Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

Lords of the Sith Cover

Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

The Museum of Desire by Jonathan Kellerman

The Museum of Desire Cover

Publisher: Century (Trade Paperback – 4 February 2020)

Series: Alex Delaware – Book 35

Length: 348 pages

My Rating: 4.25 out of 5 stars

Prepare for a compelling and intricate novel from one of the leading authors of the murder mystery genre as I check out The Museum of Desire, the newest novel from Jonathan Kellerman.

The Museum of Desire is the latest book in Kellerman’s Alex Delaware series of murder mystery books, which is the author’s main body of work. This series has been running since Kellerman’s 1985 debut, When the Bough Breaks, and the author has since released over 50 books, several of which he has co-written with either his wife or his daughter. I only started reading Kellerman’s novels last year when I picked up a copy of the previous book in the Alex Delaware series, The Wedding Guest, which contained a rather clever mystery that I had a great time reading. As a result, I made sure to keep an eye out for Kellerman’s next release and I subsequently found myself deeply intrigued when I saw the plot for his latest novel, The Museum of Desire, and really wanted to check it out. This latest Kellerman novel is the 35th novel in the Alex Delaware series and it contains another intriguing and complex murder mystery storyline that I had a lot of fun unravelling.

In the aftermath of a wild party in a Beverly Hills mansion, the cleaner assigned to the property makes a terrible discovery: a limousine containing four blood-soaked dead bodies. Each of the four has been murdered and artistically posed within the car, making for a grim and disturbed scene. To make matters even more unusual, the victims all appear to have been chosen at random, with none of the victims having any apparent connection to any of the others.

Realising that they are dealing with another special case, LAPD Lieutenant Milo Sturgis calls in his friend and frequent consultant, psychologist Dr Alex Delaware, to help unravel this mystery. Over the years that Alex and Milo have been working together, they have seen some particularly heinous and unusual murders, but these might be the most disturbing one yet. As the two begin running down the case, they find themselves on the trail of a vicious killer with a love for unusual art and a penchant for eliminating any potential witnesses to their crime. Worse, it soon becomes apparent that their killer is not yet done, and that many more people are going to die.

The Museum of Desire is another excellent release from Kellerman that delivers the reader an amazing and compelling murder mystery. The author has done a fantastic job with his latest mystery, coming up with a unique and interesting murder scenario, with four apparently random victims posed in a very distinctive manner. This turned into a quite a clever and complex mystery storyline that went in some very intriguing directions. Kellerman makes sure to fill the story up with a substantial number of twists, strong false leads and a raft of plausible suspects, making the real killer a bit hard to predict. I was certainly a bit surprised by who it turned out to be, but I thought it was quite a good twist. Kellerman makes sure to wrap this whole murder mystery storyline up with a memorable conclusion, which I thought was an incredible way to end this entire plot. The end result is a very captivating tale of passion, brutality and revenge, and I very much enjoyed unravelling this awesome mystery storyline.

One of the things that I really like about Kellerman’s books is the slower-paced, methodical style in which his protagonists investigate the various murders that they come across. Rather than coming to a massive conclusion off the smallest pieces of evidence, the two central characters slowly build up their case throughout the course of the book in order to work out what happened. This is mostly done by interviewing witnesses to the crime, as well as the friends and family of the murder victims, establishing what sort of people they were, where they spent their time and who they interacted with. With this information in hand, as well as some physical or forensic evidence and potentially some internet search results, they can create a rough picture of what happened and what sort of people they are dealing with in order to narrow down their suspects and come up with the necessary leads to identify the killers. This methodical approach to a murder investigation is quite distinctive and it makes the whole book feel a lot more realistic, like you are reading about a real investigation rather than one of those television shows where the crime is solved in a matter of hours. That being said, several breaks in the case are only coincidently revealed because the narrator happened to be driving by. This feeling of realism is backed up by the protagonists having to deal with things like delays in the lab, conflicting priorities within the department and a lack of manpower from overworked police officers who have multiple cases, all of which expands the investigative timeline out. I actually really like this style of crime writing from Kellerman, as it makes The Museum of Desire stand out from some of the other murder mysteries out there. I am a big fan of the realism that he installs in his work, and I feel that it makes the story even more compelling and enjoyable.

