Tag: Action Packed

Vendetta by Sarah Barrie

On By The Unseen LibraryIn Australian, Thriller10 Comments

Vendetta Cover

Publisher: HQ (Trade Paperback – 15 November 2023)

Series: Lexi Winter – Book Three

Length: 392 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s most impressive crime fiction authors, Sarah Barrie, returns with the third book in her gritty Lexi Winter series, Vendetta.

For the last couple of years one of my favourite new Australian crime fiction series has been the Lexi Winter books by Sarah Barrie.  Set in Sydney and central New South Wales, the series follows Lexi Winter, a vigilante hacker who bears a massive and righteous hatred for child molesters.  The first book in the series, Unforgiven, saw Lexi attempt to take down a serial killing paedophile with connections to her complex past in a dark and bloody read.  This first book in the series served as a great introduction to Lexi and her police supporting characters, while also giving some fantastic insights into the events that formed her.  The second book, Retribution, saw Lexi as a newly initiated police officer who still broke the rules, especially when it came to hunting down her nemesis and destroying everyone who helped him.  The first two books in this series are so damn good, and I have been keen to see how this series would continue.  I recently got my wish as I just finished off the third book in the series, Vendetta, which proved to be an exceptional and dark read.

After taking down a notorious crime family, maverick rookie police officer and occasional vigilante hacker Lexi Winter is riding high.  However, a sudden phone call is going to take her down a dark path that will force her to revisit some of the worst parts of her past.  Two old friends she owes deeply are in trouble with a well-connected local motorcycle club, Chaos Reigns, and the only way Lexi can save them is to go undercover and pretend to work for the gang.

However, as Lexi begins her new assignment, she finds herself confronting a long-hidden ghost from her past.  Years ago, Lexi found a family with another outlaw motorcycle club, the Combat Crew, who harnessed her natural talent with computers and taught her every dirty trick she knows.  With members of Combat Crew making up the senior levels of Chaos Reigns, Lexi finds herself forced to deal with hardened criminals who know more about her troubled history than anyone else.  Forced to assume her old persona, Lexi works to once again earn their trust, but not everyone is convinced that she is on the level, especially when her connections with the police are discovered.  Worse, members of her police team are convinced that her undeclared past with Combat Crew makes her too much of a liability and soon Lexi’s loyalties are tested like never before.

But suspicions and secrets are the least of Lexi’s problems when she finds herself in the middle of a series of explosive attacks aimed at the members of Chaos Reigns.  The former president of Combat Crew, Arthur Cronin, has been released from prison and is more than willing to blow up anyone he feels was responsible for the murder of his wife and child.  Caught between deranged bikies and suspicious friends, Lexi must use all her skills to survive and save who she can.  But as the case takes more from her and more of her colleagues begin to turn on her, Lexi will be forced to finally decide where her loyalties belong and what side of the law she truly exists on.

Sarah Barrie continues to showcase why she is one of Australia’s fastest rising crime fiction stars with another powerful and gritty read.  Vendetta had one of the strongest plots of the entire Lexi Winter series so far, as not only did it present the reader with a great murder mystery/thriller plot but it also featured some intriguing character work.  Barrie does an excellent job of moving the plot of Vendetta away from the previous novels, and the interesting redirect towards a motorcycle club, a firm favourite villain organisation in Australian crime fiction, makes for an interesting change of pace.

The main story proves to be an intricate and compelling mixture of character driven narratives as the plot jumps across several excellent characters, most of whom were introduced in the prior novels.  The story primarily follows troubled protagonist Lexi Winter who is forced to go undercover in a motorcycle club to save some old friends.  Initially pretending to be a criminal, Lexi soon finds her cover blown and must work all sides as she tries to retain both the trust of her police colleagues and her old associates.  Having the protagonist forced back with the bikies who trained her was a masterstroke from Barrie, and I loved how conflicted it made both her and the reader, as you don’t know which way she’s going to turn.  Barrie really hammers home the importance of Lexi’s chapters by showing everything from her perspective in the first person, and you really feel connected to her adventure as a result.  The author makes things even more interesting by introducing a crazed bikie leader seeking revenge, internal police politics making things difficult for Lexi, and personal conflicts amongst the protagonists finally coming to the surface in some damaging ways.

The last half of Vendetta is probably the best.  After the great set-up at the start, Lexi is fully imbedded in Chaos Reigns and is committing all manner of criminal acts for them.  Watching Lexi at her worst was so damn powerful, especially as she appears to turn on her friends, and the resulting drama, anger and conflict made for some excellent reading.  You are constantly on your edge of your seat as the various story elements start to come together and the police start to close in on Lexi, Chaos Reigns’ criminal actions, and the mad bomber.  Things get pretty dark at times, and Barrie works in some big twists.  I saw a few of these coming, but the main reveals at the end were cleverly hidden and well set up in the first half of the book.  I loved the exciting and compelling end to the plot that allowed the protagonist to really shine and setting up some interesting future adventures.  Everything about this story was extremely awesome, and I really got invested in the high-stakes plot and the deeper personal aspects that resulted as well.

Despite the central crime being unconnected to the main series antagonist, Vendetta was a great Lexi Winter novel that masterfully moved the series and characters along.  I honestly think that the series needed a book with a different investigative target at this point in the ongoing narrative, and it builds up anticipation for the next interaction with the main villain in future entries.  The change in focus also allows Vendetta to be enjoyed more as a standalone novel than the second book, although I did notice a few minor plot gaps from the previous entries that Barrie could have done a better job exploring.  Barrie also continues some of the prevailing themes of the previous book, including comparisons between vigilantism and official police work, as Lexi tries to decide what side of the law best works for her to get her required revenge.  Naturally, those readers who checked out the prior novels are probably going to get a lot more out of Vendetta, and indeed it helped to explain certain character actions from the previous book that never quite made sense to me.  However, Vendetta is honestly a great and gritty piece of Australian fiction anyone can enjoy.

Once again, a major highlight of this series is the outstanding cast of compelling and damaged protagonists, each of whom has their own unique stories.  This is particularly true of the series’ titular protagonist, Lexi Winter, who Barrie has turned into quite a conflicted and complex figure.  We have already seen quite a lot of Lexi’s dark past in the previous books, especially in Unforgiven, and Vendetta builds on this extremely well, giving us insights into her criminal past, including the origins of her hacking abilities.  I loved how well this past was explored and featured throughout Vendetta, and it gave this already fantastic character some extra layers, especially it explores why she is more reliant to do things on her own then go through official channels.  This complex past with the motorcycle club ensured that Lexi had a particularly compelling and exciting storyline in Vendetta as she finds herself caught between her prior loyalties and the friends she made in the last two books.  As such, the reader spends much of the story unsure whose side Lexi is truly on, especially when key police characters turn against her, and I was constantly on the edge of my seat waiting to see how this would turn out.  I think Barrie resolved this extremely well, as Lexi’s strong moral compass always guided her along the right path, and I also enjoyed how parts of Lexi’s narrative come full circle, especially when she finds herself a protégé.  There is also some intriguing examination of Lexi’s view on relationships and love, much of which is impacted by her past, and I appreciated the compelling and mostly tasteful way that Barrie explored this.  I cannot wait to see how Lexi’s story continues in the future, as she is without a doubt the best character in the series.

In addition to Lexi, Vendetta features a brilliant and compelling cast of additional characters, many of whom have appeared in prior novels in the series.  Barrier introduces some great development and personal drama to surround these characters and it works to enhance the already powerful story.  Detective Senior Sergeant Finn Carson is once again very solid as the male lead of the book, and Barrie makes good use of his unique friendship/relationship with Lexi to build up some serious drama as he tries to work out her actions and motivations.  Lexi’s mentor, Detective Inspector Rachael Langly, also proves to be compelling figure in Vendetta, especially as, after going to bat for Lexi time and time again, it looks like her protégé has turned on her.  Finally, I was particularly happy that we got some further developments around Detective Sergeant Lisa “Cass” Cassidy.  Cass was an interesting inclusion in the second novel, although for some unexplained reason her main character attribute was being dismissive and hostile towards Lexi.  Barrie expanded on this in Vendetta, as Cass was revealed to have a hidden connections to Lexi’s past which is explored in this current case.  As such, Cass spends much of the book trying to hide her involvement with Lexi and her prior mistakes involving the bikies.  This adds some major fire and drama to the plot, and while Cass proves to be one of the more unlikable characters in the story Barrie masterfully paints her as a victim, and I deeply appreciated her journey and the deeper pain behind her actions.  Throw in a great collection of bikies and other criminals, including her old mentor and protector, and the intense personal connections in Vendetta really jump up, resulting in an outstanding read.

Sarah Barrie continues to showcase why she is one of Australia’s best current crime fiction authors with the outstanding third Lexi Winter book.  Featuring a particularly strong story that takes the reader on a dark journey in both the past and the present, Vendetta is a great read that had me hooked all the way to the end.  Loaded with violence, bad decisions and damaged characters, Vendetta one of Barrie’s best novels yet and I cannot recommend it enough.

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Quick Review – He Who Drowned the World by Shelley Parker-Chan

On By The Unseen LibraryIn Australian, Fantasy, Historical Fiction, LGBT+, Quick Review2 Comments

He Who Drowned The World Cover

Publisher: Mantle (Trade Paperback – 29 August 2023)

Series: The Radiant Emperor – Book Two

Length: 487 pages

My Rating: 4.5 out of 5 stars

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Rising Australian author Shelley Parker-Chan returns with the second part of her Radiant Emperor duology, He Who Drowned the World, an impressive and complex historical fantasy set in 14th century China.  He Who Drowned the World is the exciting sequel to the author’s first novel, She Who Became the Sun, which provided a compelling spin on a legendary Chinese Emperor by imagining them as a female who takes on her dead brother’s identity to achieve greatness.  She Who Became the Sun was a pretty awesome read, loaded with intriguing imagery, excellent characters, and a unique story.  I deeply enjoyed reading it when it first came out and it ended up being one of my favourite debuts and pieces of Australian fiction in 2021.  I was very excited to get a copy of He Who Drowned the World, especially as Parker-Chan does an excellent job of fishing off her epic story in a big and compelling way.

Plot Synopsis:

How much would you give to win the world?

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.

But Zhu isn’t the only one with imperial ambitions. Her neighbour in the south, the courtesan Madam Zhang, wants the throne for her husband – and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.

Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history – and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

All the contenders are determined to do whatever it takes to win. But when desire is the size of the world, the price could be too much for even the most ruthless heart to bear . . .


He Who Drowned the World proved to be a unique and captivating novel that continued to follow former monk turned general Zhu Yuanzhang as she attempts to free China from the Great Khan, outwit her rivals, and take the throne as Emperor.  Parker-Chan dives right into this scenario as the book starts, and you are soon enthralled by the complex, multilayered story that emerges.  Thanks to the power shift from the first book, the battle for control of China turns into a fight for dominance with four armies in the field, while the shadowy Wang Baoxiang manipulates events in his favour from the shadows at the capital.  The events are shown from the various unique perspectives of the four main characters, each of whom is trying to survive and win the throne by their own methods.  I love the blend of storylines that evolved here, whether it is the main protagonist’s plan to seize her destiny no matter what, Ouyang’s destructive quest for revenge, Madam Zhang’s attempt to manipulate all the men in her life to gain power, or Wang Baoxiang’s careful and lustful politicking.  All these character arcs are deeply fun in their own right, although I must admit I found Wang Baoxiang’s storylines to be the most fascinating, mainly because he was so deliciously devious and swiftly rose up as a brilliant villain.

