Carl’s Doomsday Scenario by Matt Dinniman

Publisher: Soundbooth Theater (Audiobook – 6 January 2020)

Series: Dungeon Crawler Carl – Book Two

Length: 11 hours and 28 minutes

My Rating: 5 out of 5 stars

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After falling in love with Dungeon Crawler Carl, the first book in the epic Dungeon Crawler Carl series, I have decided to continue diving into this incredible series of adventure, friendship and adversity, with the second novel in the deeply impressive LitRPG series Carl’s Doomsday ScenarioDungeon Crawler Carl was so damn fun, and I chose to start reading this awesome sequel the very moment I finished the first book in the series.

The dungeon crawl to determine the fate of planet Earth has begun, and it is already the highest rated show in the entire galaxy.  However, the games have only just began, as the human crawlers who survived the training levels of the game now must contend with the horrors of the dungeon’s third level. 

The unlikely team of the pants-bereft hero Carl, his now sentient cat, Princess Donut, and Donut’s pet dinosaur, Mongo, have already survived great adversity in their initial forays through the dungeon, but now the game is starting to get even more chaotic.  Starting off the level with the ability to chooses new races and specialised classes, Carl and Donut have some serious upgrades to face the full horrors of the dungeon, and they are going to need it.

This new level of the dungeon, known as the Over City, is the sprawling ruin of a once vast city, laid low by a devastating calamity.  Many creatures still haunt the now destroyed streets, including the horrifying remains of a once popular circus, while in the seemingly safe town they use as a base, murdered prostitutes rain from the sky as part of a malevolent scheme.  However, while Carl and Donut face all manner of monsters and mayhem tackling these horrors and the quests that lay behind them, the greater danger may lay outside of the dungeon, as old and new enemies from the alien races descending on Earth are determined to make Carl’s journey as difficult as possible.  Can these two unlikely companions and their pet dinosaur survive the carnage to come, or is their doomed crawl through the dungeon about to come to an end?

Well damn, now that was a really impressive follow-up to the first book in the Dungeon Crawler Carl series.  Carl’s Doomsday Scenario was an outstanding novel from Dinniman that ups the craziness and ensures that you are still absolutely hooked on its brilliant storytelling, intriguing LitRPG elements and awesome humour.  I frankly couldn’t stop listening to Carl’s Doomsday Scenario, and I have to give it another five-star rating for how much fun I had with it.

Dinniman came up with another great story for Carl’s Doomsday Scenario that continues right after the events of the first book in the series.  One of the shorter novels in the series, Carl’s Doomsday Scenario avoids any recap material and instead jumps right into the plot, which covers the entire time the protagonists spend on the third level of the game.  Cleverly bringing in some cool new elements at the start, the protagonists are soon grinding through this new level.  The plot mostly focused around two of the quests that the protagonists choose to participate in, one involving a cursed circus, and the other involving a sinister plot of sacrifice and murder in one of the floor’s main towns.  Dinniman plays through both major plot elements in a similar manner to quests from a particularly deranged RPG game, and you soon get invested in both the scenarios, and the protagonist’s unusual or explosive ways of dealing with the situation.  Both major quest lines involved carnage, exploration, a dash of mystery, and an array of intriguing new characters, and allow for the protagonists to keep getting stronger and more experienced.

These quest-focused sequences are well balanced by an array of events that tie them into the larger series story of the protagonists playing the dungeon game.  The protagonists become involved in several events outside the dungeon which helps introduce long-term antagonists and hints about some of the future obstacles to come.  You also get some interesting updates about some of the recurring characters introduced in the first book, many of whom are clearly going to have a bigger impact on the story in the future.  All these elements blend well into one cohesive and exciting plot, and I loved how well Dinniman balanced the various unique story elements and kept making the overall narrative of the series even more elaborate.  These plots all come together for Carl’s Doomsday Scenario’s big finale, which was as hilariously epic as possible.  Dinniman really ramped up the tension for this final part of the book, and you are constantly on the edge of your seat as you wait to see who survives and how.  An epic story that perfectly continued the overarching Dungeon Crawler Carl narrative, while also providing some very memorable moments that allows Carl’s Doomsday Scenario to stand on its own.

I loved how Carl’s Doomsday Scenario came together, although I must point out that you really need to read Dungeon Crawler Carl first.  The plot of Carl’s Doomsday Scenario directly continues from the events of Dungeon Crawler Carl, and you could honestly combine the two to get one long novel without any issues at all.  Indeed, this story does feel a little like a bridging novel between the introductory first novel and the heavily plot laden third book, although it still works well to tell its own fun story.  While the point-of-view protagonist does recap some events in his head as the story unfolds, new readers trying to start at this second book would likely get lost in some of the plot details.  As such, this is definitely a book for those who plan to read the series from start to finish, and those that are will find that Carl’s Doomsday Scenario features all the very best elements from the initial novel, including a ton of great action, some unique LitRPG elements, and the continued side-splitting humour that made Dungeon Crawler Carl so much fun to get through.

Dinniman makes excellent continued use of the first-person perspective to paint a compelling picture of the protagonists’ journey in this second book, and you really get drawn into Carl and Princess Donut’s adventures as a result.  Thanks to the fact that they are experiencing all these scenarios for the first time, readers with all manner of LitRPG or RPG experience can easily enjoy this novel, and the author does an amazing job combining the more elaborate RPG elements into the larger exciting narrative.  There are a ton of great new elements added in for this book, with things like class and species decisions, quests, elite NPCs, towns and more, adds some additional complexity to the plot which helps to make the story even more interest.  These extensive LitRPG features are perfectly enhanced by the author’s comedic writing, and there are so many great jokes thrust into the story.  This humour is well supported by the book’s overall outrageous nature, and all the over-the-top scenarios the protagonists encounter can be exceptionally funny at times.  Thanks to how well Dinniman writes and combines these elements together, I was so invested in every part of the book, and it was fantastic to see the entire narrative unfold and watch the protagonists evolve with the game.

As with Dungeon Crawler Carl, the emotional heart of Carl’s Doomsday Scenario lies in the partnership between Carl and Princess Donut, and it was fascinating to follow these two unlikely heroes through the dungeon.  Carl continues to be the gruff and over-exasperated central character through whose eyes we see the story unfold.  A tired figure still reeling from the death of his planet, Carl continues to grimly stay alive for Donut’s sake, while also becoming more enraged at the full evils of the dungeon and the corrupt alien corporations controlling it.  I really enjoyed the practical and often quite clever way he addresses the dungeon’s many challenges, and Dinniman does a good job showcasing his evolution as a player, even though he still mainly resorts to explosives and crazy plans.  Indeed, Carl starts to develop a somewhat well-deserved reputation as a reckless figure, which is quite entertaining.

While Carl is the stoic centre of the plot, Princess Donut is the comedic heart of the Dungeon Crawler Carl series, and you just have to love her entertaining persona.  Despite being sentient, Princess Donut is still very much a cat in nature and bearing, and it is hilarious to see her exaggerated personality clash with the more subdued nature of Carl.  Her ability to get them into all manner of trouble with her fun-loving ways and lack of caution adds some great entertainment to the plot (Goddammit Donut!), while her love of attention and popularity perfectly plays into the reality television nature of the dungeon game they are in.  Donut is an outstanding personality foil to Carl, and this allows for some very entertaining moments as a duo.  However, while on the outside she is still the same silly and haughty cat you came to love in the first book, Dinniman has started to showcase Donut’s hidden depths, and there are some great moments when you come to realise that the cat is growing up and become more mature.  A lot of this lies in the heartwarming relationship between Carl and Donut as the two continue to become a true team.  I love some of the scenes when Carl and Donut are vulnerable with each other, especially when they are close to death, and you realise just how close they’ve become and how much they mean to each other.  This connection provides some amazing moments throughout Carl’s Doomsday Scenario, and you continue to become extremely invested in these two’s adventures.

Aside from Carl and Donut, there is an array of additional awesome characters featured in Carl’s Doomsday Scenario, including a combination of figures from the previous novel and some new great characters.  This includes Donut’s pet velociraptor, Mongo, who continues to grow into an even more dangerous killing machine.  Despite some continued teething troubles about Mogo’s inability to control himself, Mogo grows into a key member of the team, and that intense scene where he defends Donut from harm cements him as a wonderfully beloved pet.  The team’s NPC tutorial guide, Mordecai, gets an extended appearance in Carl’s Doomsday Scenario, becoming Donut’s reluctant manager, and I loved the fun mentor role he adds to the cast, becoming the team’s voice of reason, which is often ignored by the protagonists.  Dinniman also adds in an interesting third member of the party later in the book, who gets an effective introduction, even if they don’t play a major role in the plot this time around.  Throw in an array of determined fellow crawlers, aliens who often have beef with Carl, and some complex mobs and NPCs whose unique stories the protagonists get dragged into, and the cast of Carl’s Doomsday Scenario was so damn epic and really enhanced the overall story.

As with the first book in the series, I chose to listen to Carl’s Doomsday Scenario on audiobook, which is frankly the very best way to enjoy this incredible novel, especially as the having the crazy story and the antics of the characters read out is so much fun.  Coming in with a run time of 11 and a half hours, this is one of the shorter entries in the series, and I managed to finish off this audiobook in a few very entertaining days.  I deeply appreciate the fact that Jeff Hays continues as the narrator of this second audiobook in the series, as he really impressed me with Dungeon Crawler Carl.  Hays has an amazing array of elaborate voices that perfectly fit so many of the unique characters featured in this novel, and he carries over several of the key tones from the first audiobook for the recurring characters.  His voices for Carl and Princess Donut are particularly good, and I love how effectively he still captures their complex personalities, including Carl’s frustrations and anger, and Donut’s comedic over-excitement and infectious personality.  His best voice still probably remains the system AI running the dungeon, as the sheer amount of excitement, sarcasm and comedic timing Hays brings to reading out the AI’s notices is so damn good.  Throw in a cool array of new character voices, as well as some modulated tones for characters who have changed race or attributes, and this was such an impressive listen that will have you laughing like crazy.  I cannot recommend the audiobook format of the Dungeon Crawler Carl books enough, so do yourself a favour and make sure to check them out.

My newfound obsession with Matt Dinniman’s Dungeon Crawler Carl series continues unabated as I powered through the second book, Carl’s Doomsday Scenario, in no time at all.  an outstanding sequel that perfectly continues all the amazing story elements from the first book, while adding even more layers to the elaborate scenario.  Fast-paced, constantly entertaining, and with some impressive emotional depth to it, Carl’s Doomsday Scenario was particularly awesome, and I had an absolute blast reading it.  Indeed, I loved it so much that I once again instantly dived into the next book in the series, The Dungeon Anarchist’s Cookbook, which is proving to be just as incredible as its predecessors.

