The Devils by Joe Abercrombie

Publisher: Gollancz/Macmillan Audio (Audiobook – 13 May  2025)

Series: The Devils – Book One

Length: 25 hours and 7 minutes

My Rating: 5 out of 5 stars

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The master of grimdark fantasy fiction presents a bold and over-the-top new story with The Devils, an outstanding, addictive and highly entertaining read that you will not be able to turn away from.

Joe Abercrombie is an impressive and compelling author who has been wowing fantasy fiction authors with his complex reads for nearly 20 years.  While he has written some other cool books, like his Shattered Sea trilogy, Abercrombie is best known for his iconic First Law series of dark fantasy novels, that followed a group of highly damaged people as they tried to survive war, magic and politics in a messed-up fantasy world.  I really enjoyed the original First Law trilogy, and Abercrombie has cleverly expanded it out over the years, including with three standalone novels and his sequel Age of Madness trilogy.  The Age of Madness novels were ones that I particularly enjoyed reading, and A Little Hatred (one of my favourite books of 2019), The Trouble With Peace (one of my favourite books and audiobooks of 2020) and The Wisdom of Crowds (one of my favourite books and audiobooks of 2021), were very highly rated by me, and I could not get enough of this series.

Needless to say, I am a pretty big fan of Abercrombie’s novels, and I have been eagerly awaiting a new book from him since I finished The Wisdom of Crowds.  While I had hoped that we would be getting a new First Law novel, Abercrombie instead decided to present readers with something a little different with his new The Devils series.  Starting off with The Devils, this series is another clever dark fantasy series, set in an alternative, magic filled version of medieval Europe.  One of my most anticipated books of 2025, The Devils sounded so damn good, especially with its crazy plot and intriguing new setting.

The lands of Europe are in dire peril.  Between the constant wars, dangerous monsters, ruinous famines and deadly plagues, the various kingdoms of Europe are in poor condition, barely held together by the fractured church.  However, the real danger lies outside its borders, as the mysterious elves gather their power in the Holy Lands, preparing for another invasion of Europe that will surely lead to the destruction of all humanity.

In response to the growing threat of the elves, the church and its juvenile pope determine that a new ruler needs to be placed upon the Serpent Throne of Troy after its evil sorcerous empress dies.  With all four of the empress’s duplicitous and power-hungry sons unfit for the crown, the church surprisingly finds that their ideal candidate is a lowly street thief from the Holy City called Alex.  A ferrety sneak with no noble bearing or confidence, Alex is shocked to discover that she is really the long-lost Princess Alexia Pyrogennetos of Troy, destined to reunite the churches of Europe by claiming the throne.

Turning the reluctant and terrified Alex into a potential princess is one thing, but getting her to Troy is a far more difficult prospect, especially as her rival contenders to the throne are stalking Europe with their deadly, magically enhanced followers, determined to claim Troy for themselves.  To succeed in marching Alex through the European hellscape and placing her on the Serpent Throne, the church will need far more than prayers and the blessing of saints; they are going to need devils.  Luckily, such devils are close at hand. 

Deep within the Holy City lies the Chapel of Holy Expediency, which binds dangerous heretics and monsters and forces them to seek redemption through holy missions for the pope.  Led by the hapless Brother Diaz, the congregation of the Chapel of Holy Expediency is charged with getting Alex to Troy and placing her on the throne.  But can a terrified monk, an immortal knight, an arrogant necromancer, an invisible elf, a sarcastic vampire, an uncontrollable Viking werewolf and the most experienced woman in Europe succeed in making a street-rat an empress, or will their new mission only bring even more death and destruction to the continent? 

Joe Abercrombie once again shows why he is one of the very best authors of dark fantasy fiction with his captivating and deeply impressive new novel.  The Devils was an ultra-entertaining read that perfectly introduced the author’s intriguing setting and populated it with highly amusing characters and dark deeds.  Exciting, clever and loaded with over-the-top humour, The Devils was an absolute joy to listen to, and I loved every second I spent with it.  One of the most addictive novels of 2025 so far, The Devils gets a very-well deserved five-star rating from me, and readers are guaranteed an extra fun time with this crazy novel.

I absolutely loved the cool and highly entertaining story that Abercrombie came up with for The Devils, which was essentially a fun dark fantasy iteration of The Dirty Dozen/Suicide Squad narrative with some amazing monsters.  Providing a quick introduction to the key characters, the reader soon becomes highly invested in the narrative, as the memorable and very amusing protagonists begin their trek to Troy.  What follows is a classic travelling adventure story with some dark and comedic twists, as the protagonists encounter all manner of foes on the way to their destination, which they are forced to dispatch with ruthless efficiency.  While parts of this story start to become a tad formulaic, especially as the protagonists are intercepted multiple times by one of Princess Alexia’s cousins, with each encounter resulting in a deadly battle for survival against different occult forces, you are generally so entertained by the compelling characters, interesting interactions, and over-the-top action sequences, you don’t even really mind.  Abercrombie works to break up these encounters with some fun side quests, as well as altering the circumstances by having the characters occasionally split up into unlikely pairings, exploring the fun alternate medieval Europe that works as such an effective setting for this book.  This allows for some interesting changes of pace in the main quest narrative, while also allowing for some outrageous character moments as the reader gets to know the protagonists a little better.

Everything nicely leads up to the last third of The Devil, which sees the protagonists arrive at their destination against the odds.  Without going into much detail, things naturally go to hell, and everybody is forced to fight for their lives.  This chaotic series of events isn’t unexpected, as the reader is waiting for the other shoe to drop the entire book, but the who and the how of it makes for great reading.  Some excellent twists come to life here, often revealed in a fun meta way, and, while you see a couple of them coming, the entire ball of surprises and reveals make for quite an exciting end sequence.  These twists are well backed up by some of the grittiest action sequences in the entire book, and you are constantly on your feet waiting to see what happens next.  The entire novel ends on a tragic, if thoughtful note, especially when you’re left to consider who the true monsters of the story are.  An overall impressive narrative, that blends alternate history and classic adventure narrative threads with Abercrombie’s wild imagination to create something exceedingly entertaining and addictive.

The Devils was a very fun and well-written story as Abercrombie provides a very intense and hard-hitting tale, bound together by dark humour, over-the-top sequences, and complex characters.  Abercrombie once again showcases his skill at balancing multiple distinctive perspectives to tell an integrated and ongoing narrative, with the story cleverly bouncing between the viewpoint of several impressive protagonists.  The continued switches between the characters allows for a very elaborate narrative, and the reader is drawn into both the overarching plot and the more personal battles of the protagonists.  I liked how Abercrombie was able to tailor the descriptive narration of each of the perspective chapters to suit the character it was following, and each chapter has a slightly different tone as a result.  However, this is a very dark overall story, as the characters encounter outrageous scenarios of death and destruction, and the resulting carnage allows for some intense moments.  I will say that The Devils did feel a little sillier than some of Abercrombie’s previous novels, although the author uses this extra layer of ridiculous energy to full effect to tell an extremely addictive story.

As you would expect from Abercrombie, the intense action sequences are a highlight of The Devils, with the many brutal sequences coming to life thanks to the author’s great descriptive style.  There was a certain casualness to some of the fights, especially those featuring the plot’s more dangerous killers, and which was enhanced by the clever overall narration of the writing.  I loved how Abercrombie set out all his scenes, with a lot of subtle humour revolving around cynical description of events, especially as the author provides some ironic results and meta commentary.  This more subtle writing of events is counterbalanced by the over-the-top humour of the dialogue, especially when it comes to certain characters.  A lot of the dialogue gets downright filthy at times, with some very adult discussions coming out in outrageous fashion.  While this excessive crass language had the potential to distract from the story, I think that Abercrombie got the right balance, with the ridiculously rude dialogue fitting in well amongst the crazy events of the plot.  While the combination of ugly events, adult humour and cooky carnage isn’t going to be everyone, I think most fantasy fans are going to have a ton of fun with it, especially as it plays into Abercrombie’s grimdark style.  Throw in a clever alternative medieval Europe as the elaborate setting which will delight history buffs with the intricate differences, and The Devils was a very impressive read that perfectly plays the author’s strengths and talent for entertaining and dark fantasy fiction.

