the circumstances of their heists, there is also a certain amount of personal drama added into the mix, especially once Juliette realises the lengths Ernest has gone to solve the case, with some excellent moments leading up to it.  The interplay between the main plot and the author’s notes that hint at the future become even more entangled and urgent as the book continues, especially as the events of the two start to catch up, and Stevenson works in the usual concern about the protagonist’s survival a little earlier than usual.  Everything leads up to the classic summation gathering, where all the remaining secrets are revealed in hilarious and over-the-top fashion.  Featuring a big and deadly climax that all of Ernest’s investigations seem to require, the book ends on an entertaining note, with the series still having the potential to go forward.

I really enjoyed this new novel from Stevenson, which was an excellent continuation of the Ernest Cunningham series.  Working well as either the fourth book in the series, or an excellent standalone novel, Everyone in this Bank is a Thief was a lot of fun, with the concept of a crime fiction expert using the tropes of the genre to identify the killer in a humorous situation still as effective as ever.  Told in the form of a true-crime book by the protagonist as he recounts the events of the bank heist, the narrative features a classic closed circle of suspects as Ernest investigates several murders, including an actual locked-room mystery, as well as several adjacent thefts, all while trapped in the murder scene.  The result is an over-the-top mess of an investigation, as the various big personalities trapped in the bank clash with Ernest’s unusual methods and style, much to the audience’s glee.  While there is a lot of focus on the book’s humour, Stevenson also does a great job pulling together a complex mystery with a lot of compelling suspects.  There are a lot of intricate details and clues loaded into the story, often hidden by the more comedic interactions, and all these elements are well used later in the book, whether in solving the murders or examining the various hidden motivations of the other characters.  The eventual reveal of the killer also proves to be quite clever, and there is some fantastic build-up to the discovery, even if the methods the protagonist uses to uncover them, as well as the crimes itself, are a tad ridiculous.

As with the previous books in the series, Everyone in this Bank is a Thief is a great satirical take on classic crime fiction novels, with the author and the protagonist both keen to utilise and honour the well-known tropes of the genre.  While Stevenson once again features a fun takedown of old-school detective fiction murder mysteries, he also takes his protagonist outside of his crime fiction wheelhouse with the murder taking place amid a heist.  Forcing the protagonist to apply heist tropes alongside his established rules for classic murder mysteries results in a great hybrid case, with a lot of jokes and references about both subgenres of crime fiction.  Stevenson naturally goes overboard with the heist elements, with several concurrent thefts happening in the bank, all of which could serve as a potential motive for murder.  I loved the outrageous variety of thefts that were worked into the plot, especially as most weren’t typical fictional robberies, and it was quite impressive to see Stevenson work them into the novel’s larger murder mystery.  The series’ usual pre-narrative hints of events and murders to come, with accompanying page numbers, were missing in this latest novel, instead replaced by the alternate focus on the protagonist’s plight, as he instead uses the introduction to reveal that he is trapped in a safe and slowly running out of air.  The humour of this situation, as well as build-up of suspense to when Ernest gets locked in the safe, added some extra fun and drama to the plot, and it was an interesting twist on the usual Ernest Cunningham book.  I really enjoyed how Stevenson continues to experiment and alter the initial story and writing concepts he introduced in Everyone in my Family has Killed Someone, and this book was a worthy addition to this series, especially with the new focus on heist fiction in addition to other comedic differences.

As with the previous books in the series, Everyone in this Bank is a Thief features a memorable and over-the-top cast of characters.  This includes series protagonist Ernest Cunningham, a writer and crime fiction expert who has accidently found himself in the middle of several murder investigations.  Attempting to continue his unlikely career as a professional detective, Ernest proves to be an intriguing and entertaining protagonist, especially with his cynical outlook on the world.  Much of the book’s humour comes from Ernest’s entertaining observations of the people around him, and he has a unique way of solving crimes that mocks traditional murder mysteries in all the best ways.  There is a compelling addictive element to Ernest’s need to solve crime in this latest novel, which often forces him to make some stupid decisions, and the author adds in some interesting and entertaining self-reflective moments that I quite enjoyed.  There is also and quite entertaining look at Ernest’s notoriety and semi-fame in wider society, which plays into the story in several fun ways, including making him a potential target for murder.  I loved how much Ernest has developed over the series, and this proved to be a great extra inclusion to his story.