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Dungeon Crawler Carl by Matt Dinniman

Publisher: Soundbooth Theater (Audiobook – 21 September 2020)

Series: Dungeon Crawler Carl – Book One

Length: 13 hours and 31 minutes

My Rating: 5 out of 5 stars

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Have you ever had one of those books or series that everybody seems to be talking up all the time?  Lately for me that series has been the Dungeon Crawler Carl novels by Matt Dinniman.  An intriguing LitRPG series, the Dungeon Crawler Carl books are a funky and hilarious fantasy and science fiction hybrid that places its outrageous protagonist into an unlikely alien reality show filled with subterranean dungeons inspired from classic RPGs.  A series with a very interesting premise, I have been seeing so much online about the Dungeon Crawler Carl books over the last couple of years, with everyone praising it and really talking it up.  Despite not having a lot of experience with the LitRPG genre (except for Ascension by B. F. Rockriver), I decided to check out the first novel in the series, also titled Dungeon Crawler Carl, to see what all the fuss was about, and boy did that have an excellent result.

When aliens come to Earth, first contact is far more brutal and unusual than you could ever expect.  Instead of communicating or conquering, the aliens instead instantaneously collapse every single human-made structure down into the ground, killing everyone who was inside.  Only those standing outside at the time survived, and they are given a dire choice: either remain on the planet’s now desolate surface with no shelter, or journey down into the subterranean 18-level dungeon that has been formed from humanity’s repurposed buildings.

For those few million human survivors who journey into the newly labyrinth, they soon encounter a fantasy-inspired dungeon, filled with traps, monsters, loot and other dark dangers to navigate.  These survivors, known as dungeon crawlers, need to keep moving downwards in the hope of reaching the 18th floor and the promised reward it contains.  Death and dismemberment are a near certainty in the dungeon, so contestants will need to learn how to kill mobs, find enchanted gear, learn new combat skills or magic and keep getting stronger, all before the level they are on collapses.  However, this dungeon is far more that a contest of might and magic; it is the most popular reality program in the galaxy, seen by untold trillions of aliens, and only those crawlers who can gain a strong following and rich sponsors are likely to survive.

Into this chaotic situation is thrown unlikely hero Carl.  A simple man caught outside in his underwear as he attempted to retrieve his ex-girlfriend’s cat, Princess Donut, Carl soon finds himself fighting for his life in the most ridiculous of circumstances.  Teaming up with the now sentient Princess Donut, Carl finds that the dungeon has a steep learning curve, and he will need all his resolve, cunning and the friendship of a superpowered cat to survive.  However, as Carl and Princess Donut accidently become two of the most popular contestants in the game, they will need to contend with everyone who wants them dead, both from inside the dungeon and without, as they constantly move downwards.  Dangerously overmatched, completely overwhelmed, and with a distinct lack of pants for Carl, this unlikely duo will need to learn how to survive big and show the universe and the unhinged AI controlling the game that they are worth keeping alive.

Goddammit Dinniman, how could you create something so damn addictive.  It turns out that for once the internet crowd had this 100% right, and Dungeon Crawler Carl was everything they said it would be and more.  A clever, intense and overall hilarious romp through a cool LitRPG scenario, Dungeon Crawler Carl had me hooked very early on and I absolutely powered through this epic adventure novel which I just had to give a full five-star rating.

I really, really loved the cool story in Dungeon Crawler Carl, which starts off quickly and never lets up all the way to the end.  Starting with a quick but effective introduction to Carl, which then leads to the world collapsing and him being forced to enter the dungeon with his cat, you are soon immersed in this new crazy world, with some bloody opening fights setting the crazy tone for the rest of the novel.  After an in-depth sequence that explains the rules of the world, Dungeon Crawler Carl takes off again at a fast pace made even more entertaining thanks to the introduction of the now sentient cat, Princess Donut.  Forced to keep fighting through monsters, traps and other obstacles, the action and excitement never lets up, and I really appreciated how Dinniman naturally flowed the protagonists into fresh scenarios, including unusual boss fights, explosive opportunities, and starting a meth war between goblins and fire-spitting llamas.

The second half of Dungeon Crawler Carl goes in some very interesting direction, as the protagonists encounter other Crawlers, with some very different results, while also ensuring the full and often ultra-bonkers horrors of the first two levels of the dungeon keep coming at you hard and fast.  There is some great character development as the book continues, both literally and figuratively, and it was interesting to see the characters evolve to face the unique threats of the dungeon in their own way.  Dinniman threw in some clever and often hilarious solutions to many of the obstacles the protagonists face (although most of them involve explosives), and you’re constantly on the edge of your seat as you wait to see how they will survive going forward.  There is also some excellent universe expansion as the characters experience the reality-television obsessed world outside the dungeon, which often leads to some hints of the dangers to come later in the series.  These upcoming elements are well placed into the book, which allows the readers to anticipate what is to come, while not distracting from the main plot points.  The conclusion of Dungeon Crawler Carl comes a little after the big events of the book, but it sits in a good place as part of the wider series.  This novel ends up being an exceptional read on its own, while also being an excellent first entry in the series that perfectly sets up the many over-the-top adventures to come.

This proved to be a very cleverly put together novel, and Dinniman really excelled at utilising the unique elements of the LitRPG genre and utilising in his story.  Featuring a very cool explanation for why the protagonists are trapped in a fantasy dungeon (alien reality television show to determine the fate of the planet is an awesome plot idea), you soon get engrossed in the LitRPG themes of the book, as the characters are instantly forced to battle mobs to survive.  Due to the time limits built into the plot, the protagonists are quickly forced to adapt to the new way of living (or dying), and the reader is given a crash course in the mechanics of the game system.  I found these to be quite fascinating, and you really get engrossed in the various levelling, skills, magical items, achievements and other elements of the game, which fans of RPGs of all varieties will be familiar with.  The dungeon itself is a unique blend of classic fantasy creatures and tropes, with exaggerated elements of modern human culture, allowing for modern references to go together with fights against goblins and other creatures.  Dinniman also adds in a great reality television element to the plot, as the protagonists are forced to earn followers and appeal to a wider audience to improve their chances, like The Hunger Games on steroids.  The author does an excellent job of setting these unique elements up, and it’s a great extra edge to the typical LitRPG elements.

Dinniman ensures that these LitRPG elements continue to be quite entertaining throughout the entirety of Dungeon Crawler Carl thanks to a variety of factors, mainly humour.  Nearly every scene in this book is incredibly funny of various levels, including entertaining character interactions, reactions to over-the-top scenarios, various subtle jokes, and a large amount of more noticeable adult humour that reflects the crazy situation and big personalities of the plot.  I personally loved how Dinniman enhanced all the game elements of the book, such as item and mob descriptions, achievements, skill discussions and more, by including comedic summaries loaded with jokes, references and the barely controlled fetishes of the AI running the dungeon.  These wacky descriptions made the more LitRPG-heavy parts of the plot flow a lot better, especially as readers with less interest in RPGs can still have fun with these scenes.  Dinniman works to make various other LitRPG elements more entertaining for casual readers in various other ways, such as ensuring all the scenes featuring the chat function are quite distinct and humorous due to Princess Donut’s insistence of only writing in caps.  I honestly was left laughing out loud multiple times throughout Dungeon Crawler Carl, and the sheer ridiculousness of the story, as well as the often quite inappropriate, yet hilarious jokes, was just too much for me.

While there is a definite focus on comedy and jokes in Dungeon Crawler Carl, Dinniman also adds in some real emotional heart to the story, mainly through the focus on the protagonists.  The relationship between the perspective protagonist Carl, and the now sentient cat Princess Donut adds some excellent and powerful depth to the book, especially as they grow to be a compelling team.  While initially thrown together in unlikely fashion, the grumpy Carl and the amusing Princess Donut, who has all the smugness and confidence of a prize-winning cat, turn into the ultimate odd-couple, made even more entertaining by the fact that the cat is much more powerful than Carl.  Dinniman throws in a lot of very entertaining quirks for both characters that makes you love them; however, it is the more subtle examination of the protagonist’s deeper emotions that help to enhance this narrative even more.  This includes Carl’s deep internal anger, brought on by various factors, the despair he feels at the complete destruction of his world, and his continued attempted heroics, even when it puts him at greater risk.  I loved how both Carl and Princess Donut both grew to become quite dependent on each other as the book continued, and while there is still a lot of growth needed for both, you can see that their bond is going to be the powerful centre of the plot.

Aside from Carl and Princess Donut, Dungeon Crawler Carl is loaded with an outstanding array of characters who each bring their own brand of fun to the plot.  I personally enjoyed the protagonist’s guide, Mordecai, a veteran former crawler who provides advice on how to proceed, while also hiding the trauma of his own adventures in a previous dungeon.  There was also an array of compelling and distinctive mobs, alien night show hosts, and other creatures associated with the production, who on the surface are quite entertaining and funny, but whose deeper tragedies work to highlight just how dark the dungeon process truly is.  There are also some other distinctive fellow crawlers thrown into the plot, and it is interesting to see how humans will react to the terrible situation before them, either becoming heroes or dark villains.  Finally, I must mention the AI running the dungeon, who proves to be one of the more entertaining figures in the book, despite not appearing in person in any way.  His very over-the-top commentary and descriptions for all the game mechanics was ultra-hilarious, and there are so many great jokes there.  However, it was the AI’s more subtle actions that proved to be the funniest part of this electronically ethereal figure’s inclusion, as it guides the game to suit its own interests and desires.  This includes giving very specific items to the protagonists to produce the most amusing story, while other rewards and loot encourage Carl to remain barefoot and lacking pants throughout the game for “reasons”.  I felt that this excellent cast really matched the over-the-top story that Dinniman threw together for Dungeon Crawler Carl, and every character made an amusing and memorable impact on the story.

I ended up checking out the audiobook for Dungeon Crawler Carl, which was honestly exceptional, and I cannot emphasise enough just how effective this format enhanced Dinniman’s great story and outrageous humour.  Narrated by Jeff Hays, who might be one of my new favourite audiobook voice actors, all the action, intensity and the distinctive characters of Dungeon Crawler Carl came across exceptionally well in this format, and I absolutely loved how effectively Hays conveyed the entire craziness of this novel.  The narrator provides an excellent voice for the protagonist, Carl, that served as the base tone for most of the narration, and you really get to feel the protagonist’s fear, determination and continued exasperation, especially when he encounters all the crazy twists and inclusions.  Hays’ voices for the other characters of Dungeon Crawler Carl also helps to make this audiobook stick out.  For example, the tone that Hays choice for Mordecai perfectly fit the tired, old mentor, while his Princess Donut voice is so damn entertaining, especially as you can fully appreciate the character’s catlike nature with Hays’ high-pitched and demanding voice.  Hays also captures all the fun features of weird mobs of the dungeon, including goblins and other sentient creatures, and there are some very striking and funny voices featured there.  However, it is the tone he uses when speaking in the voice of the AI running the dungeon that is the best.  Cheerful and sarcastic, Hays perfectly captures this computer program’s weird sense of humour with his narration, and I loved the boisterous way he reads out the achievements, the skills, item stats and more, especially for more colourful descriptions that require accents or other creepier voice changes.  This outstanding narration worked on so many levels with Dinniman’s unique style, and I frankly could not get enough of listening to Dungeon Crawler Carl on audiobook, which is just the best way to check out this novel.

