Tag: Action Packed

Warhammer 40,000: Creed: Ashes of Cadia by Jude Reid

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer10 Comments

Creed - Ashes of Cadia Cover 2

Publisher: Black Library (Audiobook – 9 September 2023)

Series: Warhammer 40,000

Length: 14 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Exciting new Warhammer 40,000 author Jude Reid presents an action-packed and captivating novel that takes the reader to one of the most desolate places in the franchise’s universe, the ruins of Cadia, with the exciting novel Creed: Ashes of Cadia.

Last year proved to be an outstanding year for new authors producing their first Warhammer 40,000 novel, with several highly talented authors, such as Rob Young (Longshot) and Jonathan D. Beer (The King of the Spoil), producing amazing and intense reads in this fantastic universe.  One of the most interesting of these 2023 Warhammer 40,000 debuts was the impressive and captivating Creed: Ashes of Cadia by new author Jude Reid.  Reid’s first full novel after writing multiple Warhammer 40,000 short stories, Ashes of Cadia takes the reader on an epic journey with a new major protagonist.

Years after the fall of Cadia to the dread forces of Chaos, the Imperium of Man is still reeling from the carnage wrought in its aftermath which saw a massive warp rift cleave their besieged intergalactic realm in two.  Led by the returned Primarch Roboute Guilliman, humanity fights back as best it can in a great crusade, but its victories are never enough.  When word reaches Guilliman of a potential weapon on the most unlikely of locations, desperation requires him to investigate, and there is only one person he can call on for this dangerous mission.

After continually proving herself on the field of battle, Ursula Creed has succeeded her father, Ursarkar E. Creed, in becoming the new lord castellan of Cadia.  Leading the remaining Cadian forces in the Imperium, Ursula hopes to erase the stain of her legendary father’s great defeat, however, she can never seem to leave behind his complicated legacy.  When summoned by Guilliman for a secret mission, Creed is shocked to discover that she is being sent back to one place she never thought to return to, the shattered remains of Cadia.

Accompanied by a select team of Cadians with an unusual mixture of skills and experience, Ursula is sent to the surface to recover her father’s final battle plans and the secret weapons they supposedly lead to.  However, the surface of Cadia is a blasted wasteland, filled with foul energies and unnatural magic that causes even the dead to attack the invaders.  Left without support and hopelessly outnumbered, Ursula must lead her unprepared followers onwards in the hope of securing the prize.  But terrible evils lay claim to the remnants of Cadia, and Ursula will be forced to confront both the forces of Chaos and her own inescapable legacy as the daughter of Creed if she wants to survive.  Can Ursula succeed where her father failed and redeem Cadia, or is she already lost?

Reid had a very ambitious story idea for Ashes of Cadia, in that she needed to provide a human solider focused, character-driven adventure narrative that simultaneously examined the complex legacy of the Cadians in a new way, while also providing the reader with an intense and action-packed read.  Reid more than succeeded, as Ashes of Cadia takes the reader back to Cadia, one of the most significant landscapes in the Warhammer 40,000 universe and puts several intriguing and damaged protagonists through absolute hell.

Starting off a little slow to establish the main cast, remind people about the Cadian legacy, and set up the mission, Ashes of Cadia doesn’t really speed up until the protagonists land on shattered Cadia, and naturally all hell breaks loose.  The protagonists essentially find themselves thrust into a zombie apocalypse scenario, as a sorcerer attacks with a horde of living dead and decimates the protagonist’s team, leaving them trapped on the planet.  The disparate band of damaged and disillusioned survivors are forced to journey across the ravished planet to find either an escape or the rumoured secret weapon, encountering all manner of horrors, tragedy and continuous losses of supporting characters, all the while being hunted.  At the same time, the cast become more and more disheartened and internal conflicts seek to fracture them in a range of emotionally charged scenes.  This harsh adventure takes them to several key places on the ruins of the planet, as they get closer to their various personal goals.  There are some interesting false starts and twists, as well as some heartbreaking scenes, and you are constantly on edge, especially as a new danger of betrayal might emerge just around the corner.  I liked the reveal of Creed’s treasure in the novel, especially as it has some interesting potential consequences for the future of the Cadians, and the use of Creed’s daughter as a protagonist was a smart choice.  While I did see the big twist of the book regarding a certain traitor coming, it was still really well written, and I loved how Reid tried to misdirect with multiple bloody red herrings.  Everything leads up to a big, brutal, and over-the-top final confrontation, the sees the survivors redeemed in various ways, and it ended up being a fantastic and powerful piece of Warhammer 40,000 fiction.

Reid wrote a very intense and personal novel here with Ashes of Cadia, and I really enjoyed her captivating writing style.  Expertly splitting the focus of the book between several complex and unconventional soldiers with their own individual baggage, Ashes of Cadia becomes a much more emotionally charged novel than I was expecting, but the result was an impressive read, especially as you quickly get invested in the various character arcs.  However, Reid is no slouch when it comes to the action, as the many combat sequences are sharp and brutal, keeping you on your toes as any of your favourite figures can quickly fall.  While the pace of Ashes of Cadia does slow a bit at the beginning and in the middle, for the most part Reid keeps her novel moving along, and I had a hard time putting it down as a result.  I especially loved how well Reid portrayed the fallen planet of Cadia throughout this novel, especially as she really laid out the horrors and dangers associated with this planet.  Fans of Warhammer 40,000 fiction who know this planet well will be shocked by how disturbing and different it turns out, and I loved that we finally got an adventure in the ruins.  A brilliant and exceptionally written novel, you will have a lot of fun with this book.

As I have mentioned a few times in this review, Ashes of Cadia is a significant piece of Warhammer 40,000 fiction, mainly because it provides a continuation to a lot of the major story elements that have been a big part of the franchises fiction since the lore changes surrounding the fall of Cadia.  Quite a bit of in-universe time has taken place since that event, and most of the recently released Warhammer fiction focuses on how the loss of the planet effected the Imperium and the many Cadian soldiers fighting throughout it.  If followed through, the events of Ashes of Cadia are going to give these Cadian characters and stories new purpose, and I loved that we also have new Creed character to follow in Ursula.  Reid does an excellent job of building up to these reveals, and there was another interesting look at how traumatised and demoralised the Cadians are, which really fit into the plot of this book.  There are also a lot of references to other novels and events from the lore that fans of the franchise will appreciate, and I personally liked how it had some connections to another Warhammer 40,000 novel from last year, The Fall of Cadia by Robert Rath (one of my favourite books and audiobooks of 2023).  As such, Ashes of Cadia is probably best enjoyed by those established fans of the Warhammer 40,000 universe, especially those who have enjoyed the recent influx in Cadian fiction.  However, there is still a lot for newer readers to the franchise to enjoy, especially as Reid does a wonderful job of explaining the key lore elements that lead up to this story.  General fans of adventure, science fiction and even horror, can have a lot of fun with Ashes of Cadia, and this turned into quite an intense and bloody war narrative.

Easily the most distinctive part of Ashes of Cadia is the complex and damaged cast of characters that make up the main cast.  Reid produced some unique figures for this impressive narrative, and their individual stories, as well as the general despair of the Cadian trooper following the loss of their planet, proves to be a major driving point in the plot, and I really enjoyed seeing the various character arcs unfold.

Ashes of Cadia’s story had three primary point of characters, and Reid did a pretty good job of jumping the story around them, showcasing each of their unique and well-written storylines.  The most prominent of these is the titular Ursula creed, the current lord castellan of the lost planet of Cadia.  The daughter of the beloved Cadian leader who lost the planet before disappearing, Ursula has big boots to fill, especially as she is resentful for her father’s legacy and the fact she barely knew him.  The resulting insecurities, responsibilities and bitterness play a huge part in her character arc, and watching her walk in the steps of her father and attempt to become the leader he was proved to be a great part of the plot.

The next major character, Shael Laskari, adds a more general viewpoint to the story as a recently graduated cadet who is chosen to accompany Creed to the surface for propaganda reasons.  Inexperienced and fearful, Laskari is the everywoman of Ashes of Cadia, and it proved interesting to see her deal with the unknown horrors of the planet while also trying to find her courage in her squad.  Reid also does an exceptional job with the unique character of Mac Ossian.  A former medic and member of a Cadian regiment, Ossian was assigned to a penal legion after killing his former commander, and now finds himself back on Cadia as part an expendable distraction.  Managing to meet up with Creed’s unit, Ossian spends much of the book trying to prove his loyalty and worth, while also wondering if Creed and Cadia still deserves his surface.

These central characters are accompanied by several fantastic supporting cast members, several of which have their own exceptional character arcs.  I personally really enjoyed Colonel Hadrian Aurelius Van Haast, who serves as a guide with local knowledge of the area.  Van Haast is a stupendously arrogant figure, who you can’t help but dislike, and he added a fantastic dynamic to the cast.  However, this arrogance is a cover for a much darker secret, which Reid slowly and expertly reveals as the book continues.  I also must highlight Ossian’s fellow penal legionnaire Liga Yager, another prisoner who tries to survive after being dropped on Cadia to die.  Due to her much more cynical perception of Creed and the Cadians, as well as her compelling backstory, Yager goes on a very different path than Ossian, and proved to be a devil on his shoulder that speaks some much-needed truth.  Finally, I loved the villain of the story, the Death Guard sorcerer, Livor Opilionis, who is mostly called The Huntsman throughout the book.  The Huntsman is a gloriously sinister and dangerous foe, who relentlessly hunts them throughout the ruins of Cadia, heralded by his hunting horn and packs of plague zombies, and the confrontations the protagonists have with him always leads to carnage.  This outstanding cast of characters, and more, really turned Ashes of Cadia into an amazing novel, and I loved the brilliant character arcs that Reid developed around them.

As with most Warhammer 40,000 books I check out, I made sure to grab Ashes of Cadia on audiobook.  The Warhammer 40,000 audiobooks are always pretty damn awesome, and I love how much the action, horror and unique setting came through in this format.  Coming in with a decent runtime of just over 14 and a half hours, Ashes of Cadia was a very easy book to listen to, and I managed to knock it off quickly.  It helped that Ashes of Cadia was narrated by the superbly talented Colleen Prendergast, who is swiftly becoming the go-to narrator of Warhammer 40,000 audiobooks with female Cadian protagonists.  Prendergast has a great and intense voice for Warhammer 40,000 fiction, and I love how well she was able to move the plot along.  She also provides a series of great and fitting voices for the cast of this book, especially the female characters.  I loved how dignified and complex she made some of these characters, as well as how monstrous and threatening the main antagonist sounded in his terrifying scenes.  As such, Ashes of Cadia was an absolute joy to listen to and I would strongly recommend this audiobook version to anyone interested in this fantastic piece of Warhammer 40,000 fiction.

Creed: Ashes of Cadia was a fantastic, dark and captivating novel from Jude Reid, who produce an impressive debut with some intriguing potential for the wider Warhammer 40,000 universe.  Loaded with action, intrigue and several complex characters, Creed: Ashes of Cadia was an excellent read that cleverly ties into the history and existing lore of this complex and highly fun franchise.  Intense, moving, and oh so brutal, Ashes of Cadia comes highly recommended, especially for fans of Warhammer 40,000 fiction.

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Argylle by Elly Conway

On By The Unseen LibraryIn Thriller2 Comments

Argylle Cover

Publisher: Bantam (Trade Paperback – 3 January 2024)

Series: Argylle – Book One

Length: 368 pages

My Rating: 4.25 out of 5 stars

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One of the year’s most intriguing thrillers, Argylle by Elly Conway, proves to be a fantastic and highly entertaining book that I had a wonderful time exploring at the start of 2024.

Vasily Federov, a powerful Russian billionaire, is making a bid to become the new president of Russia.  If he succeeds, his ambition, drive, and absolute lack of humanity, could lead to chaos, especially as he seeks to bring together the dangerous right-wing factions of Europe to form a destructive new empire.  Determined to secure victory and the absolute loyalty of the Russian people, Federov promises the impossible: finding and restoring a beloved national treasure infamously looted and lost during World War II, the Amber Room.

Recognising what a dangerous threat Federov poses to the world, CIA Chief Operating Officer Frances Coffey is determined to stop him winning the election.  To that end, she pulls together an elite team of agents with the goal of locating the hidden Amber Room first and keeping it from Federov’s grasp.  However, Coffey believes that her team needs a unique edge, a new member with a different set of skills and outlook on life then her current operatives.  To that end, she recruits a complete unknown, Aubrey Argylle.

The son of two international drug dealers, Argylle has been lost since the death of his parents, hiding out in the jungles of Thailand.  Argylle attracts Coffey’s attention when he risks his own life to help a team of American agents in need.  Drafted to the CIA, Argylle works to prove himself to his new team as they work to stop Federov.  As Argylle starts to adapt to the life as a secret agent, his team makes headway in discovering the location of the Amber Room, which leads them on a desperate chase across Europe.  However, the closer they get to recovering their target, the more apparent it is that someone on their team is a traitor, and they now have Argylle in their sights.

