The Girl in Question by Tess Sharpe

The Girl in Question Cover

Publisher: Hodder Children’s Books (Trade Paperback – 9 April 2024)

Series: The Girls I’ve Been – Book Two

Length: 442 pages

My Rating: 5 out of 5 stars

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In the mood for a clever, emotionally charged young adult thriller with some real heart behind it?  Look no further than one of the best books of 2024 so far, The Girl in Question by Tess Sharpe.

Back in early 2021 I had the very great pleasure of reading an outstanding young adult thriller that had caught my eye thanks to its intriguing narrative and the promise it was being turned into a Netflix series.  That book was The Girls I’ve Been by Tess Sharpe, which proved to be an extremely impressive read I had a wonderful time getting through.  The Girls I’ve Been followed Nora O’Malley, a young teenager with a dark past as a con artist, who had managed to escape her abusive mother and gangster stepfather and find happiness with her older sister in a small town.  Caught up in a bank robbery, Nora was forced to bring back her old tricks to save her friends, only for her actions to reveal her location to those hunting her.  The Girls I’ve Been was such a great read, and I had such an amazing time getting through it.  As such, I was very excited when I heard that Sharpe was releasing a sequel this year with The Girl in Question, one of my most anticipated books of 2024, which continued the story from the first novel in a big way.

Former con artist Nora O’Malley is enjoying life while she can.  Having recently finished high school, Nora is excited for the careers and futures that her girlfriend Iris and her best friend Wes are planning for.  However, Nora knows that her own future is bleak and unlikely to be long.  Her secret past has been exposed, and with her murderous stepfather Raymond now free from prison, it’s only a matter of time before he comes to kill her.

Determined not to live in despair while waiting to die, Nora agrees to accompany Iris and Wes on a summer hiking trip.  The long trek through the woods is everything Nora could want to relax, even with Wes’s new girlfriend, Amanda, tagging along, and she is able to put the thoughts of imminent death out of her head.  That is, until Amanda is taken hostage in the night and their camp comes under attack from Raymond’s vengeful goons.

Split up in the woods without backup, help or leverage, Nora, Iris and Wes’s chances seem dire.  But these are no ordinary teenagers.  All three have gone through hell in their lives and none are willing to give up on each other.  Working together to fight back, the three friends seek to survive together.  However, there are unknown players in the woods, and Nora will need to use all her skills at manipulation to keep herself and her friends alive.  But nothing is as it seems, and deep secrets amongst the trio could break them apart well before they are hunted down.

The Girl in Question was another excellent young adult thriller from Tess Sharpe that expertly built on the story from the first book, while taking the characters in some interesting directions.  Sharp, clever, and highly intense, The Girl in Question is guaranteed to keep you on your toes as you get drawn into the action.

Sharpe comes up with a great story for The Girl in Question, taking the protagonists through hell and back as they attempt to survive the dangerous forces coming for them.  Set a couple of years after the events of The Girls I’ve Been, The Girl in Question starts with an intriguing prelude that hints at events to come, before diving into the main story, with Nora and her friends planning a trip into the forest.  Sharpe does a good job of exploring the aftermath of the first book, the strong relationships between the main characters, and the general apprehension felt by the protagonist about her potential upcoming doom.  There are also several hints that the protagonists know far more than they should, and they have secrets they are keeping from everyone.  Soon the characters find themselves stuck in the woods, which quickly results in chaos as the bad guys find them and prepare to kill them.

This first third of the plot is really intriguing and fun, but the action really kicks in for the last two thirds of the book.  Sharpe does a great job of utilising the dark situation the protagonists are stuck in, and I loved the feeling of isolation and desperation that they feel.  There is also a good use of flashbacks throughout this early part of the book to explore more of Nora’s past with the antagonist, especially as it introduces a couple of the goons running around the woods.  All three of the main protagonists react in some great ways, and I loved seeing them take charge and fight back, while also dealing with their own personal issues.  This works until around halfway through, whereupon Sharpe reveals a pretty massive twist that changes the entire direction of the story and makes you realise nothing was what you thought.  There is a great extended flashback that sets up some very interesting character development, before the action returns to present and results in some intriguing interactions.  Sharpe throws in some great moments and reveals leading towards the conclusion, and I for one was very hooked as the elaborate and thrilling story continued.  The final confrontation was everything you would hope it to be as Sharpe ensures that everyone gets what they deserve, one way or another.  Throw in a few fun and often dark final twists and turns, including some well-deserved revenge, and this proves to be quite a fantastic read that I really could not get enough of.

Unlike a lot of other sequels that I read, I felt that The Girl in Question didn’t massively work as a standalone novel; people really need to check out the previous novel first.  While Sharpe does do a decent recap of The Girls I’ve Been for new readers, so many story elements from the first book are referenced in the sequel that you’d be much better off getting through that previous novel in advance.  However, no matter what, you are in for a treat with The Girl in Question, as Sharpe produces a powerful thriller that expertly utilises all the best elements from the first book.  The great changes in perspective, especially between the two main characters, the short, sharp, action-packed chapters, as well as the excellent flashbacks and fun little lists thrown in between chapters work together well to tell a great story.  You really get a great sense of the action, and the slow build towards the various twists works well, especially with the occasional hint of what is to come.  I loved how Sharpe maintained a very quick story pace, and there is honestly not a quiet moment where something thrilling or emotionally charged is taking place.

Like the previous novel in the series, The Girl in Question proves to be an excellent piece of young adult fiction that will appeal to a wide teenage audience and beyond.  While most of the story focus is on the characters or the over-the-top crime thriller elements, Sharpe does take the time to discuss issues relevant to teenagers, like the uncertainty of the future, complicated friendships, and abusive parents, the latter of which is a recurring theme amongst the main characters.  I really appreciated how Sharpe doesn’t talk down to her teenage audience when it comes to these elements, or the dark crime fiction inclusions, and these readers will no doubt love this gritty novel and its fantastic story.

At its heart, The Girl in Question is driven by its compelling central cast, as Sharpe continues to explore the lives of three damaged teenagers as they attempt to overcome their respective pasts, and the dark threats of the future coming for them.  As with the first book, a large amount of the character focus revolves around protagonist Nora O’Malley, the daughter of a notorious con artist who was used as a tool in her mother’s ploys before breaking free in dramatic fashion.  Ever since the events of the last book, Nora has been living in fear as her location has been leaked and her vengeful stepfather is likely coming for her.  This ensures a healthy dose of fatalism in Nora, and she is forced to choose between her instinct to run and her current connections and relationships.  Nora proves to be a real firecracker of a protagonist, and I like how dark she can get as she tries to protect those closest to her.  Determined, manipulative and deadly, Nora walks a thin line between the criminal she was raised to be and the caring person her friends turned her into and must come to terms with what her natural inclination to deceive costs those around her.  I really enjoyed following Nora as a central protagonist and Sharpe takes her storyline in some interesting directions.

In addition to Nora, the other two main characters are Nora’s girlfriend Iris, and their best friend Wes.  Both these characters have grown a lot closer to Nora since the last book, as the trauma of their pasts and the bank robbery they find themselves stuck in have ensured they have become a tight unit.  Of the two, Iris gets most of the focus, and she ends up narrating nearly half the book.  Iris is an interesting counterpoint to Nora, especially as she is a little more innocent and unused to the dangers of Nora’s life and worries about being helpless.  Despite that, she proves to be quite formidable as the book progresses, and indeed she might be the most dangerous member of the group.  Wes, on the other hand, is a solid and compelling addition to the group, serving as the man of action who is desperately trying to keep his friends safe from the dangers around him.  While he is not focused on as heavily as Nora and Iris, Wes is a major figure, and it was interesting to see how his friendship with the two girls has changed him, as well the trauma surrounding him from his abusive father.  The bond between these three characters is a major part of The Girl in Question’s strength, and it was great to see them work together as the novel progressed.  This bond is tested in places, especially as they are forced to lie to each other, but this was an overall nice character dynamic that produced an epic read.  Other characters of note include Wes’s girlfriend, Amanda, whose own secrets plays in an interesting role in the plot, one very good dog, an ambitious FBI agent who takes a stroll in the woods for her own ends, and a bevy of great antagonists, including the big-bad Raymond.  These characters all add so much to the book, and I loved the powerful story arcs around them all.

Tess Sharpe has produced another outstanding young adult thriller with The Girl in Question.  Perfectly following on from the previous novel, The Girl in Question was a powerful, clever and compelling read that had me hooked the entire way through.  This was such an amazing book and I look forward to seeing what unique and powerful young adult adventures Sharpe comes up with in the future.

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Think Twice by Harlan Coben

Think Twice Cover

Publisher: Century (Trade Paperback – 14 May 2024)

Series: Myron Bolitar – Book 12

Length: 419 pages

My Rating: 4.75 out of 5 stars

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Legendary thriller author Harlan Coben returns with another outstanding and twisty read that forces his longest running protagonist into a dark and deadly adventure with Think Twice.

Harlan Coben is an amazing writer who has been setting the world on fire for years with his exceptional thrillers that contain impressive twists and unbelievable turns, all set around distinctive and clever story ideas.  Many of his best books have been turned into fantastic television series, and his work has a habit of transforming into excellent dark content.  I personally have come into the Harlan Coben fandom a bit late, beginning with I Will Find You last year.  I loved the excellent story it contained, and it ensured that I would continue to check out Coben’s work in the future.  I’m very glad that I did, as his latest novel, Think Twice, proved to be a particularly epic read.  The latest entry in Coben’s long-running Myron Bolitar series, Think Twice reintroduces his iconic protagonist Myron Bolitar and sets him loose for his 12th novel.

After many ups and downs, former basketball player and incorrigible troublemaker Myron Bolitar is back in the sports agent game, once again situated in his New York office, surrounded by his unusual friends.  Working hard to bring his business back to its old glory, Myron is unprepared for a ghost from his past to literally come back and haunt him in the strangest way when two FBI agents visit his office, seeking his help to find a suspect in a recent double murder.

The investigation into the murder has revealed DNA evidence that points towards Myron’s former client and rival, Greg Downing.  The only problem is that Greg Downing died three years ago, and Myron was the one who gave the eulogy.  With the FBI convinced that he is lying and knows something about Greg’s whereabouts, Myron is intrigued, especially as his complicated history with Greg has given them an unbreakable connection.

Determined to find out whether Greg could be alive, Myron teams up with his partner in crime, the dangerous billionaire Win, to seek the truth.  Their investigation leads them from New York to Las Vegas to Montana and back again as they attempt to find any hint about what happened to their old client.  But the further they dig, the more it becomes apparent that there is a dangerous killer on the loose who likes to hide their misdeeds in the most sinister of ways.  But is Greg alive and perpetrating these crimes, or is someone else setting him up for the fall? And does that someone now have Myron in their sights?

Wow, now this was such a good thriller.  Coben really pulled out another wild and clever story with Think Twice and I got so drawn into this fantastic read.  Making full use of his interesting story premise, existing character arcs, and habit for outrageous twists, Coben had me hooked the entire way through, and I had so much fun with Think Twice.

