Tag: Short Stories

Da Red Gobbo Collection by Mike Brooks, Denny Flowers and Rhuairidh James

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Short Stories, Tie-in Novel, Warhammer4 Comments

Publisher: Black Library (Audiobook – 16 November 2024)

Series: Warhammer 40,000

Length: 11 hours and 10 minutes

My Rating: 5 out of 5 stars

Amazon

Prepare for da revolution with this collection of brilliant Warhammer 40,000 stories from three top authors, with Da Red Gobbo Collection.

Gosh this has been a great year for Warhammer 40,000 fiction, and the fun is still continuing as one of the best releases of this year just dropped with Da Red Gobbo Collection, which features five brilliant stories from awesome authors Mike Brooks, Denny Flowers and Rhuairidh James.  Featuring three novellas and two short stories, Da Red Gobbo Collection focuses on the always entertaining ork faction from Warhammer 40,000 fiction, whose brutal, hooligan-inspired mindset always leads to comedic and outrageous reads.

However, rather than your typical ork novel, the stories in this anthology collection are focused on the ork sub-species known as grots, who are the 40K equivalent of the goblins from the Warhammer Fantasy universe.  Small, cunning and cowardly, the grots, also known as gretchin, work as slaves, cannon fodder and scapegoats (scape-grots??) to the bigger orks, generally getting kicked around by their ork masters even if they do the right thing.  However, not all grots are content to live under ork oppression, and some even have the courage to fight back thanks to the legendary figure known as Da Red Gobbo.

Da Red Gobbo is a mysterious figure in the grot mythology, who arises whenever the orks push their smaller cousins too far.  Able to put aside the typical grot amnesty and selfishness, Da Red Gobbo is an icon for revolution and revolt against the orkish oppression.  But who is Da Red Gobbo?  Are they really a legendary figure going from ork warband to ork warband spreading the word of freedom, or can any grot put on the cape, hat and goggles and inspire his fellows?  Whatever the truth may be, Da Red Gobbo is here to bring a crumping, and nobody, be they human, Chaos worshipper or even the mightiest of orks, will underestimate the grots again.

I had a blast with Da Red Gobbo Collection, especially as I was able to enjoy all five stories on audiobook for the first time.  Brooks, Flowers and James have all produced exceptional stories focused on the hilarious figure of the Red Gobbo, and I like their intriguing alternative takes on this unlikely revolutionary and his origin.  Thanks to the inherent humour of the ork faction, this was a particularly entertaining and comedic novel, and I frankly laughed my way through the various stories, especially as the three excellent authors created some particularly inventive reads.

The first story in Da Red Gobbo Collection was Da Gobbo’s Revenge by Mike Brooks, which was one of the longer novellas in the collection.  Brooks is an outstanding author, and I have read quite a few of his Warhammer 40,000 books recently, including The Lion: Son the Forest and Lelith Hesperax: Queen of Knives.  Da Gobbo’s Revenge was a particularly entertaining read, which is set parallel to Brook’s previous ork-focused novels, such as Warboss, Brutal Kunnin and Da Big Dakka, which have also featured fun narratives of grot revolution and rebellion.

Da Gobbo’s Revenge is a more compact narrative that follows the unlikely hero, Fingwit.  The leader of small band of grots that follow a crazed ork mek, Fingwit and his comrades find themselves in deep trouble when their boss forces them to participate in a deadly boarding action aboard an Imperial war vessel.  When the mek dies in front of them, Fingwit attempts to lead his fellow grots to complete their boss’s final mission, only to encounter human soldiers, running firefights, and dissent from amongst his fellow grots.  However, it’s the actions of an ork taskmaster that finally drives Fingwit over the edge, and he decides that the only way to survive is to become something legendary.

Da Gobbo’s Revenge is a very entertaining and fast-paced novella that provides an interesting initial look into the grot mindset while throwing them into a frenetic adventure.  Brooks hits this story with the clever and comedic style he has utilised for his other ork-focused books, and you can really appreciate his clear love for this faction, as well as his attention to detail around them.  The only story in this book told exclusively through the eyes of a grot, Da Gobbo’s Revenge fully showcases their sneakiness, their shrewd cunning, and their desire to outdo each other, and the result is hilarious, especially as they manage to outsmart various bigger opponents who completely underestimate them.  This over-the-top adventure, while very fun, takes on a more thoughtful manner towards the end once Fingwit decides to take on the mantle of the Red Gobbo to save his friends.  Seeing the previously self-obsessed Fingwit become more concerned with the fate of his fellow grots helps to hammer home the significance of the Red Gobbo to these lowly creatures, especially as he inspires them to do something truly special and unselfish.  This ending is surprisingly powerful and poignant, especially for an ork/grot focussed Warhammer 40,000 story, and Da Gobbo’s Revenge was a very strong story that serves as the perfect introduction to Da Red Gobbo Collection.

Following hot on the heels of this first excellent entry is the brilliant novella, Da Gobbo’s Demise by Denny Flowers.  Da Gobbo’s Demise was another awesome read that I was particularly keen to check out, mainly because I am a massive fan of Flowers at the moment.  One of the best rising stars of Warhammer 40,000 fiction, Flowers has deeply impressed me with his books Fire Made Flesh, Outgunned, and the outstanding 2024 release Above and Beyond.  Da Gobbo’s Demise was the first of Flowers’s novellas I have had the pleasure of reading, and I was very excited to check out his take on a non-human character, the result of which was extremely entertaining and fantastically fun.

Da Gobbo’s Demise follows a small herd of grots who find themselves alone and in trouble when their taskmaster, Runtherd Killaskun, is suddenly killed, and they are left without any ork supervision.  This proves particularly problematic for Killaskun’s right-hand grot, Redsnot, as he knows that his fellow grots will be looking to even the score against him for enforcing Killaskun’s orders.  However, the grots soon find themselves in deeper trouble when they are surrounded by a horde of Chaos cultists determined to kill them and take the church they are hiding in.  Determined to survive, Redsnot seeks to take advantage of the situation and be the leader the grots need.  However, his genius plan is ruined by the surprise appearance of Da Red Gobbo, hero of all grot-kind.  But Redsnot isn’t going to be upstaged by anyone, even if the Red Gobbo trying to save his life.  But luckily even legends are susceptible to a knife in the back.

This was another particularly fun and awesome novella that really showcase Flowers’ ability to write a clever, funny and very cynical story that I could not get enough off.  I honestly really enjoyed where Flowers took the story, especially as it ended up being a Home Alone-inspired siege, where the hilariously cruel grots hold off a bunch of incompetent cultists by any means necessary.  The constant bickering and dissent on both sides of the conflict was just great, and there are some very amusing moments as the grots use their natural cunning to outsmart their opponent.  The entire story moves quickly, and I found myself constantly laughing due to the outrageous antics of everyone involved.

Flowers makes Da Gobbo’s Demise’s story even more entertaining and funny through amazing use of multiple character perspectives, as in addition to showing events through Redsnot’s eyes, the author also features the viewpoint of the Chaos cultists besieging them, including a traitor commissar hoping for glory under his new gods.  There are some brilliant contrasts between the bickering grots and the disorganised cultists, especially when it comes to their different leaders.  While the chaos cultists are controlled by fear, and their leader becomes more and more demented the more failure he encounters, the usually contentious grots become surprisingly well organised thanks to the appearance of Da Red Gobbo, who resolves most of their petty arguments and turns them into an effective team.  I especially enjoyed the way in which Da Red Gobbo manages to effectively undermine and outsmart Redsnot at every turn, especially as it leads to yet another compelling bit of character growth for the main protagonist as he learns to fight for something bigger than himself.  The resulting story turns into a wonderfully bloody mess of over-the-top characters and outrageous antics, and I laughed my way through it.  Another outstanding outing from Flowers that perfectly expanded on the opening momentum of Da Gobbo’s Revenge and ensured that readers are firmly enthralled by Da Red Gobbo Collection as this point in the book.

The next entry in Da Red Gobbo Collection is the short story Da Wrong Type of Green, also by Denny Flowers.  A quick and exciting read, Da Wrong Type of Green is a direct prequel to Da Gobbo’s Demise that, shows the events immediately leading up to the novella’s opening scene.  Featuring the exact same style and most of the same characters, Da Wrong Type of Green gives some fun additional context to Da Gobbo’s Demise that I rather enjoyed seeing, especially as I had such a brilliant time with Flower’s longer novella.  I particularly enjoyed seeing the protagonist’s relationship with their former ork leader, Runtherd Killaskun, which really enhanced some of the themes of freedom and revolution that Flowers featured in novella.  While the inclusion of this story does feel a tad unnecessary, especially as you don’t really need to read it to appreciate Da Gobbo’s Demise, it was an interesting story, and one that you can get through very quickly.

Following these two stories by Flowers, readers are then led to the book’s third novella, the amusing and outrageous entry, Da Gobbo Rides Again, by Rhuairidh James.  James, who has previously written several interesting Warhammer 40,000 short stories, honestly produces one of the best entries in Da Red Gobbo Collection, and I was really blown away by his intriguing and original take on the focal character, especially as he examines the revolution and the relationship between orks and grots in a very different manner.

Da Gobbo Rides Again follows the ork painboy Stimma, who arrives back to camp only to discover something strange happening to his warband’s grots.  Rather than being their usual sneaky selves, the grots have all become exceedingly compliant and helpful, completely throwing off the usual anarchic rhythms of the ork encampment.  Ordered by his warboss to fix the problem, Stimma and his grot assistant, Goggulz, try to shake the grots out of their malaise and back to their previous sly and murderous mentality.  They soon determine that the only way to inspire the grots is to give them a Red Gobbo to stir them up.  However, with no Red Gobbo to hand, Stimma decides to create one, but first he needs to understand what the Red Gobbo is and how he comes into being.  But the further he dives into the mysteries of the Red Gobbo, the closer he comes to the truth, and not even an ork as ruthless as Stimma is prepared for what he finds.

This was such a brilliant entry from James, and I loved the elaborate and very memorable story he comes up with.  I love how he decided to tell the story through the eyes of an ork master, rather than another grot, which allows for a unique new perspective in the tale of Da Red Gobbo.  The central story focusing on the dispirited grots was very clever, and James’s concept of compliant grots being more dangerous to the orks than rebellious ones was a fun take.  The resulting story of Stimma’s attempt to create his own Red Gobbo is both hilarious and philosophical in nature, and you must love the ork mentality when it comes to grots and their so-called heroes.  This attempt at science also leads the protagonist to various ork experts, and while this is mostly a novella about grots, the fun and in-depth dive into the oddboyz, those orks with special skills such as meks and weirdboyz, proves to be really amusing and detailed.  I especially loved Jame’s take on the painboyz, the orks’ highly experimental medics, especially as it results in some hilarious discussions about ‘medicine’.

However, the thing that I loved most about Da Gobbo Rides Again is the main twist of the story.  Thanks in part to having read the other novellas first, you can easily see where Stimma’s plan is going to go, even if the orks cannot due to their blind spot when it comes to their smaller cousins.  As such, you get to watch in joy as James openly works to bring this twist to fruition bit by bit, and it is very satisfying when it all comes together.  This fantastic buildup works extremely well amongst the general chaos of the ork camp, while the fun relationship that builds between Stimma and Goggulz makes it even more delicious.  Throw in some very interesting sequences that explore the unusual past of the orks and their relationship to grot-kind, as well as a great scene that brings together Da Gobbo Rides Again with the other novellas in this collection, and this was an impressive entry that I could not get enough of.  I honestly cannot emphasise enough just how amazing Da Gobbo Rides Again was, and I hope we get a full-length novel from James at some point in the future as I know I will deeply enjoy it.

The final entry within Da Red Gobbo Collection is The Instigator.  Also written by James, The Instigator is a prequel to Da Gobbo Rides Again which was originally released in the White Dwarf magazine.  This story tells of the first time a young Stimma encountered a Red Gobbo, when he accompanies an ork raiding party when it attempts to board a spaceship.  However, nothing goes to plan, especially when the orks find an unexpected enemy hidden within the ship, led by an unlikely commander.  This story does a great job of showcasing events that were hinted at within Da Gobbo Rides Again and presenting them in a very different way than Stimma remembers them, especially as events were a little more desperate than he cares to admit.  James amps up the tension in this short but sweet story, which shows just how scary grots can be for orks, while also providing a fantastic opponent for the plot.  The Instigator proves to be a great follow-up for Da Gobbo Rides Again, and I really enjoyed seeing the seeds for Stimma’s later idea around Da Red Gobbo be planted.

This ended up being a very awesome overall collection of Warhammer 40,000 stories, and I love the impressive and relentlessly comedic tales that these excellent authors came up with.  I loved how the three main novellas perfectly complemented each other, building on the work of the preceding stories, while also standing on their own feet.  Brooks, Flowers and James really had fun when it came to these stories, and I love how you get some unique takes on the orks and the grots, although the general ork humour does carry through very well for all of them.  I also deeply enjoyed how each author showcased a different aspect of the Red Gobbo character, and the three separate incarnations of the Red Gobbo you witness paints a fascinating picture of this unique being in the Warhammer canon.  All three authors really outdid themselves in how they brought this figure to life, and their amazing stories were a true joy to read.

