Kagen the Damned by Jonathan Maberry

On July 31, 2022March 5, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Thriller19 Comments

Publisher: Macmillan Audio (Audiobook – 10 May 2022)

Series: Kagen the Damned – Book One

Length: 20 hours and 53 minutes

My Rating: 5 out of 5 stars

One of my favourite unusual thriller writers, the legendary Jonathan Maberry, enters the world of fantasy in a big way with Kagen the Damned, a dark fantasy masterpiece with a brutal heart to it.

I have made no secret of the fact that I am a huge Jonathan Maberry fan. I got into Maberry’s writings when I chanced upon a copy of his 10^th Joe Ledger novel, Deep Silence, a few years ago, which introduced me to both Maberry’s unique writing and his iconic protagonist, the titular Joe Ledger, a badass action hero who saves the world from crazy and dark science creations. I deeply enjoyed Deep Silence (it was one of my favourite books of 2018) and quickly moved onto his other Joe Ledger books, diving back to the start of the series with Patient Zero, and then working my way through the rest of the awesome entries, such as The Dragon Factory, Code Zero, Predator One and Dogs of War. I also kept up with his latest releases, including the two entries in the follow-up Rogue Team International series, Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), and his standalone novel Ink (one of my favourite books and audiobooks of 2020). I have been very eager to see what awesome novel Maberry releases in 2022, and, luckily for me, that materialised in the form of Kagen the Damned.

Kagen the Damned is an interesting and unique read from Maberry, as it is his debut foray into the fantasy genre. While many of his other books have had fantasy elements to them (albeit with a horror edge), this is his first pure fantasy fiction novel, as well as the start of his Kagen the Damned series. Naturally I was rather curious about how Maberry would transition to a new genre, and while I was a tad disappointed that the Rogue Team International series isn’t getting a new entry any time soon, Kagen the Damned ended up pretty high on my most anticipated reads for 2022 list. After a few weeks of other books getting in the way, I finally got the chance to listen to Kagen the Damned, and it turned out to be quite an impressive novel.

Kagen Vale was once one of the most trusted and revered fighters in the entire Silver Empire. A scion of the legendary Vale family, who have served the Silver Empire for generations, Kagen was a beloved member of the royal court and so highly regarded that he was entrusted as the guardian of the Seedlings, the Empresses’ children. That was until the fateful night when, out drinking and whoring, he was drugged and left for dead. Awakening in a daze, Kagen found himself in the midst of hell as the capital of Silver Empire, Argentium, was besieged by a foe long thought dead, the dread nation of Hakkia, whose dark magic has once again emerged to blot out the world.

Arriving to the palace too late to save anyone, including the Seedlings, Kagen falls into despair at failing his sacred duty and can only watch in horror as the Gods of the Garden, the deities of the Silver Empire, turn their back on him and damning him for all time. Now with everything and everyone he has ever known lost forever, Kagen the Damned wanders the ruined countryside a broken drunk, dreaming of revenge on the one man responsible for all his ills, the mysterious and feared Witch-king of Hakkia.

However, not everything is as lost as it seems, as shadowy figures across the world being to formulate their plans to repel the Witch-king’s evil. As two young women embark on a deadly quest to awaken a sleeping, ancient god from beneath the waves, a covenant of resistance attempts to find their own magic to oppose the Witch-king with. Determining that Kagen may bear the best chance of recovering the tools needed to succeed, they manipulate events to set him on his path to revenge. However, what price will a doomed man truly pay to get the revenge he so desperately seeks, and will Kagen be ready for the terrible secrets he uncovers along the way? Only the gods and the damned know for sure!

Well, it is now more apparent than ever that there is no Jonathan Maberry book I will not enjoy to the extreme. Kagen the Damned is an incredible and very memorable novel from Maberry, who puts the ‘dark’ in dark fantasy, with this barbaric and action-packed journey into hell. Making use of his trademark style, flair for horror and exceptional character work, Maberry pulls together a deeply addictive and extremely exciting story that I fell in love with very, very quickly. This was another easy five star read for me, and I loved every single second I spent reading it.

Maberry once again blew me away with an outstanding and high-action narrative, and I quickly got very attached to Kagen the Damned. This book has an extremely memorable start to it, showing the bloody fall of Argentium from the perspective of Kagen, who awakens from a drunken haze to find a vast army in his supposedly impenetrable city, destroying and killing everything they see. This was a very compelling and brutal start the novel, and its one that I quite enjoyed, especially as you see just how dangerous the enemies are and the chaos they have unleashed. Maberry does a great job of setting up multiple key storylines, settings and characters in this early section, and while the focus is primarily on Kagen, you get some interesting insights into other figures that will impact the rest of the book. The entire first part of the book is very distinctive and really showcases how dark this novel is going to get, especially when it comes to the character of Kagen and the fate of the royal children. This whole first section ends on a brilliant note, with Kagen left broken and damned, while the once great Silver Empire, which you only saw glimpses of, is destroyed and replaced with a new world order.

Following this epic start, the narrative slows down a little, as Maberry works to set up some alternate storylines and characters, while as taking the time to do some compelling and extended word building. Set in the direct aftermath of the opening sequence, the story primarily splits into three different streams at this point, with the main one following a despondent Kagen as he traverses the former Silver Empire, lost in grief and drink. At the same time, two separate storylines tell some great connected narratives, with one following two young women as they journey off into the unknown, while the rest focuses on the Hakkian takeover back in Argentium. This focus on the Hakkians and their plans, as told by the Witch-king’s advisors, as well as a resistance group, is very awesome, and it was fascinating to see some impressive political intrigue going on behind the scenes as the antagonists work to consolidate power through various methods. While the rest of the narrative continues in a straight line, the story around Kagen slowly adapts as he meets some new friends and begins his mission of revenge as planned, with some detours.

This leads up to the excellent final part of the book, which I powered through extremely quickly to see how everything ended. All three major storylines are reaching there climax here, and they start to blend a lot more closely, especially the ones focusing on Kagen and the Hakkians. Everything leads up to a highly anticipated confrontation that sees Kagen finally face his enemies, and it is just as epic as I was hoping. There is a ton of action, tragedy, twists and revelations here, as many of the plot elements and storylines come full circle. I loved the various reveals that happen here, and most have been set up really well throughout the extended course of the narrative. I really should have seen the identity of the Witch-king coming, but it was the right choice by Maberry, which leaves some big questions open for the future. Everyone will come away from Kagen the Damned extremely satisfied, as Maberry leaves everyone on a brilliant note, that ensures that readers will definitely come back for more. This is an outstanding and deeply addictive narrative that is guaranteed to grab your attention early one and refuse to let go.

I really enjoyed how well Kagen the Damned was written, as Maberry brought his unique style to bear to help create an outstanding story. In many ways, this novel proved to be essentially one of Maberry’s thrillers set in a fantasy universe. Indeed, there were a lot of similarities in the style, the structure of the chapter, the pacing and even the use of familiar horror elements that I have previously seen and loved in the Joe Ledger books and I think this cool style worked well to tell an intense fantasy narrative. As such, Kagen the Damned is a swift and well-structured book that pushes the story along at a swift pace, while also taking the time to build up the universe and the multitude of characters. Maberry utilises a great range of story elements throughout this novel, and the readers are treated with a fantastic blend of action, intrigue, dark, over-the-top moments, horror, despair and humour, as the characters experience all manner of devastating trials and oppositions.

I also have a lot of love for the way that the author sets up the story and showcases the elaborate events that are occurring. Maberry makes excellent use of a huge number of shorter, focused chapters told from a variety of viewpoints. These briefer chapters really increase the pace and intensity of the book, and I deeply appreciated how the narrative quickly jumped across the various characters. The interplay between the three central storylines, which are primarily anchored around Kagen, is extremely good, and I loved seeing the characters react to some of the same events or actions of their fellow cast members. These storylines are also joined by a series of interludes that show the various impacts that the Hakkian invasion has on the wider world, especially those attuned to magic. These interludes are usually very fascinating, and they are often used to introduce some minor supporting characters in a fun and unique way. I loved the complexity that these interludes usually have, and the often self-contained stories are well structured and always feature a distinctive or chilling conclusion. Maberry uses these interludes cleverly, often inserting them between major or extremely powerful chapters to help relieve tension, or to remind the reader of the wider stakes or events occurring around the main story. I definitely enjoyed this larger look at the world that Maberry provided through them, and it was an outstanding part of Kagen the Damned’s story.

One of the major highlights of the writing in Kagen the Damned is the intricately described and fast-paced action, which is a major hallmark of Maberry’s writing style. Maberry has always excelled at writing brutal fight scenes in a way that paints a vivid mental picture for the reader, and this was once again the case for Kagen the Damned. The many, many action and fight sequences are brought to life in exquisite and bloody detail, and the reader is easily able to imagine every strike and slice as they happen. This makes the action sequences really pop, and they were a particularly awesome highlight of this great book. This focus on action and combat was really effective in this fantasy novel, and it was very cool to see Maberry bring his knowledge of combat and the accompanying writing skill to bear on large scale battles between armed and armoured fighters, while magic and gods blow stuff away around them. There are some really great fight scenes loaded throughout this book, and I loved every skirmish, battle and duel that was featured within it.

While I did really love the action and brutal combat sequences within Kagen the Damned, I probably should add a warning about how dark and gruesome it can get in places. Maberry’s writing style has always relied on over-the-top violence, cruelty and brutality to a degree, and this was once again the case in Kagen the Damned, which not only featured a ton of killing but also gruesome scenes of torture, corpse desecration and depictions of sexual violence. While I think that these ultra-violent moments do work to showcase just how dark and savage the new world order is, they are often a bit hard to witness. I will note that Maberry did take the time to discuss the emotional and social impacts of the various acts of sexual violence in the book, rather than just including them for gratuitous effect. There are also some great scenes where the protagonist calls out and belittles several characters willing to commit such acts, before delivering his own violent justice, and I think that the author did his best to show have damaging it can be in his own way. However, readers should probably be aware that these scenes exist, as people might find them to be a bit shocking.

I was also a major fan of the cool new fantasy universe that Maberry cooked up with Kagen the Damned, mainly because it is such a distinctive creation of the author. Set on a giant continent made up of various nations, this is an impressive and compelling world, filled with a unique history, gods, people and settings. The author does a great job of swiftly introducing this world and some of the key parts of its history in the early parts of the book, mainly so that readers can be a little more shocked at the early events and full appreciate the destruction and change that the Hakkian nation brings with it. Maberry is clearly emulating some classic fantasy novels and settings throughout Kagen the Damned, and I loved seeing this bold new world that he has created. There are some unique and cool elements featured within, and I liked how there are certain shades of grey shown when it comes to the morality and righteousness of the various factions. Maberry also takes the time to highlight the changes that are coming to the world, thanks to the return of the Hakkian Witch-king, and the slow and steady resurgence of magic and the death of a certain pantheon of gods, are highlighted really well, both in the main story and the interlude chapters.

Perhaps one of the most distinctive features of this new world is the horror elements that Maberry worked into the plot. I really should not have been surprised at the strong Lovecraftian elements that featured, as the author has used them strongly in some of his previous books. However, it is even more explicit here in Kagen the Damned, with several notable Elder Gods playing key roles in the plot and even appearing in some epic scenes. While I am not personally a fan of Lovecraft, I did quite like how Maberry utilised these elements throughout this book, and they gave parts of the book a darker and more eldritch quality that I quite enjoyed. This, and certain discussions about other worlds and alternate realities, potentially links this series to some of Maberry’s existing works, and it wouldn’t surprise me if there were some form of crossover in the future, although it would have to be handled well. I had a great time exploring this new fantasy world in Kagen the Damned, and I look forward to seeing what other surprises and dark gods appear in future entries of this series.

I also must highlight the incredible character work featured with Kagen the Damned, as Maberry went all out to create an excellent and unique cast of characters, whom the excellent narrative revolves around. There are some amazing characters featured within this novel, and the author works hard to feature all of them in some impressive roles. I had a lot of fun with the huge cast of Kagen the Damned, and there are deep and emotional figures featured here.

The most prominent and intriguing character is the titular Kagen, who takes on the moniker of Kagen the Damned. Maberry really does a number on his central protagonist early on, as Kagen awakens from a drunken haze to find that everything he cared about and held dear had been lost while he slept. Despite his best efforts to redeem himself in the battle that follows, he still fails miserably, and manages to escape the conquered capital in a fractured haze. Broken, dazed and emotionally destroyed, Kagen becomes even more despondent when he sees his gods in the sky turn their back on him due to his failure to maintain his sacred oaths, which convinces him that he is damned. Naturally, these events leave him severely emotionally damaged, and he spends most of the book trying to come to terms with his failure while also trying to find some way to get revenge on the Witch-king for all he has done. A large amount of the book is dedicated to Kagen falling into despair, and Maberry presents a realistic depiction of a man who has lost everything and who is barely able to survive, relying heavily on drink and violence to get through his days. While Kagen is eventually able to throw off much of this despair, it is still lurking within him, and he is often shown living in regret at his failure, even though no one else blames him as much as he does. Kagen working through these complex feelings of failure results in much of the novels emotional strength, and Kagen serves as a moving and powerful heart for the entire novel.

While I did deeply enjoy this intriguing central character and his rough and emotional journey through this book, it is hard not to notice some similarities between Kagen and another one of Maberry’s protagonists from another series. Kagen is in many ways a fantasy version of Joe Ledger, with similarities including a propensity for violence, extreme skill with knives (technically short-swords in Kagen’s case), and even a similar sense of humour during some of the lighter moments of the books. There is also the same high level of mental damage brought on by extreme trauma, with both characters often seeking revenge against the people who wronged them and those they loved. Despite these similarities, I still really appreciated Kagen as a protagonist, and I felt that some of his additional elements, such as his complex familiar bonds and strong sense of failure, did set him apart in some key ways. No matter what, Kagen is a pretty awesome character to follow, and I loved seeing him continue to go through all his dark moments to keep going.

