The Secret Runners of New York by Matthew Reilly

The Secret Runners of New York Cover

Publisher: Pan Macmillan Australia (Trade Paperback Format – 26 March 2019)

Series: Standalone/Book 1

Length: 328 pages

My Rating: 4.5 out of 5 stars

The end of the world has nothing on the horrors of high school in this fast-paced and widely entertaining new book from bestselling Australian author Matthew Reilly.

When Skye Rogers and her twin brother, Red, are forced to move to New York city, they are enrolled in the prestigious The Monmouth School, learning institute of choice for the city’s ultra-wealthy and social elite.  Even among the children of the rich and powerful there exists a well-established hierarchy, and in The Monmouth School, the top of the social ladder are the friends and cronies of the Collins sisters, Misty and Chastity.  Despite only wanting a quiet existence in her new school, Skye finds herself drawn into their orbit against her better judgement.

Skye soon discovers that hanging out with the Collins sisters is very different from the usual high school cliques.  The social group is probably the most exclusive in New York, and it comes with certain privileges.  Thanks to an ancient family secret, the Collins sisters are able to activate an ancient tunnel beneath Central Park that allows teenagers to run through an alternate version of New York: a post-apocalyptic nightmare littered with ruined buildings and filled with crazed survivors.

When Skye and her fellow runners find evidence that the New York they are visiting is actually a future version of their own timeline, they need to find a way to come to terms with the end of the world, especially as the apocalypse appears to be only days away.  As society starts to crumble and the poor rise up against the rich, Skye tries to find a way to use her knowledge of the future to save everyone she loves.  However, Skye is about to learn that her new friends are far more concerned with revenge and are planning to use the end of the world to take her down.

Matthew Reilly is a veteran author of weird and electrifying fiction, having written a number of intriguing books in the last 20 years, many of which fall within the techno-thriller or science fiction genres.  In addition to a number of fun sounding standalone novels, Reilly has also published two substantial series, the Shane Schofield series and the Jack West Jr series.  Matthew Reilly is one of those authors that I have been meaning to check out for some time, as a number of his novels sound absolutely bonkers and really creative.  I am particularly drawn to his 2014 release, The Great Zoo of China, which essentially sounds like Jurassic Park with dragons; his 2013 historical thriller The Tournament; and the books in the Jack West Jr series, which features secret organisations fighting for control of ancient artefacts with world-and universe-ending potential.

I was therefore very excited to get an advanced copy of The Secret Runners of New York, due to its intriguing time travel and armageddon concepts.  I actually really enjoyed The Secret Runners of New York and had a lot of fun reading it.  The book features a surprisingly entertaining use of over-the-top high school drama that actually combines really well with the interesting science fiction elements mentioned above.  The result is an unpredictable and amusing overall story that I had a very hard time putting down and which I powered through in very short order.

The book revolves around the students at The Monmouth School (you have to say the “The”; it’s that type of place), New York’s premier high school for the rich and snooty.  Please remind me to never send any of my theoretical children to any school thought up by Reilly, as the author creates a learning institution that is essentially a viper’s nest of bitchiness, enforced social hierarchy and petty revenge, all of which is enhanced by the fact that the characters are all ultra-rich or have massive superiority complexes.  The quote below from main character Skye, one of the few well-adjusted characters in the book, shows her experiences within the first few minutes at The Monmouth School:

“In the space of a few minutes I’d seen a taunt about sluttiness, a threatened punch to the uterus, some humble bragging by the Head Girl about the school’s social status and a dose of good old-fashioned mean-girl passive aggressiveness from Misty.  School, I reflected sadly, was school no matter how high the tuition fees were.”

I have to admit I did find Reilly’s portrayal of most of the rich teenage girls in this book to be a tad extreme and unrealistic (yes, in a book featuring time travel, that’s what I am finding unrealistic).  I have never been and never will be a teenage girl, but I hope that teenage girls in high school couldn’t possibly be as petty and vicious as the girls portrayed within this book, even if they are the daughters of the uber-privileged.  That being said, I found this over-the-top viewpoint of high school life to be extremely entertaining and it was a fantastic element throughout the book.  Watching the level-headed and somewhat cynical protagonist have to deal with this insanity was a lot of fun, especially when you would imagine most people would be more concerned with the end of the world than with who made out with which guy.  An unbelievably amusing part of the story, these high school elements are great, just try and avoid thinking about it too much.

In addition to the look at the mean girls of high school, I did quite enjoy Reilly’s critique of the ultra-rich and powerful in New York City.  The protagonist finds herself drawn into the world of debutant balls, society politics and the other classy responsibilities of being rich in New York.  Again, this is an interesting part of the story, and the rich characters with their extravagant lifestyles do offer a nice disconnect from reality.  I liked Reilly’s examination of how the rich would be targeted during apocalyptic events such as the one portrayed within this book, and it played nicely into some of the current protests and perceptions of the 1%.  it’s another glorious over-the-top element for this book that provides the reader with a lot of entertainment and a real dislike of most of the privileged characters.

The science fiction parts of this book are incredibly well done and are an excellent part of this book.  Not only is there a devastating cosmic storm that will wipe out most of humanity in hours, but there is an unrelated magical tunnel that the protagonists can use to visit the future.  Reilly does an amazing job creating a devastating and crazy post-apocalyptic New York City for the readers to explore.  I was really impressed with all the brutal descriptions of how the city was in ruins and had been dramatically reclaimed by nature as the infrastructure falls into disrepair, and the whole thing is an amazing setting that Reilly uses to full effect.  I really liked how the author uses the time travel elements within the book.  Watching the protagonists slowly work out that this world is a future version of their own timeline is amazing, and it was great seeing them see all the testimonials and letters from their families describing the events that are yet to happen in their future.  The various time travelling shenanigans used by both the protagonists and antagonists of this book helped enhance this already exciting story, and I loved the way that the characters are able to see the consequences of their actions in both timelines before they actually happen.

The author has also utilised some eye-catching visual elements throughout the book to enhance the story being told.  There are a number of maps used to show the key locations of the book, and there are even a couple of diagrams used to explain the potential time travel issues in this book.  I personally liked the way that the font changed to signify the characters going into a different timeline and thought it was a nice touch.  A range of other text techniques are used to signify angry or desperate messages on different locations, such as walls or the entirety of buildings, often conveying the emotion behind these messages.  All these visual treats are great, and they really make this book stand out.

