Top Ten Tuesday – Favourite Comic Book Animated Series

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic this week was Favourite Places to Read, however, I’m going rogue once again and instead will continue my trend of looking at Comic Book adaptations.  Recently I have been highlighting and examining some of the great multi-media features that are adapted from established comic book series.  So far, I have looked at my favourite animated comic book films, ranked all the MCU films, and looked at some cool DC Comics films.  These were very interesting subjects which really appealed to my likes and focuses, and I am having a blast writing about them.  To keep this trend going, I thought that this week I would spend some time looking at some of the incredible animated series based on comic books.

I am sure that all of us can remember watching a comic book adaption on our morning cartoons when we were younger (I know I can, and several examples are featured in the list below).  There is an intrinsic connection between comics and cartoons, and Hollywood’s attempts to turn great comics into fun animated entertainment have resulted in some of the best adaptions of the original content out there.  I have long enjoyed watching animated series based on comics, and we are currently in a bright new age of animated adaptations, especially with the continued focus on all-things comic book and superhero.  As a result, I thought that this would be a great opportunity to explore some of my absolute favourite animated comic book shows.

To produce this list, I pulled together all the best animated shows I have watched over the years that were originally based on some form of comic book.  There are quite a few great shows out there that have some origins in the comic book world, and I had a big pool of potential entries to work with.  I was eventually able to whittle it down to my absolute favourite 10 shows, with my typical generous Honourable Mentions section.  The final list turned out to be pretty interesting, and I was quite happy with the range of shows featured.  I have only included shows I have so far watched, so that means a couple of notable series are missing, such as Superman: The Animated Series.  I have also tended to steer away from a few 90s classics, such as X-Men or Spider-Man.  While I enjoyed these shows when I watched them and they successfully adapt some of the most iconic storylines, they really haven’t aged that well.  I also excluded the most recent animated series, What If…?, mainly because there has only been one episode so far, and I want to see at least the whole first season before I make any decision about it, although I am sure it will appear on future iterations of this list.  Despite these limitations, I ended up coming up with a pretty cool list, so let us check it out.

Honourable Mentions:

Men in Black

Men in Black Animated Series

While strongly inspired by the films, this awesome show had a lot of connections to the original Men in Black comic, and it is an outstanding animated series with some incredible opening credits.

 

Ultimate Spider-Man

Ultimate Spider Man

This was a really good modern take on Spider-Man that nicely tied into some of the other Marvel shows running at the same time.  Featuring some unique and cool adventures, this was an excellent series.

 

Wolverine and the X-Men

Wolverine and the X-Men

A brilliant series that was cut off far too soon after only a single season (an unfortunate casualty of the Disney buy-out of Marvel).  The first season was extremely strong, and if it had gone on for longer, it would have easily been in the Top Ten.

 

Generator Rex

Generator Rex

Based on an extremely short-lived comic, Generator Rex was an epic and entertaining animated show.  Set in a world where everyone has been infected by nanites, it follows titular hero Rex, a teen who can control his nanites and turn them into weapons, as he fights monsters and great villains.  A very cool show that had a great run, and which even featured a fantastic crossover with Ben 10.

 

Top Ten List (Unranked):

Invincible

Invincible

Let us start off with the recently released InvincibleInvincible is an exceptional and amazing adaption of the comic of the same name, which follows a young hero as he attempts to follow in his father’s footsteps.  Featuring an awesome cast, this show really does the comic justice and is very dark and bloody.  I loved the changes they made to the story, while also keeping all the best bits of the comic, including that incredible twist.  I literally just finished the final episode a couple of hours ago and I am still reeling from how brutal it got.  A deeply impressive show, if you have not checked out this first season yet, you are missing out.

 

Harley Quinn

Harley Quinn

From one of the darkest shows on this list to one of the funniest, Harley Quinn is another relatively recent animated show that is extremely cool.  This hilarious show features an R-rated look at one of DC’s most popular characters as she strikes out on her own.  Featuring the voice of Kaley Cuoco in the titular role, this witty and fun show contains a fantastic and moving story that dives into the heart of the protagonist, while also showing off some excellent supporting characters.  I love the great combination of over-the-top humour, intense violence, clever parodies, and emotional storylines, and I am really looking forward to the third season.

 

Young Justice

Young Justice

I must admit that I was initially wary when Young Justice was announced, as surely no show about young heroes could ever top Teen Titans.  However, the moment I watched the first episode I was an instant life-long mega fan.  With a surprisingly deep and complex narrative about a group of sidekicks who become the covert-ops wing of the Justice League, Young Justice was an impressive and compelling series that quickly produced two fantastic and moving initial seasons.  Featuring a strong group of core characters, this series adapted several great storylines from the comics, while also telling its own clever and unique overarching narrative.  I loved all the twists and character development that occurred, and I was so very, very happy when DC eventually announced a third season.  This third season was even more adult than its predecessors and it continued to expand on the series extremely well.  There is another season on the horizon and despite knowing nothing about it, I am already immensely confident that I will love it.

 

The Avengers: Earth’s Mightiest Heroes

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As you can probably imagine, there have been several attempts to adapt the Avengers into an animated series, and in my opinion the best example of this is The Avengers: Earth’s Mightiest Heroes.  Taking most of its cues from the comics rather than the MCU, this outstanding series really captures the heart of the team and presents an exceptional take on each of the main characters.  The first season is pretty perfect and comes together extremely well.  The second season, while a tad rushed in places, is also incredibly cool, and features an amazing version of the Secret Invasion arc.  Unfortunately, this series was cancelled well before its time, but while it was going, it was incredible.

 

Batman: The Animated Series

Batman - The Animated Series

There are many, many Batman series out there, but none have captured the titular hero, the outrageous villains, and the grim setting of Gotham City as perfectly as Batman: The Animated Series.  With some deep and adult storylines, this series never pulled any punches, despite being a kids show, and for many, it was the best introduction to Batman and the world of comics that you can ask for.  Serving as the definitive animated version of Batman out there, this incredible series features all the classic Batman characters, and even introduced a few new iconic faces, such as Harley Quinn.  You also have to love the voice cast, especially with Kevin Conroy providing the quintessential Batman voice, while Mark Hamill is the ultimate animated Joker.  I am lumping in The New Batman Adventures into this entry as well, mainly as it served as a continuation of the original show.  I also must call out Batman Beyond here, which serves as a great end note to this series, especially with that dark and epic connected film, Batman Beyond: Return of the Joker.