Fans of Abercrombie will know that the author specialises at making damaged and captivating characters to set his narratives around, and The Devils is no exception to this.  The author introduces an amazing cast of complex and memorable characters in The Devils, and I love the very impressive storylines that emerge around them.  This includes six separate perspective protagonists, two major supporting characters, and an array of interesting figures throughout Europe who play various roles in the outcome of the plot.  Abercrombie does an excellent job of introducing and utilising this complex cast, with all the major characters getting their chance to shine in some impressive ways.  While some of the characters in The Devils didn’t quite have the complexity of the protagonists from the First Law books, Abercrombie instead amps up the entertainment aspect of these figures, introducing several particularly hilarious, ridiculous and highly relatable monsters, each of whom added a great deal to the overall reading experience.

The first two characters I want to talk about are major perspective protagonists, Brother Diaz and the newly discovered princess, Alex.  Despite neither being members of the titular devils, both have major roles in this book and are shaped by their experiences with the monstrous pawns of the church.  Brother Diaz, a simple monk who is brought in to guide the devils, is initially shown to be a hapless and terrified figure, clearly out of his depth when it comes to the dangerous mission he has been entrusted with.  Abercrombie has a lot of fun showcasing him as a useless social climber at the start of the novel, and he initially has more of a comedic role in the plot.  However, as the story progresses, Diaz starts to gain a little confidence as he continues to survive, and you soon see flashes of the man he could be.  Despite falling to temptation (repeatedly), Diaz ends up being quite a stalwart figure in the book, and I loved some of the scenes where he got to show off his intelligence (including one particularly entertaining legal battle).  The way in which Abercrombie subtly added more and more depth to Diaz’s personality as the story continued was very impressive, and his growth as a character was a highlight of the book.  The author also ensured that Diaz was one of the more relatable characters in The Devils, especially as he continuously makes mistakes, finds himself shaken by his fears and failings, yet continues to try to do the right thing.

Much like Diaz, the other non-devil perspective protagonist, Alex, is also shown to be an imperfect figure who finds themselves thrust into events outside of their control.  Initially shown as a simple thief, Alex, or Princess Alexia Pyrogennetos, is ill prepared for the events before her, and is forced to rise to the occasion when she is declared long-lost royalty.  Mostly shown as the book’s damsel in distress, Alex is generally scared and lacking confidence, especially as she knows she is not the princess everyone wants her to be.  Like Diaz, Abercrombie writes Alex slowly rising to the occasion throughout course of The Devils’ plot, as she learns to fight back and become a leader.  I really liked following Alex’s journey in The Devils, and while the journey to the character finding her self-confidence is a long and bloody affair featuring some good twists, it ended up being a powerful part of the book’s overarching narrative.

Outside of Alex and Diaz, a lot of time is also spent following the other perspective members of The Devils, including Balthazar, Sunny and Vigga, who are a necromancer, an elf and a werewolf respectively.  These three characters are amazing, and I liked how well they played off each other and the rest of the cast with a great mixture of serious and more comedic elements.  For example, Balthazar (or to introduce him properly, Balthazar Sham Ivan Draxi), is a highly arrogant figure who chafes at being captured and controlled by the church.  Much of his story focuses on his many attempts to break the Papal binding compelling him to help Alex, while also dealing with the realisation that he is helpless against those he considers his lesser.  Much of the entertainment around Balthazar is his complete lack of self-awareness or humility, especially within his own mind, and while there are times when it appears that he is going to become a better person, he usually returns to his old personality when he hits a wall.  Sunny the elf, on the other hand, is a far more sensible character, who serves as the team’s shadow thanks to her ability to become invisible.  Despite her nice and helpful personality, Sunny is shown as an alien creature, incapable of understanding the humans who generally hate and fear her.  Imbued with a more subtle humour than her fellow devils, Sunny proves to be quite an interesting figure, especially when you examine her past and her dark experiences with humans.  Probably one of the more likeable and selfless figures in the book, Sunny’s arc adds a lot to the overall story, especially through her unlikely romance angle, and Abercrombie clearly had fun writing the various scenes where she traipses around invisible.

One of the more memorable cast members of The Devils is Vigga, a former Viking raider who was cursed as a werewolf and then captured by the church.  Crass, constantly controlled by her urges, incapable of self-restraint and particularly deadly, even when not a massive wolf, Vigga powers through the entirety of The Devils’ narrative, leaving a major impression whenever she appears.  Featuring some of the more visceral and entertaining perspectives of the book, which includes a combination of hungry sequences from her wolf mind and her more entertaining insights as a human with no impulse control and an inability to focus on anything, Vigga is responsible for a large part of The Devils’ chaotic and outrageous tone, and the book would not be anywhere near as fun without her.  However, as this is Abercrombie, there are quite a few darker moments in Vigga’s story, and you soon become absorbed with her attempts to pull together her fractured mind and control the monster within, especially when she gets close to her travelling companions.  The dark depression that occasionally befalls her because of her uncontrolled actions adds some major drama to certain tragic parts of The Devils’ plot, and Vigga comes away as one of the more sympathetic, if scary, characters in the book.

While the above perspective characters are all particularly impressive, my favourite was the team’s resident knight, Jakob of Thorn.  An old soldier cursed with immortality who has been fighting battles on behalf of the church and God for hundreds of years, Jakob is a tired and haggard figure bound by his many vows.  Suffering from the degradation of his body due to age and the many injuries inflicted on him, Jakob is weariness personified as he attempts to deal with his pain, and the guilt from his long history of death and service to the church.  Readers familiar with the author will know that Abercrombie specialises at writing tired old warriors who are sick of the death and destruction they cause, and Jakob of Thorn is one of his better ones (which is saying a lot).  I loved all of Jakob’s scenes, especially as he doggedly continues to fight despite his pain, often providing some of the book’s best quotes and insights.  Unsurprisingly, Abercrombie makes Jakob suffer a lot in this novel (what else would this sadistic author do with an immortal character?), and you learn a lot about his resolve and psyche as a result, especially as he knows he is the biggest monster of them all.  I really think that Jakob’s grittier and more self-aware perspective chapters helped to balance out the more outrageous character arcs in The Devils, and he was a perfect addition to this outstanding narrative.

The final two major characters I want to highlight are Baron Rikard, an ancient vampire, and Baptiste, a rogue hired to keep the devils in check, who seems to have experience with every profession possible in Europe.  Both these characters are excellent additions to the plot and manage to shine through, despite not being perspective characters.  Indeed, I felt that their role in the book was enhanced by the readers not having direct insights about their motivations or actions, and instead you get to enjoy the mystery surrounding them as you see them through the eyes of the other characters.  Baron Rikard, who serves as a fun, sarcastic figure who only helps when it suits him, proves to be a great inclusion in the plot, especially as his gentlemanly manners and demeaner makes him stand out amongst the other characters.  While a ridiculously charming figure (especially when he starts talking about dumplings), you are initially given the impression that Rikard is another trapped monster keen to escape his binding.  However, Abercrombie nicely turns this assumption on its head as the story continues, and I really enjoyed the character’s revealed motivation, especially as it shades all the character’s actions in a new light.

Baptiste, on the other hand, is a suave and entertaining figure whose impact on the book would be diminished if you got a deeper look at her thoughts, motivations or true history.  I particularly enjoyed how well Baptiste served as a foil to Balthazar, and they had a great back and forth that helped to define them both.  Throw in a range of other impressive supporting characters, including a barrage of outrageous or diabolical antagonists, and the cast of The Devils was something very special.  I cannot emphasise enough just how much fun all these characters were, and their moving and complex arcs and interactions really helped to give some powerful meat to The Devils’ entertaining narrative.  You really come away with some conflicted feelings for many of the protagonists, especially as none of your favourites have a truly happy ending, and it will be interesting to see what happens to the survivors in the future entries of the series.  A special shoutout as well to the fun artwork depicting several of these characters in The Devils paperback, especially as the artist really captures how the author wrote these colourful protagonists.