The Secret Runners of New York is currently being marketed to the teen and young adult audiences, but this book is really on the edge of what young adult fiction is.  While it is focused on teenage characters in high school, there are a significant number of very adult inclusions throughout the book.  It is interesting to note that in an interview at the back of the book, Reilly himself indicates that he does not see this story as being as a piece of young adult fiction, and I think that is shown in the way that he wrote this over-the-top story.  There is a high level of violence, drug use, coarse language and sexual references featured throughout this book, and as a result, I would say it is not really appropriate for the younger audiences and is probably more suited for older teenage readers.  This is definitely one of those young adult marketed books that adult readers can really enjoy, and there is no upper limit on enjoying this crazy tale.

This was an incredibly entertaining and captivating book that I had a lot of fun with.  Matthew Reilly pulls no punches when it comes to portraying the book’s petty and vicious teenage rich girl antagonists, which turns an already intriguing science fiction book into a wild thrill ride of revenge, betrayal and insanity.  I have to say that I quite enjoyed my first taste of Matthew Reilly’s writing and I am extremely keen to check out some of his other works in the future.  At the moment The Secret Runners of New York is a standalone book, although the author leaves a number of storylines open for sequels or prequels, and I would be interested to see where he takes the story next.

Reckoning of Fallen Gods by R. A. Salvatore

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Publishers: Tor Books and Audible Studios (Audiobook Format – 29 January 2019)

Series: The Coven – Book 2

Length: 14 hours 37 minutes

My Rating: 4.5 out of 5 stars

Prepare to return to Corona, the world of The DemonWars Saga, for Reckoning of Fallen Gods, the latest book from master fantasy author R. A. Salvatore and the second book in his outstanding new The Coven series.

In the world of Corona, no lands are as harsh or unforgiving as those surrounding the massive Loch Beag.  All manner of dangerous creatures live in and around the loch, including one massive and unseen lake monster that lurks right below the surface.  But for those who live in the fishing villages that eke out a living around the shore of Loch Beag, the biggest danger is more human in origin.  Living at the top of the massive mountain, Fireach Speur, is a barbaric tribe, the Uscar, who constantly raid the fishing villages below.  Enhanced in battle by the crystal magic of their witches, the Uscar are ferocious warriors who consider themselves vastly superior to the inhabitants of the villages they raid.

This cycle of violence and death existed for hundreds of years until a powerful young Uscar witch, Aoelyn, attempted to change her tribe’s ways by destroying the fossa, a demonic creature that haunted the mountain at night.  However, her decision will have terrible consequences, as ambitious members of her tribe turn against her.  As Aoelyn endures the wrath of her tribe, her friend, the slave Bahdlahn, attempts to escape from the Uscar with help from an unexpected ally.  Down at the shore of Loch Beag, the trader Talmadge, who Aoelyn saved from her tribe’s brutality the night she ended the fossa, attempts to find some sort of peace among the fishing villages who have accepted him as a friend.  However, the appearance of a mysterious stranger will bring significant changes to his life.

But while those living around Loch Beag fight among themselves, they are unaware of a much bigger threat growing in the East.  A lost empire of goblinoids, the Xoconai, are on the march, driven by the return of their fallen god.  The Xoconai are determined to conquer all the lands of man, and the first obstacle they must overcome is the people of Fireach Speur and Loch Beag.

R. A. Salvatore is one of the best and most prolific authors of fantasy fiction in the world today, having a written over 60 fantasy books in his career. He is perhaps best known for his work in the established Forgotten Realms universe and the incredibly popular character of Drizzt Do’Urden. However, Salvatore has also written a series of novel set within his own unique fantasy world of Corona.

Salvatore introduced audiences to this new fantasy world in his 1997 release, The Demon Awakens, the first book in his epic The DemonWars Saga, which spanned seven books between 1997 and 2003.  This universe was expanded out in 2004 with The Highwayman, the first book in his Saga of the First King series.  After the Saga of the First King series ended in 2010, Salvatore left the world of Corona untouched for eight years while primarily focusing on his Forgotten Realms series.  However, he returned to Corona in 2018 with Child of a Mad God, the first book in his new The Coven series.  The Coven series is primarily set in a previously unexplored area of Corona, in the lands around the massive Loch Beag, with the first book focusing on a whole new group of characters.

I am a massive fan of Salvatore’s work, having read nearly all the books featuring Drizzt Do’Urden and his companions (click here for my review of the latest Drizzt Do’Urden book Timeless).  However, before last year’s Child of a Mad God, I had not really gotten into his work set in Corona, having only really read The Highwayman back when it was first released in 2004.  While Child of a Mad God was not my favourite of Salvatore’s books, it did a great job introducing this new area of Corona, while also creating an excellent starting point for the series’ overall plotline.

I found that I enjoyed Reckoning of Fallen Gods a lot more than the first book in the series, possibly because the author was able to dive right in and continue several of the more intriguing plot threads from the first book.  I quite enjoyed how the story progressed; all of the storylines contained within were very well paced and entertaining, coming together extremely well towards the book’s conclusion.  I really liked the over-the-top way that the story ended, as it sets up the next book in the series with some massive stakes and makes full use of the intriguing new fantasy elements that were included within this book.  A bit of a warning about this series: is it substantially darker than some of Salvatore’s other works.  This was particularly true of the first book of The Coven series, Child of a Mad God, which contained a fair amount of torture and sexual violence.  While there is a little less sexual violence in this book, several character development elements are based around these original events and are discussed in some detail.  There is also some fairly dark and gruesome action and torture, which might not be enjoyable for some readers.  Overall, though, this is a great follow-up to Child of a Mad God that once again highlights Salvatore’s skill as a master fantasy storyteller.

Some readers may be wary about checking this book out because it is the second book in The Coven series and the 13th overall book set in the world of Corona.  However, I found that this book to be easily accessible to new readers, with the author ensuring that relevant details from the previous book and series were easy to understand and follow nearly right away.  In addition, there are also a lot of elements for established fans of this universe to enjoy, especially as Salvatore includes a substantial character from one of his previous Corona based series in this book.  The inclusion of this character is an excellent way to tie this new series with the author’s existing works in this fantasy universe, which also highlights the importance of this story to the rest of the world of Corona.  The ending of Reckoning of Fallen Gods also hints that characters and locations from the previous series may come into play in the next book in The Coven series.

