Quick Review – The Last Orphan by Gregg Hurwitz

The Last Orphan Cover 2

Publisher: Michael Joseph (Trade Paperback – 21 February 2023)

Series: Orphan X – Book 8

Length: 342 pages

My Rating: 4.5 out of 5 stars

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The always impressive Gregg Hurwitz continues his amazing Orphan X series with the awesome and wonderful new addition, The Last Orphan.

One of my favourite spy thriller series at the moment is easily the exciting and cool Orphan X series by rising thriller author Gregg Hurwitz.  This fantastic series follows a former elite government assassin, Evan Smoak, codenamed Orphan X, who is forced to go rogue and hide himself away from his old employers.  Hoping to redeem himself after all the killing he’s done, Evan takes up a new identity, the Nowhere Man, a vigilante who helps the most desperate people in ways no one else can.  I have been a fan of this series for ages, ever since I read Out of the Dark, which pitted the protagonist against a deranged US President.  Since then, I have had an outstanding time reading the latest books in the series, including Into the Fire, Prodigal Son, and Dark Horse.  I always make it a point to pick up the new Orphan X book each year, and the latest entry, The Last Orphan, was another pretty awesome book that I was quickly able to power through.

Plot Synopsis:

As a child, Evan Smoak was plucked out of a group home, raised and trained as an off-the-books assassin for the government as part of the Orphan program. When he broke with the program and went deep underground, he left with a lot of secrets in his head that the government would do anything to make sure never got out.

When he remade himself as The Nowhere Man, dedicated to helping the most desperate in their times of trouble, Evan found himself slowly back on the government’s radar. Having eliminated most of the Orphans in the program, the government will stop at nothing to eliminate the threat they see in Evan. But Orphan X has always been several steps ahead of his pursuers.

Until he makes one little mistake…

Now the President has him in her control and offers Evan a deal – eliminate a rich, powerful man she says is too dangerous to live and, in turn, she’ll let Evan survive. But when Evan left the Program he swore to only use his skills against those who really deserve it. Now he has to decide what’s more important – his principles or his life.


The Last Orphan
was another outstanding entry in this great series and Hurwitz ensures that it features all his trademark features, including strong characters, a powerful emotional heart, and a ton of action and intrigue.

This latest Orphan X book has a very strong start to it as Evan is ambushed right at the beginning of the novel by a massive Secret Service detail, determined to finally bring him in after he went rogue on the President a few too many times.  Captured and trapped, Evan is forced to make a deal: kill mysterious industrialist Luke Devine or lose his own life.  However, Orphan X makes his own decisions about who he assassinates, and after escaping, he begins his own research into his target, hoping to determine if he deserves to die.  Investigating a mysterious death associated with Devine’s estate and the massive parties that go on there, Evan begins to make his own connections about the case and is forced to go up against Devine’s lethal and morally dangerous security detail.  There are some pretty intense scenes in this part of the book as Evan makes some curious discoveries about Devine and his company, while also being forced to protect potential witnesses from his target’s security.  At the same time, Evan begins to wonder if Devine actually deserves to die and must soon choose between his conscious and his peaceful life of anonymity.

This was a pretty good entry in this series, although possibly not the best that I have so far read (in my mind, that’s Into the Fire).  I really liked the awesome start to The Last Orphan, especially as the over-the-top and intense capture by the Secret Service was so damn cool and it was interesting to finally see Evan taken down by the Government.  However, this doesn’t last long, and once he rather easily escapes, the intensity and pace of the story kind of slows down a bit.  Don’t get me wrong; I did really enjoy the subsequent storyline set around the investigation into the mysterious industrialist and his security crew, but it was a bit of a step down after the initial excitement.  Still, this second half of the novel is a ton of fun, and Hurwitz presents his usual blend of fascinating spy thriller moments, particularly intense and brutal action, as well as the focus on Evan’s strained and unique personal life.

The villains of this story, Devine’s security detail, are some pretty over-the-top but genuinely threatening figures, and Hurwitz comes up with some excellent scenes around them, even presenting them as real threats to the protagonist.  At the same time, Hurwitz works in a very compelling morality edge to the story, as Evan tries to work out whether Devine is actually evil or just a political threat to the President.  The author makes this determination pretty hard, especially as Devine comes across as a very manipulative and unusual figure who manages to make even the legendary Orphan X doubt himself.  The big conclusion of this books is very good and features all the typical action and carnage that you would expect.  However, parts of the story go in some very surprising directions and I liked the unique ideas that Hurwitz presented here.

In addition to all the action and intrigue, quite a lot of The Last Orphan revolved around the compelling and moving emotional and personal concerns of the protagonist and his great supporting cast.  Evan has always been a very complex figure due to his unusual upbringing, his lack of personal skills, and his crippling OCD, and a fantastic recurring theme of the books has been him trying to overcome this and finally make some connections.  This continues extremely well in The Last Orphan, as he once again relies on his friends and his surrogate daughter/little sister to pull him out of the fire and keep his sanity.  There are some pretty emotional interactions between Evan and these figures throughout the course of The Last Orphan, especially as it appears that Evan might not be able to come back from his latest adventure, and I felt that this was another powerful and impressive evolution of some already deep character growth.  There are some other pretty big personal moments for Evan in The Last Orphan, including the seeming end of one relationship due to Evan’s fugitive status, and the potential development of another as Evan finally attempts to dive into his own complex past.  It will be fascinating to see how this develops in the future, and I am sure that Hurwitz has some very intense moments planned for all of us.  I honestly felt that the author got the right balance between action and emotion for The Last Orphan, and this ended up being a stronger book as a result.

Overall, The Last Orphan was a pretty awesome new entry in the great Orphan X series, and I really liked how Gregg Hurwitz continued his fantastic ongoing narrative.  Featuring an excellent blend of spy thriller fun and powerful character work, The Last Orphan was an addictive and clever read, and I am glad I got the chance to check it out.  Highly recommended, especially to established fans of the series, The Last Orphan is really worth the read.

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Quick Review – Fatal Legacy by Lindsey Davis

Fatal Legacy Cover

Publisher: Hodder & Stoughton (Trade Paperback – 11 April 2023)

Series: Flavia Albia – Book 11

Length: 397 pages

My Rating: 4.5 out of 5 stars

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Return to one of my favourite historical fiction series with another clever crime fiction read set in ancient Rome with Fatal Legacy by Lindsey Davis.

While I have had the pleasure of reading many great historical fiction series and books over the years, few have been as enjoyable to me as the Flavia Albia books by legendary author Lindsey Davis.  The follow-up to her iconic and long-running Falco novels, the series follow the titular Flavia Albia, a private investigator in Rome who finds herself involved with a series of unusual or gruesome crimes, often resulting in a series of over-the-top events.  I have had a great deal of fun with the Flavia Albia books over the years, including The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020), A Comedy of Terrors and Desperate Undertakings (one of my favourite books of 2022), and I am always excited to check out the latest novel in the series, especially when it has an intriguing plot behind it.

Plot Synopsis:

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest.

The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil – and might there be another one?

But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina’s grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.

Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.


Fatal Legacy
was another compelling and fun entry in the series which once again brings together Davis’ fantastic take on Roman historical fiction with a unique mystery and several entertaining characters.  Fatal Legacy was the 11th book in the Flavia Albia series, and it proved to be quite an exciting and addictive read.