Aside from Kagen, there are several other amazing characters featured in this novel, all of whom have some outstanding storylines around them. Two of the most prominent are Ryssa and Miri, who were in Argentium when the Hakkians invade. Both junior members of the Silver Empire’s clergy, the two women initially appear to be primarily concerned with surviving the invasion. However, it soon becomes apparent that Miri, whose knowledge of the gods and creatures of this world are far greater than they should be, has a different agenda. Taking Ryssa with her on a big journey to a remote island nation, Miri soon engages in a plot to save the world her way. Ryssa and Miri make up a fun combination that Maberry weaves some interesting storylines around. While these characters aren’t explored as deeply as Kagen, you still get a great sense of who they are, particularly Ryssa, who is the primary point-of-view character between them. Their entire storyline is covered in mystery and uncertainty as Ryssa is left in the dark about what is coming her way. I liked the religious world-building that went into this character storyline, and there are some excellent moments in it loaded with tragedy and despair. Even with their storyline being mostly separated from the rest of the characters, and it was a little predictable that Maberry would turn them into a lesbian couple, they had a compelling relationship and I felt that they added a lot to the narrative.

I also had a great deal of fun with the primary Hakkian characters featured in Kagen the Damned. While they are ostensibly the antagonists of the book, Maberry takes the time to really establish the main four characters and presents them as a lot more complex and even sympathetic in places. The main Hakkian character is their leader, the Witch-king, a character shrouded in mystery for most of the book. A previously unknown figure, the Witch-king uses his magic to defeat the entire Silver Empire in a night and then spends the rest of the book trying to set himself up as the legitimate ruler of the land while also advancing the position of his brutal god. I loved the way that Maberry kept the details about the Witch-king’s past and identity hidden for most of the narrative, although there is some great foreshadowing of his identity scattered throughout the novel. The Witch-king cuts a fantastic and menacing figure for most of the book, and it was intriguing to see him present himself as a fair and loving ruler, while simultaneously exuding an aura of menace and dark magic. It was pretty hilarious to see him terrify his key advisors for much of the book, and I loved all the hints about his true objectives. An overall excellent central antagonist, I look forward to getting more details about him and his history in the rest of the series, especially after the revelations at the end of this book.

The other three key Hakkian characters are the Witch-king’s advisors, the chamberlain Lord Nespar, necromancer Lady Kestral, and newcomer Jakob. Nespar and Kestral are fantastic characters who spend most of the book administrating the Witch-king’s will, running his empire, hunting for Kagen, and setting up the upcoming coronation of the Witch-king to become emperor. While they are initially shown to be quite dangerous and evil, mainly due to their role in destroying the Silver Empire and Kestral’s disturbing magic, you eventually see that there is a lot more to them. In particular, you see that they are actually extremely terrified of the Witch-king and are desperately obeying his will in order to survive. You actually end up feeling a bit sympathetic for the pair of them, even after you see Kestral tear a corpse apart for a ritual, and I enjoyed the intrigue and politics they got involved with to rule the new empire. The other character is Jakob, a Silver Empire historian who is drafted into the Witch-king service as his minister for propaganda. Rechristened as Jakob Ravensmere, he becomes fully compliant in the Hakkian takeover and proves to be a very competent advisor and political mind while also working to rewrite history to increase the legitimacy of the Witch-king. It was extremely fascinating to see Jakob discussing the control given by those who control history and propaganda, and I really enjoyed his role in the new empire. It was also fun to see his rather quick slide towards the dark side as he fully embraces the Hakkian lifestyle and even starts to develop a taste for a power. I always love seeing Maberry’s narrative unfold from the antagonist’s point of view, and this worked out extremely well again in Kagen the Damned.

The final characters I need to highlight are some of the excellent supporting cast surrounding Kagen. Kagen has two excellent companions who work with him throughout the book, Tuke and Filia. Tuke is a giant professional thief who recruits Kagen for a job that will help an anti-Hakkian resistance movement. Tuke serves as the comic relief for much of the book, and I loved the outstanding chemistry he had with Kagen. The two play off each other extremely well, and their excellent camaraderie and humour were pretty fun to see. Not only does Tuke have some of the best lines (and the funniest curses) in the book, but he also serves as an emotional sounding board to Kagen, helping him get better after all the tragedy he experienced. Filia is a strong-willed warrior and former associate of Kagen who finds herself dragged into the chaos around the war and Kagen’s wild adventures. Filia’s no-nonsense attitude and sarcasm are a great counterpart to the other characters in Kagen the Damned, and I especially liked it when it combined with the humour of Kagen and Tuke. These characters, and more, really enhanced the overall quality of this impressive narrative, and I loved seeing their powerful storylines unfold in some excellent and enjoyable ways.

There was no way that I was going to check out the new Jonathan Maberry novel in any format other than audiobook. I have had some outstanding experiences with Maberry’s audiobooks over the years, and all of them have been deeply impressive and extremely enjoyable. This again proved to be the case with Kagen the Damned, as I had an outstanding time having this dark epic read out to me, especially as it really helped me to absorb all the details of the characters and the impressive new universe. With a runtime of just under 21 hours, this is a pretty lengthy audiobook to get through, but it is well worth the time investment, especially as it delivers the story in such an awesome way.

Easily the best thing about this audiobook is the outstanding narration from the very, very awesome Ray Porter. Porter, who is one of my favourite audiobook narrators, who has previously narrated Maberry’s books, as well as contributing his voice to other works like The Apollo Murders and The Sandman audio adaptation. As such, the moment I heard that Porter was also going to narrate Kagen the Damned, I knew that I had to get this audiobook. Porter has an amazing ability to move the story along, and his voice is perfect for all the intense action, world-building and intrigue Maberry features in his novels. I love the way that Porter dives into the various characters featured in the books, with every single person getting their own distinctive voice, while Porter also effortlessly emotes all their emotion to the listener. This includes a very sinister voice that Porter saves for when the villains are talking or some incredibly dark moments are happening, and having him use variations of this voice to highlight just how brutal a moment is being, is always a great experience. It also works well when the characters start speaking in the languages associated with the Elder Gods, and the resultant ceremonies and spells are quite spooky to hear in Porter’s voice.

Porter also did a particularly good job at inhabiting the voice of Maberry’s central protagonist, Kagen, and you get a real sense of who he is and the intense pain he is feeling throughout the book. While the voice Porter uses from Kagen is a little like that of Joe Ledger from Maberry’s other audiobooks (a side effect of Porter ensuring that the main protagonist’s voice matches the tone he uses for basic narration), Porter does add a little more of a growl to it here, which helped to a degree. This was another incredible performance from Porter, and I am so very glad that they got him back to narrate Maberry’s new series. I cannot emphasise how outstanding the Kagen the Damned audiobook turned out to be (although I did feature it in my recent best audiobooks from the first half of 2022 list before I’d even finished it), and this is the absolute best way to enjoy Kagen the Damned.

Well, after rabbiting on for nearly seven pages, I think it is exceedingly obvious that I loved Kagen the Damned. Jonathan Maberry’s latest novel was extremely compelling and deeply exciting, and I was really impressive with the author’s jump to the fantasy genre. Featuring a clever, complex, and action-packed narrative loaded with destruction, thrilling revenge and some great, damaged characters, Kagen the Damned was an outstanding read and its one that I absolutely flew through. Kagen the Damned is easily one of the top books of 2022 and this is a favourite new series for me. I am extremely excited to see where the Kagen the Damned series will go in the future, and the next book, Son of the Poison Rose, is out in a few months’ time, and I cannot wait to get my hands on it.

Amazon Book Depository

Throwback Thursday – Warhammer: Van Horstmann by Ben Counter

On July 22, 2022February 27, 2023 By The Unseen LibraryIn Extended Universe, Fantasy, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Van Horstmann Cover

Publisher: Black Library (Paperback – 1 February 2013)

Series: Warhammer Fantasy

Length: 415 pages

My Rating: 4.75 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday I review another awesome Warhammer Fantasy novel, the compelling and unique Van Horstmann by Ben Counter.

Another week, another Warhammer tie-in novel that I must review. I have been really diving into this franchise over the last year; to be fair, there are some incredible books there, including the two 2022 Warhammer 40,000 releases that got a full five-star rating from me, Ghazghkull Thraka: Prophet of the Waaagh! by Nate Crowley and Assassinorum: Kingmaker by Robert Rath. Some of the best of these books are tie-ins to the now destroyed Warhammer Fantasy universe, including the novel from last week’s Throwback Thursday, Runefang by C. L. Werner. Well, my current obsession with all things Warhammer continued again as I recently read the awesome Van Horstmann by Ben Counter. Counter is a well-established author of Warhammer fiction, having made a ton of impressive contributions to the franchise, including his Grey Knights and Soul Drinkers series, as well as his entries in the massive Horus Heresy series. I was really drawn to Van Horstmann when I picked it up, not only because it has a great cover (love a cover with a dragon on it), but because of its intriguing plot, which sounded extremely awesome.

In the human realm known as the Empire, magic has been feared and mistrusted through most of its history, with practitioners hunted down and burned at the stake. However, following the Great War against Chaos, the elven mage Teclis was allowed to train various talented humans in the use of magic, establishing the eight Colleges of Magic that train scholars and battle mages to help the armies of the Empire. Out of all the colleges that were formed, the most revered are the College of Light, whose powerful light magic can be used to push back the darkness of Chaos.

Years after its formation, a young wizard manages to find the College of Light, hidden behind a magical barrier in the Imperial capital, Altdorf. This wandering wizard, Egrimm van Horstmann, is a talented young mage whose desire for knowledge and skill at manipulating the Wind of Hysh immediately impress his new teachers, and many believe that he will rise high in the order. However, van Horstmann has a dark secret that burns deep within him, and knowledge, power and ambition aren’t the only reasons for his joining the Light Order.

As van Horstmann rises in the ranks of his order, it soon becomes apparent that he has a diabolical plan. Working with dangerous forces, including daemons, cursed items and even the Chaos god Tzeentch, van Horstmann begins to manipulate his order, the other colleges, and even the emperor to get what he wants. But the closer he gets to achieving the goal, the more enemies he makes, and soon factions within the Light Order and the greater Empire begin to move against him. Can van Horstmann succeed in his mission before his dark purpose is discovered, or will his dastardly designs unleash the great and uncontrollable power hidden at the very heart of the College of Light?

This was an impressive and deeply captivating Warhammer Fantasy novel, and I absolutely loved the elaborate and clever narrative that Counter came up with. Focusing on an intriguing villainous figure and crafting an addictive story around him that also explores key aspects of the franchise’s lore, Van Horstmann was an outstanding novel, and it was probably the best Warhammer fantasy novel I have read so far.

Counter has come up with an excellent and impressive narrative for Van Horstmann, which, as the name suggests, is completely focused on the character of Egrimm van Horstmann. For those who don’t know, van Horstmann was a minor special character for the Chaos army in some of the earlier editions of the games, but he didn’t have that much background or lore surrounding him. I personally knew him due to his name being associated with one of my favourite magical items available to Empire armies in the later editions, Van Horstmann’s Speculum, which is a very fun surprise for an unwary foe (I have fond memories of using Van Horstmann’s Speculum in a game to switch stats between my Master Engineer and my brother’s Manfred von Carstein in a duel. The look on his face as his ultimate general was suddenly weaker than my minor hero was just hilarious). However, Counter manages to take the short background summary of the character and uses it as the basis for this novel, expanding on the tale of van Horstmann and showing how and why he infiltrated the Light Order and ended up betraying them, which results in an epic story.

Van Horstmann has a bit of a slow start to it, as Counter takes the time to set up key parts of the story, including an intriguing prelude that examines the first wizards of the Empire and their darkest secret. From there, the story introduces the main character, van Horstmann, and shows his entry into the Light Order and his start as a student. The story gets quite interesting after this, especially as you see van Horstmann involved in a demonic exorcism, which quickly highlights just how ruthless and cunning he can be. The story picks up pace from there as you begin to witness van Horstmann’s inevitable rise to power as the full scope of his desire and despicable nature become fully apparent. Most of the middle of the book showcases the characters careful and evil manipulations, as he manages to fool everyone and become more and more powerful through deals with daemons and the Chaos gods. There are some brilliant scenes here as you witness the full scope of his plans, from a great battle scene against the skaven, to organising several duels between the various magical factions, all in the name of gaining power. Counter really does a good job of showcasing this viewpoint through multiple perspectives, and while much of the focus is on the gloating van Horstmann, you also see how his actions impact several supporting characters, many of whom start to get suspicious. The entire narrative has a great dark fantasy edge to it, that occasionally borders on horror (especially when the character interacts with some of the daemons and their dark gods), and I found myself really getting drawn into this story once everything had been set up.

This leads up to the epic conclusion that sees van Horstmann’s master plan enter its final phase while his enemies begin to realise his evil nature. This ended up being an extremely impressive conclusion, and it really becomes apparent just how much stuff Counter had set up in the first two-thirds of the book. Everything comes together here, as compelling story elements such as van Horstmann’s long-term plans, his troubled past, all his terrible actions while part of the order, the revelations about the foundation of the Light Order, several great secondary character arcs, and the attempted investigation by van Horstmann’s enemies, all pay off. I really appreciated the brilliant and dark way that these storylines worked out, and there are some great revelations, especially around van Horstmann’s motivations and the full scope of his careful actions. I loved the deep and very personal reasons behind the events, especially as van Horstmann has some extremely fantastic revenge planned, which was pretty epic to behold. The entire novel ends on a brilliant note that sets up the character for his future appearances as a special character in the tabletop game, while also stabbing home that van Horstmann isn’t the absolute master manipulator that he thought it was. This clever conclusion was the perfect ending to this gripping plot about a conniving and dangerously intelligent villain, and it was so much fun to see how everything ended. These final pages and the outstanding conclusion they contained, definitely increased the overall awesomeness of the entire narrative, and seeing just how well every great twist and turn was set up is incredibly awesome.

