Waiting on Wednesday – The Kingkiller Chronicles – Book 3 by Patrick Rothfuss

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

For this week’s Waiting on Wednesday, I am going to look at the book that is easily number 1 on my personal must-read list, the third book in Patrick Rothfuss’s epic The Kingkiller Chronicle, which is at the moment tentatively titled Doors of Stone.

Doors of Stone - Fan Cover.jpg

There are several problems with wanting to read this book. I have no idea when it is going to be released, nor do I have a firm idea of the book’s plot. Even the title, Doors of Stone, might change, and the cover I have included above is a fan-made cover that features on Goodreads. Nonetheless, it tops my list mostly due to how exceptionally awesome the first two books in the series were.

The Kingkiller Chronicles is a series of massive fantasy books written by Patrick Rothfuss. The first book in the series, The Name of the Wind, was released in 2007, and the second book, The Wise Man’s Fear, was released in 2011. The series focuses on a young man called Kvothe, a legendary figure known throughout the land as a master magician, swordfighter, musician and adventurer who gained the epitaph ‘Kingkiller’ after killing a king and igniting a war that is still being fought to this day. Kvothe has since hidden himself from the world, disguising himself as an innkeeper in a small town. At the start of The Name of the Wind, Kvothe is recognised by a renowned historian known as Chronicler, who wishes to know and record the true story of Kvothe’s life. Kvothe agrees and tells Chronicler that his story will take three days to tell, with each day of storytelling corresponding to one of the three planned books in The Kingkiller Chronicles.

Over the course of the first two days, Kvothe regales Chronicler with a long and detailed story of his early life, starting with his childhood as a travelling performer, his early training and the violent death of his family and performing troupe by the Chandrian, which are mythical demonic creatures his father somehow angered. Kvothe eventually makes his way to the University, the most prestigious education institute in the world, where he manages to gain admission despite his lack of funds. There he learns various forms of magic, as well as other academic interests, while also gaining a reputation as a musical prodigy. The story told during the first day mainly recounts his first year in the University, while the second day recounts more of his educational experiences, as well as a long and fateful trip outside the University. At the same time as the story is being told, strange events are occurring around Kvothe’s inn, and it soon becomes apparent that Kvothe has somehow lost most of his magic and martial skill since the events he described.

These first two books in The Kingkiller Chronicles are absolutely incredible and are by far two of the best fantasy novels I have ever read. The story of Kvothe is a deeply fascinating, and Rothfuss has an uncanny ability to tell a captivating tale that plucks at the imagination and stays with a reader long after they have read the book. The series is set in an amazingly detailed world, filled with all manner of intriguing secrets and history, many of which the protagonist is destined to unravel. I am a huge fan of fantasy books that feature schools, magical education or extensive training sequences, and The Kingkiller Chronicles is easily the most well-written and enjoyable example of this sort of fantasy sub-genre that I have ever read. I also love how Rothfuss’s story contains such a major focus on music, and the various songs and performances in the two books pretty much flow off the page. There is honestly so much to love about both of these books that I could go on for pages and pages about both of them (something I intend to do in future reviews). Unsurprisingly to anyone who has read these books, The Kingkiller Chronicles is a massive bestseller, and many consider it to be the best fantasy series in the world today. The series has also been optioned for adaption, with rumours of both a movie and television series in the near future. Lin-Manuel Miranda is even attached to the television show and will compose the show’s music, which is pretty darn exciting.

Unfortunately, this series has remained unfinished, and the third book has yet to appear. Readers have been waiting for this third book since 2011, and it is probably one of the most anticipated fantasy releases in the world today, rivalled only by the next book in A Song of Ice and Fire, or perhaps The Thorn of Emberlain (my Waiting on Wednesday review for The Thorn of Emberlain certainly gets a lot a views). The third book in The Kingkiller Chronicles, which will feature the third and final day of Kvothe’s story to Chronicler, will apparently conclude all the events of Kvothe’s life that led to his current life of exile and the loss of his powers. Unfortunately, after eight years of waiting, there is still no sign of the book on the horizon, and no-one is certain when the third book will be published.

Rothfuss has apparently been working on this book for some time, with a note on Goodreads in 2012 indicating he was working on polishing the book and he hoped to transform it from a 3½-star book to a five-star book. Since then there have been innumerable speculations from a variety of sources about when the book would be released, but these potential release dates keep getting pushed back. There has been some recent discussion about the book coming out in 2019, with some interviews or Q&As with Rothfuss apparently indicating this. Rothfuss also sparked speculation in January 2019 when he retweeted some fan art that contained the words “I want to return in 2019 – Kvothe”. However, as we are now in mid-May and there have been no official announcements, a 2019 release date seems incredibly unlikely. I honestly doubt that this book will even be released in 2020. An interview from April 2019 indicates he is still working on it, and I imagine that even when he is finished with it the publication process is going to take a while. I had hoped that the work on the movies or television shows might spur the author on, although progress on both of these projects is also apparently going quite slowly as well. As a result, it might be a while before we see the third book in this series, which is a real shame, as there are so many open plot points that need to be concluded in order to give this story a satisfactory conclusion.