Unsurprisingly, I chose to listen to Da Red Gobbo Collection on audiobook, a format which always deeply enhances Warhammer fiction, especially as the crazy characters, unlikely scenarios and dark settings really pop when read out loud.  Warhammer 40,000 audiobooks that feature the orks are always particularly awesome, as the outrageous aliens are so damn entertaining especially when you get a great narrator voicing them.  As such, I was very keen to listen to Da Red Gobbo Collection, especially as it provided the first audiobook adaptations of several existing short stories and novellas, which ensured a whole new way to appreciate these clever tales.  I was also excited because British actor Harry Myers was attached to narrate Da Red Gobbo Collection.  A very talented narrator who has brought some of my favourite Warhammer 40,000 books to life, including The Wraithbone Phoenix and Day of Ascension, Myers has a fantastically entertaining voice that really fits some of the outrageous figures in this universe.  Myers particularly excels at voice ork characters (he previously narrated Warboss and Da Big Dakka by Mike Brooks), and his voice perfectly fits the rough and crude orks in so many entertaining ways.  He also does a great job of capturing the smaller and cowardly grots, and you really get a great sense of their scared, weaselly and backstabbing ways through his narration.  I also loved how each character comes out in this audiobook, and I was very impressed that Myers featured variety with his voice work, providing the various grots different voices, even when he moved on to a new story.  This was such an epic listen, and I really cannot recommend Da Red Gobbo Collection on audiobook enough.  Coming in with a runtime of just over 11 hours, this is a slightly long but very easy audiobook to power through, and there is honestly no better way to enjoy Da Red Gobbo Collection than by listening to it in this format.

Da Red Gobbo Collection was an exceptional Warhammer 40,000 book that I had so much damn fun getting through.  Thanks to the outstanding team of Mike Brooks, Denny Flowers and Rhuairidh James, you are gifted with some very impressive stories that prove to be exceedingly addictive.  Insanely addictive and extremely hilarious, Da Red Gobbo Collection will bring a smile to any Warhammer fan, and even new readers will be able to have an amazing time with it.  As such, I must give this collection a full five-star rating, as each author delivered something very special that came together perfectly.

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Buried Deep and Other Stories by Naomi Novik

On By The Unseen LibraryIn Fantasy, Short Stories1 Comment

Publisher: Del Rey (Trade Paperback – 17 September 2024)

Series: Standalone/Short Story Collection

Length: 433 pages

My Rating: 4.5 out of 5 stars

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A must-read for all fans of fantasy author Naomi Novik is the excellent and highly enjoyable short story collection, Buried Deep and Other Stories.  Featuring an intriguing combination of stories from across Novik’s imagination and established fantasy universes, Buried Deep and Other Stories was a particularly awesome read that I had a lot of fun getting through.

Naomi Novik is a well-established and impressive fantasy author who has produced some amazing works over the years.  Best known for her iconic Temeraire series, which envisioned the Napoleonic Wars with dragons, Novik has produced some great books and stories over the years, including some interesting standalone works.  I best know Novik from her excellent Scholomance books, which showcased a dark and impressive take on the magic school genre.  The Scholomance books, made up of A Deadly Education (one of my favourite books of 2020), The Last Graduate (one of my favourite books of 2021) and The Golden Enclaves (one of my favourite books of 2022), were all extremely awesome, and this remains one of my all-time favourite book trilogies.  As such, I was very interested in reading more from Novik and Buried Deep and Other Stories offered an amazing opportunity to explore her varied writings.

Buried Deep and Other Stories contains an auspicious 13 short stories, which run the gambit from entertaining to moving and bring together both previously published short stories and new tales fresh from the author’s imagination.  While some of the reads are standalone stories, there were also entries from Novik’s more familiar universes, all of which comes together to make quite an awesome overall volume.  I was initially drawn to this book by the promise of a continuation of series I’ve previously read, but I ended up staying for the whole inventive array, especially as you are gifted a vision into Novik’s future works.

Novik starts the book off strong with the fast-paced story, Araminta, or, The Wreck of the Amphidrake, a Regency-style adventure with fantasy elements that follows a young, adventurous woman who wants more than a planned marriage.  A chance pirate attack and a gender-morphing amulet provide the opportunity she is looking for while also leading to various amorous adventures.  This was a very fun, and slightly randy, swashbuckling adventure that successfully highlights the author’s flair for combining historical periods with her own fantasy ideas.  This proved to be a great first entry to Buried Deep and Other Stories, and I appreciated that Novik started things off fun.

Novik kept the book going strong with the amazing Afterhours, which serves as a follow-up to her awesome Scholomance trilogy.  I must admit that of all the stories in this book, Afterhours was the one that I was most excited for, primarily because I had such a great time with the Scholomance novels, and I really wanted to see how the universe continued.  Novik did not disappoint with a captivating story set a couple of years after The Golden Enclaves, with a look at a new class studying at the Scholomance magical school.  Despite the Scholomance evolving and becoming less exclusive, some things remain the same, with the unusual witch Beata, finding her school life made difficult by the rich and powerful enclave students, including her roommate.  Desperate to survive, Beata and her friends break curfew to obtain rare supplies, only to encounter some of the remaining monsters roaming the school.

This proved to be an entertaining and wonderful return to the Scholomance series, and I for one was glad to get a look at the school and its unusual setup following the chaotic events of the original trilogy.  Novik does an excellent job expanding on her existing universe, and fans of the series will love this continuation, as well as a major cameo at the end.  However, this story is open to reader’s unfamiliar with the Scholomance books, especially as Novik focuses the plot on a protagonist unaware of the full details of the previous books, allowing for an excellent outsider’s perspective as you explore the setting’s unique features.  It was great to return to this iconic setting, and Afterhours was a fun read that both stood on its own, while also providing some awesome moments to the author’s existing readers.

The third story in this book, Vici, is a quick but highly fun entry that ties into the dragon taming world of Novik’s Temeraire universe.  Indeed, Vici shows the origin of the universe’s entire dragon riding premise with a Roman historical tale that sees a young Mark Antony hatch a dragon egg.  Novik produces a particularly entertaining and hilarious story, as her irresponsible Mark Antony (inspired by James Purefoy from the Rome television series), finds himself in all manner of trouble, made worse by his impressionable talking dragon.  I loved this simple but highly effective story, which not only expertly works dragons into Roman history, but which also keeps the reader extremely amused with some great humour and over-the-top moments.  One of the funniest stories in Buried Deep and Other Stories, and a wonderful mood lightener between other heavier entries.

This leads us to the book’s titular short story, Buried Deep, which serves as a powerful retelling of the Minotaur myth.  Told from the perspective of King Minos’s daughter, Ariadne, Buried Deep follows her journey to becoming a priestess of the shrine that holds her brother, Minotaur, as he stalks the labyrinth under the island.  Novik seeks to cast both Ariadne and Minotaur in a more sympathetic light, showing them as victims of their father’s schemes, with Ariadne seeking to undermine Minos by using the labyrinth to enhance her reputation.  Thanks to its deep emotional edge and near gothic style, Buried Deep proved to be a particularly unique and memorable take on the Minotaur myth, and I loved seeing Ariadne’s perspective of events.  You really appreciate her bond with Minotaur and the pain that his imprisonment has on her, and this was one of the more moving entries in Buried Deep and Other Stories.  This story effectively showcased Novik’s ability to transform well-established stories and myths, and I’m glad Buried Deep was featured here.

The next story is the fantastic entry, Spinning Silver.  A clever take on the classic Rumpelstiltskin fairytale, this story follows Miryem, the daughter of a village moneylender, who takes over her weak father’s business and becomes a successful businesswoman.  A boast about her ability to make money brings her to the attention of a malicious faerie who demands that she prove her ill-timed words three times by turning his silver coins into gold.  What follows is a fantastic and clever series of events as Miryem uses her business sense and quick thinking to technically fulfill the terms of the magical contract while also trying to get out of the unfavourable marriage promised as a reward.

I really loved Spinning Silver for a multitude of reasons, especially as it has a compelling narrative that brilliantly retells a famous fairytale in a darker and more modern manner, while also featuring a great historical Russian setting.  This proved to be a particularly enthralling tale of fortitude and tough decisions that also subtly examines the historical hardship of the Jewish population of Eastern Europe.  Spinning Silver is also an interesting inclusion as it bears the same name as one of the author’s novels.  This short story, which was published a few years before the Spinning Silver novel, was the inspiration for Novik’s later book, with the author reusing elements from it.  While readers who have already enjoyed the Spinning Silver novel will see some similarities between it and this short story, the entry in Buried Deep and Other Stories is very much worth checking out as Novik takes this short story in a different direction to give it quicker and more definitive conclusion.  I think that the Spinning Silver short story works a little better than the overall novel, mainly because the concept was more focused and reached its key points sooner, but both prove to be excellent reads.  This honestly proved to be one of the strongest entries in Buried Deep and Other Stories, and I see why Novik chose to expand it into a novel.

The fun continues with the fantastic story Commonplaces, which serves as the author’s unique entry in the Sherlock Holmes mythos.  Set after the events of the classic Sherlock Holmes short story, The Final Problem, Commonplaces focuses on the character of Irene Adler after she hears about the events at Reichenbach Falls.  This was a short but sweet story that provides an interesting modern look at the impact Holmes has on the characters he encounters.  Novik’s take on Adler, which only utilises details from A Scandal in Bohemia, is particularly authentic, and doesn’t fall into the exaggeration that many of her current popular culture portrayals are known for.  Shown solely from Adler’s perspective, you get some great interpretations into her personality, as well as her observations of the enigmatic Holmes.  I felt the story went in some very interesting and memorable directions, and I liked how it both cleverly referenced A Scandal in Bohemia but also covered a potential romance between Holmes and Adler in its own way.  Novik adds in a few subtle implications about Holmes’ romantic interests and inclinations, which I thought was a nice touch, and the resulting story effectively ties up the entire storyline between these two iconic figures.  An overall fantastic story, Commonplaces is a fun and quick short that will appeal to a lot of readers.

Novik continues to delight with the seventh entry, ironically named Seven, which was one of my favourite stories in Buried Deep and Other Stories.  Set in a unique fantasy city called Seven, the story is set around the city’s famous ceramics trade, which constantly ensures that the city is surrounded by seven giant singing statues.  Whenever one of the statues breaks, a replacement is made from a beautiful yet deadly special clay by the city’s then master clay-shaper.  Seven primarily follows Kath, a clay-shaper’s widow, who takes over her husband’s business with the help of grouchy kiln master and ceramic devotee Grovin, and eventually forms a reputation as a radical artist due to the simplicity of her pots and ceramics.  Chosen to build the next singing statue, Kath is initially reluctant due to the life-shortening nature of the special clay, until the machinations of Grovin forces her hand.

I really loved Seven, and I think it is the story that best showcases how imaginative and skilled Novik is as an author.  I was deeply impressed with how effectively Novik was able to build up a new fantasy city and then set up a complex and character-driven tale that debated art versus practicality in only 25 pages.  You easily get drawn into the struggle of Kath as she becomes a famous artist and creator with all the trouble that entails, while simply trying to provide for her family.  Novik works this initial premise extremely well, and then cleverly twists the entirety of Seven into a tale the examines the dark side of art appreciation.  This darkness is conveyed by the complex and gruff character of Grovin, a man who only loves the beauty of ceramics, and whose desire to see more of Kath’s art forces him to some dark places.  I loved the ironic twist that forces Grovin to live a life less devoted to the arts to get what he wants, and I really appreciated how Novik explored his obsession, and the differing views of what ceramics represent between the two main characters.  If I had one complaint, it would be that the story wasn’t long enough; I would love to have seen a more concrete conclusion than the philosophical end Novik came up with, but this was still an exceptional story that really hooked me in with its creativity and unique focus.

Continuing onwards, Novik throws in two great short stories that break up the book in preparation for the longer stories towards the end, with Blessings and Lord Dunsany’s Teapot.  Lord Dunsany’s Teapot is a tale of magic and imagination in the depths of horrifying war, while Blessings is a fun story about a young baby who gets over-blessed by six drunk and competitive fairy godmothers.  Both these stories have their own unique flavour, and I liked how well they played off each other in short order.  Lord Dunsany’s Teapot was a quick magical story with descriptive dark war elements to it that highlight the need for an escape from horror, while Blessings was an excellent comedic take on the fairy godmother trope from popular fairytales.  I enjoyed both these stories, although Blessings was probably my favourite due to its hilarious, quick-fire content.

Next up we have the tenth entry in Buried Deep and Other Stories, with the book’s only science fiction contribution.  Seven Years From Home is a striking story about futuristic colonialism in which a young diplomat from an ever-increasing galactic federation visits a prospective new member planet where a war is brewing between new, technological reliant colonists and the original settlers of the planet who have genetically modified themselves and are now in tune with nature.  This was an interesting take on the classic story of technologically advanced colonists warring with nature-loving natives with an outsider amid the natives learning their ways.  However, Novik takes her story in some different directions, with the natives proving to be far more adaptable than you would expect, and I loved this brilliant and intriguing tale.  While it features a great story, Novik ensures that Seven Years From Home really stands out thanks to the protagonist, who finds herself caught between her loyalties to her home empire and the new friends she makes on her adventures.  There were some great scenes as the protagonist becomes even more conflicted with her choices, especially as the information she sends home keeps the war going, and her attempts to find the same mindset of her hosts.  This story ends with some touching tragedy and a great twist, and I felt that Novik’s foray into science fiction was a fantastic success.

