Destroying Angel by S. G. MacLean

On August 2, 2018April 11, 2023 By The Unseen LibraryIn Five-Star Books, Historical Fiction, Murder Mystery9 Comments

Publisher: Quercus

Publication date – 12 July 2018

Prepare to experience an excellent multi-mystery story set deep in the heart of Cromwell’s Puritan England in Destroying Angel, the new book from historical thriller sensation S. G. MacLean.

It is 1655, a time of great change for England. Oliver Crowell’s forces have cleared the Royalist armies from England, and exiled the King and his court to the continent. The country is now in the grip of Puritan morals and the rule of Cromwell’s major-generals.

In York, Captain Damian Seeker of Cromwell’s army is responsible for hunting down Royalist elements hiding within the country and quelling dissent against the new regime. His latest mission requires him to journey to the small village of Faithly on the Yorkshire moors to deliver the government’s new laws and ordinances and inspect the area for traitors. In addition, a fugitive member of the King’s exiled court may have returned to his family estates near Faithly, and Seeker is charged with searching the village and the surrounding countryside.

But upon arriving in Faithly, Seeker bears witness to the tragic death of the young ward of the town’s commissioner. Her death appears to be the result of poisoned mushrooms, slipped to her at a formal dinner attended by Seeker and several of the village’s notable citizens. Was she the intended target or just a causality of a far larger game? As Seeker begins to investigate, he soon finds that Faithly is a seething hotbed of resentment and fear. Plots, secrets, lies and petty jealousies lie just beneath the surface, and many of the village’s inhabitants seek to use the dramatic changes in England’s rule for their own gain. As Seeker attempts to navigate the chaos he finds in Faithly, a chance encounter from his past will change everything for the captain.

MacLean has once again delivered a fantastic and intensely thrilling piece of historical fiction. Destroying Angel is the third book in the Captain Seeker series, and the seventh overall book from MacLean, who has also published four historical thrillers in his Alexander Seaton series. In his latest book, Maclean has created several compelling mysteries that are expertly combined with the book’s fascinating historical background.

The main storyline of Destroying Angel is a fantastic investigation into the secrets and mysteries surrounding a small village. When the book’s protagonist arrives at Faithly, the central location of the plot, he encounters a village that is brimming with hidden secrets and lies. While the core mysteries revolve around the poisoned girl and the location of the fugitive Royalist lord, the protagonist is forced to uncover all of the village’s many secrets in order to find the solutions to the murder and treachery that he encounters. The reader is presented with a massive stream of information about many of the characters in the book, all of which is cleverly woven into a series of intriguing solutions. For example, the eventual motives for the poisoning of the commissioner’s ward are particularly captivating, and fairly tragic. MacLean ensures that every single secret and hidden past is tied into the overall story and has created an outstanding narrative that highlights his substantial skill at historical mysteries.

In addition to the huge range of mysteries that MacLean has inserted into his book, there is also a significant storyline that will prove to be extremely interesting to fans of the previous books in the Captain Seeker series. While performing his other investigations, the protagonist is thrust into an emotive storyline when he suddenly encounters ghosts from his past. This new storyline is particularly intriguing as it goes deep into the protagonist’s past, uncovering old wounds and substantially increasing his emotional stake in the story. Previous readers of this series will find it intriguing to see the usually implacable character of Seeker so rattled and unbalanced in this story. The sudden and violent introduction into this storyline is particularly memorable and represents a noticeable change in the book’s tone, and is an excellent inclusion in an already fantastic read.

One of the most impressive and enjoyable elements of this book is the author’s spectacular use of an absorbing historical setting. During this period, England is experiencing significant change, as the King and his followers have all been expelled from the country and a new group of people have risen in power. Despite it being a significant part of England’s history, not too many historical fiction authors have chosen to set their books during this period. MacLean does an amazing job of exploring the various aspects of this new regime and tying them into the overall plot of Destroying Angel. This includes the new laws that have been put in place, the changes to local governance and the effect of military rule on the people. However, one of the most fascinating aspects of the entire plot is MacLean’s examination of the Puritan moralities that were imposed on the people of England. Destroying Angel focuses on how this affected day to day life, what role the new church had in England and how they treated priests who didn’t meet Puritan expectations. One of the best parts of the book is the blatantly biased trial of the priest of Faithly village, as members of the populace and a special state examiner, known as ‘the Trier’, attempt to remove him from his parish. The author has chosen a great location to showcase these examples of life under Cromwell, as the small village setting allows the reader to see how it affected normal, everyday people. It also allows the reader to get an idea about some of the discontent and petty power plays that could have possibly resulted from the changes to the system. Overall, MacLean has set his series with a deeply interesting time period that serves as the perfect background for a murder and conflict ridden story.

Destroying Angel is a fantastic and incredibly enjoyable novel that serves as an outstanding and powerful new addition to MacLean’s Captain Seeker series, combining several captivating mysteries with an outstanding and rarely utilised historical setting. Readers will find so much to love about this book, which is historical murder mystery at its very best.

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Usagi Yojimbo, Vol 32: Mysteries by Stan Sakai

On July 31, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books10 Comments

Publisher: Dark Horse Books

Publication Date – 10 July 2018

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After a year I have finally gotten the new volume of Usagi Yojimbo, one of my favourite long-running comic series. Now I and other fans of the long-eared samurai can finally enjoy another set of exhilarating adventures in Stan Sakai’s version of feudal Japan.

Usagi Yojimbo is a great series that has been running since 1987, three years after the character was originally created. In a world inhabited by anthropomorphic animals, the series is set in the early Edo period of Japanese history, during the time of the Shogun and the wandering samurai. The series was originally supposed to feature human characters and a protagonist based on the famous historical samurai Miyamoto Musashi. However, the series was changed to feature animals after the artist drew an early version of the hero with rabbit ears and created the series’ titular yojimbo, Miyamoto Usagi.

The Usagi Yojimbo series follows the adventures of Miyamoto Usagi through feudal Japan. After the death of his lord, Usagi has become a ronin, a masterless samurai, and has spent the last few years wandering the country seeking employment as a yojimbo, a bodyguard. Throughout his travels, Usagi finds all sorts of danger and adventures, and is often drawn into a range of conflicts throughout the troubled landscape, facing threats both natural and supernatural in origin.

With 32 collected editions over 30 years, as well as the two additional graphic novels and the spin-off series, Space Usagi, Usagi Yojimbo has developed a dedicated fanbase. Those who have not read this series may be familiar with it due to its frequent crossovers with the Teenage Mutant Ninja Turtles. Characters from both franchises have crossed over into each other’s respective comic book series several times. In addition, Usagi has appeared in all three Teenage Mutant Ninja Turtles television shows, often with some side characters. One of my first exposures to the characters of Usagi Yojimbo was during The Big Brawl arch of the 2003 Teenage Mutant Ninja Turtles series, and I’ve been a fan of the character ever since.

Stan Sakai’s series is a hybrid of western graphic novels and Japanese manga. The style and format of the comics come across as more of a classic western style, but the story content and the series’ art is heavily influenced by Japanese culture and history. Every issue is filled with incredible depictions of Japanese customs, history, folklore and mythology, and includes realistic and historically accurate illustrations of feudal Japanese weapons, clothes and buildings. In addition, the dialogue includes a number of Japanese words which are translated in text, and the characters are all named using traditional Japanese naming conventions, with the family name presented before the given name.

