Skyward, Volume 1: My Low G Life by Joe Henderson and Lee Garbett

On October 9, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Science FictionLeave a comment

Publisher: Image Comics

Publication Date – 25 September 2018

Those looking for the next amazing comic book adventure they can get addicted to should look no further than Skyward, one of 2018’s breakout hits, which takes away a fundamental force and replaces it with a sensational story.

One day, around the planet, gravity all but disappeared, and the one thing that was previously holding everything to Earth’s surface all of a sudden became a fraction of what it previously was. In the resultant chaos, huge swathes of the population simply floated away into the atmosphere. Those that remained were forced to adjust to a new world with different rules.

Twenty years later, humanity has adapted to its new low-gravity reality. For some, such as Willa Fowler, it’s the only way of life they have ever known, and Willa excels at navigating the skies above Chicago. Living with her father, Nathan, a brilliant scientist traumatised by the events that sent his wife tumbling into the skies, Willa scrapes a living as a high-speed delivery girl with a number of risky and dangerous tricks up her sleeve. But when her father reveals he has a way to bring gravity back, Willa doesn’t believe him and instead plans a meeting with Roger Barrow, her father’s rich former research partner, who has created much of the technology that allows the world to survive its new situation. Descending to ‘The Streets’ of Chicago, the lowest level, inhabited by its richest citizens, Willa quickly discovers that Barrow is not the saviour she thought he would be. Instead he is determined to keep gravity from returning, and will go to extreme lengths to stop Willa and her father.

This is one of the first comic book works from Henderson, whose main claim to fame is as showrunner for the Lucifer television show. The artist, Garbett, is probably best known for his work on the comic Loki: Agent of Asgard. Together, this new team has created an incredible new comic book series that has already been picked up by Sony for a potential feature film, and it will be intriguing to see how this challenging and creative series will be adapted to the screen. This first volume contains issues #1-5 of this new series.

Skyward contains an excellent story that examines life in a different and catastrophically affected version of Earth while also presenting an action-packed adventure with a wild protagonist. The central idea of this series, the removal of gravity, is a crazy concept that allows for an exceptional overall package that combines great storytelling with incredible and unique artwork. Throughout this first volume, there is a great combination of humour, action, character development and powerful emotional moments, all set within a fascinating new world shown in great artistic detail.

It was quite intriguing to see the various ways in which a lack of gravity could affect the world that we live in. Henderson and Garbett have come up with a range of different ways for the characters in this book to navigate around the skyline, and it is interesting to see the range of tools that are shown in the artwork. The creative team has done an amazing job highlighting the various ways that the lack of gravity has affected the world, from food production to water gathering to human mobility. One of the more intriguing aspects of the new world is the way in which guns have become obsolete due to the recoil pushing shooters back through the air, making it an ineffective weapon and more dangerous to the user than the target. That said, the protagonist, Willa, has some more extreme and effective uses for the gun she carries around with her. Perhaps the most intriguing idea presented in Skyward is the location known as The Streets, the lowest street level of Chicago, where the city’s richest inhabitants live in a state of denial at the changes that have happened and are trying to live like there is still gravity. This includes wearing grav-boots to keep them stuck to the ground and forcing a man with no legs to sit in a wheelchair rather than floating in the air as he would prefer. There are also some crazy inventions, like a magnetised hem to keep a dress from rising up. These inhabitants of The Streets are absolutely terrified of the sky and have a very different lifestyle from the people living in Chicago’s skyline, who have embraced the new world. One funny scene involves Willa traumatising an obnoxious bouncer by wrecking his grav-boots and making him float up into the sky a little. Overall, this is a fun new world to set this great story in and has a lot of potential for future volumes of this series, where additional changes to day-to-day life are no doubt going to be revealed.

The artwork in Skyward is just gorgeous and is definitely a key highlight of this incredible book. The creative team have done an outstanding job showing off the low-gravity concept in art form, creating some fantastic scenes and drawings. Most of the characters are shown floating around and navigating the air, which creates some amazing panoramas of the city from high above for the reader to enjoy. All the characters, even those rich individuals trying to ignore the lack of gravity, are shown with their hair floating up in the sky, and multiple scenes have various liquids floating in the air around the characters attempting to have drinks. It also means that fight scenes are constantly surrounded by droplets of blood that float around the characters and add a whole new sense of realism and brutality to the story. The artistic highlight of this book has to be the incredible and exceptional drawings of the storm in low gravity that becomes such a massive part of the background in the later part of the volume. Due to the effects of the low gravity, the storm manifests itself as a gigantic ball of water in the sky, surrounding several high-rise buildings. The first drawing of this is amazing, and the following scenes which show the main characters navigating around this bubble and creating massive pockets of air are just fantastic, and represent some exceptional comic book art. I was also suitably terrified by several of the drawings in this volume, from the opening scenes which show multiple people being lifted away by the low gravity, to the horrifying shot of the planet Earth and its new artificial ring, made up of planes, cars, ships, other debris and of course multiple dead animals and humans that have not decayed in their 20 years in orbit. Lee Garbett and the creative team have outdone themselves in Skyward and I cannot speak highly enough of the artwork in this book.

The main character, Willa, is an excellent protagonist for this series. As a character who has never known what it’s like to live in a world with gravity, Willa’s antics through the air are pretty crazy and she does some amazing and unpredictable things throughout the book. Whether it’s using a gun to gain rapid altitude and to come down again, or blowing out a window underwater in a low-gravity storm of water after creating an air pocket with her oxygen tank. The constant incredulity of the other characters as she does these things is very amusing and makes it quite clear that these actions are not the social norm in the new world. My favourite quote of the books is when the antagonist, realising that Willa is about to blow open a window with her gun says ‘She wouldn’t…’ while Willa’s friend who is being held hostage responds with ‘Oh, she would.’ I must again return to the artwork of Skyward when it comes to showing off this main character. The artists do a fantastic job highlighting the joy on Willa’s face as she flies around in the upper city; she looks like she was born to float. I also loved the drawings that show off her crazy antics, from the early sequence which shows her using a gun to blast off away from people attacking her, to that fantastic scene where she blows open the underwater window. The drawings themselves are incredible and really show off the action, while the looks of shock and amazement on the faces of onlookers tell a whole new story. Henderson and Garbett have created a perfect main character and protagonist in Willa, and I can’t wait to see what she gets up to in future volumes of this series.

Skyward is an incredible new series from the fantastic team of Henderson and Garbett. I really enjoyed the central concept of a lack of gravity, as it allowed the creative team to present a bold and exceptional new setting for this exciting and powerful story. I really cannot hype up the artwork of this series enough, and I love the various ways that the artists show off what impacts these gravitational changes would have to everyday life on the planet. An outstanding five-star start to a series with incredible potential, this is the perfect read for current comic book readers and a great starting point for those trying to break into the medium.

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Salvation by Peter F. Hamilton

On September 27, 2018August 19, 2022 By The Unseen LibraryIn Five-Star Books, Science Fiction, Thriller7 Comments

Publisher: Macmillan

Publication Date – 4 September 2018

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From one of the modern masters of the space opera comes a rich and ambitious piece of science fiction that that examines an exciting potential future for Earth and the intriguing adventures that could come as a result.

In 2204 AD, humanity has advanced by leaps and bounds and spread out among the stars. Utilising advanced teleportation technology, next-gen computers and cutting-edge biotech, humanity has created a number of new and varied societies controlled by a handful of powerful corporations. However, everything is about to change. Out in the furthest reaches of human expansion, explorers have found a crashed alien craft. While this is not humanity’s first contact with an alien species, the sinister cargo found onboard the crashed ship reveals a dangerous alien agenda. Determined to ensure humanity’s survival, the Connexion Corporation assembles a task force to examine the craft and assess the potential threat that it could cause. Led by Feriton Kayne, the task force is made up of Kandara Martinez, Yuri Alster, Callum Hepburn, Alik Monday and their assistants. While on paper this group are the perfect people to investigate this potential threat, there is one significant problem: one member of the team is a hostile alien infiltrator. As the team gets closer to the alien ship, secrets from their past are revealed and the future of the human race hangs in the balance.

Hundreds of years later, Dellian and his team of genetically enhanced soldiers are born and raised on a planet, far away from Earth. An alien threat has forced humanity into hiding among the stars and pushed them to the edge of extinction. As the young soldiers grow up, they encounter lessons from the past and discuss the legendary Five Saints who first encountered the invaders.

This is an absolutely spectacular piece of science fiction from bestselling author Peter Hamilton, who has once again created an elaborate and captivating space opera. Hamilton has written a number of large-scale science fiction novels since his 1993 debut. He first gained prominence with the Greg Mandel trilogy, which followed the adventures of a psychic detective in a dystopian future. Hamilton followed this up with his first epic space opera series, The Night’s Dawn trilogy, which focused on souls of the dead coming back and possessing multiple human planets in the far future. He continued with additional space operas, such as the Commonwealth Saga, the Void Trilogy, The Chronicle of the Fallers and the standalone novel Fallen Dragon, as well as the children’s fantasy series, The Queen of Dreams. Salvation is the first book in Hamilton’s brand new trilogy, The Salvation Sequence, with the adventure continuing in the future releases, Salvation Lost and Saints of Salvation.

