Originally published in the Canberra Weekly on 25 July 2024.
Make sure to also check out my extended reviews for The Wrong Man, Ghost of the Neon God and Outrider.
Category: Australian
Quick Review – The Wrong Man by Tim Ayliffe
Publisher: Simon & Schuster (Trade Paperback – 3 July 2024)
Series: John Bailey series – Book Five
Length: 335 pages
My Rating: 4.5 out of 5 stars
From one of my favourite Australian crime fiction authors, Tim Ayliffe, comes the fantastic 2024 novel, The Wrong Man, which sees the author’s damaged protagonist investigate a dark new crime in Sydney.
For the last few years, I have become a major fan of Australian author Tim Ayliffe, who has been producing some excellent books as part of his John Bailey series. Utilising his experience as a journalist, Ayliffe has pulled together a series of compelling and complex crime fiction novels as part of a series that follows his journalist protagonist, John Bailey, as he finds himself part of a series of dark crimes. Many of these books, which include The Greater Good, State of Fear, The Enemy Within and Killer Traitor Spy, cleverly reference or utilise real-world elements that have been impacting Australia, such as terrorism, espionage and the rise of right-wing extremism, to enhance their narratives, and I have really enjoyed the captivating Australian stories that emerge. The fifth book in this series, The Wrong Man, presents the reader with a cool new case as Ayliffe expands his series with an excellent new protagonist.
Plot Synopsis:
The fifth novel in the John Bailey thriller series. Bailey is trying to solve two murders, ten years apart – unfinished business from his former flame Sharon Dexter. But will it cost him his life?
When Sydney socialite Tottie Evans is found dead at a house in Palm Beach, Detective Holly Sutton is called in to investigate. She immediately suspects the boyfriend, a millionaire property developer and ex-mercenary soldier, who refuses to cooperate with police.
Across the city, old-school reporter John Bailey – still haunted by the death of his girlfriend, former cop Sharon Dexter – gets a call about a break-in. It leads to the unearthing of an old case file on a murder at the men-only Sydney Club that Dexter had been pursuing a decade earlier. Her notes reveal a link between that murder and the killing of Tottie Evans.
Suddenly, John Bailey and Holly Sutton have the same mission. And for Bailey, this is a chance to finish a job for the woman who saved his life.
The only problem: a serial killer is already serving a life sentence for the Sydney Club murder.
The Wrong Man was a very impressive addition to the John Bailey series that sees the protagonist dragged into a series of dark murders. Ayliffe pulls together an intense, compelling and character-focused narrative that makes great use of its protagonists to tell a layered and complex story of murder, secrets and redemption.
The plot of The Wrong Man is cleverly told from the perspective of three central characters, each of whom have their own unique contribution to the overarching story. The central character is John Bailey, Ayliffe’s damaged series protagonist who has managed to rebuild his life after the trauma of the earlier books and now serves as a mostly balanced figure, determined to uncover the truth no matter what. Forced to investigate two murders, including a recent slaying and an older killing that his dead former love interest solved, Bailey finds old pain coming to the surface again and must also face interference from one of his only friends, CIA spy Ronnie Johnson, who is trying to stop Bailey’s investigation into a prominent military contractor. Bailey is backed up in this book by his current love interest, reporter Annie Brooks, whose own journalistic interest in the case is supported by her connection to one of the suspects. The two of them prove to be an effective team, although I felt that the third central protagonist, Holly Sutton, was the one who stole the show.
Holly Sutton is a new police protagonist who is assigned to investigate the murders Bailey and Brooks are looking into. Another highly damaged protagonist who has issues with debts and her own past, Sutton proves to be a jaded figure in the investigation. This is enhanced by her realisation she has a dark connection to the case, especially when a cover-up she was inadvertently involved with forces her to keep key facts hidden from her boss. This adds an additional element of secrecy to the plot, which works well alongside the complimentary storylines of the other protagonists. Ayliffe presents a tight and exciting narrative for the entirety of The Wrong Man that goes in some intriguing directions. I felt that the compelling mystery comes together extremely well, and the character-driven storylines are brought together in an exciting and high-stakes manner. I felt that this was one of Ayliffe’s stronger stories, and I honestly powered through it in no time at all.
As with his preceding narratives in the John Bailey series, Ayliffe cleverly utilises some real-life Australian issues and themes in The Wrong Man, which I always enjoy, and which I feel gives some extra realism and impact. This includes some interesting references to current Pacific politics and alliances, with the protagonist’s ability to interrogate a potential suspect impacted by the CIA, who have a vested interest in the area. Ayliffe also provides some examinations of police corruption in the story, with the long-term impacts of cover-ups, conspiracies and other darker elements of the police, such as sexism, having a compelling role in the plot. Other compelling inclusions examine the roles and responsibility of journalists in modern society, as well as some interesting references to reality television stars. I really felt these elements worked well alongside the crime fiction storyline, and Ayliffe expertly utilises and explores these in the plot.
Overall, The Wrong Man was a fantastic and powerful piece of Australian fiction that once again highlights Tim Ayliffe’s ability to tell a compelling and intense narrative. Cleverly continuing the author’s series while also exploring cool new protagonists, The Wrong Man was an excellent and captivating read that I had an outstanding time getting through.
High Wire by Candice Fox
Publisher: Bantam (Trade Paperback – 24 September 2024)
Series: Standalone
Length: 480 pages
My Rating: 4.5 out of 5 stars
One of Australia’s top authors of crime fiction finishes of 2024 with a massive bang as Candice Fox presents the powerful thriller, High Wire.
Few authors had the awesome year that Candice Fox did in 2024, as the author released three impressive crime fiction reads. The first of these was the fast-paced crime fiction read, The Murder Inn, which Fox cowrote with the legendary James Patterson. The sequel to their previous book, The Inn, The Murder Inn was a fantastic book that once again highlighted how well Fox and Patterson work together (see my review for their other book 2 Sisters Detective Agency). Fox also released the intense character-driven thriller, Devil’s Kitchen, that saw two highly damaged characters attempt to uncover the secrets of a seemingly heroic group of firefighters with a true dark side to them. Both The Murder Inn and Devil’s Kitchen were outstanding reads, and I was very happy I checked them out. However, Fox decided to provide us with even more fun before the year was over with the standalone novel High Wire. Taking the author back to her home country, High Wire was a compelling and deeply intense Australian thriller that takes you hostage and refuses to let go.
Out in the outback of Australia lies a notorious unmarked track known as the High Wire. Cutting across the country from Broome to Sydney, the High Wire is a lawless road full of small towns, unregulated trails and mobile phone blackspots. A favourite hangout of smugglers, hijackers and criminals, only the desperate, the dangerous and those looking for trouble use the High Wire.
Harvey Buck, former soldier and current recluse, knows all about the dangers of the High Wire, but desperation forces him to travel along it to reach his dying girlfriend. Despite knowing better, he stops to pick up a hapless traveller, Clare Holland, whose car has broken down on the road. However, Clare isn’t the person he should be worried about, as the two are soon ambushed by a masked assailants with their own sinister agenda.