While no plot synopsis for the third book has been released yet, it is possible to puzzle out what needs to happen in it. According to dialogue in the first two books, a number of events need to occur to define the story of Kvothe. These include Kvothe’s banishment from the University; his meeting with his assistant, Bast; the loss of his great love; the battle he apparently had with an angel to bring her back; the events that broke him and his magic; and, most importantly, his meeting with and subsequent murder of a king. In addition to all of these, there ought to be some explanation for all the open plot points, such as the mysterious artefact from the Maer’s new, bigoted wife (who is totally his aunt), the reason for the mysterious stone door in the University archives or the identity and origin of the Chandrian, just to name a few. There also has to be an explanation for the events occurring at the inn, such as the reason he is being hunted by demons, and there also needs to be some indication of where Rothfuss’s universe will go from there.

I actually think that all these open plot points that need to be addressed are why Rothfuss is having such a hard time finishing the book. For the life of me, I cannot see how it is possible to include or explore all of these potential plot points in one book and keep the story as interesting or rich in detail as the first two books in the series. As a result, he may have shot himself in the foot by claiming that the story could be told in just three days/books, and I think that he may have let the story get way more extensive than he originally intended (not that I’m complaining).

Whatever the reason, it seems like we may be waiting a while to read the third book in The Kingkiller Chronicles, although I will make sure to grab a copy as soon as it is available, and I know many readers will be doing the same. The third book is going to be epic, and I am really looking forward to seeing how Rothfuss ends this chapter in his story. I may do another one of these Waiting on Wednesday articles for this book later down the track when more details of the plot are revealed, or when a proper cover comes out. I also intend to eventually post a review of the first two books in The Kingkiller Chronicles at some point in the future; I just need to carve out some time to reread them first.

Guest Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke

For this entry, my editor and future wife Alex managed to talk me into letting her do a review.  We hope you enjoy this guest review, and Alex may do some more in the future.

Pan's Labyrinth Cover

Publisher: Bloomsbury (Trade Paperback – 2 July 2019)

Series: Pan’s Labyrinth

Length: 297 pages

Rating: 5 out of 5 stars

As the chief editor for The Unseen Library, I read far more book reviews than books, but every now and then the mood strikes just right, and I am fortunate to share a house filled to the brim with books waiting to be enjoyed. I thought I’d commemorate the latest occasion by writing a review of my own:

Pan’s Labyrinth is a Spanish-language dark fantasy film written and directed by acclaimed filmmaker Guillermo del Toro. Thirteen years after its release, Guillermo del Toro and bestselling author Cornelia Funke have transformed the screenplay of the film into a beautiful work of prose.

Pan’s Labyrinth is part of a modern tradition of fairytales in which children have fantastic adventures whilst the adults are busy with war. In Spain, in 1944, young Ofelia and her mother join the household of Capitan Vidal, who is responsible for hunting down the anti-fascist guerrillas hiding in the mountainous forests nearby. Left to her own devices and enchanted by fairy tales, Ofelia is drawn to the ancient stone labyrinth near their new home. There she meets the Faun, who tells her she is in fact the missing princess of the Underground Kingdom. In order to reclaim her place in the kingdom and escape her terrible new stepfather, she must prove her courage and worthiness by completing three tasks. This is easier said than done; these tasks themselves are life-threateningly perilous, but Ofelia must also try to protect herself and her heavily pregnant and ailing mother from the ruthless Capitan and the rebels at the door.

Guillermo del Toro is renowned for making visually stunning films, and Pan’s Labyrinth was no exception; in fact, it won Academy Awards for Best Cinematography, Best Art Direction and Best Makeup. I am happy to report that the novelisation of Pan’s Labyrinth faithfully re-imagines the amazing sets, characters and creatures of the film. In the absence of cinematography, visual design and Doug Jones in monster makeup, the authors have relied on using a great deal of descriptive language to bring scenes to life in text. This is also supported by a number of illustrations throughout the book which clearly drew from the art of the film. It had been many years since I last saw the film, but the imagery of the story is so well produced that I was easily able to imagine many long-forgotten scenes according to del Toro’s vision.

There are many advantages of this novelisation. In particular, the book gives a great deal of insight into various characters not afforded by the film. We see Ofelia’s thought processes as she observes the adults around her and as she obeys or defies the Faun’s instructions. We understand the fierce motivation of Mercedes and Dr Ferreira as they desperately try to assist the rebels in the hills without being discovered. Most terrifying of all, we catch a glimpse of the inner mind of Capitan Vidal, the Wolf, whose horrendous acts of violence rival those of the Pale Man. The inner monologues of these characters provided in the book enable us to have a greater appreciation of their perspectives, actions and motivations.

For the most part, the novelisation follows the story of the film faithfully, but it also includes a number of additional chapters. These feature stories of the Underground Kingdom and its magic bleeding into the Upper Kingdom, creating the lore and mythology that surrounds the Spanish landscape in which the story is set. These grim and interconnected fairy tales provide amazing context for the enigmatic Faun and the nature and gravity of the tasks Ofelia must complete, as well as being beautiful and moving stories in their own right.