I really loved the compelling story that Coben came up with for Think Twice, and frankly I got addicted to it in the opening pages as the reader is swiftly introduced to multiple awesome aspects of the plot.  The initial scenes with main point-of-view character, Myron Bolitar, reveal that a recurring character believed dead is still alive and is the main suspect in a murder case, while separate sequences told from an unknown person’s perspective, reveal intimate details of a unique serial killer stalking the country.  The story quickly develops into a hunt for the presumed dead client, as Myron and Win seek to find and help him before the FBI can.  This turns into a great missing persons investigation for the first third of the novel, as the protagonists hunt across America, digging up clues and coming into conflict with other interested parties in the case, including a sinister mob boss with a fun nickname.

This first third of the book, while a tad slower than the rest of the narrative, proves to be a great introduction to the story, and Coben does an excellent job of setting up some key plot elements and character introductions that pay off well in the rest of the book.  The author keeps the narrative going strong, and you are soon introduced to more mysteries, secrets and threats as the protagonist tries to discover what is happening and who is truly responsible.  There is a great deal of tension and mystery the entire way throughout the story, and I really got caught up in this book, powering through the second half of Think Twice in less than a day.  Coben brings the entire mystery together extremely well, and I think that this book had a very strong conclusion.  There are some great twists in the lead up to the big confrontation, and events get very frenetic and deadly in all the most exciting ways.  After some massive moments, Coben loads up additional twists to really strike the reader hard, and you will come away feeling bruised from the resulting whiplash.  I really enjoyed how these twists came about, and I think that Coben did an outstanding job setting them up and subsequently unleashing them.  This was honestly a brilliant story that had me hooked the entire way through.

The author set a great tone for Think Twice that ensured the reader was constantly engaged and forced to keep reading.  The entire story is very fast-paced, and the outrageous characters featured within are fun and exciting, allowing you to connect both with their unique investigation methods as well as the myriad personal dramas that result from their interactions.  While most of the story is told through the eyes of main character Myron, several key parts of the book are shown from alternative perspectives.  This helped to create a much more intense read, especially the scenes that show the unknown antagonist’s thoughts and kills.  Not only does this help set up some great twists but it also ensures that the reader gets drawn into the resulting game of cat and mouse.  Other perspectives, especially towards the end and helpfully distinguished by changes in font, are also well done and herald some massive events.  Coben did a great job of blending the story’s sports-themed mystery with the more intense, character-driven elements of the plot, and I ended really impressed with how this entire book came together, especially with the clever and compelling twists.

Unlike some of the other Coben books that I have read, Think Twice is part of a series and follows on from the previous mysteries contained in the Myron Bolitar books.  Indeed, the storyline in this 12th entry is strongly related to previous books in the series, especially the third novel, Fade Away, with many of the characters introduced there coming back in a big way.  While there are many references to this previous book, Think Twice still works well as a standalone novel, and Coben ensures that all the key plot elements from Fade Away and other Myron Bolitar books are explained quickly and effectively as the story continues.  As someone who has not read any of the books in the series, I was easily able to follow the plot of Think Twice while still getting drawn into the key character arcs and storylines.  However, I feel that established fans of the series will probably get a little more out of Think Twice, especially when it comes to the continuation of some intense character interactions.  As such, Think Twice is going to appeal to a lot of readers, and someone a little newer to Coben’s work can easily jump into this long-running series with barely any issues.

The final thing I want to highlight about Think Twice are the intriguing and fun characters that Coben features throughout his book.  Coben clearly likes big personalities with complicated feelings, and I had a lot of fun getting to know the cast of this series, especially as there are some distinctive oddballs here.  The most prominent character is series protagonist Myron Bolitar, a former star basketball player turned sports agent, lawyer and occasional investigator.  Myron proves to be a fun protagonist to follow, and I liked his morality and sense of right and wrong, which contrasts well with other key characters.  Coben did a good job of drawing the reader into Myron’s personal issues, of which there are many, especially when it comes to the side characters in this book.  Thanks to the renewed focus on his old rival, Greg Downing, several figures from previous books are reintroduced, including his old flame and his biological son that was raised by Greg.  This leads to substantial drama, especially as the various relationships are strained from previous betrayals and lies.  Myron’s complicated relationships with these returning side characters proves to be a key part of the book, and it was interesting to see him finally get some closure with some characters, while renewing old issues with others.

Aside from Myron and the returning characters from Fade Away, the cast of Think Twice are entertainingly unusual, and it proved interesting to see the fun range of figures the protagonist surrounds himself with.  The former women’s tag-team professional wrestlers who have become Myron’s colleagues was an interesting touch from Coben that I certainly had fun with, and Myron’s entertaining family who interact with him in the background were also entertaining.  The main supporting character you have to talk about is Myron’s best friend and confidant, Win.  Windsor Horne Lockwood III is ultra-rich, ultra-eccentric and just a little bit crazy.  A deadly figure with no moral compass, Win backs his friend up in many ways, and has no problem getting lethal when the situation calls for it.  Win honestly steals most scenes he is in, and he plays off Myron really well, ensuring that they come away as an amusing and effective team.  Throw in a great antagonist with clever methods who remains hidden for much of the book, and Think Twice has some great characters whom Coben uses to their full extent to tell an interesting story.

Thanks to its outrageous story, cool plot concepts and excellent twists, Think Twice proved to be an amazing read that I could not get enough of.  Slick, clever, and highly addictive, Think Twice really showcased Harlan Coben’s ability to pull together a brilliant thriller.  I had such a great time reading Think Twice, and I cannot wait to see what unique story Coben pulls together next.  Highly recommended to both established Coben fans and new readers looking for a distinctive thriller.

Think Twice Cover 2

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Warhammer 40,000: Death or Glory by Sandy Mitchell

Death or Glory Cover 2

Publisher: Black Library (Audiobook – 28 February 2006)

Series: Ciaphas Cain – Book Four

Length: 8 hours and 50 minutes

My Rating: 4.75 out of 5 stars

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After recently getting through awesome Warhammer 40,000 novels like Straight Silver and Sabbat Martyr, I was in the mood for even more fantastic fiction, so I decided to check out the always reliable Ciaphas Cain series by Sandy Mitchell with Death or Glory.

The Ciaphas Cain books are an outstanding and highly entertaining Warhammer 40,000 series that shows the grimdark universe in a whole new light.  Written by talented author Sandy Mitchell (a pseudonym of Alex Stewart), the Ciaphas Cain books follow an unlikely hero, Commissar Ciaphas Cain.  Despite being a Commissar, officers who are supposed to be embodiments of duty, discipline and bravery, Cain is a highly practical and fearful man who wants to stay alive in the deadly Warhammer 40,000 universe.  However, his attempts to stay out of the fight usually result in him getting thrust into even more danger which he needs to survive using his trademark cunning and manipulation tactics.  His various adventures have also turned him into a legendary hero throughout the Imperium of Man, something that results in even more trouble for unlucky Commissar.

The Ciaphas Cain books are always a lot of fun to read, especially as Mitchell takes a comedic take to the Warhammer universe.  Loaded with unlikely coincidences, clever humour and over-the-top characters, the first three Ciaphas Cain novels, For the Emperor, Caves of Ice and The Traitor’s Hand, have been extremely awesome and this is easily one of my favourite Warhammer 40,000 series.  As such, when I needed something particularly entertaining to listen to, I chose the fourth book in the series, Death or Glory.

Relatively young Commissar Ciaphas Cain is not yet the hero of the Imperium he is fated to become, although he has already started to gain a reputation he doesn’t believe he deserves.  After stopping a genestealer infestation, Cain and the artillery unit he is attached to are ordered to the planet of Perlia, which has fallen under siege by the orks.  Happy to spend the next war far behind the lines with the artillery, Cain is unprepared for the dangers to come.

Upon arriving in the Perlia system, the ship Cain is travelling aboard comes under ork attack and Cain has no choice but to rapidly disembark in an escape pod.  Trapped with his aid, Jurgen, Cain’s pod is shot down before they can be rescued, which results in them crashlanding on Perlia.  Hoping to find sanctuary after a harrowing adventure in space, Cain is horrified to discover that they have crashed into the wrong side of the planet and are currently stuck well behind enemy lines.

Knowing that the only way to survive the ork hordes is to rejoin the main Imperial army, Cain has no choice but to embark on a dangerous road trip across the continent.  However, with thousands of brutish orks in the way, Cain will need help to survive.  Pulling together an unlikely army of scattered troops and desperate civilians, Cain heads off into the desert, hoping to find his salvation.  Their resulting journey will pit them against the full ork army and help turn Cain into a legend known throughout the galaxy.

Death or Glory was another exceedingly fun and deeply captivating entry in the Ciaphas Cain series that once again places Mitchell’s complex protagonist in all manner of trouble.  Action-packed, clever, and filled with excellent humour, Death or Glory was an outstanding read that I could not get enough of.

I really enjoyed the awesome story that Mitchell came up with for Death and Glory, particularly because it was a somewhat fresh take on the usual narrative.  Rather than following Cain as he works with his regiment to stop a hidden threat, Death or Glory shows Cain alone (except for Jurgen) and behind enemy lines on an ork controlled world.  Acting as a prequel to the previous novels in the series, you see the slightly younger Cain attempt to find his way back to safety, only to encounter multiple groups of refugees and scattered soldiers who turn to him for leadership.  The resulting story turns into a hilarious combination of Mad Max, Laurence of Arabia, and Kelly’s Heroes, as Cain leads his band, many of whom are crewing crude ork vehicles, across the ork controlled territories, including a vast desert.  There are several amazing battle scenes that see the humans fight back against the orks in desperate situations, often won thanks in part to Cain’s tactical insight and his unlikely manoeuvres designed to keep him alive.  This is a non-stop story, and you get really drawn into the constant travel, fighting and attempts at survival that emerge.  The orks prove to be great antagonists for the story, especially as Mitchell provides them as a mostly serious enemy.  While they are slightly underpowered in the face of the unbeatable Cain, and you do see the inherently sillier side of them, Mitchell also makes sure to showcase their prowess and brutality, which keeps the stakes high and the story even more captivating.  Ending on a final battle where Cain showcases his unlikely heroism by pure chance, Death or Glory had me hooked with its story the entire way through, and I loved the fantastic scenario that Mitchell came up with.

I have mentioned in previous reviews of the Ciaphas Cain series that Mitchell has an outstanding style that really enhance the story and bring out the innate humour within.  This is once again the case for Death or Glory, as the story is primarily told in the chronicle form from Cain’s perspective.  These unvarnished insights into Cain’s mind paint a vivid and fun picture of the events he was involved in, and you get some interesting insights into his actual motivations.  This fun story is further enhanced by the fact the memoirs have been modified by Cain’s associate, Inquisitor Vail, as she adds in a variety of notes, additional information, in-universe historical texts and footnotes.  Not only are these delightful additions informative and serve as a great way to quickly insert details of the larger war into the plot, but they are also quite funny due to the author’s sarcastic tone.  I love some of the entertaining jokes that emerge in the footnotes, especially as it allows the author to quickly reference certain ridiculous elements of life in the Warhammer universe, many of which are parodies of classic British activities.  These additional notes really change the tone of the entire book, and I love how it allows Mitchell to turn Death and Glory into something far more than a typical war story.