Strapped into bomb vests, Harvey and Clare are forced into a twisted game by vengeful figures from Harvey’s past seeking to ruin his life and reputation. Forced to commit a series of increasingly murderous missions across several small towns, the two prisoners try to work together to escape and stop the insanity going on around them. Harvey and Clare’s only hope may be Senior Sergeant Edna Norris, one of the few police officers stationed on the Wire, and who soon begins to follow the trail of destruction being left in their wake. But Edna has her own problems, especially when Clare’s husband arrives on the scene with his own dark plans.
High Wire was another awesome book from Candice Fox that provides readers will some of the best Australian thrills and action that there were likely to get in 2024. Featuring a bold, compelling and powerful character-driven tale of revenge and escape, High Wire was an outstanding read from one of my favourite Australian authors and one that I cannot recommend enough.
Fox hits the ground running hard with High Wire’s excellent narrative, and I honestly was hooked early on thanks to the compelling and intense story. Quickly introducing the protagonist, Harvey Buck, as well as the High Wire, the lawless road that serves as an intriguing background setting for the plot. After a quick introduction to a secondary protagonist, the mysterious Clare Holland, the main plot of High Wire takes off as the two are ambushed by a group of armed attackers, who take them prisoner after a bloody shootout, and strap them into elaborate bomb vests. Fox keeps the tension running high here, as it becomes clear that the kidnappers know Harvey and are seeking revenge for some past misdeed. Around the same time, the readers are introduced to the other major point-of-view character, Senior Sergeant Edna Norris, who finds herself on the trail of Harvey, Clare and the kidnappers without knowing who is responsible and with an unlikely teenage sidekick helping and hindering her in equal measure.
The plot soon becomes even more intense on several levels, as Fox works several intriguing storylines and elements simultaneously to tell a complex and exciting narrative. The main plot around Harvey and Clare proves to be quite intense, as the two are forced to commit a series of brutal crimes while also trying to escape or take out their captors. Fox carefully doles out intriguing background on both Harvey and Clare to the readers, and you soon discover both have complicated pasts, as Clare is running from her suddenly murderous husband, while Harvey’s past connection to the kidnappers is revealed in a series of dark flashbacks. These flashbacks help to paint the main storyline in some different shades of grey, as you begin to realise that Harvey isn’t the moral hero you initially believed he would be, and while the antagonists are worse, you begin to doubt that Harvey deserves to survive.
At the same time, the focus on Edna and her intriguing supporting cast goes in some interesting directions, as she follows the carnage left behind by the kidnappers and their unwilling pawns. Not only is Edna forced to deal with her hard-headed charge Talon, but she finds herself in all manner of trouble when Clare’s husband, Gareth Holland the Northern Territory Police Commissioner, arrives on the scene looking for his wife. Instantly suspicious of Gareth, Edna is forced off the case due to police politics but continues to try and investigate, determining that she needs to get to Clare first. Edna’s storyline, which I personally enjoyed the most in High Wire, goes in some fantastic directions, and she soon finds herself forced to survive the murderous attentions of Gareth, while also trying to solve the clues being left behind by Harvey. Fox does an excellent job running these somewhat separated storylines simultaneously, and they tie into each other just enough to create an amazing overarching narrative. Fox wrapped these various storylines up in a very effective way, with a satisfying moment in the Edna storyline, while the main narrative goes out on a very dark note, which I felt was a powerful result to some of the character work that Fox had been building up. This honestly ended up being an epic and compelling standalone thriller, and I really appreciated how Fox held back no punches to create this powerful read.
Fox did another amazing job bringing this intense and complex narrative together, and I felt that High Wire was one of her more hard-hitting and enjoyable novels. I loved how the author imbued High Wire with a very dark edge, and between the intense action, despicable villains and deadly plot you really come away not wanting to visit central Australia. The setting of the “High Wire”, a semi-secret road running the length of Australia proved to be an awesome background, and Fox’s strong descriptions of the red-earthed, isolated road combined with its inherent lawlessness and dangerous inhabitants, gave me some major Mad Max vibes as I was reading the book. I felt that Fox utilised this setting perfectly throughout High Wire, and it helped to give this novel a very distinctive feel. The author also made great use of splitting the story across several intriguing central characters. The two main storylines, the one involving Harvey and Clare and the one following Edna and Talon, played off each other extremely well, and having Edna constantly behind the other protagonists and their captors allowed for a great chase narrative, as they tried to interpret all the events going on in front of them. Information from Harvey and Clare also cleverly increased the tension in the other storyline, especially as you learn in advance just how deadly secondary antagonist Gareth Holland is, which allows you to fully appreciate his manipulations and darker agenda. The balance between these two storylines was extremely effective, even with the additional flashback chapters, and this ensured that High Wire had a great pace to it that easily keeps the reader’s attention.
High Wire’s intense and compelling story was greatly enhanced by several fantastic and complex characters whose unique, and often dark narratives, provided some nuanced and complicated tales of personal growth and survival. The main protagonist, Harvey Buck (a great uber-masculine name btw), is a former soldier who spends the book trying to survive the plans of his attackers and save as many people as possible. While Harvey seems to be a good character, Fox makes excellent use of flashbacks to dive into his history with the antagonists, which provides some added complexity to the plot, as both sides have committed atrocities against the other. The same can be said for secondary protagonist, Clare Holland, a seemingly helpless figure inadvertently dragged into events. While Clare is portrayed as a victim for much of the plot, she eventually reveals an intriguing backstory to Harvey that ties into her complicated marriage, which implies she isn’t as innocent as she seems. The character I most got drawn to was local cop, Senior Sergeant Edna Norris, who comes away as one of the few legitimately decent people in the book. Thanks to her caring personality and clever insights, Edna is a protagonist you can get behind 100%, and even when elements of her past are brought up, it proves hard not to still see her as the best figure in the book.
Aside from these key characters, Fox features several intriguing supporting figures in High Wire, including some impressive antagonists. The main supporting character that is featured in the book is Talon, a teenager who is taken under Edna’s wing after she arrests him. An initially annoying and impulsive figure, Talon grows on you as the book continues, especially with his entertaining imagination and surprisingly accurate insights. However, it is the villains of the High Wire who I think stole the show here. The two kidnappers who take control of Harvey and Clare with bomb vests prove to be despicable, if highly damaged figures, and it was fascinating to see how much their current behaviour is due to previous rough treatment from Harvey. Clare’s husband, Gareth Holland, proves to be an excellent secondary antagonist, especially as he has his own murderous agenda and uses his position as Northern Territory Police Commissioner to get away with his goals. In some ways Gareth was a better villain than the kidnappers, especially as he is far more soulless figure who ends up being quite smug and controlling. I really enjoyed the entertaining way that Fox wrapped up Gareth’s storyline in this book, and it was quite satisfying to see him get what he deserved. These character deeply enhanced Hire Wire’s narrative, and it was awesome to see their various storylines unfold.