Fans of the film will know exactly what to expect from the novelisation of Pan’s Labyrinth and will appreciate the additional fairy tales and insights it provides. Those who haven’t seen the film (and there is always a cohort of cinemagoers that dislikes or struggles with subtitled films) will feel as though they had, as this gruesome and fantastic story has been beautifully transferred onto the page.

Waiting on Wednesday – The Bone Ships by RJ Barker

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

The Bone Ships Cover.jpg
For this week’s Waiting on Wednesday, I check out the new upcoming book from one of the fastest rising stars in fantasy fiction, RJ Barker.  Barker shot to prominence in 2017 with his debut novel, Age of Assassins, which was quite an impressive piece of fantasy fiction.  Age of Assassins was the first book in The Wounded Kingdom trilogy, and the rest of the trilogy, made up of Blood of Assassins and King of Assassins, were released to high critical acclaim in quite a remarkably short time period.  With The Wounded Kingdom trilogy finished, Barker has moved on to a brand new series with The Bone Ships, the first book in his planned The Tide Child series, which is set to be released in September 2019.

I really enjoyed Barker’s The Wounded Kingdom trilogy, with Age of Assassins and Blood of Assassins being among the top fantasy books I read in 2017 and 2018 respectfully.  I still have to read King of Assassins, even after featuring it on my Books I Wish I Read in 2018 Top Ten list.  Despite not getting around to reading it yet, King of Assassins is still quite high up on my must-read list, especially as I have heard that it is the strongest book in this inventive and exciting trilogy.  I hope that I will get a chance to read it in the next few months, and I would like to read it before I look at Barker’s upcoming book.

A number of details about The Bone Ships have already been released.  The book’s amazing cover has been out for some time, and plot details about the book are available on Goodreads.

Goodreads Synopsis:

A crew of condemned criminals embark on a suicide mission to hunt the first sea dragon seen in centuries in the first book of this adventure fantasy trilogy.

Violent raids plague the divided isles of the Scattered Archipelago. Fleets constantly battle for dominance and glory, and no commander stands higher among them than “Lucky” Meas Gilbryn.

But betrayed and condemned to command a ship of criminals, Meas is forced on suicide mission to hunt the first living sea-dragon in generations. Everyone wants it, but Meas Gilbryn has her own ideas about the great beast. In the Scattered Archipelago, a dragon’s life, like all lives, is bound in blood, death and treachery.

The above summary sounds like The Bone Ships is going to be a lot of fun, as Barker goes from a trilogy about assassins to a book that focuses on a suicide squad of pirates as they attempt to kill a dragon.  I mean, that is just plain awesome: pirates fighting dragons!  Even if I weren’t already familiar with Barker’s ability as a fantasy author, I would already be trying to get a copy of this book.  With Baker at the helm of this epic-sounding story, I have no doubts that this book will an absolute joy to read, and I am really looking forward to it.

The Bone Ships has real potential to be one of the best fantasy books of 2019, and no doubt it will be one of the most sought-after releases this September.  I am quite excited for this latest novel from Barker, and I am sure it will prove to be an interesting book to review.

Sixteen Ways to Defend a Walled City by K. J. Parker

Sixteen Ways to Defend a Walled City Cover

Publisher: Orbit (Trade Paperback Format – 9 April 2019)

Series: Standalone

Length: 350 pages

My Rating: 5 out of 5 stars

Ok, now this was one hell of a book!!!

K. J. Parker’s Sixteen Ways to Defend a Walled City is an exceptional piece of fantasy fiction that keeps the reader enthralled with its excellent story, fantastic self-aware humour and one of the best depictions of a siege that I have ever had the pleasure of reading. The end result was an excellent read that I just had to give a full five stars to, and it has to be one of my favourite books of 2019 so far.

The Robur Empire is one of the great civilisations in the world, and at its heart lies the City, capital and seat of power of the Emperor, kept safe by its impenetrable walls, powerful armies and unsurpassed navies.  However, that safety is unexpectantly compromised when a massive force of soldiers appears out of nowhere, slaughtering the entire imperial army, crippling the navy and completely surrounded the City.

The only forces left garrisoned in the City are the men of the Empire’s Engineering Corps, led by Colonel-in-Chief Orhan, who suddenly finds himself in charge of the defence of the City.  Orhan is a coward, a glorified bridge builder, a man able to work the complex imperial military system for his own gain and a foreigner despised by most of Robur society, but he is not a great military leader.  He is, however, one of the most devious and underhanded men the army has ever seen, and these might just be the qualities needed to save the City from destruction.  As Orhan works to unite the various factions in the City to his cause and come up with a range of unique defences, he makes a shocking discovery.  A figure from his past is leading the assault against the City, and Orhan quickly realises that he might be on the wrong side of this battle.