I had a lot of fun with Fatal Legacy’s great story, especially as it requires the protagonist to dive into an elaborate family feud.  Starting off by chance as Flavia attempts to appease one of her many eccentric relatives by investigating an unpaid bar bill, Flavia soon finds a family even more disastrous than her own when she encounters an infamous Roman clan embroiled in a variety of issues, including a feud with another family over a profitable orchard, as well as various internal conflicts and problems.  Hired to find proof that one member of the family was legally freed by their previous master, Flavia is forced to examine the labyrinthine relationships, family history and feuds that define this conflict, all while trying to deal with her own personal concerns.  This swiftly descends into a complex mess of many, many secrets, and readers will be left completely enthralled by how the story unfolds.

This was one of the more unique mysteries that Davis has come up with in her series, which really helped to set this book apart.  I personally enjoyed how Davis changed the focus of the book onto a family’s internal and external history and drama rather than the typical murder investigation, especially as it made for quite entertaining reading.  There are layers upon layers of secrets, betrayals, and hidden family connections that the reader needs to travel through to get to the truth, and you really get caught up in the new characters as a result.  The slow trawl through this history results in several great twists and turns, and it was fun watching the protagonist slowly unwind the many threads of the case, while also trying to avoid as much as their bitter conflict as possible.  I appreciated have Davis tried to break up this family focused investigation in places by adding in a few entertaining scenes, such as a farcical brawl at the protagonist’s house, as well as several over-the-top encounters amongst the family that Flavia is trying to investigate/help.  Despite that, the story does get rather dry and slow in places, especially towards the centre of the book as the reader gets a bit weary of finding out even more layers to the slow-paced mystery that emerges.  It also doesn’t help that this case has low stakes, especially compared to some of Davis’s other books that feature murder and serial killers, and this occasionally dulls the reader’s excitement.  Despite that, Davis manages to bring together quite an excellent read, and I loved the elaborate and fun reveal sequence at the end, which in some ways acts as a parody to classic whodunnits.

In addition to the clever and elaborate mystery, Fatal Legacy also features a great combination of entertaining characters and the typical fun ancient Rome setting.  I always love Davis’ vision of ancient Rome that are featured in the Flavia Albia books, especially as she tries to bring together classic Roman elements with characters and attitudes that are more recognisable in a modern setting.  Having the ancient characters speak with modern dialogue and act in ways we would associate more with contemporary people rather than figures in classic times gives the story a relatable and humorous edge at times, and it is always fun to see this version of ancient Rome.  This combines well with the cast of Fatal Legacy, especially as Davis introduces an eclectic group of new characters whose complex personal problems result in the book’s intriguing mystery.  The fun interactions between Flavia and these figures are very entertaining, and you have to love the protagonist’s cynical and sarcastic observations about the people she is forced to deal with.  The chaotic family she is forced to investigate contrasts comedically with Flavia’s own dysfunctional household, which got a good amount of focus in Fatal Legacy.  I think that Davis featured Flavia’s own family just the right amount in this latest book (sometimes they can be a bit overwhelming and distracting), and it was fun to see them interact, and at one point get into a massive punch up, with some of the case-specific character of the main plot.  All this helps to turn Fatal Legacy into a great read with an excellent blend of mystery, comedy and big personalities.

Overall, I felt that Fatal Legacy was a pretty awesome entry in one of my favourite historical fiction series.  Lindsey Davis wrote an outstanding and distinctive story for Fatal Legacy, and readers will enjoy the complex and character-focussed mystery that emerges as a result.  While aspects of Fatal Legacy’s narrative might not be as sharp as some of the other books in the Flavia Albia series, this was still an excellent read and one that fans of Davis will have a great time reading.

Fatal Legacy Cover 2

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Quick Reviews – Dark Rooms, Essex Dogs and Blow Back

In recent weeks, I have been trying to review several older books; especially ones that I read last year but never got a chance to publish about.  I am hoping to rectify that to a degree now by publishing brief reviews for three intriguing 2022 releases that I had a great time reading.

Dark Rooms by Lynda La Plante

Dark Rooms Cover

Publisher: Zaffre (Trade Paperback – 16 August 2022)

Series: Tennison – Book Eight

Length: 319 pages

My Rating: 3.5 out of 5 stars

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Over the last few years, I have had a great time getting through the amazing Tennison series by iconic crime fiction author Lynda La Plante.  A prequel series to the Prime Suspect television series, the Tennison books follows a younger version of Prime Suspect’s protagonist, Jane Tennison, as she works her way up the ranks while investigating several intriguing crimes.  There have been some awesome books in this series so far, including Good Friday, Murder Mile, The Dirty Dozen, Blunt Force and Unholy Murder, each of which is worth a read, especially for fans of the original show.  I managed to get through the eighth book in the series, Dark Rooms, last year, and it is high time I wrote a review for it, especially as the next Tennison thriller is out just around the corner.

Plot Synopsis:

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house.

Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark’s now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

As the investigation and search for answers intensifies, Jane travels to Australia. There she discovers the dark secret, that the Lanark family has kept hidden for decades.  A secret, that not only threatens to bring down a family dynasty, but also places Jane Tennison in mortal danger . . .

This was a fairly compelling crime fiction novel from La Plante, although I must admit that it wasn’t my favourite Tennison novel.  Dark Rooms’ story has an excellent start to it, with Tennison investigating the sinister death of a young woman in an abandoned air raid shelter.  This mystery gets even more complicated when the body of a young baby is also found in the basement.  However, this strong start doesn’t last for as long as I would have liked, with the more interesting case about the dead young woman being solved relatively quickly (although with an extremely dark solution), leaving only the mystery of the dead baby behind.

This second case, while interesting in its own way, is simpler than I would have liked, and the mystery behind it is actually a bit obvious.  La Plante does insert some great dramatic elements behind it, especially behind the tragic nature of the events behind it, as well as the unreliability of the main witness, which increases the emotional impact of the story.  I also quite liked the quick journey to Australia that Tennison undertakes to get answers, which was a nice change of pace that I rather enjoyed.  However, none of this helps to make the case as interesting or suspenseful as it needed to be, and I did not get as attached to the second half of the book.  It also didn’t help that La Plante was a reusing a lot of story elements from the previous entries in the series here, with Tennison facing the usual sexist boss and police department, and the author spending too much time on the protagonist’s social life than was strictly needed.  As such, the story drags in the places, and the lack of a particularly substantive and complex mystery ensures that it never really picks up to the degree you hope it would.

Overall, Dark Rooms was a weaker Tennison novel from Lynda La Plante, and one that does not really stand out when compared to some of the more impressive books in the series.  While I am little critical of it, Dark Rooms did have its interesting and powerful moments, and is still worth a read, especially for established fans of the series.  I am hoping that the next book in the series, Taste of Blood, has a better story behind it, and I am still intrigued to see how this series continues.

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Essex Dogs by Dan Jones

Essex Dogs Cover

Publisher: Head of Zeus (Trade Paperback – 30 August 2022)

Series: Essex Dogs – Book One

Length: 456 pages

My Rating: 4.25 out of 5 stars

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One of the more intriguing historical fiction debuts of 2022 had to be the awesome action adventure novel, Essex Dogs by Dan Jones.

Plot Synopsis:

July 1346. Ten men land on the beaches of Normandy. They call themselves the Essex Dogs: an unruly platoon of archers and men-at-arms led by a battle-scarred captain whose best days are behind him. The fight for the throne of the largest kingdom in Western Europe has begun.

Heading ever deeper into enemy territory toward Crécy, this band of brothers knows they are off to fight a battle that will forge nations, and shape the very fabric of human lives. But first they must survive a bloody war in which rules are abandoned and chivalry itself is slaughtered.

Rooted in historical accuracy and told through an unforgettable cast, Essex Dogs delivers the stark reality of medieval war on the ground – and shines a light on the fighters and ordinary people caught in the storm.