High Wire ended up being an incredible and thrilling piece of crime fiction from one of Australia’s best writers Candice Fox. Dark, brutal and filled with some complex and damaged characters, High Wire quickly gets you hooked, and you are in for an outstanding time with this brilliant read.
Canberra Weekly Review – Gunnawah by Ronni Salt – 17 January 2025
Originally published in the Canberra Weekly on 17 January 2025.
A copy of this review also appeared on the Canberra Daily website.
Make sure to also check the extended review of Gunnawah I published on this blog.
Quick Review – Gunnawah by Ronni Salt
Publisher: Hachette Australia (Trade Paperback – 1 January 2025)
Series: Standalone/Book One
Length: 328 pages
My Rating: 4.5 out of 5 stars
New Australian author Ronni Salt presents a compelling new crime fiction debut with the fantastic novel Gunnawah, an intriguing and distinctive read that explores an intriguing period of rural Australian history.
Plot Synopsis:
It’s 1974 in the Riverina
The weather is hot
But the body in the Murray River is stone cold . . .
A captivating and compulsive crime thriller about guns, drugs and a young woman dead on the money
When nineteen-year-old farmgirl Adelaide Hoffman applies for a cadetship at the Gunnawah Gazette, she sees it as her ticket out of a life too small for her. The paper’s owner, Valdene Bullark, seeing something of the girl she once was in young Adelaide, puts her straight to work.
What starts as a routine assignment covering an irrigation project soon puts Adelaide on the trail of a much bigger story. Water is money in farming communities, and when Adelaide starts asking questions, it’s like she’s poked a bull ant’s nest. Someone will do whatever it takes to stop Adelaide and Val finding out how far the river of corruption and crime runs.
Shady deals. Vested interests. A labyrinth of lies. It seems everyone in Gunnawah has a secret to keep. And too many are already dead quiet.
Set deep in the heart of rural Australia during the era of Gough Whitlam, pub brawls and flared jeans, Gunnawah is a compulsive crime thriller of corruption, guns and drugs from Australian Noir’s most arresting new voice.
Gunnawah was an excellent first book from Ronni Salt that was an amazing and entertaining bit of Australian fiction to start 2025 on. Cleverly examining the unique landscape of Australia’s Riverina area in the 1970s and diving into its controversial history, Gunnawah was a fast-paced and surprisingly complex read that blended big characters with an addictive crime fiction narrative.
The book has an interesting, if slow, start to it, as the reader is introduced to the protagonist, Adelaide Hoffman, as well as the various other memorable inhabitants of the town. Much of the first third of Gunnawah is dedicated to building these figures up, while also hinting at the many secrets surrounding the town. While readers don’t get a lot of excitement off the bat in Gunnawah, I felt that this slow burn start was vital to the book’s later impact, especially as Salt loads up a ton of clues and hints about the later events of the book.
Things begin to heat up when the protagonists discover that there is a darker side to their small town, especially when it becomes clear a vital new irrigation project has ties to a local drug operation, while other crimes remain hidden in the shadows. There are some tense scenes as Adelaide, Val and their offsider Wayne begin to uncover what’s really going on around Gunnawah. However, it is the last third of the book that really ensures Gunnawah sticks in the mind. Starting off with a big event that is reminiscent of a particularly infamous Australian crime, the protagonists are soon thrust into greater danger and are forced to fight back like the battling Australian farmers they are. There are some awesome scenes here, especially as damaged protagonist Adelaide shows how badass she is, and I liked some of the satisfying conclusions that occur to the main story. Salt also cleverly ties up some other intriguing mysteries that have been running alongside the central plot, and I liked the solutions that emerged, especially as the resulting reveals were well built up in the earlier parts of the book. Readers come away very satisfied with how Salt concludes Gunnawah, and there is some potential to continue this book as a series if the author wants to.
Salt pulls together an intriguing book for her debut that blends a fantastic crime fiction read with some cool historical inclusions and a subtle web of humour that proves hard to get away from. Featuring a mass of interesting perspective characters, Gunnawah’s plot revolves around finding out all their relevant secrets and working together the storylines of the various big personalities in the town. These multiple perspectives help to create a complex and layered narrative, and they often backup the fantastic central characters of Adelaide and Val. The author builds up some excellent character development and human moments throughout Gunnawah, especially as there are some complex and damaged protagonists featured throughout. For example, Adelaide comes into the narrative traumatised by a previous incident that is expanded on as the book continues, and it was great to see her regain her confidence as Gunnawah continues.
The rest of the characters in the novel are an excellent combination of outrageous small-town folk, and a lot of Gunnawah’s humour is built from the fantastically funny interactions between these entertaining figures. For example, Val and Wayne, long-time friends who have history with the seedier side of Sydney before coming to small-town Gunnawah, prove to be a highly entertaining duo, and I enjoyed how they took events into their own hands, especially when it comes to protecting Adelaide. Other great humorous figures include the ambitious, if slightly hapless, mayor of Gunnawah and his social-climbing wife, whose antics in face of the serious crimes going on around town prove to be a lot of fun. These figures, as well as a range of other great exaggerated small-town folk in Gunnawah, add a lot to how entertaining Gunnawah proved to be, and I am curious to see if Salt will revisit them in any future books.
Another amazing aspect of Gunnawah that I really enjoyed was the fantastic historical background surrounding the main setting of the plot. Salt did a great job emulating a Riverina town for this book, and you really got the sense of a small Australian town in the 1970s, with the mixture of farmers, local politics and other country folk. Small towns always work well in Australian crime fiction, especially as readers love to see antics out in the bush, and Salt makes her story stand out by tying the narrative into real-life crime aspects of 1970s Australia. In particular, the narrative features representatives of a criminal organisation active during the period, and one of the major events of the books is highly reminiscent of the Donald Mackay incident. The author also includes a lot of references to larger events occurring around Australia during the period, especially rampant police corruption in New South Wales, as well as a focus on Australian politics. I personally enjoyed seeing the references to the Gough Whitlam era, and Salt actually includes a visit from Whitlam to Gunnawah as part of the plot, which proves to be quite a fun scene, especially when two of the book’s more entertaining personalities become involved. These intriguing historical inclusions give Gunnawah some real authenticity, especially if you are familiar with how bad things got in the Riverina area during the period, and I appreciated how Salt worked it into her narrative.
Ronni Salt comes out of the gate swinging with her first novel as Gunnawah proves to be an outstanding and compelling piece of Australian fiction. An amazing debut to start 2025 on, Gunnawah featured a great blend of crime fiction and historical inclusions to create a gripping and entertaining read. I had an awesome time reading Gunnawah, and I look forward to seeing what Salt writes next.
Endgame by Sarah Barrie
Publisher: HQ (Trade Paperback – 1 November 2024)
Series: Lexi Winter – Book Four
Length: 398 pages
My Rating: 4.75 out of 5 stars
Outstanding Australian author Sarah Barrie brings her dark and powerful Lexi Winter series to a compelling conclusion with the exceptional novel Endgame.