Continuing, we have the book’s second foray into the Temeraire universe with the fabulous entry Dragons & Decorum.  Set to the backdrop of the Napoleonic War that the main Temeraire books are based on, Dragons & Decorum is a reimagining of Pride and Prejudice with dragons.  The primary story sees Elizabeth Bennett becoming a Longwing captain in the Aerial Corps, flying her dragon as professional soldier, much to the horror of her mother.  However, despite her new role, Elizabeth still finds herself drawing the attention of Mr Darcy, and the two engage in a tumultuous courtship, with even more complexity thanks to Elizabeth’s romance-obsessed dragon and the ongoing war.  Novik clearly had fun working elements of her dragon-focused world into this literary classic, and I loved her fantastic take on the classic book, especially as dragons add new entertaining angles to the romance.  I felt that the author perfectly blended the more outrageous elements of her universe with the Pride and Prejudice plot, while also cleverly imitating Jane Austen’s writing style.  The result is a particularly amusing entry that will appeal to both fantasy fans and Jane Austen fans, and I just love the hilarious impacts any book’s relationship to the Temeraire universe can have.

On the home streak we have the intriguing and dark story, Castle Coeurlieu, which saw the very young bride of a castle lord grow close to her similarly aged stepson and learn the unusual history of the castle in which they live, including several stories about people visiting a mysterious tower within its bounds.  When plague strikes the region and her new friend flees to the tower, the protagonist follows, only to discover unusual occurrences, including three women playing with cards inscribed with the fate of the castle’s inhabitants.  While Castle Coeurlieu wasn’t my favourite entry in Buried Deep and Other Stories, it proved to be a compelling darker story that added in some grimmer elements towards the end of the book.  I enjoyed the different layers of lore surrounding the setting, and the curious young protagonist was well written and provided a great view to the plot.  An overall interesting addition to the volume, that serves as a great buffer between two of its biggest stories.

The final story contained within Buried Deep and Other Stories is the captivating adventure tale, The Long Way Round.  The longest entry in the collection, The Long Way Round was probably the story I was most looking forward to reading outside of After Hours, mainly because it provides readers with the first glimpse at Novik’s next upcoming book, currently titled Folly, following two siblings, canny sailor Tess and brilliant boat-builder Aston, who embark on a journey to cross the seemingly empty seas surrounding their known world and try to discover new lands.  Forcibly accompanied by their High Lord, a young wizard looking to prove himself, Tess, Aston and their crew set out on their adventure, only to make some unexpected discoveries with major implications for their entire world.

Featuring a great combination of likeable characters, well-written nautical elements, and a compelling new world filled with unique elements, The Long Way Round was a particularly addictive entry in Buried Deep and Other Stories.  Novik once again does a remarkable job effectively building up the scenario and the new fantasy realm in a short run time, and readers quickly find themselves getting invested in the protagonist’s journey, especially as the author does an excellent job exploring their motivations and desires.  The set-up and apprehension of the first part of The Long Way Round is well balanced by the subsequent mystery contained in the second half of the story, as the protagonists find what they seek, even if they are uncertain what it is.  Novik provides the reader with a series of stimulating and intriguing visuals and curious elements, and you really get into the spirit of the adventurous narrative elements.  This honestly proved to be an addictive read, and I found the clever, character-driven nautical adventure to be moving and fascinating at the same time.  I also found myself coming away from The Long Way Round extremely curious about Novik’s next book, and I will be interested to see whether it will be a direct sequel to this or something set further in the future.  Either way, the mystery of the titular follies is something I hope to explore in the future, and I am now even more excited for Novik’s next book whenever it comes out.

Overall, Buried Deep and Other Stories turned out to be an awesome short story volume from Naomi Novik that showed me her true range and skill as a fantasy author.  This book provides a fantastic collection of works, that hit you on every part of the emotional spectrum, including fun comedic reads and darker, tragedy charged narratives.  I was also particularly impressed by the inclusion of unique standalone stories whose elaborate fantasy concepts were well established and the expertly utilised to tell compelling stories.  The blend of original stories and windows into the author’s current and upcoming fantasy universes also ensured that readers of Buried Deep and Other Stories are in for a brilliant time.  It proved very easy to jump between these different fantasy worlds, and I felt that all readers can appreciate and follow the stories contained within, even if they were tied into the author’s other series.  As a fan of Novik’s writings, it was great to get some additional stories from her various universes, and the final story, The Long Way Round, has really gotten me excited to check out her next book.  Folly (or whatever its name may change to) is now very high on my to-read list, and I hope we see it soon.  As for Buried Deep and Other Stories, this was an incredible and fantastic short story collection that comes highly recommended for fans of Naomi Novik, as well as general fantasy fans looking for some compelling, shorter reads.

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You Like It Darker by Stephen King

On By The Unseen LibraryIn Five-Star Books, Horror, Short Stories, Thriller7 Comments

You Like It Darker Cover

Publisher: Hodder & Stoughton (Trade Paperback – 21 May 2024)

Series: Standalone/Collection

Length: 484

My Rating: 5 out of 5 stars

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The master of shocks, thrills and chills, Stephen King, returns with a highly addictive collection of short stories that showcase his awesome writing ability in the epic book, You Like It Darker.

Stephen King is an author who needs very little introduction from me considering he’s been one of the world’s top authors for over 40 years.  Readers of this blog will know that I have come to the Stephen King fandom rather late in life, having only read his more recent releases.  However, the King books I have read were extremely epic, and I absolutely loved the awesome and inventive stories they contained.  This includes the epic thriller Mr Mercedes, the deeply personal tale Later, the fascinating Fairy Tale and the utterly addictive Billy Summers (one of my favourite books of 2021).  My favourite King book was his 2023 novel, Holly, which told a deep and chilling tale that is still stuck in my mind.  Not only was Holly one of the absolute best books and audiobooks of 2023, but it is also one of my very favourite horror books.  Due to this, I have been keeping a very close eye out for more content from this legendary author, including his latest book, You Like It Darker.  You Like It Darker was a short story omnibus book, which feature 12 unique stories from King, each of which have a dark shine to them.

I must admit that when I first heard about You Like It Darker, I wasn’t too sure I was going to read it.  This was primarily because I am not the biggest fan of short stories or novellas, as I prefer reading stories with more meat to them.  However, because it is Stephen King, and there is a certain guaranteed awesomeness associated with any of his works, I decided to give You Like It Darker a try, and boy was that a good decision.  The various stories contained within You Like It Darker was exceptional, and I ended up getting really stuck into everything contained in this impressive book.

The first story featured in this volume is the entertaining Two Talented Bastids.  A somewhat light-hearted start to a book dedicated to dark narratives, Two Talented Bastids tells the story of a famous and skilled author and his best friend, a highly regarded painter, both of whom grew up in a small town (near King’s iconic setting of Castle Rock) and managed to make it big.  Told through the writings of the author’s son, this story recounts the compelling small-town life of these fun figures, before eventually diving into the events that suddenly awakened their talents.

Two Talented Bastids was a very interesting and compelling start to You Like It Darker, which really played to the author’s strengths.  King is known for his ability to craft together tales of small-town life and intricate character backstories, which he does here in excellent detail.  The focus on these two friends who eventually make it big was moving and personal, and I liked the great way this story unfolds from the perspective of the loving, if overshadowed, son.  Because this is King, the story goes in some unusual directions, with an unnatural reason behind the protagonist’s renowned talents.  This twist away from conventional life was fun and surprisingly wholesome, and it was nice to see a good deed get rewarded in a King book.  As such, this was a surprisingly light start for You Like It Darker, but one loaded with humour, fantastic characters, and some great examples of human nature.  I felt that Two Talented Bastids was an excellent appetiser that showcased King’s writing style in advance of the crazier stories to come, and it got me in the mood for more tales about unusual people.

The next two short stories are the intriguing The Fifth Step and Willie the Weirdo.  Both stories are amongst the shortest entries contained within this book, and they prove to be an intriguing follow up to Two Talented Bastids, especially as they bring King’s promised darkness.  The first of these, The Fifth Step, is a short but impactful story that sees an older gentleman encounter a stranger at the local park who wishes to tell his personal confession as part of an addiction program.  This short story concludes with a sharp and memorable ending, and you have to appreciate the way that King effectively sets the scene in just 10 pages before bringing it to a sudden end.  Willie the Weirdo is also very dark, as it shows a strange young boy, the titular Willie, becoming close to his dying grandfather in his final days, hoping to see him die.  This is a bit of a weird story (unsurprisingly), but it’s one that I felt was very strong, as King showcases the strange nature of the two protagonists through a series of ghoulish conversations.  The final moments of Willie the Weirdo really bring the whole story together in a fantastic way, and readers are left to rethink all the previous aspects of the story thanks to a few subtle inclusions.  Both entries are great in their own way, and I liked how they substantially darkened the mood after the lighter starting story.

The fourth story in this book is probably my favourite, the excellent Danny Coughlin’s Bad Dream.  The longest entry in Some Like It Darker, Danny Coughlin’s Bad Dream is a brilliant tale that sees the titular Danny Coughlin, a small-town high school janitor, begin to have vivid dreams about a body at a location he’s never been to.  Hoping to alleviate the dread brought on by his visions, Danny finds and travels to the location from his dreams, only to discover that there really is a body buried there.  His attempts to subtly alert the police only lead to him being becoming the lead suspect and the detectives investigating the murder, especially the zealous Inspector Franklin Jalbert, begins an aggressive campaign against him.

While I enjoyed the preceding stories in this book, Danny Coughlin’s Bad Dream is the entry that made me fall in love with You Like It Darker.  The author works in an intriguing but simple concept of a normal man having a true psychic dream and turned it into a compelling and utterly intense tale of obsession and inner darkness as the protagonist loses everything due to events outside of his control.  The horror of this story is brought about by an excellent combination of circumstances and dark human nature as the protagonist, Danny Coughlin, is completely innocent of the killings and is instead a particularly likeable figure trying to do the right thing in the light of unexplainable events.  However, the stubborn and obsessive Inspector Jalbert, incapable of believing the protagonist’s supernatural explanation, relentlessly hounds Danny, trying to get him to confess to the murder.  His inability to do so, as well as the lack of evidence supporting Danny’s guilt, drive Jalbert, a homage to Inspector Javert from Les Misérables, to worse acts against his suspect, and it was fascinating to see Jalbert’s blind adherence to justice and his own personal issues turn him into a bigger villain than the man he is hunting.

King does such an amazing job with both his main characters in Danny Coughlin’s Bad Dream, and they play off each other perfectly, with the innocent and honourable Danny, trying to fend off the growing instability of Jalbert.  King takes this story in some excellent directions, and I found myself constantly on the edge of my seat waiting to see how everything would unfold.  The resulting conclusion is dark, moving, and sadly inevitable, and you can’t help but feel for both the main characters, even when they do the wrong thing.  Throw in an intriguing look at various forms of faith, as the characters are forced to confront their own feelings about visions and the supernatural, and Danny Coughlin’s Bad Dream proves to be an outstanding read that I could not get enough of.  I really cannot emphasise what a brilliant story this was, and I maintain it was the most impactful and captivating entry in You Like It Darker.

The next story is the interesting Finn, which I must admit was my least favourite, although that might just be because I was unfairly measuring it against the preceding Danny Coughlin’s Bad Dream.  Finn was a curious tale about a terminally unlucky teenager who finds himself kidnapped in a case of mistaken identity by an unusual team of crooks.  This was a rather fun and fast-paced story that saw an unwitting Finn attempting to survive this latest example of his unusually terrible luck.  I did enjoy this story to a degree, although I honestly am not sure if I was missing a connection to some other work of King, as there were quite a few unanswered questions at the end.  Still, the story unfolds in an interesting way, and King does a great job of introducing his unique take on the protagonist’s life story and the formulative events of his childhood.

Following Finn, King brings the book back on the dark track with the short, but intense, road trip story On Slide Inn Road.  This story sees a dysfunctional family attempt to take a shortcut up the titular road, only to encounter obstacles, both from the landscape, and from other travellers.  I liked the progression from casual family story whose drama was primarily drawn from the actions of the easily aggravated father to a much more serious story including a pair of hijackers.  King’s intriguing take on how three separate generations of one family in the car deal with this sudden threat was quite impactful, and I loved how the family dynamics quickly change as a result.  Another short but effective story that I ended up really enjoying.

King continues with another two quick stories that feature intriguing concepts.  The first, Red Screen, sees a married cop interrogate a murderer who has a wild theory about an alien invasion.  This was a quick story, and a little predictable, but great to read, primarily because the reader could see how it was going to end, and the resulting anticipation increased their enjoyment.  This is followed by the thoughtful story, The Turbulence Expert, which follows a passenger on a bumpy airplane flight.  As the flight progresses, you discover that the nervous, frequent-flying protagonist has a specific reason for being on this plane.  The Turbulence Expert was another cool entry in this book, and I think I enjoyed it more than Red Screen, primarily because King gives it a little more room to breathe.  The interactions between the main passengers of the plane feel quite realistic, and there is a fun balance between the mundane experiences of some passengers, and the more unnatural feelings of the protagonist.  The Turbulence Expert had one of the more compelling scenarios behind it, and I wouldn’t have minded a longer inclusion as a great story could have developed if given more room.