This ended up being an excellent addition to the overall Warhammer Fantasy canon, and Counter did a wonderful job of working this elaborate and impressive story into the wider universe. As I mentioned above, Van Horstmann adapted basic character notes from an older game book, and I felt that Counter expanded on all these details extremely well, working them into the wider history of the Empire. There are some great explorations of several key factions throughout this novel, particularly the Empire and some of the forces of Chaos, and the reader really gets an impressive view of the iconic setting of Altdorf, where much of the narrative takes place. However, the most detailed and fascinating part of Counter’s dive into the Warhammer Fantasy world revolves around the exploration of the Colleges of Magic in the Empire. Without a doubt, Van Horstmann contains some of the best explanations of how human wizards perceive magic that you are every likely to see in a Warhammer novel and Counter spends a ton of time examining this. While some of the explorations surrounding magic do get a bit overly metaphysical for their own good, they are always pretty compelling to see, and I loved how there is a fun focus on the various different orders of magic, especially Light and Gold magic, as there are some awesome fights between these groups. However, it is the Light Order that gets the most attention in this novel, as the main character is nominally a member of this group. There is so much detail put into showcasing the Light Order’s elaborate, hidden headquarters, as well as how their particular brand of magic works, and you come away with a pretty intense understanding of this, which I deeply enjoyed.

Now, due to the sheer level of intriguing detail and Warhammer Fantasy lore contained within this novel, Van Horstmann is a book best enjoyed by those already a fan of the franchise. Counter dives into some fantastic and occasionally obscure parts of the lore, and established Warhammer fans will really appreciate the clever touches and revelations featured within. That being said, Counter also spends time ensuring that new readers will be able to follow the narrative rather easily, and a lot of the book’s exposition is spent establishing the history, magical elements, and some of the key factions for new readers. As such, pretty much anyone who loves a good dark fantasy story can easily enjoy Van Horstmann as a novel, and I am sure that most people will have an excellent time with its very clever and intense narrative. However, Warhammer fans are going to get the most out of it, and this probably isn’t the best first book for those readers interested in exploring the Warhammer Fantasy universe (the Gotrek and Felix novels, such as Trollslayer, would be my recommendation). Nevertheless, this is an exceptional Warhammer Fantasy read that will appeal to a wide cadre of readers.

There is some great character work featured in Van Horstmann, which naturally focuses primarily on the titular character. Counter really gets into the mind of van Horstmann in this book, and while most of the time you only see the supremely confident wizard who delights in manipulating men, wizards and daemons, there is a lot more under the surface. This includes a tragic backstory that serves as the motivation that drives him to do all the terrible things he wants to do here. While it would be rather easy to hate this character, especially with his inherent arrogance, I found myself getting drawn into his multiple plots and machinations, and you end up rooting for him just to see how all his plans unfold. Despite that, it is also quite fun to see misfortune strike him, especially the fun twist at the very end of the book where his overconfidence comes back to bite him in a big way. I had an outstanding time following van Horstmann in this fantastic novel and he proved to be a very fun central figure in this book.

Due to the massive focus on van Horstmann, Counter doesn’t spend a lot of time building up a lot of the side characters. Despite that, there are a few interesting supporting characters and storylines that add a fair bit to the narrative and which have some compelling connections to the main plot. Various members of the Light Order are featured throughout, and I liked the way that Counter portrayed them as mostly being quite full of themselves and unable to consider treachery from within their order. Watching them get taken down a massive peg by van Horstmann is a little satisfying at times, especially when their fates are well deserved, although there are a few tragedies thrown in at the same time. Other great characters include the manipulative Skull of Katam, a sentient magical skull who guides van Horstmann for its own reasons, and who served as an untrustworthy accomplice for a good part of the book. Finally, there is also the interesting character of Witch Hunter Argenos, a rabid religious zealot who hunts agents of dark magic and the Chaos gods. Argenos serves as a good counterpoint to many of the more magical characters, and his deep drive and desire for religious justice, helps to turn him into an excellent threat to van Horstmann. These side characters, and more, have some interesting moments in the book, and I liked their excellent contributions that combined with Van Horstmann’s main tale in some fantastic ways.

Containing an addictive, powerful and brilliant story, Van Horstmann by Ben Counter is an incredible and awesome Warhammer Fantasy novel that follows a fantastic villain as he dives deep into the world of magic. I loved the elaborate and captivating tale of revenge and dark power that Counter came up with here, and readers will swiftly get drawn into this amazing novel. An excellent in the Warhammer Fantasy canon, Van Horstmann is an exceptional read that comes very highly recommended.

Amazon

Star Wars: The High Republic: Tempest Runner written by Cavan Scott and performed by a full cast

On January 12, 2022August 22, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel5 Comments

Publisher: Random House Audio (Audio Drama – 31 August 2021)

Series: Star Wars – The High Republic

Script: Cavan Scott

Cast: Jessica Almasy, Dan Bittner, Orlagh Cassidy, Sullivan Jones, January LaVoy, Kathleen McInerney, Tara Sands, Vikas Adam, Jonathan Davis, Neil Hellegers, Saskia Maarleveld, Soneela Nankani, Marc Thompson and Shannon Tyo

Length: 6 hours and 5 minutes

My Rating: 4.5 out of 5 stars

Amazon Book Depository

The epic High Republic era of Star Wars fiction continues in Tempest Runner, the brilliant and captivating full-cast audio drama written by impressive author Cavan Scott.

Ever since its beginnings in early 2021, I have been having a lot of fun with the cool new focus of the Star Wars extended universe known as The High Republic. Set hundreds of years before the Skywalker Saga, The High Republic has featured several impressive novels, comics and other media releases that tell a grim story of destruction and strife in the golden age of the Republic and the Jedi. One of more interesting pieces of this fiction from late 2021 was this fantastic full-cast audio drama, Tempest Runner, which focused on one of this era’s best villains, the Nihil Tempest Runner, Lourna Dee. This awesome audio drama was authored by the exceedingly talented Cavan Scott, who not only wrote my favourite High Republic book so far, The Rising Storm, but also a great previous Star Wars audio drama, Dooku: Jedi Lost.

Synopsis:

The Nihil storm has raged through the galaxy, leaving chaos and grief in its wake. Few of its raiders are as vicious as the Tempest Runner Lourna Dee. She stays one step ahead of the Jedi Order at the helm of a vessel named after one of the deadliest monsters in the galaxy: the Lourna Dee. But no one can outrun the defenders of the High Republic forever.

After the defeat of her crew, Lourna falls into the hands of the Jedi – but not before she hides her identity, becoming just another Nihil convict. Her captors fail to understand the beast they have cornered. Just like every fool she’s ever buried, their first mistake was keeping her alive.

Lourna is determined to make underestimating her their last.

Locked onto a Republic correctional ship, she’s dragged across the galaxy to repair the very damage she and her fellow Tempest Runners inflicted on it. But as Lourna plans her glorious escape, she makes alliances that grow dangerously close to friendships. Outside the Nihil – separated from her infamous ship, her terrifying arsenal, and her feared name – Lourna must carve her own path. But will it lead to redemption? Or will she emerge as a deadlier threat than ever before?

Tempest Runner ended up being an entertaining and captivating piece of Star Wars fiction. Featuring another excellent story from Scott that not only dives into the past of great character Lourna Dee but continues the story set up in several of the past High Republic novels. Perfectly told using a full cast of narrators, this was an outstanding audio drama that I had a wonderful time listening to.

It was clear that Scott was on quite a roll last year when it came to fantastic storytelling. Tempest Runner is set after the events of The Rising Storm and continues several interesting storylines from this novel, as well as other pieces of High Republic fiction such as Light of the Jedi and Out of the Shadows. Starting off with Lourna’s capture by the Jedi, the story shows her successfully hide her identity and get imprisoned aboard a Republic prison ship doing hard labour as punishment. Trapped with some of the worst criminals in the galaxy, as well as former Nihil members who utilise her identity for her own good, Lourna is forced to survive while also coming to terms with who she is, what drives her and what she wants from the future, especially when she connects with one of the prison guards. However, an enemy from her past has found out where she is and is determined to kill her no matter what. This leads to several intense and brutal confrontations as Lourna is forced to once again bring out her inner monster to save herself and defeat her opponents, while also setting her path for future endeavours in the High Republic universe.

Tempest Runner’s narrative ended up being pretty intense, and I loved the cool and intriguing plot, especially as there are several fun twists and reveals, including that great one towards the end. While this is a mostly self-contained piece of Star Wars fiction, there are multiple intriguing connections to other High Republic novels and comics. I particularly loved how several of the best villains from the main two novels were used here, and it also sets up Lourna’s storyline for the next book in the series. Scott employs an interesting and roundabout way of telling Tempest Runner’s story, utilising a series of flashbacks and interludes to continue the main plot which occasionally helps compensate for the lack of descriptive words that is characteristic of the audio drama format. I really need to highlight the book’s great opening section in which the capture of the protagonist is recounted in compelling detail to the novel’s main antagonist, with the storyteller and his audience providing questions and commentary during the dramatisation of the events being discussed to provide context. The storyline has a great blend of elements, and I loved the fantastic prison story, the intrigue of the Nihil, the fantastic revenge plot surrounding the antagonist, as well as the massive amount of character development that occurs around the main character.

Scott really went out of his way to explore the character of Lourna Dee in Tempest Runner. Despite being one of the most distinctive and entertaining villains in the High Republic canon, very little was known about Lourna Dee before now, except that she is an unassailable badass who is even capable of hanging with a Jedi in a fight. Tempest Runner, however, dives deep into the heart of this cool character, and I liked the complex and intriguing development and history around her. Most of the story is dedicated to the modern Lourna, who, after being captured, attempts to turn over a new leaf in the prison system to survive. This provides some interesting insights into her mind and motivations, especially as she is not as mindless a killer as some of the previous books would lead you to believe. Instead, she is quite a complex and tragic figure, something that is made clear when you see the various flashbacks to her past that Scott comes up with. These flashbacks tell a captivating tale of betrayal and heartbreak, showcasing what led an innocent girl to a life of hardship and crime. This backstory is extremely fascinating, with some powerful moments of love, loss, and revenge. In addition, the story also dives into how she became a member of the Nihil and rose in its ranks. This interesting background weaved into the main plot extremely well, and I think that Scott showcased the character’s past perfectly, ensuring that it explains her current mentality and motivations. I am deeply happy that we finally got to see this character’s backstory, and it really did not disappoint.

While most of Tempest Runner’s focus was on Lourna Dee, a couple of other characters really stood out to me. This included Tasia, the former Nihil member who blackmails Lourna to help her survive in prison. Tasia is a fun secondary antagonist, and it was very entertaining to see her try and make a power play on Lourna once she was no longer in control. I also loved seeing more of Pan Eyta, a former Nihil Tempest Runner who was betrayed by Lourna in The Rising Storm. Pan, who is dying thanks Lourna, goes on a big revenge mission here and ends up being the major antagonist of this novel. I personally thought this was an amazing conclusion to his compelling character arc established in the previous novels and it was great to see him and Lourna have several aggressive and deeply personal confrontations throughout Tempest Runner. I also enjoyed seeing a young version of High Republic arch-antagonist Marchion Ro, before he took control of the Nihil, as well as a glimpse of his often-discussed father Asgar Ro. Several other supporting characters in this novel were also pretty fun, and I had a great time seeing some of their storylines unfold.

While I had to highlight Tempest Runner’s cool narrative and great characters, you can’t talk about this amazing piece of Star Wars fiction without mentioning the awesome audio drama format. I have a lot of love for Star Wars audiobooks and audio dramas (such as Doctor Aphra), and this was a particularly good one. The team behind this epic audio drama did an amazing job of combining Scott’s great story with a team of brilliant voice actors, as well as the typical Star Wars sound effects and music. With a run time of just over six hours, this is a very easy audio drama to quickly power through, and I think I managed it in just over a day myself. While some people unfamiliar with the format might have some issues regarding the full reliance on descriptive dialogue and sound effects rather than expositional text to describe action, I thought that Tempest Runner was adapted extremely well and I had an absolute blast getting through it.

I must highlight the exceptional cast of voice actors that were featured in this awesome audio drama, as the team behind it pulled together a great group of narrators, including several actors well known for their work bringing Star Wars audiobooks to life. The most prominent actor in this group is probably Jessica Almasy, who voiced main character Lourna Dee. Almasy brings a great deal of complexity to the role and I loved the semi-French accent she utilised throughout Tempest Runner, which was reminiscent of how Twi’lek characters speak in shows like Star Wars: Rebels. I thought that Almasy did a brilliant job of highlighting Lourna’s true feelings and personality in this audio drama, and it was great to see her transform the character in several intense, emotional scenes. This was some brilliant voice work and it was an amazing highlight of this exceptional production.

I also deeply appreciated the great work that the other actors contributed to Tempest Runner and its characters. While there were a few new narrators here whose work I enjoyed, the ones that impressed me the most were established narrators from other Star Wars audiobooks. This includes January LaVoy, who voiced the character of Tasia, providing her with some much-needed depth and spite. LaVoy, who I loved in works such as Star Wars: Victory’s Price (one of my favourite books and audiobooks of 2021) and Star Trek: Discovery: Die Standing, was just great here and I really appreciated the characterisation her voice added to Tasia. Marc Thompson, who has previously narrated all the main High Republic novels, as well as the Thrawn Ascendancy books (Chaos Rising, Greater Good and Lesser Evil), was another standout narrator, especially as he voiced three characters, including antagonists Pan Eyta and Marchion Ro. Having this cool continuation from Light of the Jedi and The Rising Storm for these great villains helped me enjoy their appearances in Tempest Runner a lot more, especially as Thompson has come up with some extremely sinister and fitting voices for them. I also had a lot of fun with Jonathan Davis (who previously narrated Master & Apprentice, Lords of the Sith and Maul: Lockdown), who voiced two characters here. I particularly enjoyed his work on the mysterious Asgar Ro, and the calm and wise tone he utilises for him (which is reminiscent of another major Star Wars character), works perfectly to give him some great depth. An overall exceptional collection of narrators, I had an amazing time listening to this audio drama.

With a great cast, a brilliant story and a great focus on an incredible central character, Tempest Runner was an outstanding addition to the High Republic range of Star Wars fiction. The always impressive Cavan Scott came up with an awesome narrative for Tempest Runner and I loved learning more about fun character Lourna Dee. A must-listen for all fans of The High Republic, you really won’t regret checking out Tempest Runner.