Over the last couple of years, I have been really enjoying Australian author Sarah Barrie’s epic Lexi Winter crime fiction series. One of the darker Australian series I have had the pleasure of reading, the Lexi Winter books follow a former vigilante turned police officer as she takes down some of the worst criminals in Sydney, including a deadly paedophile ring. This series started with the amazing read, Unforgiven (one of my favourite Australian books of 2021), and continued with the excellent follow-ups Retribution (one of my favourite Australian books of 2022) and Vendetta (one of my favourite Australian books of 2023). Due to this, Endgame has been one of my most anticipated books of 2024, and I was very eager to see how this novel would unfold, especially as it was marketed as the final book in the Lexi Winter series.
Former vigilante hacker Lexi Winters finally has her life together. Now a decorated police officer studying to take her detective exams, Lexi’s biggest challenge is balancing her career with her hectic personal life, especially when it comes to looking after her ward, the former runaway Cait. However, despite her best efforts at normalcy Lexi can never truly relax, especially as she knows her nemesis Vaughn is waiting to get revenge on her.
When a series of brutal murders begins around Sydney, Lexi finds herself brought aboard when it becomes clear they are connected to a resurfaced Vaughn. Determined to prove that he is better than her, Vaughn challenges Lexi to a very public game of murder. Five people will be killed by the end of the month, but if Lexi can identify and save the final victim, Vaughn will turn himself in.
With the eyes of nation on them and public support seeming to lie on Vaughn’s side, Lexi finds her sanity tested like never before. The more she digs into Vaughn’s dark crimes, the further she finds herself slipping over the edge, especially as she begins to see strange figures and ghosts wherever she goes. With Vaughn’s attacks on her becoming even more personal and her own colleagues losing faith in her, Lexi has no choice but to keep playing her nemesis’s twisted game, even if it will lead to her death. But Lexi has come too far to lose now, and she will do whatever she must to force an endgame between her and Vaughn.
Barrie continues to showcase why she is one of Australia’s most compelling crime fiction authors with this shocking and powerful final Lexi Winter novel. Featuring a complex and captivating story loaded with dark moments and intense character work, Endgame was an exceptional novel that I honestly could not get enough of.
Endgame has an excellent and layered narrative behind it that not only stands on its own but helps to bring the entire Lexi Winter series to a powerful end. Starting off with an interesting and horror-esque introduction that initially seems detached from the main plot, you quickly get drawn into the main narrative when Lexi discovers that her old nemesis, the long-feared Vaughn, has returned to finally get his revenge on her. Barrie ensures that the story gets very addictive very early as you are drawn into the villain’s challenge, stop him murdering five people and he will turn himself in.
The resulting story moves at a fast and powerful pace as the protagonists do their best to try to find Vaughn and uncover his murders, all while he seems to be one step ahead of them utilising the media to his advantage. The author keeps increasing the stakes for this main case again and again as Lexi is attacked close to home (literally and figuratively), and she finds herself a desperate mess as well as a constant target by the public. At the same time, Endgame features a parallel plot involving the mysterious deaths of several teenagers that appear to have been committed by a vengeful spirit. This secondary storyline, whilst initially a bit odd in the wider context of Endgame’s main narrative, works pretty well, and I liked the unique directions it helped to take the plot, and it links into the main case very well by the end. Barrie ends up producing quite a fascinating and complex mystery for the protagonists to unfold and I loved some of the intriguing twists that unfold as a result. While I was able to predict a few things, many of the major reveals were pleasantly surprising and I really appreciated the way in which Barrie layered the relevant clues and hints throughout the earlier plot. Everything leads up to the big conclusion, which constantly has you on the edge of your seat and serves as a fitting finale to this amazing Australian series.
As with the previous entries in the Lexi Winter series, Endgame is a particularly intense character-driven murder mystery with a very gritty edge to it. Making good use of its Australian urban setting, Endgame features a powerful plot that both stands on its own, while also serving as a compelling conclusion to the rest of the series. While Barrie provides more than enough background in the main plot to allow new readers to come in and read Endgame as a standalone novel, for the most part readers are advised to read the rest of the books in the series first, especially as that allows you to get the full emotional impact of the book thanks to the great conclusion of several ongoing storylines and character arcs.
The overall narrative of Endgame is complex and moving, and I appreciated how it was told through several intriguing character perspectives that allowed for a multi-layered view of events. The way in which the two separate murder plotlines and the multiple character arcs are brought together works extremely well, and Barrie ensures readers are constantly left guessing about how events are going to unfold. The author also keeps things very dark, as not only are there multiple references to rape and brutal murders but the protagonist endures a range of attacks on herself and those closest to her that are guaranteed to shock most readers. I appreciate how Barrie doesn’t hold back when it comes to highlighting the impacts of these various crimes, although I can imagine some readers may have a hard time with it. Throw in some interesting modern commentary about how manipulation of social media and the tabloids allow monsters to become heroes to certain people, and Endgame proved to be one of the more intense Lexi Winter entries, but one that perfectly fits the series’ uncompromising themes and content.
One of the best things about Endgame was the multiple intriguing characters who the plot was set around. The most prominent of these is series protagonist Lexi Winter, who has had a unique and damaging storyline throughout the series. However, thanks to the help of her friends and family who she has learnt to let in, Lexi has managed to pull her life together to where it is now. While Barie does continually make Lexi way too combative and unreasonable, for the most part she is a great protagonist to follow, and I have really appreciated seeing her grow throughout the series. It was particularly moving to see her take on the role of mentor and guardian in this final book for the runaway Cait, especially as she seeks to help her ward avoid the same mistakes she made when younger. There is also a good end to a long-running will-they, won’t-they romance arc, which I felt got handled well and which allowed for some additional stakes for the plot. Much of Endgame revolves around Lexi trying to hold onto her new happiness when her enemy reappears, and the resulting battle to stay in control and not give in to her old habits makes up much of the books dramatic core. I felt that Barrie did an outstanding job showcasing her protagonist’s battle for self-control in the face of great adversity and trauma, and the author made sure to really build on the dark events of the previous novels. As such, you get a compelling bit of character work in Endgame around this distinctive and damaged protagonist, which really helps to turn this final entry into something extremely moving.