Mysteries is the 32nd collected edition of this series, and contains issues #159-#165 of the Usagi Yojimbo series. These issues see Usagi reunited with his friend Inspector Ishida as they investigate a series of mysteries in Ishida’s jurisdiction. There are four main stories, including The Hatamoto’s Daughter, Death by Fugu, the two-part series The Body in the Library and the three-part series Mouse Trap. Mysteries also contains two of the shorter Chibi Usagi stories that Sakai writes with his wife, Julie, which feature cute versions the franchise’s characters.

Readers of the latest volume of Usagi Yojimbo are in for another visual treat as Sakai continues to highlight the delicate beauty of the Japanese landscape and fantastic architecture of its towns with his spectacular artwork. Each of the portrayals of the anthropomorphic characters in their period accurate clothing is amazing, and the reader will be astounded by the author’s desire to make his comic as aesthetically realistic as possible. However, the real visual highlights of this comic are the action sequences that see the protagonists engage in a series of elaborate sword fights against a variety of opponents. The artistic styling of these sword fights is both exciting and intricate, which allows the reader to imagine how these battles would occur in real life. Mysteries contains some great examples of this series’ fantastic art form, and the reader will love the creativity that inhabits every panel of this book.

While most Usagi Yojimbo stories are standalone episodes, the separate stories featured within Mysteries share several connections with each other. All of them are set within the same town and feature the character of Inspector Ishida. In addition, several of the cases are connected by a shadowy crime boss, although the full nature of this connection isn’t fully known until the final story in the volume.

As you may be able to guess from the title of the volume, all of the main stories featured within Mysteries feature a murder and the following investigation by Inspector Ishida and Usagi. Inspector Ishida is a high-ranking member of the Shogun’s police and is renowned throughout Japan as one of country’s most effective detectives. Usagi has teamed up with him before in a number of adventures, including a great story, Murder at the Inn, back in Volume 29, which featured Usagi, Ishida, and Usagi’s frequent companion Gen investigating murders in a locked-down inn. There are some great stories in the Mysteries volume, especially as Sakai has crafted together some intriguing mysteries in such short entries. Several of the big mysteries and crime stories are connected into an elaborate overarching narrative that examines the criminal underworld of feudal Japan. Two of the stories feature some really complex murder mysteries that flit back and forth between a number of suspects and contain motives that are very unique. The final entry, Mousetrap, is the longest story in the volume and features an excellent tale about a thief getting caught in a middle of a fight to control the area’s organised crime and the sinister figure that has been manipulating the events of the previous stories.

Sakai ensures that his examination of feudal Japanese society carries through to each of these stories and their investigative arcs, affecting the characters’ investigations. For example, only members of a lower caste are allowed to touch the murder victims’ dead bodies, which hinders the protagonists from properly examining the bodies to work out the cause of death. There is also a fantastic investigation of the role of the inspectors in feudal Japan and how they bear the authority of the Shogun. It also allows Ishida to show off his fighting skills with the jitte, one of my favourite Japanese weapons.

In addition to the returning Inspector Ishida, this volume of Usagi Yojimbo sees the return of several characters from previous stories. Our favourite thieving duo of Kitsune and Kiyoko make a return in the middle story, The Body in the Library. The fox thief Kitsune was first introduced in 1992 and has become one the series’ main recurring characters, adding significant amusement to the stories she appears in through her schemes, humour and continued casual theft of the other characters’ valuables. Her young companion, Kiyoko, was introduced in a later story and serves as her apprentice in the life of crime while taking up many of her mentor’s bad habits. Their inclusion in this story adds significant comic relief to an otherwise dark story of murder, and it is always fun to see what this mischievous duo are up to. The mysterious masked thief Nezumi returns for a second adventure and is a major player in the book’s longest story, Mouse Trap. Nezumi was introduced in the Volume 20 story After the Rat, and acts as a public Robin Hood character in Inspector Ishida’s town. He is used to great effect in this new story, being framed for murder in a way reminiscent of his first appearance in the series. Sakai continues to taunt his audience with the mystery of Nezumi’s identity and motives, and it is great to see this interesting and formidable character interact with Usagi for the first time, especially with their differing definitions of honour. Readers should also keep an eye out for a certain recurring snitch who has played a similar role in a number of prior Usagi stories, despite the main characters failing to remember how treacherous he is.

One of the best parts of the Usagi Yojimbo series is the incorporation of intriguing and unique parts of Japanese culture into amazing action based comic issues. Throughout the series, the author has utilised a number of great Japanese cultural elements in various stories, including giant kites, giant drums, pottery, swordsmithing, tea ceremonies, seaweed farming, games of chance and a huge number of mythological creatures and legends. These stories often contain descriptions and informative depictions of the cultural activities in question, and the author works them into a fun adventure or creative mystery. Mysteries contains two of these stories. The main one, Death by Fugu, focuses on the preparation of fugu, the meat of the poisonous pufferfish. This story contains an excellent description of what fugu is and the preparation required to eat it. Death by Fugu is a powerful and tragic tale that prominently uses the art of fugu in its mystery, and definitely one of this volume’s standout stories. The other entry, The Body in the Library, takes a brief look at the examination and trade of western medicines in Japan. While this is not examined in as much detail, it is a fascinating to see what impact western medicines could have in feudal Japan and to see it used as a motive for a series of murders.

Once again Stan Sakai has produced a powerful and fantastic new volume of his iconic Usagi Yojimbo series. Fans of this series can look forward to seeing Sakai’s iconic art style and detailed cultural insights that are a love letter to Japan and its fascinating history and society. Mysteries contains a range of outstanding new stories, and readers will enjoy unwrapping their mysteries with Usagi and the fan favourite Inspector Ishida. I wish I didn’t have to wait a whole year for the next volume of this amazing series.

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Deceit by Richard Evans

On July 19, 2018August 17, 2022 By The Unseen LibraryIn Australian, Five-Star Books, Thriller12 Comments

Publisher: Impact Press

Publication date – 18 June 2018

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From former politician Richard Evans comes one of the most incredible fictional examinations of the Australian political system with Deceit, an exciting and superb political thriller.

When corrupt Australian Prime Minster Andrew Gerrard makes a deal with his Indonesian counterpart, he embarks on a plan to build up a retirement nest egg by passing a controversial funding bill for overseas detention centres over a period of several years. However, when key members of his party die in a tragic plane accident, Gerrard decides to process all of the funding in one go and receive the full amount of his payoff.

Outnumbered in the House of Representatives, and with only one week to pass the bill through both houses of parliament, the task looks impossible. But the Prime Minister is a canny political operator with no conscience to speak of and with the Speaker deep in his pocket and with no conscience to speak off. Equipped with a master plan, Gerrard starts to manipulate the bill through parliament.

The only person who may be able to stop him is the outgoing Clerk of the House of Representatives, Gordon O’Brien, who suspects that the Prime Minister’s mysterious last-minute bill is more sinister than it appears. As one of the few people who believe in the sanctity of the parliament, O’Brien will risk everything to find out the truth and ensure no wrongdoing is done on his watch. Utilising all the tools at his disposal, including the opposition and investigative journalist Anita Devlin, O’Brien prepares to move against the Prime Minister. Let the political games begin!

