The Detective Matthew Reilly

Publisher: Pan Macmillan Australia (Trade Paperback – 21 October 2025)

Series: Sam Speedman – Book One

Length: 383 pages

My Rating: 5 out of 5 stars

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Prepare for one of the most over-the-top and highly impressive thrillers of recent years, with the brilliant and utterly addictive The Detective by Matthew Reilly.

Those who follow my blog will know that I tend to read a lot of Australian fiction, not only because I like to support local authors but because there are some cracking and captivating reads from my talented countryfolk.  Of the current crop of awesome Australian authors out there, few are more well known internationally than Matthew Reilly, a thriller writer with a raft of distinctive novels in his bibliography.  Known for books like his Shane Schofield and Jack West Jr series, as well as some of his outrageous standalone novels, Reilly has been a consistently entertaining author since the 1990s.  Despite this, I’ve only had the chance to read a couple of books from Reilly, including The Secret Runners of New York and Mr Einstein’s Secretary (one of my favourite books and pieces of Australian fiction of 2023), both of which were excellent in their own ways.  As such, I’ve tried to grab some more of his books, including his 2025 release, The Detective.  I only recently got the chance to read The Detective, and boy was I glad that I did.  The first book in Reilly’s new Sam Speedman series, The Detective was a highly addictive read with an exceedingly thrilling narrative behind it.

Plot Synopsis:

For 150 years, women have been going missing.

And all of the investigators who went in search of them – from 1877 to the present day – have disappeared, too.

Now Sam Speedman, a most unique private detective, is on the case.

Brilliant, direct and disarming, Sam is … different. He’s not your average private detective. But then again, this isn’t your average case.

For not even he will be prepared for what he will find.

Set in the darkest corners of the American South, tapping into hot-button issues that simmer beneath the surface of the modern United States, this is Matthew Reilly writing faster and bolder than ever before, bringing you a detective thriller like no other.

Well damn, now that was a crazy ass book!  While I knew I was likely going to enjoy The Detective, I was unprepared for just how over-the-top and entertaining it was going to be.  I honestly read this outstanding novel from Matthew Reilly in less than a day, it was damn addictive, especially when the full insanity of the plot emerged.  Due to just how fun and exciting The Detective was, I have to award this book a full five-stars, a rating it very much deserves.

I had an amazing time getting through The Detective’s narrative, primarily because Reilly came up with a powerful and detailed story that provides some intriguing mystery, heavy thrills and very over-the-top moments.  Reilly starts the narrative off strong, with an exciting introduction to the protagonist and main point-of-view character, Sam Speedman, the unlikely autistic private investigator.  While this opening sequence and early exploration of Reilly’s unique protagonist was great, it was the introduction of The Detective’s main case that personally drew me in, which starts when DNA test reveals that a dead newborn baby in the Louisiana swamp is the child of missing person Speedman has been hired to find.  To raise the stakes and interest, this disappearance is the latest in a long string of missing African American women dating back to the end of the Civil War.  Even more troubling, every previous detective who has investigated the case, including Speedman’s mentor, has either disappeared or turned up dead.

Despite this terrifying background, Speedman investigates and soon finds himself teaming up with an FBI agent also interested in the case.  Reilly does a lot of solid set-up in this first half of the book, and you are presented with some intriguing suspects, great supporting characters, and a real appreciation for the unique case and the way that the protagonist investigates.  The case goes in some interesting directions here, especially as Speedman finds an unlikely collection of clues and suspicions, before a seemingly early end to the investigation.  However, this is just a prelude to the rest of the plot, especially when Speedman quickly identifies a massive coverup surrounding the case.  Despite being offered everything he ever wanted, Speedman is unable to drop his investigation, which results in utter chaos and destruction being thrown at him and everyone he cares for.

While the first half of The Detective was very good and quickly draws you in, it was the brutal and insanely over-the-top second half of the book that makes this a truly memorable read.  Reilly throws everything that he can at his protagonist, as Speedman journeys through the deep south to find answers.  There are some great moments here, with plenty of action and clever investigating, all pulling together into a crazy result.  I don’t want to give too much away, but the hidden secrets behind the case are incredibly insane, while still cleverly fitting into the overarching narrative of The Detective.  Everything leads up to an explosive confrontation which delivers some very cathartic moments, as well as some memorable action sequences.  Reilly also throws in a great, if now depressingly unrealistic, solution to the giant odds the protagonists are facing, and watching their plan come together was really impressive.  An overall outstanding narrative, that you won’t be able to stop reading, even if you wanted to.