The ninth story in You Like It Darker is the sweet Laurie.  Another relatively short entry, Laurie follows an older widower who finds comfort in a small puppy, the titular Laurie, foisted upon him by a concerned sister.  This was a very moving tale that will appeal to all dog fans, especially as it is very easy to relate to the companionship that the initially reluctant protagonist feels as he becomes more and more attached to his new furry friend.  King does a great job of capturing the many ups and downs of dog ownership in a very short amount of time, and you really feel yourself getting drawn to the initially troubled and lonely protagonist, and his dog.  Of course, because this is a King story, things do have to get dark, and the author honestly does not hold back here with a shocking threat.  This sudden moment of danger really drags the reader in, especially as the previous pages with the protagonist and Laurie made you really care for both, and you worry that King is about to bring some utter tragedy to the two.  As such, Laurie has the distinction of being both the most heartfelt and most stress-inducing story in You Like It Darker, and I really appreciate how many feels King fit into this one short story.

The next story is probably the entry existing fans of King are going to be most interested in, Rattlesnakes.  One of the longer and most intense stories in this book, Rattlesnakes has the interesting distinction of being a sequel to one of King’s more iconic works, Cujo.  Set in 2020, decades after the events of Cujo, Rattlesnakes follows Vic Trenton, the husband/father from the book, who was forced to move on after the death of his son and the resulting trauma of his wife.  Now retired, Vic has moved into a luxury house in Florida owned by his friend and former business partner to wait out COVID.  However, the house sits in a usual area, haunted by the tragic deaths of two young twins years earlier at the hands (or fangs) of the area’s now destroyed rattlesnake population.  Encountering the twin’s still grieving mother, Vic once again begins to feel the pull of the supernatural as the ghosts of the area’s past begin to focus on him.

Rattlesnakes ended up being one of the most intense and powerful entries in the entirety of You Like It Darker, and readers quickly become engrossed in this tale of long-lasting grief and the impacts it has on sanity.  Making good use of COVID times as a background, Rattlesnakes ends up being a twisty and complex tale that combines King’s aptitude for writing haunting horror tales with character-focused internal drama.  Thanks to the unique history he bestows upon the Florida location that the protagonist finds himself trapped in, there is some excellent background to build the narrative around, and I really became engrossed in the resulting haunting tale.  You really grow to understand the various character’s psyches as the story continues, and it proves interesting to determine whether the protagonist is being haunted or is experiencing his own form of grief and trauma.  This proves to be a very gripping horror read, and you come away feeling very thoughtful about the protagonist’s experiences and the potential dark future awaiting him.

In addition to its excellent self-contained narrative, one of the major appeals of Rattlesnakes is that it is a sequel to Cujo.  King provides a very intriguing follow-up to what happened to the parents in Cujo after the death of their child, and it was fascinating to see what followed the dark events more than 40 years after the original book came out.  The author paints a tragic picture of the grief and anger that followed, as well as how both characters moved on in their own separate ways.  I felt this ended up being a rather interesting sequel that will appeal to both hardcore fans of King, as well as those with a more general knowledge of this  iconic book.  The story in Rattlesnakes is not predicated in having read Cujo, and King makes sure to concisely recount the events of the previous book where necessary.  While I am sure those who have enjoyed Cujo previously will get a little more out of this story than those who haven’t, anybody can come into Rattlesnake and appreciate it’s complex and intense story.

The penultimate story of You Like It Darker is the intriguing The Dreamers.  Another relatively short entry in the book, The Dreamers is set in the 1970s and follows a Vietnam veteran turned professional stenographer who accepts a job with a professor performing unusual experiments out in the countryside surrounding Castle Rock.  This narrative quickly forces the protagonist into examining the dark side of dreams as the professor awakens unusual occurrences with his subjects.  This proved to be a pretty intense and complex story that was heavy on the horror, and I was getting some major Lovecraftian vibes from it.  The story gets into some dark places as the unnatural experiments continue, and it was fascinating to see inside the mind of the protagonist as he finds himself still involved despite his best judgement.  The story ends on a sharp and thoughtful note, and I came away quite curious about what was going on.  I do think this is one of the stories that could have benefited from a bit more expansion by King, but it still proved to be a captivating tale that added some essential darkness towards the end of this book.

The final story in this volume was the moving and hopeful story, The Answer Man.  Much like the first story in You Like It Darker, The Answer Man showcases King’s ability to effectively tell a compelling character-driven life story as it focuses on Phil Parker, a young lawyer who is agonising about his dream to move to a small town which he believes will become a major hub in the future.  However, Phil’s life is changed by three encounters with the mysterious Answer Man, a stranger who, in exchange for a small fee, provides Phil with answers to his various questions, while revealing uncomfortable secrets about the future.  These answers deeply impact the protagonist in various ways, both good and bad, and will have ongoing consequences for him and those around him, for decades to come.

I deeply enjoyed The Answer Man, which was a particularly strong entry to end You Like It Darker on.  King once again falls back on his innate ability to tell a compelling life story (which I highlighted in Two Talented Bastids), with the chronicle of Phil’s life proving to be an intriguing, if tragic, story that I really connected with.  The tale of a big city lawyer who moves to small town against the advice/wishes of his family and in-laws, only to face further issues, contentious cases and family tragedy, is interesting on its own, especially in King’s capable hands, but the inclusion of the Answer Man character really enhances everything.  Coming in with great patter, a fun attitude, and some otherworldly abilities, the Answer Man provides true answers to the protagonist’s questions, even if Phil would be better off not knowing them.  I loved seeing the ways that the protagonist’s already remarkable life is further influenced by his interactions with the Answer Man, and it led to some truly powerful and intense scenes.  This honestly was a very clever and thoughtful story, and the whole concept of the mysterious Answer Man was one that really appealed to me.  I think that King could easily do a whole novel around encounters with the Answer Man, and I hope that they might appear again in the future.  Due to the impact of this unlikely figure, The Answer Man story goes in some fantastic directions, with the protagonist experiencing triumph and tragedy in equal measures, but which ends on a hopeful note and the protagonist finding peace.  While not as dark as some of the other entries in this book, I felt that The Answer Man was a perfect end to an outstanding collection of short stories, and one that will leave you very thoughtful.

Overall, I was really impressed with how King brought this entire selection of short stories together in You Like It Darker.  Each of the stories, no matter how short, grabbed my attention, and I really fell in love with the amazing stories contained within.  Most of these entries were truly exceptional, with Danny Coughlin’s Bad Dream, Rattlesnake, Laurie and The Answer Man, being some of my favourites.  These amazing stories raised the quality of the entire volume for me, while the other entries also provided dark moments and compelling ideas that will appeal to all manner of readers.  King did a good job of setting out the stories in You Like It Darker, and each of the entries flowed effortlessly into the next.  Many of these stories complimented each other, and I enjoyed the contrast of having a lighter tale follow a particularly dark entry, and vice versa.  I also felt that You Like It Darker was very open to readers with various levels of experience when it comes to Stephen King.  While established fans will love seeing more unique stories from the author, including an intriguing sequel to Cujo, new readers can also have an amazing time here, especially with the range of narratives and the changing levels of horror, dread, and inner darkness.  I personally had an incredible time with all the distinctive and addictive novellas and short stories contained in this book, and together they ensured that You Like It Darker was one of the best things I read in the first half of 2024.

You Like It Darker Cover 2

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Quick Review – Tiger Chair by Max Brooks

On By The Unseen LibraryIn Quick Review, Science Fiction, Short Stories, Thriller1 Comment

Tiger Chair Cover

Publisher: Amazon Original Stories (ebook – 1 June 2024)

Series: Standalone

Length: 50 pages

My Rating: 4 out of 5 stars

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I was recently lucky enough to receive a copy of the new short story from acclaimed author Max Brooks, Tiger Chair, which instantly grabbed my attention.  Brooks is an author I have a lot of love for, especially as his two main novels are huge favourites of mine.  This includes his most iconic work, World War Z, which I had an exceptional time listening to a few years ago due to its complex story and the impressive array of celebrity narrators associated with the audiobook version of it.  Brooks followed this up a couple of years ago with the compelling horror read, Devolution, that saw an isolated community attacked by sasquatches in an outstanding and exciting read.  Devolution ended up being one of my favourite books of 2020 and ensured that I would check out anything else that came my way from Brooks.  As such, I made sure to read through Tiger Chair as soon as a got it, as I was intrigued by the content.

Plot Synopsis:

When China invades America, guerrilla warfare explodes on the streets of Los Angeles in this provocative short story about the future of war from Max Brooks, the #1 New York Times bestselling author of World War Z.

China thought it would be a quick war, an easy war. But now, years later, as the insurgency on the streets of Los Angeles escalates but the propaganda never changes, a Chinese officer can’t keep silent any longer. Torn between loyalty to his country and loyalty to his troops, he writes a brutally honest—and possibly suicidal—letter home to unmask the truth.

Brooks combines his signature meticulous research with unforgettable characters in this landmark work of speculative fiction.

This was a very interesting read from Brooks that I was able to power through in a short amount of time.  Set in the future, Tiger Chair is written as a secret letter from a Chinese officer involved in a fictional invasion of the United States to a friend back home.  In this letter, the officer describes the various hardships of the invasion, including the escalating insurgency in Los Angeles, who are pushing his soldiers to the limit with their intense attacks and low-tech strategies.  However, his priority in writing this potentially treasonous letter is to highlight his despair at the ineffective and inflexible strategies of his side, which care more for propaganda than the lives of their soldiers and the civilians, and his desire to see the war come to an end.

I felt this was a rather interesting choice of story for Brooks to write, and it reminded me of the cynical memories of a professional soldier during the zombie wars of World War Z.  Brooks paints a grim and gritty story of survival and duty in the Tiger Chair, and you can easily feel the frustration and fear of the protagonist as he attempts to highlight his feelings about how the war is being run and the various lies he and his soldiers have been fed by their superiors.  The author really captures the way that the protagonist is caught between loyalty to his country and his anger at how events have unfolded, especially as he is powerless to impart any effective change to the situation.

I was quite impressed by the various scenarios that Brooks imagined for this future war in Tiger Chair, and his vision for how events might unfold in this scenario, as well as the technology that would be utilised for it, is very fascinating.  While I am sure that there will be some criticism of Brooks trying to imagine the feelings of Chinese soldiers in a war they might not even undertake, I felt that the Tiger Chair was more of a general warning about the futilities of war, and the frustrations of the lower ranks at the mistakes of their politically motivated superiors.  Indeed, many of the issues the protagonist raises could be applied to many other historical or current wars, and there are several allusions to them in the plot.

Brooks does also attempt to get into the Chinese mindset, which I honestly think he did a good job of considering he had less than 50 pages in which to do so.  There is an interesting examination of the national identity and how their history and culture would influence them into going to war, and the various opinions people within the country would have about these battles.  Brooks also includes some commentary of recent well-known events and controversies involving China, which is more geared towards central criticism than specific critiques of the Chinese.  For example, while he mentions the way in which China influences American media and movies for their own purposes, the protagonist’s resulting criticism are more directed towards the media companies that allowed them to happen as they sacrificed their principles for money.  These and other observations an about current society are quite interesting and make for quite a compelling story.

Overall, I felt that Tiger Chair was a compelling and intense short story from Brooks that brings together some intriguing ideas and predictions.  While I probably would have avoided Tiger Chair if it weren’t Brooks writing it, mainly because I prefer full-length novels to short stories, I’m glad I checked this out, and it ended up being a fascinating and powerful read.

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The Sandman – Act II (Audiobook) by Neil Gaiman and performed by a full cast

On By The Unseen LibraryIn Audiobook, Comics/Manga, Extended Universe, Fantasy, Five-Star Books, Horror, LGBT+, Superhero, Tie-in Novel6 Comments

The Sandman - Act II Cover

Publisher: Audible Original (Audio Drama – 22 September 2021)

Series: The Sandman – Volume 2

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Length: 13 hours and 47 minutes

My Rating: 5 out of 5 stars

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The gloomy and complex fantasy adventures of Neil Gaiman’s The Sandman continues in this epic second audiobook volume that once again brings Gaiman’s unique imagination and characters to life with an outstanding cast of actors.

Back in 2022 I had an outstanding time listening to the first volume of the audiobook adaptation of The Sandman comic.  The original series, which started in 1989, is one of the most iconic comics of all time and features a unique adventure that only someone as twisted and imaginative as Neil Gaiman can come up with.  Following Dream, the anthropomorphic personification of dreams and human imagination, The Sandman is a truly interesting comic that blends horror, fantasy and superhero storylines together.  Some people might be more familiar with the recent Netflix series that adapted the first couple of comics and which has a second season on the way.

While I loved the show, I personally had a much better time with the audiobook version of the comics that was released a couple of years ago.  Featuring a truly exceptional cast of celebrity and established audiobook narrators, the first volume of this series was so damn good, and I loved how well it established the characters and universe of The Sandman while also adapting Gaiman’s unique vibes and dark themes.  This first volume was extremely addictive, and I made sure to listen to the second volume shortly after.  The second volume, or Act II as it will be called in this review, continues the comic storyline and features some amazing stories, fun characters and new cast members.

In a universe of strange and deadly creatures, many beings are considered immortal, but only seven siblings can truly claim to be endless.  The Endless, each a personification of a certain universal or human concept, are powerful and mesmerizing in their own way, but the most enchanting and mysterious is Dream.  Known by many names, including Morpheus, this being governs the Dreaming, a vast realm of creation’s collected dreams and stories, protecting the imagination that makes life worth living.  But circumstances outside of his control have set him on a dark path that not even he can escape from.

