Tag: Novella

Da Red Gobbo Collection by Mike Brooks, Denny Flowers and Rhuairidh James

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Short Stories, Tie-in Novel, Warhammer4 Comments

Publisher: Black Library (Audiobook – 16 November 2024)

Series: Warhammer 40,000

Length: 11 hours and 10 minutes

My Rating: 5 out of 5 stars

Amazon

Prepare for da revolution with this collection of brilliant Warhammer 40,000 stories from three top authors, with Da Red Gobbo Collection.

Gosh this has been a great year for Warhammer 40,000 fiction, and the fun is still continuing as one of the best releases of this year just dropped with Da Red Gobbo Collection, which features five brilliant stories from awesome authors Mike Brooks, Denny Flowers and Rhuairidh James.  Featuring three novellas and two short stories, Da Red Gobbo Collection focuses on the always entertaining ork faction from Warhammer 40,000 fiction, whose brutal, hooligan-inspired mindset always leads to comedic and outrageous reads.

However, rather than your typical ork novel, the stories in this anthology collection are focused on the ork sub-species known as grots, who are the 40K equivalent of the goblins from the Warhammer Fantasy universe.  Small, cunning and cowardly, the grots, also known as gretchin, work as slaves, cannon fodder and scapegoats (scape-grots??) to the bigger orks, generally getting kicked around by their ork masters even if they do the right thing.  However, not all grots are content to live under ork oppression, and some even have the courage to fight back thanks to the legendary figure known as Da Red Gobbo.

Da Red Gobbo is a mysterious figure in the grot mythology, who arises whenever the orks push their smaller cousins too far.  Able to put aside the typical grot amnesty and selfishness, Da Red Gobbo is an icon for revolution and revolt against the orkish oppression.  But who is Da Red Gobbo?  Are they really a legendary figure going from ork warband to ork warband spreading the word of freedom, or can any grot put on the cape, hat and goggles and inspire his fellows?  Whatever the truth may be, Da Red Gobbo is here to bring a crumping, and nobody, be they human, Chaos worshipper or even the mightiest of orks, will underestimate the grots again.

I had a blast with Da Red Gobbo Collection, especially as I was able to enjoy all five stories on audiobook for the first time.  Brooks, Flowers and James have all produced exceptional stories focused on the hilarious figure of the Red Gobbo, and I like their intriguing alternative takes on this unlikely revolutionary and his origin.  Thanks to the inherent humour of the ork faction, this was a particularly entertaining and comedic novel, and I frankly laughed my way through the various stories, especially as the three excellent authors created some particularly inventive reads.

The first story in Da Red Gobbo Collection was Da Gobbo’s Revenge by Mike Brooks, which was one of the longer novellas in the collection.  Brooks is an outstanding author, and I have read quite a few of his Warhammer 40,000 books recently, including The Lion: Son the Forest and Lelith Hesperax: Queen of Knives.  Da Gobbo’s Revenge was a particularly entertaining read, which is set parallel to Brook’s previous ork-focused novels, such as Warboss, Brutal Kunnin and Da Big Dakka, which have also featured fun narratives of grot revolution and rebellion.

Da Gobbo’s Revenge is a more compact narrative that follows the unlikely hero, Fingwit.  The leader of small band of grots that follow a crazed ork mek, Fingwit and his comrades find themselves in deep trouble when their boss forces them to participate in a deadly boarding action aboard an Imperial war vessel.  When the mek dies in front of them, Fingwit attempts to lead his fellow grots to complete their boss’s final mission, only to encounter human soldiers, running firefights, and dissent from amongst his fellow grots.  However, it’s the actions of an ork taskmaster that finally drives Fingwit over the edge, and he decides that the only way to survive is to become something legendary.

Da Gobbo’s Revenge is a very entertaining and fast-paced novella that provides an interesting initial look into the grot mindset while throwing them into a frenetic adventure.  Brooks hits this story with the clever and comedic style he has utilised for his other ork-focused books, and you can really appreciate his clear love for this faction, as well as his attention to detail around them.  The only story in this book told exclusively through the eyes of a grot, Da Gobbo’s Revenge fully showcases their sneakiness, their shrewd cunning, and their desire to outdo each other, and the result is hilarious, especially as they manage to outsmart various bigger opponents who completely underestimate them.  This over-the-top adventure, while very fun, takes on a more thoughtful manner towards the end once Fingwit decides to take on the mantle of the Red Gobbo to save his friends.  Seeing the previously self-obsessed Fingwit become more concerned with the fate of his fellow grots helps to hammer home the significance of the Red Gobbo to these lowly creatures, especially as he inspires them to do something truly special and unselfish.  This ending is surprisingly powerful and poignant, especially for an ork/grot focussed Warhammer 40,000 story, and Da Gobbo’s Revenge was a very strong story that serves as the perfect introduction to Da Red Gobbo Collection.