While there is a definite focus on humour in Death or Glory, there is still a ton of action and intense adventure here, as Mitchell draws inspiration from classic desert war movies.  The carnage of the orks is bleak, the battles are hard, and the situation is desperate as Cain and his comrades navigate the desert.  These darker elements play off the humour of Death and Glory extremely well, and I loved the complex narrative that emerged.  I enjoyed how Mitchell kept up the same excellent level of humour and compelling story elements that the previous entries were known for, and there was a strong effort to keep it consistent with the previous books.  You do notice that Mitchell utilises a bit of repetition in his books, with similar lines and descriptions used again and again.  While this is not too noticeable if you take a break in between books, it is very apparent for chain readers.  Still, this is a minor issue that Mitchell does a good job of dispelling in Death or Glory with the more unique storyline.

Like most of the entries in this series, Death or Glory can be read as a standalone novel with no real pre-knowledge of the previous books needed to enjoy it.  Indeed, Death or Glory is set earlier than the other Ciaphas Cain books, so this is a good entry point to the larger series.  There are a few references to the other Ciaphas Cain books, which established fans will enjoy, and Mitchell also provides clever hints at future events Cain will have to encounter.  Death or Glory also serves as a very fun introduction to the ork faction, especially as our protagonist has never encountered them before.  This allows the reader to get a fresh outside perspective on these alien characters, while also including details that hardcore Warhammer fans will appreciate.  As such, Death or Glory proves to be an awesome addition to the series that will appeal to fans of all levels and could easily spark a new reader to fall in love with Warhammer 40,000 fiction.

A recurring highlight of this series is the fantastic characters who populate the narrative, particularly main protagonist Ciaphas Cain.  Cain is a particularly complex Warhammer 40,000 character, mainly because he is both a renowned hero and a self-serving coward who only wants to avoid a fight.  Portrayed as a fun combination of Blackadder and Flashman, Cain is shown to be purely selfish, with his every move calculated to keep himself alive.  However, through accident or something else, his plans often backfire, forcing him into over-the-top dangerous situations that ensure others see him as an amazing hero.  This is on full display in Death or Glory as Cain pulls together a band of survivors that gets far larger and more chaotic the further they get along.  Despite his plan being designed to get himself to safety, many see him as a heroic revolutionary leader, which he is forced to maintain to keep his band of protectors loyal to him.  It is quite fun to see everyone misinterpret his decisions, and several fictional historical texts showcase the process of overexaggerating his deeds in hilarious detail.  However, despite all his protestations to the reader about being a coward, you once again see that there is far more to Cain than he lets on.  Rather than being a terrible person, he is just a sensible and tactically aware figure in a universe where the actions of unachievably brave heroes are constantly lauded.  This has led Cain to completely underestimate his own self-worth, even though he is routinely shown to be an impressive fighter, clever tactician, and caring leader.  I love this complex look at Cain, especially as his self-deprecating account ensures he is even more likeable, despite his selfish habits, and you really get drawn in to his crazy adventures.

Aside from Cain, several other figures were impressive in Death or Glory.  The most prominent, at least from impact on the book, is Cain’s associate Inquisitor Vail.  Despite not actually appearing as a character in the main adventure, Vail’s presence is strongly felt as she is the one editing and presenting Cain’s fictional memoirs.  As such, you are constantly gifted with Vail’s overlying narration and notes, especially as she provides greater context to the story and translates some of Cain’s wilder claims.  Thanks to her sarcasm, as well as her personal insights into Cain’s actual character, Vail provides a fantastic alternate viewpoint of events, and it is always fun to see her call out Cain for his lies and terrible writing style.  The other major character you must talk about is Cain’s aid and reliable bodyguard, Jurgen.  The Baldrick to Cain’s Blackadder, Jurgen is generally shown to be an unhygienic, smelly, and slightly dim companion who is utterly loyal to Cain.  However, despite this appearance, Jurgen proves to be an interesting and likeable figure, and he forms an excellent partnership with Cain.  His skills are well on display in Death or Glory, mainly due to his intimate knowledge about orks, and he once again showed himself to be an unappreciated part of Cain’s ultimate victory.  Throw in a band of intriguing survivors who flock around Cain, including several capable soldiers, a somewhat insane Tech-priest and determined troop of civilians, and Death and Glory had some great characters you can’t help but root for.

I have mentioned multiple times in the past that the best way to enjoy a Warhammer 40,000 novel is in its audiobook format.  Nowhere is that truer than the Ciaphas Cain books, which make excellent use of multiple narrators to expertly adapt the fantastically funny content of the novels.  Death or Glory is an outstanding example of this, as the brilliant production and excellent narrators produced something that I powered through very shortly, even with its nearly nine-hour long runtime.  The intense action, compelling story and outstanding humour is all amazingly highlighted in this format, and I especially loved the four amazing narrators who were brought in to voice the characters.  This includes returning favourites Stephen Perring and Penelope Rawlins, who fulfill their respective roles perfectly.  Perring is probably the most prominent narrator of the bunch as he voices all the chapters told from Cain’s perspective.  Perring is an awesome narrator as he perfectly captures the chaotic characters featured within the book, especially Cain and  Jurgen.  His portrayal of Cain is probably the best, as he expertly showcases the protagonist’s exterior boldness, as well as his interior fear and deep humanity.  Jurgen of course also comes out very well, and I love how Perring captures Jurgen’s unique persona and unquestionable loyalty to Cain.

While Perring voices the main chapters, Penelope Rawlins is just as important as she voices Inquisitor Vail, who writes the prelude, chapter introductions, additional material and footnotes that are scattered throughout the book, providing editorial notes and material to make the story more organised.  Rawlins’ voice is seamlessly worked into the main plot multiple times throughout the course of the audiobook, and I like how well her inclusions work with Perring’s main narration, especially as Rawlins perfectly captures both Vail’s sarcasm and the clear admiration she has for Cain.  This audiobook would not be as entertaining or clever as it is without these clever insertions by Rawlins, and she adds just as much to the production as Perring does.  In addition, Death and Glory brings two new narrators to the series with Joe Jameson and Richard Reed, who voice in-universe historical texts and autobiographies included to provide additional context to Cain’s ramblings.  I was very happy to hear from both familiar narrators, as Jameson lent his voice to the Necromunda novel Fire Made Flesh by Denny Flowers, as well as the Legacy of the Mercenary King series by Nick Martell (The Kingdom of Liars, The Two-Faced Queen and The Voyage of the Forgotten), while Reed narrated The Infinite and the Divine by Robert Rath, The Twice-Dead King series by Nate Crowley (Ruin and Reign) and Grim Repast by Marc Collins.  I really liked Jameson and Reed’s performances as a result, although both were a little underutilised thanks to the constraints of the narrative.  Still, these four narrators provided some exceptional voice work, and I had an amazing time listening to them throughout the course of this audiobook.  As such, Death and Glory comes very highly recommended in its audiobook format, and there is no better way to enjoy this book.

Sandy Mitchell continues to write one of the most entertaining Warhammer 40,000 series out there with this fourth entry in the epic Ciaphas Cain series.  An outstanding and hilarious novel that I absolutely powered through, I cannot recommend Death or Glory enough, and you will fall in love with this brilliant book.

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The Gathering by C. J. Tudor

The Gathering Cover

Publisher: Michael Joseph (ebook – 16 April 2024)

Series: Standalone/Book One

Length: 412 pages

My Rating: 5 out of 5 stars

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Acclaimed author C. J. Tudor continues her excellent run of clever and dark thrillers with the intense, inventive, and gripping horror murder mystery, The Gathering.

C. J. Tudor is a talented and highly inventive author who has been producing some intriguing reads over the last couple of years. Starting with her 2018 debut, The Chalk Man, Tudor has consistently produced some compelling books with clever horror or psychological thriller elements. Her other books include The Hiding Place (also titled The Taking of Annie Thorne), The Other People, The Burning Girls and The Drift.  While Tudor’s intriguing novels have often stood out to me, generally because their unique plots, I unfortunately haven’t had the opportunity to read any of her prior works, which is something I really regret.  However, this has recently changed as I was lucky enough to receive a copy of Tudor’s latest book, The Gathering, an intriguing murder mystery thriller with some distinctive element behind it.

Welcome to the small town of Deadhart, Alaska, home to a small population of living humans and a colony of vampyrs.  Maligned and hunted beings throughout the world, vampyrs in America now have legal protection from unsanctioned killings, as long as they don’t harm any humans.  While members of the Colony attempt to stay away from humans, old hatreds, prejudices and grudges rear their ugly head when a young teenager is found murdered with his throat ripped out and his body drained of blood.

Detective Barbara Atkins, a specialist in vampyr killings and physiology, is sent to Deadhart to determine if a vampyr committed the murder and authorise a cull if the Colony is unwilling to hand over the perpetrator.  Arriving in the small town, Barbara finds the local inhabitants afraid and angry, looking for vengeance for the death of the boy and determined to wipe out the vampyrs for good, especially as this case bears a striking similarity to a previous killing blamed on the Colony 25 years ago.

Beginning her investigation, Barbara soon discovers that there is far more to the case then initially appears.  Much of the evidence has been staged, and no one is willing to tell her the truth about what has really going on in town.  When more deaths occurring throughout Deadhart and the town in uproar, Barbara deputises former Deadhart sheriff Jenson Tucker, whose investigation into the previous killings nearly left him for dead.

As Barbara and Jenson attempt to discover the culprit, it soon becomes clear that someone is attempting to stir up a conflict between the people of Deadhart and their vampyr neighbours.  With both settlements on the warpath, Barbara and Jenson need to dive into Deadhart’s dark history to truly understand the crime before them.  But is the killer a bloodthirsty vampyr, a psychotic human with a taste for chaos, or something far worse?

Tudor absolutely blew me away with this exceptional and highly clever read.  The Gathering was a brilliant book that expertly combined an inventive and well-established concept with a complex murder mystery.  Loaded with intriguing and damaged characters and a dark story of death, revenge and oppression, The Gathering was an extremely awesome book that I could not turn away from.

Thanks to its vampyr focused murder mystery, I knew I was going to really enjoy the plot behind The Gathering well in advance of reading it, and boy was I proven right.  Tudor does a wonderful job quickly and effectively setting the scene, and you are soon introduced to the town of Deadhart, the concept of vampyrs and the particulars of the murder.  What follows is a complex case as protagonist Barbara Atkins is forced to investigate as an outsider, as most of the town is filled with anti-vampyr sentiment.  Further complications are added when Atkins finds a range of dark secrets hidden throughout Deadhart, both in the present and in the past, which have bearing on the modern case.  At the same time, the various residents of Deadhart and the Colony react in different ways to the murder, using it to restart old grudges or bring long-festering hurts to the surface.

The Gathering’s narrative progresses at a fast and compelling pace, and you are soon treated to revelation after revelation, as well as several additional killings.  I loved the combination of a modern-day investigation and dives back into various periods of Deadhart’s history that emerged, especially as clues in the past have huge bearings on the modern story.  Tudor cleverly builds up several simultaneous mysteries and ongoing storylines, and soon the protagonist is not only trying to discover who the killer is but prevent a war between Deadhart and the Colony.  Everything leads up nicely to a pretty epic conclusion, which was well foreshadowed, with some pretty awesome revelations coming to the fore.  I loved how well several compelling character arcs came full circle during this confrontation, and the main antagonist of the plot proved to be quite sinister and well established.  Several other tertiary mysteries are also solved near the end, and Tudor ensures that many storylines are tied off in a satisfying and clever way.  There are some awesome twists at the end, including one surrounding one of the book’s most compelling characters, and this last twist in particular is likely to lead to additional books in the series.  I honestly was the hooked the entire way through this amazing story, and I really appreciate how Tudor brought it together.