Overall, I had an exceptional time with Dungeon Crawler Carl, and this series instantly became my new obsession.  Fun, outrageous and constantly exciting, Dungeon Crawler Carl lives up to all the hype surrounding it, and I was really impressed with Matt Dinniman’s ability to craft a complex story that will potentially get better with each new entry.  Honestly the best way to showcase just how much I enjoyed Dungeon Crawler Carl is to reveal that as soon as I finished this first book I instantly started listening to the sequel, Carl’s Doomsday Scenario, and then the third book, The Dungeon Anarchist’s Cookbook, soon after that.  I will probably end up powering through this series in the next few months, hopefully before the eighth book comes out next year, and I cannot wait to see where Dinniman takes this beautifully unhinged plot next.

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The Raven Scholar by Antonia Hodgson

Publisher: Hodderscape (Trade Paperback – 29 April 2025)

Series: The Eternal Path – Book One

Length: 646 pages

My Rating: 5 out of 5 stars

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Intriguing author Antonia Hodgson presents one of the best fantasy debuts of 2025 with The Raven Scholar, a powerful and complex novel that hooks you early and refuses to let go all the way to its shocking end.

Earlier this year I was lucky enough to receive a copy of The Raven Scholar, a massive fantasy novel with a very interesting plot idea behind it that will set up the new Eternal Path trilogy.  I had really enjoyed Hodgson’s debut novel, the historical thriller The Devil in the Marshalsea, many years ago, and I really got caught up in The Raven Scholar’s complex and brilliant story.

In the empire of Orrun, a new emperor is crowned every 24 years, with a replacement chosen from acolytes of the eight animal guardians whose blessings have warded and kept the empire in check for generations.  However, the current emperor, Bersun the Brusque, has not had a peaceful reign, marred by an attempted assassination and the subsequent execution of his attacker’s daughter.  His replacement offers a chance at a new era for Orrun, but the sins of the past continue to haunt all involved.

As the next Trials to determine the next emperor begin, seven skilled and revered young challengers emerge for the crown, and it falls to Neema Kraa, the emperor’s brilliant, if unsocial, High Scholar to organise much of the proceedings.  However, the Trials are thrown into chaos when the Raven contender is brutally murdered, and all the evidence points to Neema as the suspect.

Tasked with proving her innocence, Neema is shocked when emperor Bersun decides to make her the new Raven contender.  Suddenly facing six highly skilled rival contenders who have trained their entire lives to compete in the trials, as well as a proxy chosen by the mystical Dragon temple, Neema finds herself fighting for her life in the deadliest contests imaginable.  If she succeeds, she could take the throne, but to do so she must first survive a dark conspiracy infecting the palace, one that threatens all Orrun and could lead to a new age of darkness for the empire.  Nothing is what it seems, and with the animal guardians returning to the world, chaos is about to engulf the trials, changing its contenders forever.

With an exceptional and powerful story that I could just not put down, The Raven Scholar was a particularly amazing fantasy debut that I absolutely could not stop reading.  Clever, twisty, and continuously exciting, Antonia Hodgson really impressed me with The Raven Scholar, and due to how quickly I absorbed its over 600 pages of content, I have no choice but to give it a full five-star rating.

I must admit, going in I didn’t know what to expect from The Raven Scholar, but I ended up being extremely impressed with the elaborate narrative Hodgson pulled together.  Set around a wonderfully expansive fantasy story about a tournament of skill and brains, Hodgson had to do a lot in this book, and I feel that she ended up creating something very special and particularly addictive.  Starting with an intense introduction that provides some key context for the later events of the story, Hodgson pulls a very interesting move of inflicting a dark fate on the protagonist of this initial part of the book before jumping the plot forward several years and presenting a new main perspective character.  The impacts of this introduction are well felt throughout the rest of the book’s plot, and I love the various secrets, hidden hints and impacts these first couple of chapters had.

Hodgson then moves the narrative of The Raven Scholar into the elaborate period of the tournament to determine the new Emperor of Orrun.  Primarily shown from the perspective of High Scholar Neema Kraa, an isolated figure who suddenly finds herself in the middle of proceedings when the initial Raven contender for the throne, an old rival of Neema, is murdered, and Neema is considered a potential suspect.  Attempting to investigate the crime, Neema finds herself placed as the new Raven contender and must try to survive the intense trials to come.  I love a good tournament arc in fiction, and this proved to be an extremely fun one as each of the participants had to complete several different tasks chosen by each of the participating temples, as well as compete in a series of duels between each task.  This allows for an interesting combination of physical and mental assignments, which proved to be very compelling, as you tried to see who would take the throne.

While the tournament is the narrative highlight of The Raven Scholar, it is only one part of the story, as Hodgson creates some very interesting additional arcs throughout the plot.  Namely, Neema finds herself investigating a dark conspiracy within the palace following the murder of her former contender.  The author uses her past crime fiction experience extremely well here, crafting together a very elaborate and intense mystery narrative that the protagonist is constantly dragged into.  It doesn’t take too long for her to realise the scope of the conspiracy before her, as well as who the participants in it are, although there are a lot of hidden secrets and motivations that come out as the story continues.  I really loved all the impressive twists and turns that resulted in this part of the book, and the massive overarching conspiracy blends extremely well with the tournament part of the story, with the revealed antagonists using elements of it to try and take out the Neema and other problematic contenders.  I also really appreciated how so much of the big moments of the plot flowed on from the complex introduction to the story, and Hodgson does an amazing job hiding hints at what is to come throughout the entire book.  Everything leads to the big finale of The Raven Scholar, where all the secrets come out and you are left shocked by what occurs.  I honestly didn’t see every twist coming, and I loved how Hodgson kept subverting expectations about where the plot would be going.  The book ends on a very interesting note, and you will come away very excited to see where the series goes from here, especially as the story can only get more complex and twisted.

The Raven Scholar was a really well written novel, and I must highlight how well Hodgson combined her elaborate fantasy world and it’s defining tournament, with complex characters and excellent intrigue and mystery.  The range of elements in this novel is very impressive, and I liked how well Hodgson brought them together, allowing for quite a well-layered book.  The author’s ability to insert an array of subtle hints and important details throughout the book was also amazing, with a variety of seemingly inconsequential statements, conversations or observations coming back into play at later parts of the story.  Some of these were particularly clever and I really appreciated seeing all these cool elements coming into play as the story continued.  This powerful narrative is further enhanced by the author’s intricate fantasy universe, which makes good use of its zodiac inspired system of animal guardians to create a very compelling tournament background.  The scenes throughout the tournament are a true highlight and I loved the intense action and the high stakes that accompanied them.  Throw in the machinations of several of the animal guardians, as well as the complex past of some of the characters, and there is so much to absorb and appreciate about this elaborate book.

I also really enjoyed the impressive cast of The Raven Scholar, whose unique stories added some excellent additional detail to the plot.  The main protagonist, Neema Kraa, was a great central figure in the book, especially with her complex past, poor social status, and the fact that her current advancement came as a result of her worst actions.  Neema spends much of The Raven Scholar trying to redeem her past mistakes, and her eventual placement in the tournament allows her the chance to prove herself.  You really get invested in Neema’s struggles as the book continues, and I liked how she kept evolving to meet the challenges before her, becoming a major contestant to the throne.  The rest of the contenders are all interesting in their own way, and I appreciated the compelling storylines and history that the author built around them.  This includes the Fox contender, Cain, whose complicated romantic past with Neema becomes one of the more interesting recurring plotlines in the book, while his bold nature and inappropriate sense of humour made him a firm favourite of the reader.  I personally enjoyed how Neema twisted his past a little as the plot continued, ensuring that his arc went in some surprising and dark directions, and you really feel drawn to him, especially when he annoys all the other more serious figures in the book.

Other key characters include the Tiger contender, Ruko Valit, who was a dark figure in the plot, especially as he deals with the treachery that led him to become a favourite in the tournament.  A determined and arrogant figure, Hodgson works a great potential redemption arc around Ruko, while also cleverly hinting at the destructive role he will have in the future.  Ruko’s sister Yana was a key early figure in the novel, and while you don’t get the chance to know her too well, the consequences of the actions taken around her haunt many of the characters to come.  The rest of the cast are also cool, although I will limit myself by highlighting a really sinister hidden antagonist, as well as certain animal guardians who visit the realm and interfere with some of the contenders in dramatic manners.  I personally felt the various aspects of the Raven for example were fun, not only with how part of them influences Neema, but with the narrator role the main body takes on for part of the book, which includes footnotes.  All these figures, as well as the many other compelling figures featured within the plot, help to make The Raven Scholar something very special, and I look forward to seeing how many of the fantastic character arcs Hodgson started here, continue in the future.

Overall, I found The Raven Scholar to be an extremely cool and outstanding book, especially as author Antonia Hodgson weaved together a particularly intricate and captivating narrative.  Loaded with intriguing details, clever twists, amazing characters, and so much excitement, I quickly fell in love with The Raven Scholar, and I could not stop reading it, powering through hundreds of pages at a time.  I honestly cannot recommend this book enough, and I enjoyed The Raven Scholar so much that I had to include it on my recent list of top books from the first half of 2025.  I cannot wait to see how Hodgson continues this series going forward, but I am already certain it is going to be something really awesome and very memorable.

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Waiting on Wednesday – Twelve Months by Jim Butcher

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday, I showcase a book that many people have been talking about this week, with the long-anticipated next entry in the Dresden Files series, Twelve Months by Jim Butcher.

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Back in 2020, I was very lucky to receive a copy Battle Ground by Jim Butcher.  Part of the author’s long-running Dresden Files series, these books follow the many adventures and investigations of Chicago’s only wizard Harry Dresden, who engages with dark mystic conspiracies and the intricate battles between the world’s hidden magical creatures and factions.  At that point, I wasn’t too familiar with the Dresden Files series, but I was extremely intrigued by Battle Ground’s synopsis, which saw Chicago invaded by a horde of monsters and other magical creatures.  Even though it was the 17th entry in a series I hadn’t read before, I ended up absolutely loving Battle Ground, especially as it featured intense scenes of magical combat, high emotional stakes, and major tragedy.

Due to how much I enjoyed the epic Battle Ground (it ended up being one of my favourite books and audiobooks of 2020), it was a very easy decision to explore this series further, and I went back and listened to book one, Storm Front, the moment I finished off Battle GroundStorm Front proved to be an awesome initial novel in the series, and over the next couple of years, I made a huge effort to read all the Dresden Files books, finishing off this reading cycle with Peace Talks last year.  All 17 of these novels were extremely impressive, and I ended up giving well deserved five-star rating to every entry in the series.  Highlights include the werewolf filled Fool Moon, the necromancer laden Dead Beat, the intrigue filled Small Favor, the traumatising Changes, the spirited Ghost Story and the extremely cool heist novel Skin Games, just to name a few.  I really cannot emphasise how much I loved these novels, and the Dresden Files is now one of my very favourite series.

