The Blacktongue Thief by Christopher Buehlman

Publisher: Gollancz (Trade Paperback – 16 March 2021)

Series: Blacktongue series – Book One

Length: 416 pages

My Rating: 5 out 5 stars

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Prepare for brutal action and adventure in the highly acclaimed fantasy novel, The Blacktongue Thief, a modern classic from a fast-rising author of fantasy fiction.

Several years ago, I made note of an intriguing upcoming fantasy novel that had caught my attention, The Blacktongue Thief.  Written by Christopher Buehlman, an established fantasy and horror writer who I wasn’t familiar with, The Blacktongue Thief had an awesome and intriguing plot behind it, and I was determined to read it when it came out in 2021.  Unfortunately, due to time constraints I never got the chance to read it when it first came out.  However, for the next several years all I heard from fellow fantasy fans was just how good The Blacktongue Thief and its prequel The Daughter’s War was.  Despite this constant praise, which felt a little judgemental towards me, I kept failing to read The Blacktongue Thief, although I was lucky enough to find a good secondhand copy of it last year.  With the sequel to The Blacktongue Thief announced for late 2026, I finally decided to take the plunge with this book earlier this year, and boy was I happy, if unsurprised, with how much fun I had with it.

Plot Synopsis:

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path.

But today, Kinch Na Shannack has picked the wrong mark.

Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants.

Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva’s. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford.

Whelp, it turns out that I made a big mistake not reading The Blacktongue Thief sooner.  Featuring a powerful and dark take on the classic fantasy quest, The Blacktongue Thief was a compelling character-driven journey into an elaborate and war-riven fantasy world that effortlessly grabs your attention and refuses to let go.  An utterly addictive read from Buehlman that gets a full five-star rating from me.

Buehlman hits the ground running hard with The Blacktongue Thief, quickly introducing you to witty and likeable rogue, Kinch Na Shannack, the book’s protagonist and point-of-view character, as he engages in a little light banditry in the forest.  However, things quickly get out of hand for the protagonist as he fails to rob travelling knight and goblin wars veteran Galva in dramatic fashion.  However, there is far more to Galva than expected, as Kinch finds himself tasked by his employers, the powerful Takers Guild of thieves to follow Galva on her quest to the remote, giant-ravished nation of Oustrim, where she seeks to find her lost friend and queen.  Manoeuvring his way into Galva’s travel plans, Kinch soon becomes attached to his new friend, while the Takers Guild continue to control his actions.  I liked how effectively Buehlman set up his narrative in the early pages of The Blacktongue Thief, as there is a lot of early hints and starting storylines that play out as the novel continues.  The author also lays out some interesting details about the larger fantasy world, including much of its recent troubles and wars, which effectively draws you in alongside the compelling central narrative.

After this intriguing start, Buehlman gets into the story proper, as The Blacktongue Thief takes on many characteristics of a classic fantasy adventure story, with the protagonists travelling from one end of the continent to another.  Picking up some interesting new companions, as well as hints of some of the shadowy motivations around the various players of the plot, Buehlman starts loading in the action, with several entertaining and bloody sequences.  I personally loved the extended run with the protagonists travelling on a piratical whaling ship that takes up much of the centre of The Blacktongue Thief, especially as Buehlman litters this part of the book with feuds, monster fighting, multiple skirmishes and other nautical misadventures.  There are some great moments here, and the author shows the reader what type of book The Blacktongue Thief is with plenty of brutal deaths and sudden changes of fortune.  While much of this part of the book is focused on adventure and modern carnage, Buehlman also makes sure to continue providing intriguing dives into additional details of the setting, as well as some compelling character histories, much of which comes into play as the book continues.

After several dark encounters, tragedies and compelling dangers, the book enters its final third, which proves to be particularly compelling.  Set in the giant-stalked ruins of Oustrim, this final part of The Blacktongue Thief is particularly intense, and you are constantly waiting for the other shoe to drop amongst the dangerous exploration, encounters and sudden sharp conflict.  Buehlman cleverly drops some big revelations as you get towards the end of the book, with developments that change your entire perspective of events.  It also leads to a final series of deadly confrontations, which proves to be quite shocking in places, even after the book’s various prior tragedies.  Buehlman keeps you guessing about what will happen next right to the very end, especially with a final mind-blowing twist about a supporting character.  I loved the intriguing note that Buehlman leaves The Blacktongue Thief on, especially as it sets up its potential sequel which will no-doubt expand on several loose ends from this cool book.  All this is quite addictive, and I honestly got so hooked on all the crazy adventures that the author loaded into this novel.

I really enjoyed how The Blacktongue Thief came together, especially as Buehlman provides a dark take on the classic quest narrative.  Bringing the reader into a beat-up fantasy world, The Blacktongue Thief has a very readable and edgy style that effectively draws you in from the start.  It really doesn’t take you long to get stuck into the book thanks to the great combination of entertaining humour, distinctive worldbuilding and intense action, all of which blends in an excellent and intense manner.  Much of this humour is driven from the amusing antics of The Blacktongue Thief’s protagonist, and the combination of other unique personalities adds a lot to the overall adventure aspect of the plot.  The intrigue, mistrust and hidden motivations increase the tension of the plot nicely, with old mistakes and dark histories perfectly inserted into the main plot by Buehlman.  I deeply enjoyed the multiple awesome action set-pieces that the author throws into The Blacktongue Thief, with so many intense moments of well-choreographed and described combat weaved into the plot.  There is an amazing amount of brutality thrown into the book, which the darker nature of the universe and the desperate plot extremely well, and I was glad that Buehlman didn’t hold back any punches.  I also really enjoyed how there were no slow or quiet moments in The Blacktongue Thief, with the reader constantly moving forward, much like the protagonists.

For me one of the big highlights that put The Blacktongue Thief on another level was the complex and grim fantasy world the story takes place in.  While there are many classic fantasy elements within this book, Buehlman sets it apart with some very intriguing details.  In particular, the book is set in the aftermath of a brutal war between the various human nations and an invading army of goblins.  As such, there is a battered feel to the setting, with the remaining humans wary and militant, and distrust and change in the air.  I loved how well Buehlman captured the desperation and despair of the inhabitants of the realm, as they attempt to survive in the post-war period, and it adds an even darker edge to the already brutal proceedings.  The clever inclusion of several consequences of the war, such as the loss of all the horses in the world thanks to a goblin-wrought disease, and the necessity of woman to be called up to fight in the last war, further enhances the uniqueness of The Blacktongue Thief, and it was really cool how it impacted the current journey and the protagonist’s pasts.  I also quite enjoyed how Buehlman set up multiple unique fantasy realms and kingdoms within the larger world, which the protagonists are forced to move across to reach their goals.  The differing politics, cultures and allegiances that they experienced, as well as the realistic length of the journey across the large continent, ensured that the protagonist’s journey felt like a proper epic quest, and I really enjoyed following the journey on the map provided at the front of the book.  Tracing the protagonist’s journey across the lands helped to enhance the enormity of the plot, and it also hinted at a ton of fun new realms that the protagonists will likely visit in the other entries in this series.  Buehlman’s excellent world building in The Blacktongue Thief really was quite impressive, and it was a big factor in my eventual five-star rating.

