When the Moon Hits Your Eye by John Scalzi

On April 16, 2025 By The Unseen LibraryIn Comedy/Satire, Science Fiction1 Comment

Publisher: Tor (ebook – 25 March 2025)

Series: Standalone

Length: 336 pages

My Rating: 4.75 out of 5 stars

Prepare for one of the most outrageous and original science fiction novels of 2025 with the fun, heartwarming and very entertaining novel, When the Moon Hits Your Eye by the always fantastic John Scalzi.

John Scalzi is a very entertaining science fiction author who has been providing his unique take on the genre for years. Best known for Old Man’s War and The Interdependency series, Scalzi has also written a range of distinctive standalone science fiction novels that provide interesting takes on the world, as well as satirising certain elements of pop culture. I have had a wonderful time reading novels like Redshirts, The Kaiju Preservation Society and Starter Villian, and all of them proved to be amazing books. As such, I have been making a strong effort to read all Scalzi’s new novels, including his 2025 release, When the Moon Hits Your Eye. A captivating read with a unique premise behind it, When the Moon Hits Your Eye was one of my most anticipated books of 2025, and I am so glad that I got the chance to read it.

Plot Synopsis:

The moon has turned into cheese.

Now humanity has to deal with it.

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now… something absolutely impossible.

Astronauts and billionaires, comedians and bank executives, professors and presidents, teenagers and terminal patients at the end of their lives — over the length of an entire lunar cycle, each get their moment in the moonlight. To panic, to plan, to wonder and to pray, to laugh and to grieve. All in a kaleidoscopic novel that goes all the places you’d expect, and then to so many places you wouldn’t.

It’s a wild moonage daydream. Ride this rocket.

Alright, so I knew going in that I was going to love When the Moon Hits Your Eye, primarily because it’s John Scalzi examining what happens when the moon turns to cheese, and that’s such an awesomely wacky premise. However, even with that expectation, I was surprised at how much fun I had with When the Moon Hits Your Eye, especially as Scalzi presents a compelling, thoroughly amusing and genuinely nice book that I ended up powering through in only a couple of days.

This was an extremely enjoyable novel, and I loved the impressive and multi-layered narrative that Scalzi was able to wrap around his original central plot idea. Starting with a couple of great introductory chapters that showcased the people of Earth becoming aware of the makeup of the moon suddenly and inexplicably changing from rock to a cheese-like substance, the book soon evolves into a series of loosely connected stories, set over the course of the first lunar cycle of the new cheese moon. These stories are designed to show the various reactions people in America have to the moon’s sudden change, and Scalzi has fun coming up with a range of great scenarios that only he could imagine. Many of these involve scientists, government officials and astronauts as they explore the more scientific nature of the cheesy moon and how it impacts the larger world, and this forms the core of When the Moon Hits Your Eye’s narrative, moving the overall plot along with new developments.

These main stories are well mixed with much more personal tales of ordinary people who find the unusual world circumstances impacting their lives in various ways as they try to make sense of their new reality. Scalzi really tries to showcase different layers of society with these stories, as he explores how religious people, philosophers, pop scientists, movie producers and even cheese shop owners would react to the unlikely scenario. These resulting ordinary-people based narratives blended extremely well with the core storylines about the official examination of the new moon and provided the reader with an outstanding range of emotions, humour and complex character-driven tales that expertly captured the human experience and examine how people react to the unexpected and the impossible.

Scalzi goes a variety of interesting places as the overall narrative of When the Moon Hits Your Eye continues, and I appreciated how well he set out the crazy lunar cycle. There is a more desperate edge to the second half of this book, especially as the cheese-based moon causes massive problems for the world, but this allows Scalzi to really dive into the emotional heart of the story, especially as he revisits several characters throughout the course of the book to see how these impossible events have changed their perspective and lives. The story comes to a very interesting, if slightly sudden, end, and while I think there was room for Scalzi to possibly provide readers greater closure with some of his character arcs, I felt that his conclusion was fun and fitting, especially with its cynical, if realistic, take on Earth’s future and how it will likely look back at the past.

