Burn to Shine by Jonathan Maberry

Publisher: Macmillan Audio (Audiobook – 4 March 2025)

Series: Rogue Team International – Book Four

Length: 19 hours and 9 minutes

My Rating: 4.75 out of 5 stars

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Bring on the chaos, carnage and craziness with the new epic Rogue Team International from Jonathan Maberry, Burn to Shine, which takes the reader on another dark and over-the-top ride in a deeply addictive thriller.

Readers of this blog will know that I am a massive Jonathan Maberry fan, having had the great pleasure getting to know and power through some of his biggest series.  Thanks to his intense writing, ability to pull together amazing characters and great attention for action and combat, all Maberry’s books really resonate with me, and pretty much all the Maberry books I have read have been 5-star novels in my mind.  Highlights include the dark 2024 science fiction novel, NecroTek, the creepy horror novel, Ink (one of my favourite books and audiobooks of 2020), as well as the brilliant Kagen the Damned dark fantasy trilogy, made up of Kagen the Damned (one of my favourite books and audiobooks of 2022), Son of the Poison Rose (one of my favourite books and audiobooks of 2023), and The Dragon in Winter (one of my favourite books and audiobooks of 2024).

While the above series and books are all outstanding, my favourite Maberry novels are the iconic and long-running Joe Ledger series.  Following the titular troubled protagonist as he works as a part of an elite government special forces team detailed to stopping terrorist attacks or criminal organisations using advanced and unusual technology, the Joe Ledger novels were impressive and complex thrillers with over-the-top dark elements, that often featured some outstanding science fiction and compelling horror elements.  The original series, which ran for 10 books, features some amazing novels, including Patient Zero, The Dragon Factory, Assassin’s Code, Predator One and Deep Silence just to name a few.  Each of these novels were amazing reads on their own, although I also got really drawn into the ongoing storylines and recurring villains.

Following the end of the original Joe Ledger books, Maberry continued many of his storylines in the sequel Rogue Team International series, bringing back the major characters and setting them up as independent intelligence operatives working for themselves.  This series was also extremely exciting, and I have appreciated the way in which the author has continued some of the complex story arcs and villainous narratives from the first series.  The Rogue Team International books have so far featured Rage (one of my favourite books and audiobooks of 2019), Relentless (one of my favourite books and audiobooks of 2021), and Cave 13 (one of my favourite books and audiobooks of 2023), each of which have been pretty damn amazing and filled with some dark and captivating narratives.

Naturally, I was very excited when I saw that there was a fourth Rogue Team International book coming out in 2025 with Burn to Shine.  The fourth book in the Rogue Team International series and the 14th overall Joe Ledger novel, Burn to Shine brings back the protagonist and his team in a big way, as they go toe-to-toe with some of the most dangerous recurring villains.  One of my most anticipated books of 2025, Burn to Shine had so much potential, and I read it the very first chance I got.

After suffering through another set of harrowing losses and intense damage to their already shredded psyche, the members of Rogue Team International are back in the fray.  Led by troubled veteran Joe Ledger and the enigmatic Mr Church, Rogue Team International continue to fight against elaborate high-tech threats and other strange occurrences across the world.  However, they are unprepared for their next dangerous threat, one that has emerged from the organisation’s combined dark past.

A powerful group of military contractors are expanding their influence across the United States, seeking to cause fear, division and political uncertainty.  At the same time, a series of planned attacks have breached and destroyed many of the world’s most secure bio-weapons research facilities, with the stolen diseases and technology being utilised to create chaos and fear through infected humans turned into living disease bombs.

As Ledger and his team try and counter these attacks, their path leads them to the mysterious town of Pine Deep, Pennsylvania, where a multitude of dark secrets are hidden.  Teaming up with old allies, new friends, and some of the more dangerous denizens of Pine Deep, Ledger and his team attempt to strike back against their enemies before a catastrophe is unleashed across the country.  But can even this deadly and unlikely group of heroes stand up to some of the team’s most dangerous enemies, including a ghost from their past who plans to burn the world to ground? 

Jonathan Maberry once again presents a gripping and deeply exciting tale with Burn to Shine.  A compelling continuation of his long-running Joe Ledger/Rogue Team International books, Burn to Shine had another great story that continued the author’s ongoing storylines by heavily diving back into the series’ past.  An excellent addition to the series that is guaranteed to keep you entertained all the way to the end.

Burn to Shine had an awesome narrative that presents its own unique tale, while also reviving multiple elements from the Maberry’s previous works, to create a novel very much designed for established fans of the author.  Starting off strong with an intense action sequence around the protagonists, Maberry also takes the time to establish multiple parallel storylines and plot threads, some of which are set well before the main narrative and showcase the emergence of the book’s antagonist and the formation of their new plan.  This allows for a very rich and intricate first half of the book, as you are given glimpses of the evil facing Joe Ledger and his team, while also watching the protagonists initially start to move to understand the new threat facing them.  This first half ends with an extended sequence inside a secret vault built to contain some of the worst bio-weapons the protagonists have encountered throughout the series.  Following a harrowing and tense descent into the vault while events get even more hectic outside, the protagonists eventually discover hints at the true mastermind of the new plot, as well as the insidious zombie-making weapon from their past that they seek to unleash.

The second half of Burn to Shine goes in some very interesting directions, as all the major characters start to converge around the town of Pine Deep, the centre of all things weird in Maberry’s shared literary universe.  Teaming up with some figures familiar to Maberry fans, the protagonists engage in a series of raids against the various bases of their opponents in some high-octane and particularly brutal sequences.  Due to the various over-the-top technologies and Maberry’s ability to imagine extremely bloody fights, these are some intense scenes, and the author really amps up the risk factor of the fights for his various recurring characters, with some very dark moments.

All this leads up to the big showdown between Ledger and the antagonists of the book, as he comes face to face with them in a very interesting location.  This showdown was very awesome, especially sandwiched amongst the other various conflict-laden storylines, and the author kept you on the edge of your seat as Ledger comes face-to-face with familiar opponents from the past.  While I love all the action and the way Maberry brought back a lot of previous story arcs, I did think that this ending was a tad rushed, and it relied way too much on having knowledge of Maberry’s first trilogy.  I also wished Maberry had taken some parts of this story a little further, perhaps with some greater tragedy, as it was a little frustrating that he didn’t follow through with the telegraphed death of a major character.  Still, this proved to be an excellent and exciting read, and there is also a very interesting final scene that provides some early, long-sought answers about one of the protagonists.

I have a great deal of love for how Maberry sets out his awesome stories, and his distinctive style always results in an impressive and layered novel, especially when it comes to his over-the-top thrillers.  Featuring a lot of dark, over-the-top elements and an at times near horror vibe, Burn to Shine was another classic Joe Ledger novel, which showcases his damaged protagonists facing off against complicated evil antagonists.  Thanks to the author’s utilisation of multiple character perspectives and scenes set in the past, this proves to be a very detailed book, and I loved the varied storylines that emerged and worked side by side with each other.  This includes a vibrant look at the antagonist’s plans from start to finish, which also involves the re-introduction of previously featured villains.  While not every detail of the antagonist’s sinister and over-the-top plans are revealed to the reader from the start, you get enough to really amp up the stakes of the plot, and it is compelling to see the protagonists act on the limited information they have.  The villainous scheme for Burn to Shine was a tad similar to some schemes from previous Maberry books, but it still produces some particularly captivating moments, especially towards the end.  I also quite enjoyed how Maberry tied the plot into a lot of modern issues, including disinformation, the use of fear in politics, fake news and AI-generated imagery, while giving it its usual excess and ultra-dark flair.  Throw in the author’s impressive action sequences, which are particularly epic, as well as the overly exaggerated villains, and this proved to be a powerful and layered novel that has all of Maberry’s typical charm and intensity.

While I had a ton of fun with Burn to Shine, this was very much a novel for the author’s established readers, although even some of them might get lost at times.  As I have hinted, the main villains of Burn to Shine are figures previously featured in prior Joe Ledger novels, including the series’ big bad, and one antagonist long believed dead.  While Maberry loads up Burn to Shine with a lot of internal recap moments in the protagonist’s head that gives the reader all the context they need to follow the plot, the true threat or emotional impact of these villains is going to be best appreciated by those who have read the previous books, especially Code Zero.  Maberry also takes the story further into his extended universe, as the plot becomes heavily enmeshed with his classic Pine Deep novels and brings in various characters from the original trilogy.  I must admit, as someone who hasn’t had the chance to read Maberry’s Pine Deep novels, I would have been a tad lost here unless I had previously read Ink, which featured several of these characters, and new readers may not quite understand their significance.  Even those who have read all the previous Joe Ledger novels might be a little confused with their inclusion, especially as these Pine Deep characters have never appeared in a Joe Ledger novel before, besides a couple of short stories.  As such, having such a big focus on them is a little surprising, and I felt that it mucked around with the flow of Burn to Shine.  Still, considering how good Maberry is at recapping or reintroducing key characters and storylines, most established Joe Ledger fans should be able to follow along fine, just keep in mind that the author is doing some deep cuts back to his previous novels.

As with all Maberry’s novels, the real heart of Burn to Shine lies in its complex characters, whose powerful stories and dark pasts allow for some deep emotional heft to the plot.  This is especially true for main protagonist, Joe Ledger, whose cracked psyche is always a key part of his appearances.  A very damaged figure, Ledger is a powerful part of Burn to Shine’s narrative and serves as the only first-person perspective character, influencing a lot of the novel as a result.  While on the surface he is a humorous, wise-cracking cowboy, determined to save the day no matter what, deep down he is haunted by all his past experiences, including the deaths of so many loved ones and the trauma of various missions.  Maberry has long perfected balancing the character’s various emotional states in his novels, and while Ledger provides a lot of the book’s humour, his darker side is a constant presence, threating to bubble out.  The author adds in some interesting additional emotional elements for Ledger to deal with this novel, including the return of an antagonist who previously caused him a lot of pain, as well as the protagonist’s battle with the knowledge that he may finally have the names of the people responsible for his earliest trauma.  The later of these is likely to be a big part of the characters’ battle with his vengeful emotional going forward, and it will be interesting to see how Maberry works them in.

Aside from Ledger, Burn to Shine is loaded with a ton of interesting supporting characters and protagonists whose various experiences help to shape the entire awesome story.  This cast includes a huge array of figures from previous Maberry books, and it was fun to see them continue to grow.  The most prominent of these characters include the mysterious Mr Church, whose secretive past has been one of the more intriguing ongoing storylines of the series.  Shown to be almost human in Burn to Shine thanks to the trauma obtained during the previous novel, Cave 13, Church has some excellent appearances in Burn to Shine, especially when it comes to facing down the antagonists.  I loved how well Maberry balanced this more fragile version of Mr Church with his mysterious persona, and the final scene where you get some interesting answers about who, or what, Church is, is very impressive.

The various other members of Rogue Team International are also great parts of the book, including the member of Ledger’s fire team, each of whom have their own distinct personality and complexity in this book.  Maberry provides some great moments for all these characters to shine, and I felt that an interesting early part of the novel where the organisation’s resident psychiatrist, Dr Rudy Sanchez, dives into the trauma all the supporting characters are feeling after Cave 13, added some excellent emotional depth to the plot.  Throw in the fascinating Pine Deep characters I mentioned above, as well as two of Maberry’s more complex and memorable antagonists, who return in a big way here, and the cast of Burn to Shine is very impressive, and you really get drawn into this dark struggles and battles.

Anyone who has read my previous Maberry reviews will know that I had no choice but to enjoy Burn to Shine on audiobook, as it is honestly the only way to enjoy one of the author’s novels.  This is primarily because of the author’s long association with legendary actor and audiobook narrator, Ray Porter, who has lent his epic voice to most of Maberry’s exciting novels, and the result is always something very special.  Porter is the perfect narrator for Maberry’s amazing and intense novels, bringing all the necessary energy, excitement and darkness you need to convey the author’s complex and twisted plots, and he is one of my favourite audiobook narrators.  Porter effortlessly brought Burn to Shine to life from the very first word, and you swiftly get drawn into the story as a result.  Everything from the dark content, the complex story elements, and the extensive action is extremely well conveyed and flows so quickly.  I particularly enjoyed how Porter once again perfectly inhabited all the characters featured in Burn to Shine, with impressive takes on all the unique figures.  Special mention must be given to Porter’s personification of the main protagonist, Joe Ledger, as the narrator has long mastered capturing all of Ledger’s pain, internal conflict and fantastic humour and presenting it to the listener in an outstanding way.  The rest of the characters are also showcased in a really awesome way, and I still love the ultra-calm and controlled voice used for Mr Church, as well as the more sinister and often unnatural voices for the crazy antagonists of the book. I honestly loved every second I spent listening to this audiobook, and it was another outstanding performance from Ray Porter and one of the best audiobooks I enjoyed in the first half of 2025.

Once again bringing all the carnage, complex characters and dark storylines you have come to expect from a Joe Ledger novel, Burn to Shine was another amazing read from Jonathan Maberry, and one I deeply enjoyed getting through.  A very interesting entry in Maberry’s long-running, combined series, Burn to Shine was an ultra-exciting and chilling Rogue Team International novel that proves very easy to power through.  I look forward to reading more of Maberry’s novels in the next few months, and I currently have the tough decision of if I want to read the advanced copy I have of his upcoming release, Cold War, or wait to listen to it on audiobook.

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Top Ten Tuesday – My Favourite Audiobooks from the First Half of 2025

Top Ten Tuesday is a weekly feature that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this week’s Top Ten Tuesday required participants to list their favourite books that take place in a setting of their choosing.  While this is an interesting idea, and one I might come back to later, I’m instead going to continue my recent trend of discussing books from the first half of the year and highlight my favourite audiobooks from the first half of 2025.  This is a continuation of my Top Ten list from a couple of weeks ago that featured my favourite overall novels from the first half of 2025.

I have a great deal of love for the audiobook format, and it is one of the main ways that I tend to check out books.  Each year I enjoy a great number of different audiobooks and use the format to enjoy both recent releases and older novels.  I have long been a major fan of audiobooks, and it is amazing the various ways in which listening to a book can enhance your enjoyment.  A great audiobook can really bring you into the story, and I find that listening to a book enhances the amount of detail that you can take in.  In addition, other features, such as captivating voices, music and sound effects can really make an audiobook something special, and there some great examples of the format I have enjoyed throughout my life.  This year alone I have listened to a ton of outstanding audiobooks, includes some of my favourite books from early 2025.  Because I love this format so much, I thought I would take this opportunity to highlight my favourite audiobooks from the first half of the year.