I had a lot of fun with Reilly’s style for The Detective, which was very easy to read and really highlighted the book’s fantastic action.  The author makes excellent use of the first-person perspective, which showcased the entertaining viewpoint of the primary perspective character.  Thanks to this, you get a great view of the investigation and the protagonist’s mind as he pulls the unique threads of the mystery together.  The mystery itself is quite well set up, and I appreciated the variety of clues and hints that Reilly introduces early in the book, even if you can’t imagine just where the author is going with them.  I will say that Reilly makes good use of the southern setting for the plot, with race, cultural heritage and other issues all working as motives or underlying factors.  These contemporary issues, as well as some key historical events, are cleverly referenced or alluded to (including quotes from real-life events or people), and while Reilly naturally takes everything several steps further than reality, it still makes you think.  I deeply enjoyed the narrative extremes that Reilly went to, which added a lot of entertainment to this book, and you must imagine that some of the world’s current craziness bled into Reilly’s mind as he wrote it.  I also have to highlight some of the cool diagrams and helpful alternate formatting that was added into the paperback version of The Detective, which helped order key parts of the plot and allowed even more insights into the protagonist’s mind.

I’ve already mentioned the unique protagonist of The Detective, Sam Speedman, a few times, and I want to again make it clear how interesting and fun he proved to be.  Introduced as a questionable investigative protagonist due to his lack of social skills and distinctive way of thinking, Speedman quickly grows on the reader thanks to his insights, down-to-earth view, and determination to do the right thing no matter what.  I liked how Reilly already had Speedman set up as a very competent figure right at the start of the book, and you are soon drawn into his personality, as well as the unlikely connections he already has.  The author also throws in some growth for Speedman in this book, with the protagonist becoming even more comfortable with other people while continuing to stick to his principles no matter the cost.  I really think that Reilly did a good job of providing a nuanced portrayal of an autistic central character, and I liked how Speedman’s eccentricities, such as his preferred restaurant and inherent caution, played into the plot in some natural ways.  Speedman proved to be one of the more memorable crime fiction protagonists in recent years, and I’m very curious to see what other adventures Reilly takes him on in the future.

Aside from Speedman, The Detective features an intriguing array of supporting characters, each of whom add their own spin on the plot.  Reilly has fun showcasing many of these great characters from Speedman’s perspective, and it was interesting to see his take on them.  I personally enjoyed secondary protagonist FBI agent Audrey Mills, who serves as a motivated support to Speedman, as well as a moving love interest once she realises who she is working with.  Other fun characters include Speedman’s eclectic contacts, such as an enterprising assistant, an exceedingly brave fellow investigator, and several Hooters waitresses who are some of the protagonist’s best friends.  Finally, we have the various antagonists of the story, who exist at near supervillain levels thanks to their audacious evil plans.  To avoid spoilers, I won’t say too much about these antagonists, except that they make for a terrifying opposition thanks to their reach and influences.  This fantastic and over-the-top group of characters all fit naturally into Reilly’s ambitious and ultra-entertaining narrative.

Thanks to its outrageous story, complex characters, and non-stop fun and excitement, The Detective proved to be an incredible read, and one that I still cannot stop thinking about.  Matthew Reilly really came up with something special with The Detective, and it was a crazy pleasure to read it.  I am now exceedingly excited for the soon to be released sequel, King’s Ransom, which I already know is going to be exceedingly awesome and crazy.

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Desperate Undertaking by Lindsey Davis

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Publisher: Hodder & Stoughton (Trade Paperback – 12 April 2022)

Series: Flavia Albia – Book 10

Length: 398 pages

My Rating: 5 out of 5 stars

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Buckle up for an intense, captivating and exceedingly memorable historical murder mystery as bestselling author Lindsey Davis unleashes the 10th entry in the deeply clever and compelling Flavia Albia series, Desperate Undertaking.

It’s that awesome time when I get to gush about the newest entry in Davis’s excellent, long-running Flavia Albia series, which has been a major fixture in my reading schedule for the last several years.  The sequel series to her iconic Marcus Didius Falco novels, the Flavia Albia novels follow the daughter of Davis’s original protagonist as she solves unusual murders across ancient Rome.  Thanks to the series’ typical great combination of intriguing characters, complex mysteries, excellent historical elements and great humour, I always have an amazing time reading these novels, which usually get very high ratings from me.  Some of the more intriguing Flavia Albia novels in recent years include The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020) and A Comedy of Terrors.  Due to the quality and entertainment capability of this series, I eagerly keep an eye out for Davis’ new book each year and I was exceedingly chuffed when I got a copy of Davis’ latest novel, Desperate Undertaking.

