Early Riser by Jasper Fforde

On August 18, 2018April 11, 2023 By The Unseen LibraryIn Fantasy, Science Fiction, Thriller6 Comments

Early Riser Cover.jpg

Publisher: Hodder & Stoughton

Publication Date – 2 August 2018

One of modern literature’s quirkiest writers returns after a six-year hiatus to produce the eccentric and incredibly entertaining new release, Early Risers.

In an alternate version of our Earth, the entire world freezes over each winter, plunging the planet into a deep cold for the entire season. Humanity has adjusted to this different climate by developing ways to hibernate each winter, sleeping through the long, cold months in specially designed habitations and ensuring that their bodies have enough stored fat to keep them alive. Only a few weird and unconventional individuals choose to ignore their bodies’ need to sleep, and instead spend winter awake. One such group are the Winter Consuls, a collection of misfits and rogues responsible for ensuring the safety of the sleeping population, whilst also patrolling against the horrors of the winter world.

In Wales, Charlie Worthing is about to experience his first winter as a new recruit in the Winter Consuls. His first mission sees him drawn to Sector Twelve, base of the powerful HiberTech company and one of the most disreputable areas of the country, known for its controversial Winter Consuls. Trapped within this sector, Charlie must contend with all the dangers that winter can hold. Between the cold, his desire to fall asleep, the stamp-collecting addicted Villains, the mindless and cannibalistic Nightwalkers and the possibly mythical WinterVolk, Charlie is unlikely to survive his first winter.

However, all these threats pale in comparison to the damaging potential of a viral dream being passed around the inhabitants of Sector Twelve. When Charlie starts to have the same dream, he finds himself thrust into a dangerous conspiracy with world changing consequences. As Charlie becomes a target, he must work out who in this unforgiving world he can really trust, and who is using him to further their own aims.

Jasper Fforde is an exceptional author who has produced several novels since his 2001 debut, all of which were remarkable and very different from your standard read. With an unusual style and superb skill, Fforde’s work is reminiscent of some of the novels produced by authors such as Terry Pratchett or Lemony Snicket. Fforde has created some enjoyable and addictive reads over the years, including Shades of Grey, the Nursery Crime Division books and his exceptional Thursday Next series. Early Riser is a standalone novel that takes the reader to another unique alternate Earth and presents them with an intriguing and very original story.

Fforde has a pattern of creating unique worlds to act as settings for his entertaining narratives. These worlds often have elaborate rules and details that make the book’s story very distinctive. For example, Shades of Grey is set in a world where people can only perceive limited shades of colour and social hierarchy is determined by how many shades and hues a person can identify. The Thursday Next series is set in an alternate version of Earth where the Crimea War never ended, time travel exists and journeys into the literary world is both possible and heavily policed by characters from famous books.

Fforde continues this trend in Early Riser, creating another detailed alternate Earth setting. This version of Earth experiences exceedingly cold winters and humanity has to hibernate each year as a result. This is an absolutely eccentric and inventive concept, and it is fascinating to see how Fforde adapts a new fictional world around it and looks at how humanity has adapted to having to hibernate. Like several of his other books, the story of Early Riser is set within this world’s version of Wales. There is a focus on different types of technologies, especially those that help people successfully hibernate, different buildings and new societal norms. One example of this is the concept that, in this colder world, larger, fatter people are more desirable and socially acceptable as they are more likely to survive their hibernation period, whilst skinny people, or those who choose not to hibernate, are seen as detrimental wastes of space. Fforde further backs this up by creating an inventive alternate history for the world, including some funny and satirical depictions of an appropriately altered entertainment world. Many elements of these alternate histories and new social norms are told directly within the story, but Fforde also fleshes out these ideas with a huge range of extra and very humorous details in footnotes and in-universe book excerpts at the start of every chapter.

Fforde has also ensured that Early Riser is particularly memorable by filling his story with a range of interesting and creative characters and threats. Throughout the book, the protagonist encounters and examines the history, background and lore behind the threats roaming around the winter. These include the Villains, aristocratic thieves who are the descents of British nobility who act in a stereotypically upper class way and are obsessed with stamp collecting and obtaining domestic servants through force. There are also Nightwalkers, humans whose minds failed to withstand the hibernation process. As a result, the Nightwalkers have been reduced to a zombie-like state and are potentially cannibalistic, although their urges can be controlled with comfort food. Fforde has also included the mysterious WinterVolk, supernatural beings who reside in the winter world and have certain powers and tendencies. There is particular focus on the Gronk, one of the newer WinterVolk, and the author includes discussions about the Gronk’s formation, its first appearance, its habit of taking the unworthy and only leaving behind their carefully folded clothes in the snow, all while singing Rodgers and Hammerstein hits. In addition there are a range of wacky side characters throughout the series. These side characters usually have some sort of zany quirk or a distinctive characteristic that proves to be entertaining for the reader whilst the protagonist often has to play straight man. The standout example of this has to be the two one-eyed women who are both trying to get the protagonist on their side and who share an interesting connection with each other. All of these imaginative literary inventions combine into one substantial and unforgettable story that will charm the reader with its quirky and fun nature.

While it is easy to focus on the unusual and humorous inclusions that Fforde has filled Early Riser with, readers will also enjoy the book’s compelling story. The narrative is very stimulating and enjoyable, as it initially focuses on the protagonist’s introduction to life in the winter world, and then shifts to him attempting to unravel the conspiracy surrounding Sector Twelve. Like many of the other inclusions within this book, the conspiracy is very complex and a tad strange, but it works well as the focus for a central investigative narrative. Readers will enjoy the journey to the end of the mystery, and there are a few interesting twists along the way. Overall, I thought that the inclusions and elements mentioned above worked well with the mystery, and while many of the solutions and suspects are bizarre, the book’s many unique inclusions do not overwhelm the story, but instead enhance it, resulting in a great story.

Jasper Fforde has once again produced a distinctive piece of literature that stands out thanks to its elaborate and original concept, its many fun story details and inclusions, and a solid and gripping central story. Some readers may find the plot and story elements a bit weird, but this book will easily charm those who get in to Early Riser’s unashamed quirkiness and silly nature. This is definitely one of the most inventive books of this entire year and a creative and exceptional new read from a fanciful and fantastic author.

My Rating:

Four and a half stars

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Restoration by Angela Slatter

On August 16, 2018August 22, 2022 By The Unseen LibraryIn Australian, Fantasy, Five-Star Books, Thriller2 Comments

Publisher: Jo Fletcher Books

Publication Date – 9 August 2018

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One of the very best authors of Australian crime fantasy returns with another outstanding release in her fast-paced and exceedingly entertaining Verity Fassbinder series.

In a world where the magical beings known as the Weyrd remain hidden from the Normal, non-magical population, Verity Fassbinder is a half-Weyrd, half-human agent for Brisbane’s Weyrd Council and is charged with policing the city’s Weyrd population. However, following an adventure to the underworld, Verity has been forced into the employ of a crazed fallen angel, and must take up his quest to find two secretive artefacts hidden in Brisbane. In order to protect those she loves from her murderous new employer, Verity has sent her family away and resigned her position with the Weyrd Council. Saddled with a murderous Kitsune, Joyce, as a driver and spy, Verity must find a way to recover these mysterious two items without giving ultimate power to the creature holding everything she love hostage.