To pull this list off I had a look at all the 2025 releases that I listened to on audiobook to figure out my favourites.  It turns out that I have already gone through quite a few this year so there was a large collection of potential additions to this list, which I was eventually able to whittle it down to the best ten audiobooks.  There is a bit of a crossover with my previous Favourite Books from the First Half of 2025 list, but I think there are enough new additions to make this list worthwhile.  I made sure to feature only the very best audiobooks on this list, and, in addition to the quality of the baseline novel, I also looked at audiobook production and narration.  This includes whether the audiobook has outstanding narration or uses music and sound effects to enhance the plot.  Keeping these criteria in mind, I came up with the following strong Top Ten List and associated Honourable Mentions, and all the audiobooks listed below were exceptional listens that come very highly recommended by this blog.

Honourable Mentions:

Warhammer 40,000: Fulgrim: The Perfect Son, written by Jude Reid and narrated by Andrew James Spooner

An excellent and intense Warhammer 40,000 novel perfectly brought to life by narrator Andrew James Spooner.

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Grave Danger, written by James Grippando and narrated by Jonathan Davis

James Grippando continues his fantastic Jack Swyteck legal thriller series, with the audiobook well presented by the always impressive Jonathan Davis

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Badlands, written by Douglas Preston and Lincoln Child and narrated by Cynthia Farrell

Cynthia Farrell ensures this new dark thriller from the legendary team of Douglas Preston and Lincoln Child really shines with her outstanding narration.

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Warhammer 40,000: Leontus: Lord Solar, written by Rob Young and narrated by David Seddon

A short, but very sweet Warhammer 40,000 audiobook that really pops when read out.

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Top Ten List:

The Devils, written by Joe Abercrombie and narrated by Steven Pacey

Let’s start this list off with one of my top books and audiobooks of the year, The Devils by the master of grim dark fantasy fiction, Joe Abercrombie.  An incredible and highly entertaining novel that sees a group of monsters attempt to place a street thief on the throne of Troy in a clever, alternate medieval Europe setting, The Devils was a particularly fun, bloody and compelling novel I couldn’t get enough of, especially on audiobook.  Thanks to one of my favourite audiobook narrators, Steven Pacey, The Devils was so much fun to listen to as Pacey perfectly embodied the entire crazy cast of this book.  Highly recommended, you are in for an epic time listening to The Devils.

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Warhammer 40,000: Interceptor City, written by Dan Abnett and narrated by Toby Longworth

Unsurprisingly to anyone who knows me, I have a Warhammer 40,000 audiobook on this list with Interceptor City.  The long-awaited sequel to Dan Abnett’s classic novel, Double Eagle, Interceptor City was a gritty and enthralling science fiction war story that saw fighter pilots battle it out amongst the massive ruins of a fallen Hive City.  A powerful and action-packed novel, Interceptor City becomes even more epic when read out by long-time Warhammer narrator Toby Longworth, who expertly showcases the intense, claustrophobic aeronautic combat sequences.  I honestly could have listened to another 20 hours of Interceptor City, and there is no better way to enjoy this epic read.

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Burn to Shine, written by Jonathan Maberry and narrated by Ray Porter

The dream team of Jonathan Maberry and Ray Porter continues to produce incredible audiobooks, this time with the gripping thriller Burn to Shine.  The fourth book in Maberry’s Rogue Team International series (Rage, Relentless and Cave 13), Burn to Shine was another exciting read that pitted the protagonists against high-tech and supernatural threats from their past.  Maberry writes an excellent story for this book, and Ray Porter once again effortlessly brings the complex characters and dark tone to life with his narration.  A deeply impressive listen from two amazing creatives.

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Sunrise on the Reaping, written by Suzanne Collins and narrated by Jefferson White

One of the more impressive audiobooks I listened to in 2025 was the new Hunger Games novel, Sunrise on the Reaping.  Suzanne Collins cleverly revisited her iconic world with a fantastic prequel novel focused around one of her best characters Haymitch Abernathy.  This amazing book really hit the readers hard, and I found myself enjoying it even more thanks to the impressive audiobook narration of actor Jefferson White.  White proved to be a perfect narrator for a young Haymitch, and I got deeply engrossed in this audiobook thanks to his fantastic voice work. An exceptional audiobook guaranteed to break your heart.

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Midnight Black, written by Mark Greaney and narrated by Jay Snyder

The latest Gray Man audiobook from Mark Greaney proved to be an exceptional piece of entertainment for a long road trip, and I really got engrossed in this gripping thriller while driving around the United States.  Once again narrated by Jay Snyder, Midnight Black’s compelling tale of desperation and imprisonment proved to be particularly addictive and constantly exciting, and I couldn’t stop listening to this book at times as I waited to see how everything came together.  An impressive new audiobook entry in one of my favourite spy thriller series.

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Four Ruined Realms, written by Mai Corland and narrated by various

One of the first audiobooks of 2025 I listened to this year was the awesome fantasy novel, Four Ruined Realms.  The sequel to Mai Corland’s 2024 novel, Five Broken Blades, Four Ruined Realms had a great story that sent the author’s lethal protagonists to an enemy nation to complete a desperate heist mission, with everything and everyone they love on the line.  Not only was this a great fantasy story, but the Four Ruined Realms audiobook once again came across as an incredible listen thanks to it’s six outstanding narrators.  Jaine Ye, Sophie Oda, Greg Chun, Zion Jang, Roger Yeh and Donald Chang each excelled at narrating the perspective chapters of one of the book’s protagonists, and I like their unique take on each of the characters.  Thanks to these six talented narrators, Four Ruined Realms was a real joy to listen to, and this proved to be a great second entry in the Broken Blades series.  I’m planning to listen to the recently released third and final book in the trilogy, Three Shattered Souls, on audiobook soon and it’s going to be an outstanding listen, even with one of the narrators stepping away after the tragic ending to Four Ruined Realms.

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Star Wars: Reign of the Empire: The Mask of Fear, written by Alexander Freed and narrated by January Lavoy

This year Alexander Freed presented the start of a cool new Star Wars trilogy that aimed to show the early days of Emperor Palpatine’s rule and the steps that would lead some key figures to rebellion.  The first book in this trilogy, The Mask of Fear, was a compelling and complex read that examined politics and lies in the Star Wars universe.  Thanks to the narration of January Lavoy, as well as the cool music and sound effects Star Wars audiobooks are known for, The Mask of Fear proved to a particularly impactful listen, and there is really no better way to enjoy this novel.

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Never Flinch, written by Stephen King and narrated by Jessie Mueller

Stephen King continues to impress in 2025 with his new and particularly powerful thriller, Never Flinch.  Bringing back one of his more unique protagonists, Holly Gibney, Never Flinch was a dark and captivating novel of obsession, addiction and murder, that frankly was impossible to stop listening to.  Narrator Jessie Mueller was particularly impressive, and I love her outstanding take on the story, as well as her excellent character voices.  Easily one of the best books of 2025 that really comes to life on audiobook.

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Open Season, written by Jonathan Kellerman and narrated by John Rubinstein

Another great murder mystery I was lucky enough to enjoy on audiobook this year was Open Season by Jonathan Kellerman.  The 40th book in Kellerman’s Alex Delaware series, Open Season was an outstanding and powerful novel that saw the team of a skilled psychologist and a veteran detective hunt a dangerous killer with a sinister motive.  I really enjoyed the awesome audiobook of Open Season, which I powered through on a plane ride, and frankly I couldn’t stop listening to this book at times.  Long-time Alex Delaware narrator John Rubinstein was once again amazing in Open Season, and I love his fantastic take on all the characters, including the main detective.  Thrilling, exciting and very clever, Open Season was a great audiobook that comes highly recommended.

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Days of Shattered Faith, written by Adrian Tchaikovsky and narrated by David Thorpe

The final audiobook I want to highlight on this list is Days of Shattered Faith, which I enjoyed early in the year.  The third book in Adrian Tchaikovsky’s Tyrant Philosopher series, Days of Shattered Faith continued to explore the author’s unique fantasy world where a dangerous empire of perfection-seeking fanatics conquers everything through various despicable, and often repurposed, means.  This latest book was an incredible novel of diplomacy, clashing cultures and subtle wars, and I loved the varied storylines explored within.  Narrator David Thorpe does an excellent job bringing this varied cast to life, while also capturing Tchaikovsky’s unique tone, and the result was a truly awesome listen that I deeply enjoyed.  A wonderful new audiobook entry in one of Tchaikovsky’s best series.

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Well, that’s the end of this latest list.  As you can see, there have been some very good audiobooks out in the first half of 2025.  It will be interesting to see which books make the cut later in the year, especially as I currently have several major 2025 audiobooks currently sitting on my phone, waiting to be listened to.  While I get to that, make sure to let me know what your favourite audiobooks of 2025 so far are in the comments below.

The Dragon in Winter by Jonathan Maberry

Publisher: Macmillan Audio (Audiobook – 20 August 2024)

Series: Kagen the Damned – Book Three

Length: 20 hours and 57 minutes

My Rating: 5 out of 5 stars

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The damned rush to their final battle in the epic dark fantasy novel, The Dragon in Winter, which brings an exceptional conclusion to author Jonathan Maberry’s Kagen the Damned series.

As I mentioned in my recent review for the author’s other 2024 release, NecroTek, I am a huge fan of Jonathan Maberry, having really gotten into his elaborate and deliciously gritty thrillers and other pieces of fiction since I started this blog.  While I am most familiar with the author’s long-running Joe Ledger series, one of his more intriguing recent bodies of work has been the Kagen the Damned series.  A dark fantasy fiction series that follows a highly damaged figure who seeks bloody revenge after the dastardly Witch-king uses magic to destroy his kingdom and kill the royal children in his care, the Kagen the Damned books were an incredible pivot into the fantasy fiction genre for Maberry that I deeply enjoyed.  Both of the previous books in the series, Kagen the Damned (one of my favourite books and audiobooks of 2022) and  Son of the Poison Rose (one of my favourite books and audiobooks of 2023) were five-star reads, and I have so much love for this series (which also includes the novella I Say Your Name in the Dark Nights) due to its elaborate storytelling, damaged characters, and intriguing take on the fantasy genre.  Because of how impressive the first two entries in this series are, I have been eagerly awaiting the third and seemingly final book, The Dragon in Winter, for a long time, and it was one of my most anticipated books of 2024.

Nearly a year after the bloody massacre that saw the dread Witch-king of Hakkia conquer the former Silver Empire in a single night, the war to reclaim the throne is finally here.  As the Witch-king continues to plot, planning to ascend to godhood, his enemies have rallied around the unlikely figure of Captain Kagen Vale, better known as Kagen the Damned.

Once the loyal guardian of the Silver Empire’s heirs, Kagen has survived despair, damaging revelations and damnation from his gods to stand against the Witch-king and gain the bloody vengeance he so desperately needs.  Having proven his valour in combat and his ability to face off against the darkest of magic, Kagen has managed to gather a massive army of rebels, outlaws and the soldiers of various allied nations determined to stop the Witch-king for good.  But this army of flesh and blood men will not be enough to stand against the destructive power of the Witch-king alone.

As magic continues to return to the land, Kagen and his allies soon find themselves beset by the Witch-king’s sinister powers and dread allies, as vampires, demons, magic users and other fell creatures emerge, determined to keep the Witch-king on his bloody throne.  To survive, Kagen will need to find magic of his own that will allow him to withstand the Witch-king’s power.  But the more he looks, the darker secrets he unravels, and soon everything he thought he knew about the world will come tumbling down around him.  Worse, an even more dangerous threat is rising in the frozen north, as a tortured dragon calls out in despair and is answered by a being of unimaginable power.  Can Kagen stop the Witch-king before his dark plans come to pass, or will the dread flames of vengeance consume the entire world?

What an outstanding end to one of my favourite new fantasy trilogies!  The Dragon in Winter was another exceptional novel from Jonathan Maberry that serves as a fitting and powerful end to the Kagen the Damned dark fantasy series.  Loaded with insane action, brilliantly damaged characters, and some fantastic storytelling, The Dragon in Winter was an incredible book that perfectly utilises Maberry’s distinctive style.  I had an amazing time listening to this impressive book, and it gets an easy five-star rating from me, especially on audiobook.

Maberry had to achieve a lot with this third Kagen the Damned novel, as not only did readers require a satisfying end to the trilogy, but this book needed a distinctive story much like the previous entries.  I feel that Maberry achieved both these goals, as The Dragon in Winter was a compelling and dark read that provided a great mixture of adventure, war, intrigue and character growth, all while continuing and concluding the storylines from the previous books.  This third novel starts shortly after Son of the Poison Rose and sees Kagen taking on the role of general by leading a small army against the Witch-King’s forces, while the previously established story threads about the various nations building their armies to join the war come to fruition.  Maberry does a great job of resetting the scene in these early chapters, and not only do you get to see the situation from Kagen’s perspective but multiple scenes are shown from the antagonists’ side as they make their preparations to foil the protagonist and his allies.

Much of the middle of the story follows Kagen and his unlikely allies as they prepare for the inevitable final confrontation, attempting to gain additional ways to fight against the Witch-king.  While some of Kagen’s sequences aren’t entirely necessary for the full advancement of the plot (the goblin cave sequence, for example), they are all generally intense and character building, and they all tie in nicely amongst the other storylines about war preparations and the Witch-king unleashing his dark minions upon the world.  A secondary major storyline focuses on the characters of Jheklan and Faulker, Kagen’s brothers, who journey up to the frozen Winterwilds in search of the last dragon.  This storyline proves to be quite an interesting addition to the story, as while the characters are disconnected from the rest of the plot due to distance, their actions have big impacts on the overarching narrative.  This middle part of the story ends with a major confrontation between a memorable supporting character and a dark set of antagonists, which was not only very awesome but helped to set the scene for the rest of the book.