The rest of the cast of Everyone in this Bank is a Thief is also quite impressive, with my favourite being Ernest’s patient fiancé, Juliette.  A strong-willed, intelligent supporting character who has been Ernest’s love interest since the first book, Juliette often finds herself trapped in these elaborate murder investigations alongside her partner.  Her latest outing in Everyone in this Bank is a Thief was particularly fun, as Stevenson used some interesting shenanigans to showcase Juliette’s feelings about Ernest’s antics, especially when he gets caught up in an investigation.  The real brains and emotional heart of this novel, Juliette was extremely awesome, and I love how well she complements Ernest as the protagonist.  The rest of the cast, the majority of whom are fellow hostages in the bank, also prove to be a ton of fun, especially as all of them are thieves in one way or another.  While I’m going to limit my discussion about these supporting characters to avoid spoilers, I will say that Stevenson came up with an awesomely eclectic group of suspects, red herrings and rogues here, and uncovering their associated ploys and schemes made for some great reading.

Overall, Everyone in this Bank is a Thief was outstanding fourth entry in the Ernest Cunningham series, and I had such an epic time getting through it.  Benjamin Stevenson has perfected his formula for highly entertaining murder mysteries, and the intricate blend of complex mystery, excellent humour and outrageous characters makes for quite an impressive read.  One of the best Australian crime fiction novels of 2025, Everyone in this Bank is a Thief comes very highly recommended, and I cannot wait to see what Stevenson writes next.

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Waiting on Wednesday – Dark Desert Road by Tim Ayliffe

On By The Unseen LibraryIn Australian, Thriller, Waiting on Wednesday2 Comments

In addition to the Waiting on Wednesday post I did for 30Seven by Jeremy Robinson, I’m also going to do an additional post this week for an awesome upcoming Australian crime fiction read.  This is to make up for missing my regular Waiting on Wednesday post last week (I was away), plus I really wanted to talk about this book which I literally discovered was coming out last night.  This new book is Dark Desert Road by impressive Australian thriller author, Tim Ayliffe, which sounds extremely awesome.

Tim Ayliffe is a rising Australian author whose work I have been really enjoying in recent years, primarily thanks to his John Bailey series.  Utilising his experience as a journalist, Ayliffe has pulled together a series of compelling and complex crime fiction novels as part of a series that follows his journalist protagonist, John Bailey, as he finds himself part of a series of dark crimes and conspiracies. Many of these books, which include The Greater Good, State of Fear, The Enemy Within, Killer Traitor Spy and The Wrong Man, cleverly reference or utilise real-world elements that have been impacting Australia, such as terrorism, espionage and the rise of right-wing extremism, to enhance their narratives.  I have really enjoyed these excellent books, which are regularly amongst the best Australian novels released each year, and it is always interesting to see what Ayliffe explores next.

While I was hoping that we would be getting a new John Bailey novel soon, it looks instead that Ayliffe is going in a very different direction with his next book, Dark Desert Road.  Following a new protagonist, Dark Desert Road will feature a complex Australian thriller as a burnt-out cop attempts to save her long-estranged family while also dealing with the dark fringes of Australian society.  Set for release in early January 2026, Dark Desert Road will likely be one of the very first books I read in the new year, and I am already excited by its compelling sounding plot.

Plot Synopsis:

Kit McCarthy hasn’t seen her identical twin sister, Billie, in more than a decade.

The sisters don’t see eye to eye, which is understandable, considering Kit’s a police officer and Billie followed their violent father into a life of crime.

Kit is no angel. Burnt out by years working in child protection, she has been accused of using excessive force in the arrest of a violent drunk. Kit has just been ordered to take time off work when she gets a frantic message from Billie, telling her she has a young son and that somebody is trying to kill her.

And then Billie disappears.

Determined to find her estranged sister, Kit’s only lead comes after visiting their father in prison. Malcolm McCarthy claims Billie married a former United States Marine and has been living with a group of sovereign citizens in the desert country of the New South Wales Riverina.

Kit’s journey to find Billie takes her through shuttered towns destroyed by drought, where everybody owns guns, nobody talks to cops, and people get lost for a reason.

Out here a war is brewing between a ruthless bikie gang and a separatist community that is re-engaging with society in the most violent way.

