Publisher: Penguin (Audiobook – 7 November 2023)
Series: The Inheritance Cycle – Book Five
Length: 24 hours and 32 minutes
My Rating: 4.5 out of 5 stars
Bestselling author Christopher Paolini returns to the iconic world of Alagaësia with Murtagh, a powerful novel that continues his original series while focusing on a complex and damaged protagonist.
I am very excited about this review as it offers me the first chance to review a recently released Paolini fantasy novel. I am a massive fan of Christopher Paolini, having read every single novel he has written in his impressive career, including the science fiction Fractalverse series (To Sleep in a Sea of Stars and Fractal Noise). However, the series that most readers will associate him with are the Inheritance Cycle novels.
The Inheritance Cycle is an awesome young adult fantasy series that follows a young man who bonds with a dragon to take down an evil tyrant. A particularly iconic series, the original Inheritance Cycle consists of Eragon, Eldest, Brisingr and Inheritance, and it told a complex, well-established and exciting tale that saw the protagonist, Eragon, rise to great heights and eventually defeat the big bad. I was gifted the Inheritance Cycle novels when I was growing up and it became a favourite fantasy series that I read multiple times. While I tend to view it with a more critical eye these days, I still love it and its powerful adventure. Due to how much I enjoy this series, I have been eagerly awaiting a sequel for years, and I was so damn excited when I found out that Paolini was releasing a follow-up book. Murtagh was one of my most anticipated reads for 2023, especially when I saw that it was going to follow one of the best characters from the original series.
A year has passed since the war to free Alagaësia ended and the evil king Galbatorix was killed at the hands of the Dragon Rider Eragon and his companions. Peace now reigns across the land as the people look to rebuild. But there are two beings in Alagaësia who will never find peace: Eragon’s half-brother, Murtagh, and his dragon, Thorn. Already reviled for being the son of the traitorous Dragon Rider, Morzan, Murtagh is hated by every race in Alagaësia for the involuntary role he played in Galbatorix’s evils. Finally freed from Galbatorix’s iron control, Murtagh and Thorn travel the outskirts of the land, trying to find a semblance of harmony that has been lacking their entire lives.
However, the troubles of the world are always lurking, and the pair soon discover that not everything is as peaceful as it seems. Following warnings and whispers from an ancient dragon spirit, Murtagh and Thorn become aware of a dark conspiracy building in the land, as unusual rumours of brittle ground, the scent of brimstone and mysterious beings reach their ears.
Determined to stop a new evil rising and wreaking havoc, the exiled rider and dragon begin their own investigation and soon uncover the source of this evil: a mysterious cult whose influence stretches across all the races and nations of Alagaësia. Due to their surprising power and ability to manipulate the world, Murtagh and Thorn might be the only people capable of stopping them, and they set out to investigate. However, they are unprepared for the dangerous witch at the centre of this cult, as well as the deadly power she represents. Can Murtagh and Thorn defeat this evil before it is too late, or will they once again find themselves enthralled to a dangerous power beyond their comprehension?
Christopher Paolini returns with another outstanding book that takes the reader on an exciting and emotionally rich adventure which also cleverly expands his already elaborate setting. While I am sure my review might be partially influenced by nostalgia, I found Murtagh to be an exceptional read that brings back all the things I loved about the original novels while also showcasing Paolini’s increased ability as an author.
For this new book, Paolini goes backs to basics and creates a classic epic fantasy around one of his most damaged and compelling characters. Starting off a year after the climatic events of Inheritance, Murtagh follows the titular protagonist and his dragon as they try to unwrap a mysterious warning given to them in the last book. This warning and an obsession with redeeming themselves leads Murtagh and Thorn to investigate troubling rumours and encounter a group of dangerous warriors and infiltrators utilising powerful magic. This forces Murtagh into a search for knowledge while once again traversing areas of Alagaësia where he is the most wanted. There are some intriguing moments as Murtagh embarks on a series of side quests that will allow him to achieve his goal, including infiltrating a city, killing a giant fish, encountering old “friends” and uncovering corruption at the heart of a regiment of city guard. While I will admit that parts of this novel get a little slow in places, Paolini does a great job of reintroducing key elements of lore, building up a new growing threat and showcasing the main character elements of the protagonists, including their trauma, the bond between rider and dragon, and their unfairly given outcast status.
The second half of the book is extremely strong as Murtagh and Thorn come face to face with their new enemy, the witch Bachel and her unusual followers. Paolini writes this entire half of the book extremely well, as Murtagh attempts to at first subtly uncover what Bachel is plotting and what power she controls. Naturally things go wrong and this leads to a pretty dark and traumatic part of the story where Murtagh is at his lowest point. This part of the book is painful to read, especially as you have really grown to care for the protagonist, but it is so damn well-written and emotionally charged. Everything leads up perfectly to a much needed and exceptionally presented climax, where Murtagh manages to fight back and the resulting carnage is very therapeutic after all the dark scenes the reader has been forced to experience. The big confrontation was very epic and really tied into the author’s excellent characterisation of the protagonists, allowing for some impressive moments. The conclusion is both hopeful and worrying as a new big-bad looms on the horizon, and there are still many secrets left to unwrap.