Another great part of the Alex Delaware books are the two main characters, Doctor Alex Delaware and LAPD Lieutenant Milo Sturgis. While this is the Alex Delaware series, with Alex Delaware serving as the books narrator and point-of-view character, Milo is just as important to the series. Both Alex and Milo are great characters in their own right. Alex is the brilliant child psychologist whose insights into the human mind are useful for many of the cases seen in these books and who also serves as a bit of stand-in for the author, who himself is a noted psychologist. Milo, on the other hand, is an openly gay veteran homicide detective who is heavily respected by both his fellow officers and the wider community he has been serving for years. While on paper this seems like a bit of an unusual partnership, Alex and Milo have been working together since the first book in the series and have now formed a rather effective team and a close friendship. It is a lot of fun watching the two of them solve crimes, especially as play off each other really well during the course of the book, with Milo providing the police knowledge and experience, while Alex brings his outside view and professional expertise to the game. While both are serious when it comes to the crimes they are investigating, Milo has a bit of a comedic edge to him, which works well as Alex is a bit more of the team’s straight man. Their views of the various people they meet and circumstances surrounding the cases are usually amusing, especially when dealing with unusual situations. The Museum of Desire is a great example of this, as you get to see them deal with art snobs, disrespectful rich kids, fierce landladies, a socially different teenager and unhelpful witnesses, and they have some good discussions about them later. Overall, I am a massive fan of this team up (although I like Milo a bit more as a character) and I cannot wait to see what crazy crimes and people they go up against in Kellerman’s next book.

With his latest novel, The Museum of Desire, Jonathan Kellerman has produced another captivating murder mystery. Featuring a unique case, a fantastic and twisty mystery and Kellerman’s trademark brand of investigation, this latest novel is an amazing and enjoyable read that pits his great protagonists against a clever killer. This was another awesome addition to the terrific Alex Delaware series, and readers are going to have an amazing time getting to the bottom of his latest case.

Into the Fire by Gregg Hurwitz

Into the Fire

Publisher: Michael Joseph/Brilliance Audio (Audiobook – 28 January 2020)

Series: Orphan X – Book Five

Length: 12 hours

My Rating: 5 out of 5 stars

From the mind of bestselling thriller author Gregg Hurwitz comes an outstanding and captivating adventure novel, Into the Fire, the latest book in his amazing Orphan X series.

Evan Smoak is Orphan X, a former orphan child who was taken in by a secret covert government and trained from a young age to become the most skilled assassin and special operator in the world. Orphan X served his country for years before finally having enough and leaving, pursued by the people who ordered his creation. Resettling to Los Angeles, Evan forged a new identity for himself as The Nowhere Man, a vigilante dedicated to helping those in desperate need who have no one else to turn to.

After killing his greatest enemy, the United States President, Evan has had enough of violence and is determined to retire and live a quiet life. But before he leaves everything behind, Evan has decided to help one more person as The Nowhere Man, as one final act of redemption. Enter Max Merriweather, a poor construction worker in LA. Two months earlier his cousin Grant, a successful forensic accountant, entrusted Max with an envelope and instructions to take it to a reporter if anything happened to him. Now Grant is dead, an armed thug is ransacking Max’s apartment and the reporter he was told to contact has been murdered. With nowhere else left to turn, Max calls The Nowhere Man.

Taking on Max’s case, Evan dives into LA’s criminal underbelly in order to locate the people hunting Max. Easily finding the thugs responsible for Grant’s death, Evan manages to eliminate them quickly; however, it turns out that they are just the tip of an iceberg stretching throughout the entirety of LA. Grant was on the verge of uncovering a massive conspiracy, and his evidence could put away a lot of dangerous people who are now determined to kill Max to keep him quiet. Determined to keep Max safe, Evan soon finds himself embroiled in one of the most challenging and complicated missions of his life, as behind every corner a new adversary lies, each one more powerful and connected than the last. Can even this legendary assassin and vigilante win with the odds so severely stacked against him?

Gregg Hurwitz is a veteran thriller author who has been producing compelling and exciting novels since his 1999 debut, The Tower. Since then he has written over 20 novels, including his Tim Rackley series, The Rains Brothers books and several standalone novels. He has also contributed to several DC and Marvel comic book series, such as Batman: The Dark Knight and The Punisher, and he also does a bit of screenwriting, having written several episodes of the 2009 remake of V. Hurwitz’s main body of work at the moment is his Orphan X series, which started in 2016 with the novel Orphan X. Into the Fire is the fifth book in the Orphan X series and follows on shortly after the events of the fourth book, Out of the Dark. I actually got into Hurwitz’s works last year when I read Out of the Dark due its cool story premise of a former secret agent attempting to kill the President. After I enjoyed this fun action thriller last year, I was definitely keen to check out more of Hurwitz’s work and I have been looking forward to Into the Fire for a little while now.

Now, I have to admit that while I was interested in checking out Into the Fire, I was a little worried that Hurwitz was going to have a hard time topping his previous novel and its outrageous central plot point. However, Into the Fire turned out to be an outstanding read which I ended up enjoying more than Out of the Dark. Hurwitz has produced an incredible thriller that is filled with intense action, clever plot developments and an excellent character-driven central story. All of these amazing elements combine together perfectly into a novel which can easily be read as either a continuation of the series or as a compelling standalone novel.