This ended up being a very fun and moving novel, especially as Scalzi really dove into the human side of the problem and tried to examine the various ways people would either come together and drift apart over something this insane happening. While I’m sure some of book’s science is a little iffy, Scalzi sells the entire event in a realistic manner, and anyone can come into When the Moon Hits Your Eye and follow along with its plot, especially when it comes to the moving character-focused stories. Scalzi has a real talent for creating some elaborate short narratives around interesting protagonists, and the cool range of cool stories set under the book’s big plot event were all quite entertaining and unique in their own way. While some go for outright humour, others try to mirror recent real-world events, while more have much more personal and complex stories that looked at the darker side of the changes to the moon. All feature Scalzi’s realistic and relatable characters, and I felt that the author had a great, if cynical handle, on the modern mindset and the different ways humans would react to a sudden, major event like this.

As for the many cool stories contained within When the Moon Hits Your Eye, I tended to enjoy the more outrageous or outright funny tales, primarily because Scalzi used his imagination to come up with some truly hilarious, if surprisingly realistic moments. For example, one brilliant chapter focused on a Hollywood producer bombarded by moon and cheese focused screenplays, each one more ridiculous then the last. Other highlights included stories following employees of an entitled uber-wealthy who wants to become the first person to eat moon cheese, a poorly received Saturday Night Live taping, and a Vegas-based narrative resulted in a very over-the-top political scandal, all of which made me chuckle. These funnier stories were well balanced by more heartfelt narratives in unusual times, such as the tales surrounding two rival cheese shops that resulted in romance, familial reconnection, and other tales of emotional growth. I personally found myself connecting to a particularly moving story about an aspiring and struggling fantasy author whose writing dreams are eclipsed by the changes to the moon. Throw in several more central plot threads that move the story along in some surprisingly dark ways, including the narratives surrounding a billionaire tech-mogul with delusions of grandeur. These stories all form quite an impressive narrative web, and I really cannot emphasise just how well they came together, nor how entertaining they are both a singular and a joint level.

John Scalzi dives into one of his craziest scenarios with When the Moon Hits Your Eye, an ultra-compelling and fantastically over-the-top novel that I couldn’t get enough of. Smart, moving and oh-so funny, When the Moon Hits Your Eye was a breathtaking novel that brings you laughs, joy, and Scalzi’s brilliant insights into human nature. A highly recommend book for anyone looking for something entertaining or just a little unusual.

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Headcase by Jack Heath

On March 21, 2023 By The Unseen LibraryIn Australian, Five-Star Books, Thriller4 Comments

Publisher: Allen & Unwin Australia (Trade Paperback – 29 November 2022)

Series: Timothy Blake – Book Four

Length: 416 pages

My Rating: 5 out of 5 stars

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One of Australia’s leading and most diabolical thriller writers, the exceedingly talented Jack Heath, returns with another twisted and immensely clever mystery, Headcase, which sees the return of his cannibalistic protagonist, Timothy Blake.

While Australia has quite a few outstanding crime fiction authors, Jack Heath is a particular favourite of mine. Coming from my hometown of Canberra, Heath has been writing for years, producing a range of different series and standalone novels. I have really enjoyed some of his recent books, including the 2021 standalone novel, Kill Your Brother, an ultra-intense and amazing five-star read that saw a young woman with a complex past forced to make a terrible decision: kill her imprisoned brother or die herself. This was one of my favourite Australian novels of 2021, and it is a must-read for anyone keen for a powerful and thrilling story. However, Heath is probably best known for his Timothy Blake books (also known as the Hangman series), which are particularly fun and gruesome. Following the titular Timothy Blake, a brilliant investigator with cannibalistic tendencies, this epic series are set around a unique but highly entertaining series of mysteries that really draw the reader in. I have had an amazing time with this series, including the third entry in the series, Hideout (one of my favourite Australian books of 2020), and I have been very excited to see how this series continues for a while. Heath did not disappoint as the fourth and latest entry in the series, Headcase, proved to be an exceptional and gripping read.