Before I go into too much detail about what I thought about Argylle, I should probably address the interesting possibilities regarding the authorship of this book.  The identity of Argylle’s author has the potential to be one of the biggest literary reveals of the year, and the internet is already buzzing with the possibilities surrounding it.  That is because Elly Conway is a pseudonym of a new author, the identity of whom is being kept secret until the upcoming film of the same name is released.  While authors writing under pseudonyms is nothing new, certain facts about this particular case, including the large amount of money spent obtaining the film rights from a first-time writer, the insane secrecy surrounding the author’s identity, and the massive cast of famous actors in the adaptation indicate that someone special might be behind the pen.  There are several theories currently circulating, including it being written by AI, by the film’s creative team, or it being a massive marketing campaign to raise interest in the film.  However, the theory that seems to be getting the most attention is that it was authored by one of the world’s most influential singers, and there are a lot of apparent hints and easter eggs surrounding that theory.

The Argylle novel only came to my attention a few weeks ago; mainly because I had seen the cool film trailer, which features some of my favourite actors, and I figured it might be worth grabbing this related book.  It was only when I subsequently dug into the underlying material surrounding the book, including the theories about the author, that I became really curious.  I am not going to lie, that very much caught my attention, and it was a major reason why I got a copy of Argylle.  If it turns out to have been merely a marketing stunt, at least it was an effective one!  I would actually love it if someone surprising wrote this book, and I look forward to seeing how this comes into play with the upcoming film, which really looks quite hilarious.  However, I’m not going to let my curiosity about who might have written it impact my review for this book, and I have tried to make a balanced analysis of this intriguing debut thriller.

With that in mind, I am going to come right out that bat and say I quite liked Argylle, and it proved to be a fun and exciting read, with a fantastic plot and a compelling main character.  Featuring a fast-paced story, enjoyable writing, and a ton of entertaining action, Argylle was an awesome book that I managed to knock it off in only a few days.

From what I understand, the upcoming film will be set around the planned fourth book in this series and will feature the fictional adventures of Elly Conway when she releases it.  Argylle is the first book in this in-universe series, so it serves as an introductory novel, featuring the origins of the titular protagonist as well as some of his supporting cast members.  Conway initiates a strong start to Argylle, as you are given compelling visions of the disturbing main villain, as well as a great introduction to protagonist Aubrey Argylle, who risks everything to save several lives in an intense and sudden sequence, before he is recruited into a secretive team of CIA agents.  The initial training montages with the new team serve as a good introduction to the spy lifestyle for the protagonist, although it does reveal an early weakness of the book that never really went away, in that there are way too many characters.  With fourteen members in this main team, many of whom get cycled around each mission, the reader has a hard time remembering each of them, and with the exception of a couple who are pushed to the front early on, you never really connect to them.  The author’s initially rough writing style also takes a bit to get used to, with certain phrases, pieces of dialogue and more feeling a little unnatural.  Despite that, I was still really enjoying the story, and these initial introductory scenes slide nicely into the main part of the book.

This central plot of Argylle involves the protagonist’s team zipping around Europe, following hidden historical clues to uncover the location of the Amber Room before their Russian opponents.  The search for historical treasures is always an awesome thriller storyline, and I think that the author did a good job of diving into the history of the Amber Room, exploring why it is so significant, and then bringing together a fun and clever hunt for the prize that combines the official historical record with some intriguing conspiracies.  This results in a fun story, as the team are required to pull off a series of intricate heists, with the Russians close on their tail.  There are some glorious set pieces here, and I loved the fun locations and over-the-top scenarios the protagonists found themselves in.  Conway also works in a great spy thriller plot about a double agent in the team, as information about their missions keeps getting leaked to the Russians, with disastrous results.  The character arcs surrounding several of the characters develop quite nicely, and it was great to see Argylle get closer to some of the other cast, while also coming out of his shell.

Everything leads up to a pretty big and violent conclusion, as the protagonists battle it out against the Russians for the prize.  Most of this was very cool, although the issue I raised before about the large team did come to fruition at the end.  In particular, the deaths of some character really were not that impactful, because you had barely gotten to know them, while the potential identity of the traitor was a lot more obvious, as it had to be one of the characters who was prominently featured.  Still, the ending was epic and memorable, and I particularly enjoyed how the traitor storyline came full circle in an excellent and moving way.  Readers come away from Argylle very satisfied, and there are some fun hints about the planned sequels that I would be quite interested to explore.

While I have noted a few writing issues that I had with Argylle, for the most part I liked how this novel came together.  The author maintains a great pace throughout the book while also keeping the readers attached to the story.  The jump between several different characters, including the villain, gives the novel some excellent layers, and it is always great to see the antagonist’s schemes in action.  I also enjoyed the unique locations the author set the story in, including the jungles of Thailand, an isolated Greek island, and deep in the European wilderness.  All these settings, including a few intriguing historical sites, are described in exceptional detail, and you can really imagine the characters walking through these wildernesses and getting up to their shenanigans.  Throw in some excellent and high-octane action sequences, as well as some fun humour based around the unconventional protagonist, and I had a great time getting through Argylle.

Another excellent element that I enjoyed about Argylle was the fantastic central character, Aubrey Argylle.  I was actually a little surprised by how he was portrayed here as, in the movie trailer, he is played by Henry Cavill in a particularly suave James Bond-esque way.  However, the author flips the script around in this book, showing Argylle to be a much more rugged individual with a complex past.  The child of two murdered drug smugglers, Argylle had a unique childhood and spends much of the book trying to reconcile his past with his current actions with the CIA.  While the author potentially over-endowed him with natural spy abilities, it was not too noticeable, and indeed I quite enjoyed seeing the character’s early uncertainties as he grows into the agent he needs to be.

The book also features several great supporting characters.  While much of the protagonist’s support team is not effectively utilised, I quite enjoyed his main friends, Woody Wyatt and Keira Carter, who get a lot of attention throughout the book, and you quickly enjoy the fun trio that forms.  I especially liked the character of Wyatt, the cocky muscle of the team who initially serves as Argylle’s main rival.  The scene when the two characters meet and Argylle gets the drop on him is one of the funniest in the book, and I really enjoyed the entertaining dynamic that formed between them.  On top of them, Frances Coffey, serves as a complicated spymaster character for most of the plot, torn between the needs of the mission and her growing attachment to her agents.  The shadowy figure of Glenn Dabrowski has one of the most intriguing storylines in the entire book, and I loved seeing his alternate view of events.  Finally, the villain, Vasily Federov, adds a great deal of deadly menace to the plot, and I really enjoyed the fun way he was portrayed.  While I still had some issues regarding the extensive cast, I think for the most part his book had an excellent group of characters, which helped added to the emotional impact and enjoy ability of Argylle.

Overall, I really enjoyed Argylle and I thought that it was a great debut novel.  While the author has some room for improvement when it comes to their writing, I felt that this was a really good first outing, especially when it came to the fantastic story, intense action and entertaining characters.  No matter who actually wrote Argylle, I personally think it was a solid, fun and highly enjoyable thriller, and I would love to get a sequel at some point.  As such, I am even more excited for the upcoming Argylle film, and I look forward to seeing what twists it contains regarding the potential author.  If some of the suspicions regarding the author are correct, I might re-upload this review again under their real name, but until then, let us leave this one credited to Elly Conway, whose first book is pretty damn wonderful.

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Quick Review – Deadly Game by Michael Caine

On By The Unseen LibraryIn Quick Review, Thriller1 Comment

Deadly Game Cover

Publisher: Hodder & Stoughton (Trade Paperback – 28 November 2023)

Series: Standalone/Book One

Length: 327 pages

My Rating: 4 out of 5 stars

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Legendary actor Sir Michael Caine presents his debut novel, the fun and ultra-exciting thriller, Deadly Game, which follows a maverick cop investigating a case with world-changing implications.

I’m sure I’m not the only person who was surprised when they saw that Michael Caine was releasing a novel in late 2023.  While I absolutely love Michael Caine as an actor, I didn’t realise he had any aspirations as an author, so Deadly Game was easily one of the more interesting releases of last year.  As I am a fan of unusual thrillers, I naturally had to get my hands on a copy of this book, especially as it had an interesting plot behind it.  While I was mainly intrigued by its author, Deadly Game proved to be a wonderful and compelling book that I had a great time reading.

Plot synopsis:

DCI Harry Taylor has no respect for red tape or political reputations – but he’s great at catching criminals.

And all his unorthodox skills will be needed as an extraordinary situation unfolds on his a metal box of radioactive material is found at a dump in Stepney, East London, but before the police can arrive it is stolen in a violent raid.

With security agencies across the world on red alert, it’s Harry and his unconventional team from the Met who must hit the streets in search of a lead. They soon have two wildly different suspects, aristocratic art dealer Julian Smythe in London and oligarch Vladimir Voldrev in Barbados. But the pressure is on. How much time does Harry have, and how many more players will join the action, before the missing uranium is lighting up the sky?

Caine had an interesting story idea for Deadly Game that I think worked quite well.  The mysterious and violently taken radioactive material amps the stakes of the book right off the bat, and it perfectly sets up the story about DCI Harry Taylor’s team being let off the leash to hunt down the material without any oversight or restrictions.  The early goings of this story are a lot of fun, and I liked the build-up of different villains who might be involved in the theft.  The book got particularly fun when Caine introduced the two rival crime lords, Julian Smythe and Vladimir Voldrev, who come in as major suspects to the crime.  Due to their connections, it is likely that at least one has the material or knows where it is, and their extreme hatred for each other means that they are willing to trade stories about their rival to the police.  I loved the fantastic way that Caine portrayed both these over-the-top villains, and their introductory scenes with the protagonist, as well as some of the fun background that went into them, were highly entertaining, especially as they both played off the serious protagonist extremely well.

The second half of Deadly Game is where the fun really begins, as Taylor and his team get close to finding the material, only for their various opponents to get the drop on them in several ways.  There are some great scenes here, and I liked the efficient way in which Taylor and his team deal with the neo-Nazis for example.  However, things take a pretty major turn near the end, and it was a bit surprising just how far Ciane took this part of the story.  I loved the sudden darker tone that resulted, and it made for quite an intense final third of the book.  Everything leads up to the big confrontation with the hidden antagonist of the novel, and I really loved the fun, well-planned out and utterly over-the-top twist that resulted here.  It was somehow simultaneously smart and ridiculous, and I loved everything about it.  The story wraps up quite nicely from there, and there are hints that Caine might have some sequels in the works, which I personally wouldn’t mind, as I had a lot of fun with the outrageous narrative in Deadly Game.

Deadly Game had a quite a unique feel to it that revels in its roughness and over-the-top nature.  Something about how the characters talked and acted felt very cockney, and it honestly reminded me a lot of some of the author’s tough-guy roles in film.  While certain elements of this writing style aren’t going to appeal to everyone, I had a fun with it, and particularly enjoyed the amazing action scenes, the intriguing characters, and the elaborate and fun scenarios that emerged.  While some of the characters, both protagonist and antagonist, are a little silly and weird in places, they still proved to be a fantastic group of people to follow, and the resulting chaos from their actions makes for an excellent story.  The main character’s portrayal as a cop who hates politics and red tape and just wants to get the job done wasn’t amazingly original, but it worked for the story being told, and Caine did try to make him somewhat nuanced.  I think that Caine got the right balance of intrigue, mystery, suspense and action throughout the course of Deadly Game, and I was very interested in finding out who was behind the events and how things unfolded.  There was something cinematic in a lot of the resulting scenes, and it wouldn’t surprise me if Caine had a film adaptation in mind whilst writing it. Indeed, a Guy Ritchie directed version of Deadly Game could be pretty fun, especially if they got Hugh Grant in to play either of rival gangsters.

Overall, I had a great time with Deadly Game, and it proved to be an awesome and interesting debut from the legendary Michael Caine.  While not everyone is going to love this novel, I felt it was really entertaining, and it was great to dive into its outrageous plot, especially with some of the big moments and twists towards the end.  As such, I would recommend this book to anyone looking for something exciting, and if the idea of a thriller written by Michael Caine appeals to you, then you’ll probably enjoy Deadly Game.  It will be interesting to see what happens to this in the future, and I personally wouldn’t mind some sort of adaptation or sequel at some point.

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Dark Arena by Jack Beaumont

On By The Unseen LibraryIn Thriller4 Comments

Dark Arena Cover

Publisher: Allen & Unwin (ebook – 3 January 2024)

Series: The Frenchman – Book Two

Length: 456 pages

My Rating: 4.75 out of 5

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Former French spy Jack Beaumont presents a powerful and captivating sequel to his awesome debut with Dark Arena, a gripping read with a compelling look at European espionage.