Kit will risk everything to find her sister and the nephew she never knew she had.

But does Billie really want to be saved?

Ok, now this looks like another particularly impressive Australian crime fiction novel from Ayliffe.  Moving away from the author’s previous journalistic/espionage focused narratives in the big city, Dark Desert Road will be more of a classic, outback Australian crime fiction tale, loaded with gritty action, complex characters and an isolated setting.  However, Ayliffe will also throw in his customary examination of Australian society, this time by looking at sovereign citizens in the countryside, which, thanks to recent tragic events, is a very significant issue.  I look forward to seeing Ayliffe’s compelling take on this, as well as his depiction of Australia’s declining rural towns, and I am curious to see what sort of story he writes around them.

Due to how compelling and socially relevant Ayliffe’s previous novels have been, I’m quite keen to check out Dark Desert Road, especially as it has an outstanding sounding plot behind it.  It is going to be interesting to see Ayliffe focus on a new protagonist and a very different story focus, and I strongly believe that Dark Desert Road is going to be one of the top Australian releases of 2026, and I am very excited to check it out.

The Bolthole by Peter Papathanasiou

On By The Unseen LibraryIn Australian, Murder Mystery1 Comment

Publisher: MacLehose (Trade Paperback – 29 July 2025)

Series: DS George Manolis – Book Four

Length: 349 pages

My Rating: 4.25 out of 5 stars

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Acclaimed Australian crime fiction author Peter Papathanasiou returns with another outstanding entry in his DS George Manolis series, The Bolthole.

Peter Papathanasiou is an Australian author who has been making some excellent waves in recent years with his intricate and culturally relevant murder mysteries set around striking areas of outback Australia, as well as one novel set in Greece.  These books form part of his DS George Manolis series, which I had had the pleasure of first reading in 2023 with the third entry in the series, The Pit.  A fantastic novel that combined moving character history with the red desert of the Kimberley mining region, The Pit was a captivating and memorable novel that I had a great time with.  As such, I was very interested when a copy of The Bolthole arrived, and it proved to be another curious read.

Plot Synopsis:

Located off the coast of South Australia, Kangaroo Island lies surrounded by violent seas harbouring deadly great white sharks and forgotten shipwrecks.

Over the centuries the Islanders have cultivated a sense of self-sufficiency, independence and resilience. But times are changing: multimillionaires from the mainland are building immense clifftop mansions and filling the skies with private planes and helicopters. A quiet paradise is being transformed into a bolthole for the rich and privileged. And the locals aren’t happy.

Richard Marlowe, a wealthy “blow-in” to the island, goes missing, last seen wading into the ocean for a dawn swim. A shark attack is blamed, but things don’t add up. Reuniting for a new investigation, Detective Sergeant Manolis and Senior Constable Sparrow arrive on the island, but their presence isn’t welcomed, either. Faced with hostility from both Islanders and newcomers, their attempts to locate the missing man are derailed by a civil war over limited resources, a fragile environment, and fractured community dynamics.

The Bolthole was another compelling novel from Papathanasiou that successfully blended a cool focus on an iconic Australian setting with a slow-burn mystery.  The result was an awesome novel that I had an excellent time getting through and which consistently kept my attention.

Papathanasiou’s new novel is primarily set on the historical and picturesque Kangaroo Island and features an intricate mystery about a powerful business luminary who goes missing during his morning surf.  Arriving on the island, protagonists Detective Sergeant Manolis and Senior Constable Sparrow begin an investigation of the disappearance.  With a split focus between these two protagonists, The Bolthole’s narrative goes at slow but steady pace, as the police officers become familiar with the island, its people, and certain controversial local politics and developments that the victim, Richard Marlowe, was involved in.

The author sets The Bolthole’s mystery out in a very methodical and detail focused manner, with the protagonists trying to learn everything about the victim and potential suspects in the case, while also dealing with their own personal conflicts and concerns.  While the plot was often focused more on the social, cultural and environmental issues affecting Kangaroo Island, the investigation angle was constantly ongoing, and Papathanasiou continued to fit in subtle clues and development.  The conclusion of The Bolthole was intense and captivating, with several clever twists, some great reveals, and even a bit of exciting action.  Most readers are going to come away from this novel very satisfied, and I felt that Papathanasiou produced an impressive piece of Australian crime fiction.