Unfortunately for my newly awakened obsession, Butcher hasn’t had the opportunity to release a new Dresden Files novel since 2020, although some novellas and short stories like The Law, have come out.  As such, I, and the many, many other Dresden Files fans, were very happy to finally have some details about the upcoming 18th book in the series, Twelve Months, which Butcher just dropped the cover for.  Set for release in January 2026 Twelve Months will serve as an intense new entry in the series that will examine the fallout of the dark events of Battle Ground with new enemies and big dangers coming for the beleaguered and grieving protagonist.

Plot Synopsis:

Harry Dresden, Chicago’s only professional wizard, has always managed to save the day—but, in this powerful entry in the #1 New York Times bestselling Dresden Files, can he save himself?

One year. 365 days. Twelve months.

Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed to the ground, everything is different—and it’s not just the current lack of electricity.

In the battle, Harry lost people he cared about. And that’s the kind of loss that takes a toll. Harry being Harry, he’s doing his level best to help the city and his friends recover and rebuild. But it’s a heavy load, and he needs time.

But time is one thing Harry doesn’t have. Ghouls are prowling Chicago and taking out innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires—and Harry’s been betrothed to the seductive, deadly vampire Lara Raith to seal the deal.

It’s been a tough year. More than ever, the city needs Harry Dresden the wizard—but after loss and grief, is there enough left of Harry Dresden the man to rise to the challenge?

Ok, there is a lot to unwrap with the above synopsis, but I think it’s important to start out by saying I am so damn excited for this upcoming book.  Covering all the fallout of Battle Ground is going to be extremely awesome and interesting, especially as there were a lot of powerful and important plot threads left over after this major entry in the series.  This includes Harry’s expulsion from the White Council, the fact that more people in the world are becoming aware of magic’s existence, the warring factions who will try to take advantage of the new power vacuums, his brother’s possession and many more dangerous ongoing storylines that I cannot wait to see explored and covered.

The above synopsis reveals there is going to be quite a few challenges for Harry to try and deal with this year, including ghouls, a race that the protagonist has a particularly grim history with.  I imagine that this will combine with some of the other storylines to reveal a great enemy or plot in the background, and I cannot wait to see what returning foes or great new antagonist emerges here.  There are also going to be some very emotionally heavy storylines for Harry in Twelve Months, including his upcoming marriage to the vampire Lara Raith (which is going to cause all manner of problems), as well as the need to save his dying half-brother Thomas from both his magical sickness and the consequences of the actions he undertook while controlled.  I am really curious to see how Butcher will wrap all these storylines together, and it should make for quite an elaborate narrative.

While I am naturally particularly intrigued to see all these storylines unwind, I think that the best part of the upcoming Twelve Months is going to be the examination of Harry’s emotional state is this new book.  As the synopsis above hints, Harry has gone through a lot recently, including the destruction of his city, his loss of status as a wizard, and most importantly the death of the woman he loves.  Having to take on the suffering of the entirety of Chicago while dealing with his own grief, on top of being forced to marry someone he doesn’t love, is likely to nearly break Harry, who already has a ton of emotional baggage from his dark history and the chaotic events of the last 17 books.  I have no doubt that Butcher is going to masterfully showcase this as a central point of Twelve Months, and I fear that this emotional trauma to one of my favourite characters is going to be very hard to behold.

Honestly, at this moment I am having a very hard time thinking about any novel I am currently more excited for than Twelve Months.  Jim Butcher’s Dresden Files series has been a real highlight of my reading cycle the last few years, and I am so damn invested in this epic series and the trials and tribulations of its damaged wizard protagonist.  Frankly there is no chance at all that Twelve Months won’t be one of the absolute best books of 2026 and I am planning to once again listen to it on audiobook with James Marsters (one of my favourite audiobook narrators).  Twelve Months is going to be so damn epic, and I plan to grab it the very second it comes out.

Mort by Terry Pratchett

Publisher: Gollancz/Penguin Audio (Audiobook – 1987)

Series: Discworld – Book Four/Death – Book One

Length: 7 hours and 18 minutes (Planer version)/7 hours and 57 minutes (Clifford version)

My Rating: 5 out of 5 stars

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My dive into the always outstanding Discworld series by the legendary Terry Pratchett continues with one of the earlier classics, Mort, a clever and highly entertaining novel that still hits hard after all these years.

Readers of this blog will be aware of my obsession for all things Discworld, which I have been a mega fan of for many years.  I have had the very great pleasure of reading all the books in the Discworld series multiple times, and I honestly love everything about them, so much so that I even named this blog after a key setting in the series.  I’ve recently been having one of my periodic re-reads of the series, which has seen me finally review some of my favourite Discworld entries, including Pyramids, Guards! Guards!, Moving Pictures, Small Gods and Men at Arms.  The next entry in the series I decided to reread was the wonderfully compelling Mort.  The fourth book in the series, this is one of the earlier Discworld novels and serves as the first book in the Death sub-series.

They say that death comes for everybody, but on the Discworld that statement couldn’t be more true, as everyone will eventually encounter Death, the black-robed, scythe wielding skeleton who personifies the end of life.  However, not all encounters with Death are the same, as terminally unqualified teenager Mort is about to discover, as instead of taking his life, Death offers Mort a job.

Suddenly saddled with the responsibilities of being the apprentice of Death, Mort finds his life a lot more complicated.  Reaping the souls of the recently departed is one thing, but learning to walk through walls and deal with the unlikely whims of his new master is another, especially as Death seems determined to set Mort up with his adopted daughter Ysabell.  However, the big problems begin when Mort impulsively decides to change fate and save the life of a young princess destined to die.

Forced to find a way to stop the diverging threads of reality while keeping the princess alive, Mort soon discovers that being the Grim Reaper isn’t all it’s cracked up to be.  Worse, with the real Death suddenly discovering the joys of life, Mort’s own humanity is starting to slip away.  Can Mort and a group of unlikely companions save reality, or will he have to face his final judgement at the hands of the universe’s most unyielding employer?

Mort was a particularly impressive Discworld novel from Pratchett, especially as it was probably the book where the author finally found his true writing groove.  Fun, thoughtful and featuring a clever and concise story, Mort was an outstanding read, and I once again powered through in very short order.  As such, Mort gets a very well-deserved five-star rating from me and is a particularly awesome Discworld novel to check out.

I loved the very impressive story that Pratchett came up with for Mort, which takes the concept of Death finding an apprentice and going to the extreme with it.  Starting at an initially slow pace that introduces the key characters of Mort and Death, you soon get invested in Mort’s tale of young man coming into his own in a very unusual field.  Things get interesting quickly when Mort decides to save the life of a young princess destined to die and soon splits reality down the middle.  This leads to a very addictive middle section, as Mort attempts to save the princess while also ensuring reality doesn’t split apart.  At the same time, Death, who finds his time freed up thanks to his assistant, begins to wonder around the world learning about humans and trying to have fun.  The resulting outlandish interactions with Death are a great counterpoint to Mort’s storyline, especially as this results in the apprentice starting to obtain his own powers, often with hilarious results.

Everything cleverly and quickly leads up to the big final third of the novel, where a less-than-human Mort and a scrappy Ysabell attempt to do a disappeared Death’s duty, while also finding a way to save the doomed princess, whose own attempts to stay in reality have been less than successful.  At the same time, fun supporting character Albert, Death’s manservant, returns to his old profession on the Disc and tries to find the original Death, who has found his own unlikely niche in the mortal world.  This final third of Mort is extremely fun, fast-paced and surprisingly impactful, especially as the author keeps raising the stakes for the protagonists, and you are very much unable to stop reading it as you try to see where all the entertaining storylines are going.  However, it’s the inevitable showdown between Death and Mort that really ties everything together perfectly.  Their intense, deeply personal and perfectly showcased duel is amazing, especially as it expertly builds off all the character growth in the novel.  Ending on a hopeful note that sets the tone for a great character going forward, you come away from Mort very happy and with an interesting new outlook on life and its always-grinning counterpart.

I really enjoyed how Mort came together, especially as this is the Discworld novel where Pratchett perfects the style and storytelling methods that make his later novels such a treat to read.  As such, Mort is an early classic in the series, so much so that it is a perfect entry point for new Discworld fans, who get to see a lot of key ideas develop here, while also being introduced to the author’s humour and clever storytelling.  Mort definitely benefited from Pratchett developing a more concise storytelling style here, keeping the narrative a little more focused than the previous novels, and this works as a well-crafted standalone read.  Pratchett also does an outstanding job combining cool fantasy elements with outrageous humour and complex characters, and the result is a very entertaining read that will appeal to a wide range of readers.  Part coming-of-age story, part examination of an extreme mid-life crisis, Mort’s narrative hits a lot of generational notes, and while some of his ideas about splitting reality and the nature of the Discworld are a little complex, Pratchett ensures that readers can completely follow his thought all the way to the fantastic conclusion.

As with all Discworld books, Pratchett imbues Mort with an amazing level of humour, and I loved how intensely funny this novel was at times.  Despite Mort essentially being a novel about mortality and destiny, this is a very light-hearted novel thanks to the entertaining characters and the unusual situations they find themselves in.  There are several different levels of humour contained within Mort, ranging from obvious jokes and over-the-top situations to well-setup references or clever name gags, as well as the subtly funny footnotes that really dive into the absurdity of this flat world that lies atop a giant turtle.  Some of the funniest parts of Mort lie in the usually hardboiled and cynical inhabitants of the Disc suddenly encountering Death in unlikely scenarios.  This becomes particularly prevalent later in the novel when Death leaves the job to Mort and wanders the world looking to understand “fun”, and the various scenes with Death fishing, going to parties, getting drunk, gambling and even searching for a job, are particularly hilarious, especially as everyone else involved in these situations is either deeply unsettled or completely terrified.  Other great jokes involve wizards coming to terms with an apparently animated statue, very long-running bar tabs, fun, if short-lived, political intrigues, unlikely deaths, and the young protagonist upsetting everyone by unwittingly walking through walls.  I laughed myself silly multiple times in Mort, even though I had heard all the jokes many times before, and you are guaranteed to have a lot of fun with this great Discworld entry.