One of the best parts of this novel is the well-written and captivating central thriller storyline which sees the protagonist attempt to take down a criminal conspiracy in the heart of LA. What starts out as a relatively simple mission to take down a small-time criminal organisation quickly morphs into a massive task, as each time Evan thinks he has succeeded, a larger and more dangerous adversary appears behind the people he has just taken out. There are so many twists and turns in this novel, you honestly don’t know when or where it is going to end, and the story goes in some very fun and clever directions. I really enjoyed how the author layered his story with seemingly innocuous comments and discussion that later morphed into major plot payoffs later down the line in the book, and I was actually surprised about a few of the reveals that occurred.

I really liked the overarching plot idea of an elite secret agent going after everyday criminals with his full range of tradecraft, advanced weapons and training, especially as it resulted in some amazing sequences throughout the book. The protagonist comes up with some truly unique, clever and at times brutal ways to take down some of his opponents, which were fun to check out. I know I will never look at a plastic drinking straw the same way again. My personal favourite part of the book are several chapters where the protagonist breaks into a prison to deal with one of his targets. The various ways that he infiltrated the prison, pulled off his mission and then escaped was not only clever but also very entertaining, and I loved every single second of it. I also really liked how Hurwitz introduced a handicap for his protagonist throughout this book in the form of a severe concussion obtained early on in the story. The author did an excellent job portraying the symptoms of a concussion, and it was interesting to watch the protagonist struggle to complete his tasks with blurred vision or a massive headache. The concussion angle was a great way to amp the risk surrounding the protagonist’s actions, as it actually put many of his opponents on an equal footing with this former elite special agent and was a fantastic inclusion to the story. Overall, this turned out to be an extremely well-written and deeply exciting thriller storyline, which proves to be quite addictive and captivating.

I was also quite impressed by the way that Hurwitz spent time examining and developing the central characters of this book. In particular, there is a fascinating focus on the complex character of Evan Smoak, who is the main protagonist of this series. Hurwitz has always done an amazing job of portraying Evan as a man very much haunted by his past lives, both as an abandoned child and as an assassin who was trained to kill since the age of 12. Both of these parts of his life still drive him, and his whole persona as The Nowhere Man is a form of redemption for him, as he attempts to not only atone for the lives he took as Orphan X but to also help those who feel as powerless as he did when he was a young child. Hurwitz continues to utilise this characterisation in Into the Fire, although this time it is further complicated by his plans to retire after this one final mission. This whole retirement angle is a major concern for Evan, as he spends a good part of the book weighing up the good he does as The Nowhere Man against all the personal benefits of attempting to live a normal life. This makes for a lot of internal conflict, which forces the author to once again dive into Evan’s motivations for being a vigilante, which adds a great dramatic edge to the entire story.

This consideration about having a more normal life is also explored in the way that the trained loner Evan starting to learn more about human interaction and relationships in this book. Part of this takes place in the way that he interacts with Joey, the teenage hacker and former Orphan trainee he saved and took under his wing. Evan has inadvertently taken on the role of a father figure to Joey, and it was great to see him continue to act protective towards her and see their unique relationship grow. There is also the rather amusing and awkward interactions that he has with the residence of his building. Despite not wanting to have much to do with them, he actually goes out of his way to protect them, and he is actually shown to care quite deeply when one of them is hurt. Finally, there is the complex relationship he has with Mia, the single mother and ADA in his building who he has feelings for but has driven away with his acts of vigilantism. All of these interactions help Evan develop more as a character and recover a little more of his lost humanity, and I really enjoyed the way that Hurwitz explored such a complex and damaged protagonist.

While most of the book’s focus is on Evan, Hurwitz also dives into the life of Evan’s latest client, Max Merriweather. Max, who serves as a significant point-of-view character, is a down-on-his-luck individual who is dragged into the events of this book by his more successful cousin. Throughout the course of Into the Fire, you get to learn about the past of Max, showing how, due to events outside of his control, he has always been seen as the family screw-up, something he has struggled to escape due to his corresponding low self-confidence. You also get to see the history of his tragic marriage, and how doing the right thing cost him everything. I really liked the way that Hurwitz took the time to explore the life of this new client, especially as it develops him into a much more sympathetic character that reader becomes invested in over the course of the book. I also liked the relationship he slowly built up with Evan, as each of them were able to provide some help in solving the deeper emotional or personal issues that were affecting the other. This excellent character was an outstanding and distinctive part of the book, and I am definitely keen to see what excellent characters are introduced in the next Orphan X book, especially after the intriguing reveal at the end of Into the Fire.