The Bolthole proved to be an effective, character-driven mystery novel that once again showcased the author’s love of remote and unique locations.  A rich and detail laden book, The Bolthole is a slower read than most crime fiction novels; however, this deliberate pacing from Papathanasiou allows him to feature a great collection of supporting characters, while also really diving into compelling setting of Kangaroo Island.  The author spends a lot of time exploring the island, and readers come away with a great deal of knowledge about its history, environment and culture, with a particular focus on some of the modern issues impacting it.  This includes extended discussions about new developments, exploitation of natural resources, impacts on the environment, and concerns about cultural changes to Kangaroo Island led by new wealthy residents buying up the land.  While the focus on these issues comes across a little preachy at times, it plays into the narrative around the main mystery extremely well and helps to explore certain character motivations and attitudes, while also laying down some false leads for the reader.  As such, the resulting mystery proves to be quite compelling, and the unique tone that Papathanasiou took for this book is going to appeal to a lot of readers.

On top of the above elements, I must also mention the great characters featured within The Bolthole, as Papathanasiou brings back the two main protagonists from his previous novels, Detective Sergeant Manolis and Senior Constable Sparrow.  Both these police characters have some interesting character elements, which the author does an excellent job exploring through their separate perspective chapters.  Manolis, for example, is still dealing with certain revelations about his family that came up in previous books and spends much of the novel guilty about how the truth will impact his partner.  At the same time, he tries to balance his obsession with finding justice with his failing marriage and his inability to properly prioritise them.  Sparrow, on the other hand, is dealing with his extreme dislike of the island due to the historical atrocities inflecting on his people there by white settlers, as well as issues around his own past and hidden sexuality.  While the author somewhat overplayed Sparrow’s cultural outrage and snarky nature in this book, for the most part these two protagonists are great to follow, and they blend well with the massive array of supporting characters that populate the author’s version of Kangaroo Island.  There are a lot of interesting figures in this supporting cast, and it proved fun to see the protagonists dive into their various histories.  This includes the victim, Richard Marlowe, whose own history and motivations proved quite interesting to uncover.  These characters, and more, all added a lot to The Bolthole’s overall impact, and it allowed for quite a compelling narrative in the end.

Peter Papathanasiou continues to showcase his skill as one of Australia’s more unique crime fiction authors with the distinctive novel, The Bolthole.  An excellent book with a lot of interesting elements to it, The Bolthole hits hard and keeps the reader’s attention with a great mystery and a compelling look at certain real-world issues.  A recommended novel, especially for those who love crime fiction reads that make full use of the background settings.

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Quick Review – Landfall by James Bradley

On By The Unseen LibraryIn Australian, Murder Mystery, Quick Review, Science Fiction, Thriller1 Comment

Publisher: Penguin (ebook – 23 April 2025)

Series: Standalone

Length: 336 pages

My Rating: 4.25 out of 5 stars

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Those in the mood for a though-provoking and powerful Australian crime fiction read would do well to check out the excellent 2025 release, Landfall.  Written by acclaimed Australian author James Bradley, Landfall was a clever and intense standalone novel that presented a gritty crime fiction scenario in a dark Australian future.

Plot Synopsis:

In an already swamped city, a disastrous weather system looms, making the search to find a missing child urgent.

A missing child.

A city on edge.

Time is running out…

The world is in the grip of climate catastrophe. Sydney has been transformed by rising sea levels, soaring temperatures and rocketing social divide and unrest.

When a small girl on the margins goes missing, Senior Detective Sadiya Azad is assigned to find her. She knows exactly what it is to be displaced, and swallowed by the landscape. A murder at the site of the child’s disappearance suggests a connection and web of corruption, but fear keeps eyes turned and mouths closed.

With few leads to go on and only days until a deadly storm strikes the city, Sadiya and offsider Detective Sergeant Paul Findlay find themselves locked in a race against time.

Chilling and utterly compelling, Landfall is crime writing at its best – and a terrifying vision of the future bearing down on us.

