Total Power by Kyle Mills (based on the series by Vince Flynn)

Total Power Cover

Publisher: Simon & Schuster Audio (Audiobook – 15 September 2020)

Series: Mitch Rapp – Book 19

Length: 9 hours and 27 minutes

My Rating: 4.25 out of 5 stars

Acclaimed thriller writer Kyle Mills returns with his latest entry in the long-running Mitch Rapp series, Total Power, a haunting and compelling new book that portrays a devastating and country-altering attack on America.

America’s top spy and assassin Mitch Rapp is back in action, and this time he’s racing to keep America from falling into the Dark Ages.  After eliminating his nemesis, Sayid Halabi, the head of ISIS, Mitch and his team have been working to clean up the remnants of Halabi’s operation before they can reorganise for another attack.  When the CIA manages to locate ISIS’s top technology expert, Mitch leads a team to intercept him and makes a disturbing discovery: the expert was on the way to meet someone who claims that they can turn out all the lights in the United States.

A rogue genius has discovered a way completely incapacitate America’s power grid and is now seeking help to make his dark dream a reality.  An attack of this magnitude has the capacity to severely incapacitate the entire country, bringing about anarchy, destruction and an unimaginable loss of life.  Desperately trying to find out who is behind this attack before it is too late, Mitch can only watch helpless as the plan is implemented and the country he loves falls dark.

As panic and confusion reigns across the country and the whole world reels from the sudden shift in power, the government desperately attempts to get the electricity flowing again.  However, due to the sheer scope of the attack and the chaotic nature of America’s power grid, repairs could take months or even years.  The only way to avoid the complete destruction of the United States is for Mitch to find the person responsible for the attack and convince him to reveal how to undo the damage and reroute power to the country.  However, this will be a search unlike anything he has done before, as he is stuck in the middle of a failing nation with no communications, no internet, no gas and with every single system he knows failing around him.  Can Mitch get the power back before it is too late and America collapses completely, or have the terrorists Mitch has spent his whole career fighting finally won?

This was another fun and addictive thriller from Kyle Mills, who continues to keep the Mitch Rapp books going strong after the passing of the series’ original writer, Vince Flynn.  Total Power is the sixth Mitch Rapp novel written by Mills and the 19th overall novel in the series, and it features the latest adventure from the titular character and his associates.  I have been really enjoying the Mitch Rapp novels over the last couple of years and I have had an amazing time reading the last two entries in the series, Red War and Lethal Agent.  This latest Mitch Rapp novel is another exciting and compelling book which makes use of an excellent concept and once again sets the series’ extremely dangerous protagonist on a destructive warpath.

Total Power is an excellent modern thriller novel that presents the reader with another exciting and action-packed narrative as American agent Mitch Rapp engages in another desperate manhunt for a new dangerous madman targeting America.  This was a really fun and compelling narrative, set around the fantastic story concept of all the power going out in the United States.  Total Power was a very fast-paced book, and the reader gets an excitement overload as they watch the protagonists attempt to stop the disaster and the subsequent frantic efforts to get the power back on.  The author makes good use of multiple point-of-view characters to tell his story, with most of the novel told from the perspective of Mitch Rapp and the main antagonist.  These two characters allow for a very interesting opposing view of the events occurring throughout America, and it is also fun to see the various moves and countermoves the two made in a bid to outsmart the other.  Other point-of-view characters were used a little more sparingly and presented a larger picture of the events occurring around the main narrative.  These disparate perspectives come together extremely well and help to create an overall captivating novel with a really fun story attached.  Mills makes sure to include all the typical Mitch Rapp hyper violence (with a few gnarly torture scenes that some readers will find a bit uncomfortable) and commentary on American politicians and foreign policy, and readers are in for an entertaining over-the-top novel as a result.

When I first heard that this book was coming out, the thing that really drew me to it was the awesome-sounding plot concept of all the power going out in America, which I thought would be a really cool basis for a thriller story.  Mills delivered in spades, and I was really happy to find out just how amazing a story concept it really was.  The author spends a substantial amount of time exploring how such a catastrophic blackout event could occur in America.  It was deeply fascinating, if a little troubling, to learn more about America’s power grid, as well as how potentially easy it could be for something like this to occur.  Indeed, Mills makes a note at the start of the audiobook that he actually had to invent very little of this concept and that a lot of the novel is based off historical events and public reports (although he does alter or fictionalise some details and locations).  Mills also makes sure to explore just how severe and deadly a sustained, nationwide power outage could be.  Spoiler alert: it would apparently get pretty damn bad.  There are some riveting and disturbing depictions of America completely devoid of power, with all manner of lawlessness, looting, and anarchy as the country quickly falls apart and people have no ability to keep themselves alive.  Mills does not pull punches in these depictions and I personally found them to be realistic, especially after seeing what happened in America in 2020, and a little terrifying.  Naturally, this fictionally powerless America proves to be an amazing setting for this thriller novel, and it was fantastic to see Mitch Rapp and the other characters attempt to navigate around the broken country.  All the subsequent barriers and issues that pop up add a lot of tension and excitement to an already action-packed narrative, especially as it’s entirely possible that Mitch could be taken out by citizens of the country he has long tried to protect.  All of this is an outstanding story concept and I am extremely glad that Mills ended up using it in one of his novels even if it did leave me a little paranoid (here’s hoping that our power grid is a little more stable down here in Australia).

If I had to level any real criticisms towards Total Power, it would probably be around the characters.  While I did enjoy seeing the various characters attempt to navigate their way through this latest crisis and the wasteland of a United States without power, most of the characters were really over-the-top and a bit unrealistic.  For example, Mitch Rapp is his usual ultra-violent, sociopathic self, hardly ever hesitating to kill someone, even a bunch of American citizens who are in his way.  While he is a fun action star to follow after, it was hard to root for him when he is constantly being a cold-hearted murderer the entire time.  I also was not the biggest fan of the main antagonist, the genius who shuts down the power.  Mills portrays him as a supremely arrogant man, completely high on himself and obsessed with becoming a major historical figure like Caesar or Genghis Khan (you know, history’s greatest role models).  While I can appreciate Mills wanting to make him an unlikeable villain for the sake of the reader he might have gone a tad overboard with this as pretty much every sentence or thought that the antagonist makes is either something extremely egotistical about himself or insulting towards the people he is seeing, often with sexist or racist overtones.  That being said, it was extremely satisfying to see this villain’s plans going up in smoke around him as Mitch closes in on him, especially since you do want to kill him yourself after listening to him for a few hours.  I did like the fun side character, Jed Jones, a survivalist who gains celebrity status in the post-blackout America thanks to his informative radio shows.  Jed was a rather entertaining figure and I liked the idea of a backwater doomsday prepper becoming the most famous person in the country thanks to his knowhow.  The book ended up featuring an interesting array of side characters who added some interesting diversity to the cast and showed some of the different experiences facing the American people.  Indeed, one of the few things that they had in common were similar opinions about America’s politicians and political elite, in that all of them are pretty much all useless parasites, something that gets mentioned multiple times.  Overall, the characters for this novel weren’t too bad and while some of these characterisations are a little distracting it did not really disrupt my enjoyment of Total Power, and I had a fantastic time seeing how they dealt with the problems in this setting.

Rather than grab a physical copy of this latest Mitch Rapp novel, I ended up enjoying the audiobook version of Total Power.  The Total Power audiobook has a run time of around nine and a half hours and is narrated by veteran audiobook narrator George Guidall, who is one of the most prolific audiobook narrators in the world.  This proved to be a rather easy audiobook to get through and I was able to finish it off in a short period of time.  It was fun to listen to listen to Total Power’s story and I felt myself getting drawn into the narrative as a result.  I do have to admit that Guidall is really not one of my favourite vocal talents.  Do not get me wrong, Guidall does a great job with this book, especially as his deep voice has a lot of gravitas to it which works well with thriller novels.  However, Guidall does sound a bit tired at times (to be fair, he is in his 80s), and his range of voices is a tad limited.  Despite this I still really enjoyed the Total Power audiobook and it is definitely an excellent way to check out this latest Mitch Rapp novel.

Total Power by Kyle Mills is a great new entry in Vince Flynn’s Mitch Rapp series that I ended up really enjoying.  Featuring an excellent thriller story set around an impressive and compelling plot concept, Mills presents the reader with an exciting and bloody adventure across an America without any power.  Total Power proved to be quite an exciting and awesome read, and I am really glad that I listened to it.

Throwback Thursday – Predator One by Jonathan Maberry

Predator One Cover

Publisher: Macmillan Audio (Audiobook – 7 April 2015)

Series: Joe Ledger series – Book Seven

Length: 16 hours and 55 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, I decided to I wanted something fast-paced and action-packed, so I went and checked out another book in Jonathan Maberry’s dark and thrilling Joe Ledger series with the seventh book, Predator One.

Those familiar with my blog will be aware of my recent love affair with the Joe Ledger series. I first encountered this series back in late 2018, and after massively enjoying the tenth book, Deep Silence, I have been slowly reading and reviewing my way through the entire series from start to finish. There are so many different things that I enjoy about these novels, including the outstanding action, gripping stories, fantastic characters and the crazy scenarios each book is set around. When combined, these elements help produce some truly incredible books, and I had an amazing time reading several Joe Ledger novels last year. I also read the first book in Maberry’s Rogue Team International series, Rage, which was one of my top books (and audiobooks) of 2019. I am hoping to finish off all the remaining books in the Joe Ledger series this year, and Predator One is the first one that I have so far checked out in 2020. I have to say that I was once again blown away with Maberry’s writing ability, as Predator One is another epic and remarkable read which gets a full five-star rating from me.