As if her involuntary quest wasn’t hard enough, Verity is also forced to contend with a myriad of other problems from Brisbane’s Weyrd population. The vengeful sorceress Dusana Nadasy is back in town, determined to kill Verity for the role she played in the death of her family. The angel Tobit is refusing to take Verity’s calls, Weyrd Council politics is seriously starting to annoy her, literal ghosts from her past are haunting her and her friends the Norns have developed strange new powers. Finally, her contact in the Brisbane police, Inspector McIntyre, needs her help investigating a series of desecrated corpses of Normal women found around Brisbane whose bodies show the distinctive impact of Weyrd magic. What Verity does not know is that all of these strange occurrences will play a part in her quest for the fallen angel’s prize and will change her life forever.

Restoration is the third book from Australian author Angela Slatter and represents the third book in her Verity Fassbinder series. Restoration is an exceptional example of the benefits of combining two genres, and contains incredible fantasy and mystery elements blended together into a powerful final narrative set in modern day Brisbane.

Throughout Restoration, Slatter has surrounded her central storyline with an elaborate series of smaller mysteries and adventures, all of which cleverly tie into the protagonist’s hunt for the artefacts. Each of the smaller plot lines and investigations is very interesting, and readers will be amazed about how interlocked the story really is. Those who have read the previous books in the Verity Fassbinder series will also enjoy how Slatter expertly utilises elements and plot lines from the earlier books in the series throughout Restoration. This is a fun feature, and really shows off how much planning and foreshadowing Slatter included in her first two books, as even minor observations and actions from the earlier books have some big impacts in the latest volume. Despite this, Restoration is still an excellent book to come into this series with. The author makes sure all the relevant details of the last two books are fully explained and explored. As a result, new readers will be able to follow everything that is happening within Restoration, while also being tempted to check out the earlier books in this fabulous series. Fans will enjoy how the storylines and side quests come together in the end of the book for a big and exciting confrontation sequence that serves as an epic conclusion to the first three books in the Verity Fassbinder series.

In addition to the book’s strong mysteries, the author has also included a range of enticing fantasy elements for the readers to enjoy. The huge variety of fantasy aspects included within Restoration have been pulled together from a range of different cultural backgrounds. As a result, the book’s protagonist interacts with creatures that have their origins in Greek, Germanic, Norse and Japanese mythologies and culture, as well as the usual ghosts, magic users and generally powered individuals. There are also strong components from the Judeo-Christian religion that play a significant part in the story and which tie in well with the other fantasy elements. The great mystery elements mentioned above work in conjunction with these fantasy features to create an amazing story. Slatter comes up with some terrific fantasy based motives, plots and suspects for the reader to enjoy, and this helps create an intriguing and entertaining overall narrative. The protagonist’s hunt for the artefacts, the “grail” and the “tyrant”, leads to a greater insight into this universe’s magical and religious roots, and turn into some intriguing pieces of this universe’s lore. In addition, the protagonist’s curiosity about her Weyrd ancestors leads to her finding out some fascinating facts about their history, as well as a detailed bit of fictional mythology from Slatter. This focus on the family she is descended from also hints at these characters being involved in future additions of this series, and will no doubt prove to be excellent antagonists. Overall, the book’s fantasy elements are highly enjoyable and add sufficient wonder and enhancement to an already outstanding book.

Restoration is mostly set within the Australian city of Brisbane and its local environs. Slatter, a Brisbane local, has created a detailed and personal depiction of her city and it serves as a fun location for this book’s plot. People familiar with Brisbane will appreciate the descriptions of city and enjoy the concept of a hidden and chaotic fantasy world lying just below its surface. Special note should be given about the inclusion of the University of Queensland, Slatter’s alma mater, as a setting within the book, and it is always fascinating to see a location that the author is familiar with and passionate about.

Slatter has continued to use the humour-laden tone of writing that was such a standout of the first two books in the Verity Fassbinder series. The protagonist is a remarkable character who does not care who she annoys or who gets in her way as she tries to achieve her goals. This nonconformist attitude and general disregard for the rules for the Weyrd Council has a great way of getting the reader to support her, and as a result she has always been a very likable main character. The jokes and humour that inhabit the narrative as she encounters a range of strange and dangerous situations help lighten the tone of the dark investigations she is involved with. Things get serious towards the end, especially when the protagonist’s family gets involved and this helps raise the stakes in the readers mind, although some humour is still involved. Audiences will love the sass and humorous observations that inhabit this whole book, and it fits in well with the overarching urban fantasy crime narrative that Slatter has cultivated.

Restoration is another superb read from Angela Slatter and an outstanding addition to one of the best fantasy crime series in the world today. The books in this series are up there with The Dresden Files and the Peter Grant series, and are fantastic examples of this combination of genres. The third book in this Australian series makes full use of its elaborate mystery, intriguing fantasy elements, exciting Brisbane setting and distinctive humour to create an extraordinary read that comes highly recommended.

My Rating:

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City of Lies by Sam Hawke

On August 16, 2018August 19, 2022 By The Unseen LibraryIn Australian, Fantasy, Five-Star Books, Thriller15 Comments

Publisher: Bantam Press

Publication Date – 3 July 2018

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Poison, murder, conspiracy, and war are all on the way for readers of City of Lies, one of the best fantasy reads of the year from Canberra author Sam Hawke.

In the country of Sjona, the capital city of Silasta is a glittering beacon of culture and art. Young nobleman Jovan and his family serve a special role, subtly protecting Sjona’s ruler, the Chancellor, and his heirs from being poisoned. As a result of his training, Jovan is now capable of detecting and identifying poisons that could be slipped to his charges. While his uncle and mentor directly protects the Chancellor, Jovan serves the Chancellor’s carefree young heir, Tain.

When Jovan and Tain return to the city following a diplomatic journey, they are soon placed in a terrible situation. The impossible has happened: an unidentified poison has been slipped to the Chancellor, killing him and Jovan’s uncle. Without their respective mentors’ guidance both young men are thrust into new roles: Tain as an untested Chancellor, and Jovan now responsible for the safety of his nation’s ruler.

However, things can always get worse. A mysterious army has arrived undetected at the gates of Silasta, and the city, which has never known anything but peace, is soon besieged. The army appears to be made up of Sjona’s peasants and contains powerful individuals in control of spirits. With the majority of the military far away fighting in another conflict, few professional soldiers are left to defend Silasta, and Tain must lead a desperate defence against a superior force.

As the siege continues, it soon becomes apparent that not everything is as it seems. Why is the city being attacked, and how did no one see this coming? A deep conspiracy lies across the capital and no one can be trusted, not even Silasta’s ruling council. It also appears that the person who killed the Chancellor is still at large within the city and is aiming to poison Tain as well. As Jovan utilises all his skill to protect his friend, his sister Kalina searches for the traitors hiding inside their walls.