As with all of Pratchett’s novels, Mort features an excellent array of entertaining characters, whose unique arcs add some excellent power to book’s overall narrative.  The cast of Mort was particularly compelling and well-rounded, and I think that Pratchett did a great job of introducing some excellent new figures while also making use of one of the best side-characters in the entire series.  Unsurprisingly, most of the novel’s focus settles on the titular character of Mortimer (Mort), a young teen who unexpectedly finds himself the apprentice of Death.  Shown at the start of the book to be an awkward and unusually thoughtful figure, Mort’s storyline revolves around his attempts to fit in, learn his unlikely trade, and the interesting relationships that form thanks to his new position.  Pratchett works in a very compelling coming-of-age narrative around Mort, especially as he grows into his new role and gains the confidence that comes with finding oneself, while also walking the fine line between morality and duty.  However, there is a definite dark edge to Mort’s storyline towards the end, as Mort starts to lose his humanity and becomes more like Death, and it falls to the rest of the characters to keep him human.  Pratchett did a really good job introducing and building up Mort as a complex young character, and he ended up being one of the author’s better one-shot protagonists.

While much of the book is focused on Mort, the character who constantly steals the show is Death.  The literal personification of death on the Discworld, Death appeared in the first three novels in the series, serving as an ethereal and often entertaining figure on the sidelines who occasionally haunted the author’s original protagonist.  Pratchett cleverly expands on Death in this book, showcasing him as a wise and implacable figure doing his duty in a dispassionate way.  However, his interactions with humans, especially Mort, soon start to change his personality, especially as he becomes curious about life and tires of his eternal station.  This allows him to become a particularly entertaining figure in the second half of the book, as he roams the Disc in unlikely situations, trying to learn how to have fun.  His various ponderings on mortality and human nature result in some hilarious moments, and there are so many fantastic and funny interactions that occur here.  However, it is the final third of the book where you get a real sense of Death’s character; at first, he wistfully tries to embrace life, only to leave that behind when confronted by the actions of Mort.  The anger and sadness that accompany his return to his role and his confrontation with Mort is extremely powerful, and you can’t help but feel for him as he faces an impossible choice, as well as rejection from those he loves.  An overall excellent first deep dive into the character of Death from Pratchett, and you can really see why the author wrote several more books around this character going forward.

Aside from Mort and Death, the rest of the main cast of Mort is quite concise and contains an excellent blend of distinctive and impactful characters.  This includes Death’s adopted daughter, Ysabell, a seemingly spoiled princess and lover of over-the-top romance, who is initially antagonistic to Mort.  Despite her attitude, Ysabell soon turns into quite a likeable and sympathetic character, especially when certain traumas from her unusual life become apparent.  Due to her having some of the more emotionally poignant dialogue and character moments in the book, Ysabell is an excellent part of Mort, and I liked how Pratchett paced her storyline.  The other major resident of Death’s domain featured in this story is Albert, the mysterious servant determined to hide his past from Mort and Ysabell.  Pratchett does an excellent job of setting him up as a bigger figure within the Disc’s history, and his explosive return to form after some entertaining scenes between him and a threatening Mort are a highpoint of the book.  Other major characters include Princess Keli, a young princess who finds her sudden reign made even more difficult due her convoluted existence, and young wizard Igneous Cutwell, who serves as a great foil to the more serious Mort and Keli and becomes an excellent comic relief for the book.  Throw in an array of over-the-top minor Discworld characters whose lives briefly become that much more interesting due to their interactions with either Death or Mort, and Mort has an especially fun cast that Pratchett uses to great effect within this masterful novel.

I must once again highlight the amazing audiobook formats that are my favourite ways of enjoying the Discworld series.  I honestly have so much fun with the Discworld audiobooks, mainly because the format does such an incredible job of showcasing Pratchett’s legendary humour and inventive worldbuilding, and there is frankly no better way to enjoy this cool series.  Like the rest of the series, Mort has two particularly awesome unabridged audiobook versions, both of which come highly recommended by me.  This includes the old-school version narrated by the legendary Nigel Planer, who provided his voice to over half the unabridged Discworld audiobooks.  As with all the Discworld books he narrated, Planer does a remarkable job in this early entry in the series, and I loved the impressive array of voices that he utilised in Mort.  Due to this being the first Death audiobook, Planer had a ton of fun featuring his amazing Death voice, which combines beautifully with some of the other new character tones he had to come up with for this novel.  His great voice work also helped to showcase some of Pratchett’s excellent jokes and key bits of humour, and you really get drawn into the author’s brilliant story and fantastic writing with this classic audiobook release.

Despite my love for the Planer version of Mort, which in some ways is still the definitive audiobook version of this novel, I must also really hype up the new Mort audiobook that was recently released.  Part of the recent rerecording of the Discworld audiobooks I have spruiked in previous reviews, this new version of Mort was extremely awesome, and in some ways it surpasses the old-school version.  Coming in with a runtime of just under eight hours, around half an hour longer than the Planer version, this was a brilliant listen, especially with the impressive combined voice work of Sian Clifford, Peter Serafinowicz and Bill Nighy.

Sian Clifford (of Fleabag fame) did an excellent job as the main narrator for this audiobook, reading out most of the story and the voices of the associated cast.  This results in a swift, well-voiced and deeply compelling version of Mort, and I loved how effectively Clifford brought the story to life and helped to showcase the author’s great humour.  You really get drawn into the cool narrative as Clifford reads it out, and I enjoyed her fresh take on many aspects of the audiobook.  Despite Mort being a rather male character dominated entry in the sub-series, Clifford did an excellent job portraying the cast, and there are some great voices featured here, including of some iconic figures from other sub-series (her Rincewind voice was sufficiently terrified and grovelling).  Clifford clearly has fun when it comes to some of the more outrageous members of the cast, such as Albert, while her take on Princess Keli was excessively regal, and captured both her irritation at the events unfolding around her, while also showcasing her fear and uncertainty.  I must also highlight the voice Clifford provides for the main character, Mort, as the narrator really paints a great picture of a gangly, uncertain teenage boy who starts to come into his own as he gains confidence, and more.  I particularly enjoyed the clever voice changes that Clifford did later in the book, especially when Mort started becoming more like his employer, and the corresponding changes to Death’s voice were just perfect.  This was honestly some amazing voice work from Clifford, and I look forward to listening to her narration of the other Death audiobooks, especially once Susan is brought in as the main character.

While Clifford is amazing, I felt that Peter Serafinowicz clearly stole the show in Mort, playing his character to perfection.  Voicing the recurring character of Death in all the new Discworld audiobooks whenever he appears in the plot, Serafinowicz hits listeners with a deep and final tone that perfectly portrays the Discworld’s Grim Reaper in all his bony glory.  For most of the audiobooks, this is just a fun extra inclusion, as Death only appears in a few hilarious scenes.  But for Mort, this is much more of an involved role, as Death is one of the book’s main characters, and so much of the book’s humour and complex narrative is based around Death interactions with humanity.  As such, Serafinowicz has a ton of fun voice Death through various unusual situations and emotional states, all while keeping up the foreboding Death voice.  The clever and subtle changes to this voice that Serafinowicz makes are extremely impressive, and the humour that results from hearing Death engage in these unlikely scenarios and conversations cannot be overstated.  I also must highlight one brilliant sequence where Serafinowicz hilariously hummed the classic funeral march in his Death voice in response to the text describing Death walking away humming a tune.  Details like that in Serafinowicz’s performance, as well as the increased utilisation of Death in this audiobook, really enhanced the overall impact and humour of Mort, and I loved every second I spent listening to it. 

The final actor featured in this audiobook is the legendary Bill Nighy, who also has a recurring role in all the new Discworld audiobooks.  Nighy has a very important job of narrating all the various footnotes that Pratchett includes in his text, and his gentle voice really brings out the subtle humour hidden in these footnotes.  While Nighy doesn’t get much to do in Mort due to author only featuring a few footnotes in this novel, he still makes an impact, and I’ve really enjoyed how expertly he enhances these clever inclusions.  Honestly, all three of these narrators did an outstanding job in this new version of Mort, and I deeply appreciated how well their compelling performances blended into one impactful listen. As such, Mort is best enjoyed on audiobook, and whether it be the classic Planer version, or the new one with extended cast, you will have a wonderful time listening to it.

As the above rambling pages no doubt prove, I have a lot of love for Mort which was an excellent early Discworld novel from Terry Pratchett.  Featuring some excellent storytelling and fully embracing the clever writing style and comedic charm that made the later Discworld novels so damn awesome, Mort was a brilliant read, and one that proves impossible to put down.  An outstanding novel that really shows how impressive Pratchett could be as an author; Mort comes highly recommended and is guaranteed to be enjoyed by any reader.

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The Malevolent Eight by Sebastien de Castell

Publisher: Acardia (ebook – 27 May 2025)

Series: Malevolent series – Book Two

Length: 397 pages

Rating: 4.75 out of 5 stars

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The always entertaining Sebastien de Castell unleashes one of the funniest books of 2025 with the dark fantasy novel, The Malevolent Eight, a compelling and impressive sequel that I couldn’t get enough of.

Over the last couple of years, I have really become attached to the amazing Sebastien de Castell, a leading fantasy author with some outstanding stories under his belt.  Known for his impressive and varied stories, including his Greatcoats, Spellslinger and Argosi novels, de Castell has a brilliant imagination, and I love the range of complex settings and narratives he brings to life.  Some of my favourite de Castell books are from his recent The Court of Shadows fantasy murder mystery series, which serves as a sequel to his original Greatcoats books.  These include the witty and entertaining Play of Shadows (one of my favourite books of 2024) and the particularly clever Crucible of Chaos (one of my favourite audiobooks of 2024), both of which were real highlights of my reading calendar last year.  However, for this review I’m going to focus on a far more entertaining series of de Castell’s that I have had a blast with.

This series is the Malevolent collection of books, which contain dark magic, over-the-top characters and ridiculous humour.  Starting back in 2023 with The Malevolent Seven, this series followed seven morally questionable mercenary mages who come together into an unlikely team to defeat a group of dangerous wizard brothers.  However, their attempt to do the right thing spectacularly backfires on them when they are tricked into allowing the hosts of heaven and hell to simultaneously invade, turning their realm into the battleground for their final war.  I ended up having an exceptional time with The Malevolent Seven, and I really got drawn into it’s clever, if outrageous plot.  Naturally I was keen to see how the series continued, and the recently released sequel, The Malevolent Eight, has long been on my to-read list.

After a great betrayal, the mortal realm is in peril as the heavenly Lords Celestine and the dark Lords Devilish have simultaneously invaded, determined to fight their long-anticipated final battle on this unclaimed ground.  As both sides recruit as many additional human soldiers and followers as they can to their cause, the survival of humanity seems to lie in the hands of an unlikely group of rogue magic users.  Unfortunately for everyone involved, humanity’s saviours are the damn fools who caused this calamity in the first place, the insane mages better known as The Malevolent Seven.

At the head of this misfit band is Cade Ombra, a man who has known power and betrayal from both the Celestine and the Devilish and is determined to allow humans to remain free from their dual influences.  Forced to work with the most emotionally unstable group of mages and wonderists in the mortal realm, including a destruction-loving lighting slinger, a fallen angel, a righteous devil trying to serve the Celestine, an uncertain blood mage, a roguish rat admirer and their newest member, a vampiric kangaroo, Cade begins to wage a surprisingly moral war on both the Celestine and the Devish.