I loved all the fantasy elements in this book.  The world of Corona is a fantastic setting for the great story that is taking shape within The Coven series.  The main location for most of this book’s plot, the lands around Loch Beag and Fireach Speur, is a substantially dark and rugged area with a large number of natural and unnatural threats.  In Reckoning of Fallen Gods, there are a number of significant developments around several of these locations and creatures, some of which are pretty insane.  Just like in the first book in this series, Child of a Mad God, Salvatore continues to expand on the intriguing gem-based magic that is a feature of the books set in Corona.  The gem magic that was featured in Child of Mad God was somewhat different from the already established gem magic used in some of previous Corona books, such as The DemonWar Saga, and is based around the magic found atop Fireach Speur.  This expansion of the gem magic continues in Reckoning of Fallen Gods with the main character, Aoelyn, developing additional magical abilities.  Many of these abilities are quite spectacular, and Salvatore’s enthralling writing highlights how impressive these abilities are when Aoelyn utilises them in fights or other magical engagements.  At the same time, another character utilises some of the more traditional gemstone powers they had in one of the previous series, and it is interesting to see the differences and similarities this has with the Uscar magic.

One of the more unique and enjoyable fantasy inclusions within Reckoning of a Fallen God is the new antagonist race, the Xocanai.  The Xocanai are a new race of goblinoid creatures that exist in a realm on the other side of the mountains surrounding Fireach Speur.  The Xocanai are somewhat Aztecan in culture and their empire has been rather cut off from the rest of the world for some time.  However, recent actions have allowed them to come together to invade the human lands, and some of the events of Child of a Mad God may be to blame.  I felt that Salvatore did an excellent job of introducing them in the current book, and he was able to build them up as a substantial antagonist in quite short order.  I liked how the reader is able to get a good view of this new race’s culture and religion in only a few short chapters, while in-universe texts present at the start of each section of the book help to establish a historical past for these creatures.  In the end, they are a fantastic new inclusion to the series and the universe and serve as excellent new antagonists.

Salvatore has created some great new characters for this series, and many of the key characters who were introduced in the first book go through some significant and compelling character development throughout Reckoning of Fallen Gods.  The main character development occurs with Aoelyn, who, after the fallout of the events in the first book, develops a stronger sense of independence and rejects the established male hierarchy imposed upon her and all the female members of her tribe.  Her friend Bahdlahn gains the courage to finally flee the Uscar and is finally able to come to terms with his feelings for Aoelyn.  At the same time, the trader Talmadge comes to terms with the tragedies in his life and is finally able to find some semblance of peace with the people living around Loch Beag.  Even the established character from the previous series (who I am still not mentioning for spoiler reasons) has developed somewhat in this book, as he ruminates on the mistakes from his past that were covered in the previous series.

I have to give credit to Salvatore for creating some truly villainous antagonists for this series, especially among the Uscar characters.  The main antagonists are quite despicable, especially in the way that they deal with Aoelyn and Bahdlahn, and the reader is hoping for all sorts of comeuppance for these characters.  Even the Uscar characters that come across as more compassionate members of the tribe can still be quite dislikeable.  For example, there is one character who appears to change his ways in Reckoning of Fallen Gods.  However, he has a sudden and quite unjustified change of heart back to the Uscar ways towards the end of the book, and his complaining about the event that drove him to betray his friends really does not endear him to the reader.  These great antagonists serve as spectacular foils to the protagonists and really add a lot to the overall story.

I chose to listen to the audiobook version of Reckoning of Fallen Gods, narrated by Tim Gerard Reynolds.  This was an interesting change of pace for me, as I had read the physical copy of the first book in The Coven series, so it was cool to hear these characters come to life in the audiobook format.  At 14 hours and 37 minutes, this was not the longest audiobook I have listened to recently, but it still required a little bit of time to get through.  Reynolds is a spectacular narrator, and I really enjoyed listening to him tell this story.  His base narration voice for this book was really good, and I found I was able to absorb a lot of the story through his great narration.  The character voices he came up with were also excellent, and I loved how the distinctive cultural/species groups within Reckoning of Fallen Gods got their own accents.  For example, he ensured that the Uscar characters had a form of Scottish accent, while the other groups that feature in the book, such as the Xocani have a noticeably different way of speaking.  Because of this excellent voice work, I had a lot of fun listening to this book, and I will make sure to get the audiobook versions of this series in the future.

Fantasy icon R. A. Salvatore is in high form once again with Reckoning of Fallen Gods, the second book in his new The Coven series.  Salvatore does an outstanding job continuing the intriguing story he started in the first book of the series, Child of a Mad God, and effortlessly inserts a number of original and familiar elements to create an exciting and epic read.  With some great characters and some inventive new ideas, this is a spectacular new addition to this darker fantasy adventure series.

Blood & Sugar by Laura Shepherd-Robinson

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Publisher: Mantle (Trade Paperback edition – 24 January 2019)

Series: Standalone/Book 1

Length: 432 page

My Rating: 5 out of 5 stars

 

From the creative mind of Laura Shepherd-Robinson comes this powerful, dark and extremely captivating historical murder mystery, which might just be one of the most impressive debuts of early 2019.

In June 1781, a horrific murder is discovered on the dock of the slaver port of Deptford, outside of London.  The body has been brutally tortured in a variety of ways associated with the slave trade, and his chest has been branded with a slaver’s mark.  The dead man was Tad Archer, a passionate abolitionist who had been causing trouble throughout Deptford as part of his abolitionist campaign.

Days later, Captain Harry Corsham, a war hero who fought in the American Revolution, currently attached to the War Office and about to embark on a promising career as a politician, receives a visit from Tad’s sister, who is searching for her missing brother.  Tad, an old estranged friend of Harry’s, was apparently in Deptford to expose a secret that could potentially end the British slave trade.  Travelling to Deptford, Harry discovers the terrible fate of Tad and is determined to bring his killer to justice.

In order to discover who is responsible for his friend’s the murder, Harry must uncover the secret that Tad believed could permanently end the slave trade.  But as Harry investigates further, he finds himself embroiled in a conspiracy that reaches to the very heart of the realm.  Powerful forces wish to see murder covered up and anyone connected to the dark secret silenced.  Harry soon finds himself on the wrong side of men who can easily destroy his career and family.  Undeterred, Harry presses on with his investigation, but he may prove to be unprepared for the cruel killer stalking him through Deptford.

Blood & Sugar is the debut novel of Laura Shepherd-Robinson, a fantastic new voice in the historical murder mystery genre.  Shepherd-Robinson has created an outstanding novel that masterfully blends a fantastic and clever murder mystery with some powerful and evocative historical content.  The result is a terribly addictive novel that highlights this debuting author’s obvious ability to craft an excellent and compelling story.  From how the story is written, Blood & Sugar will probably be a standalone novel, although I do hope that Shepherd-Robinson sticks with the historical fiction and murder mystery genres, as she has an amazing talent with both.