I ended up enjoying the audiobook format of Into the Fire, which was narrated by Scott Brick. This audiobook runs for a substantial 12 hours in length, but I got through it rather quickly, as I got really drawn in by the cool and compelling story. I personally found that this was an excellent way to consume this fantastic book, and I had a great time listening to the story. Brick is an excellent audiobook narrator who has a lot of experience bringing thriller novels to life. I previously enjoyed his narration of The Malta Exchange by Steve Berry, and I am currently listening to his narration of the sequel, The Warsaw Protocol. Brick did a wonderful job bringing the characters in Into the Fire to life, and I felt that he utilised perfect voices for each of them. As a result, I would strongly recommend the audiobook format of Into the Fire, as it is an amazing way to enjoy this book.

Into the Fire by Gregg Hurwitz is an incredible read that comes highly recommended. This latest book in the fantastic Orphan X series is an outstanding piece of thriller fiction, which sets its complex characters down an action-packed road of intrigue and twists to produce a five-star read. Hurwitz has really outdone himself with Into the Fire, which turned out to be one hell of a book. I cannot wait to see where Hurwitz takes the Orphan X series next, but I will definitely be grabbing a copy of his next book when it comes out.

Throwback Thursday: Star Wars: Dark Disciple by Christie Golden

Star Wars Dark Disciple Cover

Publisher: Penguin Random House Audio (Audiobook – 7 July 2015)

Series: Star Wars

Length: 11 hours and 11 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I go back and check out an amazing piece of Star Wars fiction with Star Wars: Dark Disciple by tie-in fiction extraordinaire Christie Golden. Dark Disciple is a compelling and intense Star Wars novel that features two fan-favourite characters from the extended universe in a fantastic adventure that is deeply connected with The Clone Wars animated series.

A Jedi shall not know anger. Nor hatred. Nor love!

For years, the galaxy has been locked in one of the most destructive struggles it has ever known, the Clone Wars. Led by the ruthless Sith Lord Count Dooku, the Separatists have engaged in a gruelling and bloody conflict with the Republic that has led to the death of countless innocents. While the guardians of the Republic, the Jedi, have tried in vain to capture Dooku and end the war, their methods appear inadequate to stop him. After a particularly brutal massacre, the Jedi Council do the unthinkable and sanction the assassination of Count Dooku, believing that only his death will bring peace to the galaxy.

To that end, the Council turns to maverick Jedi Master Quinlan Vos. Unpredictable, brash and experienced in undercover work, Vos is the perfect candidate for this dangerous mission. However, this is not a one-man job. In order to track down Dooku, infiltrate his defences and defeat him in battle, Vos is going to need a partner. At the suggestion of Master Yoda, Vos seeks out the one person who knows the Count better than anyone else, Dooku’s former apprentice and assassin, Asajj Ventress.

After losing everything she held dear at the hands of Dooku, Ventress is desperate to leave her past as a Sith behind. But her hatred for Dooku is all-consuming, and she jumps at the chance to finally kill him. However, Ventress believes that Dooku can only be defeated by someone empowered by their emotions and able to access the dark side of the Force. Tutoring Vos in the methods of her race, the Nightsisters, Ventress is able to make Vos stronger and more powerful as he sits on the knife’s edge between the light and the dark side. But this balance is fragile at best, and all it will take is a single push for Vos to fully embrace the darkness. Between the machinations of Dooku, terrible secrets from the past and his growing feelings for Ventress, can Vos remain true to his vows and complete his mission, or have the Jedi have unleashed a great new evil upon the galaxy?

Dark Disciple is an intriguing addition to the Star Wars canon which not only has some major connections to the popular Star Wars: The Clone Wars animated series but also contains a cool and at times dramatic story about love, darkness within and redemption. Dark Disciple was actually based on a script for eight unproduced episodes of The Clone Wars that were never made due to the Disney buyout of Star Wars and the subsequent cancellation of the animated show. These episodes were written by The Clone Wars screenwriter Katie Lucas (who provides a foreword for this book) and subsequently adapted into this book by acclaimed science fiction and fantasy author Christie Golden. Golden has authored many tie-in novels for various franchises, and I have previously enjoyed her World of Warcraft novels, including War Crimes (probably my favourite piece of Warcraft fiction) and Before the Storm. While Golden had written a few pieces of Star Wars fiction before this book, Dark Disciple ended up being her first novel in the current canon. In the end, this turned out to be an excellent read and I was really impressed in the way that Golden ended up turning this cool script into a deep and compelling novel.

Seeing as it is based off an unused script for the show, this book obviously has some strong connections to The Clone Wars television show. This book is set a little while after the events of the already aired episodes of The Clone Wars and continues their range of storylines a little further. Not only does Dark Disciple contain several characters whose main appearance was in the animated show, but it also refers to events from several episodes, including episodes that Katie Lucas wrote herself. As a result, Dark Disciple is probably best enjoyed by those readers who are familiar with the show, who will have a greater appreciation of the book’s various story elements. That being said, anyone who has seen the Star Wars prequel movies will be able to easily follow what is going on, and will no doubt enjoy the complex story it contains.