I really enjoyed this latest book from Parker, who has created a complex and captivating fantasy tale that proves exceedingly hard to put down.  K. J. Parker is actually a pseudonym of author Tom Holt, who was able to keep the dual identity secret for 17 years before it was revealed in 2015.  Between his two identities, the author has written an amazing number of books since his 1987 debut, mostly focused on the fantasy genre.  This includes over 30 humorous fantasy novels as Tom Holt, five historical fiction novels, the Fencer, Scavenger and Engineer trilogies as Parker, a number of standalone fantasy books and a huge range of short fiction, some poems, songs and even some non-fiction work.  For those who may be concerned, no reading of any of Parker’s prior work is required to enjoy Sixteen Ways to Defend a Walled City as this latest book is a standalone novel.  Still, I will be keeping an eye out for any future books by either Tom Holt or K. J. Parker as I really enjoyed the author’s writing style and fantastic sense of humour.

Sixteen Ways to Defend a Walled City is an intriguing novel that is told from the perspective of its “hero” Orhan, who is narrating the story of his defence of this city within a historical text.  This story is incredibly entertaining, as not only does it feature a first-rate siege within an excellent fantasy location, but it is told by a complex and multi-layered character who paints the entire ordeal of being in charge in a very funny light.

I am a man who loves a good siege storyline, but this has to be one of the best ones that I have ever had the pleasure of reading.  At the start of the siege the situation looks grim, as a vast host surrounds the City, whose defenders have all been slaughtered outside the walls, with the exception of Orhan’s engineers, who lack the basic military supplies and machinery to defend the City.  As the enemy start a conventional long-term siege with advanced weaponry and superior forces, Orhan is forced to come up with something to delay their inevitable defeat in the hopes of reinforcements turning up.  Without the required men, equipment or leadership, they cannot rely on the traditional 15 methods of defending a walled city that the books suggest, so he has to rely on the on his own 16th way, which involves bluffing, chaos and mad-cap innovation.  As a result, much of the book features Orhan’s many unconventional methods to defend the City, whether it involves taking symbolic control of the entire empire, legitimising and attempting to control two rival criminal gangs or creating devastating new siege weapons.  The protagonist and his men’s engineering prowess comes in effect quite a bit throughout the book, and I loved seeing the machines and other unique defence methods that he deploys as a result.  All the various deceptions and tactics used to hold the City against this superior force is widely entertaining and I absolutely loved the siege storyline which serves as an amazing centre to this incredible story.

The setting that the author chooses for this book is pretty interesting and adds a lot of great elements to the story.  The Robur Empire is pretty much the Roman Empire, with the City being this universe’s equivalent of Rome.  I thought that the City was a fantastic setting for the vast majority of the story, and the various factions and problems with such a large city really tied into the great siege storyline.  The City’s criminal organisations, the Greens and the Blues, former charioteer supporters (very Roman) turned rival criminal unions, are the cause of a large amount of strife, and I liked how their own battles and self-importance became such a major part of this book.  I also felt that Parker did an amazing job portraying a city that sits at the heart of a massive empire, and the attitudes of the people within felt pretty accurate.

On top of the great setting, Parker has also created an intriguing, extended world for this story.  The Robur Empire is a great overall setting for most of this book, as its setup, design and attitudes are very similar to the ancient Romans.  Parker’s initially subtle use of racial identity in this empire is quite intriguing, and it becomes a major part of the book.  Essentially the empire is made up of the pure-blooded Robur, who are called blueskins due to their darker skin colouration.  Then there are those people with white skin, who are given the derogatory name of milkfaces, who are treated like second-class citizens within the empire, and who came from lands conquered by the Imperials.  Not only does this become an important plot point with the army attacking the City made up completely of milkfaces, but it is reminiscent of the Roman Empire, when the pure-blooded Roman citizens looked down upon the paler barbarians from Gaul, Britain or Germany.  I also liked how the author tried to replicate the precision military system of the Romans with the Robur, and it was fun to see how the problems of such a system came into play throughout this book, such as having the military resources of the entire empire being kept in supply depo sites rather than in the capital.  I quite enjoyed these fantastic settings, and I thought that they were an excellent place to set these complex stories.

While the siege storylines and settings are extremely amazing, this book would be nothing without its main character and the person narrating this fictional historical text, Orhan.  Orhan is an amazingly complex character, and the personality that Parker creates for his hero is outstanding.  Orhan is a milkface who has risen to high military command within the Robur Empire due to his abilities as an engineer.  As a result of his hard early life and the constant belittlement and discrimination by the blueskins he serves under, he is an incredibly cynical person with a very jaded outlook on life.  The author does an amazing job transcribing these character traits onto the page, often in a sarcastic and very entertaining manner as he describes the events going on around him, and the reader gets a great sense of the character’s frustrations.  While Orhan is attempting to defend the City, his own narrations reveal him to be an extremely self-serving and selfish person who has been forced by circumstances rather than duty to protect the City.  His motivations become even more complex as he begins to wonder if he is on the wrong side of the conflict, as the invading army is completely made up of milkfaces like himself, and even when he is doing the right thing the blueskins in the city that he is defending still treat him badly.  Even with that doubt, he is a surprisingly (especially to himself) effective commander, whose deceitful and inventive nature, as well as his extensive knowledge of history and engineering, allows him to come up with some outstanding defensive strategies.  My favourite has to involve his unique method for dealing with the enemy’s sappers, which sees him use his knowledge of the City, his craft and his ability to manipulate his opponents to create a fantastic response.  The entire sequence involving this anti-sapper technique is one of the best parts of the book, and I love the doubt and regret he experiences as a result of his actions.  Overall, Orhan is an outstanding narrator, and his depiction of the chaotic event and his part in them really made this story for me.

