Publisher: Michael Joseph (Trade Paperback – 28 May 2024)
Series: Nero – Book One
Length: 396 pages
My Rating: 4.5 out of 5 stars
One of the absolute best authors of historical fiction in the world today, Conn Iggulden, returns with an exciting new series as he examines the life of Rome’s most infamous Emperor, Nero.
Conn Iggulden is a historical fiction author that I have a lot of respect for, especially as consistently presents intense and compelling reads that focus on some of the most interesting people and conflicts of the historical world. Starting off over 20 years ago with his iconic Emperor series, which covered the complete life of Julius Caesar, Iggulden has moved through various historical periods and locations with his works. This includes his impressive Conqueror series, which followed the life and legacy of Genghis Khan, his outstanding War of the Roses books, the fantastic standalone novel The Falcon of Sparta, and his clever Athenian series, made up of The Gates of Athens and Protector. All these series have been really impressive, effectively balancing historical detail with exciting storytelling, and Iggulden is a favourite author of mine as a result. Due this I have been really excited for his latest novel, Nero, which provides an intriguing look at the events that led to the ascension of the titular Emperor.
Rome, AD 37. The greatest city in the world is in turmoil. The decrepit and vengeful Emperor Tiberius has returned to Rome after a lengthy absence, and his first act is to order the strangulation of the man he left in charge. As a flurry of sanctioned killings and destruction begins to reign down upon Rome, a young boy is born who is destined to burn everything around him.
Born Lucius Domitius Ahenobarbus, the boy is the son of a former champion charioteer of noble lineage, and Agrippina, the great-granddaughter of the Emperor Augustus. With family ties reaching all the way back to original emperors, Lucius is already considered an eventual claimant to the Roman throne. However, there are many within Rome who want power and influence for themselves and care little for the hopes and ambitions of a noblewoman and her young son.
With dark clouds on Rome’s horizon, Agrippina soon discovers that the greatest threat comes from closer to home than she realises in the form of her brother, Caligula. Banished and robbed of everything, including her young son, Agrippina finds herself at the mercy of those around her. However, Agrippina does not intend to be powerless forever, and when fate intervenes, she finds herself with the opportunity to influence the very heart of Roman politics. Can Agrippina ensure the rise of her young son, the boy who will eventually be known as Nero, and will Rome ever be the same again?
This was an intriguing and gripping novel from Iggulden, who continues to show why he is one of the most consistent and entertaining authors of historical fiction. Nero is a fascinating and thrilling read that cleverly examines the early life of the future emperor from those around him and proves very hard to put down.
Nero contains a typical Iggulden narrative, in which he focuses on a historical figure and follows them from birth to their eventual rise to power. In Nero’s case, this book is clearly the first part of a larger series as it is dedicated to examining the childhood of the future emperor and the many events that lead to him to the throne. As such, the focus of this novel is more on his parents, and the various other dangerous Roman figures who were around at this time. Starting in the latter days of Tiberius’s reign, the author parallels Nero’s birth with the start of Tiberius’s purges in Rome, while also showcasing his troubled parents, including his mother Agrippina, who is essentially the main character here. This proves to be an interesting start to the book, especially as you get a good look at many of the key figures the story is going to focus on, while also showcasing just how crazy stories recounting the history of Rome can get.
The author quickly moves the story along to the reign of Caligula, which drags the protagonists closer into the limelight due to Agrippina being the new emperor’s sister. Naturally, it doesn’t take long for affairs to devolve into chaos, and there are some major changes that really impact the lives of the principal cast. The second half of the book features a decent time skip which brings certain figures back into prominence and allows Agrippina to focus on her ambitions. Iggulden does a great job showcasing Agrippina’s change of heart and new desire for power, and I liked the intrigue, political machinations and manipulations that were at the heart of this second half of Nero. Everything leads up to an interesting conclusion, as Iggulden adds in some exciting military action, which contrasts nicely to the political and personal struggles of the first half of the plot. The book ends on a solid note that ensures readers will come back to the series in the future, especially as the story of Nero is only just beginning. This proved to be a very intriguing story, and I enjoyed how Iggulden showcased the many infamous historical events and wove a great, character-driven story around them.