The final thing I want to talk about with The Blacktongue Thief are the excellent and memorable characters Buehlman sets his plot around.  The author ends up introducing a fun central cast that engage in the main quest, each of whom have their own demons and interesting quirks.  The primary character is Kinch Na Shannack, a low-level thief who is indebted to the Takers Guild after they trained him and taught him some basic magic.  The narrator and central perspective protagonist, Kinch entertains as the willey tricksters of the group, using his brains and talents for deceit and thievery to survive rather than brute force.  Much of The Blacktongue Thief’s humour comes from Kinch’s funny jokes, cutting observations and somewhat unreliable narration, which blended surprisingly well with the darker setting of the book.  While mostly always comedic, Kinch does have a serious side to him, especially when it comes to his many secrets and hidden motivations.  Buehlman writes a great plot around Kinch finding his true purpose, as his loyalties to the group and his growing courage is forced up against the control of the Takers Guild and the general craziness of the world he encounters.  An overall amazing main character who was the perfect depiction of the rebellious yet faithful rogue.

The other major character I really need to highlight is the striking Galva, a deadly female knight whose quest the plot is set around.  A scarred and dangerous veteran of the goblin wars, Galva is a no-nonsense figure in the book, dedicated to her mission, as well as her worship of the setting’s death goddess.  Buehlman ensures that Galva is set up as pretty badass character from the very start of the book, and you really get drawn to her honourable personality in this dishonourable world.  While mostly serious and unforgiving, there is a certain lighter side to Galva at times, which makes even more likeable, and she ended up being the perfect foil and straight woman to Kinch, with the two having some great interactions.  There is also a certain amount of battle-born trauma to Galva, much of which looks set to be explored in the prequel novel, The Daughter’s War, which added some extra complexity to her appearance.  Galva truly was a great character, and I loved her use as the serious and militant heart of the larger cast.

While Kinch and Galva get most of the focus in The Blacktongue Thief, there are some other entertaining characters who add a lot to the plot.  This includes the young witch, Norrigal, who serves as an interesting interest to Kinch, and whose overarching story had some clever and twisty moments to.  I also must mention Malk Na Brannyck, a countryman of Kinch who adds a lot of drama to the plot due to his history with the protagonist.  Another war veteran, Malk worked well as a minor antagonist who eventually morphs into a reluctant ally, and his various caustic interactions with Kinch added to the larger dysfunction of the protagonists.  Special mention also needs to go to the stray cat, Bully Boy, who tags along with the group against all the odds, and whose appearance definitely isn’t sinister or mysterious.  Throw in a range of rogues, thieves, killers and other dangerous figures that the protagonists encounter, and the cast of The Blacktongue Thief is stacked.  All these characters, and more, have some great storylines attached to them, and I really enjoyed the entertaining and often dark interactions that occurred, especially as it added to the general chaos of the plot.

After finally reading this epic novel, I can confirm that The Blacktongue Thief lives up the hype surrounding it.  Christopher Buehlman introduced a wonderfully dark fantasy world in this book and then moulded a powerful adventure story around it.  Loaded with intense action, great characters and a captivating story, The Blacktongue Thief was utter fun from the very beginning, and I had so much fun getting through it.  I am so glad I finally got the chance to read this novel, and I am hoping to read The Daughter’s War next, especially with the next book in series, The Thrice-Bound Fool, set for release later this year.

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Pretenders to the Throne of God by Adrian Tchaikovsky

Publisher: Head of Zeus (Audiobook – 12 February 2026)

Series: The Tyrant Philosophers – Book Four

Length: 20 hours and 1 minute

My Rating: 5 out 5 stars

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The legendary Adrian Tchaikovsky continues to showcase his incredible writing skill with his deeply impressive novel, Pretenders to the Throne of God, an outstanding read that perfectly continues one of his very best series.

Over the last few years, I have fully fallen in love with the writings of Adrian Tchaikvosky, who is honestly one of the best current writers of fantasy and science fiction.  Known for his Shadows of the Apt, Children of Time, Echoes of the Fall and Final Architecture series, as well as several awesome standalone novels, Tchaikovsky has a truly outstanding catalogue of works to his name, and there are some true classics captured there.  I personally have had the pleasure of reading several of his latest great books, with entries like Service Model (one of my favourite books of 2024), Alien Clay, the novella Orges and the Warhammer 40,000 novel, Day of Ascension (one of my favourite Warhammer 40,000 novels) and the awesome fantasy novel Guns of the Dawn (which I only recently finished), proving to be quite amazing.

While I have had an exceptional time with many of Tchaikovsky’s novels, my favourites are the awesome novels of his Tyrant Philosophers series.  This gripping, brilliant and highly amusing series is set in a cool fantasy world filled with magic, gods and demons, all of which are being consumed by the Palleseen, an anti-religious empire of perfection-seeking fanatics who have been conquering the world through elaborate military and diplomatic action. The first three books in the series have been quite exceptional, including City of Last Chances and House of Open Wounds (one of my favourite books and audiobooks of 2023), Days of Shattered Faith (one of my favourite books and audiobooks of 2025), as well as the cool novella Lives of Bitter Rain.  I really love these elaborate and highly entertaining novels, which made me very excited for the fourth book in the series Pretenders to the Throne of God, one of my most anticipated books of 2026, which very much lived up to all my expectations.

Plot Synopsis:

Arthur C. Clarke winner and Sunday Times bestseller returns to a world steeped in magic – and the Tyrant Philosophers’ campaign to bring reason, logic and ‘perfection’ to it.

Eres Ffenegh – “the City on the Back of a Crab” – is the next state slated for conquest by the Palleseen, but its citizens won’t give up sovereignty easily, and the siege has now dragged into the harsh Eresi winter. The defenders – both locals and Pal renegades – hold an uneasy alliance against the enemy at the gates, while the Pal army is constantly looking over its shoulder for the next self-destructive dictate of their government back home.

Within the city, Devil Jack is the apprentice to the notorious conjurer and bawd known as the Widow, a good man driven to bargaining with hell to get back what he’s lost. Meanwhile Kiffel ea Leachan is the city’s champion, a child of privilege who’s just lost everything to the invaders. We follow the ups and downs of both as they try to survive the siege and make their own destinies in a world that’s cut them loose.