Sixteen Ways to Defend a Walled City is an exceptional piece of fantasy fiction, and I think I already have a contender for my future top ten books of 2019 list.  This book has to be read to fully appreciate its complexity and cleverness, and I found it to be boundlessly entertaining and widely funny.  K. J. Parker’s latest book comes highly recommended, and it is well worth checking out.

Waiting on Wednesday – A Little Hatred by Joe Abercrombie

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

For this week’s edition of Waiting on Wednesday, I check out what has to be one of the most anticipated upcoming fantasy novels of 2019, A Little Hatred by Joe Abercrombie.  A Little Hatred will be the first book in the new The Age of Madness trilogy, which will follow up Abercrombie’s iconic grimdark fantasy trilogy, The First Law trilogy.

A Little Hatred Cover.jpg
The First Law trilogy, released between 2006 and 2008, was an epic trilogy that has long been considered the gold standard of the grimdark fantasy genre.  Featuring several memorable but incredibly flawed main characters, this trilogy was an outstanding piece of fantasy fiction that featured some truly dark moments, including brutal deaths, numerous torture sequences, berserk rages and magical cannibals.  Since the original trilogy’s end, Abercrombie has expanded out his fantasy universe with three standalone novels, Best Served Cold, The Heroes and Red Country, all of which were set after the events of The First Law trilogy and featured a number of characters from the original books.

I only got into The First Law trilogy a few years ago, but I found myself quite enjoying this outstanding grimdark adventure and the excellent characters that Abercrombie created.  The First Law trilogy is very unique, and I am quite intrigued to see how the author will continue his work.  The Age of Madness trilogy will be set nearly 30 years after the events of The First Law trilogy, and will apparently follow several new characters, including the children of some of the characters from the previous books.

Goodreads Synopsis:

The chimneys of industry rise over Adua and the world seethes with new opportunities. But old scores run deep as ever.

On the blood-soaked borders of Angland, Leo dan Brock struggles to win fame on the battlefield, and defeat the marauding armies of Stour Nightfall. He hopes for help from the crown. But King Jezal’s son, the feckless Prince Orso, is a man who specialises in disappointments.

Savine dan Glokta – socialite, investor, and daughter of the most feared man in the Union – plans to claw her way to the top of the slag-heap of society by any means necessary. But the slums boil over with a rage that all the money in the world cannot control.

The age of the machine dawns, but the age of magic refuses to die. With the help of the mad hillwoman Isern-i-Phail, Rikke struggles to control the blessing, or the curse, of the Long Eye. Glimpsing the future is one thing, but with the guiding hand of the First of the Magi still pulling the strings, changing it will be quite another…

I like the sound of some of the plot points being explored in this book.  The idea of the world advancing into a more industrial age could have some interesting potential, and it will be interesting to see how this world’s devastating magic will play a part in it.  I also like the sound of the characters involved in this book.  While some of the characters sound new and unattached to other books in the series, several have connections to the original trilogy and some of the other books in the series.  I most like the sound of Savine dan Glokta, the daughter of one of the best characters from the original series, Inquisitor Glokta, and I will love to see how someone raised by the ruthless inquisitor will handle the business world.  I also like that Bayaz, the First of the Magi, is returning once again.  He was a fantastic, if morally challenged, character, as well as an ace manipulator, so it will be good to see him pull the strings again in this book, and maybe he will get some just deserts in this series.  It will also be interesting to see where some of the original characters from The First Law series ended up, and whether they are still alive.  The original series left some storylines for these characters open and I am curious to see if they will be resolved in this new trilogy.

Overall, A Little Hatred sounds like it will be an amazing start to this new storyline in Abercrombie’s dark fantasy universe, and I will be interested to see how it goes.  This book currently has a release date of 17 September 2019, with the following two books in the trilogy being released in September 2020 and 2021.  I am planning to review The First Law trilogy as part of my Throwback Thursday series in the next couple of weeks, and I will have to check out the three standalone books in the universe to see how the story progresses in the years between The First Law trilogy and A Little Hatred.  Hopefully I will able to get through all three of them before September, and I look forward to experiencing more of this first-rate grimdark fantasy tale.