Following his previous harrowing adventure, which cost him his arm and burned all the trust he had with his former FBI partner, freelance investigator and full-time cannibal Timothy ‘Hangman’ Blake’s future seemed in doubt, until he was given an offer he couldn’t refuse. Recruited by a CIA agent nearly as insane as he is, Blake now works freelance for the agency, investigating odd occurrences throughout the country in exchange for occasionally being able to indulge in his cannibalistic habit.

His latest case sees him and his CIA partner, Zara, journey to Houston, where something unexplainable has occurred at the NASA training complex. A fully suited Chinese astronaut has been discovered on the grounds of the facility and no one can explain how he got there. Did he fall out of the sky, or was he murdered elsewhere and somehow dragged into the middle of a secure United States facility? As a diplomatic catastrophe seems imminent, Blake is drafted by the CIA to unofficially investigate one of the facility’s employees, a former kidnapper who Blake helped put away seven years ago, who may hold the secret of the dead astronaut.

As Blake starts digging, he uncovers a series of surprising and unusual clues that seemed design to confuse any investigation. The evidence seems to point to the victim falling out of a Chinese spacecraft surveilling the United States, however, all Blake’s investigative senses and knowledge of human flesh seem to tell him differently. But with Chinese hit squads following them, the CIA attempting to forestall their investigation, several suspicious individuals working in the facility attempting to misdirect him, and Blake’s own ravenous hunger driving him crazy, this case seems near impossible to solve. Can the Hangman crack the impossible one more time, or will he finally end up in the cage that he deserves?

Wow, I just cannot get over how good Jack Heath is an author as he produces another outstanding and captivating read with a diabolical story behind it. This amazing thriller has everything you need to enjoy yourself, including a clever mystery and some truly insane characters, and I absolutely powered through it trying to see how everything came together. This is an easy five-star read from me and I have already featured Headcase on my Top Australian Books of 2022 list a few weeks ago.

Headcase has a brilliant story to it that takes the reader on a very wild ride into some very gruesome murders. Told from the perspective of main character Timothy Blake, you are soon shown the compelling murder through the eyes of a crazed cannibal who is attempting to simultaneously solve a murder and please the CIA while not revealing that they are looking into the death and sate his own hunger for dead human flesh. Heath provides a great set-up to this entire story with the mysterious Chinese astronaut discovered in the centre of the NASA facility, which is a very good hook to drag the reader in. As Blake tries to investigate this case, the reader is treated to several flashback chapters to when Blake was working for the FBI and helped to put away one of the NASA technicians for kidnapping, a crime Blake never believed he committed. Heath also mixes things up by also including several chapters set a short while into the future in which Blake is incarcerated in a mental institution and is recounting the current story to his psychologist. This three-way split storyline works extremely well for the first half the book as all three timelines support the others extremely well, and the blend of different periods and focuses helps to create a very interesting read. The storyline focusing on the dead astronaut remains at the centre of the narrative, with the other two plotlines tying into it, and this is where the magic truly happens. Heath sets up a particularly interesting mystery around the dead astronaut, with the protagonist forced to dive through a ton of clues, overly dodgy suspects, and government secrets to try and get to the truth. At the same time, Blake and his partner find themselves under attack from several sources, such as Chinese hit squads, the police, a mysterious serial killer, and their own very dark inner demons.

The story advances at a quick clip the entire way through as the characters power through a range of deadly and dark scenarios. Heath loads up the clues and the complicated supporting characters and it proves very interesting to see Blake attempt to work out who may be responsible and their very complex motivations. Much of the story has a bit more of a spy thriller taste to it, thanks to Blake’s association with the CIA and this really helps to make Headcase standout a little from the previous Timothy Blake books. The NASA and Chinese space surveillance proves to be a very fascinating inclusion that Heath cleverly works into the plot, and I loved that the author was able to write a whole story about mysterious Chinese surveillance craft before the current balloon crisis. While these spy elements, which include brutal encounters with hit teams from various agencies, are a great new inclusion, some of the best parts of the book still revolve around the deeper character moments of the story, especially when it comes to the protagonist. I deeply enjoyed how Heath utilises his protagonist’s disturbing cannibalistic insights as an investigative tool, while other insights into his mind, especially when he is in a mental institution, increase the tension and make you wonder just how reliable a narrator Heath truly is.