Still dealing with the consequences of his forced absence from his realm, Morpheus is working to recover everything he lost while avoiding the enemies he made along the way.  The most powerful of these is Lucifer, the fallen angel and lord of Hell, whom Morpheus insulted when he stormed Hell to take back his stolen helm.  Despite not wishing to cross Lucifer again, Morpheus is convinced to set right the biggest wrong of his life and free his former lover from Hell.  However, he is unprepared for the reception that awaits him as Lucifer chooses to damn him in a far more sinister way: by gifting him control of his dark domain.

Finding himself in possession of the key to Hell’s gates, Lucifer must determine who will become the new ruler of Hell.  Setting up a gala in the Dreaming, Morpheus receives visits from an array of gods, demons, angels, and other immortal beings, each of whom seek to control Hell for their own reason.  Soon, Morpheus finds himself in the middle of a host of scheming beings, many of whom will turn on their host to get what they want.  At the same time, weird things are happening in the Dreaming, as an ancient and unstable realm begins to drag in inhabitants from the real world and influence the waking world.  Can Morpheus ensure his realm stays whole whilst dealing with the most dangerous beings in creation?

This was another outstanding adaptation of The Sandman comics that was so damn epic to listen to.  Adapted by director Dirk Maggs and featuring all Gaiman’s impressive storytelling and dark characterisation, The Sandman – Act II was extremely impressive, and you really get drawn into the unique world of the original comics.  Adapting issues #21-40 and #50 of the original comics, The Sandman – Act II brings together the stories of Season of Mists and A Game of You, and several entries from Fables & Reflections.  All these adaptations are so damn good, and I love the elaborate and epic cast that helps to bring the tale to life.

Due to how the audiobook is set out, there are three distinctive parts to The Sandman – Act II, which provided their own unique stories and characters.  The first of these is titled Season of Mists, and features Morpheus finding himself wrapped up in the fate of Hell.  Starting with an entertaining and dysfunctional family dinner, where Morpheus reunites with all his siblings (bar one), the story then turns to Morpheus’s biggest regret, his relationship with the ancient African queen Nada (whose story was told in the last audiobook), which trapped her soul in Hell.  Travelling to Hell to free her, Morpheus finds that Lucifer has banished all the demons and damned souls from his realm and is abdicating as ruler, leaving the key to Hell’s gates with Morpheus.  Morpheus is soon tasked with deciding the fate of the dimension, which results in a flurry of immortal beings arriving at his home to request the key.  The resulting conference proves to be highly entertaining as Morpheus is forced to deal with all manner of bargains, schemes and betrayals as everyone seeks his favour.  I loved how the entire dramatic conference unfolds, and the interactions between the various over-the-top figures and the implacable Morpheus results in some great drama and hilarious sequences.  The conclusion of this storyline is amazing, as a new irony overtakes the denizens of Hell, Morpheus finds himself meeting various beings who will change him in the future, and the seeds are set for a new story around Lucifer (as seen in his own comic and television series).

Honestly, this is probably the best part of The Sandman – Act II, as not only is Season of Mists particularly gripping, but it makes full use of both the existing voice cast and several new figures to really enhance the content.  The battle of wits between several larger-than-life characters is extremely compelling and clever, and Gaiman does a remarkable job expanding the canon of The Sandman.  There are so many subtle and delightful character interactions scattered throughout this storyline, and listeners will love the impressively devious stakes that are being discussed.  This includes some fantastic and deep soul searching for the protagonist, who is forced to revisit one of his darkest deeds.  Thanks to his own experiences of being locked away, Morpheus understands his harsh past actions a lot better, especially when prompted by members of his family.  I always appreciated how Gaiman shows that Morpheus isn’t really a hero but a force of nature who arrogantly follows his own whims.  However, in this case he is a somewhat better person, even if he is still selfish in his actions, and it takes some real prompting for him to do the right thing.

Gaiman also makes sure to feature some additional amazing character arcs, the most intriguing being Lucifer’s when he decides to perform the ultimate rebellion against his father by abandoning Hell.  Lucifer’s portrayal by a returning Michael Sheen is exceptional, especially during his interactions with Morpheus, and his take on the events that led him to rule Hell are very powerful.  In addition to Sheen, Season of Mists also features the inclusion of several amazing new actors, each of whom are used to their full potential.  Jeffery Wright and Kristen Schaal are perfect additions to the Endless, voicing the taciturn Destiny and the bubbly Delirium respectfully.  However, it is the one-two punch of Bill Nighy as Odin and David Tennant as Loki that really sold this chapter to me.  Bill Nighy and David Tennant are two of my absolute favourite actors, and their takes on these two Norse gods are just amazing.  While Nighy brings gravitas and cruelty to Odin, Tennant’s wheedling, manipulative Loki was so damn fun, and both were the highlight of every scene there were in.  The rest of the cast in this chapter were epic as well, and this entire section was such a highlight of The Sandman – Act II, with its placement at the top of the book successfully drawing listeners in and ensuring they don’t go anywhere.

The other main storyline in The Sandman – Act II was titled A Game of You, and is an adaptation of one of the less popular comic arcs.  This story is an intriguing female-led additional to the series, which primarily follows Barbie, a minor figure from the previous The Doll’s House arc, who has uprooted her life and moved to New York to live with an eclectic mixture of residents in an apartment building.  When figures from Barbie’s long-lost dreams arrive in the waking world, Barbie is dragged back into a fantasy adventure, while her friends in New York deal with minions of the mysterious Cuckoo, a dream parasite preying on Barbie’s mind.  The resulting attempts to help Barbie result in chaos and tragedy as they trespass into the Dreaming and come face to face with Morpheus as a he fulfills an old bargain.

Now I must admit that A Game of You was a little weaker than I was hoping, especially when compared to the preceding Season of Mists.  The decision to focus on Barbie, who honestly didn’t stand out too much in her previous appearance, was an interesting choice by Gaiman, and this arc doesn’t have the most engrossing story.  However, I did still have a great time listening to this part of the audiobook, especially as it focuses on showcasing both the magic and danger of dreams, as well as the impacts that interactions with Morpheus can have on mortals.  The more distinctive fantasy focus of this story makes for a nice change of pace, and I liked how well Gaiman simultaneously showed events occurring inside and outside of the protagonist’s dreams.

One side effect of listening to A Game of You immediately after Season of Mists is that the less substantial cast is a lot more noticeable.  That’s not to say that A Game of You doesn’t have great characters.  There are some amazing figures featured here, including several unique protagonists who have compelling connections to previous story arcs from the series.  There are also some nicely progressive LGBT+ elements for a comic released in 1991-92, especially when it comes to the trans woman character, Wanda, who is handled with tact and who has a particularly impactful story arc.  There are also fewer celebrity voice appearances in this arc, although I did rather enjoy the inclusion of actress Emma Corrin of The Crown fame as the ancient witch Thessaly, as her intense and distinctive voice added a lot to this fantastic character.  While it is easy to nitpick A Game of You, especially after some of the previous arcs, this is s till a particularly impressive storyline, which is masterfully brought to life with this production, producing something that is very fun to listen to.

These two main storylines are impressively augmented by a series of short stories scattered throughout the course of the audiobook.  Most of these short stories fall between Season of Mists and A Game of You, with several more wrapping events up.  There is also a short story in the middle of Season of Mists that showcases the impacts the closure of Hell has, which leads to the Dead Boy Detectives series.  Gaiman comes up with some truly interesting and unique shorter stories to add to the main plot of the book.  Most of these stories involve various mortals or other supernatural creatures encountering either the Endless or some of Morpheus’s creations, and they usually serve as some form of cautionary tale.  I loved the intriguing underlying themes that Gaiman loaded into each story, including about the impermanence of power and examinations of the human condition, and the author also has fun in launching his distinctive characters into various historical periods.

While all the shorter stories contained in The Sandman – Act II are awesome in their own way, a couple do stand out due to their excellent stories and fantastic performances.  For example, the complex story Three Septembers and a January, retells the tale of Joshua Abraham Norton, self-declared Emperor of the United States, with Dream and his siblings shown to be responsible for his strange actions.  This story is both fascinating and dark, as you witness a man torn apart by the whims of the ethereal siblings.  Listeners grow particularly attached to this tale due to the performance of John Lithgow as Joshua Norton, who adds some excellent humour and no small amount of tragedy with his moving voice work.  Other great stories include Thermido, which sees the return of Lady Johanna Constantine from the first audiobook.  Voiced by the absolutely fabulous Joanna Lumley, this story follows Constantine as she steals into France during the height of the revolution to steal something from Robespierre.  This story was fast-paced, clever, and substantially dark, all of which helped it to stand out, especially with the compelling twists and ironic historical fates.  It was also amazing to get a whole story told by Joanna Lumley, who was somewhat underutilised in the first audiobook.  Finally, the tale August, which follows Augustus Caesar as he disguises himself as a beggar and tells his life story to a dwarf, proves to be quite impressive, especially with Brian Cox playing the titular character.  Each of these shorter stories are masterfully presented, and I loved how complex and powerful their stories were, even with the shorter length the author had to work with.

Overall, I really appreciated the entire story of this volume.  The blending of two fantastic main storylines, as well as the scattering of intriguing and unique short stories, makes for quite an epic continuous listen.  The short stories were well utilised as the director spread them out amongst the audiobook providing a good break between the two extended plotlines, as well as some fun listens in the epilogue.  Not only were all the entries in The Sandman – Act II fantastic and compelling, but each of them had such a distinctive feel that really highlights the author’s style and ability to blend various genres together into one powerful story.  The interesting array of over-the-top characters makes for quite a fantastic listen, especially as Gaiman attempts to capture the many burdens of having cosmic responsibility, while other stories look at how characters are affected by dreams and imagination.  The mixture of fantastic tales and dark moments is always cleverly undercut with moral lessons or complex observations about the human experience.  You honestly come away from The Sandman in deep thought while still being traumatised or wildly entertained by how events unfolded.  There is honestly nothing else quite like The Sandman in fiction, and I always have great admiration for the elaborate and multifaceted tales that Gaiman comes up with.

Just with the first volume of this epic audiobook collection, the production really captures the epic nature of the comic, which makes it a real joy to listen to.  Even with its runtime of nearly 14 hours, this is such an easy and addictive audiobook to listen to, and it proves hard to ever stop listening to the elaborate story that emerges.  A lot of this is down to the impressive nature of the production surrounding this audiobook, as the director goes out of his way to enhance the audio experience for the listener.  Everything about this audiobook, from the emotionally charged music, the elaborate sound effects, and the brilliant cast of actors and narrators, is designed to remind you what an imaginative and unique story you are listening to.  Heck, even the way that the various chapter titles are announced is epic, and I always get a kick out of the impressive way they are read out.  Honestly, the entire audiobook production is just perfect, and anyone who listens to it is in for an exceptional time they will not forget.

As part of my hyping up of the audiobook production, I have to highlight the sheer range of talent lending their voices to this audiobook production, without whom The Sandman – Act II would be nowhere near as exceptional as it was.  I have mentioned several of the newer voice actors in the review already, but The Sandman – Act II also featured the exceptional returning cast from the first audiobook, each of whom provided fantastic new performances that really stuck in the mind.  For example, Andy Serkis is so much fun as Matthew the Raven, while Justin Vivian Bond and Miriam Margolyes serve as fantastic and fitting versions of Desire and Despair respectively.  Kat Dennings proves to be an outstandingly effective incarnation of Death, especially as her positive portrayal captures the more compassionate and likeable version of Death that Gaiman envisioned for his comic.  Even Neil Gaiman has a key vocal role in the production, serving as the narrator who highlights events and details not captured by the dialogue.  Gaiman proves to be an impressive narrator for this story, and his distinctive and wise voice matches the feel of The Sandman perfectly.  However, most of these are overshadowed by James McAvoy, who plays the titular Sandman, Morpheus, in this production.  McAvoy is honestly perfect in this role, and the gravitas, sense of unknowing, and great sadness of this character is so perfectly portrayed by the actor’s voice.  McAvoy does such a good job portraying the imperialistic and arrogant tone and personality of Morpheus and the reader can really envision his actions and thoughts.  McAvoy honestly does the best presentation of this character it is possible to do (television series included), and you will fall in love with his take on this sinister and mysterious figure.

The Sandman – Act II is an outstanding and incredible audiobook production that does such a remarkable job of bringing more of Neil Gaiman’s iconic comic to life.  Perfectly adapting the distinctive and dark comics into a new format, listeners get the benefit of both an excellent narrative and some amazing audiobook production with a remarkable cast.  An absolute joy to listen to from start to finish, The Sandman – Act II was a brilliant follow-up to the first production, and I cannot recommend it enough.

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3 Days to Live by James Patterson

On By The Unseen LibraryIn Short Stories, Thriller1 Comment

3 Days to Live Cover

Publisher: Century (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 372 pages

My Rating: 4.5 out of 5 stars

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Those in the mood for a quick and very fun series of thriller stories should check out the intriguing new book from the legendary James Patterson, 3 Days to Live, featuring three great short stories co-written by some impressive talents.

I have been really getting into James Patterson’s books over the last couple of years, and there is a reason that he is always leading the thriller field.  At this point, I have mostly read books that Patterson has co-written with several other authors, including the fun Doc Savage sequel The Perfect Assassin (co-written by Brian Sitts), the impressive mystery loaded with family drama 2 Sisters Detective Agency (co-written by Candice Fox), the compelling thriller Lost (co-written by James O. Born) and the addictive and freaky Death of the Black Widow (co-written by J. D. Barker and one of my favourite books of 2022).  As such, I am always keen to read more from Patterson and when I received a copy of 3 Days to Live, I quickly dove into it knowing I would have a great time with it.