Throwback Thursday – Moving Pictures by Terry Pratchett

Moving PIcture Cover.jpg

Publishers: Corgi and ISIS Audiobooks (14 November 1991)

Series: Discworld – Book 10

Length: 332 pages or 10 hours and 8 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Because my blog shares the name of a building featured in Terry Pratchett’s Discworld series, some people might have assumed that I am a fan.  You would be right, so very, very right.  I have loved Discworld since I was a small child, and my appreciation and respect for the complex writings of the late, great genius, Sir Terry Pratchett, has grown with me.  The Discworld series represents one of my ultimate comfort series of books.  It’s the series that I go back to at any time when I want something fun and familiar to enjoy.  I have read all of the adult books set in Discworld multiple times (I have yet to read all of the young adult ones), and it is an unusual year when I do not listen or read some of these books in my spare time.  Pretty much every single book in this series deserves five out of five stars or higher (with one or two exceptions that I may mark down to a 4.75 with a heavy, heavy heart), and you are unlikely to find any real criticisms about this book below.  After nearly a year of running this blog, the continued exclusion of a review of any of Pratchett’s Discworld is a travesty, and one that I seek to rectify in this somewhat late Throwback Thursday with a review of the 10th book in the series, Moving Pictures.

Before I review Moving Pictures, here is some quick context of the Discworld series for those people unfamiliar with these books.  Discworld is the main series of Sir Terry Pratchett, set upon the Discworld, world and mirror of worlds.  The Discworld, or the Disc, is a flat world that rests on the backs of four massive elephants, who themselves stand on the back of a gigantic turtle swimming in space, Great A’Tuin.  The Discworld itself features a huge range of different nations and continents that bear striking similarities to real-world locations.  This series is, without a doubt, the best series that utilises a combination of fantasy and satire in the entire world.  The seamless blend of the two elements is just incredible, and both elements do an unbelievable job at enhancing each other.  Before his death, Pratchett wrote 41 books in the Discworld series, six of which are considered young adult books.  While the books can be read in any real order, the series were mostly written in chronological order (with the exception of Small Gods), and events from earlier books in the series are often referenced.  Although most of the Discworld stories are self-contained, a number of the books are linked together by a recurring main character and are subsequently grouped together into subseries.  These include the Rincewind, Witches, City Watch, Death, Tiffany Arching and Moist von Lipwig subseries, in addition to a few standalone books that fall outside of any of the subseries.  Characters often appear in other Discworld books outside of their subseries, and there are a string of side or secondary characters who appear in multiple subseries and standalone books.

The book I am reviewing, Moving Pictures, is a standalone book that does not really fall within any of the main subseries.  It is sometimes considered part of minor subseries, called the Industrial Revolution subseries, with The Truth and Monstrous Regiment, but I am not a big fan of that distinction.  As it is the first Discworld book I am reviewing, you might think that it is my favourite book in the entire series, which is not true; although it does get five out of five stars from me and I have enjoyed it an amazing number of times, it is not my absolute favourite Discworld book, although it is high on the list.  It is, however, an easier one for me to review as there is a lot I can say about it.

Goodreads Synopsis:

‘Holy wood is a different sort of place. People act differently here. Everywhere else the most important things are gods or money or cattle. Here, the most important thing is to be important.’

People might say that reality is a quality that things possess in the same way that they possess weight. Sadly alchemists never really held with such a quaint notion. They think that they can change reality, shape it to their own purpose. Imagine then the damage that could be wrought if they get their hands on the ultimate alchemy: the invention of motion pictures, the greatest making of illusions. It may be a triumph of universe-shaking proportions. It’s either that or they’re about to unlock the dark terrible secret of the Holy Wood hills – by mistake…

The blurb above is a bit vague on the details of what is actually happening in Moving Pictures.  Essentially, the alchemists of Ankh-Morpork, the largest city on the Discworld (and a central location for many of the books), suddenly develop filmmaking, which they call moving pictures, and set up a filming base at the ancient and abandoned Holy Wood.  The moving pictures issue a weird siren call to the inhabitants of the Discworld, dragging all manners of people and creatures from across the lands and infecting them with their magic (not a metaphor).

Among those drawn to Holy Wood are Victor Tugelbend, a former student wizard, and Theda “Ginger” Withel, a small-town girl with big dreams.  Thanks to the magical on-screen chemistry between them, Victor and Ginger quickly become the superstars of the fledgling moving pictures industry, especially when the Discworld’s most infamous salesman, Cut-Me-Own-Throat Dibbler, comes to town and takes over the studios.

However, reality on the Discworld is always a bit thin, and Lovecraftian monsters (a favourite recurring antagonist of Pratchett’s early Discworld novels) are revealed to be the ones who planted the idea of moving pictures and Holy Wood in the alchemists’ heads.  Using the new sort of magic created by Holy Wood, the creatures start to break through.  With the wizards of Unseen University, the people who are supposed to guard against these sorts of incursions, distracted by the arrival of an unconventional new Archchancellor, it is up to Victor, Ginger and a ragtag band of other Holy Wood characters to save the day.

This book has so many moving parts to it that it’s hard to know where to begin when reviewing it.  While the main story is concerned with the introduction of moving pictures into the Discworld, there are a number of other entertaining storylines going on throughout the book, each one complementing the main story and creating an amazing overall narrative.  The major appeal of this book is its sharp and intelligent satire of the movie business, which also examines the nature of a film industry in a world as crazy as the Discworld.  I also quite like all the amazing characters, either introduced or built up in this book, many of whom appear in later books in the series.