Following hot on the heels of this first excellent entry is the brilliant novella, Da Gobbo’s Demise by Denny Flowers.  Da Gobbo’s Demise was another awesome read that I was particularly keen to check out, mainly because I am a massive fan of Flowers at the moment.  One of the best rising stars of Warhammer 40,000 fiction, Flowers has deeply impressed me with his books Fire Made Flesh, Outgunned, and the outstanding 2024 release Above and Beyond.  Da Gobbo’s Demise was the first of Flowers’s novellas I have had the pleasure of reading, and I was very excited to check out his take on a non-human character, the result of which was extremely entertaining and fantastically fun.

Da Gobbo’s Demise follows a small herd of grots who find themselves alone and in trouble when their taskmaster, Runtherd Killaskun, is suddenly killed, and they are left without any ork supervision.  This proves particularly problematic for Killaskun’s right-hand grot, Redsnot, as he knows that his fellow grots will be looking to even the score against him for enforcing Killaskun’s orders.  However, the grots soon find themselves in deeper trouble when they are surrounded by a horde of Chaos cultists determined to kill them and take the church they are hiding in.  Determined to survive, Redsnot seeks to take advantage of the situation and be the leader the grots need.  However, his genius plan is ruined by the surprise appearance of Da Red Gobbo, hero of all grot-kind.  But Redsnot isn’t going to be upstaged by anyone, even if the Red Gobbo trying to save his life.  But luckily even legends are susceptible to a knife in the back.

This was another particularly fun and awesome novella that really showcase Flowers’ ability to write a clever, funny and very cynical story that I could not get enough off.  I honestly really enjoyed where Flowers took the story, especially as it ended up being a Home Alone-inspired siege, where the hilariously cruel grots hold off a bunch of incompetent cultists by any means necessary.  The constant bickering and dissent on both sides of the conflict was just great, and there are some very amusing moments as the grots use their natural cunning to outsmart their opponent.  The entire story moves quickly, and I found myself constantly laughing due to the outrageous antics of everyone involved.

Flowers makes Da Gobbo’s Demise’s story even more entertaining and funny through amazing use of multiple character perspectives, as in addition to showing events through Redsnot’s eyes, the author also features the viewpoint of the Chaos cultists besieging them, including a traitor commissar hoping for glory under his new gods.  There are some brilliant contrasts between the bickering grots and the disorganised cultists, especially when it comes to their different leaders.  While the chaos cultists are controlled by fear, and their leader becomes more and more demented the more failure he encounters, the usually contentious grots become surprisingly well organised thanks to the appearance of Da Red Gobbo, who resolves most of their petty arguments and turns them into an effective team.  I especially enjoyed the way in which Da Red Gobbo manages to effectively undermine and outsmart Redsnot at every turn, especially as it leads to yet another compelling bit of character growth for the main protagonist as he learns to fight for something bigger than himself.  The resulting story turns into a wonderfully bloody mess of over-the-top characters and outrageous antics, and I laughed my way through it.  Another outstanding outing from Flowers that perfectly expanded on the opening momentum of Da Gobbo’s Revenge and ensured that readers are firmly enthralled by Da Red Gobbo Collection as this point in the book.

The next entry in Da Red Gobbo Collection is the short story Da Wrong Type of Green, also by Denny Flowers.  A quick and exciting read, Da Wrong Type of Green is a direct prequel to Da Gobbo’s Demise that, shows the events immediately leading up to the novella’s opening scene.  Featuring the exact same style and most of the same characters, Da Wrong Type of Green gives some fun additional context to Da Gobbo’s Demise that I rather enjoyed seeing, especially as I had such a brilliant time with Flower’s longer novella.  I particularly enjoyed seeing the protagonist’s relationship with their former ork leader, Runtherd Killaskun, which really enhanced some of the themes of freedom and revolution that Flowers featured in novella.  While the inclusion of this story does feel a tad unnecessary, especially as you don’t really need to read it to appreciate Da Gobbo’s Demise, it was an interesting story, and one that you can get through very quickly.

Following these two stories by Flowers, readers are then led to the book’s third novella, the amusing and outrageous entry, Da Gobbo Rides Again, by Rhuairidh James.  James, who has previously written several interesting Warhammer 40,000 short stories, honestly produces one of the best entries in Da Red Gobbo Collection, and I was really blown away by his intriguing and original take on the focal character, especially as he examines the revolution and the relationship between orks and grots in a very different manner.

Da Gobbo Rides Again follows the ork painboy Stimma, who arrives back to camp only to discover something strange happening to his warband’s grots.  Rather than being their usual sneaky selves, the grots have all become exceedingly compliant and helpful, completely throwing off the usual anarchic rhythms of the ork encampment.  Ordered by his warboss to fix the problem, Stimma and his grot assistant, Goggulz, try to shake the grots out of their malaise and back to their previous sly and murderous mentality.  They soon determine that the only way to inspire the grots is to give them a Red Gobbo to stir them up.  However, with no Red Gobbo to hand, Stimma decides to create one, but first he needs to understand what the Red Gobbo is and how he comes into being.  But the further he dives into the mysteries of the Red Gobbo, the closer he comes to the truth, and not even an ork as ruthless as Stimma is prepared for what he finds.