 

Justice League/Justice League Unlimited

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For this next entry I am combining the crowning jewels of the DC Animated Universe, Justice League and Justice League Unlimited, as they are honestly just the same show.  Continuing some of the great storylines from Batman: The Animated Series and Superman: The Animated Series, this cool series brought together seven heroes who formed the Justice League to fight some of the DC Universe’s best and most dangerous villains.  This series contains some incredible storylines, which are easily appealing to both a younger audience and veteran fans of the comics.  I have a lot of love for both the original Justice League, which focused exclusively on the seven founding members, and Justice League Unlimited, which massively expanded the roster with a great cast of supporting characters.  Despite how epic and captivating the other seasons are, my favourite storyline is the one surrounding the Justice League facing off against Project Cadmus, as it contains some of the best writing and some deep examinations of the nature of power and the potential threat that a group of heroes could pose.  A must watch series for all fans of the Justice League and DC comics in general, you will love this show.

 

The Spectacular Spider-Man

The Spectacular Spider-Man

As Marvel’s most iconic and popular comic character, Spider-Man has had an insane number of animated shows over the years, but to my mind, the best is The Spectacular Spider-Man.  Featuring a perfect take on the character without needlessly rehashing his origin tales, this series serves as a great adaption while also providing its own unique story.  Every episode of this show is deeply entertaining, while also diving into the mindset of the teenage hero, his friends, and his menagerie of villains.  Out of all the shows, I think this one captures the teenage years of Peter Parker the best, while also adding in some more modern twists to ensure it still holds up after all these years.  I can honestly watch this entire series in one extended series, it is that damn good.  Unfortunately, as with many of the best Marvel television shows, The Spectacular Spider-Man ended way too soon, although its final episode did wrap things up nicely.  An excellent and compelling series.

 

Teen Titans

Teen Titans

When there’s trouble you know who to call, Teen Titans!!! Yeah, that theme song says it all when it comes to Teen Titans.  This was a wonderful and spectacular show that had just the right mixture of silliness and darkness.  Following the adventures of the titular superhero team, for four seasons, Robin, Starfire, Raven, Cyborg and Beast Boy fought a series of outrageous villains, with a combination of skill and humour.  With some very distinctive characters, a Japanese inspired art style and two versions of the same theme song, this was one of the most unique shows out there with a style all its own.  While there was a definite focus on humour and friendship, many of the storylines have a deeper, more emotional edge to them that will appeal to watchers of all ages, and there is constant and compelling character development.  This series also contains several outstanding antagonists, with the highlight being Ron Pearlman’s Slade (Deathstroke).  I cannot express how much I love this fantastic animated series, and I have watched it many, many times.

 

X-Men: Evolution

X-Men Evolution

I have mentioned a couple of X-Men shows so far, but the one that I think is the best, by dint of being still watchable and having a decent run, is X-Men: EvolutionEvolution features an impressive X-Men narrative that focuses on teenage versions of most of the main characters.  Featuring all your favourite X-Men, this was a really cool and compelling take on the iconic team, and it contains so many great story arcs, many of which dealt with the comic’s overarching themes of discrimination and prejudice.  While there are a lot of great impacts of this series, easily the best thing this show ever did was introduce the character of X-23, Wolverine’s murderous female clone, who is one of my favourite X-Men characters.  An impressive and important series that is well worth a watch.

 

Teenage Mutant Ninja Turtles (2003 and 2012 series)

Teenage Mutant Ninja Turtles - Joint

For the final entry on this list, I am going to combine two separate Teenage Mutant Ninja Turtles shows, with both the 2003 and 2012 series.  Based on the comics of the same name, I have a lot of love for both Teenage Mutant Ninja Turtles adaptations, and I honestly enjoy both equally (hence the shared spot on this list).  While both follow the same characters with similar adventures, these are very different series that go in some unique directions.  The 2003 series was the one I grew up with, and I still really love its drawing style and darker storylines.  The 2012 series on the other hand works its CGI animation and anime inspirations extremely well, resulting in more humour and homages to popular culture.  Despite this apparent divide, the 2003 series did have some extremely funny moments and episodes, while the 2012 series got extremely dark in places.  I also deeply appreciate that both shows feature appearances from my favourite comic character, Usagi, with the rabbit ronin teaming up with the ninjas in multiple fun episodes.  As a result, I would strongly recommend both these series as they serve as excellent introductions to this fantastic franchise.

 

 

Well, that’s the end of this list.  As you can see, there are some truly awesome animated comic shows out there, and I am really passionate about which ones I watch.  I am pretty happy with how this list turned out, and I think the unique spread of shows really reflects my tastes and preferences.  Each of the above shows is extremely good, and I would highly recommend all of them.  This is probably a list I will revisit in the future, especially as there are more and more comic-inspired animated series coming out all the time.  With shows like Invincible and What If…? bringing in a whole new generation of fans to animated adaptions, it is only a matter of time before the other companies start adapting all manner of comics into something cool.  I am already excited about a couple on the horizon (they are apparently working on an Usagi Yojimbo animated series 😊 😊 😊), and I look forward to watching them in the future.  In the meantime, let me know which of the above shows you enjoyed, and if you have any recommendations for other cool animated comic book series, I will be interested in seeing what else is out there.

Book Haul – 17 November 2019

Before the new week starts up I just wanted to do a quick Book Haul post to look at the books I have received in the last couple of weeks.  This haul is combination of books I have received from publishers, as well as a few books/comics that I bought myself.  Most of these are sequels to some great novels/comics I have read in the past, as well as a couple of releases from some new authors that sound pretty interesting.  Let’s dive in.

Starsight by Brandon Sanderson

Starsight Cover

Starsight is easily the book I was most excited about getting a copy of.  Starsight is the epic sequel to Skyward, and it is a book that I have been looking forward to ever since I finished the Skyward last year, having previously featured Starsight in both a Waiting on Wednesday and My Top Ten Most Anticipated July-December 2019 Releases list.  I actually just finished this book today and it was pretty amazing.  Planning to get a review up for it soon so stay tuned.

Seven Crows by Kate Kessler

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This is a cool sounding thriller that I am looking forward to checking out.