At the heart of this amazing book is a complex and intriguing murder mystery that sets the book’s protagonist off on a dangerous and dark investigation of the slave trade.  While the investigation is originally focused on the murder of Tad Archer, it spirals out into to encapsulate several additional murders and a larger and more widespread conspiracy which may or may not be connected to the initial murder.  Each of these mysteries is clever, well thought-out and guaranteed to grab the reader’s curiosity and keep them going through the story to work out the incredible solution.  The author has also populated her story with a number of distinctive and complex characters, each of whom has their own hidden secrets and dark pasts.  In order to solve Blood & Sugar’s overarching mystery, the protagonist has to unravel each of these character’s lies and personal secrets, each of which add a new layer to book’s excellent plot.  These characters are all extremely self-serving and naturally suspicious, providing the reader with a huge pool of potential suspects.  The investigation into each of these mystery elements is extremely well written, and I really loved all the solutions to the book’s various mysteries.  I was really impressed with the conclusion to each of the personal mysteries that are uncovered throughout the narrative, and some of them were extremely satisfying to see come to a conclusion.

In addition to the outstanding mystery storyline, Shepherd-Robinson has also created an amazing and realistic historical setting for her story.  I felt that the author did a terrific job capturing the essence of 18th century England, from the streets of London to the docklands of Deptford.  There was a particular focus on the then port town of Deptford, which served as a major plot focus for the book, as well as several other riverside locations.  I loved this examination of Deptford, and I found the examination of this part of its dark history to be absolutely fascinating.  These locations serve as an appropriately dingy setting for such a dark story, and I really enjoyed it.

A major part of this book was the focus on the evil slave trade that was a major business during the 18th century in England.  As part of the plot, the author spends a significant amount of time exploring every facet of English slavery and the slave trade in the 1780s, including the economics behind it, the burgeoning abolitionist movement, slave laws throughout England during this period and how it was a major part of Deptford’s economy and way of life.  These details are extremely interesting and disconcerting, as Shepherd-Robinson pulls no punches when it comes to describing the brutal actions of the slavers and the cold business that they practiced.  The slave trade also serves as an incredibly effective background motive and catalyst for the murders and the conspiracy that the protagonist finds himself drawn into.  The author crafts an incredibly captivating mystery storyline around the English slave trade, and I was both intrigued and appalled to find that certain horrendous elements of this plot were based around a real-life historical slave event.  Blood & Sugar is definitely a must-read for those unafraid to learn more about the cruelty of the English slave trade and who wish to see it creatively used as a major plot point in this captivating story.

While Blood & Sugar featured a number of duplicitous and villainous characters who serve as excellent antagonists, Shepherd-Robinson has also crafted a compelling and layered protagonist to tell this story as the book’s narrator.  On the surface, Captain Harry Corsham is your typical English hero, a former soldier determined to find the man responsible for the death of his friend.  However, as the book progresses, the reader finds out that there is a lot more to Harry’s character than first meets the eye.  Harry is a deeply conflicted character in many ways, but throughout this book he struggles with his opinions about slavery and the abolitionist movement.  In his past he was a strong supporter of abolishing the slave trade, but since he has entered politics and married into an influential family, he is more aware of the current political realities around the slave trade.  But as he spends more and more time investigating the Deptford slave traders, he finds himself being drawn more and more into the abolitionist way of thinking.  The author has also written in a fairly realistic portrayal of PTSD for Harry after the horrors he experienced fighting in the American Revolution.  This is an intriguing character trait, and one that comes into play the more horrors that Harry experiences during this book.  Shepherd-Robinson has also included some amazingly well-written and very surprising personal developments for her protagonist that really change everything in the latter half of the book.  All these character elements add layers to this central protagonist, and I liked the emotional and ethical impacts that they caused on the story.

Overall, I thought that Blood & Sugar was a powerful and captivating historical murder mystery that expertly combines an intriguing and clever mystery storyline with some first-rate historical backgrounds and plot points.  This is an exceptional debut from Laura Shepherd-Robinson which showcases her amazing talent and superb ability as a writer.  This was an easy five stars from me, and I am really excited to see what sort of story this fresh and inventive author writes next.

Lady Smoke by Laura Sebastian

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Publisher: Pan Macmillan Australia (Trade Paperback Edition – 12 February 2019)

Series: Ash Princess Trilogy

Length: 496 pages

My Rating: 4.5 out of 5 stars

 

Bestselling young adult fantasy author Laura Sebastian presents an outstanding follow-up to her 2018 debut with this superb novel which builds on the author’s original book and uses it to create a fantastic story.

For many years, Theodosia was a prisoner in her own palace.  The brutal warrior race, the Kalovaxians conquered Theo’s country of Astrea, enslaving her people and killing her mother, the Fire Queen.  Forced to live as a trophy prisoner and ridiculed as the Ash Princess, Theo eventually rebelled, escaping from the Kalovaxian ruler, the Kaiser.  However, her escape had complications, as she was forced to kidnap the Kaiser’s son, Prinz Soren, and poison her only Kalovaxian friend, Crescentia.

Now freed and claiming her birthright as Queen of Astrea, Theodosia is determined to take her country back.  With no troops of her own and only a handful of followers, Theo is forced to rely on her aunt, the pirate known as Dragonsbane, for support.  However, her aunt believes that the only way to liberate Astrea is for Theo to marry a foreign ruler and use their army to fight the Kalovaxians.  No Astrean Queen has ever married before, but with the desperate situation that Theo finds herself in, she has no choice but to allow Dragonsbane to organise a meeting with a number of potential suitors from the lands not controlled by the Kalovaxian armies.

Descending on the wealthy nation of Sta’Crivero, Theo is thrust into a dangerous hive of foreign royals and nobles, all of whom seek to use the newly released Astrean Queen to their own advantage.  Forced to decide between her heart and the needs of her people, Theo has to play along in order to find a way to defeat the Kalovaxians.  But sinister forces are at work within the Sta’Crivero palace: politicians are playing with her people’s lives, a sinister poisoner is targeting those closest to Theo, and the Kaiser has placed a price on her head.  Theo must rely on those closest to her, but even those she cares about the most could bring her down.

Lady Smoke is Laura Sebastian’s second novel, which follows on from her debut book, Ash PrincessAsh Princess was a fantastic fantasy debut which I enjoyed thanks to its interesting blend of political intrigue and clever fantasy elements.  However, I felt that Lady Smoke was an even better book, as Sebastian creates a much more compelling story while also expanding her fantasy universe and looking at the relationships between her characters.