However, The Malevolent Seven aren’t the only beings attempting to disrupt the plans of the two invading armies.  Another group of mages, as well as a mysterious woman from Cade’s past with unimaginable power, are also fighting for their own purposes, and looking good while doing so.  Forced to contend against angels, devils, and ambitious mages, Cade will need to outthink all his enemies, while also ensuring that his own chaotic allies don’t make everything even worse.  However, the harder he fights, the more Cade begins to realise that he may have to sacrifice everything, especially when it becomes clear that the origin of the apocalypse lies in his gilded past.

De Castell continues to deeply impress with this brilliant, if somewhat unhinged, novel, as The Malevolent Eight was an exceptional dark fantasy sequel that comes very highly recommended.  Taking all the comedic craziness from the first book and amping it up to eleven, The Malevolent Eight was a perfect follow-up to de Castell’s previous narrative that takes the reader on an exceptional adventure you just won’t be able to look away from.

After having a ton of fun with the awesome first book in the series, I honestly wasn’t too sure what to expect with The Malevolent Eight’s story.  However, not even in my wildest dreams did I imagine just how unhinged, wild and downright insane this sequel’s plot would get as de Castell pumped the narrative all the way up to 11 and beyond.  Starting with a fun and particularly bloody sequence that not only reintroduces the unruly protagonists but also showcases the dark scenario that they find themselves in for this book, the readers are quickly thrust into The Malevolent Eight’s plot, and frankly after the first series of crazy events, you find yourself pretty hooked as the self-proclaimed Malevolent Seven’s attempt to fight both the armies of heaven and hell.  However, as the story progresses, the unconventional heroes soon find that there are far more dangerous beings involved in this war, including a mysterious mage with previously unknown destiny-altering magic.

Determined to find out more about their new opponent, Cade leads The Malevolent Seven to both the Lords Celestine and Devilish to find out what they know and soon begins to understand his unfortunate role in the outbreak of the apocalypse.  After some hilarious interactions with both sets of lords, the protagonists embark on a series of missions, only to encounter betrayals, hidden secrets, the consequences of Cade’s lies, capture, revelations and a surprisingly humorous torture sequence.  This leads up to the big conclusion of the story, as the protagonists find themselves in the middle of a battle against three separate sides trying to claim their world for various purposes, all while manipulative figures work from the sidelines.  This big finale for The Malevolent Eight gets a little overcomplicate and convoluted, especially as we dive into alternate realms and different realities, but the entire thing is highly entertaining to behold.  It finishes off on an interesting conclusion, which has a nice hopeful note to it (especially in comparison to the previous book), while also hinting at some dark events to come.  This is an overall quite entertaining and wild story that really highlights de Castell’s creativity and ability to craft over-the-top narratives.

I deeply enjoyed the wonderful style that de Castell utilised in The Malevolent Eight, as the author pulls together a chaotic and hilarious dark fantasy that hits a lot of over-the-top notes at the same time.  Perfectly told from the single perspective of main character Cade Ombra, The Malevolent Eight is a balls-to-the-wall blast, loaded with insane action, excessive blood, crazy moments and fantastic humour.  De Castell keeps the pace of the story moving pretty fast throughout The Malevolent Eight, and the reader absolutely powers through the fantastic combination of carnage, intrigue, and hidden motivations.  Working well as a sequel to the previous book, The Malevolent Eight cleverly returns to the author’s fun setting, which has been drastically altered due to the rival inter-dimensional armies fighting across it.  Serving as the perfect background to such an entertaining and oddball dark fantasy narrative, de Castell makes perfect use of the changed setting and existing book history to go all out with his narrative.  While a seemingly simple and insane book on the surface, de Castell also adds in some impressive extra depth to the story, including through its complex magic system and the inclusion of several alternate realms that allow or some interesting inclusions from the author’s wider fictional reserves.  There is also a great moral greyness to the entire setting, as even the most noble of people or beings in this setting is generally pretty flawed or evil in their own way, and I frankly loved how cynical things got at times.

While this is a rather dark story, loaded with brutal combat and destructive magic, de Castell keeps the overall tone of The Malevolent Eight pretty light thanks to the excellent use of humour.  This is an insanely funny book, and while there is a certain subtly to some of the comedy contained within, for the most part de Castell utilises over-the-top scenarios (such as a swearing kangaroo), unhinged dialogue (the one swearword said kangaroo can say) and silly over-reactions for his comedy, which frankly fits the overall crazy feel of The Malevolent Eight.  The author gets a consistent amount of humour out of all the crazy antics of his characters, which stays pretty damn funny all the way through and never gets too tiring or overplayed.  Highlights of The Malevolent Eight’s humour for me included a very cleverly written demonic contract that spelled out the terms of a deal with the protagonists with some unique caveats, a particularly entertaining torture sequence where the protagonist causes more discomfort for his torturers than himself, ill-timed relationships with the book’s apparent antagonist, and so many crazy conversations between the seemingly sane point-of-view protagonist and every single person he encounters.  While I’m slightly salty about de Castell’s description of the Australian accent being “halfway between some poncy foreign nobleman and an inebriated fishmonger” (ok fine, it was pretty funny), this was quite a hilarious read, and I honestly laughed out loud multiple times in public as I read through this crazy comedic book.

One of the things I appreciated about The Malevolent Eight is the way in which de Castell made it accessible to all readers, even though who didn’t read the preceding novel.  While those who have checked out The Malevolent Seven are probably going to get the most out of this novel, especially as they can continue the hilarious character arcs from the first book, I feel that new readers can easily jump into The Malevolent Eight without any real context and still follow the story perfectly.  Indeed, I quite enjoyed how well de Castell cleverly and effectively recapped the events of the previous book, especially after a two-year gap between reading The Malevolent Seven and The Malevolent Eight.  Established de Castell fans will probably appreciate the references to the author’s other series, as a new major character in the novel is from the author’s Spellslinger universe and utilises that series’ unique magic to great effect in this novel.  While those readers who have read the Spellslinger books will no doubt find this inclusion really cool, people who are less familiar with this series can still follow The Malevolent Eight’s plot without any issue, especially as the events of the other series don’t really come into play here.  As such, I would recommend The Malevolent Eight to any fantasy readers looking for a dark comedic turn, although for the sake of completeness, try The Malevolent Seven first.

As with The Malevolent Seven, this excellent sequel features a fantastic cast of compelling damaged characters whose unique and often quite outrageous stories helped to ensure The Malevolent Eight was an impressive read.  Cleverly building on the storylines of the previous book, The Malevolent Eight features the immoral characters who make up titular Malevolent Seven attempting to be heroes in this book, often with mixed results.  This includes main protagonist and point-of-view character Cade Ombra, the leader of group and a man with quite a complex past.  Shown in the previous book to be a power hunger survivor with a conscience, The Malevolent Eight really dives into his characterisation even further as you look at his past as an arrogant holy warrior and his eventual fall from grace to work with demons.  His complex past becomes a key part of The Malevolent Eight’s plot, especially as much of the current issues lie in his past mistakes, and it was quite moving to see Cade attempt to make amends, especially as it gets him into even more trouble.  Despite this, Cade is still a massive bastard at times, and his manipulative nature and evil strategic mind are some of his greatest weapons.  Serving as the apparent straight man to a group of crazy friends, Cade sees himself as the sole voice of reason in the entire book, and it was fascinating to see his compelling perspective unwind throughout the book, especially when he faces certain realities about his friends and what he must do for redemption.

The rest of the cast of The Malevolent Eight is pretty crazy in comparison to Cade (at least from his perspective), and it was so much fun to see these outrageous personalities interact with each other.  My favourite supporting character is still the rude and crude Corrigan Blight, a thunder mage who serves as Cade’s unwieldly second.  Despite his outward appearance as an idiot controlled by his element (I mean, he is), Corrigan is a surprisingly deep figure and his ability to act as Cade’s conscious really highlights their great friendship.  The rest of the returning members of The Malevolent Seven, which includes a rat mage, a fallen angel, a holy demon and an uncertain blood mage, are slightly less well featured in this book, although de Castell does dive into their uncharacteristic attempts to be heroes, and their always fun interactions as a group allowed for some amazing moments.  I also must mention the newest member of team, Temper, a giant, swearing, vampiric kangaroo who has joined the team since the events of the first book.  Temper was quite a surprising figure to behold, and de Castell cleverly keeps the kangaroo’s origins somewhat hidden from the reader for much of the plot, allowing you to really enjoy his random presence without thinking too much about it.  This main cast was so much fun, and de Castell tops it off with a new magic user from Cade’s dark past with surprising connections to the Spellslinger universe, Cade’s former demonic benefactor whose intrigue, and paella, is to die for, and a variety of high demon lords and celestial beings whose motivations are never black and white.  These characters, and more, ensure that The Malevolent Eight is an exceptional read from start to finish, and I deeply enjoyed seeing these crazy characters in action.

Sebastien de Castell was in rare form with his impressive new dark fantasy novel, The Malevolent Eight.  A bold sequel that takes all the best elements from the first book and amps them up to a hilarious new height, The Malevolent Eight was an extremely entertaining read, with some brilliant comedic charm that worked well with the damaged characters and very dark fantasy elements.  Outrageous and excessive in all the best ways, The Malevolent Eight was such a great read and I couldn’t get enough of de Castell’s latest ultra-fun offering.  Make sure to also keep an eye out for de Castell’s other 2025 novel, Our Lady of Blades, later this year, which I strongly feel is going to be even more amazing.

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Top Ten Tuesday – Most Anticipated Books Releasing During the Second Half of 2025 (Fantasy and Science Fiction)

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this latest Top Ten Tuesday participants need to list their top anticipated releases for the second half of 2025.  I am planning to do two versions of this list, one that will exclusively look at upcoming thrillers, crime fiction, historical fiction, and more, and this one that will focus on upcoming fantasy and science fiction books.

2025 has so far been a pretty amazing year for books (something I will cover in next week’s Top Ten Tuesday), with some outstanding and impressive novels coming out and blowing me away.  However, the year is far from over and there are so many incredible and epic-sounding novels set for release in the second half of 2025.  To fill out this list I have scoured my list of anticipated upcoming releases and tried to work out which of the books coming out between the start of July and the end of December I am most looking forward to.  I already have a couple of these books in advance, but I think it’s worth including them here, especially as I still need to make time to read them.

I had initially intended to only do a single list featuring all the genres, however, I ended up with way too many awesome upcoming novels on my radar.  So, to fairly feature them all, and to save myself from some hard decisions, I decided to split this post into two separate lists, starting with this one on fantasy and science fiction.  I still had to cut out several impressive upcoming releases, but I was a lot happier with how these lists turned out, especially as I was able to feature so many epic upcoming reads that I am going to have the most fun reading.  Due to how much potential that I think the entries on this list have, several have previously appeared in my weekly Waiting on Wednesday articles, as well as on my recent Winter TBR list.   So let us get to my selections and find out which upcoming novels are my most anticipated fantasy and science fiction releases for the second half of 2025.