The final third of The Dragon in Winter is all action and excitement as the final battle of the war is unleashed on multiple fronts.  Maberry expertly brings all the various ongoing storylines to the boil, as the protagonists find themselves in mortal peril.  There is a little bit of everything here, including massive war sequences, smaller battles with huge sacrifice and big revelations finally coming to the surface.  The author keeps the tension extremely high during this third act, and you are constantly on the edge of your seat, especially as your favourite characters face doom and destruction at every turn.  I loved the way many of these storylines came together, and while a couple of big moments were easy to see coming (although for me that just increased the anticipation), there were also some reveals I couldn’t have predicted.  This includes the book’s massive twist that turns around much of what you thought you knew for the last two entries in the series.  I felt that this twist was very clever, especially when you consider the subtle hints leading up to it, and I appreciated how it changed the emotional impact of some previous scenes.  Everything leads up to the big final confrontation, which was as bloody and hard-hitting as you would expect.  This confrontation was chaos, carnage and catastrophe, and I felt that it was a fitting end to a dark trilogy that revelled in bloodshed.  While I do feel that the final boss takedown was a tad anticlimactic due to who got the kill, and Maberry reigned in the tragedy far more than I expected, this conclusion was extremely awesome, and I hung on every word right to the very end.  Everything was very nicely wrapped up, although there is potential for Maberry to revisit this series in the future, which could result in some more gripping adventures.

I always love the way that Maberry manages to apply his distinctive writing style to all his novels, no matter the genre, and it always works to create a powerful and exciting read, especially in The Dragon in Winter.  The large number of short chapters allows for a quick pace, and you are constantly jumping from sequence to sequence, eager to see what will happen next.  Maberry also excels at featuring a huge range of alternating perspectives as the book continues, with the point of view jumping around various interesting characters chapter to chapter.  While much of this focuses on the main protagonist, you are often following many of the fascinating and fun supporting characters as they go about their own adventures.  There are also multiple chapters shown from the perspective of the villain or his minions, and I love how the reader are constantly let into the antagonist’s plans, which helps to raise tension as you worry that they are one step ahead.  Throw in several additional perspective chapters from one-off characters, which often help to highlight some of the darker events going on in the wider setting, and this great jump in perspectives allows for a particularly complex and layered narrative that is so fun to navigate.  Of course, the real highlight of any Maberry book is the exceptional action sequences that pump some massive excitement into the plot.  Maberry is extremely talented at envisioning fight scenes of any size or shape, and I found myself constantly enthralled by the many, many battles that were contained in The Dragon in Winter.  This includes deep personal battles, running skirmishing or even a truly massive full-on war sequence with unique participants, all of which come across extremely well thanks to the author’s powerful and descriptive writing that captures every sword thrust or slice of the protagonist’s blades.

The Dragon in Winter continues to exhibit many of the dark fantasy elements that made the first two Kagen the Damned books so awesome to read.  Maberry really dove into the genre with a vengeance in this series, and I love how he pulled together a rich and powerful fantasy world loaded with both unique features and classic fantasy creatures and monsters.  Thanks to the author’s detailed writing and tendency to effectively recap key elements of the series, readers can easily absorb all the key elements of this universe, and it proves to be fascinating to take in, especially as Maberry loads it with secrets, deep history, and hints of other lands yet to be visited.  Of course, as this is Maberry, there is also a strong Lovecraftian vibe to this universe, as many of the elder gods and other associated beings have a place in this realm.  The author does a great job of exploring these classic Lovecraftian creatures throughout the course of the series, and the way they are worked into the main plot of The Dragon in Winter is extremely clever, especially if you have seen examples of them in some of Maberry’s other series.  For readers expecting a typical fantasy read, I should warn that The Dragon in Winter, like the rest of the Kagen the Damned series, gets very dark and brutal at times, and there are a lot of strong references to violence, torture, sexual assault and other troubling features that probably won’t appeal to every reader.  I feel that while Maberry occasionally goes a bit overboard with these darker inclusions, for the most part it helps to create a powerfully grim overarching tone that raises the stakes and ensure you are constantly rooting for the protagonist to succeed and bring a bit of justice to the world.  It also works very well alongside the awesome action sequences, and for those fans of some very bloody fights, including those featuring pure evil fantasy and horror creatures, you are in for an amazing time here.

While the action, setting and clever storytelling is an exceptional part of The Dragon in Winter, I also need to highlight the various impressive characters featured throughout this book.  Due to The Dragon in Winter being the last entry in this trilogy, Maberry spends much of this book finalising key character storylines, allowing for a much more personal entry in the series that will really appeal to those readers who have grow attached the protagonists in the first two books.  As such, this final Kagen the Damned novel features an array of great characters who are so well written and who often feature their own powerful and personal character arcs. 

Like with the rest of the series, much of the book’s character work is focussed on the main protagonist, Kagen Vale, who thanks to the dark deeds he has witnessed has been given the title Kagen the Damned.  A moody and deadly figure, Kagen has gone through so much despair and darkness in this series, and it has been a powerful journey following him this far.  Maberry did an outstanding job continuing Kagen’s story in The Dragon in Winter, and it was great to see how far Kagen has come, especially as he now uses his inner darkness, past trauma, and even the damnation of his gods, to fuel his desire to fight.  While he has overcome many of his past traumas, Kagen does experience new ones in The Dragon in Winter, as he finally understands the full scope of the evils unleashed upon the world, including by his own people.  This allows for some more dramatic sequences from the protagonist, and part of the emotional strength of the story is watching Kagen overcome even these revelations, especially with the help of his friends.  I have really appreciated how well Maberry has written Kagen’s pain and deeper heart throughout the series, and it was fantastic to see some of this pain finally come to an end in this final novel.

Aside from Kagen, the rest of the supporting cast proves to be quite exceptional, and there are many fascinating characters you become attached to as a result.  I personally loved seeing more of Kagen’s two friends and comrades, Tuke and Fillia, who form a hilarious put powerful trio as they fight together against the odds.  Essentially Kagen’s conscience and voice of reason, Tuke and Filia are the perfect supporting characters to the protagonist, and I love how they constantly anticipate Kagen’s behaviour and manipulate events to ensure he does what they want.  However, they also have their own compelling adventures outside of Kagen, especially when they lead the final battle, and you care nearly as much for them (if not more) than you do Kagen by the end of things.  Maberry also invests a lot of time in The Dragon in Winter to the amusing characters of Jheklan and Faulker Vale, Kagen’s brothers and mischievous adventurers.  While they have had minor appearances in the previous novels, Maberry only featured them as major, fleshed out characters in this final book, as they lead their own expedition to the frozen Winterwilds.  While they are relatively new figures, the reader quickly becomes intrigued by their storylines, especially as it is loaded with adventure and a certain comedic charm thanks to the brother’s juvenile nature.  However, while they are often unserious, when the chips are down Jheklan and Faulker get serious quick, and Maberry ensured that they encounter some real tragedy that shows the true heart of these figures.

While there are other great supporting characters I could talk about, including a vengeful widow and a scarily powerful vampire elf, I want to finish by mentioning the various villains, who are some of the best characters in The Dragon in Winter.  This includes the sinister Witch-king and his court, who are constantly plotting to destroy the world and kill Kagen.  The Witch-king is particularly malevolent in this book, and Maberry continues to build on the revelations surrounding him in this final book, providing even more fun context and twists.  I also love the continued focus on the Witch-king’s terrified advisors, Lord Nespar and Jakob Ravensmere, who find themselves way over their heads as they try to serve their lord and their own agendas.  However, the devilishly fun character known as the Prince of Games easily steals every scene he is in, and I loved his constant manipulations and chaotic nature, especially as it brings great fun to the Witch-king’s dark court.  The Prince of Games, who has some interesting links to some of Maberry’s other series, perfectly rounded out this cast of villains, and I really appreciate how much depth and complexity these antagonists, and indeed every character in the Kagen the Damned series, brought to the overall story.

As with all Maberry’s previous books, I chose to check out The Dragon in Winter on audiobook, which is the best format to enjoy the author’s captivating narratives in.  Maberry’s short chapters, elaborate world building, intense action and over-the-top characters really come to life when they are read out loud, especially when it is done by the legendary Ray Porter.  Porter has long perfected the tones to get the most out of Maberry’s writings and his infectious and compelling voice expertly captures the inherent dark nature of Maberry’s writing and helps to send the crazy scenes of carnage straight into the listener’s head.  The narrator knows exactly how to portray Maberry’s great, larger-than-life protagonists and villains, and you can easily imagine each of the figures and their actions as Porter reads them out.  I particularly enjoy how well Porter captures the various emotional states of these characters, and you always hear the despair, anger or fear of each of these figures when they speak.  This especially true for the primary protagonist, Kagen, and I always appreciate how well the narrator showcases his many dark emotions as he goes through the wringer time and time again.  Throw in some truly chilling voices for the various villains and evil monsters that the protagonists encounter, and Porter’s performance was once again exceptional, allowing for quite an awesome audiobook.  With a runtime just short of 21 hours, this is a long audiobook to check out, although you really don’t mind as it becomes hard to stop listening to The Dragon in Winter, especially during the various climatic or intense sequences.  I had such a great time listening to The Dragon in Winter, and this such an amazing format to enjoy this latest Maberry novel on.  Indeed, I loved it so much I listed it as one of my favourite audiobooks of 2024, even before I finished it, so do yourself a favour and check out this novel on audiobook right away.

Thanks to its powerful story, intense action and damaged characters, The Dragon in Winter was another incredible read from Jonathan Maberry that I could not get enough of.  One of the best books of 2024, The Dragon in Winter was an outstanding final entry in the Kagen the Damned series, and I loved every single second I spent reading it.  Highly recommended on all formats, especially those read out by Ray Porter, The Dragon in Winter is so damn good, and it will be interesting to see if Maberry decides to return to the fantasy genre again the future.  In the meantime, we’re only a few months off from Maberry’s next book, Burn to Shine, which will probably be one of the best things I read in 2025.

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Top Ten Tuesday – My Favourite Audiobooks of 2024

Top Ten Tuesday is a weekly meme that currently reside at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this list involved listing the ten top books you hope that Santa would bring you this year.  While this is a fun sounding topic, I am instead going to continue my annual end of year wrap up of the best books I read in 2024.  In previous weeks I have highlighted some of the best pre-2024 novels, best new-to-me-authors and best 2024 sequels I read in the last year.  However, this week I am going to look at something near and dear to my hear, the best audiobooks of 2024.

Readers of this blog only need to check out my extensive audiobook category to the right to know that I have a lot of love for the audiobook format.  In my opinion, the audiobook is often the best way to experience a good book and in many cases this format makes a novel far more enjoyable.  As a result, I listened to quite a few audiobooks this year, and while a good chunk of them were books released before 2024 and featured in my Throwback Thursday posts, most were released this year.  There were some truly outstanding and impressive audiobooks released in 2024 and I knew going in that I was going to have an extremely hard time coming up with a final version of this list.

For this list I have only included audiobooks released in 2024 that I have listened to, which left me with a long list of extremely impressive audiobooks which I wanted to include in this post.  To help cut this down, I considered a range of factors, including the quality of the original novel, the skill of the narrator, production value, pacing and other features.  Looking at all this I was eventually able to cut the list down to the absolute best 10 audiobooks, with my typical generous honourable mentions section.  I had to make some very hard decisions here, and I ended up excluding several extremely good audiobooks from the main list.  Still, I think it really represents the best audiobooks I enjoyed this year and there are some amazing productions below.

Honourable Mentions:

The Chaos Agent, written by Mark Greaney and narrated by Jay Snyder

An excellent continuation of the Gray Man series once again read out by Jay Snyder.

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Five Broken Blades, written by Mai Corland and narrated by Greg Chun, Zion Jang, Roger Yeh, Donald Chang, Jaine Ye and Sophie Oda

A fun fantasy novel that was perfectly brought to life by a brilliant team of narrators.

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Goodbye Girl, written by James Grippando and narrated by Jonathan Davis

One of my favourite Star Wars narrators, Jonathan Davis, made this excellent legal thriller particularly awesome to listen to.

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Warhammer 40,000: Da Red Gobbo Collection, written by Mike Brooks, Denny Flowers and Rhuairidh James, narrated by Harry Myers

Three fantastic authors present an array of outstanding Warhammer 40,000 stories around a legendary figure, Da Red Gobbo, all of which is narrated by the highly talented Harry Myers.

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Top Ten List:

NecroTek/The Dragon in Winter, written by Jonathan Maberry and narrated by Ray Porter

First up on this list we have a double entry, as we were lucky enough to get two books from one of my favourite authors, Jonathan Maberry.  Made up of the dark science fiction adventure, NecroTek, and the brilliant fantasy epic, The Dragon in Winter, both of which were particularly awesome.  I chose to combine these two audiobooks into a single entry here, due to the fact they both shared the same narrator in the legendary Ray Porter.  Porter, who is one of my favourite audiobook narrators, is synonymous with Maberry at this point, having lent his voice to most of the author’s books while always providing an exceptional performance.  I love how well Porter’s narration enhances Maberry’s exceptional novels, and it makes these audiobooks extremely special.  As such, I had to include them here, and both NecroTek and The Dragon in Winter come highly recommended as some of the best audiobooks of the year.

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We Solve Murders, written by Richard Osman and narrated by Nicola Walker

After wowing us with the first four Thursday Murder Club books (The Thursday Murder Club, The Man Who Died Twice, The Bullet That Missed and The Last Devil to Die), Osman went on a different path this year with the clever and fast-paced thriller, We Solve Murders.  A particularly fun book that combines Osman’s classic humour with a brilliant and intense story, We Solve Murders was another exceptional read that I couldn’t get enough of, especially in its audiobook format.  Thanks to the impressive narration of actress Nicola Walker, We Solve Murders was an extremely awesome listen that made the elaborate narrative became even more fantastic.  A truly great audiobook production that you won’t be able to stop listening to it.

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Warhammer 40,000: Above and Beyond, written by Denny Flowers and narrated by Phillip Sacramento

I have a few Warhammer 40,000 audiobooks on this list, but one of the most unique and compelling was Above and Beyond by Denny Flowers.  The sequel to one of my favourite Warhammer 40,000 novels, Outgunned, Above and Beyond brought together a damaged propaganda expert and a broken hero into a cynical and entertaining adventure that really dives into the dark side of the Warhammer universe.  Funny, powerful and featuring an outstanding story, Above and Beyond was so damn good, and it was even better when listened to on audiobook.  Phillip Sacramento perfectly captures the grim themes of Flowers’ writing with his narration, and you soon become enthralled in following the book’s damaged characters on their new adventure.  An exceptional and amazing listen, you will not be dissatisfied with this Warhammer 40,000 audiobook.

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The Fury of the Gods, written by John Gwynne and narrated by Colin Mace

John Gwynne brings his epic Bloodsworn Saga fantasy series to a powerful end with the brutal and impressive The Fury of the Gods.  Finalising a series of great character arcs and pushing his protagonists into one particularly deadly war, The Fury of the Gods was everything I could have hoped for, and I loved how it wrapped up the storylines previously raised in The Shadow of the Gods and The Hunger of the Gods.  I had a fantastic time with this novel, and I particularly enjoyed the cool audiobook version that was narrated by Colin Mace.  Mace brings so much energy to this narrative, and his excellent take on the characters turns this into an outstanding listen.