Sebastian continues to focus on the growth of her protagonist and point-of-view character, Theo, as she rises to become the queen her people need.  In this book, Theo is recovering, both physically and emotionally from her years of captivity in the Kalovaxian court.  She is haunted by her decisions, including her ruthless manipulation and poisoning of Cress, one of the few people who considered Theo to be a friend.  In order to obtain the power she needs to free her kingdom, she must try use a strategic marriage to arrange an alliance with one of the countries outside of Kalovaxian’s influence.  The storyline focusing on her adventures within Sta’Crivero takes up a large portion of the book, and is an interesting piece of political intrigue.  Theo and her companions must attempt to find a political suitable match while also avoiding being manipulated by the rich and powerful rulers who all want to control or exploit her or her country.  There are a variety of layers to this story, as many of the rulers she encounters have their own agendas, and she must try and unravel them while also bringing some other nations to her cause.  Add to that, a mysterious poisoner is at large within the palace, attempting to kill Theo’s favoured suitors and allies while also framing one of her advisers.  Each of these parts of the story is deeply compelling, and I was very curious to see how this part of the story turned out.  These sequences also had some great emotional depth, as Theo is forced to balance her personal desires and opinions about arranged marriages, with the requirements of an army to free her enslaved people.

I thought that the main political intrigue and arranged marriage storyline of Lady Smoke was done amazingly and was one of the most enjoyable parts of the book.  The eventual conclusion of this storyline was handled pretty well, and readers will love the solution that the protagonist came up with.  I really liked the reveal about who the poisoner was, although I kind of saw the twist coming far in advance.  Even though I knew it was coming, I felt that the reveal was done extremely well, and the sinister motivations behind them made for some extremely compelling reading.  The final twists of the book were also very shocking, and I definitely did not see one particular event coming.  Overall, I had an absolute blast with this story, and thought it was substantially better than the awesome first book in the series.

Aside from the great story, one of the things I really enjoyed about Lady Smoke was the author’s superb universe expansion.  While a number of other nations that make up Sebastian’s fantasy world were mentioned within Ash Princess, the entirety of the plot took place within the conquered country of Astrea.  The plot for Lady Smoke, however, takes place in an entirely new setting, the kingdom of Sta’Crivero, which is an extremely wealthy and elitist realm.  While the people of Sta’Crivero initially appear supportive of Theo and the Astreans, it is revealed that they look down on the refugees and treat them as slave labour.  Sebastian does an amazing job of making the Sta’Crivero nobles sound exceedingly arrogant, and her descriptions of the rich and elaborate palace are stunningly decadent.  Once Sta’Crivero has been introduced as an excellent new setting for the story, the author brings in the rulers from all the nations that have not been conquered by the Kalovaxians.  Each of these new rulers is given an introduction, and their countries’ strengths and weaknesses are explored in various degrees of detail.  As Theo interacts with each of these rulers, the reader gets a better idea of the world outside of Astra and Sta’Crivero, resulting in a richer world tapestry for the audience to enjoy.  By the end of the book, Theo has made a number of allies and enemies from amongst these various nations, and it will be extremely fascinating to see how this comes into play within any future books in the series.

I quite enjoyed the unique and somewhat subtle magical elements that were shown throughout Ash Princess.  In this second book, the author continues to expand on her interesting magical inclusions by showing her magical characters utilising their powers to a greater and more obvious degree and using their powers in different situations.  I rather liked the exploration of ‘mine madness’, the process by which some Astrean magic users become overloaded with magic, especially those who have spent significant time in their magical mines as slave labour under the Kalovaxians.  Alternate explanations for this condition are given throughout Lady Smoke, and the author also examines the destructive nature of the condition, through several impressive scenes.  Other magical maladies are also featured within this book, and I liked how several unexpected characters were affected by these changes.

Sebastian does an amazing job of exploring the main character’s relationship with her friends and companions, and this forms an intriguing part of the plot.  There is a bit of a focus on her friendships with her companions, Artemisia and Heron.  Due to story reasons (Theo spent most of the first book on the other side of a wall), Theo was unable to build much of a relationship with either of these characters, so I liked how she started to bond with both of them.  This deepening relationship results in some character development of these two interesting side characters, and some interesting explorations of their life are explored, such as Artemisia’s relationship with her mother, the Dragonsbane, and Heron’s homosexuality.

The most compelling character interactions occur between Theo and her two love interests, Blaise and Soren.  Blaise is her oldest friend, her most loyal companion and the man who broke her out of the Astrean palace.  Soren, on the other hand, is the son of the Kaiser, her most hated enemy, and the man who Theo spent the majority of Ash Princess seducing and manipulating for her own ends.  Throughout the course of Lady Smoke, Theo finds herself attracted to both of these men, and must find a way to balance her feelings for them while also having to reconcile the possibility of choosing neither of them in order to secure her country’s freedom.  Adding to this drama, both Blaise and Soren have their own storylines and character development that they must undergo.  Blaise is suffering from mine madness, which has amplified his earth-based magic to a dangerous degree.  As a result, Theo has to spend a significant part of the book as his emotional tether, trying to rein in his temper and creating chaos.  Soren, on the other hand, must reconcile the evils that his countrymen and himself have undertaken while also trying to escape his father’s cruel legacy.  In order to make amends and to get revenge on his father, he finds himself on Theo’s side, but his relationship proves to be more of a liability to Astrea in a number of ways.  All of these issues make for an utterly captivating love triangle that really adds some interesting elements to the story.

In the follow-up to her debut novel, Ash Princess, Laura Sebastian continues her incredible fantasy series.  Lady Smoke is an amazing sequel that really highlights Sebastian’s growth as an author.  Not only does Sebastian successfully expand her fantasy universe, but she further develops her characters and provides the reader with an outstanding story.  I am very much looking forward to the sequel to this book, Ember Queen, which is coming out in 2020, and I am extremely curious to see how several story developments at the end of Lady Smoke take form.  Exceptional fantasy fiction from a creative and talented new author, Lady Smoke comes highly recommended.

Turning Point by Danielle Steel

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Publisher: Macmillan

Publication Date – 8 January 2019

 

From world-renowned, best-selling author Danielle Steel comes this powerful dramatic novel that examines the highs and lows of being a top surgeon in the modern world.