Amazon Book Depository

Relentless by Jonathan Maberry

On August 7, 2021March 5, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller12 Comments

Publisher: Macmillan Audio (Audiobook – 13 July 2021)

Series: Rogue Team International – Book Two / Joe Ledger – Book 12

Length: 18 hours and 29 minutes

My rating: 5 out of 5 stars

Amazon Book Depository

One of my absolute favourite series returns with an absolute bang as Jonathan Maberry produces another incredible, intense and thrilling Joe Ledger novel with Relentless, the second novel in the Rogue Team International series.

Readers of my blog will be well aware of how much I love Jonathan Maberry’s Joe Ledger series. This science fiction thriller series, which follows the titular protagonist and his team of elite soldiers as they fight all manner of crazy scientific and supernatural threats, is so much fun and is one of my favourite series. After reading one of these fantastic books a few years ago, I sat down and listened to the entire series, from Patient Zero, all the way to the final entry, Deep Silence. It also led me to some of Maberry’s other novels, including last year’s excellent horror novel, Ink, which was one of my favourite books and audiobooks of 2020. The author also started the Rogue Team International series in 2019 as a sequel series to the original Joe Ledger books, featuring the same characters and universe. The first entry in this sequel series, Rage, got a five-star rating from me and was one of the best books and audiobooks of 2019. Due to Rage’s epic conclusion, as well as how much I enjoy Maberry’s writing, I have been eagerly awaiting Relentless for some time now and I ended up being blown away by how awesome it was.

During Rogue Team International’s (RTI) first mission, Joe Ledger and his team faced off against the dangerous pairing of criminal mastermind Kuga and his fearsome enforcer Rafael Santoro, barely managing to stop their insidious, world-changing plot. However, their victory came at a terrible price, as Santoro delivered fiery vengeance on his foe by killing every member of Ledger’s family in a revenge attack at Christmas. Santoro and Kuga hoped that their destructive blow would mentally destroy their hated enemy forever; instead, it unleashed their worst nightmare.

After returning to the field, Ledger leads an RTI team to an advanced laboratory where terrible genetic, biological and cybernetic experiments are being performed. While the mission begins as a textbook RTI operation, everything changes when Ledger comes across a room full of deformed lab subjects and their cruel tormentors. With his already fragile psyche pushed to the limit by the death of his family, Ledger finally snaps and lets something dark and dangerous from deep within take control. With blood and bodies trailing in his wake, Ledger abandons his team and goes truly rogue.

Accompanied only by his loyal combat dog, Ghost, Ledger rampages across Europe, killing and destroying anything related to Kuga’s operation and questioning anyone who knows where he and Santoro are. Even more concerning for the villains, Ledger is also beginning to get close to their next major operation. Utilising cutting edge technology, Kuga’s group have developed biologically enhanced super soldiers, equipped with some of the most destructive weapons available. Their next plan will unleash a devastating attack within America that will change the political and social landscape for generations to come. However, not even their most advanced troops may be enough to stop the dark thing that Ledger has become, and Kuga is soon forced to make a Faustian deal with someone, or something, whose evil eclipses Ledger’s insanity. Can Ledger defeat his hated foes and save his own soul at the same time, or will he finally be overwhelmed by his own inner darkness?

Once again Maberry shows why he is one of the most exciting and impressive thriller writers out there as Relentless was another epic and wildly captivating novel. This latest Rogue Team International novel contains a complex and thrilling narrative that sets its already complex main character into a horrific quest for vengeance and redemption. Throw in an incredible amount of action, a very clever and well-written story, and some memorable characters, and you have an outstanding novel that gets a full five-star rating from me.

In Relentless, Maberry produces an extremely intense and fast-paced novel that is both character driven and loaded with some of the best action you will ever read. Following up from the dramatic conclusion of Rage, Relentless is one of the darker and more inventive books in the Joe Ledger franchise, presenting the reader with a brutal revenge story as the protagonist puts the rogue in Rogue Team International to kill anyone associated with his foes. Maberry once again makes great use of the unique writing style that has been such a hallmark of this series, with the novel made up of shorter chapters told from a vast number of different perspectives, including several interludes set in the past, to produce a more complex and multifaceted tale and showcase the elaborate plans of the antagonists.

However, the author also tries something new in this book, with a noticeable change of focus away from the protagonist for a good portion of the early novel to highlight some major character developments. This results in a bit less humour during the first part of the book, but this is more than made up for with a darker and more powerful storyline. The story focus does eventually revert to the series’ usual form about halfway through the novel, just in time for the protagonist to find himself with information about a complex and intriguing evil plot that only he can stop. This leads to a pretty epic conclusion with some fun twists and several major moments of worry and surprise, especially as you get some massive concurrent scenes as Ledger and his allies battle the enemy in several destructive and dangerous battles. The action throughout Relentless is typical Maberry, with some very detailed and graphic depictions of the techniques and damage done, and it is near impossible not to get sucked in the combat as the powerful scenes unfold. Readers should be warned that parts of this novel can get a little dark and gruesome as Maberry pulls no punches, but it is very much worth sticking through the blood and guts to see the captivating narrative unfold. I quickly became sucked into his awesome story, and I loved every second of it, managing to finish it off in extremely short order. It looks like Maberry has some intriguing plans for the future of this series, and I for one am extremely excited for that.

Like most of the Joe Ledger/Rogue Team International novels, Maberry has made Relentless extremely accessible to new readers. While I personally would suggest reading Rage first, due to the tragic ending that plays into the events of this novel, people unfamiliar with the preceding books can jump in here and still have an excellent time reading this book. Maberry does an amazing job recapping all the key events of the prior novels, including character bios, descriptions of technology and summaries of various cases. As a result, the reader is never left in the dark about what is happening and who is being talked about, although the certain significance of some characters or revelations might be slightly tempered until the protagonist describes them. One thing I would note after having read all the Joe Ledger books in the last couple of years is that Maberry tends to reuse the same phrases and terms when it comes to describing certain characters or events. While this was fine the first few times, by book 12 in the overall series, it is very noticeable and slightly detrimental to the flow of the story. However, this was an overall incredible novel with more than enough unique features to make it really stand out from the rest of the books in the series.

One of the best parts of any of Maberry’s novels are the complex and likeable characters featured within them. Over the years Maberry has produced some truly great and memorable characters for the Joe Ledger novels, and it was great to see so many of them return for Relentless, especially as most of them go through some major development. The most prominent of these is titular protagonist Joe Ledger, who has one of his most significant roles here in Relentless. Ledger has always been an extremely troubled and damaged protagonist, which has grown more and more apparent as the series progressed as he is forced to deal with additional traumas. However, this is the book where he truly snaps, as he is dealing with the brutal death of every member of his family. While Ledger starts the book mostly fine (by his already low standards), it doesn’t take him long to lose the plot. Fans of this series will understand Ledger’s mind is already broken up into three distinct personalities, the Cop, the Modern Man, and the Killer, which together form his mostly balanced psyche. However, the events of Rage have resulted in a fourth personality, the Darkness, which subverts Ledger’s mind and leads him to commit acts of terrible violence and destruction while massively freaking everyone out. The Darkness completely takes over Ledger, ensuring that you don’t see into his head for a good portion of the novel, which is an interesting change considering that Ledger is the only character in the series with a first-person perspective. While this really changes the tone of this novel, it perfectly highlights just how far-gone Ledger is. Even when he regains control of his mind and becomes a prominent point-of-view character again, the Darkness is still there, and he has to fight hard to control it. All this makes for quite a fantastic and deep read, and it was captivating to see the protagonist deal with the traumatic events of a previous novel in such a dramatic and destructive manner. Maberry really amps up how dangerous Ledger can be in this novel, and there are some truly disturbing and concerning scenes when the Darkness takes over. It will be really interesting to see how Ledger comes back from the events of this book in the future, and I am extremely curious to see what happens to the character next.

In addition to the outstanding central protagonist, Maberry fills up Relentless with great supporting characters, most of whom have been introduced in previous Joe Ledger novels. Maberry really likes a wide spread of characters throughout his novels, resulting in an interesting group of perspectives as the various supporting characters and minor inclusions experience the events of the narrative. It was great to see many long-running side characters return in Relentless, especially as they are severely impacted by Ledger’s walk on the dark side. While a couple of usually major characters only have a couple of scenes in this book, the usual DMS/RTI mainstays are all there. Ledger’s squad mates, Top and Bunny, have a particularly intriguing storyline in this novel, which sees them go undercover to infiltrate Kuga’s operation while being conflicted about Ledger’s actions. It was also great to see more of mysterious RTI leader, Mr Church, the guy who totally isn’t some sort of avenging angel or benevolent god (those are my two top guesses at this point). While Church doesn’t get as much focus as he has in previous books, he is still a major presence, and there some more hints at his past with one of the antagonists. There are also a couple of fun new unique characters introduced who Ledger meets up with as he pursues his quest for vengeance. Several of them are cool, and I look forward to seeing if they show up again.

Out of all the many supporting characters, there are two that I particularly want to focus on as they had some very strong arcs within this book. The first is Alexander Chismer, better known as Toys, the former villain who is seeking redemption and is now a close friend of Ledger’s partner Junie. Toys goes back into the field to find Ledger, even though they really dislike each other. Toys is a pretty smooth operator, and it was fun to see him go back to his criminal roots, even though it was for a good cause. When he eventually catches up to Ledger, their meeting doesn’t go amazingly well (someone gets shot), but they do end up having a rather fantastic and entertaining heart-to-heart. The comparison between their respective paths to redemption is rather deep and fascinating, and it was very intriguing to finally see these two characters interact in an extended way. The other character I absolutely must talk about is Ledger’s dog, Ghost, the bestest boy in all of fiction. Ghost has a pretty rough time in this novel, as he is Ledger’s only companion during his master’s dark spells and ends up getting into some very violent confrontations. Maberry is extremely good at writing canine characters, and most readers will find it next to impossible not to fall in love with this savage, sassy cuddle monster. Due to the many bad circumstances that Ledger and Ghost finds themselves in, I found myself feeling a lot of worry for Ghost, especially as Ledger seemed crazy enough to hurt him at times. The fact that I felt strongly anxious for a fictional dog should tell you all you need to know about Maberry’s ability to write likeable characters, and readers should be warned that they will be experiencing feels in this novel.

It wouldn’t be a Maberry book without some impressive and complex antagonists, and this novel is chock full of villains with an intriguing master plan. The main antagonists of Relentless are the same as Rage, with the fun combination of Kuga and Rafael Santoro. Both Kuga and Santoro are recurring Joe Ledger antagonists (Kuga was the main villain of Kill Switch under a different name, while Santoro was a significant antagonist in The King of Plagues). As a result, they have an amazing amount of history with Ledger and the RTI, which makes them quite dangerous foes. Both are a bit more unhinged in this novel, especially once it becomes clear that a deranged Ledger is on their tail, and it was great to see them slowly become a little more desperate. Despite this, they have a pretty intense and detailed plot to make a large amount of money through the sale of their advanced weapons, technology and enhanced mercenaries. Their master plan for destruction and manipulation is very clever and takes a while to fully become apparent to the protagonist and the reader. Maberry lays the groundwork for this plan perfectly throughout his narrative and the eventual reveal of what they are hoping for is pretty cool and leads to several amazing scenes that play off current events really well.

In addition to the antagonists that appeared in Rage, Relentless also features one of Maberry’s most mysterious and sinister villains. Going by the name of Mr Sunday in this book (which I assume is a fun little nod to Mr Church’s fake name), this antagonist is a very creepy and dangerous being who has had some impressive appearances before (Assassins Code, Predator One and Dogs of War for example). The moment he appeared in this book, I knew that I was going to be in for a good time, as this character is essentially the devil incarnate (there is a strong chance he is the devil). Maberry does an incredible job building him up once again in this novel, and he ends up terrifying his potential allies just as much as his enemies. This character’s appearance has some major implications for Ledger and Mr Church, and it is highly implied that his appearance is causing some of Ledger’s instability. While he is mostly just coasting off Kuga and Santoro’s plans in this book, he also has his own sinister plans which come into fruition perfectly. As a result, he is a pretty fantastic addition to the plot, and I loved the entertaining interludes that featured his elaborate sales presentations. It looks like Maberry has some big plans for this character in the future, and I am very excited to see what chaos he has in stall for the world next.

Aside from the main villains I mentioned above, Maberry also utilises some great supporting antagonists who act as assassins and henchmen. This includes the deranged Eve, who was introduced in Rage and who lost her partner and lover, Adam, to Ledger. This loss has driven her even more insane, and there are several crazy chapters shown from her perspective, and she represents the typical sexual degenerate antagonist that Maberry likes. There is also a new henchman character in Michael Augustus Stafford, a hired gun considered one of the best assassins in the world and is often referred to as the anti-Ledger due to his similar appearance to the protagonist. Stafford leads Kuga’s hunt for Ledger throughout Europe and America and is a dogged tail for much of the book. There are some very intense cat-and-mouse scenes occurring between the two as they attempt to get the upper hand on each other. I really appreciated the way in which the author took the time to building up these less prominent antagonists throughout the novel, and you get a great sense of their personalities and abilities. I would say that they don’t live up to their full potential at the end of the novel, but it was still fantastic to see their entire storyline unfold.

Another hallmark of a great Maberry book is some of cool technology featured in the story, especially as it results in some excellent and over-the-top fight scenes. The villains get some impressive and over-the-top toys in this novel, including biological enhancements, advanced body armour that has a lethal kick to it and massive armoured exoskeletons loaded with giant guns. Maberry has some fun building up the capability of these devices through several of the interludes, and they do not disappoint, causing all manner of chaos and destruction around the world. That ensures that when the protagonists encounter them they are in for a real fight, as it gives their enemies an edge against RTI agents who usually have the most advanced tech. It was really cool to see this technology in action, and Maberry dreams up some outstanding scenes around them. All the fight sequences featuring them in Relentless are ultra-impressive, and readers are in for some great scenes, especially as many of them involve the less destructive and sleeker RTI technology versus the purely destructive Kuga weapons. I really enjoyed seeing these advanced weapons in use, and it helps to give some of the action scenes a major boost.