Outside the city, the Pals have been desperately waiting for reinforcements so they can finally take the city, but when new soldiers finally march in with the winter it’s the worst kind of help, enough to damn the entire army.

Tchaikovsky continues to showcase why he is one of the world’s leading authors of unique fantasy fiction with his latest Tyrant Philosophers novel.  A wonderful and complex character-driven read, Pretenders to the Throne of God was an outstanding novel that perfectly tells its own story, while also continuing the epic overarching series narrative.  Clever, incredibly moving, and featuring some subtle but effective satire, Pretenders to the Throne of God is an exceptional novel that gets a full five-star rating from me.

Even after reading all the previous books in the Tyrant Philosophers series, I honestly was so impressed by how Tchaikovsky pulled this latest distinctive story together.  Pretenders to the Throne of God once again sees the bureaucratic, yet effective, armies of the insidious Palleseen trying to recapture the city of Eres Ffenegh.  However, between the city’s unique defences, determined citizens, and a group of former Palleseen soldiers sworn to two cults, the Palleseen assault has mostly halted, awaiting the arrival of fresh reinforcements.  Told through multiple chapters, each of which generally focus on one point-of-view character who is witnessing the events of the siege unfold from their perspective, Tchaikovsky effectively introduces the setting and the key players in the siege, and you soon get a sense of the chaotic nature of the conflict and the volatile figures on both sides.  These initial chapters do a good job of setting up a variety of book-wide story elements, including early introductions to figures who will have a bigger impact later in the plot as side figures in other characters perspective chapters.

The plot of Pretenders to the Throne of God quickly gets into overdrive when unexpected and uncomfortably undead Palleseen reinforcements arrive outside the city.  Despite reservations and restrictions, the besiegers make use of their new troops and swiftly gain ground, causing the defenders to make some desperate decisions.  Tchaikovsky makes sure to expand on all his character storylines as this plot continues, including in several compelling ‘mosaic’ chapters, which generally surround big events and split the focus across multiple characters as they try to deal with new developments.  There are some great character-focused moments built into this part of the plot, with various members of the cast dealing with their own issues or chasing their own desires.  This includes the continued torment of Devil Jack, internal politics of the besieged city, the machinations of a leading Palleseen officer, the struggles of isolated Palleseen specialists, and various people discovering how far they’ll go to get back what they have lost.

Everything leads up to a particularly intense and complex final third of Pretenders to the Throne of God, focused on the final days of the siege.  Without giving too much away, things inevitably go to hell for all the major characters, as desperation, determination and deceit guide them to their destinies.  I love how so many characters take the final steps towards being the people they want or think they should be, and there are some amazing moments built into this final bit of narrative.  Tchaikovsky has an even-handed approach to tragedy and happy endings here, with various characters encountering either an ironic conclusion to their story or their ideal fate.  The author ensures that the main standalone story of Pretenders to the Throne of God is nicely wrapped up by the end, with all the major character storylines finalised one way or another.  At the same time, certain storylines from previous entries in the series are cleverly continued, with various threads remaining for the final upcoming Tyrant Philosopher novel to finalise.  All this ensures that readers come out of Pretenders to the Throne of God extremely satisfied, while also remaining curious enough to instantly get the next book when it comes out.

Tchaikovsky ended up using a similar writing style to the previous entries in the Tyrant Philosophers series, which I think works extremely well to convey his elaborate and entertaining narrative.  Relying heavily on multiple perspective changes to tell his layered story, Tchaikovsky embarks on providing a deep and personal story, set around a large collection of compelling supporting characters.  The author excels at creating elaborate and complex backgrounds for the various protagonists which are worked into the larger plot extremely well, especially as each character has their own unique motivations and damage.  All these varied story elements are well woven together into one complex story, and it was fascinating to see all the different figures react to the continually changing events.

Tchaikovsky cleverly altered the tone of Pretenders to the Throne of God multiple times within the course of the story.  While there is an easy, compelling and cynical humour to much of this novel, especially when the various characters provide their realistic and sarcastic commentary on events, at times Pretenders to the Throne of God can get quite dark and moody.  Much of this is down to Pretenders to the Throne of God being a gritty siege novel, and the desperation of the characters fighting on both sides is heavily evident during the plot.  Into this potent mix, Tchaikovsky adds in some intense action sequences, as well as an overlay of intrigue, betrayal and hidden motivations, all of which is quite awesome to see.  There is even a moving love story right at the heart of the plot, which, while unique and twisted, adds some real emotional heft to the novel.  All this ensures that Pretenders to the Throne of God has an extremely unique feel to it, even compared to the other Tyrant Philosophers novels, and I loved how well the compelling fantasy elements fit with the very human narrative.

Pretenders to the Throne of God works well as both its own distinctive standalone narrative and as a continuation of elements and character-focused storylines from the previous books in the series.  Due to how it initially focuses on several central characters stuck in a new setting in the established world, readers can easily come into Pretenders to the Throne of God without any real pre-knowledge of the other Tyrant Philosophers books.  However, as the story eventually grows to focus on several major characters from the previous novels, existing Tyrant Philosophers readers will end up appreciating the plot of Pretenders to the Throne of God a little more, as you are a little more familiar with the events that forged them.  Much of this prior character history is cleverly reintroduced throughout the course of Pretenders to the Throne of God, so new readers can also appreciate the continued personal arcs and storylines very easily.  The author also features references to events from the previous books throughout Pretenders to the Throne of God, and readers will find it fascinating to see how certain decisions or plots from the recurring characters, such as religious conversion in House of Open Wounds, wider rebellion against the Palleseen and the continued tragedy of a certain former priest, continue to be explored here.

One of the big highlights of Pretenders to the Throne of God is the elaborate setting for his compelling narrative.  While the book is set in the same fantasy world as the other Tyrant Philosophers novels, much of the action occurs around the newly introduced and besieged city of Eres Ffenegh.  An ancient city of gods and the sea located on top of the body of a long-dead crab god, Eres Ffenegh is currently under attack from the Palleseen, with various factions within the city, both new and old, struggle to work together to defend it.  Tchaikovsky excelled at introducing the various unique elements of Eres Ffenegh with some deep dives into its history and culture, all of which bleeds into the plot. In many ways Eres Ffenegh felt like its distinctive character of the book, with an understanding of its people, their mindset, and the city’s relationship to the rest of the world, vital to appreciating the full plot of Pretenders to the Throne of God.  Tchaikovsky cleared had fun developing the many quirky and unique features of Eres Ffenegh, and this ended up being a particularly compelling fantasy setting, which added a lot to the wider book.