Fair warning to fans of The Clone Wars series, though: you are going to experience some sense of crushing disappointment after reading this. The book itself is pretty damn awesome, but it’s supremely disappointing that the story contained within this novel never featured as the amazing extended arc for the animated series it clearly would have been. While I really loved this novelisation, I cannot help but imagine how emotional and explosive it would have been acted out and animated as part of the show. As I review this book, it is actually less than a month until the release of the seventh and final series of The Clone Wars. While I am deeply excited for this final season, after reading this book I am a little sad as I know that the storyline contained within Dark Disciple is unlikely to be featured in it.

That being said, I really enjoyed the fact that this book focuses on two amazing characters from the animated series, Asajj Ventress and Quinlan Vos. Ventress and Vos are fan-favourite characters who have had significant appearances within the expanded Star Wars universe. Ventress is best known for her role within The Clone Wars universe (first appearing in the original 2003 Clone Wars show), where she first served as a major antagonist, before developing into more of an anti-hero. Ventress ended up being the focus of several major arcs within The Clone Wars series, some of which were written by Katie Lucas. Her success in the animated series saw her utilised in several books and comics set in the same period, although most of these are no longer canon. Vos also has an interesting origin as he was first seen as a background character in The Phantom Menace. Thanks to his cool look and some fan interest, the character was given a fleshed-out origin story as a Jedi and subsequently utilised in several works of expanded fiction. This included books and comics and an appearance in one episode of The Clone Wars. While Ventress and Vos had several interactions in the old Star Wars Legends canon, Dark Disciples is actually the first time that they meet in the current canon. Their whole relationship is a major part of the story, and I liked how it formed and developed throughout the course of the book.

I really enjoyed how Ventress was utilised in this book. Ventress is one of the best original characters in The Clone Wars, and I have always loved the gradual journey to redemption that occurred within her story arc. As a result, a book where she is one of the main characters is deeply intriguing to me and I was excited to see how she continued to evolve after her last appearance in the animated series. There are some major developments for Ventress in this book, and if you ever enjoyed this character in the animated series and wanted to know her ultimate fate than you need to read this book. Personally, I think that this was an amazing continuation to the character arcs that had been featured within the shows, and as I mentioned above, I am disappointed that it was never included as part of The Clone Wars. In adapting the script into this novel, Golden makes sure to really cover the background of this character, so those readers who are unfamiliar with the shows will be able to understand her complex and tragic backstory. I also think that Golden did an amazing job of capturing the complex character that was Ventress in this book, getting past her prickly outer layer to see the more complicated emotional person within. This was a near perfect examination of one of the best Star Wars characters who never appeared in a movie, and after reading this book it will be a shame not to see more of her in any of the planned animated shows.

Perhaps the most compelling part of this book is the complex and gripping central tale about Quinlan Vos’s fall to the dark side of the Force. This was an intrinsic part of the book’s overall plot, as Vos and Ventress both believed that having the easy power obtained by dark side users was the only way to defeat Dooku. This turn to the dark side is spurred on by lies, revelations and intense emotions, and it necessitates some deep dives into Vos and Ventress’s respective psyches, resulting in some dramatic and personal moments from both of these great characters. Watching Vos’s slow decline as he slips further and further away from the light side is painful at times, especially when you just know he is eventually going to turn. Even then, despite realizing it was coming, the point when he fully breaks bad for the first time (yellow eyes included) is pretty powerful, as he lashes out at the only person he has, and will ever, truly love. In many ways, Vos’s fall reflects Anakin’s later turn in Revenge of the Sith, in that he believes learning about the dark side is for the greater good, the Jedi Council pushes him to do something he has moral issues with and his emotional connections to a women push him over the edge. There are also some amazing scenes in the later part of the book where the reader is unsure whether Vos is actually evil or is just pretending to have fallen to fool his foes, which leads to a lot of uncertainty and hostility from the other Jedi and Ventress as they try to work out his plan. Overall, this was an outstanding centre for this book, and the complex web of deceit, deeper examination of how one falls to the dark side and all the drama surrounding this part of novel, was really cool to read.

One of the other parts of the story that I found to be interesting was the depiction of some of the other Jedi in this book. Throughout this story the Jedi, particularly the members of their ruling council, are shown to be walking a bit of a darker path thanks to the impacts of the Clone Wars. While not attempting to learn more about the dark side of the Force, members of the Council are beginning to propose action that they usually wouldn’t consider, such as the assassination of Dooku, or the execution of Vos and Ventress. This is a really intriguing take on their characterisation which plays in well with the future events of Revenge of the Sith, where their boldness in attempting to take over the Republic to protect it or Mace Windu’s attempt to kill Chancellor Palpatine backfires on them. Windu in particular comes across as a bit of an arse in this book, and the rest of the council (with the exception of Yoda and Kenobi) seem like meek followers going along with him. I thought that this aspect of the books was pretty interesting, and it liked seeing some hints of this once wise and noble Jedi Council beginning to act more rashly and dramatically.