As the book continues, the reader is treated to some amazing story points, including Ouyang being forced to work with Zhu, who keeps winning with inventive tactics; Madam Zhang’s plots failing her left and right; and Wang Baoxiang’s malevolent rise to power, taking down everyone he gets close to.  Each of these characters gets their moment to shine, and I loved some of the interactions that emerged, especially when the characters begin to meet each other.  Zhu and Ouyang in particular play off each other perfectly, with Ouyang’s sheer anger finding no purchase with Zhu’s more Zen outlook on life, which only infuriates Ouyang more.  I really loved the part of the book that focused on the complex alliance between these two characters, and its dramatic end also works extremely well, especially as it leads to that haunting scene where Ouyang encounters his destiny only for it to destroy him.

The entire book moves at an outstanding pace, and the compelling detail, unique world-building, and fascinating characters continue to build as the novel reaches its zenith.  The final fate of Ouyang really was a major highlight of He Who Drowned the World, and the rest of the plot that follows had me hooked to the end.  The last part of the book was a little more subtle than I was expecting, but it still featured some great moments as Zhu, who is not as benevolent as you would think, sacrifices much to try and achieve victory.  The taut emotions, devastating betrayals, and determined attempts for revenge really help this conclusion stand out, and I was enthralled the entire way through.  Parker-Chan ends everything on a somewhat hopeful note, which was nice after how dark the rest of the book was, and the reader will come away from He Who Drowned the World satisfied, if a little emotionally raw and shaken.

I really must comment on the fantastic and unique setting that Parker-Chan utilised for this duology.  The overarching setting of 14th century China is pretty awesome in itself as the author worked hard to capture the unique cultural aspects of the period, such as the control by the Mongolian dynasty, while also presenting all the chaos and war that emerged when Zhu attempted to claim the throne.  However, things get even more interesting as the author works in some subtle but significant fantasy elements that really make these books standout.  These elements are all tied into a person’s right to rule as those with the will, ability and destiny are gifted with a literal Mandate of Heaven, which allows them to call forth an aurora of light and fire to show their divine right to rule.  Several key characters in the series are gifted by the mandate, and the way they use it, whether to install fear, show their divinity, or utilise it for even darker purposes, is pretty damn fascinating.  The other major fantasy element revolves around ghosts that only a few characters can see, which end up being an interesting part of the plot.  The protagonist’s ability to see and occasionally manipulate these ghosts adds a certain edge to their story, especially as it serves as a representation of their deeper guilt, regret or determination, and I felt it was a fitting character element.  The manipulation of ghosts also results in some dark scenes, especially when one of the antagonists does some horrible things to get a supernatural advantage.  This interesting blend of historical and fantasy elements really helped to give the world of these duology a fantastic and unique tinge, and I really enjoyed seeing the elaborate war story Parker-Chan set out in it.

I also enjoyed how nearly all the major characters in this book had some compelling gender and orientation feature to them, which helped to define their character and take them to some interesting places.  This includes the main protagonist taking over a male identity and entering a unique relationship with their wife, while General Ouyang deals with the shame of being a eunuch, although that doesn’t stop him from being the biggest badass in the book.  These elements were really well handled by the author, who featured them in a thoughtful and tasteful manner, and it was interesting to see how this defined them.  Parker-Chan really dove into the emotional, cultural and spiritual nature of these factors, especially in their historical context.  I particularly enjoyed how all these characters tended to rise up above the shame or taboo nature surrounding this character element, and indeed many of them used it to their advantage.  I really enjoyed seeing how well Parker-Chan utilised these elements in the plot and it made for some great representation.

I really enjoyed this distinctive and fascinating novel from Shelley Parker-Chan who produced a remarkable conclusion to her impressive debut duology.  He Who Drowned the World was a powerful, intense and complex read that really showcased the horrors of war, ambition and self-delusion.  Featuring a moving and devastating narrative, loaded with great characters and a unique take on Chinese history, He Who Drowned the World is an exceptional read and a worthy sequel to Parker-Chan’s first book.

He Who Drowned the World Cover 2

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The Last True Templar by Boyd and Beth Morrison

On By The Unseen LibraryIn Historical Fiction, Thriller10 Comments

The Last True Templar Cover

Publisher: Head of Zeus (ebook – 14 September 2023)

Series: Tales of the Lawless Land – Book Two

Length: 492 pages

My Rating: 4.5

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The impressive sibling team of Boyd and Beth Morrison return with an epic and compelling sequel to their first impressive novel, The Last True Templar.

Last year I had the very great pleasure of reading the first book written by the pair of thriller author Boyd Morrison and historian Beth Morrison, The Lawless Land.  Following an excommunicated knight and a noblewoman as they try to keep a sacred relic out of the hands of a corrupt cardinal, The Lawless Land was an outstanding read that blended fascinating historical detail with an intense thriller storyline.  The Lawless Land ended up being one of my favourite books of 2022 and I have been eagerly anticipating a sequel for ages.  This second book in their Tales of the Lawless Land series, The Last True Templar, sets the awesome protagonists on a compelling new adventure, an elaborate treasure hunt through medieval Italy.

Italy, 1351.  After their first exciting adventure together, exiled English knight Gerard Fox and his determined companion, Willa, have decided to embark on a journey throughout a Europe still recovering from the ravishes of war and plague.  Determined to get married, the two seek a way to escape their complex pasts and move on to a future free of violence and persecution.  However, fate has something far more adventurous planned for them.

Arriving in a small village between Florence and Siena, Fox and Willa suddenly find themselves witnesses to a deadly ambush.  A band of skilled, masked bandits are targeting Luciana Corosi, the wife of a prominent Sienna businessman, determined to kill her and steal the payment she carries for a lucrative deal.  Intervening, Fox and Willa manage to save Luciana’s life, before escorting her home.  However, it soon becomes apparent that not everything is as it seems, especially as Luciana’s scheming husband, Riccardo Corosi, is behind the attempts of Luciana’s life.

Escaping from Riccardo’s clutches with Luciana, Fox and Willa soon find themselves embroiled in a complex scheme that reaches all the way back to the fallen Knights Templar.  Years ago, Luciana’s father helped the Templars hide their vast treasure from the Church before being betrayed by Riccardo.  Determined to save her family’s legacy and finally expose her treacherous husband, Luciana recruits Fox and Willa to her cause and requests their help in solving a series of clues leading to the treasure.  But with Riccardo and his men hot on their trail, can Fox and Willa find the legendary treasures of the Knights Templar, or have they finally met their match?

The Last True Templar was an interesting and enjoyable follow-up that captures the heart of the original book while changing some key story aspects and the background setting.  The result is a fantastic and exciting read that I had a wonderful time reading and which I managed to power through in a very short amount of time.

The plot of The Last True Templar is pretty damn cool as it places the author’s established protagonists into a whole new crazy medieval thriller scenario, this time involving the warring Corosi’s and their respective legacies.  Fox and Willa’s inadvertent entry into the plot is well handled and nicely ties into their current wanderings, and their continued presence in events feels pretty natural, especially as they are both trying to help a friend and achieve their own personal goal of getting married.  The authors do an effective job at building up and injecting the intriguing characters and real-life history that led up the events of the book early on and the story, and you soon get swept up in the resulting treasure hunt that is rich in Templar lore.  The story is masterfully told from a range of different perspectives, including the antagonists, which allows for some compelling insights into everyone’s respective motivations, histories and plots.  Several chapters are also set in the past, either to strengthen the history surrounding the missing Templar treasure or provide backstory and added drama for the characters.

The main story of The Last True Templar turns into an exciting, clever, and action-packed romp, as the authors set out some major thriller antics within a historical setting.  Just like with The Lawless Land, the initial thriller aspect of this story involves the protagonists attempting to stay one step ahead of the villains while learning about the dark history that surrounds their motivation.  However, the characters also get involved in an elaborate historical treasure hunt which sees them decode a series of historical clues to find the location of the treasure.  A storyline involving riddles and the hunt for ancient treasures is classic thriller fare, and I really enjoyed seeing medieval protagonists undertake this, especially as it takes them across 14th century Italy.  The authors come up with a fantastic and elaborate series of mysteries, riddles and clues for this aspect of the story, and I loved the constant and desperate roaming through various well-described cities as they attempt to puzzle together dated references and hints.

The authors’ use of multiple perspectives really helps to enhance the race aspect of the story, as you get to see key events through multiple eyes, including the scheming and double-crossing antagonists.  I loved seeing all the different moves each character made in The Last True Templar, and you are constantly on your feet as both groups get closer to the treasure while working to outsmart or outplay their opponents.  There are also some amazing set pieces scattered throughout this novel, including an elaborate horse race through the streets of a city, several skirmishes, and even ship-to-ship boarding action.  Everything leads up to an exciting and intense conclusion as both sides fight for the potential treasure, and all the compelling story elements come full circle.  All the characters get a compelling conclusion to their storyline, whether they want to or not, and the book ends on a satisfactory note that leaves the series open for further entries.

I loved the fantastic historical detail that was contained in The Last True Templar as the authors really immersed readers in the period.  The impressive depictions of the various Italian locations and cites was well done, and I could honestly see the settings in my mind’s eye as the protagonists visited them.  Much of the background setting and character attitudes and actions, whether it be in battle, business, or exploration, had some noticeable historical accuracy, and I loved the elaborate descriptions that accompanied the narrative.  I particularly enjoyed the author’s depiction of a historical Palio di Siena, which the protagonist was forced to participate in, and it honestly was one of the high points of the story.  However, the best historical detail in The Last True Templar is reserved for the examination of the Knights Templar and the hunt for their treasure.  The authors do an excellent job of exploring the legacy of the Templars, and I found it fascinating to see characters talk about them only a few decades after their fall.  This examination of the Templars adds a great deal to the narrative, as not only is it strongly tied to several of the new character’s backstories, but it also proves to be very relevant to the various riddles the characters need to unravel.  Each of the riddles is tied into a specific location or has some relevance to the Templars, and it was awesome seeing the characters work out and trying to solve them.  There were even some very clever instances where the relevant landmarks referenced in the clues were no longer there or current, even after only a few decades, which added some intriguing difficulties into the larger treasure hunt.  All these details, and more, were extremely interesting to me, and I had a wonderful time with how well the authors incorporated them into the plot.

I had a lot of fun with the characters in The Last True Templar, especially as we got to see more of Gerard Fox and Willa, both of whom were so well set up in the preceding novel.  An excommunicated knight likely to be charged with heresy for not repenting for his unfairly given punishment and a brave, independent and highly capable former servant, Fox and Willa make for an intriguing pair, and I love the idea of an entire series dedicated to them wandering around helping people.  The authors do an excellent job of reintroducing them in this sequel, and I really enjoyed how they were worked into this exciting story.  Since both of their backgrounds were thoroughly explored in The Lawless Land, you don’t get a lot of extra history for them in this sequel.  Instead, there is an intriguing storyline regarding their adventures in Europe and the struggles they have faced on the road together as a couple.  Their main issue involves their desire to get married, however, due to Fox’s excommunicated status, something he takes seriously despite the unfairness surrounding the entire situation, they are unable to find a church or priest likely to approve the ceremony.  This leads to some real strain on their relationship, and I liked how the authors dived into such compelling historical concerns for their character arc.  Despite this, the two remain a strong duo with a fantastic blend of talents, and it was a real pleasure to see their second adventure together.

