Throwback Thursday – Trollslayer by William King

Trollslayer Cover 2

Publisher: Games Workshop (Audiobook – August 1999)

Series: Gotrek and Felix – Book One

Length: 9 hours and 55 minutes

My Rating: 4.5 out of 5

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In this latest Throwback Thursday article, I review a classic Warhammer Fantasy novel, the iconic Trollslayer by William King.

Over the last year or so, I have started to get back into the exciting and captivating extended universe that surrounds the Warhammer tabletop game franchise.  The Warhammer games are a lot of fun to play, but I have always deeply enjoyed the rich and extensive universe that has formed around it.  This is particularly true when it comes to the extensive literary world that has been created, with a huge collection of unique novels added every year.  I personally have barely scratched the surface of this franchise, having only recently read the exciting Space Marine novel Deathwatch: Shadowbreaker, and the fun crime novel Kal Jerico: Sinner’s Bounty.  For this review, however, I veer away from the science fiction based Warhammer 40,000, and instead look at a book in the Warhammer Fantasy universe.

The Warhammer Fantasy universe is set on a fantasy world where various races and factions fight for power, immortality, dark deities, and a general desire for bloodshed (Blood for the Blood God, Skulls for the Skull Throne!) in both large-scale battles and smaller skirmishes.  I love the fantastic and thrilling world of Warhammer Fantasy, especially as I used to play (my preferred factions were the Empire and the Lizardmen).  While there are many great novels set in this universe, the most recognisable and well-established series are the Gotrek and Felix books.

The Gotrek and Felix novels are some excellent dark fantasy books that follow the titular heroes, Gotrek Gurnisson and Felix Jaeger, as they traverse their world, facing every single monster, demon or villain they can find.  Created by William King, this long-running series has also been authored by fellow writers Nathan Long, Josh Reynolds and David Guymer, the last of whom has just released the latest entry, Gitslayer.  I have always heard good things about this series over the years, and I have previously enjoyed some of the short stories featured online or in the White Dwarf magazine.  As a result, when I had the brainwave to expand my knowledge of the Warhammer canon, this is one of the main series I wanted to check out, and to do so properly, I had to start with the original novel, TrollslayerTrollslayer, which was originally released in 1999, is an interesting novel that features seven original Gotrek and Felix short stories, including Geheimnisnacht, which was originally written as a one-off in 1988.  These seven stories have been bundled together into one continuous narrative, which proves to be an excellent and entertaining fantasy adventure.

Trollslayer Cover

Felix Jaeger, the son of a wealthy merchant and student in the Imperial capital Altdorf, used to live a blameless and dull life until he met the deranged Gotrek Gurnisson.  The son of a wealthy merchant and student in the Imperial capital Altdorf, Felix’s life was changed forever when Gotrek saved his life.  Gotrek is a Slayer, a dwarf who, after committing a terrible crime, has sworn to seek out a glorious death in battle, and who now wanders the world to find a foe worthy of killing him.  After a particularly damaging night of drinking, Felix drunkenly swears to follow him on his adventures to compose an epic ballad about Gotrek’s glorious death.

Bound by his oath, Felix now reluctantly accompanies Gotrek wherever he goes.  Their latest adventures will take them far and wide, as they venture throughout the Empire and beyond, travelling to the notorious holdings of the Border Princes, the mountainous realms of the dwarves and even under the halls of the conquered dwarf city of Karak Eight Peaks.  While they experience many unique discoveries and locations, one thing remains the same: enemies lurk around every corner, and Gotrek and Felix are forced to battle against some of the most dangerous creatures in existence, including orcs, goblins, trolls, the undead, mutants, beastman and more.

However, the most dangerous foe they face may be something far more insidious and unknowable.  The fell powers of Chaos are gathering throughout the land, and Gotrek and Felix seem to constantly become wrapped up in their plots and vile missions.  With danger and deadly foes all around, will Gotrek find the glorious death he seeks, and will Felix be able to survive whatever might foe eventually manages to kill his companion?

Wow, that was a cool novel I really should have read years ago.  Trollslayer was a fantastic and exciting novel that does a great job exploring some of the more dangerous settings in the Warhammer Fantasy world with two amazing characters.  Featuring seven dark and compelling short stories, Trollslayer is an outstanding book, and I had an incredibly fun and entertaining time getting through its audiobook format.  Banded together by some journal entries which bring the separate stories together, Trollslayer has a fantastic joint narrative that presents the reader with a collection of epic adventures.

TrollSlayer-john-gravato-Gotrek-and-Felix-1st-edition-cover

The book begins with the original Gotrek and Felix short story, Geheimnisnacht (Night of Secrets).  The two companions are stuck out in the dangerous forests of the Empire during Geheimnisnacht, an auspicious night of the year.  After nearly being run over by a dark carriage on the road, Gotrek and Felix investigate the actions of a dangerous Chaos coven out in the woods, and find more than they bargained for.  This is a rather entertaining and short entry in Trollslayers that serves as a fun introduction to the main protagonists and their quest.  King does a great job setting up both characters and you soon get a fantastic glimpse into their compelling personalities.  The author presents a very dark story within this first tale, as the heroes discover and fight the true horrors of chaos.  An excellent and intense opening story that will get you pumped up for the rest of the book.

The next entry contained within Trollslayer is called Wolf Riders, which sees Gotrek and Felix at the very edge of the Empire with plans to venture to the fallen dwarf stronghold of Karak Eight Peaks.  After encountering a beautiful young woman, Felix convinces Gotrek to join the doomed expedition of a cursed, banished noble family as they journey to the Border Lands to set up their own settlement.  Hired on as guards, the two heroes are forced to protect the caravan against a ravenous Greenskin horde, who are determined to destroy every one of them.  However, the true threat may lie within the convoy, as it soon becomes clear that someone has their own nefarious plans to kill everyone journeying with them.  Wolf Riders is an incredible second entry in the collection of stories, and it is easily one of the best tales in Trollslayer.  Not only does it reinforce the likeability of the two protagonists, but it also contains its own compelling and impressive narrative.  King manages to achieve a lot in Wolf Riders, introducing a cohort of great characters, showing several intense action sequences, and even presenting a clever and malicious mystery.  The entire narrative comes together extremely well, and readers are soon wrapped up in the compelling tale of redemption and bloodshed, which culminates in a tragic and memorable ending that forever changes one protagonist.

The third story is The Dark Beneath the World, which follows on immediately after Wolf RidersThe Dark Beneath the World sees Gotrek, Felix and some new companions journey into the dwarf stronghold of Karak Eight Peaks, which was infamously conquered by greenskins and Skaven in ages past.  Seeking treasure, holy relics and a glorious battle, the adventurers will face untold horrors in the halls beneath the city.  However, nothing will prepare them for the true dangers of Karak Eight Peaks, as the restless dead are stirring in response to a monstrous presence.  This was another great story that really highlights have exciting and action packed one of these stories can be.  I love how King takes his great characters right into the heart of one of the most iconic and dangerous settings in the entire Warhammer canon, and it proves to be an amazing backdrop to this compelling story.  A brutal hack and slash epic with some very intense moments, this is an excellent and fast-paced addition to Trollslayer that was an extremely thrilling read.

