Small Town – The Unseen Library

Publisher: Allen & Unwin (Trade Paperback – 4 March 2025)

Series: How to Kill a Client – Book Two

Length: 432 pages

My Rating: 4.5 out of 5 stars

Impressive new Australian author Joanna Jenkins presents another captivating piece of crime fiction with the gripping and emotionally charged read, The Bluff.

Back in 2023 I had the very great pleasure of reading the fantastic legal thriller, How to Kill a Client. The debut novel of Australian author Joanna Jenkins, How to Kill a Client followed various members of a prestigious Australian law firm who are forced to deal with the fallout of the murder of one of their biggest clients, a man who everyone in the firm had a motive to kill. Jenkins produced an outstanding story in her first novel, and How to Kill a Client ended up being one of my favourite debuts and pieces of Australian fiction of 2023. Due to how good her first book was, I have been keeping an eye out for anything else from Jenkins and I was very happy to see she had a new book coming out in 2025 with The Bluff. A surprising sequel to How to Kill a Client, The Bluff has been on my to-read list for a while, and I was very glad that I finally got the chance to check it out.

Plot Synopsis:

People like Dash didn’t die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.

Ruth Dawson has taken a break from big city law to fill in for a few months at a mate’s small-town legal practice in Myddle. It’s not what she’s used to . . .

So when she hears the front door of her office open she’s expecting a weird demand, or a question she doesn’t know the answer to. But it’s Bea Baulderstone’s mum, worried that she hasn’t seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.

Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea’s whereabouts.

An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.

The Bluff was an extremely captivating and complex Australian thriller from Joanna Jenkins that stands on its own feet while also serving as a great sequel to How to Kill a Client. Featuring a fantastic character-driven story loaded with mystery, impressive storytelling and an excellent rural setting, The Bluff had me hooked very quickly, and I ended up powering through it in a day.

I really enjoyed the amazing story that Jenkins came up with for The Bluff, as she provides both an intriguing mystery, and some great character development. A mostly standalone plot set after the events of How to Kill a Client, the reader is reintroduced to high profile layer Ruth Dawson, who is taking a break from the high-flying life to manage a small law firm in the small New South Wales town of Myddle. This change in setting and story focus towards a rural thriller, rather than the big-city legal thriller of Jenkins’ previous book, proved to be quite effective, as was the very clever way the author set out The Bluff’s story.

Jenkins ensured that readers get dragged into The Bluff’s tale almost immediately, with two very quick sequences at the start: one that showed a key moment of the plot without any context, and then a subsequent scene where the protagonist is reintroduced and then finds out about the narrative’s two main mysteries, a missing girl and a murder. With these important bits of information in your brain, the reader is then transported back six months and is shown all the events that occurred over this period that led up to the disappearance of Bea Baulderstone and the murder of Dash Rogers. Through this six-month period, you become acquainted with all the key players around Myddle and observe their interactions with the victims and the protagonist, and you begin the appreciate the complex web of relationships, problems and personalities that surround the case, as well as the many potential motivations for the book’s main crimes.

This dive back in time was an outstanding writing choice by Jenkins that allowed the reader to really appreciate the full breadth of the relationships and troubles that accompany the crime, all while perfectly utilising The Bluff’s excellent rural setting. With every brick of plot laid down to hint at the events to come, you find yourself becoming more and more involved with the plot as you try to picture how and why the murder will occur and which of the many interesting and emotional characters may commit it. The inclusion of a countdown at the start of each new chapter gives a great ticking clock vibe to The Bluff, and you become more and more anxious and excited as you get closer the plot’s principal event. The reader also begins to appreciate just how despicable the main murder victim is, and that allows for an even more compelling read, as you can see just how many potential people have a motive to kill him, as well as cause the disappearance of the missing girl.

The final third of The Bluff is probably the best, and I flew through it to find out how the story ends. The final series of events leading up to the pivotal killings are particularly dark (and potentially triggering for some readers), and it was fascinating to see everyone’s emotional state in advance of this crime, especially as there are so many potential suspects. However, rather than show the killings there, Jenkins instead jumps back to the timeline from the front of the book and spends the last 100 or so pages dealing with the subsequent investigation, with the protagonist pulling events together. I liked this delay, as it provided an excellent trickle effect for the twists and also allowed the protagonist to shine as she uses her knowledge of events and her own skills at deduction to identify the culprit and protect her friends in the town. The eventual solutions for the mysteries were very clever, and Jenkins did such a great job subtly dropping the clues throughout the backstory of the plot and setting up the various motivations. I really appreciated the many complex and compelling twists which fit into the plot perfectly, especially the last one that really made you think.