This was a very fun and exciting historical read that followed a small band of soldiers, the titular Essex Dogs, as they find themselves in the middle of the initial campaign of the Hundred Years War.  Jones writes a very compelling and action-packed story with a huge focus on camaraderie and survival, as the small band works together to try and overcome the many obstacles before and around them.  Written in the same character and themes as Band of Brothers or Saving Private Ryan, Essex Dogs has a good mixture of compelling historical detail, intense action, and interesting character moments, as the full story unleashes itself upon the reader with some major dramatic moments.  Cleverly working these characters into the middle of all the key events that occurred between the English landing in France all the way up to the Battle of Crécy (with some intriguing real historical extracts to give a fun contrast included at the start of each chapter), you will get wrapped up in Jones’ awesome and electrifying story.

This was a very impressive overall read, and I loved how well Jones managed to bring to life several desperate soldiers and lead them through the chaotic historical events depicted in Essex Dogs.  The captivating action, deep character moments, and inherent tragedy of war really help to turn this into an outstanding read and a pretty great first outing from Dan Jones as an author.  This ended up being one of my favourite debuts of 2022, and I am very interested to see how Jones will continue the story in the upcoming 2023 sequel, Wolves of Winter.

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Blow Back by James Patterson and Brendan Dubois

Blowback Cover

Publisher: Century (Trade Paperback – 1 September 2022)

Series: Standalone

Length: 503 pages

My Rating: 4 out of 5 stars

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A great thriller that I had high hopes for in 2022 was the compelling James Patterson novel (co-written with Brendan Dubois), Blow Back, that featured a fun story about an insane US President.

Plot Synopsis:

He’s America’s most brilliant president ever. He’s also a psychopath.

US president Keegan Barrett swept into office on his success as director of the CIA. Six months into his first term, he devises a clandestine power grab with a deadly motive: Revenge.

President Barrett personally orders Special Agents Liam Grey and Noa Himel to execute his plan, but their loyalties are divided. As CIA agents they’ve sworn to support and defend the Constitution of the United States against all threats, both foreign and domestic.

When the threat comes directly from the Oval Office, that’s where the blowback begins.


Blow Back
ended up being a very entertaining thriller that was extremely easy to read.  The authors deploy the typical Patterson style of short, sharp chapters, and several intriguing character perspectives to showcase the exciting tale, and I loved the great buildup that occurs in the first third of the novel.  Told primarily through the eyes of two US intelligence agents brought in to oversee the President’s planned intelligence revival, the first third of the book is pretty awesome as you watch them change the game in several exciting ways.  There is a ton of action-packed sequences and exciting espionage moments during this first half, as well as some frank and compelling assessments of the state of US, Russian and Chinese intelligence programs in America and across the world, all of which makes for some epic reading.  While the focus is primarily on espionage and the actions of the protagonists, there is also a tangible and compelling sense of dread building in the background as the reader gets closer and closer to seeing what the President is actually planning.

The eventual reveal of the President’s full duplicity and the evil schemes he has cooked up help change the tone of the second half of the book as the protagonists, who have been manipulated the entire way through, are now forced to work outside the system to try and save themselves and the entire world.  This makes for a pulse-pounding second half, and the cool story is loaded with chases, firefights and betrayals, all set around an apocalyptic scenario with a ticking clock behind it.  I honestly had a hard time putting the novel down, and the authors’ easy-to-read style really worked in Blow Back’s favour, producing a lightning quick read with a fun conclusion to it.  I did think that the story did not hit as hard as it possibly could have, and I might have preferred a few more twists or big moments towards the end.  I also didn’t get particularly invested in any of the major protagonists, although I did find President Barrett to be a very fun villain, especially when he completely loses his marbles and goes full evil warmongering tyrant on his enemies.

While I did think that Blow Back’s narrative did have a few issues and could have been a little tighter and more explosive in places, this was a still a very fun read and one that is guaranteed to keep thriller fans highly entertained and engaged.  The fast-paced story proves very hard to put down, and you will get really swept up in Blow Back’s ultra-exciting story of a psychotic and morally bankrupt President trying to destroy the world in his own compelling way.

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Quick Review – The Interpreter by Brooke Robinson

The Interpreter Cover

Publisher: Harvill Secker (Trade Paperback – 6 June 2023)

Series: Standalone

Length: 317 pages

My Rating: 4 out of 5 stars

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Debuting Australian author Brooke Robinson presents an intriguing and captivating first novel with The Interpreter, which looks at a previously unseen player in the crime fiction genre, the person translating testimony in the background.

Plot Synopsis:

THE MOST DANGEROUS PERSON IN THE COURTROOM ISN’T THE KILLER…

Single mother Revelle Lee is an interpreter who spends her days translating for victims, witnesses and the accused across London. Only she knows what they’re saying. Only she knows the truth.

When she believes a grave injustice is about to happen, and a guilty man is going to be labelled innocent, she has the power to twist an alibi to get the verdict she wants. She’s willing to risk it all to do what’s right.

But when someone discovers she lied, Revelle finds the cost might be too high… and she could lose everything, including her son.


The Interpreter
proved to be a very interesting book that I had a good time getting through.  Following the titular interpreter, Revelle Lee, The Interpreter had a very cool crime fiction story to it that contained both mystery and a compelling dark thriller element to it.  I loved how the story focused on an interpreter in the legal scene, and Robinson did a very good job of diving into this unique profession, especially as the author takes a ton of time to show how such individuals work and the range of scenarios they might find themselves in.  The author also provides the reader with a compelling introduction to the character of Revelle Lee, a dedicated interpreter with a past who is trying to learn the parenting ropes after adopting a boy from a troubled home.

The main story quickly dives into Revelle’s life as she balances her interpreting duties with being a single parent who nothing seems to go right for.  You soon begin to realise how complicated Revelle’s life is, especially as she is constantly worrying about her new child being taken away from her.  Initially shown to be necessarily neutral in the courtroom, Revelle becomes personally invested in a case when someone she knows becomes the victim of a terrible attack.  When she is required to interpret for the police in this case, she alters the witness’s testimony to ensure the potential suspect has no alibi.  I love this intriguing slide away from impartiality that she adopts, especially as it builds off some of her prior frustrations, and she starts to implement her new idea of justice into some of her other jobs.  However, this decision eventually brings some degree of regret when it turns out one of the people she worked against might have been innocent, and she tries to find out the truth.

It is around this time that the author works in a secondary point of view character, a mysterious figure who is stalking Revelle and her son, working from the shadows to destroy her.  This intriguing hidden antagonist works to increase the tension of the plot, and their eventual identity is tied to the secrets from the protagonist’s past, which is being simultaneously explored to give her more depth and a tragic background.  Robinson soon works these story elements together in a very interesting way, and the final third of the plot is loaded with particularly tense moments as the protagonist tries to deal with the attacks from unseen angles, as well as the increased demands on her interpreting ability as she tries to determine the right course of action to take.  I liked how the plot came together, although the identity of the mysterious antagonist did come a little out of nowhere.  Still, this was a well-crafted and intriguing story, and it was fascinating to see more details about interpreters.

While I did enjoy this fantastic novel, I did have some issues getting too attached to the protagonist, and this reduced my overall enjoyment a bit.  I appreciated the deep dive into the world of professional interpreters through Revelle’s eyes, as well as her complex past and desire to be a good parent, but I honestly had a hard time liking her.  This is probably because there was a certain narrative stupidity to her as she makes the worst decision possible for herself and her child time and time again.  While this is usually fine in fiction, I found myself getting a little annoyed at times with how she acted, and this impacted how much I wanted to see her succeed.  I did enjoy how Robinson tried to showcase through Revelle’s actions the importance of being neutral in the legal system, as her desire to get justice has major consequences for her.  However, the protagonist fails to learn from her mistakes, even at the very end, which was very frustrating.  This was probably the main issue I had with The Interpreter, and while it was mostly outweighed by the book’s positive features, these character elements really bugged me.