Evans is a former Australian politician who served two terms as a federal member of parliament in the 1990s. Evans has decided to utilise his political experience and expertise by creating a series of Australian politics based thrillers and dramas, with several books planned for release in 2019 and 2020. Deceit is his debut novel and the first book of his planned Democracy trilogy, with the second book in this series, Duplicity, already set to be released in 2019. Readers interested in fictional depictions of Australian politics should also keep an eye out for his upcoming Referendum and Jack Hudson series, both of which will start to be published in the next two years.

Deceit is a fabulous political thriller with a fantastic story that twists and turns through multiple layers of manipulation, deceptions, lies and double-crosses. The book’s main antagonist, Australian Prime Minister Andrew Gerrard is a selfish, manipulative and sleazy character who serves as a perfect villain for this story and whose plots are a highlight of this book. Evans has done a clever job of spreading the story out among multiple point-of-view characters, as this allows the reader to view the impact of Gerrard’s manoeuvrings and lets them see how they are received by members of the opposition, the media and O’Brien. Evans is a very talented storywriter, and the entire plot of Deceit is extremely compelling and very well thought out. Readers will fall in love with this amazing story and will find its overall conclusion very satisfying.

As someone who lives and works in the book’s main setting, Australia’s capital city, Canberra, I have received a lot of exposure to Australian politics. As a result, I loved the author’s exceedingly realistic and accurate depictions of the Australian political system and how it was used within this story. There is some great coverage of Australia’s parliamentary procedure and the creation and passage of bills and laws through both houses of parliament that are presented in a precise and well-described way. There are also a number of characters who hold roles that are actually part of Australia’s political and civil service. These positions and roles are explored in detail, and the reader is given significant insights into what work and requirements are needed by the people holding them. Evan’s does a fantastic job of weaving these usually dry subjects into a very enthralling narrative, and readers will be intrigued to see how the fictional Prime Minister plans to get a dodgy bill past the entire country without anyone noticing what he is doing.

The standout scene of the book has to be an extended chapter that featured a session of question time in the House of Representatives. Question time is a daily occurrence during the parliamentary sitting period during which government and non-government members of parliament ask ministers questions about their various portfolios. As someone who has been exposed to many question times, I was struck by how genuine Evans’s description of this event was. Evans perfectly encapsulates the entire process from start to finish and was able to recreate the snarky and sometimes petulant nature of the discourse that are the usual fare of question time. The author expertly links the overarching storyline of political corruption into this scene, as one member of the opposition is suspicious and starts to ask the Prime Minister leading questions about the controversial bill he has put forward. The political back-and-forth around these questions was amazing, and it was fascinating watching them being tied into the rest of the story. Overall, this sequence was exceedingly compelling, and the entire time I was reading it I was physically incapable of putting the book down.

Deceit also contains some detailed and enjoyable depictions of Australia’s Parliament House and the capital city, Canberra. Parliament House is a beautiful building, and Evans does a wonderful job describing Parliament House in detail and examining various parts of the building, from the Prime Minister’s office and courtyard, to the various gardens, media offices and even cafes. Other little nuances of life within Parliament House are also captured within the text, no doubt because of Evans’s prior experiences working within the building.

I also really enjoyed seeing my home city of Canberra featured in this book. Despite being the capital city, Canberra does not feature much in fiction, due to it being a smaller and newer city than Sydney or Melbourne. Deceit, however, contains some great depictions of the areas of Canberra close to Parliament House. There are several references to some real restaurants and cafes that politicians are known to frequent and where several big political discussions are known to have taken place. There are also several scenes where the characters explore other parts of Canberra as part of the book’s plot. I for one found it incredibly amusing and disconcerting to read a scene about a secretive handoff of documents set in a cinema that I’ve watched The Hunger Games and Doctor Who specials in. Canberra locals will love seeing their city as a major fixture of this book, and other readers will get to explore Australia’s capital and see its potential as a setting in this exciting thriller.

Richard Evans’ first book, Deceit, is a five-star thriller that brings the Australian political process to life. Former politician Evans brings all of his insight and expertise to this new book, and readers will be astounded by the realistic descriptions of Australian politics and the way it has been utilised in this exciting and first-rate story. This is an outstanding debut from Evans, and this terrific read comes highly recommended.

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Empire of Silence by Christopher Ruocchio

On July 5, 2018August 20, 2022 By The Unseen LibraryIn Five-Star Books, Science Fiction20 Comments

Publisher: Gollancz

Publication Date – 3 July 2018

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First time author Christopher Ruocchio boldly introduces himself with his five-star debut, Empire of Silence, an extraordinary and spellbinding science fiction epic.

In the far future, humanity has left Earth behind and made its home in the stars by colonising thousands of the planets. However, expansion was halted when the humans encountered the Cielein, the only other race in the galaxy with the ability to travel through space. For years, the humans and the Cielein fought a brutal and devastating war against each other, until one man changed everything.

That man is Hadrian Marlowe, who, for the best of reasons, destroys a sun and burns every last Cielein from the stars. This destruction also results in the deaths of four billion humans, including the Emperor of Sollan Empire. After this infamous act, Hadrian is considered throughout the galaxy as both humanity’s greatest hero and its most terrible villain, known as The Sun-Eater, Starbreaker, Palekiller and Deathless. But how did one man who was neither a soldier nor a hero seize such a responsibility and commit such atrocities? The Sun Eater series is the chronicle of Hadrian’s life, of which Empire of Silence is the first part.

Born the eldest son of a noble house, Hadrian fled his family and his overbearing father to escape his future as a member of the Chantry, The Stella Empire’s state religion. When the ship he chartered is mysteriously abandoned en route to his destination, Hadrian finds himself stranded on the wrong planet with no means of escape and none of his family’s resources available to him. Forced to fight his way up from the gutters, Hadrian attempts to survive on this strange new world by any means necessary. Starting out as a beggar and thief, Hadrian eventually embarks on a career as a gladiator in the hope of making enough money to buy a ship. But when his true identity is revealed, Hadrian must find a way to survive in a foreign court, where powerful enemies lurk around every corner.

However, all of Hadrian’s problems become immaterial when the Cielein arrive above the planet, searching for something. Drafted into a war he never wanted to be involved in, Hadrian seeks to understand the Cielein, but finds only mysteries and secrets. Hadrian’s path to becoming The Sun-Eater is set, and his journey begins here.

Empire of Silence is the first volume in Ruocchio’s incredibly ambitious debut series, The Sun Eater. Featuring fantastic storytelling and a galaxy-wide setting that is breathtaking in its scope and content, this is an outstanding first book and an excellent start to a series with real potential.

Many readers will be interested to know that Empire of Silence is already receiving quite a few comparisons to Patrick Rothfuss’s highly regarded fantasy epic, The Name of the Wind. It is an easy comparison to make, as there are a large number of similarities between the two books. Both books contain utterly compelling content designed to capture the reader’s imagination; however, the major similarity is the use of a chronicle format to tell their massive, character-driven epics. Like The Name of the Wind, Empire of Silence is told solely from the point of view of the protagonist, Hadrian, and takes the form of a written retrospective explaining the terrible act that makes him infamous throughout the galaxy. The series will completely explore Hadrian’s life, examining every action that leads up to this event.