The rest of the character focus is completely reserved for all the new characters involved in The Last True Templar.  In particular, you spend a lot of time with Luciana Corosi, an Italian matron who has been betrayed and manipulated by her evil husband.  A smart businesswoman with a painful history, Luciana proves to be an excellent addition to the main cast, and she plays off Fox and Willa extremely well as they work together.  I loved the intriguing history surrounding Luciana, especially all the betrayals she has experienced in her life, and it was great to see her finally try and reclaim her life and her destiny.  While Luciana is great, this book is would be nothing without a fantastic villain, and this role is well filled by Luciana’s husband, Riccardo Corosi.  A scheming former Templar who betrayed his order and Luciana’s father and turned his ill-gotten gains into a thriving business which he uses to control his city, Riccardo is a despicable antagonist you have a very easy time hating.  The authors show much of the story from Riccardo’s perspective, so you get some great insights into his various schemes, and you quickly realise just how irredeemable he truly is.  Partnered with a surprisingly loyal, if murderous, English knight, and a scheming female associate who plots against everyone, Riccardo is a great foil to the main cast, and I loved the various betrayals he brings to the table, even when it comes to his own followers.  This proved to be quite a fun and compelling cast of characters and I loved seeing their fantastic story unfold.

Overall, The Last True Templar was an outstanding read and I loved seeing more adventures from the team of Boyd and Beth Morrison.  This second Tales of the Lawless Land novel was very exciting and I loved the great new characters, intriguing historical detail, and compelling thriller centric plot.  An impressive sequel from start to finish, I deeply enjoyed The Last True Templar and I hope we get more books from these amazing authors in the future.

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House of Open Wounds by Adrian Tchaikovsky

On By The Unseen LibraryIn Fantasy, Five-Star Books26 Comments

House of Open Wounds Cover

Publisher: Head of Zeus (Ebook – 7 December 2023)

Series: The Tyrant Philosophers – Book Two

Length: 636 pages

My Rating: 5 out 5 stars

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The always deeply impressive Adrian Tchaikovsky returns with an exceptional and remarkable piece of fantasy fiction, House of Open Wounds, which presents the reader with a particularly unique and ruthlessly entertaining story, chock full of brilliant characters.

Few fantasy authors have the range and style of Adrian Tchaikovsky, whose distinctive contributions to the science fiction and fantasy fields are quite remarkable.  While Tchaikovsky has written several highly regarded series, I have only just scratched the surface of his works, having read a few of his recent reads.  This includes his first foray into the Warhammer 40,000 universe, with the captivating standalone read, Day of Ascension, as well as the brilliant and elaborate novella, Ogres.  However, my favourite book from Tchaikovsky so far would have to be the outstanding City of Last Chances.

The first book in The Tyrant Philosophers series, City of Last Chances was an outstanding read that I had the pleasure of enjoying earlier this year.  Set around a conquered city with several unique magical inclusions, City of Last Chances introduced the reader to a cool new world and told a range of character driven stories about resistance, religion and sacrifice.  City of Last Chances got a very easy five-star rating from me, and it honestly was one of the best books and audiobooks I enjoyed in the first half of 2023.  I had such a brilliant time with City of Last Chances that when Tchaikovsky announced he was releasing a sequel in the second half of 2023, I was ecstatic.  This sequel, House of Open Wounds, continued some of the complex storylines Tchaikovsky started in City of Last Chances, and it was one of my most anticipated books for the second half of the year.

There are few nations more feared or relentless than the ever-expanding Palleseen.  A rising empire of zealots who are determined to bring Perfection and Correctness to an imperfect world, the Palleseen have advanced out of their homeland in an unstoppable wave, wiping out all religion and superstition as they go.  As cities and kingdoms fall before their military might, their armies leave behind mounds of dead and wounded soldiers who require tending in field hospital tents just behind the frontline.

Into this chaos is thrust the god smuggler Yasnic.  A former priest, miracle healer and occasional rebel, whose previous experiences with the Palleseen saw him hanged, attacked and banished from his city, Yasnic has experienced many upheavals throughout his life.  Saved from another execution by the army bureaucracy, Yasnic and his box of orphan gods arrive at the frontlines, where he has been assigned to work in an unorthodox medical unit.

Made up of a mixture of former priests, gods, magicians, alchemists, artificers, necromancers and led by a gigantic brute known as the Butcher, the experimental medical unit treats the soldiers no one else can save and recycles the rest into the war effort.  Entrusted to save the Palleseen soldiers, but doomed if anyone ever discovers the full extent of their abilities, the surgeons and orderlies of this unit ply their bloody trade as best they can while living as part of an unusual family, but the arrival of Yasnic could change everything.

As Yasnic works to fit into the unit and save lives, his unusual connections to the weakened and hidden gods of the world slowly begin to cause chaos throughout the army.  Not only is he aware of the divine forces that secretly hang around the hospital, but his own illegal and crotchety God is determined to bring miracles to the Palleseen, whether that want them or not.  As an outbreak of impossible healing and sudden pacifism spreads through the regiment, can Yasnic keep himself and his gods alive, or will the full force of the Palleseen zealots come crashing down upon him?

This was another epic and truly remarkable novel from Tchaikovsky that had me hooked the entire way through.  Featuring a dark, bloody and fun story, House of Open Wounds was a particularly distinctive read that told its own captivating story while continuing some of the best elements from City of Last Chances.  Funny, thoughtful and moving in equal measures, House of Open Wounds was an incredible and addictive novel that gets another very easy five-star rating.

I was very impressed with the exceptional and moving narrative that Tchaikovsky pulled together for House of Open Wounds, and I was hooked the second I got into it.  After the events of City of Last Chances, the reader is thrust into a new part of Tchaikovsky’s fantasy world as you find yourself imbedded in a Palleseen battalion following the members of an unusual but effective military hospital.  Like City of Last Chances, House of Open Wounds is strongly character driven, as you follow the personal stories surrounding each of these unusual outsider characters and learn about their complex pasts while watching their lives play out in the present.  Much of the plot revolves around returning protagonist Yasnic and his God, who are drafted into the unit, and you get to see his experiences of the other characters, the wars, and the internal Palleseen bureaucracy.  Most of the first half of House of Open Wounds is dedicated to exploring the new cast of characters and introducing their unique stories, as they find themselves closely following a bloody and dangerous war.  This part of the book is primarily focused on the healing and medical work of the protagonists, as well as diving into their reasons for being there and the unique skills they bring to the surgical table.  Apart from that, there isn’t an amazing amount of major plot progression here, except when Yasnic starts to mix things up around the battalion.  While this pace is a little slow, this first half of the book was really fun and enjoyable, as you find yourself getting really lost in the characters’ lives, unique struggles, desires, and experiences.  It also helps that many of these character details, as well as the mundane events of the hospital, eventually lead to bigger things later in the main plot, and Tchaikovsky does an outstanding amount of set up here.

The plot picks up a lot more in the second half, when the main battalion moves to a different warzone and find themselves involved in a substantial fight that really pushes the medical unit to its limits.  The new battles, as well as the intriguing location they find themselves in, move several of the character arcs in some big directions, and you find out more and more about each of the main characters as a result.  The constant chaos that surrounds Yasnic also starts to take its toll on the main story, as his strangeness and the double-edged miracles he occasionally brings cause him to make enemies and upset the delicate balance of the Palleseen army.  At the same time, the Palleseen war machine starts to alienate the members of the medical unit, who find their talents being stolen to create weapons.  Everything leads up to the big finale, where the protagonists attempt to free themselves with an elaborate and ambitious plan.  This plan makes great use of all their individual skills and histories, and so many little details and elements from the story are used to bring a fun and creative conclusion to the book.  Each of the fascinating character arcs conclude nicely and I loved how Tchaikovsky masterfully brought everything together in a satisfying and entertaining way.

Tchaikovsky utilises his typical excellent and distinctive writing style to convey this elaborate and entertaining narrative to the reader, and I had such a wonderful time seeing it unfold.  As with the previous novel in the series, Tchaikovsky relies very heavily on perspective changes to tell a multilayered, character-driven story.  Like the previous book, many of the major characters are initially showcased in their own chapter at the beginning, which often leads to additional cast introductions.  As the book progresses, the chapters feature perspective changes so you can see more interactions and a wider view of the entire story.  I loved the immediate deep background on several of these characters, and while you still often must wait a while to get their full story, you learn enough to like them in the opening parts of the novel.  Tchaikovsky makes full use of these characters to tell a fantastic story, and I loved how well he showcases some unique events through their eyes.  As with the previous book, House of Open Wounds has a range of tones as Tchaikovsky works hard to produce the right balance of humour, excitement, and moving and powerful character moments.  The multiple detailed and confronting scenes of the bloody battlefield hospitals are well balanced out by the fantastic and subtle humour, which often comes from the outrageous situations that occur throughout the book, as well as the various character’s unique outlooks on life.  This made for a particularly compelling book as you found yourself moving from comedic scene to a more dramatic or tragic moment with frequent regularity, as you find yourself stuck onboard a well-thought-out emotional roller coaster.

House of Open Wounds proves to be an intriguing and clever follow-up to City of Last Chances, especially as the author deepens the lore surrounding this fantasy world and brings back two fantastic protagonists.  Readers of City of Last Chances will have an absolute blast with this book, as you get some interesting follow up to Yasnic’s compelling storyline while also seeing a different side to the antagonistic nation from the first book.  This is a somewhat loose follow-up, and you really don’t need to have read City of Last Chances to enjoy House of Open Wounds.  In many ways this is a good standalone novel, especially as most of the focus is on a whole new group of protagonists, and even Yasnic is given a new name for much of the book.  Tchaikovsky does ensure that some of the key details and plot points from the first book are carried over when needed, although he does leave a bit of context out in places so as not to overwhelm new readers.  As such, House of Open Wounds is a very accessible read, although established fans of Tchaikovsky are going to particularly enjoy this, especially if they loved City of Last Chances.

One thing you can always rely on Tchaikovsky to do is to pull together an elaborate and deeply compelling world to set his stories around.  This is extremely true in this series as Tchaikovsky has come up with a war-torn landscape filled with magic, gods, demons and a new rising empire.  The author did some interesting set up for this world in the previous novel, although the plot there was primarily contained inside a single city.  In House of Open Wounds, the reader gets to see a bigger chunk of this world, even though much of the plot takes place either on the battlefield or in the camp behind the lines.  Despite this, you get a better idea of the politics, wars and conquests that have taken place in recent history, and you particularly learn more about the Palleseen.  The Palleseen are a group of ideological zealots dedicated to bringing their version of perfection to the world, which primarily involves breaking everything down into logic and reason, and doing away with superstitions and beliefs.  As such, their goal is to rid the world of gods, deities and other superstitions, usually by conquering the lands and bringing them under the control of their relentless bureaucracy.  Most of this book is dedicated to exploring the nature of their war machine, and you really get to see just how corrupt and ambitious some of their members are as a result.

I loved the focus on the military hospital and the war camp for most of the book, especially as seeing the various members of Palleseen camp allows the reader to fully understand the many problems, compromises and cruelties the Palleseen experience on their road to perfection.  Tchaikovsky throws in some great critiques of militarisation and empire building throughout the book as you see these perfect Palleseen become racked with pride, ambition and greed to prove themselves and advance up the ranks.  Their determination to win means they turn a blind eye to gods and superstitions when it suits them, and that results in the experimental medical unit that serves as the centre of the book.  However, while they appear to only want the assembled gods, alchemists, and other strange magics for healing, really they are working to corrupt them into terrible weapons to further their war capability.  There are several great storylines that see the Palleseen turning benevolent tools and creatures into highly inventive tools of war, and it serves as a major plot point and motivation for several characters, including a few Palleseen who have enough of their colleague’s lust for power.  Combine that with the returning minor gods, who end up having their own impact on several characters, and the reader comes away with a very cynical look at the Palleseen, and empires in general, which both ridicules them and shows just how malevolent and insidious they can be.

The real key that pulls together House of Open Wounds is the huge array of memorable and complex characters that are introduced throughout the course of the plot.  Tchaikovsky does a remarkable job of introducing and swiftly building up some truly amazing characters in this novel, and their compelling and often traumatic personal stories become so highly ingrained in the plot as a result.  There are so many great protagonists and supporting figures in this novel, and I was personally impressed with how all of them were original characters that were not built up in the prior novel.