Overall, I felt that The Interpreter was a pretty solid debut from Brooke Robinson, who has an interesting future in crime fiction.  While the plot and the characters did have some issues, this was a compelling and intriguing read, especially as Robinson expertly captured the experiences and insights of professional interpreters in the legal and criminal justice fields.  I really enjoyed seeing how The Interpreter unfolded and this book is well worth the read for people interested in a fantastic crime fiction novel with a distinctive hook to it.

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Quick Review – Fractal Noise by Christopher Paolini

Fractal Noise Cover

Publisher: Tor (Trade Paperback – 16 May 2023)

Series: Fractalverse – 0.5

Length: 287 pages

My Rating: 4.5 out of 5 stars

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Return to the epic Fractalverse of the always awesome Christopher Paolini with this standalone prequel novel, Fractal Noise, a tense and impressive dark science fiction novel.

Christopher Paolini is an author that I have been a major fan of for a very long time thanks to his iconic and epic Inheritance Cycle series.  The amazing Inheritance Cycle first debuted over 20 years ago with the amazing fantasy novel Eragon, which told the compelling story of a young hero and his dragon companion as they fight to free a conquered land.  The Inheritance Cycle series is one of my all-time favourite series due to the great story, impressive world building, and the sheer nostalgia that I hold for them.  Indeed, I am particularly excited because Paolini is also releasing a sequel to the Inheritance Cycle books later this year with Murtagh, which is one of my most anticipated reads for the second half of 2023.  However, before we get to that there is even more Paolini goodness to unwrap this year as the author has also released the intriguing science fiction novel, Fractal Noise.  A standalone prequel to his science fiction epic from a few years ago, To Sleep in a Sea of Stars, Fractal Noise was an intriguing read that I had a lot of fun reading in the last week.

Plot Synopsis:

July 25th, 2234: The crew of the Adamura discovers the Anomaly.

On the seemingly uninhabited planet Talos VII: a circular pit, 50 kilometers wide.

Its curve not of nature, but design.

Now, a small team must land and journey on foot across the surface to learn who built the hole and why.

But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space.

For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe.

Each step they take toward the mysterious abyss is more punishing than the last.

And the ghosts of their past follow.


Fractal Noise
was a very awesome book from Paolini that I had an outstanding time getting through.  I must admit that when I first received a copy of Fractal Noise, I wasn’t too sure that I was going to read it, mainly because while I enjoyed To Sleep in a Sea of Stars, it was a bit too long and overcomplicated, and I feared this potentially unnecessary prequel would be the same.  However, I decided to give it a shot, especially as Fractal Noise was considerably shorter than the original novel in this series, and boy am I glad that I did.

Paolini sets up a simple but very effective story in Fractal Noise that is set 23 years before the events of To Sleep in a Sea of Stars, which details the discover and early exploration of a mysterious alien artefact that was mentioned in the original novel.  Just like with To Sleep in a Sea of Stars, Fractal Noise is told from the perspective of a single scientific protagonist, this time a xenobiologist names Alex Crichton, and follows them and their team as they examine a newly discovered space anomaly, an uninhabited planet with a 50km-wide perfect hole in it that is constantly relaying a continuous, overwhelming beat.  This anomaly could only have been created by a sentient species, and the scientists aboard the ship decide to journey to the planet to find any additional signs of alien life and to discover more about the hole.  However, to make it to the edge they need to land a substantial distance away and trek to it by foot in an arduous journey with many potential complications.

Paolini does a good job of quickly and effectively setting up this compelling plot in the first 50 pages of Fractal Noise while also providing great introductions to the damaged protagonist, as well as the accompanying scientists that are taking the trek with him.  However, the real story doesn’t start until the protagonists land on the planet and begin walking the distance towards the hole.  The author really goes out of his way to make this trek as arduous as possible, as the characters need to walk through wind, dust and other obstacles, all while pulling a mechanised sled behind them that slowly breaks down.  The sheer repetitiveness of this task, combined with the desolate landscape, injuries, and the unique planet that rings with a loud “thud” every few seconds, works to slowly wear down the protagonists and force them into some very dark places of their mind.  The closer they get to their goal, the harder their task becomes as the vibrations and noise produced by the hole becomes more intense and places a bigger toil on their bodies and technology.  At the same time, every setback impacts their minds even further as the four scientists soon fall to dangerous infighting as each of them is haunted by their own ghosts and their own reasons for being there.

I really liked how the entire story slowly devolved into a dark and ultra-intense psychological science fiction thriller as Paolini worked to emulate desolate real-life expeditions (such as those old-school arctic journeys), with his excellent storytelling.  The slow but unstoppable mental decline of the characters is handled perfectly, and while you are initially more worried about the protagonist, Alex Crichton, due to the recent tragedies in his life, the other characters are the ones you have to watch out for as they become more and more deranged or determined in their own ways.  Watching everyone slowly turn on each other as the journey becomes harder and harder on them is extremely compelling, and it proves hard to turn away as things get darker and darker.  The author supplements this compelling narrative with some intriguing, realistic and very-well thought out science fiction elements, especially when it comes to the physics of the planet, the obstacles they are facing, and the technology they have access to.  However, there is also a certain primitive edge to the storytelling as no matter how advanced their technology is, when it starts to fail, they are forced to dive back into more a much more basic mindset.  All this combines well with the fantastic dive into Crichton’s bleak mental state, as the protagonist begins to see the expedition as an important quest that will give him some redemption for his recent losses.

The entire story continues along this dark vein all the way to its compelling conclusion, and I was honestly pretty addicted towards the end, knocking out the last couple of hundred pages in a single night.  Watching the final snap of each protagonist was pretty brutal, but it was a necessary commutation of the complex storytelling that had been leading up to at that point.  I loved how well the barren landscape served as a background to this great story, and the constant “thump” “thump” of the planet as they drew closer gave such an outstanding atmosphere to the plot.  Paolini really pulled together an excellent read here that both serves as a continuation of his existing universe, while also giving readers a story so very different to anything that he has produced before.

Overall, I found Fractal Noise to be an outstanding and epic new novel from Christopher Paolini, which I had such a great time with.  I cannot emphasise just how intense and complex this initially simple story becomes, and the author’s ability to create forbidding settings, damaged characters, and suffocating story atmospheres has clearly grow over the years.  Due to its connections to the history of his pervious novel, Fractal Noise is perfect for fans of To Sleep in a Sea of Stars, while also being very open to new readers interested in a compelling and bleak science fiction adventure.  Fractal Noise was an exceptional read that comes very highly recommended from me and I cannot wait to see more of Paolini’s writing later this year when Murtagh comes out.

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Quick Review – Fairy Tale by Stephen King

Fairy Tale Cover

Publisher: Hodder & Stoughton (Trade  Paperback – 6 September 2022)

Series: Standalone

Length: 579 pages

My Rating: 4.25 out of 5 stars

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The master of horror and thriller fiction, Stephen King, dives into the world of fantasy in a big way with his compelling 2022 novel, Fairy Tale.

I have finally started to get into some of the more recent books of legendary author Stephen King, which has usually worked out pretty well for me.  His two 2021 novels, Later and Billy Summers were both excellent reads, with the later proving to be one of my favourite novels of 2021.  We also have another new Stephen King novel, Holly, coming in a couple of months, but before we get to that I thought I would quickly review King’s 2022 release, Fairy Tale, which I read last year.  While I had fun with Fairy Tale, I failed to write a review for it, which is something I am hoping to rectify now, especially after all the recent interest people have shown in his next book.  Fairy Tale was a great dark fantasy read from King that took his typical teenager protagonist on a harrowing and compelling journey into a unique and hidden realm.