Everything comes together perfectly in the second half, especially when Blake is desperately trying to solve everything, not only to get to the truth but to save lives. All the previous story elements are brought together in a big way, and it was outstanding how the clues that Heath had cleverly laid throughout the story came together. The time split perspectives are resolved in a great way, and it is a lot of fun to see how Blake ended up in the mental hospital. Everything leads up to several big reveals at the end of the book, not just surrounding the main murder, but other curious events that have been explored as Headcase continues, and reader will not be disappointed in what comes to light, nor how the protagonist deals with it. The full details about the compelling and unique motivations for the main murder makes for a very interesting read, and the diabolical method of murder is something that I won’t be forgetting in a hurry. While I did find that the use of a certain McGuffin was somewhat unrealistic, even for this crazy series, I was generally extremely happy with how the entire novel came together. The complex mystery is resolved in a very captivating way, and the character arcs that sit at the centre of the story go in some very interesting direction which should result in some fantastic books in the future. I personally came away from Headcase extremely elated and deeply impressed with just how clever an author Heath is.

On top of the outstanding and fantastically compelling story, I have a lot of love for Heath’s writing style, which deeply enhances each of his books. The quick pace, the fantastic dives to both the past and future, and the intense blend of mystery and insane personal issues surrounding the main characters, makes for some outstanding reading, and there honestly isn’t a single part of Headcase that wasn’t extremely fascinating or fun. Understandably, due to the story content, this is a pretty gruesome series, and Heath doesn’t hold back on the detailed depictions of dead bodies, nor the terrible things that his protagonist does to them. However, he never goes way too over-the-top, and the gore and cannibalism always serves a vital purpose, either to provide clues to the mystery or to highlight the protagonist’s complex nature. It also helps to make the series particularly distinctive, even amongst other impactful thrillers, and you must love just how obsessed and focused the main character/narrator is about dead bodies. Like most of the books in this series, Headcase can be very easily read as a standalone novel, and Heath is very careful to concisely fill in any relevant details that the reader might need. However, as with most ongoing series, those people who have read the earlier books in the series will probably get a lot more out of Headcase emotionally, especially when it comes to seeing the progression of the protagonist. I wouldn’t hesitate to recommend Headcase to a new reader, as they are guaranteed to have a fun and unique time with this outstanding read.

I must highlight Heath’s captivating and complex central protagonist, Timothy Blake, who is once again one of the best things about this entire book. I really love the character of Blake in this series as he is such an intriguing and damaged character due to his deranged cannibalistic tendencies, which often drive him to do terrible things in the name of obtaining human flesh. There are so many great scenes where Blake feels his desire and hunger for human meat start controlling his actions and the character is constantly fighting for some measure of self-control. Despite this, he is a relatively good person and a skilled investigator whose keen observation skills, canny insights, intense survival instincts, and intimate knowledge of human bodies give him some intriguing edges during a case. While he often likes to pretend that he is only helping the case to get fresh meat, he is also obsessed with finding the truth and getting justice, which, when combined with his romantic desires for his former FBI partner Reese Thistle make him occasionally seem like a good, if highly damaged, person. These seemingly incompatible parts of his personality are so damn effective, and it is always quite fascinating to see what part of his personality actually wins: the feral hungry beast or the surprisingly heroic detective.