I also must highlight Tchaikovsky’s excellent continued use of the villainous Palleseen, who serve as the series’ main antagonistic group.  Ideological zealots often bound by their own rules and processes as they slowly and greedily try to take over the world, all the books in this series are dedicated to examining their methods and serves as a humorous critique of militarisation and empire building.  Pretenders to the Throne of God once again features the Palleseen as an occupying force as they attempt to reconquer Eres Ffenegh. However, thanks to the events of the previous novels, many of the foreign magic and occult practices they co-opted as weapons, such as necromancy and demonology, are at risk of being designated as imperfect, with potential dire consequences for the Palleseen soldiers who specialise in them.  It has been very fun to see the slow decline of the mighty and insatiable Palleseen over the last few books, and the continued symptoms of their unsustainable growth and continually narrowing definition of perfection has been a fantastic ongoing storyline.  Tchaikovsky works these elements into the plot of Pretenders to the Throne of God perfectly, especially when it comes to the various Palleseen characters, who come to fear their own side more than their opponents in the siege.  Not only does this add to the drama for half the cast but it also serves as an insightful critique of militaristic and fascist governments and how they always turn on each other.  I look forward to seeing how the various storylines about the Palleseen come to an end in the final Tyrant Philosophers’ novel, and it has been a real treat to see how Tchaikovsky has utilised them.

Another key aspect of Pretenders to the Throne of God that I need to highlight are the incredible characters featured throughout this story.  Tchaikovsky loads this novel with an outstanding array of complex or damaged characters who are the true highlight of the plot thanks to their collective dark histories and layered motivations.  The sheer range of different characters in this novel is very impressive, with a combination of local inhabitants of the city, newcomers determined to defend it for their own reasons, the invading Palleseen, and others who have their own complex motivations for being there, which Tchaikovsky explores in detail.

Some highlights of the cast include Kiffe lea Leachan, Eres Ffenegh’s current champion, who finds herself at a moral crossroads when her magical sword that allowed her to be a great fighter is destroyed.  Disgraced and caught up in despair, Kiffe is forced to fight between her natural meekness and determination to regain the thing that made her special by any means necessary.  Kiffe is well matched by Nieve a Galeaff, a fixer for one of the city’s leaders, who not only serves as a cynical buffer to the more naïve Kiffe but provides one of the more interesting perspectives of the Eres Ffenegh’s defenders, as she tries to hold the city together.  Other highlights include the damaged or insane leaders of the two former Palleseen religious cults that have taken up residence in Eres Ffenegh.  This includes the Mouth of the Sea; one cult’s conflicted second in command who will be very familiar to fans of the second Tyrant Philosopher’s novel.  There is also the quite entertaining Abellaime, better known as The Widow.  A dangerous conjurer, Abellaime serves as a dark temptress for many characters in the city, while also manipulating events for her own designs, and in many ways is a more dangerous villain than the Palleseen.

In addition to the defenders of Eres Ffenegh, Tchaikovsky spends a good chunk of the novel focused on the Palleseen army besieging the army, especially the members of an officer’s club known as the Heretics.  Made up of several specialists with controversial fields of study, the Heretics prove to be fun characters as they reluctantly fight for an empire that is likely to brand them imperfect and expendable any day.  Their alternating perspective of the novel, as well as their weariness and damage from previous wars, make the associated Heretics quite fascinating to follow, and their storyline was one of the more intense and interesting in the book.  However, my favourite Palleseen character had to be Fellow-Archivist Dantell, the second in command of the regiment and a self-serving schemer who serves as one of the main antagonists of the book.  Known as ‘the Stoat’ for her sneaky and backstabbing behaviour, Dantell was a highly entertaining figure who attempts to outthink and manipulate every other character in the book, with mixed effects.  A wonderfully sinister schemer who perfectly showcases the larger issues of the Palleseen in her actions and personality, Tchaikovsky clearly enjoyed writing Dantell, and I felt she had one of the more amusing storylines in the book.

While all these characters are amazing and intricate in their own ways, the best and most emotionally compelling character in Pretenders to the Throne of God had to be that of Devil Jack.  The closest thing this series has to a main character, Jack has appeared in all four novels so far with a different name or occupation each time, starting off as a priest to a selfish fallen god.  Much of the series has focussed on his struggle to escape his past and find a better life.  This latest novel sees Jack at his very lowest, having lost his demon lover and one chance of happiness in the previous novel.  Determined to do the impossible and bring her back, Jack apprentices himself to the Widow to learn all about conjuring and demonology, while the Widow attempts to corrupt him in turn.  Tchaikovsky writes an impressive narrative about Jack’s despair and desperation in Pretenders to the Throne of God, as he attempts to hold onto his humanity while trying to recover his lost love.  You really get drawn into his emotionally charged inner battle, and Tchaikovsky writes some fascinating scenes and interactions with the other characters, such as the unlikely friendship he forms with Kiffe.  I personally loved the scene where he meets his former god once again, with the two continuing to influence each other in entertaining and complex ways.  This was one of the most heartfelt appearances of Jack in the series yet, and he was the perfect highpoint Pretenders to the Throne of God’s other exceptional characters.

As with most big fantasy novels, I ended up listening to the audiobook version of Pretenders to the Throne of God, which turned out to be an awesome way to enjoy this incredible book.  Coming in with a decent runtime of 20 hours, the Pretenders to the Throne of God audiobook is a bit of a longer listen, however, it is worth it, as this format really helps to capture the elaborate nature of Tchaikovsky’s narrative, as well as the multiple complicated characters within.  Hearing the story read out really helps me absorb more of the book’s impressive detail, and I found myself more easily dropping into the besieged city and witnessing the various interactions between the characters.

Much of the impact associated with Pretenders to the Throne of God’s audiobook is due to the excellent voice work of David Thorpe, who has previously narrated the other Tyrant Philosophers audiobooks.  Thorpe has a real knack for bringing Tchaikovsky’s unique style and characters to life with his voice work, especially as he constantly matches the tone of the various scenes perfectly.  Not only does Thorpe always land the book’s subtle humour and sarcastic observations in every scene, but the more serious and tragic moments are given the solemnity and emotional depth they deserve.  Thorpe also has an incredible array of voices for the various characters of Pretenders of the Throne of God, and I loved some of the fun and unique tones he attributed to some of the more supernatural creatures in the plot.  I personally appreciated how Thorpe brought back several voices from the previous entries in the series, and it was great to get this continuity.  At the same time, the various new voices were also extremely good, with the tones always matching the personalities of their respective characters.  Thorpe also showcased a real talent for pronouncing the over-the-top names, titles and other unique words that Tchaikovsky invented for his fantasy world, and I loved how authentic the Pretenders to the Throne of God audiobook felt, as it was clear that Thorpe was really putting in the effort.  All this makes for quite an exceptional listen, and I loved every single second I spent listening to Pretenders to the Throne of God.