I’m a huge sucker for classic for thrillers with distinctive twists to them, and The Gathering was a great example of this.  Tudor managed to pull together a complex murder mystery that not only features an isolated Alaskan town with a dark history and multiple complex and haunted characters, but also contains an elaborate vampiric society and history.  All these elements are used extremely well throughout The Gathering, and I was extremely impressed with how Tudor was able to tie everything so effectively together.  Tudor makes sure to tell multiple character-focused storylines at the same time, which allows for a more multifaceted plot that goes in some very interesting direction.  The split focus on several captivating and distinctive figures works wonders to enhance this, and Tudor uses this to showcase the rising tension in the town, and the various perspectives surrounding it.  There are some great plot lines here, and the way that they interacted and came together was very impressive.  I was particularly impressed by the chapters that kept coming back to an unnamed figure being held prisoner by a mysterious captor.  This storyline was weaved throughout the novel, and I was constantly left guessing about who the figures were and how it would work into the main story.  The reveal surrounding it was not what I was expecting, but I loved how well it set up a major twist at the end.  Other character-focused storylines also proved to be just as compelling, and the way everything came together was very impressive.  I honestly knocked out this book in just over a day, it was that damn good, and I cannot emphasise how cleverly Tudor brought everything together.

One aspect of this book that I really must highlight is just how great a setting Deadhart proved to be as it enhances the plot of The Gathering in so many excellent ways.  The well-written depictions of the frigid Alaskan wilderness and secluding storms allows Tudor to bring together a classic thriller background of an isolated, snowed-in town, where the protagonist is unable to get backup and is forced to rely on unlikely help from the local outsider.  While this always makes for a great story background, Tudor enhances it by building up a dark history around Deadhart and the Colony, that plays so well into the modern storyline.  This unique history of the town was expertly explored by Tudor, and it worked to produce a much more complicated mystery, one dotted with historical grudges and family feuds.  I particularly loved how effectively Tudor explored the growing terror infesting Deadhart as the killings continue, as both the humans and the isolated vampyrs begin to fear what is to come.  This undercurrent of fear and the resulting rage it leads to is almost palpable at times, and you can fully understand how and why the various characters act the way they do.

Another element of The Gathering that really impressed me was how well Tudor set up an alternate world where vampyrs exist.  The whole concept of the vampyrs as biological offshoots with several classic vampiric traits, including blood drinking and an aversion to sunlight, is quickly and effectively established by Tudor, who does a wonderful job of immediately bringing readers into this world.  As the book continues, the reader gets a more in-depth look at the vampyrs, their biology, their psychology, and their history, especially when it comes to their interactions with humans.  This examination of the interaction with humans is particularly key, as Tudor explores the prejudices that emerged, as humans learned to hate the entire species.  Featuring some fantastic parallels between other social rights issues, the relationship between the two species is explored in detail, and then applied to isolated Deadhart.  Watching the prejudices of the town come to light again was a great part of the book, especially as it is well contrasted by looks at the vampyr community.  As the story continues, you soon realise that there are monsters on both sides of the biological line, and figuring out who is crossing this line is a major part of the plot.  Defining vampyrs in both a scientific and social way proved to be very interesting, and I liked the attempts at humanising the figures and making them less of a horror monster.  That being said, there are some dark and scary scenes in The Gathering, especially when the vampyrs get angry.  Overall, the use of vampyrs is in The Gathering was very cleverly, and Tudor really highlighted her writing ability by setting this up so effectively.

The final element of the book I want to highlight is the amazing group of complex and damaged characters featured throughout The Gathering.  Tudor clearly has an aptitude for bringing together a compelling cast, as the reader is treated to a range of different figures, each of whom have their own compelling histories and dark pasts mottled by the troubled relationships between humans and vampyrs.  The most prominent of these is the visiting detective, Barbara Atkins, who is forced to battle mystery, local hatred, and her own unique feelings about vampyrs as she determines whether a cull is required.  Showcased as the calm and reasonable inclusion to the investigation, Barbara finds herself severely tested by the town’s prejudices and mistrust, while trying to find the truth no matter what.  Much of Barbara’s actions are guided by rationality, although there is an intriguing look back into her past, as her own experiences with small towns with vampyr colonies plays a big role in her motivations.  As such, she is an excellent central protagonist, and I loved how well she played the outsider figure coming into town.

In addition to Barbara, The Gathering also features a complex group of locals, each of whom have their own connection to Deadhart’s dark history and the hostile relationship between the town and the Colony.  Standouts include former sheriff Jenson Tucker, whose previous investigation of a vampyr death left him as the town pariah.  Tucker goes through a powerful redemption arc in The Gathering, and he proved to be an able secondary protagonist as he comes to terms with his many secrets.  Other great characters include an ancient vampyr, trapped in the form of a child, whose connection to the dark side of Deadhart becomes a driving force for their revenge.  There is also a mysterious local preacher determined to bring violence to the vampyrs, and who proves to be an intriguing counterpoint to the main protagonist Barbara.  Finally, the various members of an original Deadhart family with a long simmering hatred for all thing vampyr, adds a great amount of drama to the plot, not only because of their connections to the previous killing in town but because their well-established fear of vampyrs leads to much of The Gathering’s conflict.  These characters, and more, are very well written, and their dark attitudes, fearful actions and unique viewpoints add a great deal to this already impressive and emotionally charged novel.

C. J. Tudor deeply impressed me as The Gathering turned out to be one hell of a read. Expertly utilising her inventive and clever alternate world in conjunction with a captivating mystery, Tudor wrote a particularly epic tale in The Gathering, and I had such a lot of fun getting through it. An intense and powerful read, The Gathering is one of the best books I have read so far in 2024 and I cannot recommend it enough.

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The Silverblood Promise by James Logan

The Silverblood Promise Cover

Publisher: Arcardia (Trade Paperback – 30 April 2024)

Series: The Last Legacy – Book One

Length: 595 pages

My Rating: 4.75 out of 5 stars

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Promising new author James Logan presents an epic fantasy debut in the form of The Silverblood Promise, the first entry in his planned The Last Legacy series, and one of my most anticipated books of 2024.

Lukan Gardova, the disgraced heir of a noble family, is a man who has lost everything following a duel that ended tragically.  Forced to drop out of his prestigious academy and abandoned by his family, Lukan travels the wild edges of the world, gambling, drinking, and seeking what adventure he can.  Despite his malaise and despair, Lukan is still shaken when he is informed that his estranged father has been murdered by mysterious assassins.

Armed with fresh purpose and a determination to find out who was responsible for his father’s death, Lukan follows the only clue he has, a note his dying father wrote in his own blood.  The names it contains lead him to Saphrona, an old and prosperous city ruled by merchant princes where everything can be bought.  Filled with rogues, scoundrels, thieves, and miscreants, Saphrona seems an unlikely place to find his reclusive, academic father’s killers.

Engaging in an exhaustive search throughout Saphrona, Lukan discovers that the answers he seeks lie with one of the city’s merchant princes.  Unfortunately, they have been condemned to death for the murder of another merchant prince, and if Lukan wants the information they have, he will first have to prove their innocence.  Working with an unlikely group of criminal acquaintances, Lukan follows the few clues surrounding the merchant prince’s unusual murder.  But the further he digs, the more danger he finds himself in.  There is a deadly conspiracy at work in Saphrona, one that seeks to undermine everything the city stands for.  Forced to contend with desperate nobles, deadly criminals, and dangerous forces beyond his comprehension, Lukan fights to keep his promise and find the truth behind his father’s murder.

Wow, now this was an awesome debut from Logan and one that I was really glad I got the chance to read.  The Silverblood Promise has been on my radar for a while, and Logan did not disappoint with its excellent and exciting story, which is loaded with action, intrigue, cool fantasy elements and some great characters.  Entertaining and fast-paced, The Silverblood Promise was an absolute joy to read, and I had an amazing time getting through it.

The Silverblood Promise has a deeply compelling narrative behind it that kept drawing me in with its intrigue, revelations and exciting adventure.  While this is a lengthy novel, I honestly powered through it as it proved very easy to get caught up in the story.  Logan maintains a very fast pace the entire way through The Silverblood Promise, and I enjoyed the mixture of action, character development and unique fantasy inclusions that the reader is treated to.  Starting off with a strong introduction that effectively showcases the protagonist and his current situation, the reader is quickly thrust into the main background city of Saphrona, which proves to be a fantastic setting.  Able to quickly interpret his one clue, the protagonist works with several connected figures to try and contact the person his father sent him after.  What follows is a series of interlocking quests as Lukan must befriend a master forger, mastermind a break-in to a notorious prison, and then discover who set up one of the city’s leaders for murder.  This results in a constant stream of adventures as Lukan jumps from one hurdle to the next, uncovering dark secrets about the city, and making unlikely friends.

The revelations about the true villain of the story occurs about two-thirds of the way through The Silverblood Promise, and while it isn’t too surprising, their methods and motivations are, especially as they reveal some interesting figures to the story.  Forced to go up against some big fish, Lukan is caught up in their power play, which adds a lot of chaos to the narrative, and must desperately come up with a plan to fight back.  The resulting carnage and confrontations are well handled, and I loved the great combinations of intrigue, battles and clever ploys that brought everything together.  All the action within The Silverblood Promise is sharp and well written, and you get drawn into the many confrontations and battles of wits that emerge.  Logan proved very able at hiding hints about the big bad’s schemes throughout much of the plot, and it was fun to see it all come together.  I had such a great time with this impressive story, and I ended up reading the last 300 pages of the book in less than a day, it was that damn good.  The reader comes away both satisfied and wanting more, which is lucky as it is clear Logan has some big plans for the series, with the adventure set to continue.

I felt that Logan came up with an excellent fantasy setting for The Silverblood Promise, and I really enjoyed how he utilised the new world throughout his plot.  Filled with magic, adventurers, complex cities, mysterious interdimensional beings, and powerful artefacts from long-lost advanced races, there is so much for the reader to enjoy here, especially when hints about far greater hidden powers are also included.  While a couple of the fantasy elements in The Silverblood Promise are a little derivative of other fantasy works, I personally didn’t mind, mainly because Logan makes them his own and they fit nicely into the fast and intense narrative of The Silverblood Promise.