The version of Blake in Headcase is particularly interesting as Heath comes up with some new range of issues and problems for him to overcome on top of his all-consuming hunger. After managing to survive his particularly desperate situation in Hideout, he has a somewhat different lease on life which goes with his new job. However, he is still in love with Thistle, even after their confrontations in the last two books, and this is encouraging him to be a better person. This desire to be a better person somewhat goes against the desires of his new masters in the CIA, especially his partner Zara, who try to use his fractured mind to their advantage and his desire to change for Thistle puts both her and Blake at risk. He also undergoes therapy for the first time in his life, albeit somewhat against his will. These scenes with the psychologist are particularly fascinating as they discuss his cannibalistic desires and his general sanity. While the psychologist doesn’t believe he is a cannibal, her insights give Blake a lot to think about, especially when he comes to the revelation that he might be able to overcome these life-long issues if he sought treatment. This really alters Blake’s perspective of his entire life, and it, as well as some insights he gets from viewing other patients at the mental hospital he is locked in, proved to be a very interesting tipping point for the character growth we have witnessed throughout the series. It will be very interesting to see how Heath continues to explore and highlight Blake in the future and I have a feeling we are only on the start of a particularly dark and emotionally rich journey.

In addition to Blake, Heath has loaded Headcase with an intriguing array of unstable and entertaining supporting characters who add some awesome value to the entire novel. The most prominent of these is Blake’s CIA partner in this case, Zara. Zara was introduced in the previous novel, Hideout, when she managed to infiltrate a group of psychotic killers extremely successfully, before recruiting Blake with the promise of bodies to eat. While Zara serves as an effective agent and partner to Blake, she is ultra-violent and has some major mental issues and might even be crazier than Blake (which is saying something). Zara ends up forming a toxic relationship with Blake in this book, especially as she utilises his addiction and leads him into to some deadly and dark situations. She proves to be a fantastic addition to the plot and I love how intense and threatening Heath made her at times. There are some great reveals around her, as well as a certain incident that matches her with Blake, and I loved all the awesome stuff Heath set up around her. Heath also makes sure to bring back Blake’s former FBI partner and love interest, Reese Thistle, who has another interesting run in Headcase. Blake and Thistle have had a very compelling relationship throughout the series, which got even more complicated when Reese found Blake’s fridge full of corpses. Still keeping his secret after he saved her life, Reese is very awkward with Blake, which adds to Headcase’s dramatic tension. Despite this, the two do work together to try and solve the murder and it was nice to see them teaming up again. Of course, this leads to more danger and despair for both of them, but Heath is taking their relationship in some interesting directions, and I look forward to seeing how that turns out. Throw in a compelling group of potential suspects, foreign agents and mental patients that the protagonist has to work his way through to solve this complex case and you have an outstanding group of characters that I had a lot of fun with.

With his latest Timothy Blake novel, Headcase, Jack Heath continues to impress with his epic and captivating take on murder and complex characters. This incredible novel takes the reader on an awesome journey through insanity, obsession, and desperation, all centred around an impossible and very clever mystery. I had a brilliant time powering through Headcase, and I have so much appreciation for Heath’s scary wit and ability to dive into the head of a killer. Headcase is an exceptional book that comes highly recommended, I cannot wait to see what outstanding mysteries and thrillers he produces in the future.

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The Apollo Murders by Chris Hadfield

On December 13, 2021November 30, 2023 By The Unseen LibraryIn Audiobook, Historical Fiction, Science Fiction, Thriller9 Comments

The Apollo Murders Cover

Publisher: Quercus/Hachette Audio (Audiobook – 12 October 2021)

Series: Standalone/Book One

Length: 15 hours and 14 minutes

My Rating: 4.5 out of 5 stars

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Prepare for one of the most impressive and complex debuts of 2021, with the exciting alternate history science fiction thriller, The Apollo Murders, by former astronaut Chris Hadfield.

In 1973, former test pilot turned government liaison officer Kazimieras “Kaz” Zemeckis arrives at Huston to supervise NASA’s latest voyage into space for their 18^th Apollo mission. On paper, NASA plans to send three astronauts to the moon, seemingly on a scientific expedition. However, Kaz is also under orders to prepare the military astronauts on board for a covert operation to investigate the Russians’ recent rover mission to the moon as well as a secret spy satellite orbiting Earth that could give the Soviets an invaluable advantage in the Cold War.