Honourable Mentions

Seven Recipes for Revolution by Ryan Rose – 22 July 2025

A cool fantasy debut with an interesting cooking theme that I have had my eye on for a while.

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Katabasis by R. F. Kuang – 26 August 2025

A fantastic dive into academic hell from the acclaimed R. F. Kuang.

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King Sorrow by Joe Hill – 28 October 2025

A very interesting upcoming book from Joe Hill that will see a group of friends suffer the consequences of summoning a dragon.

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Warhammer 40,000: Voidscarred by Mike Brooks – announced for 2025

I’m very excited for the upcoming Warhammer novel by Mike Brooks that will set Aeldari Corsairs against Ork Freebooterz. Brooks is exceptional Warhammer 40,000 author, with books like Warboss, Da Big Dakka and The Lion: Son of the Forest really showcasing his talent, and I look forward to seeing this very fun upcoming book.

Top Ten List

Warhammer 40,000: Grotsnik: Da Mad Dok by Denny Flowers – 1 July 2025

There are several awesome Warhammer 40,000 novels still to come in 2025, but the one I’m currently most looking forward to is the epic novel Grotsnik: Da Mad Dok.  Written by the very talented Denny Flowers who has previously impressed me with books like Outgunned (one of my favourite Warhammer 40,000 novels) and Above and Beyond (one of my favourite books and audiobooks of 2024), Grotsnik: Da Mad Dok has a ton of hilarious potential as it dives into the most insane and diabolical “medical” practitioner amongst the brutal orks.  I already know this is going to be a clever and very funny read (especially after seeing Flowers write ork characters in Da Red Gobbo Collection), and I cannot wait to see what insanity awaits in this cool upcoming book.

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Stone and Sky by Ben Aaronovitch – 8 July 2025

The always outstanding Ben Aaronovitch returns to his iconic Rivers of London series with the compelling upcoming Stone and Sky.  Part elaborate urban fantasy, part clever police procedural, Stone and Sky will see the series protagonist and his unusual family journey up to Scotland on a holiday, only to encounter a new supernatural mystery from the depths of the ocean.  Set to feature another amazing and addictive story told in Aaronovitch’s distinctive style, Stone and Sky will likely be one of the most captivating fantasy novels of 2025 and I look forward to continuing the series.

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Three Shattered Souls by Mai Corland – 15 July 2025

In the last year I have had an amazing time checking out the awesome fantasy novels of the Broken Blades trilogy by Mai Corland.  Following several dangerous killers as they are forced to pull off impossible missions for a power-hungry king, the first two books, Five Broken Blades and Four Ruined Realms, have set up an outstanding story with some brilliant characters.  Fans of this series will be getting a conclusion to the trilogy later this year with Three Shattered Souls, which should be particularly epic.  I cannot wait to see how Corland wraps everything up, and I already know I’m going to love it, especially in its elaborate audiobook format.

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The Last Soul Among Wolves by Melissa Caruso – 19 August 2025

Another great upcoming fantasy murder mystery novel I have my eye on is The Last Soul Among Wolves by Melissa Caruso.  The sequel to Caruso’s amazing 2024 novel, The Last Hour Between Worlds, The Last Soul Among Wolves will see the series protagonist caught in a cursed mansion during a doomed will reading.  Looking set to combine a classic murder mystery scenario with Caruso’s elaborate fantasy world, The Last Soul Among Wolves has a ton of potential and I cannot wait to check it out.

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Born of an Iron Storm by Anthony Ryan – 26 August 2025

One of my favourite fantasy authors, Anthony Ryan, returns with the second book in his awesome Age of Wrath trilogy, Born of an Iron Storm.  The amazing sound sequel to his 2024 novel, A Tide of Black Steel, Born of an Iron Storm will continue the elaborate adventures started in Ryan’s last book.  Set to once again feature a cool Norse-inspired setting, compelling characters, and all manner of plots and conspiracies, Born of an Iron Storm sounds pretty damn incredible and I have no doubt this is going to be one of the better fantasy releases of 2025.

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Cold War by Jonathan Maberry – 14 October 2025

The always impressive Jonathan Maberry continues to showcase his brilliant writing skills with Cold War, a fantastic upcoming follow-up to his 2024 dark science fiction novel, NecroTek.  Pitting human scientists and soldiers trapped far away in space against ancient cosmic horrors, Cold War should be another gripping read, especially as the humans are fighting back using their powerful, death-powered alien mechs.  Likely to be another particularly dark and haunting read, Cold War has the potential to be an incredible sequel, and I am very keen to check it out.

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The Blackfire Blade by James Logan – 23 October 2025

Last year I had the very great pleasure of reading the outstanding fantasy debut, The Silverblood Promise by James Logan.  An elaborate and compelling fantasy adventure that saw a young man travel to an unfamiliar city to try and uncover his father’s killer, The Silverblood Promise was an amazing read that blended cool worldbuilding with a great conspiracy storyline.  I had a ton of fun with this first book from Logan, and I have been quite eager to get my hands on the sequel for a while now.  Luckily, I only have to wait a few more months as Logan’s second book, The Blackfire Blade is one of the big fantasy releases of October.  Continuing to follow the protagonist’s quest to find clues related to his father’s murder, The Blackfire Blade takes the reader to another elaborate fantasy city within the same realm and forces the characters to uncover the new setting’s dark secrets to get what they want.  I have no doubt this is going to be an impressive book, and I cannot wait to see how Logan continues his amazing series.

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Our Lady of Blades by Sebastien de Castell – 6 November 2025

One of the more impressive fantasy novels coming out later this year is the very cool novel, Our Lady of Blades.  The next book in Sebastien de Castell’s The Court of Shadows series, Our Lady of Blades will be another standalone novel in the author’s Greatcoat universe, that will build on the previous novels Crucible of Chaos and Play of ShadowsOur Lady of Blades will explore a new location in this universe and will feature a The Count of Monte Cristo inspired plot, as a mysterious masked duellist returns to a corrupt city to get justice and restore her family through any means necessary, all while the big conspiracy of the series continues to unfold.  Based on how exceptional the last two books in this series have been, I feel that Our Lady of Blades is going to be a top book of 2025, and it is one I am especially keen for.

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The Strength of the Few by James Islington – 11 November 2025

Probably the most anticipated book for fantasy fans coming out in the second half of 2025 is the elaborate and intriguing novel, The Strength of the Few by James Islington.  The sequel to Islington’s highly acclaimed The Will of the Many (one of my favourite booksaudiobooks and Australian novels of 2023), The Strength of the Few, will continue to follow Islington’s compelling protagonist as he attempts to undermine the empire that destroyed his family, while uncovering the hidden secrets from the past.  However, this book looks set to be even more complex as different versions of the protagonist are split amongst three separate worlds, each of whom must face its own troubles and adventures.  I am extremely intrigued to see how this split narrative is going to work out but based on how damn exceptional The Will of the Many was, I have very little doubt this is going to be a particularly epic novel.

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Star Wars: Master of Evil by Adam Christopher – 11 November 2025

The final book that I want to highlight on this list is the impressive and character-focussed Star Wars tie-in novel, Master of Evil by Adam Christopher.  Set to follow Darth Vader during his early days as a Sith Lord, Master of Evil will provide some complex insights into this iconic villain’s mind as he attempts to uncover the true dark side of the Force.  With a very cool plot idea, and an even more awesome cover, Master of Evil has certainly caught my attention, and I cannot wait to see Christopher’s take on this legendary Star Wars character.

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That is the end of this list.  I am extremely happy with how my latest Top Ten Tuesday article turned out, and this list contains an intriguing collection of upcoming fantasy and science fiction books that should prove to be incredible reads.  I think that every one of the books I mentioned above has some amazing potential, and most, if not all, will probably end up with a full five-star rating from me.  Make sure to also check out my next list where I dive into upcoming thrillers, crime fiction, historical fiction and more.  Let me also know if any of the above interest you and let me know what your most anticipated releases for the next six months are in the comments below.

Waiting on Wednesday – The Last Soul Among Wolves by Melissa Caruso

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  I’ve already published another Waiting on Wednesday novel tonight with Born of an Iron Storm by Anthony Ryan; however, I’m also publishing a post to highlight the awesome upcoming fantasy mystery novel, The Last Soul Among Wolves by Melissa Caruso.

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The reason that I am choosing to highlight The Last Soul Among Wolves tonight is because I just published a review for Melissa Caruso’s fantastic 2024 novel, The Last Hour Between Worlds.  A great mystery read that saw the protagonist attempt to investigate a recuring series of magical murders amongst a dark time loop.  I had a ton of fun with The Last Hour Between Worlds, and I have been keen for the sequel for some time now.  It helps that The Last Soul Among Wolves, which is set for release in August 2025, has a particularly intriguing plot idea behind it that will cleverly follow Caruso’s previous book and initiates another dark series of events.

Plot Synopsis:

The Last Soul Among Wolves is the dazzling second instalment in Melissa Caruso’s bestselling Echo Archives series, a whip-smart fantasy adventure packed with murder, mystery and mind-bending magic.

All Kembral Thorne wants is to finish her maternity leave in peace. But when her best friend drags her to a will reading at a decrepit island mansion – along with her once-rival, now-girlfriend Rika Nonesuch – she finds an unexpected reunion of her childhood crew . . . and a deadly curse she must now unravel.

To save her friends, Kem and Rika must once more race against the clock and descend into other realities. But the mansion is full of old secrets and new schemes, and soon the game becomes far more dangerous than they could ever have imagined.

The Last Soul Among Wolves sounds like another fantastic book from Caruso, and I look forward to the seeing how this new captivating narrative unfolds.  Setting the protagonist against another dark curse, this time around the classic scenario of a mysterious will reading at decrepit island mansion, has a lot of awesome potential, and I am very excited to see how it unfolds.  At the same time, the inclusion of several supporting characters from The Last Hour Between Worlds, should result in some fantastic character-focused moments, especially as most of the figures being included are a bunch of outrageous people from across the setting of the Echo Archives, each with their own secrets and history.  I imagine that Caruso has a very complex narrative set around uncovering all these character’s respective secrets, as well as figuring out how it connects to the curse trapping them, which should result in an impressive read.

Due to how amazing the first book in the Echo Archives was, I have very high hopes for The Last Soul Among Wolves, and it is one of my most anticipated reads for the second half of 2025.  Set to feature mystery, elaborate fantasy elements and an array of memorable central characters, The Last Soul Among Wolves will likely be one of Melissa Caruso’s strongest books yet (which is saying something), and I cannot wait to get my hands on it in a few months’ time.

The Last Hour Between Worlds by Melissa Caruso

Publisher: Orbit (Trade Paperback – 26 November 2024)

Series: The Echo Archives – Book One

Length: 389 pages

My Rating: 4.5 out of 5 stars

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Take a bold leap through various time loops with one of the more exciting and clever fantasy novels of 2024, The Last Hour Between Worlds by Melissa Caruso.