Back in 2021 I was lucky enough to receive a copy of an outstanding debut spy thriller, The Frenchman.  Written by Jack Beaumont, the pseudonym of a former operative in France’s foreign secret service, The Frenchman was an incredible read that followed a French spy who attempts to stop an elaborate terrorist plot.  Featuring some amazing authenticity and a great story, The Frenchman was an exceptional read and it ended up being one of my favourite debuts of 2021.  I have been eager for Beaumont to follow up The Frenchman for some time, and I was extremely excited when I received an advanced copy of this long-awaited sequel, Dark Arena, especially as it quoted one of my Canberra Weekly reviews up front.  The first new novel I read in 2024, Dark Arena was another outstanding read from Beaumont that combined a powerful, character-driven narrative, with a complex look at recent European events and the potential underlying intrigue surrounding it.

When a member of the DGSE, France’s foreign secret service, is brutally murdered in front of his family by a team of Russian agents, Alec de Payns is brought in to investigate the mysterious circumstances surrounding his attack.  De Payns soon discovers that this bloody operation is related to a recent piece of intelligence the DGSE recovered, which identifies hostile actions the Kremlin is authorising throughout Europe.

Infiltrating a secret meeting of businessmen, terrorists and Russian mercenaries aboard a luxury yacht in the Mediterranean, Alec discovers details about a mysterious assassination plot that could tip the balance of power in Europe.  Determined to intervene for France’s advantage, de Payns and his team attempt to uncover the target of the assassination, as well as the underlying reasons for the death sentence.  But the more they dig, the more they begin to suspect that someone is manipulating the DGSE into a confrontation with the Russians.

Closing in on their targets, de Payns soon discover the full extent of their opponent’s plans, and the DGSE are soon left with hard decisions, especially as intervening could impact France’s energy security.  Caught between dangerous superpowers and with a war on the horizon, can de Payns and his team make the right choice, or will doing the right thing cost their country terribly?

This was a superb and extremely clever spy thriller sequel from Jack Beaumont, who expertly follows on from his debut with another outstanding novel.  Dark Arena is an incredible read, which I think I enjoyed even more than The Frenchman, due to its excellent twists and compelling examinations of European politics and espionage.

Dark Arena proved to be quite a thrilling read that got more intense the further you get into it.  Starting off with a shocking but important introduction that shows a French agent killed for the information he recovered, Dark Arena quickly moves onto the main plain, as Beaumont’s protagonist, Alec de Payns, is reintroduced and set to investigate.  The initial chapters of the book are a little slow as Beaumont reasserts his steady and methodical pace, but there are some vital and fascinating story elements introduced here, especially around the conspiracy the DGSE are hoping to unravel and the protagonist’s fraught personal life.  I enjoyed the slow build-up that Beaumont showcased here, mainly because it added the authenticity of the plot.  The story really starts to kick into high gear once de Payns begins his infiltration of a luxury yacht, and the scenes set aboard there are loaded with risk, threat, cunny tradecraft and realistic depictions of information gathering.

Dark Arena’s plot speeds up a lot more in the second half as de Payns and his colleagues begin to investigate several different angles and potential enemy agents.  The reveal that the Russians are planning an assassination is quite intriguing, especially as Beaumont ties it into the invasion of Ukraine, and it adds a certain layer of extra realism and intensity to the overall plot.  While I won’t go into too much detail about this here, I felt that Beaumont did an outstanding job working his complex narrative into these major real-world events, and it was fascinating to his take on some of the events leading up to the invasion and the world politics that ensured it happened.  There are also some great reveals surrounding the origin of the information that the DGSE and other European intelligence agencies have been working off, especially as it appears they are being manipulated by outside sources.  The protagonist’s personal life also gets thrown front and centre in the narrative, and while I wasn’t the biggest fan of the many coincidences that brought together his family with his mission, it was compelling to see him balance the two.  The full discovery of the various plots being orchestrated around Europe proves to be quite clever, and the resulting chaos as the DGSE tries to intervene despite a dangerous political situation results in some captivating moments.  There are some intricate action sequences, encounters between rival spies, and some big reveals, including finally getting a payoff regarding a character introduction from The Frenchman.  This ended up being a fantastic and awesome story, and I hope that we get some form of sequel to it soon.

I deeply enjoyed how Dark Arena was showcased as Beaumont has a very distinctive writing style, that relies heavily on detail and authenticity to enhance his compelling spy thriller storyline.  The focus on tradecraft and the multiple complex aspects of real-life espionage and intelligence work is so damn fascinating, and the author does such a good job of making all these elements seem so realistic.  Nearly every action the characters makes is loaded with intricate detail as Beaumont explains the reality of the intelligence officer’s life, and you will be enthralled by the various intricate ways that the characters attempt to outwit and avoid their opponents.  While references to these actions might seem a bit repetitive at times, I thought it was a great way of hammering home just how careful these characters need to be, especially after the shocking opening scene.  I really loved how much detail Beaumont shoved into every page of Dark Arena, and it made the resulting plot pop as you absolutely believed this was the sort of thing real spies would go through.  This already elaborate narrative is further enhanced by the multiple layers Beaumont added to the plot as he follows various members of the DGSE as they attempt to unwind the multiple mysteries presented to them throughout the book.  While I did occasionally feel that Beaumont was using too many characters, the various betrayals, secrets, and complicated loyalties that emerge from the various perspectives, including from a few antagonists, helps to create a powerful espionage tapestry, and I loved how well this amazing story came about.  While Dark Arena is a sequel to The Frenchman, most readers should be able to dive straight into this second novel, as Beaumont makes the plot of this book quite accessible and any necessary details from The Frenchman are covered again here.  Everything about this book is so well written, and I have a lot of love for Beaumont’s meticulous and distinctive style.

While there are several great characters in Dark Arena, the one who gets most of the focus is protagonist Alec de Payne.  A dedicated DGSE field agent, de Payne is a fascinating figure who serves as the heart and soul of the series.  His depiction as an agent is always very fascinating as Beaumont channels most of the espionage authenticity through his scenes.  However, the most compelling aspect of de Payne’s character lies within the struggles he has balancing his secretive profession with his life as a husband and parent.  Already away for long periods of time and constantly forced to lie to his friends and family, de Payne finds himself struggling more than ever in Dark Arena, especially when it comes to his relationship with his stressed wife.  Thanks to the events of The Frenchman, which saw his family temporarily kidnapped, De Payne finds himself pushed even further to the brink as his is suffering from paranoia and anger following the threat to his loved ones.  This really impacts his personal life, and the conflicts he experiences at home provide a powerful layer of drama to the plot, which I felt contrasted nicely with the intrigue and espionage of the rest of the book.  While elements of de Payne’s personal life do blend into his professional career, it is mostly kept separate, and I loved seeing the dichotomy between a stressed family man and an accomplished spy.  De Payne was such an incredible protagonist to follows as a result, and I felt his amazing story was a major highlight of this exceptional read.

Jack Beaumont provides an outstanding follow up to his epic debut with Dark Arena.  Once again featuring his ultra-authentic take on spies and international espionage, Dark Arena has a captivating and realistic plot that takes his excellent and complex characters into the heart of a recent history.  Intense, addictive, and so damn intricate, Dark Arena was an exceptional read from a rising star in the spy thriller game.

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Warhammer 40,000: The Fall of Cadia by Robert Rath

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer7 Comments

Warhammer 40,000 - The Fall of Cadia Cover

Publisher: Black Library (Audiobook – 5 August 2023)

Series: Warhammer 40,000

Length: 19 hours and 42 minutes

My Rating: 5 out of 5 stars

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Cadia Stands!  I ended 2023 on a very high note with one of the best Warhammer 40,000 novels of the year that follows one of the biggest events in the franchise’s recent lore, The Fall of Cadia by Robert Rath.

There were several amazing Warhammer 40,000 novels released in 2023, with some of my favourites including The Lion: Son of the Forest and Warboss by Mike Brooks, The King of the Spoil by Jonathan D. Beer and Cypher: Lord of the Fallen by John French, just to name a few.  However, in terms of sheer scale, epic battles, and larger-than-life characters, my favourite will have to be The Fall of Cadia.  As the name suggests, The Fall of Cadia follows the final battle for the planet of Cadia at the end of the 13th Black Crusade, which was a major campaign in the Warhammer 40,000 tabletop game.  The original 13th Black Crusade campaign happened back in 2003, with the official result being something of a draw.  However, in 2017, Games Workshop retconned the campaign to result in a much more substantial Chaos victory, which ended up having substantial impacts on the wider lore of the franchise, effectively reshaping the entire Warhammer 40,000 universe.

This change ended up being a pretty significant event, and Games Workshop provided some major write-ups about it that summarised the events and their explosive aftermath.  Indeed, the lore events initiated in this event have already been featured in several novels, and most of the current Warhammer 40,000 fiction examines the consequences of this campaign.  However, there has yet to be a novel solely dedicated to trying to capture the entirety of the action at the end, until now with The Fall of Cadia by Robert Rath.  Rath was a great choice of author to write this book as he is a truly amazing author of Warhammer 40,000 fiction.  His previous novels, Assassinorum: Kingmaker (one of my favourite books and audiobooks of 2022) and The Infinite and the Divine, have both been exceptional five-star reads, telling elaborate, character-driven stories that cleverly capture complex aspects of Warhammer 40,000 lore and turn them into impressive and addictive reads.  As such, he was the perfect choice to write The Fall of Cadia and he succeeded in creating a deeply moving and epic novel that perfectly brought the chaotic events that ended this infamous war to life.

In the far future of the 41st Millenium, few battlefields are more significant or more soaked in blood than that of Cadia.  A fortress world for the Imperium of Man, Cadia stands in the shadow of the Eye of Terror, a blazing rift that serves as a gateway into the Warp and the realm of the Chaos gods.  For any substantial invasion by the forces of Chaos into the Imperium to be successful, Cadia needs to be taken and destroyed, and for that task the Chaos Gods have chosen the Warmaster of the Black Legion, Abaddon the Despoiler.  Abaddon is a legendary warrior of hatred and spite who alone is capable of welding together the unruly and contentious forces of Chaos.  Over the millennia, Abaddon has launched 12 Black Crusades against Cadia, leading an unholy alliance of monsters, daemons, cultists and traitor Space Marines to battle.  However, each time Cadia has held, at great cost to the desperate Imperial defenders.  But now, as the forces of Chaos appear stronger than ever before, a 13th Black Crusade has been declared, one that looks set to destroy Cadia forever.

The Fall of Cadia starts well into the 13th Black Crusade, as, after weeks of heavy fighting, the forces of Cadia and humanity once again appear victorious, with the armies of Chaos retreating on all fronts.  However, despite the apparent victory over the heretics and the dark gods of Chaos, Lord Castellan Ursarkar Creed is uneasy, believing that the victory was too easy.  As the celebrations continue, Creed is soon proved right, as the Eye of Terror disgorges a new enemy force unmatched in size and deadly potential since the legendary Horus Heresy.

At its head flies a dread Blackstone Fortress, an alien superweapon capable of intense destruction and now crewed personally by Abaddon.  Faced with this threat, Creed attempts to bring together the various elements of humanities defenders, including legendary Space Marines, virtuous Sisters of Battle, the inhuman soldiers of the Adeptus Mechanicus, and the outmatched by steely rank-and-file troops of Cadia, determined to save their home.

As the final invasion of Cadia begins, Creed organises the defence the best he can to hold back the oncoming horde on land, in the sky, in space, and even far behind Cadian lines in their seemingly safe cities.  If Creed has any hope of succeeding, he will need to bring together the scattered armies of the Imperium on Cadia into a single cohesive force, but not all of the defenders are fighting for the same goals.  Even if these armies come together, can the legendary Creed hold off the fury of Abaddon and his dark gods?  Cadia’s last stand has begun, but who will be left alive at its end?

Robert Rath continues to showcase just how varied and impressive his talent for writing Warhammer 40,000 fiction is as he captures the incredible events of the last siege of Cadia.  The Fall of Cadia is epic in every way possible, as it presents the reader with a great coverage of these key lore events and the characters involved.  Elaborate, intense, and featuring so much damn carnage and war, The Fall of Cadia is an incredibly addictive read that got a very easy five-star rating from me.

I think it is important to point out that Robert Rath had a difficult task ahead of him when he was chosen to novelise the events surrounding the end of the 13th Black Crusade.  A lot of detailed lore has been written around this event, not only in the various guides, rulebooks and other material associated with the tabletop game but also in several years worth of novels and extended fiction that focused on the aftermath of the war.  Any novelisation about these events ran the risk of being a stale retelling of events that all Warhammer 40,000 fans already know about.  However, Rath rose to the challenge and presented a powerful, intense and memorable depiction of the events that really drags the readers in while showing just how incredible and epic a piece of Warhammer fiction can be.