The main exception to this rule is Yasnic and his god, both of whom were introduced in City of Last Chances and who are masterfully inserted into this sequel.  Yasnic was honestly one of Tchaikovsky’s best characters in City of Last Chances and I was so glad to see more of him here, especially as the author somehow manages to work in even more development after all the defining character moments that shaped him in the prior novel.  Since we last saw him, Yasnic has moved on from being the last priest of a forgotten god and has instead become a more generalised religious figure, offering shelter and assistance to fallen and orphaned gods who no longer have any power or believers by carrying them around in a box on his back.  After everything he has gone through, including his own crisis of faith, Yasnic now has a different view of the world, although he is still being haunted by his demanding and petty god.  Yasnic has some wonderful moments in this book as he tries to fit into his new role while also hanging onto the trappings of his old life.  Desperate to save everyone he can, Yasnic finds his views and pacifism really badly damaged by the constant war and the relentless and orderly Palleseen, and he is forced to make some haunting compromises.  You really get some very interesting insights into Yasnic’s mind in this book, especially as you see how the aftermath of him abandoning his position as a priest impacted him.  You cannot help but feel for the extremely likeable Yasnic at times, as he is thrust into tragic and heartbreaking positions against his will, and his quiet determination and general positivity pluck at your heartstrings.  Throw in some great new friends, an unusual but surprisingly wholesome love interest and a series of unfortunate misunderstandings that frustrate even this gentle soul, and Yasnic once again stands out as a particularly awesome and likeable protagonist.

The other side of Yasnic’s character resides in the body of his tiny, stumpy, and petty deity, God, a former major healing god who has lost all his worshippers apart from Yasnic, but still maintains his powerful healing abilities.  However, God refuses to heal anyone unless they swear a vow of pacifism, and if they cause harm to someone in any way, it will result in their wounds automatically returning, generally resulting in a sudden death.  Thanks to his stubbornness, pride, and his whiny focus on Yasnic’s soul, God was one of the most entertaining characters in City of Last Chances, and I am really glad that Tchaikovsky brought him back for House of Open Wounds.  While he is still a judgemental, mischievous and ugly angel on Yasnic’s shoulder in this sequel, you get to learn more about God and why he refuses to help save people.  There are some surprisingly emotional scenes where God expresses why he is so bitter and you really get a much better understanding of his angry mind, especially when Yasnic makes the same mistakes, adding to God’s sadness.  I also loved how well God played off Yasnic as he proves to be a surprising and entertaining counterpoint to the humble and nice former priest.  While most of their dialogue is quite contentious, with God trying to control his increasingly independent former priest, you can see deep down that God cares about Yasnic, and they form quite an interesting and fun duo.  Tchaikovsky took God’s character arc in some interesting directions towards the end of House of Open Wounds, and I have a feeling he is going to be a real nuisance to people in the next book.

House of Open Wounds also features quite a fun range of supporting characters, each of whom has their own compelling story to tell.  This primarily includes the crazy and unusual group of associated healers and hospital workers that work in the experimental hospital unit, as well as the competitive and dangerous Palleseen officers controlling their destinies.  I won’t go into too much detail here, as I could honestly go one for a paragraph about each, but I was really impressed with how well Tchaikovsky set each of them up and explored their histories and stories as the booked continued.  There are some brilliant and very well fleshed out character arcs everywhere in House of Open Wounds, and I loved just how compelling a story Tchaikovsky was able to make as a result.

Adrian Tchaikovsky once again shows why he is one of the absolute best authors of complex and intelligent fantasy fiction with this outstanding and epic read.  House of Open Wounds is a deeply clever, compelling and moving read that hooks the reader with its unique scenarios, fantastic humour, and memorable characters.  I loved every single second I spent reading this novel and I really appreciated the amazing way Tchaikovsky chose to continue the great story started in City of Last Chances.  I cannot wait to see what over elaborate fantasy stories Tchaikovsky creates in this universe in the future, and this epic novel is one of the best pieces of fantasy fiction I enjoyed in 2023.

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Throwback Thursday – Warhammer: Grudge Bearer by Gav Thorpe

On By The Unseen LibraryIn Extended Universe, Fantasy, Quick Review, Throwback Thursday, Tie-in Novel, Warhammer3 Comments

Grudge Bearer Cover

Publisher: Black Library (Paperback – 12 June 2005)

Series: Warhammer Fantasy

Length: 250 pages

My Rating: 4 out of 5 stars

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For this week’s Throwback Thursday I am doing a double feature.  In addition to my review of the awesome Warhammer 40,000 novel Lords of the Night by Simon Spurrier, I am also doing a quick review of the classic Warhammer Fantasy novel, Grudge Bearer by Gav Thorpe.

I have a lot of love for all forms of Warhammer fiction across the various genres, but I will always have a soft spot in my heart for the intense and elaborate adventures that took place in the Warhammer Fantasy realm.  Before its destruction, the Warhammer Fantasy universe featured a raft of epic novels and stories, most of which tied into the gaming events surrounding the various campaigns or model releases.  While I haven’t read nearly as much Warhammer Fantasy books in recent years as Warhammer 40,000 fiction, there are still some amazing books there, including the Gotrek and Felix books by William King (Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer, Beastslayer, Vampireslayer and Giantslayer), Van Horstmann by Ben Counter, Runefang by C. L. Werner and Broken Honour by Rober Earl.

All of these fantasy books have been very impressive, and I am always keen to check out more from this awesome setting.  As such, I eagerly read the second-hand copy of Grudge Bearer by Gav Thorpe earlier this year.  Thorpe has been one of the main authors of Warhammer fiction over the years, with books across the various sub-series.  I know him from his outstanding Warhammer 40,000 Last Chancers novels, which followed a doomed group of convicts sent to complete a suicide mission.  The first two books in this series, 13th Legion and Kill Team, were so much fun, and I can’t wait to get my hands on the rest of the Last Chancers books.  Grudge Bearer was the first Warhammer Fantasy novel of his I have read and it proved to be an excellent book that focussed on some of the most entertaining and determined figures in the Warhammer Fantasy canon, the dwarfs.

Plot Synopsis:

When his father dies, Barundin, prince of Zhufbar, becomes king of that realm and lord of one of the mightiest outposts of the ancient and powerful dwarf empire. Over the centuries that follow, he sets out to right many of the wrongs done to his people, fulfilling ancient grudges and bringing death to his foes as he wages war against his father’s killers, and strives to protect Zhufbar from the dark forces of Chaos.


Grudge Bearer ended up being quite a fun and quick paced read that I had a wonderful time getting through.  As the somewhat sparse plot synopsis above indicates, Grudge Bearer follows Barundin, a prince who becomes king of Zhufbar, a dwarf stronghold after his father’s death in battle.  Due to the betrayal of a local human lord whose cowardice resulted in his father’s death, Barundin swears a grudge against the man who betrayed him and becomes determined to get appropriate vengeance.  However, before he can marshal enough of his forces and resources to lead an army into an assault on the lord’s castle, he needs to get his realm in order.

As such the book turns into a series of short stories, which cover different periods of Barundin’s reign and the events that lead up to him attempting to settle his grudge.  While the first two chapters deal with the events that result in Barundin becoming king, each of the following chapters is essentially a connected short story, that see the protagonist and his forces go up against a series of different traditional Dwarf enemies, including the forces of Chaos, the skaven and goblins, as well as deal with other issues, such as an overly-inventive dwarf engineer and Barundin’s attempts to get married.  Each of these stories are pretty intriguing in their own right, giving some fantastic insights into the dwarfs as a race, and they come together to tell an intriguing and action-packed overarching story.  Most of these stories result in a pretty typical hack-and-slash battle, and Thorpe has a good eye for action, producing intense and bloody scenes throughout Grudge Bearer.  Some of the stories within this book are really cool, and I especially loved the eventual resolution of the grudge against the treacherous human lord and his family, especially as it proves just how ridiculously determined the dwarfs can be.  I did think the overall end of Grudge Bearer was a little sudden, especially as it could resulted in one more fantastic battle, but this ended up being a pretty strong and easy to read piece of Warhammer Fantasy fiction.

Now I do have to get a little cynical in that while Grudge Bearer is good, it was a marketing tool to help boost sales for the 6th edition of the Dwarfs Warhammer Army book that also came out in 2005.  I actually recall reading a few extracts from Grudge Bearer that appeared in White Dwarf, so I had a couple of early moments ruined for me.  Still, Grudge Bearer was a pretty fun book to read, and Thorpe clearly had fun exploring the lore and diving into what makes the dwarfs tick, both in combat and in real life.  The compelling focus on the dwarven grudge was particularly fun, and it was interesting to see how much their desire for vengeance ruled their lives.  It also covers several quite a substantial period of Warhammer Fantasy history due to the long lives of the dwarf protagonists, and it was very entertaining to see them watch their human neighbours go through major historical events while the dwarfs constantly remain the same.  There was even a tie-in to the Storms of Chaos campaign that happened in the game the year before, so there is a lot going on for established fans.  At the same time, Grudge Bearer serves as a pretty good starting point for those readers unfamiliar with either the dwarfs or the Warhammer Fantasy setting and it makes for a great introductory novel.

One thing that I was a little disappointed by in Grudge Bearer is that we didn’t get to see more of the legendary White Dwarf character.  The White Dwarf had a pretty major role at the start of the book, and there are even some hints to his origin at the start, but after this initial appearance we never see him again, which I think was a bit of a waste.  It would have been cool to see him come back a few times to offer advice or help in battle, possibly while providing more clues to who he really is.  I know this is a pretty minor complaint which doesn’t dramatically impact my enjoyment of Grudge Bearer, but it was something that bothered me as I was reading as a wasted opportunity.

Overall, Grudge Bearer was a fun action and lore packed novel that managed to fit in several fantastic and exciting shorter stories.  Containing one of the best and compact examinations of the always entertaining dwarf faction you will likely see in a Warhammer Fantasy novel, Grudge Bearer is well worth checking out, especially if you were a fan of the tabletop game and its lore back in the day.

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Throwback Thursday – Lord of the Night by Simon Spurrier

On By The Unseen LibraryIn Science Fiction, Throwback Thursday, Warhammer4 Comments

Lord of the Night Cover

Publisher: Black Library (Paperback – 25 January 2005)

Series: Warhammer 40,000

Length: 413 pages

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I check out an impressive and dark older entry from the excellent Warhammer 40,000 extended universe, Lord of the Night by Simon Spurrier.

Readers of this blog will know that I have a lot of love for the always intense and fun Warhammer 40,000 fiction, having read quite a bit of it this year.  One of the better older pieces of this fiction I managed to check out this year was the awesome novel Lord of the Night by acclaimed author Simon Spurrier.  Spurrier is an excellent author who is best known for his work on various graphic novels and comics series across the major companies.  I have read a couple of his comics over the years, although my favourite is probably his run on the original Doctor Aphra series (check out my reviews for the awesome volumes Unspeakable Rebel Superweapon and A Rogue’s End).  Spurrier also wrote several Warhammer 40,000 novels back in the mid-2000s, including the highly regarded Lord of the Night.  I was lucky enough to get a copy of Lord of the Night second-hand, and I ended up reading it while away on holiday.  Unsurprisingly I loved it, as Spurrier came up with a powerful story about two complex characters caught up in a deadly game of cat and mouse.