While I did receive a physical copy of The Devils, I ended up listening to this novel on audiobook, which was a fantastic choice.  Not only did the audiobook version allow for a fuller immersion in Abercrombie’s new fantasy universe and his crazy action sequences, but it also featured the superb voice of actor Steven Pacey.  Pacey, who is one of my favourite audiobook narrators, previously lent his voice to the audiobook versions of Abercrombie First Law novels, and he frankly does a perfect job of capturing the author’s unique tone and style.  Abercrombie’s complex writing, witty dialogue and excessive humour really come to the fore when read out by Pacey, and the narrator’s tone and cadence in The Devils always perfectly matched the intended mood of the scenes, no matter how dark or over-the-top they became.  Pacey also does some very entertaining and highly fitting voices for the key characters of The Devils, and it is amazing how well he captures all these outrageous figures.  All the defining character details, including the timid nature of Brother Diaz, the arrogance of Balthazar, the pain and weariness of Jakob, the wry amusement of Baron Rikard, the unearthly nature of Sunny and the sheer wildness of Vigga are all amazingly highlighted by Pacey’s various voices, and really come to love the characters the way that Pacey reads them out.  Thanks to Pacey’s brilliant acting and evident love for the content, this was an incredible listen, and I really cannot emphasise enough just how effectively he narrated this crazy story.  I flew through the books lengthy, 25-hour runtime due to this brilliant narration and epic narrative, and I honestly don’t believe that anyone but Steven Pacey could make Abercrombie’s amazing novels come to life in the same way.  An exceptional audiobook and one of the best things I have so far listened to in 2025.

With his trademark blend of chaos, fantastic humour and complex characters, Joe Abercrombie presents one of the very best books and audiobooks of 2025 with The Devils.  A unique and very entertaining fantasy adventure novel, The Devils pushed everything to 11 and beyond, ensuring that you couldn’t turn away.  An exceptional read from start to finish, I had so much fun with The Devils and I cannot wait to see how Abercrombie will continue this series in the future.

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Quick Review – I Say Your Name in the Dark Nights by Jonathan Maberry

I Say Your Name in the Dark Nights Cover

Publisher: Macmillan Audio (Audiobook – 29 November 2022)

Series: Kagen the Damned – Book 1.5

Length: 1 hours and 20 minutes

My Rating: 4.5. of 5 stars

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Get ready to dive back into the crazy world of Jonathan Maberry’s epic Kagen the Damned series with the intriguing and fun novella, I Say Your Name in the Dark Nights.

Readers of this blog will know that I am a pretty big fan of acclaimed thriller/horror author Jonathan Maberry, and my experiences getting into his books are well documented across The Unseen Library.  I have been a particular fan of his impressive Joe Ledger science fiction thriller books (which includes books like Patient Zero, The Dragon Factory, Code Zero, and Dogs of War), his sequel Rogue Team International series (made up of Rage and Relentless), as well as his standalone horror read Ink.  These excellent thrillers cleverly feature science heavy villains or reimagined supernatural foes to great effect, and I love the dark and elaborate stories they contain.

Maberry changed his game around last year when he presented his very first pure fantasy novel, Kagen the Damned.  An extremely dark and shocking read set in a new fantasy realm, Kagen the Damned follows Kagen Vale, a former hero and royal protector who loses everything in a single night when the force of the Witch-king of Hakkia suddenly invade, destroying his home, family and the children he was sworn to defend.  Traumatised by the carnage he witnesses and forsaken by his gods, Kagen believes himself truly damned and walks around the country in a daze before managing to pull himself together to launch a counterattack.  I had an outstanding amount of fun with Kagen the Damned, especially as Maberry made great use of his trademark writing style and successfully combined it with a fantasy setting and narrative.  Kagen the Damned ended up being one of my favourite books and audiobooks of 2022, and I have been very keen to continue the series.  While I haven’t had a chance to listen to the recently released sequel, Son of the Poison Rose (one of my most anticipated fantasy novels of 2023) yet, I did manage to quickly listen to the connected novella, I Say Your Name in the Dark Nights, which proved to be a lot of fun.

I Say Your Name in the Dark Nights is a short and sweet novella that showcases a quick and brutal adventure around Kagen during the period where he drunkenly wanders around the lands.  Featuring an intriguing new enemy, this is a very typical Maberry read, with a ton of violence, sex and some impressive horror iconography.

Plot Synopsis:

Kagen Vale—disgraced former palace guard, damned by his own gods, on the run from bounty hunters and assassins—discovers that no matter where you try to hide, evil can find you. In this standalone short story, Kagen the Damned squares off against a clan of ferocious supernatural predators in service to the Witch-king.


I Say Your Name in the Dark Nights
was an excellent read that is guaranteed to whet reader’s appetites between Kagen the Damned and Son of the Poison Rose.  The plot itself is fast-paced and action packed as Kagen, drunk and depressed in the woods, comes across a young woman being chased by a pack of deadly wolves and rushes to her defence.  However, Kagen soon finds himself at the mercy of his supposed damsel as she is revealed to be a deranged werewolf hired by the Witch-king to kill him.  Maberry tells an effective and exciting story around this concept, which doesn’t take long to unfold.  For example, the audiobook version I listened to was only an hour and 20 minutes long, which I finished in a single setting.  As such, you really breeze through I Say Your Name in the Dark Nights, since Maberry ensures that it has a very concise and comprehensive story to it.

I really liked how this entire narrative came together, and it was fun to see Maberry’s typical writing style compacted down into novella form.  The action is brutal and bloody, the characters are very over the top, and it serves as an interesting continuation of the previous narrative from Kagen the Damned.  The plot itself is very self-contained, and at times it felt more like an extended interlude from the first book.  As such, fans of the first novel will have the most fun with I Say Your Name in the Dark Nights, although anyone familiar with Maberry and his horror-based books will know what they are in for.  The author has a lot of experience writing werewolf fiction, and the brutal transformations, excessive violence and inhuman nature of the characters, which really freak the protagonist out, make for some striking and compelling scenes.  Due to the length, there isn’t a great deal of universe expansion here, which isn’t too surprising, as the author focuses more on the story.  However, there are a few hints at the changing world, such as Kagen being forced to deal with more and more supernatural monsters, and he luckily comes across a useful weapon that may aid him in the future.  Plus, Maberry really showcases the continued assistance/stalking that Kagen receives from the mysterious nightbirds, which hints at things to come while also increasing the Lovecraftian feel of the entire story.

A good deal of the focus of I Say Your Name in the Dark Nights is once again on the depressed and broken Kagen Vale.  Just like with Kagen the Damned, Kagen is severely damaged and drunk, having still not recovered from the devastating events of the first book.  While the action and events of the story briefly recover his wits, he is still forced to again deal with horrors outside his understanding and watching him try and overcome the odds whilst being severely outclassed is a fantastic part of this outstanding story.  Kagen of course reverts to his more bloodthirsty and deadly persona to survive, but it takes every aspect of his being to get there, and you really feel his pain, both physical and emotional.  The audiobook version really encapsulate this, especially with the always impressive narration of Ray Porter, who is such an expert at diving into Maberry’s complex and brooding protagonists.  I deeply enjoyed seeing a struggling Kagen through Porter’s narration again, and it adds some great layers and impact to the overall experience.

Unsurprisingly, I loved my latest Jonathan Maberry experience, and I Say Your Name in the Dark Nights is an impactful and captivating read.  Serving as an electrifying and compelling companion novella to the wider Kagen the Damned series, I Say Your Name in the Dark Nights provides a fun and brutal new adventure for fans to sink their teeth into, and anyone who loved Kagen the Damned will have an epic time here.  I highly enjoyed this cool novella, especially in its audiobook format, and it has got me particularly excited for the next entry in the series.  I am planning to start listening to Son of the Poison Rose this week, and I know I am going to have an exceptional time doing so.