To tell the events of The Fall of Cadia, Rath elected to cover everything in a massive, multilayered, character-driven narrative, told from every perspective imaginable.  Starting towards the final days of the battle, when Abaddon unleashes his true invasion of Cadia, the reader is soon engrossed a range of different storylines that cover many different angles of the battle.  Not only do we get to see the overall strategy of both sides but the reader is also thrust into personal wars and fights across the theatre.  So many amazing moments are covered, including a desperate last stand in the mountains, battles in the sky and space, Chaos infiltration in the cities, criminal enterprises, even internal dissension amongst the Chaos command.  These scenes are usually shown through the eyes of a complex characters, whose desperate fight for Cadia helps to define them and presents the reader with some impressive and captivating character arcs.  All these varied conflicts are expertly portrayed by Rath, who does a wonderful job capturing the intensity, brutality and lack of humanity involved in warfare, as his characters suffer on every battlefield imaginable.  The sheer epic and destructive nature of these conflicts really come across in Rath’s writing style, and I honestly visualised many of the scenes being described in cinematic detail in my head.

The first half of the book primarily focuses on these various scattered storylines, and it was a lot of fun to see the different theatres of war, especially as you start to get attached to the major characters.  All the battles featured are pretty awesome and intense in their own way, and I really have to emphasise just how skilled Rath is at bringing all the different elaborate bits of combat to life.  The complex story pieces start to come together in the second half, especially as each of the characters find themselves drawn to the same battlefields.  I really appreciated how the storylines tied together, and there are some brilliant moments featured here.  I also felt that the multiple deus ex machina moments towards the conclusion of a big battle sequence that Rath needed to include because they were part of the lore was handled about as well as they could be.  Rath did some good set-up for the most important of them earlier in the plot, and I liked how in many instances he tried to examine it from the perspective of the common soldier looking for miracles, so it often did not seem too ridiculous.

Everything leads up to the big final battle in the last third of the novel, and despite knowing how it was going to end, I still was extremely invested in the plot and eager to see how everything came about.  A lot of this was because I deeply enjoyed the compelling character arcs of the newer protagonists, but I was also very interested in seeing how Rath envisioned some of the more essential events.  The author really did not disappoint, as these epic and groundbreaking moments were expertly showcased to the reader in a powerful and captivating way.  The big deaths were pretty shocking and hurtful, especially if you did not know they were coming, and the major conflicts were so damn epic in their scope and impact.  The final devastating blows of the war really hit hard, especially as the climatic events featured some deeply personal moments alongside the mass devastation, which made everything that much more powerful.  I really loved how everything came together, and the poetic conclusion that highlighted the final fights of the surviving protagonists is going to stay with me for some time.  I am so damn impressed with how much passion and emotion that Rath was able to stick into this massive war story, and I honestly loved every single second spent reading The Fall of Cadia.

In addition to the amazing story, I really need to highlight the impressive array of characters featured throughout The Fall of Cadia.  Rath did a wonderful job of presenting the massive events of this book through a range of intriguing character perspectives on every side of the conflict, and there is a fantastic combination of new characters and established Warhammer 40,000 figures.  The author really tried to cover The Fall of Cadia’s narrative from every single angle he possibly could, and the resulting combination of generals, common soldiers, legendary warriors, ancient traitors and other interested onlookers, helped to make this Warhammer 40,000 story even more powerful and layered.  This includes several Chaos characters, whose tainted perspectives allow for a compelling view of both sides of the conflict.  The Fall of Cadia’s character arcs are mostly self-contained for the majority of the book, with their focus usually on that particular figure or theatre of the war.  However, there are some clever and moving interactions between the characters as the novel continues, and it is testament to Rath’s writing style and ability to create a massive web of overlaying character storylines that these interactions fit together so well into a cohesive and powerful narrative.  Rath really dove into the complex lives and personalities of every character he featured, even those that died quite quickly, and the resulting character arcs really added to the emotional impact of The Fall of Cadia.  You become heavily invested in these characters as a result, and waiting to see who survives the war is an important part of experiencing this novel.

So many big personalities were expertly featured throughout The Fall of Cadia and every reader is going to come away with their own favourites.  The better character arcs I personally loved included that of Major Marda Hellsker, who is forced to lead a desperate last stand for much of the book and grows into the leadership position thrust upon her.  Captain Hanna Keztral’s exploits in the sky also make for great reading, especially as she desperately tries to gain respect whilst flying an unarmed aircraft.  You also have to love the storylines surrounding Salvar Ghent, Cadia’s premier gangster, as he tries to exploit the war to his advantage before finding himself thrust into a much more prominent role.  I particularly loved how well Ghent interacted with some of the major figures in the book, and his entire storyline was one of the most entertaining.  The insatiable Necron collector Trazyn the Infinite was also a great inclusion in the plot, and Rath clearly had fun bringing back this hilarious character after featuring him so heavily in The Infinite and the Divine, and I got a good laugh at several of his pivotal scenes and petty moments.

However, the best characters in The Fall of Cadia had to be the opposing leaders of the war, Lord Castellan Ursarkar Creed and Abaddon the Despoiler.  Both are major figures in Warhammer 40,000 lore and Rath ensured that they were done justice in this novel.  Creed is shown to be a rough but brilliant commander, capable of inspiring an entire world while also suffering from the stresses of constantly being on the losing side.  I particularly enjoyed the subsequent inclusion of Colour Sergeant Jarran Kell alongside Creed as his long-suffering aide and best friend, and the two make for a very powerful character combination for many of the scenes shown from the defenders’ perspective.  Abaddon on the other hand is presented as the absolute beast that he is, and his obsessive desire to destroy Cadia is palpable.  I deeply appreciated that Rath showcased Abaddon as the ultimate villain in this universe, and his appearances were always exceedingly impactful.  Many of Abaddon’s appearances were cleverly shown through the eyes of his loyal servant, Dravura Morkath, whose rose-tinted opinions of her master barely covered the restrained evil within this figure.  I quite enjoyed Dravura as a character, especially as she has the most intriguing insights into the Chaos ranks, and the resolution of her storyline with Abaddon might be one of the most heartbreaking in the entire book.  These characters, and so much more, were such a brilliant part of The Fall of Cadia, and they helped turn what could have been a simple retelling of the lore into a particularly powerful and moving novel.

As with most Warhammer 40,000 novels, I feel that The Fall of Cadia is going to appeal to those fans of the franchise who already have a grip on the basics of the lore and main characters and can fully appreciate just how massive an event this book was.  Due to the material the book is based on, there were a lot of crazy events and characters featured here, some of which would be obscure even to casual fans of the game.  While Rath does an outstanding job of explaining and exploring the most important of these elements, some readers might occasionally be confused at what is going on or how certain characters came into being.  Still, I feel that most new readers can still have an exceptional time with this book, especially as the epic battles, impressive characters, and heartfelt military focused story, is so damn good.  The Fall of Cadia might even be a great gateway novel for those people trying to get into Warhammer 40,000 fiction, and it sure as hell encouraged me to read more Warhammer fiction.

One of the other things that I really appreciated about The Fall of Cadia was the way that Rath tried to paint a more nuanced picture of the planet of Cadia itself.  Cadia is usually portrayed as a bastion of military prowess and resistance without some of the issues other planets in the Imperium had, so it was quite interesting to see Rath’s different take on the subject, showing Cadia to be a planet with hidden issues and dissent.  In particular, Rath examines the problematic social structure of Cadia, where the active military are notably prioritized and those people who could not fight or be assigned other roles were considered a second-class citizen.  I loved how well Rath examined and focused on the issues surrounding this unique military class system, and it became a surprising key part of the book.  Indeed, the motivations of several characters are highly tied into these issues, with many seeking to prove themselves after being considered lesser for their contributions.  It also serves as an intriguing motivation for several antagonistic figures, and I loved just how well Rath was able to weave the structure of a planet into these intriguing character traits.  This, and more, really showcased Rath’s inventiveness and appreciation for the little details of the Warhammer 40,000 universe, and it is one of the reasons why I really enjoy his novels.

As with most Warhammer 40,000 novels, I chose to enjoy The Fall of Cadia on audiobook, which proved to be a very smart decision on my behalf as it was one of my favourite audiobooks of the year.  Coming in with a runtime of just under 20 hours, The Fall of Cadia is a bit longer than your typical Warhammer 40,000 audiobook, which reflects the massive story Rath came up with for this epic read.  I really loved how well this audiobook format brought the epic nature of this narrative to life and the many battles, wars, and unique characters felt even more impressive when read out.  I enjoyed the narration of Mark Elstob, who has previously lent his voice to other great Warhammer audiobooks, including Kal Jerico: Sinner’s Bounty by Josh Reynolds.  Elstob’s narration of The Fall of Cadia is extremely good, and I loved how passionately he presented every big event and piece of action.  I really enjoyed some of the great voices he came up with for the cast of The Fall of Cadia, and every larger-than-life character was gifted a fitting tone that perfectly captured their personalities and intensity.  His voices for the opposing leaders of the battle, Abaddon the Despoiler and Ursarkar Creed, are amazing examples of this, and you really get awesome impressions of both character’s opposing determination and charisma in some outstanding sequences.  I really cannot emphasise just how incredible this audiobook version of The Fall of Cadia is and it is definitely the best way to enjoy this world-shattering story.

Overall, The Fall of Cadia is a pretty exceptional piece of Warhammer 40,000 fiction that did such an impressive job of capturing this intriguing event from the game’s substantial lore.  Robert Rath is such an impressive author, and I am really glad he had the opportunity to cut loose and present this massive inclusion to the Warhammer 40,000 franchise.  The Fall of Cadia is easily one of my favourite books of 2023, and I loved how Rath told such an epic war tale in such a powerful and memorable way.  I honestly hope they make a movie based around this book in the future, because it would be so damn spectacular.  A highly recommended read that no Warhammer 40,000 fan should be without.

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Murtagh by Christopher Paolini

On By The Unseen LibraryIn Audiobook, Fantasy, Young Adult4 Comments

Murtagh Cover

Publisher: Penguin (Audiobook – 7 November 2023)

Series: The Inheritance Cycle – Book Five

Length: 24 hours and 32 minutes

My Rating: 4.5 out of 5 stars

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Bestselling author Christopher Paolini returns to the iconic world of Alagaësia with Murtagh, a powerful novel that continues his original series while focusing on a complex and damaged protagonist.

I am very excited about this review as it offers me the first chance to review a recently released Paolini fantasy novel.  I am a massive fan of Christopher Paolini, having read every single novel he has written in his impressive career, including the science fiction Fractalverse series (To Sleep in a Sea of Stars and Fractal Noise).  However, the series that most readers will associate him with are the Inheritance Cycle novels.

The Inheritance Cycle is an awesome young adult fantasy series that follows a young man who bonds with a dragon to take down an evil tyrant.  A particularly iconic series, the original Inheritance Cycle consists of Eragon, Eldest, Brisingr and Inheritance, and it told a complex, well-established and exciting tale that saw the protagonist, Eragon, rise to great heights and eventually defeat the big bad.  I was gifted the Inheritance Cycle novels when I was growing up and it became a favourite fantasy series that I read multiple times.  While I tend to view it with a more critical eye these days, I still love it and its powerful adventure.  Due to how much I enjoy this series, I have been eagerly awaiting a sequel for years, and I was so damn excited when I found out that Paolini was releasing a follow-up book.  Murtagh was one of my most anticipated reads for 2023, especially when I saw that it was going to follow one of the best characters from the original series.

A year has passed since the war to free Alagaësia ended and the evil king Galbatorix was killed at the hands of the Dragon Rider Eragon and his companions.  Peace now reigns across the land as the people look to rebuild.  But there are two beings in Alagaësia who will never find peace: Eragon’s half-brother, Murtagh, and his dragon, Thorn.  Already reviled for being the son of the traitorous Dragon Rider, Morzan, Murtagh is hated by every race in Alagaësia for the involuntary role he played in Galbatorix’s evils.  Finally freed from Galbatorix’s iron control, Murtagh and Thorn travel the outskirts of the land, trying to find a semblance of harmony that has been lacking their entire lives.

However, the troubles of the world are always lurking, and the pair soon discover that not everything is as peaceful as it seems.  Following warnings and whispers from an ancient dragon spirit, Murtagh and Thorn become aware of a dark conspiracy building in the land, as unusual rumours of brittle ground, the scent of brimstone and mysterious beings reach their ears.

Determined to stop a new evil rising and wreaking havoc, the exiled rider and dragon begin their own investigation and soon uncover the source of this evil: a mysterious cult whose influence stretches across all the races and nations of Alagaësia.  Due to their surprising power and ability to manipulate the world, Murtagh and Thorn might be the only people capable of stopping them, and they set out to investigate.  However, they are unprepared for the dangerous witch at the centre of this cult, as well as the deadly power she represents.  Can Murtagh and Thorn defeat this evil before it is too late, or will they once again find themselves enthralled to a dangerous power beyond their comprehension?