3 Days to Live is a captivating book that contains three separate short stories, including the titular story 3 Days to Live, as well as Women and Children First and The Housekeepers.  Patterson wrote each of these short stories with a separate co-author, and the talented Duane Swierczynski, Bill Schweigart and Julie Margaret Moulin each add their own flair to these great stories.  I haven’t read anything from these three authors before, so 3 Days to Live proved to be an excellent and fun introduction.  All three stories are roughly the same length, and they each have their own elaborate and intelligent narratives told utilising Patterson’s fast-paced style.  There is a very fun collection of different storylines with each of these entries, and I loved the sheer variety of scenarios these great authors came up with.

The first of these short stories is 3 Days to Live, which was co-written by Patterson and Swierczynski.  This is a very exciting and clever spy thriller that serves as an excellent and distinctive introduction to the entire collection.  The story is told from the perspective of Samantha Bell, a young, recently retired CIA agent, who has just eloped with her new husband, Kevin Drexel.  Honeymooning in Berlin, tragedy strikes when Kevin is lethally poisoned at the hotel alongside a Russian Oligarch and his daughter.  Samantha manages to survive the attack but is also dosed with the poison, which will end up killing her in less than three days.  Weakened, dazed, and heartbroken, Samantha sets out to find out who killed her and her husband and is forced to contend with both the CIA and the Russians, before discovering the terrible truth behind her own murder.

This was a very impressive and enjoyable story that I particularly enjoyed getting through.  Patterson and Swierczynski came up with a great story that perfectly utilises its fun storyline about a poisoned individual trying to find their killer before they die, which was reminiscent of films like D.O.A, Crank, and Kate.  The authors set the scene for 3 Days to Live’s story extremely well and you are soon deeply engrossed with Samantha’s story as she utilises all her knowledge and skill as a CIA agent to find out who killed her and why.  The story goes in some very fun directions, and you really connect with Samantha as she balances her grief over her husband’s death with her need for vengeance and control of the situation.  The authors do a good job of showcasing the character’s slowly declining physical health, and the weakness and loss of control she feels becomes an outstanding part of the plot, especially as you begin to worry that she won’t be able to achieve her goals.  There are some fun twists and swerves throughout this short story, and while the identity of the poisoner is a little obvious, the full motivations and set-up for it works perfectly.  I was extremely engrossed by this captivating story and I managed to power through all 110 pages in very, very short order.  Readers interested in checking this book out are in for a lot of fun with this first impressive entry and it honestly was my favourite story in the entire book.

The second story is the great read Women and Children First, which was co-written by Bill Schweigart.  This intriguing second story follows security specialist and former elite soldier Chase Weldon, who has been hired by a massive corporation to test their systems and find any potential breaches.  However, during Chase’s initial investigations a series of deadly cyber security breaches occur, and it becomes clear that someone is targeting the company and its eccentric CEO.  Initially an observer, Chase is dragged into the chaos when the saboteurs contact him and coerce him to convince his employers to pay a substantial ransom.  But when Chase attempts to push back, the saboteurs place him in a terrible situation, one where killing his wife and kids seems to be the only option.

This was another awesome and electrifying story that serves as a wonderful and compelling second entry in 3 Days to Kill.  Moving from spy thriller to corporate espionage is a fun change of pace, and I liked the unique and clever story that emerges.  Patterson and Schweigart do a great job drawing the reader in, especially after an entertaining introduction to the protagonist that also serves to highlight the tactics of the baddie.  The stakes steadily rise as the book continues and watching the protagonist get desperate enough to consider killing his family really added to tension of the plot.  The subsequent interactions with the arrogant tech CEO make for some great scenes, and while I was able to see most of the story’s big twists coming, it was still a ton of fun getting through it, especially with all the action that unfolds around them.  There are some fantastic family dynamics worked into the plot, and while the family are portrayed as way too overwhelmingly talented, you still get caught up in their gripping adventure.  The authors end up telling a very concise and entertaining story through the course of 121 pages, and I was hooked enough to read the entire thing in one sitting.  Women and Children First also serves as a great follow up to 3 Days to Live, and readers following on straight away from the first action-packed story will find another excellent read that keeps the blood pumping while telling its own distinctive and enjoyable story.

The third and final story in 3 Days to Live is the powerful and intense thriller, The Housekeepers, which was co-written by Julie Margaret Moulin.  Following several distinctive characters, The Housekeepers sees Russian housekeepers Sophie and Masha on the run from the Russian mob who intend to kill Sophie’s son Nikolai.  Desperate for a place to hide, they secrete themselves in the pool house of Masha’s boss, Dr Elizabeth Parks.  However, Dr Parks is going through her own issues, including family drama and police concerns around a gang violently targeting her clients to steal their prescription medication.  When circumstances drive them together, the doctor and the housekeepers need to work together to survive all their deadly problems.

This was another compelling story and probably the most moving and powerful of the bunch.  Rather than the fast-paced action of the first two stories, The Housekeepers is more character driven, and Patterson and Moulin do a wonderful job of efficiently setting up the major problems impacting all the distinctive protagonists.  Each of these issues, including Russian gangsters, problematic teenagers, intruders, family tensions, and even a pack of coyotes, come crashing down around them and it results in some complex and dramatic interactions.  The authors really lay down an excellent and intelligent narrative in The Housekeepers and I loved how dark it got, especially with those great twists at the end.  All the complex characters have their own dark issues, and it was really impressive how Patterson and Moulin where able to effectively set them out and resolve them during the course of this short story.  I came away from The Housekeepers deeply satisfied, if slightly saddened, and this proved to be an awesome and moving finale to this volume.

This was an overall excellent and captivating collection of short stories from Patterson and his co-writers, and I am really glad I got the chance to read them.  All three fast-paced stories really draw the reader in with their well-established and thought-out narratives and unique scenarios, and the authors played them out perfectly.  Each story really stood on its own feet while also adding to the entire volume.  I personally enjoyed the differences in tone and focus that each story contained, and I think that 3 Days to Live serves as a good example of Patterson’s style and ability to work with different authors.  I would strongly recommend 3 Days to Live to established Patterson readers or thriller fans who are interested in seeing what sort of ideas Patterson and his cohorts are working with these days.  I can’t wait to read more Patterson books in the future.

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Quick Review – I Say Your Name in the Dark Nights by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Fantasy, Quick Review, Short Stories2 Comments

I Say Your Name in the Dark Nights Cover

Publisher: Macmillan Audio (Audiobook – 29 November 2022)

Series: Kagen the Damned – Book 1.5

Length: 1 hours and 20 minutes

My Rating: 4.5. of 5 stars

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Get ready to dive back into the crazy world of Jonathan Maberry’s epic Kagen the Damned series with the intriguing and fun novella, I Say Your Name in the Dark Nights.

Readers of this blog will know that I am a pretty big fan of acclaimed thriller/horror author Jonathan Maberry, and my experiences getting into his books are well documented across The Unseen Library.  I have been a particular fan of his impressive Joe Ledger science fiction thriller books (which includes books like Patient Zero, The Dragon Factory, Code Zero, and Dogs of War), his sequel Rogue Team International series (made up of Rage and Relentless), as well as his standalone horror read Ink.  These excellent thrillers cleverly feature science heavy villains or reimagined supernatural foes to great effect, and I love the dark and elaborate stories they contain.

Maberry changed his game around last year when he presented his very first pure fantasy novel, Kagen the Damned.  An extremely dark and shocking read set in a new fantasy realm, Kagen the Damned follows Kagen Vale, a former hero and royal protector who loses everything in a single night when the force of the Witch-king of Hakkia suddenly invade, destroying his home, family and the children he was sworn to defend.  Traumatised by the carnage he witnesses and forsaken by his gods, Kagen believes himself truly damned and walks around the country in a daze before managing to pull himself together to launch a counterattack.  I had an outstanding amount of fun with Kagen the Damned, especially as Maberry made great use of his trademark writing style and successfully combined it with a fantasy setting and narrative.  Kagen the Damned ended up being one of my favourite books and audiobooks of 2022, and I have been very keen to continue the series.  While I haven’t had a chance to listen to the recently released sequel, Son of the Poison Rose (one of my most anticipated fantasy novels of 2023) yet, I did manage to quickly listen to the connected novella, I Say Your Name in the Dark Nights, which proved to be a lot of fun.

I Say Your Name in the Dark Nights is a short and sweet novella that showcases a quick and brutal adventure around Kagen during the period where he drunkenly wanders around the lands.  Featuring an intriguing new enemy, this is a very typical Maberry read, with a ton of violence, sex and some impressive horror iconography.

Plot Synopsis:

Kagen Vale—disgraced former palace guard, damned by his own gods, on the run from bounty hunters and assassins—discovers that no matter where you try to hide, evil can find you. In this standalone short story, Kagen the Damned squares off against a clan of ferocious supernatural predators in service to the Witch-king.


I Say Your Name in the Dark Nights was an excellent read that is guaranteed to whet reader’s appetites between Kagen the Damned and Son of the Poison Rose.  The plot itself is fast-paced and action packed as Kagen, drunk and depressed in the woods, comes across a young woman being chased by a pack of deadly wolves and rushes to her defence.  However, Kagen soon finds himself at the mercy of his supposed damsel as she is revealed to be a deranged werewolf hired by the Witch-king to kill him.  Maberry tells an effective and exciting story around this concept, which doesn’t take long to unfold.  For example, the audiobook version I listened to was only an hour and 20 minutes long, which I finished in a single setting.  As such, you really breeze through I Say Your Name in the Dark Nights, since Maberry ensures that it has a very concise and comprehensive story to it.

I really liked how this entire narrative came together, and it was fun to see Maberry’s typical writing style compacted down into novella form.  The action is brutal and bloody, the characters are very over the top, and it serves as an interesting continuation of the previous narrative from Kagen the Damned.  The plot itself is very self-contained, and at times it felt more like an extended interlude from the first book.  As such, fans of the first novel will have the most fun with I Say Your Name in the Dark Nights, although anyone familiar with Maberry and his horror-based books will know what they are in for.  The author has a lot of experience writing werewolf fiction, and the brutal transformations, excessive violence and inhuman nature of the characters, which really freak the protagonist out, make for some striking and compelling scenes.  Due to the length, there isn’t a great deal of universe expansion here, which isn’t too surprising, as the author focuses more on the story.  However, there are a few hints at the changing world, such as Kagen being forced to deal with more and more supernatural monsters, and he luckily comes across a useful weapon that may aid him in the future.  Plus, Maberry really showcases the continued assistance/stalking that Kagen receives from the mysterious nightbirds, which hints at things to come while also increasing the Lovecraftian feel of the entire story.

A good deal of the focus of I Say Your Name in the Dark Nights is once again on the depressed and broken Kagen Vale.  Just like with Kagen the Damned, Kagen is severely damaged and drunk, having still not recovered from the devastating events of the first book.  While the action and events of the story briefly recover his wits, he is still forced to again deal with horrors outside his understanding and watching him try and overcome the odds whilst being severely outclassed is a fantastic part of this outstanding story.  Kagen of course reverts to his more bloodthirsty and deadly persona to survive, but it takes every aspect of his being to get there, and you really feel his pain, both physical and emotional.  The audiobook version really encapsulate this, especially with the always impressive narration of Ray Porter, who is such an expert at diving into Maberry’s complex and brooding protagonists.  I deeply enjoyed seeing a struggling Kagen through Porter’s narration again, and it adds some great layers and impact to the overall experience.

Unsurprisingly, I loved my latest Jonathan Maberry experience, and I Say Your Name in the Dark Nights is an impactful and captivating read.  Serving as an electrifying and compelling companion novella to the wider Kagen the Damned series, I Say Your Name in the Dark Nights provides a fun and brutal new adventure for fans to sink their teeth into, and anyone who loved Kagen the Damned will have an epic time here.  I highly enjoyed this cool novella, especially in its audiobook format, and it has got me particularly excited for the next entry in the series.  I am planning to start listening to Son of the Poison Rose this week, and I know I am going to have an exceptional time doing so.

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Throwback Thursday – Warhammer 40,000: Ghostmaker by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer18 Comments

Warhammer Ghostmaker Cover

Publisher: Black Library (Audiobook – January 2000)

Series: Gaunt’s Ghosts – Book Two

Length: 10 hours and 15 minutes

My Rating: 4.75 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday, I check out another Warhammer 40,000 novel with an epic entry from Dan Abnett’s classic Gaunt’s Ghosts series, Ghostmaker.

I have been in a real Warhammer 40,000 mood lately so I thought I would continue to explore some outstanding books from legendary Warhammer author Dan Abnett.  Abnett is one of the most prolific and highly regarded contributors to the extended Warhammer universe, having created a huge range of compelling series and unique standalone books, most of which are considered the gold standard of Warhammer tie-in novels.  One of his most significant contributions to the Warhammer 40,000 universe is the Gaunt’s Ghosts series, which follows a ragtag group of human soldiers as they are dragged from deadly battleground to deadly battleground.  Made up of 15 novels, a ton of short stories and some other intriguing inclusions, the Gaunt’s Ghosts is a very iconic series in Warhammer 40,000 lore, which has spawned some awesome spinoffs and stories.  I had an outstanding time reading the first entry in the series, First and Only, and I also recently read the prequel novel, The Vincula Insurgency.  Ghostmaker was another impressive early entry in this series, and I had a wonderful time listening to it last week.