From powerful action to great humour, the next entry is the slightly shorter The Mark of Slaanesh.  This story sees Gotrek and Felix return to the Empire, where they encounter some malicious cultists of the Chaos god Slaanesh in a small town.  Unfortunately for Felix, Gotrek is suffering from amnesia after a blow to the head.  Forced to shepherd a docile Slayer through the town’s many dangers, Felix takes drastic action to bring his friend back to his senses.  The Mark of Slaanesh represents a very intriguing change of pace, with more of a focus on humour, as a weary Felix is forced to contend with a pacifist Dwarf Slayer, an eccentric doctor, and comedic mutants.  There are several extremely funny moments in this short story, which helped to turn The Mark of Slaanesh into one of the most entertaining entries in the entire novel.  I particularly appreciate how King was able to craft together such a despicable central antagonist in quite a short period of time, and it was great to see his implied comeuppance towards the end of the story.

King again rapidly switches gears with the next entry in the book, Blood and Darkness, a grim war story set in the darkest forest in the Empire.  This story sees Gotrek and Felix come across a ravished village within the Drakwald Forest, which has been utterly destroyed by beastmen.  Finding a young survivor, Kat, Gotrek and Felix escort her through the woods to the next village.  However, a vengeful and ambitious champion of Chaos is close behind them, with unholy plans for Kat and anyone else she comes across.  Blood and Darkness is another exceptional entry in the series, which is probably my overall favourite Trollslayer story.  Loaded with action, fantastic new characters and a particularly gruesome premise, Blood and Darkness really stands out from some of the other stories in this book, and I was blown away by how dark King made the narrative.  I really loved the story’s complex antagonist, and the entire plot surrounding Kat comes full circle in a great way.  While it is a tad creepy to see just how young Kat is in this story, especially as Felix apparently falls in love with her in a future novel (she gets aged up like 20 years before this happens, but it is still weird), this was an impressive and powerful story that really showed how complex, powerful and mature a Warhammer story can be.

The penultimate story in Trollslayer is The Mutant Master, which again switches pace and has a more humorous tilt to it.  After being attacked on the road by a swarm of mutants, the protagonists arrive at a struggling village and soon discover that the mutants are being controlled by a sorcerer in a nearby tower.  Betrayed by the villagers, Gotrek and Felix find themselves as prisoners and soon must deal with an insidious sorcerer who shares a history with Felix.  This was another great short story that places the protagonists into a uniquely dangerous position.  King includes some excellent humour in this novel, especially in the scene where Felix and the sorcerer have a very entertaining encounter, which proves that everyone, even dark sorcerers, fall to pieces when encountering former classmates.  While much of this story is dedicated to humour, the author fits in a particularly dark moment towards the end of the novel, which pushes one protagonist further than ever.  Another awesome and memorable story, I powered through this one extremely quickly.

The final entry in this book is the intense Ulric’s ChildrenUlric’s Children sees Felix trudging through a snowed-in forest, attempting to escape the cold and the wolves.  When they hear the sounds of a fight up ahead, Felix gets separated from Gotrek, and ends up getting captured by a dangerous group of soldiers.  The soldier’s leaders end up being revealed as cultists of the Chaos god Tzeentch, who are desperate to capture a mysterious family living nearby, who have strange powers and strengths.  Caught up in their conflict, Felix soon finds himself trapped in a manor house with two very different monsters and must try to overcome the powers of Chaos that threaten to consume him.  This was another fantastic story that serves as a great conclusion to the entire novel.  While I think that Ulric’s Children was one of the weaker stories in Trollslayer, it was still a compelling and thrilling tale which readers will enjoy.  I loved the inclusion of werewolves in this novel and it was fun to see Felix attempt to overcome a dangerous foe without Gotrek’s determined backup.  With some intriguing foes and an exciting story, this is a fun and fantastic entry in the book which will leave readers wanting more Gotrek and Felix in the future.

King really has loaded Trollslayer with an amazing range of different stories that highlight the gritty adventures of two memorable and loveable characters.  I had a great time getting through each of the short stories contained within this novel, and I think that the author did a good job combining seven shorter stories together into one cohesive tale.  I love how each of the stories has some impressive action set pieces, and readers are given an in-depth look at the true dangers and darkness that inhabits the Warhammer world.  King has also ensured that each tale contains a compelling blend of humour, dramatic character development and dark fantasy elements, all of which produce an outstanding overall narrative.  It was also very cool to see just how dark and gruesome King could make his narratives, and quite a few elements of this book closely bordered the horror genre.  Since the stories were originally published in instalments, readers are in for some repetition, especially as King rehashes Gotrek and Felix’s origin in every entry, and you also get quick summaries of their prior adventures.  While this and other pieces of repetition (for example, Gotrek runs his finger over his axe blade in every tale) can be a bit annoying at times, I personally thought it was a small price to pay for such an awesome and epic book.

One of the most impressive things about Trollslayer is the complex and distinctive characters.  Naturally, the main characters are series protagonists Gotrek Gurnisson and Felix Jaeger, both of whom prove to be really fantastic and exciting characters.  King has come up with an exceptional pairing in these two characters, and I absolutely love the combination of a doomed dwarf Slayer and a disgraced human with a penchant for poetry.

As the primary narrator of the separate stories in this book, Felix gets a great deal of attention, and you really get to grips with his superb character throughout the book.  I loved the depiction of a former arrogant dandy who finds himself in a situation well over his head, and Felix has a “fun” time facing off against all sorts of monsters in this book.  While most of the novel depicts him as a bit of a coward, Felix does manage to achieve some major heroics and you cannot help but sympathise with the terrible situations he finds himself in.  While the use of multiple short stories does tend to backslide Felix’s character at times (he reverts to a coward at the start of each story), I did enjoy seeing some of the excellent development that occurs around Felix.  Not only does he grow more confident in his own abilities, but he also becomes harder with each adventure, especially as he experiences tragedy and despair around every corner.  It was actually hard to see how some of the more tragic events of the book affected him, but I really appreciated the amazing character work that King worked around him.

The titular Trollslayer, Gotrek Gurnisson, is one of the most beloved figures in Warhammer Fantasy lore, and a magnificent character who I really enjoyed.  Much of Gotrek’s past is shrouded in mystery, and all you really know is that he is a mighty warrior who previously committed some great crime that still haunts him to this day.  Determined to find a glorious death, Gotrek willingly walks into the most dangerous of places, but always survives, much to his displeasure (even doomed dwarves are far too stubborn and proud to simply let an enemy kill them).  King mostly paints Gotrek as a crude, rude and bloodthirsty being, which is a lot of fun to see.  However, there is so much more to Gotrek than killing and fighting, and you see several glimpses of his true inner self in this book, especially when he thinks about the past.  I loved how King keeps Gotrek as a mostly enigmatic figure, mostly by not showing any of the story from his point of view, and the reader is never quite sure what he is thinking or planning.  All of this results in an excellent and memorable protagonist, and I am deeply intrigued to see what sort of adventures he has in the future, as well as any revelations about his past.