Josephine’s Garden by Stephanie Parkyn

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This is an interesting historical fiction novel that looks at the life of Empress Josephine of France, should be fun to check out.

Grave Importance by Vivian Shaw

Grave Importance Cover

Grave Importance is the third book in Shaw’s fantastic Dr. Greta Helsing series.  I really enjoyed the first two novels in the series, and I have been looking forward to this latest instalment for it for a while.

Traitors of Rome by Simon Scarrow

Traitors of Rome Cover

Another book that I have been looking forward to for a while.  Scarrow is easily one of my favourite authors, and Traitors of Rome is a book that I really want to finish by the end of the year.

Angel: Volume One – Being Human by Bryan Edward Hill and Gleb Melnikov

Angel Volume 1 - Being Human.jpg

BOOM! Studios reimagining of the entire Whedonverse continues in this first volume of a brand new series of Angel comics.  I really loved their new versions of the Buffy and Firefly canons, and I look forward to seeing their take on one of Joss Whedon’s most intriguing characters.

Uncanny X-Men: Wolverine and Cyclops – 2 by Matthew Rosenberg and Carlos Gomez

Wolverine and Cyclops 2 Cover.jpg

The second volume of a new series of Uncanny X-Men that sees the returning Wolverine and Cyclops team up once again.  The first volume of this new series was pretty good, and I am interested to see where the story goes in this volume, especially with all the massive events occurring in other areas of the X-Men universe.
Looks like I have a lot of reading to do in the future, I should probably get started.

Uncanny X-Men – Vol. 2: Wolverine and Cyclops

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Publisher: Marvel Comics (Trade Paperback – 2 July 2019)

Series: Uncanny X-Men (2018) – Volume 2

Writer: Matthew Rosenberg

Artists: Salvador Larroca

               John McCrea

               Juanan Ramirez

Colour Artist: Rachelle Rosenberg

Length: 136 pages

My Rating: 4.5 out of 5 stars

Prepare to enter a whole new era of X-Men comics as writer Matthew Rosenberg and artist Salvador Larroca bring forth a second volume in the new series of Uncanny X-Men and focus on the aftermath of the latest disaster to befall mutantkind.

No More X-Men!

For years, the X-Men have tried to fulfil Charles Xavier’s dream of unity between mutants and humans by being the shining examples of their species as superheroes, protecting even those people who hate and fear them. However, in one devastating moment, that dream has been smashed. The godlike mutant X-Man, in an attempt to remove all opposition to his messianic desires, combined his powers with that of the reality-bending mutant Legion in order to end all the X-Men who stood against him. In a single instant, nearly every mutant who had served as a member of the X-Men was gone, and the world reacted accordingly.

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In the aftermath of this loss, Mutantkind is on the brink of extinction. Already suffering from years of losses caused by the Genosha genocide, the M-Day Decimation, the Terrigen Mists and Disney’s wrath for being owned by Fox, the remaining Mutants are now left without their protectors. With public opinion firmly against them, government agencies hunting down and imprisoning any surviving mutants and the new mutant vaccine being made mandatory for the entire population, this looks like the end for the species. However, one mutant is desperate to change this: the original leader of the X-Men, Cyclops.

Having been recently returned from the dead, Cyclops attempts to find his way in the new world, where all his X-Men comrades have disappeared. After an encounter with the mysterious mutant Blindfold, whose cryptic visions now contain nothing but despair, Cyclops will try to do what he always does, attempt to save his species. However, with no allies willing to help and even the Avengers turning against them, Cyclops is finding it hard not to give in to despair. In a desperate move, he makes a televised plea for any remaining X-Men to join him at the remains of the X-Mansion. While at first it appears that only the X-Men’s enemies have turned up in order to kill him, one X-Man answers the call, the last person Cyclops expected to come to his aid, his long-time rival Wolverine.

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Having also just come back from the dead, Wolverine is reluctantly drawn back into Cyclops’s orbit. In their recent past these two legendary X-Men have fought, gone to war and nearly killed each other over their ideals, the future of mutantkind and the heart of Jean Grey, but now they can agree on one thing: the X-Men need to come back. Pulling together a rag tag team, including Magik, Wolfsbane, Havok, Dani Moonstar, Karma, Chamber and Jamie Madrox, Cyclops and plan to go after the biggest mutant threats they can find on order to stop additional escalations against mutants and to leave the world in a better place if this is truly the end of mutantkind. But what happens when they are forced to go up against old friends such as Banshee or Hope Summers, as they attempt to obtain their own form of justice leading a new version of the Mutant Liberation Front?

The second volume of this new series of Uncanny X-Men, Wolverine and Cyclops, is a fantastic and enjoyable comic that does a wonderful job introducing a cool new version of the X-Men following the major changes that occurred in the first volume of the series, X-Men Disassembled. Featuring issues #11-16 of the 2018 series of Uncanny X-Men, this volume does an excellent job of showcasing the new, darker version of the Marvel Universe following the disappearance of the X-Men.

Cyclops and Wolverine is written by Matthew Rosenberg, who has been working on a number of cool series for Marvel lately, including the extremely entertaining new Punisher series. In a nice sense of continuity, Rosenberg returns to write this second volume of Uncanny X-Men after completely changing everything with X-Men Disassembled. After setting up the cool story in that book, Rosenberg now puts his thoughts to exploring the aftermath of this tale, not only in this volume but in a number of future entries. For this second volume, Rosenberg is joined by artist Salvador Larroca, who provides the art for most of this book, while veteran artist Rachelle Rosenberg serves as the colourist for all the issues in this volume.

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After the previous entry in the series, the creative team was left with the interesting problem of how to run an X-Men series after you sent away all the X-Men (probably to the universe featured in the various Age of X-Man miniseries). What they came up with was a fantastic story that featured a new end of days for mutantkind and a new version of the iconic team. Since the events of the last volume, the whole world has dramatically changed for mutants. While they were never popular, now they are being actively hunted down, captured, experimented on or exterminated by government-sanctioned groups and there is no one able to stop them until this new team of X-Men come along. I really liked one of the ideas broached in the story that the X-Men, despite their attempts to be peacemakers, really only stopped this sort of government attack because they intimated the government, and now that the X-Men gone, there is nothing stopping them from ensuring there are no more mutants. As a result, this is a really interesting setting for a new X-Men series, and Rosenberg has come up with a really cool story. This is a much grimmer version of the classic X-Men story, as the team no longer has a high-tech base, matching uniforms or an advanced jet. Instead, they are a small team of rebels, hiding out in a bar and getting involved in fights for survival. This first volume contains a number of big plot moments, including the additional deaths of several mutant characters (which probably won’t last that long), noteworthy character developments (one character’s code-name gains a whole new level of significance) and the formation of an intriguing new team of X-Men.