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Darkside, written by Michael Mammay and narrated by R. C. Bray

One of the most awesome and fun science fiction audiobooks of 2024 had to be Darkside by Michael Mammay.  Mammay, who previously impressed me with his previous books, Planetside, Spaceside and Colonyside, produced an intriguing fourth entry to his Planetside series with Darkside, as his maverick protagonist investigates a new conspiracy driven by corrupt corporations.  This fourth entry was such a great listen on audiobook, especially as it featured the return of the always incredible R. C. Bray as narrator.  Bray, who has such a distinctive voice and style, helps to make this audiobook even more special, and I had so much fun with Darkside as result.

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Warhammer 40,000: Lord of Excess, written by Rich McCormick and narrated by Richard Reed

Another particularly cool Warhammer 40,000 audiobook in 2024 was Renegades: Lord of Excess.  The debut novel of Rich McCormick, Lord of Excess followed a band of hedonistic Chaos Space Marines as they conquer an isolated planet, only to have everything come crashing down around them.  A fascinating and captivating addition to the Warhammer 40,000 canon, Lord of Excess was an amazing read from McCormick, and like most Warhammer 40,000 books is deeply benefited from its audiobook format.  Not only does the outrageous story really come to life when read out, but narrator Richard Reed ensures all the larger-than-life characters are perfectly showcased.  A truly outstanding Warhammer audiobook that I had such a great time with.

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Point Nemo, written by Jeremy Robinson and narrated by R. C. Bray

Few audiobooks were as epic this year as Point Nemo by Jeremey Robinson, which was also narrated by R. C. Bray.  A fast-paced and highly awesome science fiction thriller, Point Nemo had an outstanding plot behind it that followed a band of adventurers as they attempted to uncover the secrets of an island created from alien spores.  The story and action of Point Nemo are very amazing on their own, but I felt that the narration of Bray added even more to it, and I was very impressed by all of Bray’s amazing performances this year.  An exceptional listen that I cannot recommend enough.

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A Tide of Black Steel, written by Anthony Ryan and narrated by Steven Brand

Acclaimed fantasy author Anthony Ryan followed up his Covenant of Steel series (The Pariah, The Martyr and The Traitor) in a big way with the new book, A Tide of Black Steel.  Featuring an exciting and intriguing new narrative that expands Ryan’s existing setting, A Tide of Black Steel was an epic fantasy novel that I had so much fun with, especially on audiobook.  It helped that the narrator of the Covenant of Steel audiobooks, Steven Brand, once again lent his voice to proceedings, and the resulting production was a powerful and amazing production that I couldn’t stop listening to.

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Warhammer 40,000: Da Big Dakka, written by Mike Brooks and narrated by Harry Myers

The final Warhammer audiobook I need to feature on this list is the outstanding and hilarious Da Big Dakka by Mike Brooks.  The sequel to Brooks’ previous novels, Brutal Kunnin and Warboss, Da Big Dakka follows a rowdy group of orks who raid the most dangerous city in the Warhammer 40,000 universe.  A clever read that I laughed the entire way through, especially with the fantastic narration of Harry Myers, who always perfectly captures the rowdy orks and their eccentric enemies.  This was a really impress audiobook and I had a wonderful time listening to it.

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Crucible of Chaos, written by Sebastien de Castell and narrated by Joe Jameson

I am slightly cheating with this final entry as Crucible of Chaos came out in 2023.  However, due to its late December 2023 release, as well as it’s connection to the early 2024 novel, Play of Shadows, I have decided to include it as part of this list.  Crucible of Chaos was an exceptional book from talented fantasy author Sebastien de Castell, that saw an unlikely investigator and his noble steed attempt to uncover the cause of insanity and chaos in a famous monastery.  A clever and funny read, Crucible of Chaos was an impressive audiobook, and I had a lot of fun with how Joe Jameson, another favourite narrator of mine, brought it too life.

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Well that is the end of this latest Top Ten list, and as you can see, I have been lucky enough to listen to some awesome audiobooks this year (although I clearly focused a little too much on Warhammer fiction).  All the above audiobooks are extremely good and I would highly recommend each of them in their audiobook format.  Let me know what your favourite audiobooks of 2024 were in the comments below, and make sure to check back next week to see what my overall favourite novels of the year were.

NecroTek by Jonathan Maberry

Publisher: Blackstone Audio (Audiobook – 28 May 2025)

Series: NecroTek – Book One

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

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One of the leading authors of action-packed fiction, Jonathan Maberry, dives headfirst into the science fiction genre with the unique read NecroTek, a remarkable Lovecraftian adventure in space that takes readers to some very dark places.

Readers of this blog will know that I have long been a fan of compelling author Jonathan Maberry, who has been impressing me with his elaborate, grim and varied book for years.  A long-time writer of horror-filled fiction across the genres, Maberry has multiple books and series under his belt, and I have had the great pleasure of reading a large portion of his existing works.  His main body of fiction is his Joe Ledger thriller series, which follows a tortured protagonist as he attempts to stop an array of dark technological threats assailing the modern world.  This series, which includes great books like Patient Zero, Assassin’s Code, Predator One and Dogs of War, as well as the Rogue Team International sequel series (Rage, Relentless and Cave 13), proved to be a great introduction to the author for me, and my appreciation for him grew after reading his Kagen the Damned dark fantasy series.  Made up of Kagen the Damned (one of my favourite books and audiobooks of 2022), Son of the Poison Rose (one of my favourite books and audiobooks of 2023), and The Dragon in Winter (which I am currently reading now), the Kagen the Damned books saw the author bring his distinctive style to the world of dark fantasy in a big way, and I loved the end result.

Due to how much I love Maberry’s captivating and enthralling novels, I always instantly grab anything new the author writes, and this includes his first release of 2024, NectroTek.  While his Joe Ledger books often feature strong science fiction elements in their thriller narratives, NecroTek was the first pure science fiction novel from the author, and I felt that he did an outstanding job applying his style and love for old-school horror into this new genre.  Released under the banner of the iconic Weird Tales horror magazine, NecroTek was one of my most anticipated releases of 2024, and it did not disappoint.


Plot Synopsis:

From New York Times bestselling author Jonathan Maberry, NecroTek is a gripping sci-fi thriller full of ghosts, gods, and a battle for the soul of humanity.

Neither cosmic philosopher Lars Soren, hotshot pilot Bianca Petrescu, nor the high priestess Jessica McHugh–Lady Death herself–can say quite where in the galaxy they are. But after an experiment gone horribly wrong, one thing is clear: Asphodel Station isn’t in orbit around Jupiter any longer. Worse, the monsters that live out here–ancient eldritch beings thought only to exist in stories and nightmares–have now been alerted to Earth’s existence.

Their army of Shoggoths is coming for us next.

Humanity’s only hope for survival lies on the surface of the alien world of Shadderal, where a ghost named Lost, the last of an ancient race, still haunts the vast plains of the Field of Dead Birds. But hope has a cost. Lost tells Soren about ancient derelict spacecraft awaiting on Shadderal, shapeshifting machines that blend ultra-advanced technology with the dark powers of necromancy. These ships might just be nimble enough to defend mankind against the coming invasion.

But there’s a catch: they can only be piloted by the dead.

As human starfighters fall in battle, their spirits can be called back from death to pilot these ghost ships of a fallen race. But will this new necromantic technology–NecroTek–allow humanity to stand against the vast armies of the Shoggoths? And even if it can, is the war to save the human race worth the cost of its pilots’ immortal souls?


What another brilliant read from Jonathan Maberry!  NecroTek was an outstanding and captivating novel that I unsurprisingly loved thanks to its elaborate and ambitious narrative, loaded with horror, carnage and a distinctive tale of survival against the odds.  Moving, powerful and highly emotional, NecroTek was such an epic and captivating novel, and I must give it a full five-star rating as a result.

Maberry produces another complex, detailed and powerfully dark narrative for NecroTek that is part science fiction, part horror, and all excitement.  Starting off just in advance of the events that will set the story in motion, Maberry does a great job of opening the book up and quickly setting the scene for the reader.  The start of a new series unconnected from his previous works (for now), this is one of the easier Maberry novels to break into, and you are soon invested in the tale of scientific exploration.  However, things change quickly once the teleportation experiment fails, and as this is Maberry, when things go wrong, they go wrong in a big and gruesome way.  The author really leans into his love of horror during these opening moments, and there are some shocking depictions of the side effects of the jump through space, as well as the terrifying things waiting for the survivors on the other side.  Maberry revels in featuring powerful depictions of terror and craziness here and it makes for a brilliant and often disturbing first part of the book.

After this horrifying start to the novel, NecroTek becomes more of a science fiction tale, although Maberry quickly infects it with his beloved Lovecraftian elements, as the protagonists soon discover that they have been discovered by Shoggoths above a mysterious planet.  This allows for some fantastic moments, as the humans attempt to defeat this new alien foe with their existing ships, while continuing to dive into the complex science and philosophy surrounding their circumstances.  This middle section of the book moves at a swift pace, and the readers are treated to some excellent battle sequences in space, as well as the character’s continued uncertainty as they try to understand the outrageous situation they have found themselves in.  Maberry does a great job setting down the required Lovecraftian lore and bringing key parts of the plot to light during this part of the book, and readers easily become absorbed in his compelling ideas, especially when they are coated in a combination of adventure, horror and intriguing characters.

Everything leads up perfectly to the final third of NecroTek, which sees the protagonists desperate to defend both the station, and the important planet they hover above.  Faced with attacks on multiple fronts and so many tragedies, the protagonists are forced to rely on a new ally and the titular NecroTek to face off against the Shoggoth fleet.  Maberry keeps the tension riding high for this final part of the book, and you are constantly on the edge of your seat as several simultaneous battles rage around the reader, often fought in some extremely epic ways.  There is some captivating tragedy, deeply moving moments of sacrifice, and elaborate dives into the human psyche as everything comes together, and you will be left dazed and moved by everything that unfolds.  An overall exceptional and unique story, NecroTek was so much fun, and I liked the potential for story continuation that exists at the end of the novel.

Maberry has a very distinctive writing style that he utilises in all his novels, no matter the genre, and which always results in an awesome and complex read.  Featuring a huge number of short and sharp perspective chapters that constantly jump between the key characters, as well as a few shots of the antagonists and other mysterious creatures, you get a layered story that shows so many complex actions at the same time.  This style works extremely well in this science fiction adventure, and I loved the elaborate ways he showcased the dark events occurring around the station, whether you get the experiences of the recurring characters, or one-off chapters that shows what happened to specific characters before they die.  These chapters deeply enhance the horror vibes in the book, which keep you on your toes and provides an overarching sense of threat and danger that really makes you concerned for the protagonists.  This cool horror vibe blends well with the extremely detailed science fiction setting and storyline, to create a particularly striking read that really stuck with me, especially as the author also dives into Lovecraftian elements which work nicely into Maberry’s distinctive tone.  As with most of Maberry’s work, NecroTek does get incredibly dark and disturbing at times, which may not appeal to every reader, especially when it comes to some of the more distressing occurrences.  However, Maberry channels this darkness extremely well into the plot and the various action sequences of the book, producing a rafter of ultra-exciting scenes that really stick in the mind.  I personally felt his various space-combat sequences were extremely good, and I loved how effectively he showcased the intricate nature of the battles, even when things get extreme with the inclusion of ghost-powered battle mechs. 

As with all Jonathan Maberry novels, the true power and heart of NecroTek lies in its many impressive and complex characters, who the author utilises to tell a particularly powerful and layered story.  Maberry has a real gift for producing compelling, damaged, and often highly over-the top characters for his various series, and NecroTek is no different as he introduces a range of figures whose unique perspectives shape and power the story.  While NecroTek lacks the full-on antagonist’s perspective that usually make his novels so effective (due to the enemies being unknowable aliens), you get a great spread of alternating perspectives and thoughts throughout NecroTek, as well as the powerful emotions behind them.  These emotions are greatly enhanced by the fact that all the human characters within NecroTek are disorientated or damaged by the earlier events of the plot, and watching them overcome their rage, fear or despair, really amps up the feeling of the unknown and the complex emotions that swirl around the plot.

While there are many characters featured within NecroTek, Maberry does focus the plot on a few key protagonists whose stories get a bit more attention.  This includes cosmic philosopher Lars Soren, who serves as one of the main explorers of the new world and the voice of calm reason amongst the protagonists.  I liked how effectively Maberry utilised a scholar protagonist for much of this novel, and it allowed for a much more thoughtful narrative at times.  Of course, as this is Maberry, there needs to be a militant main protagonist as well, and that role was filled ably by military pilot Bianca Petrescu.  A confident and skilled pilot, Bianca worked as a great partner to Soren throughout much of the adventure, and I liked the contrast in their styles and actions.  Bianca also works well as part of the fighter group, known as the Lost Souls, who work to defend the station from the Shoggoth fleet.  Acting like an extended family, the Lost Souls are a vital part of the book’s plot, especially as their eventual, many-layered sacrifice, results in some of the most emotionally charged scenes in the book, which is further enhanced by how much you have come to care for the whole group.  Throw in an actual necromancer and an ancient alien whose guilt-ridden ghost provides aid to the protagonists whilst also damning them, and the cast of NecroTek was extremely strong.  I really enjoyed the elaborate narrative threads that emerged around these figures, and it led to a very powerful and intense read.

As with most of the Jonathan Maberry novels, I chose to enjoy NecroTek on audiobook, which is easily the best way to enjoy one of the author’s elaborate and powerful novels.  Maberry’s distinctive writing style of constantly shifting characters, loaded action, and horrifying elements really comes across when read out and I honestly believe that this is the best way to enjoy one of author’s books.  A lot of this is due to the continued use of long-term Maberry collaborator Ray Porter, who has lent his voice to most of Maberry’s compelling audiobooks.  One of my favourite audiobook narrators, Ray Porter has an outstanding voice that expertly moves Maberry’s complex and addictive narrative around at a fast and effective pace.  Porter’s ability to instil emotion, intensity and often scary tones into his narration is extremely epic, and he can ensure that readers are always on the edge of their seats as they wait for more action or horror to emerge.  Porter also has a great range of different awesome voices that seem to always perfectly fit the character they are assigned to, and I love the fun and entertaining tones that convey so much of fear, feelings and deeper emotional state.  Coming in with an overall run time of 15 hours and 24 minutes, this is a long audiobook, although it proves easy to power through it quickly, especially in the action-heavy second half.  As such, the NecroTek audiobook version comes highly recommended, and you will not be disappointed when you listen to it.