I really liked how Murtagh came together as Paolini presents a powerful, character-driven read that really tries to capture the heart and feel of a classic epic. Murtagh really had all the best elements of Paolini’s first book, with a lone character and his dragon navigating through a complex world, searching for a big bad on the horizon. I loved these story elements, including the loosely connected quests, the elaborate and dark interactions in the second half of the book, as well as the general menace implied by the world’s new hidden threat. This story is so damn good and served as an interesting continuation of the original Inheritance Cycle novels, adding to the overall plot of the series, while also allowing the new protagonist to strike out on his own and encounter the world on his terms. Paolini really hits the right balance of elements in Murtagh, with a great focus on character work blending nicely with the complex story and great focus on expanding Alagaësia. While this series is usually marketed as young adult fantasy fiction, I honestly would consider Murtagh to be more of an adult book due to its elaborate story, big world, and complex older characters. Despite that, younger readers can still really sink their teeth into Murtagh as an early fantasy experience, and Paolini really hits the right balance of violence and other themes that ensures Murtagh is very palatable to a range of readers.
As I have made clear a few times already, Murtagh is a sequel to Paolini’s Inheritance Cycle series, where quite a lot of plot, character histories and elements about the world of Alagaësia were introduced. Due to it being a direct sequel, a large amount of this detail was essential for Murtagh, which does put newer readers at a disadvantage. I think Paolini did a good job of reintroducing these relevant story elements where needed, so new readers can dive into this book without too many issues. However, the re-establishment of these elements does take a little time, so there might be some occasional blind spots for these newer readers, especially towards the beginning of the book. As such, established Inheritance Cycle fans will get a lot more out of Murtagh than new readers, and there are tons of incidental references and callbacks that will make a lot more sense as a result. I was just so glad to finally get a new Inheritance Cycle book, especially one with such an elaborate and well-written story that connects to the original books in some creative and meaningful ways.
One thing I have always particularly loved about Paolini’s works is the insane amount of effort and detail he puts into developing his elaborate fantasy world. He did an outstanding job of this in the Inheritance Cycle, and the resulting world was filled with a fantastic history, some classic fantasy elements, and a complex evil empire ruled over by an all-controlling madman. I had an outstanding time exploring Alagaësia when I was younger, and so one of the things I was most excited about with Murtagh was seeing how much this fantasy world has changed in the aftermath of the protagonist’s victory. Paolini delivers this in spades, showcasing some intriguing changes as the nations rebuild, the other races once again integrate with humanity, and the compelling legends of Eragon’s victory over Galbatorix are built up, even if Murtagh’s role in that victory are largely forgotten. Many of the well-established rules of magic and Dragon Riders are brought back for this sequel, and Paolini makes sure to reintroduce them effectively for new readers.
It was quite interesting to see Murtagh’s less-knowledgeable take on much of this fantasy lore, especially as that cleverly tied it with his more brutal tutoring in magic than Eragon had in the original series. Indeed, Murtagh’s insights into many elements of this world are very different to those of the previous protagonists, and this helped to make a lot of the novel a lot more grounded and approachable. While it was great to see these familiar elements again, I also liked the new fantasy features of Alagaësia that Paolini came up with for Murtagh. While I won’t give too much away here, the new big bad of the series is very intimidating, and I loved how well Paolini set them up. The author is subtle with this introduction, and its gradual reveal really increases its threat level, as it seems potentially even more dangerous than Galbatorix. I look forward to seeing how Paolini expands on this, and I was so impressed with how much additional world building was featured in Murtagh.
A major highlight of this book had to be the compelling character arcs that formed the basis of the book. Murtagh is extremely character driven, perhaps even more so than the other Inheritance Cycle novels, and Paolini writes an exceptional story around his characters. Naturally most of this focus revolves around the titular character of Murtagh, who is the only point of view character in the novel. I was happy that Paolini decided to focus an entire novel on Murtagh, as he was such a great character in the original trilogy whose perspective you never got to experience. The son of a monstrous traitor who served Galbatorix, Murtagh eventually rebelled and tried to escape his fate, only to be captured again after meeting Eragon in the first book. Forced to serve Galbatorix against his will, thanks to the torture levelled against his newly hatched dragon, Murtagh ended up being the secondary antagonist of the series, especially once it was revealed he was Eragon’s half-brother. Murtagh was eventually able to free himself from Galbatorix’s control at the climactic battle however, despite the role he played in killing the big-bad, he is still very much reviled by the people due to the atrocities and murders he was forced to commit.