This entire brilliant story is wrapped up in some great character arcs, as Jenkins features a range of protagonists and potential suspects, each of whom were quite compelling and brought different shades of drama to the plot. I loved seeing their complex relationships and interactions throughout the plot of The Bluff, especially those that could lead to them committing the book’s main crimes. There are some really great characters here, and it was especially interesting to see more of series protagonist Ruth Dawson, who is not only continuing to move on from the personal trauma and loneliness that was a key part of How to Kill Your Client, but is also trying to figure out where her life is going after the collapse of her previous law firm. These character arcs come together in a very satisfying manner at the end of The Bluff, and a lot of this book’s complexity and strength came from how relatable and compelling Jenkins’ made these various characters, especially when it comes to their anger, fear and potential ability to commit murder.

Overall, The Bluff was an exceptional and deeply impressive sequel from Joanna Jenkins that I think was even stronger than the excellent first book. Featuring a very clever and well-written narrative that brings together powerful character storylines and a great rural setting with complex mystery, The Bluff proved to be extremely captivating, and you will become engrossed in uncovering the full extent of the plot. One of the best Australian crime fiction books of 2025 so far, The Bluff comes highly recommended and is really worth checking out.

Amazon

Publisher: Michael Joseph (Trade Paperback – 4 August 2020)

Series: Standalone/Book One

Length: 344 pages

My Rating: 4.5 out of 5 stars

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Australian crime fiction sensation, Megan Goldin, returns with an impressive third novel, The Night Swim, an intense and heavy-hitting read that quickly drags the reader in with its captivating narrative that refuses to let go.

Following the success of the first season of her true crime podcast show, Guilty or Not Guilty, which set an innocent man free, Rachel Krall has become an overnight sensation and a beacon for people seeking justice or their freedom. Determined to keep her momentum going, Rachel decides to set the latest season of her podcast around the most contentious trial in the country, a high-profile rape case in the small town of Neapolis. The town’s golden boy, a famous swimmer with Olympic potential, has been accused of raping the popular granddaughter of the town’s legendary police chief. The resultant case has divided both the town and the country, and many are eager to see how the hearing unfolds.

Arriving in Neapolis, Rachel begins her own investigation, interviewing people of interest and trying to provide an unbiased version of the case to her listeners. But as she attempts to unwind the legal and moral complexities surrounding the case, Rachel finds herself distracted when she begins to receive a series of letters from a mysterious woman. This woman, Hannah, is a former local who has returned to Neapolis because of the trial and is requesting Rachel’s help in getting long-overdue justice for her sister, Jenny Stills, who died 25 years earlier.

Officially, Jenny’s death was ruled as an accidental drowning and barely anyone remembers who she was or how she died. However, Hannah’s letters reveal a far different story about a poor girl who was brutally murdered and whose memory and legacy was tarnished from beyond the grave. As Rachel beings to investigate the death of Jenny, she soon finds parallels between this old case and the modern-day rape. Something truly rotten occurred 25 years ago in Neapolis and now the past has come back to haunt those involved. Can Rachel bring justice after all these years and how will her findings impact the current trial?

Now that was a powerful and compelling read from Goldin, who has once again produced an excellent and impressive read. Megan Goldin is a talented Australian author who debuted back in 2017 with The Girl in Kellers Way. I first became familiar with Goldin when I received a copy of her second book, The Escape Room, in 2018. I really liked the curious synopsis of The Escape Room, and once I started it I found that I was unable to stop, resulting in me reading it entirely in one night. As a result, I was quite eager to get my hands on Goldin’s third book, The Night Swim, and I was really glad that I got a chance to read it. This new standalone crime fiction novel proved to be an extremely intriguing read with an outstanding story that expertly deals with some heavy and controversial issues and which takes the reader on an intense and memorable journey.

At the centre of this book is a complex and multi-layered narrative that is loaded with emotion, mystery and social commentary. The main story follows Rachel as she arrives in Neapolis and attempts to uncover some background behind the events of the rape case she is covering. This part of the story sees Rachel interview several key witnesses or associated individuals to get their side of the story, explores how the case is impacting the town, witnesses the details of the dramatic court case and then reports her finding and feelings in separate extended chapters made to represent a podcast episode. Rachel also investigates the events that occurred 25 years ago to Jenny Stills. Rachel is guided in this part of the story by Hannah’s mysterious letters, which paint a detailed picture of Hannah’s childhood and her memories of the events that occurred. Rachel follows the clues left in the letters as well as her own investigations to attempt to uncover what really happened all those years ago and who the culprits are.