This was such a brilliant entry from James, and I loved the elaborate and very memorable story he comes up with.  I love how he decided to tell the story through the eyes of an ork master, rather than another grot, which allows for a unique new perspective in the tale of Da Red Gobbo.  The central story focusing on the dispirited grots was very clever, and James’s concept of compliant grots being more dangerous to the orks than rebellious ones was a fun take.  The resulting story of Stimma’s attempt to create his own Red Gobbo is both hilarious and philosophical in nature, and you must love the ork mentality when it comes to grots and their so-called heroes.  This attempt at science also leads the protagonist to various ork experts, and while this is mostly a novella about grots, the fun and in-depth dive into the oddboyz, those orks with special skills such as meks and weirdboyz, proves to be really amusing and detailed.  I especially loved Jame’s take on the painboyz, the orks’ highly experimental medics, especially as it results in some hilarious discussions about ‘medicine’.

However, the thing that I loved most about Da Gobbo Rides Again is the main twist of the story.  Thanks in part to having read the other novellas first, you can easily see where Stimma’s plan is going to go, even if the orks cannot due to their blind spot when it comes to their smaller cousins.  As such, you get to watch in joy as James openly works to bring this twist to fruition bit by bit, and it is very satisfying when it all comes together.  This fantastic buildup works extremely well amongst the general chaos of the ork camp, while the fun relationship that builds between Stimma and Goggulz makes it even more delicious.  Throw in some very interesting sequences that explore the unusual past of the orks and their relationship to grot-kind, as well as a great scene that brings together Da Gobbo Rides Again with the other novellas in this collection, and this was an impressive entry that I could not get enough of.  I honestly cannot emphasise enough just how amazing Da Gobbo Rides Again was, and I hope we get a full-length novel from James at some point in the future as I know I will deeply enjoy it.

The final entry within Da Red Gobbo Collection is The Instigator.  Also written by James, The Instigator is a prequel to Da Gobbo Rides Again which was originally released in the White Dwarf magazine.  This story tells of the first time a young Stimma encountered a Red Gobbo, when he accompanies an ork raiding party when it attempts to board a spaceship.  However, nothing goes to plan, especially when the orks find an unexpected enemy hidden within the ship, led by an unlikely commander.  This story does a great job of showcasing events that were hinted at within Da Gobbo Rides Again and presenting them in a very different way than Stimma remembers them, especially as events were a little more desperate than he cares to admit.  James amps up the tension in this short but sweet story, which shows just how scary grots can be for orks, while also providing a fantastic opponent for the plot.  The Instigator proves to be a great follow-up for Da Gobbo Rides Again, and I really enjoyed seeing the seeds for Stimma’s later idea around Da Red Gobbo be planted.

This ended up being a very awesome overall collection of Warhammer 40,000 stories, and I love the impressive and relentlessly comedic tales that these excellent authors came up with.  I loved how the three main novellas perfectly complemented each other, building on the work of the preceding stories, while also standing on their own feet.  Brooks, Flowers and James really had fun when it came to these stories, and I love how you get some unique takes on the orks and the grots, although the general ork humour does carry through very well for all of them.  I also deeply enjoyed how each author showcased a different aspect of the Red Gobbo character, and the three separate incarnations of the Red Gobbo you witness paints a fascinating picture of this unique being in the Warhammer canon.  All three authors really outdid themselves in how they brought this figure to life, and their amazing stories were a true joy to read.

Unsurprisingly, I chose to listen to Da Red Gobbo Collection on audiobook, a format which always deeply enhances Warhammer fiction, especially as the crazy characters, unlikely scenarios and dark settings really pop when read out loud.  Warhammer 40,000 audiobooks that feature the orks are always particularly awesome, as the outrageous aliens are so damn entertaining especially when you get a great narrator voicing them.  As such, I was very keen to listen to Da Red Gobbo Collection, especially as it provided the first audiobook adaptations of several existing short stories and novellas, which ensured a whole new way to appreciate these clever tales.  I was also excited because British actor Harry Myers was attached to narrate Da Red Gobbo Collection.  A very talented narrator who has brought some of my favourite Warhammer 40,000 books to life, including The Wraithbone Phoenix and Day of Ascension, Myers has a fantastically entertaining voice that really fits some of the outrageous figures in this universe.  Myers particularly excels at voice ork characters (he previously narrated Warboss and Da Big Dakka by Mike Brooks), and his voice perfectly fits the rough and crude orks in so many entertaining ways.  He also does a great job of capturing the smaller and cowardly grots, and you really get a great sense of their scared, weaselly and backstabbing ways through his narration.  I also loved how each character comes out in this audiobook, and I was very impressed that Myers featured variety with his voice work, providing the various grots different voices, even when he moved on to a new story.  This was such an epic listen, and I really cannot recommend Da Red Gobbo Collection on audiobook enough.  Coming in with a runtime of just over 11 hours, this is a slightly long but very easy audiobook to power through, and there is honestly no better way to enjoy Da Red Gobbo Collection than by listening to it in this format.