Just like I have with every other Jonathan Maberry book I have enjoyed, I ended up grabbing the audiobook version of Relentless. I have a lot of love for the Maberry audiobooks, and in my opinion it is the best way to enjoy these cool novels. The main reason for this is the amazing recurring narrator, Ray Porter, who has lent his voice to the audiobook versions of nearly every single one of Maberry’s novels. Porter is one of my absolute favourite narrators, and if he is voicing something, I know I am going to love it. This narrator always manages to deftly drag the listener in and keep their complete attention throughout the entire production. He really dives into the various characters, ensuring every one of them has an appropriate voice, with cool accents and relevant speech patterns. He is also extremely good at portraying emotion, and he always goes out of his way to highlight a character’s feelings in their speech patterns, whether it be excitement, grief, anger, or something darker. This is particularly noticeable with protagonist Joe Ledger. I have noted before at how effortlessly Porter inhabits the role of this complex character, ensuring that the reader gets his full range of feelings, including his boundless rage and outrageous sense of humour (he really gets Ledger’s sarcasm). Porter does another amazing job in Relentless, and it was really cool to hear his take on the more unhinged Ledger, and he really helps to add an extra sense of menace and anger during the scenes where Ledger is out of control. Each of the voices used in this book are extremely good (I would critique the voice of one Australian character, but it’s a fairly minor role), and it was an absolute joy to once again listen to his narration. With a run time of just under 18 and a half hours, this is a rather long Joe Ledger novel, although I powered through it in less than a week due to how much fun I was having. This version of Relentless comes highly recommended, and it is already one of the best audiobooks I have listened to all year.

Well, that was a damn impressive novel. As you can see from my rather long and happy review above, I had an outstanding time reading Relentless by Jonathan Maberry, and I found it to be an incredible read. The Rogue Team International series continues to be one of the most thrilling series out there, and I loved the complex damaged characters and intense storyline this latest novel contained. Easily one of my favourite books of the year, Relentless gets a five-star rating from me and is highly recommended to anyone wanting guaranteed action, fun and comprehensive darkness.

Amazon Book Depository

Usagi Yojimbo: Volume 35: Homecoming by Stan Sakai

On July 6, 2021August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books7 Comments

Publisher: IDW Publishing (Paperback – 13 April 2021)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Volume 35

Length: 192 pages

My Rating: 5 out of 5 stars

Amazon Book Depository

It is that time of the year again when I absolutely gush about the latest volume of the epic and outstanding Usagi Yojimbo comic series by the infinity talented Stan Sakai. This time I look at the 35^th volume in this incredible long-running series, Homecoming, which presents the reader with a rich and emotional tale of regret and loyalty as Usagi returns home.

Anyone who has spent any amount of time reading my blog will already know of my deep love for the amazing Usagi Yojimbo series. Following the adventures of the rabbit ronin Miyamoto Usagi, this series is set in an alternate version of Feudal Japan populated by anthropomorphic animals, and features incredible stories about samurais and honour. Homecoming, which contains issues #8-14 of the IDW run on the Usagi Yojimbo series, is the second volume printed completely in colour, and features the work of colourist Tom Luth in addition to Sakai’s writing and drawing. This latest volume follows on shortly after the events of previous volume, Bunraku and Other Stories, and continues three intense and powerful unique stories.

The first story in this volume is the two-issue entry Tatami. Tatami sees Usagi return to the lands of his former master, the late Lord Mifune, now ruled over by nefarious series villain, Lord Hikiji. Journeying through a now hostile countryside, Usagi finds himself following an armed procession who are transporting high-quality tatami mats to the castle of one of Lord Hikiji’s rivals. Usagi finds the caravan under attack by the Neko Ninja, who are determined to destroy the tatami. When Usagi’s long-time ally and former Neko Ninja head, Chizu, appears, it soon becomes apparent that Hikiji has dispatched the ninja to destroy the tatami in order to damage his rival’s reputation. Determined to defy Hikiji, Usagi and Chizu travel with the caravan to help guard the tatami from attack. However, Chizu soon comes into conflict with her rival, Kagemaru, as they fight for leadership of their clan. Can Usagi and Chizu disrupt the plans of Hikiji and Kagemaru, or will the dark lord continue to reign supreme?

Anyone who thinks it impossible to write a compelling story with death, politics and ninja around tatami mats has clearly never had the joy of reading one of Sakai’s stories before. Throughout the Usagi Yojimbo series, Sakai has written some thrilling and intense stories around unique elements of Japanese culture, including seaweed farming, pottery making, sake brewing, and giant kite making, just to name a few. This latest example, Tatami, is no exception to this, as Sakai crafts together a fascinating story that not only highlights the importance and prestige of tatami mats but which also perfectly ties into the wider Usagi Yojimbo universe. Tatami starts strong, with a fantastic and exquisitely drawn sequence that shows the crafting process behind the tatami, from harvesting the reeds, to the lengthy weaving process. The story then introduces Usagi to the narrative, also providing some key background for the main storyline in the Homecoming volume. The action swiftly follows with the tatami caravan under attack from cunning ninja, and Usagi is convinced to help guard the tatami with the help of Chizu. This all leads up to an epic night fight as Usagi and his allies face off against a horde of ninja. This fight scene is particularly well drawn and features some great examples of sword play, a beautiful scene of fire and intensity as Usagi appears to stand alone in front of a swarm of ninja, and several massive explosions as the ninjas detonate black powder bombs. This all leads up to a rather poignant finale, as Usagi suffers from a rare and moving defeat and people he respects are called upon to sacrifice everything for their samurai sense of honour.

In addition to the main story surrounding the tatami, there is also a rather interesting side-plot surrounding Chizu and her battle with Kagemaru for control of the Neko Ninja. This has been a long-running conflict going back all the way to 11^th volume, Seasons, and it was great to see some more progress on it, especially as it ties Tatami into some of the wider Usagi Yojimbo storylines. This subplot proves to be pretty damn cool, as Chizu works to manipulate Kagemaru and her former followers, using the catspaw of Usagi and the other tatami guards. This ends up in a fun ninja duel, as Chizu faces off against Kagemaru and another ninja, Kimi, above the plain where Usagi is fighting. This is a fast-paced and deadly fight which makes use of several different ninja tricks and weapons, and which proves to be an exciting and cool addition to the plot. There are a couple of intriguing, if slightly predictable, developments within this narrative, although it does hint that we are getting closer to a conclusion of this long-running Neko Ninja plot line.

The real highlight of the Chizu subplot, and indeed the entire story, is the outstanding epilogue where Kagemaru meets with Lord Hikiji’s main advisor, the giant serpent Lord Hebi. While Kagemaru is initially expecting praise for his actions, it becomes apparent that Hebi and Hikiji are displeased that Chizu continues to disrupt their plans when Kagemaru is offered unique sake, brewed using poisonous serpents. There is an incredible amount of menace in this entire sequence, especially once Hebi pours out the dead serpent from the sake, and then proceeds to eat in front of Kagemaru (nothing is more intimidating that some light cannibalism). Hebi’s simple warning: “Do not ever fail us, Kagemaru,” is an amazing way to end this scene, and the mighty ninja leader is left absolutely shaken as he leaves Hebi’s presence. This epilogue was perfectly written and drawn, and it proves to be an outstanding way to end this story arc, while also hinting that the Chizu-Kagemaru rivalry is about to heat up. I absolutely loved this great first story, and Tatami proves to be an exceptional start to the entire volume.

The next story in this volume is the moving and intriguing Mon, which also follows Usagi’s travels through the land of his former lord, Mifune. However, Usagi soon encounters much fear and resentment from the people he encounters, many of whom try to avoid his attention. He soon discovers that they are shunning him because he still wears the mon (crest) of his former lord on his clothes, reminding people of the costly war that Mifune fought and lost against Lord Hikiji. The tense situation gets even worse for Usagi when several Hikiji soldiers notice him and attempt to take their anger and resentment out on him, which does not go well for them. Further, when a desperate innkeeper and former Mifune soldier works out who Usagi truly was, various ambitious Hikiji soldiers gather to claim the substantial bounty of Usagi’s head.

This was another fantastic entry, and one that proves to be rather touching and dramatic. Sakai does a wonderful job setting up the main story around the Mifune mon and why it is currently feared and hated throughout his former lands. The impeccably loyal Usagi is forced to deal with unexpected hatred and concern from those he encounters, which once again makes him think about the past with great regret and concern, especially as he continues to battle with his own conflicted loyalties about whether he should continue to serve a dead master. There are several fantastic references to Usagi’s role in the war’s final battle, as shown in Volume 2: Samurai, and it was interesting that there is still fallout after all these years. It was also great to learn more about mons and the importance that they can have to the people wearing them. This is explored to a degree within the story itself, but Sakai also includes a detailed author note at the end of Mon which describes the history behind mons in general and their current role in Japanese society, while also discussing Usagi and the Sakai family mons. I particularly liked the story surrounding the innkeeper, who, after years of desperation, finally loses his loyalty to the Mifune cause by informing on Usagi. The final encounter between Usagi, the Hikiji troops and the bartender is also amazingly drawn, and the dramatic cliffhanger helps turn this into a pretty impressive story.

The final story in Homecoming is the powerful tale, The Return, which finds Usagi in the one place he has been trying to avoid the most, his old home village. After the conclusion of Mon, Usagi washes up in his village and soon finds himself in the care of the love of his life, Mariko, and her husband, Kenichi. As the usual feelings of regret, anger and resentment quickly grow between the childhood friends once more, Usagi finds himself forced into a far more serious conflict. A cadre of former Mifune samurai have arrived in town and captured all the villagers. Led by the fanatical Kato, these samurai seek vengeance for their lord and plan to destroy Hikiji’s influence and power by attacking an emissary of the Shogun as he travels through the village. Torn between loyalty to his dead lord and the survival of his village, Usagi must work with Kenichi if there is any chance to save the people they love most in the world.

The Return is an exceptional and moving story which serves as the centrepiece and main entry of the Homecoming volume. There is a lot going on in this final story, and Sakai manages to craft together an outstanding narrative that continues the dramatic and touching arc surrounding the failed love between Usagi and Mariko and the multiple complications accompanying it, and which also places Usagi and everyone he loves in great danger. The Return continues immediately after the events of Mon, and Usagi is quickly engulfed in both the drama surrounding Mariko and Kenichi and the overall danger of the former Mifune samurai. This soon results in a conflicted Usagi forced to bluff his way through the encounter in order to try and save his village from the samurai’s deadly revenge plot. Working together with Mariko and Kenichi, Usagi’s plan eventually results in a bloody, extended battle against the invading samurai. This proves to be a pretty epic and intense narrative, and Sakai really amped up the action and the stakes of the entire story by setting Usagi up against some of his former comrades. There are so many great elements to this story, although you have to love the extended battle sequence at the end, especially once recurring characters Katsuichi and Jotaro make their appearance. The final parts of this entire story are pretty touching, as the various characters say their goodbyes, and Sakai leaves this entire volume on an intriguing note, as for the first time it hints at another fencing master Usagi trained after, and which makes me eager for the next volume in this series.

The most intriguing elements of the entire story are the complex antagonists that are former comrades of Usagi who are willing to commit atrocities in the name of their dead lord. For years, the former followers of the late Lord Mifune are seen in a bit of a tragic light, with most of them, especially Usagi, portrayed as extremely honourable men, much in the vein of their deceased lord. As a result, it is extremely jarring to see former Mifune samurai engage in such vile actions, especially as they justify as part of their oaths to their lord: “A samurai cannot live under the same sky as the killer of his lord!” There are some clear 47 Ronin inspirations here, with former samurai gathering after many years to achieve a final vengeance, even if this story is a little darker than the classic Japanese tale. There are also some deep and compelling discussions about honour and loyalty throughout The Return, especially as Usagi is forced to balance his loyalty to his late lord against his own personal honour, feelings about his childhood village, and his own memories about Lord Mifune’s character. The inevitable confrontation between Usagi and his former comrades is pretty harsh, and it was interesting to see a fight between two different groups of Mifune supporters who believe that their way is the right way. I felt that the use of colour was particularly effective in The Return, as it made the final battle sequence really pop. It was also very memorable to see Usagi face off against samurai dressed in the same Mifune clothes and colours that Usagi has worn in every comic. Seeing a group of similarly coloured and clothed characters facing off against Usagi makes for a very different battle sequence, and it was really interesting to see.

Easily the thing I was most looking forward to in this volume was the emotional fireworks that would occur when Usagi eventually returned to his home village. This has previously happened in two separate occasions, in Volume 1: The Ronin and Volume 6: Circles, both of which proved to be utterly heartbreaking. Much of this revolves around the complicated love triangle between Usagi, who is still deeply in love with Mariko, who is married to his old rival, Kenichi. While Mariko still has great feelings for Usagi, she is bound to Kenichi by her honour, and will not leave them, especially as it will shatter her whole family. At the same time, Kenichi, who has always resented Usagi for his talent and luck, knows that Usagi and Mariko have feelings for each other, which breaks his heart, as he has also always loved Mariko. All this is further complicated by the fact that Mariko and Kenichi’s son, Jotaro, is really Usagi’s child, who Kenichi willingly raised as his own son. This has resulted in much conflict and despair amongst the three in the past, and it honestly does not take long for the anger and resentment to build up once more in The Return, especially as Kenichi is angry that Usagi encouraged Jotaro to seek out his old fencing master rather than go to the school Kenichi learned from. While there are several great sequences where Usagi and Mariko once again display their unspoken love, much of the focus of The Return revolves around the intense rivalry between Usagi and Kenichi. The story starts with their usual resentment and anger towards each other, but the two eventually start to work on their differences, especially as they prepare to save their villages. There are several fun flashbacks to some of their adventures as children, which showed their early rivalries, as well as the two of them achieving great things together. This comes to the fore as the story progresses, and the two are once again able to set aside their differences for the greater good. This was an amazing thing to see, especially as they have been mostly antagonistic to each other throughout the entire series, and I liked how Sakai worked to resolve their conflict. There were also several touching scenes between Jotaro and both of his fathers, which really represented one of the most important things the two former rivals have in common, and I loved that Sakai included Jotaro in this story.