Salvation is an impressive and compelling read that combines a powerful and well-written story with a brand new, large-scale science fiction universe. This story is told from of variety of different time periods set throughout Earth’s future. The central story of this book is set in 2204 AD and features the exploration crew from the Connexion Corporation examining the crashed alien ship. This storyline is narrated from Feriton Kayne’s point of view and is the only first-person narration in the entire book, except for a short flashback chapter examining Feriton’s infiltration of a different alien spacecraft. Salvation also features five additional storylines that are set across various time periods. Four of these storylines are presented as tales from the other four main characters in the 2204 AD timeline, Kandara Martinez, Yuri Alster, Callum Hepburn and Alik Monday. Each of these flashback narratives is given its own significant chapter; for example the first of these flashback chapters lasts for 140 of the books 526 total pages. The fifth storyline is set far in the future, and features a different group of characters who are living in the aftermath of these past adventures and is told across several shorter chapters. The author makes spectacular use of these multiple time periods and combines them together into an excellent overarching narrative. A significant amount of detail and a huge number of supporting characters are packed into this book, which falls just short of overwhelming the reader but creates the feeling of a massive universe with quite a lot going on.

Each of Salvation’s separate plotlines offers the reader a drastically different story to enjoy, and presents them with several unique adventures in one novel. The storyline in 2204 AD is an intriguing first contact and exploration story that works incredibly well as the overall narrative that ties all the other storylines together. The first flashback storyline is set in 2092 AD and features the story of how Callum Hepburn and Yuri Alster gained their antagonism towards each other. It also shows the earlier days of Connexion and the darker side of their newly formed technology and world influence. This first story is told from the point of view of Callum, Yuri and Callum’s wife, Savi, and features a thrilling spy tale that also reveals the unique and extreme form of criminal punishment that resulted from the new technology. The second of these storylines is set in 2167 AD and focuses completely on Yuri as he searches for a missing person taken by the new and shadowy underworld that has taken shape amongst the stars. This is the first of the flashback storylines to hint that an alien species may have nefarious plans for humanity, and also features some cool examinations of the power and tactics that Yuri and Connexion use.

The third storyline is a complex murder mystery storyline set in 2172 AD that focuses on the secretive FBI agent Alik Monday and presents another fantastic mystery with some unique science fiction elements. The fourth storyline is set in 2194 AD and follows badass mercenary Kandara Martinez as she investigates corporate sabotage on the Utopial home planet. This is a high-action thriller storyline that also examines the Utopials, a human society seeking to create a cultural utopia, while also going into genetic surgery in a big way. The highlight of this storyline has to be the intense fight between Kandara and the mercenary Cancer, who had been a shadowy figure in some of the previous storylines. The final prequel story follows the 2204 AD timeline narrator, Feriton Kayne, in 2199 as he infiltrates the large spaceship belonging to the Olyix, an alien race that humanity came in contact with some years before. This is one of the shortest stories, but it contains the most detailed examination of the Olyix, who have appeared in several of the previous stories.

In addition to the stories set in and before 2204 AD there are also several chapters are set in the far future of humanity. This timeline starts in 583 AA (After Arrival) and features the remnants of humanity as they prepare to fight back against the alien menace that pushed them away from Earth. This is a rather intriguing storyline that examines children being turned into tight-knit teams of soldiers as they prepare for the war to come while also providing some hints about the events of the main storyline. Each of the above stories are fairly self-contained and do an amazing job of showing off the sheer complexity of Hamilton’s new universe, while at the same time providing a series of unique and captivating tales across time.

Each of the prequel timelines has a storyline that could be considered either a murder mystery or thriller. By themselves, each of these storylines is very well written and contains compelling mysteries and action packed sequences that are more than enough to keep the readers hooked to the book. However, the real highlight of these prequel timelines is the way in which the play into Salvation’s larger mystery that is explored within the 2204 AD storyline, namely the identity of the alien race attacking humanity and which of the members of the research team is an infiltrator. I really loved the way that these prequel stories hinted at the main mystery while also exploring the history of the main characters in an attempt to show their personality or a critical point in their lives. The final twists in the 2204 AD storyline are very surprising and serve as a fantastic payoff for Salvation’s overall narrative.

The author has also included a significant amount of science fiction elements throughout the book that are presented in considerable detail. It is fascinating to see Hamilton postulate how Earth may develop in the near future and the advanced technology that they would start to utilise. The multiple timelines also come into play for this element of the book as they allow the reader to see the progression of technology over the years. What is most interesting about this is that the main pieces of technology don’t change; instead the next generations of the same device are revealed throughout the book’s various stories before the technology eventually plateaus at its highest level. The science fiction elements also come into play in several intriguing ways. For example, they allow for some very creative mysteries, including a murder in a house containing teleportation gates that result in the victims being spread across multiple locations, including New York, the Moon, Mars and the Antarctic, creating a murder investigation with several unique complications. The advent of space travel and other technology also allows the creation of some inventive new societies. From futuristic utopias to desolate prison it is absolutely fascinating to watch these societies come together. Overall the science fiction elements are a fantastic part of this book and add some intriguing elements to all of the book’s interconnected stories.

Peter Hamilton has produced another elaborate and powerful piece of science fiction space opera in Salvation. With a new and unique universe that contains some fantastic and detailed new elements and multiple timelines that are combined together into an outstanding novel, this is an absolutely amazing read. Epic science fiction at it’s very best, Salvation comes highly recommended and is a spectacular start to an exceptional new series.

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Hit-Girl, Volume 1: Colombia by Mark Millar and Ricardo Lopez Ortiz

On September 26, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Superhero2 Comments

Publisher: Image Comics

Publication Date – 26 June 2018

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The baddest little vigilante in America goes international in this outrageous new series from comic book legend Mark Millar.

Hit-Girl is the moniker of Mindy McCready, a pre-teen vigilante killer who is the Kick-Ass universe’s most effective and terrifying hero. Introduced early on in the first volume of the Kick-Ass comic, Mindy was a 10-year-old girl who had been indoctrinated by her father, Big Daddy, into becoming an expert killer and crime fighter. Despite an attempt to live a normal life after the death of her father, Mindy has reverted to her vigilante ways with her trademark extreme violence and sassy attitude.

Following the events of the Kick-Ass 3 comic, Hit-Girl has decided to take her vigilante gig international and bring her version of justice to criminals around the world. However, with her partner, Dave Lizewski, the original Kick-Ass, retired, and his replacement (a young man Hit-Girl randomly recruited off the street) deciding to quit in the face of armed criminals, Hit-Girl is all on her own. With a request for help in Colombia looking too big to handle by herself, Hit Girl decides to recruit a partner as deadly and deranged as herself.

Enter Fabio ‘Mano’ Mendoza, the most ruthless and dangerous hitman in Palmira, Colombia. Freeing him from imprisonment, Hit-Girl ‘convinces’ Mano to help her with her mission, utilising an explosive device to keep him in line. Armed with an array of advanced and insanely destructive weapons, Mano helps Hit-Girl turn all of the city’s gangsters into corpses. But what will happen when Hit-Girl forces Mano to target his own gang?

Hit-Girl was created by author Mark Millar, one of the most impressive and recognisable names in modern comics. Millar has worked with a number of different publishers throughout his career, including DC, where left his mark on titles including Swamp Thing, Superman and The Flash, and Marvel, where he wrote the iconic Civil War series and had significant input in Marvel’s Ultimate Universe, which serves as the inspiration for many recent comic book movies. Millar has also created a number of the best alternate universe stories these two major comic book publishers have ever produced, from the inventive Superman: Red Son to the incredible Old Man Logan, which served as the basis for 2017’s best comic book movie, Logan. Millar has also created a range of independent series, many of which are quite dark and brutal, such as Kingsman: The Secret Service, Jupiter’s Legacy, Superior and Wanted. However, one of Millar’s most iconic works is his independent series, Kick-Ass, which was adapted into a fantastic movie in 2010 that helped dramatically increase the author’s general profile. Kick-Ass ran for three volumes, and the final issue revealed that Kickass and the above independent series all exist in a shared universe, known as the Millarverse. Readers may recognise several of the above comics from recent movies, with Kingsman and Wanted both having been adapted into big screen movies. In addition to this current Hit-Girl series, Millar is currently working with Netflix to create a number of intriguing new comics, such as The Magic Order, and a range of movies and television series.

A large amount of the success of Kick-Ass can be attributed to the character of Hit-Girl, a sensational addition to both the comics and the subsequent movie adaption. Hit-Girl is easily the most popular character in the series due to the sheer craziness of having a 10-year-old girl tearing through groups of dangerous criminals while swearing her head off. This cool character continued in the movie, where Chloë Grace Moretz brought Hit-Girl to life in all her foul-mouthed, murderous glory, albeit with an altered costume. Hit-Girl appeared in all three volumes of Kick-Ass, and has already been the star of her own Hit-Girl miniseries comic, much of which was adapted into the Kick-Ass 2 movie. This current series of Hit-Girl represents the first work that has been done on the Kick-Ass storyline since 2014. The first volume of this new series is called Colombia and contains issues #1-4. The second volume of this series will continue Hit-Girl’s international murder spree as she heads to Canada, and will be released in late October.