Da Red Gobbo Collection was an exceptional Warhammer 40,000 book that I had so much damn fun getting through.  Thanks to the outstanding team of Mike Brooks, Denny Flowers and Rhuairidh James, you are gifted with some very impressive stories that prove to be exceedingly addictive.  Insanely addictive and extremely hilarious, Da Red Gobbo Collection will bring a smile to any Warhammer fan, and even new readers will be able to have an amazing time with it.  As such, I must give this collection a full five-star rating, as each author delivered something very special that came together perfectly.

Amazon

Buried Deep and Other Stories by Naomi Novik

On By The Unseen LibraryIn Fantasy, Short Stories1 Comment

Publisher: Del Rey (Trade Paperback – 17 September 2024)

Series: Standalone/Short Story Collection

Length: 433 pages

My Rating: 4.5 out of 5 stars

Amazon

A must-read for all fans of fantasy author Naomi Novik is the excellent and highly enjoyable short story collection, Buried Deep and Other Stories.  Featuring an intriguing combination of stories from across Novik’s imagination and established fantasy universes, Buried Deep and Other Stories was a particularly awesome read that I had a lot of fun getting through.

Naomi Novik is a well-established and impressive fantasy author who has produced some amazing works over the years.  Best known for her iconic Temeraire series, which envisioned the Napoleonic Wars with dragons, Novik has produced some great books and stories over the years, including some interesting standalone works.  I best know Novik from her excellent Scholomance books, which showcased a dark and impressive take on the magic school genre.  The Scholomance books, made up of A Deadly Education (one of my favourite books of 2020), The Last Graduate (one of my favourite books of 2021) and The Golden Enclaves (one of my favourite books of 2022), were all extremely awesome, and this remains one of my all-time favourite book trilogies.  As such, I was very interested in reading more from Novik and Buried Deep and Other Stories offered an amazing opportunity to explore her varied writings.

Buried Deep and Other Stories contains an auspicious 13 short stories, which run the gambit from entertaining to moving and bring together both previously published short stories and new tales fresh from the author’s imagination.  While some of the reads are standalone stories, there were also entries from Novik’s more familiar universes, all of which comes together to make quite an awesome overall volume.  I was initially drawn to this book by the promise of a continuation of series I’ve previously read, but I ended up staying for the whole inventive array, especially as you are gifted a vision into Novik’s future works.

Novik starts the book off strong with the fast-paced story, Araminta, or, The Wreck of the Amphidrake, a Regency-style adventure with fantasy elements that follows a young, adventurous woman who wants more than a planned marriage.  A chance pirate attack and a gender-morphing amulet provide the opportunity she is looking for while also leading to various amorous adventures.  This was a very fun, and slightly randy, swashbuckling adventure that successfully highlights the author’s flair for combining historical periods with her own fantasy ideas.  This proved to be a great first entry to Buried Deep and Other Stories, and I appreciated that Novik started things off fun.

Novik kept the book going strong with the amazing Afterhours, which serves as a follow-up to her awesome Scholomance trilogy.  I must admit that of all the stories in this book, Afterhours was the one that I was most excited for, primarily because I had such a great time with the Scholomance novels, and I really wanted to see how the universe continued.  Novik did not disappoint with a captivating story set a couple of years after The Golden Enclaves, with a look at a new class studying at the Scholomance magical school.  Despite the Scholomance evolving and becoming less exclusive, some things remain the same, with the unusual witch Beata, finding her school life made difficult by the rich and powerful enclave students, including her roommate.  Desperate to survive, Beata and her friends break curfew to obtain rare supplies, only to encounter some of the remaining monsters roaming the school.

This proved to be an entertaining and wonderful return to the Scholomance series, and I for one was glad to get a look at the school and its unusual setup following the chaotic events of the original trilogy.  Novik does an excellent job expanding on her existing universe, and fans of the series will love this continuation, as well as a major cameo at the end.  However, this story is open to reader’s unfamiliar with the Scholomance books, especially as Novik focuses the plot on a protagonist unaware of the full details of the previous books, allowing for an excellent outsider’s perspective as you explore the setting’s unique features.  It was great to return to this iconic setting, and Afterhours was a fun read that both stood on its own, while also providing some awesome moments to the author’s existing readers.

The third story in this book, Vici, is a quick but highly fun entry that ties into the dragon taming world of Novik’s Temeraire universe.  Indeed, Vici shows the origin of the universe’s entire dragon riding premise with a Roman historical tale that sees a young Mark Antony hatch a dragon egg.  Novik produces a particularly entertaining and hilarious story, as her irresponsible Mark Antony (inspired by James Purefoy from the Rome television series), finds himself in all manner of trouble, made worse by his impressionable talking dragon.  I loved this simple but highly effective story, which not only expertly works dragons into Roman history, but which also keeps the reader extremely amused with some great humour and over-the-top moments.  One of the funniest stories in Buried Deep and Other Stories, and a wonderful mood lightener between other heavier entries.