Like most of the Star Wars books that I look at for my Throwback Thursday articles, I ended up listening to the audiobook version of Dark Disciple, which was narrated by Marc Thompson and ran for just over 11 hours. I have mentioned several times before about how I find Star Wars audiobooks to be a step above most other audiobook productions I listen to, and Dark Disciple was yet another awesome example of just how cool they can be. This audiobook in particular does an excellent job of utilising the huge range of iconic Star Wars sound effects to create an exciting or appropriate atmosphere for much of the story, and there is nothing cooler than hearing lightsaber or blaster sound effects during a battle sequence. In addition, this format also features some of the incredible and memorable music from the films. John Williams’s epic score from the prequels was on full display in this book, with some of his most awesome pieces being used throughout several scenes to great effect. Nothing amps up an action scene quite as much as having the pulse pumping Duel of the Fates playing in the background, while hearing the mournful composition known as Anakin’s Betrayal playing during the scenes where Vos is turning to the dark side of the Force is a real emotional gut punch that brings back memories of Vader and the Emperor killing all the Jedi. This was actually one of the best utilisations of Star Wars music in an audiobook that I have so far experienced, and I really loved how much it increased my enjoyment of this fantastic audiobook.

In addition to the cool sound effects and dramatic music, the audiobook also benefited from the talented voice work of Marc Thompson. Thompson is a veteran narrator of Star Wars audiobooks, having worked on a huge number of their tie-in books since 2007. I have previously listened to two Star Wars books narrated by Thompson, Thrawn and Scoundrels, and with both of these I was really impressed with the realistic and clever voices that he came up with for some of iconic Star Wars characters. Dark Disciple is another exceptional example of Thompson’s skill, as he was able to reproduce the voices of several of the book’s major characters. Not only does he do an amazing job replicating Ventress’s voice, but he also produced excellent examples of Yoda, Count Dooku and Obi-Wan Kenobi’s voices from The Clone Wars show. This is some first-rate voice work which, when combined with all the extra sound effect and musical inclusions, made Dark Disciples an absolute treat to listen to, and I cannot recommend this format highly enough.

Star Wars: Dark Disciple by Christie Goldie is an outstanding and highly enjoyable piece of Star Wars fiction that I had an amazing time listening to. Featuring a first-rate story that revolves around two amazing characters and their complicated relationship to the force (and each other), Dark Disciple is one of the better Star Wars novels that I have had the pleasure of reading. A perfect tie-in to the amazing The Clone Wars animated series, this book is a must read for all fans of that series, especially before the seventh and final season is released. Dark Disciple comes highly recommend and is a force to be reckoned with.

Guest Review – The Power by Naomi Alderman

After reviewing some of 2019’s most intriguing reads with Pan’s Labyrinth, The Testaments and The Fowl Twins, my amazing editor/wife Alex (editor is the important part there) attempts to muscle in on my Throwback Thursday territory in her latest Guest Review by checking out The Power by Naomi Alderman.

The Power Cover

Publisher: Penguin (Trade Paperback – 27 October 2016)

Series: Stand Alone/Book One

Length: 341 pages

Rating: 5 out of 5 stars

I’m on a mission to conquer my habit of buying more books than I can read. I picked up The Power because I recognised Naomi Alderman’s name from one of my favourite apps, Zombies, Run!, for which she is the lead writer. Zombies, Run! is primarily an exercise app, but its best feature is its compelling and immersive narrative about a community of survivors of a zombie apocalypse. So when I stumbled upon a copy of one of Alderman’s books I was immediately keen to check it out. Unfortunately, my reading of it was interrupted and it has been sadly shelved for the last year and a half. When I resolved to tackle my collection of unread books this year, I knew The Power had to be first on the list.

The Power chronicles a world in which young women develop a biological power to create and manipulate electricity. There are four main threads in the story, following a small collection of key characters on their adventures during the first decade of the change. The first is Roxy Monke, the child of an English gangster, who uses her power with devastating effect to build and control a vast criminal empire. Tunde Edo is a young Nigerian man who discovers a passion for photojournalism when he happens to capture video of an early attack using the power. He travels the world documenting the great upheavals and rebellions that the power inspires. Margot Cleary is an American politician, and through her we see how the change affects government. Allie is a young American runaway with perhaps the greatest control over her power of any woman in the world, which she uses to establish herself as a respected and feared cult leader of women. There is also an extensive cast of excellent side characters, including Margot’s daughter Jocelyn, who struggles as a young woman without a fully developed power, and Tatiana Moskalev, the wife of the president of Moldova.