This new Hit-Girl series contains pure insanity as the titular character goes on a rampage down in Colombia. There are some fantastic sequences throughout this book as artist Ricardo Ortiz draws a series of demented murders and deaths as Hit-Girl and Mano attack and kill hundreds of gang members in Palmira. These gang members suffer an insane amount of different gruesome deaths including being shredded by bullets, sliced by swords, shot with arrows, killed by a train, blown up into tiny pieces, vaporised by flesh-eating gas, and thrown off buildings. Ortiz’s artwork pulls no punches during these scenes, with the highlight having to be the microwave gun that cooks one gang member from the inside out. There are also a ton of great action sequences throughout this book, with the artist presenting some excellent battle artwork that really highlights the fast-paced and frenetic action portrayed within. Some of these scenes are so wonderfully over the top that it is hard not to laugh, such as the sequences where Hit-Girl and Mano are forced to overcome a zoo of coked-up animals standing between them and their target. This is some brilliant work from the artist and a real highlight of the volume.

While all the superfluous violence is outstanding, this first volume of Hit-Girl is far more than just about the killing of criminals. It is actually a complicated revenge plot, and Millar has created a fantastic overarching story for this entire volume. Watching the full extent of Hit-Girl’s plan unfold is so much fun, especially when you realise just how much she is playing all the other characters in the book. Hit-Girl revealing that her plan involves saving a kid who served as her patsy from joining a gang is pretty powerful, especially when the kid is left wondering about the origin of the ‘final message’ from his brother. By the end of these four issues, all the characters get what they deserve, leaving the reader extremely satisfied with the result, while Hit-Girl is left determining where to go for her next rampage against crime.

Hit-Girl is once again a fantastic main character for this book, and Millar and Ortiz’s portrayal of her is absolutely amazing. Placing murderous attitude and terrifying adult personality inside the body of a little girl is still spectacular to see, and it is quite jarring and very entertaining to see this little kid doing crazy stuff like jumping up and down in excitement while requesting that her associate perform a particularly gruesome murder. Ortiz presents some incredible changes in facial expression throughout the book that really show off the dual personality of the character. In some scenes, she looks quite innocent and childlike, while in others, she looks positively demonic, especially when she establishes control of a situation. While she is mostly portrayed as destructive, adult and emotionless, there are times when she comes across as more human and acting her age. She spends several scenes getting closer to Mano, and the two work out that they have some interesting similarities, including being manipulated by a controlling father figure for most of their lives. In hindsight, it is quite horrifying that she spent time getting close to Mano, considering the multiple ways she was playing him and her eventual intentions for him, but it is still great to see her team up with someone who has the same killer instinct, as well as a similar moral compass. I also love the scene at the end when Hit-Girl allows her ally, Camila to get a chance at revenge, but is not surprised when she does not take the shot, stating “you’re a good person”. Hit-Girl’s facial expression while she says that is perfect, as it helps portray the fact that our protagonist knows she is not a good person and never will be. Overall, this is some amazing character work and Hit-Girl is still an amazing protagonist.

Mark Millar is once again in top form as he brings in the first volume of his new Hit-Girl series. Featuring some outstanding artwork from Ricardo Ortiz, Hit-Girl Volume 1: Colombia contains an insane amount of graphic and entertaining violence and death, while also containing a fun and satisfying story with an awesome main character. I am already excited for the next volume of this new series, and I cannot wait to see what chaos Hit-Girl causes in Canada.

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After the Lights Go Out by Lili Wilkinson

On September 14, 2018March 7, 2023 By The Unseen LibraryIn Australian, Five-Star Books, Young Adult8 Comments

Publisher: Allen & Unwin

Publication Date – 1 August 2018

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From bestselling Australian author Lili Wilkinson comes After the Lights Go Out, an incredible and powerful young adult adventure set in the heart of the bush that asks the impossible question: should a person choose family or community in an emergency?

Seventeen-year-old Prudence Palmer is a young woman living outside the small Australian outback town of Jubilee with her father, Rick, and her younger twin sisters, Grace and Blyth. To the other inhabitants of the town, they are just another mining family, living close to Rick’s workplace. However, they are actually hiding a much deeper secret: they are doomsday preppers. Convinced that the world will soon suffer some form of imminent catastrophe, Rick has moved his daughters off the grid to Jubilee and has constructed a hidden bunker out the back of his property. Filled with a substantial amount of food, medicine, equipment, weapons and entertainment, the bunker has everything they need to survive the end of the world. The girls have also been trained to survive and are ready to react against a variety of scenarios.

While Rick is sure a world-changing disaster is just around the corner, Pru is less certain, and is happy to keep her family’s activities a secret. So it is a great shock to her when something actually happens and every electrical device, modern car and generator in Jubilee suddenly fails. With Rick gone, Pru and her sisters must suddenly implement their survival plan without their father’s guidance and make the hard decision to hide their bunker and supplies from their friends in the town. With food, water and medicine becoming scarce, and with no transportation, communications or other vital necessities, the town starts to fall apart. As the situation gets even worse, Pru and her sisters must decide between helping their friends or doing as they have been trained and survive alone.

Lili Wilkinson is an exciting Australian author who has produced 10 intense and dramatic young adult novels since her 2006 debut, Joan of Arc: The Story of Jehanne Darc. Her eleventh novel, After the Lights Go Out is an outstanding standalone book that could potentially replace Tomorrow, When the War Began as the go-to disaster story for Australian young adult audiences. This book contains a dramatic and moving main story that plunges the world into chaos and places the potential survival of a small town in the hands of one young woman.

At the heart of this book lies a tough moral dilemma for the narrator Pru when she must decide between helping her local community and guaranteeing her family’s survival. Pru’s father, Rick, a hardcore survivalist, has stocked the family bunker with enough supplies to keep Pru and her sisters alive for several years. He has also taught his daughters to never help anyone but themselves, and to keep all their supplies for the family. When a disaster strikes and Rick goes missing, it is up to Pru and her sisters to make the decision, and at first they choose to keep the bunker and supplies hidden from their friends in Jubilee. As the situation in the town gets worse, Pru’s guilt conflicts with her father’s training and instructions. This internal debate is intensified when she falls in love with newcomer Mateo and watches him and his mother doing everything they can to save the townsfolk, despite the fact they are not locals and have no significant connection to people living there. Watching Pru’s internal struggle and the external debate with her sisters is intense, and the reader is left wondering what they would do in a similar situation. How Pru’s eventual decision affects her family and her relationships with the people of Jubilee is very memorable, and hits all the right emotional notes in this excellent story.

After the Lights Go Out contains an intriguing examination of the doomsday prepper phenomenon that is currently occurring around the world. The main character’s father believes every single conspiracy theory that exists and is determined to prepare his daughters for anything. It is clear that Wilkinson has done some significant research into survivalists and their various techniques, and as a result her characters are prepared for every doomsday scenario and have a ton of supplies and a high-tech bunker at their disposal. There is a lot of discussion and exposition about the various survivalist conspiracies, plans to live in an altered world, the necessary techniques and the ideal supplies that every prepper should have. Despite most doomsday preppers being American, many of the techniques in this book have an Australian flavour to them, as the girls know the local fauna, flora and means of survival out in the harsh bush conditions. While every preparation the Palmer family has undertaken is fascinating to read about, I found the examination of the improvised medical techniques the characters use to be particularly outstanding. This includes including one memorable and somewhat graphic sequence where the narrator needs to perform some rudimentary dentistry. Overall, the use of the doomsday preppers’ planning and theories is an incredibly intriguing part of this story that provides the reader with some cool facts and the results of the author’s in-depth research.

Wilkinson has also populated the book with some excellent characters who really bring the story together. While the Palmer sisters are good central characters and Pru is a great narrator who has to make a huge range of tough decisions, the best character has to be the Palmer father, Rick. Rick is a crazed survivalist who is convinced that the world is about to end and whose paranoia has driven him to outback Australia. When one of his disaster scenarios actually comes true, he becomes even more erratic, and watching his fears overcome his love for his daughters is very tragic to behold. There is also Mateo, the young American tourist and liberal city-slicker who is essentially the opposite of Pru when it comes to life experiences. The relationship between him and Pru is nice. It evolves at a natural pace and offers the reader some different insights into the situation and the motivations of the Palmer sisters. Another effective character is Keller Reid, the older boy with an unhealthy obsession with Pru’s younger sisters. Keller is a particularly despicable character who serves as a very annoying minor antagonist who moves the plot around. Watching him through the narrator’s eyes, you cannot help but hate him and hope he gets some eventual comeuppance. The other townsfolk of Jubilee are a good mixture of characters, and it’s nice seeing them come together as a community rather than break down and kill each other as Rick believed they would.

Another part of this book that stood out to me was Wilkinson’s use of the powerful Australian landscape and the examination of small country towns. The author provides some vivid images of the distinctive Australian bush, and looks at the various features that make it an intriguing backdrop for a story about survivalists. The author also produces some exceptional portrayals of the close communities that exists in small town Australia and how they their isolation might be both a benefit and a detriment to their survival in a doomsday scenario. It is definitely a unique setting for a catastrophe novel such as After the Lights Go Out, and one which I felt really added to the beauty and intensity of the story.