As such, the plot of Murtagh is essentially what happens if a somewhat redeemed Darth Vader (there are a lot of parallels between the two characters), was wondering the land trying to atone for the evils he caused and reflecting on all the mistakes in his life. I loved that we got to see this unique and compelling character focus, and it proves to be a very intense and powerful central storyline, especially as Murtagh is forced to relive a lot of the pivotal moments of his plot from the original novels, in addition to some previously unseen backstory. You really get to experience Murtagh’s regrets, despair and self-loathing, and Paolini does a great job of focusing on that, while also introducing some additional growth as Murtagh comes to terms with who he is. Paolini writes a fantastic redemption arc in this novel, and Murtagh really grows into a character you can care for. Naturally, Paolini rewards you for caring by showing some extended scenes of Murtagh suffering in some major ways, and some of these sequences, especially in the second half, pull at the heartstrings. The author expertly ties this suffering into Murtagh’s journey of self-discovery, and the scenes where he overcomes major adversity again proves to be some of the most powerful in the entire book. I also appreciated how Paolini portrayed him in a very different way to Eragon, as he is more angry, impatient, and less-well trained in many of the arts of magic. The author portrays these differing character elements in an extremely impressive way, and the character history surrounding the protagonist really explains why Murtagh is so separate from his fellow Dagon Rider and half-brother. I honestly was so impressed with how Murtagh was showcased in this book and he ended being a pretty exceptional character.
Due to their mental connection, Murtagh’s dragon Thorn is also a major character in the novel, and he proves to be an excellent alternative protagonist as a result. Thorn proves to be a fun and over-protective companion to Murtagh, especially with their joint history of abuse, and Paolini always does a great job of showcasing the soul bond that exists between a dragon and rider. In many ways, Thorn is very similar to Saphira from the original Inheritance Cycle novels, being proud, predatory and occasionally playful (very much like a cat). However, unlike Saphira, Thorn has gone through a substantial amount of trauma thanks to the machinations of Galbatorix, who used magic to age him quickly and tortured him the entire way to make him even more vicious. It was fascinating to see a psychologically traumatised dragon , especially as certain things set him off, and watching him try to mentally heal alongside his human is a very heartwarming part of the novel. While he does suffer at times alongside Murtagh, he also gets to cut loose at the end in a particularly cathartic, if destructive, sequence, which was really great.
Murtagh also features an interesting array of new supporting characters, who ensure some interesting interactions with the two protagonists. There is a noticeable lack of major characters from the original Inheritance Cycle novels, which I thought was a very clever move as it helped this novel to stand on its own. I did think that one or two good characters from the previous novel, such as Angela, might have fit into this storyline well, but I’ll settle for seeing them later, especially after how successful their absence worked here. As such, the supporting cast of Murtagh are all new characters, and Paolini did an outstanding job of introducing them and working them into the plot. While many of these characters did not appear in the story for a long period, namely because of the protagonist’s transitory narrative, several characters did stand out.
I loved the Urgal shaman Uvek Windtalker who Murtagh encounters in the second half of the novel, whose interaction with the protagonist leads to some powerful scenes. However, the true standout character in Murtagh had to be the main antagonist, Bachel. A powerful which and apparent profit, Bachel is a mysterious and aloof figure, who proves to be quite sinister. You end up getting quite a good look at just how malicious, arrogant and dangerous Bachel and her minions can be as the book continues, and Paolini does a remarkable job of building her up as someone to really despise. This ensures that you are really pumped up for the big confrontations with her at the end of the novel, and I liked just how effective the author was able to make her. These characters and more really help to push the narrative of Murtagh in some awesome directions, and I liked the more unique figures that were featured in this latest entry in the Inheritance Cycle.
While I did receive a paperback copy of Murtagh, I ended up listening to the audiobook version instead. This is mainly because the last few times I enjoyed the Inheritance Cycle I chose to listen to the audiobook format, and I wanted some continuity from that since they brought back Gerard Doyle, the narrator from the original Inheritance Cycle, to voice this latest entry. Doyle does an amazing job of narrating Murtagh, and I felt that he really enhanced the impact and enjoyment I had of the story. Not only has he got a great basic tone that helps move the plot and lore heavy parts of the book along at a good pace, but he also has some excellent takes on the character voices. His powerful voice for the titular character really hits all the right notes, and I love the range of emotion he can bring to this figure. He brings back the classic ‘dragon’ voice for Thorn that featured in the other Inheritance Cycle books, and I loved the somewhat bestial nature to it, as well as the ethereal nature of a mental communication. The rest of the intriguing cast is also well captured by Doyle, and he especially makes the main antagonist pretty sinister at times. This outstanding voice work really drew me into the Murtagh, and I easily absorbed a lot more of the intense detail and lore in this format. Coming in at 24 hours and 32 minutes, this is a pretty long audiobook (it would rank 15th on my current Longest Audiobook I’ve Listened To list), but it really worth a listen, especially if you enjoyed the original Inheritance Cycle novels in this format.
I think the multi-page ramblings above make it clear that I had an excellent time with Murtagh. Christopher Paolini did an outstanding job of continuing his iconic Inheritance Cycle series, and I loved the compelling direction he is taking this story. I also love how much Paolini appears to have improved as a writer, especially when it comes to complex character work, and I cannot wait to see what the next stage in Murtagh and Thorn’s journey is. Murtagh is very-much worth the read, especially if you grew up reading the Inheritance Cycle books like I did.
The Unseen Library 