I really liked how Goldin split out the story, especially as it combined cold case elements with a modern legal thriller and investigation. Both the present case and the historical crime had compelling, if dark, narrative threads, and I really appreciated where both storylines ended up. Naturally both cases were connected in some way, especially as a number of key people associated with the modern-day rape, such as the police investigators, lawyers, the parents of both parties and several other characters, were in Neapolis 25 years earlier and are potential suspects in this previous crime. While I was able to guess who the main perpetrator of the Jenny Stills case was about halfway through the story, I still found it extremely intriguing to see the rest of the story unfold and the joint conclusion of both narratives was rather satisfying. Some of the key highlights of this story for me included the exciting and dramatic court scenes and I also enjoyed the use of the true crime podcast in the story. Having the protagonist run a successful true crime podcast or television show is a story element that has been a little overused in recent years, but I still find it to be an intriguing inclusion, especially as Goldin utilised it well in this novel as both a plot device and a forum for the character/author’s social musings. Overall, this was an excellent piece of crime fiction with an impressive narrative that will draw the reader in and ensure that they will stick around to see how it all unfolds.

One of the most distinctive aspects of The Night Swim is Goldin’s frank and comprehensive look at sexual assault crimes. The book’s narrative focuses on two separate but similar sexual assault cases that occurred within 25 years of each other. Goldin not only provides details of these crimes but also dives into other elements of rape and assault, such as how victims are impacted in the aftermath, how sexual assault crimes are viewed in society and very little has changed around this in recent years. This novel paints a particularly grim picture on the entire legal process surrounding the process for investigating and prosecuting rape cases and there are some fascinating, if horrifying, examinations of how society still has trouble coming to a consensus when it comes to these crimes, and how cases like these can divide communities and nations. There are a number of examples contained within the plot about the public perception of the crimes, with doubt and blame being placed on rape victims who are forced to relive their assaults in different ways and who face unfair and often malicious attacks on their reputations and psyches. It was also interesting to see the author examine some of the fear that women experience all the time at the possibility of an attack, and the protagonist’s emotional podcast posts are particularly good for exploring her experiences and thoughts on the matter. There is also a clever and apt bit of symbolism around this in the form of a caged mockingbird at the protagonist’s hotel who is bothered by several random men for not singing, which I thought was rather striking and memorable. Goldin does a fantastic job diving into this subject and she really pulls no punches in showing what a terrible and mentally damaging crime this is, as well as the impacts that it has on the victims. Because of this The Night Swim is a bit of tough book to read at times and some readers may find a lot of the content quite distressing. However, I really appreciated that Goldin spent the time exploring this subject and it proved to be a captivating and memorable addition to the story.

The small fictional town of Neapolis also proved to be a great setting for this novel, and I liked the way that Goldin utilised this location in The Night Swim. I think that the author was able to produce an excellent approximation of classic small town America, complete with social power players, economic troubles, well-to-do former residents who have returned to face their past and old secrets and lies that are only now bubbling to the surface. It was really intriguing to see the protagonist uncover all the secrets of the town, especially the ones told in Hannah’s cryptic letters and childhood musings. It was also fascinating to see the impacts of family reputation and parental legacy on how crimes are investigated and covered up and this becomes a major factor in both of the cases being investigated. I also liked how Goldin examined how a controversial sexual assault case could divide a small town like Neapolis, with all the resultant friction and disagreement obvious for an outsider like Rachel to observe. Overall, this was a compelling setting, and I think that it really helped to enhance the intriguing narrative that Goldin produced.

With this third impressive novel, Megan Goldin has once again shown why she is such a rising star in the crime fiction genre. The Night Swim is a powerful and captivating read that expertly examines a heavy, relevant and surprisingly divisive real-world topic and utilises it to create a clever crime fiction story set across 25 years. This was a truly outstanding piece of fiction, and the combination of a great mystery, dramatic writing and an in-depth examination of crime and society proved to be rather compelling and memorable. While The Night Swim is a standalone read, I think that the protagonist introduced in this novel has some potential as a repeat character, and it might be interesting to see her travel around the country, investigating crimes for her podcast. In the meantime, The Night Swim comes highly recommended and I look forward to seeing what Goldin comes up with next.

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