I really enjoyed this book and thought it was an incredible piece of literature from Wilkinson. Because of its excellent story and the phenomenal look it takes at survivalists and their viewpoint of the world, I think this book is perfect for its intended young adult audience, which could prove to be very empowering and enjoyable read for them. Parents should aware that there are some adult moments and a couple of graphic scenes, but this excellent and informative story is worth the risk. After the Lights Go Out is a deep and powerful five-star book that provides its readers with an excellent examination of doomsday preppers. This is definitely one of the best young adult books I have read this year and I cannot recommend this outstanding Australian book enough.

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Runaways Volume 1: Find Your Way Home by Rainbow Rowell and Kris Anka

On September 13, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, LGBT+, Superhero, Young Adult1 Comment

Publisher: Marvel Comics

Publication Date – 8 May 2018

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From bestselling young adult fiction author Rainbow Rowell and exciting Marvel artist Kris Anka comes the revival we have all been waiting for, with the return of Runaways.

Years ago, six young friends found out a terrible truth: their parents were members of a supervillain group known as The Pride and were working towards the destruction of the planet. Uncovering their hidden powers and strengths, these friends, genius Alex Wilder, the sorceress Nico Minoru (Sister Grimm), alien Karolina Dean (Lucy in the Sky), mutant Molly Hayes (Princess Powerful/Bruiser), mad scientist offspring Chase Stein (Talkback) and proud dinosaur owner and daughter of two time travellers Gertrude Yorkes (Arsenic with her deinonychus, Old Lace), became the Runaways to escape their parents’ evil plans.

After the death of Alex and all of their parents, the surviving Runaways become family and even brought in new members, including the cyborg Victor, the Skrull Xavin and the time displaced mutant Klara. While the team’s plans to live in peace were often disrupted by their forced heroics, for a time they were happy. But even the best families have a hard time staying together in the Marvel Universe, and following the death of Gert, Xavin’s forced departure for the stars, the events of Murderworld and the elevation of several members to the Avengers, the Runaways have gone their separate ways.

However, one former Runaway has had a hard time letting go of the past. Stealing a time machine, the team’s wildcard member, Chase, has gone back in time to fix his biggest regret: the death of his girlfriend, Gertrude. But being brought back to life several years in the future is tough, and all Gertrude wants to do is reunite with her friends, even if they are now older than her. Chase is his old goofy self, but Nico and Carolina have moved on with their lives, , Victor is now just a head and Molly has moved in with her grandmother. Will the Runaways get together again, or have their subsequent adventures affected their relationships too much? And who is the evil scientist stalking them from afar?

Runaways was a ground breaking series originally released in 2003 that focused on a fresh new group of heroes with no previous connections to other characters in the Marvel Universe. Created by Brian K Vaughan of Y: The Last Man and Saga fame and artist Adrian Alphona, Runaways represents some of their most significant work with Marvel. Runaways was an exciting tale of teenage rebellion which was amplified by the superhero elements. Featuring some incredibly iconic characters, the initial series of Runaways featured a fantastic enclosed story about crime and heroics in Los Angeles with only minimal inclusions from the outside Marvel Universe. Featuring characters who acted in a contrary way to the other superheroes by actively avoiding fights, making fun of costumes and team names (they never actually referred to themselves as the Runaways) and only using superhero monikers ironically, this was a fun series with some clever new ideas.

Following this initial run, the story became a more traditional superhero series, focusing on the adventures of the titular heroes as they fought crime and other threats in LA. There were a series of great adventures during this period, which included memorable events such as the tragic loss of Gert, Xavin’s sacrifice, several team-ups with the Young Avengers and involvements in the Civil War and Secret Invasion crossover events. The series would abruptly end in 2009, and readers would have to wait years to see a significant follow-up. The characters have appeared in several other series, including Daken: Dark Wolverine and Avengers Academy. However, the characters would not significantly return until Avengers Arena, where Nico and Chase found themselves trapped in Murderworld, and Avengers Arena’s follow up series, Avengers Undercover, which saw the return of Alex Wilder. At the same time, Victor would join the cast of Avengers A.I. An alternate version of the Runaways got their own series as part of the 2015 Secret Wars crossover even, and Nico would eventually become a member of the female Avengers team in A-Force.

With the release of 2017s Runaways television show, a new comic series of Runaways was announced by Marvel which saw the first run of the original characters in nearly nine years. This new series is helmed by acclaimed young adult fiction author Rainbow Rowell and dedicated Marvel artist Kris Anka. Volume 1 of their run of Runways, Find Your Way Home, contains issues #1-6 of the series, with a second volume to be released in October 2018.

Runaways has long been one of my favourite series, and is probably one of the best comic examinations of young teenage characters that Marvel has ever produced. As a result, I was very excited to get my copy of Find Your Way Home, and headed into this new series with high expectations. I was not at all disappointed by the result and really enjoyed this new series. This first volume expertly captures the heart and soul of the original series, reunites several fan favourite characters, and skilfully addresses all the tragic events that have impacted this team over the last few years.

The first thing that can be seen in this series is the extreme emotional damage that most of the characters have experienced over the last few years and the strain this has placed on the team. Because of all the pressures in their lives, the Runaways have disbanded and each have gone their separate ways. This appears to have affected team members Nico and Chase the most because of their traumatic experiences in the Avengers Arena series. Nico comes across as very emotionally compromised from the very first scene, while Chase is still obsessed with his greatest tragedy, the sacrifice Gertrude made to save his life. The other Runaways are just as damaged in their own separate ways. Karolina is apparently trying to live a normal life, but while she seems unhappy, she is the most reluctant to re-join the team, and her eventual return results in emotional upheaval between her and Nico. After dying, Gert finds herself alive again in the future with older versions of her friends, as well as an adult boyfriend. She spends most of the volume trying to deal with these significant changes, the fact that her only real family fractured after her death, and the emotional trauma she experienced dying. After his death in Vision, Victor spends the entire series as a disembodied head, and keeps his status hidden for most of the volume as he tries to work out if he wants to remain online and re-join the team. Of all the characters, Molly seems to be the most together, as she is being looked after by her grandmother and is her usually bubbly and high-energy self. However, her behaviour disguises the fact she knows about some of the deep problems happening around her, and her emotional breakdown at the end of the volume is quiet heartbreaking to behold. Overall, the creative team handle these deep emotional issues well, and I really appreciated the fact that they did not deny or shy away from the trauma that these characters experienced in other Marvel series.

Despite the high level of emotional trauma, there are quite a few very nice moments within the book that fans of the original Runaways series will really appreciate. The team coming together at the end of the volume to save Molly and Gert is an amazing moment. After viewing all of the above trauma, it was also great to see the team decide to get back together to become each other’s emotional support. I also challenge anyone not to get emotional during the scene where Gertrude is reunited with Old Lace, as the two mentally connected friends are finally reunited for the first time in years. Once again, the youngest Runaway, Molly, is the heart and soul of the team, and it is great to see that despite her age, she is still one of the most emotionally mature, giving sage advice and actually being the only person to notice the threats around them or the fact that Victor’s head is rolling his eyes at the events around him. I also love that she still has the same Marvel fangirl attitude that she had in the original series, as she spends time wearing Captain Marvel inspired leggings. Here’s hoping she gets to have some fun interactions with the rest of the Marvel Universe as she did before (the issue she spent running around with Wolverine is one of the funniest bits in Runaways’ previous run).

One of the more interesting parts of this volume is that it focuses more on the character interactions than on action or adventure. There really is not too much violence until the end of the book, and even then their biggest fight is against a group of psychic cats whom they do not actually want to hurt or kill. I think that this is a good choice for the first volume, as this allows them to really focus on the characters, while also showing off the difference this series has to a classic comic book story. Despite the lack of action, the series starts with one of the best scenes in the entire volume, when Chase appears in the middle of Nico’s apartment with a mortally wounded Gert. Nico, despite her shock and the implications of what Chase has done, tries to use her magic to try to save Gert. While Nico is a powerful magic user, all her magic is tied up in The Staff of One, her parent’s magical staff that has bonded to Nico’s body. The Staff of One can bend reality to what Nico requests, however, it will only do the specific spell once. This far along in their adventures, Nico has used a lot of spells already, including ‘heal’, and must use a range of more obscure or very specific statements to try and achieve her goals. The first sequence where she uses a huge range of different spells really shows off the unique and in some ways limited nature of Nico’s powers and really shows emotional depth right off the bat as the characters get more and more desperate in their attempts to save Gert, and there is palpable relief when they manage to save her.

This series of Runaways has a new artist at its helm, Kris Anka, and as a result the art style of Find Your Way Home is slightly different from the previous series. It still works well to show off the story, and the depictions of the characters’ superpowers being used are pretty cool. The new character designs are interesting, as Nico, Chase and Karolina are each given a different design to reflect how they’ve aged up since the last series. Nico looks particularly worn and sad at the start of the comic, and is definitely showing off the strain of her adventure. Anka has created an interesting look for Chase, and he now looks like a cross between a beach bum and a mad scientist. The other characters, Molly, Victor, Gert and Old Lace retain similar styles to those they had in the previous series. These similarities make a lot of sense, as Gert has time-travelled from the previous series, Victor is a cyborg head and Old Lace is a dinosaur. The artist has also chosen not to change Molly’s age too much, and thankfully she retains her distinctive looks and hats. One of the highlights of Anka’s work is the dinosaur Old Lace, and quite a lot of the book’s humour can be seen in her funny reactions and antics. Overall, I really enjoyed the new art style of the book and found that the new character designs suited the book’s necessary changes.