Christopher Paolini returns with another outstanding book that takes the reader on an exciting and emotionally rich adventure which also cleverly expands his already elaborate setting.  While I am sure my review might be partially influenced by nostalgia, I found Murtagh to be an exceptional read that brings back all the things I loved about the original novels while also showcasing Paolini’s increased ability as an author.

For this new book, Paolini goes backs to basics and creates a classic epic fantasy around one of his most damaged and compelling characters.  Starting off a year after the climatic events of Inheritance, Murtagh follows the titular protagonist and his dragon as they try to unwrap a mysterious warning given to them in the last book.  This warning and an obsession with redeeming themselves leads Murtagh and Thorn to investigate troubling rumours and encounter a group of dangerous warriors and infiltrators utilising powerful magic.  This forces Murtagh into a search for knowledge while once again traversing areas of Alagaësia where he is the most wanted.  There are some intriguing moments as Murtagh embarks on a series of side quests that will allow him to achieve his goal, including infiltrating a city, killing a giant fish, encountering old “friends” and uncovering corruption at the heart of a regiment of city guard.  While I will admit that parts of this novel get a little slow in places, Paolini does a great job of reintroducing key elements of lore, building up a new growing threat and showcasing the main character elements of the protagonists, including their trauma, the bond between rider and dragon, and their unfairly given outcast status.

The second half of the book is extremely strong as Murtagh and Thorn come face to face with their new enemy, the witch Bachel and her unusual followers.  Paolini writes this entire half of the book extremely well, as Murtagh attempts to at first subtly uncover what Bachel is plotting and what power she controls.  Naturally things go wrong and this leads to a pretty dark and traumatic part of the story where Murtagh is at his lowest point.  This part of the book is painful to read, especially as you have really grown to care for the protagonist, but it is so damn well-written and emotionally charged.  Everything leads up perfectly to a much needed and exceptionally presented climax, where Murtagh manages to fight back and the resulting carnage is very therapeutic after all the dark scenes the reader has been forced to experience.  The big confrontation was very epic and really tied into the author’s excellent characterisation of the protagonists, allowing for some impressive moments.  The conclusion is both hopeful and worrying as a new big-bad looms on the horizon, and there are still many secrets left to unwrap.

I really liked how Murtagh came together as Paolini presents a powerful, character-driven read that really tries to capture the heart and feel of a classic epic.  Murtagh really had all the best elements of Paolini’s first book, with a lone character and his dragon navigating through a complex world, searching for a big bad on the horizon.  I loved these story elements, including the loosely connected quests, the elaborate and dark interactions in the second half of the book, as well as the general menace implied by the world’s new hidden threat.  This story is so damn good and served as an interesting continuation of the original Inheritance Cycle novels, adding to the overall plot of the series, while also allowing the new protagonist to strike out on his own and encounter the world on his terms.  Paolini really hits the right balance of elements in Murtagh, with a great focus on character work blending nicely with the complex story and great focus on expanding Alagaësia.  While this series is usually marketed as young adult fantasy fiction, I honestly would consider Murtagh to be more of an adult book due to its elaborate story, big world, and complex older characters.  Despite that, younger readers can still really sink their teeth into Murtagh as an early fantasy experience, and Paolini really hits the right balance of violence and other themes that ensures Murtagh is very palatable to a range of readers.

As I have made clear a few times already, Murtagh is a sequel to Paolini’s Inheritance Cycle series, where quite a lot of plot, character histories and elements about the world of Alagaësia were introduced.  Due to it being a direct sequel, a large amount of this detail was essential for Murtagh, which does put newer readers at a disadvantage.  I think Paolini did a good job of reintroducing these relevant story elements where needed, so new readers can dive into this book without too many issues.  However, the re-establishment of these elements does take a little time, so there might be some occasional blind spots for these newer readers, especially towards the beginning of the book.  As such, established Inheritance Cycle fans will get a lot more out of Murtagh than new readers, and there are tons of incidental references and callbacks that will make a lot more sense as a result.  I was just so glad to finally get a new Inheritance Cycle book, especially one with such an elaborate and well-written story that connects to the original books in some creative and meaningful ways.

One thing I have always particularly loved about Paolini’s works is the insane amount of effort and detail he puts into developing his elaborate fantasy world.  He did an outstanding job of this in the Inheritance Cycle, and the resulting world was filled with a fantastic history, some classic fantasy elements, and a complex evil empire ruled over by an all-controlling madman.  I had an outstanding time exploring Alagaësia when I was younger, and so one of the things I was most excited about with Murtagh was seeing how much this fantasy world has changed in the aftermath of the protagonist’s victory.  Paolini delivers this in spades, showcasing some intriguing changes as the nations rebuild, the other races once again integrate with humanity, and the compelling legends of Eragon’s victory over Galbatorix are built up, even if Murtagh’s role in that victory are largely forgotten.  Many of the well-established rules of magic and Dragon Riders are brought back for this sequel, and Paolini makes sure to reintroduce them effectively for new readers.

It was quite interesting to see Murtagh’s less-knowledgeable take on much of this fantasy lore, especially as that cleverly tied it with his more brutal tutoring in magic than Eragon had in the original series.  Indeed, Murtagh’s insights into many elements of this world are very different to those of the previous protagonists, and this helped to make a lot of the novel a lot more grounded and approachable.  While it was great to see these familiar elements again, I also liked the new fantasy features of Alagaësia that Paolini came up with for Murtagh.  While I won’t give too much away here, the new big bad of the series is very intimidating, and I loved how well Paolini set them up.  The author is subtle with this introduction, and its gradual reveal really increases its threat level, as it seems potentially even more dangerous than Galbatorix.  I look forward to seeing how Paolini expands on this, and I was so impressed with how much additional world building was featured in Murtagh.

A major highlight of this book had to be the compelling character arcs that formed the basis of the book.  Murtagh is extremely character driven, perhaps even more so than the other Inheritance Cycle novels, and Paolini writes an exceptional story around his characters.  Naturally most of this focus revolves around the titular character of Murtagh, who is the only point of view character in the novel.  I was happy that Paolini decided to focus an entire novel on Murtagh, as he was such a great character in the original trilogy whose perspective you never got to experience.  The son of a monstrous traitor who served Galbatorix, Murtagh eventually rebelled and tried to escape his fate, only to be captured again after meeting Eragon in the first book.  Forced to serve Galbatorix against his will, thanks to the torture levelled against his newly hatched dragon, Murtagh ended up being the secondary antagonist of the series, especially once it was revealed he was Eragon’s half-brother.  Murtagh was eventually able to free himself from Galbatorix’s control at the climactic battle however, despite the role he played in killing the big-bad, he is still very much reviled by the people due to the atrocities and murders he was forced to commit.

As such, the plot of Murtagh is essentially what happens if a somewhat redeemed Darth Vader (there are a lot of parallels between the two characters), was wondering the land trying to atone for the evils he caused and reflecting on all the mistakes in his life.  I loved that we got to see this unique and compelling character focus, and it proves to be a very intense and powerful central storyline, especially as Murtagh is forced to relive a lot of the pivotal moments of his plot from the original novels, in addition to some previously unseen backstory.  You really get to experience Murtagh’s regrets, despair and self-loathing, and Paolini does a great job of focusing on that, while also introducing some additional growth as Murtagh comes to terms with who he is.  Paolini writes a fantastic redemption arc in this novel, and Murtagh really grows into a character you can care for.  Naturally, Paolini rewards you for caring by showing some extended scenes of Murtagh suffering in some major ways, and some of these sequences, especially in the second half, pull at the heartstrings.  The author expertly ties this suffering into Murtagh’s journey of self-discovery, and the scenes where he overcomes major adversity again proves to be some of the most powerful in the entire book.  I also appreciated how Paolini portrayed him in a very different way to Eragon, as he is more angry, impatient, and less-well trained in many of the arts of magic.  The author portrays these differing character elements in an extremely impressive way, and the character history surrounding the protagonist really explains why Murtagh is so separate from his fellow Dagon Rider and half-brother.  I honestly was so impressed with how Murtagh was showcased in this book and he ended being a pretty exceptional character.

Due to their mental connection, Murtagh’s dragon Thorn is also a major character in the novel, and he proves to be an excellent alternative protagonist as a result.  Thorn proves to be a fun and over-protective companion to Murtagh, especially with their joint history of abuse, and Paolini always does a great job of showcasing the soul bond that exists between a dragon and rider.  In many ways, Thorn is very similar to Saphira from the original Inheritance Cycle novels, being proud, predatory and occasionally playful (very much like a cat).  However, unlike Saphira, Thorn has gone through a substantial amount of trauma thanks to the machinations of Galbatorix, who used magic to age him quickly and tortured him the entire way to make him even more vicious.  It was fascinating to see a psychologically traumatised dragon , especially as certain things set him off, and watching him try to mentally heal alongside his human is a very heartwarming part of the novel.  While he does suffer at times alongside Murtagh, he also gets to cut loose at the end in a particularly cathartic, if destructive, sequence, which was really great.

Murtagh also features an interesting array of new supporting characters, who ensure some interesting interactions with the two protagonists.  There is a noticeable lack of major characters from the original Inheritance Cycle novels, which I thought was a very clever move as it helped this novel to stand on its own.  I did think that one or two good characters from the previous novel, such as Angela, might have fit into this storyline well, but I’ll settle for seeing them later, especially after how successful their absence worked here.  As such, the supporting cast of Murtagh are all new characters, and Paolini did an outstanding job of introducing them and working them into the plot.  While many of these characters did not appear in the story for a long period, namely because of the protagonist’s transitory narrative, several characters did stand out.

I loved the Urgal shaman Uvek Windtalker who Murtagh encounters in the second half of the novel, whose interaction with the protagonist leads to some powerful scenes.  However, the true standout character in Murtagh had to be the main antagonist, Bachel.  A powerful which and apparent profit, Bachel is a mysterious and aloof figure, who proves to be quite sinister.  You end up getting quite a good look at just how malicious, arrogant and dangerous Bachel and her minions can be as the book continues, and Paolini does a remarkable job of building her up as someone to really despise.  This ensures that you are really pumped up for the big confrontations with her at the end of the novel, and I liked just how effective the author was able to make her.  These characters and more really help to push the narrative of Murtagh in some awesome directions, and I liked the more unique figures that were featured in this latest entry in the Inheritance Cycle.

While I did receive a paperback copy of Murtagh, I ended up listening to the audiobook version instead.  This is mainly because the last few times I enjoyed the Inheritance Cycle I chose to listen to the audiobook format, and I wanted some continuity from that since they brought back Gerard Doyle, the narrator from the original Inheritance Cycle, to voice this latest entry.  Doyle does an amazing job of narrating Murtagh, and I felt that he really enhanced the impact and enjoyment I had of the story.  Not only has he got a great basic tone that helps move the plot and lore heavy parts of the book along at a good pace, but he also has some excellent takes on the character voices.  His powerful voice for the titular character really hits all the right notes, and I love the range of emotion he can bring to this figure.  He brings back the classic ‘dragon’ voice for Thorn that featured in the other Inheritance Cycle books, and I loved the somewhat bestial nature to it, as well as the ethereal nature of a mental communication.  The rest of the intriguing cast is also well captured by Doyle, and he especially makes the main antagonist pretty sinister at times.  This outstanding voice work really drew me into the Murtagh, and I easily absorbed a lot more of the intense detail and lore in this format.  Coming in at 24 hours and 32 minutes, this is a pretty long audiobook (it would rank 15th on my current Longest Audiobook I’ve Listened To list), but it really worth a listen, especially if you enjoyed the original Inheritance Cycle novels in this format.

I think the multi-page ramblings above make it clear that I had an excellent time with Murtagh.  Christopher Paolini did an outstanding job of continuing his iconic Inheritance Cycle series, and I loved the compelling direction he is taking this story.  I also love how much Paolini appears to have improved as a writer, especially when it comes to complex character work, and I cannot wait to see what the next stage in Murtagh and Thorn’s journey is.  Murtagh is very-much worth the read, especially if you grew up reading the Inheritance Cycle books like I did.

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Vendetta by Sarah Barrie

On By The Unseen LibraryIn Australian, Thriller10 Comments

Vendetta Cover

Publisher: HQ (Trade Paperback – 15 November 2023)

Series: Lexi Winter – Book Three

Length: 392 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most impressive crime fiction authors, Sarah Barrie, returns with the third book in her gritty Lexi Winter series, Vendetta.