In addition to Lexi, Endgame also features an array of compelling supporting characters, which includes a mixture of established figures from the previous books, and several new characters who come into this story for this final entry. Most of these characters proved to be quite interesting, and while a couple, such as Olivia, prove to be quite hard to like in a detrimental way to the plot, for the most part they add a lot to the book. Highlights for me include Lexi’s ward, Cait, who proves to be a fun addition to the story, especially as she serves as a great foil to the now more serious Lexi. Lexi’s biker associates were also interesting, especially as they allowed for some memorable interactions with the various police characters, while a new police bodyguard for Lexi ended up being a great addition to the plot. However, it’s the villains of the narrative who really shine here. This includes a group of wild teenagers, whose dark behaviour dives into a certain modern societal problem. Another hidden antagonist added some interesting horror flair to the book, and I appreciated how well Barrie inserted them into the plot. Finally, the main villain, Vaughn, was such a brilliant and impactful overarching antagonist that you could not wait to see get taken down. Barrie has used Vaughn as an intimidating bogeyman figure since the first Lexi Winter book, and his long-awaited reappearance here really did not disappoint, especially as he creates a cult of personality around himself as he terrorises the protagonist. Vaughn proves to be a particularly despicable figure, driven by his own ego to finally beat Lexi, and his nefarious use here was a key part of why Endgame was so impactful.
Overall, Endgame was a deeply captivating and impressive piece of Australian crime fiction that I could not get enough of. Sarah Barrie did an excellent job bringing her Lexi Winter series to a powerful end, and Endgame’s unique mystery and compelling high stakes really helped to drag readers in. This was one of the better pieces of Australian fiction this year, and I cannot recommend this series enough to those looking for a darker crime fiction read in the Australian setting. While I am sad that the Lexi Winter series is over, I am glad we got such an impactful final entry, and I look forward to seeing what Sarah Barrie writes next.
The Ghosts of August by Peter Watt
Publisher: Macmillan Australia (Trade Paperback – 29 October 2024)
Series: Colonial series – Book Six
Length: 401 pages
My Rating: 4.25 out of 5 stars
Australia’s master of historical fiction, Peter Watt, continues to shine with the latest exciting book in his Colonial series, The Ghosts of August.
Watt is a fantastic author who has a particular skill at writing fast-paced adventure novels based around Australia’s compelling and complex history. The author of several intriguing multigenerational series, Watt’s current body of work is the Colonial series, which started back in 2018 with The Queen’s Colonial. An awesome book that followed a young Australian farmer, Ian Steele, who journeys to England and through a series of shenanigans gets commissioned in the British army as a captain, gaining the moniker the Queen’s Colonial. I had a lot of fun with this first book, and Watt has kept the series going strong ever since. The next two books in the series, The Queen’s Tiger and The Queen’s Captain, followed Ian through several mid-19th century wars, while also encountering love, loss, and dark intrigues. The third and fourth novels, The Colonial’s Son and Call of Empire, featured a time skip to the late 19th century, where a mostly retired Ian had taken a step back from adventuring while his two sons, Josiah and Samuel, became the main characters. With the death of Ian at the end of Call of Empire, the series entered a new phase as Watt again skipped ahead with The Ghosts of August. Set around the turbulent events of World War I, The Ghosts of August was another fantastic entry in the series that continued to follow all the adventures of the Steele family.
The Queen’s Colonial, Ian Steele, is dead, but his family still serve the crown, especially as the threat of war spills across the globe. Ian’s oldest son, Josiah, is now head of the Steele family, and, like his father before him, he has two very different sons to worry about. His oldest son, David, is a canny and cultured young man with the world at his feet, while his youngest son Ben is a wild child, constantly finding trouble and solving it with his fists. However, despite their differences, both David and Ben are about to be caught up in the chaos of war.
Ben, sent away on a secret mission about the family’s boat, inadvertently finds himself trapped in German New Guinea when the war breaks out, where circumstances force him to become a desperate fugitive from the German troops stationed there. David, determined to do his bit, becomes an officer in the Australian army, and finds himself involved in Australia’s attempt to take control of German New Guinea, hoping to reunite with his brother.
However, with petty grievances and the love of a women between them, Ben and David find themselves on different paths as the war progresses. While David finds himself serving as an officer on the Western front, Ben signs up as an enlisted man in the deserts of Palestine. Both brothers will face danger and death the like of which the world has ever seen before, and the desperate battles will rock the Steele family to its very core.
The Ghosts of August was another awesome book from Watt that pits the latest generation of his central family against all the horrors of war, turmoil and history. A great addition to the Colonial series, The Ghosts of August was a very fun and action-packed read that cleverly tied into some fascinating periods of history.
Watt features a very familiar narrative structure for The Ghosts of August, which follows the current protagonists of the Colonial series into a whole new conflict. Starting in 1914, the novel initially follows the various characters through the period leading up to the conflict, before throwing them right into the carnage with several battles and action pieces. Making great use of the historical record to enhance his narrative, Watt sets his story throughout a range of fascinating locations and periods, all shown from the overlapping perspectives of his point-of-view characters. Watt provides an interesting spread of protagonists in The Ghosts of August; while the key characters are the younger members of the Steele family, you also see alternate perspectives from the books various antagonists, as well as some more friendly German characters. There is a good mixture of action, character-focused drama, and intrigue as these figures deal with issues on various fronts. I particularly enjoyed Ben’s attempt to survive in the wilds of German New Guina for the first part of the book, while the various intricate depictions of war in the second half of the book steal the show, especially as there is a ton of tragedy and shocking moments. Watt brings the entire narrative to a sad, but hopeful end, and it will be interesting to see if or how the author continues the series in the future.
As with all the books in the Colonial series, The Ghosts of August works well as both a standalone novel and a continuation of the rest of the series, as Watt highlights key character history and previous adventures in an effective manner for new readers. I personally have had a lot of fun exploring the entire series from the start, and it has been great to see how the central family has evolved. The focus on a single family and its various members, friends and enemies throughout turbulent points of history is a fun writing style that the author has a lot of experience in, and it always results in an entertaining and fast-paced book. As with the previous Colonial novels, Watt’s focus on action, warfare, and the intricate history of the period, is the highlight of The Ghosts of August. Anyone with a love of early 19th century warfare or adventure is in for a great time, and I deeply enjoyed the powerful war sequences the author featured. However, I did think that some of the characters were a little one-dimensional in places, especially as his two main protagonists, brothers Ben and David, are carbon copies of other Watt central characters. That being said, Watt writes an excellent storyline that sees the two brothers at odds due to an alluring German noblewoman, and the resulting attempts to get past it are moving, with some real tragedy thrown in. I also enjoyed the devious German military antagonist, Kurt Jäger who plagues Ben in the first half of The Ghosts of August, and whose full storyline in the novel proves to be particularly interesting. An overall fun book that is easy to enjoy, especially if you have read one of Watt’s novels in the past.
The final element of The Ghosts of August that I want to highlight is the fascinating historical features that really made this novel stand out. Watt has a clear love for Australian history that shines through in his writing, especially in The Ghosts of August where he dives into various unique aspects of Australia’s contribution to World War I. Not only does he take his characters to the obligatory battlefields of Gallipoli and the Western Front (the former of which is relatively brief for an Australian war novel), but he also examines other lesser-known conflicts Australia was involved with during this period. This includes Australia’s contribution to the fighting in the Middle East, as there are some very intense and action-packed sequences that follow one of the protagonists fighting in Egypt and Palestine with the Australian Light Horse. I also found the first conflict focused on in the book, Australia’s expedition to take control of German New Guinea, to be particularly fascinating. Watt portrays the main battle in compelling and exciting detail, and it was fascinating to learn more about this expedition, especially as it rarely gets featured in fiction, despite being Australia’s first contribution to the war. All these historical elements are expertly woven into the main narrative by Watt, who always does an outstanding job of setting his own story arcs around these events. You really get stuck into both the narrative and the Australian history as a result, and I loved seeing more of Watt’s infection love for Australian wartime history.