Landfall was an excellent and exciting novel from earlier this year that presented a compelling crime fiction read with a complex and emotionally charged background setting.  Taking place in a dystopian version of modern Sydney that is starting to flood due to climate change, Landfall follows Senior Detective Sadiya Azad and her new partner, Detective Sergeant Paul Findlay, as they attempt to find a child who went missing around the Tideline, a slum area of the city that has been most impacted by rising sea levels.  However, they soon find their investigation hampered by multiple elements including corrupt policing, uncooperative family members with their own political agendas, rampart social divides and more.  This proves to be a strong start to Landfall, and Bradley does a good job of setting up the reality of Sydney, as well as introducing the case and some of the key players.

The story takes an interesting turn when a murdered body is found at a site connected to the child’s disappearance.  Assuming the two cases are linked, the protagonists are forced to investigate suspects related to the murder victim and her corporate ties, and the missing child, trying to find out who is responsible, while also dealing with the dark threat of an oncoming tropical cyclone that looks set to destroy half the city.  At the same time, several other key perspective character are introduced, including Tasim, a refugee living on the streets, who witnesses the abduction and finds himself dragged into events, and Sadiya’s dementia-suffering father, Arman, whose fractured mind provides greater context to their family’s history, as well as showing the early days of some of the environmental crisis’s impacting the world.

These character-focused storylines combine nicely to create an intriguing and compelling overall narrative, and I liked the various themes and outlooks at the future they contained.  The main investigative focus of Sadiya’s narrative is well balanced by the more human stories of Tasim and Arman, and Bradley also makes use of some intense flashback sequences to really build up the tragedy surrounding all these figures.  The mystery narrative also goes in some interesting directions, and while the culprit isn’t too surprising, Bradley does a good job focusing on the characters building their case and pulling together the conclusions.  Unsurprisingly, the climax of Landfall comes together amid the cyclone, with all the characters facing the storm in different ways.  This last part of the book, while dramatic and featuring a high-stakes backdrop, was a little rushed, and could have used a little padding to make it more satisfying.  Still, this is a mostly well-balanced narrative that allows for a good conclusion to the main story arc while also allowing Bradley to make all his thematic points.

Landfall ended up being an excellent overall read and Bradley succeeded in pulling together a complex novel with a lot of moving parts to it.  The central mystery element of the novel, while compelling on its own, was greatly enhanced by the author’s examinations of the future, which features some dire predictions and warnings, wrapped up in very human stories to make them even more impactful.  While an excellent police protagonist, I felt that Sadiya’s personal story was a bit overshadowed by Tasim and Arman’s arcs, especially as Tasmin’s story about losing his family to heatwaves and the harsh journey to Australia, as well as the very realistic depictions of dementia with Arman.  All three of these character’s stories are well wrapped up in the final chapters of the book, although I do wish there had been another chapter or two just to showcase what happened in the aftermath.  The overall focus on the potential dire future for Sydney and the world was probably the most impressive and notable part of Landfall, and Bradley provided a compelling, if terrifying, portrait of probable events to come that gives this book a fantastic edge that scrapes the edge of overshadowing the main mystery, and allows for quite a powerful overall read.

With its complex characters, intense story, and compelling visions of the future, Landfall by James Bradley was one of the more distinctive Australian novels of 2025, and I was glad I got the chance to check out my first book from the author.  An extremely interesting novel that blends crime fiction with social messaging, Landfall comes highly recommended, especially for those with one eye on the future.

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Waiting on Wednesday – Kill Your Boss by Jack Heath

On By The Unseen LibraryIn Australian, Murder Mystery, Waiting on Wednesday3 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight an excellent upcoming piece of Australian crime fiction from one of my favourite local authors, with Kill Your Boss by Jack Heath.

Fans of over-the-top crime fiction will be quite familiar with Australian author Jack Heath, who has produced some very interesting and memorable novels over the last several years.  The author is probably known for excellent Timothy Blake series, which follows a murder-solving cannibal as he attempts to solve complex cases while also finding his next gory meal and I have deeply entries such as Hideout and Headcase.