Aside from Gotrek and Felix, Trollslayer contains a range of interesting and compelling characters, several of whom act as point-of-view figures at various parts of the book.  King does a really good job of introducing and utilising so many unique figures throughout his various stories, and it is simply amazing how well he can develop and establish his character in such a short amount of time.  Even though you only see some characters for a few pages, you quickly become quite invested in their stories, which is the sign of a really good author.  However, readers are advised not to get too attached to anyone, as most of the side characters will come to a gruesome and tragic end.  Still, these supporting characters are really fun, and I look forward to seeing what unique figures are introduced in future Gotrek and Felix books.

Trollslayer also features the dark and well-established background setting of the Warhammer Fantasy world, with the protagonists adventuring through many iconic locations.  King makes excellent use of this fantastic background throughout his story, and I loved seeing all the cool locations, interesting factions and dangerous monsters contained within the story.  This actually serves as a really good introduction to the Warhammer Fantasy world, and readers unfamiliar with the various aspects of Warhammer will learn a lot here.  King can really craft together some dark and dangerous locations with his writing, and I love how spooking and claustrophobic some of his settings felt, especially the ancient dwarven catacombs and the haunted, monster infested forests.  I also loved the sheer range of different creatures and races featured within Trollslayer, as the author includes as many foes as possible.  It was extremely awesome to see Gotrek and Felix cut their way through various greenskins, monsters, and servants of Chaos, and there is something for all fantasy fans within this book.  I am extremely keen to see what other monsters and races are utilised in the future novels, and I am sure they will be pretty amazing.

I ended up listening to the Trollslayer audiobook format, which was an outstanding way to experience the awesome adventures contained within this book.  With a decent run time of just under 10 hours, I powered through this audiobook in a matter of days, especially once I got caught up in the fantastic depictions of intense action and dark creatures.  I was also really drawn in by the impressive narration of Jonathan Keeble, who has lent his voice to all the Gotrek and Felix audiobooks, as well as several other Warhammer projects and some of my favourite historical fiction novels, such as the Eagle of the Empire series.  Keeble has an epic voice, and the sheer passion that he brings to Trollslayer is immediately obvious, especially during the action scenes, where his excited voice captures the intensity and movement of the fights.  I also felt that Keeble did an exceptional job bringing all of the characters to life in an impressive way.  I particularly loved the gruff voice that he used for Gotrek, which fit the doomed dwarf warrior perfectly, and he also does a really good job voicing the often terrified Felix.  I also found some of the voices that he used for the supporting characters to be really fun and fitting, and I had a lot of love for a couple of the crazed sorcerers/alchemists they encounter, which were quite amusing.  All of this helps to turn the Trollslayer audiobook into an outstanding experience, and I think that this will be the format I check out the future Gotrek and Felix novels out in.  I might also have to consider listening to some historical fiction novels on audiobook in the future, especially as I know that Keeble will do a wonderful job narrating them.

Trollslayer by William King is an exceptional and clever Warhammer Fantasy novel that showcases the exciting and powerful adventures of the iconic Gotrek and Felix.  Serving as the main introduction to these two iconic heroes, Trollslayer contains seven outstanding and wildly entertaining short stories with some fantastic and wacky plots.  Readers who check out Trollslayer are in for a heck of a lot of fun and will swiftly become fans of this great duo and their outrageous adventures.  A highly recommended read, I suddenly have some major plans to check out more Gotrek and Felix novels in the future.

Throwback Thursday – Fool Moon by Jim Butcher

Fool Moon Cover

Publisher: Buzzy Multimedia (Audiobook – 9 January 2001

Series: Dresden Files – Book Two

Length: 10 hours and 6 minutes

My Rating: 5 out of 5 stars

In my Throwback Thursday series I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday, I continue my exploration of one of the most highly regarded urban fantasy series out there, Jim Butcher’s The Dresden Files, with the awesome and deeply captivating second entry in the series, Fool Moon.

The Dresden Files are an outstanding collection of novels that follows professional wizard and private investigator Harry Dresden in modern-day Chicago as he battles magical creatures and practitioners that threaten innocent people.  Generally considered the gold standard of the urban fantasy genre, The Dresden Files have been going for over 20 years and currently consist of 17 novels and a massive collection of short stories and novellas.  While I have been meaning to check this series out for a while, I only started reading them last year when I received a copy of the latest entry in the series, Battle GroundBattle Ground was an epic and extraordinary read that featured a mass-supernatural war in the middle of Chicago.  I absolutely loved Battle Ground and it was easily one of my favourite books and audiobooks of 2020, while Butcher was one of the best new-to-me authors I read last year.  Because of how incredible I found Battle Ground to be I have decided to go back and start reading the series right from the beginning.  I started with Butcher’s first Dresden Files novel a couple of months ago, Storm Front, which proved to be another impressive read, and I am now extremely hooked on this series.  So when I was in the mood for a fun book to break up my reading schedule, I decided to start listening to Fool Moon, and boy am I glad that I did.

Business has been slow for Harry Dresden, Chicago’s only professional wizard, after his last investigation led to all out chaos and destruction.  However, his life is once again about to get very interesting when he is dragged to a murder scene.  One of the bodyguards of a notorious crime lord Dresden has dealt with in the past has been brutally torn to shreds.  With a full moon in the sky and bloody wolf prints surrounding the victim, Dresden comes to the only conclusion he can: there is a killer werewolf stalking the city.

Diving once more into a supernatural case, Dresden attempts to find the killer before the moon rises again.  However, this may prove more difficult than he initially believes, as Chicago is currently rife with wolf-based magic practitioners, enhanced criminal gangs and monsters, each of whom could be more than capable of committing the crime.  Worse, when an associate of his turns up dead, Dresden finds himself under suspicion for the murders by the police and the FBI.

Now on the run with his reporter girlfriend and a mysterious ethereal shifter, Dresden needs to find out who or what is responsible for the murders and why they have involved him.  But with the most bestial elements of Chicago’s criminal elements coming after him and an uncontrollable and seemingly unkillable monster hunting through the night, can Dresden stop the killers before it is too late, or will the next full moon be his last?

Wow, now this was a pretty awesome second entry in the outstanding Dresden Files series.  Butcher has crafted together something really special in Fool Moon, thanks to its compelling and intense story, amazing characters, great humour and impressive fantasy additions.  I had an absolute blast getting through this book in a few short days and it was so good I have no choice but to give it a full five-star rating.

At the centre of this incredible novel is a complex and exciting narrative that sets the protagonist on a deadly journey filled with murder, mystery and monsters.  Starting with an intriguing investigation into an apparent werewolf serial killer, Fool Moon’s story eventually devolves into a survival story for the protagonist as he finds himself on the wrong side of the law, the true killers and several different groups of criminals and werewolves.  This proved to be a really impressive and addictive narrative, and I loved the outstanding blend of a detective story with magic, wizards and wolves.  The mystery angle contained within Fool Moon is particularly good, and while the culprit is revealed about two-thirds the way through for excellent story reasons, it was still a fantastic and twisty case that I enjoyed.  Butcher really invested in several excellent and memorable extended sequences in this novel that were a lot of fun to get through, including a particularly intense brawl between several antagonistic groups with Dresden in the middle, and a fantastic high-stakes final confrontation where no one is safe.  However, my absolute favourite sequence occurred in the middle of the novel and saw Dresden forced to contend with a rampaging monster in the middle of a police station.  The sheer carnage and destruction that occurred in this sequence was really cool, and readers are left on the edge of their seats as the fates of several characters hang in the balance.  I deeply enjoyed this intense scene, and it absolutely cemented Fool Moon’s place in my dark heart.  This was an incredible and powerful story, and readers who check it out are in for a thrilling and captivating treat.