There were some amazing moments in The Return, and I was deeply impressed with the incredible story that Sakai used as the centrepiece of this volume. I really liked how Sakai successfully blended together so much action and intrigue with a powerful character-driven narrative, and I loved the cool examinations of honour and loyalty as a formerly bitter rivalry started to come to an end. This final entry really delivered on all the potential of Homecoming and Sakai has done an exceptional job here crafting this story together. I also really appreciated the way in which the other stories within Homecoming served as prequels to The Return, with key plot elements introduced in the earlier entries in the volume. This was some extremely clever storytelling, and it really helps Homecoming to stand out as an exceptional and fantastic volume in this epic series.

As usual, the art of this Usagi Yojimbo comic was absolutely exquisite, and Sakai has worked his typical visual magic, creating several striking and powerful sequences throughout the entire volume. In addition to some of the impressive action sequences and scenes I have mentioned above, Sakai produces some outstanding shots of the iconic Japanese landscape, with some incredible drawings of forests, mountains, towns and plains. Each of these is pretty breathtaking, especially now that they are in colour, as the recently introduced colour work of Tom Luth really adds some new depth to the already awesome drawings. I absolutely love the way in which Sakai matches his simple yet beautiful drawings with the complex storylines contained within Homecoming, and readers are in for a fantastic visual treat when they check this volume out.

Even after 35 outstanding volumes of the Usagi Yojimbo series, the amazing Stan Sakai continues to show why he is one of the best comic creators in the business with the incredible Homecoming. Featuring several touching and powerful stories, which are backed up with some exceptional character work and stunning artwork, Homecoming is another superb collection of Usagi Yojimbo tales. Fans of this long-running series are going to have an absolute blast reading this latest volume and it is very much worth checking out.

Amazon Book Depository

The Two-Faced Queen by Nick Martell

On June 6, 2021February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books17 Comments

Publisher: Gollancz (Audiobook – 25 March 2021)

Series: The Legacy of the Mercenary Kings – Book Two

Length: 20 hours and 6 minutes

My Rating: 5 out of 5 stars

Amazon Book Depository

Following his epic 2020 debut, one of the fastest rising stars in fantasy fiction, Nick Martell, returns with the second entry in his The Legacy of the Mercenary Kings series, The Two-Faced Queen.

Last year I was lucky enough to listen to a copy of Martell’s incredible first novel, The Kingdom of Liars. The Kingdom of Liars was a gripping and impressive fantasy read set in Hollow, a crumbling city surrounded by an army of rebels, which followed the misadventures of the infamous Michael Kingman. Michael is the scion of the legendary Kingman family, a noble clan of heroes and leaders who have guided Hollow for generations, serving as both supporters to the royal family and a check on their power. However, the legacy of the Kingman family has been severely tarnished in recent years as Michael’s father was executed for the murder of the heir to the throne. With their family disenfranchised, Michael grew up as an outcast in his own city, acting out against authority. This changed when a chance encounter allowed him to investigate who was responsible for his family’s downfall and the death of the prince of Hollow. While he was eventually able to discover the true murderer, his investigation also resulted in the King’s suicide, which subsequently saw him tried for regicide and sentenced to death. The end of the book saw him manage to escape his execution, while also setting up several of the storylines for future entries in the series. I deeply enjoyed the cool story of this first entry in The Legacy of the Mercenary Kings, and The Kingdom of Liars ended up being one of my favourite novels, audiobooks and debuts of 2020. As a result, The Two-Faced Queen was one of my most anticipated reads of 2021.

Michael Kingman is a dead man walking. Still accused of killing the King of Hollow, Michael is now under the protection of the Orbus mercenary company, serving as an apprentice under the mysterious mercenary Dark. However, even with Orbus’s protection, everyone in Hollow still wants to either kill him or use him for their own dark ends. The deadliest of these is the one person Michael is sworn to protect above all others, the heir to the throne, Princess Serena. After spending years away, a vengeful Serena has returned to claim her throne and end Michael’s life. Wielding great power, a lethal attitude and holding the keys to Michael’s heart, nothing will stand in the way of her wrath.

To restore his family’s position, save his home and convince Serena of his innocence, Michael needs to unravel the various conspiracies that have encircled Hollow and uncover the true motivations of the various power players in the city. However, to succeed, Michael is forced to go up against a magnitude of foes, from the Corrupt Prince, the unhinged Rebel Emperor besieging the city, enraged royal guards, conspiring nobles, a scheming immortal, an insane serial killer, dangerous assassins and his former foster father, the man responsible for all his family’s ills.

But the more Michael attempts to understand Hollow’s hidden past and the dangerous plots surrounding his city, the more it becomes apparent that his is a mere pawn in a very dangerous game. Immortals, monsters and mercenaries are all present in Hollow, and each of them has their own nefarious designs for Michael and his family. Can he save everyone he loves before it is too late or has the Kingman family finally breathed its last? Michael’s rise to become a Mercenary King continues, but who will truly wield power when the dust settles?

Now that was one hell of a sequel! Martell absolutely crushed this second entry in this outstanding and exceptional fantasy series, producing a five-star novel that is extremely compelling, intense and so damn exciting. I was absolutely enthralled with this book the moment I started listening to it and I loved every second. The Two-Faced Queen is easily one of the best books I have read in 2021 and I think that any other fantasy novel coming out this year is going to be extremely hard-pressed to outdo it.

Martell has come up with a pretty incredible and intense narrative for The Two-Faced Queen, one that proves to be extremely addictive and insanely good. Starting shortly after the events of The Kingdom of Liars, this novel starts fast and hard, with Michael following up on a number of storylines and revelations from the previous novel. There is already so much going on right from the start of the novel, as the protagonist finds himself surrounded by enemies and conspiracies, both old and new. While several secrets were revealed at the end of the first novel, there is still so much that Michael needs to understand. However, as he attempts to learn these additional secrets, he must also try to avoid the deadly attentions of his beloved princess, end the rebellion plaguing the city, restore his family, defy a dangerous immortal, and make up with his betrayed friends. While this is already a substantial amount of story, Martell keeps adding to it, as Michael also soon encounters a deadly assassin with a contract on him, and a deranged and unnatural serial killer.

While this may seem like too many story elements for one novel, it actually works extremely well, and the reader quickly becomes engrossed in Michael’s various adventures throughout the city. I loved the inclusion of the serial killer storyline, as not only does it add some fantastic mystery elements, but it also proves to be a gateway to some intriguing world building, revealing more of the dark, immortal forces manipulating events from the shadows. This storyline also results in several epic action scenes that place the protagonist and his friends in mortal danger from some unusual foes. I had an outstanding time getting through this complex and well-constructed narrative, especially as every single scene has an intriguing revelation, intense character development or subtle clue to the future of the series. Several key mysteries and secrets from the first novel are answered, partially or wholly, in this novel, although many more are introduced. This really helps to keep the reader’s attention focused on The Two-Faced Queen’s plot, and I am not exaggerating when I talk about how addictive the secret-ridden narrative proves to be. Readers are hammered with large amounts of lore and history in places, so I would recommend reading the first novel in the series, The Kingdom of Liars, before reading this book, although binge-reading this series is hardly a chore. Overall, The Two-Faced Queen’s narrative is epic story writing at its best, and readers will love this terrific tale.

I absolutely must highlight the awesome and well-developed characters featured within The Two-Faced Queen. The most prominent is series protagonist Michael Kingman. Michael is an intriguing and distinctive figure through whose eyes most of the plot unfolds. I have to admit that Michael was not my most favourite character in the first book, mostly because of his impetuous nature and selfish behaviour at times. However, it was revealed that the reason for some of his annoying behaviour was due to some magic affecting his memories and personality. As a result, Michael’s behaviour is substantially changed in The Two-Faced Queen and he comes across as a more considerate figure in this book. He still has quite a few flashes of recklessness and stubbornness, but many of the rougher edges from the first novel are worn away here. Still, a lot of people call Michael out for his crap in this book, including his friends and family, and it was great to see him finally heed their words. There was also some additional exploration of how Michael deals with the legacy of being a Kingman; he is forced to live up to some big expectations. There is a rather good scene where Michael is exploring the crypt of his ancestors with some of his friends, describing why some of them are famous and others are considered failures because they never achieved anything remarkable but just lived a normal life. Seeing this, Michael’s friends, both of whom have been some of his greatest critics, start to understand just how much pressure he is under. I really appreciated the way in which Martell continues to develop his protagonist, and it will be very fascinating to see how Michael’s story continues in the future novels.

Aside from Michael, there is an impressive collection of interesting supporting characters, each of whom have some fascinating storylines, as well as secrets or details from their past which helps to move the story along. They also have their own motivations and plans to shape Hollow and the rest of the world to their advantage, which results in additional plots and conspiracies that the protagonists have to overcome. The most prominent supporting character is probably Serena, the titular Two-Faced Queen. Serena is Michael’s childhood friend and the royal he was sworn to, meaning that he was always destined to be her protector, advisor, and conscience. However, after the death of her brother and Michael’s family were declared traitors, their relationship effectively ended. Now returned, Serena is determined to destroy Michael for the apparent murder of her father, even if it leads to her own ruin. The novel starts up with Michael visiting Serena only to find that she has hand-dug a grave for him, showing her resolve for killing him. This forces Michael to attempt to change her mind, which is no easy prospect, and results in great calamity. Naturally, these two characters share thorny romantic feelings for each other, which complicates Michael’s plans to stay alive, as Serena is a major blind spot in his defences. Their entire joint character arc in this novel is extremely good, and I really appreciated the author’s take on their complex relationship.

Another key character is Dark, Michael’s mercenary master, who, aside from having his own mysterious past and motivations, is the son of Michael’s nemesis, Angelo Shade. Due to Michael and Dark working together closely, the protagonist learns several of Dark’s secrets, especially those related to his troubled childhood and his encounters with the Heartbreaker serial killer. While you don’t learn everything about Dark’s past in this novel (Martell is the master of dolling out just enough character detail to keep you interested, while also keeping plenty back for future novels), you do find out quite a lot, and what is revealed is extremely memorable. Dark has a real dark side to him, no pun intended, and while Michael initially believes that Dark is his ally, he is soon faced with the possibility that he might have placed all his trust in a monster. This results in a very interesting mentor/student relationship between the two, filled with much conflict and mistrust. I really enjoyed learning more about Dark in The Two-Faced Queen, and it will be fascinating to see how the rest of his story unfolds in the future.

Other intriguing characters in this novel include Michael’s best friend Trey, who is attempting to forge his own path and take down both the nobles and the rebels, even if this leads him into conflict with Michael. Trey has a fantastic arc as dangerous antihero in this book, taking control of the city’s criminal element in order to protect its citizens. While a lot of his hostility towards Michael has ended, Trey and the protagonist still have a strained relationship, although Trey does go out of his way to help his friend. Despite their friendship, it is clear that there is a major schism between the two planned in the future, which no doubt will result in all manner of pain and regret. The ruthless immortal Charles Domet is still a firm favourite of mine, and it was fun to see his attempts to manipulate Michael, especially as Michael is now well aware of his true nature. There are some interesting hints to Domet’s past in this novel, and he is clearly working up to something big. The ambitious social climber Naomi also returns, although now she is suffering from a bad drug addiction which makes her even more entertaining, especially as she decides to torment Michael through embarrassment. I also quite liked the expanded use of the chronicler, Symon. Symon, who is determined to record and analyse every secret of Michael and his family, has taken to stalking them by living at the Kingman family home, and it is always entertaining to see his take on the events occurring before him. He ends up actually narrating several interludes in The Two-Faced Queen, which are laid out as parts of his in-novel chronicles as part of a very clever and amusing supplement to the main story. Symon really endeared himself to me in this novel, especially after his insulting descriptions of Michael in his proposed history book, and I deeply appreciated his increased presence.

I honestly could go on and on about the various characters featured within this novel; indeed, I have only just scratched the surface of the support cast in the paragraphs above. However, it is more than clear that Martell does an excellent job in introducing and developing complex characters, and I loved the detailed and intriguing depictions of them throughout the novel. Nearly every character featured within The Two-Faced Queen gets at least one big moment, and there are plenty of revelations and compelling backstories that are really cool to uncover. I will say that you should probably not get too attached to the characters; however, I am very much looking forward to seeing what happens to each of the survivors, especially as Martell has set up some deeply captivating and powerful character arcs around them.

In addition to the fantastic story and amazing character work, Martell has also invested a lot of time in expanding his enthralling fantasy world. The first entry in The Legacy of the Mercenary Kings did a great job setting up the key elements of Hollow, such as the noble families, the people of the city and the various problems they faced. This unique setting of a besieged city filled with scheming nobles and set on a world where pieces of a shattered moon fall to the ground was so cool, and The Two-Faced Queen continues to expand on these previous elements, while also adding to the history and geography of the city and its surrounding nations. Not only do you learn of several outside nations and locations but you also get to see how the key characters of this novel, or their ancestors, have impacted them, as well as the various dangers these realms represent. However, some of the most substantial world-building revolves around some of the unusual creatures residing in this world, including a range of dangerous and destructive immortal creatures. In the previous novel we only encountered one immortal (that we knew of), whose plots and schemes were a major part of the book’s plot. This second novel, in contrast, is loaded with many more immortals, each of whom has their own unique abilities and plans for the world. Martell introduces the lore around these immortals extremely well, and their various traits and schemes are worked into the plot extremely well. It sounds like we are going to encounter a whole raft of intriguing and monstrous immortals in the future of this series, and I am very much looking forward to seeing what happens there. The next book also looks like it will be set in a whole new location, and I will be extremely intrigued to see how that impacts the narrative.

One particular bit of world-building that I really enjoyed was the excellent expansions of Martell’s unique magical system. The main magic of Hollow is known as Fabrication, which allows its users certain control over certain elements or phenomena at the cost of their own memories. This is a really cool magical system, and Martell uses it to great effect throughout his novels, ensuring that there is all manner of destruction and manipulation throughout the narrative. The Two-Faced Queen features multiple new Fabrication types, as Martell introduces unique Fabrications throughout the story, including several that even the protagonists have never heard of. Examples include a particularly dangerous telekinetic Fabrication, which forces everyone to their knees (perfect for its user), while I was also very impressed with the disturbing blood Fabrication that one of the supporting characters pulled out. In addition, Martell also introduces some different forms of magic from some of the other countries in his fantasy world. While you only get to see one or two of these new magical abilities, they are still fun to see and they stand as an intriguing counterpoint to the already established magical abilities. It looks like Martell is setting up some sort of mystery around the origins of all these different powers and it should prove pretty interesting to see how that turns out.