Nero had a great tone that was a combination of character driven plot, over-the-top Roman antics and intriguing history, which I really enjoyed. Loaded with a fast-paced and brutal story, you quickly get absorbed into the many political intrigues and dysfunctional relationships that lie at the heart of the plot, and Iggulden did an outstanding job flipping the perspective around a range of compelling historical figures and showcasing their unique views on intriguing events and the future emperor. The story is constantly sharp and compelling, I liked how intense events got, especially as Iggulden ensured that certain dark moments of history are shown in all their glory. I deeply enjoyed the author’s depictions of Roman history, and his take on events really stood out compared to some other series I have read set in the same period. The chaotic nature of the antagonists, the mood of the city, and the general insanity of the times were all very impressive, and they formed a great background to the outrageous plot. Iggulden has such a knack for displaying Roman history (as evidenced by his first epic series) and he really makes the ancient city, and iconic figures stand out for all readers. While he does appear to take a few liberties with the historical record for storytelling purposes (honestly, what historical fictions author doesn’t ?), many of the most iconic moments of the time were captured perfectly, and he constantly ensured that the mood of the city was examined in detail. I deeply enjoyed this fantastic and captivating historical tale, and Nero proved to be a highly addictive book to check out.
I want to also highlight some of the amazing characters featured in Nero, especially as most of them proved to be awesome takes on major historical figures. As I mentioned before, the character of Nero himself doesn’t get a lot of time as a perspective figure in this first novel, mainly because he is quite young for most of the plot, although he does get a few intriguing moments in the second half of the book. Instead, most of the book was dedicated to showing the formative events of his youth, as well as how he ended up in the position to eventually become emperor. I felt that this was a smart decision on Iggulden’s behalf, and I really enjoyed seeing this in-depth examination of Nero’s history, especially as most Roman historical fiction series tend to include him as an overexaggerated villain rather than a product of the crazy times he grew up in. I look forward to seeing how he evolves in future books, and it will be interesting to see how Iggulden utilises him as a major perspective character.
With Nero growing into the role, the character who probably gets the most focus is Agrippina the Younger, Nero’s mother and future empress. Due to the way the plot plays out, Iggulden spends a lot of time exploring this controversial figure, and I rather enjoyed seeing the in-depth examination of the events that preceded her marriage to Claudius. You get a very complex picture of Agrippina here, including the many tragedies surrounding her family, the violent marriage that resulted in Nero, and the terrible treatment by her brother Caligula. Iggulden does an excellent job showcasing how these events impacted Agrippina’s personality, and you can see how and why she becomes more ruthless and determined to be the one in control. While she does a lot of despicable things, Iggulden almost makes her a sympathetic character, although certain dark events stop you from ever truly loving her. I deeply enjoyed the author’s portrayal of Agrippina in Nero, and she proved to be a compelling and intriguing force.
Other characters of note include Nero’s father, Gnaeus Domitius Ahenobarbus, a violent drunken former famous charioteer who Iggulden showcases in a manner similar to a modern-day angry failed sports star trying to relive their glory days. Constantly enraged that the world has left him behind and caught up in events beyond his control, Gnaeus cuts a dark and brooding figure that proves very hard to love. Despite this, Gnaeus was a very intriguing addition to the plot, and his fraught interactions with Agrippina left a mark that resulted in some intriguing plot points. I must also mention the great depictions of the three emperors who preceded Nero, Tiberius, Caligula and Claudius. All three of these emperors are notorious, and Iggulden went out of his way to show their many eccentricities and issues, as well as the impacts that they had on the Roman empire. I always love seeing authors depict the unique events these figures were responsible for, and Iggulden did not disappoint. As such, they all end up being major and memorable figures in Nero, which proved to be quite important, as their actions and reigns will no doubt be referenced and compared to Nero in the rest of the series. Throw in a great collection of other fantastic historical figures, and Nero had a great cast that really brought some amazing monsters from history to life.
Conn Iggulden continues to showcase why he is one of the top authors of historical fiction. Nero was an outstanding book that masterfully showcases the early life of the infamous emperor with a wildly entertaining story. Exciting, dramatic and very over-the-top, Nero was an incredible read that I deeply enjoyed. I look forward to seeing how Iggulden brings this series together in the future, and I am already very excited for the inevitable sequel.
The Unseen Library 