This leads us to the book’s titular short story, Buried Deep, which serves as a powerful retelling of the Minotaur myth.  Told from the perspective of King Minos’s daughter, Ariadne, Buried Deep follows her journey to becoming a priestess of the shrine that holds her brother, Minotaur, as he stalks the labyrinth under the island.  Novik seeks to cast both Ariadne and Minotaur in a more sympathetic light, showing them as victims of their father’s schemes, with Ariadne seeking to undermine Minos by using the labyrinth to enhance her reputation.  Thanks to its deep emotional edge and near gothic style, Buried Deep proved to be a particularly unique and memorable take on the Minotaur myth, and I loved seeing Ariadne’s perspective of events.  You really appreciate her bond with Minotaur and the pain that his imprisonment has on her, and this was one of the more moving entries in Buried Deep and Other Stories.  This story effectively showcased Novik’s ability to transform well-established stories and myths, and I’m glad Buried Deep was featured here.

The next story is the fantastic entry, Spinning Silver.  A clever take on the classic Rumpelstiltskin fairytale, this story follows Miryem, the daughter of a village moneylender, who takes over her weak father’s business and becomes a successful businesswoman.  A boast about her ability to make money brings her to the attention of a malicious faerie who demands that she prove her ill-timed words three times by turning his silver coins into gold.  What follows is a fantastic and clever series of events as Miryem uses her business sense and quick thinking to technically fulfill the terms of the magical contract while also trying to get out of the unfavourable marriage promised as a reward.

I really loved Spinning Silver for a multitude of reasons, especially as it has a compelling narrative that brilliantly retells a famous fairytale in a darker and more modern manner, while also featuring a great historical Russian setting.  This proved to be a particularly enthralling tale of fortitude and tough decisions that also subtly examines the historical hardship of the Jewish population of Eastern Europe.  Spinning Silver is also an interesting inclusion as it bears the same name as one of the author’s novels.  This short story, which was published a few years before the Spinning Silver novel, was the inspiration for Novik’s later book, with the author reusing elements from it.  While readers who have already enjoyed the Spinning Silver novel will see some similarities between it and this short story, the entry in Buried Deep and Other Stories is very much worth checking out as Novik takes this short story in a different direction to give it quicker and more definitive conclusion.  I think that the Spinning Silver short story works a little better than the overall novel, mainly because the concept was more focused and reached its key points sooner, but both prove to be excellent reads.  This honestly proved to be one of the strongest entries in Buried Deep and Other Stories, and I see why Novik chose to expand it into a novel.

The fun continues with the fantastic story Commonplaces, which serves as the author’s unique entry in the Sherlock Holmes mythos.  Set after the events of the classic Sherlock Holmes short story, The Final Problem, Commonplaces focuses on the character of Irene Adler after she hears about the events at Reichenbach Falls.  This was a short but sweet story that provides an interesting modern look at the impact Holmes has on the characters he encounters.  Novik’s take on Adler, which only utilises details from A Scandal in Bohemia, is particularly authentic, and doesn’t fall into the exaggeration that many of her current popular culture portrayals are known for.  Shown solely from Adler’s perspective, you get some great interpretations into her personality, as well as her observations of the enigmatic Holmes.  I felt the story went in some very interesting and memorable directions, and I liked how it both cleverly referenced A Scandal in Bohemia but also covered a potential romance between Holmes and Adler in its own way.  Novik adds in a few subtle implications about Holmes’ romantic interests and inclinations, which I thought was a nice touch, and the resulting story effectively ties up the entire storyline between these two iconic figures.  An overall fantastic story, Commonplaces is a fun and quick short that will appeal to a lot of readers.

Novik continues to delight with the seventh entry, ironically named Seven, which was one of my favourite stories in Buried Deep and Other Stories.  Set in a unique fantasy city called Seven, the story is set around the city’s famous ceramics trade, which constantly ensures that the city is surrounded by seven giant singing statues.  Whenever one of the statues breaks, a replacement is made from a beautiful yet deadly special clay by the city’s then master clay-shaper.  Seven primarily follows Kath, a clay-shaper’s widow, who takes over her husband’s business with the help of grouchy kiln master and ceramic devotee Grovin, and eventually forms a reputation as a radical artist due to the simplicity of her pots and ceramics.  Chosen to build the next singing statue, Kath is initially reluctant due to the life-shortening nature of the special clay, until the machinations of Grovin forces her hand.

I really loved Seven, and I think it is the story that best showcases how imaginative and skilled Novik is as an author.  I was deeply impressed with how effectively Novik was able to build up a new fantasy city and then set up a complex and character-driven tale that debated art versus practicality in only 25 pages.  You easily get drawn into the struggle of Kath as she becomes a famous artist and creator with all the trouble that entails, while simply trying to provide for her family.  Novik works this initial premise extremely well, and then cleverly twists the entirety of Seven into a tale the examines the dark side of art appreciation.  This darkness is conveyed by the complex and gruff character of Grovin, a man who only loves the beauty of ceramics, and whose desire to see more of Kath’s art forces him to some dark places.  I loved the ironic twist that forces Grovin to live a life less devoted to the arts to get what he wants, and I really appreciated how Novik explored his obsession, and the differing views of what ceramics represent between the two main characters.  If I had one complaint, it would be that the story wasn’t long enough; I would love to have seen a more concrete conclusion than the philosophical end Novik came up with, but this was still an exceptional story that really hooked me in with its creativity and unique focus.