Runaways return in top form with this fantastic first volume, which sticks true to the core of the beloved original series while also going off in some interesting new directions. Rowell has created an intense narrative that expertly plucks at the heartstrings and examines all the problems and horrors that this group of young heroes have experienced since their initial run. This is a superb new start to an excellent series. I’m so happy to have my Runaways back, and I can’t wait to see how they resolve some storylines from the original series. This is definitely a must-read for fans of the original series, but this is also the perfect chance for new readers to find out about this awesome superhero family.

My Rating:

Amazon

Star Wars: Darth Vader: Dark Lord of the Sith, Volume 2 – Legacy’s End

On September 12, 2018May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars17 Comments

Publisher: Marvel Comics

Writer: Charles Soule

Artists: Giuseppe Camuncoli

Daniele Orlandini

David Curiel

Publication Date – 12 June 2018

Amazon

Writer Charles Soule and artist Giuseppe Camuncoli return with an action-packed addition to the new and compelling series which follows the Dark Lord of the Sith in another sinister adventure in the newly formed Empire.

Legacy’s End is the second volume in the new Star Wars series, Darth Vader: Dark Lord of the Sith, which observes the shadowy journeys of fiction’s favourite villain immediately after he turned to the dark side of the force. The first volume of this series, Imperial Machine, followed on directly after the events of the third prequel movie, Revenge of the Sith, and contained Vader’s initial mission for the Empire, acquiring the materials to forge his first red-bladed lightsabre. It also featured the formation of the Emperor’s Inquisitors, the group of force users who, while not quite Sith, have fallen to the dark side of the force and are now being used to hunt down the remaining Jedi.

Set immediately after the events of the first volume of this series, Legacy’s End continues to focus on Vader’s service to the Emperor and his multiple missions to obliterate all threats to the new Empire. Vader has begun his training of the Emperor’s Inquisitors and is using his destructive teaching techniques to turn them into dangerous hunters. Reviewing the list of Jedi whose destruction is a priority for the Emperor, Vader notes one name that stands out from the rest: Jocasta Nu, the former librarian of the Jedi Temple. Despite her minor powers in the force, the Emperor views her as one of the most dangerous threats in the galaxy. This is because Madam Jocasta has an unsurpassed knowledge of the hidden lessons of the force and the powerful secrets and weapons that the Jedi are protecting, which could be used by or against the Sith.

Teaming up with the Grand Inquisitor, Vader prepares to engage in the hunt for the elusive librarian. There is just one problem: Jocasta Nu is already on Coruscant and has managed to infiltrate the Jedi Temple. Perhaps the most important secret of the Jedi lies hidden in the archives, and Jocasta plans to ensure that the Sith will never have access to it. But when Jocasta is discovered by Vader, the two force users must engage in a desperate fight, with the future of the Jedi in the balance. While Vader has the pure power, Jocasta has plenty of tricks up her sleeve and her entire archive at her disposal.

In another adventure in this volume, Vader finds himself also being hunted by a mysterious foe. Someone wants him dead, and the trail leads straight to the top of the Imperial Navy. Who is trying to kill him, and how will Vader react when he finds the people responsible?

This is a fantastic second outing from the team of Soule and Camuncoli, who team up with new artists Orlandini and Curiel for Volume 2 of this fantastic series. Soule is an experienced comic book writer, with significant work for both DC and Marvel under his belt, and is actually the man responsible for recently killing off Wolverine and Cyclops in two separate X-Men storylines. Soule has also written several different Star Wars comics, including two limited series and the entire 31-issue run of Star Wars: Poe Dameron. Legacy’s End collects issues #7-#12 of the Darth Vader: Dark Lord of the Sith series, with a third collected edition currently set to be released in the next few days.

This new Darth Vader series is an intriguing and entertaining series that takes place inside Disney’s new canon universe. This book contains elements from the movies, while also being strongly associated with the Clone Wars and Star Wars Rebels animated shows. As a result, it is a perfect series for dedicated fans of the Star Wars universe, although more casual fans of the movies will also enjoy this series, especially if the prospect of seeing Darth Vader kicking ass and taking names appeals to them.

This series primarily focuses on Vader and chronicles his early rise in power following his conversion to the dark side of the force. Legacy’s End continues to examine his new role and position within the newly formed Empire. Not only is he leading the fight against the remaining Jedi; he is also brutally training the Emperor’s Inquisitors and taking a commanding role in the imperial military complex. Legacy’s End also does much to highlight Vader’s mindset in these days and to reveal the hateful creature that he has become. For example, the first scene shows him chopping off the arms of several of the Inquisitors as a training exercise in order to teach them about loss, a lesson he claims they will never forget. There are also several scenes where Vader is shown meditating, and the dark and twisted creature that appears as a representation of his inner self is an ugly and scary sight to behold. The team behind this series do a fantastic job showing Vader’s sheer power and anger in several devastating battle sequences where he powers through his opponents with the maximum amount of brute force and zero concerns about collateral damage. In these scenes his power is not limited to the destruction he causes with his lightsabre; it highlights the devastation he can unleash with the force and even with his fists. For example, there is one memorable scene in which he punches a powerful droid to death when his lightsabre proves to be ineffective. There are also several great interactions between Vader and the Emperor, and it is absolutely fascinating to see the twisted master-and-apprentice relationship that they have, especially as it is a major part of this series. Overall, this volume continues to highlight Vader as a powerful badass, as well as showing him as a complex character, in order to create a powerful and addictive narrative.

This volume also contains some interesting connections to the rest of the Star Wars universe. Not only are the early days of the Empire once again shown, but the series makes use of the Inquisitors, who were introduced in the Star Wars Rebel’s animated show as key antagonists. It is great to see the formation of this group, as well as their early interactions with Vader, as none of this was really shown in the animated show. However, the most intriguing part of this whole book was Jocasta Nu, the Jedi Temple’s librarian. The character of Jocasta is fairly minor one that hasn’t been explored much before in the Star Wars canon. She appeared briefly in the second prequel movie, Attack of the Clones, played by late Australian actress Alethea McGrath, and was a minor character in a few episodes of the Clone Wars animated show. It is therefore very cool to see her in action in this series, and curious fans will be able to see what she is capable of for the first time. The team behind this volume cleverly showcase her talents as a librarian and archivist rather than as a great Jedi warrior, and her methods of fighting against Vader are quite fun, involving several unusual Jedi weapons, such as a blaster powered by a lightsabre. These scenes are pretty awesome, and interactions with Vader once she knowns he is Anakin Skywalker are very intense, especially when she realises that the terrifying figure hunting her was once one of her former comrades. I also found the exchanges between Jocasta and the Grand Inquisitor to be quite intriguing, hinting at some more of the Grand Inquisitor’s past as a Jedi and Temple Guard, much of which has yet to be revealed in the extended Star Wars universe.

The overall story within this volume is fantastic and it is backed up with some spectacular artwork. The second part of this volume, which focus on Vader being targeted by assassins is incredibly fun, especially the battle scene in which mercenaries who believed themselves capable of defeating a standard Jedi are completely overwhelmed by Vader’s insane battle tactics. However, the main storyline with Jocasta is the most impressive part of the volume and contains some memorable scenes. The conclusion of this storyline is the best part of the entire entry, and it will ensure all Star Wars fans will respect the courage of the Jedi librarian.

Legacy’s Fall, the second volume of Darth Vader: Dark Lord of the Sith is an amazing continuation of this outstanding series. Vader continues to shine as a sensational villain, and the creative team have done an excellent job showcasing this complex character as well as the sheer destruction and power that he possesses. If you love to see the antics of a great villain, this is the series for you, as the early and most destructive battles of one of fiction’s most popular antagonists are shown here with some breathtaking artwork and fantastic storylines. I have already ordered the third volume of this series and I cannot wait to see what happens next.

My Rating:

Amazon

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/

All-New Wolverine: Volumes 1 – 6: Complete Series by Tom Taylor

On September 8, 2018August 23, 2022 By The Unseen LibraryIn Australian, Comics/Manga, Extended Universe, Five-Star Books, Superhero6 Comments

Publisher: Marvel Comics

Publication Dates:

Prepare yourself for an all-new Wolverine in this exciting new series from Tom Taylor and a skilled team of Marvel artists, as one of the best characters in the Marvel Universe, X-23, rises to take the place of one of comic’s most beloved superheroes.

Following the death of the original Wolverine, Logan, in the 2014 series Death of Wolverine, Marvel chose to elevate his clone and surrogate daughter, X-23, to the role of Wolverine. Starting in 2015, the All-New Wolverine series followed X-23 as she took on the moniker of Wolverine and made it her own. Originally running between November 2015 and May 2018, the series is made up of 35 issues. These issues have been assembled together into six collected editions, which were released between May 2016 and July 2018. With the upcoming return of the original Wolverine to the Marvel Universe, All-New Wolverine has been cancelled, and the character has reverted back to the X-23 moniker, with a new X-23 series having just started.