Thanks to his captivating and layered narrative, great characters, and wonderful storytelling, Adrian Tchaikovsky once again impresses with Pretenders to the Throne of God.  An exceptional continuation to the Tyrant Philosophers series, Pretenders to the Throne of God was so damn good, and I honestly couldn’t get enough of this outstanding read.  One of my favourite novels of the year so far, Pretenders to the Throne of God comes very highly recommended, and I cannot wait to read more from Tchaikovsky this year, especially with his next novel, Green City Wars, nearly here.

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Waiting on Wednesday – Upon the Forge of Battle by Anthony Ryan

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  This week I’m actually going to do a few Waiting on Wednesday posts to make up for my recent shortfall in updates.  As such, I’m starting this ultra-Wednesday post series off strong with one my most anticipated books for 2026, the epic upcoming fantasy novel Upon the Forge of Battle by Anthony Ryan.

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In recent years, one of my favourite fantasy authors has been veteran writer Anthony Ryan.  Known for several intriguing and varied series, I become a fan of Ryan when I started reading The Covenant of Steel trilogy.  Following a young bandit turned scribe, who finds himself taking on many roles in his chronicled adventures, including that of knight, spy, rebel and heretical traitor, The Covenant of Steel series was a really impressive example of fantasy fiction, and I had an incredible time with The Pariah (one of my favourite books and audiobooks of 2021), The Martyr (one of my favourite books and audiobooks of 2022), and The Traitor (one of my favourite books and audiobooks of 2023), all of which were five-star reads.

Due to how much I loved these amazing novels, I was very excited in 2024 when Ryan released the first book in the Age of Wrath series, which served as a sequel to the Covenant of Steel books.  The first Age of Wrath novel, A Tide of Black Steel, is set a couple of decades after the events of The Traitor and builds on some of the events of the first series, while also featuring its own unique story.  I really enjoyed A Tide of Black Steel, which veered away from the chronicle style of the previous trilogy, and instead set out a Norse saga inspired tale of adventure and war and it ended up being one of my favourite books and audiobooks of 2024.  Ryan followed this first Age of Wrath novel up in a big way last year with Born of an Iron Storm.  A compelling book that perfectly followed on from the twists of the first book and saw the protagonists continue their journeys of self-discovery, Born of an Iron Storm was another impressive read, and it ended up being one of my favourite books and audiobooks of 2025.

Unsurprisingly after having such a great time with the previous Age of Wrath novels, I’m quite invested in seeing how the series concludes, which it is set to do later this year with Upon the Forge of Battle.  The third entry in the trilogy, Upon the Forge of Battle will deliver the final batch of carnage and intrigue, as the series’ four fantastic protagonists each encounter their true destinies.

Plot Synopsis:

As the Age of Wrath reaches its bloody conclusion, the world will be reforged in steel and fire …

Thera Blackspear was once champion to the Sister Queens. Now she’s a queen herself, with Elvine as her spear maiden, wielding a weapon forged by the gods. But while the traitorous Sister Lore plots in the shadows, Ascarlia will never be safe.

Felnir has won a crown of his own and forged a kingdom at the tip of his divine blade. Yet his dreams are troubled by visions of the brother he thought long dead. A brother who needs his help, and whom Felnir would give anything to save—even his hard-won kingship.

Ruhlin’s many victories have made him a hero to the Morvek, who believe he is the prophesied saviour who will overthrow their Nihlvarian enemies. But now he finds himself a prisoner of the Vortigurn, the King of Nihlvar, who has secrets and schemes of his own. Secrets that could unmake the world.

I love the sound of this new awesome novel from Ryan, and I think it has a narrative with a lot of potential.  While there aren’t too many surprising details captured in the above synopsis, it’s clear that Ryan has some big plans when it comes to finalising this series and I’m very curious to see how each of the four storylines come together.  I’m expecting a lot more crossover between these character arcs in this novel, and I’ll also be interested in seeing if certain characters from the Covenant of Steel novels appear.  All this looks set to produce a pretty epic overarching story, and I have faith that it’s going to be very special.

Thanks to how deeply enjoyed the previous entries in this series, there is no way I won’t be grabbing Upon the Forge of Battle later this year.  Anthony Ryan has set up some awesome narrative threads that I cannot wait to see resolved, and I am expecting even more carnage, treachery and complex character resolutions in this upcoming novel.  Likely to be one of my favourite fantasy novels of 2026, Upon the Forge of Battle is going to be good and I plan to read it the first chance I get.

King Sorrow by Joe Hill

Publisher: Headline (Trade Paperback – 21 October 2025)

Series: Standalone 

Length: 881 pages

My Rating: 5 out of 5 stars

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One of the more unique and addictive novels I’ve had the great pleasure of reading in recent months has to be the exceptional horror read, King Sorrow, by the very impressive Joe Hill.

Joe Hill is an author who is well known for his creative and over-the-top narratives, especially with his very interesting contributions to the horror genre.  The son of the legendary Stephen King, Hill has followed in the family footsteps with some amazing releases, including several standalone novels like Horns, Heart-Shaped Box and NOS4A2, a huge array of short stories (including The Black Phone), and even some comics (Locke & Key being the obvious candidate).  Several of these publications have been turned into film and television adaptations over the years, and I have been keen to read something from Hill for a while.  As such, when I saw the compelling narrative of Hill’s new book, the massive King Sorrow, I knew I had to check it out, and boy was I glad that I did.

Plot Synopsis:

Bookish dreamer Arthur Oakes is a student at Rackham College, Maine, renowned for its frosty winters and beautiful buildings.

But his idyll – and burgeoning romance with Gwen Underfoot – is shattered when local drug dealers force him into a terrible crime: stealing rare and valuable books from the exceptional college library.

Trapped and desperate, Arthur turns to his closest friends for help: the wealthy, irrepressible Colin Wren; brave, beautiful Allison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen. Together they dream up an impossible, fantastical scheme that they scarcely imagine will work: to summon the fabled dragon King Sorrow to kill those tormenting Arthur.

But the six stumble backwards into a deadly bargain – they soon learn they must choose a new sacrifice for King Sorrow each year or one of them will become his next victim. Unleashing consequences they can neither predict nor control, this promise will, over the course of four decades, shape and endanger their lives in ways they could never expect.

King Sorrow was a truly outstanding read from Hill that had me hooked from the very beginning, all the way to its heartfelt and complex end.  A wonderfully powerful read filled with great characters and dark moments, King Sorrow was an exceptional horror epic that proves near impossible to put down.  King Sorrow was one of my favourite books of 2025, and I cannot recommend it enough.