For the last couple of years one of my favourite new Australian crime fiction series has been the Lexi Winter books by Sarah Barrie.  Set in Sydney and central New South Wales, the series follows Lexi Winter, a vigilante hacker who bears a massive and righteous hatred for child molesters.  The first book in the series, Unforgiven, saw Lexi attempt to take down a serial killing paedophile with connections to her complex past in a dark and bloody read.  This first book in the series served as a great introduction to Lexi and her police supporting characters, while also giving some fantastic insights into the events that formed her.  The second book, Retribution, saw Lexi as a newly initiated police officer who still broke the rules, especially when it came to hunting down her nemesis and destroying everyone who helped him.  The first two books in this series are so damn good, and I have been keen to see how this series would continue.  I recently got my wish as I just finished off the third book in the series, Vendetta, which proved to be an exceptional and dark read.

After taking down a notorious crime family, maverick rookie police officer and occasional vigilante hacker Lexi Winter is riding high.  However, a sudden phone call is going to take her down a dark path that will force her to revisit some of the worst parts of her past.  Two old friends she owes deeply are in trouble with a well-connected local motorcycle club, Chaos Reigns, and the only way Lexi can save them is to go undercover and pretend to work for the gang.

However, as Lexi begins her new assignment, she finds herself confronting a long-hidden ghost from her past.  Years ago, Lexi found a family with another outlaw motorcycle club, the Combat Crew, who harnessed her natural talent with computers and taught her every dirty trick she knows.  With members of Combat Crew making up the senior levels of Chaos Reigns, Lexi finds herself forced to deal with hardened criminals who know more about her troubled history than anyone else.  Forced to assume her old persona, Lexi works to once again earn their trust, but not everyone is convinced that she is on the level, especially when her connections with the police are discovered.  Worse, members of her police team are convinced that her undeclared past with Combat Crew makes her too much of a liability and soon Lexi’s loyalties are tested like never before.

But suspicions and secrets are the least of Lexi’s problems when she finds herself in the middle of a series of explosive attacks aimed at the members of Chaos Reigns.  The former president of Combat Crew, Arthur Cronin, has been released from prison and is more than willing to blow up anyone he feels was responsible for the murder of his wife and child.  Caught between deranged bikies and suspicious friends, Lexi must use all her skills to survive and save who she can.  But as the case takes more from her and more of her colleagues begin to turn on her, Lexi will be forced to finally decide where her loyalties belong and what side of the law she truly exists on.

Sarah Barrie continues to showcase why she is one of Australia’s fastest rising crime fiction stars with another powerful and gritty read.  Vendetta had one of the strongest plots of the entire Lexi Winter series so far, as not only did it present the reader with a great murder mystery/thriller plot but it also featured some intriguing character work.  Barrie does an excellent job of moving the plot of Vendetta away from the previous novels, and the interesting redirect towards a motorcycle club, a firm favourite villain organisation in Australian crime fiction, makes for an interesting change of pace.

The main story proves to be an intricate and compelling mixture of character driven narratives as the plot jumps across several excellent characters, most of whom were introduced in the prior novels.  The story primarily follows troubled protagonist Lexi Winter who is forced to go undercover in a motorcycle club to save some old friends.  Initially pretending to be a criminal, Lexi soon finds her cover blown and must work all sides as she tries to retain both the trust of her police colleagues and her old associates.  Having the protagonist forced back with the bikies who trained her was a masterstroke from Barrie, and I loved how conflicted it made both her and the reader, as you don’t know which way she’s going to turn.  Barrie really hammers home the importance of Lexi’s chapters by showing everything from her perspective in the first person, and you really feel connected to her adventure as a result.  The author makes things even more interesting by introducing a crazed bikie leader seeking revenge, internal police politics making things difficult for Lexi, and personal conflicts amongst the protagonists finally coming to the surface in some damaging ways.

The last half of Vendetta is probably the best.  After the great set-up at the start, Lexi is fully imbedded in Chaos Reigns and is committing all manner of criminal acts for them.  Watching Lexi at her worst was so damn powerful, especially as she appears to turn on her friends, and the resulting drama, anger and conflict made for some excellent reading.  You are constantly on your edge of your seat as the various story elements start to come together and the police start to close in on Lexi, Chaos Reigns’ criminal actions, and the mad bomber.  Things get pretty dark at times, and Barrie works in some big twists.  I saw a few of these coming, but the main reveals at the end were cleverly hidden and well set up in the first half of the book.  I loved the exciting and compelling end to the plot that allowed the protagonist to really shine and setting up some interesting future adventures.  Everything about this story was extremely awesome, and I really got invested in the high-stakes plot and the deeper personal aspects that resulted as well.

Despite the central crime being unconnected to the main series antagonist, Vendetta was a great Lexi Winter novel that masterfully moved the series and characters along.  I honestly think that the series needed a book with a different investigative target at this point in the ongoing narrative, and it builds up anticipation for the next interaction with the main villain in future entries.  The change in focus also allows Vendetta to be enjoyed more as a standalone novel than the second book, although I did notice a few minor plot gaps from the previous entries that Barrie could have done a better job exploring.  Barrie also continues some of the prevailing themes of the previous book, including comparisons between vigilantism and official police work, as Lexi tries to decide what side of the law best works for her to get her required revenge.  Naturally, those readers who checked out the prior novels are probably going to get a lot more out of Vendetta, and indeed it helped to explain certain character actions from the previous book that never quite made sense to me.  However, Vendetta is honestly a great and gritty piece of Australian fiction anyone can enjoy.

Once again, a major highlight of this series is the outstanding cast of compelling and damaged protagonists, each of whom has their own unique stories.  This is particularly true of the series’ titular protagonist, Lexi Winter, who Barrie has turned into quite a conflicted and complex figure.  We have already seen quite a lot of Lexi’s dark past in the previous books, especially in Unforgiven, and Vendetta builds on this extremely well, giving us insights into her criminal past, including the origins of her hacking abilities.  I loved how well this past was explored and featured throughout Vendetta, and it gave this already fantastic character some extra layers, especially it explores why she is more reliant to do things on her own then go through official channels.  This complex past with the motorcycle club ensured that Lexi had a particularly compelling and exciting storyline in Vendetta as she finds herself caught between her prior loyalties and the friends she made in the last two books.  As such, the reader spends much of the story unsure whose side Lexi is truly on, especially when key police characters turn against her, and I was constantly on the edge of my seat waiting to see how this would turn out.  I think Barrie resolved this extremely well, as Lexi’s strong moral compass always guided her along the right path, and I also enjoyed how parts of Lexi’s narrative come full circle, especially when she finds herself a protégé.  There is also some intriguing examination of Lexi’s view on relationships and love, much of which is impacted by her past, and I appreciated the compelling and mostly tasteful way that Barrie explored this.  I cannot wait to see how Lexi’s story continues in the future, as she is without a doubt the best character in the series.

In addition to Lexi, Vendetta features a brilliant and compelling cast of additional characters, many of whom have appeared in prior novels in the series.  Barrier introduces some great development and personal drama to surround these characters and it works to enhance the already powerful story.  Detective Senior Sergeant Finn Carson is once again very solid as the male lead of the book, and Barrie makes good use of his unique friendship/relationship with Lexi to build up some serious drama as he tries to work out her actions and motivations.  Lexi’s mentor, Detective Inspector Rachael Langly, also proves to be compelling figure in Vendetta, especially as, after going to bat for Lexi time and time again, it looks like her protégé has turned on her.  Finally, I was particularly happy that we got some further developments around Detective Sergeant Lisa “Cass” Cassidy.  Cass was an interesting inclusion in the second novel, although for some unexplained reason her main character attribute was being dismissive and hostile towards Lexi.  Barrie expanded on this in Vendetta, as Cass was revealed to have a hidden connections to Lexi’s past which is explored in this current case.  As such, Cass spends much of the book trying to hide her involvement with Lexi and her prior mistakes involving the bikies.  This adds some major fire and drama to the plot, and while Cass proves to be one of the more unlikable characters in the story Barrie masterfully paints her as a victim, and I deeply appreciated her journey and the deeper pain behind her actions.  Throw in a great collection of bikies and other criminals, including her old mentor and protector, and the intense personal connections in Vendetta really jump up, resulting in an outstanding read.

Sarah Barrie continues to showcase why she is one of Australia’s best current crime fiction authors with the outstanding third Lexi Winter book.  Featuring a particularly strong story that takes the reader on a dark journey in both the past and the present, Vendetta is a great read that had me hooked all the way to the end.  Loaded with violence, bad decisions and damaged characters, Vendetta one of Barrie’s best novels yet and I cannot recommend it enough.

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Quick Review – He Who Drowned the World by Shelley Parker-Chan

On By The Unseen LibraryIn Australian, Fantasy, Historical Fiction, LGBT+, Quick Review2 Comments

He Who Drowned The World Cover

Publisher: Mantle (Trade Paperback – 29 August 2023)

Series: The Radiant Emperor – Book Two

Length: 487 pages

My Rating: 4.5 out of 5 stars

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Rising Australian author Shelley Parker-Chan returns with the second part of her Radiant Emperor duology, He Who Drowned the World, an impressive and complex historical fantasy set in 14th century China.  He Who Drowned the World is the exciting sequel to the author’s first novel, She Who Became the Sun, which provided a compelling spin on a legendary Chinese Emperor by imagining them as a female who takes on her dead brother’s identity to achieve greatness.  She Who Became the Sun was a pretty awesome read, loaded with intriguing imagery, excellent characters, and a unique story.  I deeply enjoyed reading it when it first came out and it ended up being one of my favourite debuts and pieces of Australian fiction in 2021.  I was very excited to get a copy of He Who Drowned the World, especially as Parker-Chan does an excellent job of fishing off her epic story in a big and compelling way.

Plot Synopsis:

How much would you give to win the world?

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.

But Zhu isn’t the only one with imperial ambitions. Her neighbour in the south, the courtesan Madam Zhang, wants the throne for her husband – and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.

Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history – and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

All the contenders are determined to do whatever it takes to win. But when desire is the size of the world, the price could be too much for even the most ruthless heart to bear . . .


He Who Drowned the World proved to be a unique and captivating novel that continued to follow former monk turned general Zhu Yuanzhang as she attempts to free China from the Great Khan, outwit her rivals, and take the throne as Emperor.  Parker-Chan dives right into this scenario as the book starts, and you are soon enthralled by the complex, multilayered story that emerges.  Thanks to the power shift from the first book, the battle for control of China turns into a fight for dominance with four armies in the field, while the shadowy Wang Baoxiang manipulates events in his favour from the shadows at the capital.  The events are shown from the various unique perspectives of the four main characters, each of whom is trying to survive and win the throne by their own methods.  I love the blend of storylines that evolved here, whether it is the main protagonist’s plan to seize her destiny no matter what, Ouyang’s destructive quest for revenge, Madam Zhang’s attempt to manipulate all the men in her life to gain power, or Wang Baoxiang’s careful and lustful politicking.  All these character arcs are deeply fun in their own right, although I must admit I found Wang Baoxiang’s storylines to be the most fascinating, mainly because he was so deliciously devious and swiftly rose up as a brilliant villain.

As the book continues, the reader is treated to some amazing story points, including Ouyang being forced to work with Zhu, who keeps winning with inventive tactics; Madam Zhang’s plots failing her left and right; and Wang Baoxiang’s malevolent rise to power, taking down everyone he gets close to.  Each of these characters gets their moment to shine, and I loved some of the interactions that emerged, especially when the characters begin to meet each other.  Zhu and Ouyang in particular play off each other perfectly, with Ouyang’s sheer anger finding no purchase with Zhu’s more Zen outlook on life, which only infuriates Ouyang more.  I really loved the part of the book that focused on the complex alliance between these two characters, and its dramatic end also works extremely well, especially as it leads to that haunting scene where Ouyang encounters his destiny only for it to destroy him.

The entire book moves at an outstanding pace, and the compelling detail, unique world-building, and fascinating characters continue to build as the novel reaches its zenith.  The final fate of Ouyang really was a major highlight of He Who Drowned the World, and the rest of the plot that follows had me hooked to the end.  The last part of the book was a little more subtle than I was expecting, but it still featured some great moments as Zhu, who is not as benevolent as you would think, sacrifices much to try and achieve victory.  The taut emotions, devastating betrayals, and determined attempts for revenge really help this conclusion stand out, and I was enthralled the entire way through.  Parker-Chan ends everything on a somewhat hopeful note, which was nice after how dark the rest of the book was, and the reader will come away from He Who Drowned the World satisfied, if a little emotionally raw and shaken.