While I loved the new fantasy world as a whole, the setting highlight of this book is the city of Saphrona, where most of the plot is set.  Saphrona proves to be a complex and compelling trade city ruled by merchant princes and filled with dangerous commerce, criminal enterprises, alien structures, unlikely monsters, and all manner of political intricacies and plots.  Readers will really enjoy unwinding the various elements of this city and it proved to be fun watching the protagonist explore Saphrona and attempt to find answers and stop a major disaster unfold.  In a way Saphrona becomes a character in its own right as the book progresses, and I really appreciated how effectively Logan introduced the reader to the setting and inserted the story in its survival and underlying politics.  Logan also ensured that readers got a good deal of information about some of the other locations outside of Saphrona, which are likely to become relevant to the plot in future books of the series.  While a of map of the continent or Saphrona would have been appreciated, readers come away with a great sense of the world and will be interested in seeing more stories within it.  Indeed, it looks like Logan plans to set each of The Last Legacy books in a different city of the world, and I for one am very excited to see what other memorable locations Logan will come up with.

I also really need to highlight the fun and memorable characters who were featured throughout The Silverblood Promise.  Logan did a great job pulling together an intriguing and often outrageous cast for his first book, and I loved some of the awesome storylines that emerged.  Most of the focus revolves around protagonist and primary point-of-view character, Lukan Gardova, a former noble turned roguish adventurer who finds himself way over his head in Saphrona.  Lukan is a great central figure for this book, and he brings a lot of emotion to the story due to his disastrous past and determination to find his father’s killer.  I felt that Logan provided just the right amount tragic history for his protagonist to enhance the dramatic tone of the book, and the character’s frustrations at the dangerous tasks he finds himself involved with, as well as his own stubborn need to move forward, were very relatable.  Lukan also provides a fun scoundrel vibe to the plot at times, and it was interesting to see his cynical perspective on events throughout the book.  I liked how Logan set Lukan up as a newcomer to the main setting of Saphrona, as this allowed the reader to see the city fresh through the eyes of someone unfamiliar with it, which enhanced the majesty, strangeness and cruelty of the setting.  As such, I felt that Lukan was an excellent central protagonist, and I look forward to seeing how his story evolves in the future, especially as there are many more secrets around his family that need to be revealed, and other character elements that need to be expanded upon.

Aside from Lukan, The Silverblood Promise features an interesting array of fun figures, the majority of whom are locals to Saphrona.  I loved all the unique characters that emerged, especially as Lukan is forced to deal with killers, scheming nobles, a mysterious forger, a blind beggar with way too much knowledge, an unlikely crime lord and a notorious band of mercenaries that Lukan is forced to alternatively fight or make deals with.  One of the most distinctive characters is an infamous thief who joins the main cast late in the story, but who proves to be a fantastic addition thanks to her skills, kindness and pragmatism.  However, my favourite character would have to be the young street urchin and pickpocket, Flea, who forms an unlikely partnership with Lukan early in the story.  Hired by Lukan to help him around the city, Flea proves to be an invaluable ally, despite her age, and works to keep her benefactor alive against all manner of dangers.  Bold, curious and utterly unflappable, Flea is a highly entertaining figure, especially as she keeps jumping into danger while also proving to be far wiser than Lukan.  Flea and Lukan serve as fun contrasts to each other, and I liked their entertaining banter and the touching bond they form throughout the course of the book.  This fantastic partnership really helped to make The Silverblood Promise that much more special, and all the characters featured within this book were really well written and cleverly featured.

Overall, The Silverblood Promise is an excellent and exciting fantasy novel that had me hooked the entire way through.  Intense, compelling and wildly entertaining, The Silverblood Promise was very awesome, and James Logan did wonders with his debut novel.  I will definitely be grabbing the eventual sequel to The Silverblood Promise when it comes out, and I cannot wait to see how this adventure continues and how Logan develops as an author.

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Extinction by Douglas Preston

Extinction Cover

Publisher: Forge Books (ebook – 23 April 2024)

Series: Standalone/Book One

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Entertaining author Douglas Preston presents Extinction, a wild science fiction thriller that will drag you in with is amazing and exciting story.

Preston is a veteran author who has been writing compelling novels for 30 years.  Preston is best known for his many collaborations with fellow author Lincoln Child, which have resulted in an impressive body of work, including several standalone novels, the long-running Agent Pendergast series, the Gideon Crew series and the Nora Kelly and Corrie Swanson books.  In addition to his work with Child, Preston has also written several of his own series, including the Tom Broadbent novels, the Wyman Ford books and his standalone novel, Jennie.  While I love the unique sound of many of these books, I have never had the opportunity to read anything from Preston before.  However, when I managed to get my hands on a copy of his new book, Extinction, I dove into it as soon as I could due to its awesome-sounding story.

Deep in the Colorado Rockies lies the exclusive and world-famous Erebus Resort.  Based in a massive 100,000-acre valley, the Erebus Resort contains many wonders of genetic science as clones of woolly mammoths, Irish Elk, giant ground sloths and other extinct species roam the valley, brought back to life, and turned into gentle tourist attractions.  The Erebus Resort seems like the most perfect place in the world, but nothing is what it seems.

When a billionaire’s son and his new wife are kidnapped on their honeymoon in the wild countryside surrounding the resort, Agent Frances Cash of the Colorado Bureau of Investigation is sent out to investigate.  Working with local county sheriff James Colcord, the two lead a force of police and Erebus security to try and locate the missing pair.  However, when the two hikers are found brutally murdered and mutilated, apparently by a group of ecological terrorists, the case takes a dark turn.

Determined to find the killers hiding out in the wilds, Cash and Colcord coordinate an exhaustive search while also trying to uncover the dark secrets hidden within the Erebus labs.  But with the body count mounting and the Erebus staff attempting to cover up the truth, Cash and Colcord find themselves pushed to the limit, especially as there is something unusual about their potential suspects.  The further they dig, the more they discover that the killers are there to pay back an old grudge and will do anything to get their revenge.

Extinction was an awesome book from Preston, and it was honestly as fun and addictive as I was hoping it would be.  Combining a great thriller storyline with some entertaining science fiction elements, Extinction was a pretty epic read which I powered through extremely quickly due to the very exciting and thrilling story.

Preston comes up with quite an entertaining and over-the-top narrative for Extinction, which is frankly glorious in just how crazy things get.  Starting off with a gruesome murder in a gigantic nature preserve with genetically resurrected creatures, the story quickly evolves into an elaborate and thrilling mystery with a background that is going to remind readers of Jurassic Park (although one character insists they are nothing alike).  The first third of the book serves as a great introduction to many of the key elements of Extinction, including the resort, the main characters, and the initial search for answers, while the hints of a wider conspiracy are also shown to the reader.  Things get even more interesting in the second third of the book, where further deaths are revealed, several intriguing and often annoying characters are introduced, and the potential antagonists of the story are somewhat revealed.  It is the later which most got my attention, as the protagonists face off against an unusual group of apparent terrorists with some distasteful and extreme methods.

I honestly was hooked after the first two thirds of the book, and I loved where the unique mystery was going.  However, it was the final third of Extinction that really sealed just how much I enjoyed this epic novel.  There are some big, if not especially surprising, reveals here about who is responsible for the attacks and why, which I was completely there for as it was so bonkers and fun.  The resulting chaos that results from these revelations is just perfect, as there are numerous outrageous and highly violent sequences that grab your attention.  Many of the supporting cast, including several particularly unlikeable characters, meet an ironic or suitably entertaining end, which really highlights the book’s focus on hubris and karma.  There are so many fun moments here, as well as some dark and serious pieces, as the protagonists try to survive and come to terms with what is going on.  I absolutely powered through this part of the book as I was so intrigued to find out how the story was going to come to an end.  Preston leaves everything on a very interesting note, and I frankly came away from the story very, very happy.

Preston did a great job of presenting this dark, if slightly exaggerated, narrative and I liked his writing style in Extinction.  In particular, he utilised the tried and tested thriller method of splitting the story amongst several intriguing characters, who told various aspects of the story.  While most of it was reserved for the well-written and compelling protagonists, Agent Frances Cash and Sheriff James Colcord, you also get to see the story through the eyes of several supporting cast members, which includes antagonists, supporting members of Cash and Colcord’s investigation, and other people located in the resort, including Cash’s politically minded boss, a grieving billionaire, and the unlucky members of a film crew working nearby.  This interesting range of characters and perspectives added some extra drama to the story, especially as Cash is forced to deal with incompetence, politics and coverups, while you also get some fantastic viewpoints of the events leading up to the inevitable carnage.  It helped that several of the characters that Preston chose to focus on where pretty unlikeable, and it proved very entertaining to see them get caught in the crossfire.

I think Preston did a good job of balancing the thriller and science fiction elements of Extinction to produce the best story.  The initial novel is primarily a crime fiction read, with the protagonist’s investigation and search taking priority while the park and its genetically engineered creatures serve as an intriguing and distinctive background.  However, as the story progresses, there are some interesting dives into the science surrounding the creation of the cloned animals, as well some of the interesting real-life history of the related genetic sciences.  This genetic science leads to some very fun and major reveals in the plot, and Extinction soon turns into a full-fledged science fiction read with some pretty over-the-top discoveries.  I feel that the inevitable science fiction story of Extinction was greatly enhanced because Preston drew the reader in with the exciting thriller elements, and it kept you guessing about who or what the antagonists were going to be.  While much of the genetics featured within Extinction is a bit overexaggerated for plot reasons, there is a grain of real science at its core, which makes the book a bit scarier to a degree.  Preston makes sure to highlight, both in the plot and his notes at the end, that much of what is being discussed is possible and could be seen in real life sooner than you’d think.  As such, you come away from Extinction being a little thoughtful, while also really appreciating the great story Preston has provided to you.

Overall, Extinction by Douglas Preston was an extremely fun book that I was very glad I decided to check out.  Loaded with some outrageous moments and exciting sequences, Extinction had me on the edge of my seat for its entire narrative, and I honestly got so caught up in seeing how events would unfold.  Dark, brutal, and gloriously unrestrained, readers will get all the excitement and thrills they could want out of Extinction, while finding the underlying mystery to be intriguing, concerning, and entertaining in equal measures.  A great novel that will no doubt bring me back to Preston’s writings in the future.

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Play of Shadows by Sebastien de Castell

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Publisher: Jo Fletcher Books (Trade Paperback – 26 March 2024)

Series: Court of Shadows – Book One

Length: 482 pages

My Rating: 5 out of 5 stars

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Prepare yourself for a riveting good time in the impressive and wildly entertaining fantasy novel, Play of Shadows by the always amazing Sebastien de Castell.

Last year I had the very great pleasure of being introduced to Sebastien de Castell when I received a copy of his book The Malevolent Seven.  Set outside his major series, The Malevolent Seven was a wickedly clever and chaotic book that followed seven dangerous mages who suddenly find themselves as humanity’s last hope.  I had a wonderful time with The Malevolent Seven, and it honestly was one of the most entertaining fantasy books I read in 2023.  As such, I was curious to read more from de Castell and I recently got the chance when I received a copy of his new novel, Play of Shadows.  Serving as the first official book in his new Court of Shadows series, Play of Shadows is set within de Castell’s overarching Greatcoats universe, where most of his novels have been set, including his original Greatcoats books, the Spellsinger series and his Argosi series.  While I haven’t had the pleasure of reading any of de Castell’s Greatcoats books before, I loved the awesome sounding story of Play of Shadows, and I decided to check it out, which proved to be a very wise decision.