I really loved the elaborate narrative of King Sorrow, which I can tell Hill put an awful lot of care and thought into.  Told initially from the perspective of Arthur Oaks, a young scholar at Rackham College (in Maine, naturally) who is forced to steal rare books from the school’s library for local drug dealers with the ability to hurt his mother in prison.  When his secret becomes known to his friends, an eclectic mixture of fellow students at the college, they agree to help him with his troubles.  However, this help gets out of hand when, after a night of drinking, the group decides to use an infamous occult tome to summon a fabled dragon, King Sorrow, to kill those tormenting Arthur.  But to the group’s horror, this is no one-time occurrence, as King Sorrow decrees that the bargain they struck entitles him to a new soul each year.  This was a pretty awesome first part of King Sorrow, which, while long, was a very impactful introduction to the larger story and perfectly set up the chaotic events and dark bargains to come.

After this first part, King Sorrow’s story evolves into a more long-term storyline, skipping ahead years with each new part and focusing on the various main characters and how they are dealing with the Faustian bargain they have struck.  After deciding to live with King Sorrow and his desires, the group have primarily decided to use the dragon to punish the worst of humanity around the world, by setting him on murderers and terrorists.  However, thanks to the entertaining machinations of King Sorrow, many of these kills have unexpected consequences, forcing the protagonists to react in different ways, and bringing new characters into the group’s orbit.  Highlights include a particularly intense extended sequences, where two members of the group try to save a passenger jet containing one of their intended targets, which King Sorrow wants to burn as collateral.  Another harrowing part of the book sees twin protagonists Donna and Donovan McBride kidnapped and held hostage by a government organisation with knowledge of their actions, a course of action that goes well for nobody.  At the same time, Hill throws in some fascinating interludes that provide greater depth for some of the book’s more interesting characters, while also providing glimpses at a long-term threat that is coming for the main cast.

The author effectively keeps up the drama much of King Sorrow’s plot, and you are constantly on the edge of your seat as you attempt to guess where the story will go next.  However, even I was really thrown by the great antagonistic curveball that Hill threw in about three-quarters into King Sorrow, that really adds in some substantial drama and provides some fascinating revelations about previous adventures in the plot.  With one of the protagonists brilliantly taking on a far more villainous role, the surviving characters are constantly thrown through a loop as they attempt to find a way to end their bargain.  However, nothing goes the way anyone anticipates, with tragedy, more betrayals and dark moments consuming the entire cast.  Everything leads up to an excellent full-circle confrontation with the beast that shaped all of them, with some heartwarming final encounters and resolutions to the plot.  Hill wraps everything up perfectly, and you come away from King Sorrow extremely satisfied, especially after getting so wrapped up in the author’s elaborate, character-driven plot.

I must admit that before I read King Sorrow, I didn’t know quite what to expect from Joe Hill as a writer.  However, his style really resonated with me, and I ended up being quite blown away with the elaborate nature of this book when I got the chance to read it.  Set up as a complex character-focused book with a layered narrative, King Sorrow was a particularly powerful epic that covered decades of several brilliant characters.  Featuring an exceptional use of multiple character perspectives and interludes, King Sorrow was a cleverly and intricately written story that examined so many points of human nature and compelling character development throughout its near 900-page run.  Despite its length (it’s one of the longer physical books I’ve ever read), there was never a second that I was bored with King Sorrow, and I honestly powered through it in a relatively short amount of time.

Much of this addictive edge is because Hill effortlessly blended a great mixture of genres into this plot, with horror, fantasy and thriller elements all working well together.  Setting a terrifying and vengeful dragon spirit against the worst of humanity makes for some interesting contrasts, and I rather enjoyed seeing how normal criminals and even intelligence organisations would react to a magical dragon occasionally terrifying the world.  There are also some entertaining historical elements to King Sorrow, as the author cleverly ties the plot of this book into certain real-world events, with the actions of the protagonists often leading to some major tragedies.  I really enjoyed the unique feel that this gave the book, especially when combined with the certain gothic edge of the more supernatural scenes, especially the multiple varied depictions of the crazy occult ceremony that first summoned King Sorrow.  Hill maintains these elements for the entirety of the book, and I have a lot of appreciation, for the elaborate way he tied his cast together with tragedy and bad decision.  The result was an incredibly well written novel from Hill, who emulated aspects of his father’s style while also providing his own distinctive feel.

Another outstanding highlight of King Sorrow that I must mention are the incredible and complex characters loaded into the plot.  This includes its six main characters, whose inadvertent summoning of King Sorrow sets the dark events of the book in motion.  While I don’t want to go into too much detail about these characters to avoid spoilers, I will say that Hill does an amazing job introducing and exploring their experiences throughout the course of the novel, and you really get caught up in their specific arcs as a result.  Hill really dives into the dark choices surrounding their deadly bargain, and I found it fascinating to see how the impact of their decisions hit each of them differently, with each reacting in a fantastic manner.  There is some real tragedy involved with these characters, and you really fall in love with most of them (with one or two exceptions), even if it hurts to do so.

The character I will go into a little more detail about is the titular dragon, King Sorrow.  A malevolent, supernatural figure, King Sorrow is a haunting presence in the novel, stalking both the protagonists and their victims and revelling in their fear.  Thanks to his vindictive and manipulative nature, King Sorrow proves to be one of the more entertaining figures in this novel, and I loved the multitude of ways he messed with the protagonists, especially when it forces them to make hard decisions.  I really loved the various scenes King Sorrow was in, and he matched the main cast so perfectly, especially as he slowly brought out the worst in several of them.  Throw in an array of intriguing side characters, including several criminals whose actions haunt the group for decades, and the cast of King Sorrow was something special, especially once you get drawn into this novel’s outstanding narrative.

With a truly remarkable story, some amazing characters, and a brilliant writing style that sets him apart from other authors, Joe Hill’s latest novel, King Sorrow, was truly impressive and an exceptional novel to check out.  A sprawling epic with so many complex layers to it, King Sorrow was so damn addictive, and I still cannot believe how quickly I powered through it.  A highly recommended read that lives up to all the hype surrounding it, King Sorrow was Joe Hill at his finest, and I cannot wait to see what he writes next.

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Waiting on Wednesday – Eight Tastes of Treachery by Ryan Rose

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In my latest Waiting on Wednesday post, I highlight a very fun upcoming fantasy novel that is likely to be one of the top sequels of the year with Eight Tastes of Treachery by Ryan Rose.

Last year I had the very great pleasure of reading the cool fantasy debut novel, Seven Recipes for Revolution.  The first book from author Ryan Rose, Seven Recipes for Revolution was a gripping and unique read that followed a magical, but lower-class, chef, who found himself in the centre of a revolution.  A compelling novel with a very clever and tasty concept behind it, Seven Recipes for Revolution was an outstanding book, and it ended up being one of my top debuts of 2025.