I really enjoyed the way that the creative team set out this story in the first volume and I particularly enjoyed the first issue of the volume (Issue # 11). This issue does a wonderful job introducing the new Marvel Universe, and showing Cyclop’s difficulties coming back to such an altered world, bereft of hope for mutants. As the first issue continues, Cyclops meets several former friends and allies, such as Blindfold, Chamber, Ben Urich, Jamie Madox and Captain America, each of whom try to convince Cyclops that the X-Men are dead and that his mission is over. All of these encounters, including a second tragic meeting with Blindfold, drive Cyclops to his former home at the X-Mansion, where it appears he is truly the last X-Man, and only his enemies, such as the Reavers, the Purifiers and the Sapien League remain. However, at the last second, it is revealed that Wolverine was also on the scene and joins the fight, teaming up with Cyclops to defeat the mass of foes in the front of them in a particularly satisfying fight sequence to end the first issue. The volume then goes on to show two mini-stories, which show the reader that Wolverine had been following Cyclops for a while and had actually been helping him without the reader or Cyclops knowing it. Another story also shows why Blindfold had gotten involved and adds a whole new layer of tragedy to the story. The rest of the volume unfolds in a pretty logical way; without going into too much detail, Cyclops and Wolverine manage to form a team of X-Men, and in the following volumes they face a variety of different threats and find new allies, all of which will set up some interesting storylines for the next few volumes of the series. I liked where the story went towards the volume, and there were some really interesting developments that did a fantastic job following the strong opening issues.

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While this volume features a number of great characters, as the name suggests, the story is mostly focused around Cyclops and Wolverine, who team up again for the first time in years. These two are probably two of the most iconic X-Men ever created, and the longstanding rivalry and dislike between them has long been a recurring X-Men story arc. However, in recent years, this dislike has turned into direct antagonism, especially after the events of the 2011 miniseries, Schism, where a fight of their respective ideological differences saw them split off and lead two separate groups of X-Men. This antagonism continued through several major X-Men arcs, including Avengers vs X-Men, but it was ultimately left unresolved due to Wolverine’s death in 2014. As a result, this volume is the first time Wolverine and Cyclops have both been alive in nearly five years, and it was interesting to see the two of them finally come together again. I really enjoyed their reconciliation in this volume, especially as all it took for these two to get on the same page was two simultaneous resurrections, the complete destruction of the X-Men, one cathartic fight against a group of bigots, and a one-word greeting on the battle field.

The rest of the volume continued to build on their relationship as they work together to reform the X-Men. It is a fun return to the pre-Schism dynamic, as Wolverine once again follows Cyclops’s lead, and the two have a fun, banter-laden relationship built on mutual respect. However, Rosenberg does not ignore some of their prior conflict; rather he incorporates it into their relationship. Cyclops is fully aware that much of the X-Men’s current issues are due to his past actions, such as pushing for a more militant approach while he was the mutant leader, going to war with both the Avengers and Inhumans, and killing Professor X. As a result, he starts to rely on Logan’s opinion a lot more than some of the other X-Men, such as his brother Havok, as he knows that Wolverine won’t just agree with him if he is in the wrong again. This new era of cooperation between Cyclops and Wolverine forms a fantastic heart of this volume of Uncanny X-Men, and it was great to see these two characters back in action again after their lengthy absences.

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I rather enjoyed the artwork that was featured in Wolverine and Cyclops, and the artistic team of Larroca and the colourist Rosenberg do a good job producing an interesting art style for this volume. I personally liked the darker artistic tone quite a lot of the scenes had, which I felt reflected the tone of the series and which was also a result of the X-Men trying to remain hidden by doing their missions at night. I also liked the interesting character designs that featured in the book, as the team is forced to wear a mismatched bunch of scavenged uniforms from across the various X-Men eras, which really helped highlight the low resources and support they have. There are a number of detailed and exciting action sequences throughout the book that the artists do an amazing job bringing to life. I was particularly fond of the first major sequence, in which Cyclops and Wolverine took on the anti-mutant soldiers near the X-Mansion. It was a particularly brutal couple of pages, and I loved seeing the two main characters in action again. I also really liked the scene where Wolverine first reveals himself. The look of horror and resignation of several characters’ faces when they hear “snikt” was just beautiful. Extra art done by John McCrea and Juanan Ramirez for the two background stories, Wolverine Returns and The Last Blindfold Story, added an interesting new element to the volume, and it was cool to see their different art style in the middle of the book. Overall, this was some great artwork, and I cannot wait to see what this team produces in the future.

Wolverine and Cyclops is a bold new direction for Uncanny X-Men that I really enjoyed. With a darker universe, some interesting story directions and the return of two of the team’s most iconic characters, the X-Men have entered a brave new era, and I was glad to be there for the ride. This new creative team for Uncanny X-Men did a fantastic job reintroducing these two amazing characters, and they have proven that they have some intriguing ideas. The next volume of this series is out in October and is already one of my top comics to buy later in the year.

Book Haul – 12 July 2019

I haven’t had the greatest book haul in the last couple of weeks, but I have still managed to pick up a few excellent titles that I am excited to check out.

Star Wars: Thrawn: Treason by Timothy Zahn

Thrawn Treason Cover

Treason is the fourth Star Wars book out so far this year that I have been lucky enough to get my hands on and I have really been looking forward to this book.  Not only did I feature it in a Waiting on Wednesday article, but Treason also made my recent Top Ten Most Anticipated July-December 2019 Releases list.  I had an amazing time reading and reviewing the previous two books in the Thrawn trilogy, Thrawn and Alliances, and I hope this book contains a satisfying conclusion to the titular character’s story arc.

Salvation Lost by Peter F. Hamilton

Salvation Lost Cover

This book only just rocked up today and I am extremely happy that I managed to get such an advanced copy of it.  Salvation Lost is another book that I featured both in a Waiting on Wednesday entry and in my Top Ten Most Anticipated July-December 2019 Releases listThe first book in the series, Salvation, was easily one of the top books I read in 2018 and I cannot wait to check out the sequel.