Jonathan Maberry once again deeply impresses me with his elaborate and addictively dark science fiction read, NecroTek.  A very distinctive Maberry creation, NecroTek features a brilliant story that brings together cool new science fiction elements with the author’s love for all thing Lovecraftian into a brutal and captivating read.  Fast paced and loaded with complex characters, fantastic action, and some truly epic sequences, NecroTek was such a great read from Maberry and comes highly recommended.  I look forward to seeing how Maberry continues the series in the future, especially as a sequel, Cold War, is apparently set for release in 2025.

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The Sandman – Act III (Audiobook), written by Neil Gaiman and performed by a full cast

Publisher: Audible Original (Audiobook – 28 September 2022)

Series: The Sandman – Volume 3

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Length: 11 hours and 31 minutes

My Rating: 5 out of 5 stars

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After falling in the love with the epic The Sandman comics thanks to their exceptional audiobook adaptations, I finally got to the third audiobook act in this exceptional series by Neil Gaiman, which was another amazing listen.

I have had an outstanding time listening to the first and second volumes of the audiobook adaptations of The Sandman comic.  Set partially in the DC universe, the original series, which started in 1989, is one of the most iconic comics of all time and features a unique adventure that only Neil Gaiman can come up with.  Following Dream, the anthropomorphic personification of dreams and human imagination, The Sandman is a truly amazing comic that blends horror, fantasy and superhero elements together.  Some people might be more familiar with the recent Netflix series that adapted the first couple of comics, and which has a second season on the way.

This series has proven to be extremely exceptional, with Act I perfectly introducing the characters and setting up the initial storyline, while Act II continues some of the key story points and places Dream against various foes, including Lucifer and other dangerous mythical figures.  Not only do these audiobooks feature an incredible story and powerful characters but they are brought to life by a truly awesome cast of celebrity actors and audiobook narrators who really lend their all to this performance.  As such, when going on a couple of fun road trips this year, Act III was a very easy choice to listen to, and I was extremely curious to see how this series would continue.

In a universe of strange and deadly creatures, many beings are considered immortal, but only seven siblings can truly claim to be endless.  The Endless, each a personification of a universal concept, are powerful and mesmerizing in their own way, but the most enchanting and mysterious is Dream.  Known by many names, including Morpheus, this being governs the Dreaming, a vast realm of creation’s collected dreams and stories, protecting the imagination that makes life worth living.  But circumstances outside of his control have set him on a dark path that not even he can escape from.

After being freed from captivity and deciding the future of Hell, Morpheus finds himself troubled by another failed romance, his own complex past, his previous monstrous decisions, and his often contentious relationship with his family.  Visited by his troubled youngest sibling Delirium, Dream embarks on an unusual quest alongside her to find their missing brother, the one member of the Endless to ever give up their role and responsibility, Destruction.  But their prodigal sibling does not wish to be found, and many obstacles lie between an Endless reunification.  To succeed in their quest, Morpheus will need to revisit the most painful chapter from his past.  However, no-one, not even a member of the Endless, comes away from a meeting with Destruction unscathed!

Unsurprisingly, Act III proved to be an exceptional listen, and I once again got wrapped up in the elaborate and compelling web of stories and characters that The Sandman is well known for.  Adapted once again by director Dirk Maggs and featuring all of Gaiman’s impressive storytelling and dark characterisations, The Sandman – Act III, was an outstanding listen, and one that I could not get away from.  Adapting the Brief Lives and Worlds’ End arcs of The Sandman comic, as well as several additional short stories, Act III was an exceptional addition to this series, especially with the truly exceptional voice cast.

Act III continues the same format and style of the previous The Sandman audiobook adaptations, with the comic broken into several distinctive parts to best tell the elaborate story from the comics.  The previously drawn adventures are brought to life here through a combination of excellent narration by Neil Gaiman, who covers many of the characters’ actions and movements, sound effects to represent other unseen elements, and the dialogue of the various characters, with their respective actors often describing the moments going on around them.  This results in an intriguing but complex listening experience, and with a runtime of 11 hours and 31 minutes, it is one that you can get through very quickly if you have the time.

This latest audiobook adaptation starts off in an interesting place with the short story The Song of Orpheus, which originally appeared in the Fables & Reflections collection of stories.  The Song of Orpheus is a fantastic retelling of the classic Greek myth of Orpheus, with the character reimagined as the son of Morphius and the muse Calliope, the latter of whom was featured in the story Calliope in the Dream Country collection (featured in the Act I adaptation).  Gaiman does an excellent job of bringing together the classic Greek mythology of the Orpheus legend with his own characters and the result is a seamless and complex tale.  Orpheus’ ill-fated marriage and journey to save his love is aided and hindered by the various members of the Endless, with Morpheus serving as a complex distant father figure.  The resulting story may seem familiar to those with knowledge of Greek mythology, but there are some added intriguing twists, and the inclusion of Gaiman’s characters ensure that there is even greater tragedy than the original Greek myth envisioned.

When I started this audiobook, I thought that The Song of Orpheus was interesting start to this act, and in hindsight it was quite a clever decision, as it sets up some of the other arcs extremely well.  The story ensures that listeners are well warned about the tragedy and elaborate storylines contained in Act III, while also drawing you in with its inventiveness and complexity.  It is also a brilliant production thanks to the combination of cast and background music effects.  Regé-Jean Page (of Bridgerton fame), proves to be an outstanding Orpheus, who stands as an interesting contrast to the other established voice actors of this story.  There are also some epic musical accompaniment and sound effects that prove vital in showcasing the full impact of this story, and which you honestly need when telling a story about the mythical musician Orpheus.  I felt that the musical elements of this chapter deeply helped to enhance the story, especially as there was some great sadness in the sound effects that mirrored the story.  This was honestly a very strong start to Act III, and I loved how well it led into the first main story, Brief Lives.

Brief Lives is a particularly epic main story arc for this audiobook which serves as both the plot and emotional heart of Act III.  Initially focusing on the incredibly fun character of Delirium, who we only briefly saw in Act II, Brief Lives sees Dream accompany his sister on a road trip to find their lost brother, Destruction.  This results in several intriguing mini story arcs as the mismatched and chaotic siblings travel through the mortal world, encountering their family, friends, and former associates of Destruction.  At the same time, sinister events begin to impact people associated with their search, and Dream must navigate the increased collateral damage his quest is incurring.

I really loved this arc, and I think that Brief Lives might be one of the stronger The Sandman storylines.  The road trip storyline with Dream and Delirium worked to tell this story in a fantastic manner, and I enjoyed how the author took the opportunity to quickly and effectively introduce new intriguing characters whose worlds become impacted by their interactions with the Endless.  The long-anticipated reveal about the missing Endless was great, and Gaiman loads in some intriguing examinations about family, destiny and duty.  Brief Lives is loaded with a great combination of dark mystery, the author’s gothic vibe, a fantastic layer of humour, and an intense amount of tragedy, all wrapped up with the most unique familial interactions you are likely to see in fiction.  The author takes the storylines in some interesting directions, and the resulting emotional richness proves very hard to ignore.  The ending of Brief Lives is particularly moving, with a resolution of family drama followed by additional tragedy millennia in the making.  This also proves to be quite a key story in the wider The Sandman story, with the consequences radiating out from the events of this road trip have chaotic impacts in the future.

I have to say that I was really impressed with how Brief Lives came together.  Not only does the elaborate story come across clearly and interestingly with the chapter split, but you really get drawn into every single supporting character that shows up.  I particularly enjoyed seeing Delirium getting a whole arc to shine in, and actress Kristen Schaal is perfect as the embodiment of personal chaos, bringing an immense childlike glee to the madcap antics of her character.  Schaal perfectly plays off the more serious characters in this story arc, and you can really feel the dancing chaos beneath the surface of her mind as well as how scattered and unconnected she is.  The reveal of Destruction as a character was also quite interesting, and I like the author’s take of him being a warm, thoughtful and entertaining destroyer, whose duty has deeply damaged him.  David Harewood brings some real compassion and charm to the role of Destruction, and I enjoyed how he played off the sarcastic talking dog Barnabas, voiced by veteran voice actor Harry Myers.  The portrayal of Brief Lives also makes excellent use of some musical accompaniment to enhance the emotional impact of the plot, including in some of the story’s heaviest scenes, and this ended up being the most compelling part of Act III to listen to.

The other major storyline in The Sandman – Act III, is the intriguing anthology storyline, Worlds’ End.  Like some of the previous arcs in The Sandman, Worlds’ End is more of an indirect addition to the plot, loaded with short stories that show snippets of Dream, the Endless, and other supporting characters, interacting with new and unique figures.  However, Worlds’ End is also quite distinctive, especially as Neil Gaiman surrenders his narrator duties in this arc, and instead features multiple guest narrators telling their own tales in a similar manner to The Canterbury Tales.  The plot of this arc starts with character Brant Tucker (voiced by Wil Wheaton) and his colleague crashing their car in a freak storm and then finding refuge in the mysterious Worlds’ End inn.  Within the inn, they discover multiple unusual travellers from across time and the realms, who have been scattered due to a reality storm and are seeking shelter.  To pass the time, the various guests tell stories based on their lives, which paint a complex tapestry of their experiences and the long-reaching influence of the Endless.

I have a lot of love for the various short stories that Gaiman fills The Sandman comics with, but I felt that the collection featured with Worlds’ End were some of his strongest.  There are five central stories featured within, and they each provide a complex and wildly different tale of life, loss and adventure, all set in the contexts of different worlds and experiences.  Gaiman manages to tell some complex tales in the short time he has with each entry, and the reader comes away with intriguing visions of these unique worlds and characters.  There are a few times where the narrative devolves into a story within a story, as narrators begin to recount tales that were told to them (and in a couple of cases you have a story within a story within another story).  However, even these prove to be very captivating, and it is a testament to how good a storytelling Gaiman is that readers can moved into multiple interlocking tales and still be intrigued by what is going on.  There is also a great mixture of tales here, from a Lovecraftian inspired dream tale, to a hilarious fantasy adventure told by a rambunctious Faerie, and even a classic nautical adventure tale of a handsome sailor boy, which features the return of fan favourite character Hob Gadling.  However, my favourite story was The Golden Boy, an intriguing retelling of the story of Prez Rickard, the teenage president protagonist of the classic, if short-lived, Prez comics, which proves to be quite entertaining and haunting, while also showing an idealised vision of America.

I felt that these five stories came across in a very organic way with the differing narrators, and it proved to be a lot of fun to experience the talents of several new or underutilised vocal talents in a strong way here.  Wil Wheaton was a great main narrator for the overarching story, and I felt he portrayed a good everyman character experiencing the unnatural for the first time.  Billy Boyd and Colin McFarlane both shine as narrators and central characters for their respective stories, and I quite enjoyed the performances of KJ Apa and Jon Culshaw in The Golden Boy, while Simon Jones was an impactful addition to the funeral-focused story Cerements.  These actors, and many others, helped to turn Worlds’ End into a compelling and distinctive arc, and I liked how effectively it contrasted with the other The Sandman arcs we have enjoyed.  This entire storyline ends on an ominous and prophetic note, as the listener is given a glimpse of major events to come, and Worlds’ End proved to be a great way to conclude Act III.

Overall, these main stories, as well as an additional couple of short stories, proved to be very impressive to read, and I love the complex plots and themes that the author tried to impart.  The continuation of a larger storyline, combined with multiple short stories that expands The Sandman universe, works to create an elaborate experience for the listener, and I deeply appreciate the immense imagination that Gaiman puts into his work.  The flow from larger, cohesive storylines to a series of shorter tales also works extremely well, and I love how the obvious palate cleaner short stories take on a compelling life of their own.  No matter how short, each of the stories in Act III were very well written, and the distinctive blend of dark storytelling, gothic imagination and complex characters makes for some addictive listening.  I especially love the recurring trend of normal humans, as well as other more supernatural beings, encountering the various Endless by chance, only to find their lives altered by the experience, often for the worst.  The often capricious nature of Dream, as well as some of his siblings, really comes through with Gaiman’s writing and the subsequent acting, and you cannot appreciate just how well-written these figures, and indeed the entire character cast of The Sandman, are, until you experience it for yourself.

Before we get to the end of this review, I must once again strongly compliment just how awesome these The Sandman audiobooks are.  Gaiman, Maggs and others do such an incredible job of converting the original comics into this new format, and all the original ideas, actions and compelling figures come across perfectly in the audiobook.  The combination of clever narration and on-point dialogue allows listeners to really appreciate the unfolding actions taking place, and effective sound effects add that extra layer of understanding.  Throw in some outstanding musical moments, which prove to be particularly impactful in Act III, and this entire audiobook hits the reader hard and ensures that are constantly caught up in the elaborate ideas of the original author.  All the storylines come across perfectly, with some slight alterations in the order they appear, and you really come away with an outstanding appreciation for The Sandman, even if you’ve never read the comics.

It goes without saying that Act III once again featured an incredible cast of actors and voice specialists, all of whom perfectly portray the characters they are assigned to.  I love how all the key stars from Act I and Act II, once again returned here, and their outstanding voices, combined with some awesome new figures, ensured that every word of this audiobook delighted its audience.  I have already mentioned a few key actors above, but I really want to once again highlight the outstanding recurring key cast, who do such a great job here.  Series lead James McAvoy is just perfect as Morpheus, and his resonate and powerful voice consistently captures the ethereal, arrogant, and thoughtful qualities of the titular protagonist every time.  It is such a pleasure to listen to McAvoy perform once again in Act III, and his excellent voice plays off every other actor in this audiobook so damn well.

Other key returning stars include Kat Dennings, who perfectly portrays Gaiman’s warmer, caring, female Death, who is frankly one of the best characters in the entire series.  Andy Serkis has a lot of fun as the raven Matthew, and his scenes with Dream and Delirium are hilarious.  Jeffrey Wright, Justin Vivian Bond and Miriam Margolyes each do an amazing job of bringing Destiny, Desire and Despair to life, and you can really feel their ancient power and alternating views of humanity.  Justin Vivian Bond’s portrayal of the feckless and fickle Desire is particularly noteworthy, and I love how well this unique character came across.  Multiple other actors and established audiobook narrators provide a range of compelling and memorable voices throughout Act III, including several of my favourite audiobook narrators like Ray Porter and Toby Longworth, and I loved every one of their voices.  Finally,  Neil Gaiman himself serves as an outstanding central narrator for much of the Act III.  Gaiman’s distinctive voice perfectly fits the gothic and mysterious vibe of The Sandman comics, and there is no-one else who could narrate these complex ideas and experiences, better than the author who originally came up with them.  You will frankly struggle to find a better cast of voice actors in any other audiobook out there, and this outstanding vocal team makes Act III, and indeed all The Sandman audiobooks, something extremely special to enjoy.