It is the opening day of the new baseball season, and Joe Ledger, point-agent for the high-tech counter terrorist organisation, the Department of Military Sciences (DMS), is enjoying a well-earned day off. Everything seems to be going well, the sun is shining, the beers are flowing, and a decorated military pilot is about to throw out the first ball. Then a model airplane flies out onto the field, a replica of the one flown by the war hero. Everyone assumes it’s a harmless prank, everyone except Ledger, who can only watch in horror as the toy plane explodes. Within seconds, a swarm of bomb-laden drones appears, devastating the crowd and leaving Ledger injured in the wreckage of the stadium.

As Ledger attempts to process what has happened, a series of coordinated attacks are taking place across America. While some of the attacks appear random, several are deliberately targeting the friends and family of key members of the DMS, attempting to distract the agency and take them off the board. It soon becomes clear that an old enemy has risen from the flames, determined to get revenge on those that they believe have wronged them in the past, including Ledger and everyone he loves. Worse, they have teamed up with a force of pure evil whose deepest wish is to torment and destroy the head of the DMS, the mysterious Mr Church.

Diving back into the action, Ledger and his team attempt to find and neutralise the source of this new threat. But at every turn, they find themselves outmatched, outmanoeuvred and severely outgunned, as the enemy has access to advanced technology that allows them to take control of America’s military vehicles, aircraft, ships and drones. As the attacks against America worsen, their opponents even gain control of Air Force One, with the President aboard, and start to fly it towards New York City. Can Ledger save the day one more time or have the DMS finally come up against an enemy even they can’t outsmart?

Wow, just wow. Predator One is another impressive and extremely captivating thriller novel that I had an outstanding time listening to. Maberry has come up with another incredible, action-packed story which utilises his trademark writing style to present a first-rate novel. Readers are treated to a multi-layered story, which cleverly features multiple character viewpoints, flashbacks and deep examinations of a several major characters’ pasts and motives. All of this allows Maberry to tell a complex and intriguing thriller story that never lets up on the excitement. The various storylines flow together perfectly thanks to the short chapters and constant dancing between different character perspectives, and all the storylines lead up to an epic and memorable conclusion. Maberry really knows how to ramp up the tension and the excitement throughout the book, and the final couple of hours are exceedingly thrilling, as several exhilarating scenarios come into effect at the same time. All of this results in a deeply exciting read, which I really loved and is another perfect Joe Ledger story.

Just like so many books in this series, amongst the best things about Predator One are the fantastic antagonists and their over-the-top plot against America, Joe Ledger and the DMS. For the main antagonist, Maberry goes back to some of the earlier books in the series, and brings back the Seven Kings organisation, which is being led by an old, established opponent of the DMS. While a new, complex villain for this book could have been fun, I really loved the author’s use of the historical antagonist, especially as they have been substantially transformed since the last book, and they are now aiming for a destructive end. This older antagonist is paired with the mysterious, evil character, Nicodemus, and together they form quite a partnership. Nicodemus is a character that has been hinted at and featured in the shadows of several previous books, so it was really cool to see him in a more substantial role. The key to Nicodemus is his extremely enigmatic persona and history, as no one quite knows who or, more importantly, what he is. He seems to have some sort of mystical abilities, and it is hinted in this book that he is some form of demon or devil, although it is never fully revealed. This mystery and mystique make for a quite an intriguing addition to the series, and the two main antagonists work together quite well as an evil, villainous pairing. On top of them, Maberry also throws in a good secondary antagonist who acts as a crooked assistant to the leader of the Seven Kings and who serves as a useful narrator, as well as the standard sexually depraved henchmen. Combined, these excellent antagonists make for a fun and exciting opposition for the main characters and they help produce some extremely interesting storylines.

I was also a major fan of the fantastic and complex master plan that Maberry envisioned for the antagonists of this book, which served as a fantastic basis of much of the story. Maberry crafted a sinister and exceedingly destructive campaign of terror and destruction that culminated in the takeover of Air Force One with the President and other key characters on board, sending it on a kamikaze mission. This proved to be a rather fun villainous storyline to follow, and I enjoyed seeing it unfold from both the protagonists’ and antagonists’ points of view, as these different perspectives led to some very intriguing scenes. I also liked the way that that the origins of the plot were explored in a series of interludes, allowing the reader to become familiar with the key players of the scheme, and get hints of the full extent of the planned destruction. It was also rather cool to see these antagonists land some real blows against the DMS. Maberry has never been shy about killing off key side characters (for example, he killed off the main secondary character and primary love interest in the second book, The Dragon Factory), and he ensures that some real damage is done to some DMS characters in Predator One. This helps add a real emotional edge to the story, and I liked the way that it upped the stakes, as well as the obvious emotional and psychological impacts that it had on some of the series’s well established, long-running protagonists.

Maberry makes sure to bring back the full and unique bevy of good-guy characters for this seventh book, most of whom have appeared in multiple books before. At the fore is the series’s titular protagonist, Joe Ledger, who is the sole first-person narrator in the book, with around a third of the story told from his point of view. Ledger is his usual witty and damaged self in this book, infecting his parts of the story with his wicked humour and sarcasm, while also unleashing his barely hidden rage and special brand of hyper-violence. Ledger goes to some dark places in Predator One, especially after his friends and allies are attacked, and the way he ends the villain is particularly gruesome and memorable. In addition to the usual examination of Ledger’s complex psyche, I really liked the way that a number of other side characters got some substantial sequences in this book. Joe Ledger series stand-out character Mr Church gets quite a lot to do in this book, and it was excellent to not only see him calmly lead his people in a severe crisis, but also react to some substantially personal attacks from the shadowy Nicodemus, who he has some obvious history with. The DMS’s psychiatrist, Rudy Sanchez, also gets quite a few scenes in this book, as he and his family come under substantial attack from the antagonists. It was really intriguing to see Rudy, whose usual role is to calm and centre the rest of the protagonists, come apart a bit in this novel, and it was quite stirring to see him pull himself together in a major way. I have to say that I also really enjoyed the inclusion of Toys as well, especially as Maberry has written a rather good redemption arc for him in this book. Thanks to the author’s use of multiple viewpoints, each of these characters, and more, get multiple moments to shine in this novel, and this helped create a full and captivating thriller tale, especially as the reader inevitably becomes invested in these characters’ survival.

I can’t go past a Joe Ledger novel without commenting on the exquisite and ultra-violent action sequences that are heavily featured throughout the book. Maberry is an expert at writing detailed and explosive action scenes, and Predator One is filled with a substantial amount of battles and fights, with all manner of armed and unarmed combat. These scenes are an absolute delight to behold, and it is always cool to see these well-crafted fights come to life. There are a number of large-scale battle sequences throughout this book, and Maberry did an amazing job switching between several fights that were happening simultaneously towards the end of the book, resulting in some extremely action-packed and exciting sections of Predator One. I really enjoy the way that the author breaks down the fight, and it is interesting to hear about the tactical reasons or destructive capabilities for certain moves or weaponry. All of this makes for a really cool book, although readers should be warned that there is a lot of extreme violence in this book that might not be for everyone, especially the graphic torture scenes.

Just like the previous Joe Ledger novels I have been lucky enough to enjoy, I chose to check out Predator One’s audiobook format, which was narrated by the exceedingly talented Ray Porter. Running at 16 hours and 55 minutes, this is one of the longer Joe Ledger audiobooks (not by much), but I found myself able to power through it in only a few days, and the audiobook format remains my favourite way to enjoy a Joe Ledger book. Porter’s outstanding narration is the highlight of this format, and I will never get tired of praising his vocal work in this format. The voices that Porter comes up with for these productions are pretty damn awesome, and he has perfected some amazing voices for the characters featured in this series. I once again have to highlight Porter’s take on Mr Church, as his version of the character has some real presences, authority and gravitas. I also liked some of the voices that he did for the villainous Nicodemus, especially as the script called for a change of accent and voice mid-sentence, something which Porter pulled off perfectly, and which made the character sound pretty sinister in this format. However, nothing can top the amazing work that Porter puts into the series’s titular protagonist, Joe Ledger, as the narrator is scarily in sync with this character, and expertly portrays all his emotion, personality and raw sarcasm. I cannot emphasise enough how impressive the Joe Ledger audiobooks are, and if you are keen to check them out, this is the format to do it in.

Predator One by Jonathan Maberry is an outstanding and captivating tale of revenge, destruction, action and war, as the author’s team of elite warriors go face to face with an army of pure evil. This was an intense and thrilling read, which I once again completely failed to put down multiple times. Filled with amazing characters, including some very well-crafted evil antagonists, a fun story, violent action sequences and some outrageous story elements, this book is relentlessly entertaining and it proved to be an impressive addition to the Joe Ledger series. Predator One comes highly recommended, especially in audiobook format, and I look forward to finishing off the final two books in the series later this year.

A Testament of Character by Sulari Gentill

A Testament of Character Cover

Publisher: Pantera Press (Trade Paperback – 3 March 2020)

Series: Rowland Sinclair – Book 10

Length: 337 pages

My Rating: 4.5 out of 5 stars

Acclaimed Australian author Sulari Gentill returns with the 10th book in her bestselling Rowland Sinclair series, A Testament of Character, an intense and compelling new entry which was a lot of fun to read.