Wilder Girls by Rory Power

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Wilder Girls is an intriguing sounding young adult thriller and I am looking forward to checking it out.

Blood in the Water by Jack Flynn

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This is a pretty cool sounding crime thriller set in the author’s native Boston, should be good.

Knight of Stars by Tom Lloyd

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This sounds like a really fun and entertaining fantasy novel and I hope I get the chance to read it.

Uncanny X-Men: Volume 1 – Wolverine and Cyclops by Matthew Rosenberg and Salvador Larroca

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Two of the most iconic and antagonistic mutants teaming up again after the X-Men were completely destroyed, yes please!

Stay tuned to see my reviews of these books.  I’m hoping to get a bunch of really good books in the next couple of weeks as well, so looking forward to that.

X-Men Red Volume 1: The Hate Machine by Tom Taylor, Mahmud Asrar and Pascal Alixe

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Publisher: Marvel Comics

Publication Date – 18 September 2018

 

Writer Tom Taylor and his artistic team have created an excellent and thought-provoking new X-Men series that not only follows the reintroduction of one of comics’ most interesting characters to the turbulent Marvel Universe but once again examines the real world problems of hatred and prejudice.

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For years, Jean Grey’s fate has always been tied to the universe-ending Phoenix Force, the cosmic entity of rebirth and destruction that is constantly seeking the most powerful host it can find.  However, following her latest resurrection during the events of Phoenix Resurrection: The Return of Jean Grey, Jean has renounced the Phoenix power once and for all and is now determined to live her life on her own terms.  Still one of the most powerful mutants in the entire world, Jean Grey sets out to restore her connections and find her place in a world that has changed dramatically since her last death.

The one thing that hasn’t changed is the fact that mutants are still feared and hated by a world that doesn’t understand them.  Despite all the adventures and endeavours of Charles Xavier and his X-Men, animosity towards mutants has never been higher.  Determined to change the world for the better, the resurrected founding member of the X-Men sets out to achieve her vision for the future and change world opinion about mutants once and for all.  To do that, Jean first attempts to create a mutant nation at the UN.  But when she is framed for the murder of politician, Jean is declared a criminal and mutants are subject to greater hatred from mankind.

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Realising that someone must be behind the recent upswing in anti-mutant sentiment and determined to protect those mutants targeted by hatred, Jean forms a new team of X-Men, made up of Nightcrawler, Storm, Namor, Gambit, Gentle, Wolverine (Laura Kinney – X-23), Honey Badger (Wolverine’s adorable clone) and newcomer Trinary.  But even as Jean and her team fight to save those mutants being targeted, more hatred and attacks are occurring around the world.  The sinister Cassandra Nova is determined to wipe mutants out once and for all and views Jean Grey as the greatest threat to this goal.

Following the end of his All-New Wolverine series, Australian author Tom Taylor returns at the head of a brand new X-Men series, X-Men Red, which takes fans back to the basics of the X-Men franchise.  Volume 1 of X-Men Red is made up of issues #1-5 of this new series, as well as Annual #1.  After enjoying Taylor’s work in All-New Wolverine (check out my review here: https://unseenlibrary.com/2018/09/08/all-new-wolverine-volumes-1-6-complete-series-by-tom-taylor/), I was excited to see him continue to work with Marvel, especially as it allows him to expand on characters and story elements he introduced in his previous Marvel series.  Most of the artistic work in this new series has been produced by veteran artist Mahmud Asrar, who has significant work in DC, Image, Marvel and other publishers.  X-Men fans may be familiar with his work on All-New X-Men and Wolverine and the X-Men.  Asrar was the main artist for issues #1-5, while the work on Annual #1, which is placed at the start of the volume, was drawn by Pascal Alixe.

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It is always fun when starting a new superhero team comic book series made up of established characters to see which heroes the creative team will include in their version of the team.  Taylor has certainly chosen an intriguing and previously unseen mixture of characters for this new X-Men series, and it is interesting to see which characters he focuses on.  The central character of this new team is the newly resurrected Jean Grey, the red in the series title.  This is one of the few times we see Jean step up to lead a team, as she is no longer in the shadow of her mentors or former lovers.  Aside from Jean, the main team members are Nightcrawler, Wolverine and Honey Badger, who are featured in all the issues contained within this first volume.  It was great to see Nightcrawler given such a prominent role in the comic, and it feels like it’s been a while since he’s been such a major character within an X-Men series.  I also liked new character Trinary, who is introduced in this series and is given an interesting set of powers.  Trinary is from India, and has technopathy powers, or the ability to manipulate technology.  Introduced as a new mutant who is attempting to fight the good fight in her own way, Trinary is given a key role in the series understanding the full nature of the technological attacks of the volume’s antagonist, while also taking over a sentinel to use as the team’s new primary source of transportation.  I think this character is given a great introduction, and could have an interesting future in the Marvel universe.  Other characters, Namor, Gentile, Gambit and Storm join the team at various points in the volume, and have a slightly reduced role, appearing for some of the big team ups, with only some short introductory storylines.

I was especially happy to see Taylor transplant the main characters of his previous All-New Wolverine series, Wolverine and Honey Badger, into his next project.  As I mentioned in my previous review, this version of Wolverine, Laura Kinney, also known as X-23, has always been one of my favourite X-Men characters, so I was very happy to see her used again in this series.  She plays a similar role in this team to the original Wolverine, as the silent infiltrator and bodyguard who is loyal to the team’s leader, who in this case is Jean rather than Professor X.  Just like in All-New Wolverine, the heart and soul of this series is definitely Honey Badger, Laura’s clone, who, as well as being a full member of the team, is the series’ comic relief.  Her humorous interactions with all the other characters in the book, especially the stern and serious characters, add a good amount of levity to the book.  Having her refer to Namor as Abs-lantis, or making Gambit hurriedly justify his actions for blowing up Honey Badger by saying it was “for strategic reasons” is particularly amusing and definitely made me smile.  However, the best line in the book has to be given to Wolverine, who casually replies to Jean’s amusement about Laura’s excitement about being in an underwater city with “Being Wolverine doesn’t make me impervious to the wonder of a #$%@%$& mermaid”.