Act III of The Sandman audiobook was another exceptional listen and one that proves pretty impossible to stop listening to.  The combination of captivating storylines, outrageous characters, and a huge array of vocal and acting talents make this an easy five-star listen, and I can personally guarantee that The Sandman – Act III makes for an excellent accompaniment to a long road trip.  While I’m sure that recent controversies might impact this, I hope we get the fourth act in this epic series soon, and I cannot wait to see how Morpheus’s tragic and complex tale ends.

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Top Ten Tuesday – My Favorite Audiobooks from the First Half of 2024

Top Ten Tuesday is a weekly feature that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this week’s Top Ten Tuesday required participants to pick a single book and list the top ten things they love about it.  While this is an interesting idea, and one I might come back to later, I’m instead going to continue my recent trend of discussing books from the first half of the year and highlight my favourite audiobooks from the first half of 2024.  This is a continuation of my Top Ten list from a couple of weeks ago that featured my favourite overall novels from the first half of 2024.

I have a great deal of love for the audiobook format, and it is one of the main ways that I tend to check out books.  Each year I enjoy a great number of different audiobooks and use the format to enjoy both recent releases and older novels.  I have been a major fan of audiobooks for years, and it is amazing the various ways in which listening to a book can enhance your enjoyment.  A great narrator can really bring you into the story, and I find that listening to a book enhances the amount of detail that you can take in.  In addition, other features, such as captivating voices, music and sound effects can really make an audiobook something special, and there some great examples of that out there.  This year alone I have listened to a ton of outstanding audiobooks, includes some of my favourite books from early 2024.  Because I love this format so much, I thought I would take this opportunity to highlight my favourite audiobooks from the first half of the year.

To pull this list off I had a look at all the 2024 releases that I listened to on audiobook to figure out my favourites.  It turns out that I have already gone through quite a few this year so there was a very large collection of potential additions to this list.  I was eventually able to whittle it down to the ten audiobooks I consider to be the best.  There is a bit of a crossover with my previous Favourite Books from the First Half of 2024 list, but I think there are enough new additions to make this list worthwhile.  I made sure to feature only the very best audiobooks on this list, and, in addition to the quality of the baseline novel, I also looked at audiobook production and narration.  In my experience an outstanding narration or use of music and sound effects can enhance the plot, and I think that all the audiobooks listed below were exceptional listens that are really worth checking out.

In addition, I also featured my typical generous Honourable Mentions section, which featured some great books from the first half of the year that I didn’t feature in my main list for various reasons, as well as a couple of pre-2024 audiobooks that really impressed me.  With these honourable mentions, I am very happy with how the overall list turned out and I think that the below entries really highlight what my favourite audiobooks from the first half of the year are.

Honourable Mentions:

Warhammer 40,000: Siege of Vraks, written by Steve Lyons and narrated by Timothy Watson

Warhammer 40,000 - Siege of Vraks Cover

My first honourable mention is the awesome Warhammer 40,000 audiobook, Siege of Vraks, which is the audiobook I am currently listening to.  The successor to Lyon’s previous novels, Dead Men Walking and Krieg, Siege of Vraks is a great book that covers the epic and bloody siege of the same name.  While this is an amazing audiobook, I’m leaving it as an honourable mention for the moment as I have only just started listening to it and I need to see how it unfolds fully.  Still, based on what I have listened to so far, this could end up being one of my favourite audiobooks of 2024.

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Alien Clay, written by Adrian Tchaikovsky and narrated by Ben Allen

Alien Clay Cover

An outstanding and cool science fiction audiobook from and insanely inventive author.

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Skin Game, written by Jim Butcher and narrated by James Marsters

Skin Game Cover

One of my favourite pre-2024 audiobooks I listened to in the first half of the year.  Skin Game was one of the better books in the iconic Dresden Files series, and I loved how well the fun fantasy heist story was told by narrator and actor James Marsters.

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Warhammer 40,000: Straight Silver, written by Dan Abnett and narrated by Toby Longworth

Straight Silver Cover

I have had the pleasure of listening to a few pre-2024 Warhammer 40,000 audiobooks in the first half of the year, however my favourite is Straight Silver.  An epic entry in the fantastic Gaunt’s Ghosts series, Straight Silver was an intense and compelling book, especially when read out by the talented Toby Longworth.

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Top Ten List:

NecroTek, written by Jonathan Maberry and narrated by Ray Porter

Necrotek Cover

For the first entry on this list, I had to include the latest audiobook from Jonathan Maberry, NecroTek, which proved to be an exceptional dark science fiction adventure.  Maberry is one of my favourite authors at the moment, and he consistently produces gripping and dark reads that turn into exceptional audiobooks, especially when narrated by his long-time audiobook collaborator Ray Porter.  Porter has an amazing voice, and I love how he takes Maberry’s elaborate stories and makes them even more special.  NecroTek was an exceptional audiobook, and I cannot wait to get my hands on the second Maberry/Porter audiobook coming out in 2024, The Dragon in Winter.

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Point Nemo, written by Jeremy Robinson and narrated by R. C. Bray

Point Nemo Cover

Few audiobooks were as impressive as Point Nemo by Jeremy Robinson this year.  A fast-paced and highly awesome science fiction thriller, Point Nemo had an outstanding plot behind it that followed a fun band of adventurers as they attempted to uncover the secrets of an island created from alien spores.  The story and action of Point Nemo are very amazing on their own, but I felt that the narration of R. C. Bray added even more to it.  A very talented voice actor who has lent his voice to many of Robinson’s works, Bray is one of my favourite narrators, and I really love the fantastic energy and power he gave to Point Nemo’s audiobook.  An exceptional listen that I cannot recommend enough.

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Goodbye Girl, written by James Grippando and narrated by Jonathan Davis

Goodbye Girl Cover

I was eager to try out the intriguing legal thriller, Goodbye Girl by James Grippando, this year, and decided to grab it on audiobook because narrator Jonathan Davis had previously voiced some great Star Wars audiobooks.  Goodbye Girl proved to be an amazing listen, and I deeply enjoyed how effectively the compelling and entertaining legal thriller elements came across in this medium.  A wonderful and thrilling audiobook that had me hooked the entire way through.

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Warhammer 40,000: Da Big Dakka, written by Mike Brooks and narrated by Harry Myers

Da Big Dakka Cover

Unsurprisingly, I have several Warhammer audiobooks featured on this list, as it is frankly the best format to enjoy this extensive franchise in.  The first of these is the outstanding and hilarious Da Big Dakka by Mike Brooks.  The sequel to Brooks’ previous books, Brutal Kunnin and Warboss, Da Big Dakka followed a rowdy group of orks as they raided a dark fortress filled with torture obsessed space elves.  I laughed pretty much the entire way through this audiobook, especially with the fantastic narration of Harry Myers, who effectively captured the many excentric participants in this battle.  An amazing and highly entertaining audiobook that you won’t be able to stop listening to.

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The Chaos Agent, written by Mark Greaney and narrated by Jay Snyder

The Chaos Agent Cover

One of my favourite thriller authors, Mark Greaney, continues to impress with his latest Gray Man novel, The Chaos Agent.  An exciting and impressive read, The Chaos Agent had a great story behind it that was even crazier than usual.  As with most of the books in this series, I grabbed The Chaos Agent on audiobook, which proved to be an excellent experience.  Veteran narrator Jay Snyder has always done a great job with the Gray Man audiobooks, and his work in The Chaos Agent was on point again.  I really enjoyed this fantastic audiobook, and the format really enhances the excitement and intensity of the plot.

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Star Trek: Pliable Truths, written by Dayton Ward and narrated by Robert Petkoff

Star Trek - Pliable Truths Cover

I ended up having a brilliant time listening to the latest Star Trek audiobook from Dayton Ward, Pliable Truths.  A compelling and entertaining book that serves as a bridge between The Next Generation and Deep Space Nine shows, Pliable Truths was a lot of fun and will really appeal to Star Trek fans.  Of course, no Star Trek audiobook is complete without the impressive narration of Robert Petkoff, who has lent his great voice to so many audiobooks in the franchise.  Petkoff’s ability to mimic key Star Trek characters is well known and he does another outstanding job in the Pliable Truths audiobook, enhancing this already awesome book in an outstanding way.

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Warhammer: The Old World: Lords of the Lance, written by Graham McNeill and narrated by Peter Kenny

Lords of the Lance Cover

This year the Warhammer franchise brought fans back to the iconic Old World fantasy setting, including through the exceptional book Lords of the Lance.  Written by one of the Black Library’s best authors, Graham McNeill, Lords of the Lance was an exciting and addictive adventure story that saw the legendary knights of Bretonnia traverse some of the most hostile terrain in the setting to face off against an army of the dead.  Expertly narrated by Peter Kenny, this amazing story was loaded with action, compelling characters, and a fantastic appreciation for the setting.  I really had a lot of fun listening to the Lords of the Lance audiobook, and it was the best way to experience this amazing story.

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The Atlas Maneuver, written by Steve Berry and narrated by Scott Brick

The Atlas Maneuver Cover

I had a lot of fun listening to the new Cotton Malone book by Steve Berry, The Atlas Maneuver.  Another intricate and captivating spy thriller that makes use of fun historical conspiracies, The Atlas Maneuver was a great book and I felt that the excellent audiobook version, narrated by Scott Brick, enhanced its unique elements.  An outstanding listen from one of my favourite thriller series.

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Crucible of Chaos, written by Sebastien de Castell and narrated by Joe Jameson

Crucible of Chaos Cover

I’m slightly cheating with this next entry as Crucible of Chaos came out in 2023.  However, due its late December 2023 release date, as well as it’s connection to the fantastic 2024 novel, Play of Shadows, I have decided to include it as part of this list.  Crucible of Chaos was an exceptional book from talented fantasy author Sebastien de Castell, that saw an unlikely investigator and his noble steed attempt to uncover the cause of insanity and chaos in a famous monastery.  A clever and funny read, Crucible of Chaos was an impressive audiobook, and I had a lot of fun with how Joe Jameson, another favourite narrator of mine, brought it too life.

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Warhammer 40,000: Deathworlder, written by Victoria Hayward and narrated by Gabrielle Nellis-Pain

Warhammer 40,000 - Deathworlder Cover

The final audiobook I want to highlight on this list is the amazing Warhammer 40,000 production, Deathworlder.  Written by debuting author Victoria Hayward, Deathworlder was a grim and complex tale of survival in a planet full of horrors.  Featuring two of the most compelling factions in the Warhammer 40,000 canon, Deathworlder was so damn good, and I deeply appreciated how effectively the audiobook version captured the turmoil and intensity of the plot.  Narrator Gabrielle Nellis-Pain did an amazing job bringing the traumatised protagonists to life, and the resulting audiobook came across masterfully.  A deeply impressive audiobook and one of the best Warhammer reads from the first half of 2024.

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Well, that’s the end of this latest list.  As you can see, there have been some very good audiobooks out in the first half of 2024.  It will be interesting to see which books make the cut later in the year, especially as I currently have several major 2024 audiobooks currently sitting on my phone, waiting to be listened to.  While I get to that, make sure to let me know what your favourite audiobooks of 2024 so far are in the comments below.

Top Ten Tuesday – Longest Audiobooks That I Have Listened To – Part IV

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants were given a love themed freebie in honour of Valentine’s Day.  As such, I’m going to focus on something that I have a lot of love for, the audiobook format, as I once again revisit and update a fun post I last looked at nearly two years ago.

As readers of this blog will be aware, I am a massive fan of audiobooks, and it is often the best way to enjoy a good book.  I have been lucky enough to listen to an impressive collection of audiobooks over the years, with some of them being extremely long, often taking me weeks to get through.  Back in 2019, I got curious about all the audiobooks I had listened to, and I wanted to know which was the longest one that I had ever listened to.  As a result, I sat down and worked out which ones had the longest run time and turned it into a massive list.  This ended up being such an interesting endeavour that I posted it on my blog here, with the longest 20 books featured.  I had such an amazing time doing this that a year later I had a go at updating it, adding in a few additional audiobooks I had listened to, and then I once again updated it in 2022.

Well, it has been nearly two years since I last updated this list and I always intended to keep coming back to this list to see how the recent long audiobooks I have listened to stacked up against the books already on this list.  Since the last update in 2022 I have managed to listen to quite a few new audiobooks, several of which had an excellent run time.  The list below is similar to the list I posted a couple of years ago, with several new additions added in (see the highlight posts).  I ended up returning the list back to the original 20 entry format I previously had, and the resulting post turned out pretty damn well.

Top Twenty List:

  1. The Way of Kings by Brandon Sanderson, narrated by Michael Kramer and Kate Reading – 45 hours and 48 minutes

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  1. The Wise Man’s Fear by Patrick Rothfuss, narrated by Nick Podehl – 42 hours and 55 minutes

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  1. Magician by Raymond E. Feist, narrated by Peter Joyce – 36 hours and 14 minutes

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  1. A Game of Thrones by George R. R. Martin, narrated by Roy Dotrice – 33 hours and 45 minutes

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  1. The Shadow Casket by Chris Wooding, narrated by Simon Bubb – 32 hours and 37 minutes

The Shadow Casket Cover

The longest new entry on this list is the exceptional audiobook, The Shadow Casket by Chris Wooding.  The sequel the Wooding’s previous novel, The Ember Blade (the audiobook version of which also appears on this list), The Shadow Casket proved to be a remarkable piece of epic fantasy fiction, and I loved the elaborate narrative that emerged.  The impressive narration by Simon Bubb helped to turn this massive audiobook into something very fun to listen to, and The Shadow Casket ended up being one of my favourite books and audiobooks of 2023.