A particular strength of The Dresden Files as a series is the way in which the author makes it very accessible to new readers who can easily slip into any of the books in the series, even some of the later instalments, and easily follow what is going on.  Fool Moon is a great example of this, and I felt that people unfamiliar with the rest of the series should be able to enjoy this book without any problems.  All the recurring characters in the narrative are quickly and effectively reintroduced, often in a similar manner to how they appeared in the first book, and any relevant storylines, magical abilities or prior adventures are also covered in some detail.  As a result, new readers should have no trouble enjoying this great book, and indeed this will probably turn them into a fan of the series and ensure that they check out some of the other books.  However, there are some cool connections to the first novel that dedicated readers will notice, and I liked the underlying story thread of someone plotting and planning behind the scenes to mess with the protagonist.  Overall, this a great book for all fantasy and mystery fans, especially those who like a complex, multi-genre narrative.

I love all the awesome fantasy elements that Butcher slips into his novels, and it is always great to see the weird and magical in the midst of modern-day Chicago.  Fool Moon is no exception, as Butcher has a lot of fun expanding out some of the rules of magic in this book, as well as highlighting a few additional magical denizens and powers.  While this is very cool, the real magical highlight of Fool Moon has to be the werewolves.  Most fantasy authors who feature werewolves in their story would choose just one specific type that they like and leave it at that.  Butcher, however, is not the sort of person to do stuff by half measures (check out the massive fantasy war featured in Battle Ground) and instead features five separate subtypes of werewolves, all of whom are potential suspects for the murders.  I deeply enjoyed this use of multiple werewolves throughout the novel, not only because it really helped to enhance the book’s already fantastic mystery, but because it was awesome and fascinating to see the different creature subtypes.  Each werewolf or wolf-based magic user has their own unique abilities, source of power and personalities which Dresden has to learn about and overcome if he is to survive.  These wolves include shapeshifters, demon talisman powered wolves and humans with wolf-like mentalities that make them act like berserkers.  The standout, however, is the loup-garous, a cursed individual with no control over their actions; essentially a more monstrous version of wolf man from film.  Butcher paints his loup-garous as a particularly dangerous being which is practically invincible to everything and anything it encounters, including the protagonist’s most destructive magic.  This loup-garous causes some real carnage in this book, and watching Dresden attempt to defend himself from it is pretty crazy and makes for some excellent and intense scenes.  I deeply, deeply enjoyed the epic use of werewolves in this novel and Butcher really does the old lore surrounding them justice.

It is impossible to talk about a Dresden Files novel without discussing the incredibly well-developed characters featured within.  The most prominent of these is central protagonist Harry Dresden, Chicago’s resident wizard for hire.  Dresden is an exceptionally entertaining and likeable protagonist who provides pretty much all of the book’s great humour thanks to his outrageous personality, disrespect for authority and witty observations about the events going on around him.  As such, he is a fantastic character to follow, and you really appreciate his knowledge and insights into the supernatural and the people around him.  While much of the book shows Dresden as a confident and amusing being, we do get to see more of the character’s darker side as he deals with dark and dangerous magic.  Thanks to the author’s outstanding writing style, the reader is front and centre for all of the protagonist’s slips towards darkness and despair, especially as he encounters tragedy, loss and insane opposition.  I really appreciated this examination of the protagonist’s fragile psyche, and Butcher makes sure to take him to the edge in Fool Moon.  The author also makes some additional intriguing references to Dresden’s past which hint at some traumatic events and betrayals.  Fool Moon also shows of Dresden’s full magical potential, especially as he launches some incredible attacks here, even if they do leave him very drained.  It also shows the character at his most vulnerable, as he is forced to go it alone with only the bare amount of resources and abilities.  All of this makes for an intriguing and powerful character and I really enjoyed seeing more of this awesome protagonist.

In addition to Dresden, Butcher also makes excellent use of several great supporting characters, each of whom add some fun and compelling elements to the plot.  The most prominent supporting character was probably Karrin Murphy, Dresden’s liaison in the Chicago police.  Murphy, a hardnosed professional who is one of the few police officers to believe in the supernatural, has an intriguing character arc in this novel.  This is mostly because of Dresden’s actions in Storm Front, as well as his somewhat chauvinistic determination to protect Murphy from magic, both of which ruined have Murphy’s trust in him and placed her in some hot water with the police brass.  This fractured relationship becomes a key story point in Fool Moon, especially as it leads to Murphy being quick to jump on Dresden as a potential suspect in the crimes.  This adds some compelling difficulties for the protagonist in the story, and I really appreciated the excellent drama that emerged between the two as Murphy and a repentant Dresden attempt to work out their issues.

Aside from Murphy, you have the return of Susan Rodriquez, Dresden’s love interest and a reporter for a tabloid newspaper.  Susan is an interesting counterpoint to Dresden, being an ambitious reporter determined to find out the truth of the arcane no matter what.  She has a fun and fiery relationship with Dresden in this novel, and it was interesting to see her more involved with the story, especially as she sees Dresden at his darkest and most dangerous point.  I also loved seeing more of Gentleman Johnny Marcone, the sly and powerful gangster who Dresden has previously gone up against.  Macone is a fantastic villainous character, and I love the antagonistic relationship he has with Dresden, even when the two are on the same side.  You also have to have a laugh at Bob, a guiding spirit who resides inside a skull in Dresden’s basement, as he adds some intriguing exposition and laughs in his scenes.  There were also some intriguing new characters added in this book, although I will not go into too much detail about them as it could spoil some parts of the story.  None the less, they were all really fun additions to the plot, and having so many different new magical or shapeshifting beings ensured the reader was constantly trying to work out who was the actual villain.  All in all, a fantastic group of characters, and I felt that they really helped to turn Fool Moon into an excellent and first-rate read.

One of the reasons I have been enjoying The Dresden Files books is because they have some really awesome audiobook formats.  Each of these audiobooks I have listened to have been extremely amazing, and I love the way in which they portray these fun stories in a concise and exciting manner.  The Fool Moon audiobook has a runtime of just over 10 hours, and listeners will power through this in no time at all, especially as it is really easy to become addicted to the fantastic story.  However, the main thing that I love about these audiobooks is the perfect choice of narrator in actor James Marsters (Spike from Buffy and Angel).  Marsters does an outstanding job with his narration, imbuing the various characters with some fantastic and fitting voices that expertly convey their personality, emotions and actions.  I am particularly impressed by the way in which he portrays the story’s narrator and main protagonist, Harry Dresden, and the tone he uses for him perfectly represents the sarcastic and entertaining rogue wizard.  This is one of the best examples of an audiobook narrator matching their protagonist, and it makes for some fantastic listening.  I also appreciated the way in which Marsters started really getting into his narration of certain key events in this second novel.  While he did an excellent job in Storm Front, I felt that Marsters stepped up his game in Fool Moon, and while it was not quite at the level of enthusiasm and volume that featured in Battle Ground (he was really getting caught up in the action there), it was noticeably more exciting.  This enthusiasm added a lot to the enjoyment I felt while listening to Fool Moon and I strongly recommend this format to anyone who wants to check this book out.