Due to how awesome I found Rose’s first novel to be, I have been eagerly awaiting a second novel from the author for a while, and I was very excited when I found out that he had a sequel to Seven Recipes for Revolution coming out this year.  This sequel, Eight Tastes of Treachery, is set for release in July 2026, and looks set to be another epic fantasy novel that will take the food-based magic and class warfare of this distinctive fantasy world in a whole new direction.

Plot Synopsis:

Monster Hunter and Empire of the Vampire collide in the adventurous sequel to Seven Recipes for Revolution, guaranteed to make you crave delicious fantasy dishes.

Three years after eating the rich, Paprick Bessa is an infamous warchef known as the Butcher. Numbed by grief and war with the ousted rulers, Paprick no longer enjoys cooking and can’t create new recipes. So when Ranch finally reaches a tenuous ceasefire with the Rare, Paprick seizes the chance to reheat his passions, opening a restaurant with a menu all his own.

But conspiracy interrupts the opening night, his own emphon destroy the restaurant, and all signs point to the neighbouring Empire of the Badgeboar. Whoever orchestrated this threatens to destroy everything Paprick and Ranch’s common fought for, and the Butcher leaves no threat breathing. To find the attacker and stop another all-out war, Paprick, his partner Cori, and his kitchen brigade journey west to curry favour with the Empire’s questionable elite and investigate its mysterious religions.

Treacherous forces and dire prophecies lie in wait for Paprick’s arrival, and all the while, the Rare re-arm in the east. Facing magics and flavours unlike any he’s ever tasted, Paprick will have to choose what matters most: his people, his passions, or his partner. He can’t save all three.

I like the sound of this cool plot for Eight Tastes of Treachery, which I think has a ton of potential.  An intriguing and complex sounding follow-up to the narrative from Seven Recipes for Revolution, this new plot sounds extremely awesome, and I cannot wait to see how it leads up to the dark future we’ve already seen in parts of the first book.  The continued dive into the food-based magic of this world, including some alternate regional recipes is going to be very interesting, and I’m curious to see how this will impact the plot.  I’m also keen to see Rose’s dive into the impacts years of war will have on his protagonist, especially as we’ll likely see it from multiple angles thanks to the series’ chronicle style format.  As such, I’m very excited to read Eight Tastes of Treachery later this year, and I cannot wait to see how Rose continues to develop as a writer.  A sure to be outstanding read from a great rising author!

Lives of Bitter Rain by Adrian Tchaikovsky

Publisher: Head of Zeus (ebook – 15 October 2025)

Series: The Tyrant Philosophers – Book 2.5

Length: 128 pages

My Rating: 5 out of 5 stars

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From the amazing mind of Adrian Tchaikovsky comes a brilliant and heartfelt fantasy novella Lives of Bitter Rain, an outstanding read that provides some intriguing extra context to one of the author’s previous impressive releases.

Last year I had the great pleasure of reading the amazing Days of Shattered Faith by the legendary Adrian Tchaikovsky.  The third book in the author’s outstanding Tyrant Philosophers series (which previously featured City of Last Chances and House of Open Wounds), Days of Shattered Faith was an exceptional read that perfectly continued the loosely connected Tyrant Philosophers series with a tale of betrayal, personal growth and diplomacy gone wild in a world slowly being taken over by an empire of religion-hating perfectionists, the Palleseen.  I deeply enjoyed Days of Shattered Faith, which ended up being one of my favourite books and audiobooks of 2025, and I have been eagerly awaiting the next entry in the series for some time.  However, before I get to that, I decided to also check out awesome novella Lives of Bitter Rain from Tchaikovsky, which served as an interesting companion-piece to Days of Shattered Faith, with a powerful and heartfelt personal story behind it.

Plot Synopsis:

City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring ‘Perfection’ and ‘Correctness’ to an imperfect world. But before these ruthless Tyrant Philosophers send in their legions, they despatch Outreach – the rain before the storm.

Outreach is that part of the Pal machine responsible for diplomacy – converting enemies into friends, achieving through words what an army of five thousand could not, urging the oppressed to overthrow the bloody-handed priests, evil necromancers and greedy despots that subjugate them.

Angilly, twelve-years-old, a child of Pal soldiers stationed in occupied Jarokir, does not know it yet, but a sequence of accidents and questionable life choices will lead her to Outreach. As she travels from Jarrokir to Bracinta, Cazarkand, Lemas, The Holy Regalate of Stouk and finally, Usmai, she’ll learn that the price of her nation’s success is paid in compromise and lost chances, and that the falling rain will always be bitter.

Lives of Bitter Rain was a very clever and highly addictive novella that dives into one of the main characters of Days of Shattered Faith, Sage-Invigilator Angilly, the Palleseen ambassador who spent most of the book caught between her duties and responsibilities to her people, and her feelings for the crown prince of the nation she was assigned to.  Providing a compelling personal history of Angilly that was mostly left out of Days of Shattered Faith, Lives of Bitter Rain is a wonderful tie-in to the main book that will appeal to a wide audience.

Starting off fast, as any good novella should, Lives of Bitter Rain quickly dives into the formative events of Angilly’s childhood and captured the tragic events and influences that led her to join Outreach.  From there, the book covers how Angilly went from a brainwashed Palleseen orphan to the more flexible and unconventional figure we meet in Days of Shattered Faith.  This leads naturally to the second half of Lives of Bitter Rains’ short narrative, which shows Angilly’s assignment to the nation of Usmai and the start of the relationship that will bring her so much pain in the accompanying full novel.  Tchaikovsky does an outstanding job tying up all the loose ends surrounding this main character by the end of Lives of Bitter Rain, which provides some intriguing and deeply tragic context to this character’s actions in advance of the story from Days of Shattered Faith.

This proved to be an exceptional new release from Tchaikovsky, who provides a short and sweet read in Lives of Bitter Rain.  I really enjoyed how intense and complex he made this novella, which told its own unique story while also providing some excellent additional character work.  The expansion of Angilly’s personal history, as well as her experiences in Usmai before the events of Days of Shattered Faith, really provides some fantastic context around a lot of her actions and emotional connections in the later story.  This was honestly a very perfect prequel narrative, and you can clearly see that Tchaikovsky had all these details about this character’s past and motivations in his head when he wrote Days of Shattered Faith.  Throw in some fantastic extra worldbuilding for his Tyrant Philosophers universe, especially for the always fascinating Palleseen, and this was an exceptional novella that I couldn’t get enough of.