As the crew prepares for their mission, tragedy strikes when a helicopter crash results in the death of one of the astronauts. Forced to take on a new crew member at the last minute, the team launches and begins to make for their primary mission, the spy satellite. However, the Americans are unprepared for the satellite to be manned by Russian cosmonauts determined to defend their station. The encounter results in a terrible accident and a cosmonaut being trapped aboard the Apollo craft as it hurtles towards the moon.

As the American and Soviet governments argue over the unfortunate events, the Apollo crew attempt to undertake a moon landing with limited crew and resources. Forced to work together with their Russian stowaway, the crew begins to descend towards the moon on an apparent joint venture. However, back on Earth, the Soviet government is determined to turn this to their advantage by any means necessary, even if it means utilising a long-hidden intelligence asset. Worse, it soon becomes clear that the helicopter crash that killed one of the astronauts was no accident. Forced to contend with the knowledge that an Apollo astronaut in space might be a murderous saboteur with nothing to lose, Kaz and the flight team at Huston can only watch helplessly as events unfold and the future of space travel is changed forever.

This was a pretty impressive debut from Chris Hadfield, who really showed a lot of talent in this book. Hadfield, a former astronaut known for his excellent rendition of ‘Space Oddity‘ filmed aboard the ISS, was able to construct a compelling and fast-paced novel with an amazing story to it. Combining detailed science with a complex alternate history thriller, The Apollo Murders ended up being an excellent and powerful read that I deeply enjoyed.

At the heart of this novel lies a captivating and multilayered narrative surrounding a doomed mission into space. Set in the 1970s during the golden age of spaceflight, The Apollo Murders follows a fictional 18^th Apollo mission that goes very differently than intended, with fantastic espionage thriller elements combining with the science and historical fiction storyline. Told from a huge range of different perspectives, this book initially focuses on the planning for an Apollo flight, which intends to both explore the moon and disable a Soviet spy satellite. However, the story takes a turn when one of the astronauts is killed, and from there the story ramps up as the astronauts blast off into space while the other characters, both American and Russian, attempt to follow them while also conducting their own investigations and espionage missions. The novel has an explosive middle, in which the American and Soviet astronauts encounter each other in space with disastrous results. The consequences of this encounter lead into an epic second half filled with lies, deceit, sabotage and backstabbing, as two characters in space attempt to manipulate the situation to their advantage, while everyone on the ground, including Kaz, the astronauts, mission control, the Russians and a variety of other characters try to influence what is happening. This all builds to one hell of a conclusion, with interesting consequences for several of the characters, and one surprise after another.

I really enjoyed this cool story, and I loved the fun blend of genres that Hadfield featured throughout it. On paper, a thriller and murder mystery set around a fictional historical space flight seems a bit too complex for its own good, but Hadfield made it work, and the story is crisp and easy to follow, with none of the component parts overwhelming any of the others. The reader is swiftly drawn into the story and it was fun to see everything unfold, especially as Hadfield ensures that you can see all the various angles and treacheries as they occur. The author made excellent use of multiple character perspectives to tell a rich and captivating story, and it was extremely fun to see how the various characters viewed the situation and reacted to certain events. Each of the characters featured in this novel is set up extremely well, and the reader quickly get to see their unique personalities, history and motivations surrounding the events of this book, which makes them extremely relatable and easily to follow. While the identity of the person responsible for the murder at the start of the novel was a tad obvious, Hadfield uses this to its full advantage, helping to establish the book’s main antagonist, turning him into quite an arrogant and unlikable figure whom the reader really starts to root against. It was really fascinating to see all the various character arcs and storylines come full circle by the end of the narrative, and The Apollo Murders ended up being a brilliant and compelling self-contained novel.