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One of the most defining things about the start of this new series is how it focused on the evolution of the character of Jean Grey.  Despite being a founding member of the X-Men, Jean’s most significant storylines have usually been about her relationships with Cyclops and Wolverine, or her connection to the Phoenix Force.  Now, after coming back to life, Jean has stepped out of these currently deceased characters’ shadows and starts her own attempt to change the world, as she is no longer content to return to her old life.  Essentially, Taylor is trying to set Jean up as the new Professor X, with her own vision for mutant kind and her determination to change the world for the better and end the current level of hatred and prejudice.  While she has her own unique style and vision, there are a lot of call backs to the original Professor X, including the standard “To me, my X-Men” saying that Professor X and other X-Men leaders utilised throughout X-Men history.  I also enjoyed seeing a Jean Grey that is no longer defined by her relationship with the Phoenix Force, especially as Jean lets it be known that the Phoenix Force was holding her back.

It was also nice to see Jean repair the relationships she previously lost with several prominent X-Men characters, as well as establishing new relationships with characters she’s never had a chance to meet before.  This is particularly prevalent in Annual #1, which starts the volume, as she reunites with her surrogate X-Men family, which is heart-warming, especially as there is a focus on her friendship with Nightcrawler, who spends the volume as her BFF.  I also really enjoyed seeing her think about her relationships with Cyclops and Wolverine.  For the first time in X-Men history, Jean is alive when Cyclops and Wolverine are both dead, and must focus on the world without the two men she’s loved.  As such, she spends time adventuring with the daughters of these two men, Rachel Grey and the new Wolverine, and meeting up with them is one of the first priorities she has returning to the world.  I liked how one of the definitive love triangles of Marvel Comics is acknowledged in this new series, even though two points of the triangle are currently dead, and the focus of Jean’s relationship with the next generation of these characters was a clever idea.  I’ll be very interested to see what relationships are explored in the future, with all sorts of different iterations or offspring of Jean and Cyclops out in the world at the moment.  It will also be very intriguing when the original Wolverine is resurrected to see what role he plays in this series, as the creative team will have to have a look at the relationships that this character has with Jean, the current Wolverine and Honey Badger, a new daughter character he’ll have to interact with.
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Since its earliest days, X-Men has always been about the fight against prejudice, as the hatred the mutant characters experience has often been seen as an analogy for social issues such as racism, anti-Semitism and homophobia.  Taylor and the creative team behind X-Men Red continue this tradition of using their X-Men series to reflect social issues, in this case focusing on modern issues such as the latest rise of the extreme right-wing, intense nationalism, islamophobia, fear and concern about refugees and migrants, as well as racism.  All of these social issues are reflected in the portrayed hatred of mutants in this volume, with various elements of recent world events shown directed towards the mutant characters.  For example, you have Poland attempting to use their military to round up and detain mutants, similar to how some countries have been using their military to stop or detain refugees.  In another very unconcealed scene, rioters carrying tiki torches start attacking mutants, not considering them people, and even killing one mutant counter protestor, in events that are reminiscent of those of Charlottesville.  There is also a focus on the damage or the impact that social media and the internet can have on these events, as many of the anti-mutant events or rhetoric are contained online.  This will be very familiar to readers, as it is impossible not to see the online hatred that many anonymous people direct towards various groups around the world, and at least the one in the comic may be the result of supervillain plot.  Overall this focus on prejudice is a familiar subject to X-Men readers, and many will appreciate how the creative team have tried to bring in modern issues in this new series.  The creative team do end Volume 1 with a message of hope, with some of these antagonist people given a proper understanding of an opposing viewpoint, momentarily giving up their hatred and prejudice, and is something aspire for in the real world.

The artwork within Volume 1 of X-Men Red is just gorgeous and a real highlight of the book.  As mentioned above, Alixe does the artwork for Annual 1, while Asrar does the artwork for issues #1-5.  Both artists’ works are visually distinctive and give the reader something different when it comes to character design, displays of power and fight sequences.  Asrar in particular does some gorgeous backdrops and landscapes, as the stories he is illustrating see the characters go to all sorts of locations, including India, underwater cities and Wakanda.  There are a lot of well-drawn action scenes throughout this volume, although I found the final pages of issue #1 to be some of the most powerfully drawn in the entire volume.  Not only is there a somewhat graphic scene for a Marvel comic but the final panel shows the look of despair on the main characters as the volume’s antagonist makes her first move.  The artistic team of X-Men Red have outdone themselves in this first volume, creating some superbly drawn artworks that are catch the eye and the imagination.

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X-Men Red takes this new version of this iconic superhero team back to the sort of storylines that made the X-Men such a smash hit in the first place.  With a resurrected Jean Grey taking the lead, Australian author Tom Taylor and his creative team have cleverly brought current social issues to the forefront of their new series while also doing some superb character work, including redefining one of the original X-Men.  This is a great start to an amazing new comic series and a fantastic read for fans of the X-Men franchise.

My Rating:

Four and a half stars

All-New Wolverine: Volumes 1 – 6: Complete Series by Tom Taylor

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Publisher: Marvel Comics

Publication Dates:

All-New Wolverine Vol. 1: The Four Sisters – 24 May 2016

All-New Wolverine Vol. 2: Civil War II – 8 November 2016

All-New Wolverine Vol. 3: Enemy of the State II – 3 May 2017

All-New Wolverine Vol. 4: Immune – 29 November 2017

All-New Wolverine Vol. 5: Orphans of X – 27 February 2018

All-New Wolverine Vol. 6: Old Woman Laura – 24 July 2018

 

Prepare yourself for an all-new Wolverine in this exciting new series from Tom Taylor and a skilled team of Marvel artists, as one of the best characters in the Marvel Universe, X-23, rises to take the place of one of comic’s most beloved superheroes.

Following the death of the original Wolverine, Logan, in the 2014 series Death of Wolverine, Marvel chose to elevate his clone and surrogate daughter, X-23, to the role of Wolverine.  Starting in 2015, the All-New Wolverine series followed X-23 as she took on the moniker of Wolverine and made it her own.  Originally running between November 2015 and May 2018, the series is made up of 35 issues.  These issues have been assembled together into six collected editions, which were released between May 2016 and July 2018.  With the upcoming return of the original Wolverine to the Marvel Universe, All-New Wolverine has been cancelled, and the character has reverted back to the X-23 moniker, with a new X-23 series having just started.