The chronicle format is a superb choice for the Empire of Silence’s epic story. Not only does it allow the author to produce a complex and extremely detailed epic storyline but it also allows him to add to the story’s gravitas by having the narrator comment on and reflect on his actions in hindsight. This great format also allows the author to show off his protagonist in a range of different circumstances. Because of various science fiction elements, Hadrian is destined to have an extremely long life span and a great many opportunities for adventure. Within Empire of Silence alone, Ruocchio portrays Hadrian performing a range of different roles, including the presumed heir to a planet, a scholar, a fugitive, a beggar, a thief, a gladiator, a companion and tutor to noble children, an amateur archaeologist, a translator, a torturer, a negotiator and an irregular member of the military. Each of the different roles that Hadrian plays influences his mindset and viewpoint, which allows the reader to see him evolve in front of their eyes. It is also interesting to note that Ruocchio has not pre-emptively indicated how many books will be in his series, a mistake some other authors using a chronicle format have made before. This will allow him to tell the whole story he envisioned without compromising on pacing, world-building or character development in order to reach a hasty conclusion, and will no doubt result in a much more complete and enjoyable series.

The overall plot of Empire of Silence contains various storytelling elements that are masterfully combined throughout the book. It contains everything from science fiction elements and action sequences to long discussions of the history of the galaxy in which the series is set. There is also a series of significantly dramatic storylines, such as Hadrian dealing with the difficulties of having a self-interested and manipulative father and an uncaring family. There are some great coming-of-age moments within the storyline as Hadrian first seeks independence from his family and their history and then tries to find his own way on a new world where he has none of his power and influence. The reader gets to witness several powerful scenes in which Hadrian’s life changes dramatically and he desperately attempts to claim some sense of normality or sanity in this new world. Of particular note are some very emotional scenes during Hadrian’s first encounters with the Cielcin. In these scenes, Hadrian is forced to contend with his own curiosity, conscience and morality while stuck between his own species, represented by the cruel and domineering Empire, and the aliens that somehow appear to bear much more humanity. This results in some truly spectacular scenes that make this book impossible to put down.

One of the most impressive and enjoyable aspects of Empire of Silence is the vast and imaginative universe in which the story is set. Ruocchio has an extremely interesting vision of the future that readers will find quite intriguing. The entirety of the first book is set within the Sollan Empire, which represents the largest faction of humans in the future galaxy. This civilisation, whilst retaining some advanced technology, such as spaceships, has reverted socially and culturally following a catastrophic event many years before. There is a rigid class system, with the nobles wielding considerable power and disregard for the ordinary people. A religious organisation holds sway over much of the empire, using inquisitor-like tactics to control the population and prevent what they consider heresy, which includes an aversion to advanced technology. An interesting twist to this is the large number of cameras and drones that they and the nobles use to continually survey and intimidate the populace. The Empire’s culture appears to be strongly inspired by the ancient Roman and Greek civilisations, and their various influences can be seen throughout the book. This is an excellent setting for such an expansive story, and the reader gets to experience a unique and compelling combination of science fiction advancements and old school ideals.

Aside from the main setting of the Sollan Empire, Ruocchio has also stacked his universe with a range of characters, aliens, mysteries and side storylines that prove to be massively intriguing for the reader. Several of these of mysteries and side stories are explored to an extent throughout the book; however, many are left open and will carry through to later books in the series. The protagonist interacts with a massive of number of characters, which plays into the overall concept of him having a busy life. In order to assist the reader in keeping track of the cast of thousands, who sometimes have limited scenes within the story, Ruocchio has provided extensive indexes. Not only do these indexes contain details of all the characters the protagonist encounters but they also contain a huge amount of history, definitions and other useful information to help the audience absorb this massive new universe.

In one of the most impressive and elaborate science fiction novels of the year, first-time author Christopher Ruocchio has shown himself to be one of the brightest new stars in the science fiction genres. Empire of Silence contains an absolutely amazing story that makes full use of its original and immense overarching setting, and is guaranteed to capture the reader’s imagination. This is epic science fiction at its very best, and I cannot wait for the second book in Ruocchio’s The Sun Eater series.

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The Falcon of Sparta by Conn Iggulden

On June 23, 2018May 21, 2025 By The Unseen LibraryIn Five-Star Books, Historical Fiction11 Comments

Publisher: Michael Joseph

Publication Date – 3 May 2018

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One of historical fiction’s very best authors is back with an enthralling story that follows history’s greatest warriors on one of their most legendary journeys. Without a doubt, Conn Iggulden is one of the top authors of historical fiction in the world today. Since 2003 he has consistently produced some of the most in-depth, detailed and engrossing chronicles of several different historical periods and cultures. His previous work includes lengthy examinations of Julius Caesar and Genghis Khan in his bestselling Emperor and Conqueror series, and he has also produced the definitive fictional account of one of the bloodiest civil wars in English history with his extraordinary War of the Roses series. Now, following his 2017 fantasy debut Darien, Iggulden has once again returned to his historical fiction roots by exploring another new realm of history, the Spartans.

In 401 BC, the new Persian king, Artaxerxes II, rules the largest empire in the known world. With an empire sprawling from the Aegean Sea to the north of India, the king of Persia is the undisputed ruler of 50 million people. However, despite all their wealth and power, the kings of Persia have never conquered Greece. From Thermopylae to Marathon and Platea, the Persians have suffered the ferocity of the Greeks, and none are more feared than the men of Sparta. As a result, it has been many years since the Persians have attempted to invade Greece, and many Spartans now serve as mercenaries in the Persian army.

When Prince Cyrus, Artaxerxes’s brother, is nearly executed by the new king following the death of their father, the young prince is determined to claim the throne of Persia for himself. After hiring an army of skilled Greek mercenaries led by an elite core of Spartan warriors and the revered Spartan General Clearchus, Cyrus marches against his brother. But battles can be lost with a single blow, and when Cyrus is killed on the battlefield the Greeks suddenly find themselves trapped in the middle of the Persian Empire.

With Clearchus and the other Greek generals having been killed through treachery, it falls to a young solider, Xenophon, to lead the surviving Greeks to safety. With limited supplies and no knowledge of the land before them, Xenophon must find a way to lead 10,000 soldiers and an additional 10,000 camp followers back to Greece. Forced to endure constant attacks from the Persian army as they travel through deserts and across mountains, their journey will become legendary.

The Falcon of Sparta is a standalone novel primarily based on the classic Greek text, Anabasis, which was written by the historical Xenophon. Iggulden’s novel focuses on the events of the first four of the seven books of Anabasis.

While The Falcon of Sparta does not contain the full version of Anabasis, in some ways it is a much more complete and detailed story that focuses on the people who featured in this great adventure. Xenophon related his tale in a rather simple and direct manner, and Iggulden has compensated for this by providing his own storytelling and dramatic writing. Many of the key characters now have significant backstories fictional justifications for many of these characters’ actions and motives. For example, Iggulden attempts to provide a more complex and dramatic explanation for the schism between Artaxerxes and Cyrus, rather than the historical story that Cyrus simply desired the throne. Iggulden also provides additional context for one of the main villains of the Anabasis, the Persian noble Tissaphernes, who led the Persian armies against the retreating Greek forces. In The Falcon of Sparta his role as a villain is greatly expanded. Not only is he portrayed as a former friend of Cyrus who betrayed him for power but also as one of the main reasons Cyrus fails to seize the throne and the protagonists are placed into such peril. Iggulden’s additional backstories and character traits make for a much more compelling and complete story with thrilling and absorbing motivations and antagonists.