Gentill is an excellent Australian author who has written several amazing books since her 2010 debut. While her main body of work is the Rowland Sinclair series, Gentill has also written The Hero trilogy, a young adult fantasy trilogy based on classic Greek stories, and the standalone novel Crossing the Lines. I am mostly familiar with her Rowland Sinclair books, however, as I have read the last several books in this series, all of which have been extremely enjoyable due to their fantastic blend of history and mystery. The Rowland Sinclair books follow the adventures of the titular Rowland Sinclair, a wealthy left-wing Australian gentleman artist, and his three artistic friends in the 1930s, as they find themselves in the middle of several murder investigations. Each Rowland Sinclair book is a fun and entertaining part of my yearly reading calendar, and I have been looking forward to checking out A Testament of Character for a while now.

In 1935, after the horrors they experienced in Shanghai, Rowland and his bohemian friends Edna, Clyde and Milton are enjoying a leisurely holiday in Singapore before heading back to Australia. However, their travel plans are dramatically changed when Rowland receives tragic news. An old friend of Rowland from his Oxford days, Daniel Cartwright, has died suddenly, and he has appointed Rowland as the executor of his vast estate.

Detouring from Australia to Cartwright’s home city of Boston, Rowland and his companions arrive for the funeral and find themselves in the midst of controversy and familiar conflict. Not only was Cartwright estranged from the rest of his family, especially his brothers, who disapproved of his lifestyle choice, but it turns out he was murdered, and the police have yet to find any suspects. Even more mysteriously, Cartwright had only just written every member of his family out of the will, leaving all his money to an unknown man everyone claims does not exist.

Determined to carry out the last wishes of his dear friend, Rowland attempts to find the man who apparently meant so much to him. However, his investigation quickly turns sour, as he runs into numerous people who do not want Cartwright’s will to come to pass. Forced to scour Boston, New York and other parts of post-Depression America for leads, the four friends encounter all manner of dangerous and eccentric characters as they pursue their quest. However, none of them are prepared for the terrible truth they encounter, especially now that Cartwright’s killer has them in their sights.

A Testament of Character is an exciting and compelling novel that proves to be a fantastic new addition to the Rowland Sinclair series. Gentill has done an amazing job coming up with another captivating story that not only features an exciting and gripping mystery but which takes an intriguing look at America in the 1930s. This story contains the series’s usual blend of fun, intrigue and action, as the four exceedingly liberal protagonists get into all manner of trouble across conservative America. There are some rather impressive and at times dark scenes throughout this book, and Gentill has also included some major character developments that will appeal to long-term readers of this series. The end result is an exceedingly enjoyable and thrilling story of love, adventure and revenge which proved extremely hard to put down.

At the heart of this book lies a clever mystery storyline that revolves around the murder of the protagonist’s friend and the identity of the mysterious beneficiary of the will. Gentill crafts an excellent multi-layered mystery, with a number of surprising twists, turns and false leads on the way to the exciting conclusion. While I was able to guess a little bit in advance who the main perpetrator turned out to be, all the revelations that came out in the final confrontation were really impressive and helped wrap up the entire mystery storyline extremely well. I also thought that Gentill came up with a very compelling and memorable motivation for the various crimes featured within the book. Some of these reveals were a bit dark and shocking, but they did make for some very dramatic and captivating sequences throughout the book. Overall, I thought that this was one of the strongest mysteries to have so far been featured within one of the Rowland Sinclair books, and it served as an amazing centre to this entire fantastic book.

One of the most distinctive features of this whole series is the way that Gentill dives into the history and culture of the period in which the books are set. She has previously done a wonderful job of exploring parts of 1930s Australia, Europe and occupied Shanghai, and in A Testament of Character Gentill’s characters explore post-Depression America. This proves to be an excellent backdrop to the book’s superb story, and I loved the examination of the key cities of Boston and New York, as well as some rural areas of the country. Gentrill provides the reader with a fantastic and at times in-depth look at various parts of the 1930s American culture and society. This is done in two distinct ways, the first of which involves the protagonists exploring America as Australians, providing an outsider’s perspective of the events or places they visit (while constantly getting complemented for speaking such good English!). The second way is through Gentill’s inclusion of historical newspaper clippings at the front of every chapter. The use of these newspaper clippings is another recurring trait of the Rowland Sinclair series, and I have always enjoyed the way in which the articles relate to some cultural or historical aspect of the chapter the clipping fronts. Through the use of these methods, the author paints an intriguing picture about America during this period, which I think worked extremely well as a background to the main mystery plot. This is especially true as some of the motives and elements of the mystery revolve around the social attitudes and cultural expectations of the time, which the reader will need to have a bit of an understanding about. I have to say that I was glad that as part of this examination of historical America, Gentill also had a look at public opinion around the Nazis and fascists in the lead up to World War II, as this has been one of the more interesting story threads to follow throughout the series.

Another distinctive aspect of the Rowland Sinclair series is the way that Gentill writes a number of historical figures into the story, either as cameos or in major roles. The best previous example of this is easily the author’s inclusion of Eric Campbell and The New Guard (an ultra-right-wing Australian organisation in the 1930s) as recurring antagonists in some of the books, as these real-life historical figures are great foils to the progressive protagonists. Gentill continues to do this in A Testament of Characters, making great use of several iconic American historical figures to flesh out the story and create several memorable inclusions. Several of these historical figures have pretty major roles in the plot, including Joseph Kennedy, F. Scott Fitzgerald and his wife and fellow author, Zelda Fitzgerald. There are also some fun cameos from several other notable people, including Errol Flynn, a young JFK, Marion Davies, Randolph Hearst and Orson Welles, as well as several other characters who were in Boston or New York during the 1930s. There are also a ton of references to other unique figures in America during this time, including the Parker Brothers Company (Monopoly was released in 1935, and the protagonists of course end up playing a game), as well as a unique goat competition that was held in Central Park, of which Gentill of course names the winner. This is an extremely fun and amusing part of A Testament of Character, and I always enjoy seeing Gentill’s protagonists run into these real-life historical figures, especially as the author does a fantastic job examining and showcasing their personalities and motivations. I love how Gentill effortlessly works these people into the plot, and the reader is always left wondering who is going to appear next.

A Testament of Character is a superb and exciting new addition to the outstanding Rowland Sinclair series that is really worth checking out. Sulari Gentill has once again produced a fantastic mystery storyline that strongly benefits from the author’s clever dive back into 1930’s history. This results in a powerful and exhilarating novel which makes amazing use of its fun, distinctive inclusions and intriguing characters. I cannot wait to see what misadventures Rowland Sinclair and his friends get up to in their next book, and this is a truly wonderful Australian series with a real unique flair to it.

The Holdout by Graham Moore

The Holdout Cover

Publisher: Orion/Penguin Random House Audio (Audiobook – 18 February 2020)

Series: Standalone

Length: 10 hours and 15 minutes

My Rating: 5 out of 5 stars

From acclaimed author Graham Moore comes an amazing new thriller story that is one part legal drama, one part murder mystery and 100 per cent awesome: The Holdout.

The Holdout is an outstanding standalone book that I have been looking forward to for a little while now. I really enjoyed the sound of the premise when I first heard about it, so I was really glad when I received a copy of this book. Moore is probably best known as a Hollywood screenwriter, having written the screenplay for The Imitation Game, which won him an Academy Award for Best Adapted Screenplay. However, Moore is also a novelist, having previously written two books, The Sherlockian and The Last Days of Night, the latter of which I read and enjoyed back in 2016. The Holdout is Moore’s first foray into contemporary fiction, and he has produced quite a fantastic read.

It was the trial of the century. Jessica Silver, the 15-year-old heiress to a vast fortune, vanishes and the prime suspect is her African American teacher, Bobby Nock, with whom she was having an inappropriate relationship. With substantial evidence against him, a verdict of guilty for Jessica’s murder seemed assured, until one juror voted not guilty. This one holdout, Maya Seale, refused to alter her verdict and was eventually able to convince the other jurors to change their votes. Their resulting decision would shock the country and change the juror’s lives forever.

Now, 10 years later, Maya is a successful defence attorney who has tried her hardest to move on from the infamous trial that ruined her life, until Rick Leonard, her fellow former juror and secret lover during the trial, tracks her down. Rick has spent the last 10 years obsessing with case, believing that they let a guilty man go free. Now, to mark the 10th anniversary of the trial, a true-crime show wants to interview each of the jurors in the hotel they were sequestered at during the trial. At the end of the interview, they will be presented with new evidence that Rick has uncovered which he believes definitively proves Bobby Nock’s guilt. While initially reluctant to go, Maya ends up making an appearance, only to find Rick dead in her hotel room.

Now the prime suspect in Rick’s death, Maya is forced to relive the infamy that has dogged her for years. Determined to prove her innocence, Maya begins interviewing the only potential witnesses to the crime, the former members of the jury who were gathered at the hotel. However, her investigation reveals that Rick has been digging up dirt on each of the former jurors, and several of them may have had a motive to kill him. As she digs deep, Maya begins to believe that the solution to this current murder lies in the trial that brought them together. Did they let a guilty man go free all those years ago, and is that decision coming back to haunt them with lethal consequences?

Wow, just wow, this was a pretty incredible thriller novel. Moore has pulled together quite a compelling and complex read which presents the reader with a fantastic and intricate story that combines an excellent legal thriller with a captivating murder mystery to create a first-rate read.