I really must comment on the fantastic and unique setting that Parker-Chan utilised for this duology.  The overarching setting of 14th century China is pretty awesome in itself as the author worked hard to capture the unique cultural aspects of the period, such as the control by the Mongolian dynasty, while also presenting all the chaos and war that emerged when Zhu attempted to claim the throne.  However, things get even more interesting as the author works in some subtle but significant fantasy elements that really make these books standout.  These elements are all tied into a person’s right to rule as those with the will, ability and destiny are gifted with a literal Mandate of Heaven, which allows them to call forth an aurora of light and fire to show their divine right to rule.  Several key characters in the series are gifted by the mandate, and the way they use it, whether to install fear, show their divinity, or utilise it for even darker purposes, is pretty damn fascinating.  The other major fantasy element revolves around ghosts that only a few characters can see, which end up being an interesting part of the plot.  The protagonist’s ability to see and occasionally manipulate these ghosts adds a certain edge to their story, especially as it serves as a representation of their deeper guilt, regret or determination, and I felt it was a fitting character element.  The manipulation of ghosts also results in some dark scenes, especially when one of the antagonists does some horrible things to get a supernatural advantage.  This interesting blend of historical and fantasy elements really helped to give the world of these duology a fantastic and unique tinge, and I really enjoyed seeing the elaborate war story Parker-Chan set out in it.

I also enjoyed how nearly all the major characters in this book had some compelling gender and orientation feature to them, which helped to define their character and take them to some interesting places.  This includes the main protagonist taking over a male identity and entering a unique relationship with their wife, while General Ouyang deals with the shame of being a eunuch, although that doesn’t stop him from being the biggest badass in the book.  These elements were really well handled by the author, who featured them in a thoughtful and tasteful manner, and it was interesting to see how this defined them.  Parker-Chan really dove into the emotional, cultural and spiritual nature of these factors, especially in their historical context.  I particularly enjoyed how all these characters tended to rise up above the shame or taboo nature surrounding this character element, and indeed many of them used it to their advantage.  I really enjoyed seeing how well Parker-Chan utilised these elements in the plot and it made for some great representation.

I really enjoyed this distinctive and fascinating novel from Shelley Parker-Chan who produced a remarkable conclusion to her impressive debut duology.  He Who Drowned the World was a powerful, intense and complex read that really showcased the horrors of war, ambition and self-delusion.  Featuring a moving and devastating narrative, loaded with great characters and a unique take on Chinese history, He Who Drowned the World is an exceptional read and a worthy sequel to Parker-Chan’s first book.

He Who Drowned the World Cover 2

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The Last True Templar by Boyd and Beth Morrison

On By The Unseen LibraryIn Historical Fiction, Thriller10 Comments

The Last True Templar Cover

Publisher: Head of Zeus (ebook – 14 September 2023)

Series: Tales of the Lawless Land – Book Two

Length: 492 pages

My Rating: 4.5

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The impressive sibling team of Boyd and Beth Morrison return with an epic and compelling sequel to their first impressive novel, The Last True Templar.

Last year I had the very great pleasure of reading the first book written by the pair of thriller author Boyd Morrison and historian Beth Morrison, The Lawless Land.  Following an excommunicated knight and a noblewoman as they try to keep a sacred relic out of the hands of a corrupt cardinal, The Lawless Land was an outstanding read that blended fascinating historical detail with an intense thriller storyline.  The Lawless Land ended up being one of my favourite books of 2022 and I have been eagerly anticipating a sequel for ages.  This second book in their Tales of the Lawless Land series, The Last True Templar, sets the awesome protagonists on a compelling new adventure, an elaborate treasure hunt through medieval Italy.

Italy, 1351.  After their first exciting adventure together, exiled English knight Gerard Fox and his determined companion, Willa, have decided to embark on a journey throughout a Europe still recovering from the ravishes of war and plague.  Determined to get married, the two seek a way to escape their complex pasts and move on to a future free of violence and persecution.  However, fate has something far more adventurous planned for them.

Arriving in a small village between Florence and Siena, Fox and Willa suddenly find themselves witnesses to a deadly ambush.  A band of skilled, masked bandits are targeting Luciana Corosi, the wife of a prominent Sienna businessman, determined to kill her and steal the payment she carries for a lucrative deal.  Intervening, Fox and Willa manage to save Luciana’s life, before escorting her home.  However, it soon becomes apparent that not everything is as it seems, especially as Luciana’s scheming husband, Riccardo Corosi, is behind the attempts of Luciana’s life.

Escaping from Riccardo’s clutches with Luciana, Fox and Willa soon find themselves embroiled in a complex scheme that reaches all the way back to the fallen Knights Templar.  Years ago, Luciana’s father helped the Templars hide their vast treasure from the Church before being betrayed by Riccardo.  Determined to save her family’s legacy and finally expose her treacherous husband, Luciana recruits Fox and Willa to her cause and requests their help in solving a series of clues leading to the treasure.  But with Riccardo and his men hot on their trail, can Fox and Willa find the legendary treasures of the Knights Templar, or have they finally met their match?

The Last True Templar was an interesting and enjoyable follow-up that captures the heart of the original book while changing some key story aspects and the background setting.  The result is a fantastic and exciting read that I had a wonderful time reading and which I managed to power through in a very short amount of time.

The plot of The Last True Templar is pretty damn cool as it places the author’s established protagonists into a whole new crazy medieval thriller scenario, this time involving the warring Corosi’s and their respective legacies.  Fox and Willa’s inadvertent entry into the plot is well handled and nicely ties into their current wanderings, and their continued presence in events feels pretty natural, especially as they are both trying to help a friend and achieve their own personal goal of getting married.  The authors do an effective job at building up and injecting the intriguing characters and real-life history that led up the events of the book early on and the story, and you soon get swept up in the resulting treasure hunt that is rich in Templar lore.  The story is masterfully told from a range of different perspectives, including the antagonists, which allows for some compelling insights into everyone’s respective motivations, histories and plots.  Several chapters are also set in the past, either to strengthen the history surrounding the missing Templar treasure or provide backstory and added drama for the characters.

The main story of The Last True Templar turns into an exciting, clever, and action-packed romp, as the authors set out some major thriller antics within a historical setting.  Just like with The Lawless Land, the initial thriller aspect of this story involves the protagonists attempting to stay one step ahead of the villains while learning about the dark history that surrounds their motivation.  However, the characters also get involved in an elaborate historical treasure hunt which sees them decode a series of historical clues to find the location of the treasure.  A storyline involving riddles and the hunt for ancient treasures is classic thriller fare, and I really enjoyed seeing medieval protagonists undertake this, especially as it takes them across 14th century Italy.  The authors come up with a fantastic and elaborate series of mysteries, riddles and clues for this aspect of the story, and I loved the constant and desperate roaming through various well-described cities as they attempt to puzzle together dated references and hints.

The authors’ use of multiple perspectives really helps to enhance the race aspect of the story, as you get to see key events through multiple eyes, including the scheming and double-crossing antagonists.  I loved seeing all the different moves each character made in The Last True Templar, and you are constantly on your feet as both groups get closer to the treasure while working to outsmart or outplay their opponents.  There are also some amazing set pieces scattered throughout this novel, including an elaborate horse race through the streets of a city, several skirmishes, and even ship-to-ship boarding action.  Everything leads up to an exciting and intense conclusion as both sides fight for the potential treasure, and all the compelling story elements come full circle.  All the characters get a compelling conclusion to their storyline, whether they want to or not, and the book ends on a satisfactory note that leaves the series open for further entries.

I loved the fantastic historical detail that was contained in The Last True Templar as the authors really immersed readers in the period.  The impressive depictions of the various Italian locations and cites was well done, and I could honestly see the settings in my mind’s eye as the protagonists visited them.  Much of the background setting and character attitudes and actions, whether it be in battle, business, or exploration, had some noticeable historical accuracy, and I loved the elaborate descriptions that accompanied the narrative.  I particularly enjoyed the author’s depiction of a historical Palio di Siena, which the protagonist was forced to participate in, and it honestly was one of the high points of the story.  However, the best historical detail in The Last True Templar is reserved for the examination of the Knights Templar and the hunt for their treasure.  The authors do an excellent job of exploring the legacy of the Templars, and I found it fascinating to see characters talk about them only a few decades after their fall.  This examination of the Templars adds a great deal to the narrative, as not only is it strongly tied to several of the new character’s backstories, but it also proves to be very relevant to the various riddles the characters need to unravel.  Each of the riddles is tied into a specific location or has some relevance to the Templars, and it was awesome seeing the characters work out and trying to solve them.  There were even some very clever instances where the relevant landmarks referenced in the clues were no longer there or current, even after only a few decades, which added some intriguing difficulties into the larger treasure hunt.  All these details, and more, were extremely interesting to me, and I had a wonderful time with how well the authors incorporated them into the plot.

I had a lot of fun with the characters in The Last True Templar, especially as we got to see more of Gerard Fox and Willa, both of whom were so well set up in the preceding novel.  An excommunicated knight likely to be charged with heresy for not repenting for his unfairly given punishment and a brave, independent and highly capable former servant, Fox and Willa make for an intriguing pair, and I love the idea of an entire series dedicated to them wandering around helping people.  The authors do an excellent job of reintroducing them in this sequel, and I really enjoyed how they were worked into this exciting story.  Since both of their backgrounds were thoroughly explored in The Lawless Land, you don’t get a lot of extra history for them in this sequel.  Instead, there is an intriguing storyline regarding their adventures in Europe and the struggles they have faced on the road together as a couple.  Their main issue involves their desire to get married, however, due to Fox’s excommunicated status, something he takes seriously despite the unfairness surrounding the entire situation, they are unable to find a church or priest likely to approve the ceremony.  This leads to some real strain on their relationship, and I liked how the authors dived into such compelling historical concerns for their character arc.  Despite this, the two remain a strong duo with a fantastic blend of talents, and it was a real pleasure to see their second adventure together.

The rest of the character focus is completely reserved for all the new characters involved in The Last True Templar.  In particular, you spend a lot of time with Luciana Corosi, an Italian matron who has been betrayed and manipulated by her evil husband.  A smart businesswoman with a painful history, Luciana proves to be an excellent addition to the main cast, and she plays off Fox and Willa extremely well as they work together.  I loved the intriguing history surrounding Luciana, especially all the betrayals she has experienced in her life, and it was great to see her finally try and reclaim her life and her destiny.  While Luciana is great, this book is would be nothing without a fantastic villain, and this role is well filled by Luciana’s husband, Riccardo Corosi.  A scheming former Templar who betrayed his order and Luciana’s father and turned his ill-gotten gains into a thriving business which he uses to control his city, Riccardo is a despicable antagonist you have a very easy time hating.  The authors show much of the story from Riccardo’s perspective, so you get some great insights into his various schemes, and you quickly realise just how irredeemable he truly is.  Partnered with a surprisingly loyal, if murderous, English knight, and a scheming female associate who plots against everyone, Riccardo is a great foil to the main cast, and I loved the various betrayals he brings to the table, even when it comes to his own followers.  This proved to be quite a fun and compelling cast of characters and I loved seeing their fantastic story unfold.

Overall, The Last True Templar was an outstanding read and I loved seeing more adventures from the team of Boyd and Beth Morrison.  This second Tales of the Lawless Land novel was very exciting and I loved the great new characters, intriguing historical detail, and compelling thriller centric plot.  An impressive sequel from start to finish, I deeply enjoyed The Last True Templar and I hope we get more books from these amazing authors in the future.

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House of Open Wounds by Adrian Tchaikovsky

On By The Unseen LibraryIn Fantasy, Five-Star Books25 Comments

House of Open Wounds Cover

Publisher: Head of Zeus (Ebook – 7 December 2023)

Series: The Tyrant Philosophers – Book Two

Length: 636 pages

My Rating: 5 out 5 stars

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The always deeply impressive Adrian Tchaikovsky returns with an exceptional and remarkable piece of fantasy fiction, House of Open Wounds, which presents the reader with a particularly unique and ruthlessly entertaining story, chock full of brilliant characters.

Few fantasy authors have the range and style of Adrian Tchaikovsky, whose distinctive contributions to the science fiction and fantasy fields are quite remarkable.  While Tchaikovsky has written several highly regarded series, I have only just scratched the surface of his works, having read a few of his recent reads.  This includes his first foray into the Warhammer 40,000 universe, with the captivating standalone read, Day of Ascension, as well as the brilliant and elaborate novella, Ogres.  However, my favourite book from Tchaikovsky so far would have to be the outstanding City of Last Chances.

The first book in The Tyrant Philosophers series, City of Last Chances was an outstanding read that I had the pleasure of enjoying earlier this year.  Set around a conquered city with several unique magical inclusions, City of Last Chances introduced the reader to a cool new world and told a range of character driven stories about resistance, religion and sacrifice.  City of Last Chances got a very easy five-star rating from me, and it honestly was one of the best books and audiobooks I enjoyed in the first half of 2023.  I had such a brilliant time with City of Last Chances that when Tchaikovsky announced he was releasing a sequel in the second half of 2023, I was ecstatic.  This sequel, House of Open Wounds, continued some of the complex storylines Tchaikovsky started in City of Last Chances, and it was one of my most anticipated books for the second half of the year.