These additional story elements are greatly enhanced by the author’s use of character perspectives. For the first two thirds of the story, narration is split between a number of characters, including Cyrus, Clearchus, Tissaphernes, Artaxerxes and Xenophon. Not only does this split narration help to build up the respective characters’ histories and allow the audience a better view of their personalities, but it also adds significantly to the story as these characters provide various perspectives on the events occurring in the formative parts of the main story. Through the narrators we are given glimpses into a range of interesting things, including Artaxerxes’s and Cyrus’s thoughts on the war for their father’s throne, as well as the events and feelings that led up to the conflict. We also see the respect that Cyrus and Xenophon have for their Spartan allies, as they see examples of their effectiveness in combat and their legendary self-discipline.

The scenes told from Tissaphernes’s point of view further highlight his role as a villain as his inner monologue reveals his selfish motivations and ambitions. The story told from Tissaphernes’s viewpoint helps turn him into an embodiment of the distain that the ancient Persians had for the Greeks and their soldiers. Despite seeing the Greeks’ substantial battle prowess, Tissaphernes and many of the Persians viewed the Greeks as second-rate soldiers, and it is fascinating to see how deeply held this belief was.

After the first two thirds of the book, the story is told exclusively from the point of view of Xenophon and starts to mostly represent Book III and Book IV of the Anabasis. This part of the book allows the reader a closer view of the Spartan and Greek forces as they participate in their epic march and is very entertaining. Even as the story becomes confined to only one narrator, Iggulden is still able to provide the necessary detail and drama in the final part of the book to keep the story going strong and maintain the reader’s attention and enjoyment.

Special attention needs to be given to the masterful portrayal of the Greeks and Spartans in battle. Iggulden has an incredible eye for detail and an amazing writing style that brings the reader right into the heart of the book’s large-scale action sequences. In particular, he spends a significant amount of time focusing on the Greeks and the Spartans and does an amazing job of capturing their battle techniques, tactics and mentality. There are a large number of battle scenes within this book, and Iggulden uses every opportunity to show off the prowess of his heroes in as much detail as possible, allowing the reader to easily witness the events in their minds. The Persian soldiers are also examined in the scenes narrated by Cyrus, and it is interesting to see the differences in the fighting style and mentality of the Greeks and Persians. Those interested in reading about this part of history will love the amount of attention given to the Spartans and find many of the associated descriptions deeply fascinating.

Conn Iggulden has once again produced a masterful and absorbing fictional account that focuses on an utterly intriguing historical event. Bringing the reader right into the middle of the march of the Ten Thousand, Iggulden expands on Xenophon’s Anabasis and provides a more dramatic and elegant story of betrayal, endurance and survival. The Falcon of Sparta is a love letter to one of history’s most legendary race of warriors, and it provides the reader with a detailed exploration of Spartan warfare, lifestyle and mentality. This is a breathtaking and highly recommended piece of historical fiction that is guaranteed to drag you in for the long haul.

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A People’s History of the Vampire Uprising by Raymond A. Villareal

On May 30, 2018August 23, 2022 By The Unseen LibraryIn Five-Star Books, Horror, Science Fiction5 Comments

Publisher: Hachette

Publication Date – 29 May 2018

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From the inspired mind of Raymond Villareal comes one of the most captivating and thought-provoking literary achievements of 2018. Have you ever wondered what would happen if vampires came into existence in the modern world? Villareal’s debut novel, A People’s History of the Vampire Uprising, explores the possibility of such an event through a comprehensive fictional oral history, much like Max Brooks’ observation of a zombie apocalypse in World War Z.

The body of a young woman in an Arizona morgue awakens and disappears into the night. This mysterious event will start a chain reaction around the world that no one could predict. The CDC investigator consulting on the case soon discovers that the woman was suffering from a mysterious disease with several incredible symptoms. Subjects are stronger, faster, suffer a violent reaction to sunlight, have unnaturally long lives and are utterly enthralling to humans. More importantly, they must consume blood to survive and can pass the disease on by biting another human. As attempts to quarantine the disease fail and additional bodies start disappearing, the world quickly realises that vampires are real and here to stay.

As more and more people are infected, many of those who have been turned begin to reintegrate back into society. These new creatures call themselves ‘gloamings’, finding the term ‘vampires’ to be derogatory. Soon, many of the rich and famous are flocking to the gloamings, hoping to join their ranks and be re-created. With their natural talents enhanced, the gloamings start accumulating significant wealth, power and influence as they infiltrate all levels of human society while attracting followers to their side. Gloamings infiltrate the government, powerful companies and the Catholic Church. One gloaming even begins a run for high political office.

However, not everyone is enamoured by the gloamings. A faction of the church is determined to stop the vampire incursion and has formed its own militia to fight gloamings throughout the world. Following a series of high profile cases, the FBI starts a taskforce focusing on crimes by gloamings. The original CDC investigator continues her research into the virus despite intense political and social pressure to stop. In New Mexico, a skilled political motivator soon discovers a terrible secret about his employers. This is the start of the vampire uprising; the world will never be the same.

Written in the format of a history book, A People’s History of the Vampire Uprising is an epistolary novel that uses a series of fictional documents and testimonials to tell the story. Villareal presents a large portion of the story within chapters representing testimonials from certain characters specifically taken for a history book. Other chapters are written in the format of important documents from the fictional world and are made to represent interrogation notes, congressional transcripts, government reports and articles in scientific and legal journals. In addition to these longer chapters, Villareal has also included numerous shorter entries that are presented as news stories, public interest articles, transcripts pulled from popular media sites, emails and the comments section of a message board. As a result of all these different formats and documents types, A People’s History of the Vampire Uprising has the uncanny feel of an actual history book, which is further reinforced by the inclusion of footnotes in most of the longer chapters, and three short appendices slipped into the back on the book. This is a marvellous way to structure the book and it speaks to Villareal’s skill that he was able to tell such a captivating narrative using this style of writing.

By employing fictional testimonies and documents originating from a number of different characters, Villareal is able to tell an extremely wide-reaching story about the introduction of vampires. Most of the longer chapters are written in the style of testimonies from characters in the United States, while many of the shorter articles show a wide view of the rest of the world. This allows Villareal to focus his main story in one specific country and focus his analysis on how the United States would react to such an event. At the same time Villareal is also able to illustrate a much wider story showing how the vampire uprising would affect the entire world. Exceptions to this are the chapters featuring the gloamings causing a religious and ideological schism within the church. These chapters focus the plot on characters throughout Europe and represent some of the more fascinating fictional postulations within A People’s History of the Vampire Uprising.

While the book contains numerous narrators, authors and interviewees telling their specific stories, Villareal is still able to produce a clear overall narrative about the introduction of vampires to the world. While Villareal initially has the individual narrators tell their own stories, eventually the characters meet and interact, allowing the multiple storylines to combine into one overarching plot. The smaller articles and extra details within some of the longer features also allow the reader to have an amusing examination about how some social groups and individuals may react to the introduction of vampires, including celebrities such as Taylor Swift. The end result is very well-done, overarching narrative that takes the multiple storylines within and turns it into an exciting and comprehensive overall plot.