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One Foot in the Fade by Luke Arnold

One Foot in the Fade Cover

Publisher: Orbit (Trade Paperback – 26 April 2022)

Series: Fetch Phillips – Book Three

Length: 439 pages

My Rating: 4.75 out of 5 stars

Amazon     Book Depository

One of Australia’s fastest rising fantasy authors, Luke Arnold, returns with the third novel in his Fetch Phillips series, the fantastic and impressive One Foot in the Fade.

Back in 2020, Australian actor turned author Luke Arnold made his fantasy debut with his first Fetch Phillips novel, The Last Smile in Sunder City.  This very clever and intense read, which ended up being one of my favourite debuts of 2020, was set in the unique landscape of Sunder City, a formerly majestic fantasy city facing hard times in a world that has just lost all its magic, causing all the fantasy creatures and beings who lived there to become deformed and dying beings.  The story focused on the character of Fetch Phillips, a human private investigator responsible for the disaster, who tries to redeem himself by helping the disenfranchised former magical beings.  Arnold followed it up later that year with a sequel, Dead Man in a Ditch, which was just as impressive and exciting as the first book.  Both these novels were extremely good, and they perfectly set up Arnold’s intriguing and magic-less universe.  I have been rather keen to see how the story continues so I was quite excited when I received a copy of the third book, One Foot in the Fade, a few weeks ago.

A new dawn has risen in the formerly magical Sunder City.  Under the leadership of human business mogul Thurston Niles, the city is entering a technological age, leaving behind its mystical roots and providing everyone, both human and former magical being, with cars, guns and electricity to service their needs.  Most are content with the new way of life, all except man-for-hire Fetch Phillips.  Still ridden with guilt for the role he played in destroying the world, Fetch spends his days taking on odd jobs for former magical beings while also desperately searching for any way to bring back the magic.

After his latest assignment, recovering stolen artefacts still containing traces of their power, ends badly, Fetch’s hopes for bringing back magic are at an all-time low, until a new clue literally and fatally lands at his feet.  An Angel has fallen from the sky at a great height, his formerly decayed wings once again feathered and whole, clearly the result of magic.  But who or what is responsible for reinvigorating the unfortunate Angel’s magic?

Desperate to uncover the roots of this new mystery, Fetch discovers a former Genie, Khay, whose body is slowly losing its hold on reality.  Still apparently capable of granting wishes, including returning a person’s magic to them, Khay may be the best chance for Fetch to redeem himself.  However, in order to make her powerful enough to bring magic back, Khay requires a legendary crown located at the deadly and isolated Wizard city of Incava.  Pulling together a small team, Fetch embarks for Incava to reclaim the crown.  But the further Fetch goes on his quest, the more he begins to realise that not everything is as it seems.  Blinded by his obsession with magic and redemption, Fetch walks a dangerous path that may end up damning him once again.

This was another extremely awesome read from Arnold who continues to showcase his impressive talent as a fantasy author.  One Foot in the Fade did a brilliant job continuing from the previous Fetch Philips novels, and I loved revisiting the deformed and depressed world of Sunder City.  Loaded with complex characters and powerful settings, this latest story was particularly captivating, and I think that One Foot in the Fade is probably Arnold’s best novel yet.

I really appreciated the powerful and intriguing narrative contained with One Foot in the Fade as Arnold has come up with some deeply fascinating and intense storylines that make this novel very hard to put down.  Taking place shortly after Dead Man in a Ditch, One Foot in the Fade’s story places Fetch Phillips right into the action as he attempts to recover some magical artefacts.  Thrown off by his villainous corporate antagonist, Fetch falls into despair, only to immediately find a dead angel whose magic has been returned to them.  This leads him into a hunt for the being responsible for the miracle, quickly finding Khay, who reunites his faith and hope in magic.  Bringing together a new team of comrades, Fetch travels outside of Sunder City on an epic quest to retrieve a legendary magical crown in order to empower Khay’s abilities.  This works as a particularly fun and exciting centre to the entire narrative, and Arnold really pumps up the action and danger in this part of the book, seeing the protagonists deal with all manner of dangers, deadly creatures, former allies with their own agendas, a mysterious secret society, a giant Minotaur, and even some surprising and very dark magic.

I had an absolute blast with the first two-thirds of the novel, especially with all its action, intriguing new characters and world building; however, it is the final third that really turns One Foot in the Fade into something truly special as Arnold adds in some intense and intriguing twists.  Despite Fetch’s best efforts, everything turns pear-shaped on him as some of the supporting characters are revealed to be far darker and more damaged than he ever believed.  Thanks to some big and dramatic tragedies, Fetch is forced to make some hard decisions that will deeply impact him and change the entire course of the story.  These later twists and revelations are pretty well set up throughout the first two-thirds and the novel, and I really appreciated the way in which Arnold brought the entire story together in such a clever and enjoyable way.  While there are a few excessive plot points that slightly distract the main story, One Foot in the Fade’s narrative was pretty tight and never really slows down.  I love the cool blend of dark fantasy, detective noir and urban fantasy elements contained within this impressive read, and Arnold has come up with a pretty bleak, character-driven narrative that really gets to the heart of the protagonist while also exploring the possibilities of redemption.  The reader will find themselves getting quite drawn into this epic story, and I myself powered through most of it in a single night.  Despite the author’s best efforts to recap the necessary background, One Foot in the Fade is a little hard to read by itself and I feel that most readers should read the first two books in this series first, although this is hardly a chore.  I really enjoyed the hopeful end note of this third novel, and I cannot wait to see where the rest of the series goes from here.

While the Fetch Phillips novels all have great narratives to them, their best qualities are the unique and striking settings.  Primarily set in the once majestic and glorious Sunder City on the fantasy continent of Archetellos, the stories generally explore how the city has changed since magic left the world.  The first two books in this series saw Sunder City as a decaying metropolis, filled with depressed and dying magical beings who were trying to adapt to the new world.  However, in the second book, an industrious human company is starting to provide technological alternatives to everything formerly powered by magic.  Since then, the entire feel and tone of the city has changed, with Sunder City transforming into an industrious and factory orientated city, with 1920’s-esque technology like cars, firearms (that everyone carries) and neon signs.  I really appreciated the brilliant and logical way that Arnold keeps changing the feel and look of his great setting every novel, especially as every change seems to match the series’s overarching noir feel.  I had a lot of fun seeing the comparisons between the setting’s current technology and the former magical glory, and watching the protagonist compete against the march of progress.  Arnold doubles down with the world building in One Foot in the Fade, with some interesting new additions that I found really fascinating.  Not only are we introduced to multiple new magical races, all of whom have been impacted by the death of magic in their own unique ways, but a large portion of the novel takes place outside of Sunder City, as the characters head to another former major settlement, the Wizard city of Incava.  The journey to and into Incava showcases multiple new interesting features about the larger continent of Archetellos, and I appreciated how much time Arnold put into expanding it.  Incava itself proves to be a particularly haunting and deadly setting for a good part of the book, and the various dangers within really amp up the action-packed story.  Overall, Arnold remains well on top of the cool settings in this novel, and readers will once again be entranced by the fantastic and distinctive setting of this series.

One Foot in the Fade also boasts a great array of complex and damaged characters whose personal journeys and intense pain really enhance the impressive narrative.  This is particularly apparent in series protagonist and first-person narrator Fetch Phillips, a man with a particularly intense backstory.  Due to bad choices in his past, Fetch is moderately responsible for the death of magic in the world and all the bad things that went with it.  This led him into an extremely dark spiral and he has spent the rest of the books trying to redeem himself.  However, this has not been easy, especially as he was forced to go up against his magical mentor and best friend in the second novel and his guilt is at an all-time high at the start of One Foot in the Fade.  As such he is particularly obsessed with bringing back magic in this novel and embarks on the quest to repower his new Genie friend and redeem himself no matter the cost.  This obsession blinds him (and by extension the reader) to the risks of what he is doing, and he ends up endangering his friends, while also ignoring some troubling signs from other characters that hinted at the books tragic ending.  This is easily the most obsessed we have seen Fetch throughout the entire series, and it really fits into his brilliantly written character arc which sits at the core of the moving narrative.  Watching him continue to try and fail is always very heartbreaking, and you really feel for Fetch throughout this novel, even with all the mistakes he’s made.  As such, he serves as an excellent centre for the story, and I have a great time following his personal tale, especially as Arnold has also imbued him with a good sense of humour.  The author also sets up a few intriguing character developments and changes throughout One Foot in the Fade that I think will lead to some very compelling storylines in the future, so I look forward to seeing where Fetch goes in the future.