 

Bill Browning, Stephanie Lawrence, Wendy Jones and Tom Wylie are four of the world’s leading trauma surgeons, all living in San Francisco.  Each of these surgeons’ professional lives is near perfect, however their personal lives are a mess.  Bill is all by himself, since his ex-wife and daughters are living in London, and he immerses himself in his work while desperately missing his children.  Stephanie constantly puts her work above her family, barely seeing her young children and frustrating her stay-at-home husband.  Wendy’s life outside work is defined by her relationship with her married colleague, and is constantly frustrated by his indifference to their relationship and his reluctance to end his marriage.  Tom, an over-the-top womaniser, is the only one satisfied with his life, but deep down he knows his life lacks connections as he refuses to let anyone to get close to him.

Tragic circumstances in two separate cities will have unexpected impacts on the lives of all four of these surgeons.  Following a terrorist attack in Paris and a devastating fire in San Francisco, both cities’ respective governments organise a multi-week exchange of trauma surgeons in order to help both cities learn from each other’s experiences.  Bill, Stephanie, Wendy and Tom are each chosen by their respective hospitals to represent the San Francisco delegation and travel to Paris, leaving their lives at home behind.

Once in Paris the American surgeons find a deep friendship and camaraderie with each other and the French team, as they have the chance to socialise with those rare people who understand the personal challenges their medical careers can cause.  As the San Francisco teams learn about the French medical and emergency response system, another terrible act of violence hits the people of Paris.  As both the American and French teams deal with the consequences of these horrific actions, these surgeons find their lives impacted in unexpected ways.  How will these events change them, and how will they impact those around them?

Danielle Steel is one of those authors that really does not need an introduction.  With over 150 books to her name since her 1973 debut, Steel is the undisputed master of the romance and drama novel.  Interesting fact for the day: Steel is actually the fourth best-selling fiction author of all time, coming in only behind William Shakespeare, Agatha Christie and Barbara Cartland, making her the top best-selling author alive today.  Turning Point is Steel’s first release of 2019, and she has an additional five books planned for the rest of the year.

I have to admit that this is not the usual sort of book I would check out, and Danielle Steel is not an author I would usually go for.  I much prefer novels with a lot more action, violence or comedy than romance or intense drama.  However, I have always had a bit of a soft spot for medical fiction, and I thought that the summary of Turning Point sounded fairly compelling.  I also thought that looking into Turning Point would be an interesting change of pace for me, so in the name of broadening my horizons and mixing up my reviews, I decided to check it out.  I have to say I did get into this amazing story, and enjoyed the dramatic narrative that unfolded within it.

There was a little less medical stuff in this book than I would have liked, but there was more than enough to get me into Turning Point’s story.  There are no in-depth surgical scenes, but the author does a fantastic job of describing the aftermath of catastrophic events and how hospitals and medical professionals deal with triaging patients.  What I enjoyed most about the medical parts of this book are the author’s examination of the personal difficulties that surgeons experience as a result of their work.  All of the characters have stunted or damaged social and family lives because of the huge strain their chosen profession takes and the long hours they have to work.  This is particularly true for the characters of Bill and Stephanie, who have children and families, and are forced to deal with having to choose between their dream careers that they have spent their entire life working towards and their families.  Steel mainly focuses on Stephanie for this, as Bill’s wife left him years before the events of Turning Point.  Throughout the book, Stephanie’s husband is constantly making her feel guilty for working while he is left at home with the children, and this puts significant strain on their relationship.  The sexism angle of this was also explored, as Stephanie’s husband, parents and mother-in-law are all very unsupportive of her role and seemed to think she should be with her children, despite Stephanie providing a very reasonable argument that her mother never complained about her father’s similar medical career.  While the examination of the familiar strains of these characters’ surgical careers is a particular focus, the other social impacts of their work is also explored, and I found it fascinating how most of them could only open up to people in a similar line of work and who could understand what they were going through.

The plot of this book is split between San Francisco and Paris, and Steel fills the book with fantastic descriptions of both cities.  Her characters explore and tour through both locations, and the book comes across as a love letter to both cities from the author, who has spent significant periods of time there.  While I enjoyed both of these descriptions, I found the comparison of both cities’ emergency response protocols and the roles of their doctors and emergency services to be the most interesting parts of these settings.  The differences between how these two major cities deal with devastating events is extremely fascinating, and I liked the time that Steel spent exploring them.  During the course of the book, Paris is hit with both a terrorist attack and a school shooting, both of which are emblematic of the main catastrophes hitting America and France.  It was quite shocking to see the aftermath of one of these events in some detail, but it I appreciated why Steel included them.

While filled with other great elements, at its heart Turning Point is a dramatic story with a number of romances.  A large amount of the drama is generated by the elements discussed above, such as the stresses associated with a medical career or the destructive events the characters witness.  Relationships break down, people are in conflict with each other and personal revelations lead to life changing decision for all the characters featured in the book.  Each of the main characters also gets their own romantic subplots, and I liked how each of them turned out.  I was a bit surprised about how much I began to care about each character, but as the reader dives deeper into the book they become more and more involved in their lives.  While I did think the all-round happy endings for everyone was a bit predictable, I liked how the drama and romance elements of these books tied into the other parts of the story to create an amazing overall narrative.

While this was not a book I was expecting to get into, I did find myself enjoying Turning Point and the intriguing story contained within it.  With some excellent medical inclusions and a deep examination of the high pressure lives of surgeons, this is a fantastic read and one that exceeded my genre expectations.

My Rating:

Four and a half stars

 

Tombland by C. J. Sansom

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Publisher: Mantle

Publication Date – 18 October 2018

 

One of the best historical fiction authors in the world today creates another exceptional piece of literature with Tombland, the epic historical crime fictional book set during the fictionally unexplored events of Kett’s Rebellion.

It is the summer of 1549, and King Henry VIII has been dead for two years.  The young Edward VI is on the throne, while his uncle, Edward Seymour, the Duke of Somerset, rules the country as Lord Protector.  However, the country is slowly descending into chaos as a long, unsuccessful war with Scotland, religious conflict, poverty and the corrupt actions of the rich landowners are raising discontent among England’s peasant population.

In the midst of this, Matthew Shardlake is working as a lawyer for the King’s sister, the young Lady Elizabeth.  When a distant relative of Lady Elizabeth’s mother, Anne Boleyn, is found murdered near Norwich and her husband, John Boleyn, is accused of the crime, the case could have political implications for Elizabeth.  Matthew is sent to organise a legal defence of John and to investigate whether or not he committed the crime.  Travelling with his assistant Nicholas, Matthew travels to Norwich and begins to examine the details of the case.  Meeting up with their old friend Jack Barak, the three friends are convinced of John’s innocence, but malevolent forces intervene to disrupt their defence.  As several deaths occur around Norwich, Matthew’s investigation is disrupted by events outside of his control.