I have been a major fan of X-23 for years, and find her to be one of the most interesting characters in the entire Marvel Universe. As a result, I was excited to see how she would be utilised as the new Wolverine, and have been keenly collecting all the volumes in this series. I had originally intended to review the latest volume, Old Woman Laura, by itself; however, as this volume ends the series, I thought I would take this opportunity to review the entire series in one go.

The protagonist of this series, the brand new Wolverine, Laura Kinney, is a fascinating example of character creation, and it has been intriguing to see how this character has evolved over the last 15 years. Originally known by the code name X-23, the character was first introduced in 2003, in the season 3 episode of the X-Men Evolution animated television series, X23, and was established as a female clone of Wolverine created by an evil scientific organisation. In her first appearance in X-Men Evolution, X-23 took out every single X-Man and went toe-to-toe with Wolverine himself, only stopping when he broke through to her emotionally. This was a surprisingly dark episode for kids cartoon, but the fun appeal of a young female Wolverine and her sheer badassary quickly made Laura a fan favourite character, and her transference in the comic universe was quickly established. These days most people would recognise the character from her amazing appearance in the 2017 film Logan, played by young actor Dafne Keen, which showed a slightly altered version of her origin story.

Her first appearance within the main comic Marvel Universe happened in the 2004 series NYX, where she was shown to be living in New York City. She was later introduced to the X-Men in Uncanny X-Men 450, with her origin story fleshed out in two limited series. The first of these series, Innocence Lost, looked at her creation, early life, training and missions as part of the institute that created her, as well as the relationship she had with her mother and their attempts to escape the institute. The second series, Target X, follows on directly after Innocence Lost and focuses on Laura’s attempts to start a life outside of the institution, her interactions with her mother’s family and the pursuit that would haunt her for the rest of her life. This second short series also shows how she ends up in New York in NYX and her first interactions with Wolverine, and is framed as a retelling of her life story to Captain America and Daredevil. Both of these series are extremely well written and serve as an excellent introduction to the character.

After her introduction, X-23 appeared in a number of different series including Uncanny X-Men, X-Men, New X-Men and Marvel Team-Up. She was a major character in Volume 3 of X-Force and appeared in key roles in several of the larger X-Men storylines. She obtained another X-23 series in 2010, before having starring roles in Avengers Academy, Avengers Arena and All-New X-Men. Following The Death of Wolverine, Laura was involved in some of the following storylines dealing with his death before taking up the role of Wolverine herself.

This series was created by Australian author Tom Taylor and a rotating roster of Marvel authors. Taylor has a range of writing experience in a number of different formats, including theatre, musicals, books and television, and has also created an animated series, The Deep. Over the last 10 years, Taylor has worked on several different comic books, including several Star Wars series, some Injustice series, Superior Iron Man and Green Lantern Corps. The original art style and new character design for the series was developed by veteran artist David Lopez, and the other artists closely replicated his style.

The first volume of the All-New Wolverine, The Four Sisters, sees Laura newly in the role of Wolverine and keen to honour the name by becoming a non-lethal hero. In this volume, she encounters four clones of herself that are being hunted by the sinister corporation who created them. In order to save them, Laura must work with several other Marvel heroes, such as Dr Strange, Wasp and her boyfriend, Angel (the young one transported from a past timeline). The volume ends with Laura taking in one of the surviving clones, the young girl Gabby, who becomes one of the main characters in the series. This book is a fantastic introduction to this new incarnation of the character, and it sets the tone for the rest of the issues.

Volume 2 of the series, Civil War II, starts with Laura teaming up with Squirrel Girl in a zany escapade to save a squirrel Laura wronged in the previous volume, while also introducing the actual wolverine Jonathan, who becomes Laura and Gabby’s pet. The second adventure in this volume sees Laura and Gabby help SHIELD, Iron Man and Captain Marvel fight against the giant monster Fin Fang Foom. During this story, Laura and Gabby encounter and rescue the Old Man Logan version of Wolverine. While the first two issues are both fun significant, the main storyline of this volume ties into the Civil War II crossover event. The Inhuman Ulysses has a vision of Logan killing Gabby, so SHIELD and Captain America attempt to intervene, but the confusion and chaos that follows only results in tragedy. This sees an exciting tie-in to one of Marvel’s more intriguing and high-profile recent crossover events, and this volume also helps highlight the discord and disagreement that the other Marvel heroes were experiencing in the main Civil War II event. Seeing Logan’s alternate world connections to Laura and Gabby is rather interesting, and the reveal of Gabby’s full potential as Laura’s main side character is amazing.

The third volume, Enemy of the State II, sees the return of Laura’s arch-nemesis and sadistic former handler, Kimura, who is once again determined to make Laura’s life a living hell. After engineering the massacre of a small town with Wolverine present, Kimura forces Laura and Gabby into hiding as part of a terrible plan to control Laura once again. However, Gabby, with the help of Angel, Gambit, young Jean Grey and Nick Fury Jnr, has a plan to free Laura once and for all from the terror of Kimura. This is probably the most emotional volume in the series, dealing with the protagonist’s biggest fear: being turned into a killing machine once again. Enemy of the State II is strongly connected to both of the original X-23 series, especially Target X, and represents a massive turning point for the character. It is fantastic to see some of these storylines concluded and Laura given the happy ending she’s been denied for so long.

Volume 4, Immune, takes Wolverine up into the stars for an intergalactic adventure. When an alien ship crash lands on Roosevelt Island, the dying alien child piloting it has time to whispers one name: Laura Kinney. Within minutes, the island is infected with a fast-acting alien virus and is immediately quarantined. Laura travels to the island and must work with Gabby, Ironheart, Logan, Daken and Deadpool to cure the disease. Laura, Gabby and Jonathan than travel into space with the Guardians of the Galaxy in order to trace the origins of the alien virus, but they find a far more dangerous threat on the planet they visit. This is a very fun volume that includes some notable team-ups, while at the same time really highlighting Laura’s potential for heroism. This serves as a fantastic example of a really well-done one-off intergalactic adventure for a terrestrial based series and proves to be very entertaining. It is probably the most laugh-out-loud funny volume in the series, with some remarkable interactions with characters such as Deadpool and the Guardians of the Galaxy.

The fifth volume of this series, Orphans of X, goes deeper into the mythology of Wolverine, as the only weapon that had the power to kill him, the Murumasa Blade, is recovered and unleashed upon his children. A mysterious organisation known as the Orphans of X is hunting down and killing all of the Marvel mutants with claws and a healing factor. Laura, Gabby and Daken must find a way to defend themselves from these devastating and well-coordinated attacks, but find themselves conflicted once they find out the truth behind the Orphans of X. This is another heavy and emotional volume with a great story premise behind it. This one ties into both Innocence Lost and Target X, and shows the devastating consequences of the Laura’s childhood missions.

The final volume, Old Woman Laura, contains an interesting mixture of stories. The first issue features Gabby and Deadpool teaming up to take down the scientific laboratory that Jonathan was rescued from in Volume 2. The second story follows on from the Orphans of X storyline, and sees Laura and Amber Griffen, the daughter of one of Laura’s first kills, team up to take down the person who ordered the hit. The final story is set far in the future and sees an older Laura and Gabby go on their final mission together in order rescue their long-lost sister, Bellona, from a dystopian landscape ruled by Dr Doom. These are some intriguing and diverse stories, and it serves as a good wrap-up to the entire series. The two team-ups in the first two adventures are very fun, while the issues showing the potential future for All-New Wolverine’s main characters is an intriguing and emotional affair that has some nice closing thoughts for this series.

A recurring theme throughout this series is Laura’s attempt to build on her character and to move past her childhood of being raised to be a vicious killer. Now, as Wolverine, she’s trying to live up to the legacy of her father, the original Wolverine, and become a non-lethal superhero, even though she will still maim many of her opponents. Taylor does a good job of conveying the guilt and responsibility that Laura feels. There are times where Laura thinks back to her past with Wolverine, seeing herself in his shoes. Like the original Wolverine, Laura establishes and maintains relationships with many of the other heroes in the Marvel Universe, most of whom find her to be a worthy replacement for Wolverine, even if they are surprised that she wanted to take on the mantle. There are also elements of family involved in this story, as not only does Laura take responsibility for Gabby, but she becomes closer to members of the Wolverine family, including Daken and Old Man Logan.

This series is a bit lighter than you’d expect of a series focusing on Wolverine or X-23, and perhaps this ties into the overarching feeling of redemption that Taylor was trying to infuse into the story. There is actually a huge amount of humour included within the various issues, including several crazy adventures and some real laugh-out-loud moments. Examples of this include Squirrel Girl randomly showing up to declare that Laura has “wronged the squirrel world” and bringing along a real life wolverine to help get her point across (she was under the impression that Wolverine could understand real life wolverines, just like Squirrel Girl can understand squirrels). Another of the series’ really funny scenes occurs when a serious conversation is interrupted by two burglars who break into the apartment and come face to face with Wolverine, Old Man Logan and Gabby. Having all three characters break down laughing as they consider just how unlucky these burglars are is a fun, hilarious scenario.

While All-New Wolverine has a somewhat lighter tone, Taylor is still able to produce some deep and emotional stories throughout the series. Many of these darker and more emotional stories are tied into the main character’s tragic past. It is great to see several of the old storylines wrapped up, and I was glad to see Laura reunited with the family who was forced to go into hiding.