Fool Moon by Jim Butcher ended up being another exceptional and spectacular addition to the author’s legendary Dresden Files series.  I had an outstanding time listening to the clever and exciting narrative that Butcher came up with for his second novel and I think that the author actually stepped up his game a little with Fool Moon.  Featuring some great characters and an addictive and thrilling mystery surrounding werewolves, Fool Moon is an incredible read that I powered through in no time at all.  I can think of no higher praise for this book than to say that the moment I finished it I immediately started the next novel in the series, Grave Peril, as I still had not gotten my fill of Dresden Files goodness.  I am already making some amazing progress with Grave Peril and I am planning to review in the next week or so.  Until then, readers are strongly encouraged to check this awesome second entry in the series out, as you will not regret it.

House of Earth and Blood by Sarah J. Maas

House of Earth and Blood Cover

Publisher: Bloomsbury/Audible Studios (Audiobook – 3 March 2020)

Series: Crescent City – Book One

Lenght: 27 hours and 50 minutes

My Rating: 5 out of 5 stars

Prepare to meet your new obsession! One of the world’s top young adult fantasy fiction authors, Sarah J. Maas, breaks into the adult fantasy fiction genre in a big way with the first book in her brand-new Crescent City series.

Sarah J. Maas is an author that needs very little introduction. She is one of the most highly regarded young adult fantasy authors in the world today, having written two major bestselling series and a couple of standalone young adult novels. Maas debuted in 2012 with Throne of Glass, the first novel in her acclaimed seven-book long Throne of Glass series, and she has since gone on to write a second major series, A Court of Thorns and Roses. I have been meaning to check out some of Maas’s main series for a while now, especially Throne of Glass, as I have heard some very good things about them. Unfortunately, the only book of Maas’s that I have so far read was her DC Comics tie-in novel, Catwoman: Soulstealer, which I really enjoyed, especially as Maas had an amazing understanding of some iconic comic characters. As a result, I was interested when I heard about her new book, House of Earth and Blood, and I was curious to see how her first adult fiction novel would turn out. This is the first book in the Crescent City series, which presumably will be the author’s main body of work for the next few years. I received a physical copy of this book to review, although I eventually decided to listen to the audiobook format to fit it into my reading schedule, and I have to say I was rather impressed.

Welcome to Crescent City, a bustling metropolis where magic and technology meet in a world ruled over by all-powerful godlike creatures. Bryce Quinlan is a half-Fae, half-human, party girl at the low end of her world’s magical hierarchy, content to live her days clubbing and celebrating with her best friend, the powerful werewolf Alpha Danika Fendyr. All that changes the night Danika and her entire wolf pack are brutally slaughtered while Bryce is out partying. Bryce arrives home just in time to encounter the demon that committed the act, chasing it out into the streets before it escapes, never to be seen again.

Two years later, Bryce is a shell of her former self. Still reeling from the death of the closest person in her life, Bryce finds herself without direction or purpose. However, the revelation that a fresh wave of killings that mirror the bloody way Danika and her pack were taken out quickly changes that. Due to her experiences with the unknown species of demon and her intimate knowledge of Danika’s movements and history, Bryce is tasked by the governor of Crescent City to find who or what is summoning the destructive demons and unleashing them upon seemingly random members of the populace. However, Bryce will not be working on this case alone, as she finds herself teamed up with the governor’s personal assassin, the brooding, dangerous and surprisingly attractive fallen angel, Hunt Athalar.

Begrudgingly agreeing to work together, Bryce and Hunt start to scour the dark underbelly of their city, attempting to find any leads to who summoned the demon. However, they soon run afoul of many of Crescent City’s inhabitants, some of whom do not want the pair to uncover the truth. As they dig further, they begin to uncover a terrible conspiracy with terrible connections to Bryce’s traumatic past and which threatens all of Crescent City. However, the closer they come to the truth, the more pain and torment the two damaged souls uncover, especially as both of them try to fight the intense feelings blooming between them. With the fate of Crescent City hanging in the balance, can Bryce and Hunt get to the bottom of these killings, or will they be overwhelmed by all the hurt that is about to come their way?

Well damn, that turned out to be one hell of a book. I do have to admit that I’m not usually a fan of major romantic subplots in the novels I read (I know, typical male, Bryce would probably be calling me an Alphahole), and I was a little apprehensive that the romantic angles described in the book’s synopsis would overwhelm the fantasy story. However, any doubts I had about whether I was going to enjoy House of Earth and Blood were quickly blown away in the early stages of the story, especially once I hit the major plot development about 70 pages in. From there I was absolutely hooked on the story, as Maas kept piling on revelations, shocking moments, character development and an impressive murder mystery. I ended up really loving this amazing novel, and I ended up giving it a five-star rating.

I really enjoyed the way that Maas told this story, and this book contained an expansive and deeply addictive narrative that proved hard to put down at times. House of Earth and Blood is told from several character perspectives, most notably Bryce and Hunt, although quite a bit of the story is shown from the perspective of Bryce’s half-brother, Ruhn Danaan. Having these three main point-of-view characters results in a much more expansive story, as each of them has their own contributions to the plot, although there is a huge amount of crossover between each of their storylines. While Mass tends to focus most of her character development and storylines around Bryce, Hunt and Ruhn, there are a number of additional supporting characters, some of whom have some rather interesting roles throughout the book. Maas also includes a huge amount of foreshadowing throughout the book, hinting at several things that are to come further along in the narrative. While it is obvious where some of this foreshadowing is going, some of it was only noticeable in hindsight, and some of these more subtle inclusions made me really appreciate the author’s clever writing style.

One of the best things about this book was the incredible and intriguing new fantasy world. The Crescent City series is set on a version of Earth called Midgard, which was invaded thousands of years ago by vast armies of various magical creatures, ending humankind’s dominance of the planet. The modern world of Midgard is a chaotic and fascinating place, filled will all manner of magic and creatures who live in a hierarchal system, with all-powerful beings at the top and humans at the very bottom. There are so many cool elements to this world, from the unique magical systems, the different factions and organisations, and a vast multitude of different magical creatures with their own traits and characteristics. Maas dedicates a substantial amount of time exploring all these different elements of her new world, and the result is an impressive and vast setting which serves as a fantastic backdrop to this exciting story. I also liked the rather fun similarities between this fantasy world and the modern world, and it was interesting to see fantasy creatures running around with modern technology such as phones and guns. I also had a rather good laugh at some of the television shows that the author featured in the book, including a rather trashy-sounding True Blood inspired television show, which was made fun of relentlessly for its sexual content (which is kind of ironic considering how much sex was in this novel). Maas is clearly a master of universe building, and she has come up with a really great fantasy world that holds a lot of potential for future novels in the series, as well as opening up the possibilities of spin-off stories around some of the fantastic side characters introduced. I personally would love to see a novel based around the character of Fury Axtar, the mysterious assassin friend of Bryce, who has a minor role in the book.