Martell also does an incredible job fitting the downsides of this magical Fabrication into the plot, as several characters experience memory loss, which affects their plans, reactions and relationships. This is most obvious in Michael; as narrator, he loses several days of his life, resulting in him being unaware of plans he puts into motion or certain secrets that he learnt in these missing days. Because the reader does not see these missing pieces of time either, this adds an extra amount of mystery and uncertainty into the narrative, as you try to work out both what is being deliberately hidden from Michael and what he has simply forgotten. These bigger lapses in memory are a fantastic part of The Two-Faced Queen’s narrative, and it helps to make the flow of this book unique and compelling. However, you also have to appreciate some of the smaller examples of memory loss throughout the book, some of which are quite heartbreaking in nature as the characters forget elements of their friends and families without realising it. There is one extremely poignant scene in which Michael confesses to forgetting something very important to him, with the reader only then realises that a certain normal-sounding character description was evidence of memory loss all along. Some of these subtle details are really impressive, and I deeply enjoyed seeing the hurtful side effects of this magical system.

To enjoy this awesome book, I ended up grabbing its audiobook format, mainly because I had such a great time listening to the first novel. There were actually two audiobook versions of The Two-Faced Queen, and I ended up grabbing the Joe Jameson narrated version. Jameson is a fantastic audiobook narrator who has previously lent his voice to amazing fantasy novels like King of Assassins by RJ Barker. I loved his narration for The Kingdom of Liars last year and I was really keen to continue to listen to him in this sequel. Jameson has a great voice for this complex fantasy read, and you swiftly become enthralled by the way he narrates the events occurring, as well as the fantastic voices he comes up with for his characters. All the characters are given a unique voice in a variety of different accents, and each of them really helps to capture the character’s emotions and personality perfectly, whether it is the constant confusion and hurt in Michael, the raging anger of Serena, the cold menace of Dark or the calculating and manipulative voice of Charles Domet. All this voice work is perfect and spot on and I really appreciated the effort that Martell put into this book. Despite its runtime of 20 hours, I got through this audiobook in no time at all and I honestly wished it was a lot longer by the end. This was another outstanding audiobook, and this format comes highly recommended to anyone interested in this fantastic novel.

With this epic and captivating second novel, Nick Martell has cemented his position as one of the best new fantasy authors out there. The Two-Faced Queen was absolutely incredible, and I loved the complex and addictive story, set in a unique fantasy world. There are just so many cool elements to this awesome novel and it really does not take long for the reader to become hooked on every single mystery, secret and hidden past that Martell features within this great read. I cannot wait to see what happens next in this series, but it is already perfectly clear that The Legacy of the Mercenary King books are going to be one of the defining fantasy series of the next few years.

Amazon Book Depository

The Warsaw Orphan by Kelly Rimmer

On May 15, 2021August 14, 2022 By The Unseen LibraryIn Australian, Drama, Five-Star Books, Historical Fiction12 Comments

Publisher: Hachette Australia (Trade Paperback – 28 April 2021)

Series: Standalone/sequel to The Things We Cannot Say

Length: 416 pages

My Rating: 5 out of 5 stars

Amazon Book Depository

Prepare to have your heart broken again and again as Australian author Kelly Rimmer presents a captivating, powerful and dark historical drama, The Warsaw Orphan.

Warsaw, 1942. The Nazis have a firm control over all of Poland and have moved the entire Jewish population into the infamous Warsaw Ghetto. Vastly overcrowded and with limited supplies, life is extremely hard in the Ghetto, and many have given up all hope. For Jewish teen Roman Gorka, all he can do is try to survive and earn enough to keep his family alive. However, when rumours spread through the Ghetto about the Nazi plans to transport them to “work camps” out in the forest, Roman knows that it is time to act. Knowing that the lives of himself and his parents are already forfeit, Roman attempts to find a way to save his younger siblings.

At the same time, a young woman, Elzbieta Rabinek, has just arrived in the city and appears to be a typical Polish girl living with her family. However, Elzbieta is hiding a dangerous secret: her real name is Emilia, and she is the younger sister of an executed Jewish sympathiser. Fleeing her village with her new family, Emilia is kept hidden from any potential pursuers. But when Emilia discovers the truth about the Ghetto, she becomes determined to help and joins an underground group of women working to smuggle Jewish children to safety.

As Emilia becomes more involved with the secret work of her organisation, she soon encounters Roman. Working together to save Roman’s younger sister, the two grow close and soon their fates are inevitably tied together. But when a terrible tragedy strikes, both Roman and Emilia will be thrown into disarray. As Warsaw becomes overwhelmed with fire and despair, can these two young people survive with hope, or will they be washed away in a flood of righteous anger?

Wow, just wow. This was an incredibly touching historical drama that has really impressed me thanks to its moving story and striking portrayals of life in World War II Warsaw. The Warsaw Orphan is the latest novel from Australian author Kelly Rimmer, who has previously produced moving novels such as Truths I Never Told You and Before I Let You Go. The Warsaw Orphan is actually a sequel to Rimmer’s previous book, The Things We Cannot Say, with some of the supporting characters from the previous novel appearing in more prominence in this latest novel.

I was lucky enough to receive a copy of The Warsaw Orphan a few weeks ago and thought it sounded like an intriguing novel, especially as it was from a new-to-me Australian author. Based on the synopsis for the book, I knew going in that this would be a dark and emotionally rich novel, but I was very surprised with how compelling and poignant the narrative it contained would be. Using the perspectives of the two narrators, Roman and Emilia, Rimmer paints a grim and powerful picture of the situation in Warsaw which the two protagonists find themselves in at the start of the book. Both story arcs progress on their own separate way for a while, and it is intriguing to see the different experiences of two people living only a few streets away from each other in Warsaw. It does not take long for the protagonists to encounter each other, combining the narrative together. While the initial joining of their character arcs brings some hope to the story, Rimmer makes sure to quickly crush that with despair and heartbreak as both protagonists experiences tragedy after tragedy, as a series of different historical catastrophes engulf Warsaw and its people. Every time the two central characters appear to be close to some sort of happiness, some new danger or disaster seems to befall them, and the reader is forced to sit back and watch as they endure their latest hardship. While this novel is emotionally tough to read at times, Rimmer’s excellent storytelling ensures that you keep moving forward, especially as you become really invested in the lives of her two protagonists and the struggles of the various peoples of Warsaw. While you may be left emotionally ragged and drained by the end of this book, readers will come away from this story extremely satisfied and with a little bit of hope.

I must really highlight the author’s outstanding and powerful depiction of historical events and places throughout The Warsaw Orphan. Rimmer has clearly done her research on the subject and utilises a lot of fascinating and horrifying historical elements to great effect throughout the narrative. For example, much of the story surrounding Emilia and the organisation she joins that helped to smuggle Jewish children out of the Ghetto is based on real life Polish hero Irena Sendler, with various features of Sendler’s work and personality imparted on some supporting characters. The portrayal of occupied Warsaw is also extremely impressive, and you get a real sense of life in the city. This is especially true of the Ghetto, as the author spends a significant amount of time exploring what happened within. Rimmer pulls no punches when it comes to the horrors of the Ghetto and the brutalities the Nazi regime imparted on the Jewish population. The various descriptions of the Ghetto are extremely harrowing, but through them the reader gets a sense of what the people within would have experienced. I particularly appreciated the way in which she tried to capture the uncertainty that many of the characters, both Jewish and non-Jewish, had about the Nazis’ plans and you get a real sense of the fear and confusion in the lead up to the deportations. Rimmer ends up covering all the key events that occurred in Warsaw between 1942 and 1947, and readers get some powerful and detailed views of the forced deportations to the camps, the Warsaw Ghetto Uprising, the Warsaw Uprising, the German retreat and the subsequent Soviet occupation. The author shows every dark aspect of these historical events as her point-of-view characters find themselves involved in them, often to their great detriment. All these powerful and remarkable historical events and locations serve as a great backdrop to this dramatic tale, and I found it fascinating to learn more about some of these events.

Rimmer has come up with an incredible pair of young point-of-view characters for this book, Roman and Emilia. Roman is a Jewish teen living in the Warsaw Ghetto with his family. Through his eyes you get to see many of the horrors of the Ghetto, starvation, Nazi oppression and the constant fear and death. Rimmer does an impressive job of capturing the inner thoughts and feelings of someone caught up in these terrible events, and I really appreciated the strong sense of survival and desperation you get from him. This quickly morphs in anger, righteousness and revenge when Roman experiences one tragedy too many, and he becomes in a number of dangerous fights against his oppressors. Not only does this result in a number of brutal war sequences, but Rimmer paints a picture of a rebellious soul whose anger and moral outrage overwhelm his senses and force him to do darker and more dangerous deeds. This depiction of anger and rage is quite powerful, and definitely fits an individual who loses everything and does not know what to do.

Emilia, on the other hand, is a somewhat more innocent figure, who, despite not being Jewish, has her own experiences with oppression after witnessing her brother dying in The Things We Cannot Say. Due to the events of this previous book, she has fled to Warsaw with her adoptive parents, hiding under an assumed name. Despite the troubles she is running from, Emilia chafes under the rules her guardians put in place, especially once she learns what is happening in the Ghetto. Despite her fear, uncertainty and loyalty to her guardians’ wishes, Emilia soon becomes involved in the smuggling of children. I really liked how Rimmer decided to utilise her previous character in this novel, and the author does a great job of revisiting parts of her story so that new readers can appreciate what has happened in her past. Emilia proves to be a really interesting character throughout the book, and I loved the contrast in views between her views of Warsaw and Roman’s darker experiences. Watching a non-Jewish citizen experience the horrors of the Ghetto for the first time is pretty moving, and the reader feels a certain kinship to her as they are also witnesses to the various tragedies. I loved the storyline surrounding Emilia joining the movement to save Jewish children, and the author utilises her to tell this group’s very unique tale extremely well.

Both Roman and Emilia have some fantastic storylines in The Warsaw Orphan, and I really liked the way their two separate character arcs come together. These two characters experience an immense amount of grief, regret, violence and despair throughout the book, and their connection is one of the few things to keep them going. Rimmer sets up both characters extremely well throughout The Warsaw Orphan and readers will quickly become obsessed with their unique tales and harrowing experiences. I think both character storylines worked extremely well on their own, but together they tell an even more tragic story, as these two fall in love amongst the worst moments of human history. Seeing the various tragedies and poor decisions that impact their relationship is pretty heartbreaking, and the reader is left in hope that they both survive in the end. I think that Rimmer did an exceptional job creating and developing these two characters, and it is a mark of her writing ability that I ended up caring so much for them both.

The Warsaw Orphan by Australian author Kelly Rimmer is an exceptional and incredible historical drama that comes highly recommended. Rimmer has produced a first-rate story that perfectly utilises two tragic protagonists, an extremely dark and atrocious historical period and an addictive, if tragic, story of love, loss and survival. The Warsaw Orphan is a powerful and compelling book that will stick in your mind long after you finish its final harrowing page.

Amazon Book Depository

Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

On May 15, 2020August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday6 Comments

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

Amazon Book Depository

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

Amazon Book Depository

Black Leviathan by Bernd Perplies

On March 9, 2020August 20, 2022 By The Unseen LibraryIn English Translation, Fantasy3 Comments

Black Leviathan Cover

Publisher: Tor (Trade Paperback – 25 February 2020)

English Edition Translated by Lucy Van Cleef

Length: 331 pages

My Rating: 4.25 out 5 stars

Amazon Book Depository

Get ready for an exciting fantasy adventure from acclaimed German author, Bernd Perplies, with Black Leviathan, an extremely fun and inventive novel that is essentially Moby Dick with dragons.

Bernd Perplies is a best-selling German fantasy and science fiction writer who debuted in 2008 with his first book, Son of the Curse Bringer. He has since authored several different series, including the Star Trek Prometheus trilogy, which he co-wrote with Christian Humberg and which were the first Star Trek books licensed to be written outside of the United States. Black Leviathan was initially released back in 2017 in Germany under the title The Dragon Hunter, and it is the first book in his Sea of Clouds series. This is the first one of Perplies’s solo books to be released in English (his Star Trek books got an English releases), and it was translated by Lucy Van Cleef.

Welcome to the Cloudmere, a floating expanse of thick cloud, mists, floating islands and mountain tops high above the ground. Thanks to the magical kyrillian crystals, which allow anything holding them to float in the air, airships now also fly through the Cloudmere attempting to harvest the useful resources available in this harsh landscape. The most valuable of resources come from the dragons, the ferocious beasts that soar amongst the clouds and mountains. Various species of dragons exist, each with their own special talents and defences, and each of which are valuable in their own way. However, hunting dragons is a dangerous occupation, and only the bravest, the most skilled or the extremely desperate set out into the Cloudmere as a drachenjäger, a dragon hunter.

Lian is a young man living in the floating city of Skargakar. The city’s entire economy revolves around the hunting and processing of dragons, and Lian himself makes a small earning carving kyrillian crystals. Lian also looks after his father, Lonjar Draksmasher, a famed drachenjäger of yesteryear whose injuries have driven him to drink. But when Lonjar is murdered in front of him, Lian instinctively gets revenge on the criminal who killed him, and now needs to get out of town quickly or face the wrath of his victim’s father, the most dangerous crime lord in the city. Taking up his father’s magical hunting spear and accompanied by his best friend, Canzo, Lian seeks work aboard one of the many drachenjäger ships leaving the city. The only one willing to take them on is the infamous Carryola.

Boarding the Carryola they find themselves working with an eclectic and effective crew of drachenjägers, and Lian believes that he has reached relative safety. However, the captain of the Carryola, Adaron, has an obsession that may prove to be the doom of Lian and the rest of the crew. Adaron is determined to hunt down and kill the Firstborn Gargantuan, a rare Black Leviathan dragon, a creature out of legends and one of the most destructive beings lurking in the Cloudmere. Now caught between a powerful dragon and a crazed captain, Lian must find a way to survive, but he quickly learns that death is always lying just around the corner in the Cloudmere.