Plot Synopsis:

Legendary storyteller Stephen King goes deep into the well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for their world or ours.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was ten, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. Then, when Charlie is seventeen, he meets Howard Bowditch, a recluse with a big dog in a big house at the top of a big hill. In the backyard is a locked shed from which strange sounds emerge, as if some creature is trying to escape. When Mr. Bowditch dies, he leaves Charlie the house, a massive amount of gold, a cassette tape telling a story that is impossible to believe, and a responsibility far too massive for a boy to shoulder.

Because within the shed is a portal to another world—one whose denizens are in peril and whose monstrous leaders may destroy their own world, and ours. In this parallel universe, where two moons race across the sky, and the grand towers of a sprawling palace pierce the clouds, there are exiled princesses and princes who suffer horrific punishments; there are dungeons; there are games in which men and women must fight each other to the death for the amusement of the “Fair One.” And there is a magic sundial that can turn back time.

A story as old as myth, and as startling and iconic as the rest of King’s work, Fairy Tale is about an ordinary guy forced into the hero’s role by circumstance, and it is both spectacularly suspenseful and satisfying.


Fairy Tale
was a pretty awesome book, although I have to admit that it wasn’t my absolute favourite Stephen King novel so far.  While it was a great story loaded with King’s usual coming-of-age themes and great characters, it did have a few issues regarding pacing and a somewhat disconnected story.

The main issue that I had with the book was that Fairy Tale honestly felt like it was two separate novels combined into one massive read.  The first half of Fairy Tale is probably my favourite, mainly because it contains the classic King coming-of-age story as the author introduces the reader to the protagonist of Charlie Reade and his complicated life.  King really hits the reader strong from the beginning, describing the tragic events of Charlie’s young life, including the death of his mother, the alcoholic crumbling of his father, and the eventual resumption of a normal life once his father recovers from grief and drink.  These events are covered perfectly, and they form a great basis for Charlie’s story, especially as they drive him to be a better person, which leads him to try and help his elderly neighbour, Howard Bowditch.

Mr Bowditch is a fantastic character, mainly because King gets his cranky persona and loner attitude down perfectly.  The growing friendship between Charlie and Mr Bowditch, as well as Charlie’s bonding with Mr Bowditch’s old dog, Radar, forms a solid emotional centre for Fairy Tale’s narrative, which really hangs around to the end.  I had a great time with the part of the book that followed Charlie helping Mr Bowditch and Radar, and I honestly think King could have written a great story purely around that.  The combination of brilliant character work, a fun generational divide, true friendship, and even some mystery elements, really produced an excellent first part to the story.  Even the hints of the fantasy elements to come are very well done, and King did a good job of only featuring a few subtle moments meant to tease the imagination.  However, this doesn’t last nearly as long as I would have liked, as you are soon drawn into the next part of the story once Mr Bowditch dies.  This sad but expected death serves as the catalyst for the second half the story, and the reader gets a full story about the hidden realm which can be accessed via a portal in the toolshed.

Now, I was initially very onboard for this second part of the book, especially as the protagonist’s main reason to visit the fantasy realm was to find a way to save Radar.  Frankly anyone who has ever owned a dog should be pretty drawn into this part of the story, and the sheer desperation that the protagonist experiences as he journeys towards the potential restorative device made this story very relatable to me.  This desperate quest with a tangible and heartbreaking time constraint melded well with the unique new land that the protagonist found himself in, and I loved seeing King’s imagination as he crafted a dying world of mysterious and damaged figures.  The story at this point had an intriguing old-school quest vibe to it, very much like a classic fable, and I was so damn invested in seeing what happened to Radar.  However, once that part of the story was resolved, there was so much left of the book left to go, and that’s where I had a little less fun with Fairy Tale.

Don’t get me wrong, King still brought together a lot of great elements that cleverly carried on from the front of the book.  The dark fantasy realm had some great fairy tale inspirations which made for an excellent background, and the deranged figures who ruled over it were excellent villains.  King also works in a very dark storyline where Charlie experiences some major adversity that he must literally battle to overcome, all while meeting a cohort of desperate new supporting characters.  However, this part of the book just didn’t grab me as much as the first half, and there is somewhat of a disconnect between this story and the earlier awesome chapters of the book.  Still, it was pretty fun to continue, and the story morphed into a classic hero narrative, with Charlie leading a mystical revolution.  I ended up quickly getting through this chunky novel, and it was great to see Charlie grow into Mr Bowditch’s shadow as he encounters some of the events that made him.  King ends everything a pretty happy and final note, and the reader comes away from Fairly Tale fairly satisfied with how everything turned out.  I felt that the second half, while not as enticing as the first, combined well with the rest of the story and together you have a great, character-driven story, that you can really sink your teeth into.

Overall, I rather enjoyed Fairy Tale, even though it took me a little while to review it.  Stephen King showed off his unsurpassed ability to create compelling stories focused on intriguing protagonists, and I love his amazing imagination and awesome ability to make me care about these fiction figures.  While I did have some issues with the second half of Fairy Tale, this was still and excellent novel, and it is really worth checking out, especially if you are an established fan of King and his complex stories.

Fairy Tale Cover 2

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Quick Review – The Investigators by Anthony Hill

The Investigators Cover

Publisher: Michael Joseph (Trade Paperback – 7 March 2023)

Series: Standalone

Length: 349 pages

My Rating: 4 out of 5 stars

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The always compelling Anthony Hill returns with another highly detailed dive into Australian history with The Investigators, a fascinating and extensive read that focuses on a truly unique historical voyage.

Fans of Australian fiction will be well aware that there are a ton of outstanding authors out there at the moment who seem dedicated to exploring some of the more obscure or deeply interesting moments in colonial Australian history.  Due to the attention these books get from Australian publishers I tend to read a few of these each year and I always appreciate the love these authors clearly have for the country’s history and their desire to set interesting stories about it.  One of the more notable of these is Canberran author Anthony Hill, who has written several novels that cover different figures and events connected with the European settlers in Australia.  I have enjoyed a couple of his books over the years, including last year’s intriguing read, The Last Convict, which told the life story of Australia’s last surviving convict.  His new book, The Investigators, takes a new path as it focuses on a particularly noteworthy nautical voyage, that of Matthew Flinders and the HMS Investigator.

Plot Synopsis:

‘Our discoveries have been great, but the risks and misfortunes many.’

John Franklin always wanted to be a sailor. As a volunteer in the Royal Navy at age fourteen, he found himself in the Battle of Copenhagen, but nothing could prepare him for the adventure of a lifetime, when he set off in 1801 with his cousin Matthew Flinders on HMS Investigator as it sought to chart the first circumnavigation of Australia.

Taking on responsibility for the chronometers, under the jealous eye of Flinders’ younger brother, the young midshipman found all the action, adventure and excitement he’d hoped for in his new life at sea. It inspired him to become one of the great navigators and explorers of the 19th century.

However, he wasn’t quite so prepared for the other challenges that life onboard had in store – the rivalries with fellow shipmates, the shortages of food, and the harsh realities of what they encountered in the colonies. Danger, disease and death seemed to follow in their wake, and even the Investigator herself was at serious risk of destruction, having to flee to Koepang in present-day Indonesia for repair.

The history books tell us that the first circumnavigation of Australia was completed on this voyage – but award-winning and bestselling author Anthony Hill tells us how it was achieved. The Investigators is an unforgettable story of high adventure, exploration, shipwreck and survival as a young sailor comes of age.