City of Lies is Australian author Sam Hawke’s debut novel and represents an outstanding first outing from a remarkable new talent. This ambitious book contains a fantastic plot, with some unique story elements and an elaborate thriller narrative that combines perfectly with the book’s overarching fantasy narrative. This is the first book in Hawke’s planned Poison War series, and is focused on two separate point-of-view characters, Jovan and Kalina, who each narrate around half the book.

This book contains an amazing and extremely compelling overarching thriller narrative that sees the protagonist attempt to unravel the conspiracies surrounding their city. Hawke has put a lot of work into creating an elaborate and multilayered plot that draws the reader in with its significant intrigue. The is so much for the reader to discover as the protagonists try to work out who the army attacking them is, what their motives are, and how the siege relates to the secrets of the ruling class. This intrigue-driven storyline is amped up even more once it is revealed that the person who poisoned the chancellor might not be a member of the army camped outside the city. Hawke presents the reader with a number of likely suspects, most of whom are on the city’s ruling council, as well as a range of interesting and plausible motives for the betrayal. The full extent of the interwoven conspiracies is quite impressive, and Hawke presents an extremely captivating storyline of the protagonists unravelling the plot that is guaranteed to pull in the reader’s full attention. This is definitely a high point of this fantastic book.

One of City of Lies’ standout features is Hawke’s substantial focus on poisons and role the main character plays in protecting the city’s ruler from harmful substances. At the start of the story, the Chancellor and the protagonists’ uncle are both poisoned and killed by an unknown toxin. Jovan, who already served Tain as his ‘proofer’, a combination food taster, poison master, and trusted personal chef, spends the rest of the book trying to defend Tain from a poisoner he knows is out there, who apparently has access to a poison he has no idea how to detect or cure. The battle of wits between Jovan and the poisoner is an intense part of the book’s narrative, and the reader can feel the desperation that Jovan feels trying to keep his friend and, by extension, his city alive. There are some great scenes throughout this book as Jovan attempts to work out how poison could be administered to Tain, as well as trying to work out potential cures and solutions to the poison’s victims.

In addition to examining the tension that the book’s poison elements elicit, Hawke also spends a significant amount of time exploring the various toxins of her universe and the techniques of the book’s poison ‘proofers’. The descriptions of these skills in training is utterly fascinating, and the author has come up with some amazing ideas that prove to be enthralling for the reader. In addition, Hawke has chosen to deepen the audience’s interest and knowledge of her universe’s poisons by including a page of the protagonist’s ‘proofer tome’ before each chapter in the book. These pages contain a description of the poison, what effects it has when administrated and what clues the proofer can use to identify the poison in food, such as taste or texture. This is a fun addition that also contains some information relevant to the book’s plot, and the readers will find themselves deeply exploring the lore being presented to them. Another cool feature was the way in which Jovan uses his knowledge and cache of poisons in an offensive manner against his opponents to compensate for his lack of martial skill. There are some fantastic scenes where Jovan uses a range of different substances in the middle of battles, as well as some excellent sequences where he doses potential opponents in advance of a confrontation.

Special mention should also be given to the wonderful fantasy setting that Hawke has created for City of Lies. The vast majority of the plot is set within the capital of Silasta, a large city that has a reputation and preference for culture and the arts, whilst viewing violence and warfare as a distasteful profession. The author does an amazing job describing this city’s many wonders, whilst at the same time creating a unique societal setup that plays brilliantly into the story’s intriguing elements. While the focus of this book is solely within the nation of Sjona, expect the sequels to follow adventures in other countries mentioned.

The siege elements of this book are also very enjoyable and offer another interesting point to this fantastic book. I’m always a fan of a good siege storyline, especially when it’s told from the point of view of the defenders. The parts of the book that focus on the siege are extremely well written and provide the book with some substantial action sequences. It is also fun to see how a city mostly made up of peace-loving artists and performers can defend itself without an army to help. Hawke produces some great ideas for her defenders, which also ties into the fantastic poison elements above, when the protagonists use their knowledge to create some defences for their city.

Overall, City of Lies is an intrigue-studded masterpiece of a fantasy novel that combines together a range or magnificent story elements with an excellent setting and an addictive overarching thriller narrative. Hawke’s use of poisons as a key plot point is just incredible and represents one of the most interesting parts of this book, and I am intrigued to see how she will continue to use poisons in future entries in this series. This is a five-star debut from Hawke, and I would wholeheartedly recommend City of Lies to any fans of the fantasy genre.

My Rating:

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The Honourable Thief by Meaghan Wilson Anastasios

On August 2, 2018August 13, 2022 By The Unseen LibraryIn Australian, Historical Fiction, Thriller3 Comments

The Honourable Thief Cover.png

Publisher: Macmillan Australia

Publication date – 31 July 2018

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In her first solo novel, Australian Meaghan Anastasios has produced a deeply compelling historical drama that combines a thriller storyline with an archaeological investigation into one fun and invigorating narrative.

In 1955, world-renowned archaeologist and war hero Benedict Hitchens has been living a life of academic exile in Istanbul. His promising archaeological career and professional reputation were destroyed after a chance encounter with the mysterious Eris, who held a horde of ancient treasures that validated the legends of the Iliad. When Eris and her treasures suddenly disappear, Ben’s attempts to find her result in suspicion from the authorities and disbelief from the world at large. His only tangible proof of the encounter is a small tablet that hints at the existence of Achilles, Ben’s archaeological obsession.

Now, Ben embarks on an ambitious plan to flush out the people responsible for Eris’s disappearance, hoping to bring her to justice and salvage his life and reputation. The clues that he uncovers take him on a quest to find the tomb of Achilles, travelling through Greece, London and Turkey in order to locate one of the world’s greatest treasures. However, a shadowy group is manipulating Ben at every turn. Can Ben find the Achilles’s tomb before the ghosts of his past catch up with him?

Despite this being her first solo book, Anastasios is already a successful author, having previously teamed up with her husband to produce the historical drama The Water Diviner, which was adapted into a movie starring Russell Crowe. While this book does not appear to be connected to Anastiasios’s previous work, both stories are primarily set in Turkey and focus on key events in the country’s history. The Honourable Thief does contain a fun little callback to her other novel when its main character is at one point nicknamed ‘the Water Diviner’ due to his uncanny ability to find archaeological material.

The overall story that Anastasios presents with The Honourable Thief is a fantastic narrative that combines mystery and suspense aspects, great historical fiction elements, exploration of Greece and Turkey, and a whole lot of archaeology. There is a great focus on the impact of World War II on Greece, especially Crete, as well as a detailed examination of Turkish history and culture. Having the protagonist work on uncovering both an archaeological investigation and a conspiracy around missing artefacts is an interesting combination that creates a very interesting story. The ties to the stories of the Iliad as the protagonist examines the possibility of finding the tomb of Achilles are fascinating and will appeal to fans of the classics.