Damelas Chademantaigne is one of the most unfortunate people in the entire city of Jereste.  The grandson of two legendary Greatcoats, Damelas has always had a strong sense of justice, but he lacked the skills with a sword needed to back it up.  So when he finds himself forced to accept a duel from the Vixen, the most feared duellist in the entire city, to save his ailing grandfather, his chances of surviving the night seem impossible.  However, a fleeing Damelas finds sanctuary in the most unlikely of places: the Operato Belleza and its resident acting company, the Knights of the Curtain.

Now part of the illustrious company, Damelas finds himself protected by the city’s laws regarding actors and begins to eek a living as a minor player.  However, his temporary haven soon becomes a deadly trap when one night he spontaneously manifests the spirt of the city’s greatest historical villain, Corbier, the Red-Eyed Raven.  Identified as a newly emerged Veristor, an actor who can literally bring the past to life during a play, Damelas begins to constantly hear Corbier’s voice in his head and finds himself exploring the notorious rogue’s life each time he appears on stage.  Forced to continue by the machinations of Jereste’s new duke, Damelas begins to tell the untold true history of Corbier, and it soon becomes apparent that he was far from the unrepentant monster everyone believed him to be.

As the play continues, Damelas gains the attention of the entire city, who become enthralled with finding out the truth.  However, not everyone wants the past to come out, and soon Damelas finds out just how dangerous the theatre can be as he is targeted by the city’s nobles, a militant band of bravos, and the Vixen seeking her pound of flesh.  Diving deeper into Corbier’s mind, Damelas beings to uncover a deadly conspiracy that threatens the entire realm.  But can a mere actor, even one personifying a legendary fighter, survive the onslaught of villains on his tail?  It’s going to take all of Damelas’s courage and skills as an actor, as well as the help of an eccentric collection of fellow players to make it to final curtain.

Wow, now this was an outstanding and epic book that I could just not put down.  I was unprepared for how impressive Play of Shadows would be as de Castell unleashes a brilliant and complex read, loaded with intrigue, adventure, and a ton of theatrical humour.  Entertaining and enthralling in equal measures, this was an incredible read and one that gets a full five-star review from me.

Play of Shadows is an epic book full of big personalities, big stakes, and an elaborate story of intrigue, adventure, and self-discovery.  Set in the Three Musketeer’s inspired realm of the Greatcoats books, Play of Shadows initially seems set to feature the same focus on duels, bravos and rogues, as the rest of the series as the protagonist is forced to flee a fight from the infamous duellist, the Vixen, which sets him on course for his destiny.  However, the first scene of Play of Shadows, in which Damelas escapes his pursuers by tricking his way into becoming an actor, changes expectations and perfectly sets the scene for the rest of the exciting, compelling, and wildly entertaining novel.  I love how de Castell set a fantasy novel around the theatre , and having the protagonist be an actor rather than a master swordfighter is a great touch, especially for a Greatcoats book.  Indeed, much of the book is set out like a play, which proves to be a clever guideline for the plot, while also allowing in the author’s fantastic humour about actors, the theatre, and the protagonist’s unlikely situation.

From there the story evolves into a compelling direction, as Damelas finds himself at the centre of the all the intrigue infecting the city, especially once he starts to manifest the great historical villain Corbier, the Red-Eyed Raven, as part of a legendary magical gift.  This allows him to showcase the true events surrounding the past, which differ very greatly from the established history of the city.  Due to the deep secrets hidden amongst the true history, the protagonist finds himself the target of many interested parties and becomes a tool in the battle between shadowy forces.  The plot of Play of Shadows then begins to revolve around the three separate acts of the resulting play that tells the real story of Corbier.  Each of these different acts reveal new secrets about the past that impact the present, and prove to be excellent centres for the plot, especially as each performance becomes increasingly deadly for Damelas and his fellow players, and there intense, action-packed, tragic moments occurring after each of them.

Between each of these acts of the play, Damelas is forced to interact with a variety of deadly and over-the-top figures, each of whom have a different motive to help or to kill the protagonist.  The author also uses this time to provide new insights into both the historical and present-day conspiracies being uncovered as Damelas and his friends attempt to discover the true secrets of the city.  De Castell does a really good job of building up the stakes in each of these intermissions, and there are some amazing set-pieces loaded here, from high-intensity duels, larger-scale battles between unlikely foes, and a raft of political intrigue and personal issues.  Everything leads up to Play of Shadow’s massive climax, where the final act of the play unfolds, and all the secrets are revealed.  There are some excellent twists and turns here, and while a couple of reveals are a little overly foreshadowed, the overall picture that is exposed is quite interesting and ensures that the rest of the trilogy is going to be very interesting.  The big climax fight is so over-the-top bonkers, as all manner of magic, betrayals, personal vendettas, duels, and even an outrageous monologue, are used to resolve the issue.  The reader comes away intensely satisfied, amused, and very curious about the future of the series.

Play of Shadows was a fast-paced, exciting, and continuously amusing book that was so much fun to get through, while also maintaining a darker edge that struck readers with tragedy and intense moments when they least expected it.  This set-up of the book around the various acts of the play worked extremely well, and I loved how de Castell kept bringing the book back to the importance of the arts, even in the swordcraft-focused nation of the Greatcoats series.  The magic of performance, both literal and figurative, is a major part of the book’s setting, which I thought was a clever choice from de Castell that made Play of Shadows really stand out.  Much of the book’s humour is derived from the outrageous members of the acting troupe and their takes on the dramatic events overtaking their city.  This comedic feature of the book was so much fun, and some of the best scenes involved the actors attempting to pivot the scenes around the protagonist’s unlikely visions.  Other highlights include impromptu moments that made the actors great heroes in real life, or a sudden, extremely risqué monologue that manages to keep an approaching army at bay.  This overarching action and entertaining theatre focus is well-balanced by a high level of intrigue and a dash of mystery, due to the elaborate conspiracies that seem to be infesting the city.  De Castell does an exceptional job of contrasting these intriguing elements throughout Play of Shadows, and I really got drawn into its story as a result.

As I mentioned above, Play of Shadows falls within de Castell’s wider Greatcoats universe, which I personally don’t have any experience with.  I must admit that I was initially a little wary of reading Play of Shadows, not only because I had no pre-knowledge of the other Greatcoats books, but because de Castell also released another Court of Shadows book last year with Crucible of Chaos, which serves as book zero in the series (Play of Shadows is the first official novel).  However, my fears proved to be for naught as Play of Shadows stands on its own and easily welcomes new readers in.  While there are references to the wider Greatcoats universe, having no pre-knowledge of this doesn’t impact a reader’s enjoyment or understanding of this book, and anything that does is naturally explained.  Even the inclusion of a couple of characters from the previous series towards the end of the story was well handled, and the reader can easily follow what is happening while getting a good idea about who the characters are.  The same is true for the apparent prequel, Crucible of Chaos, and people can easily start the Court of Shadows series here, rather than with book zero.  While I am sure that established Greatcoats fans would probably get a little more out of these references than I was, this is a very good book for those readers who want to experience de Castell’s style or wider universe for the first time.  As such, I would recommend Play of Shadows to all fantasy fans, and you really don’t need to do any other reading first.  I am really looking forward to seeing how the Court of Shadows series continues, and I may also go back and read some of the other Greatcoats’ books, mainly because I am really enjoying de Castell’s writing and unique stories.  I must try and read Crucible of Chaos before anything else though, and I will be interested in seeing how it unfolds and connects with this current book.

One of the great highlights of Play of Shadows is the excellent cast of characters featured throughout the book, all of whom add so much to the fantastic plot of the book.  Naturally, most of the focus goes towards central protagonist and point-of-view character Damelas Chademantaigne, whose unexpected exploits in the theatre lead to so much drama.  Damelas is a great entertaining fantasy protagonist, with a complex past, an often-irreverent take on current events that leads to a good chunk of the book’s excellent humour, and a desire to change the world, even if it wants to kill him.  De Castell works in some amazing character development for Damelas, as he attempts to escape his pragmatic past that saw him run from a duel, to become the unlikely hero of his city.  Watching him gain the skills and courage he needs thanks to the murderous spirit in his mind is just great, and de Castell does a wonderful job of highlighting his abilities as a Veristor.  The tight line between controlling his gift and insanity is quite thin, and I loved the various sequences where he tried to showcase the past on stage, only for it to go in unexpected directions.  Damelas goes through a lot in Play of Shadows, especially as he witnesses the many tragic consequences of his search for the truth, and I felt that de Castell perfectly showcases his doubts, fears and anger at how he is being manipulated.  This was some incredible character work and I look forward to seeing how de Castell features Damelas in the future books now that he has found his purpose.

The rest of the cast of Play of Shadows are also quite impressive, and I love the huge array of outrageous and memorable figures that de Castell expertly dropped into the story.  The historical ghost, Corbier the Red-Eyed Raven, was a brilliant ethereal figure in Damelas’s head, and the author has a lot of fun contrasting the instinctive and expert killer that is Corbier, with the inexperienced and pragmatic Damelas.  In addition, Damelas’s acting companions, the Knights of the Curtain, also prove to be exceptional figures, and you really grow to care for this outrageous and eclectic group of actors.  Every Knight brings something fun to the table, although my favourite had to be Damelas’s best friend, Beretto, the gentle giant, who steals every scene he’s in with his jokes, insights, and desire to ship Damelas with dangerous killers.  However, props also need to go to head actor Abastrini and director Shoville, both of whom rise above expectations and show they have heart and the true passion of an actor.  I also had a lot of fun with the Vixen, the ruthless duellist who serves as one of the best villains in the book.  Her vengeful pursuit of Damelas is a major part of the book, and the various encounters they have, especially once Damelas gains the skills and courage to fight back, are very awesome.  Throw in a beautiful assassin, a sarcastic musician who doubles as a secret agent, a duke with a complex past, and Damelas’s grandfather, a legendary retired Greatcoat who has some brilliant scenes, including one amazing sequence that shows why you don’t mess with old fighters, and the cast of Play of Shadows is something truly special.  I had so much fun witnessing the battles and hijinks of this amazing group of characters, and I cannot wait to follow their future adventures in the rest of the series.

Overall, Play of Shadows was a particularly impressive novel from Sebastien de Castell that has made me very keen to read the rest of his books.  Loaded with action, intrigue, humour, and an entertaining ode to the magic of the theatre, Play of Shadows was a remarkable and highly fun fantasy novel that I could not get enough of.  Easily one of the best books I have so far read in 2024, Play of Shadows comes highly recommended, and I cannot wait to see how this outstanding series continues.  You will not be disappointed by this book!

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Lone Wolf by Gregg Hurwitz

Lone Wolf Cover 2

Publisher: Michael Joseph (Trade Paperback – 20 February 2024)

Series: Orphan X – Book 9

Length: 420 pages

My Rating: 4.5 out of 5 stars

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Leading thriller author Gregg Hurwitz continues his high-octane Orphan X series in a big way with the epic and compelling novel, Lone Wolf.