While this is a piece of fiction, it also serves as an examination and critique of modern society. Villareal postulates that if vampires ever did appear society would be split between distrusting such creatures and worshiping them, while the rich, famous and powerful would all try to join them, turning the gloamings into the ultimate elitist clique. Villareal examines extremely plausible ways in which the gloamings could influence humans and attempt to win them to their side, with one chapter in particular describing how a vampire might win an election. The result is a perceptive and astute examination of current human nature that will leave readers spinning.

A People’s History of the Vampire Uprising is one of the most impressive books of the year. Raymond Villareal produces an insanely compelling story while using a unique and clever format that clearly highlights his skill and imagination. In addition to being incredibly entertaining, A People’s History of the Vampire Uprising is also an insightful piece of social commentary that will greatly amuse readers. This is a truly magnificent piece of fiction and an outstanding debut from Villareal.

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The Defiant Heir by Melissa Caruso

On May 30, 2018July 5, 2023 By The Unseen LibraryIn Fantasy, Five-Star Books, LGBT+16 Comments

Publisher: Orbit

Australian Publication Date – 24 April 2018

World Publication Date – 19 April 2018

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Melissa Caruso follows up her extraordinary debut with another unmissable magical adventure.

On the continent of Eruvia lies the Serene Empire of Raverra. Ruled by the Doge and the Council of Nine, the Empire’s power comes from its mages, the legendary Falcon Army. When a mage comes to power in the lands of Raverra, they are conscripted as a Falcon and bound to a Falconer, a non-mage who can choose to unleash or bind their Falcon’s power with a word.

However, the Serene Empire is not the only great power on Eruvia. To the north lies the mysterious nation of Vaskandar, controlled by a dangerous group of mages known as the Witch Lords. Each Witch Lord is a powerful vivomancer whose magic grants them control over all living beings, such as animals, plants and even humans. After years of peace, several of the Witch Lords desire additional territory and are preparing for war against the Serene Empire. Large forces of soldiers and the Vaskandar’s dreaded chimeras amass on the border while covert attacks are undertaken against the Serene Empire’s most powerful Falcons. But before the Vaskandar can formally declare war, all seventeen Witch Lords must meet in a conclave to agree to a course of action.

Lady Amalia Cornaro is heir to one of the oldest and most powerful families in all of the Serene Empire. Formerly a sheltered academic, her life dramatically changed when she was accidently bonded to the rebellious teenage runway Zaira, a rare and destructive fire warlock and the most powerful mage in the Empire. Despite a turbulent and resentful start to their relationship, Amalia and Zaira have come to a mutual understanding following their adventures in the city of Ardence.

As the tension between the two nations increases, Amalia and Zaira are sent as a military deterrent to the border province of Callamourne, ruled by Amalia’s grandmother. Despite their presence, it quickly becomes apparent that forces are conspiring to bring the war to pass, especially with spies and assassins targeting Amalia and Zaira directly. Determined to maintain the peace, Amalia knows that the only way to prevent the war is to infiltrate Vaskandar and attend the conclave on behalf of the Serene Empire.

Entering Vaskandar is a dangerous proposition. Each Witch Lord has their own territory which they rule absolutely thanks to a mysterious bond to the land that allows them to control all living creatures within their boundaries. In addition, Amalia already has powerful enemies among the Witch Lords. The deadly Lady of Thorns holds a grudge against her entire family, and Amalia and Zaiara have experience with the machinations of the Skinwitch Ruven, whose plot could cause great destruction.

Their only hope to influence the conclave may come from the mysterious Crow Lord, who has taken an interest in Amalia. However, the Crow Lord is playing his own game, and Amalia and Zaira are the perfect pawns.

Melissa Caruso is a relatively new fantasy author whose first book in the Swords and Fire series, The Tethered Mage, was released in late 2017. The Defiant Heir is a direct sequel to this, and is set a few months after.

The Tethered Mage was one of the surprising hits of last year. What started out as an intriguing sounding fantasy novel turned into one of the most exciting and memorable debuts of 2017 and proved near impossible to put down. Caruso maintains this trend of excellent writing in The Defiant Heir, which continues to the provide the same great characters, fantasy adventure, worldbuilding and amazing story writing that made her first book such an irresistible read.

Caruso has chosen to expand her fantasy world in The Defiant Heir by detailing the nation of Vaskandar and focusing on its rulers, the Witch Lords. While Vaskandar was mentioned and one of nation’s vivomancers, Prince Ruven, was a secondary antagonist, this area of her world wasn’t really explored in the first book. For this book, Vaskandar is a major location and the protagonists spend a large portion of the story within its boundaries. As a result, Caruso has produced a significant amount of fascinating lore about this country, especially when it comes to the Witch Lords. The focus on the Witch Lords is particularly interesting as Caruso has developed complex backstories, powers, plots and motivations for many of them, which adds immensely to the story. In addition, despite the fact that they all study the same branch of the magic, each of the Witch Lords has their own speciality and their appearance and abilities are different as a result. This is especially noticeable during the numerous magical duels that occur throughout the book, where these differences allow for a wider variety of magical action. It is also quite fun when the various Witch Lords use their powers to show off with memorable entrances and appearances during the opening scenes of the conclave.

Readers should also keep an eye out for Caruso’s focus on character development within The Defiant Heir for the two main characters. Amalia’s growth is the most significant, as circumstances force her to become a more savvy and decisive political player, very much like her mother. As a result, she is forced to make a number of tough decisions and struggles to maintain her morality in a harsh world where her options are becoming more and more limited. There is also the growing realisation that her position may not allow her to have the personal life she wants, and this greatly affects her relationship with the dashing Captain Marcello, the main love interest of the first book. This is a well done bit of character development that will draw the reader in emotionally, especially when it comes to Amalia’s most significant decision in the book.

Zaira’s development is more subtle, as she is not the book’s narrator, and is mostly a continuation of the transformation from inverted loner to team player that started in The Tethered Mage. However, it is more realistic to see that this growth is a slow process, and her stubbornness is not automatically fixed in the span of one book. The same could be said about the satisfying but gradual development in the relationship between the main characters.

Melissa Caruso once again shows why she is one of the brightest new stars in the fantasy fiction. The Defiant Heir is an outstanding continuation of her first series that introduces significant and exiting lore to her already intriguing universe while providing significant development to her main characters. If you haven’t already discovered the magic of Caruso’s Swords and Fire series, you are in for a serious treat.

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Pandora’s Boy by Lindsey Davis

On May 30, 2018November 22, 2023 By The Unseen LibraryIn Five-Star Books, Historical Fiction, Murder Mystery23 Comments

Publisher: Hodder & Stoughton

Publication Date – 5 April 2018

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Ancient Rome’s premier female detective returns in the latest Flavia Albia mystery from veteran historical crime author Lindsey Davis.

Rome, 89 AD. Flavia Albia, the daughter of the legendary investigator Falco, is now a proficient private investigator and informant in her own right. When the ex-wife of her husband, Tiberius, brings a case of family drama to her, Flavia is tempted to refuse, but when Tiberius disappears she needs a distraction.

The case revolves around a teenaged girl found dead in the prosperous Quirinal Hill district of Rome. The girl, Clodia, was the apparent victim of a poisoned love potion, and her parents and grandparents are blaming each other for her death. What begins as a simple investigation quickly becomes complicated when the witch accused of supplying the potion turns out to be the sister of the city’s biggest crime boss. No-one is talking, and everyone in the Quirinal Hill has a secret.