Colonel-Commissar Ibram Gaunt and the men of the Tanith First-and-Only, also known as Gaunt’s Ghosts, are some of the toughest soldiers serving the Imperium of Man.  The only survivors of the now dead world of Tanith, the Ghosts bear a substantial grudge against the forces of Chaos, as well as a complex relationship with their commander who saved their lives by abandoning their planet.  Now deployed to the jungle world of Monthax, the Ghosts prepare for their next inevitable battle against the Chaos host.

As the Ghosts await their next confrontation, Gaunt walks the lines, reliving the events that made his regiment what it is, while also growing close to the unique individuals he commands.  Each member of the Ghosts has their own story, and all have been forged in the crucible of war alongside their fearless commander.  But when battle is joined again the Ghosts find themselves in a unique confrontation that pulls on their tragic history and forces them to relive the worst day of their lives.  Is this the event that will forge the Ghosts into a legendary regiment, or will the survivors of Tanith break when they are needed most?

Abnett once again showcases why he is one of the very best Warhammer authors out there with this brilliant second entry in the Gaunt’s Ghosts series.  Bringing together several fantastic narratives into one character-driven plot, Ghostmaker is a key and compelling entry in this wider series that I absolutely powered through in a couple of days.

Ghostmaker is a compelling and powerful Warhammer 40,000 novel that continues to explore the intriguing members of the Tanith First-and-Only regiment.  Abnett spins a unique narrative in Ghostmaker, as this book reads more like a short-story collection than a typical novel.  Broken up by several brief sequences in the present on Monthax, most of the book revolves around a series of self-contained, character-driven background stories that showcase the history of the regiment and its members.  This includes a dive into the tragic formation of the regiment and the death of the planet Tanith, and you also get a view of some of the earliest battles the Ghosts fought in.  As Ghostmaker continues, the next series of stories each contain a more focussed narrative that dive into specific members of the regiment.  These shorter stories usually showcase one of these focus characters’ key battles or moments as a Ghost, while also diving into their personality and personal histories.  This deep dive into the key characters really helps you bond with the cast of this series in a whole new way, and I liked seeing more of these unique figures.  Everything comes to a head in the final quarter of the novel, when the story is dragged back to the conflict on Monthax as the Ghosts advance into battle.  Several key plot threads and recurring characters from the previous short stories make a reappearance here, and I loved how Abnett was able to connect this storylines together to make a cohesive and captivating overarching plot.  The final sequences are loaded with some of the deadliest fights in the entire novel, while also resolving a ton of character arcs and personal storylines raised in the previous entries.  The end result is a powerful and compelling overall story that really drags you in while giving you additional insights into some of Abnett’s best characters.

I really appreciated how Ghostmaker came together, and Abnett really showed off his writing skill by combining these shorter stories together the way he did.  I especially enjoyed how the multiple short stories gave Ghostmaker various tones as the reader continued through it.  For example, while most of the stories featured battles and war, there were also some more subtle stories of politics and investigations.  Abnett also featured some dark psychological stories as well as some deeply personal and brutal survival tales.  This variation in narratives and settings gave the book an eclectic feel, but I think that was very appropriate considering the regiment that Abnett was writing about.  All the shorter stories contained within Ghostmaker were entertaining in their own way, although a few definitely stood out over the rest.  Each story was extremely well written, concise, and fast-paced, and any leftover narrative threads are clipped off in the final entry, so the reader isn’t left wondering about anything.  The book also features a ton of awesome battle sequences in nearly every chapter and Abnett has a great skill at showing the horrors the men face during their dangerous battles, especially when they go up against supernatural or horrific foes.  Abnett also presents this book as a gritty war novel, with many of the stories focusing on the damaged and traumatised common troops who have been dragged into a series of terrible situations.  I have often said that some of the very best Warhammer novels focus on the common human soldiers (for example Steel Tread or Krieg), and Ghostmaker was one of the better examples of this I have seen in Warhammer fiction.  You really can sense the characters pain through the various chapters, especially when reminded of their home, and this makes for quite an emotionally rich read at times.

As I have mentioned a few times above, one of the major strengths of this book, and indeed the entire Gaunt’s Ghosts series, are the outstanding characters that Abnett focuses his stories around.  Throughout the course of the series, Abnett has introduced a great core of complex central protagonists who you really grow attached to.  However, Ghostmaker perhaps gives the best look at these characters, as it showcases their histories while also chucking them into deadly and deeply personal situations.  You really grow attached to these protagonists as the book proceeds and Abnett crafts some outstanding and wildly entertaining narratives around many of the cast, which are really fun to read.

As with most books in the series, a lot of Ghostmaker’s plot is focussed on the central character of Colonel-Commissar Ibram Gaunt, the Ghost’s commander.  Abnett continues to paint Gaunt as a caring and charismatic leader who recognises the sacrifice his men have made and is determined to keep as many of them alive as possible.  Most of Gaunt’s personal history before the events of Tanith was covered in the last book, and Abnett doesn’t rehash that in Ghostmaker.  Instead, you get to see Gaunt’s actions during and after the fall of Tanith, and I loved the examination of the guilt and responsibility he feels for abandoning the planet.  While the first chapter of this book primarily focuses on Gaunt, he also appears as a major figure in all the other protagonist’s stories, and it was fascinating to see the other Ghost’s opinions of him, especially as many have both resentment and respect for him.

Ghostmaker also spends a ton of time exploring several other key Ghosts, and Abnett does an excellent job of perfectly utilising all these great characters.  There are some brilliant tales surrounding these figures, and many also appear as supporting characters in other chapters, with some storylines crossing over.  Naturally, some of the characters stand out a little more than others, due to having personal plots that were particularly fun or intense.  Colm Corbec, the regiment’s second-in-command, is a major figure throughout most of the book, and I liked how Abnett expanded on him and focused on his different leadership style to Gaunt.  The story surrounding the seemingly stupid Trooper Bragg was extremely funny, especially with the slow-burn reveal of the character’s deep cunning, and you must love how funny and likeable Bragg is.  The story around the Ghosts’ medical officer, Tolin Dorden, was also very good, as it not only highlighted his position as the oldest Ghost, but also his refusal to sacrifice a life.  Other highlights include the trippy story of ace sniper Hlaine Larkin, who loses his mind during a mission, or the intense and compelling tale of elite scout Sergeant Mkoll, whose keen senses serve him well in the most hostile of environments.

However, I felt that the best two stories in Ghostmaker revolved around the characters of Major Rawne and Brin Milo.  Rawne is a murderous and slippery character who bears a great deal of hate and disdain towards Gaunt following the destruction of Tanith.  His story sees himself and Gaunt trapped together on an ice planet, which forces the two to work together.  Seeing the hateful Rawne trying to work out whether to kill Gaunt in cold blood or resolve their differences another time, makes for some compelling reading, and Rawne is probably one of the most complex and intense figures in the series.  Milo on the other hand is Gaunt’s young adjutant and the only civilian who survived the destruction of Tanith.  Milo serves a unique position in the Ghosts, and I really appreciated how Abnett explored how the rest of the regiment views him.  Milo’s story was particularly good, as politics sees him getting investigated by an Imperial Inquisitor for potentially having psychic abilities.  The scene where Milo manages to outplay the Inquisitor during his interrogation is one of the best scenes in the entire book and it really shows you just how clever he is, while also hinting at a potentially deeper secret.  All these characters, and more, help to turn Ghostmaker into a particularly enjoyable and fun read and I was very glad that Abnett gave us a closer look at the main supporting cast in this novel.

I felt that Ghostmaker was a great addition to the wider Warhammer 40,000 canon, as well as a great entry in the Gaunt’s Ghosts series.  While it is the second novel in the series, readers can easily get into Ghostmaker without any knowledge of the prior books, especially as Abnett spends so much time exploring the characters and the unit’s history.  While some of the narrative is set after the events of First and Only, Abnett does a great job reintroducing any relevant elements again in Ghostmaker and you don’t need too much pre-knowledge to enjoy the plot.  Ghostmaker would also serve as an interesting entry point for those who aren’t familiar with the Warhammer 40,000 franchise.  Abnett makes his novel very accessible to new readers, and I liked how he carefully and subtly introduced key elements of the wider universe, mainly those that concern the common soldiers.  The continued expansion of the Sabbat Worlds Crusade made for an interesting background to the book, and Abnett introduces or references several factions or regiments here that will go on to have a bigger role in later novels.  For example, Ghostmaker introduces readers to the Royal Volpone regiment (better known as the Bluebloods), who serve as rivals to the Ghosts and who recently got their own novel.  I had an incredible time diving back into the Warhammer 40,000 universe in Ghostmaker, and Abnett did a great job of expanding this already elaborate universe.

As with most Warhammer novels I enjoy, I chose to listen to Ghostmaker’s audiobook version, which was an excellent way to dive into this compelling read.  The audiobook format really allows the reader to get transported into the middle of the epic fights that are the hallmark of this fantastic series, while also ensuring that the reader absorbs all the key information about the surrounding universe.  Coming in at just over 10 hours in length, this is an easy audiobook to get through quickly, and I tore through the Ghostmaker audiobook in short order.  It helped that Ghostmaker was narrated by the very talented Toby Longworth, who voices most of Abnett’s Warhammer audiobooks.  Longworth has an excellent voice that fits the intense, character-rich tone of Ghostmaker extremely well, and he can move the plot along at a fast and compelling pace.  In addition, he has a brilliant take on all the key characters featured within the series and he provides everyone with a unique and fitting voice.  He also has the fantastic ability to capture the emotions and personality traits of the various characters with his tones, and you really get inside their heads when he talks.  This was an outstanding audiobook and I would strongly recommend it as the best way to enjoy this amazing novel.

Overall, Ghostmaker was a fantastic and impressive read by Dan Abnett and I am really glad I took the time to read another Gaunt’s Ghosts novel.  Featuring a distinctive format and some amazing character-driven stories, Ghostmaker beautifully expanded on the groundwork Abnett laid down in First and Only and this serves as an excellent and powerful addition to the series.  I deeply enjoyed this book, and I can think of no better way to illustrate this than to mention the fact that the moment I finished Ghostmaker I immediately started listening to the other Dan Abnett audiobook I had loaded on my phone, Xenos.  I really cannot recommend this series enough, and if you are interested in trying out some Warhammer 40,000 fiction, then the Gaunt’s Ghost series is the perfect place to start.

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Sparring Partners by John Grisham

On By The Unseen LibraryIn Short Stories, Thriller8 Comments

Sparring Partners Cover

Publisher: Hodder & Stoughton (Trade Paperback – 31 May 2022)

Series: Standalone/Short Story

Length: 306 pages

My Rating: 4 out of 5 stars

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In the mood for more legal thriller awesomeness from the mind of legendary author John Grisham?  Then make sure to grab a copy of his new short story collection, Sparring Partners.

John Grisham is an author who needs very little introduction, especially after dominating the thriller field for over 30 years.  However, I must admit that I only recently checked out his work with the 2021 book, The Judge’s List.  The Judge’s List was an extremely captivating novel that saw a determined investigator dive into allegations that a sitting judge was also a devious serial killer.  I really enjoyed this fantastic book and it definitely convinced me that I needed to read more of Grisham’s books.  Well, I recently got the opportunity to do so when I picked up a copy of Grisham’s latest release, the short story collection Sparring Partners.

Sparring Partners is an intriguing book that contains three of Grisham’s compelling short stories.  Made up of Homecoming, Strawberry Moon and the story Sparring Partners, this collection was an awesome and fun read that will really appeal to established Grisham fans.  I personally had a great time with it, and I ended up getting through it in three short intervals, knocking off one story at a time.  All three stories are quite entertaining in their own right, and together they prove to be an excellent and awesome exploration of Grisham’s style and love of the legal thriller.

The first of these stories is Homecoming, which takes the reader back to Ford County, which has served as the fictional setting of many of Grisham’s novels.  This story follows a small group of lawyers who find themselves in a unique situation when a disgraced former colleague returns to the fold.  Homecoming starts when small-time lawyer Jake Brigance suddenly receives a letter from long-lost friend and fellow lawyer Mack Stafford.  Years ago, Mack suddenly and unexpectantly fell off the grid, taking a stack of money from his clients and vanishing to parts unknown.  Considered a legend by the local legal community, Mack left behind a wife and two kids, and no one has ever understood the reasons for his disappearance.  Now, Mack is determined to return to Ford County and wants Jake and his friend Harry Rex Vonner to help navigate the waiting legal difficulties.  But as Jake and Harry work to secure Mack’s return, some members of Ford County are less than eager to see him come back and will ensure that retribution is waiting for him if he does.

Now I must admit that the first entry in this book is probably the weakest, as Homecoming does not have the most gripping narrative of the three short stories in Sparring Partners, mainly due to its low stakes.  However, it still proves to be a very compelling and interesting narrative that sees a disgraced fugitive lawyer who went through a major mid-life crisis attempt to return to the scene of the crime.  Loaded with characters with big personalities, this proves to be a very entertaining entry, and I enjoyed the unique and character-driven narrative that it contained.  Grisham provides some intriguing insights into small-town lawyering, while also taking the time to dive into some of the more significant characters.  There is a great focus on the character of Mack, especially around why he did what he did, and I really enjoyed the moving moments that looked at the impact his actions had on his family.  However, I did think that the story, while fast paced and interesting, was a bit bland and it never really went anywhere.  Still, this was a great introduction to the sort of stories you can expect in Sparring Partners and I had a wonderful time reading it.