Interrogator Mita Ashyn of the Ordo Xenos is newly arrived in the service of veteran Inquisitor Kaustus after the death of her previous master.  Desperately trying to earn her place amongst the Inquisitor’s haughty acolytes and her mysterious new master, Mita is isolated due to the taint associated with her advanced psychic powers.  Seeking alien cultists on the hive-world of Equixus, Mita is tasked with rooting out minor corruption and heresy.  However, when an ancient ship crash lands on the planet, Mita receives psychic warnings of a dark and terrible foe.

Ten thousand years ago at the end of the Horus Heresy, Commander Sahaal was chosen by his crazed Primarch, Konrad Cruz, as the heir to the Night Lords legion of Space Marines.  However, before Sahaal could take command of the Legion, his Primarch’s most sacred artefact was stolen, and Sahaal’s pursuit of the thief saw him trapped out in the depths of space for millennia.  Awaking on his crashed ship on Equixus, Sahaal finds the artefact gone, stolen by thieves from the planet.  Determined to claim lordship of his legion, Sahaal will stop at nothing to reclaim what is rightfully his, no matter how many people he has to kill.

As Sahaal begins a deadly campaign of fear in the underbelly of Equixus, Mita appears to be the only person in the Inquisitor’s retinue concerned about the danger.  Working against the wishes of her master, Mita attempts to destroy the traitor Astartes that has invaded the city before it is too late.  However, Sahaal is a master of urban warfare and soon his solo campaign of destruction has the entire hive on its knees.  As the two lost souls move to confront each other, they soon discover that there are even greater secrets at work than either of them realises, and soon the fate of Equixus hangs in the balance.

This was a powerful and compelling Warhammer 40,000 story from Spurrier that had me hooked from the very beginning.  Focussed on the two unique perspective characters of Mita and Sahaal, Spurrier sets up an intriguing and vicious story with great thriller elements in a fantastic and gloomy hive-city setting.  Starting off with some effective set-up that introduces both protagonists and their complex lives, Lord of the Night soon evolves into an impressive cat and mouse scenario between the two as Mita fights to stop Sahaal before he recovers his prize and destroys the city from within.

This leads to all manner of chaos and destruction, as Sahaal initiates a brutal urban warfare campaign by enlisting the help of a curious raft of unconventional allies, while Mita manipulates the city’s official resources to her use.  While this battle rages, Spurrier also introduces some compelling and highly important side storylines which see Mita trying to gain the respect and aid of her secretive Inquisitor master, while Sahaal comes to terms with his missing years, his complex past, and what it is to be a Night Lord.  This leads up to several great confrontations before all the characters finally come together a brutal final sequence.  There are some great reveals here, especially about who is pulling all the strings surrounding the characters, and I loved some the brilliant twists that emerged.  The book ends on a pretty dark note, with both protagonists getting what they wanted, even though it nearly destroys them, and this ended up being quite an epic and captivating read.

I love how dark and intense Spurrier made this novel, and it has such an elaborate and complex narrative surrounding it.  The split between the two main characters works extremely well to tell an elaborate and multilayered story, and I enjoyed how the two separate arcs bounced off each other, with both dealing with betrayals, personal lows and the realisation that nothing is as it seems.  The grim setting of the hive city is also very impressive, and there is a reason that Warhammer 40,000 authors use it as a prime location for their stories.  The multiple layers of tunnels, caverns, and cityscapes makes for an outstanding background to this story of urban warfare and bloody revenge, and you can easily feel the confinement, corruption and fear that Spurrier envisions in this epic location.

Lord of the Night also turns out to be quite an impressive and elaborate piece of Warhammer 40,000 fiction.  Spurrier clearly has a great appreciation and love for the lore, and it really shows in his portrayal of both a secretive Inquisitor squad and the Night Lords Space Marines.  While Inquisitors are well covered in Warhammer 40,000 fiction, such as the Eisenhorn books by Dan Abnett (Xenos, Malleus and Hereticus), I personally loved seeing a book focussing on a Night Lord, especially as they are a little unrepresented in the extended universe fiction.  Spurrier really dives into what it is to be a Night Lord, especially during the Horus Heresy and before their full corruption, and his primary Night Lord character gives the reader a full course on how to terrorise and manipulate a city to get what you want.  It was so cool to see a Night Lord in all his fear-bringing glory, and it made for quite a dark and bloody read as a result.  Spurrier also does a great job of exploring some of the wider lore of the Warhammer 40,000 universe and working it into the plot of Lord of the Night.  This ensures that readers a little less familiar with the canon can enjoy this book fairly easily and not have to worry about external lore details.  That being said, fans of the franchise are always going to get a little more out this book and Lord of the Night proved to be a particularly good earlier novel in the canon, especially with its great insights into both the protagonist and antagonist.

One of the things that I most liked about Lord of the Night was the complex and impressive protagonists that the story was set around.  Despite being on different sides, Mita Ashyn and Sahaal have a lot in common with each other, having been lost and reviled in various different ways.  Mita proves to be a great example of how dark and unfair the Warhammer 40,000 universe is, as the thing that makes her a useful servant to the Imperium, her psychic abilities, also ensures that everyone sees her as unclean and tainted.  Watching her desperately trying to prove herself to the Inquisitor, his cronies, and the people of Equixus, only to be rejected and reviled, is very heartbreaking, and you can’t help but feel for Mita as she is routinely betrayed, spurned, or ignored.  Spurrier does some wonderful work with Mita as Lord of the Night continues, and it was great to see her find her confidence, fight back against those who oppress her, and start to question her superior and the teachings that bound her and her powers.  Watching her come to terms with her place in the Imperium, and still try to do the right thing was extremely powerful, and it leads to some impressive and emotionally charged scenes.

Sahaal also prove to be a surprisingly deep and complex character to follow.  Before reading Lord of the Night, I thought Sahaal would be a deranged Chaos Space Marine, and indeed the first few scenes with Sahaal show him to be a deadly and remorseless killer who uses terror as an effective weapon.  However, as the book continues, you start to realise that there is more to Sahaal than meets the eyes.  While he kills to achieve his goals, often in brutal ways, some of the interactions he has with his surprising allies, as well as a series of compelling flashbacks, paint him in a somewhat noble light defined by his loyalty to his Primarch and his ideals for control and order.  This paints a bit more as a victim of circumstance rather than a full Chaos infected traitor, and it was fascinating to see him act very differently from other antagonistic Space Marines characters.  There are some intriguing hidden depths to Sahaal that are revealed towards the end of the book, especially when certain manipulations are uncovered, and there are some good revelations regarding his actual mindset and mental status.  I also loved the scene where he is finally reunited with his beloved Legion, only to realise just how far they have fallen in his absence.  Sahaal ends up having some intriguing interactions with Mita throughout the course of the book, and the two play off each other perfectly, representing different angles of betrayal, loyalty and misunderstood misuse.  I deeply appreciated how well Spurrier utilised both of these point of view characters in Lord of the Night and the helped to turn this into quite an amazing read.

Overall, Lord of the Night was an exceptional read and a wonderful piece of Warhammer 40,000 fiction.  Simon Spurrier does an excellent job of bringing together two amazing, misunderstood characters together in a brutal battle across a terrified city and I was hooked the entire way through this plot.  Clever, intense, and loaded with some intriguing pieces of Warhammer lore, Lord of the Night is an outstanding read and it was one of the better pre-2023 Warhammer 40,000 novels I enjoyed in 2023.

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The Defector by Chris Hadfield

On By The Unseen LibraryIn Historical Fiction, Thriller3 Comments

The Defector Cover

Publisher: Quercus (Trade Paperback – 10 October 2023)

Series: The Apollo Murders – Book Two

Length: 369 pages

My Rating: 4.5 out of 5 stars

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Former astronaut turned thriller author Chris Hadfield returns with his second excellent novel, the intriguing and clever historical read, The Defector.

Back in 2021, I was lucky enough to receive a copy of superstar astronaut Chris Hadfield’s cool and much-hyped debut novel, The Apollo Murders.  Set during the Cold War, The Apollo Murders depicted an alternate history adventure where a fictional Apollo flight mission to the moon suffered all manner of calamity, including murder, treachery, and unexpected Russian hitchhikers.  Thanks to Hadfield’s knowledge of history and spaceflight, this turned out to be quite the gripping read, and The Apollo Murders ended up being one of my top debuts for 2021.  As such, I have been eager to see how Hadfield planned to follow up his first book, and I was quite excited when I saw that his second novel was a sequel to The Apollo Murders.  This book, The Defector, was an excellent and compelling thriller which I had a brilliant time getting through.

Israel, 1973.  On the eve of the Yom Kippur War, a Soviet test pilot makes the bold decision to fake a crash in his state-of-the-art MiG fighter and secretly land in Israel.  Claiming that he wants to defect to the United States, the pilot, known by his codename, Grief, and his plane are traded to the Americans, who desperately want to know the secrets of the MiG and how it achieves such impressive altitude.

Having witnessed Grief’s defection while on holiday in Israel, NASA flight controller and former Navy test pilot Kaz Zemeckis is quickly drafted in to take carriage of the captured MiG and to work with Grief to fully understand the plane’s limitations and capabilities.  Their unlikely partnership eventually takes them to the most secure and secret location in the United States, Area 51, where Grief looks set to provide all the information the Americans have ever wanted about the MiG.  However, not everything is as it seems, and it soon becomes apparent that Grief has his own reasons for wanting to defect to the United States.  Can Kaz get to truth before it is too late, or has he let a wolf right into the heart of America’s most secret air base?

This ended up being an excellent and exciting novel from Hadfield that successfully follows up his original debut and provides a cool and intense new story that proves very hard to put down.  Hadfield tells a pretty tight and compelling story in The Defector that starts strong with the mysterious Grief defecting right in the middle of the Yom Kippur War.  This initial excitement morphs into an intense and gripping game of cat and mouse, as Kaz attempts to utilised Grief’s knowledge and keep his defection secret from the Soviets, while the Russian pilot works to initiate his own plans.

This continues for much of the book, and I thought this ended up being a much more focused and well-structured thriller narrative than we previously saw from Hadfield in The Apollo Murders.  The focus on espionage and military secrets was a great centre for the plot, and Hadfield did a good job on also utilising some intriguing characters, especially Kaz and the mysterious Grief.  The inclusion of a couple of fictional supporting characters from The Apollo Murders, namely a cosmonaut and a major Soviet antagonist, was also quite interesting, although as they were mainly there to set up a future entry in the series it did disrupt the narrative flow a little.  Everything leads up to the big conclusion, which Hadfield set up nicely throughout the course of the story.  While I do think that Hadfield might have considered utilising a twist to change the antagonist around, it was still really fun to see the full plan unfold, as well as the real reasons behind the defection.  Watching the manipulation and the resulting violence unfold was very impressive, and it led to a satisfying, if slightly predictable, final showdown with the protagonist that ended everything on a high note.

I really enjoyed how well The Defector came together, especially as Hadfield reused all his best writing elements from The Apollo Murders, while also strongly utilising his own personal experiences and knowledge as a test pilot.  The constant switching between perspective characters, as well as several interludes and flashback sequences, helped to produce a complex, multilayered storyline, and I liked seeing the various players in the plot attempt to work out what everyone else is doing.  It also allowed Hadfield to hide some good hints about the antagonist’s true motivations and feelings, which came out perfectly at the end of the book.  There was also some great character growth around the protagonist Kaz, especially as Hadfield successfully built on his personality and relationships from the first book, and it is clear that the author has some future adventures planned for him.