A well-organised peasant rebellion erupts around the city, throwing everything into chaos.  Led by the charismatic Robert Kett, the rebels march on Norwich and set up a large camp outside the city, filled with thousands of disenfranchised peasants.  Captured by the rebels, Matthew and his companions find themselves in the midst of a dangerous and divisive situation.  Nicholas’s established views about the superiority of gentlemen sees him imprisoned, while Barak finds much in common with the peasants and their cause.  Matthew is forced to make a decision about where his loyalties lie, as Kett wishes him to assist in organising trials for the landowners they have captured.  As the rebellion drags on, Matthew finds evidence about the Boleyn murder case in the camp.  Following these leads, Matthew soon uncovers a terrible conspiracy that will not only endanger John Boleyn and his lawyers but could affect the fates of every peasant in Kett’s Rebellion.

C. J. Sansom is one of historical fiction’s most highly regarded authors, having written a series of amazing novels in the genre. His most significant body of work is the Matthew Shardlake series, which follows the titular lawyer as he finds himself forced to solve a series of elaborate mysteries during the Tudor period. All the books in this series are extremely impressive, as they all feature clever mysteries and an excellent use of the book’s historical setting.  In addition to this series, he has also written a standalone historical thriller, Winter in Madrid, as well as an alternate history novel, DominionTombland is the seventh book in the Matthew Shardlake series and Sansom’s first book since 2014, but considering the sheer amount of detail and the length of the text, this is hardly surprising.

Tombland is another epic novel from Sansom and one that I really enjoyed reading and ranked as one of my top 10 reads for 2018.  This book contains an outstanding combination of an intense and complex murder mystery and some amazing historical settings and storylines.  All of these elements are extremely amazing by themselves, but together they create one of the best reads of the year.  While I really loved this book, potential readers really need to set aside a lot of time to get through Tombland.  It has over 800 pages of story, with an additional 50 plus pages of the author’s historical notes and discussions about what events he included.  In addition, each page has such a rich amount of detail and plot that I found myself getting through this book at a lot slower pace than I usually would.  While it does take a while to get through Tombland, I personally believe it is well worth the effort, as the incredible story within had me hooked from the very first page.

This book has an intricate and powerful investigation angle, as Matthew and his associates attempt to solve a terrible murder that they believe their client has been wrongfully accused of.  The mystery part of this book is very well done and features an elaborate and intriguing solution that is slowly revealed throughout the course of the book.  Sansom introduces a significant number of potential suspects, all of whom have substantial motives to kill the victim, designed to throw the reader off the scent of the real solution.  I liked how the case continued to expand out as the book went on, as the protagonists not only attempt to solve the original murder but must also investigate several murders committed to cover up the initial acts, as well as several attempts to eliminate John Boleyn.  There are several major and surprising twists throughout the investigation, as a number of small clues and characters that at first appear minor turn out to have major implications for the overarching mystery.  The solutions to the mysteries at the end of the book reveal a dark and powerful motive that has severe consequences for several of the characters involved.  Overall, Tombland contained an outstanding central mystery, which is guaranteed to keep the reader deeply curious and engaged with this fantastic text.

One of the most interesting features of Tombland is the fact that Sansom has set it during Kett’s Rebellion of 1549.  This is a somewhat obscure piece of history that many readers might not be familiar with, but it is an incredibly fascinating event of English history.  Sansom does a masterful job of portraying the entirety of the rebellion throughout the novel and use it as a fantastic secondary storyline as the protagonists witness the beginning and end of the mystery.

Sansom does an outstanding job covering the events of this rebellion, including the events that led up it and caused the peasants to rise up against the rich landowners.  As a result, he expertly examines all the events and conditions that were making the peasants and poor of Norwich, and the rest of England, discontented with the way the country was being run.  In order to do this, a number of relevant elements are effortlessly inserted into the story and become key parts of the plot.  These elements include discussions about the poorly run war in Scotland contributing to armed deserters on the rebels’ side, talks about the political structure of the country and thoughts about the religious disagreements and schisms that were rife in the country during that period.  One of the most fascinating and significant elements that apparently led to the rebellion was the rich landowners’ focus on sheep farming and the creation of large sheep enclosures rather than the growth of traditional crops.  Before reading Tombland I would never have thought that sheep farming would have the potential to be a cause of rebellion; however, Sansom is able to explain in some significant detail how sheep farming and enclosures were negatively impacting many poorer individuals in England, and how it became a key part of Kett’s Rebellion.

In addition to covering the causes of the rebellion, Sansom’s narrative grows to cover the entire length of this intriguing event.  All sorts of elements of it are explored, and readers get an excellent idea of how the peasants were organised, what their motivations were, what sort of actions they were undertaking, how the government reacted to it and what the overall attitude of the participants was.  This was all boundlessly fascinating, and as the reader gets deeper and deeper into the book it becomes harder to put the book down as they become extremely curious about what the overall fate of this group of people was, especially after the reader gets an idea of how big the rebellion was and what sort of victories they were able to obtain.  The final results of this rebellion and the long-term impacts it had on the country are really interesting to hear about, and I had an amazing time seeing all the significant events that occurred during this underexamined historical rebellion.

As always, I was immensely impressed with the sheer amount of research that Sansom did and the historical detail that resulted from it.  Tombland includes over 50 pages of the author’s notes about the event and the conclusions he drew from his extensive research.  While these 50 pages are extremely interesting to read, the revelations about how many of the events the protagonist witnesses actually occurred were astounding, and it sounds like Sansom was able to recreate nearly every significant event of Kett’s Rebellion throughout the course of Tombland, with some necessary dramatic flourishes to create the overall story.  It was amazing how many of these events actually occurred, and how many of the secondary characters were actually real-life people who had significant impacts on the outcome of the rebellion.  Readers will also be amazed by the historical details that Sansom has included on every page of this book and will have a hard time forgetting the events of 1549 and Kett’s Rebellion.

There are several other elements I enjoyed in this book, including the seamless ways that the investigative storyline combines with the historical background of Kett’s Rebellion.  So many characters that are potential witnesses or suspects in the murders that the protagonists are investigating become key figures in the historical events that occurred around Norwich.  Suspects and witnesses are also found in the rebel camp, and I liked how the key to crime and the downfall of the rebels were both in the same place.  I also enjoyed the examination of 16th century English legal procedures and the depictions of murder trials, and found the scenes featuring them very fascinating.  The book’s focus on the divide between the rich and the poor is also a great addition to the story and gets a significant look in throughout the entire book, and it is a discussion that is still relevant to this day.