In addition, Maas has also come up with a rather clever murder mystery storyline that I had an outstanding time unwrapping. The vast majority of House of Earth and Blood’s plot revolves around the murder of Danika Fendyr and her pack, as well as the similar murders that are occurring in the modern day. The subsequent investigation by Bryce and Hunt turned into a rather captivating storyline, as they explored the underbelly of their fascinating city, trying to find leads and uncover who had a motive to kill Danika. This whole mystery storyline goes to some very interesting places, and Maas comes up with a number of red herrings, alternate suspects, potential leads and side mysteries (a missing magical horn and a new street drug), all of which come together into a pretty incredible and clever narrative. I was actually rather surprised about who the culprit turned out to be, although Maas does set up the reveal rather well, and there are some rather clever hints in hindsight. That being said, while I didn’t know who the culprit was in advance, I totally knew where the final showdown with them was going to take place, and how the whole confrontation was bound to go down (there was a literal Chekov’s gun there). Still, it turned into quite a good confrontation scene, and I had a good laugh at the over-the-top way that the villain was taken down for good. This was a rather impressive element of the story, and I hope that Maas includes some more clever mysteries in her future books.

While I really loved the fantastic story, incredible world building and captivating mystery, the true centre of this book are the two compelling and exceedingly damaged main characters who Maas sets the story around, Bryce Quinlan and Hunt Athalar. Maas does some outstanding work setting these characters up, exploring their pasts and developing their personalities and emotions throughout the book. Bryce starts House of Earth and Blood as a seemingly carefree party girl with major daddy issues. However, the loss of Danika in the book’s first act severely changes her, as she has to deal with an extreme amount of guilt, isolation and social hatred in the following two years. This really alters her as a character and turns her into an extremely vulnerable person with a real emotional investment in the case, who hides all her true feelings behind a sassy and angry façade. Hunt, on the other hand, is a powerful fallen angel who lost his freedom and the love of his life in a failed rebellion against the ruling gods of the planet, and has spent the last several decades being tortured and used by the victorious archangels, and is now the personal assassin of the governor of Crescent City. Now known throughout the city as the Umbra Mortis, the Shadow of Death, Hunt is a simmering pot of anger who is resentful of how he has been treated all his life, and who is determined to be set free. Like Bryce, he is deeply invested in solving the case, as its resolution will allow him to take a serious step towards freedom, and on the surface he is the more serious of the duo. However, also like Bryce, Hunt has some major vulnerabilities and he is hurting deep inside. Both Bryce and Hunt are incredibly interesting protagonists, and I am really impressed with the layers that Maas was able bring to their characters, which added a significant amount to the story.

While Bryce and Hunt are amazing characters in their own right, the real magic comes when they are paired together. It is obvious from the start that these two are going to hook up at some point, but the journey to get there was written extremely well. The combination of these two exceedingly vulnerable and complex characters in the story is great, and it makes for some incredible and dramatic story moments, as Bryce and Hunt slowly work out all their issues and history. The way they slowly go from dislike to mutual respect to lust/romance is accompanied with a slow exchange of secrets, facts and personality reveals, and I had an amazing time seeing them come together as a couple. This turned into quite a good romantic subplot, although the two of them have some major bumps and betrayals along the way. Still, there are some rather nice moments in their relationship, from the way that they take care of each other after traumatic events, to funny reveals and mutual moments of protecting one and other. Bryce and Hunt make for a great pair, and I am really impressed with the way that Maas portrayed them and the complex story she wove around them. It looks like there are more secrets and backgrounds about both coming up in the future books, and I am looking forward to seeing where Maas takes them in the future.

While this book had some amazing elements, I did find this novel to be a tad trashy at times. As I mentioned above, this is Maas’s first foray into non-young adult fiction, and she certainly did not shy away from adding all manner of adult content into her book. While I can certainly appreciate Maas wanting to differentiate this book from some of her young-adult fiction work, I honestly think she overcompensated. This book is filled with a huge amount of adult language and sexual content, as pretty much every character in this book is crude, rude, oversexed and incredibly thirsty. While some of this served a purpose, such as showing what sort of party-girl character Bryce was before the traumatic incident, the sheer amount of stuff that Maas included was a bit over the top, and I found it to be somewhat distracting at times. This book also introduced me to the brand-new term, Alphahole. In the context of this book, an Alphahole is the term that Bryce gives to any magical male who thinks that their abilities and power give them the right to control women and run their lives, especially those women with less magical power than them (i.e. humans and half-humans like Bryce). Unfortunately, in this book pretty much every male that Bryce encounters is an Alphahole in her opinion; even the more redeemable characters like Hunt or Ruhn are deemed Alphaholes at the start of the novel, especially once they venture an opinion about her behaviour or actions. While I appreciate that this dislike for domineering men is part of Bryce’s character due to her father, and controlling guys really aren’t that cool in either fiction or real life, I do think that Maas kind of overdid their inclusion just a bit and I was honestly getting sick of hearing Alphahole as a descriptive term by the end of the book (although it became less apparent as the story progressed).

As I mentioned above, I ended up listening to the audiobook version of House of Earth and Blood. This audiobook has a runtime of 27 hours and 50 minutes and is narrated by Elizabeth Evans. I am rather glad that I decided to check out this format of the book. While I probably would have finished it off faster if I had read a physical copy (it took me a few weeks to get through the audiobook), I always feel that I absorb more of the novel when I listen to it, especially with longer books. This proved to be really useful when listening to House of Earth and Blood, as Maas packed so much plot and world building into this immense novel, and I think I ended up getting more out of this book by utilising this format. I have to say that I was also immensely impressed with Elizabeth Evans’s narration. Evans did an incredible job bringing the story to life, and her steady and emotional dictation of the story really helped me get to the end. I really loved the cool voices that Evans was able to come up with for all the characters, and I think that each of them matched the distinctive personalities of each character. Evans produced a huge range of different voices for these characters, and I really liked how she was able to alter them to reflect the ethereal or magical nature of some of the characters featured in the book, as well as hint at how powerful some of these creatures were by modulating her tone and adding a commanding quality to it. This was an impressive and deeply enjoyable audiobook adaptation, and I would strongly recommend it to anyone interested in enjoying House of Earth and Blood. That being said, be careful where you listen to this book, as it can be a little awkward to hear some of the steamy sex scenes when you are out in public. I somehow managed to be out shopping during two separate and particularly graphic scenes, and it proved very hard to keep a straight face while I was trying to grab groceries.

House of Earth and Blood is an incredible adult fiction debut from Sarah J. Maas, who has produced another outstanding and captivating read. There are so many excellent and enjoyable story elements in this book, and I absolutely loved every second I spend listening to it, even though some parts were a little over the top at times. This was an awesome start to Maas’s new Crescent City series, and I cannot wait to see what impressive and addictive story the author comes up with next. This novel comes highly recommended, and it gets a full five-star rating from me.