Easily one of the best things about The Apollo Murders was the incredible amount of detail about space flight and the science of space featured within. Throughout the narrative, Hadfield spends an amazing amount of time explaining all the relevant science and technology that is relevant to the plot as the protagonists encounter it. At the same time, the author also features a ton of relevant anecdotes or discussion about the history of spaceflight up to this point, which often serves to highlight the scientific information being provided at the same time. All of this is worked into the plot extremely well, and the reader is soon given insight into what the characters are doing and the significance of their actions. While all this information had the potential to be extremely overwhelming, Hadfield manages to dole it out in appropriate snippets, ensuring that there is never too much science or history in one scene, only enough for the reader to follow what happens. This information is usually very easy to follow, and Hadfield’s writing style ensures that all the relevant facts are explained appropriately as the reader requires. As such, the reader is never left confused at any point, and it leaves them open to enjoy some of the epic scenes. I really must highlight some of the great spaceflight sequences featured throughout this book, including some of the epic take-off and landing scenes. Hadfield really paints a beautiful picture here with his writing, and the reader gets a detailed understanding of every element of the flight and what the astronaut characters are experiencing or attempting to do. These spaceflight elements are extremely well written, and I really must commend Hadfield for the work he put into making them seem as realistic and accurate as possible.

I must also highlight the great historical elements featured in this novel. I rather expected this to be one of the weaker spots of the book, especially with so much focus on the spaceflight or the thriller parts of the book. Instead, the reader is treated to a detailed and compelling discussion about the state of the world in the 1970s, especially surrounding the Cold War and the capabilities of both America and the Soviet Union. A lot of this history relates to space travel, which is probably why Hadfield knows so much about it, and he uses it to great effect throughout the novel, giving the story an appropriate feel. However, Hadfield also takes the time to examine the competing nations of America and the Soviet Union, and there are some brilliant scenes set in both, especially when it comes to the covert geopolitical battle occurring between them. Hadfield portrays this period perfectly, and I especially liked his great use of multiple real historical characters, including politicians, NASA flight crew, espionage heads and even a few famous astronauts such as Alan Shepard, all of whom played vital roles in fleshing out the espionage elements of the plot. While a lot of this book is based on historical events and facts, it is set around a fictional 18^th Apollo mission. This alternate history element is a fun part of the book, and I really appreciated the way in which Hadfield tried to envision how the various governments would react to such as disastrous mission to the moon. I feel that Hadfield captured the political and social elements of this period extremely well, and I really appreciated this examination into history, especially as it combined with the thriller and space faring elements of the book extremely well to produce an outstanding and compelling narrative.

While I did receive a physical copy of The Apollo Murders, I was unable to resist the audiobook version, which proved to be really impressive. With a run time of just over 15 hours, I was able to power through this audiobook quickly, especially once I got engrossed in the cool story. I felt that the audiobook format was very conducive to following the various scientific elements featured throughout the novel, and I had a wonderful time imagining the elaborate space manoeuvres brought to life by the narration. However, the main reason that I wanted to listen to this book was due to its narrator, Ray Porter. Porter is one of the best audiobook narrators in the world today, and I am a big fan of his voice work in the thrillers of Jonathan Maberry (such as Code Zero, Deep Silence, Rage, Relentless and Ink). Porter ended up providing an excellent narration for The Apollo Murders, with each of the various characters presented with a compelling and fitting voice that fit their personalities and nationalities. While it was a bit weird in places to hear a voice from one of the other books I have heard him narrate, Porter was able to produce an excellent flow throughout The Apollo Murders, and the story swiftly moved across at a great pace. This ended up being an excellent way to enjoy this novel and I would strongly recommend checking out this audiobook version of The Apollo Murders.

The Apollo Murders is a brilliant and powerful literary debut from former astronaut Chris Hadfield, who blew me away with this amazing first novel. The Apollo Murders contains a fantastic and complex story that blends several genres into an exciting and clever read that takes the reader on a wild and thrilling adventure into space. Featuring a deeply fascinating look at historical space flights and based around a fictional 18^th Apollo mission, The Apollo Murders was one of the best debuts of 2021 and I had a fantastic time listening to it. This is a great novel to check out and I cannot wait to see what Hadfield writes next.

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