Continuing onwards, Novik throws in two great short stories that break up the book in preparation for the longer stories towards the end, with Blessings and Lord Dunsany’s Teapot.  Lord Dunsany’s Teapot is a tale of magic and imagination in the depths of horrifying war, while Blessings is a fun story about a young baby who gets over-blessed by six drunk and competitive fairy godmothers.  Both these stories have their own unique flavour, and I liked how well they played off each other in short order.  Lord Dunsany’s Teapot was a quick magical story with descriptive dark war elements to it that highlight the need for an escape from horror, while Blessings was an excellent comedic take on the fairy godmother trope from popular fairytales.  I enjoyed both these stories, although Blessings was probably my favourite due to its hilarious, quick-fire content.

Next up we have the tenth entry in Buried Deep and Other Stories, with the book’s only science fiction contribution.  Seven Years From Home is a striking story about futuristic colonialism in which a young diplomat from an ever-increasing galactic federation visits a prospective new member planet where a war is brewing between new, technological reliant colonists and the original settlers of the planet who have genetically modified themselves and are now in tune with nature.  This was an interesting take on the classic story of technologically advanced colonists warring with nature-loving natives with an outsider amid the natives learning their ways.  However, Novik takes her story in some different directions, with the natives proving to be far more adaptable than you would expect, and I loved this brilliant and intriguing tale.  While it features a great story, Novik ensures that Seven Years From Home really stands out thanks to the protagonist, who finds herself caught between her loyalties to her home empire and the new friends she makes on her adventures.  There were some great scenes as the protagonist becomes even more conflicted with her choices, especially as the information she sends home keeps the war going, and her attempts to find the same mindset of her hosts.  This story ends with some touching tragedy and a great twist, and I felt that Novik’s foray into science fiction was a fantastic success.

Continuing, we have the book’s second foray into the Temeraire universe with the fabulous entry Dragons & Decorum.  Set to the backdrop of the Napoleonic War that the main Temeraire books are based on, Dragons & Decorum is a reimagining of Pride and Prejudice with dragons.  The primary story sees Elizabeth Bennett becoming a Longwing captain in the Aerial Corps, flying her dragon as professional soldier, much to the horror of her mother.  However, despite her new role, Elizabeth still finds herself drawing the attention of Mr Darcy, and the two engage in a tumultuous courtship, with even more complexity thanks to Elizabeth’s romance-obsessed dragon and the ongoing war.  Novik clearly had fun working elements of her dragon-focused world into this literary classic, and I loved her fantastic take on the classic book, especially as dragons add new entertaining angles to the romance.  I felt that the author perfectly blended the more outrageous elements of her universe with the Pride and Prejudice plot, while also cleverly imitating Jane Austen’s writing style.  The result is a particularly amusing entry that will appeal to both fantasy fans and Jane Austen fans, and I just love the hilarious impacts any book’s relationship to the Temeraire universe can have.

On the home streak we have the intriguing and dark story, Castle Coeurlieu, which saw the very young bride of a castle lord grow close to her similarly aged stepson and learn the unusual history of the castle in which they live, including several stories about people visiting a mysterious tower within its bounds.  When plague strikes the region and her new friend flees to the tower, the protagonist follows, only to discover unusual occurrences, including three women playing with cards inscribed with the fate of the castle’s inhabitants.  While Castle Coeurlieu wasn’t my favourite entry in Buried Deep and Other Stories, it proved to be a compelling darker story that added in some grimmer elements towards the end of the book.  I enjoyed the different layers of lore surrounding the setting, and the curious young protagonist was well written and provided a great view to the plot.  An overall interesting addition to the volume, that serves as a great buffer between two of its biggest stories.

The final story contained within Buried Deep and Other Stories is the captivating adventure tale, The Long Way Round.  The longest entry in the collection, The Long Way Round was probably the story I was most looking forward to reading outside of After Hours, mainly because it provides readers with the first glimpse at Novik’s next upcoming book, currently titled Folly, following two siblings, canny sailor Tess and brilliant boat-builder Aston, who embark on a journey to cross the seemingly empty seas surrounding their known world and try to discover new lands.  Forcibly accompanied by their High Lord, a young wizard looking to prove himself, Tess, Aston and their crew set out on their adventure, only to make some unexpected discoveries with major implications for their entire world.

Featuring a great combination of likeable characters, well-written nautical elements, and a compelling new world filled with unique elements, The Long Way Round was a particularly addictive entry in Buried Deep and Other Stories.  Novik once again does a remarkable job effectively building up the scenario and the new fantasy realm in a short run time, and readers quickly find themselves getting invested in the protagonist’s journey, especially as the author does an excellent job exploring their motivations and desires.  The set-up and apprehension of the first part of The Long Way Round is well balanced by the subsequent mystery contained in the second half of the story, as the protagonists find what they seek, even if they are uncertain what it is.  Novik provides the reader with a series of stimulating and intriguing visuals and curious elements, and you really get into the spirit of the adventurous narrative elements.  This honestly proved to be an addictive read, and I found the clever, character-driven nautical adventure to be moving and fascinating at the same time.  I also found myself coming away from The Long Way Round extremely curious about Novik’s next book, and I will be interested to see whether it will be a direct sequel to this or something set further in the future.  Either way, the mystery of the titular follies is something I hope to explore in the future, and I am now even more excited for Novik’s next book whenever it comes out.