For me, one of the best parts of the All-New Wolverine is the introduction of new character Gabby, who becomes the secondary protagonist of this series. Gabby is a young clone of Laura who has many of her abilities and training. However, due to protection she experienced from her clone sisters, Gabby grew up without the emotional damage that Laura and other members of the Wolverine family experienced. As a result, Gabby has a very funny and bubbly personality, as well as kick-ass combat skills, retractable claws and a healing factor. Given the moniker Honey Badger, Gabby ends up accompanying Laura on a range of missions, and proves to be quite a capable field agent. Much of the series’ comedy comes about because of her antics, as well as her humorous interactions with other members of the Marvel Universe, which sees her pull funny moments and comments out of several usually serious characters. Her instant friendship with Deadpool is comedy gold, and the two play off each other wonderfully, easily stealing the show in the issues they feature in together. Despite her major humorous overtones, Gabby does get serious when it comes to protecting her family, and she has several intense moments, as well as scenes where she makes scary threats in order to protect her sister. Laura’s relationship with Gabby is a major part of the series, and it is great to see Laura mirror the role Wolverine had in her life as a mentor and parent. Gabby is definitely one of my favourite new Marvel characters of the last couple of years, and I’m really hoping that she’ll have a similar role in the new X-23 series and will continue to have some insane adventures in the future.

Lopez and the other artists of the All-New Wolverine series have created a great style for this series, and I loved the new costumes that they pulled together for Laura, as well as the original and unique look of Gabby. There are some slight variations in drawing style between the various books, but the artists keep the style somewhat consistent throughout the series. There are a number of drawn scenes throughout the book that are particularly beautiful or memorable for various reasons. The final battle between Laura and Kimura in Volume 3 is very dark and brooding, but the artists are able to show the raw emotion on Laura’s face as she finally frees herself from Kimura’s shadow. I was also particularly drawn to the striking drawings of the Hand assassins in Volume 5, where the assassins wore the masks of the Orphan X organisation. The artists are also able to draw some funny pieces into their work. The potential comic cover art that Gabby imagines when she finally comes up with a superhero moniker, Honey Badger, is fantastic, especially as several classic Wolverine covers are replaced with Gabby’s evilly smiling face. I can also barely describe the awesomeness of the drawings in Volume 4 of the series, which see Gabby and Jonathon play with Baby Groot in the background in several funny scenes. Overall, the art displayed in this series is fun and has many uses to enhance the story.

Overall, All-New Wolverine is a fantastic, entertaining and really enjoyable series that promotes one of Marvel Comics’ most unique characters into the role of Wolverine. Featuring some amazing uses of humour, an excellent new supporting character and some deep, emotional storylines, this is an incredible series that is well worth getting into. I am definitely keen to check out the new X-23 series that has just been released, and I will also be looking into the new X-Men Red series from the Australian creator of All-New Wolverine, Tom Taylor, which will feature both Laura and Gabby. A perfect read for long term fans of the X-23 and the X-Men series, and also a great introduction to the comic universe if you loved X-23 in Logan.

My Rating (Series and Each Volume):

Throwback Thursday: Canberra Weekly Column – A Column of Fire

On September 6, 2018August 17, 2022 By The Unseen LibraryIn Canberra Weekly Column, Five-Star Books, Historical Fiction, Throwback Thursday11 Comments

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Originally published in the Canberra Weekly on 12 October 2017.

My Rating:

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Bloody Rose by Nicholas Eames

On September 5, 2018February 27, 2024 By The Unseen LibraryIn Fantasy, Five-Star Books, LGBT+3 Comments

Publisher: Orbit

Publication Date – 10 July 2018

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Sensational fantasy author Nicholas Eames follows up his exceptional debut with the five-star novel Bloody Rose, featuring an epic quest storyline which takes its protagonists through a series of wild adventures in a spectacular and large-scale fantasy landscape.

In the human lands of Grandual, mercenary bands hold a celebrity status among the people. Originally formed to help protect against the horrors of the world, most bands now spend their days touring from city to city, fighting monsters in arenas in order to gain fame, glory and money. The most famous of these bands is Fable, led by the notorious Bloody Rose, daughter of the land’s greatest hero, Golden Gabe. Years after her father led a mercenary army to rescue her from a horde of monsters, Rose has reformed Fable with the druin Freecloud, the shaman Brune, the Inkwitch Cura and their booker, the waggish satyr Roderick. With a massive chip on her shoulder, Rose is determined to take on the toughest jobs and challenges that she can find.

In the city of Ardburg, Tam Hasford is sick of her job slinging drinks at the local pub to the famous mercenaries passing through. As the daughter of two mercenaries herself, Tam craves adventure, and when Fable rolls into town looking for a new bard, Tam jumps at the opportunity to travel with Bloody Rose and her band. Gaining a well-deserved reputation for her singing and an accidental reputation as a fighter, Tam receives the moniker ‘The Bard’ and a crash course in the mercenary lifestyle of drinking, gambling, fighting and good times.

But while Tam is having fun in her new role, there is still work to be done. A massive monster horde has once again left the wilds and is threatening several human cities. All of Grandual’s mercenary bands are gathering to meet them, all except Fable. Rose is leading her band in the opposite direction and appears unconcerned with the potential devastation the monsters could cause. Has Bloody Rose lost her nerve or does she have a far more dangerous quest in mind? While Fable’s plan to become legends may prove to be successful, they will have far more destructive consequences than anyone could ever predict.

Bloody Rose is the incredible sequel to Eames’s 2017 debut, Kings of the Wyld, and forms the second book in Eames’s The Band series. Set several years after the events of the first book, Eames switches up the story, focusing on the adventures of Rose and her band of mercenaries, while telling the narrative through the eyes of new point-of-view character Tam. While there are many tie-ins with the first book, including several of the main characters, Eames has mostly shifted the focus onto a new generation of characters.

Although Bloody Rose is the second instalment in this series, curious readers can easily start their adventure with this book. This book’s point-of-view character, Tam, never directly experienced the battles of the first entry in the series, and she ends up having quite a few conversations that describe or dramatise the events of the previous novel. As a result, new readers who start with Bloody Rose will not experience any confusion and will be able to enjoy this story right off the bat. That being said, readers who start with this book will probably get a hankering to read Kings of the Wyld due to how amazing Bloody Rose is.

This is a substantial piece of fantasy literature with a powerful story that is guaranteed to draw the reader in from the first page. The huge scope of this story is just remarkable, as what begins as a simple adventure story transforms into an epic battle for the survival of all life in the world. Much of this scope is the result of the significant number of secondary characters and antagonists that are introduced throughout the book. It is a testimony to Eames’s skill as a writer that all these characters don’t overwhelm the story, and the reader finds themselves interested in seeing how each these characters ends up. The use of a brand new point-of-view character to tell this story is a clever move from Eames as it allows a fresh insight into this world of mercenary bands and monsters, moving on from the old veterans that were the focus of Kings of the Wyld.

The author has infused his narrative with a huge amount of humour, most of it quite adult and over the top in nature. This humorous tone infects quite a lot of the way that the book is told and makes it a very fun read. There are some extremely funny scenes through the book, from debates about fake cockatrices, to the antics of a drunken satyr, to discussions about the dietary requirements of minotaurs. While this humour is a key and overwhelmingly fun part of the story, Eames does get deadly serious in several parts of the book when the protagonists encounter dark days. These darker scenes are felt particularly hard by the reader, mainly due to the sudden shift away from the lighter tone of the rest of the book. While there are several examples of this throughout the story, I found that the final scenes of this book were particularly intense and had me absolutely captivated. This clever combination of the outstanding comedy overtones and the gripping dramatic moments works exceedingly well and turns Bloody Rose’s story into one of the best fantasy narratives I’ve had the pleasure of reading.

In addition to the great use of comedy, drama and story, Eames has also packed this book with a significant amount of action and adventure. The protagonists of this story essentially fight everyone as they adventure across the land, and participate in all sorts of combat, including arena battles with monsters, fights with titanic creatures, large-scale battles and even a few tavern brawls. All these action sequences work well with the book’s other elements. Not only do these battles result in some devastating moments but Eames also includes some comedy in these fight scenes, which can prove to be very entertaining. Readers should also keep an eye out for the fun and inventive combat tactics used throughout this book, which are not only destructive but creative. Never has red hair been used in battle so effectively. With as much conflict and combat as you’ll ever need in a book, this is a perfect read those looking for those looking for their next injection of thrilling action and adventure.

Eames has also created a vast world to be the setting for this story, filled with a huge number of fantasy creatures and massive amount of world building lore. Having such a large and well-established world is essential for a story of this magnitude. The protagonists do a substantial amount of travel from one end of Grandual to the other, exploring large cities, small towns, barren wastes, massive battlefields and dangerous forested areas. The author has also filled this story with every classic fantasy and mythological creature one could think of, as well as a few unique creatures from his own imagination. All these creatures are a great addition to the story, resulting in some very fun battle sequences throughout the book, especially when their a huge number of these creatures in action. One of the more intriguing races is the druin, the rabbit-eared humanoids created by Eames which used to rule all the humans and monsters of this fantasy world. There is some fascinating history around the druin which has some significant impacts on the story, as well as gifting these creatures with some cool abilities that come into play in a variety of great ways.