Aside from Fetch, Arnold has filled this novel with a substantial collection of excellent supporting characters, each of whom adds their own distinctive flair to the narrative as well as a complex and often damaging relationship with the protagonist.  One Foot in the Fade features a combination of new and existing supporting characters, and it was interesting to see who returned after the events of the last book.  It was great to see more of former Witch and academic Eileen, one of Fetch’s main compatriots, who helps him throughout most of the book.  Eileen serves as Fetch’s sense of reason, and her more measured approach to the tasks at hand balance well with the protagonist’s more impulsive nature.  I also enjoyed seeing more of futurist company leader Thurston Niles, who is serving as something of an overarching series antagonist.  Thurston, who was introduced in the second book, is the human businessman whose company is responsible for the industrialisation of Sunder City and all its new technology.  While his appearances are a little brief in this novel, he serves as an excellent alternative human character to Fetch and I am really enjoying their rivalry.  Despite appearing as the villain due to his desire to replace magic completely with technology, Thurston has more layers and he actually appears to enjoy Fetch’s efforts to bring back magic.  Their various interactions in this novel are pretty entertaining, and I look forward to seeing their conflict continue in the rest of the series.

The author also introduces several great new characters in One Foot in the Fade, and their interesting and often self-contained storylines are pretty impressive.  My favourite was Theodor, a Werewolf adventurer who Fetch and his friends hire to help get to Incava.  Despite being disfigured and partially disabled (Werewolves and other shape-changers were also partially transformed into dark human-animal hybrids without their magic), Theodor is a badass hunter and tracker who quickly becomes one of the more likeable figures in the novel.  Theodor serves as a mentor to many of the characters, especially Fetch, and it was fun to watch him teach the city slickers how to survive out in the wilds.  Due to the way that Theodor’s storyline in One Foot in the Fade ends I am very curious to see if or how he returns in the future, and I am sure that Arnold will come up with some plot points elements for him.  The other impressive new character was Khay, the Genie who serves as the book’s sentient McGuffin.  Arnold paints a tragic picture around Khay as a Genie literally fading away due to the death of magic.  Only able to survive through certain magical objects and granting wishes to people, namely returning their magic, Kay is just as obsessed as Fetch to achieve their objective.  However, there is a powerful and captivating alternate side to Khay, and the consequences of her actions will have some lasting impacts in the entire series.  These outstanding characters, and more, are an impressive and very important part of One Foot in the Fade, and I really appreciate how much effort Arnold put into making them so relatable and memorable.

With One Foot in the Fade, Australian author Luke Arnold continues to showcase his amazing literary talent, bringing together an epic new story with his already distinctive characters and settings.  Thanks to the powerful and intense new narrative, this third Fetch Phillips novel is probably Arnold’s best novel so far and it is really worth checking out.  I cannot wait to see how Arnold impresses me with the next book.

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Throwback Thursday – Summer Knight by Jim Butcher

Summer Knight Cover

Publisher: Buzzy Multimedia (Audiobook – 3 September 2002)

Series: The Dresden Files – Book Four

Length: 11 hours and 13 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In this week’s Throwback Thursday I continue to explore the incredibly fun Dresden Files series by Jim Butcher with the fourth book, Summer Knight.

Readers of this blog will be familiar with my recent exploration of the epic Dresden Files series by the outstanding Jim Butcher, widely considered one of the best urban fantasy series out there.  After having an absolute blast last year with the latest book in the series, Battle Ground (one of the best books and audiobooks of 2020), I have spent a bit of time this year checking out the earlier entries in the series.  I have so far had the pleasure of listening to the first three Dresden Files novels, Storm Front, Fool Moon and Grave Peril, each of which got a five-star rating from me, and when I wanted a good audiobook to check out, the next entry in the series made the most sense.  The fourth Dresden Files novel is the impressive and compelling Summer Knight, which sets the protagonist against the fairest and most vicious opponents yet.

Following the events of Grave Peril, the White Council of wizards is at war with the Red Court of the vampires, and it is all Harry Dresden’s fault.  With vampire attacks increasing and his life consumed with finding a cure for the vampirism affecting his ex-girlfriend, Dresden is once again dragged into the conflict when the White Council arrives in Chicago.  Considered by many wizards to be a dangerous maverick, Dresden will need to find a powerful bargaining chip if he is to continue receiving the protection of the council.  Unfortunately for Dresden, the perfect opportunity has been given to him; he just wishes it were anything else.

Harry has been contacted by Winter Queen Mab, the powerful leader of the Winter Court of the Faeries, who offers him a dangerous bargain: in exchange for forgiving a previous debt, and for allowing certain concessions to the warring White Council, Harry must work a case for her.  The Winter Queen desperately needs Harry to find out who murdered a seemingly normal human, and with his life entirely in the White Council’s hands, he has no choice but to comply.  However, when it is revealed that the victim was the Summer Knight, the rival Faerie Summer Court’s mortal champion, Harry begins to realise that this will be no easy case, especially as a great deal of the Summer Court’s power was stolen after the murder.

With the Summer Court and the Winter Court gearing up for war in response to the Summer Knight’s death, Harry must quickly race to find the killer before Earth’s climate is destroyed by these powerful magical forces.  However, this is no simple case, and to solve the murder Dresden is forced to confront some of the most dangerous and malicious magical beings in existence.  Worse, the Summer Court have hired their own investigator, Dresden’s first love, Elaine, the woman who broke his heart and tried to kill him.  Can Dresden solve this murder before it is too late or will the entire world tremble at the destruction of an all-out war?

Summer Knight was another impressive and wildly entertaining release from Butcher, which did a wonderful job expanding his universe in some amazing ways.  Perfectly flowing on from the events of the previous novel, Summer Knight has an incredible story, some great characters, as well as some clever new fantasy inclusions that set up multiple future novels extremely well.  I had an absolute blast listening to Summer Knight’s audiobook format, and unsurprisingly it gets another five stars from me.

Summer Knight Cover 3

This latest entry from Butcher has a pretty amazing story that is extremely easy to enjoy.  Like the rest of the Dresden Files novels, Summer Knight can be easily read as a standalone read, although there are some compelling story threads that are continued from the prior books.  The novel starts with a damaged Harry Dresden dealing with hit squads, angry vampires and his own irritated wizard brethren.  After a fun and action-packed opening scene, Dresden soon gets drawn into another dangerous case as Mab, the Winter Queen, buys Dresden’s debt to his fairy godmother and uses it and the wizards war against the Red Court to trap him into investigating a case.  The subsequent magical murder investigation proves to be pretty fantastic, as Dresden is forced to dive into the murky magical underworld of the warring Fae courts.  After some deadly attacks, fascinating internal wizard politics, and an interesting side story about neutral half-Fae teenagers, Dresden soon uncovers the reason for the victim’s death.  I liked the twist surrounding who was responsible for murder as well as the revelation of their master plan.  Butcher did a really good job of disguising the people behind it and their methods, especially as most of the clues were often cleverly in plain sight.  This all leads up to a massive and epic conclusion, where Dresden and his allies find themselves fighting through two armies of rival Fae to try and stop the end of the world.  There are some awesome moments during this part of the novel, and Butcher throws together some epic clashes, interesting revelations, and a tragic death.  I had a particularly good chuckle at the surprising way in which the big bad was taken down, and it proved to be a great way to end this novel.  I felt that Butcher once again hit the right balance of action, drama, comedy, and character development throughout Summer Knight’s narrative, and this was another exciting and addictive read.