The Holdout’s story is told in alternating chapters, with half of the chapters set back during the original trial in 2009, and the rest of the book is set 10 years later in the present day. The 2019 chapters are told exclusively from the point of view of Maya as she attempts to uncover who killed Rick Leonard, while each of the chapters set in the past are told from the perspective of a different juror as they observe the events surrounding the trial. This is a really clever storytelling technique as it presents the reader with two connected but distinct storylines. The storyline set during the original trial is a legal drama-thriller in the vein of 12 Angry Men or Runaway Jury, and it shows various points of the Bobby Knock murder trial and the jury deliberations that followed. Through the author’s use of multiple perspectives, the reader is able to see how the various members of the jury came to their ultimate verdict, what factors influenced their decisions and what they thought about the various people involved in the case and their fellow jurors. The storyline set in the present day, on the other hand, reads more like a murder mystery, and it deals with the protagonist’s hunt to find Rick’s killer in order to prove her innocence. Both of these separate storylines work extremely well together, especially as the Maya storyline explores the impacts of the events that occurred during the older timeline. I also think that Moore did an excellent job jumping between the various time periods and character perspectives, and this clever storytelling style helped to create a compelling read with a fun flow to it.

At the centre of this novel lies two fantastic and complex mystery storylines set around 10 years apart. The first one of these revolves around what happened to Jessica Silver in 2009, while the other involves the murder of Rick Leonard in 2019. Both of these separate cases are really intriguing, and they present the reader with some clever twists, compelling potential theories, alternative suspects and conflicting evidence, so much so that the eventual solutions to these mysteries are actually quite surprising. While both of these two mysteries work really well by themselves, the real beauty is in the way that they combine together throughout the book. The solution to the Rick Leonard murder is strongly rooted to the original 2009 trial with the jury, while the eventual revelation about Jessica Silver doesn’t come out until the events of the 2019 murder are concluded. I really enjoyed seeing both of these mysteries come together, and it was cool to see the motives for one case be revealed in a prior timeline, while the protagonist investigated in the present.

I also had a great appreciation for the legal aspects of The Holdout, as the author dives deep in the United States court system and shows off what happens during a murder trial. There are some tricky legal scenes throughout this book, and one of the major appeals of the 2009 storylines is seeing the entirety of the murder trial unfold. Moore also does a great job exploring how the jury system works and how jurors deliberate and decide upon a person’s innocence and guilt. There are some intriguing examinations of the jury system throughout the book, and it was interesting to see what information they are given and how a jury could come up with one verdict when the rest of the country has already decided. The use of multiple perspectives works well during the 2009 part of the book, and I quite enjoyed seeing how the disparate jurors had different opinions about the information presented to them. The 2019 storyline also contains some intriguing legal scenes which are shown from the perspective of Maya as a successful defence attorney. As a result, these scenes contain fascinating information about legal strategy and defence plans, and it was a little scary to consider innocent people being advised that their best legal strategy for a crime they didn’t commit was to claim self-defence. The Holdout also tried to show the chaos that surrounds a high profile court case, including examining the crazy media coverage, the impact of public perception, and the fact that people involved are often more concerned with making money or advancing their careers rather than finding out who actually committed the crime. All of this is extremely fascinating, and I enjoyed seeing Moore’s take on the current legal system, especially as he comes across as somewhat critical of it at times.

Moore has also filled this book with a number of complex and relatable characters in the form of the jurors, who you get to know throughout the course of both storylines. Thanks to the two separate timelines, you get to see how the events of the trial affected these people as each of them had their lives completely ruined thanks to one decision they made 10 years ago. Thanks to the use of multiple perspectives during the earlier timeline, you actually get to briefly see inside the mind of each of the jurors, and explore how events in their past lives, plus the stress of the trial helped influence their verdict. I also found it fascinating to see how the not-guilty verdict impacted on other characters associated with the trial, such as the family of Jessica Silver and the accused, Bobby Nock. This was especially true in the case of Bobby, who, despite being found innocent, was controversially prosecuted for another crime and was then subsequently hounded by the media for years, resulting in some compelling scenes around this character in the 2019 storyline. I also have to point out the underlying theme of obsession that the author expertly inserted into this story. Obsession with the trial affected several characters within the book, causing many of them to act in unpredictable ways to achieve their goals. This obsession came from a number of places, including from guilt, a sense of righteousness, a desire for revenge or to find justice, and it was quite compelling to see what this obsession drove some characters to do. One member of the jury in particular is driven to do some very dark things that were completely out of character to the person who was introduced in the earlier storyline, and this characters development was extremely fascinating to behold. Moore did an amazing job with these characters, and I really liked seeing how the events depicted in the book influenced and impacted them.

I ended up listening to the audiobook format of The Holdout, which was narrated by Abby Craden. The Holdout audiobook runs for just over 10 hours and I found myself flying through this novel, especially when I became obsessed with working out the overall solutions to this book. Craden is an excellent audiobook narrator, and I previously enjoyed her work on Recursion by Black Crouch last year. For The Holdout, Craden comes up with a number of distinctive voices for the various characters featured within the book. Each of these voices fit their respective characters extremely well, and I think that Craden did a good job portraying these character’s various ethnicities and genders. All of this really helped me to enjoy this incredible story, and this format comes highly recommended as a result.

The Holdout was an absolutely incredible read that does a fantastic job showcasing Graham Moore’s superb skill as a master storyteller. This amazing novel expertly combines together a compelling legal thriller with an addictive murder mystery in order to produce a first-rate story with some captivating twists and intriguing character developments. The Holdout gets a full five-star rating from me, and I am very excited to see what this remarkable author produces next.

The Warsaw Protocol by Steve Berry

The Warsaw Protocol Cover

Publisher: Hodder & Stoughton/Macmillan Audio (Audiobook – 25 February 2020)

Series: Cotton Malone – Book 15

Length: 11 hours and 48 minutes

My Rating: 4.5 out of 5 stars

In the mood for an exciting thriller that not only features an intense, high-stakes spy adventure but also an intriguing and detailed examination of a nation’s history and culture? Then you are going to love The Warsaw Protocol, the latest novel from bestselling thriller author Steve Berry and the 15th novel in his long-running Cotton Malone series.

Former United States Justice Department agent Cotton Malone is now retired and enjoying his life as a rare book dealer and occasionally supplementing his income with some freelance intelligence work. In Bruges to attend a book fair, his holiday takes an unexpected turn when he attempts to stop the theft of a rare religious artefact. His interference accidently places him in the centre of a new conspiracy threatening to engulf Poland, one with massive global ramifications.

A notorious information broker has obtained a series of documents that reveal troubling secrets about the President of Poland, Janusz Czajkowski, and his past during the communist occupation of his country. These secrets, if revealed, would ruin the political career of Czajkowski and are the ultimate form of blackmail. With a controversial proposal surrounding an advanced American missile defence system in Poland on the table, both the United States and Russia want these documents, as do several other interested nations. The documents will be auctioned off in a secret location, with the price of admission one of seven sacred Christian relics located around the world.

Recruited by his former boss, Stephanie Nelle, Cotton attempts to steal one of the remaining relics in order to enter the US into the auction. However, despite the best-laid plans of the new President of the United States, the auction turns into a disaster, with Russian duplicity, Polish intelligence agents and a rival information broker all coming into play. As Cotton attempt to recover the documents, he is faced with severe moral implications, should he really be party to an American plan to blackmail a foreign nation?

Berry is an outstanding thriller author who has been producing consistent and enjoyable work since his 2003 debut, The Amber Room. While he has produced several standalone novels, his main body of work is the Cotton Malone novels, which started in 2006 with The Templar Legacy. So far, I have only read the prior book in the Cotton Malone series, The Malta Exchange, which came out last year. I really enjoyed The Malta Exchange and became an instant fan of the way that Berry combined exciting thriller storylines with historical conspiracy theories and deep dives into the history and culture of various nations. I have been looking forward to The Warsaw Protocol for a while now, and I even featured it on my recent Most Anticipated Books for the First Half of 2020 list.

Like the rest of the books in the series, The Warsaw Protocol can easily be read as a standalone novel, with absolutely no knowledge of any of the prior books required to enjoy the fun and exciting story contained within. Long-term fans of the series will definitely enjoy this new entry, not only because of its great story but because some of the events depicted are likely to have major repercussions for future books in the series. Berry makes excellent use of multiple viewpoints to tell this story, with several major characters getting a number of chapters to themselves, which not only show their actions in the current day but also dive into their own personal history and the history of the people or places they are interacting with. This leads to a richer overall narrative, and I think it was the best way to tell this complex story. Overall, I am really glad that I decided to dive further into the Cotton Malone series, as I found The Warsaw Protocol to be another fantastic and captivating thriller with some first-rate depictions of the complex nation of Poland.

At the centre of this book lies an outstanding thriller which sees the agents of several different nations fighting over sensitive material that could change the balance of power in the world. Berry takes this thriller storyline in some fantastic directions, and I really enjoyed the fast-paced and exciting final result. I loved seeing the past coming back to haunt people, especially as this allowed the author to dive back into Poland’s history when it was part of the Soviet Union. The Warsaw Protocol contains several excellent action sequences, although the book has more of a focus on uncovering the past and solving historical clues. I felt that the author’s use of multiple viewpoints worked really well to increase story’s suspense and intrigue, especially as you get to see the various major players react and enact countermoves against each other. I was a tad surprised that the author did not really do much more with the holy relics the auction participants needed to collect, especially as I spent a good part of the book thinking they were going to lead to some other great Polish treasure. There were also some other McGuffins and secrets that were mentioned or discovered throughout the book that didn’t really go anywhere either, and I would have been interested to see what impact they would have had on the plot if the protagonist had known about them. Still, this was an incredibly captivating piece of thriller fiction, and thanks to the fast-paced and exciting story, I had a really hard time putting The Warsaw Protocol down.