The Orphan X books by Gregg Hurwitz is an epic series that follows a former elite government assassin, Evan Smoak, known to the intelligence community as Orphan X.  Upon leaving the program, Smoak decided to make up for his prior misdeeds by becoming an elite vigilante, The Nowhere Man, who helps those with nowhere else to turn.  This series started back in 2016 with Orphan X, although I personally started reading it with the fourth book, Out of the DarkOut of the Dark had a great plot behind it that really drew me in, as Evan went to war with a corrupt US President.  This resulted in an amazing and highly entertaining read that made me a fan of Hurwitz’s writing and ensured I would grab the next book in the series, Into the FireInto the Fire was a particularly epic read, and the Orphan X books quickly entered my yearly must-read books list as a result.  I have since had an outstanding time reading the following releases, with Prodigal Son, Dark Horse and The Last Orphan being awesome in their own way.  As such, when 2024 came around, I had very little choice but to read the latest Orphan X book, Lone Wolf, which took the protagonist in another interesting direction with a deadly adventure.

Evan Smoak, better known as either as Orphan X or the Nowhere Man, is suffering a personal crisis.  Having reached out to his long-lost father, Evan is in a dangerous emotional spiral, and is no longer the calm and confident secret agent he once was.  Looking for an easy mission to get back into his stride, Evan finds himself with an unusual job, helping a young girl find her lost dog.  Initially reluctant, Evan agrees to help, but this unlikely job will lead the infamous vigilant into all manner of trouble.

An elite female hitwoman is in Los Angeles, taking out a range of seemingly unconnected people.  Known only as the Wolf, she excels in targeted strikes and apparent accidental deaths, leaving no trace behind.  However, her final kill leaves behind two witnesses when Evan arrives on the scene looking for the lost dog.  Forced to intervene to save the daughter of the Wolf’s last victim, Evan finds himself a target of an assassin just as deadly as himself.

With the girl he just saved still in danger from a vengeful Wolf, Evan decides to save her and stop this killer terrorising his city.  But first, he needs to work out who hired her and what secrets lie behind their deaths.  His investigation leads him to two rival tech billionaires, both of whom had a motive for hiring the assassin and organising the killings.  To save the day, Evan needs to find out which of them is responsible and destroy them and the psychotic killer they hired.  But is the emotionally compromised Nowhere Man up to the task?

Lone Wolf was another outstanding addition to the Orphan X series that really showcased Hurwitz’s distinctive writing style.  Blending an intense, action-packed story, with some outstanding character development, this was an amazing book that I deeply enjoyed reading.

Hurwitz comes up with a pretty excellent story for Lone Wolf that dragged me in very quickly.  Starting off with some intense and personal character work around Evan Smoak that follows through from the last few books, Hurwitz does a good job setting the scene for much of the story off the bat, especially when it comes to the protagonist’s distracted headspace and his reliance on his unconventional family.  The author also spends this time introducing one of the book’s main villains, the Wolf, who serves as an effective mirror for Orphan X.  This initial setup works very well, as you quickly get drawn into the plot by the Wolf callous nature, while also getting invested in the protagonist’s emotional well-being.  These story aspects quickly collide, as Evan, who finds himself helping his recently discovered niece, accidently intrudes upon one of the Wolf’s kills.  The resulting extended action sequence is glorious, as Evan is forced to contend with the assassin and an army of cops, while trying to keep the daughter of the Wolf’s last victim alive.  This entire action scene is a major highlight of the first half of the book, and Hurwitz wrote a brilliant continuous and frenetic chase sequence that pushes Evan to the limit.

Following this chase sequence, the pace of the book slows down a little, although Evan still finds himself in trouble as he enters a game of cat-and-mouse with the Wolf over the fate of the bystander he just saved.  Forced to determine who hired the Wolf, Evan begins a compelling investigation angle where he probes two rival billionaires with twisted and unique morals.  At the same time, Evan also finds himself in several intriguing personal situations, including trouble with his half-brother, mentoring his adopted daughter, and even a rather entertaining side-story about a battle for control of his building’s HOA.  These work to keep the unique feel of the Orphan X series intact, and I loved how emotionally rich the book got at times.

The final third of Lone Wolf is mostly awesome, starting off with a great sequence that sees Evan interrogate a gang of thugs who have details he needs about the Wolf.  The very entertaining and over-the-top way he goes about getting said information is so damn good, and it was another major highlight off the book.  Unfortunately, the rest of the novel seems a little rushed, and frankly Hurwitz could have benefited from including another 100 pages or so to really wrap everything up perfectly.  While it is still a fun and exciting read, the reveal about who is truly behind everything isn’t too surprising, despite some attempts at misdirection.  In addition, the final confrontation against the main antagonists is somewhat weak, and could have been a little more epic, especially as one character went down way too easily.  Still, the deep character development aspects of the story end up being extremely strong, and I liked the intriguing final twist that is going to cause additional drama in the next book.  As such, I felt this was a really good story and I got so wrapped up in it.

I really enjoyed how Lone Wolf came together, especially as Hurwitz brought his usual blend of intensity and compelling human moments to this latest book.  There is a great balance here between character development and thriller action, which I deeply appreciated.  Indeed, I felt this was one of the better-balanced novels that Hurwitz has written recently.  While the action sequences are always the highlight of this book, I have really appreciated how Hurwitz seeks to offset them with more typical moments, and the focus on character relationships and ordinary occurrences, such as a funny HOA election, adds a certain level of fun to the book.  I really do think this was a great entry in the Orphan X series, and like most of the books in this series, Lone Wolf can mostly be read as a standalone, as Hurwitz is good at revisiting the key plot points from the previous books.  However, those readers going in with a greater understanding of some of the characters, especially the protagonist and his complex relationships, will get a bit more out of this book, and it was fantastic to see the further development.

As I have alluded to a few times above, a lot of Lone Wolf’s strength lies in the excellent character work that Hurwitz layers into the story.  Much of this is done to attempt to humanise the usually deadly protagonists featured within, especially as many of them are trying to adjust to a more civilian focused life after years being government assassins.  The most prominent of these is Evan Smoak, the infamous Orphan X who his trying to redeem himself as the Nowhere Man.  While Evan is usually a calm figure, minus his OECD, in this book he finds himself completely outside of his headspace as a bad encounter with his biological father at the start throws him completely out of whack.  This was a very interesting situation, and it was really moving to see this implacable figure so out of sorts and relying on his family, both adopted and newly discovered, to find himself.  Watching Evan grapple with the many personal battles surrounding him is an amazing part of the book, and you really get drawn into his emotional concerns.  At the same time, Evan continues to struggle with the more mundane elements of a normal existence, and the various awkward encounters he has with certain family members and the residence of his building, show you just how lost and damaged he truly is.  All this results in a great portrait of a complex figure, and Evan Smoak is honestly one of the best and most unique thriller protagonists out there.

While Evan is the focus of the book, he would be nothing without the unique array of side characters that have been drawn to him over the years and who supporting him in various ways.  The most prominent of these is Joey Morales, Evan’s surrogate daughter and former trainee spy who serves as his tech support.  Flippant, immature and only slightly more normal than her mentor, Joey serves as the major humanising force in Evan’s life and is a key ally, despite being a teenager.  Joey is always a fun highlight, especially as she can push the protagonist’s buttons while bringing out his protective side.  However, I liked how Hurwitz showed in Lone Wolf that despite her advanced knowledge of the world of espionage, she is still a teenager girl, and the scenes where Evan talks her through a social crisis, is surprisingly heartwarming and really captures their close relationship.  The other major character is Tommy Stojack, Evan’s armourer and one of the few constant figures in his life.  While cantankerous and unusual, Tommy serves as Evan’s rock for much of the series, and it was great to see him in this role again.  While Tommy isn’t too controversial in Lone Wolf, there were some interesting developments with him that are going to be cool to follow in the next book.

Of course, no thriller would be complete without its villains, and Hurwitz did a great job of this with both the Wolf and the nefarious billionaire who may be behind her.  Both are threatening in their own way, although I think I preferred the Wolf, as her deadly skills, ruthlessness, and enjoyment of the kill, made her an interesting opponent for Evan.  The billionaire figure was also great, and his various monologues about the state of society and how his control of personal information allows him to control people in so many ways, was nearly as menacing as the killing.  Throw in some intriguing new family elements for the protagonist, as well as the eccentric residence of his apartment complex (minus his long-term love interest who has been seemingly cut from the books), and this was an excellent group of characters whose interactions deeply enhanced the narrative.

Gregg Hurwitz continues to impress with his latest addition to the very cool Orphan X series with Lone Wolf.  An emotionally charged thriller with powerful character work, Lone Wolf is an outstanding read that comes highly recommended.  I cannot wait to see how Hurwitz follows up Lone Wolf in the future and I remain a massive fan of this amazing series.

Lone Wolf Cover

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The Atlas Maneuver by Steve Berry

The Atlas Maneuver Cover

Publisher: Hachette Audio (Audiobook – 20 February 2024)

Series: Cotton Malone – Book 18

Length: 13 hours and 21 minutes

My Rating: 4.5 out of 5 stars

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The always exciting Steve Berry continues his long-running Cotton Malone series with the intriguing and addictive novel, The Atlas Maneuver, which once again blends modern plots with historical riddles.

Over the last few years, I have been having a wonderful time getting to know the works of acclaimed thriller author Steve Berry.  Known for his intricate and complex works that dive into the past, Berry is an amazing author whose style and story focus really appeals to me.  I have had a wonderful time getting through the last several books in his main series, the Cotton Malone books, as well as his standalone novel, The Omega FactorCotton Malone is a particularly fun series following the titular Cotton Malone as he attempts to stop sinister modern-day plots that have their roots in ancient conspiracies and secrets.  All the Cotton Malone books I have read have been extremely epic in their own way, including The Malta Exchange, The Warsaw Protocol, The Kaiser’s Web, and The Last Kingdom (one of my favourite books of 2023), and I cannot recommend them enough.

As World War II entered its final phase, the retreating Japanese hid vast quantities of looted gold and other stolen valuables throughout the Philippines.  Stored in hidden underground bunkers, the gold was supposed to be used to rebuild Japan after the war and expand its interests.  But with the location of the vaults lost, most of the gold remained hidden, except for a small fraction recovered by the United States government and the nascent CIA, who kept it for themselves in secret.

In the present day, retired Justice Department agent Cotton Malone, is in Switzerland, working for an old CIA friend to keep a potential asset safe.  However, when someone tries to take his target out, Cotton soon finds himself thrust into the middle of a dangerous battle between a shadowy branch of CIA and the Bank of St. George, one of the world’s oldest financial institutions, with whom the recovered gold was entrusted.

Forced to act, Cotton begins to unravel a dangerous conspiracy and discovers that the directors of the Bank of St. George are seeking to initiate a radical plot involving bitcoin, the elusive online currency, which could destabilise the entire financial world and leave them in control.  Working with a skilled Japanese agent, his lover, and a ghost from his past, Cotton seeks to stop the plot before it is too late.  But with a deadly team of CIA assassins also closing in, no-one is safe and everyone is a target.

This was a pretty interesting novel from Berry that I had an excellent time with.  Thanks to its unique thriller story combining historical secrets with contemporary mysteries and plots, The Atlas Maneuver proved to be an amazing and intricate novel that I found to be quite impressive.