I really enjoyed the way in which Butcher expanded out the Dresden Files’ universe in Summer Knight, with several impressive inclusions turning this fourth book into a significant entry in the series.  Not only are events and inclusions from the previous three novels fit into this book seamlessly, but it also successfully introduces some elements that were a prominent feature of the 17th book in the series.  The most significant inclusions are those surrounding the rival Winter and Summer Courts of the Fae.  Butcher utilises a mixture of Faerie lore and his own pre-existing explanations of magical creatures to create a compelling group of characters, locked in a constant and balanced war between the Summer and Winter Courts.  The author does a good job introducing the various creatures, rules, and roles of these two competing groups of Faeries, which serves as a great basis for much of the narrative.  I also loved the fascinating examination of the differences between the two rival courts, with the Summer Court shown as caring and artistic sorts, while the Winter Court are colder and darker.  Of course, with Faeries, not everything is as it seems, and it was really intriguing the way the various plot reveals around them unfolded.  There was also a great focus on the White Council, the governing body of wizards that Dresden is a member of.  While the White Council has been mentioned in the previous novels, this was the first time that we get a deep look at their inner politics, especially as the more maverick Dresden has dragged them into a war with the Red Court of the vampires (so many Courts, so little time).  There was a particularly great council meeting towards the start of the book where Dresden and his mentor are forced to navigate the politics of the White Council to keep Dresden alive, and it was an interesting part of the book.  I really appreciated the detail that Butcher put into these expansions, and I look forward to seeing how else he expands on them between the fourth and 17th book.

As always, one of the best parts of this Dresden Files novel was the outstanding and well-developed characters, all of whom continue to develop and evolve as the novel continues.  This is particularly true with central protagonist and point-of-view character Harry Dresden.  When Summer Knight starts, Dresden is still reeling from the events of the previous three novels, particularly Grave Peril, where his lover partially turned into a vampire and then left him.  This has left Dresden an emotional mess, especially as he has spent the intervening time ignoring some of the other dangers coming at him while he fruitlessly searches for a cure to vampirism.  Dragged into this case against his will, Dresden soon starts to regain his old personality as he slowly overcomes his grief thanks to his friends and the intervention of some magical beings.  It was great to see Dresden start to heal as the book progresses, and I really appreciated the way in which Butcher explored the trauma surrounding his protagonist.  Even though he is a bit emotionally compromised, Dresden continues to be the main source of the novel’s comedy due to his sense of humour.  It is always fun to see Dresden’s witty take on the insane events occurring around him and I found myself cracking up several times throughout Summer Knight.

In addition to Dresden, Summer Knight contains an excellent group of side and supporting characters, including a combination of existing characters and newer inclusions that were introduced in this novel.  I liked the return of the werewolf gang, the Alphas, who were previously featured in the second novel, Fool Moon.  The Alphas, particularly their leader, Billy, serve as backup to Dresden for most of the novel, and it was really fun to see how much they have grown since their introduction, turning into mystical vigilantes, while also remaining a pack of nerds.  It was also great to see more of police lieutenant Karrin Murphy, who serves as a compelling female opposite to Dresden for most of the novel.  Murphy, who has also gone through a lot in the last few books, is showing a fair bit of trauma in this novel, and she ends up having some deep discussions with Dresden about it.  Despite her lack of magical abilities, Murphy serves as some impressive backup for Dresden, managing to take down several foes, including an ogre with a chainsaw.  There were also more signs of the growing romance between her and Dresden which becomes a big part of the series later, and I like the way in which Butcher is slowly building it up.  I also must highlight the inclusion of Dresden’s first love, Elaine Mallory, who suddenly reappears in his life, working for the Summer Court.  Elaine has been mentioned several times in the previous books and is a cause for a lot of Dresden’s mistrust and romantic failures.  It was great to finally meet her and see the full extent of her complex relationship with Dresden.  Elaine naturally brings out a lot of emotional issues with Dresden throughout the book, and she serves as an interesting supporting character, especially as you have no idea about her true loyalties.  These supporting characters, and more, really add a lot to the overall story and I had a great spending time with them.

Like I have with the rest of the Dresden Files novels, I made sure to grab the audiobook version of Summer Knight, a choice I am extremely thankful for.  The Dresden Files audiobooks are pretty damn awesome, mainly because of their excellent choice of narrator, actor James Marsters.  Marsters has an amazing voice, and he perfectly dives into the various characters featured within the novels, making these audiobooks an absolute treat to listen to.  I especially love the way he gets into the emotional head of the main protagonist, as well as the sheer enthusiasm he exhibits while yelling out spell conjurations.  I also enjoyed the fun voices that he assigns to some of the smaller pixies that appeared in this novel, as well as the very fitting voices that the rest of the cast received.  This voice work is pretty amazing and it ensures that readers can fly through the audiobook in no time at all.  Summer Knight’s run time was just over 11 hours, but it only took me a few days to get through due to how engrossed I got in the story, as well as the audiobook adaption.  As with all Dresden Files entries, Summer Knight comes highly recommended in its audiobook format, and I fully intend to check out the rest of the series in this same way.

Summer Knight by Jim Butcher was another exceptional entry in the awesome Dresden Files series and I had an incredible time listening to it.  With a captivating story, some complex characters and some awesome new fantasy inclusions, I deeply enjoyed this novel, and it is really worth checking out, especially in its audiobook format.  Butcher continues to shine as one of the best authors of urban fantasy and look forward to working my way through the Dresden Files in the next few years.

Summer Knight Cover 2

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Throwback Thursday – Fool Moon by Jim Butcher

Fool Moon Cover

Publisher: Buzzy Multimedia (Audiobook – 9 January 2001

Series: Dresden Files – Book Two

Length: 10 hours and 6 minutes

My Rating: 5 out of 5 stars

Amazon

In my Throwback Thursday series I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday, I continue my exploration of one of the most highly regarded urban fantasy series out there, Jim Butcher’s The Dresden Files, with the awesome and deeply captivating second entry in the series, Fool Moon.

The Dresden Files are an outstanding collection of novels that follows professional wizard and private investigator Harry Dresden in modern-day Chicago as he battles magical creatures and practitioners that threaten innocent people.  Generally considered the gold standard of the urban fantasy genre, The Dresden Files have been going for over 20 years and currently consist of 17 novels and a massive collection of short stories and novellas.  While I have been meaning to check this series out for a while, I only started reading them last year when I received a copy of the latest entry in the series, Battle GroundBattle Ground was an epic and extraordinary read that featured a mass-supernatural war in the middle of Chicago.  I absolutely loved Battle Ground and it was easily one of my favourite books and audiobooks of 2020, while Butcher was one of the best new-to-me authors I read last year.  Because of how incredible I found Battle Ground to be I have decided to go back and start reading the series right from the beginning.  I started with Butcher’s first Dresden Files novel a couple of months ago, Storm Front, which proved to be another impressive read, and I am now extremely hooked on this series.  So when I was in the mood for a fun book to break up my reading schedule, I decided to start listening to Fool Moon, and boy am I glad that I did.

Business has been slow for Harry Dresden, Chicago’s only professional wizard, after his last investigation led to all out chaos and destruction.  However, his life is once again about to get very interesting when he is dragged to a murder scene.  One of the bodyguards of a notorious crime lord Dresden has dealt with in the past has been brutally torn to shreds.  With a full moon in the sky and bloody wolf prints surrounding the victim, Dresden comes to the only conclusion he can: there is a killer werewolf stalking the city.

Diving once more into a supernatural case, Dresden attempts to find the killer before the moon rises again.  However, this may prove more difficult than he initially believes, as Chicago is currently rife with wolf-based magic practitioners, enhanced criminal gangs and monsters, each of whom could be more than capable of committing the crime.  Worse, when an associate of his turns up dead, Dresden finds himself under suspicion for the murders by the police and the FBI.