This was a pretty interesting book from Hill that I personally had a great time getting through, even though I know it’s not going to be everyone’s cup of tea.  As you can tell from the plot synopsis, The Investigators tells the complete story of the HMS Investigator, under the command of Matthew Flinders, as it made its incredible journey to circumnavigate Australia, the first recorded voyage to do so.  Told from the perspective of young midshipman, John Franklin, who himself goes on to become a notable captain and explorer, The Investigators covers the entirety of the voyage, including its delayed beginning and chaotic conclusion in extreme detail, focusing on every major occurrence that was recorded in the historical record.

Now, I must admit that this is a part of Australian history that I was not particularly familiar with, which is a shame, as it was pretty extraordinary.  However, that is no longer the case, as Hill really goes out of his way to showcase the voyage in all its historical detail.  No stone is left unturned as Hill takes the reader through the entire course of the voyage, and it proves to be extremely interesting to see just what the crew went through.  The full extent of this journey is exceedingly fascinating, and while most of the voyage is focused on exploration and cartography, which is interesting in its own way, there are more exciting features such as disasters, deaths, feuds, politics, first contacts, starvation, disease, the French, and even a major shipwreck.  This naturally results in quite the intense narrative, and I found myself hooked as I continued on trying to find out what happened throughout this voyage.

While the voyage of the HMS Investigator is pretty interesting, I will admit that Hill’s writing style was at times rather dry.  This is mainly because he was determined to fit as much historic detail into his book as possible, and this often bogs down the flow the story.  For portions of its run, The Investigators felt more like a non-fiction history book or a biography rather than a novel, especially when some of the sections are filled with substantial amounts of historical context or details about what future impacts certain events or discoveries would have.  It also did not help that some of the dialogue was lifted from quotes in historical journals, all in the name of realism, which produced some of the clunkiest moments in the book.  While Hill does try to mitigate this at times, such as by focusing the story on a young, eager character with his own exciting future rather than the complex captain on his most iconic voyage, it did get hard to get through the detail rich text at times.  As such, this is going to be a harder novel for some readers to enjoy, especially if you were looking for an exciting story rather than a historical treatise.  Still, I personally found it to be compelling and I loved how deep that Hill went into the events.  The highly detailed examinations of everything, even day-to-day events on the ship or the many intricacies of exploration, proved to be quite fascinating, and I loved seeing absolutely everything that occurred on this voyage and Hill’s take on them.

Overall, The Investigators by Anthony Hill is an interesting and complex read that fans of Australian or nautical history are going to have an amazing time with.  Hill really dives into this extraordinary tale out of history and readers come away with a complex appreciation for every single aspect of this epic trip.  While Hill’s writing will probably not be for everyone, the sheer amount of history within is well worth the read and I had a great time learning more about the HMS Investigator.  This will be a great book for those with a love of history.

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Quick Review – The Omega Factor by Steve Berry

The Omega Factor Cover

Publisher: Grand Central Publishing (Audiobook – 7 June 2022)

Series: Standalone/Book One

Length: 13 hours and 38 minutes

My Rating: 4.25 out of 5 stars

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Prepare to dive into another intense conspiracy straight out of history from legendary thriller writer Steve Berry, The Omega Factor.

A major thing I have noticed about my reading habits in recent years is that I have been getting more attached to the thriller genre due to several amazing series, many of which have long become essential reading for me each year.  One of these main series is the compelling and intriguing Cotton Malone books from veteran author Steve Berry, which I was lucky enough to discover a few years ago.  Following the titular intelligence agent as he uncovers historical conspiracy after historical conspiracy across America and Europe, the Cotton Malone novels are very cool and I love the elaborate scenarios that Berry comes up with, especially as they combine deep historical detail with cool modern-day espionage missions.  I have had a pretty epic time with Berry’s more recent Cotton Malone books, including The Malta Exchange, The Warsaw Protocol and The Kaiser’s Web, each of which were great and captivating additions to this long running series.

Berry also released an intriguing standalone novel last year, The Omega Factor.  Following a new protagonist, The Omega Factor contained another intriguing historical conspiracy, this time around the legendary Ghent Altarpiece, which sounded very cool.  I did manage to listen to it close to its release date last year, however, I didn’t publish a review for it, and I have been meaning to fix that for a while.  As I literally just started listening to Berry’s latest novel, The Last Kingdom, I figured it was about time that I gave a shout-out to the great and enjoyable The Omega Factor.

Plot Synopsis:

The Ghent Altarpiece is the most violated work of art in the world.  Thirteen times it has been vandalized, dismantled, or stolen.

Why?  What secrets does it hold?

Enter UNESCO investigator, Nicholas Lee, who works for the United Nations’ Cultural Liaison and Investigative Office (CLIO).  Nick’s job is to protect the world’s cultural artifacts—from countless lesser-known objects to national treasures.

When Nick travels to Belgium for a visit with a woman from his past, he unwittingly stumbles on the trail of the twelfth panel for the Ghent Altarpiece, stolen in 1934 under cover of night and never seen since.  Soon Nick is plunged into a bitter conflict, one that has been simmering for nearly two thousand years.  On one side is the Maidens of Saint-Michael, les Vautours, Vultures, a secret order of nuns and the guardians of a great truth.  Pitted against them is the Vatican, which has wanted for centuries to both find and possess what the nuns guard.  Because of Nick the maidens have finally been exposed, their secret placed in dire jeopardy—a vulnerability that the Vatican swiftly moves to exploit utilizing an ambitious cardinal and a corrupt archbishop, both with agendas of their own.

From the tranquil canals of Ghent, to the towering bastions of Carcassonne, and finally into an ancient abbey high in the French Pyrenees, Nick Lee must confront a modern-day religious crusade intent on eliminating a shocking truth from humanity’s past.  Success or failure—life and death—all turn on the Omega Factor.


The Omega Factor
was another great book from Berry that blends intriguing elements from history with a modern-day thriller storyline.  Starting off with a bang as the new characters, Nicholas Lee and Kelsey, become involved in a crazy plot when part of the Ghent Altarpiece is destroyed.  Berry does a good job of quickly introducing all the players in this new narrative, and the reader is soon wrapped up in the awesome storyline that sees ninja nuns, corrupt members of the Catholic Church, and a secret organisation of Cathars facing off against each other with Nick caught right in the middle.  Like most of Berry’s novels, The Omega Factor features multiple character perspectives during the entire intriguing run, as well a series of flashbacks to historical events which give the main storyline a lot more context.  This results in a very compelling read, and you soon get wrapped up in seeing the elaborate conspiracy that Berry carefully hints at come to fruition.  I had a lot of fun seeing how this entire story came together, and Berry produces a complex overall read that proves very hard to put down in places.

While I had fun with this book, I did think that the storyline behind it was a bit weaker than Berry’s typical work.  The twists are pretty obvious going in, and the stakes of the plot never seem particularly serious.  There are some good characters featured within, and I liked the elaborate motivations behind several of the antagonists.  However, I’m not really sure the use of a new protagonist was really necessary, especially as this reads like a typical Cotton Malone book. It might have been a bit better with some of Berry’s established characters, especially as I didn’t connect too much with the new protagonist of Nick, nor his failed romance with Kelsey and her personal journey.  Still, the rest of the book is pretty strong, especially with the intrigue and secrecy, and The Omega Factor also works quite well as a great standalone read and new readers can easily jump in and experience Berry’s style and story ideas for themselves.