The Ghosts of August was another amazing book from Peter Watt that provided a fantastic continuation to his highly enjoyable Colonial series. Loaded with action, adventure and interesting historical inclusions, The Ghosts of August is classic Watt, and I had a ton of fun with it as always. I am curious to see where Watt goes next, as I will always be eager to grab another historical adventure from this excellent Australian author.
Quick Review – The Chilling by Riley James
Publisher: Allen & Unwin Australia (ebook – 3 September 2024)
Series: Standalone
Length: 312 pages
My Rating: 4.25 out of 5 stars
Australian author Riley James presents a captivating and amazing debut novel with The Chilling, a distinctive debut novel that I had an outstanding time getting through.
Plot Synopsis:
An unputdownable thriller set in the pressure-cooker environment of an Antarctic winter.
An isolated research station. A storm approaching.
There’s nowhere to run. But so much to hide.
Keen to flee the wreckage of her marriage, Australian scientist Kit Bitterfeld accepts a coveted winter research position at Macpherson Station in Antarctica. On the way there, Kit and her fellow researchers field a distress call from a nearby ship.
By the time they reach the vessel it is on fire and the crew has vanished. A lone survivor is found, but he can’t remember who he is or what has happened.
They bring the survivor, identified as geophysicist Nick Coltheart, to Macpherson but it’s clear that something is wrong. More and more of Kit’s colleagues are acting strangely. And she can’t shake the suspicion that Nick knows more than he’s letting on. With the winter darkness setting in, Kit must figure out the truth before they are completely cut off from the outside world. But is the danger lurking out on the ice, or is it closer than she thinks?
The Chilling offers a compellingly icy twist on the winter thriller setting, transplanting the most haunting elements of Scandi noir to the southern hemisphere, and announces Riley James as a brilliant new talent writing in a fresh corner of Australian crime fiction.
The Chilling was a great novel from Riley James that features a fascinating story of survival, identity and secrets. Set on and around Antarctica, the story initially focuses on damaged protagonist, Kit Bitterfeld, who attempts to escape her failed marriage by volunteering for a lengthy expedition. Things get interesting very quickly when the protagonist attempts to assist another research ship in distress, but instead finds it abandoned and on fire, with one mysterious and seemingly amnesiac survivor hidden aboard. While this injured survivor, Nick Coltheart, appears to have no knowledge of what happened aboard the ship or his past life, Kit soon becomes suspicious of him and the behaviour of her fellow scientists, especially when mysterious deaths and disappearances occur around the research compound. At the same time, a separate storyline follows the survivors of the damaged ship, who are attempting to cross the treacherous ice on foot and encounter danger, death and despair, especially as some of the survivors consider the lies and crimes that led them there. The separate storylines come together in an impressive manner as the book continues, and the converging secrets lead to some excellent reveals and moving moments.
This ended up being a deep and intriguing novel that blended a cool thriller storyline with a compelling and moving character-focused plot line. I loved the blend of mystery, drama and intrigue that emerges as James dives further into her narrative, and the resulting twists and swerves are well set up and have a satisfying impact. I felt that the reveals about who was responsible for the various crimes where quite clever, and the slow-burn dive into each of the figures in question allowed for great plot. While some thriller fans may not enjoy how much character drama was contained within The Chilling, I felt that the protagonist’s powerful arc about trauma, lack of trust and finding herself was particularly heartfelt, and it will no doubt resonate with many readers. Other character storylines have some interesting focus on guilt, as the sins of the past come back to haunt them, and it proves very moving to see the various lines of this unravel to discover who did what.
I can’t finish this review without highlighting the way that James featured Antarctica throughout The Chilling, as the continent served as a haunting background to her story. Not only does the author provide some vivid and powerful descriptions of the setting through her writing, but she also describes the impacts of the isolation and desolation of the ice continent on the people who visit it. I loved the complex sense of duality you get from the author’s depictions of Antarctica, as there is both hope and despair hidden within it, and it was fascinating to see some of the characters find themselves there for good or for ill. James also did an excellent job incorporating the aspects and features of Antarctica into the overarching plot, and the problems caused by the remoteness, the weather, and other complicating factors really amps up the thriller aspect of the plot in some fantastic ways. This was such a cool (ha ha) background setting, and it made James first book really striking and memorable.
Riley James really impresses with her debut novel, and I felt that The Chilling was one of the stronger Australian novels I read in 2024. Featuring a complex and multi-layered story of survival, intrigue and deep characters, The Chilling was an outstanding read which is worth checking out, especially if you are interested in something distinctive from a fresh Australian author.
Waiting on Wednesday – The Bluff, Pacific Heights and Vanish
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. Stay tuned to see reviews of these books when I get a copy of them. For this week’s post, the name of the game is Australian crime fiction as I check out three outstanding upcoming novels set for release in 2025.
I have mentioned a few times on this blog that I have become a major fan of crime fiction in the last several years, ever since I started reviewing across the genres. During this time, I have had the pleasure of reading an array of awesome crime fiction reads, although one sub-genre I get a ton of books of is Australian crime fiction. There are so many great murder mysteries and thrillers released each year that make excellent use of the gritty Australian setting, whether its an outback thriller or a more complex murder mystery set within one of Australia’s urban settings. Australian’s have proven quite adapt at producing epic and mysterious reads, and I tend to receive quite a few Australian focused books from local publishers as a result.
Naturally, after reading a ton of these great reads over the years, I have become skilled at picking out upcoming Australian crime fiction novels that I think are going to be excellent. I have already recently identified a few upcoming 2025 Australian debuts that have a lot of potential, so in this post I am going to look at a series of sequels and releases from established authors that are coming out in the new year. There are three amazing books I want to highlight in this post, and I have a lot of faith that all of them are going to be outstanding.
The first book that I want to talk about is The Bluff by Joanna Jenkins. Jenkins is an excellent novel, whose debut, How to Kill a Client, was a ton of fun. A clever and addictive novel that saw the members of an Australian law firm become suspects in a murder after one of the most important, and distasteful, clients dies suspiciously. I really enjoyed How to Kill a Client, especially as Jenkins created some vivid and compelling characters, and it ended up being one of my favourite debuts of 2023. As such, I have been curious to see what Jenkin’s would write next, and I was very excited to find out details about her upcoming book, The Bluff, especially it is a sequel to How to Kill a Client. Set for release in March 2025, The Bluff places Jenkin’s previous big-city lawyer protagonist in a dangerous small-town setting for another intriguing read.