The author has split The Honourable Thief into two parts and three separate timelines. Part I of the book only briefly touches on the storyline set in 1955, and instead focuses on the events in the protagonist’s life that led up to the latest timeline. One of these storylines looks at Ben’s early life during the 1930s and 1940s, including his experiences during World War II. The second storyline is set in the early 1950s and focuses on the events that led up to Ben losing his reputation and the beginnings of his self-destructive life in Istanbul. Part II of the book mostly contains the 1955 storyline, and follows Ben’s quest to clear his name.

This split into three distinct storylines is a great way to highlight The Honourable Thief’s intricate narrative, and it was interesting to focus on the earlier timelines in the first half of the book. This also allows the main plot to continue almost uninterrupted in the second half of the book, ensuring that the reader can completely focus on the intense and electrifying adventure set around the protagonist’s hunt for answers. This formatting decision was a great change of pace from other novels that slowly reveal their protagonist’s past through the course of the entire story.

While the vast majority of The Honourable Thief is told from the protagonist’s point of view, some very short chapters that buck this trend have been added into Part II of the book. These smaller entries are inserted before the longer chapters that focus on the protagonist and contain brief, shadowy conversations between the story’s villains. During these chapters, these hidden characters discuss and analyse the actions of Ben and work out ways to manipulate him further. The identities of these conspirators are not revealed within these chapters, which builds intrigue as the reader tries to work out who they are. These short chapters are a terrific addition to the book, as they provide the story with some short, but stimulating, breaks in the narrative. It also adds a completely new perspective to the story and allows the reader insight into the machinations of the book’s antagonists.

Anastasios has created an interesting and memorable protagonist for her excellent story. When Benedict Hitchens is introduced, he is a disgraced and self-destructive character who does not elicit a great deal of sympathy from the audience. However, the author’s clever use of the separate storylines allows the reader to view his backstory, which explores his obsession with finding Eris and Achilles. Both earlier timelines are vital in explaining the character’s motives and emotional baggage, turning Ben into a tragic and sympathetic character. It is also fascinating to see the changes that have happened to the character during the various timelines. For example, his experiences change his entire outlook on life and make him more likely to engage in reckless actions. It also changes his style of archaeology as he goes from the academically accepted practice of carefully digging trenches and laboriously recording every single detail, to a more reckless technique reminiscent of a tomb raider like Indiana Jones. Anastasios has included an interesting character flaw for her protagonist: despite him being a brilliant archaeologist, he keeps falling for a series of blindingly obvious manipulations, which becomes quite frustrating for the reader to watch.

The reader may find it is possible to predict many of the book’s various twists well in advance, and that lessens the impact of the story. The eventual reveal of who the antagonists are also was not too uprising. However, there is one significant, if not slightly ridiculous, twist in the last few pages of the book that nobody is likely to see coming. While these negative aspects are slightly detrimental to the story, I felt that the all the book’s other amazing elements more than make up for it and turn The Honourable Thief into a captivating and highly enjoyable read.

This fantastic novel is a superb first solo outing from Anastasios, who has crafted an excellent story of betrayal, mystery and adventure, all bound together with archaeology and history. Cleverly utilising three separate timelines into one compelling narrative, The Honourable Thief is a powerful and distinctive read that will appeal to a huge range of readers.

My Rating:

Four stars

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AWOL: Agent Without Licence by Andrew Lane

On July 29, 2018August 19, 2022 By The Unseen LibraryIn Thriller, Young AdultLeave a comment

AWOL Agent Without Licence Cover.jpg

Publisher: Piccadilly Press

Publication date – 12 July 2018

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From a veteran author of young adult fiction comes this brilliant spy thriller that introduces a younger audience to the joys of modern espionage.

Kieron Mellor and his best friend, Sam, are typical teenagers living the ‘greeb’ lifestyle in Newcastle, England, with their biggest problem revolving around how to get tickets to the next rock show. But when they witness a man being kidnapped in their local mall, they are thrust into the world of covert espionage and a plot to unleash untold destruction on the world. Noticing that the kidnapped man has dropped a set of glasses and an earpiece, Kieron picks them up, only to discover that they are part of a high tech virtual reality kit that can provide the user with a database of information about anything they see. They also connect Kieron to Bex, a secret agent on mission in Mumbai who is in desperate need of his help.

Bex’s handler, the man who was kidnapped, was using the technology currently in Kieron’s possession to remotely assist Bex with her mission. Bex was observing a deal for information about nuclear weapons, but the disappearance of her handler resulted in her losing her target. With no other options, Bex is forced to utilize Kieron and Sam’s help in order to complete her mission and stop an act of mass destruction. However, the Newcastle teens have problems of their own; a fanatical right-wing extremist group and a mole inside Bex’s organisation are hunting them for the missing glasses, and they have no intention of leaving any witnesses alive.

Agent Without License is the first book in Lane’s AWOL series of young adult spy thrillers. The second novel in this series, Last Safe Moment, is already set to be released later this year and will continue to follow the characters introduced in this first book. Lane already has significant experience writing novels for a younger audience, with eight books in his bestselling Young Sherlock Holmes series, as well as his Lost Worlds and Crusoe Adventures books. Other works from Lane include his science fiction based Netherspace series and several books set in the Dr Who extended universe.

The AWOL series is aimed towards a younger generation of reader and has been advertised for children in the 9-12 age range. I felt that this book is an ideal read for that demographic, and it reminded me of some of the books that really caught my imagination when I was that age, including the Artemis Fowl and Alex Ryder novels. While there is some violence and implied deaths within the storyline, it isn’t overly graphic and won’t traumatise the younger readers. That being said, the overarching spy storyline isn’t dumbed down, and its intended audience will enjoy the realism and the references to events, ideologies and prejudices that currently affecting the real world. There are also discussions about some mature themes, although nothing is too extreme or adult. These small inclusions will be appreciated by the younger audience, as they will enjoy seeing some of these mature issues which they are likely already aware of included in their fiction. Lane does make the obligatory attempts to tap into modern youth culture in order to appeal to his readers’ interests; fortunately, however, he does not go too overboard with his attempts like some authors do, and readers are not inundated with a flood of unnecessary pop culture references. The author has also included multiple examples of the two teen heroes outsmarting older antagonists. This is always a fun feature for the younger audience to enjoy, and these teen protagonists have some very inventive, and in some cases quite direct, solutions to the problems they encounter. Overall, Agent Without License will prove to be an excellent read for the audience in its suggest age range. Older readers will also have a blast with this book and enjoy the fantastic spy thriller elements.

For his AWOL series, Lane has leveraged his significant espionage experience to create intriguing novels with a sense of realism to their spy aspects. In Agent Without License, the author lays down a foundation of tradecraft and spy techniques for the reader to enjoy as his protagonists attempt to save the world. Lane explores the basics of spying in this book and provides information about current espionage agencies and how they impact on real world politics. As a result, this is a fun and informative introduction to the spy thriller genre, and the younger readers will appreciate the exciting and mature content of this story.