One of the main things that draws me to the Cotton Malone series is the way that Berry makes sure to dive into the history and culture of the countries in which his books are set. I really loved the in-depth look at Malta in his previous book, and I have a great appreciation for all the intriguing details about Poland that he features in his latest novel. Make no mistake, while this book does mainly follow the story of an American intelligence agent, The Warsaw Protocol is first and foremost a novel about Poland, featuring examinations of the nations troubled history and its unique cultural mindset. I am a huge history buff, so I absolutely loved Berry’s examination of these elements of Polish history. His major focus was on Poland when it was controlled by the Soviets following World War II, although he also looks back at the medieval history of the country as well. I found this examination of the Communist occupation of Poland to be quite fascinating, although Berry makes sure to point out the terrible circumstances that the people found themselves in and the lasting impact Communist control has had on the nation. The author sets up the seeds of the book’s central thriller in the country’s Communist past, and the resultant bloom turned out to be an excellent story.

In addition to the country’s history, Berry also attempts to showcase the social and cultural identity of Poland, while examining how the country’s long history of dissention, political upheaval and oppression from other nations has helped to create a unique society of people with a distinctive social mindset and way of life. Berry obviously has a lot of love for the people of Poland, and his examination of their national personality is quite intriguing. It is also another element of this book that works well with the overarching thriller storyline, as several of the point-of-view characters are able to predict how the general population of Poland will react if the information up for auction is released, motivating several of the characters. All in all, this was an incredibly fascinating and compelling examination of one of Europe’s most distinctive and important countries, and I really liked how Berry was once again able to use these captivating elements to produce an excellent spy thriller.

Berry also spends a lot of time bringing several iconic Polish locations to life to serve as backdrops for his story. There are some absolutely fantastic locations featured within this novel, including a number of major cities, some important castles, significant religious sites and even a world-famous salt mine. Berry has apparently spent a lot of time faithfully replicating these sites within his book, with some minor exceptions for plot reasons. The author really paints a vibrant picture when he presents these locations to the reader, and many of them sound like incredible places to visit (I personally would love to see the aforementioned salt mine after reading this book, as it sounds pretty damn awesome). There is also a rather fun sequence at the start of the book set in the Belgium city of Bruges, which the author uses to full advantage, setting a great chase sequence in the city’s iconic canals. There are also descriptions of several real-life restaurants, cafes and other such locations throughout this book, and it is clear that the author has really done his homework. Indeed, the author has even included a substantial notes section at the back of the book discussing the accuracy of his portrayals of history and locations. All of these are amazing backdrops for this fast-paced thriller storyline, and I really enjoyed seeing some of the action taking place in this amazing historical and cultural locations. Those readers who have been to these locations in Poland are bound to get a kick out seeing them so lovingly portrayed in this book, and I think that Berry did a wonderful job of bringing these places to life.

One of Berry’s inclusions that I found particularly interesting was the character of the new US President, Warner Fox. Fox is a brash, undiplomatic and ill-informed former businessman who practices cronyism and is generally painted as being an incompetent and unworthy President by the book’s characters. This sort of US President is becoming more and more common in thriller novels these days for obvious reasons, and I always find it intriguing to see what perceived impacts authors believe such a person would have on the intelligence community. In The Warsaw Protocol, the President is portrayed in an antagonistic manner, as Cotton Malone greatly disagrees with him and his methods. The President and his advisors blunder through the entire book, failing to listen to the advice of seasoned intelligence operators and generally make the entire situation far worse, while the other world leaders easily run rings around them. This actually becomes a major issue for the protagonist, as not only does it make his mission more difficult, but this new President ends up shifting the entire landscape of the series. I thought that this was a really intriguing, if somewhat horrifying, addition to the novel, especially as it is a potentially accurate depiction of how the current administration would interfere with or attempt to control intelligence agencies, and I look forward to seeing how Berry expands on this point in future novels (especially after the next election).

Just as I did with the previous book in the Cotton Malone series, I chose to listen to The Warsaw Protocol’s audiobook format. The Warsaw Protocol audiobook is narrated by Scott Brick and runs for just under 12 hours, allowing for a relatively quick read for a determined listener. I personally find that the audiobook is a great format to enjoy Berry’s books with, as listening to the story helped me appreciate his vivid descriptions and intriguing examinations of history a lot more. Brick is an excellent audiobook narrator who has narrated nearly all of the Cotton Malone books in the past and also provides his vocal talents to a number of other thriller novels, such as the recently released Into the Fire by Gregg Hurwitz. I find that Brick has a fantastic voice for thriller novels such as The Warsaw Protocol, and he is able to present the complex story in an enjoyable way, as well as provide some great Eastern European accents for some of the individuals featured in the novel. If I had to make a complaint, though, I did find it a little hard at times to distinguish between a couple of characters with similar voices, especially when they are having a conversation with each other. This was not a major issue; it just occasionally left me wondering for a couple of seconds who was talking, although it was usually made clear right after I had that thought. As a result, I would strongly recommend the audiobook format to anyone who is interested in checking this book out, and I personally loved listening to the story unfold.

Steve Berry has once again produced an incredible and deeply enjoyable thriller novel that utilises his trademark love for all things historical and cultural to create a fantastic read. The Warsaw Protocol does a wonderful job of combining an exciting story with an in-depth look at the vibrant, distinctive and at times chaotic nation of Poland, and I loved the final result. I cannot wait to see what amazing adventure Berry comes up with next time, and I fully intend to keep reading all the Cotton Malone books he brings out. This is a highly recommend thriller that I think a lot of people are going to enjoy.

Into the Fire by Gregg Hurwitz

Into the Fire

Publisher: Michael Joseph/Brilliance Audio (Audiobook – 28 January 2020)

Series: Orphan X – Book Five

Length: 12 hours

My Rating: 5 out of 5 stars

From the mind of bestselling thriller author Gregg Hurwitz comes an outstanding and captivating adventure novel, Into the Fire, the latest book in his amazing Orphan X series.

Evan Smoak is Orphan X, a former orphan child who was taken in by a secret covert government and trained from a young age to become the most skilled assassin and special operator in the world. Orphan X served his country for years before finally having enough and leaving, pursued by the people who ordered his creation. Resettling to Los Angeles, Evan forged a new identity for himself as The Nowhere Man, a vigilante dedicated to helping those in desperate need who have no one else to turn to.

After killing his greatest enemy, the United States President, Evan has had enough of violence and is determined to retire and live a quiet life. But before he leaves everything behind, Evan has decided to help one more person as The Nowhere Man, as one final act of redemption. Enter Max Merriweather, a poor construction worker in LA. Two months earlier his cousin Grant, a successful forensic accountant, entrusted Max with an envelope and instructions to take it to a reporter if anything happened to him. Now Grant is dead, an armed thug is ransacking Max’s apartment and the reporter he was told to contact has been murdered. With nowhere else left to turn, Max calls The Nowhere Man.

Taking on Max’s case, Evan dives into LA’s criminal underbelly in order to locate the people hunting Max. Easily finding the thugs responsible for Grant’s death, Evan manages to eliminate them quickly; however, it turns out that they are just the tip of an iceberg stretching throughout the entirety of LA. Grant was on the verge of uncovering a massive conspiracy, and his evidence could put away a lot of dangerous people who are now determined to kill Max to keep him quiet. Determined to keep Max safe, Evan soon finds himself embroiled in one of the most challenging and complicated missions of his life, as behind every corner a new adversary lies, each one more powerful and connected than the last. Can even this legendary assassin and vigilante win with the odds so severely stacked against him?

Gregg Hurwitz is a veteran thriller author who has been producing compelling and exciting novels since his 1999 debut, The Tower. Since then he has written over 20 novels, including his Tim Rackley series, The Rains Brothers books and several standalone novels. He has also contributed to several DC and Marvel comic book series, such as Batman: The Dark Knight and The Punisher, and he also does a bit of screenwriting, having written several episodes of the 2009 remake of V. Hurwitz’s main body of work at the moment is his Orphan X series, which started in 2016 with the novel Orphan X. Into the Fire is the fifth book in the Orphan X series and follows on shortly after the events of the fourth book, Out of the Dark. I actually got into Hurwitz’s works last year when I read Out of the Dark due its cool story premise of a former secret agent attempting to kill the President. After I enjoyed this fun action thriller last year, I was definitely keen to check out more of Hurwitz’s work and I have been looking forward to Into the Fire for a little while now.

Now, I have to admit that while I was interested in checking out Into the Fire, I was a little worried that Hurwitz was going to have a hard time topping his previous novel and its outrageous central plot point. However, Into the Fire turned out to be an outstanding read which I ended up enjoying more than Out of the Dark. Hurwitz has produced an incredible thriller that is filled with intense action, clever plot developments and an excellent character-driven central story. All of these amazing elements combine together perfectly into a novel which can easily be read as either a continuation of the series or as a compelling standalone novel.

One of the best parts of this novel is the well-written and captivating central thriller storyline which sees the protagonist attempt to take down a criminal conspiracy in the heart of LA. What starts out as a relatively simple mission to take down a small-time criminal organisation quickly morphs into a massive task, as each time Evan thinks he has succeeded, a larger and more dangerous adversary appears behind the people he has just taken out. There are so many twists and turns in this novel, you honestly don’t know when or where it is going to end, and the story goes in some very fun and clever directions. I really enjoyed how the author layered his story with seemingly innocuous comments and discussion that later morphed into major plot payoffs later down the line in the book, and I was actually surprised about a few of the reveals that occurred.