As with all of Berry’s books, the real highlight of The Omega Factor is the elaborate and captivating historical detail that the author dives into as part of the plot.  Having the reader understand all the relevant historical events and artefacts is vital to the plot of the book and Berry meticulously relays everything through several of the characters in an interesting way that always keeps the reader’s attention.  For example, so many intriguing features about the Ghent Altarpiece are raked over again and again so that the reader can get a full understanding about why this piece of art is so important and how it has been stolen or defaced multiple times.  The author honestly needs the reader to understand every detail of this artwork’s history, and he manages that perfectly every time.  The same goes for so many other relevant bits of history that are relevant to the main story, such as the crusades against the Cathars and other relevant wars and political events.  Berry does such as outstanding job of giving concise and targeted history lessons to the readers, and he backs them up by expertly building several intriguing thriller storylines around them.  The resulting plots that see the characters attempting to fully excavate the secrets from the past are always so damn interesting, and it is a ton of fun to simultaneously uncover modern threats and ancient twists at the same time.  Berry always has the right blend of hard historical fact and inventive inclusions, and you soon get embroiled in the very elaborate historical details.  Throw in some beautifully portrayed locations throughout Europe, many of which are very historically significant and this proves to be another great example of Berry bringing history to life in a very modern story.

Like most of the Berry books I have been able to enjoy, I ended up checking out The Omega Factor on audiobook rather than a physical copy.  This proved to be an excellent way to enjoy this amazing book as the audio format really allows the reader to enjoy all the cool historical detail.  Having the characters narrate all the key elements to you again and again is quite effective at building up a listener’s understanding, and you really appreciate how well this format performs in this way.  It helps that the narrator, Scott Brick, has such a great voice for historical fiction and modern thrillers.  Brick, who in addition to voicing most of Berry’s audiobook also narrates the cool Orphan X audiobooks by Gregg Hurwitz (for example, Into the Fire, Prodigal Son and Dark Horse), is an awesome narrator who always adds some gravitas to his productions.  He does another amazing job in The Omega Factor, and you swiftly become engaged with how he makes all of Berry’s intense detail really stand out.  Coming in at over 13 and a half hours, The Omega Factor is a decent sized audiobook, but it is well worth listening to for this awesome story.

Overall, The Omega Factor was a great standalone novel from Steve Berry that his fans will have a fantastic time reading.  Bringing together another exciting and compelling historical conspiracy with a cool modern thriller storyline, The Omega Factor was very entertaining and I had an awesome time getting through it.  As I mentioned above, I am currently in the middle of Berry’s latest novel, The Last Kingdom, which I will hopefully finish off and review later this week.

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Quick Review – Warhammer 40,000: Huron Blackheart: Master of the Maelstrom by Mike Brooks

Huron Blackheart Cover

Publisher: Black Library (Audiobook – 7 May 2022)

Series: Warhammer 40,000

Length: 6 hours and 23 minutes

My Rating: 4.25 out of 5 stars

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I am really in love with the Warhammer 40,000 universe at the moment as they are producing some incredible books.  While many feature huge casts or examine vast conflicts, some of the very best Warhammer 40,000 novels provide greater context and insight into the game’s legendary characters.  These major character driven novels often result in some intriguing and powerful reads, and I love the complex stories that they tell.  One of the more interesting ones recently was the epic Huron Blackheart: Master of the Maelstrom by rising Warhammer 40,000 fiction author Mike Brooks.  This was a great and exciting read from last year, which I unfortunately never got the chance to properly review.  However, as I have just started listening to one of Brooks’s more recent novels, Warboss, I thought it would be beneficial to do a quick review of Huron Blackheart.

Plot Synopsis:

Huron Blackheart is the lord of the Red Corsairs, master of the lawless Maelstrom and its piratical denizens – but oathbreakers and renegades can seldom rely on the loyalty of their followers. With the galaxy thrown into turmoil by the return of Roboute Guilliman, the former Tyrant of Badab faces a renewed Imperium and fresh challengers emerging within his own ranks.

Huron must call on every trick he knows to stay in control – and alive. Yet even a warrior as ferocious and opportunistic as the Blood Reaver must be wary, for although there are many bargains he can strike, all power comes at a price…

Brooks has produced a very awesome and enjoyable read with Huron Blackheart which drags you in with its intense and entertaining story.  As the name suggests, the book primarily focuses on one of the more interesting characters from the wider Warhammer 40,000 canon, Huron Blackheart.  Huron Blackheart is a particularly cool character with a well-established background as a former loyal space marine who turned traitor and become a notorious pirate lord, haunting vast swathes of the Imperium.  Rather than diving into the full history of the character, Brooks instead tells a more contemporary narrative that shows the current actions of Huron Blackheart in the aftermath of the return of Roboute Guilliman.

The story sees Huron planning his next great offensive against the hated Imperium when one of his subordinates suddenly becomes a threat when he arrives with a mighty war prize, a legendary Ultramarines battle cruiser and Roboute Guilliman’s personal flagship, which the canny underling had managed to capture.  Now faced with a potential rival, Huron is further blindsided when several of his underlings ensure that a powerful daemonic relic falls out of his hands, further weakening his hold on his minions.  Forced into a corner, Huron soon finds himself caught between his murderous minions and the dark powers that surround him, and he’ll need to make a deadly decision that could change his existence and the remnants of his soul forever.

This is a pretty enjoyable and compelling overall narrative, and it is always quite a lot of fun to see events unfold from a villain’s perspective.  The author did a good job of balancing out some of the elements of the story, and the reader is treated to a great mix of Chaos politics, intense action, and a focus on the always awesome figure of Huron Blackheart.  Brooks makes good use of a multi-character perspective throughout Huron Blackheart, which is mostly effective in telling the fun and enjoyable narrative.  The main one of course is from Huron itself, which gives you some very interesting views into his mind, but several other characters are also well featured, including a captured Tech Priest who is forcibly recruited into Huron’s ranks at the start of the novel.  She provides a great outsider perspective to the entire story, and, when combined with Huron’s own cynical observances, you get a great view of the book’s events, especially all the backstabbing, politicking and carnage that emerges.  Not every character is given this great treatment however, as several of the supporting cast end up being a bit one-dimensional in places, which make their subsequent perspective shots a bit hard to care about.  Still, Brooks’s great use of perspective does capture the novel’s slightly darker and more bloody tone that some of the other Warhammer 40,000 novels out there as Brooks attempts to capture the villainous edge to every character.  I particularly enjoyed several of the scenes that showed the entire elaborate nature of Huron’s corsair organisation, and it was a lot of fun to see all the different factions, as well as several different groups of Chaos Space Marines, working together for piratical purposes.  I did think that the story itself was a little basic in places, especially when it came to its direction, and several of the twists or reveals were well telegraphed.  Still, I was pretty entertained the entire way through Huron Blackheart, and readers are guaranteed a pretty good time with the story.

Naturally for a book titled Huron Blackheart, a lot of the story is built around the exploration of who Huron is and what role he fills in the galaxy.  I must admit that this was one of those established Warhammer characters that I wasn’t particularly familiar with, so I was quite keen to see how the author would feature them.  Unsurprisingly, Brooks does a good job of setting Huron up as a particularly intense and ghastly central character for the novel, and you soon get a good idea of his motivations and the rage burning within him.  While Brooks was a little light on Huron’s full character history, readers fully understand his hatred, as well as other intriguing aspects of his character, such as his pragmatism, his deep-seated rage, and an actual understanding of the powers he has bound himself to.  I loved seeing the world through Huron’s eyes in parts of the book, especially as you see all his canny and cynical insights into the motivations of his minions and the key players of the Warhammer 40,000 universe.  Watching Huron attempt to manipulate every situation to his advantage is a ton of fun, and he cuts quite a distinctive figure in this book, even when on the losing end of a potential scheme.  Despite some of the setbacks he suffers in this novel, Huron comes away as a particularly strong and intelligent character, and it was fun to follow a Chaos leader that can control so many naturally treacherous beings.  Brooks also does a good job of tying Huron’s story into the wider current canon of the Warhammer 40,000 universe and it was fascinating to see what role Huron envisions his raiders having in the current wars of the galaxy.  There are some great references to other recent books and events, particularly when it comes the events around the captured Ultramarines ships, and I felt that this entire novel slid in nicely into this wider canon.