In addition to these fun books, Heath has also written some gripping pieces of Australian crime fiction, including the outstanding novel, Kill Your Brother, which saw a damaged protagonist imprisoned and forced to choose between killing her guilty brother or dying alongside him.  This was an amazing book, and I loved the intense and twist laden story that emerged.  Kill Your Brother ended up being one of my favourite Australian novels of 2021, and I was very excited when Heath subsequently produced a sequel to it in 2023 with Kill Your Husbands.  A particularly memorable sequel to Kill Your Brother that brought back some of the novel’s original protagonists, Kill Your Husbands had a powerful plot involving brutal murders following an ill-advised bout of partner swapping.  This very entertaining sequel proved to be just as clever as Heath’s previous entry in the series, and Kill Your Husbands ended up being one of my favourite Australian novels of 2023.

Due to how impressive Heath’s last several novels have been, as well as the fact that he is consistently one of the best authors of Australian crime fiction, I am naturally keen to read any new novel he releases.  As such, I was particularly stoked to find out that he had a new book coming out later this year with Kill Your Boss.  Set for release in November 2025, Kill Your Boss will see the main police protagonist from Heath’s previous two Australian novels investigate the murder of a hated manager of the local library, who everyone had a motive to kill.

Plot Synopsis:

What would it take to turn you into a killer?

Detective Sergeant Kiara Lui has just broken up a loud brawl between two blokes in front of the Warrigal Public Library. But just as she’s about to leave the scene, a man inexplicably plummets from the sky and slams into the bike rack right in front of her, dead.

Neville Adams was the head of library services, hated by staff, borrowers, or in fact anybody who had ever met him. Kiara quickly seals the building, trapping everyone who might have pushed him off the roof. She expects to have someone in custody within minutes.

Instead, the investigation becomes the most challenging and dangerous of her career as it spirals outward, ensnaring half the town. It seems that Neville was connected to the disappearance of Emmylou Chisholm – a case that Kiara could never solve, and that has haunted her ever since.

If the killer isn’t found fast, the first two victims won’t be the last . . .

Compelling, propulsive and darkly funny, this is a perfect follow-up to Jack Heath’s bestselling Kill Your Husbands.

Very interesting! I must admit that I really like the sound of the above plot synopsis, and it looks like Heath has pulled together another twisty and complex Australian murder mystery.  Focussing the case around a very dislikeable manager figure should make this a very relatable case for the average office worker, and you just know that Heath is going to have fun turning his murder victim into a despicable figure that everyone hates for good reason.  Indeed, I get the feeling that Kill Your Boss is going to have a somewhat humorous tone to it, and it is going to be very interesting to see how Heath balances this with the more serious crime fiction elements.

Based on the synopsis above, it sounds like Kill Your Boss is going to initially become some sort of looked-room mystery with all the suspects contained in the same location.  I think this has a lot of potential, mainly because that’s not an extremely common trope in Australian crime fiction (with Benjamin Stevenson’s Ernest Cunningham books being an obvious exception), and I cannot wait to see how a bunch of likely over-the-top library staff and patrons trapped in the building will react to the whole scenario.  It looks like Heath is going to take this one step further by expanding the murder investigation to encapsulate a cold case that the protagonist has a particular connection to, which should make this quite an intense and powerful read.  The whole scenario sounds particularly intriguing, and with the highly entertaining Heath at the helm, it is likely to result in a very impressive and addictive novel.

Overall, Kill Your Boss sounds like quite a fantastic upcoming novel, and it’s one I pretty darn excited for.  Jack Heath has really impressed me in recent years with his elaborate and outrageous crime fiction novels, and it will be interesting to see how he continues to utilise the protagonists from Kill Your Brother and Kill Your Husbands.  Kill Your Boss will likely end up being one of the top Australian releases of 2025, and I anticipate that it will be a particularly incredible novel.

Waiting on Wednesday – Everyone in this Bank is a Thief by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Murder Mystery, Waiting on Wednesday10 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday post, I highlight an incredible upcoming piece of Australian crime fiction with the sure-to-be hilarious novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

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For the last few years, the Australian crime fiction scene has been soundly dominated by the highly talented Benjamin Stevenson.  A comedian and performer, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations.  The first book in the series, Everyone in My Family has Killed Someone, was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery.  I really enjoyed this exceptional book (one of my favourite Australian novels of 2022), especially as the author successfully played to his comedic background to produce an outstanding read that satirised classic crime fiction conventions.  Stevenson continued to impress the following year, with the amazing book Everyone on this Train is a Suspect.  One of my favourite books and pieces of Australian fiction of 2023, Everyone on this Train is a Suspect was a worthy sequel to the first Ernest Cunningham book, and I loved how the author took the opportunity to further parody various crime fiction subgenres.  Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024.