I really liked the overarching plot idea of an elite secret agent going after everyday criminals with his full range of tradecraft, advanced weapons and training, especially as it resulted in some amazing sequences throughout the book. The protagonist comes up with some truly unique, clever and at times brutal ways to take down some of his opponents, which were fun to check out. I know I will never look at a plastic drinking straw the same way again. My personal favourite part of the book are several chapters where the protagonist breaks into a prison to deal with one of his targets. The various ways that he infiltrated the prison, pulled off his mission and then escaped was not only clever but also very entertaining, and I loved every single second of it. I also really liked how Hurwitz introduced a handicap for his protagonist throughout this book in the form of a severe concussion obtained early on in the story. The author did an excellent job portraying the symptoms of a concussion, and it was interesting to watch the protagonist struggle to complete his tasks with blurred vision or a massive headache. The concussion angle was a great way to amp the risk surrounding the protagonist’s actions, as it actually put many of his opponents on an equal footing with this former elite special agent and was a fantastic inclusion to the story. Overall, this turned out to be an extremely well-written and deeply exciting thriller storyline, which proves to be quite addictive and captivating.

I was also quite impressed by the way that Hurwitz spent time examining and developing the central characters of this book. In particular, there is a fascinating focus on the complex character of Evan Smoak, who is the main protagonist of this series. Hurwitz has always done an amazing job of portraying Evan as a man very much haunted by his past lives, both as an abandoned child and as an assassin who was trained to kill since the age of 12. Both of these parts of his life still drive him, and his whole persona as The Nowhere Man is a form of redemption for him, as he attempts to not only atone for the lives he took as Orphan X but to also help those who feel as powerless as he did when he was a young child. Hurwitz continues to utilise this characterisation in Into the Fire, although this time it is further complicated by his plans to retire after this one final mission. This whole retirement angle is a major concern for Evan, as he spends a good part of the book weighing up the good he does as The Nowhere Man against all the personal benefits of attempting to live a normal life. This makes for a lot of internal conflict, which forces the author to once again dive into Evan’s motivations for being a vigilante, which adds a great dramatic edge to the entire story.

This consideration about having a more normal life is also explored in the way that the trained loner Evan starting to learn more about human interaction and relationships in this book. Part of this takes place in the way that he interacts with Joey, the teenage hacker and former Orphan trainee he saved and took under his wing. Evan has inadvertently taken on the role of a father figure to Joey, and it was great to see him continue to act protective towards her and see their unique relationship grow. There is also the rather amusing and awkward interactions that he has with the residence of his building. Despite not wanting to have much to do with them, he actually goes out of his way to protect them, and he is actually shown to care quite deeply when one of them is hurt. Finally, there is the complex relationship he has with Mia, the single mother and ADA in his building who he has feelings for but has driven away with his acts of vigilantism. All of these interactions help Evan develop more as a character and recover a little more of his lost humanity, and I really enjoyed the way that Hurwitz explored such a complex and damaged protagonist.

While most of the book’s focus is on Evan, Hurwitz also dives into the life of Evan’s latest client, Max Merriweather. Max, who serves as a significant point-of-view character, is a down-on-his-luck individual who is dragged into the events of this book by his more successful cousin. Throughout the course of Into the Fire, you get to learn about the past of Max, showing how, due to events outside of his control, he has always been seen as the family screw-up, something he has struggled to escape due to his corresponding low self-confidence. You also get to see the history of his tragic marriage, and how doing the right thing cost him everything. I really liked the way that Hurwitz took the time to explore the life of this new client, especially as it develops him into a much more sympathetic character that reader becomes invested in over the course of the book. I also liked the relationship he slowly built up with Evan, as each of them were able to provide some help in solving the deeper emotional or personal issues that were affecting the other. This excellent character was an outstanding and distinctive part of the book, and I am definitely keen to see what excellent characters are introduced in the next Orphan X book, especially after the intriguing reveal at the end of Into the Fire.

I ended up enjoying the audiobook format of Into the Fire, which was narrated by Scott Brick. This audiobook runs for a substantial 12 hours in length, but I got through it rather quickly, as I got really drawn in by the cool and compelling story. I personally found that this was an excellent way to consume this fantastic book, and I had a great time listening to the story. Brick is an excellent audiobook narrator who has a lot of experience bringing thriller novels to life. I previously enjoyed his narration of The Malta Exchange by Steve Berry, and I am currently listening to his narration of the sequel, The Warsaw Protocol. Brick did a wonderful job bringing the characters in Into the Fire to life, and I felt that he utilised perfect voices for each of them. As a result, I would strongly recommend the audiobook format of Into the Fire, as it is an amazing way to enjoy this book.

Into the Fire by Gregg Hurwitz is an incredible read that comes highly recommended. This latest book in the fantastic Orphan X series is an outstanding piece of thriller fiction, which sets its complex characters down an action-packed road of intrigue and twists to produce a five-star read. Hurwitz has really outdone himself with Into the Fire, which turned out to be one hell of a book. I cannot wait to see where Hurwitz takes the Orphan X series next, but I will definitely be grabbing a copy of his next book when it comes out.

Lost by James Patterson and James O. Born

Lost Cover

Publisher: Century (Trade Paperback – 7 January 2020)

Series: Stand Alone/Book One

Length: 328 pages

My Rating: 4 out of 5 stars

From the excellent crime fiction team of James Patterson and James O. Born comes Lost, an enjoyable and thrilling novel that sets a fun new protagonist against the scourge of international human trafficking.

Detective Tom Moon is a Miami man, born and bred, who loves to protect his city. Assigned to lead a new FBI joint task force that’s been set up in the city, his new job is to tackle international crime. However, their job gets very complicated when they receive a tip about a man coming in through Miami International Airport from Amsterdam. Upon arresting their suspect, they find that he was attempting to smuggle in several children from Europe and that he is part of a notorious human trafficking ring.

Working closely with Dutch Detective Marie Meijer, Moon and his team work to uncover the full extent of the trafficking ring in both Amsterdam and Miami. However, the traffickers are being led by a ruthless pair of Dutch siblings who are desperate to succeed and even willing to target the police hunting them. Worse, the traffickers are working with a powerful syndicate of Russian gangsters who have a strong foothold in both Europe and Miami. When Moon and his team receive news that a massive shipment of people is being smuggled into Miami, they know that this is the break they need to bring down the entire operation. But with money and family on the line, both the Russians and the traffickers are desperate to claim their cargo and will go to any lengths to secure it, even if that means killing Moon and everyone he cares about.

Lost is the latest novel from co-writers James Patterson and James O. Born. Patterson is an author who needs very little introduction, having contributed to well over 100 crime fiction novels since his debut in 1976, including his bestselling Alex Cross series. Patterson has a longstanding tradition of collaborating with other crime fiction authors to create some intriguing reads, including the Detective Harriet Blue series with Candice Fox, the Women’s Murder Club series with Andrew Gross and Maxine Paetro, the Michael Bennett series which he has mostly done with Michael Ledwidge, the NYPD Red series with Marshall Karp and the Private series co-written with several different authors. James O. Born has been writing since 2004, when he debuted with the intriguing-sounding Walking Money. Born has written several novels in his career so far and has been collaborating with Patterson since 2016. Patterson and Born have already written several together, including the Mitchum series (the third book of which, The River Murders, was released only a few days ago) and the latest two entries in the Michael Bennett series. The two writers are also releasing a third Michael Bennett novel, Blindside, in the next week, which actually sounds pretty interesting and I might have to try and check out.

Lost is a standalone novel that features a brand-new protagonist, Tom Moone. Lost is a fantastic piece of crime fiction with a massively enjoyable story that was a lot of fun to check out. This was an exceedingly accessible novel from this writing pair, which requires no prior knowledge of any of the books in Patterson’s extensive library of works. Patterson and Born have produced an entertaining and very fast-paced story that I was to power through in a very short period of time. The story is told in a series of extremely short chapters, which helps to move the plot along at a quick clip, which I really appreciated. The authors also cleverly utilise multiple character perspectives to create a richer and more compelling overall novel. Around half the novel is told from the first-person perspective of the book’s protagonist, Tom Moon, while the rest of the novel is told from the third-person perspective of several other characters. The most prominent of these characters are the smuggler team of Hanna and Albert Greete, who serve as some of the book’s main antagonists. This great use of perspective has some real advantages for the story, as it allows a deeper look at this new exciting protagonist whilst also providing the reader with an enticing view of the dark underbelly that is the world of human trafficking.

The authors’ decision to focus this book on human trafficking was an interesting choice and one which I felt really payed off for this book. This whole criminal enterprise is both fascinating and despicable, and results in a number of fantastic sequences throughout Lost. The two authors do an excellent job of covering all the angles surrounding the human trafficking and their inclusion of multiple character perspectives is really useful here. Not only do we get to see the viewpoints of the police who are trying to stop these crimes but we also get to see the perspective of the traffickers and some of the people they are smuggling. This allows the authors to show some of the tricks and techniques that human traffickers use to smuggle people into the United States, and we also get to see the eventual fates of several people who are successfully trafficked (it doesn’t go well for them). We also see what has driven several smuggled people into the arms of the traffickers; whether they are there by choice or whether they have been forced their against their will, their story is generally a bleak one, and I liked that the authors tried to examine the victims of this crime in some detail. The use of international human trafficking as the central crime also allows this novel to have more of a multinational fair to it, as police from two separate countries, in this case agents of a United States FBI taskforce and the Dutch police, work together to solve the crime. I liked the various scenes set in Amsterdam, and it was really interesting to see the author’s interpretation of the city and how it has been impacted by international crime. It was also fun to see the two main police characters in the book, Miami cop Moon and Amsterdam police officer Meijer, spend time learning more about the cultures of their international counterpart, as both characters get tours of the other’s respective cities. I personally really enjoyed this captivating aspect of the book, and it really helped make this cool crime fiction novel even more enjoyable.