Overall, Buried Deep and Other Stories turned out to be an awesome short story volume from Naomi Novik that showed me her true range and skill as a fantasy author.  This book provides a fantastic collection of works, that hit you on every part of the emotional spectrum, including fun comedic reads and darker, tragedy charged narratives.  I was also particularly impressed by the inclusion of unique standalone stories whose elaborate fantasy concepts were well established and the expertly utilised to tell compelling stories.  The blend of original stories and windows into the author’s current and upcoming fantasy universes also ensured that readers of Buried Deep and Other Stories are in for a brilliant time.  It proved very easy to jump between these different fantasy worlds, and I felt that all readers can appreciate and follow the stories contained within, even if they were tied into the author’s other series.  As a fan of Novik’s writings, it was great to get some additional stories from her various universes, and the final story, The Long Way Round, has really gotten me excited to check out her next book.  Folly (or whatever its name may change to) is now very high on my to-read list, and I hope we see it soon.  As for Buried Deep and Other Stories, this was an incredible and fantastic short story collection that comes highly recommended for fans of Naomi Novik, as well as general fantasy fans looking for some compelling, shorter reads.

Amazon

Quick Review – Tiger Chair by Max Brooks

On By The Unseen LibraryIn Quick Review, Science Fiction, Short Stories, Thriller1 Comment

Tiger Chair Cover

Publisher: Amazon Original Stories (ebook – 1 June 2024)

Series: Standalone

Length: 50 pages

My Rating: 4 out of 5 stars

Amazon

I was recently lucky enough to receive a copy of the new short story from acclaimed author Max Brooks, Tiger Chair, which instantly grabbed my attention.  Brooks is an author I have a lot of love for, especially as his two main novels are huge favourites of mine.  This includes his most iconic work, World War Z, which I had an exceptional time listening to a few years ago due to its complex story and the impressive array of celebrity narrators associated with the audiobook version of it.  Brooks followed this up a couple of years ago with the compelling horror read, Devolution, that saw an isolated community attacked by sasquatches in an outstanding and exciting read.  Devolution ended up being one of my favourite books of 2020 and ensured that I would check out anything else that came my way from Brooks.  As such, I made sure to read through Tiger Chair as soon as a got it, as I was intrigued by the content.

Plot Synopsis:

When China invades America, guerrilla warfare explodes on the streets of Los Angeles in this provocative short story about the future of war from Max Brooks, the #1 New York Times bestselling author of World War Z.

China thought it would be a quick war, an easy war. But now, years later, as the insurgency on the streets of Los Angeles escalates but the propaganda never changes, a Chinese officer can’t keep silent any longer. Torn between loyalty to his country and loyalty to his troops, he writes a brutally honest—and possibly suicidal—letter home to unmask the truth.

Brooks combines his signature meticulous research with unforgettable characters in this landmark work of speculative fiction.

This was a very interesting read from Brooks that I was able to power through in a short amount of time.  Set in the future, Tiger Chair is written as a secret letter from a Chinese officer involved in a fictional invasion of the United States to a friend back home.  In this letter, the officer describes the various hardships of the invasion, including the escalating insurgency in Los Angeles, who are pushing his soldiers to the limit with their intense attacks and low-tech strategies.  However, his priority in writing this potentially treasonous letter is to highlight his despair at the ineffective and inflexible strategies of his side, which care more for propaganda than the lives of their soldiers and the civilians, and his desire to see the war come to an end.

I felt this was a rather interesting choice of story for Brooks to write, and it reminded me of the cynical memories of a professional soldier during the zombie wars of World War Z.  Brooks paints a grim and gritty story of survival and duty in the Tiger Chair, and you can easily feel the frustration and fear of the protagonist as he attempts to highlight his feelings about how the war is being run and the various lies he and his soldiers have been fed by their superiors.  The author really captures the way that the protagonist is caught between loyalty to his country and his anger at how events have unfolded, especially as he is powerless to impart any effective change to the situation.

I was quite impressed by the various scenarios that Brooks imagined for this future war in Tiger Chair, and his vision for how events might unfold in this scenario, as well as the technology that would be utilised for it, is very fascinating.  While I am sure that there will be some criticism of Brooks trying to imagine the feelings of Chinese soldiers in a war they might not even undertake, I felt that the Tiger Chair was more of a general warning about the futilities of war, and the frustrations of the lower ranks at the mistakes of their politically motivated superiors.  Indeed, many of the issues the protagonist raises could be applied to many other historical or current wars, and there are several allusions to them in the plot.