Flavia is forced to seek the truth from a variety of people, including warring grannies, concerned parents, criminal lawyers, secretive slaves, a lettuce salesman with an interesting religious statue and, worst of all, the overprivileged offspring of Rome’s elite. However, as Flavia’s investigation continues and a friend of hers dies, it soon becomes apparent that a vicious gang war is imminent. Can Flavia solve the crime without getting caught in the crossfire, especially when she has a terrible history with one of the gangs?

Pandora’s Boy is the sixth book in the Flavia Albia series, which acts as a direct sequel series to Davis’ Marcus Didius Falco series. Davis is one of the most prolific authors of historical whodunits and has a particular focus on novels set in ancient Rome. For example, her Marcus Didius Falco series contains 20 books, and she has produced some stand-alone books set in the same period.

Like the previous books in the Flavia Albia series, Pandora’s Boy takes a contemporary look at Roman culture and lifestyles. The inhabitants of Davis’ books act in a very modern way despite their ancient surroundings, and this results in a very humorous interpretation of the ancient Roman characters. Davis also uses this book to parody a specific group in modern society: the millennials. Throughout the story, Flavia is forced to follow, interview and generally endure the victim’s friends, who are the offspring of the city’s rich and powerful. These friends are exceedingly selfish, have sordid love lives and get into all sorts of mischief. In other words, they act in a very similar way to how modern day millennials are often perceived and portrayed. Their appearance is quite jarring in the ancient Roman setting and leads to a lot of the books humour. In all, it is a fun, quirky addition, and an amusing examination of modern society through very ancient eyes.

The core of the book is the death of a young woman and its investigation by the main character. This is a well-done mystery that takes many twists and turns to keep the attention of the reader. Flavia’s investigation is done through interviews, trickery, observations and undercover work, and, like many other parts of the book, is infused with Davis’ trademark humour. The investigation is wrapped up in a final scene that is a throwback to classic murder mystery dénouements. All the interested parties are gathered together in one place and the investigator reveals their conclusions, eventually leading to their solution to the crime. Davis provides a perfect parody of this, infused with her own unique touch. As a result, there are several jokes about this well-used literary device, including discussions around the necessary prep work and tricks to keep the gathered parties’ concentration of the speaker that will greatly amuse many murder mystery buffs.

One of the more diverting and memorable aspects of the Flavia Albia series is Davis’ tendency to include big action sequences that devolve into near absurdity and provide some of the best laughs in the entire book. For example, in Davis’ previous book, The Third Nero, the climactic scene was a battle in the heart of Rome that featured, among other things, a war elephant, Parthian cataphracts and one of the most improbable chase sequences in all of fiction. While nothing will quite top this, Davis has striven to include one such scene in Pandora’s Boy, featuring an interrupted séance, an all-out brawl between legionnaires and Vigiles at a collapsing temple, all of which serves as a backdrop to a fight between two warring grannies. This is an extremely entertaining scene and definitely a highlight to watch out for.

Another notable feature of the books in the Falco universe is the deeper examination of the Roman criminal justice system. The investigators in these books often deal with the Vigiles and the Aediles, the ancient Roman equivalent of the police and magistrates, many of whom turn into key characters. This is a unique feature, as most Roman historical fiction books neglect to focus on these institutions, only mentioning them if in the context of political gain. Pandora’s Boy includes a detailed look at the Vigiles who patrol the Quirinal Hill district and their investigation into the death and other serious crimes. Loaded up with a suitable modern twist, the inclusion of these characters is an intriguing addition that highlights an often-neglected side of ancient Roman life.

Pandora’s Boy is a wonderful addition to one of the best ancient crime series currently on the market. Davis once again creates a fantastic murder mystery and infuses it with outrageous humour and a modernistic take on ancient Roman life. This is an exceedingly fun and deeply absorbing novel that will appeal to a very wide audience of readers.

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King of Ashes by Raymond E. Feist

On May 30, 2018August 29, 2023 By The Unseen LibraryIn Fantasy, Five-Star Books21 Comments

Publisher: Harper Voyager

Australian Publication Date – 5 April 2018

World Publication Date – 8 May 2018

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For over 30 years, one of the most reliable cornerstones of fantasy fiction has been the books of Raymond E. Feist. Starting with the 1982 fantasy classic, Magician, Feist has produced 30 books, all set in the worlds of Midkemia and Kelewan, as part of his long running Riftwar Cycle. King of Ashes is the first book Feist has written since he ended the Riftwar Cycle in 2013. It is also the start of The Firemane Saga, a new series which is set in a completely different universe to the Riftwar Cycle and introduces the reader to an exciting new story.

The continent of Garn was once home to five kingdoms, the greatest of which was the Kingdom of Ithrace. Ruled by the red-haired Firemanes, Ithrace was known for its culture and creativity. However, following a great betrayal, Ithrace was destroyed and its king executed. In order to avoid any retribution, the power-hungry King of Sandura ordered the deaths of every member of the Ithrace royal family, and not even their legendary affinity for fire could save them.

Now, 17 years later, war is returning to Garn. Ancient pacts of peace are failing, and the four kingdoms are out of balance. As the kingdoms and the independent baronies prepare for a new conflict, rumours of a hidden heir to Ithrace’s throne begin to surface.

In the previously peaceful Covenant Lands, Declan, a young and talented blacksmith, is forced to flee slavers raiding his village. Carrying the rare knowledge of crafting the legendary jewel-steel, Declan flees to the Barony of Marquensas, where he hopes to create a new life for himself.

Meanwhile, in the feared and hidden island nation of Coaltachin, three youths, Donte, Hava and Hatu, are being trained in the way of the Quelli Nascosti assassins, learning how to spy, steal and kill. All three of the young agents are eager to explore the world outside of their island home, but they quickly find themselves under attack. The mysterious group of assailants seem to have been trained in a similar way to the assassins of Coaltachin. Whoever these attackers are, they are unafraid of the young assassins and have a particular interest in capturing Hatu, an orphan with red hair and a fiery temper. As events transpire, these young people find themselves in the heart of events that will transform Garn forever.

Feist delivers a fantastic and absorbing read that once again illustrates why he is one of the preeminent writers of fantasy fiction in the world today. His latest book is a classic fantasy tale set within another unique and memorable universe and is one of the most thrilling and addictive releases so far this year.

King of Ashes is the first book in a brand new trilogy that has definite potential to expand out into another long-running series. As a result, Feist presented this book as a set up for the rest of the series, rather than a stand-alone book. Substantial time was spent establishing the characters, world and overall story, and introducing elements to be further explored in future instalments of the series. While some questions are answered towards the end of the book, a number of mysteries still remain. King of Ashes proved very hard to put down—an impressive feat, considering it was 545 pages long in the hardcover edition.

Feist has done a lot of work building up this new fantasy location, producing some amazing settings and locations. The characters venture to large cities, small towns, fortified keeps, grasslands, forests and various islands. There are also several scenes set on the ocean, which allow for some intricate sequences involving ships and naval combat. It also appears that, despite how far many of the characters travel, they have only just brushed the surface of the continent mapped out in the front of the book. This area of land appears to be less than half of the entire continent of Garn, which indicates wider adventures in future books. There were also some brief mentions of other continents existing on this new world, which may be a possible indication of plans to expand this series past its initial trilogy.