What I always enjoy most about speculative fiction with several narrators is the way that readers get to experience so much of the world that has been created. This is particularly true in The Power, since each of the characters (especially Tunde) is very well travelled, and as a result we get a glimpse of how the power affects societies all over the world, as well as how the world changes over the 10 years covered in the book. We see the initial scepticism of women spontaneously evolving the power to emit and control electricity. We see the fear set in as it becomes clear how dangerous the power can be, both when it is used as an attack against individuals and when women band together to challenge misogynistic and oppressive regimes and governments. We see how cults and societies develop as the status quo is forever changed and the new power imbalance between men and women becomes firmly established. The events that unfold in Moldova are particularly fascinating. All in all, there’s not a dull moment in the whole book, and though it is at times brutally violent it is always deeply compelling.

I really loved the way the narrative is framed as a dramatisation of historical events, in a fashion similar to that of The Handmaid’s Tale and The Testaments. The book begins and ends with correspondence between Neil, who appears to be a budding historian and author, and Naomi, who is surely his mentor or perhaps his publisher. Neil and Naomi speculate on the accuracy of the story, given that they are removed from these events by several hundred years and have only the archaeological record to guide them. I was also very pleased to find chapters interspersed with illustrations and interpretations of artefacts from the time of the change, such as idols, grave sites and internet forum threads. These elements in particular made the archaeologist in me very happy.

The Power is a fantastic exploration of a world suddenly and dramatically shaken to its core. I’m going to have to check out some more of Naomi Alderman’s work, and I’m only sorry I hadn’t read this one sooner.

Superman: Dawnbreaker by Matt de la Peña

Dawnbreaker Cover.jpg

Publisher: Penguin Books (Trade Paperback – 5 March 2019)

Series: DC Icons – Book 4

Length: 290 pages

My Rating: 4 out of 5 stars

Bestselling young adult fiction author Matt de la Peña attempts to put his own spin on the classic origins of one of DC Comics’ most iconic superheroes, Superman, in the fourth and final instalment of the DC Icons book series.

The DC Icons series is made up of four young adult books that present new and modernised origin stories for four of DC Comics’ most iconic and recognisable characters.  Written by some of the world’s best young adult fiction authors, this series has so far looked at Wonder Woman, Batman and Catwoman, and this final book, Dawnbreaker, takes a look at Superman.  Each of the stories in the DC Icons series stands alone and does not connect to either the main DC comic universe or the other DC Icons books.  I have so far only had the opportunity to read one of the previous books in the DC Icons series, Soulstealer by Sarah J. Maas, which presented an imaginative and captivating new version of Catwoman’s origin story.  I really liked Soulstealer when I read it late last year, and I have been looking forward to Superman: Dawnbreaker for a while.

In Dawnbreaker, the reader is taken to the sleepy Kanas town of Smallville, home to awkward high school student Clark Kent.  Clark has always been different to the other young people around him, as he is gifted with abilities that make him stronger, faster and resistant to injury.  Afraid of these powers and the potential reactions of the people around him if they found out, Clark tries to live a more ordinary life, hiding his abilities and only confiding in his parents.  However, Clark is finding it harder and harder to disguise what he can really do, especially when he has the power to help those around him.

However, Clark is not the only person with secrets in Smallville.  When Clark finds fellow student Gloria Alvarez crying one day after school, he begins to see that there is something dark at the heart of the town he loves.  People are disappearing; men are skulking around the Kent farm attempting to enter a barn that his father always keeps locked, a large corporation is buying up land around town, and several wealthy young people, including the mysterious Lex Luthor, are suddenly taking an interest in both Smallville and Clark.

Teaming up with his best friend, Lana Lang, Clark attempts to uncover what is really happening in his town.  But the further down the rabbit hole they go, the more Clark begins to realise that only his abilities will be able to stop the terrible events occurring around them.  Can Clark become the hero that his town and the world needs?

De la Peña is an award winning young adult author who has written a number of intriguing and thought-provoking books which often look at young people from disadvantaged or ethnic backgrounds.  De la Peña debuted in 2005 with Ball Don’t Lie, which was later developed into a motion picture of the same name.  Some of his other notable works include We Were Here, I Will Save You and the highly acclaimed children’s book, Last Stop on Market Street.  His most famous book is probably his second novel, Mexican WhiteBoy, which was actually banned in Tucson for five years due to its “critical race theory”.  Dawnbreaker is de la Peña’s first foray into comic book fiction.  While he has previously written some science fiction books, such as The Living and his instalment of the Infinity Ring series, Curse of the Ancients, I was interested to see how he went writing in this new genre.