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I have been a major fan of X-23 for years, and find her to be one of the most interesting characters in the entire Marvel Universe.  As a result, I was excited to see how she would be utilised as the new Wolverine, and have been keenly collecting all the volumes in this series.  I had originally intended to review the latest volume, Old Woman Laura, by itself; however, as this volume ends the series, I thought I would take this opportunity to review the entire series in one go.

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The protagonist of this series, the brand new Wolverine, Laura Kinney, is a fascinating example of character creation, and it has been intriguing to see how this character has evolved over the last 15 years.  Originally known by the code name X-23, the character was first introduced in 2003, in the season 3 episode of the X-Men Evolution animated television series, X23, and was established as a female clone of Wolverine created by an evil scientific organisation.  In her first appearance in X-Men Evolution, X-23 took out every single X-Man and went toe-to-toe with Wolverine himself, only stopping when he broke through to her emotionally.  This was a surprisingly dark episode for kids cartoon, but the fun appeal of a young female Wolverine and her sheer badassary quickly made Laura a fan favourite character, and her transference in the comic universe was quickly established.  These days most people would recognise the character from her amazing appearance in the 2017 film Logan, played by young actor Dafne Keen, which showed a slightly altered version of her origin story.

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Her first appearance within the main comic Marvel Universe happened in the 2004 series NYX, where she was shown to be living in New York City.  She was later introduced to the X-Men in Uncanny X-Men 450, with her origin story fleshed out in two limited series.  The first of these series, Innocence Lost, looked at her creation, early life, training and missions as part of the institute that created her, as well as the relationship she had with her mother and their attempts to escape the institute.  The second series, Target X, follows on directly after Innocence Lost and focuses on Laura’s attempts to start a life outside of the institution, her interactions with her mother’s family and the pursuit that would haunt her for the rest of her life.  This second short series also shows how she ends up in New York in NYX and her first interactions with Wolverine, and is framed as a retelling of her life story to Captain America and Daredevil.  Both of these series are extremely well written and serve as an excellent introduction to the character.

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After her introduction, X-23 appeared in a number of different series including Uncanny X-Men, X-Men, New X-Men and Marvel Team-Up.  She was a major character in Volume 3 of X-Force and appeared in key roles in several of the larger X-Men storylines.  She obtained another X-23 series in 2010, before having starring roles in Avengers Academy, Avengers Arena and All-New X-Men.  Following The Death of Wolverine, Laura was involved in some of the following storylines dealing with his death before taking up the role of Wolverine herself.

This series was created by Australian author Tom Taylor and a rotating roster of Marvel authors.  Taylor has a range of writing experience in a number of different formats, including theatre, musicals, books and television, and has also created an animated series, The Deep.  Over the last 10 years, Taylor has worked on several different comic books, including several Star Wars series, some Injustice series, Superior Iron Man and Green Lantern Corps.  The original art style and new character design for the series was developed by veteran artist David Lopez, and the other artists closely replicated his style.

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The first volume of the All-New Wolverine, The Four Sisters, sees Laura newly in the role of Wolverine and keen to honour the name by becoming a non-lethal hero.  In this volume, she encounters four clones of herself that are being hunted by the sinister corporation who created them.  In order to save them, Laura must work with several other Marvel heroes, such as Dr Strange, Wasp and her boyfriend, Angel (the young one transported from a past timeline).  The volume ends with Laura taking in one of the surviving clones, the young girl Gabby, who becomes one of the main characters in the series.  This book is a fantastic introduction to this new incarnation of the character, and it sets the tone for the rest of the issues.

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Volume 2 of the series, Civil War II, starts with Laura teaming up with Squirrel Girl in a zany escapade to save a squirrel Laura wronged in the previous volume, while also introducing the actual wolverine Jonathan, who becomes Laura and Gabby’s pet.  The second adventure in this volume sees Laura and Gabby help SHIELD, Iron Man and Captain Marvel fight against the giant monster Fin Fang Foom.  During this story, Laura and Gabby encounter and rescue the Old Man Logan version of Wolverine.  While the first two issues are both fun significant, the main storyline of this volume ties into the Civil War II crossover event.  The Inhuman Ulysses has a vision of Logan killing Gabby, so SHIELD and Captain America attempt to intervene, but the confusion and chaos that follows only results in tragedy.  This sees an exciting tie-in to one of Marvel’s more intriguing and high-profile recent crossover events, and this volume also helps highlight the discord and disagreement that the other Marvel heroes were experiencing in the main Civil War II event.  Seeing Logan’s alternate world connections to Laura and Gabby is rather interesting, and the reveal of Gabby’s full potential as Laura’s main side character is amazing.

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The third volume, Enemy of the State II, sees the return of Laura’s arch-nemesis and sadistic former handler, Kimura, who is once again determined to make Laura’s life a living hell.  After engineering the massacre of a small town with Wolverine present, Kimura forces Laura and Gabby into hiding as part of a terrible plan to control Laura once again.  However, Gabby, with the help of Angel, Gambit, young Jean Grey and Nick Fury Jnr, has a plan to free Laura once and for all from the terror of Kimura.  This is probably the most emotional volume in the series, dealing with the protagonist’s biggest fear: being turned into a killing machine once again.  Enemy of the State II is strongly connected to both of the original X-23 series, especially Target X, and represents a massive turning point for the character.  It is fantastic to see some of these storylines concluded and Laura given the happy ending she’s been denied for so long.

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Volume 4, Immune, takes Wolverine up into the stars for an intergalactic adventure.  When an alien ship crash lands on Roosevelt Island, the dying alien child piloting it has time to whispers one name: Laura Kinney.  Within minutes, the island is infected with a fast-acting alien virus and is immediately quarantined.  Laura travels to the island and must work with Gabby, Ironheart, Logan, Daken and Deadpool to cure the disease.  Laura, Gabby and Jonathan than travel into space with the Guardians of the Galaxy in order to trace the origins of the alien virus, but they find a far more dangerous threat on the planet they visit.  This is a very fun volume that includes some notable team-ups, while at the same time really highlighting Laura’s potential for heroism.  This serves as a fantastic example of a really well-done one-off intergalactic adventure for a terrestrial based series and proves to be very entertaining.  It is probably the most laugh-out-loud funny volume in the series, with some remarkable interactions with characters such as Deadpool and the Guardians of the Galaxy.