While Feist introduces a number of new kingdoms and peoples throughout his story, many readers will really enjoy his inclusion of the Quelli Nascosti assassins on the island nation of Coaltachin. In the story, the nation of Coaltachin, also known as the Invisible Nation, is ruled by the Quelli Nascosti assassins, who work throughout the continent as assassins, spies and informants. Feist spends a significant amount of time focusing on this group of assassins, displaying various aspects of their society, operations, influence throughout Garn and varied training techniques. As a result, they are the most fleshed-out group of characters within King of Ashes and are a definite highlight of the book. Readers will really enjoy the significant focus Feist puts on this group, as this results in a number of high-intensity scenes with covert activities and exciting action.

Feist tells most of the story through three prominent characters, Declan, Hava and Hatu. All three of these characters have fascinating and unique accounts to follow, although all of them could be considered to be coming-of-age stories. Hava and Hatu are both members of the Quelli Nascosti, and it is through their eyes that we see most of the secretive nation and their actions. Hatu is involved in action throughout the continent, encountering mysterious foes and discovering his hidden destiny, while Hava’s story focuses on more specialised training and a secret side mission. Declan’s story is a classic fantasy story of a young man trying to find his way in life while overcoming destructive elements. There are some more classic fight scenes in this storyline, and some very detailed descriptions of blacksmithing. Each of these storylines is extremely enjoyable to read and provides different insights into this exhilarating new fantasy universe.

King of Ashes is the latest book from fantasy legend Raymond E. Feist and represents an outstanding start to a fantastic new series. Featuring multiple coming-of-age stories, this is a pure fantasy tale set within an intriguing and detailed new universe. This is mandatory reading for fans of Feist’s previous work and comes highly recommended for all fans of the fantasy genre. I cannot wait for the next book in this series.

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The Seven Deaths of Evelyn Hardcastle by Stuart Turton

On May 30, 2018August 23, 2022 By The Unseen LibraryIn Five-Star Books, Murder Mystery, Science Fiction10 Comments

Publisher: Raven Books

Publication Date – 8 February 2018

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A classic and complex murder mystery in an English manor combines with ingenious elements from fantastic genres to create one of the best new releases of 2018. Reading like the outrageous combination of Groundhog Day, Inception, Downton Abby and Sherlock Holmes written by Agatha Christie, The Seven Deaths of Eveyln Hardcastle is the triumph debut from outstanding new author Stuart Turton.

In a turn-of-the-century country manor, Blackheath, a group of distinguished family guests have gathered for the first time since a terrible incident many years ago. Before the end of the weekend’s masquerade, a terrible crime will be committed. A young woman will be killed, and no one will realise that her death was the result of murder.

Inserted into the middle of all this chaos is Aiden Charles, who awakens with no memory of who he really is. Aiden thinks at first that he is a cowardly doctor with amnesia until a man wearing a plague mask reveals that nothing is as it seems. Aiden is an outsider, inhabiting and controlling the body of the doctor through unknown means. The plague doctor reveals that Aiden has been trapped within the manor and is being forced to repeatedly relive the same day again and again, awakening each morning in a different host and living the entire day in their body.

There is only one way Aiden can earn his freedom: solve the murder of Evelyn Hardcastle, the estranged daughter of the manor’s owners. If Aiden can solve the murder by the end of his eighth day, he will be able to leave. If he fails to solve the murder his memory will be erased and the cycle will start again.

Using the abilities and connections of his eight very different hosts, Aiden must navigate the halls of Blackheath and the various guests who have arrived for the party. However, Blackheath has a dark history of murder and betrayal that still casts a shadow to this day. Every one of its inhabitants has a secret, and many of the guests would willingly kill to protect theirs.

Aiden is also forced to overcome several unnatural problems associated with his circumstances. While the bodies he inhabits all hold the means to solving the crime, he is forced to balance the varied personalities of his hosts, each of which causes him to act or think in a very different way. The longer he remains trapped in Blackheath, the more powerful the personalities are.

It also soon becomes apparent that Aiden is not as alone as he thought. Two other people like him have also been trapped in Blackheath, but only one of them can solve the murder and earn their freedom. One of his competitors appears to be trying to help him, but Aiden may not be able to trust the mysterious Anna, even though her name is the only thing from his past life that he can remember. The third competitor has taken on the persona of a murderous footman and has no qualms about killing all of Aiden’s hosts to remove him from the competition. Can Aiden solve an unsolvable crime before all his hosts are killed, or will he be trapped forever within Blackheath?

The Seven Deaths of Evelyn Hardcastle is a fantastic read that features a unique and imaginative combination of genres. The basis of the story is a complicated murder mystery placed within the setting of a British manor house. However, there is a certain and mysterious fantastic element that makes the narrator relive the day over and over again within a new host. The murder mystery, the manor house setting and the time travelling body swapping, combine together perfectly into a tremendously addictive narrative.

At the heart of the story is an intense and compelling mystery that quickly becomes the main draw for the reader. Solving the murder of Evelyn Hardcastle requires the protagonist to discover and expose every single secret and lie within the manor. The sheer amount of details and enigmas that Turton has included with the book are so immense that it takes nearly eight different perspectives of the same sequence of events to get them all together. Even then, the reader will be amazed by every single twist and turn that it takes to get to the final reveals. The time travel and body switching elements of the plot cleverly tie in and enhance the book’s mystery elements. These elements allow the reader to see multiple versions of the same event, provide a wide variety of different perspectives on the clues, and pull together different testimonies from the same characters as they are questioned by the various hosts.

In addition to enhancing the murder mystery elements, the time travel and body switching aspects of the novel also help to increase the pacing and suspense throughout the book. The transition between the main character’s various hosts is not as linear as it first appears. Not only does the narrator switch to his next host once a day is over, he can also switch back to a previous host when he one of his hosts is knocked out, falls asleep or is killed. This allows the reader to flip through these hosts when a lot of action is occurring, especially when the narrator’s various hosts are targeted in quick succession. Additional suspense is also introduced due to many of the incidents within the story being out of sync with the narrator. Various events have been put into place by either future hosts of the narrator or by characters from different points of the book’s timeline. As a result, the reader has no idea why some events are happening, especially at the start of the book, and it is cool when the various causes of these events are revealed throughout the later parts of the book.

An appealing part of The Seven Deaths of Evelyn Hardcastle is the eight unique hosts for the main character to possess. Each of these hosts has their own strengths and weaknesses, and it is intriguing watching the main character try and work out what they are. They also have their own distinctive personalities that affect the main character in different and subtle ways. The hosts also have their own way of dealing with people or situations, and this affects how the main character reacts and goes about his investigation. It is intriguing to see how he changes from host to host. In addition, there is no certainty about who the main character’s future hosts are going to be. While there are hints, the reader doesn’t know until the narrator wakes up in the body, so the reader can’t help but examine the other characters with whom the narrator interacts in case they are a future host. There are also some interesting scenes in which the narrator attempts to find and interact with a future version of himself. Turton’s use of multiple hosts for his narrator is an important and distinctive part of this book that cleverly adds additional mystery to the narrative while also providing suspense and a changing array of personalities and challenges for the protagonist.

Representing a masterful combination of crime fiction and otherworldly attributes, The Seven Deaths of Evelyn Hardcastle is pure enthrallment that is guaranteed to transfix all eyes to its pages. As one of the best releases of 2018, I cannot recommend this book enough.