Due to how exceptional, clever and funny the last few books from Stevenson have been, I have been eagerly waiting for a 2025 novel from him and the author has just released details about his next awesome novel, Everyone in this Bank is a Thief.  A new entry in the Ernest Cunningham series Everyone in this Bank is a Thief will once again force the author’s unlucky protagonist to investigate a classic whodunnit when someone is murdered.  However, Stevenson has come up with a very interesting hook, as Ernest will need to find the killer while a hostage in the middle of a bank robbery.

Plot Synopsis:

The new instalment of the million-copy bestselling mystery series. What if an Agatha Christie style murder mystery happened inside OCEAN’S ELEVEN…

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.

I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before.

The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.
THE BANK ROBBER
THE MANAGER
THE SECURITY GUARD
THE KID
THE FILM PRODUCER
THE PRIEST
THE RECEPTIONIST
THE PATIENT
THE CARER
ME

Turns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.

Who is stealing what? Are they willing to kill for it? And can I solve the crime before the police kick down the door and rescue us?

This sounds like another particularly fun book from Stevenson, and I love the new scenario that the author came up with for his next Ernest Cunningham book, especially as he once again works to cross a classic whodunnit with a more modern crime fiction storyline.  Coming up with a murder amid a high stakes bank heist and filling the vault with an array of characters that would fit into any Agatha Christie novel is an awesome idea, and I cannot wait to see how the author deconstructs all the tropes surrounding the scenario as he builds up a clever and entertaining mystery.  The oncoming police intervention also adds a certain interesting time crunch element to the plot, and it will be interesting to see the protagonist try to solve the murder before all the suspects are set free.  As such, this should be a particularly awesome story and I look forward to unwinding the entire complex mystery.

Based on what Stevenson has featured in his previous Ernest Cunningham novel, I am expecting this mystery of Everyone in this Bank is a Thief to be matched with some fantastic humour.  A lot of this will be due to the protagonist’s internal narration, as he deals with an array of over-the-top figures, while even more will be due to the writer’s funny, yet loving, takedowns of classic murder mystery and whodunnit tropes and overused plot devices.  I am also assuming there will be a bit of a takedown of heist novels with this book, and I cannot wait to see what fun the author will have with a compelling bank robbery plot.  I have no doubt this great humour will mesh well with the main crime fiction elements of the story, and I cannot wait to see what outrageous events and complex webs emerge as a result.

I cannot emphasise just how happy I am that Benjamin Stevenson is continuing his Ernest Cunningham series, and I was always going to be excited at grabbing the next entry in the series. However, I must admit I’m even more excited now that I’ve gotten some plot details for Everyone in this Bank is a Thief, which sounds like it is going to be a truly awesome read.  I cannot wait to see crazy shenanigans and clever jokes Stevenson slips into this excellent upcoming novel, and I have a feeling that Everyone in this Bank is a Thief is going to be one of my top reads of 2025.

Pacific Heights by S. R. White

On By The Unseen LibraryIn Australian, Murder Mystery4 Comments

Publisher: Headline (Trade Paperback – 25 March 2025)

Series: Standalone

Length: 279 pages

My Rating: 4.5 out of 5 stars

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Over the last couple of years one of the more compelling authors of Australian crime fiction has been S. R. White.  A former member of the UK police, White has been writing intriguing crime fiction novels since his move to Australia.  His main body of work has so far included excellent reads like Prisoner, Red Dirt Road and White Ash Ridge (part of the Detective Dana Russo series), which featured complex mysteries centred around layered suspects.  I really enjoyed the compelling way in which White’s investigators break down the motivations and personalities of the suspects and the victim to get to the truth, and the author has a unique and striking writing style.  As such, I was eager to read his 2025 novel, Pacific Heights, which is a standalone spin-off of White Ash Ridge, featuring one of the supporting characters from the previous book in a more substantial role.

Plot Synopsis:

FIVE WITNESSES. FIVE DIFFERENT STORIES. WHO IS THE KILLER?

In the courtyard of the Pacific Heights building, a local waitress is found dead.
Five apartments overlook the murder scene. Five people witnessed a crime take place.
Finding the killer should be simple.