The next entry in Sparring Partners is the powerful and intimate story, Strawberry Moon.  Set inside a death row of a prison, Strawberry Moon follows Cody Wallace, a young inmate with only three hours left until his execution.  Waiting for his final moments while his lawyer tries and fails to save him, Cody reminisces on his life and the poor choices, tragedies, and an unfair system that led him there.  But as the last minutes of his life tick away before him, Cody has just one request to the guards around him, one that will make all the difference in the world to him.

Strawberry Moon was the most powerful and heartbreaking of all the three stories contained within Sparring Partners and it serves as the emotional heart of the entire volume.  Grisham paints a grim and realistic picture of a young man who is about to be executed, by examining this remarkable figure’s remaining three hours.  Grisham has produced a deeply compelling and concise narrative that reader will swiftly get drawn into.  The story of Cody Wallace is beyond tragic, and the slow reveal of what he did and why he is about to die really gets to you, especially as it is interposed with scenes from his current existence and mentality, which has resulted in spending half his life in death row.  Watching Cody take pleasure in some of the little things he has as he waits to die is extremely moving, as are his final interactions with some of the more important people in his life, even if they are only passing acquaintances.  This story also serves as a rather blistering indictment of the death penalty system, and Grisham really got his point across extremely well, showing a mostly innocent person get killed for reasons outside of his control.  Easily the best of the three stories contained within Sparring Partners, I had an incredible time with Strawberry Moon, and you will get hit hard in the feels when you read this one.

The final story is the amusing and fast-paced story Sparring Partners, which shares the name of the volume.  Sparring Partners follows the unusual firm of Malloy & Malloy, a storied, family-operated law firm that is going through its greatest challenge.  With the Malloy family patriarch currently in prison for murder, the two remaining Malloy lawyers, brothers Kirk and Rusty, attempt to manage the firm in his stead.  However, the two brothers are polar opposites of each other and have very different ideas about how the firm should be run.  With their feud reaching an all-time high, the firm is in dire straits, and only their neutral colleague, Diantha Bradshaw, seems capable of saving it from ruin.  But Diantha has very different plans, and the firm of Malloy & Malloy may be in some real trouble.

This final story is a great entry as well, and it is definitely the most entertaining piece in the entire book.  Following a law firm in crisis, this was a fantastic and fun blend of legal thriller and family drama, as the entire lawyer family goes at each other trying to win.  Grisham sets the entire scenario up extremely well and shows the multiple conflicts, manipulations and twists in an awesome way.  None of the characters in this story are likeable, and it proves quite enjoyable to watch them fight and bicker throughout Sparring Partners, especially as many of them get what they deserve at the end.  While this entry did feature an extremely convoluted murder and investigation, which was a bit silly, there were a lot of good elements in Sparring Partners, and I had an awesome time getting through it.  A fantastic concluding story for this excellent book!

Overall, Sparring Partners was an interesting read to get through, and I quite enjoyed the various snapshots into Grisham’s imagination and writing style.  All three stories have some excellent merits, and while they aren’t the author’s best work they were very entertaining and compelling.  I loved the mixture of legal scenarios and interesting characters featured within this book, and Grisham’s ability to craft together a concise story even in shortform was on full display.  While Sparring Partners is very accessible to readers unfamiliar to Grisham’s previous works, this is probably best enjoyed by those fans of the author who are hankering for more of his unique stories in between books.  I had a great time reading it and it gave me some more insights into an author I am still not amazingly familiar with.

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The Law by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Short Stories9 Comments

The Law Cover

Publisher: Podium Audio (Audiobook – 5 July 2022)

Series: The Dresden Files – Book 17.5

Length: 3 hours and 22 minutes

My Rating: 5 out of 5 stars

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Prepare to dive back into the wild world of Jim Butcher’s iconic Dresden Files series with the latest impressive novella, The Law.

Readers of this blog might have noticed that I usually don’t go out of my way to read too many novellas or short stories and instead usually focus on full-length novels and comics.  This isn’t so much a deliberate choice as I just prefer whole books I can really sink my teeth into.  However, I had to make an exception for the latest Dresden Files novella that Jim Butcher just dropped, as I have been deeply enjoying this epic series.

The Dresden Files are a long running series of urban fantasy novels that follow protagonist Harry Dresden, a wizard who protects the people of Chicago from the magic beings and creatures they don’t even know exist.  People may remember that I first got into the Dresden Files back in 2020 when I checked out the 17th entry in the series, Battle Ground.  While I did enter this series late in the game, I still had an outstanding time with Battle Ground and it ended up being one of my top books and audiobooks of 2020.  In fact, I enjoyed it so much that I went back and started reading the series from the beginning.  So far, I have been able to read the first four Dresden Files novels, Storm Front, Fool Moon, Grave Peril and Summer Knight, all of which have been pretty impressive and captivating reads.  This dive into the older novels, plus my lingering enjoyment of Battle Ground, ensured that I was ready and eager for any new Dresden Files content that came my way, and Butcher just delivered with his latest novella, The Law.

Set a month after the events of Battle Ground, The Law sees Harry Dresden and the city of Chicago still recovering from the invasion of the Titan Ethniu and her forces, which resulted in significant destruction.  However, Dresden is primarily mourning the tragic death of his love, Karrin Murphy, and even his new responsibilities as lord of a castle and protector of Chicago isn’t enough to keep his mind off his loss.  Determined to snap Dresden out of his funk, his friends decide to get him back to basics and introduce him to someone in need of a good investigator.

Enter Maya, a former prostitute turned tutor whose grassroots education company helps to supplement the education of Chicago’s working-class children.  Working hard, Maya has managed to turn her tutoring business into a viable, if low-profit, franchise that prioritises helping as many children as possible.  However, Maya’s past life is about to come back to haunt her in the form of her former pimp, Tripp Gregory, who initiates a bogus lawsuit against Maya’s company for a ridiculous sum.  Unable to afford a lawyer and desperate for help, Maya has no choice but to turn to Chicago’s resident miracle worker, Harry Dresden.

Deciding to the take on the case and hoping to quietly warn Tripp away from Maya, Dresden soon discovers that sometimes the most dangerous opponent is a greedy idiot concerned only for themselves.  Worse, Tripp and the case have unexpected connections to the magical world, with dangerous players taking an interest in its outcome.  Forced to deal with old and new foes of considerable power, Dresden will need all his wit and will if he is to save Maya’s business and ensure that justice is found.

Well, that has gone a long way to convincing me to check out more novellas in the future.  The Law was an epic read that took Butcher’s always outstanding Dresden File’s protagonist on a short, but extremely sweet, adventure.  Bringing Butcher’s usual flair and style, while also expanding on events from the last book, The Law was a great read that gets a full five-star rating from me.

Butcher pretty much teaches a master class on how to do a short, concise and captivating story here in The Law as, despite its length, this novella had an impressive and fun narrative that I found to be utterly addictive.  Not only does it serve as a great follow up to Battle Ground but it showcases some amazing character work while presenting the protagonist with an intriguing new adventure.  The story is so much fun, and I loved how it started as seemingly non-magical job and then morphed into something more dangerous and problematic as Dresden finds that it has connections with the magical world that forces him to deal with some of Chicago’s key players, including some old enemies.  Bringing a small but enjoyable amount of legal thriller aspect to the series’ usual urban fantasy crime fiction style, The Law goes in some fantastic directions, as Dresden attempts to placate all the players while also serving his client.  There is a great bit of action, a ton of humour, some intriguing revelations, and even some pretty dark moments, which combine extremely well to create quite the impressive narrative.  I loved how Butcher wrapped the entire novella up, especially with that one conference scene near the end, and the reader comes away very satisfied and entertained with the entire affair.  I cannot emphasise how great this story was, and I was so damn enthralled by it that I nearly finished it in an entire sitting.

One of the things that I particularly liked about The Law is the way that it serves as a bridging novella between Battle Ground and any future entries in the series.  Butcher spends a lot of time in this story looking at the aftermath of the previous novel, especially as Battle Ground featured that epic battle that saw Chicago nearly levelled.  As such, Butcher packs The Law with a ton of callbacks to the events of the last book, and there is a huge focus on how the various characters are dealing with the aftermath, especially Dresden.  There is also a very fascinating look at the rebuilding that is occurring during this time, as well as the current state of the citizenry, many of whom are traumatised or damaged because of a battle most of them couldn’t even fully comprehend.  I really appreciated seeing the various figures featured in The Law remembering or trying to understand the events of Battle Ground, whether they are a magical person who lost someone, a normal person who went through hell, or even one of Dresden’s Knights of the Bean, who now bear a dark connection with the protagonist.  Some of the details that came out as a result are deeply fascinating, and there are even a few hints about where some potential future storylines might go, such as increased Government awareness of magic (you see evidence of them covering up the events of Battle Ground here), or the increased fear that might lead to humans attacking magic kind in the future.  All of these are featured heavily in The Law, and I liked how it was well utilised for the current story, while also showing fans of the series how different the landscape of Chicago will be in the future.  I would say that this focus on the aftermath of Battle Ground did make The Law a little less accessible to those readers who haven’t read the latest Dresden Files novel, however, I think that if you are interested in reading this, then you should definitely read Battle Ground first.

I also must talk about the great character work featured in The Law.  Despite its shorter length, Butcher manages to fit a decent number of characters in The Law, and there are some impressive character arcs and development that occurs as a result.  Naturally, most of this is focused on series protagonist and central point-of-view character, Harry Dresden, who puts on his usual brave face for most of this novella, bringing his usual insights and wicked humour to the new case.  However, it soon becomes very apparent that Dresden is still heavily traumatised by the events of Battle Ground, where he lost so much because of the war.  Despite his best efforts to hide it, Dresden is a wreck for much of the story, and it was quite confronting and moving to see him experience blackouts and emotional strains due to the tragedies he has experienced.  I think that Butcher covered his protagonist’s trauma and grief in a pretty realistic way, and I liked how he tried to use an old-fashioned investigatory case as a coping method for Dresden.  It was great to see Dresden going back to his roots as a private investigator after the chaotic and world-altering events of the last few books, and it was interesting to see how much the character’s powers, methods, insights and choices have changed as a result of everything he’s seen.  The Law ended up being quite an intense and fantastic look in the recovering Dresden and readers will like seeing his emotional damage, his recovery, and even some of his darker moments that are contained within this excellent novella.

Aside from Dresden, The Law features an excellent array of supporting characters, who bring a lot to the narrative.  Butcher made sure to include a combination of new faces and existing characters to fill out the cast, and I had a blast with how they were utilised throughout.  Several of the funniest and most interesting recurring figures from the series had substantial roles here, including Bob, Gentleman John Marcone, and even Mab, and each of their appearances and interactions with Dresden were entertaining and fitting with their previous appearances.  I enjoyed many of the great new characters that Butcher introduced here.  Some of them, including a devilish lawyer with a shrouded identity, may come back in the future, and it will be interesting to see how they are utilised.  I also enjoyed main antagonist, Tripp Gregory, mainly because he was so different that Dresden’s usual antagonists.  Rather than being a magical creature or a major threat, Tripp is a normal and rather idiotic criminal, who has a surprising power: he’s too stupid to believe in magic and too self-centred to avoid all the trouble Dresden is bringing his way.  Dresden’s reactions to having to deal with such a selfish and unusual opponent makes Tripp’s inclusion totally worth it, and I had fun seeing his arc unfold.  These characters, and more, were awesome inclusions to The Law, and their unique inputs added a lot the quality and entertainment value of the entire novella.

Finally, a quick note on the audiobook format, which was how I enjoyed The Law.  The Law audiobook has a very short run time of just over three hours and is a relatively easy audiobook to get through.  I always find myself really getting into Butcher’s excellent stories in this audio format, and this continued here with The Law, and it really helped me enjoy all the novella’s fun and entertaining details.  Probably the biggest thing about The Law audiobook was the choice of narrator.  I was deeply, deeply shocked when I discovered that long-time Dresden Files voice actor, the legendary James Marsters, wasn’t narrating The Law, and instead Butcher himself took over and voiced the entire thing.  Surprisingly, this ended up working out rather well and Butcher turned out to be a pretty competent and enjoyable audiobook narrator.  Don’t get me wrong, he’s no James Marsters (a point Butcher makes up-front, after promising Marsters would come back for future novels), but he does a really good job considering his lack of experience.  All the characters are given good, distinctive voices that fit their personalities and showcase their emotions and reactions perfectly.  His voice for Dresden was particularly good, and Butcher captured his creation’s cocky nature and damaged inner self perfectly.  While some of the accents he did were a little iffy, this was an overall fantastic performance from Butcher, and it was fun to see him contribute to his work in this way.  The Law audiobook ended up being an excellent and impressive way to enjoy this fantastic story, and it is easy the format I would most strongly recommend.

Jim Butcher continues to expand his epic Dresden Files series in some fantastic ways with the new novella, The Law.  Containing a compact, but highly impressive story loaded with some of Butcher’s best characters, The Law proved to be extremely entertaining and a lot of fun to get through.  Serving as a perfect follow-up to the major events of the last novel, The Law was an excellent and powerful entry in this long-running series that is a must read for all Dresden Files fans.

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