There are few nations more feared or relentless than the ever-expanding Palleseen.  A rising empire of zealots who are determined to bring Perfection and Correctness to an imperfect world, the Palleseen have advanced out of their homeland in an unstoppable wave, wiping out all religion and superstition as they go.  As cities and kingdoms fall before their military might, their armies leave behind mounds of dead and wounded soldiers who require tending in field hospital tents just behind the frontline.

Into this chaos is thrust the god smuggler Yasnic.  A former priest, miracle healer and occasional rebel, whose previous experiences with the Palleseen saw him hanged, attacked and banished from his city, Yasnic has experienced many upheavals throughout his life.  Saved from another execution by the army bureaucracy, Yasnic and his box of orphan gods arrive at the frontlines, where he has been assigned to work in an unorthodox medical unit.

Made up of a mixture of former priests, gods, magicians, alchemists, artificers, necromancers and led by a gigantic brute known as the Butcher, the experimental medical unit treats the soldiers no one else can save and recycles the rest into the war effort.  Entrusted to save the Palleseen soldiers, but doomed if anyone ever discovers the full extent of their abilities, the surgeons and orderlies of this unit ply their bloody trade as best they can while living as part of an unusual family, but the arrival of Yasnic could change everything.

As Yasnic works to fit into the unit and save lives, his unusual connections to the weakened and hidden gods of the world slowly begin to cause chaos throughout the army.  Not only is he aware of the divine forces that secretly hang around the hospital, but his own illegal and crotchety God is determined to bring miracles to the Palleseen, whether that want them or not.  As an outbreak of impossible healing and sudden pacifism spreads through the regiment, can Yasnic keep himself and his gods alive, or will the full force of the Palleseen zealots come crashing down upon him?

This was another epic and truly remarkable novel from Tchaikovsky that had me hooked the entire way through.  Featuring a dark, bloody and fun story, House of Open Wounds was a particularly distinctive read that told its own captivating story while continuing some of the best elements from City of Last Chances.  Funny, thoughtful and moving in equal measures, House of Open Wounds was an incredible and addictive novel that gets another very easy five-star rating.

I was very impressed with the exceptional and moving narrative that Tchaikovsky pulled together for House of Open Wounds, and I was hooked the second I got into it.  After the events of City of Last Chances, the reader is thrust into a new part of Tchaikovsky’s fantasy world as you find yourself imbedded in a Palleseen battalion following the members of an unusual but effective military hospital.  Like City of Last Chances, House of Open Wounds is strongly character driven, as you follow the personal stories surrounding each of these unusual outsider characters and learn about their complex pasts while watching their lives play out in the present.  Much of the plot revolves around returning protagonist Yasnic and his God, who are drafted into the unit, and you get to see his experiences of the other characters, the wars, and the internal Palleseen bureaucracy.  Most of the first half of House of Open Wounds is dedicated to exploring the new cast of characters and introducing their unique stories, as they find themselves closely following a bloody and dangerous war.  This part of the book is primarily focused on the healing and medical work of the protagonists, as well as diving into their reasons for being there and the unique skills they bring to the surgical table.  Apart from that, there isn’t an amazing amount of major plot progression here, except when Yasnic starts to mix things up around the battalion.  While this pace is a little slow, this first half of the book was really fun and enjoyable, as you find yourself getting really lost in the characters’ lives, unique struggles, desires, and experiences.  It also helps that many of these character details, as well as the mundane events of the hospital, eventually lead to bigger things later in the main plot, and Tchaikovsky does an outstanding amount of set up here.

The plot picks up a lot more in the second half, when the main battalion moves to a different warzone and find themselves involved in a substantial fight that really pushes the medical unit to its limits.  The new battles, as well as the intriguing location they find themselves in, move several of the character arcs in some big directions, and you find out more and more about each of the main characters as a result.  The constant chaos that surrounds Yasnic also starts to take its toll on the main story, as his strangeness and the double-edged miracles he occasionally brings cause him to make enemies and upset the delicate balance of the Palleseen army.  At the same time, the Palleseen war machine starts to alienate the members of the medical unit, who find their talents being stolen to create weapons.  Everything leads up to the big finale, where the protagonists attempt to free themselves with an elaborate and ambitious plan.  This plan makes great use of all their individual skills and histories, and so many little details and elements from the story are used to bring a fun and creative conclusion to the book.  Each of the fascinating character arcs conclude nicely and I loved how Tchaikovsky masterfully brought everything together in a satisfying and entertaining way.

Tchaikovsky utilises his typical excellent and distinctive writing style to convey this elaborate and entertaining narrative to the reader, and I had such a wonderful time seeing it unfold.  As with the previous novel in the series, Tchaikovsky relies very heavily on perspective changes to tell a multilayered, character-driven story.  Like the previous book, many of the major characters are initially showcased in their own chapter at the beginning, which often leads to additional cast introductions.  As the book progresses, the chapters feature perspective changes so you can see more interactions and a wider view of the entire story.  I loved the immediate deep background on several of these characters, and while you still often must wait a while to get their full story, you learn enough to like them in the opening parts of the novel.  Tchaikovsky makes full use of these characters to tell a fantastic story, and I loved how well he showcases some unique events through their eyes.  As with the previous book, House of Open Wounds has a range of tones as Tchaikovsky works hard to produce the right balance of humour, excitement, and moving and powerful character moments.  The multiple detailed and confronting scenes of the bloody battlefield hospitals are well balanced out by the fantastic and subtle humour, which often comes from the outrageous situations that occur throughout the book, as well as the various character’s unique outlooks on life.  This made for a particularly compelling book as you found yourself moving from comedic scene to a more dramatic or tragic moment with frequent regularity, as you find yourself stuck onboard a well-thought-out emotional roller coaster.

House of Open Wounds proves to be an intriguing and clever follow-up to City of Last Chances, especially as the author deepens the lore surrounding this fantasy world and brings back two fantastic protagonists.  Readers of City of Last Chances will have an absolute blast with this book, as you get some interesting follow up to Yasnic’s compelling storyline while also seeing a different side to the antagonistic nation from the first book.  This is a somewhat loose follow-up, and you really don’t need to have read City of Last Chances to enjoy House of Open Wounds.  In many ways this is a good standalone novel, especially as most of the focus is on a whole new group of protagonists, and even Yasnic is given a new name for much of the book.  Tchaikovsky does ensure that some of the key details and plot points from the first book are carried over when needed, although he does leave a bit of context out in places so as not to overwhelm new readers.  As such, House of Open Wounds is a very accessible read, although established fans of Tchaikovsky are going to particularly enjoy this, especially if they loved City of Last Chances.

One thing you can always rely on Tchaikovsky to do is to pull together an elaborate and deeply compelling world to set his stories around.  This is extremely true in this series as Tchaikovsky has come up with a war-torn landscape filled with magic, gods, demons and a new rising empire.  The author did some interesting set up for this world in the previous novel, although the plot there was primarily contained inside a single city.  In House of Open Wounds, the reader gets to see a bigger chunk of this world, even though much of the plot takes place either on the battlefield or in the camp behind the lines.  Despite this, you get a better idea of the politics, wars and conquests that have taken place in recent history, and you particularly learn more about the Palleseen.  The Palleseen are a group of ideological zealots dedicated to bringing their version of perfection to the world, which primarily involves breaking everything down into logic and reason, and doing away with superstitions and beliefs.  As such, their goal is to rid the world of gods, deities and other superstitions, usually by conquering the lands and bringing them under the control of their relentless bureaucracy.  Most of this book is dedicated to exploring the nature of their war machine, and you really get to see just how corrupt and ambitious some of their members are as a result.

I loved the focus on the military hospital and the war camp for most of the book, especially as seeing the various members of Palleseen camp allows the reader to fully understand the many problems, compromises and cruelties the Palleseen experience on their road to perfection.  Tchaikovsky throws in some great critiques of militarisation and empire building throughout the book as you see these perfect Palleseen become racked with pride, ambition and greed to prove themselves and advance up the ranks.  Their determination to win means they turn a blind eye to gods and superstitions when it suits them, and that results in the experimental medical unit that serves as the centre of the book.  However, while they appear to only want the assembled gods, alchemists, and other strange magics for healing, really they are working to corrupt them into terrible weapons to further their war capability.  There are several great storylines that see the Palleseen turning benevolent tools and creatures into highly inventive tools of war, and it serves as a major plot point and motivation for several characters, including a few Palleseen who have enough of their colleague’s lust for power.  Combine that with the returning minor gods, who end up having their own impact on several characters, and the reader comes away with a very cynical look at the Palleseen, and empires in general, which both ridicules them and shows just how malevolent and insidious they can be.

The real key that pulls together House of Open Wounds is the huge array of memorable and complex characters that are introduced throughout the course of the plot.  Tchaikovsky does a remarkable job of introducing and swiftly building up some truly amazing characters in this novel, and their compelling and often traumatic personal stories become so highly ingrained in the plot as a result.  There are so many great protagonists and supporting figures in this novel, and I was personally impressed with how all of them were original characters that were not built up in the prior novel.

The main exception to this rule is Yasnic and his god, both of whom were introduced in City of Last Chances and who are masterfully inserted into this sequel.  Yasnic was honestly one of Tchaikovsky’s best characters in City of Last Chances and I was so glad to see more of him here, especially as the author somehow manages to work in even more development after all the defining character moments that shaped him in the prior novel.  Since we last saw him, Yasnic has moved on from being the last priest of a forgotten god and has instead become a more generalised religious figure, offering shelter and assistance to fallen and orphaned gods who no longer have any power or believers by carrying them around in a box on his back.  After everything he has gone through, including his own crisis of faith, Yasnic now has a different view of the world, although he is still being haunted by his demanding and petty god.  Yasnic has some wonderful moments in this book as he tries to fit into his new role while also hanging onto the trappings of his old life.  Desperate to save everyone he can, Yasnic finds his views and pacifism really badly damaged by the constant war and the relentless and orderly Palleseen, and he is forced to make some haunting compromises.  You really get some very interesting insights into Yasnic’s mind in this book, especially as you see how the aftermath of him abandoning his position as a priest impacted him.  You cannot help but feel for the extremely likeable Yasnic at times, as he is thrust into tragic and heartbreaking positions against his will, and his quiet determination and general positivity pluck at your heartstrings.  Throw in some great new friends, an unusual but surprisingly wholesome love interest and a series of unfortunate misunderstandings that frustrate even this gentle soul, and Yasnic once again stands out as a particularly awesome and likeable protagonist.

The other side of Yasnic’s character resides in the body of his tiny, stumpy, and petty deity, God, a former major healing god who has lost all his worshippers apart from Yasnic, but still maintains his powerful healing abilities.  However, God refuses to heal anyone unless they swear a vow of pacifism, and if they cause harm to someone in any way, it will result in their wounds automatically returning, generally resulting in a sudden death.  Thanks to his stubbornness, pride, and his whiny focus on Yasnic’s soul, God was one of the most entertaining characters in City of Last Chances, and I am really glad that Tchaikovsky brought him back for House of Open Wounds.  While he is still a judgemental, mischievous and ugly angel on Yasnic’s shoulder in this sequel, you get to learn more about God and why he refuses to help save people.  There are some surprisingly emotional scenes where God expresses why he is so bitter and you really get a much better understanding of his angry mind, especially when Yasnic makes the same mistakes, adding to God’s sadness.  I also loved how well God played off Yasnic as he proves to be a surprising and entertaining counterpoint to the humble and nice former priest.  While most of their dialogue is quite contentious, with God trying to control his increasingly independent former priest, you can see deep down that God cares about Yasnic, and they form quite an interesting and fun duo.  Tchaikovsky took God’s character arc in some interesting directions towards the end of House of Open Wounds, and I have a feeling he is going to be a real nuisance to people in the next book.

House of Open Wounds also features quite a fun range of supporting characters, each of whom has their own compelling story to tell.  This primarily includes the crazy and unusual group of associated healers and hospital workers that work in the experimental hospital unit, as well as the competitive and dangerous Palleseen officers controlling their destinies.  I won’t go into too much detail here, as I could honestly go one for a paragraph about each, but I was really impressed with how well Tchaikovsky set each of them up and explored their histories and stories as the booked continued.  There are some brilliant and very well fleshed out character arcs everywhere in House of Open Wounds, and I loved just how compelling a story Tchaikovsky was able to make as a result.

Adrian Tchaikovsky once again shows why he is one of the absolute best authors of complex and intelligent fantasy fiction with this outstanding and epic read.  House of Open Wounds is a deeply clever, compelling and moving read that hooks the reader with its unique scenarios, fantastic humour, and memorable characters.  I loved every single second I spent reading this novel and I really appreciated the amazing way Tchaikovsky chose to continue the great story started in City of Last Chances.  I cannot wait to see what over elaborate fantasy stories Tchaikovsky creates in this universe in the future, and this epic novel is one of the best pieces of fantasy fiction I enjoyed in 2023.

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