Except none of the witnesses’ stories match.
They all saw something – from a different angle, at a different time.
None of them saw everything. Anyone could be the killer.

Detectives Carl “Bluey” Blueson and Lachlan Dyson, each with their own careers in peril, must solve what others assume is a straightforward case. But to unmask a killer they must unpick a complex puzzle – where the motivations of the witnesses are as mystifying as the crime itself.

How can you solve a crime if anyone could be lying?

This was a very clever and addictive Australian crime fiction read that I had such a blast getting through.  White wove together a very compelling mystery narrative for Pacific Heights that cleverly explored a range of great characters and examined how people view events differently.

White starts Pacific Heights off well by introducing the detective protagonists and swiftly bringing them to the scene of the crime, where they attempt to ascertain the events leading up to the victim’s death by interviewing several people who either witnessed part of the murder or knew the victim.  The author takes his time with these initial interviews, ensuring that readers get a complete picture of what the witness’s account of events, as well as how they knew the victim.  It doesn’t take long for the reader and the protagonists to realise that the witnesses’ stories don’t match and none of them can definitively say who the murderer was.

By this point in the book, you’re strongly hooked, especially as the author has raised some interesting question about the victim and you are very intrigued by the main five witnesses and their potential secrets.  White rewards your interest with a series of insightful re-interviews, as well as bringing in new suspects and additional investigation methods to paint a larger picture of events, none of which quite fits together.  There is a great methodical style to the investigation, as the police chip away at all the inconsistencies and questions, although they are never quite as close to an answer due to the conflicting testimonies.

Everything leads up to the final third of Pacific Heights, which I honestly thought was a tad rushed, but which presented a solid and very clever ending.  Thanks to a brilliantly laid-out series of clues throughout in the plot, the protagonists are eventually able to solve the case, and I felt that the solution was extremely smart.  While I did predict who the killer would be, getting to their motivations behind the murder, as well as finding out how events unfolded, ensured that this was a powerful conclusion that fit the rest of the story really well.  I especially loved the twist around which of the witnesses were lying, and it tied in nicely to the complex character profiles White provided for the supporting cast, as well as utilising the protagonist’s own prejudices.  The result was an extremely impactful and captivating crime fiction story that I couldn’t stop reading and managed to power through in a couple of short days.

Pacific Heights proved to be an excellent read, and I really appreciated the intricate, character-focused mystery that White came up with.  Featuring a similar style to his Detective Dana Russo novels, the investigation is primarily based around understanding the people associated with the case, including the victim, witnesses, and other potential suspects.  This ensures that the author spends a lot of time carefully constructing and utilising his cast of supporting characters, and the array of motivations, personal issues and hidden histories, results in a particularly complex and emotionally charged read.  The focus on the various witnesses blends well with the character arcs surrounding the detective protagonists, and there is also a complex dive into the life of the victim, Tahlia Moore, even though she never actually appears alive in the plot.  Thanks to the protagonists diving into every aspect of her life, Tahlia comes to life through the descriptions of the other characters, and you soon begin to realise that she wasn’t as innocent or perfect as you are initially led to believe.  While I did feel that the author could have revealed some key history around certain witnesses earlier, for the most part I really appreciated how well White set up these compelling characters, and it helped to create a very powerful novel with some heavy emotional edges to it.

I also must commend how White worked this character-focused plot into Pacific Height’s police investigation narrative, as the protagonists are forced to wade through the conflicting testimonies to get the truth.  There is a certain amount of gritty realism to how White examines witness testimony and people’s motivations that really enhances the impact of Pacific Height’s plot, and I liked the underlying theme about how the way we see the world is flawed.  This focus on witness testimony blended well with the additional investigative tools featured in the plot, and this entire story came together extremely well. These combine nicely with the series of subtle clues that White lays down throughout the course of the book, and I loved how effectively this mystery came about.  While I did once again have minor issues with the author’s vagueness around where in Australia this book was set, this was honestly a very impressive crime fiction read that works well as both a standalone novel and a continuation of White’s existing series. 

Loaded with great characters, a deeply addictive mystery, and an excellent story hook, Pacific Heights was a very impressive read, and I had such an amazing time with this new novel from S. R. White.  Pacific Heights is White at his very best, and I really cannot recommend this book enough.

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