The Last Smile in Sunder City by Luke Arnold

The Last Smile in Sunder City

Publisher: Orbit (Trade Paperback – 6 February 2020)

Series: Fletch Phillips Archives – Book One

Length: 318 pages

My Rating: 4.75 out of 5 stars

From debuting Australian author Luke Arnold comes The Last Smile in Sunder City, an absolutely superb piece of fantasy fiction that presents a unique and powerful story of loss, redemption and despair in fantastic new universe.

The Last Smile in Sunder City is the debut novel of Australian actor Luke Arnold. Arnold, who has appeared in a number of Australian television shows and movies, is probably best known internationally for playing Long John Silver in the pirate adventure series Black Sails. Arnold has now made the rather interesting career change to writing fantasy fiction with this first book, which is the start of a new series known as the Fetch Phillips Archives. I have actually been looking forward to The Last Smile in Sunder City for a little while now, as I liked the intriguing-sounding plot synopsis and I thought that this book had some real potential.

The continent of Archetellos has always had magic, with nearly every race or being having some access to the power that ran through the lands, extending their lives and giving them rare and amazing abilities. With these powers, the magical races ruled Archetellos, until the humans, the only race not gifted with magic, attempted to steal it for themselves. This resulted in the event known as the Coda, which saw all magic erased from the world. Overnight, the multitudes of beings who relied on magic for their very existence either died or were stricken down. The few survivors of these former magical races are now deformed, crippled and slowly dying in pain.

Fetch Phillips has been many things in his life (a guard, a peacekeeper, a soldier and a criminal) but now he is barely eking out a living as a man for hire in the former magical industrial hub known as Sunder City, which has been suffering ever since its magical fires went out. For a small fee Fetch will help you with whatever problem you have, although his sobriety will cost you extra. He only has only one condition: he won’t work for humans; his only clients are those former magical beings who need his help, because it’s Fetch’s fault that their magic is gone and never coming back.

Fetch’s latest case sees him hired by a school that specialises in teaching the children of former magical creatures. One of their professors, an ancient vampire who is slowly turning to dust, has gone missing, and the school is desperate to find him. Diving into the shady underbelly of the city, Fetch attempts to find some trace of the vampire or anyone who wanted to hurt him. But when one of the vampire’s students, a young siren, also disappears, Fetch needs to step up his game to find them. However, even without magic there are still monsters in Sunder City, and Fetch may not be able to survive his encounter with them.

This was a really impressive piece of fantasy fiction. With The Last Smile in Sunder City, Arnold has absolutely nailed his debut, presenting a clever and captivating fantasy mystery which makes full use of its inventive setting and excellent central protagonist to create an impressive and memorable book. This is a truly enjoyable story that contains a fascinating central mystery that blends extremely well with the book’s fantasy elements. I had a great time unravelling the full extent of this intriguing story, and Arnold takes the plot in some very interesting directions, producing some excellent twists and clever false leads. This is less of an action-based novel and more of an exploratory story which sets out the world and features a man of the city running through his contacts to investigate a curious disappearance. I think this worked out extremely well for this book, as it fitted into the book’s classic PI vibe while serving as a great introduction to the city which is no doubt going to be the main setting for any future books in this series. Arnold has also created a couple of fantastic subplots which not only help to explore the world but also help to expand on the compelling darker tone that has been injected into this book.

Without a doubt, the major highlight of this book is the deeply inventive and fascinating new world that Arnold has produced. When I first read The Last Smile in Sunder City’s plot synopsis about a world where magic no longer existed, I was intrigued and thought that it sounded like an interesting idea. However, I was not prepared for just how impressive and creative this turned out to be. In order to tell his story, the author first created a detailed fantasy world that was filled with a huge variety of classic magical creatures of all shapes and sizes, where magic was the ultimate power and in which humans, who have no access to magic, are second-class citizens. While this would have been an interesting place to set a fantasy mystery, the author immediately flips this setting on its head by showing how humans attempted to steal the magic from its source (via an animation intended for children that was cut across by the protagonist’s memories, which was a fantastic way to introduce this plot point), and how their intrusion resulted in the complete destruction of magic.

This of course leads to a very interesting world, as now all the creatures and beings who previously survived on magic have had their lives irreversibly altered. Arnold spends a good part of the book exploring the impact of this loss of magic, examining the impacts on the previously immortal elves who all suddenly died from old age, the werewolves and other shapeshifters who found themselves deformed and stuck at the halfway point between human and animal, the vampires who all lost their fangs and are slowly crumbling to dust, sirens whose human husbands all simultaneously left them, and so much more. There are also some cool examinations of the change in status quo, with humans now becoming the dominant species on the continent thanks to their superior numbers (humans were not affected by the Coda) and their ability to use technology as a substitute for the magic that used to run everything. Of course, humans being humans, there are a couple of examples of humanity taking revenge against the magical creatures that previously dominated the continent, which the author does a good job of working into the plot. All of this proves to be an extremely fascinating and enjoyable overarching backdrop to the story of The Last Smile in Sunder City, and I really have to congratulate Arnold on his amazing imagination. Every detail about this creative world was really cool, and I loved seeing how his vision of a fantasy realm bereft of magic come to life.

The main location of this book is the titular Sunder City. Sunder City is a former magical metropolis which has suffered in the post-Coda period. Once a place of marvels and magically-powered industry, the city is now a shell of its former self, with most magical beings now living in slums and struggling to get by without their abilities. There is a bit of a Depression-era vibe to Sunder City, especially as Arnold does an excellent job of imbuing much of the city with a sense of despair, resentment and hopelessness. This really turned out to be a fantastic city to serve as the book’s primary setting, and I really enjoyed the protagonist’s exploration of it as he attempts to find the missing people. There are some really intriguing elements to this city which are worked into the overarching mystery plot extremely well, such as a hostile police force, businesses catering to former magical creatures and gangs of humans trying to cause trouble. All of this is pretty amazing, and I look forward to seeing more adventures and mysteries take place in Sunder City, especially if the author spends time looking at new types of former magical creatures that weren’t featured in this first book.

In addition to the compelling story and outstanding settings, Arnolds rounds out this awesome book with an intriguing central protagonist, Fetch Phillips. Fetch, who also serves as the book’s narrator, is a drunk, depressed and broken man, who is essentially a classic noir PI in a fantasy world. While Fetch can at times be funny or entertaining, mostly due to his sarcastic and confrontational style, his defining characteristics are his overwhelming guilt and despair. This is due to the fact that he is largely responsible for the humans destroying magic, which resulted in so much death and suffering. The full story behind Fletch’s involvement in this atrocity is chronicled in the book through a series of flashbacks which show his origin, the friendships he formed and the events and emotions that led up to his darkest moment. Due to his role in the causing the Coda, and the fact that he betrayed the trust of several friends, Fletch is filled with all manner of self-loathing and must now deal with his complicated emotions towards other humans, who he detests, and the former magical creatures he is compelled to help, most of whom now hate him. Despite all this darkness, there is a little bit of light within Fletch as he struggles against his demons and his past to find redemption and live up to a promise he made. I thought that this portrayal of Fletch was a great part of the book, and I loved the complexity that Arnold has imparted on his protagonist. I also really enjoyed the way that the author showed off the character’s past, centring the flashbacks on the four tattoos he has on his arm, and exploring the meaning behind them. This mixture of the mystery in the present and the look at the events in the character’s past worked really well together, and they help show off an amazing central protagonist who is going to be a fantastic centrepiece for this series going forward.