One of the best parts of Agent Without Licence is the advanced technology that the protagonists use to help complete their mission. This technology comes in the form of glasses and an ear piece, and is known as Augmented Reality Computer Capability (ARCC). The ARCC is essentially Google Glass on steroids, and allows the operator to access information on anything they, or the person they are connected to, can see or interact with. This is an awesome piece of fictional technology that sounds like an item espionage operatives could possibly already have access to. Watching the young protagonist, Keiron, become acquainted with and learn to operate the glasses is an enjoyable part of the story which plays in well with the book’s espionage elements. The information that Keiron obtains for himself and Bec is quiet interesting, and the ARCC technology provides them with threat analyses, escape routes, background history of the buildings they are going into, facial recognition and recording capabilities. This is a seriously cool part of the book, and the technology’s presentation and use is a great element that will make the readers eager for glasses like these to appear on the market.

Agent Without License contains two separate but connected storylines and alternates between the two different point of view characters in each chapter. One of the storylines focuses on Keiron in Newcastle, while the other follows Bex in India. These storylines overlap throughout the chapters, and the characters are in constant communication with each other. The different storylines are usually occurring at the same time, although Lane does occasionally move one storyline slightly ahead or behind to create some dramatic thrills. Some of the most intriguing scenes feature Kerion communicating information through the ARCC glasses to Bex. There is a fantastic interrogation sequence in which Bex uses the ARCC technology to stay in communication with Kerion as he provides her with the tools to crack her target and get the answers she is looking for. This breakup in storylines also helps highlight the differences in espionage ability between the trained operative, Bex, and the amateur but highly skilled teenagers, Kerion and Sam.

Andrew Lane has produced a wonderful and highly enjoyable novel that is a fresh and exciting take on the teenage spy book and an excellent gateway into the world of spy thrillers. Agent Without Licence is an ideal read for its intended younger demographic, while at the same time containing a range of mature story elements that will appeal to all ages. This is a fantastic first instalment in a great new series that is highly recommended for young readers looking for a great adventure story.

My Rating:

Four stars

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The Tall Man by Phoebe Locke

On July 22, 2018August 20, 2022 By The Unseen LibraryIn Horror, ThrillerLeave a comment

The Tall Man Cover

Publisher: Wildfire

Publication date – 12 June 2018

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Prepare to explore an urban legend in this dark and complex thriller from author Phoebe Locke, whose inclusion of a number of disturbing horror elements that have been influenced from the Slender Man phenomenon turn this exciting story into a must-read book for horror fans.

For years the mysterious Tall Man has haunted the minds of many people throughout England, but is he a figment of their imagination, evidence of their mental instability, or something far more real? In the 1990s, three girls pledge their loyalty to the Tall Man in the dark woods around their home.

In 2000, a young mother flees the demons of her past and abandons her newborn baby. 16 years later she returns to her family, believing the threat from the Tall Man has passed, but something is still stalking her and her daughter.

In 2018, after a teenager is cleared of murder in a controversial and highly publicised trail, she embarks on a worldwide tour, followed by a documentary film crew. Is she an innocent victim, or is she the latest tool of the Tall Man? Each of these events is connected to this sinister figure, but is he the powerful legend that these people believe he is? You decide, but remember, The Tall Man can make you special if you let him.

The Tall Man is the debut book from Phoebe Locke and is an intricate and deeply unsettling thriller that will hold an interesting appeal to fans of the horror genre. Overall The Tall Man is a fantastic thriller that makes full use of its horror elements to create an effective story that is both compelling and creepy at the same time. Locke has written in a number of shocking twists and turns for the reader to enjoy, while all of her characters are either afraid of or have been damaged by interactions with the Tall Man. The constantly haunting Tall Man is an interesting and unique addition to this story, and its effect on the book’s plot and the characters is truly powerful.

The book is broken into three parts, each focusing on different time periods during the 1990s, 2016 with a couple of chapters in 2000, with the final part set in 2018. Each of these parts is told from the viewpoint of different but related characters and is somewhat distinctive in style. The stories are also interconnected in a variety of ways, although the significance and full connections are not revealed until later in the book in some powerful and emotional scenes.

Without a doubt, the most intriguing and noticeable part of The Tall Man that readers will enjoy is Locke’s clever utilisation of one of the most interesting horror phenomenon in the world today, the Slender Man. The Slender Man is a fascinating fictional character introduced around 10 years ago that has had a surprising influence on society and some specific people. With the Slender Man film coming out in a few weeks, Locke has chosen a great time to use a pastiche of Slender Man in her story.

The Tall Man elements are a remarkable part of the book, and Locke has used them to full effect to enhance her story and to make the thriller elements more disturbing and creepy. Locke has included a number of references to the Slender Man lore, including his shadowy presence and his targeting of young children. There are also some captivating elements to the book that have been clearly influenced by real events tied to the Slender Man. This includes Locke’s own fictional version of the infamous Waukesha Stabbing incident of 2014, which is key plot point within the book and results in several shocking twists that will really stick in the reader’s memory. Locke also ensures that the reader is constantly left wondering about whether the Tall Man is a real supernatural being or whether he is a mere fantasy in the minds of the main characters that becomes a group delusion among the other characters. This element of uncertainty is a fantastic addition to this book and readers will be considering what the answer is long after they have finished reading The Tall Man.

While the storyline set in 2016 represents the most significant storyline plot-wise, I personally enjoyed the chapters set in 2018 the most. These chapters are based around a documentary film crew who are trying to make sense of an incident that occurred in the 2016 storyline. The documentary makers in the 2018 storyline are essentially trying to come up with the next bestselling true crime series, and there are several allusions to current documentaries, such as the Making of a Murderer series or the real-life Beware the Slenderman documentary that was released on HBO in 2017. As a result, the reader is taken behind the scenes to follow the filmmakers as they research the Tall Man phenomenon. This part of the book features detailed examinations of Locke’s Tall Man lore, and how it has affected a number of people, including the other storyline’s main characters. It is interesting to see how Locke’s fictionalised Tall Man differentiates from the classic story of The Slender Man, and readers will enjoy examining how Locke has created a fictional replica of an already fictional character. The 2018 storyline also has a series of hints about the climax of the book’s other storylines, all of which were chronologically set before it, and it was fascinating tying these hints together with the actual storyline.

The Tall Man is the perfect read for those looking for something special and who aren’t afraid of some eerie horror in complex and heart-pounding thrillers. With her debut book, Locke has proven that she is definitely an author to look out for and I’m excited to see what she comes up with next.

My Rating:

Four stars

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The Escape Room by Megan Goldin

On July 19, 2018March 1, 2023 By The Unseen LibraryIn Australian, Thriller12 Comments

The Escape Room Cover.jpg

Publisher: Michael Joseph

Publication Date – 28 May 2018

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Australian thriller star Megan Goldin follows up her 2017 debut, The Girl in Kellers Way, with The Escape Room, a sensational new story that stabs right into the heart of Wall Street and the corruption and death festering within.

For years, the high-flying Wall Street investment team of Vincent, Jules, Sylvie and Sam have been the ultimate movers and shakers in the world of rich financiers. Despite years of success, recent setbacks have put them all at risk of being fired from the large investment firm of Stanhope and Sons. Ordered to a mandatory team-building exercise, the four colleagues meet at a half-constructed building and enter an express elevator to one of the top floors. However, the elevator only ascends halfway up the building before stopping and leaving them suspended between floors and high above the ground. As the four investors attempt to work out what is happening, they receive a chilling message: “Welcome to the escape room. Your goal is simple. Get out alive.”