This book is absolutely hilarious and filled with a huge number of clever and outrageous jokes and observations about the film industry, all of which lie on top of Pratchett’s usual humour about day-to-day life in the Discworld and his random observations, many of which are perfectly introduced in the book’s footnotes.  The main storyline is an amazing portrayal of the hectic early days of the film industry, placed in a fantasy setting.  The cameras are powered by miniature demons (who paint the pictures really, really fast), the lighting is done by salamanders, actors of all species make up the cast, the audience eat ‘banged grains’ while watching the ‘clicks’ and the film’s monsters and villains are all trolls in crude costumes.  However, literal movie magic is making people do strange things (strange even for Discworld folk), talking animals are showing up looking for work, Dwarfs are singing “Hihohihohiho” as they work, characters routinely burst into song and dance in the rain, and one producer keeps threatening to turn people into stars, all while the book’s few straight-characters look on in bemusement.  All of this is amazing, and the sheer number of fantasy-assisted jokes throughout the book is pretty unbelievable.

At its heart, Moving Pictures is a satire and a critique about the film industry as a whole.  Quite a large amount of the story is dedicated to parodying the real-life the crazy effect that movies can have on audiences and the people who make them, as the book shows some ridiculous events.  The story also reflects the insubstantial nature of fame and the fragility of dreams surrounding the movie industry.  The fast-moving world of the film industry is also shown, although sped up even more for comedic and story value, as they film creators are constantly searching and finding new advancements in their field.  A great example of this is shown when Cut-My-Own-Throat Dibbler invents and then continually advances the art of advertisement, so that, within a few short weeks, the film industry goes from ineffective text advertisements to eye-catching posters and explorations of product placement and subliminal messages.  Pratchett handles these critiques very skilfully, and you cannot help but laugh aloud as he skewers the film industry quite cleverly throughout Moving Pictures.

Pratchett also filled Moving Pictures with a ton of references to iconic films and elements of the film industry.  Many of the characters involved with the films are caricatures of famous movie actors, with Victor playing all the typical romantic or manly male heroes of the day, and Ginger is essentially Marilyn Monroe.  Several films are parodied throughout the book, such as Gone With The Wind, which becomes Blown Away, an epic love story set around a famous Ankh-Morpork Civil War.  There is a rather good King Kong parody, in which a gigantic woman kidnaps a poor defenceless Ape (the Librarian) and drags him to the roof of the tallest tower in Ankh-Morpork, all while two wizards on a broomstick shoot at it with a crossbow, with one shouting “If it bleeds, we can kill it!”  That is only scratching the surface of the references featured within this book.  A golden figure with a name starting with O plays a big part in the story, the various studios are all parodies of real-life studios, and there a huge number of funny and subtle references to various famous films.  Examples of these include Wizard of Oz, Lassie, Lawrence of Arabia, Indiana Jones, Looney Tunes, Blues Brothers, Casablanca, Tarzan and Star Trek just to name a few.  Readers can go through this book multiple times and not pick up every detail, which is a testament to the cleverness of Pratchett and his ability to come up with some hilarious references.

I have always found the way that Pratchett utilises or re-uses his characters to be extremely fascinating; while some characters appear in multiple books, a number of his main characters, especially from his earlier books, are only used once. There are several examples of this, including Mort from Mort, Pteppic from Pyramids and Esk from Equal Rites (who did appear in a later young adult novel, but there was a significant time gap between the writing of these two books).  While Pratchett may have simply had only one story in mind for these characters, I have a feeling that he simply did not like how they turned out and decided not to use them again under any circumstances.  Mort is probably the best example of this.  Despite being the protagonist of the first Death subseries book Mort, he never appears in any of the Death subseries books again (aside from one brief flashback), and is instead replaced by his own daughter, Susan.  It is interesting to note that most of the main characters who were never or rarely used again are somewhat similar to each other, being young heroes without too many obvious flaws to them.  On the other hand, the unique main characters Pratchett creates with notable flaws, such as Rincewind, the wizard who has turned cowardice into an art form, or the overly cynical and dangerous alcoholic Sam Vimes, helm multiple books.

If I have to make one criticism about this book, it is the weak and somewhat inconsistent main characters, Victor and Ginger.  Ginger is a generic female character, and while she is a good parody of Marilyn Monroe and other early screen actresses, she is pretty one-dimensional and unlikeable.  Victor starts out with some very interesting character traits, as he is described as an extremely lazy person, whose unique brand of laziness forces him to become a brilliant student wizard in order for him to succeed in his quest to fail every test he ever takes by a certain point margin to ensure he remains a student.  However, these character traits are pretty much thrown out the window a few chapters in and he becomes a typical male hero for the rest of the book.  While this sort of straight-man character was needed for this wacky adventure, it is surprising that the character never again really shows the slightest hint of some of these earlier established character traits.  It is interesting to note that neither Victor or Ginger appear in any of the subsequent Discworld novels, so I think there is a strong possibility that Pratchett might also have disliked how these characters turned out.