However, the real strength of The Defector lies in Hadfield’s encyclopaedic knowledge of military airplanes, Cold War espionage history and spaceflight, which was masterfully inserted into the plot.  Much of the plot revolves around the desire for both sides of the Cold War to get a better understanding of their opponent’s aircraft capability, and Hadfield expertly examines the history and mechanics around this.  The discussions about aircraft, fighter capabilities and more, are all quite fascinating, and Hadfield does a wonderful job of exploring them in a highly detailed way that readers unfamiliar with aircraft can easily understand.  His experience also allows for some highly realistic and intense aerial combat sequences, and I really enjoyed the elaborate scenes that resulted, especially the cool conclusion.  This grasp of aircraft, the history surrounding their development, and the espionage involved, are well worked into the plot of The Defector, and I loved how much it increased the authenticity of the book, making it so much better.

Overall, The Defector was an outstanding second novel from Hadfield that I had a wonderful time reading.  Containing a clever and well-paced spy thriller narrative loaded with intriguing details about aircraft and the cold war, The Defector had me hooked from its first awesome scene, and I managed to power through this book in no time at all.  Compelling and action packed, The Defector was an outstanding follow-up to The Apollo Murders and I cannot wait to see what Hadfield writes next.

The Defector Cover 2

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Cave 13 by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller16 Comments

Cave 13 Cover

Publisher: Macmillan Audio (Audiobook – 29 August 2023)

Series: Rogue Team International/Joe Ledger – Book 3/13

Length: 19 hours and 5 minutes

My Rating: 5 out of 5 stars

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One of my favourite twisted authors returns with an outstanding new entry in one of his best series with Cave 13 by Jonathan Maberry.

It has already been a massive year for fans of thriller/horror author Jonathan Maberry, who previously released the exhilarating and intense dark fantasy novel Son of the Poison Rose.  The awesome sequel to Kagen the Damned (one of my favourite novels and audiobooks of 2022), Son of the Poison Rose was one of my favourite books and audiobooks from the first half of the year, and if that had been the only Maberry novel I’d received in 2023 I would have been content.  However, Maberry chose to spoil us by providing us with another epic Joe Ledger novel, which is so damn amazing.

The Joe Ledger novels are an amazing science fiction thriller series that follows titular protagonist Joe Ledger as he attempts to stop a series of insane world-ending threats initiated by compelling group of villains.  The initial Joe Ledger series featured 10 epic books with some outrageous and addictive stories around them, including Patient Zero, The Dragon Factory, Code Zero, Predator One and Deep Silence, just to name a few.  Maberry followed up these novels with a new Joe Ledger focused series, the Rogue Team International books.  This series has so far featured Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), both of which were pretty exceptional in their own ways.  As such, I have been quite excited to see a new Rogue Team International book and Cave 13 was one of my most anticipated books for 2023 as a result.

To many, Jason Aydelotte, better known to the world as Mr. Miracle, is a smiling and beatific public figure celebrated for his archaeological endeavours and his vast antiquities business.  However, beneath the smiles, Mr. Miracle is a far more ruthless and sinister operator.  Smart, determined and ambitious, Aydelotte has entered the world of international arms dealing and is willing to sell his advanced weapons to anyone who will buy them, including ISIS, and his latest product might be the scariest thing ever created.

Thanks to discoveries made in a hidden ancient Egyptian tomb, Aydelotte’s team has developed a powerful new bioweapon that drives its victims insane with a mere breath.  Its effect is terrifying and its potential for destruction in the wrong hands is immeasurable.  With the world going insane and chaos rising in the Middle East, the only people who might be able to stop such a potent weapon are Joe Ledger and the highly specialised agents of the independent intelligence agency, Rogue Team International.

However, the release of a deadly bioweapon soon proves to be the least of Ledger’s problems in the Middle East.  Far more dangerous materials were recovered from the tomb, including bizarre books of magic dating back to the time of Moses.  At the same time, greater secrets have been pillaged from a hidden cave containing even more Dead Sea Scrolls, some of which could alter the very fabric of the universe.  With threats piling up all around them, and enemies on all sides engaging in their own dangerous plots, can Ledger survive both the carnage and his own fractured mind to save the day, or will a new ruthless opponent destroy everything?

Cave 13 was another outstanding and captivating Joe Ledger adventure from Maberry that sets his troubled protagonist against another brilliantly elaborate world-ending plot.  Slick, intense and loaded with complex characters, Cave 13 was an amazing read that gets an easy five-star rating from me, especially in its audiobook format.

Maberry produced another unique and compelling story for Cave 13 that is once again perfectly told in his unique writing style.  Utilising a vast number of shorter chapters, Maberry quickly starts the story off, reintroducing the protagonist and his team, while also setting up the compelling antagonists and their complex evil plan.  A series of well-placed and absolutely fascinating interludes throughout the book provide greater context to the events that are about to unfold, and you get to see the entire genesis of the antagonist and their plans, which adds a lot to the overall story.  Maberry artfully blends this together with the main storyline that sees Ledger and his team investigate several unique occurrences, including conflicts in the Middle East, increases in unique weapon trafficking, the recovery of the Dead Sea Scrolls, as well as mysterious events that could only have been done by certain biblical magic (“you’re playing with the big boys now”).  The intriguing blend of science, mysticism, faith and mystery gives Cave 13 a particularly fun edge, and I really liked the intriguing set-up surrounding the antagonist’s plot and its full potential for destruction. At the same time, the author also dives back into the complexity surrounding his protagonist’s damaged psyche, and how this new case might affect it.

While I loved all the set-up in the first third or so of the novel, it does ensure that the initial plot is a tad slower.  This changes once Ledger and his team arrive in Israel and find themselves under attack in a particularly brutal action sequence right off the bat.  Maberry’s action scenes are always extremely awesome, and you have to love the attention and detail he puts into making them as intense as possible.  This cool action sequence is well balanced at this point by some further background, as well as a compelling sequence of events surrounding recurring side-character Toys, who finds themselves at a different side of the conflict following an undercover operation gone wrong.  This part of the story, especially the twist about the antagonist’s true plan, really increases the stakes and intensity of the story, and Maberry has a lot of fun creating some intense visual horrors for the readers, especially when it comes to a series of twisted and brutal hallucinations.

The final third of Cave 13 is probably the strongest part of the book, and I honestly was hooked the entire way through, desperately trying to get to the end.  All the great set-up, intriguing interludes, and multitudes of well-established characters comes together for the big confrontation at the end as the antagonist’s plan goes full circle and Ledger and his team once again find themselves in hell.  Things get so damn dark, desperate and freaky at this point in the book, and you are left completely worried about all your favourite characters as Maberry doesn’t have the best track record of keeping likeable cast members alive.  There are some brutal scenes here, as well as a ton of tragedy, and the reader is left on the edge of their seat right until the very end.  While I came away from parts of this book a bit shellshocked, I was overall very happy with the conclusion, which was dark, had a good twist around the villain, raised a lot of questions about the protagonists, and left you with a little ray of hope that will no doubt get snuffed out in the future.  An overall pretty epic story that really came to life in Maberry’s hands, especially thanks to his unique set out and brilliant ability to write an action sequence.

Cave 13 ended up being quite an interesting Joe Ledger novel, especially as it presents a great story and the first original villain of the Rogue Team International era, while also cleverly diving into the prior events of the series and utilising them to enhance the characters and narrative.  I really enjoyed the step away from the villains of Rage and Relentless for this one book, although I also appreciated how well the author examined the aftermath of these novels and the dark things they’ve done to the protagonist.  Like most of the Joe Ledger books, Cave 13 can be read as a standalone novel, and Maberry does a good job of recapping all the relevant prior events and characters to ensure that new readers can fully understand and appreciate everything going on.  However, established fans of Maberry are going to get the most out of Cave 13, and there are a ton of unique hints or suggestions about what is to come.  I found it particularly interesting that Maberry chose to include multiple scenes in Cave 13 that were clearly intended to set up certain events for future entries.  While these scenes are a tad disjointed from the main story, I won’t lie and say it didn’t make me excited for the next book in the series, especially when it comes to those hints about certain villains returning.  I was a little less impressed that several storylines or mysterious events from Cave 13 were deliberately left unanswered by Maberry, but I guess I’ll just have to wait and see what happens with them in the next exciting Joe Ledger novel.

As with all Maberry’s work, one of the main highlights of Cave 13 was the excellent and complex characters.  Maberry features a pretty massive cast in this novel, including a range of recurring figures from the previous novels, as well as several intriguing new figures who I really enjoyed.  As usual, Maberry does a remarkable job of showcasing all his characters, diving into the compelling histories and minds, and showcasing just how crazy or morally dubious they are (you have to be in order to survive in this universe).

Naturally, the most prominent character is protagonist Joe Ledger, who has been the leading figure and main point-of-view character in this series since the beginning.  An unstoppable action man and natural leader, Ledger is always a fun character to follow, especially as Maberry installs an overwhelming level of snark and disrespect in his personality, ensuring that every scene he’s in is full of quips, jokes and very funny observations about the crazy things he encounters.  While this alone makes him a great character, and the source of much of Cave 13’s humour, Maberry ensures that Ledger is one of his most complex protagonists ever due to the sheer amount of trauma the character experiences.  Ledger has gone through so much damage, darkness, loss and despair during the course of the series, and Maberry spends a substantial part of the protagonist’s chapters diving into this, showcasing just how emotionally and mentally battered Ledger is.  While I always love how effectively Maberry showcases the building trauma surrounding his character, it is even more poignant and important in Cave 13, as this is Ledger’s first adventure since the events of Relentless, where Ledger was taken over by a murderous personification of his own inner darkness and went on a deadly revenge trip.  Some of the most emotionally powerful parts of the book revolve around Ledger and his friends coming to terms with his terrible actions in the last book, and it is clear that Ledger has been extremely changed by the events of the prior book.  Naturally, Maberry decides to twist the knife even further in Cave 13 by subjecting Ledger to a series of traumatising visions and hallucinations thanks to the book’s big bioweapon.  This drives Ledger even further over the edge, and there are some fascinating and highly revealing scenes that give you further insights into just how cracked this protagonist is and the dangers lurking just beneath his mental surface.  Honestly one of the best and most compelling action protagonists out there, I really love how Maberry showcases Ledger in this gripping novel.

In addition to Ledger, Cave 13 features a range of other compelling characters who get their moment to shine.  My favourite would have to be the always mysterious Mr Church, the head of the secretive Rogue Team International.  A highly elusive and deadly figure whose origins and full capabilities are only hinted at; Church is easily one of the best characters featured in the entire series.  Maberry makes exceptional use of Church in Cave 13, and there are so many more tantalising hints about who or what this character might be.  This actually proves to be one of the most substantial Church novels in the entire series, and Maberry goes out of his way to not only show that this seemingly unstoppable figure is actually vulnerable, and is in some ways just as much of a bastard as the book’s villains.  There are several amazing and highly powerful monologues from Church in Cave 13 that give you some fascinating insights into his mind, especially when it comes to Ledger and the constant war that he and Church are fighting, and I loved getting an idea of just how ruthless this figure can be.  Several of these monologues are delivered to another awesome figure in Cave 13, the team’s psychiatrist, Rudy Sanchez, a notoriously calm figure who finally loses his cool in this novel after Ledger goes back into the field, straining their relationship.  I loved seeing Rudy particularly passionate and angry in Cave 13, especially when he stands up to Church, and Maberry’s portrayal of his concern really helps to highlight just how much damage was done to Ledger in the previous book.

Another major figure from Cave 13 that I need to highlight is the intriguing figure of Alexander “Toys” Chismer.  A former villain turned repentant ally, Maberry set Toys on a redemptive arc several novels ago, and it has been really paying off as Toys has turned into a fascinating figure trying to atone for his past.  His impressive long-running storyline is extremely well featured in Cave 13, and indeed he is one of the major protagonists, leading his own team and experiencing some substantial additional trauma.  Toys honestly has one of the darkest and most impressive character arcs in the entire novel, and the scenes he shared with Ledger are particularly moving and play into their complex antagonist history perfectly.  The various recurring members of Rogue Team International are well featured again in Cave 13, and it was fascinating to see how some of their character arcs have developed over the course of 13 novels.  My favourite fuzzy assassin, Ledger’s dog, Ghost, was of course awesome in this book, and I always loved just how in touch with his human’s emotions Ghost is.  There was even an intriguing extended cameo from F. Paul Wilson’s iconic protagonist, Repairman Jack, who Maberry utilises extremely well in Cave 13’s story, simultaneously working them into the plot while also diving into the Repairman’s unique life in his own series.