While the team searches for a way out of the elevator, it soon becomes apparent that this is no ordinary escape room. Secrets and lies are revealed through cryptic clues, and the information revealed is designed to make the four strong personalities clash and lash out at each other. But the greatest mystery is the clues that hint to the team’s past, and particularly to a dark secret they have kept hidden for years. As time passes and their situation becomes even more desperate, the four financiers start to turn on each other in their search for answers. Who has trapped them, and how is it linked to the deaths of two young women who used to be members of their team?

The Escape Room is the second book from Goldin and is another great work from this fantastic Australian author. I really enjoyed this book and found it to be so compelling that I read the whole thing in one go, intrigued as I was by the unique concept and eager to see how the story ended.

Goldin has split her book into distinctive halves, with two separate stories told in alternating chapters throughout the book. Half of the book is dedicated to the characters trapped in the elevator and is set over the period that they spend in their confinement. The other half of the book focuses on the life of Sarah Hall, a young college graduate and entrant to the team at Stanhope and Sons. The chapters that focus on Sarah are set over several years leading up to the events shown in the book’s other storyline. The chapters following Sarah feature younger versions of the characters trapped in the elevator and provide significant backstory on these people and the work that they do.

Apart from plot content, there is also another key change between the two halves of the book that is very noticeable to the reader. The chapters set within the elevator are all told in the third person from the viewpoints of the four characters trapped within it. However, the chapters set in the past that focus on Sarah are all told in the first person. This is an effective way of differentiating between the two halves of the book and represents a distinctive change of tone within the story. The use of two different styles is an interesting choice from Goldin, but it actually works really well in this book. The third person point of view is the best choice for the scenes in the elevator, as it allows the author to show the actions of the four characters, each of whom have strong personalities. It also allows the reader to see the mindsets of each of the characters, as their recent actions and relationships issues are explored at multiple points throughout the chapter. These extra details add to the story and help explain the pressures they are under and the reasons they start to disintegrate mentally. Using the first person point of view for the chapters following Sarah is also a good choice from Goldin, as the reader gets to see Sarah’s personal experiences of the Wall Street lifestyle and her impressions of the characters from the other storyline who are her superiors at the firm. This allows the reader to see the characters who become desperate and crazy in the elevator chapters as they were when they were confident and arrogant Wall Street hotshots. This results in some great scenes and is an amazing pay-off for this unique choice of format.

The Escape Room contains some exceptional storytelling from Goldin, who has managed to create an intricate and captivating thriller. The scenes of the book set in the elevator are particularly intriguing, as the reader gets to witness these characters slowly become more erratic the longer they are trapped, and finally turn against each other. The final reveal of who is set up the escape room is a little predictable towards the end of the book. That being said, there are some great twists and turns getting there, as well as some exciting revelations, such as how the whole situation was set up, the motives behind it, as well as which characters in the elevator actually knew the dark secret that resulted in their captivity. These additions to the narrative are intricate and clever, and are one of the main reasons that The Escape Room is such a great read.

While this book had a number of amazing elements, the thing that I enjoyed the most was the examination of the Wall Street lifestyle. Goldin has done a superb job of capturing the sleaze, the sexism, the nepotism and the cronyism that infects such an old-school boys’ club like Wall Street. The descriptions of the lifestyles that the Wall Street brokers have to live are just insane, and Goldin spends significant time describing every aspect of these character’s lives and how their work, with the long hours, focus on appearances, the corporate backstabbing and the hunt for more money completely consumes their lives. While Goldin does not paint Wall Street in the best light, it is the perfect background for a thriller, and I really hope that she returns to this setting in some of her future books.

The Escape Room by Megan Goldin is an outstanding second outing from this amazing new Australian author. With a brilliant setting that contains a deep and confronting look at the daunting Wall Street lifestyle and a complex and captivating narrative that masterfully combines two excellent storylines, The Escape Room takes the readers on a wild thrill ride that they will be unable to escape.

My Rating:

Four and a half stars

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Deceit by Richard Evans

On July 19, 2018August 17, 2022 By The Unseen LibraryIn Australian, Five-Star Books, Thriller12 Comments

Publisher: Impact Press

Publication date – 18 June 2018

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From former politician Richard Evans comes one of the most incredible fictional examinations of the Australian political system with Deceit, an exciting and superb political thriller.

When corrupt Australian Prime Minster Andrew Gerrard makes a deal with his Indonesian counterpart, he embarks on a plan to build up a retirement nest egg by passing a controversial funding bill for overseas detention centres over a period of several years. However, when key members of his party die in a tragic plane accident, Gerrard decides to process all of the funding in one go and receive the full amount of his payoff.

Outnumbered in the House of Representatives, and with only one week to pass the bill through both houses of parliament, the task looks impossible. But the Prime Minister is a canny political operator with no conscience to speak of and with the Speaker deep in his pocket and with no conscience to speak off. Equipped with a master plan, Gerrard starts to manipulate the bill through parliament.

The only person who may be able to stop him is the outgoing Clerk of the House of Representatives, Gordon O’Brien, who suspects that the Prime Minister’s mysterious last-minute bill is more sinister than it appears. As one of the few people who believe in the sanctity of the parliament, O’Brien will risk everything to find out the truth and ensure no wrongdoing is done on his watch. Utilising all the tools at his disposal, including the opposition and investigative journalist Anita Devlin, O’Brien prepares to move against the Prime Minister. Let the political games begin!

Evans is a former Australian politician who served two terms as a federal member of parliament in the 1990s. Evans has decided to utilise his political experience and expertise by creating a series of Australian politics based thrillers and dramas, with several books planned for release in 2019 and 2020. Deceit is his debut novel and the first book of his planned Democracy trilogy, with the second book in this series, Duplicity, already set to be released in 2019. Readers interested in fictional depictions of Australian politics should also keep an eye out for his upcoming Referendum and Jack Hudson series, both of which will start to be published in the next two years.

Deceit is a fabulous political thriller with a fantastic story that twists and turns through multiple layers of manipulation, deceptions, lies and double-crosses. The book’s main antagonist, Australian Prime Minister Andrew Gerrard is a selfish, manipulative and sleazy character who serves as a perfect villain for this story and whose plots are a highlight of this book. Evans has done a clever job of spreading the story out among multiple point-of-view characters, as this allows the reader to view the impact of Gerrard’s manoeuvrings and lets them see how they are received by members of the opposition, the media and O’Brien. Evans is a very talented storywriter, and the entire plot of Deceit is extremely compelling and very well thought out. Readers will fall in love with this amazing story and will find its overall conclusion very satisfying.

As someone who lives and works in the book’s main setting, Australia’s capital city, Canberra, I have received a lot of exposure to Australian politics. As a result, I loved the author’s exceedingly realistic and accurate depictions of the Australian political system and how it was used within this story. There is some great coverage of Australia’s parliamentary procedure and the creation and passage of bills and laws through both houses of parliament that are presented in a precise and well-described way. There are also a number of characters who hold roles that are actually part of Australia’s political and civil service. These positions and roles are explored in detail, and the reader is given significant insights into what work and requirements are needed by the people holding them. Evan’s does a fantastic job of weaving these usually dry subjects into a very enthralling narrative, and readers will be intrigued to see how the fictional Prime Minister plans to get a dodgy bill past the entire country without anyone noticing what he is doing.