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The fifth volume of this series, Orphans of X, goes deeper into the mythology of Wolverine, as the only weapon that had the power to kill him, the Murumasa Blade, is recovered and unleashed upon his children.  A mysterious organisation known as the Orphans of X is hunting down and killing all of the Marvel mutants with claws and a healing factor.  Laura, Gabby and Daken must find a way to defend themselves from these devastating and well-coordinated attacks, but find themselves conflicted once they find out the truth behind the Orphans of X.  This is another heavy and emotional volume with a great story premise behind it.  This one ties into both Innocence Lost and Target X, and shows the devastating consequences of the Laura’s childhood missions.
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The final volume, Old Woman Laura, contains an interesting mixture of stories.  The first issue features Gabby and Deadpool teaming up to take down the scientific laboratory that Jonathan was rescued from in Volume 2.  The second story follows on from the Orphans of X storyline, and sees Laura and Amber Griffen, the daughter of one of Laura’s first kills, team up to take down the person who ordered the hit.  The final story is set far in the future and sees an older Laura and Gabby go on their final mission together in order rescue their long-lost sister, Bellona, from a dystopian landscape ruled by Dr Doom.  These are some intriguing and diverse stories, and it serves as a good wrap-up to the entire series.  The two team-ups in the first two adventures are very fun, while the issues showing the potential future for All-New Wolverine’s main characters is an intriguing and emotional affair that has some nice closing thoughts for this series.

A recurring theme throughout this series is Laura’s attempt to build on her character and to move past her childhood of being raised to be a vicious killer.  Now, as Wolverine, she’s trying to live up to the legacy of her father, the original Wolverine, and become a non-lethal superhero, even though she will still maim many of her opponents.  Taylor does a good job of conveying the guilt and responsibility that Laura feels.  There are times where Laura thinks back to her past with Wolverine, seeing herself in his shoes.  Like the original Wolverine, Laura establishes and maintains relationships with many of the other heroes in the Marvel Universe, most of whom find her to be a worthy replacement for Wolverine, even if they are surprised that she wanted to take on the mantle.  There are also elements of family involved in this story, as not only does Laura take responsibility for Gabby, but she becomes closer to members of the Wolverine family, including Daken and Old Man Logan.

This series is a bit lighter than you’d expect of a series focusing on Wolverine or X-23, and perhaps this ties into the overarching feeling of redemption that Taylor was trying to infuse into the story.  There is actually a huge amount of humour included within the various issues, including several crazy adventures and some real laugh-out-loud moments.  Examples of this include Squirrel Girl randomly showing up to declare that Laura has “wronged the squirrel world” and bringing along a real life wolverine to help get her point across (she was under the impression that Wolverine could understand real life wolverines, just like Squirrel Girl can understand squirrels).  Another of the series’ really funny scenes occurs when a serious conversation is interrupted by two burglars who break into the apartment and come face to face with Wolverine, Old Man Logan and Gabby.  Having all three characters break down laughing as they consider just how unlucky these burglars are is a fun, hilarious scenario.

While All-New Wolverine has a somewhat lighter tone, Taylor is still able to produce some deep and emotional stories throughout the series.  Many of these darker and more emotional stories are tied into the main character’s tragic past.  It is great to see several of the old storylines wrapped up, and I was glad to see Laura reunited with the family who was forced to go into hiding.

For me, one of the best parts of the All-New Wolverine is the introduction of new character Gabby, who becomes the secondary protagonist of this series.  Gabby is a young clone of Laura who has many of her abilities and training.  However, due to protection she experienced from her clone sisters, Gabby grew up without the emotional damage that Laura and other members of the Wolverine family experienced.  As a result, Gabby has a very funny and bubbly personality, as well as kick-ass combat skills, retractable claws and a healing factor.  Given the moniker Honey Badger, Gabby ends up accompanying Laura on a range of missions, and proves to be quite a capable field agent.  Much of the series’ comedy comes about because of her antics, as well as her humorous interactions with other members of the Marvel Universe, which sees her pull funny moments and comments out of several usually serious characters.  Her instant friendship with Deadpool is comedy gold, and the two play off each other wonderfully, easily stealing the show in the issues they feature in together.  Despite her major humorous overtones, Gabby does get serious when it comes to protecting her family, and she has several intense moments, as well as scenes where she makes scary threats in order to protect her sister.  Laura’s relationship with Gabby is a major part of the series, and it is great to see Laura mirror the role Wolverine had in her life as a mentor and parent.  Gabby is definitely one of my favourite new Marvel characters of the last couple of years, and I’m really hoping that she’ll have a similar role in the new X-23 series and will continue to have some insane adventures in the future.

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Lopez and the other artists of the All-New Wolverine series have created a great style for this series, and I loved the new costumes that they pulled together for Laura, as well as the original and unique look of Gabby.  There are some slight variations in drawing style between the various books, but the artists keep the style somewhat consistent throughout the series.  There are a number of drawn scenes throughout the book that are particularly beautiful or memorable for various reasons.  The final battle between Laura and Kimura in Volume 3 is very dark and brooding, but the artists are able to show the raw emotion on Laura’s face as she finally frees herself from Kimura’s shadow.  I was also particularly drawn to the striking drawings of the Hand assassins in Volume 5, where the assassins wore the masks of the Orphan X organisation.  The artists are also able to draw some funny pieces into their work.  The potential comic cover art that Gabby imagines when she finally comes up with a superhero moniker, Honey Badger, is fantastic, especially as several classic Wolverine covers are replaced with Gabby’s evilly smiling face.  I can also barely describe the awesomeness of the drawings in Volume 4 of the series, which see Gabby and Jonathon play with Baby Groot in the background in several funny scenes.  Overall, the art displayed in this series is fun and has many uses to enhance the story.

Overall, All-New Wolverine is a fantastic, entertaining and really enjoyable series that promotes one of Marvel Comics’ most unique characters into the role of Wolverine.  Featuring some amazing uses of humour, an excellent new supporting character and some deep, emotional storylines, this is an incredible series that is well worth getting into.  I am definitely keen to check out the new X-23 series that has just been released, and I will also be looking into the new X-Men Red series from the Australian creator of All-New Wolverine, Tom Taylor, which will feature both Laura and Gabby.  A perfect read for long term fans of the X-23 and the X-Men series, and also a great introduction to the comic universe if you loved X-23 in Logan.

My Rating (Series and Each Volume):

Five Stars