The Last Smile in Sunder City by Luke Arnold is a superb and highly addictive fantasy mystery that presents the reader with a fantastic and thrilling story. While the book is mostly a clever and enjoyable mystery, its true strengths are the unique and captivating settings and the complicated, well-written protagonist, both of which help to transform this amazing novel into a first-rate read. Thanks to this excellent debut, Arnold has proven that he is a talent to be reckoned with in the fantasy genre, and I am looking forward to seeing what he produces next. The Last Smile in Sunder City comes highly recommended, and I think many people are going to enjoy this exciting new Australian author.

Dreadful Company by Vivian Shaw

Dreadful Company Cover.jpg

Publisher: Orbit

Publication Date – 24 July 2018

 

Those looking for an entertaining, intriguing and different take on the horror genre should investigate Dreadful Company, the latest book from author Vivian Shaw, which contains a thrilling story based around the doctor to your favourite fictional monsters.

Greta Helsing is London’s medical practitioner for the undead, providing specialised treatment to the city’s hidden community of ghouls, vampires, mummies and zombies.  After being called to Paris to attend a supernatural medical conference, Greta’s plans to enjoy a stimulating discourse and debate on monster medicine is ruined when she is suddenly kidnapped off the street.  Her abductors turn out to be a coven of young and murderous vampires led by the unhinged Corvin, who bears a particular grudge against Greta’s vampire friend Ruthven.  Even more concerning, a member of Corvin’s coven is using magic to summon small and friendly magical creatures.  While the creatures may be harmless, the ripples they are causing in reality are not, and represent a significant threat to our world.

While Greta is trapped in the tunnels and catacombs below Paris, her friends arrive in the city to save her.  Legendary elder vampire Ruthven and Greta’s vampyre boyfriend, Sir Francis Varney, team up with Paris’s guardian werewolf, two immortal paranormal investigators and the city’s resident demon to free Greta and put an end to the dimensional instability.  But Greta and her companions are about to find out that there are weirder and more dangerous things than a collection of bloodthirsty vampires in the tunnels underneath Paris.

Dreadful Company is Shaw’s follow-up to her 2017 debut novel, Strange Practice, and is the second book in her Dr Greta Helsing series.  Dreadful Company returns several of the protagonists from the first book while also adding in a healthy number of new and exciting characters.  A third book in the series is already planned; I will definitely be keeping an eye out for Grave Importance next year.

Shaw’s latest book contains a fun and electrifying adventure that pits several ancient beings and their doctor against a coven of vampires and the magical catastrophe they have created.  The author tells her story through a range of characters to show many different perspectives of the adventure taking place.  Not only is every single protagonist – including returning characters Greta, Ruthven and Varney, as well as new characters the werewolf St Germain, the remedial psychopomps Brightside and Dammerung and the demon Irazek – a point of view character, but so are several of the young vampires who serve as the book’s antagonists.  This allows Shaw to tell a much wider story.  Not only is the central adventure explored in greater detail from a several angles, but the motivations, shared histories and the underlying thought processes of the story’s key players are presented to the reader.

Shaw has made a smart decision to change the book’s main setting from London to Paris.  Many writers can get bogged down in one location during their series, but Shaw did a fantastic job adapting her story to a completely new and unique cityscape, a trend that she will apparently continue to follow in her 2019 addition to the series.  Shaw makes full use of several iconic Paris locations, particularly the catacombs and tunnels underneath the streets, which are the perfect setting for a horror story.  Overall, Dreadful Company contains a rather exciting adventure story that makes spectacular use of its horror and fantasy elements, while also making use of the humour and history of its many point-of-view characters to lighten the darker tone of the book and create a unique and entertaining read.

I was extremely happy that Shaw included more examples of monster medicine within Dreadful Company.  The examination of the medical techniques used on supernatural characters was one of the best features of Strange Practice, and was a very unique and compelling element of this first book.  There are a number of wonderful general monster medicine scenes throughout the book, including a supernatural medicine conference where topics include ‘An overview of the various treatment modalities for tissue degeneration in Class A revenants’ (how to stop bits falling off zombies).  Readers will really enjoy Dreadful Company’s interesting focus on the medicine of vampires.  Shaw did spend a little time exploring the biology and treatment of vampires in the first book, which is expanded upon in Dreadful Company.  There are several discussions about vampire anatomy and physiology, including some of the features of the different vampire subspecies.  There is also a detailed look at the effect of certain substances on vampiric characters, including drugs and garlic, as well as the surprisingly devastating absinthe.  The protagonist is also forced to treat a number of different vampire characters for a variety of different conditions, including an overdose, stab wounds and an infection caused by a ghoul bite.  Once again, Shaw’s inclusion of monster medicine was an amazing part of this book, and I am looking forward to the third novel in the series, Grave Importance, which will focus on the care of mummies.

Aside from the examination of vampire biology, Shaw has also included a fascinating look into the different vampire mentalities, particularly when it comes to the old school versus the young bloods.  The two elder vampire characters, Ruthven and Varney, are reformed from their violent past and are instead trying to live normal and peaceful lives alongside humans.  The younger vampires, on the other hand, are bloodthirsty creatures who don’t follow any rules, kill indiscriminately and indulge in drugs and wanton behaviour.  The differences between the behaviours of these two different types of vampires are quite noticeable, especially when the younger vampires try to live up to all of the vampire stereotypes, such as sleeping in coffins, wearing elaborate clothes and makeup, making up dumb names for themselves, developing a superiority complex and trying out various ways to make themselves glitter.  While these inclusions are extremely fun, the readers will really experience chills when they see how angry the usually calm characters Ruthven and Varney get when they encounter these younger vampires and realise what taboos they have broken.

In addition to the creative and captivating use of vampire characters throughout the book, Shaw has referenced several other classic horror creatures and villains.  There are several allusions to Frankenstein and The Phantom of the Opera, with the protagonists actually visiting the Phantom’s underground lair at one point.  There are also other creatures, such as magically summoned hair monsters, well monsters and a whistle-summoned spirit, all of which play an interesting role in the plot.  Some great humour also comes from the inclusion of several ghosts, many of whom can be found having a lively party in Paris’ iconic Père Lachaise cemetery.  Highlights of this scene include a snarky Oscar Wilde and a musical Jim Morrison, both of whom have some great interactions with the new characters, Brightside and Dammerung.

Dreadful Company sees new author Vivian Shaw return with another fun and thrilling horror novel that contains a fast-paced adventure and a light comedy enhance tone.  Shaw has invested in a range of new characters, a fresh setting and some appealing fantasy and horror elements.  The author’s clever and memorable inclusion of monster medicine once again shines through as the book’s best feature, as well as the detailed examination of the vampire psyche.  An absolutely amazing second outing from Shaw, Dreadful Company is a fantastic read that will prove to be both unique and captivating to a huge range of readers.

My Rating:

Four and a half stars