Finally, I must highlight some of the villains in this book.  Maberry always excels in creating complex and insane antagonists for each of his novels, and Cave 13 is no exception, as you are introduced to several intriguing villains who are set to unleash chaos upon the world.  I won’t give away too much about them and their plans here, but I will say that Maberry did an exceptional job of introducing them and diving into their various quirks, plans and desires, in some cases humanising them.  This actually helps to make them even more sinister as you start to understand and appreciate some of their actions, even if they are reprehensible.  I deeply enjoyed the complex examinations of each of Cave 13’s main villains, especially as the various interludes showcase their intriguing histories as well as the genesis of their current plans and schemes, allowing you to fully appreciate everything about them.  These villains, as well as a couple of seemingly returning antagonists hidden in the shadows, ensure that Cave 13’s stakes are always extremely high, and I loved how well the various complex character arcs mixed together to create an outstanding and powerful read.

As with every Jonathan Maberry novel I have so far had the pleasure of enjoy, I chose to check out Cave 13 on audiobook, which is the only way to enjoy one of Maberry’s epic tales.  Not only does the author’s awesome writing style and action sequences really come across well in the audiobook format, but the exceptional narration of acclaimed voice actor Ray Porter, who narrates all of Maberry’s projects, is so damn awesome.  Porter has such a brilliant handle on Maberry’s great characters, and it is always fun to hear the familiar voices of the main cast come out of Porter’s mouth again.  I particular love Porter’s take on main character Joe Ledger, as Porter always manages to capture the key parts of his personality, including the humour, mental instability and the pure rage contained within.  This, and other excellent performances, really helps to turn Cave 13 into an amazing listen, and I had such a brilliant time getting through it, and its 19-hour runtime just flew by.  Indeed, it really helped to ensure an extended road trip in an uncomfortable van was actually pretty tolerable, so kudos for that.  Easily one of the better audiobooks of 2023 so far, I cannot recommend this format enough to anyone wanting to check this epic novel out.

Unsurprisingly, I had fun with the latest Rogue Team International novel by Jonathan Maberry and it is always so damn epic to get another Joe Ledger adventure.  Cave 13 was a particularly awesome and intense entry in the series that expertly brings together an elaborate narrative, evil villains, exceptional action and complex character in an impressive overall read.  Fun, exciting and oh so darkly addictive, Cave 13 was a powerful and gripping novel that I cannot recommend enough, especially for established fans of Ledger’s amazing books.

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Throwback Thursday – Ghost Story by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday5 Comments

Ghost Story Cover

Publisher: Penguin Audio (Audiobook – 4 August 2011)

Series: Dresden Files – Book 13

Length: 17 hours and 36 minutes

My Rating: 5 out of 5 stars

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So by this point in my explosion of Throwback Thursday articles I think I’ve made it pretty clear that I have been really enjoying the epic Dresden Files series lately.  This amazing series has so much going for it, and after listening to and reviewing Small Favour, Turncoat and Changes, I honestly had no choice but to dive into the 13th entry in the series, Ghost Story, especially as it continued on from a great cliffhanger at the end of Changes, and boy am I glad that I did.

Harry Dresden is dead.  Brutally and suddenly gunned down following his victory over the Red Court of vampires and his decision to sell his soul to Queen Mab, Dresden’s life is over, and his body is lost to the murky depths of Lake Michigan.  However, nothing is ever simple for Chicago’s only professional wizard and supernatural protector, and even his own death proves to be far too complicated for his own good.

Waking up in spiritual realm between life and death, Dresden is given an option to travel back to Chicago as ghost to clear up his irregular death.  If he manages to find out who killed him, he may save the lives of the friends he left behind, but if he fails, he will be wiped from existence completely.  Determined to save those he loved, Dresden elects to return home and finds himself back in his city, but in the six months he has been away, everything has changed.

Without his protection, Chicago has become a target of deadly dark powers wishing to capitalise on the destruction of the Red Court.  Worse, his allies have each been affected by his death, and their attempts to keep Chicago safe in his absence have led many of them upon a dark path.  Determined to save who he can, Dresden calls upon the services of ectomancer Mortimer Lindquist.  However, Mortimer is facing his own difficulties as a sinister force seeks to capture him using an army of dark spirits.  To help Mortimer and his friends, and to discover who has behind his death, Dresden will need to master his new ghostly abilities and face down some of the deadliest creatures stalking the afterlife of Chicago.  But even if he succeeds, is the remnants of Dresden’s soul ready for the dark truths and hidden secrets lurking just around the corner?

Well damn, the further I get in this series the more I appreciate just how good an author Jim Butcher is.  Ghost Story is another exceptional and epic Dresden Files book, and it might be one of the very best things he has ever written.  A dark and complex character-focused tale that places its protagonist is his most unique situation yet, Ghost Story has so much going for it, and I loved every second I spent reading it.

Ghost Story probably has one of the most unique and memorable narratives in the entire Dresden Files series, primarily because the protagonist and narrator is dead.  Cleverly following on from the intense cliffhanger of Changes, in which Dresden gets shot and killed in the final scene of the book, Ghost Story sees Dresden’s shade sent back to Chicago six months later to solve his own murder.  The initial scenes of Ghost Story are pretty interesting, and I quite liked how Butcher set up the scenario and reinforced it with the book’s first major action sequence at Mortimer Lindquist’s house, where the protagonist learns some of the rules about being a spirit and has his first encounter with the book’s antagonist.  The story really takes off when Dresden meets up with all his old friends and sees how much things have changed since his death.  The emotional damage his murder has caused is pretty damn moving, and the unintended consequences of his victory against the Red Court serve as a good set-up for some new long-running storylines.

The narrative from here continues at a brisk pace as Dresden attempts to simultaneously solve his murder, aid his lost apprentice, help a bunch of street kids being controlled by a minor sorcerer, and save Mortimer from a dangerous entity.  The last one proves to be the major storyline of the book, especially as it involves an old foe of Dresden’s, and the protagonist is forced to use all his limited ghost powers to save him.  This leads to several intense and distinctively dark set pieces, including a memorable storming of the beaches, an invisible ghost duel, and some major sacrifices.  The final confrontation of the book is very impressive, especially as it helps to reveal the full truth behind Dresden’s murder.  Butcher was really clever in setting this up big reveal, and I thought it was very fitting and complex, especially as it ties nicely to some events in Changes and hints at some great evils yet to come.  The scenes that follow are some of the best and most emotionally charged, as many of the characters get closure, and you get to see just how important Dresden is to his friends and family.  In some ways I kind of wish that Butcher ended series here, as there was a certain finality to some of the storylines that I really appreciated.  However, I’m also not upset that Butcher chose to continue the Dresden Files even further, and the inevitable scene returning Dresden to life was handled extremely well, setting up a whole new course for the protagonist.

I really liked how effectively Butcher wrote Ghost Story so that it had a different feel to most of the other Dresden Files books.  Thanks to the protagonist’s ghostly form, there is less traditional action and adventure, although Dresden compensates for this by bringing in a lot more world building and a lot of emotional character moments.  Thanks to the situation of the protagonist and the general gloomy atmosphere of the current setting, this is a much more subdued and grimmer Dresden Files novel than you might be used to.  Luckily, Butcher does try to break through this darker content with Dresden’s usual humour, which helped to lighten up some of the other characters in the book.  The usual investigative elements are still strongly represented here, especially as Dresden has to find his own killer, and I really enjoyed how the protagonist’s new limitations forced him to think about the case in new ways.  The main mystery is set up extremely well throughout this book, with clues hidden both in Ghost Story and Changes.  I particularly appreciated how the subtle absence or mention of a recurring character ended up being a clue, and it’s a brilliant bit of writing once you understand it.  Butcher really got the right blend of story elements here in Ghost Story, and I liked how he made the book a bit darker while still allowing established readers the sense of familiarity to keep them going.  These excellent writing decisions really enhanced the overall impact of the book, especially when combined with the exceptional character work and intriguing new fantasy elements.

Ghost Story is honestly one of the most significant entries in the entire Dresden Files series, not only because it resolves the cliffhanger from the previous novel but because it starts to change the status quo of the series’ wider world.  A lot of major ongoing storylines start in Ghost Story, and the six-month gap between Changes and Ghost Story also results in some intriguing changes to the main setting and supporting cast.  These changes are pretty jarring for established fans but are really clever, and I liked the darker picture of the world they painted.  Unlike most of the books in the Dresden Files series, Ghost Story really should not be read as a standalone novel or an entry into the series.  While Butcher does do his usual excellent recaps, there are just too many big story elements going on in Ghost Story for it to be an effective launchpad for new readers.  The emotional impact of the character interactions will also be reduced for those unfamiliar with the characters, and the big reveal at the end also loses a lot of punch if you haven’t read Changes.

One of the things that I really enjoyed about Ghost Story was the way in which Butcher worked some cool new fantasy elements into the story.  The spiritual world and the undead aren’t unfamiliar concepts to the series, especially with previous entries like Grave Peril and Dead Beat, but Ghost Story takes it in a whole new fascinating direction with Dresden’s death and return as a spirt.  This transformation forces Dresden to learn about spirits and ghosts extremely quickly, especially when he needs to utilise all his new abilities to save his friends.  This proves to be an excellent and complex inclusion, and Butcher does an amazing job of completely changing the abilities of his protagonist for an entire book.  The resultant changes and new talents are very cool, and I loved the dive into what ghosts are and how they can affect the world around them.  It also allows for some impressive scenes, and it was a lot of fun seeing pitched battles between ghostly magical practitioners while the mortals are completely unaware.  Throw in some intriguing new long-term baddies, the Fomor, and some new abilities for established characters, and Ghost Stories proves to be a book where Butcher was at his most inventive.

As with all the Dresden Files novels, one of the key highlights of Ghost Story is the excellent characters and the elaborate personal stories that Butcher weaves around them.  The characters arcs in Ghost Story are particularly poignant and moving, even compared to Butcher’s usual high emotional standard, as the lingering impacts of the protagonist’s death drive many of them to do things they would never expect.

Naturally, most of the focus returns to protagonist Harry Dresden, who experiences some major life changes after dying.  Despite losing his physical body, Dresden maintains much of his usual drive, humour and general disrespect for all the dangerous and scary creatures out there, and if there were ever a character who would excel as a nosey and noble ghost, it would be Dresden.  However, despite his outer façade of good cheer and comedic charm, Dresden is experiencing a great deal of emotional turmoil, because of both the events of the previous books and his regrets of leaving those close to him behind.  There are some brilliant examinations of the pure guilt he feels, especially around his destructive choices in Changes and their impact on his friends.  Despite all this, Dresden is still his usual bold and determined self, and I had an excellent time watching him come to terms with his spiritual nature and his new abilities.  Dresden had to be a lot more passive in this book, which honestly drove him a little crazy at times, and it was an interesting change of pace to see him so helpless.  Butcher also used this book to dive back into Dresden’s past, providing us with some intriguing looks at his early adventures, including his first traumatic apprenticeship, which has been mentioned but not fully explored until now.  I really enjoyed how Dresden was portrayed in this book, especially as Butcher wrote some particularly emotional and hard-hitting scenes for him, and this was one of his most unique adventures.  I look forward to seeing what happens to him next, especially as he comes to terms with certain new facts of his life in the rest of the series.