I ended up listening to Huron Blackheart on audiobook, which is always my preferred medium for Warhammer stories.  The Huron Blackheart audiobook ended up being a pretty awesome listen, especially with the impressive narration of Andrew Wincott.  Wincott captured every dark and bloody setting perfectly with his narration, and you got a real sense of the scale and menace of every scene, especially those focused on Huron himself.  Wincott made sure to also feature some great voices which really showed the full range of crazed figures that made up the supporting cast.  However, the best voice work was saved for Huron Blackheart himself, as Wincott wanted to inject some intensity into him.  Wincott gives him a deep, loud, and croaky voice, that perfectly captures his inhuman nature and helps readers to envision his mutilated flesh.  As such, the Huron Blackheart audiobook is an outstanding way to the enjoy the story, and with a run time of just under six and a half hours, it is one that you can power through pretty quickly.

Overall, Huron Blackheart: Master of the Maelstrom was a great Warhammer 40,000 book and I am glad that I got the chance to listen to it last year.  Mike Brooks had a lot of fun bringing the intriguing central protagonist to life in this new book, and his subsequent story of treachery and survival was interesting and easy to get through.  This was a particularly solid entry in the Warhammer canon, and all established fans of the franchise will have an excellent time with Huron Blackheart, especially in its audiobook format.

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Quick Review – How to Sell a Haunted House by Grady Hendrix

How to Sell a Haunted House Cover

Publisher: Titan Books (Trade Paperback – 17 January 2023)

Series: Standalone

Length: 399 pages

My Rating: 4.25 out of 5 stars

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One of the leading authors of modern horror fiction, Grady Hendrix, returns with another fantastic read, this time taking on the classic haunted house tale and putting his own unique spin on it.

Few horror authors are getting the recognition these days that the intriguing Grady Hendrix is, and for very good reason.  A veteran author and screenwriter, Hendrix has made his name in recent years with his string of fun, horror-based novels, including Horrorstör, We Sold Our Souls and The Southern Book Club’s Guide to Slaying Vampires.  These outstanding novels all combined classic horror concepts with unique and entertaining scenarios that provided the author’s own twist on the subject, resulting in a ton of rave reviews.  I personally became more familiar with Hendrix when I managed to check out his 2021 release, The Final Girl Support Group.  A compelling take on the concept of final girls in horror films, The Final Girl Support Group ended up being an excellent and elaborate homage to the slasher genre that I had a wonderful time reading.  While horror isn’t my favourite genre, I was very curious when I received a copy of Hendrix latest novel, How to Sell a Haunted House and decided to see what new awesome story this inventive author has come up with.

Plot Synopsis:

Your past and your family can haunt you like nothing else… A hilarious and terrifying new novel from the New York Times bestselling author of The Final Girl Support Group.

Every childhood home is haunted, and each of us are possessed by our parents.

When their parents die at the tail end of the coronavirus pandemic, Louise and Mark Joyner are devastated but nothing can prepare them for how bad things are about to get. The two siblings are almost totally estranged, and couldn’t be more different. Now, however, they don’t have a choice but to get along. The virus has passed, and both of them are facing bank accounts ravaged by the economic meltdown. Their one asset? Their childhood home. They need to get it on the market as soon as possible because they need the money. Yet before her parents died they taped newspaper over the mirrors and nailed shut the attic door.

Sometimes we feel like puppets, controlled by our upbringing and our genes. Sometimes we feel like our parents treat us like toys, or playthings, or even dolls. The past can ground us, teach us, and keep us safe. It can also trap us, and bind us, and suffocate the life out of us. As disturbing events stack up in the house, Louise and Mark have to learn that sometimes the only way to break away from the past, sometimes the only way to sell a haunted house, is to burn it all down.


How to Sell a Haunted House
was an interesting and complex book from Hendrix that I had a great time getting through.  Focused on his damaged protagonists and the horrors that they have experienced, both in their house and in their lives, this ended up being a particularly deep and moving novel that will get its hooks into you extremely early and refuse to let go.

I honestly wasn’t too certain what to expect from How to Sell a Haunted House when I started reading it, and the book went in some very interesting and surprising directions.  Told over a series of acts based on the stages of grief, this book is initially told from the perspective of Louise Joyner as she returns home after the sudden death of her parents to try and deal with both the funeral and the fate of her childhood home, only to run straight into the emotional wall that is her slacker brother, Mark.  Both have a lot of baggage, especially when it comes to each other, and their initial hostile encounters perfectly set the scene for the family drama that is to come.  The horror elements of How to Sell a Haunted House are initially a little muted, which allows the tension and threat to gently simmer and rise, as the reader knows stuff is going to break down eventually.  The house in question, with its multitude of puppets (so, so many puppets), boarded up attic, freaky occurrences, and more, lends a layer of threat that really sets the scene for the rest of the book.  Despite this, the start of How to Sell a Haunted House is a little slow and I had a bit of a hard time really getting into it.  However, it is really worth continuing into the meat of the story, as Hendrix has a brilliant story ready for you.

The intriguing drama slowly builds as the book continues, and the reader is introduced to the masses of baggage between Louise and Mark.  This becomes a big part of the book’s plot and soul, and you really get drawn into their very complex relationship which has been influenced by events outside of their control without them even realising.  Other compelling family elements are thrown into the mix at this point as well, and these slowly boil up throughout the book and influence the conclusion in some clever ways.  It doesn’t take long for the major horror elements of the book to fully take over and partially distract the reader away from Louise and Mark’s many personal issues.  The focus of what is causing the chaos in their house is expertly revealed, and the revelation is very freaky, especially when you fully understand what it is and how it has affected the protagonists all these years.  I really loved how Hendrix blended the complex family ties of the protagonists with the disturbing presence in their house, and it results in a particularly impressive, character-driven story.  There are some great early confrontations with this presence which Hendrix showcases extremely well, emphasising the physical, spiritual and emotional danger that comes with each encounter, as well as the hidden revelations that are simultaneously brought to the surface.  There are some fascinating moments set around these encounters, and I loved how there was a constant focus on family throughout, as well as a surprisingly detailed look at the history of puppets (seriously, you will never look at puppets again after this book).

Hendrix brings everything to an excellent and crashing crescendo which left me with a real appreciation for the author’s impressive imagination and writing ability.  There is an excellent false victory for the protagonists, which comes at such a substantial cost that you almost believe it could be the end.  However, the full evil is yet to come, and after a great reveal sequence, you realise just how insidious the force they are facing truly is.  The way that the story wraps up is pretty scary in places, but it is also extremely heartfelt and emotionally impactful, as family history and complex character dynamics come full circle.  I ended up getting really caught up in the story behind How to Sell a Haunted House, even though horror isn’t my preferred genre, and I loved all the emotional storylines and character arcs that were brought together as a result.

This is an overall pretty exceptional read, and I am glad that I took the time to check out Hendrix’s new book.  How to Sell a Haunted House is a must read for all those familiar with Hendrix unique and powerful style, and new readers will have a blast getting caught up in the author’s immense inventiveness.  A strongly recommended read that will stick with me for a very long time.

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