Rome, 89 AD.  The year is coming towards an end and the city is ready to enter a sleepy holiday period.  Unfortunately, murderers are notoriously bad at taking breaks, and Flavia Albia, paid informer, dogged investigator and daughter of notorious busybody Marcus Didius Falco, is about to get dropped into the most disturbing case of her life.  With her parents away on holiday and her impromptu family preparing to settle in for the quiet period, Albia receives a job request she cannot refuse.  An aged actor, part of a troupe her parents travelled with in their youth, has been killed, horribly crucified in a public place.  Starting her investigation, Albia and her husband, Tiberius, are shocked to discover this is not the only murder confronting them as they suddenly discover the first victim’s widow was also murdered in terrible circumstances.  Her last words to Albia: “The undertaker did it…”.

Determined to find the person responsible for the horrific murders of her parent’s friends, Albia begins her investigation, diving into Rome’s theatre scene.  But when another actor associated with the troupe is killed in a cruelly inventive way, Albia begins to realise that these are no ordinary murders.  A twisted and determined serial killer is on the loose, bearing a terrible grudge against the actors and anyone associated with them.  Worse, their exceedingly public killings all bear striking similarities to some of the most brutal moments in classic plays, causing their victims to suffer in horrific ways.

With the bodies piling up and the city in an uproar, Albia must solve the most unusual and deadly case of her career before more of her parents’ friends end up dead.  But the closer she gets to the truth, the more she begins to realise that these murders bear a strong connection to one of her father’s past cases.  Worst, Albia soon realises that her connection to the currently absent Falco has made herself and everyone she loves a target of a demented killer determined to get revenge.

Davis does it again with Desperate Undertaking, producing a wildly entertaining and exceedingly clever historical murder mystery that I had a brilliant time reading.  Perfectly bringing together a disturbing mystery with an excellent historical setting, some great characters and the author’s trademark humour, Desperate Undertakings is an outstanding read and it ended up being yet another Flavia Albia book that gets a full five-star rating from me.

I must admit that I have sometimes found Davis to be a bit of an inconsistent writer; while most of her novels are extremely good, a few of them do not quite measure up in terms of substance or entertainment.  However, Desperate Undertakings is easily one of the better books in the Flavia Albia series as Davis pulled together an exceptional and dark murder mystery narrative that will leave a memorable impression on the reader.  For this latest story, Davis drops a lot of the family/household storylines that have been a significant, if slightly distracting, feature of the previous novels, and instead focuses on an intense and elaborate murder mystery that effortlessly grabbed my attention and ensured I was extremely hooked on this fantastic novel.  The book starts off extremely strong, firstly with a foreboding introductory short chapter, and then with a great series of compelling early chapters that drag the protagonist into the investigation.  These early chapters feature two dramatic (literally) and elaborate murders that really stand out due to their brutal and distinctive nature (the second one is particularly gruesome and over-the-top), as well as their connections to some of Davis’s iconic protagonists.  As such, the reader becomes really invested in the case early on, and you soon get thrust into an elaborate in clever murder inquiry storyline.  Davis sets up this investigation really well, and there are a series of great leads, potential suspects and unique theories that pan out as the novel proceeds in an excellent way.  While the novel slowed down slightly after the initial murders, the next series of killings picks the pace right up again, which the story maintains for the rest of the book.  I really enjoyed how the entire mystery came together, and there are some really clever twists and turns here, with seemingly minor characters or story elements coming back in some big ways later in the book.  Everything leads up to a big and impressive conclusion and readers will be left rocked by the elaborate and powerful nature of the plot, as well as how damn dark this novel got in places.

Desperate Undertakings is extremely well written and I loved how Davis pulled this entire novel together.  Davis once again hits the perfect blend of murder mystery, historical elements and character driven story elements in this book, as the reader is engrossed in this brilliant Roman based tale.  I did feel that this one was significantly darker in places than some of Davis’s previous novels, which I really liked, especially as it results in some particularly gruesome killings.  The story is once again told from the perspective of central character Flavia Albia as she traverses the mean streets of Rome to find her culprit.  This central focus allows for much of the books fantastic humour, as Albia’s comedic and exceedingly modern perspective of events is extremely entertaining, while also providing a Roman noir feel for the murder investigation.  Like most of the books in the Flavia Albia series, Desperate Undertakings can easily be read as a standalone read, with any relevant elements from the previous novel rehashed for the new reader.  However, Desperate Undertakings also bears a strong connection to one of Davis’s older novels, the sixth book in the Falco series, the 1994 release Last Act in Palmyra.  Multiple characters and elements from this book make an appearance here, with several of them serving big roles in this book, either as supporting characters, suspects or victims.  Davis rehashes the events of this previous book extremely well, and readers who haven’t had the chance to enjoy it are still able to enjoy Desperate Undertakings without any issues, while those who have will no doubt enjoy the fun call back.  I felt that these past elements were utilised extremely well, especially as these past events also impacted the present storyline.  This entire novel came together brilliantly, and I was extremely enthralled by its great writing and powerful story the entire way through.