Plot Synopsis:
From the bestselling author of How to Kill a Client comes a page-turning rural thriller of loyalties and lies, murder and greed.
People like Dash didn’t die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.
Ruth Dawson has taken a break from big city law to fill in for a few months at a mate’s small-town legal practice in Myddle. It’s not what she’s used to . . .
So when she hears the front door of her office open she’s expecting a weird demand, or a question she doesn’t know the answer to. But it’s Bea Baulderstone’s mum, worried that she hasn’t seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.
Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea’s whereabouts.
An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.
I really like the sound of The Bluff and it should be an interesting change of pace from Jenkins’ first book. Forcing the protagonist to deal with small town politics and loyalties while she attempts to find out the truth should result in a great read, and I am intrigued by the mystery that seems to be developing. I’m also curious to see how Jenkins deals with another seemingly adored figure who dies suddenly, as the last one of those the author featured was a brilliant character study in bad behaviour. I honestly think that The Bluff has a ton of potential and I cannot wait to dive into as soon as I can.
The next book that I want to highlight in this post is the deeply intriguing novel, Pacific Heights by S. R. White. White is an exceptional author who has left an impression on the Australian outback thriller scene the last few years. Known for his Detective Dana Russo series (Prisoner, Red Dirt Road and White Ash Ridge), White has produced some gripping reads that focus more on personalities and character motivations rather than evidence. This has resulted in some outstanding mysteries, and I really get caught up in his excellent writing.
Due to this, I am always eager for a new book from White and it is generally one of the better Australian novels released at the start of the year. The author’s next book sounds particularly awesome, as White is releasing a standalone novel outside of his main series with Pacific Heights. Coming out in late March, Pacific Heights once again dives into human nature as the author brings together another distinctive crime fiction scenario.
Plot Synopsis:
FIVE WITNESSES. FIVE DIFFERENT STORIES. WHO IS THE KILLER?
In the courtyard of the Pacific Heights building, a local waitress is found dead.
Five apartments overlook the murder scene. Five people witnessed a crime take place.
Finding the killer should be simple.
Except none of the witnesses’ stories match.
They all saw something – from a different angle, at a different time.
None of them saw everything. Anyone could be the killer.
Detectives Carl “Bluey” Blueson and Lachlan Dyson, each with their own careers in peril, must solve what others assume is a straightforward case. But to unmask a killer they must unpick a complex puzzle – where the motivations of the witnesses are as mystifying as the crime itself.
How can you solve a crime if anyone could be lying?
Now this is another very cool and captivating scenario from White and it is one that I am really drawn to. Forcing the protagonists to work out which of the five conflicting eyewitnesses is lying is going to require a deep dive into each of their characters, and I am very interested to see how the detectives unwind the complex motivations, histories and personality traits to determine which of them is telling the truth and which of them is keeping secrets. As such, this should be a very deep, character-driven crime fiction read, which White really excels at. Based on the plot synopsis alone, I believe that Pacific Heights is going to be a very exceptional read and I cannot wait to find out who is lying and why.
The final book I want to discuss in this Waiting on Wednesday is Vanish by Shelley Burr. Burr is another rising Australian author who I have become very attached to. Her debut novel, Wake, presented a complex and moving story of small-town mystery and the scars it leaves behind when an investigator with his own agenda attempts to uncover the long-hidden fate of a missing girl. Wake was a very impressive read and it ended up being one of my favourite debuts of 2022. Burr made sure to continue her story the next year, as she presented an outstanding sequel in 2023 with Ripper (also released as Murder Town). This book also focused on small town crime, as a new mystery emerges in a picturesque community made infamous by the actions of a serial killer. Ripper was a very worthy follow-up to Wake, and I loved the outstanding narrative that Burr featured in this awesome sequel.
Due to how impressive and clever Burr’s first two novels were, I have been keen to see what she releases next, and we luckily don’t have too much longer to wait for her third novel, Vanish. Coming out in April 2025, Vanish will continue to follow the author’s protagonist, Lane Holland, as attempts to uncover long-hidden killers and their victims. This new novel will take Holland on his darkest adventure yet, as dangerous personalities strike at the protagonist’s deepest desires.
Plot Synopsis:
People go to the isolated Karpathy farm looking for a new life – and are never seen again. A chilling thriller from the award-winning and bestselling author of Australian noir, Shelley Burr.
Lane Holland’s crime-solving career ended the day he went to prison. With his parole hearing approaching, he faces the grim reality that an ex-con can never work as a private eye. Yet one unsolved case continues to haunt him: the disappearance of Matilda Carver two decades ago.
Never one to follow the rules, Lane finds a lead – a mysterious farm community led by the enigmatic Samuel Karpathy. His farm attracts lost souls. People who want a more meaningful life. People who are hiding from their pasts. People with nowhere else to go.
But those who go to the farm seem to vanish without a trace.
Is it a commune? Is it a cult? Is it something even more dangerous? Lane goes undercover at the farm to find its dark secret – but could he too find himself intoxicated by the prospect of a new life on the land?
Inspired by a real-life criminal case, VANISH is a nail-biting novel of suspense by the Number One-selling author of WAKE and RIPPER.
Vanish sounds like another particularly amazing novel from Burr and I am very excited to see how it turns out. Continuing her protagonist’s attempts to needlessly redeem himself by solving missing persons cases should result in a powerful read, and I am curious to see what dark secrets lie within this mysterious and sinister farm. Forcing the protagonist to uncover truth amongst a band of lost souls, and a no doubt manipulative leader, should result in a very complex and intense story, and it is one I am very keen to dive into. Based on Burr’s previous captivating novels, I am very sure that Vanish will be an excellent book that will keep me in suspense right to the very end.
It looks like 2025 is going to be a very good year for Australian crime fiction, especially with new releases from these three very talented authors. Jenkins, White and Burr have all produced exceptional crime fiction novels in the past, and I have no doubt whatsoever that their new books are going to be just as impressive, especially as all of them feature incredible and unique plot ideas. I look forward to exploring all these brilliant crime novels, and the new year is really looking up when it comes to awesome Australian fiction.
Everyone this Christmas has a Secret by Benjamin Stevenson
Publisher: Penguin Australia (Hardcover – 22 October 2024)
Series: Ernest Cunningham – Book Three
Length: 229 pages
My Rating: 4.5 out of 5 stars
One of my favourite Australian authors, the clever and eternally funny Benjamin Stevenson, returns with the third book in his Ernest Cunningham series, Everyone this Christmas has a Secret.
Over the last few years, one of the most impressive Australian crime fiction authors has been the exceptional Benjamin Stevenson. After a successful career as one half of musical comedy duo The Stevenson Experience, Stevenson has successfully made the move to crime fiction author with several amazing books. I was a big fan of his debut novel, Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight. While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.