Patterson has a fantastic habit of coming up with a number of memorable protagonists for his works. The bestselling author and his co-writers have created some truly compelling protagonists to help helm their books, many of whom are then utilised as the central character of long-running series. In Lost, Patterson and Born have come up with another interesting main character in the form of Detective Tom Moon, who was an excellent protagonist for this new novel. Moon is a pretty distinctive police officer, whose large physical appearance clashes with a number of character traits featured within this book, such as his calm, philosophical nature, his soft spot for children and his dedication to his family. Moon is a truly nice guy who has earned the trust of the Miami street community and even some criminals thanks to his status as a local, his well-known past as a poor college athlete and his sense of fair play. I really enjoyed the whole man-of-the-streets vibe that the authors came up with for Moon, and it was fun seeing several examples of local people helping him out with his enquires, even the criminals. While we mainly see Moon being nice and helpful, he is not always such a laid-back guy, especially when his family is being threatened. He can actually get quite vicious at times, especially in one club scene when his sister is around, and he really doesn’t get intimidated, choosing to go after several dangerous people, often in fairly tactless ways (there is one entertaining scene where he calls out a criminal in a very public way). All of this adds up to another distinctive and enjoyable protagonist, and I quite enjoyed the combination of charm, humour and street smarts that made up Detective Moon. That being said, I think that the book would have survived without the continued stream of philosophically meaningful quotes he was spouting, and it really wasn’t my favourite thing in Lost.

Overall, Lost by James Patterson and James O. Born is another great piece of crime fiction that is bound to keep a lot of readers entertained. These two authors have come up with another intriguing story, which dives deep into the world of international human trafficking to produce an excellent read. I very much enjoyed this new novel, and I would love to see more of Tom Moon in the future, especially if the authors come up with some other fascinating examples of international crime to investigate. Lost is worth checking out, especially if you are in the mood for a compelling, fast-paced crime fiction novel with a fantastic protagonist.

Guest Review: The Testaments by Margaret Atwood

In her latest guest review, the Unseen Library’s editor, Alex, checks out one of the biggest releases of the year, and also sets herself up to do some more reviews for the blog in the future.

The Testaments Cover

Publisher: Chatto & Windus (Hardcover – 10 September 2019)

Series: The Handmaid’s Tale – Book 2

Length: 419 pages

My Rating: 5 out of 5 stars

Unlike the Unseen Librarian himself, who seems to have no problem zipping through several books a week, I tend to buy books faster than I read them. I was very pleased, and not at all surprised, to find there’s a phrase for this in Japanese: tsundoku, meaning one who acquires books with every intention of reading them, but who never gets around to it. Well, it’s high time that I try to kick this habit and delve into my shelf of unread books, beginning with The Testaments by Margaret Atwood.

We received a copy of The Testaments way back in September 2019, before the honeymoon hiatus, but unfortunately the large, heavy hardback wouldn’t have fared well in my suitcase, so although I was keen to read it I was forced to leave it behind. Unfortunately several other distractions (including Eoin Colfer’s The Fowl Twins) meant it wasn’t until the post-Christmas calm that I took the time to finish it off, but I am so glad that I did, because this is a first-rate book that didn’t deserve to wait so long for my attention.

The Handmaid’s Tale reported the experiences of Offred, a Handmaid to a powerful Commander in the post-revolutionary United States, the totalitarian Republic of Gilead. The Testaments picks up the story several years later, and features accounts of three women and their own struggles for survival in Gilead. I won’t go into detail about the plot of the book (I’m sure reviewers with better time management skills have beaten me to it), only to say that it was incredibly engaging and suspenseful. Those who enjoyed The Handmaid’s Tale will love to see how the world has changed over the years.

I was absolutely thrilled by all of the world-building in The Testaments. The new regime of Gilead is fascinating, but in The Handmaid’s Tale details are limited to what Offred chooses to share in her narrative, which itself is limited by what Offred knows, given the sheltered and isolated life she is forced to live as a Handmaid. The Testaments, on the other hand, with its multiple narrators, presents a far broader view of life in Gilead. The first narrator is an Aunt, one of the powerful matrons who train the Handmaids and teach the children. In fact, she is none other than Aunt Lydia, the indomitable battleaxe responsible for the indoctrination of Offred who features so prominently in the original book. The second narrator is Agnes Jemima, the daughter of a powerful Commander. Her story is recorded after her liberation from Gilead and provides a fascinating insight into the experiences of a child growing up in the regime. The third narrator is Daisy, a child growing up in Canada. From her we get an outside view of Gilead—how the terrible society is viewed by its near neighbours and how the Mayday resistance seeks to help its people. The three tales are each engaging in their own right, but as they become more and more intertwined the story only gets better.

There are elements of the story that tie into the television adaptation of The Handmaid’s Tale, but literary purists who have not watched the show will enjoy The Testaments just the same. Since it is a sequel, however, I would say that it will be best enjoyed by those who have read The Handmaid’s Tale or seen at least the first season of the show. The Testaments is a book that was 35 years in the making, but it was well worth the wait.

Red Metal by Mark Greaney and Lt. Col. Hunter Ripley Rawlings IV. USMC

Red Metal Cover 2.jpg

Publisher: Audible Studios (Audiobook – 16 July 2019)

Series: Standalone/Book One

Length: 21 hours and 21 minutes

My Rating: 5 out of 5 stars

Get ready for World War III, because bestselling author Mark Greaney has teamed up with Lt. Col. Hunter Ripley Rawlings IV. USMC to create an absolutely incredible military thriller, Red Metal, which looks at how a potential invasion from Russia would unfold.

After years of war in the Middle East, the United States and their allies are preparing themselves for the next conflict. Many believe that this war will occur in the Pacific Ocean against China, especially after the Chinese begin to interfere in Taiwanese politics in an attempt to reunify the island nation with the mainland. As Chinese troops gather just outside of Taiwan and the United States military is rocked by a debilitating scandal, hardly anyone is expecting a move from Russia.

Since the end of the Cold War, Russia has been in an economic decline, and it desperately requires access to various advanced resources to remain a world power. An ambitious Russian colonel has come up with a complex plan to secure a vital Rare Earth mine that has the potential to secure the country’s future. Launching a high-speed and ruthlessly coordinated attack as Christmas falls, Russian forces stream across the border into Europe, crippling NATO and cutting the continent off from the United States. As America and NATO attempt to work out the extent of Russia’s plans in Europe and counter them, they are left distracted from Russia’s true goal as a second Russian army is secretly heading towards the African coast in order to reach the mine in Kenya.

As Russia continues its advance, the fate of the free world lies in the hands of several different individuals. In Washington, a veteran Marine Lieutenant Colonel and his colleagues attempt to decipher the Russian strategy before it is too late, while in Africa, a wily old French Intelligence agent and his Special Forces son must uncover why undercover Russian agents are abroad in Djibouti. In Europe, a mixture of unprepared NATO soldiers, including a young member of the Polish militia, an out-of-his-depth American tank commander and a high-flying US pilot must fight against the odds to push back against the invading Russian force. As epic battles erupt across several countries, one thing is clear: the world will never be the same again.

Wow, just wow. A few months ago, I predicted that along with The Kremlin Strike, Red Metal was going to be one of the top military thrillers of 2019. I am more than happy to report that I was 100 per cent right, as this was an outstanding read that I had an absolute blast listening to. The team of experienced thriller writer Mark Greaney, who is best known for his work on Tom Clancy’s Jack Ryan Universe and his own bestselling Gray Man series (make sure to check out my review for the latest book in this series, Mission Critical, here) and debuting author Lt. Col. Hunter Ripley Rawlings IV. USMC, have created a sensational book that I have no choice but to award a full five stars to.

Contemporary military thriller is a genre that I have only started getting into recently, although so far I have enjoyed some great examples, including The Moscow Offensive by Dale Brown, Treason by Rick Campbell and Red War by Kyle Mills. However, in my opinion Red Metal stands heads and shoulders above all of these books and it is probably the best pure military thriller that I have read. The authors of this book have come up with a truly fascinating military scenario that sees Russia sweep across two continents and influence conflict in a third. The Russians in this book have a really clever and effective military strategy that results in a massive, widespread conflict, and the reader gets to see every step of it unfold. This entire plan seems exceedingly realistic, and it is clear that Greaney and Rawlings have put some real thought into how war could break out and how the various participants would react. They really dive into the minutiae of the whole scenario and try to cover all the angles of an invasion of Europe and Africa, including cutting off communications, setting up an alternate navigation system, hacking the US and creating a number of plausible diversions. Never before has a discussion about the different sized rail tracks and rail switching stations in Europe been so fascinating. The scope of this conflict is really impressive, and the authors do a fantastic job showcasing the various types of battle that would occur in this sort of modern-day war between major superpowers. As a result, this book is filled with fighting on land, sea, air, underwater and even in cyber space, in an impressive thought exercise which translates into a compelling piece of fiction.