One of the key things readers must consider when reading Lives of Bitter Rain is whether to enjoy it before or after Days of Shattered Faith.  Both options have some appeal to it, although I personally read it after enjoying the main novel, which meant that Lives of Bitter Rain provided a certain post-mortem enjoyment which I deeply appreciated.  Not only did you finally get some lingering questions about Angilly answered but it also ensured that I found certain events from the book a little more tragic in retrospect.  However, if I had read Lives of Bitter Rain in advance, I would have had a better idea of Angilly’s personality and relationships, as well as some advance knowledge about Usmai and the city of Alkhalend, both of which would have helped me appreciate the narrative more as I was reading it.  I personally think that I made the right choice reading Lives of Bitter Rain after Days of Shattered Faith, but there really isn’t a wrong answer here and readers who do it either way are guaranteed to have an amazing time with this cool, prequel novella.

Overall, Lives of Bitter Rain comes very highly recommended, especially for those who have already got caught up in the magic and insanity of Adrian Tchaikovsky’s Tyrant Philosophers series.  An exceedingly clever prequel novella with some deep character work behind it, Lives of Bitter Rain was well-worth the read, and I am now even more excited to dive into the recently released fourth Tyrant Philosopher’s novel, Pretenders to the Throne of God.

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Waiting on Wednesday – The Dungeon Book by Gareth Hanrahan

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I highlight a hilarious sounding upcoming fantasy novel with the very interesting read The Dungeon Book by Gareth Hanrahan.

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I’m always on the lookout for fun and unique sounding fantasy novels, and the second half of 2026 has something very special with a new release from acclaimed fantasy author Gareth Hanrahan.  Known for his Black Iron Legacy (which started with his debut The Gutter Prayer) and his Lands of the Firstborn series, Hanrahan has written some very interesting novels over the years, but one of his craziest books could be his next, the upcoming standalone novel The Dungeon Book.

Set for release in August 2026, The Dungeon Book (as told by Cornelius the Skull) will turn the tables on tradition dungeon-focused fantasy stories by telling the story from the perspective of the monsters who inhabit them, including a young human girl with the amusing, if concerning, name of Bait, who is raised by the dungeon denizens and calls them family.  However, when treasure hunters and adventurers start to invade the dungeon, Bait finds herself caught between two worlds and must determine just how monstrous she truly is.

Plot Synopsis:

A young girl is left to die in a wizard’s dungeon but finds a new home with the monsters around her in this humorous and heartfelt standalone epic fantasy from acclaimed author Gareth Hanrahan.

Enter a world of dungeons and dragons, magic and manticores, and goblins and gargoyles . . .

Bait doesn’t remember a time before the dungeon. Before the dragon stole her from her cot. She doesn’t know what her name was before she was handed over to the monstrous denizens of the dungeon beneath the sorcerer’s tower. Luckily for Bait, they decided not to eat her. And so she grew up in the dark – the goblins her adopted family, a vengeful minotaur her protector, a sentient skull her tutor, and a blob of corridor slime her main source of nutrition.

But the labyrinthine dungeon, with its haunted halls, buried temples and forgotten magics, draws treasure hunters like moths to flame. And as the outside world starts to intrude, Bait will learn what it means to be monstrous and she will have to decide where she truly belongs.

I really love the sound of The Dungeon Book, which I think has a ton of potential.  Looking set to combine unique characters with an entertaining fantasy narrative, The Dungeon Book will likely be a hilarious and highly inventive read, that will be both amusing and heartwarming.  I love the idea of seeing a character raised by monsters, especially when they’ll then have to overcome the best, and worst, of humanity.  Sure to be one of the most compelling reads of the year, I think that The Dungeon Book has a ton of potential, especially with Gareth Hanrahan’s amazing imagination behind it, and it is currently one of the top books I am looking forward to in the second half of 2026.

Quick Review – Unhallowed Halls by Lili Wilkinson

Publisher: Allen & Unwin (ebook– 18 February 2025)

Series: Standalone

Length: 464 pages

My Rating: 3.75 out of 5 stars

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Prepare for magic and drama with the young adult, dark academia novel from the always entertaining Lili Wilkinson, Unhallowed Halls.  Wilkinson is a pretty awesome Australian author, who has previously wowed me with some complex and memorable young adult novels, including the twisted The Erasure Initiative and the very impressive After the Lights Go Out.  Unhallowed Halls was an interesting new novel from Wilkinson that followed a young protagonist who finds herself enrolled in a mysterious and isolated English boarding school.

Plot Synopsis:

A teen girl travels to an exclusive boarding school located deep within the Scottish moorlands after a deadly incident at her old school, but the wood-paneled halls of Agathion are built over centuries of secrets—including an ancient society which may have ties to demonic magic—in this dark academia fantasy perfect for fans of Curious Tides.

Page Whittaker has always been an outcast. And after the deadly incident that destroyed her single friendship at her old school, she needs a fresh start. Which is why when she receives a scholarship offer from Agathion College, an elite boarding school folded deep within the moors of Scotland, she doesn’t even consider turning it down.

Agathion is everything Page has ever a safe haven full of dusty books, steaming cups of tea and rigorous intellectual debate. And for the first time in her life, Page has even managed to become part of a close group of friends. Cyrus, Ren, Gideon, Lacey and Oak help her feel at home in Agathion’s halls–the only problem is, they’re all keeping secrets from her.

Page doesn’t know it yet, but her perfect new school has dark roots–roots that stretch back to its crooked foundation, and an ancient clandestine society with rumored ties to demonic magic. Soon, Page will be forced to learn that not everyone at Agathion is who they say they are. Least of all, her friends.

Agathion claims to teach its students history…but some histories should stay buried.

Unhallowed Halls is a great and compelling novel that quickly enchants you with its quirky mysteries and dark young adult content as the author produces her own take on the dark academia narrative.  Wilkinson builds a great initial mystery around the secrets of the academy as the protagonist initially tries to understand the underlying weirdness of the place, which includes mysterious disappearances, strange professors, and even a demonic pig that seems to have it out for her.  Things inevitably take a dark turn as the protagonist tries to work out who to trust, and the author does an amazing job building tension as you get closer to the reveal of what’s really going down in Agathion.

While I had fun with the first half of Unhallowed Halls, especially with its great gothic themes and slowly building dread, I must admit that it didn’t do a lot to stand out from other young adult novels set in mysterious school settings.  However, a great and well built-up twist that reveals the plot of the antagonists, and an intriguing attempt to fight back against it, helped to enhance the overall narrative of this book, allowing for a very exciting second half.  There were some great stakes for the characters here, as well as some truly dark moments related the compelling background fantasy elements.  Readers come away quite satisfied with the result, and this worked out to be an excellent read.

Thanks to the clever storytelling of Lili Wilkinson, who excels at crafting intense and compelling young adult novels that can easily be enjoyed by readers of all age ranges, Unhallowed Halls proved to be an outstanding standalone novel.  Featuring a cool story, a great setting, and some very dark moments, Unhallowed Halls is a fantastic 2025 novel to check out, especially if you like twisty, gothic reads with intriguing young protagonists.

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