C. J. Sansom once again hits his literary ball out of the park with Tombland, another five-star historical mystery that has the perfect combination of compelling mystery and intriguing historical elements. With an incredibly addictive overall narrative and a focus on a fascinating historical event that is rarely used in other pieces of historical fiction. One of my favourite reads of 2018, I highly recommend this book, especially for people who love a great mystery.

My Rating:

Five Stars

Heads You Win by Jeffrey Archer

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Publisher: Macmillan

Publication Date – 30 October 2018

 

From the mind of one of modern fiction’s most controversial authors comes a two-in-one fantastic and elaborate piece of historical fiction that utilises an intriguing narrative device to create one of 2018’s most unique stories.

Young student Alexander Karpenko is the bright, talented and ambitious child of two hardworking citizens of the Soviet Union.  Living in Leningrad in 1968, Alexander’s dream is to become the first democratically elected president of his country.  However, when he is betrayed and his father is killed by the KGB, Alexander and his mother realise that their only hope is to flee Russia and make a new life for themselves in another country.

Arriving at the docks, Alexander and his mother are given a choice between two different ships: one heading to London or one heading to New York.  The decision is made by the flip of a coin, and Alexander’s life splits into two separate paths: one where he heads to Britain and one where he heads to America.  Alexander arrives in these countries with great ambition and a desire to succeed no matter what.

Over the next 30 years, in both these lives, Alexander finds success in a two separate ways.  He fights his way up from the bottom as a lowly immigrant to an influential person, overcoming obstacles and antagonists along the way.  Both Alexanders’ journeys are inspirational, but no matter what these two Alexanders accomplish, the fate of their home country is always on their minds, and the shadow of the Soviet Union constantly surrounds them.

Jeffrey Archer is a rather interesting individual, with a very eventful and controversial background.  A former British MP, Archer is probably better known for the various accusations of fraud he has attracted throughout his life, and he has even spent some time in jail as a result.  However, rather than let that ruin his public profile, Archer has used his experience and imagination to create a number of fascinating novels, many of which utilise aspects of his political, academic or professional life or expertise to some degree.  As a result, Archer is now one of the most high-profile authors in the world and has written over 20 adult novels, including the three books in his Kane and Abel series and the seven books in his bestselling Clifton Chronicles.  On top of that, Archer has also written a number of short stories, a couple of plays, several children’s books and his Prison Diaries, three non-fiction novels that chronicle his life in prison.

Heads You Win is an extremely fascinating novel from Archer, which takes his protagonist on two separate adventures through over 30 years of American and British history and life.  Archer utilises a very clever divergent timelines narrative device (think Sliding Doors), which creates two separate timelines around the different outcomes of one event, in this case, the outcome of a coin toss.  As a result, in one timeline, the protagonists and his mother get on a ship to London, while in another timeline they board a ship bound for New York.  This is a very interesting concept to utilise in this story, and one that works to create two separate narrative threads to follow.  Both of these storylines focus on the protagonist attempting to find his place in the country that he eventually ends up in, and then moves onto the protagonist becoming a powerful and influential individual in his own way, all the while dealing with the terrible people that seem to inhabit Archer’s world.

I rather enjoyed both of the separate storylines in this book, and had a lot of fun seeing the different or similar ways that the protagonist attempted to make his fortune in each lifetime.  The differences between these two storylines happen right away, as in the London timeline, Alexander and his mother find themselves on a nice ship with a friendly crew who mostly want to help, while the New York timeline finds them in a poorly maintained vessel with a self-serving crew who seek to exploit the two main characters.  I found it rather fascinating to see the way that their treatment and the environments they find themselves in change the way in which they act.  For example, Alexander’s experience in the English setting encourage him to seek the full Cambridge academic lifestyle, while his American counterpart was less focused on his formal education and learned more on the street.

Both of these divergent timelines feature an intriguing look at the cities and countries that the protagonists end up in, and both serve as a good historical backdrop to each of the main storylines, featuring several real historical events and some historical characters.  For example, the Alexander who ends up in the American timeline is forced to fight in the Vietnam War, while the British Alexander rubs elbows with a number of the country’s prominent politicians.  I liked how the divergent ways that the two separate protagonists gained their power and prestige matched the country that there were in.  The American Alexander became rich through his business acumen and financial brilliance, while the British Alexander went the academic route and eventually become deeply involved with the British political system, something close to the author’s heart.  Not only does this help match the locations and people that the protagonist deals with, but it allows the two separate stories to diverge out slightly, with the British storyline containing political intrigue, while the American storyline reads a little bit more like a financial thriller.  While the focus on the protagonist’s two adopted homelands is a great part of this novel, the protagonist’s history in the Soviet Union is a major part of this story.  The initial chapters capture the uncertainty and despair that inhabitants of the Soviet Union would have felt in the 1960s, while the character’s subsequent visits helped highlight the obvious differences between the Soviet Union and the countries that Alexander escaped to.  There is also a rather exciting reveal about one of the Russian characters towards the end of the book that will prove to be the most memorable part of Heads You Win, and is definitely something to look out for.

While I enjoyed the divergent timelines narrative device that Archer employed throughout Heads You Win I did feel that he could have done more with it.  I would have loved to see a bit more crossover between the two separate timelines, and, for example, see how key characters from one storyline would have fared without their Alexander in their lives.  Instead there is minimal crossover between these two separate storylines, which feels like a bit of a missed opportunity.  I am also not the biggest fan of what these quick crossovers revealed, as it strongly hinted that both storylines actually exist together at the same time, and as a result, there are two Alexanders existing in the world at the same time.  This is a bit of a weird twist, and while it does not negatively impact the vast majority of either storyline, it does result in a conclusion that some may find slightly confusing.  As a result, while this did slightly mark down my rating of Heads You Win, the split storyline concept is a fantastic and unforgettable part of this book and makes it quite a distinctive read.

This latest novel from one of the world’s most colourful professional authors is a fun, historical thrill ride that features a very unique and memorable narrative device.  With a great look at two different countries during the same historical time period and featuring two separate by similar stories of life, adversity and success, this is an extremely enjoyable novel that will appeal to a varied range of readers.  Heads You Win is definitely worth checking out, and I am planning to keep an eye out for the next read from Archer.

My Rating:

Four stars