I always deeply enjoy how Davis portrays the historical elements in her novels and Desperate Undertakings was a particularly good example of this.  The reader is once again treated to breathtaking depictions of ancient Rome, with everything from the chaos of the streets, the culture of the people, and the slapdash take on law enforcement used to full effect throughout the course of the plot.  There are some brilliant descriptions of some of ancient Rome’s earlier sties, especially as the murders make use of some iconic locations for the sites of their crimes, and you get an excellent sense of the city thanks to Davis’s descriptive and powerful writing.  However, the best part of these historical elements is the dive into the Roman theatre scene, which is a key part of the books plot.  Davis provides an intriguing and entertaining look at the city’s theatre elements throughout the novel, and you soon become deeply engrossed in her entertaining portrayal of these eccentric and proud actors and entertainers.

Desperate Undertakings also takes quite an intriguing look at the various plays and performances put on during this period as the killer utilises some of Rome’s bloodiest and most elaborate plays as a basis for setting up their murders.  This causes the protagonist to really dive into all the plays of the period and you get a good idea of several of the more iconic and distinctive ones, especially those that have elements of death involved.  I found it really interesting to find out about this part of Roman culture, especially the deadly twists that are sometimes involved with them, and it was a great part of the plot.  I also felt that Davis did a remarkable job working these historical theatre aspects into the plot of Desperate Undertakings, and it really helped to make the murder mystery stand out.  I particularly enjoyed how the author broke the book down into sections, each one of them named after a play that corresponds to the murder that Flavia is about to discover.  This allows for a glorious bit of foreshadowing, especially for those with an interest in classics and theatre, and it was an excellent addition to the book.  I deeply appreciate how Davis utilised these historical plays as the inspiration for her murders in Desperate Undertaking and it really gave this book a very distinctive feel.  Readers are warned that some of the murders are a bit graphic thanks to how they are portrayed in these plays, and you are in for some barbaric punishment as a result.

Another strong aspect of Desperate Undertakings was the excellent and compelling characters that Davis featured throughout.  As usual, this great cast is headed up by the intrepid Flavia Albia, who serves as the main protagonist and point-of-view character for the book.  Albia is a really entertaining protagonist, especially as Davis presents her as a cynical private investigator with very specific views of the reality of life in ancient Rome.  The daughter of another cynical protagonist, Falco, Albia spends most of the book making astute and hilarious observations about the people, locations, and events around her, and much of the book’s humour results from the amusing and noticeably modern way she sees the world around her.  As such, Albia really adds a lot to this intriguing story and it is always so much fun to see her waltzing around Rome solving her elaborate cases.  It was particularly interesting to see her reactions to the murders that occur in Desperate Undertakings.  Despite her familiarity with death and Rome’s underbelly, these killings really hit her hard due to their brutal nature and the connection that the victims have to her parents.  I felt this was a really compelling and powerful change to the character, and it really helped to highlight just how dark this book got in places.

Desperate Undertaking also features a wide cast of characters, all of whom have some entertaining or intriguing moments through the book.  Davis utilises a blend of established characters, new figures and even several characters who have not appeared since the Falco series.  All these characters are utilised extremely well in this novel, and the author does a good job of introducing (or reintroducing) them throughout the course of the plot.  As usual, this includes Albia’s husband, Tiberius, who serves as a good straight man to Albia’s eccentric antics, and helps to focus the investigation in places.  Other interesting characters include a newly introduced cop who balances between competence and political expediency and serves as another excellent foil to Albia’s more unusual investigation methods.  The various actors and theatre related figures are pretty entertaining, and Davis introduces some eccentric characters, many of whom serve as potential suspects or victims as you get to know them more.  I also felt that Davis did a good job with the killer (or killers) featured in this book, as they have a unique motivation, and a compelling personality that is slowly uncovered throughout the course of the book.  Finding out just who they are and why they are doing these dreadful killings is extremely fascinating and results in some brilliant character moments.  Other supporting characters are also extremely entertaining, including a very strong butcher and two very cultured vigils, and I had a brilliant time getting to know them all.

With the extremely awesome and captivating Desperate Undertakings, the always incredible Lindsey Davis continues to reign from atop the historical murder mystery mountain.  This latest Flavia Albia novel is exceedingly epic, containing a brilliant and dark investigation story that sees the series’ outstanding protagonist encounter a truly demented killer.  With some fascinating and distinctive historical elements, especially those surrounding the bloody and memorable plays, Desperate Undertakings really stands out and was an amazing amount of fun to read.  This was one of the better and more memorable entries in this excellent long-running series, especially with its vicious murders and great character work, and it comes extremely highly recommended.

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