Melissa Caruso is a very talented author who has been producing brilliant female-led fantasy fiction since her debut in 2017.  Starting with her outstanding Swords and Fire trilogy (The Tethered Mage, The Defiant Heir and The Unbound Empire) and continuing with her sequel Rooks and Ruins trilogy, Caruso made a big impact the first several years of career, and her writing has only gotten stronger since.  As such, I made it a big priority to get my hands on her 2024 novel, The Last Hour Between Worlds, which I had the pleasure of reading at the start of this year.  The first book in the author’s new The Echo Archives series, The Last Hour Between Worlds sets up a cool new fantasy series with a murder mystery twist behind it and some great story ideas.

Plot Synopsis:

A whip-smart adventure fantasy packed with rival guilds, reality-bending magic, and sapphic pining, The Last Hour Between Worlds is the brilliant launch of a new series from David Gemmell Award-nominated author, Melissa Caruso.

Kembral Thorne is spending a few hours away from her newborn, and she’s determined to enjoy herself at this party no matter what. But when the guests start dropping dead, Kem has no choice but to get to work. She is a Hound, after all, and she can’t help picking up the scent of trouble.

She’s not the only one. Her professional and personal nemesis, notorious burglar Rika Nonesuch, is on the prowl. They quickly identify what’s causing the a mysterious grandfather clock that sends them down an Echo every time it chimes. In each strange new layer of reality, time resets and a sinister figure appears to perform a blood-soaked ritual.

As Kem and Rika fall into increasingly macabre versions of their city, they’ll need to rely on their wits—and each other—to unravel the secret of the clock and save their home. 

The Last Hour Between Worlds was a particularly elaborate and compelling read that had me hooked from the start and kept dragging me along, much like its characters were dragged down through death and echoes.  Sharp, intense and featuring a ton of unique world-building, The Last Hour Between Worlds was a bold read that cleverly sets up a great new fantasy series.

I had a brilliant time with The Last Hour Between Worlds, as Caruso features a complex narrative with compelling stakes that proved hard to put down.  Starting off with a good introduction to the protagonist, Kembral Thorne, a nearly retired Hound and expert at travelling through the various arcane Echoes that exists under her city, and several other key characters as they are entertained at a party held by a prominent city politician.  It doesn’t take long for the action to kick off as several dark denizens from the Echoes arrive at the party, determined to kill certain guests and drag the entire gathering down into the reality below.  Dragged along with it, Kembral finds herself stuck in a dark time loop which only she remembers thanks to an interaction with a mysterious grandfather clock.  Forced to watch her friends and colleagues brutally murdered and dropped into a deeper Echo with each variation of the loop, Kembral seeks a way to stop the recurring murders and ensure that everyone comes out alive.

The plot goes in some interesting directions as The Last Hour Between Worlds continues, and it soon becomes apparent that Kembral and the rest of the humans are caught up in a deadly power struggle between the Empyrean, the masters of the Echoes, who are using this event as a key piece in their games.  Forced to team up with the only other person who can remember events, her nemesis and potential love interest, Rika Nonesuch, the two work through various iterations of the time loop, figuring out more clues about the event and trying knock all the competing Empyrean out of the time loop before the final chime of the clock.  This results in an entertaining, exciting and complex storyline, which Caruso sets up extremely well.  The blend of human and magical intrigues that the protagonists are forced to navigate allows for a very compelling story, and I loved all the cool twists that emerge, as well as the deeper personal struggles between Kembral and Rika.  It all leads up to the big conclusion at the final Echo, as the two desperately fight to ensure everyone survives.  I felt that Caruso set up an excellent ending for The Last Hour Between Worlds, especially as this story is wrapped up in a satisfying manner, while also hinting at some more dark adventures to come.

I really enjoyed how cleverly The Last Hour Between Worlds came together.  The slick blend of unique fantasy elements, a cool time-loop mechanism, and the layers of intrigue surrounding events was particularly impressive, and I really got hooked on the story because of how well these elements were utilised.  The time-loop part of the book was especially great, and the way in which Caruso kept reframing the story in each successive Echo ensured that you were constantly on your feet and you never quite knew what was going to happen next.  The underlying setting and magic of The Last Hour Between Worlds was also quite clever, as Caruso envisioned an elaborate array of alternating dimensions and dark creatures that mirror the humans above in twisted ways that the protagonists need to overcome and bargain with.  While I think that some of the elements of the setting could have perhaps been explored in a little more detail before the major events of the plot kicked off, for the most part readers can come in and completely follow what is happening in the plot without any issues.  The resulting action, well-hidden twists, and cool character interactions really enhance The Last Hour Between Worlds’ already compelling narrative, and you won’t be able to turn away from Caruso’s new fantasy adventure.

The final thing I want to talk about were the great characters featured within The Last Hour Between Worlds, with the focus primarily being around the heated pairing of Kembral Thorne and Rika Nonesuch.  A fun case of attracted opposites with lots of history, the law-abiding Kembral and the roguish thief Rika are the perfect foils for each other, and I love their heated interactions.  Despite their initial mistrust, the two soon begin to work together to survive and find their old feelings rekindling.  Caruso nicely slow burns their inevitable romantic attachment, , and they must work through a lot of mistrust, hidden secrets, and their own perceived slights to get there.  The rest of the cast is also interesting and entertaining, and you get quite attached to them as the time loops continue, even though some wind up temporarily dead.  Several are these characters are slated to have bigger roles in the upcoming sequel to The Last Hour Between Worlds, and I cannot wait to see what happens there.  Throw in some excellent dark mystical figures in the Empyrean, who act as either antagonists or shadowy figures on the sidelines, and this was a stacked set of characters that Caruso clearly has some intriguing plans for.

With a slick plot, a great mixture of fantasy adventure of murder mystery hijinks, and some entertaining characters, The Last Hour Between Worlds was an outstanding novel from Melissa Caruso, who continues to showcase why she is one of fantasy fictions most inventive rising stars.  Serving as a great starting point to a new series, The Last Hour Between Worlds comes highly recommended, and I loved its powerful and complex plot.  I honestly cannot wait to see where Caruso takes The Echo Archives series next, although the upcoming sequel, The Last Soul Among Wolves, sounds particularly awesome.

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Waiting on Wednesday – Born of an Iron Storm by Anthony Ryan

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this somewhat late Waiting on Wednesday, I check out the awesome upcoming book from Born of an Iron Storm by Anthony Ryan.

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As some of you who are familiar with my blog would have seen, I just published a long-overdue review of the awesome 2024 novel, A Tide of Black Steel by Athony Ryan.  A sequel to the authors previous Covenant of Steel novels (The Pariah, The Martyr, and The Traitor), A Tide of Black Steel was one of my favourite books and audiobooks of 2024, and I have been meaning to put a review of it up for a while.

As I had an outstanding time finally writing up my review for A Tide of Black Steel, I thought this would be the perfect opportunity to review the intriguing upcoming sequel, Born of an Iron Storm.  The second book in the author’s Age of Wrath series, Born of an Iron Storm is set for release in late August 2025 and will continue after the impressive cliffhanger that Ryan left his previous novel on.

Plot Synopsis:

From the international bestselling author Anthony Ryan comes the spectacular second novel in a new epic new fantasy trilogy inspired by Norse mythology.

The Sister Queens have fallen and Ascarlia lies naked before the storm. A Nihlvarian plan, years in the making, has seen Ascarlia’s enemy seize the capital Skar Magnol. Now the invaders look to the wealthy port city of Olversahl to complete their conquest.

But there is hope.

Elvine is trapped at the heart of the conspiracy, yet her role in the new government offers the chance to plan resistance from within. She must tread a fine line between loyalty and secret disobedience, knowing the smallest mistake will mean her death.

Meanwhile, Thera has secured the Outer Islands, but her loyalist forces alone cannot liberate Skar Magnol. She must seek allies to have any chance of defeating the Nihlvarian threat. But her greater challenge will be to overcome her own doubts and become the leader she needs to be.

If she fails, Ascarlia will fall.

And far away across the ocean, Felnir embarks on a bloody path towards kingship whilst to the north, Ruhlin seeks escape from the tyrannical realm of Nihlvar where the mysterious Vortigurn holds sway.

Continuing the epic tale begun in A Tide of Black Steel, Born of an Iron Storm is a compelling saga of bloody retribution, deadly intrigue, and desperate courage.  

This is a very awesome sounding sequel, and it looks like Ryan is going to expand on a lot of very cool plot points in Born of an Iron Storm.  Set to continue with the four same perspective characters from A Tide of Black Steel, Born of an Iron Storm will likely start with several separate narrative threads as these great characters each try to navigate on from the dark places that they finished the last book in.  I deeply enjoyed all four of these separate, character focused stories in A Tide of Black Steel, and I look forward to seeing how each character survives their last misadventures and continues to try to fight back against the mysterious new enemy.

Of the four I think the perspective I am most looking forward to in Born of an Iron Storm is that of Elvine, a young scribe caught up in the middle of a successful conspiracy to destroy Ascarlia from within.  A lot of the reasons I am keen to see Elvine’s perspective is her recently revealed connection to the protagonist from the original Covenant of Steel novels, and it will be interesting to see where Ryan takes her familial story going forward, especially as she tries to survive alongside her adventurous half-brother, who those familiar with Ryan’s previous series will know has quite a dark legacy behind him.  Elvine’s chapters also have the potential to be some of the more intrigue and mystery laden as the protagonist attempts to rebel while forced to live in service of those who want to destroy her people, and I cannot wait to see how that blows up in her face.

While Elvine’s chapters have a good chunk of my interest based on the synopsis above, the rest of the perspective chapters in Born of an Iron Storm have a lot of potential as well, and I can see all of them being quite impressive in their own way.  Thera’s chapters will likely be the most militarised, as she attempts to fight back a massive invading fleet, so expect a lot of cool longship-on-longship or shield wall combat there.  Felnir’s narrative will likely be the most frustrating, as the young captain seeks glory and power in all the wrong places, although I feel there will be some intricate lore in these chapters.  Finally, the young escaping pit fighter Ruhlin will likely have a dark tale of survival and finding oneself in his storylines, and it will be interesting to see how this monster survives on the run.  All four of these character perspectives sound extremely compelling, and I am anticipating that there will be some excellent crossover the further we get into Born of an Iron Storm’s story, which should make for a particularly incredible novel.

Due to how damn impressive Anthony Ryan’s last four books have been, there is no way that I will be missing out on Born of an Iron Storm later this year.  Sure to be filled with complex characters, great action and some elaborate storytelling, Born of an Iron Storm has so much potential, and I have no doubt at all that it will be another five-star read from this great author.  As such, Born of an Iron Storm is one of my most anticipated books coming out in the second half of the year, and I cannot wait to see how Ryan continues his exceptional Age of Wrath series.