Now on the run with his reporter girlfriend and a mysterious ethereal shifter, Dresden needs to find out who or what is responsible for the murders and why they have involved him.  But with the most bestial elements of Chicago’s criminal elements coming after him and an uncontrollable and seemingly unkillable monster hunting through the night, can Dresden stop the killers before it is too late, or will the next full moon be his last?

Wow, now this was a pretty awesome second entry in the outstanding Dresden Files series.  Butcher has crafted together something really special in Fool Moon, thanks to its compelling and intense story, amazing characters, great humour and impressive fantasy additions.  I had an absolute blast getting through this book in a few short days and it was so good I have no choice but to give it a full five-star rating.

At the centre of this incredible novel is a complex and exciting narrative that sets the protagonist on a deadly journey filled with murder, mystery and monsters.  Starting with an intriguing investigation into an apparent werewolf serial killer, Fool Moon’s story eventually devolves into a survival story for the protagonist as he finds himself on the wrong side of the law, the true killers and several different groups of criminals and werewolves.  This proved to be a really impressive and addictive narrative, and I loved the outstanding blend of a detective story with magic, wizards and wolves.  The mystery angle contained within Fool Moon is particularly good, and while the culprit is revealed about two-thirds the way through for excellent story reasons, it was still a fantastic and twisty case that I enjoyed.  Butcher really invested in several excellent and memorable extended sequences in this novel that were a lot of fun to get through, including a particularly intense brawl between several antagonistic groups with Dresden in the middle, and a fantastic high-stakes final confrontation where no one is safe.  However, my absolute favourite sequence occurred in the middle of the novel and saw Dresden forced to contend with a rampaging monster in the middle of a police station.  The sheer carnage and destruction that occurred in this sequence was really cool, and readers are left on the edge of their seats as the fates of several characters hang in the balance.  I deeply enjoyed this intense scene, and it absolutely cemented Fool Moon’s place in my dark heart.  This was an incredible and powerful story, and readers who check it out are in for a thrilling and captivating treat.

A particular strength of The Dresden Files as a series is the way in which the author makes it very accessible to new readers who can easily slip into any of the books in the series, even some of the later instalments, and easily follow what is going on.  Fool Moon is a great example of this, and I felt that people unfamiliar with the rest of the series should be able to enjoy this book without any problems.  All the recurring characters in the narrative are quickly and effectively reintroduced, often in a similar manner to how they appeared in the first book, and any relevant storylines, magical abilities or prior adventures are also covered in some detail.  As a result, new readers should have no trouble enjoying this great book, and indeed this will probably turn them into a fan of the series and ensure that they check out some of the other books.  However, there are some cool connections to the first novel that dedicated readers will notice, and I liked the underlying story thread of someone plotting and planning behind the scenes to mess with the protagonist.  Overall, this a great book for all fantasy and mystery fans, especially those who like a complex, multi-genre narrative.

I love all the awesome fantasy elements that Butcher slips into his novels, and it is always great to see the weird and magical in the midst of modern-day Chicago.  Fool Moon is no exception, as Butcher has a lot of fun expanding out some of the rules of magic in this book, as well as highlighting a few additional magical denizens and powers.  While this is very cool, the real magical highlight of Fool Moon has to be the werewolves.  Most fantasy authors who feature werewolves in their story would choose just one specific type that they like and leave it at that.  Butcher, however, is not the sort of person to do stuff by half measures (check out the massive fantasy war featured in Battle Ground) and instead features five separate subtypes of werewolves, all of whom are potential suspects for the murders.  I deeply enjoyed this use of multiple werewolves throughout the novel, not only because it really helped to enhance the book’s already fantastic mystery, but because it was awesome and fascinating to see the different creature subtypes.  Each werewolf or wolf-based magic user has their own unique abilities, source of power and personalities which Dresden has to learn about and overcome if he is to survive.  These wolves include shapeshifters, demon talisman powered wolves and humans with wolf-like mentalities that make them act like berserkers.  The standout, however, is the loup-garous, a cursed individual with no control over their actions; essentially a more monstrous version of wolf man from film.  Butcher paints his loup-garous as a particularly dangerous being which is practically invincible to everything and anything it encounters, including the protagonist’s most destructive magic.  This loup-garous causes some real carnage in this book, and watching Dresden attempt to defend himself from it is pretty crazy and makes for some excellent and intense scenes.  I deeply, deeply enjoyed the epic use of werewolves in this novel and Butcher really does the old lore surrounding them justice.

It is impossible to talk about a Dresden Files novel without discussing the incredibly well-developed characters featured within.  The most prominent of these is central protagonist Harry Dresden, Chicago’s resident wizard for hire.  Dresden is an exceptionally entertaining and likeable protagonist who provides pretty much all of the book’s great humour thanks to his outrageous personality, disrespect for authority and witty observations about the events going on around him.  As such, he is a fantastic character to follow, and you really appreciate his knowledge and insights into the supernatural and the people around him.  While much of the book shows Dresden as a confident and amusing being, we do get to see more of the character’s darker side as he deals with dark and dangerous magic.  Thanks to the author’s outstanding writing style, the reader is front and centre for all of the protagonist’s slips towards darkness and despair, especially as he encounters tragedy, loss and insane opposition.  I really appreciated this examination of the protagonist’s fragile psyche, and Butcher makes sure to take him to the edge in Fool Moon.  The author also makes some additional intriguing references to Dresden’s past which hint at some traumatic events and betrayals.  Fool Moon also shows of Dresden’s full magical potential, especially as he launches some incredible attacks here, even if they do leave him very drained.  It also shows the character at his most vulnerable, as he is forced to go it alone with only the bare amount of resources and abilities.  All of this makes for an intriguing and powerful character and I really enjoyed seeing more of this awesome protagonist.

In addition to Dresden, Butcher also makes excellent use of several great supporting characters, each of whom add some fun and compelling elements to the plot.  The most prominent supporting character was probably Karrin Murphy, Dresden’s liaison in the Chicago police.  Murphy, a hardnosed professional who is one of the few police officers to believe in the supernatural, has an intriguing character arc in this novel.  This is mostly because of Dresden’s actions in Storm Front, as well as his somewhat chauvinistic determination to protect Murphy from magic, both of which ruined have Murphy’s trust in him and placed her in some hot water with the police brass.  This fractured relationship becomes a key story point in Fool Moon, especially as it leads to Murphy being quick to jump on Dresden as a potential suspect in the crimes.  This adds some compelling difficulties for the protagonist in the story, and I really appreciated the excellent drama that emerged between the two as Murphy and a repentant Dresden attempt to work out their issues.

Aside from Murphy, you have the return of Susan Rodriquez, Dresden’s love interest and a reporter for a tabloid newspaper.  Susan is an interesting counterpoint to Dresden, being an ambitious reporter determined to find out the truth of the arcane no matter what.  She has a fun and fiery relationship with Dresden in this novel, and it was interesting to see her more involved with the story, especially as she sees Dresden at his darkest and most dangerous point.  I also loved seeing more of Gentleman Johnny Marcone, the sly and powerful gangster who Dresden has previously gone up against.  Macone is a fantastic villainous character, and I love the antagonistic relationship he has with Dresden, even when the two are on the same side.  You also have to have a laugh at Bob, a guiding spirit who resides inside a skull in Dresden’s basement, as he adds some intriguing exposition and laughs in his scenes.  There were also some intriguing new characters added in this book, although I will not go into too much detail about them as it could spoil some parts of the story.  None the less, they were all really fun additions to the plot, and having so many different new magical or shapeshifting beings ensured the reader was constantly trying to work out who was the actual villain.  All in all, a fantastic group of characters, and I felt that they really helped to turn Fool Moon into an excellent and first-rate read.