I really liked how the authors chose to tell this story from a variety of different perspectives, as Red Metal features a huge number of point-of-view characters. While the story is mostly focused on a few key characters, a number of minor characters often get one or two scenes, and the reader gets to see how the war unfolds from both sides of the conflict. As a result, the reader gets a much fuller understanding of how this potential scenario would unfold and how various countries or organisations such as NATO would react to war breaking out. The authors also make great use of the various perspectives to ratchet up tension throughout the book as the readers are privy to the full extent of the Russians plans. This results in the reader being fully aware of all the mistakes that the Americans and their allies are making in this war, and by the time they get their act together it seems like it is too little, too late.

The use of various perspectives also helps to create a number of different characters that the reader can really get invested in. While many of characters introduced only have small roles in the overall narrative, the authors do some detailed explorations of the backgrounds and story arcs of several key characters. Some of these characters have really well-written and have some enjoyable or intriguing storylines. I personally enjoyed the story of Paulina, a young recruit in Poland’s Territorial Defence Force (a volunteer military reserve) the most. Paulina finds herself thrust into the middle of the Russian invasion and is quickly transformed from an innocent girl to a hard-eyed killer in a few short days thanks to the horrors of war. Paulina’s story is extremely captivating, and it is potentially the character that most non-soldiers reading this book are going to identify with as they are left thinking how they would react in a similar situation. It was really quite interesting to see what role people in the various scenarios could potentially play, and I really liked seeing what sort of difference a small group of determined soldiers could make in a conflict such this.

One of the things that I really loved about this story was the realistic portrayal of the various armed forces involved in this book and the detailed examination of everything that needs to be considered in a war. This book is chocked full of military terminology, descriptions of various weapons and tactics, slang, military history and a variety of other complex features. You have to imagine the inclusion of all of these details is largely thanks to Rawlings and his extensive military experience, and I really enjoyed how the authors were able to seamlessly insert all of this knowledge into the story. Having all this information as the story progresses is extremely fascinating and I learnt a lot of cool facts. It also really amped up the realism of the whole story, in my opinion, and I found the story to be a whole lot more compelling as a result.

It is important to point out that Red Metal is not the male character dominated, exceedingly pro-American story that some military thrillers are; instead the writers went out of their way to produce a more balanced story. For example, the book features a number of great female characters, most of whom are involved in the war in some way or another, and it was cool to see how women are utilised in the modern military. The authors also take the time to show Russia’s side of the conflict and explain their motivations for engaging in this battle against the west. While a number or Russian characters are pretty villainous and/or murderous, they do tend to have some reasonable motivations for their actions, and indeed they see themselves as the good guys in this conflict. There are also a few more pragmatic Russian officers featured in the book who are a lot more likeable, especially as they come across as a bit more compassionate and less eager for war and destruction. The United States is also not heavily portrayed as the world’s most awesome country, as some military thrillers do. Instead the country is shown to be extremely unprepared for a Russian invasion, their military command is initially easily manipulated and a response to Russia’s actions is hampered by politics or pettiness from a superior officer. That being said, the book does feature a number of extremely pro-American scenes and sentiments, and there is even a sequence where an American pilot flies into combat shouting “die Commie die”, although to be fair, it is described as a historical military mantra developed in the Cold War to help pilots time their length of fire. The end result of the conflict between America and Russia is also what you’d pretty much expect, but it still makes for one hell of a read.

While the authors have added some interesting depth to this story, at its heart it is a military thriller, and that means that this book is chocked full of action. There are a huge number of fantastic and extended battle sequences throughout the entire book, some of which are truly epic in their size and content. Readers are really spoiled for action in Red Metal, as the authors have included all manner of different types of battles with a huge range of different vehicles and weapons. This book features battles in the air, at sea, underwater in submarines, on the ground with the grunts and in a variety of locations with Special Forces regiments. There are a number of impressive and memorable sequences, including a large amount of tank on tank combat, as two enemy armoured regiments face off against each other. I personally really enjoyed a particularly brutal ambush of Russian tanks in Poland, as Polish militia attempt to defeat a superior force in the middle of a city. The main set-piece has to be an extended battle between a variety of Russian units, and a force of United States Marines down in Africa. This battle down in Africa is particularly impressive, as the authors do an awesome job of bringing the fighting to life, and the sheer chaos of war and the ferocity of both sides as they try to win through any means necessary. All this action is pretty darn amazing, and the authors really outdid themselves with it.

I chose to listen to the audiobook format of Red Metal, which is narrated by experienced audiobook narrator Marc Vietor. I am really glad that I picked up the Red Metal audiobook as it was an amazing way to enjoy this fantastic book. Vietor did an excellent job narrating this book, and I felt that listening to the story brought all the intense action to life and helped place me in the centre of the story. Due to the book featuring a huge number of different nationalities, the story featured a range of character accents, all of which Vietor did extremely well, producing distinctive and memorable voices for each of his characters. The Red Metal audiobook runs for 21 hours and 21 minutes and it is an excellent format to consume this incredible novel.

Red Metal is a tour-de-force from Greaney and Rawlings, who have produced one hell of a military thriller. These two authors are a potent writing team, as Greaney’s experience as a thriller writer and Rawlings’s military knowledge helps create an epic read that just pumps the reader full of intense action, clever storylines and memorable characters. I really hope that these two authors continue to work together in the future, as Red Metal was a really impressive first collaboration. Five out of five stars all the way, you have to check out this book.

Treason by Rick Campbell

Treason Cover

Publisher: St Martin’s Press (Hardcover Format – 19 March 2019)

Series: Trident Deception

Length: 320 pages

Rating: 4 out of 5 stars

The world is once again heading towards war in the latest military thriller from Rick Campbell that sets the United States against Russia in a battle for domination.

After Russia’s last attempt to take control of the countries on their western border ended in disaster, the Russian military is eager for another invasion that will restore Russia’s place as a superpower.  However, even with America’s forces weakened after recent conflicts, Russian President Yuri Kalinin is reluctant to challenge NATO again.  His generals have no such reservations and initiate a sudden military coup, arresting Kalinin and taking Russia to a war footing.

America is once again ready to oppose Russia’s advance into Europe, until a routine weapons test sends several ballistic missiles hurtling towards Washington DC and crashes several of America’s B2 Bombers.  The Russians have apparently found a way to disarm America’s nuclear arsenal and are using this to keep the US out of the latest conflict.

As several European countries are overrun, America must find a way to regain control of their weapons and push back the Russians.  Their only hope may lie in the hands of Christine O’Connor, the President’s national security adviser, who was being entertained by Kalinin at his official residence when the coup occurred.  After freeing Kalinin, O’Connor hatches a plan to return him to power in exchange for an end to the invasion.  Can America achieve this with only one submarine and a small team of SEALs, or will NATO and Russia be forced into a destructive war for Europe?

This is the fifth book from Campbell, and it follows on his military thriller storyline that was started in his 2014 debut, The Trident DeceptionTreason follows on the storyline from these previous books, and once again sees America fighting against its iconic adversaries the Russians in an intriguing story of war, espionage and treachery.  I have been on a real military thriller kick recently, so I was quite excited to pick up Treason.  This book is an extremely fun piece of fiction that I really enjoyed and was able to get through quite quickly.  Campbell tells an entertaining story that, while connected to the storylines of the previous books in the series, is fairly inclusive and able to be enjoyed by those readers who have not had the chance to read any of Campbell’s previous works.

This is a pretty good example of military fiction, as two superpowers face off against each other for control of Europe.  The story is a great combination of imaginative storytelling and real-world politics, as Campbell is able to bring in elements of current international relations into his already established fictional version of our world.  This allows for some more realism behind the story, especially when combined with the sheer amount of military detail Campbell injects into the story, showcasing how both sides would prepare for and enact the early stages of a war to control all of Europe.  Treason is told from a huge range of different character perspectives as the author attempts to show as many sides of the story as possible.  While this does result in the book having a somewhat distractingly high number of quite short chapters, it does allow for a much fuller story, especially as it shows the plans of the book’s Russian antagonists.  This also allows for a story that is slightly less “America good; all opponents evil” direction that many military thrillers turn into, as the Russian characters’ motivations and perspectives are taken into account, although America does come out of this book looking pretty good.  Still, this is a very intriguing military thriller book, and I quite enjoyed reading Campbell’s view of how war between the US and Russia could potentially start up, while also leaving room for additional conflicts in future books.

While Treason does not turn into the full-on total war story action junkies might be hoping for, there is a substantial amount of battles and fighting in this book.  A large amount of the action is between covert squads of Americans and Russians, and it always fun to see SEAL teams kick ass against more numerous opponents.  Without a doubt, the most impressive sequence in this book is the superb submarine fight between opposing US and Russia vessels.  These scenes are pretty epic, and they really highlight the author’s writing ability as he drags the reader into the battle.  His quick change of perspectives between the opposing submarines means that the reader is aware of every action being undertaken and they get a spectacular view of the intense battle occurring beneath the waves.  Campbell’s past as a commander aboard a US Navy submarine clearly comes into play here, as he describes all the aspects of submarine combat in extreme detail.  This results in the reader getting an outstanding idea of the various tactics and weapons both sides utilise in these incredible battles, and it was amazing how the fight between submarines felt like a game of chess.  These extended submarine battles are easily the best sequences in the whole book, and I really loved reading them.  This book is perfect for those readers who love to read a good action sequence, and I am looking forward to reading any additional submarine battle scenes that Campbell comes up with.

Overall, Treason is a fantastic military thriller and well worth checking out if you are a fan of the genre or of Campbell’s previous books.  I am intrigued to see how the author will continue this series in the future, and I especially hope to see more of the superb submarine-on-submarine combat sequences.  Treason is a very entertaining and enjoyable book and is perfect for those who are looking for something fun and exciting to read.