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  1. Mistress of the Empire by Raymond E. Feist and Janny Wurts, narrated by Tania Rodrigues – 32 hours and 1 minute

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  1. Inheritance by Christopher Paolini, narrated by Gerrard Doyle – 31 hours and 29 minutes

Inheritance Cover

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  1. Servant of the Empire by Raymond E. Feist and Janny Wurts, narrated by Tania Rodrigues – 30 hours and 42 minutes

Servant of the Empire Cover

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  1. The Ember Blade by Chris Wooding, narrated by Simon Bubb – 30 hours and 40 minutes

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  1. Brisingr by Christopher Paolini, narrated by Gerrard Doyle – 29 hours and 34 minutes

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  1. The Will of the Many by James Islington, narrated by Euan Morton – 28 hours and 14 minutes

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Another exceptional audiobook from last year was The Will of the Many by James Islington.  An awesome and complex fantasy book that saw a young, fugitive prince infiltrate an elite academy of his enemies, The Will of the Many had so many fun elements to it, and I was quickly enthralled by its brilliant narrative.  Narrator Euan Morton added his unique voice to the mix, and this helped to turn The Will of the Many into a pretty fun listen, and one I managed to power through quickly despite its over 28 hour long run time.  A highly recommended audiobook, especially if you are looking for a long listen to get lost in.

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  1. Howling Dark by Christopher Ruocchio, narrated by Samuel Roukin – 28 hours and 3 minutes

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  1. The Name of the Wind by Patrick Rothfuss, narrated by Nick Podehl – 27 Hours and 55 minutes

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  1. House of Earth and Blood by Sarah J. Maas, narrated by Elizabeth Evans – 27 hours and 50 minutes

House of Earth and Blood Cover

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  1. Dragon Mage by M. L. Spencer, narrated by Ben Farrow – 27 hours and 18 minutes

Dragon Mage Cover

An intriguing and powerful fantasy audiobook from a couple of years ago.  Dragon Mage was an impressive book, that featured some great classic fantasy elements to it.  Following two young protagonists dragged into a deadly war for the fate of magic and its dragon protectors, Dragon Mage was an awesome listen that I couldn’t get enough of.

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  1. Harry Potter and the Order of the Phoenix by J. K. Rowling, narrated by Jim Dale – 27 hours and 2 minutes

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  1. Son of the Poison Rose by Jonathan Maberry, narrated by Ray Porter – 25 hours and 55 minutes

Son of the Poison Rose Cover

One of my favourite author and narrator combos, Jonathan Maberry and Ray Porter, made its way onto this list with Son of the Poison Rose.  The sequel to Kagen the Damned, Son of the Poison Rose is an excellent and very brutal dark fantasy read that I could not get enough of.  Maberry makes full use of the extra runtime of this novel to tell an impressive story, and this audiobook comes highly recommended, especially with Porter’s exceptional voice work.

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  1. Red Seas under Red Skies by Scott Lynch, narrated by Michael Page – 25 hours and 34 minutes

Red Seas Under Red Skies

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  1. In the Shadow of Lightning by Brian McClellan, narrated by Damian Lynch – 24 hours and 52 minutes

In the Shadow of Lightning Cover

An epic and highly addictive new fantasy novel by Brian McClellan, In the Shadow of Lightning was one of my favourite books and audiobooks of 2022, and I really fell in love with its elaborate story.  I honestly flew through In the Shadow of Lightning’s near 25-hour runtime, and narrator Damian Lynch ensures the action and intrigue laden narrative really flows along.  An exceptional piece of fantasy fiction that comes alive in its audiobook version.

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  1. Murtagh by Christopher Paolini, narrated by Gerard Doyle – 24 hours and 32 minutes

Murtagh Cover

Considering how some of the other original Inheritance Cycle audiobooks dominate the top half of this list, it is unsurprising that Christopher Paolini’s latest addition to the series, Murtagh, also makes an appearance.  Featuring original narrator Gerard Doyle, Murtagh was a great addition to the series, and I had a wonderful time getting through this lengthy audiobook at the end of last year.

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Well, those are some cool new additions to this list.  I am pretty happy with how this new version of the list turned out, although I should work on listening to some longer audiobooks in the coming year.  I will have another go at updating this list in a couple of years or so, but in the meantime let me know what the longest audiobook you have listened to is in the comments below.

Top Ten Tuesday – My Favourite Audiobooks of 2023

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this list involved listing the ten most recent additions to your bookshelf, which is a topic I would usually try to address.  However, I am afraid I’m going to have to skip this topic and instead I will continue my annual end of year wrap up of some of the best books of 2023.  In previous weeks I have highlighted some of the best pre-2023 novels, best new-to-me-authors and the best 2023 sequels I read in the last year.  However, this week I am going to look at something near and dear to my heart, the best audiobooks of 2023. 

Readers of this blog only need to check out my extensive audiobook category to know that I have a lot of love for the audiobook format.  In my opinion, the audiobook is often the best way to experience a good book and in many cases this format makes a novel far more enjoyable.  As a result, I listened to quite a few audiobooks this year, and while a good chunk of them were books released before 2023 and featured in my Throwback Thursday posts, most were released this year.  There were some truly outstanding and impressive audiobooks released in 2023 and I knew going in that I was going to have an extremely hard time coming up with a final version of this list.

For this list I have only included audiobooks released in 2023 that I have listened to, which left me with a long list of extremely impressive audiobooks which I wanted to include in this post.  To help cut this down, I considered a range of factors, including the quality of the original novel, the skill of the narrator, production value, pacing and other features.  Looking at all this I was eventually able to cut the list down to the absolute best 10 audiobooks, with my typical generous honourable mentions section.  I had to make some very hard decisions here, and I ended up excluding several extremely good audiobooks from the main list.  Still, I think it really represents the best audiobooks I enjoyed this year and there are some amazing productions below.

Honourable Mention:

The King of the Spoil, written by Jonathan D. Beer and narrated by Gabrielle Nellis-Pain

The King of the Spoil Cover

A fun and intense Warhammer 40,000 book that effortlessly blends gothic science fiction with a great crime fiction narrative.

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The Last Kingdom, written by Steve Berry and narrated by Scott Brick

The Last Kingdom (Steve Berry) Cover

Intriguing European history and modern-day espionage combine perfectly in this new Cotton Malone novel by Steve Berry, which is expertly brought to life by veteran narrator Scott Brick

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Cypher: Lord of the Fallen, written by John French and narrated by Jon Rand

Cypher - Lord of the Fallen Cover

The very talented Jon Rand does a wonderful job of bringing one of the most mysterious Warhammer 40,000 figures to life in this cryptic and fast-paced audiobook by John French.

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Murtagh, written by Christopher Paolini and narrated by Gerard Doyle

Murtagh Cover

Christopher Paolini cleverly adds to his iconic Inheritance Cycle with original series audiobook narrator, Gerard Doyle, returning as well, bringing some familiar and compelling voices to this epic piece of fantasy fiction.

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Top Ten List:

Son of the Poison Rose/Cave 13, written by Jonathan Maberry and narrated by Ray Porter

Son of the Poison Rose and Cave 13 Cover

In 2023, we were lucky to get two novels from one of my favourite authors, Jonathan Maberry, as he continued some of his best series.  These novels were the dark fantasy epic, Son of the Poison Rose and the science fiction thriller, Cave 13, which continued the outstanding Rogue Team International series.  Both books were awesome in their own way, but I chose to combine their audiobooks into a single entry here, due to the fact both shared the same narrator in the legendary Ray Porter.  Porter, who is one of my favourite audiobook narrators, is synonymous with Maberry, having lent his voice to most of his books, and he always provides an exceptional performance that works so well with Maberry’s style and captures his complex and damaged protagonists.  The combination of Maberry and Porter is always a winner, and the resulting audiobooks are something extremely special.  As such, both come highly recommended, and both are some of the best audiobooks of the year.

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Holly, written by Stephen King and narrated by Justine Lupe

Holly Cover

I have been really enjoying some of the legendary Stephen King’s more recent books and my favourite so far is his latest novel, Holly.  A continuation of the adventures of Holly Gibney that started in Mr Mercedes, Holly was a complex and dark thriller that saw the protagonist investigate a missing persons case, only to discover something truly disturbing and horrifying.  This was such an incredible novel, that featured great characters and some shocking twists, and I can honestly say that my love for Holly was even more enhanced because of its amazing audiobook as the producers cleverly brought in actress Justine Lupe to narrate the book.  Lupe, who played the character of Holly Gibney in the Mr Mercedes television series, once again dove into the character and really brought her to life.  Combined with her great take on several other impressive characters, including two of King’s most surprisingly sinister villains, and Holly was a joy to listen to from start to finish, and indeed proved to be an excellent accompaniment for a fun road trip.

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The Will of the Many, written by James Islington and narrated by Euan Morton

The Will of the Many Cover

One of my favourite fantasy novels of 2023 was the inventive and exciting release from Australian author James Islington, The Will of the Many.  A powerful read that saw a clever teenager with secrets attend a prestigious magical academy while also trying to bring down a destructive empire, The Will of the Many was one of the most impressive books of the year and I got really addicted to its elaborate storytelling and unique new world.  The audiobook version of The Will of the Many proved to be extremely good, especially as it allowed me to absorb more of the compelling world detail and envision some of the more elaborate elements of the story.  Narrator Euan Morton also provided a unique voice to the story, and this ended up being on of the best fantasy audiobooks of the year.

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The Last Devil to Die, written by Richard Osman and narrated by Fiona Shaw

The Last Devil to Die Cover

After wowing me with his previous Thursday Murder Club books, including The Thursday Murder Club (one of my favourite books and audiobooks of 2020), The Man Who Died Twice (one of my favourite books and audiobooks of 2021) and The Bullet That Missed (one of my favourite books and audiobooks of 2022), Richard Osman produced another outstanding release this year with The Last Devil to Die.  Thanks to its clever mystery, subtle humour, and some of the best character work you likely to see, The Last Devil to Die was Osman’s best book yet, and I cannot emphasise how wonderful and moving it ended up being.  The audiobook version proved to be particularly good, as they once again brought back actress Fiona Shaw to narrate.  Shaw has an amazing handle on all the characters, and her excellent voice conveyed all the intense and powerful emotional that this book contained.  I honestly teared up in placed while listening to this audiobook and I cannot recommend it enough as a result.

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The Fall of Cadia, written by Robert Rath and narrated by Mark Elstob

Warhammer 40,000 - The Fall of Cadia Cover

I’m still listening to this next entry; however, I’m having such a great time with it that I had to include it here.  This book is a fantastic Warhammer 40,000 book, The Fall of Cadia.  Covering one of the most important events from the Warhammer 40,000 canon, the end of the 13th Black Crusade, The Fall of Cadia follows the epic last stand of the fortress planet of Cadia to the forces of Chaos.  Massive in its scope and carnage, The Fall of Cadia is a difficult book to pull together but Robert Rath, who massively impressed me with his prior novels Assassinorum: Kingmaker and The Infinite and the Divine, does an incredible job of tying everything together into an exciting and manageable read.  I am particularly loving the audiobook version as narrator Mark Elstob moves the lengthy novel along at an excellent pace and provides a huge range of voices to cover all the over-the-top personalities featured in the book.  His narration also perfectly captures the full intensity of the many battles featured within The Fall of Cadia and he makes it sound as epic and brutal as possible.  I am loving every second with this audiobook and I look forward to seeing how well the big finish comes out.

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City of Last Chances, written by Adrian Tchaikovsky and narrated by David Thorpe

City of Last Chances Cover

Probably one of the cleverest fantasy books I got to read in 2023 was City of Last Chances by the unstoppable and highly talented Adrian Tchaikovsky.  Set in an occupied city loaded with rogues, revolutionaries and other lost souls, City of Last Chances was a clever, character-driven read, loaded with unique personal stories and unusual scenarios.  This fascinating and entertaining narrative was expertly expressed by narrator David Thorpe who really dove into the strange characters and showcased all the absurdities and deep dramas perfectly.  A wonderful audiobook from start to finish that I honestly could not stop listening to.

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Burner, written by Mark Greaney and narrated by Jay Snyder

Burner Cover

One of the leading authors of spy thriller fiction, Mark Greaney, produced another outstanding entry in his Gray Man series this year with Burner.  Setting his infamous protagonist against both his former lover and a desperate Russian special forces unit, Burner was an amazing and intense read that expertly and tastefully utilised contemporary events to tell a complex story.  The resulting action, spy craft, personal drama and carnage was expertly showcased by narrator Jay Snyder, who has lent his voice to all the Gray Man books.  The resulting audiobook was extremely moving and intense, and Burner was one of Greaney’s best releases yet.

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The Shadow Casket, written by Chris Wooding and narrated by Simon Bubb

The Shadow Casket Cover

The longest audiobook I listened to in 2023 was the epic fantasy novel, The Shadow Casket by Chris Wooding.  The sequel to Wooding’s previous novel, The Ember Blade, The Shadow Casket was an outstanding listen that saw a desperate group of freedom fighters try to turn the tide against their relentless oppressors.  Perfectly continuing the story set up in The Ember Blade while also featuring some impressive character interactions and a ton of worldbuilding, The Shadow Casket was a brilliant book, and I was so glad to get a continuation of this series.  I deeply appreciated the audiobook version of The Shadow Casket, narrated by Simon Bubb, as it really helped me absorb this massive read so much better.  Bubb did an outstanding job of making this lengthy story easy to follow, and I loved the fitting voices he gifted to all the complex characters.  A captivating and extensive listen, I don’t think I would have enjoyed The Shadow Casket as much in any other format.

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The Traitor, written by Anthony Ryan and narrated by Steven Brand

The Traitor Cover

Bestselling fantasy author, Anthony Ryan, brought his Covenant of Steel trilogy to an awesome end this year with The Traitor.  The fantastic follow-up to The Pariah and The Martyr, The Traitor showcased the end of Ryan’s scribe protagonist’s big adventure, and the inevitable fall to darkness that accompanied it.  Intense, highly detailed, and featuring an outstanding antagonist, The Traitor was such a good conclusion, and I had such an incredible time listening to the audiobook version.  Steven Brand, who did such a great job narrating The Pariah and The Martyr, provided another brilliant bout of narrating in this finale, and he perfectly captured the protagonist’s despair and determination as they fought to do the right thing one final time.  A highly recommended audiobook and the only way to enjoy the Covenant of Steel books.

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The Lion: Son of the Forest, written by Mike Brooks and narrated by Timothy Watson

The Lion - Son of the Forest Cover

The final entry on this list is another Warhammer 40,000 audiobook, The Lion: Son of the Forest by Mike Brooks.  Brooks, who is quicky becoming one of the best authors of Warhammer 40,000 fiction (a quick shoutout to Brook’s other 2023 release, Warboss), sought to bring back one of the canon’s most significant characters, and did so with this deeply personal and symbolism laced novel.  Intense, moving, and featuring some compelling characters, The Lion: Son of the Forest was extremely good, especially in the audiobook format narrated by Timothy Watson.  While all Warhammer 40,000 audiobooks are pretty special and fun, I really enjoyed this one as Watson captures the gravitas of the main character perfectly while also highlighting the complex plot and pivotal action.  One of the best Warhammer 40,000 audiobooks of 2023 as a result, this is really worth a listen. 