While Dresden does get a lot of compelling and emotionally rich development in Ghost Story, I really need to highlight how exceptionally well Butcher featured several of his key supporting characters in this novel.  Many of the characters the reader has grown to know and love throughout the course of this series really change in Ghost Story, especially as they have all had to spend six months dealing with the death of Dresden and the crazy world that developed in his absence.  There is some outstanding and brilliant development here as a result, and I really appreciated how effectively Butcher examined the impacts of grief, anger and guilt.

This excellent development can be particularly seen in the character of Karrin Murphey, who, after losing her position in the police and her potential romantic partner in Dresden, was forced into a dangerous war to keep Chicago safe from supernatural threats.  The resulting fights made her a lot more dangerous and unforgiving than we’ve previously seen, especially as she barely manages to keep her grief and anger contained.  The always fun Waldo Butters also grows up a lot for Ghost Story, especially now he is the holder of Bob the Skull.  Butters honestly becomes a better character with each appearance in the series, and it was great to see him being a more determined and bold figure here to try and live up to Dresden’s example.  I also really loved how well Butcher featured the character of Mortimer Lindquist in Ghost Story, as he had a sizeable role here.  A somewhat minor figure from several of the previous Dresden Files novels, Mortimer has been slowly growing into a better person with each appearance, something attributed to Dresden’s influence.  However, Ghost Story is the book were he finally shines, as you get some real insights into his abilities and heart.  While he might not be a traditional heroic figure, he does his best in this book, especially when it comes to helping the lost spirits of Chicago, and I really enjoyed how Butcher featured him, and his ghostly companions, in this novel.

While I loved all the work for the characters above, the most impactful and tragic character development revolves around the fascinating character of Molly Carpenter, Dresden’s wizard apprentice.  Molly has always been a potentially dangerous figure due to her talent for mental magic.  However, the loss of Dresden drives her off the deep end as her guilt and sorrow turn her into something a lot more dangerous and unhinged.  Molly ends up becoming the murderous, magical vigilante, the Rag Lady, to scare sinister creatures away from Chicago, and begins living on the streets, untrusted by her former friends.  This is such a powerful and surprising transformation from her previous appearances, although it’s not too surprising considering some of the darker things she’s done in the past.  Butcher does an exceptional job of diving into her grief, her growing power, and the reasons behind her actions, and it is very heartbreaking to see Molly go down such a dark path.  The full extent of her mental issues is a major part of the book’s plot, and I think that Molly had some of the best development in this whole emotionally charged novel.

As with all the other Dresden Files novels I enjoyed, I made sure to check out Ghost Story on audiobook, which frankly never fails to impress me.  Coming in with a runtime of just over 17 and a half hours, Ghost Story is one of the longer Dresden Files audiobooks, but you really don’t mind as Butcher packed so much awesome moments into this complex story.  Interestingly enough, Ghost Story is the only Dresden Files audiobook that has two separate versions to it, as actor John Glover provided the narration for the first version before James Marsters narrated a second edition a few years later.  While I did love John Glover in Smallville, I decided to listen to the Marsters version, mainly because I have gotten so used to him over the previous 12 Dresden Files audiobooks.  Marsters of course was exceptional here, and his particularly emotional and heartfelt performance in Ghost Story really highlights why he is one of my favourite audiobook narrators at the moment.  There is honestly no better way to enjoy a Dresden Files novel than by having it read out by James Marsters, and this format comes very highly recommended.

Overall, the fourth and final Dresden Files novel I review here today, Ghost Story, was an impressive and highly captivating read, especially when it comes to powerful characters and intriguing fantasy changes as Jim Butcher really showcased his writing skills here.  Exciting, emotionally charged and featuring a very different story than fans are used to, Ghost Story is one of the strongest books Butcher has ever written, and I was hooked the entire way through.  I honestly cannot express just how epic and awesome this series is at times, and I look forward to getting through the last few Dresden Files novels in the coming months.

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Throwback Thursday – Changes by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday9 Comments

Changes Cover

Publisher: Penguin Audio (Audiobook – 15 April 2010)

Series: Dresden Files – Book 12

Length: 15 hours and 26 minutes

My Rating: 5 out of 5 stars

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As promised in the previous posts for Small Favour and Turn Coat, this Throwback Thursday is a four-way special as I look at another epic entry in the exciting and fun Dresden Files series by Jim Butcher.  This review looks at the 12th entry in the series, Changes, which is one of the most intense and compelling books that Butcher has so far produced.

It is Harry Dresden’s darkest hour.  For years, Dresden has been Chicago’s only defence against the various mystical and monstrous threats that seek to destroy it.  His crusade to keep Chicago safe resulted in a deadly war between the White Council of wizards and the vampires of the Red Court, with Dresden firmly in the centre of the battle.  After years of fighting, the Red Court look set to launch their final killing blow, aimed directly at a weak spot Dresden was unaware he even had: his daughter.

Kept from him by his former lover, Susan Rodriguez, Dresden is shocked to discover that he has a child and that she has been kidnapped by a vengeful vampire noble.  Determined to get his daughter back no matter the cost, a reckless Dresden begins a new battle against the Red Court.  However, with the White Council unwilling to back him, Dresden has few options available to him as he is relentlessly hunted by agents of the Red King.

Injured, tired and desperate, Dresden will need all his most powerful allies to survive, but even the full might of Dresden’s most loyal friends isn’t enough to overwhelm the forces in front of them.  To succeed, Dresden may be forced to compromise everything he has ever believed in, especially if it brings him the tools and power he needs to save his daughter.  But the price demanded may be far more terrible than anything he could imagine.

Well damn, now this must be one of the most intense and powerful entries in this already outstanding series.  Butcher outdid himself with Changes as he wraps up several brilliant storylines while also taking his protagonist to the very edge in the worst ways possible.

Butcher provides a very powerful start to Changes, which places Harry in a dark position as he finds out that he has a daughter and that she has been kidnapped by Red Court vampires.  This expertly follows on from several long-running storylines around Dresden’s war with the Red Court (including those started Grave Peril and Death Masks), and it was really interesting to see an emotionally untethered Dresden trying to come to terms with having a child and the evils being done to them.  The first half of Changes is highly compelling, especially as Dresden faces attacks and obstacles he hasn’t seen before, with his office building getting blown up and increased interest from law enforcement in the city.  There are several great set pieces here, and Butcher quickly builds up the many threats surrounding Dresden as well as unprecedented stakes.

However, Butcher really saves the best for the second half of the book, as Dresden finds himself going down some dark roads to save his child.  After a particularly heartbreaking moment in the centre of the book, the weakened Dresden is forced to make a Faustian deal in one of Changes most powerful scenes.  However, this proves to be only the beginning as Dresden leads all his allies to the big final battle, which was something particularly impressive.  There are several outstanding fight sequences, including a magical pitched battle with everyone involved, and the ending sequence of the entire event is pretty dark.  There are losses, tragedies and massive changes featured here, and you really are left blown away by just how epic and brutal Butcher made everything.  However, that is only the beginning as, after a series of revelations and sacrifices, Butcher chooses to end Changes on a massive cliffhanger, one that is guaranteed to shock every Dresden Files fan and force them to dive right into the next book.

Changes is definitely one of the most impressive and expansive entries in the entire Dresden Files series, and it had me hooked the entire way through.  Thanks to the massive battles, intense and extremely epic action scenes, and the game-changing and emotionally charged moments where the protagonist is forced to make all the hard decisions, it honestly proves very hard to put Changes down and I loved how well Butcher wrapped up several long-running storylines while setting up key elements for some of the later novels.  This is one of the darker books in the Dresden Files series, although Butcher still manages to maintain a good amount of inherent humour and investigative focus.  I felt that the typical Dresden humour blended well with the more desperate and brutal parts of the book, especially as it helps to underline just how grim Changes becomes in places.  Unlike some of the previous books in the series, I would not recommend Changes as a place to start reading the Dresden Files books.  While Butcher provides his usual excellent recap of prior events throughout the book, there are way too many ongoing storylines and complex character moments featured here that you won’t get the full effect of unless you understand the full history of the protagonist and all he’s overcome.  This was honestly one of the better books in the entire series, especially with how much Butcher raised the stakes, and I love just how well the entire story came together.

Out of all the Dresden Files novels Changes has some of the best character moments in the entire series, mainly because of just how big events turned out to be.  Dresden, despite his attempts to keep his usual defiant humour intact, is emotionally wrecked time and time again in this book following the revelation that he has a daughter he didn’t know about.  Enraged, desperate and determined to not leave her alone like he was as a child, Dresden is forced into some very dark places to save her, and the resulting scenes where he sells his soul are very heartbreaking and emotionally charged.  A lot of these compromises come after he has been physically chopped away at throughout the book, and you can really understand why he is forced to make these decisions and just how much they cost him spiritually and morally to do so.  As such, Dresden spends a good chunk of this book unsure of whether he is making the right decisions, but he remains determined to do so all the same and would even go further if needed.  Despite this, Dresden still has the support of his friends, and it was great to see how they kept him grounded and certain that he was on the right path.  I particularly enjoyed the fun Lord of the Rings analogy that was revealed to him by his friends to show how they see him (he’s more of a Sam than a Gandalf), and Dresden’s concern that he might instead be a different, less heroic character from the series hits you right in the feels.  I may never forgive Butcher for how brutally and effectively he tugged at my heartstrings in Changes when it came to Dresden and this is probably one of the most substantial novels in the entire series when it comes to his character development.

Aside from Dresden, Changes features a great range of supporting characters, many of whom return to help the protagonist in his hour of need.  A lot of focus went into Susan Rodriguez, Dresden’s former lover and the secret mother of his child, who has struggled with her vampiric corruption since the third book.  While there is a certain amount of resentment towards her for her actions, you can completely understand why Susan might try to keep her daughter away from both herself and Dresden, which is honestly heartbreaking.  Butcher does a great job of featuring Susan again here after a lengthy absence, and I felt that he wrapped up her storyline and the relationship she had with Dresden really well.  Several other characters get a great showing in Changes, with Murphy becoming a literal Holy Knight for one particularly glorious sequence and Dresden’s apprentice Molly really showcasing her skills and her emotional vulnerability.  I also must mention one of my favourite characters, Dresden’s dog, Mouse, who continues to be one of the best figures in the series, especially here where he reveals more of his supernatural potential and his actual intelligence.  The scene where you can hear him talking is just hilarious, especially as Mouse has a very different view about his relationship with his human.  These characters and more really help to turn Changes into one of the most emotionally charged books in the entire Dresden Files series, and I loved seeing each and every one of them.

As has been the recurring theme with the Dresden Files, I checked out Changes on audiobook, which was another epic listen.  Narrator James Marsters can do no wrong with this audiobook, and with a runtime of 15.5 hours, you will find yourself quite engrossed with this elaborate tale.  Thanks to Marsters’s exceptional narration, I absolutely powered through this audiobook, and I loved the sheer emotion and power he brought to the production.  The epic set pieces were particularly cool in this audiobook, and I loved how well the climatic battles came across in this format.  As a result, Changes is definitely best enjoyed as an audiobook and I cannot recommend this format enough.

Unsurprisingly, Changes also gets a five-star rating from me and it was honestly one of the most impressive Dresden Files novels that Butcher has written.  The powerful character work and brutal story had me hooked the entire way through, and it honestly has some of the most significant moments in the entire series.  In fact it was so good that it instantly made me start listening to yet another Dresden Files novel, Ghost Story (that cliffhanger at the end left me no choice), which I am also reviewing today.  This is an exceptional read that once again shows why Butcher is such an incredible author.

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