The author has also spent time developing a fantastic band of main characters for the reader to follow on their adventure. Using his new narrator, Tam, to full effect, the reader is given an introduction to every member of Fable and learns their history and motivations in significant and interesting detail. A decent amount of time is spent looking at all of the members of Fable and the reader is given a deep understanding of each of them. Each member of the band is a fairly unique fighter and character in their own right, but together they form a fun team. Eames really hammers home how close these band members become throughout the book, and the reader becomes attached to the characters as they grow closer together. This makes any potential harm or trauma they experience particularly hard for the reader to experience, and really adds to the books emotional depth.

With the follow-up to his epic debut, Eames has once again demonstrated why he is one of the freshest and most exciting new voices in fantasy fiction. This exceptional story is an action-packed bonanza that sees several compelling characters engage in a heroic quest across an impressive fantasy landscape. With the perfect blend of comedic adventure, epic fantasy storytelling and some dramatic character moments, Bloody Rose is an exceptional and excellent read that is guaranteed to become your new favourite story.

My Rating:

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A Shot in the Dark by Lynne Truss

On August 26, 2018August 23, 2022 By The Unseen LibraryIn Comedy/Satire, Extended Universe, Five-Star Books, Historical Fiction, Murder Mystery, Tie-in Novel3 Comments

Publisher: Raven Books

Publication Date – 28 June 2018

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From Lynne Truss, one of England’s most creative minds, comes A Shot in the Dark, a hilarious take on the historical murder mystery that sets three fantastic and exaggerated police characters against a sinister and surprising criminal mastermind.

Brighton, 1957. Following a terrible massacre that saw the death of every member of two rival gangs some years before, the city of Brighton is now clear of all crime. At least, that’s what Inspector Steine believes, and, as he is the famous and inspirational police detective whose actions allowed the eradication of these vicious gangs, that’s what the rest of the Brighton Constabulary believe as well. Unfortunately for everyone, Inspector Steine is nowhere near as smart as he thinks he is. Despite all the evidence, he simply refuses to believe the theory of his long suffering ‘bagman’ Sergeant Brunswick that a mysterious third crime boss organised the massacre and is currently running crime in Brighton.

So when the young, keen and exceedingly annoying Constable Twitten arrives in Brighton and starts investigating a series of burglaries, Steine is particularly aggrieved. Despite Steine’s insistence that Brighton’s criminal element is no more, Twitten seems determined to find criminal activity – and he does. The opening night of a new controversial play is unfortunately ruined when the opinionated and unpleasant film critic that Twitten is sitting next to is shot in the head. Finally a crime that even Steine can’t ignore.

Who could have wanted the critic dead? Is his death due to the multiple plays and productions that his reviews have destroyed? Or is it perhaps related to a bank robbery that the critic witnessed many years ago, and that Steine failed to solve. As Twitten and Brunswick start their investigation and Steine provides his own special brand of ‘help’, a second body is found. As the case continues, Brighton’s newest constable is about to uncover a dark secret about his city and the sinister figure manipulating everything behind the scenes.

Truss is a highly talented writer, author and radio personality who has produced a huge range of different works, including the non-fiction book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Truss has also created several other fictional and non-fictional books, as well as a number of popular radio series. A Shot in the Dark is Truss’s fifth fiction novel and is the first book in her Constable Twitten Mystery series.

One of the most interesting features of A Shot in the Dark is that it is actually a novelisation of Truss’s popular radio comedy drama series, Inspector Steine, which ran between 2007 and 2013 and starred the inimitable Michael Fenton-Stevens. This is a great introduction to the franchise that will have a massive amount of appeal both to fans of the radio show and people who are unfamiliar with this great comedy series. Rather than being a simple write-up of one of the Inspector Steine episodes, A Shot in the Dark is a combination of several different episodes, containing plot elements from various seasons of the show’s run. In particular, it contains components borrowed from the series one episodes While the Sun Shines, Separate Tales and The Deep Blue Sea, the series two episode The Entertainer, and the series three episode While the Sun Shines. As a result of this combination, people unfamiliar with this series get to experience several of the radio show’s best stories and plot points in their first outing. On the other hand, fans of the radio series get a completely new adventure that re-imagines Constable Twitten’s early days at Brighton. Storylines listeners may be familiar with have been altered in some new and substantial ways to create a fun and excellent combination of some key stories in the series.

In the original Inspector Steine series, Truss created some amazing characters who are not only terrific by themselves but who played off each other extremely well. The author has done an amazing job transplanting these characters into a completely different format. The three main characters are Inspector Steine, Constable Twitten and Sergeant Brunswick. Inspector Steine is your classic self-important senior management figure who thinks they are so much smarter than they actually are. Steine is extremely self-absorbed and very easily manipulated, but ultimately well meaning, given he is completely convinced that all the crime in Brighton was erased years ago as a result of his brilliant actions. Twitten, on the other hand, is actually as smart as he thinks and has no trouble letting everyone he meets know it. His clever investigative work is capable of solving the crime, but his cleverdick attitude ensures that no-one, especially Inspector Steine, will actually listen to him. Sergeant Brunswick plays straight man to both of his colleagues, and seems to be the middle ground between these two extreme personalities. However, while he is a competent investigator, he is also easily manipulated, and fails to see that his brilliant plans to go undercover on every case are hampered by the fact that all of Brighton’s criminals already know who his is. These three are all extreme examples of some of the classic police characters. In a normal piece of crime fiction, these three characters work well together (think Endeavour for example), but in A Shot in the Dark they bring out the worst in each other and combine together for great comedic value.

While the three police characters are excellently used and a whole lot of fun by themselves, special mention needs to be given to the brilliant antagonist of this story. Whiles fans of the radio series will not be surprised about their identity, I will try to avoid revealing too much in order not to ruin the surprise for any new readers. That being said, this character is an excellent villain who is able to manipulate the three police characters in some suitably comedic ways. The various and often quite unsubtle ways in which this villain manoeuvres the protagonists in A Shot in the Dark is absolutely hilarious, especially when their ridiculous plots actually work. New readers will have a fantastic time finding out who this character is and how they’ve gotten away with their crimes, while fans of the radio series will love seeing this outstanding antagonist in all their criminal glory once again.

A Shot in the Dark contains a fantastic story that expertly combines a clever murder mystery with hilarious comedy elements. As mentioned above, due to main characters’ various shortcomings and the devious nature of the villain, this is not your standard criminal investigation. The protagonists have to deal with some absurd situations as well as various unusual plans to stop them solving the case. That being said, the police do perform an investigation and the truth of the various crimes are eventually uncovered, although again without the standard solution crime fiction readers would be used to. The crime elements are compelling and there is a really interesting mystery contained within this book, with some imaginative twists leading up to the conclusion. In addition, the two murders are connected together in some clever ways, and the overarching conspiracy about Brighton is particularly intriguing. While the book contains some gripping mystery elements, it is a comedy at heart; there are some really amazing comedy elements, including some great sequences that really cracked me up. In addition to the shenanigans of the main characters, there are a range of other eccentric characters throughout the book that provide some fun moments of comic relief with their antics. These elements come together perfectly, and it is incredibly fun watching all attempts at a serious investigation get disrupted in various silly ways.

Truss set the Inspector Steine series within Brighton in the early 1950s. While this would already be an interesting setting, the author has amped this up by using elements from the classic crime novel and movie, Brighton Rock. Truss has stated that her series is based on captions at the start of the 1948 movie which declared that Brighton went from a crime hub between the two World Wars to an area completely free of criminals and corruption by the 1950s. While many people would be somewhat suspicious of such a statement, the Inspector Steine series is based on the idea that a member of the police actually believed this and acted accordingly. As a result, the whole city has, on the surface, a wholesome family atmosphere. That makes the crime hiding underneath a lot more fun to see, especially as the criminals really don’t need to do too much to disguise their activities, secure in Steine’s blissful ignorance. In addition, fans of the crime classic may be interested to know that there are a number of elements from Brighton Rock that play a key part in the story. As both the book and the movie exist within the Inspector Steine universe, Inspector Steine actually blames the events of this book on Graham Greene, the original author of Brighton Rock (a sentiment shared by Truss). In addition, various characters within A Shot in the Dark are obsessed with the events of the classic crime book, and many locations from the Brighton Rock book and movie become major plot settings in the story. In particular, there are several sequences based around one certain murder from the movie that results in some very entertaining scenes. Overall, this is a great setting for this excellent comedy-mystery hybrid, which also has some fantastic tie-ins to a classic post-war crime novel.

Lynne Truss delivers an extremely fun and very entertaining adaption of her popular Inspector Steine radio series with A Shot in the Dark. Featuring all of the exceptional characters that were a standout feature of the original series, A Shot in the Dark is an excellent piece of comedy that also contains some intriguing mystery elements and a unique settings with ties to the crime classic Brighton Rock. This five-star book comes highly recommended and is guaranteed to leave you laughing for hours. I am already looking forward to the next Constable Twitten Mystery.

My Rating:

Special thanks need to be given to my partner, Alex, who, on top of her usual editorial expertise for my reviews, happens to be a geek for BBC Radio 4 comedies and was able to help me properly analyse A Shot in the Dark without spoiling the identity of Brighton’s greatest criminal mastermind.

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