The standout scene of the book has to be an extended chapter that featured a session of question time in the House of Representatives. Question time is a daily occurrence during the parliamentary sitting period during which government and non-government members of parliament ask ministers questions about their various portfolios. As someone who has been exposed to many question times, I was struck by how genuine Evans’s description of this event was. Evans perfectly encapsulates the entire process from start to finish and was able to recreate the snarky and sometimes petulant nature of the discourse that are the usual fare of question time. The author expertly links the overarching storyline of political corruption into this scene, as one member of the opposition is suspicious and starts to ask the Prime Minister leading questions about the controversial bill he has put forward. The political back-and-forth around these questions was amazing, and it was fascinating watching them being tied into the rest of the story. Overall, this sequence was exceedingly compelling, and the entire time I was reading it I was physically incapable of putting the book down.

Deceit also contains some detailed and enjoyable depictions of Australia’s Parliament House and the capital city, Canberra. Parliament House is a beautiful building, and Evans does a wonderful job describing Parliament House in detail and examining various parts of the building, from the Prime Minister’s office and courtyard, to the various gardens, media offices and even cafes. Other little nuances of life within Parliament House are also captured within the text, no doubt because of Evans’s prior experiences working within the building.

I also really enjoyed seeing my home city of Canberra featured in this book. Despite being the capital city, Canberra does not feature much in fiction, due to it being a smaller and newer city than Sydney or Melbourne. Deceit, however, contains some great depictions of the areas of Canberra close to Parliament House. There are several references to some real restaurants and cafes that politicians are known to frequent and where several big political discussions are known to have taken place. There are also several scenes where the characters explore other parts of Canberra as part of the book’s plot. I for one found it incredibly amusing and disconcerting to read a scene about a secretive handoff of documents set in a cinema that I’ve watched The Hunger Games and Doctor Who specials in. Canberra locals will love seeing their city as a major fixture of this book, and other readers will get to explore Australia’s capital and see its potential as a setting in this exciting thriller.

Richard Evans’ first book, Deceit, is a five-star thriller that brings the Australian political process to life. Former politician Evans brings all of his insight and expertise to this new book, and readers will be astounded by the realistic descriptions of Australian politics and the way it has been utilised in this exciting and first-rate story. This is an outstanding debut from Evans, and this terrific read comes highly recommended.

My Rating:

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Connect by Julian Gough

On July 9, 2018August 17, 2022 By The Unseen LibraryIn Science Fiction, ThrillerLeave a comment

Connect Cover

Publisher: Picador

Publication Date – 8 May 2018

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For those looking for a darkly complex and intense techno-thriller, look no further than Connect by Julian Gough, a unique novel that also critiques future trends and humanity’s increasing reliance on technology.

In the very near future, computer technology has been incorporated into nearly everything, linking the world and helping with all aspects of day to day life. In Nevada, awkward young teen Colt is a talented hacker living with his mother, Naomi. Seeking to create a perfect replication of the real world in virtual space, Colt has also developed a dangerous fascination with his mother’s biotech research.

When Colt submits his mother’s revolutionary work to a biotech conference, Naomi comes to the attention of the government, including Colt’s father, a high-ranking spook, Ryan, concerned with its potential implications. However, Colt has also taken the opportunity to inject himself with the experimental biotech, turning himself into something new: a hybrid of man and technology. Colt and Naomi are soon considered to be threats to the government, and Ryan activates an experimental defence network to hunt them down. Colt and Naomi are forced to go on the run and must try to avoid a barrage of killer drones programmed to target and kill them at any cost. Will Colt’s new abilities be enough to overcome the computer intelligence seeking them, or will the future of technology be changed forever?

Connect is an inspired new novel from Gough which represents a different direction from his previous writings. Connect is a fascinating read and an interesting techno-thriller that examines the future of technology, creates a compelling dialogue and makes significant use of some excellent narrative elements.

The main story is an absorbing thriller that pits the protagonists against some sizeable opponents and threats. One of their main opponents is an advanced and experimental computer program that is connected to every piece of technology in the country. As a result, the protagonists are forced to find ways to avoid the overwhelming surveillance hunting them. Not only must they avoid pursuit from teaching devices and video cameras but they must also find a way to go low tech in a society that has computers connected to everything. There are some great scenes where the characters are forced to out-think drones hunting them and try to find ways around the tracking programs that determine when and where to attack. All of these play wonderfully into the book’s thriller storyline, and there is some real excitement when the protagonists encounter and attempt to counter these technological threats.

Gough spends a significant amount of Connect examining the future of technology and ends up offering some significant commentary on our reliance on technology and its potential influence on us. The story is set in the immediate future, where everything is controlled by computers and certain things common in our current world no longer exist. For example, most cars are self-driven, everything has become exceedingly automated and cash has become nearly obsolete. In other words, it is a picture of how our world is likely to turn out in the next few years, based on current advances in technology. Gough scrutinises how this over-reliance on technology could be detrimental to humanity, and how it could be turned against us by hackers and governments. There is also an examination of the automation of a nation’s defence and security as an advanced security program is activated to hunt down the protagonists. The debate around such a program is very in-depth, and the readers will be fascinated by some of the arguments presented. Naturally, the program starts getting out of hand as it is manipulated into seeing the protagonists as a bigger threat than they are and it starts to dramatically escalate its attempts to destroy its targets. This thought-provoking discussion and examination of the future of technology is a key part of Connect and will prove to be one of the most intriguing parts of the book for some thoughtful readers.

One of the most noticeable parts of the book is the unusual format that Gough has chosen to implement throughout his book. The story is broken up into 12 chapters, and then further broken down into 149 sub-chapters, and is formatted in a way that vaguely reminded me of code within a computer program. The inclusion of such a visually distinctive writing format does not break up the flow of the story, nor does it affect the reader’s ability to follow the story. It does, however, dramatically change towards the end of the book in a way that ties in nicely with some of the significant plot elements occurring during this part of the book. Gough has also chosen to include a number of relevant quotes at the start of each of the chapters. I personally enjoyed reading those and connecting them to the plot of the upcoming chapter, and may prove to be more amusing to those of a more computer or technical mindset than myself. Overall, the consistent use of this unique format and the attention grabbing quotes work well with the technology-centric plot and are a clever addition by Gough.