While one or two of his earlier main characters were somewhat unimpressive, Pratchett always managed to make up for this by creating a range of memorable and enjoyable side characters.  It was always interesting to see which of these side characters would appear in various later books, as you knew Pratchett had to like them as well.  For example, Granny Weatherwax was a supporting character in Equal Rites, but Pratchett must have liked writing her, as she became a major character in the Discworld series, even getting her own subseries with several other witch characters.  Moving Pictures is perhaps the best example of Pratchett’s love of side characters; while Victor and Ginger never appear in the Discworld again, many of the side characters introduced or developed in this book have major roles later in the series.

For example, I was always impressed with how this book turned two minor characters from Guards! Guards!, Cut-Me-Own-Throat Dibbler and Detritus the troll, and gave them more expanded roles in Moving Pictures.  Dibbler was an opportunistic merchant who got a couple of good, if minor, scenes in Guards! Guards!, but in Moving Pictures, Pratchett transformed him into a ruthless and extremely savvy salesman who gets in the front door of every major new opportunity inflicted on the Discworld, but is often forced by circumstances back to becoming a sausage-in-a-bun merchant.  Dibbler was absolutely fantastic as the stereotypical sleazy film producer, and it is unsurprising why he suddenly became a major recurring character throughout the Discworld books, not only appearing in nearly every book set in Ankh-Morpork but also having clones of him appear in the other nations and cities, all of whom sell disgusting local delicacies.  Detritus is another great example, as he goes from the simple bouncer introduced in previous books to a troll seeking love and a new way of life.  Pratchett comes up with a great personality for Detritus in this book, and it carries through to the City Watch subseries when he joins the Watch in Men at Arms and becomes a major recurring character in this subseries and other books set around Ankh-Morpork.  Other recurring characters, Death and the Librarian, are as awesome as ever, but Dibbler and Detritus are the real standout stars of this book.

Several new characters introduced in this story also make a number of reappearances throughout the rest of the Discworld series.  A good example of this is the talking dog, Gaspode, who is a fantastic and sarcastic character through the book.  He has some great scenes, with the highlight being his friendship with Laddie, a Lassie parody and idiot who Gaspode takes under his wing.  The idea of a clever, underappreciated and sarcastic talking dog side character apparently worked so well that Pratchett found a way to return his magical intelligence and ability to speak a few books later in Men at Arms (the same book Detritus reappeared in) and he then featured in several additional books.

You also have to love the new wizard characters that Pratchett also created for this book.  Before Moving Pictures, the faculty of Unseen University, with the exception of the Librarian and Rincewind, were replaced each book with a new group of senior wizards, thanks to the competitive nature of succession in the university.  However, this 10th book introduces a brand new and more permanent faculty of Unseen University, led by Archchancellor Mustrum Ridcully.  Ridcully is a fantastic character as he is big, loud and sporty man who is generally the complete opposite to any other wizard previously shown in the Discworld series.  I really enjoyed his storyline and found it to be one of the most entertaining in the entire book.  Pratchett must have agreed, as Ridcully became the only recurring Archchancellor in the Discworld series.  This also allowed for the creation and stabilisation of unique characters to make up the senior faculty of Unseen University, including the Bursar, the Dean, the Chair of Indefinite Studies and the Lecturer in Recent Runes.  While the other wizards have a fun romp breaking out to go see the moving pictures, the Bursar has a great story, as you get to see the first signs of madness that would afflict him throughout every other book he appears in, as he first encounters the stress associated with working under Ridcully.  I also liked the introduction of a young Ponder Stibbons, whose bad day while trying to escape from the university is pretty humorous, but also the complete departure from his later role as the only serious member of the faculty.  Thanks to their entertaining storylines, the wizards would appear in multiple books in the rest of the Discworld series, and while they never had their own specific subseries, they would get major inclusions in several other subseries, including substantial stories in The Last Continent, Soul Music, Lords and Ladies and The Hogfather, as well as their own novel, Unseen Academics.

While I have physically read most of the books in the Discworld series, including Moving Pictures, these days I tend to only listen to the audiobook formats of these books.  The Discworld audiobooks are pretty awesome, and the two narrators for the series, Nigel Planer and Stephen Briggs, both do an incredible job.  I find that the humour in the Discworld novels is massively enhanced by the narration, and I love listening to the stories this way.  At 10 hours and 8 minutes, this is not a long audiobook, and I always tend to power through these books really, really quickly.  Planer is a comedy veteran and has an awesome audiobook voice, and it is quite impressive the sheer range of different and distinctive voices he can come up with.  I also like his incredible consistency when it comes the multiple books in the Discworld series; for example, voices he creates for Moving Pictures are generally the same used for that character in later books he narrated.  The audiobook format of Moving Pictures is my preferred way to enjoy this book, and it is really worth trying out.

As you can see from my extremely long rant above, I absolutely love Moving Pictures and the Discworld series.  Pratchett created an incredibly complex and extremely funny novel that laughs right at the heart of the film industry.  The sheer range of references in this book is amazing, and the creation and enhancing of the various side characters featured in this book has massive ramifications for many of the later Discworld novels.  If you have yet to experience the joy of Terry Pratchett’s Discworld series, get on it as soon as you can.  It is well worth it, and Moving Pictures is a great place to start your Pratchett adventure.  I fully intend to review more books in this series in the future.