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Well that is the end of this latest Top Ten list, and as you can see, I have been lucky enough to listen to some awesome audiobooks this year (although I clearly focused a little too much on Warhammer fiction).  All the above audiobooks are extremely good and I would highly recommend each of them in their audiobook format.  Let me know what your favourite audiobooks of 2023 were in the comments below, and make sure to check back next week to see what my overall favourite novels of the year were.

Cave 13 by Jonathan Maberry

Cave 13 Cover

Publisher: Macmillan Audio (Audiobook – 29 August 2023)

Series: Rogue Team International/Joe Ledger – Book 3/13

Length: 19 hours and 5 minutes

My Rating: 5 out of 5 stars

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One of my favourite twisted authors returns with an outstanding new entry in one of his best series with Cave 13 by Jonathan Maberry.

It has already been a massive year for fans of thriller/horror author Jonathan Maberry, who previously released the exhilarating and intense dark fantasy novel Son of the Poison Rose.  The awesome sequel to Kagen the Damned (one of my favourite novels and audiobooks of 2022), Son of the Poison Rose was one of my favourite books and audiobooks from the first half of the year, and if that had been the only Maberry novel I’d received in 2023 I would have been content.  However, Maberry chose to spoil us by providing us with another epic Joe Ledger novel, which is so damn amazing.

The Joe Ledger novels are an amazing science fiction thriller series that follows titular protagonist Joe Ledger as he attempts to stop a series of insane world-ending threats initiated by compelling group of villains.  The initial Joe Ledger series featured 10 epic books with some outrageous and addictive stories around them, including Patient Zero, The Dragon Factory, Code Zero, Predator One and Deep Silence, just to name a few.  Maberry followed up these novels with a new Joe Ledger focused series, the Rogue Team International books.  This series has so far featured Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), both of which were pretty exceptional in their own ways.  As such, I have been quite excited to see a new Rogue Team International book and Cave 13 was one of my most anticipated books for 2023 as a result.

To many, Jason Aydelotte, better known to the world as Mr. Miracle, is a smiling and beatific public figure celebrated for his archaeological endeavours and his vast antiquities business.  However, beneath the smiles, Mr. Miracle is a far more ruthless and sinister operator.  Smart, determined and ambitious, Aydelotte has entered the world of international arms dealing and is willing to sell his advanced weapons to anyone who will buy them, including ISIS, and his latest product might be the scariest thing ever created.

Thanks to discoveries made in a hidden ancient Egyptian tomb, Aydelotte’s team has developed a powerful new bioweapon that drives its victims insane with a mere breath.  Its effect is terrifying and its potential for destruction in the wrong hands is immeasurable.  With the world going insane and chaos rising in the Middle East, the only people who might be able to stop such a potent weapon are Joe Ledger and the highly specialised agents of the independent intelligence agency, Rogue Team International.

However, the release of a deadly bioweapon soon proves to be the least of Ledger’s problems in the Middle East.  Far more dangerous materials were recovered from the tomb, including bizarre books of magic dating back to the time of Moses.  At the same time, greater secrets have been pillaged from a hidden cave containing even more Dead Sea Scrolls, some of which could alter the very fabric of the universe.  With threats piling up all around them, and enemies on all sides engaging in their own dangerous plots, can Ledger survive both the carnage and his own fractured mind to save the day, or will a new ruthless opponent destroy everything?

Cave 13 was another outstanding and captivating Joe Ledger adventure from Maberry that sets his troubled protagonist against another brilliantly elaborate world-ending plot.  Slick, intense and loaded with complex characters, Cave 13 was an amazing read that gets an easy five-star rating from me, especially in its audiobook format.

Maberry produced another unique and compelling story for Cave 13 that is once again perfectly told in his unique writing style.  Utilising a vast number of shorter chapters, Maberry quickly starts the story off, reintroducing the protagonist and his team, while also setting up the compelling antagonists and their complex evil plan.  A series of well-placed and absolutely fascinating interludes throughout the book provide greater context to the events that are about to unfold, and you get to see the entire genesis of the antagonist and their plans, which adds a lot to the overall story.  Maberry artfully blends this together with the main storyline that sees Ledger and his team investigate several unique occurrences, including conflicts in the Middle East, increases in unique weapon trafficking, the recovery of the Dead Sea Scrolls, as well as mysterious events that could only have been done by certain biblical magic (“you’re playing with the big boys now”).  The intriguing blend of science, mysticism, faith and mystery gives Cave 13 a particularly fun edge, and I really liked the intriguing set-up surrounding the antagonist’s plot and its full potential for destruction. At the same time, the author also dives back into the complexity surrounding his protagonist’s damaged psyche, and how this new case might affect it.

While I loved all the set-up in the first third or so of the novel, it does ensure that the initial plot is a tad slower.  This changes once Ledger and his team arrive in Israel and find themselves under attack in a particularly brutal action sequence right off the bat.  Maberry’s action scenes are always extremely awesome, and you have to love the attention and detail he puts into making them as intense as possible.  This cool action sequence is well balanced at this point by some further background, as well as a compelling sequence of events surrounding recurring side-character Toys, who finds themselves at a different side of the conflict following an undercover operation gone wrong.  This part of the story, especially the twist about the antagonist’s true plan, really increases the stakes and intensity of the story, and Maberry has a lot of fun creating some intense visual horrors for the readers, especially when it comes to a series of twisted and brutal hallucinations.

The final third of Cave 13 is probably the strongest part of the book, and I honestly was hooked the entire way through, desperately trying to get to the end.  All the great set-up, intriguing interludes, and multitudes of well-established characters comes together for the big confrontation at the end as the antagonist’s plan goes full circle and Ledger and his team once again find themselves in hell.  Things get so damn dark, desperate and freaky at this point in the book, and you are left completely worried about all your favourite characters as Maberry doesn’t have the best track record of keeping likeable cast members alive.  There are some brutal scenes here, as well as a ton of tragedy, and the reader is left on the edge of their seat right until the very end.  While I came away from parts of this book a bit shellshocked, I was overall very happy with the conclusion, which was dark, had a good twist around the villain, raised a lot of questions about the protagonists, and left you with a little ray of hope that will no doubt get snuffed out in the future.  An overall pretty epic story that really came to life in Maberry’s hands, especially thanks to his unique set out and brilliant ability to write an action sequence.

Cave 13 ended up being quite an interesting Joe Ledger novel, especially as it presents a great story and the first original villain of the Rogue Team International era, while also cleverly diving into the prior events of the series and utilising them to enhance the characters and narrative.  I really enjoyed the step away from the villains of Rage and Relentless for this one book, although I also appreciated how well the author examined the aftermath of these novels and the dark things they’ve done to the protagonist.  Like most of the Joe Ledger books, Cave 13 can be read as a standalone novel, and Maberry does a good job of recapping all the relevant prior events and characters to ensure that new readers can fully understand and appreciate everything going on.  However, established fans of Maberry are going to get the most out of Cave 13, and there are a ton of unique hints or suggestions about what is to come.  I found it particularly interesting that Maberry chose to include multiple scenes in Cave 13 that were clearly intended to set up certain events for future entries.  While these scenes are a tad disjointed from the main story, I won’t lie and say it didn’t make me excited for the next book in the series, especially when it comes to those hints about certain villains returning.  I was a little less impressed that several storylines or mysterious events from Cave 13 were deliberately left unanswered by Maberry, but I guess I’ll just have to wait and see what happens with them in the next exciting Joe Ledger novel.

As with all Maberry’s work, one of the main highlights of Cave 13 was the excellent and complex characters.  Maberry features a pretty massive cast in this novel, including a range of recurring figures from the previous novels, as well as several intriguing new figures who I really enjoyed.  As usual, Maberry does a remarkable job of showcasing all his characters, diving into the compelling histories and minds, and showcasing just how crazy or morally dubious they are (you have to be in order to survive in this universe).

Naturally, the most prominent character is protagonist Joe Ledger, who has been the leading figure and main point-of-view character in this series since the beginning.  An unstoppable action man and natural leader, Ledger is always a fun character to follow, especially as Maberry installs an overwhelming level of snark and disrespect in his personality, ensuring that every scene he’s in is full of quips, jokes and very funny observations about the crazy things he encounters.  While this alone makes him a great character, and the source of much of Cave 13’s humour, Maberry ensures that Ledger is one of his most complex protagonists ever due to the sheer amount of trauma the character experiences.  Ledger has gone through so much damage, darkness, loss and despair during the course of the series, and Maberry spends a substantial part of the protagonist’s chapters diving into this, showcasing just how emotionally and mentally battered Ledger is.  While I always love how effectively Maberry showcases the building trauma surrounding his character, it is even more poignant and important in Cave 13, as this is Ledger’s first adventure since the events of Relentless, where Ledger was taken over by a murderous personification of his own inner darkness and went on a deadly revenge trip.  Some of the most emotionally powerful parts of the book revolve around Ledger and his friends coming to terms with his terrible actions in the last book, and it is clear that Ledger has been extremely changed by the events of the prior book.  Naturally, Maberry decides to twist the knife even further in Cave 13 by subjecting Ledger to a series of traumatising visions and hallucinations thanks to the book’s big bioweapon.  This drives Ledger even further over the edge, and there are some fascinating and highly revealing scenes that give you further insights into just how cracked this protagonist is and the dangers lurking just beneath his mental surface.  Honestly one of the best and most compelling action protagonists out there, I really love how Maberry showcases Ledger in this gripping novel.

In addition to Ledger, Cave 13 features a range of other compelling characters who get their moment to shine.  My favourite would have to be the always mysterious Mr Church, the head of the secretive Rogue Team International.  A highly elusive and deadly figure whose origins and full capabilities are only hinted at; Church is easily one of the best characters featured in the entire series.  Maberry makes exceptional use of Church in Cave 13, and there are so many more tantalising hints about who or what this character might be.  This actually proves to be one of the most substantial Church novels in the entire series, and Maberry goes out of his way to not only show that this seemingly unstoppable figure is actually vulnerable, and is in some ways just as much of a bastard as the book’s villains.  There are several amazing and highly powerful monologues from Church in Cave 13 that give you some fascinating insights into his mind, especially when it comes to Ledger and the constant war that he and Church are fighting, and I loved getting an idea of just how ruthless this figure can be.  Several of these monologues are delivered to another awesome figure in Cave 13, the team’s psychiatrist, Rudy Sanchez, a notoriously calm figure who finally loses his cool in this novel after Ledger goes back into the field, straining their relationship.  I loved seeing Rudy particularly passionate and angry in Cave 13, especially when he stands up to Church, and Maberry’s portrayal of his concern really helps to highlight just how much damage was done to Ledger in the previous book.

Another major figure from Cave 13 that I need to highlight is the intriguing figure of Alexander “Toys” Chismer.  A former villain turned repentant ally, Maberry set Toys on a redemptive arc several novels ago, and it has been really paying off as Toys has turned into a fascinating figure trying to atone for his past.  His impressive long-running storyline is extremely well featured in Cave 13, and indeed he is one of the major protagonists, leading his own team and experiencing some substantial additional trauma.  Toys honestly has one of the darkest and most impressive character arcs in the entire novel, and the scenes he shared with Ledger are particularly moving and play into their complex antagonist history perfectly.  The various recurring members of Rogue Team International are well featured again in Cave 13, and it was fascinating to see how some of their character arcs have developed over the course of 13 novels.  My favourite fuzzy assassin, Ledger’s dog, Ghost, was of course awesome in this book, and I always loved just how in touch with his human’s emotions Ghost is.  There was even an intriguing extended cameo from F. Paul Wilson’s iconic protagonist, Repairman Jack, who Maberry utilises extremely well in Cave 13’s story, simultaneously working them into the plot while also diving into the Repairman’s unique life in his own series.

Finally, I must highlight some of the villains in this book.  Maberry always excels in creating complex and insane antagonists for each of his novels, and Cave 13 is no exception, as you are introduced to several intriguing villains who are set to unleash chaos upon the world.  I won’t give away too much about them and their plans here, but I will say that Maberry did an exceptional job of introducing them and diving into their various quirks, plans and desires, in some cases humanising them.  This actually helps to make them even more sinister as you start to understand and appreciate some of their actions, even if they are reprehensible.  I deeply enjoyed the complex examinations of each of Cave 13’s main villains, especially as the various interludes showcase their intriguing histories as well as the genesis of their current plans and schemes, allowing you to fully appreciate everything about them.  These villains, as well as a couple of seemingly returning antagonists hidden in the shadows, ensure that Cave 13’s stakes are always extremely high, and I loved how well the various complex character arcs mixed together to create an outstanding and powerful read.

As with every Jonathan Maberry novel I have so far had the pleasure of enjoy, I chose to check out Cave 13 on audiobook, which is the only way to enjoy one of Maberry’s epic tales.  Not only does the author’s awesome writing style and action sequences really come across well in the audiobook format, but the exceptional narration of acclaimed voice actor Ray Porter, who narrates all of Maberry’s projects, is so damn awesome.  Porter has such a brilliant handle on Maberry’s great characters, and it is always fun to hear the familiar voices of the main cast come out of Porter’s mouth again.  I particular love Porter’s take on main character Joe Ledger, as Porter always manages to capture the key parts of his personality, including the humour, mental instability and the pure rage contained within.  This, and other excellent performances, really helps to turn Cave 13 into an amazing listen, and I had such a brilliant time getting through it, and its 19-hour runtime just flew by.  Indeed, it really helped to ensure an extended road trip in an uncomfortable van was actually pretty tolerable, so kudos for that.  Easily one of the better audiobooks of 2023 so far, I cannot recommend this format enough to anyone wanting to check this epic novel out.

Unsurprisingly, I had fun with the latest Rogue Team International novel by Jonathan Maberry and it is always so damn epic to get another Joe Ledger adventure.  Cave 13 was a particularly awesome and intense entry in the series that expertly brings together an elaborate narrative, evil villains, exceptional action and complex character in an impressive overall read.  Fun, exciting and oh so darkly addictive, Cave 13 was a powerful and gripping novel that I cannot recommend enough, especially for established fans of Ledger’s amazing books.

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