One of the reasons I have been enjoying The Dresden Files books is because they have some really awesome audiobook formats.  Each of these audiobooks I have listened to have been extremely amazing, and I love the way in which they portray these fun stories in a concise and exciting manner.  The Fool Moon audiobook has a runtime of just over 10 hours, and listeners will power through this in no time at all, especially as it is really easy to become addicted to the fantastic story.  However, the main thing that I love about these audiobooks is the perfect choice of narrator in actor James Marsters (Spike from Buffy and Angel).  Marsters does an outstanding job with his narration, imbuing the various characters with some fantastic and fitting voices that expertly convey their personality, emotions and actions.  I am particularly impressed by the way in which he portrays the story’s narrator and main protagonist, Harry Dresden, and the tone he uses for him perfectly represents the sarcastic and entertaining rogue wizard.  This is one of the best examples of an audiobook narrator matching their protagonist, and it makes for some fantastic listening.  I also appreciated the way in which Marsters started really getting into his narration of certain key events in this second novel.  While he did an excellent job in Storm Front, I felt that Marsters stepped up his game in Fool Moon, and while it was not quite at the level of enthusiasm and volume that featured in Battle Ground (he was really getting caught up in the action there), it was noticeably more exciting.  This enthusiasm added a lot to the enjoyment I felt while listening to Fool Moon and I strongly recommend this format to anyone who wants to check this book out.

Fool Moon by Jim Butcher ended up being another exceptional and spectacular addition to the author’s legendary Dresden Files series.  I had an outstanding time listening to the clever and exciting narrative that Butcher came up with for his second novel and I think that the author actually stepped up his game a little with Fool Moon.  Featuring some great characters and an addictive and thrilling mystery surrounding werewolves, Fool Moon is an incredible read that I powered through in no time at all.  I can think of no higher praise for this book than to say that the moment I finished it I immediately started the next novel in the series, Grave Peril, as I still had not gotten my fill of Dresden Files goodness.  I am already making some amazing progress with Grave Peril and I am planning to review in the next week or so.  Until then, readers are strongly encouraged to check this awesome second entry in the series out, as you will not regret it.

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Dreadful Company by Vivian Shaw

Dreadful Company Cover.jpg

Publisher: Orbit

Publication Date – 24 July 2018

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Those looking for an entertaining, intriguing and different take on the horror genre should investigate Dreadful Company, the latest book from author Vivian Shaw, which contains a thrilling story based around the doctor to your favourite fictional monsters.

Greta Helsing is London’s medical practitioner for the undead, providing specialised treatment to the city’s hidden community of ghouls, vampires, mummies and zombies.  After being called to Paris to attend a supernatural medical conference, Greta’s plans to enjoy a stimulating discourse and debate on monster medicine is ruined when she is suddenly kidnapped off the street.  Her abductors turn out to be a coven of young and murderous vampires led by the unhinged Corvin, who bears a particular grudge against Greta’s vampire friend Ruthven.  Even more concerning, a member of Corvin’s coven is using magic to summon small and friendly magical creatures.  While the creatures may be harmless, the ripples they are causing in reality are not, and represent a significant threat to our world.

While Greta is trapped in the tunnels and catacombs below Paris, her friends arrive in the city to save her.  Legendary elder vampire Ruthven and Greta’s vampyre boyfriend, Sir Francis Varney, team up with Paris’s guardian werewolf, two immortal paranormal investigators and the city’s resident demon to free Greta and put an end to the dimensional instability.  But Greta and her companions are about to find out that there are weirder and more dangerous things than a collection of bloodthirsty vampires in the tunnels underneath Paris.

Dreadful Company is Shaw’s follow-up to her 2017 debut novel, Strange Practice, and is the second book in her Dr Greta Helsing series.  Dreadful Company returns several of the protagonists from the first book while also adding in a healthy number of new and exciting characters.  A third book in the series is already planned; I will definitely be keeping an eye out for Grave Importance next year.

Shaw’s latest book contains a fun and electrifying adventure that pits several ancient beings and their doctor against a coven of vampires and the magical catastrophe they have created.  The author tells her story through a range of characters to show many different perspectives of the adventure taking place.  Not only is every single protagonist – including returning characters Greta, Ruthven and Varney, as well as new characters the werewolf St Germain, the remedial psychopomps Brightside and Dammerung and the demon Irazek – a point of view character, but so are several of the young vampires who serve as the book’s antagonists.  This allows Shaw to tell a much wider story.  Not only is the central adventure explored in greater detail from a several angles, but the motivations, shared histories and the underlying thought processes of the story’s key players are presented to the reader.

Shaw has made a smart decision to change the book’s main setting from London to Paris.  Many writers can get bogged down in one location during their series, but Shaw did a fantastic job adapting her story to a completely new and unique cityscape, a trend that she will apparently continue to follow in her 2019 addition to the series.  Shaw makes full use of several iconic Paris locations, particularly the catacombs and tunnels underneath the streets, which are the perfect setting for a horror story.  Overall, Dreadful Company contains a rather exciting adventure story that makes spectacular use of its horror and fantasy elements, while also making use of the humour and history of its many point-of-view characters to lighten the darker tone of the book and create a unique and entertaining read.

I was extremely happy that Shaw included more examples of monster medicine within Dreadful Company.  The examination of the medical techniques used on supernatural characters was one of the best features of Strange Practice, and was a very unique and compelling element of this first book.  There are a number of wonderful general monster medicine scenes throughout the book, including a supernatural medicine conference where topics include ‘An overview of the various treatment modalities for tissue degeneration in Class A revenants’ (how to stop bits falling off zombies).  Readers will really enjoy Dreadful Company’s interesting focus on the medicine of vampires.  Shaw did spend a little time exploring the biology and treatment of vampires in the first book, which is expanded upon in Dreadful Company.  There are several discussions about vampire anatomy and physiology, including some of the features of the different vampire subspecies.  There is also a detailed look at the effect of certain substances on vampiric characters, including drugs and garlic, as well as the surprisingly devastating absinthe.  The protagonist is also forced to treat a number of different vampire characters for a variety of different conditions, including an overdose, stab wounds and an infection caused by a ghoul bite.  Once again, Shaw’s inclusion of monster medicine was an amazing part of this book, and I am looking forward to the third novel in the series, Grave Importance, which will focus on the care of mummies.

Aside from the examination of vampire biology, Shaw has also included a fascinating look into the different vampire mentalities, particularly when it comes to the old school versus the young bloods.  The two elder vampire characters, Ruthven and Varney, are reformed from their violent past and are instead trying to live normal and peaceful lives alongside humans.  The younger vampires, on the other hand, are bloodthirsty creatures who don’t follow any rules, kill indiscriminately and indulge in drugs and wanton behaviour.  The differences between the behaviours of these two different types of vampires are quite noticeable, especially when the younger vampires try to live up to all of the vampire stereotypes, such as sleeping in coffins, wearing elaborate clothes and makeup, making up dumb names for themselves, developing a superiority complex and trying out various ways to make themselves glitter.  While these inclusions are extremely fun, the readers will really experience chills when they see how angry the usually calm characters Ruthven and Varney get when they encounter these younger vampires and realise what taboos they have broken.

In addition to the creative and captivating use of vampire characters throughout the book, Shaw has referenced several other classic horror creatures and villains.  There are several allusions to Frankenstein and The Phantom of the Opera, with the protagonists actually visiting the Phantom’s underground lair at one point.  There are also other creatures, such as magically summoned hair monsters, well monsters and a whistle-summoned spirit, all of which play an interesting role in the plot.  Some great humour also comes from the inclusion of several ghosts, many of whom can be found having a lively party in Paris’ iconic Père Lachaise cemetery.  Highlights of this scene include a snarky Oscar Wilde and a musical Jim Morrison, both of whom have some great interactions with the new characters, Brightside and Dammerung.

Dreadful Company sees new author Vivian Shaw return with another fun and thrilling horror novel that contains a fast-paced adventure and a light comedy enhance tone.  Shaw has invested in a range of new characters, a fresh setting and some appealing fantasy and horror elements.  The author’s clever and memorable inclusion of monster medicine once again shines through as the book’s best feature, as well as the detailed examination of the vampire psyche.  An absolutely amazing second outing from Shaw, Dreadful Company is a fantastic read that will prove to be both unique and captivating to a huge range of readers.

My Rating:

Four and a half stars

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