The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations. The first book in the series, Everyone in My Family has Killed Someone, was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery. I really enjoyed this exceptional book (one of my favourite Australian novels of 2022), especially as the author successfully played to his comedic background to produce an outstanding read that satirised classic crime fiction conventions. Stevenson continued to impress the following year, with the amazing book Everyone on this Train is a Suspect. One of my favourite books and pieces of Australian fiction of 2023, Everyone on this Train is a Suspect was a worthy sequel to the first Ernest Cunningham book, and I loved how the author took the opportunity to further parody various crime fiction subgenres. Due to how much fun I’ve had with the previous novels in the series, I was very excited when I found out Stevenson was releasing an Ernest Cunningham Christmas special. This latest book, Everyone this Christmas has a Secret, was an excellent read that continued to showcase unique style and flair for outrageous stories.
Ernest Cunningham, amateur detective, novelist and all-round meddler, had been looking forward to Christmas with his highly dysfunctional family. However, a surprising phone call from his ex-wive, Erin, forces him to journey to the Blue Mountains to solve another murder. Erin has been accused of killing her new husband, a wealthy philanthropist and former actor dedicated to helping former drug addicts by introducing them to the performing arts. Found upstairs covered in the victim’s blood, the case against Erin seems airtight, but Ernest isn’t willing to believe that the women he used to love is capable of committing murder.
Determined to prove Erin’s innocence, Ernest begins to investigate hoping to find anything that will clear her name. His first stop is a large charity Christmas show headlined by a famed magician that the victim had been working on in the leadup to his death. Exploring backstage, Ernest soon discovers that the staff of the charity show are a mixed bag of tricksters, manipulators and performers, each of whom had history with the victim. But before he can investigate any further, another person dies publicly on stage.
With the police refusing to listen and time counting down to Christmas, Ernest once again uses his knowledge of the conventions of crime fiction to try and solve the case. However, all his suspects have motive, and all of them know how to lie and misdirect. Can Ernest work out which of these performers is concealing the truth, or will a killer get away with murder this Christmas?
This was another outstanding novel from Stevenson, who clearly has a ton of fun with his Ernest Cunningham books. A brilliant Christmas special, Everyone this Christmas has a Secret proved to be yet another captivating and hilarious book that proved extremely hard to put down.
Everyone this Christmas has a Secret proved to be a very entertaining addition to the Ernest Cunningham series. Using the conventions of a Christmas special, Everyone this Christmas has a Secret provides readers with a short standalone book that can easily be enjoyed by any reader, even those unfamiliar with the previous entries in the series. Due to the limited length of the novel, Stevenson wastes no time diving into the plot, and you are soon presented with a new unique murder mystery, with the protagonist’s ex-wife painted as the killer. After some effective introductions to the case, the protagonist travels to the charity show that seems to lie at the heart of the case and begins to learn more about the potential suspect. This was a necessarily concise introduction, although it works to set up much of the future plot, and there are a ton of subtle clues hidden throughout the first half. This first half leads to a dramatic and exciting second murder that changes the scope of the plot and forces the protagonist to up his game.
Stevenson doesn’t waste any time after this second death, moving the plot at a murderous pace (pun intended), and bombarding the reader with clues, reveals and intrigues. There are several great twists here as we get closer to the conclusion, and I loved how the protagonist worked his way through the Christmas mystery in his own unique way. Everything leads up to the big reveal, where Ernest brings all his suspects together in a single location and talks them through the solution to the murder. There are some brilliant moments here as Ernest eliminates suspects, bringing all the hidden secrets to life and slowly whittling down the field of potential killers. The big reveal about the real killer was well handled and extremely clever, as the author brings together the multitude of clues he sprinkled throughout the plot in an entertaining manner. While the identity of the murder was a tad obvious to me thanks to one clue in particular, the route the protagonist takes to get there is fun, and I loved seeing everything come together. The resulting final confrontation is a little over-dramatic and follows the pattern of the other novels in the series, but it proved to be a great ending to this shorter, Christmas-themed Ernest Cunningham book, and I loved how well this book sat as a standalone entry to the series.
As with the previous books in this series, Everyone this Christmas has a Secret is a cleverly written and highly entertaining read that seeks to blend a complex murder mystery with comedic writing that satirises classic fiction tropes, especially those around golden-age crime fiction. Perfectly set in the iconic Australian setting of the Blue Mountains and told from the first-person chronicle perspective of protagonist Ernest Cunningham, this book has a compelling, quick-fire narrative enhanced by the protagonist’s amusing observations about the situation and the people involved in the case. Stevenson expertly utilises his comedy background to keep the mood of Everyone this Christmas has a Secret light, and you will love the fantastic way he keeps the audience laughing, while also providing some very clever in-jokes for those readers familiar with classic murder mysteries and whodunnits.
Stevenson also leans into the Christmas theme of this book by including a range of themes and tropes from holiday special novels/shows, which helps to give this third book a unique and memorable edge. The author’s rules for holiday specials, which are set down at the end of the novel, are cleverly overlayed over his established rules for detective fiction, and I really appreciated how Stevenson incorporated them into the plot. As such, Everyone this Christmas has a Secret has a distinctive change in style compared to the previous novels, which I think worked extremely well. If I had one criticism, it would be that the shorter length of this novel ensured that Stevenson didn’t have as much space or time to try to implement some of his classic meta-hints (like revealing on what page a murder was going to occur, or how many times the killer’s name is mentioned in the book), and the entire book did feel a bit rushed at times. Still, this was a great read, and one that works both as a continuation of the Ernest Cunningham series, as well as a compelling, holiday standalone read.
Due to its nature as a standalone holiday special, Everyone this Christmas has a Secret doesn’t feature a massive amount of character development, and apart from the protagonist there is a noticeable lack of recurring characters physically appearing here (it’s one of the rules of a holiday special). That being said, it was fun to see protagonist and humorous point-of-view character Ernest Cunningham again, especially as he is starting to lean into his role as a detective. While his investigation style is still quite chaotic (earning him the moniker “the Slapdash Detective”), Cunningham proves to be a much more skilled sleuth, although he once again makes some foolish mistakes at the grand reveal at the end. Aside from Cunningham, the rest of the cast is fun, with an intriguing mixture of suspects, victims, and related characters. While Stevenson does a good job introducing these characters and setting up some competing motivations, I did think the speed of the plot didn’t allow the reader to really appreciate this extended cast as much, and as such the big reveal at the end loses a little punch. Still, Stevenson features a solid cast for a shorter holiday special, and I enjoyed seeing how Ernest dives through their chaotic lives to find the killer.
Benjamin Stevenson once again shows why he is one of Australia’s top crime fiction authors with another captivating and clever murder mystery book, Everyone this Christmas has a Secret. Once again featuring the author’s trademark humour and satirical take on classic whodunnit tales, Everyone this Christmas has a Secret was a great read that was both gripping and fun. I look forward to seeing how the author continues the Ernest Cunningham books in the future, although I must admit I do wonder how far Stevenson can take this concept. An overall excellent and funny murder mystery that anyone can enjoy this Christmas.
The Unseen Library 