The point of view of Connect is mostly shared between the book’s protagonists, Colt and Naomi, although the main human antagonist, Ryan, also features in a few of the book’s chapters. These separate viewpoints offer different subjects to the reader, and Gough has done a fantastic job of presenting unique content for both of his protagonists. The scenes that follow Colt are a stimulating experience, allowing the reader a real sense of Colt’s social awkwardness and the disconnectedness he feels with the real world, especially when he focuses on his recreation of the real world in his virtual reality. This virtual world appears in quite a number of scenes and plays a pivotal role in the end of the plot, and it is curious to watch Colt attempt to live most of his life within this world. The characterisation of Colt shifts subtly after he injects himself with the experimental biotech and he starts to change. It is interesting to watch his character change and mature after this point, especially as he attempts to initiate a very awkward romance with another young hacker. The interactions he has with technology after this point, including with the advanced defence program hunting him, are some great scenes, especially as he creates and utilises some clever work-arounds to manipulate the computer networks to his advantage.

The scenes that feature Naomi’s perspective are significantly different, representing a noticeable change of pace for the reader. Naomi is a very damaged person who presents herself in very different way to her socially awkward son. Gough has made sure to communicate her multiple neuroses and issues to the reader, which adds a lot of drama to the story as she must attempt to save her son whilst trying not to get overwhelmed. Like her son, she also undergoes substantial character development throughout the story, and the reader will enjoy watching her work towards a better relationship with her son. In addition to this excellent piece of character work, the chapters featuring Naomi as the focal point are generally a lot darker and more adult. For example, one of these sub-chapters features one of the most memorable and disturbing death scenes that I’ve ever read.

Connect is deep thriller that revels in its use of technological elements to create a distinctive and eccentric story. Julian Gough’s discussion and consideration of a technologically advanced future and the problems this could create is compelling and thought-provoking, and his great use of characters and formatting elements turns this into one of the most unique pieces of literature you are likely to read this the year.

My Rating:

Four stars

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The Greater Good by Tim Ayliffe

On July 1, 2018April 10, 2023 By The Unseen LibraryIn Australian, Murder Mystery, Thriller20 Comments

The Greater Good Cover

Publisher: Simon & Schuster

Publication Date – 23 April 2018

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Australian author Tim Ayliffe presents a fantastic debut thriller set in iconic Sydney that delves into the heart of politics and the role of the media in the modern world.

John Bailey was a brilliant war correspondent for the Australian paper, The Journal. However, his life took a downward turn when he was kidnapped in Iraq and tortured for several months. Now, years later, Bailey is living a life of alcoholism and self-destruction, only occasionally contributing articles to The Journal.

However, when a prostitute is found murdered in her high-end Sydney apartment, his editor and old friend, Gerald Summers, sends him to investigate the crime, claiming that Bailey is the only person he trusts to report the story. The prime suspect in the case is an influential political advisor who had a close relationship with the victim. When Bailey encounters the advisor, he claims to have information that will clear his name, while at the same time implicating his boss, the defence minister.

After a run-in with an old friend in the CIA, Bailey soon realises that there is much more to this story than a simple murder. Investigating further, he soon discovers that the murder was committed to cover up a massive conspiracy that the defence minister is linked to. When witnesses to the crime start turning up dead and the police are pressured to drop their investigation, Bailey is determined to uncover the truth and publish the full story. But powerful people are invested in keeping this case quiet, and Bailey soon finds himself in their crosshairs.

This is an exciting and high-energy first book from Ayliffe, who makes full use of his journalistic experience and political insights to create a smashing thriller with a tangible Australian presence. The investigation into the conspiracy and its associated murders works well as the heart of this story, and readers are invited along on a wild thrill ride as the protagonists rush through this murky world of Australian politics and espionage in a quest to find the truth.

The character of Bailey serves as a great central narrator for this frenetic story, and readers will love the maverick approach he has to investigating the case and the lack of restraint of manners he has when it comes to dealing with Sydney’s political and financial elite. Ayliffe also spends a significant amount of time attempting to humanise his main character by examining his past as a prisoner and the effects his PTSD has had on his life and career. There are some great, emotional scenes as Bailey attempts to get over his problems with the help of other characters, and Bailey comes across as a much more grounded and damaged protagonist as a result. The other main narrator in The Greater Good is Sharon Dexter, who serves as the official police investigator and Bailey’s main love interest. Her investigation focuses more on cover-ups, sexism, and corruption in the police force, and these parts of the book serve as a great counterpoint to the sections featuring Bailey.

Ayliffe has made full use of his political knowledge and insight throughout this book. A large amount of the plot revolves around both Australian and international politics, and readers will be amazed at the potential conspiracy he is able to create. Various Australian political elements are dragged into the story and play a key part of the plot. These include discussions about pre-selections of federal seats, government spending and the role of several federal government agencies. World politics and the current status of Australia on the world stage are also examined within the story. There is a large focus on the expanding role of China, and the discussion about whether Australia should strengthen its relationship with this new world power or whether it should maintain its current relationship with the United States. This discussion is a key part of understanding the plot, and plays out in the book in a similar manner to current debates on the subject within Australia. This adds a real sense of realism to the story and makes readers, especially those familiar with current Australian news and politics, very thoughtful.

Throughout The Greater Good, the main characters are attempting to obtain evidence of a conspiracy so that they can print it in their newspaper, The Journal. As a result, the role of print media in keeping government’s honest and uncovering political corruption is examined in some detail. It is clear that Ayliffe, a career Australian journalist, is very supportive of the media remaining in this role, and many of his characters are quite critical of attempts to stall the publication of these stories. This allegorical analysis of the current role of media in politics and society is an intriguing part of the book and many readers will find this exceedingly relevant in light of recent world events.

Readers also need to keep an eye out for Ayliffe’s clever and entertaining inclusion of characters that are clearly based on real life Australian personalities. For example, the fictional Australian Prime Minister is described as an athletic man who is known for his fun runs and surfing, in a way reminiscent of former Prime Minister Tony Abbott. In addition, certain plot twists towards the end of the book will also remind the audience of another previous Prime Minster. Another example is a minor character who is introduced as a prominent talk show radio host. This character appears to be a composite creation of several of Australia’s right-wing radio commentators and comes across in a very similar manner to these real life presenters. These cheeky additions are a fun inclusion that will amuse readers with even a passing knowledge of these Australian personalities.

In many ways The Greater Good can be considered a love letter to the author’s home city of Sydney, as it contains a number of different locations and references that will be quite familiar to Sydneysiders. The narrator visits a number of different suburbs within Sydney, including Palm Beach, King Street, Finger Wharf at Woolloomooloo, Bondi and Chinatown, and also frequents some real life Sydney venues, such as Harry’s Café de Wheels. Not only is the food, geographical location and description of this Sydney café described in the text, but the author has also included a write-up of the restaurant’s owners and its history. In addition to furnishing the story with real life Sydney locations, Ayliffe also includes brief references to events and occurrences that Australians would recognise the significance of, such as Australian rugby, lockout laws and the current ice epidemic. While none of these locations or occurrences is essential to the plot, they do add a certain sense of reality to the entire novel, and Australian readers will enjoy seeing locations and scenarios that they recognise and understand.

Tim Ayliffe’s debut novel, The Greater Good, is a fun and exhilarating political crime thriller that is guaranteed to electrify and entertain in good measure. Making full use of Ayliffe’s extensive knowledge of Australian politics, culture and media, this very topical book is an excellent read for Australian audiences and those international readers keen to explore Australia’s potential for thrillers.