I really enjoyed the compelling story that Berry came up with for his latest novel, especially as he once again successfully blends an elaborate historical conspiracy with an exciting modern thriller story.  This story came together extremely well and overall proved to be quite an exciting read as Berry comes up with several compelling story arcs that you become absorbed in.  Starting off with a glimpse at the origins of the hidden Japanese war loot, The Atlas Maneuver soon jumps to Cotton Malone as he finds himself drawn into a plot to disrupt the world economy by a powerful bank through bitcoin.  Working with an old flame whose financial brilliance is behind much of the bank’s plans, Cotton desperately tries to keep her safe, while also contending with a relentless Japanese agent.  At the same time, Cotton’s partner Cassiopeia Vitt and old CIA associate Derrick Koger attempt to discover the location of the lost wartime gold that was supposed to be in the bank’s possession.  Their inquiries lead them into conflict with the bank, as well as a shadowy arm of the CIA that attempts to take out everyone associated with the case.

The alternating thrusts of the hunt for lost gold and the attempts to stop the elaborate financial attack make for great reading, and Berry continuously raised the stakes while also dragging the story back to the past with the fun historical inclusions.  While the story did drag in places, especially around the middle, I honestly couldn’t turn away from this book at times, especially when the action got particularly intense and there were multiple fun figures to follow.  Berry perfectly sets up the big conclusion of The Atlas Maneuver, which has surprisingly more devastation than expected.  I loved the dark and ironic ending to some of the storylines that emerged, and I felt this strong finish enhanced the entire book as a result.  Berry also leaves the story on an excellent emotional cliffhanger, that I feel is really going to pay off later in the series, and I will ensure I come back for the next Cotton Malone book.

I really liked how Berry set out his methodical and intense story as he once again relied on his classic style that prioritised historical inclusions, while also ensuring that the new book is accessible to all readers.  Thanks to the author’s excellent use of multiple perspectives, you get a great wide-angle perspective story, which allows you to understand the motivations, desires and actions of most of the opposing parties.  I always love books that show the story from the antagonist’s perspective, and this was a great example of that as you got to see the leader of the evil bank manipulate one of the other main characters, while also trying to implement her wider plan.  Berry utilises these multiple perspectives to tell an excellent overarching story, and while the parts focusing on Cassiopeia Vitt and Derrick Koger felt a little too detached from Cotton Malone’s storyline, for the most part this was a very cohesive tale.  The writing is also very tight and fluid in The Atlas Maneuver as Berry does a great job moving the story along, while also including his trademark historical lectures and flashbacks.  The mixture of modern-day action, elaborate schemes and examinations of the past was pretty on-point for this latest Cotton Malone book, and you really get drawn into the story as a result.  There were also some fantastic character interactions, especially as the protagonist is forced to interact with a love interest from his past who looks set to change the status quo of the series.  I had such a good time reading this book, and it proved to be an excellent addition to Cotton Malone series.

I always love the elaborate and compelling dives into various parts of history that Berry takes the reader on in the Cotton Malone series.  Berry, who clearly does his research on all things history, once again set his new novel around a unique piece of history, which has intriguing implications for the modern day thriller storyline.  In this case, much of the story revolves around Yamashita’s gold, the infamous treasure hoard supposedly located in the Philippines.  The author does a deep dive into the subject highlighting all the history surrounding it, as well as mentioning many of the intriguing details that followed it as people attempted to find it.  Much of the plot of The Atlas Maneuver revolves around the fate of this gold, and Berry really does a great job of highlighting its importance and the cultural implications surrounding it.  While certain elements of Yamashita’s gold featured in The Atlas Maneuver were exaggerated or changed for narrative purposes, you really get a good grounding in history surrounding it.  I found this focus on the lost treasure to be highly fascinating, especially as it wasn’t something I was too familiar about before.  However, this only proved to be the tip of the historical iceberg, as other intriguing historical events were also cleverly featured throughout the book.  compelling examinations about the early days of the CIA, banking history, the financial affairs of Switzerland and Luxembourg, and post-war recovery of Japan are also covered in interesting detail, much of which helps to give context to the current story and which are cleverly inserted into the modern-day plot.  These historical elements are truly fascinating, and I love the unique conspiracies and hidden secrets that Berry creates utilising them.

In addition to this 20th century history, Berry also chooses to dive into something a little more modern with a detailed look at bitcoin, which also has a significant impact to the plot of The Atlas Maneuver.  Berry dives into the history surrounding bitcoin, how it came into being and how it eventually expanded out in a major currency.  While some of this history is altered for the book, there is still a lot of detail about its origins and how it become prevalent throughout the world, which I honestly didn’t know a lot about, and was quite fascinating.  Berry also tries to capture other aspects of bitcoin, such as its function, how it is mined, and how it is currently viewed throughout the world.  There is a focus on bitcoin’s potential, and how it can be used to change economies and grant financial freedoms to people.  I liked how Berry took a neutral, if hopeful, stance around bitcoin, as while certain characters are critical of the cryptocurrency, many see its potential and hope to make the world a better place through its usage.  I honestly found the entire inclusion of bitcoin to be highly interesting, and the focus on its manipulation, creation and exploitation drove the plot to some cool places.

Another aspect of all Berry’s books that I really enjoy is his highly detailed examinations of various intriguing places that his protagonists end up in.  These background settings are always a key part of the book, and I like how well Berry incorporates them into the story, especially as the history or unique locations are invariably explored or utilised in the plot.  While The Atlas Maneuver lacks some of the grandiose sites that I enjoyed in the previous books, there is still a range of cool locations featured here that are well done.  This includes deep looks at several cities and locations with Switzerland and Luxembourg, as well as a lengthy excursion to Morocco.  Berry loving describes all the historical cities, lakes and other key locations in high detail, and it is always very clear when he is working from memory, especially as some of his characters’ reactions clearly mirror his own.  These detailed depictions always allow the reader to effectively envision the locations quite clearly, and it is a lot of fun imagining the daring exploits taking place in these picturesque locales.  I always love Berry’s descriptions of these locations, not only because I find the history fascinating, but because there are so many places featured in these books that I want to visit.  As such, this is a great part of The Atlas Maneuver, and I cannot wait to see what cool locations Berry features in his next book.

As has been my custom with most of the Cotton Malone series, I ended up listening to The Atlas Maneuver on audiobook, which ended up being a pretty great way to enjoy this book.  Coming in a nearly 13 and a half hours, this is a moderately long audiobook, so it took me a little while to get through it.  However, I felt that the way it helped to portray the intense action and thrilling storyline was very impressive, especially as having the story read out to me engrained the elaborate historical details a little better.  The Atlas Maneuver once again featured the fantastic voice work of veteran audiobook narrator Scott Brick, who has lent his voice to all the previous Cotton Malone books.  Brick has a very serviceable voice that works well for the thriller books he usually narrates, especially as it helps to highlight the great action sequences and elaborate conspiracies.  Thanks to his good voice work, the plot of The Atlas Maneuver moves along at a brisk pace, and I really got swept up in the elaborate story.  As such, I feel that the audiobook version is a great way to enjoy The Atlas Maneuver, and I had an excellent time getting through it.

Overall, The Atlas Maneuver by Steve Berry was an amazing book that I had an outstanding time getting through.  Once again successfully combining intriguing and elaborate historical conspiracies with an exciting thriller storyline, The Atlas Maneuver was a blast from start to finish and will be deeply appreciated by both fans of the long-running Cotton Malone series and new readers experiencing Berry’s writing for the first time.  A compelling read that comes highly recommended.

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Quick Review – I Will Find You by Harlan Coben

I Will Find You Cover

Publisher: Century (Trade Paperback – 16 March 2023)

Series: Standalone

Length: 407 pages

My Rating: 4.5 out of 5 stars

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Last year I was lucky enough to read and review the new Harlan Coben novel, I Will Find You.  This was the first book I had read from Coben, a man renowned for his twisty and tricky thriller books, and it proved to be a pretty cool read.  While I really enjoyed I Will Find You, I never actually got around to reviewing it, which was a pretty major regret I had about my writing last year.  However, as I just received a copy of Coben’s new book, Think Twice, I figured this would be a good time to finally review this amazing book.

Plot Synopsis:

David and Cheryl Burroughs are living the dream – married, a beautiful house in the suburbs, a three year old son named Matthew – when tragedy strikes one night in the worst possible way.

David awakes to find himself covered in blood, but not his own – his son’s. And while he knows he did not murder his son, the overwhelming evidence against him puts him behind bars indefinitely.

Five years into his imprisonment, Cheryl’s sister arrives – and drops a bombshell.

She’s come with a photograph that a friend took on vacation at a theme park. The boy in the background seems familiar – and even though David realizes it can’t be, he knows it is. It’s Matthew, and he’s still alive.

David plans a harrowing escape from prison, determined to do what seems impossible – save his son, clear his own name, and discover the real story of what happened that devastating night.

The first thing I need to point out about I Will Find You is that Coben came up with a pretty awesome standalone concept that really draws your attention from the get-go.  An innocent man trapped in prison for a crime he didn’t commit is always a great start to the story, but combine that with proof that his murdered child is still alive and with someone else, and you have yourself a real winning plot that I really fell in love with.  Coben easily has the writing chops to back this story idea up, and the resulting book turns into an impressive read.

I really enjoyed so many great elements of I Will Find You, especially as Coben throws in his trademark twists, elaborate action-set pieces, and fantastically complex character motivations.  The book starts with an awesome, if slightly coincidental, prison break (thank God for family connections) and develops into a good fugitive storyline with an investigative bent to it.  The resulting chase between the protagonist and his pursuers, both official and unofficial keeps the pulse racing, and I loved the combination of two fast-talking cops leading the main pursuit, and a shadowy, influential family invested in his capture/death.  The investigation angle works out very well, and the combination of Matthew’s straightforward methods, and the subtler results from Rachel, the sister-in-law, allow for some intriguing progress towards the plots conclusion.

The various resulting twists that lead up to the end of the book are well handled, and I loved how compelling Coben was able to make the plot of I Will Find You.  I particularly loved the elaborate, sinister, and slightly oddball motivations behind the actual crime, as well the lengths the antagonist was willing to go to secure what they wanted.  The unique relationships that also emerge make for some fun reading, and the compelling and over-the-top main story is well balanced with the inherent tragedy of the protagonists and the sorrow they feel for their loss.  The entire book comes to quite a fantastic conclusion which, while it could have used a little more explaining, proved to be very satisfying.

While I did enjoy the story that Coben came up with for I Will Find You, and he presented it extremely well, I did myself disliking certain elements of the plot, namely that the author relied way too much on coincidence and story elements that come out of nowhere.  A good example of this is the machinations of a certain mob-boss, which helped lead to the protagonist’s situation.  While the eventual confrontation between David and this mobster is really well written, I honestly think their involvement in the whole affair could have been set up better, as their actions, while interesting to the plot, was a bit of a sudden inclusion.  This, and other confidences and unanswered questions, conspired to throw me off the groove of the story at key points of the book, so I didn’t have as much fun as I possibly could of.  Still, this is a mostly minor issue for me, and I had an overall exceptional time with this book.

I Will Find You was a pretty novel book, and it proved to be a fantastic introduction to Harlan Coben for me.  The elaborate and intense story writing really grabbed me, and I loved the author’s ability to pull together a great character-driven twist.  As such, I Will Find You is well worth checking out, especially to those who are already fans of the author.

I Will Find You Cover 2

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