I personally think that de la Peña did a great job with this book, as he was able to craft together a compelling and exciting novel that contains an excellent combination of mystery, superhero origin story and teen drama.  The mystery and young adult storylines are particularly good, and I quite enjoyed seeing where those parts of the story went.  However, I did have some minor issues with the Superman origin story part of the book, namely because I had seen this origin story so many times before.  I honestly found parts of Dawnbreaker to be very similar to some of the previous versions of Superman that I have seen in both comics or screen adaptions like the Smallville television show (which I may mention again a few times, as I was a massive fan of the show).  Of course, readers who have not already been exposed to so many iterations of Superman’s origin story will not have the same problem.

I fully recognise that this was always going to be a problem for any author attempting to write this sort of book.  For the last 81 years, Superman has been one of the most, if not the most, iconic and recognisable comic book superheros in the world.  As a result of the commercial appeal of the character, there have been so many different versions of Superman over the years, nearly all of which at some point have shown him as a younger Clark Kent living in Smallville.  Because of all of these comics, novels, movies, television shows, games and animated features, the character’s origin story has really been done to death.

Still, de la Peña does do a great job portraying the character of Clark Kent and presenting a more modern version of the hero.  In particular, he did an outstanding job of capturing the character’s identity issues.  An important part of Clark Kent/Superman’s character has always been his fear of hurting anyone with his power or exposing his family to danger.  De la Peña’s take on this character aspect is fantastic, as his version of Clark is extremely vary of using his powers anymore after he previously lost control and hurt someone.  As a result, he finds himself somewhat socially isolated in this book, as he attempts to distance himself from others to make sure they do not realise that he is different and subsequently reject or fear him.  However, events keep conspiring against him, as he keeps finding himself drawn into situations where his powers could help or save people and he has to decide what to do.  I felt that de la Peña covered this part extremely well, and the emotional and ethical internal debates that occur within the protagonist during these events were spot on and some of the best writing in the entire book.  The eventual creation of the Superman identity later in the book is a great result of some of these events, and it is shown to be a natural progression for the character.

Another issue I had with this book was how compacted the origin story felt.  While some origin stories would build up to Clark becoming Superman and an alien saviour over an extended period (although perhaps Smallville’s 10 seasons were a bit over the top), Dawnbreaker covers all of this rather quickly.  At the start of the book, Clark is a teenager with powers (mostly strength and invulnerability at that point), but he has no idea where they come from or what their full extent is.  Within a few days, he finds out that his an alien, he learns all his additional abilities (x-ray vision, heat vision, artic breath and the ability to fly) and he takes on the Superman identity for the first time.  While I certainly understand de la Peña’s desire to portray all these iconic Superman elements in this book, it did make Dawnbreaker’s story feel a bit rushed.

There is some great utilisation of characters within this book.  As I mentioned above, the examinations of Clark’s inner self are done perfectly and really cover important aspects of the character.  I also felt that de la Peña made good use of several classic Superman comic characters, specifically Lana Lang and Ma and Pa Kent, and there were a few clever references to other major characters associated with Superman.  I was a tad disappointed in the portrayal of perennial Superman villain, Lex Luthor.  While he is a key character with his own agenda, there are no real signs of the super scientist and utterly ruthless businessman he is in the comics, nor was there the close friendship that devolved into antagonism that features in some comics, as well as the excellent version that appeared in Smallville.  Still the new, original characters that appear in this book are really well done and offer some unique new inspirations for Superman that I quite enjoyed.

I also quite liked the way that de la Peña attempted to introduce relevant and divisive political and social issues into Dawnbreaker, such as racism and immigration.  This can be mainly seen in treatment of Mexican immigrants (both legal and illegal) in Smallville.  Not only have several of these immigrants gone missing without the police caring, but also people in the town are harassing some of the remaining immigrants, and there are attempts to pass a targeted stop-and-search law.  I thought this was an intriguing and thought provoking inclusion for this book, and it was interesting to see such issues discussed in a comic book tie-in novel.  A Superman book is a great place for this sort of storyline to be explored, as the character is probably the most famous illegal alien in fiction, and Clark’s empathy for these immigrants once he finds out the truth of his past is an interesting inclusion.

Like the other books in the DC Icons series, Dawnbreaker is targeted at a young adult audience.  This is quite a good book for younger audiences, as not only does it present an exciting and fun adventure at an American high school, but it would also serve as an excellent introduction of this iconic character’s origins for this younger cohort.  Younger readers will no doubt appreciate the author’s more modern take on this beloved superhero and be intrigued by how his story starts.  There is also quite a lot for older readers in this book, especially fans of comic books and Superman, and an adult audience can easily enjoy Dawnbreaker.

Superman: Dawnbreaker by Matt de la Peña is a compelling and exciting story that attempts to present an updated origin of one of comic’s most iconic superheros.  Featuring some new takes on the character of Clark Kent, as well as bringing some more contemporary issues to bear in the story, this is an fantastic and enjoyable book and one a wide range of readers can appreciate.  Dawnbreaker is an excellent conclusion to the DC Icons series, and I still fully intend to check out the first two instalments in this series in the near future.