This turned out to be a fantastic and deeply enjoyable fantasy adventure novel which I had an absolute blast reading. Black Leviathan features a fast-paced and action-packed story of a group of dragon hunters flying around in the sky chasing after a mythical and gigantic dragon, and what’s not to love about that? Perplies introduces a ship full of distinctive and compelling characters (most of whom you shouldn’t get too attached to), including an obsessive and ruthless captain, and sets them up against a powerful foe. This results in quite a fun and exciting novel, and I enjoyed some of the intriguing directions that Perplies took the story. While some elements of the story are a little bit typical of action adventure novels, such as characters whose death is a foregone conclusion the moment you meet them, this was an excellent story that is extremely easy to enjoy, and very hard to put down.

One of the best parts of Black Leviathan is the clever and inventive new world that Perplies has created as a backdrop for his fun story. The author did an outstanding job producing a unique fantasy world up in the clouds, filled with all manner of sentient races, exotic locations and intriguing magical technologies, all of which prove to be really fascinating to explore throughout the course of the story. The Cloudmere is an amazing location for a fantasy novel, and I really enjoyed seeing an entire book spent up in the clouds, either in floating cities or aboard magically powered airships. However, the highlight of this new world has to be the various species of dragons that roam the Cloudmere and dragon hunters that chase after them. Black Leviathan features a world where dragon hunting is a vast and profitable industry, and it is really quite interesting to see the various aspects of dragon hunting and its subsequent applications within this novel. There are some obvious similarities between this fictional dragon hunting industry and the real-life historical whale hunting industry and was really cool to see Perplies reinvent this iconic historical trade with fantasy creatures, floating ships and a sea of clouds.

The dragon hunting aspect of the book also results in some pretty incredible action sequences. There are some really exciting and fun dragon hunting scenes featured throughout Black Leviathan and watching the crew of an airship attempt to take down a dragon in mid-air was easily some of my favourite parts of the entire book. Perplies came up with some very clever hunting techniques for his drachenjäger, and it was very cool to see all of them unfold, especially as many require the protagonist to jump onto the back of the targeted dragon and kill them while riding on their back. This fantasy world also has many different types of dragon with a variety of different abilities (some breath fire, some have sword-like tails), each of which results a different sort of hunt with its own range of difficulties. Of course, the biggest hunt of all is when they catch up with Gargantuan, the titular Black Leviathan, the largest and most powerful dragon in the Cloudmere. That hunt goes about as well as expected, and it was extremely exciting to see the crew attempt to use their tried-and-tested techniques against this beast.

I mentioned at the start of this review that Black Leviathan was a bit like Moby Dick. That is because it features a captain who is obsessed with killing a specific rare beast who wronged him years ago, in this case a black dragon rather than a white whale. The entirety of this feud is actually shown in this book, as the first two chapters deal with Adaron’s first ship getting destroyed by Gargantuan, with nearly all his friends dying, including his fiancé, whose hand he was holding when she was eaten (with Adaron left holding her severed arm). As a result, the Adaron we see in the present is a much harder man who bears a great hatred for all dragons and is determined to find and kill Gargantuan no matter the cost. This results in a great story of obsession and hatred as Adaron scours the Cloudmere for his prey, while also attempting to kill any other dragon he comes across. The author has done a great job showing Adaron as an eccentric and damaged character from the first time the protagonist meets him. Not only does he order his own whipping every time a member of his crew gets killed by a dragon but he also keeps the skeletal hand of his fiancé in his cabin as a constant reminder of his mission to kill his prey. However, as the book progresses, it becomes more and more obvious that his obsession with finding Gargantuan has driven him insane. Not only does Adaron sacrifice his crew’s safety to locate the dragon but he ignores the concerns of the people serving under them and he even utilises dark practices to find his prey. This all results in a great final showdown with Gargantuan at the end of the book, and I think that the author did an amazing job concluding this captivating story arc.

Black Leviathan by Bernd Perplies is an excellent and deeply enjoyable fantasy adventure that combines a great central story with an extremely creative fantasy world to create a compelling and fun read. This book is filled to the brim with action and adventure and is guaranteed to get any fantasy lover’s pulse racing. I really loved this book, and I look forward to any future English releases of Perplies work. I do note that Perplies released a second book in this series in 2018, The World Finder, and hopefully we’ll get to see that in English in the next year or so.

u1_978-3-596-29671-2

Amazon Book Depository

Throwback Thursday: Final Crisis: Rogues’ Revenge by Geoff Johns and Scott Kolins

On November 22, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Publisher: DC Comics

Publication Date – 28 July 2009

Amazon

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In the midst of the 2008 DC Comic crossover event Final Crisis lies this often overlooked and foolishly underappreciated miniseries, Final Crisis: Rogues’ Revenge, which focuses on the Flash’s most enduring villains, the Rogues.

Final Crisis was the big DC comic event of 2008, and is memorable for a number of key events, such as the apparent death of Batman, the death of the Martian Manhunter and the return of the original Flash, Barry Allen. In addition to this main series, DC also released a number of miniseries and one-shots that served as tie-ins to the main Final Crisis storyline and which are often forgotten in light of Final Crisis big events. I have to admit that I have never been a particularly big fan of the Final Crisis series, mainly because of the over-the-top and unnecessarily complicated storyline (you know, typical Grant Morrison writing). However, I did really enjoy the tie-in miniseries, including the dark comic Revelations, which focuses on the Spectre and contains the horrifying image of Dr Light being turned into a candle, and the massive Legion of 3 Worlds miniseries, which saw the return of two great characters. However, my favourite of all these miniseries has to be the subject of this review, Rogues’ Revenge, by iconic The Flash contributors Geoff Johns and Scott Kolins.

The Rogues are a group of iconic dangerous criminals in the twin cities of Central City and Keystone City who have banded together in opposition to the Flash. Different from the usual supervillains that inhabit the DC Universe, the Rogues have a sense of honour and mostly commit thefts rather than seeking world domination or pointless destruction. Usually led by Captain Cold, the Rogues have featured most of the Flash’s villains at one point or another, including Heatwave, Mirror Master, Captain Boomerang, the Trickster, Weather Wizard and even Gorilla Grodd. These characters have been recurring villains of the Flash for over 60 years and continue to be regular features of the various The Flash comics. The Rogues are also very well represented in other media, appearing in several animated shows and movies. One member, Captain Boomerang, appeared in the 2016 movie Suicide Squad, while the rest of the characters, especially Captain Cold and Heatwave, are major fixtures of the Arrowverse television series.

In Rogues’ Revenge, the core remaining Rogues, Captain Cold, Heatwave, Weather Wizard and the second Mirror Master, have been having one hell of a year after breaking their number one rule: never kill a speedster. Tricked by the young psychopathic speedster Inertia, the Rogues attacked the Flash when he lost his powers and actually managed to kill him, which they never wanted to do. Worst, the Flash that they killed was only a kid, Bart Allen, the former Impulse and Kid Flash, who had been aged up by his time in the Speed Force. As the most wanted criminals in the world, the Rogues have spent the year being hunted by as fugitives by the collected superheroes. Briefly imprisoned on an alien planet with the rest of the world’s supervillains, the Rogues escaped and have returned to Keystone City, once again fugitives.

The Rogues are planning to permanently retire after their terrible mistake. However, when Inertia escapes from his imprisonment, the Rogues decide to go on one last mission and seek revenge for Inertia’s trickery. Joining forces with the new young and immature Trickster, the Rogues set out to break their number one rule just one more time.

However, their revenge is going to get far more complicated than they anticipated. The supervillain prophet, Libra, is uniting the other villains for the Final Crisis and wants the Rogues by his side in his new Secret Society. Their emphatic refusal does not go down well, and Libra sets about recruiting them by any means necessary, even if that means killing every member of the Rogues’ family to get their attention. The former Rogue, Pied Piper, is also hunting down his former cohorts, determined to repent for the role he played in Bart Allen’s death, while powerful anti-speedster Zoom has taken Inertia under his protection and tutelage. Against all these forces, this misfit group of killers and thieves seem incredibly outmatched, but never count the Rogues out of the fight. Can the Rogues get their revenge, and how will they react to the return of their greatest foe, the original Flash, Barry Allen?

This fantastic miniseries is the brainchild of legendary DC writer Geoff Johns and artist Scott Kolins, who previously did a joint run in The Flash Vol 2. Rogues’ Revenge is collected in a single volume and consists of the miniseries’ three issues, as well as two issues from Johns and Kolins’s run on The Flash Vol 2 issues #182 and #197, which focus on the origins of Captain Cold and Zoom respectfully. Rogues’ Revenge is an excellent series that puts the focus onto an incredibly intriguing and very different group of villains. Containing a superb story, some amazing artwork and some subtle, but interesting tie-ins to Final Crisis and other parts of the DC Universe, this is a really fun miniseries that is worth checking out.

One of the things that I like the most about this miniseries is the way that Johns and Kolins really dive into their complex main characters and show what set them apart from all the other supervillains. The reader is given a look into the psyche of each of the Rogues, and shows the deep and dark troubles that hide within their minds. Alone, they are incredibly damaged individuals with advanced weapons, but together they are a functioning unit able to hang with the most powerful godlike beings in the universe. Each of the Rogues is a complex and intriguing character, and the creative team do a great job highlighting this succinctly in the miniseries. Heatwave is a pyromaniac whose life has been consumed by fire, Weather Wizard is still haunted by the fact that he murdered his brother, Mirror Master is fighting his baser instincts and his drug habit, while Trickster is a young punk who is desperately trying to join up with the other Rogues he idolises.

Captain Cold is the most complex of them all, and his life is shown in both the miniseries and in one of the issues of The Flash Vol 2, which I have to give the producers of this volume props for including. Captain Cold is the team’s leader and the definer of their moral code. Because of him, the Rogues try to avoid killing where possible, do not touch drugs and have a high standard when it comes to its members, which is why they have yet to fully accept Trickster into their ranks. Throughout Rogues’ Revenge, Captain Cold is able to control and anticipate the moods and needs of his team. At the same time, he is able to lean on his team when it comes to his intense personal matters and the history with his family. Issue #182 of The Flash Vol 2 does an amazing job of humanizing this character further, especially after you see him in action in the three issues of the Rogues’ Revenge miniseries. Overall, the creative team are able showcase the close relationship the Rogues have with each other, as well as how strong they are together.

I also enjoyed how Johnson explores the complex relationship that the Rogues have with the Flash. Despite him being the main superhero who has been opposing them for years, the Rogues make it quite clear that they never actually wanted to kill him, mainly because they knew how much trouble they would be in if they ever succeeded in finishing him off. The anger at how they were duped into attacking the Flash without his powers is pretty clear early in the miniseries, and there is a certain sense of regret as they describe how their attacks usually would not have killed a speedster. They also show some remorse that the Flash that they killed was so young, as they did not realise they were really attacking Kid Flash. While this initial examination of their relationship with the Flash is fascinating, the discussion that occurs at the end of the third Rogues’ Revenge issue is particularly interesting, as they talk about their relationship with the original Flash, Barry Allen, and how he was different from all the other Flashes. It is a great tie-in to the other comics focusing on this character’s return, and it also brings the Rogues’ story full circle as they decide to postpone their retirement in light of the relentless pursuit that they know is coming from their original Flash. You have also got to love the present they send to the returning Flash in order to appease his wrath for their role in Bart Allen’s death.

Rogues’ Revenge has an impressive and well-written story that is not only a lot of fun to read but ties in nicely with the major Final Crisis crossover event that was occurring at the same time. The central story of the tired and weary Rogues as they plan to engage in one last mission before their retirement is amazing as it allows for a deeper look at their methods, equipment and skills at defeating speedsters. The tie-ins with Final Crisis aren’t too over-the-top and mostly relate to the return of Barry Allen and Libra’s attempts at creating a new society of supervillains. Libra’s scheme to bring the Rogues on board is particularly fun, as he sends the team of knock-off Rogues to face them, utilising stolen copies of their weaponry. This is a great battle scene which helps show off how the Rogues are so much more than the weapons that they wield, as they utilise their skills and experience to eliminate their opponents in short order. The devastating and inventive uses of their weapons are very impressive, from Captain Cold’s wide beam cold field, to Weather Wizard growing a tornado inside of one of his opponents. The Rogues’ extreme violence in this scene is explained as the characters protecting their reputation, as there have been many copycats before, which fits these old veterans perfectly. I also really liked the reasons the Rogues give to refuse Libra’s request for them to join the Secret Society, having been burned by joining them before, and it was fun to see them predict exactly how the new Secret Society was going to come crashing down.

The artwork within this miniseries is very impressive, and it was great to see Kolins back in The Flash saddle. I was really impressed by the character designs Kolins used during this miniseries, as the four veteran Rogues all have their iconic costumes, but there is a beat-up and ragged look to them. This perfectly encapsulates the terrible year the characters have been happening, and each of these characters have a tired and weary look to them after so many years of fighting. I also cannot speak highly enough of the impressive fight sequences throughout the miniseries. The full and at times gruesome effects of the Rogues’ weapons are in full display throughout Rogues’ Revenge, as the titular characters unleash fire, ice, weather, tricks and mirror insanity on their opponents. The duelling walls of fire that occur between Heatwave and newcomer Burn are just gorgeous, and Weather Wizard’s various creations, such as lighting and fog, are drawn amazingly well. I also cannot get past how impressively well Captain Cold’s ice devastation is drawn, especially when it comes to the effect the freeze ray has the human body. This is an amazing bit of work from Kolins and the rest of the miniseries’ artistic team, and the art really helps to turn Rogues’ Revenge into a first-rate graphic novel.

Overall, Rogues’ Revenge is an outstanding tie-in miniseries that does so much to stand out from its overarching crossover event. The focus on the Rogues, who make up one of DC’s most complex group of supervillains, is a compelling choice from the creative team, who do an incredible job showcasing these amazing characters. Featuring an intriguing storyline and some first-rate artwork, this is a fantastic miniseries to check out, and one of my favourite underappreciated gems in the DC Universe.