Brooks does also attempt to get into the Chinese mindset, which I honestly think he did a good job of considering he had less than 50 pages in which to do so.  There is an interesting examination of the national identity and how their history and culture would influence them into going to war, and the various opinions people within the country would have about these battles.  Brooks also includes some commentary of recent well-known events and controversies involving China, which is more geared towards central criticism than specific critiques of the Chinese.  For example, while he mentions the way in which China influences American media and movies for their own purposes, the protagonist’s resulting criticism are more directed towards the media companies that allowed them to happen as they sacrificed their principles for money.  These and other observations an about current society are quite interesting and make for quite a compelling story.

Overall, I felt that Tiger Chair was a compelling and intense short story from Brooks that brings together some intriguing ideas and predictions.  While I probably would have avoided Tiger Chair if it weren’t Brooks writing it, mainly because I prefer full-length novels to short stories, I’m glad I checked this out, and it ended up being a fascinating and powerful read.

Amazon

Quick Review – Ogres by Adrian Tchaikovsky

On By The Unseen LibraryIn Audiobook, Fantasy, Science Fiction, Short Stories14 Comments

Ogres Cover

Publisher: Penguin Audio (Audiobook – 15 March 2022)

Series: Standalone (Novella)

Length: 4 hours and 58 minutes

My Rating: 4.75 out of 5 stars

Amazon     Book Depository

Fear, revolution, and the ultimate nature of humanity all lie in store for readers when they check out the impressive novella Ogres by highly regarded science fiction and fantasy author, Adrian Tchaikovsky.

Adrian Tchaikovsky is an acclaimed author whose highly regarded works often receive much applause for their unique stories filled with overarching themes, messages, and appreciation for both the fantasy and science fiction genres.  I have been meaning to read several of his more intriguing novels and series for a while, but my first direct experience with Tchaikovsky occurred last year when I was lucky enough to listen to a version of his debut Warhammer 40,000 novel, Day of Ascension.  Focusing on an insidious Genestealer Cult who have infiltrated a corrupt city and started a deadly revolution, Day of Ascension was an incredible read, and it was one of the best Warhammer 40,000 novels I have read.  This left me pretty enthralled with Tchaikovsky’s style and ability to quickly and effectively craft elaborate new worlds and peoples and I decided to read some more of his work this year.  I had intended to read his latest novel, City of Last Chances, next, but at the last minute I changed my mind and instead decided to quickly listen to his 2022 novella, Ogres.  Ogres was a very intriguing sounding novella that everyone was talking about last year, and I figured it was time to see what all the fuss was about.

Plot Synopsis:

Ogres are bigger than you.
Ogres are stronger than you.
Ogres rule the world.

It’s always idyllic in the village until the landlord comes to call.

Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It’s always been that way. It’s the natural order of the world. And they only eat people sometimes.

But when the headman’s son, Torquell, dares lift his hand against the landlord’s son, he sets himself on a path to learn the terrible truth about the Ogres, and about the dark sciences that ensured their rule.

Well damn, now that was a very impressive read.  Ogres was an excellent and captivating read and Tchaikovsky does an incredible job setting up a particularly unique and imaginative scenario and running with it to create a fantastic and highly addictive read.

I really loved the powerful and elaborate story that Tchaikovsky featured in Ogres, and what made it even more impressive was how much he managed to fit into this shorter novella format.  The story has a slightly slow start to it that sets up the world ruled by Ogres and introduces the reader to the protagonist, Torquell.  After a terrible incident forces Torquell to seek revenge, he goes on the run, only to find out more about the Ogres and the humans they enslave around the world than he ever expected.  This story goes into some very interesting places, blending several genres together and simultaneously providing some compelling commentary on the world of Ogres, and ours at the same time.  There are some great reveals at the centre of the story, especially as Torquell learns more and more about how the Ogres came to rule, and the revelations he uncovers drive him forward into revolution.  This entire last quarter of Ogres, when Torquell brings the fight to his foes, is pretty brilliant, and I loved seeing how he orchestrates his battle.  Everything leads up to a fantastic conclusion, which honestly left me pretty damn shocked and impressed beyond all belief.  Tchaikovsky brings a ton of great story elements together in the conclusion as you see everyone’s narrative come full circle in a big way.  However, the real joy is a particularly excellent and impactful twist that completely changes everything you thought you knew about Ogres and really upends the entire narrative.  I deeply loved how Tchaikovsky switches things up at the end, and this twist proves to be the perfect way to end this exceptional and intense novella.

I really must commend Tchaikovsky’s brilliant writing style in Ogres, as there are so many damn layers to how he brings this story together.  However, I must first highlight how well the author inserts such a complex story into such a short number of pages.  The full story is so well paced out, and he manages to fit in so much worldbuilding and detail, which really shouldn’t be possible.  However, it is, and he does, and I loved every damn second of it.  This story has a little something for everybody as it stretches between science fiction, fantasy, historical fiction, and political commentary.  Tchaikovsky fits in several intriguing messages about freedom, rights, modern society and more throughout this story, all of which ends up fitting the narrative frame of Ogres extremely well.  One of the more distinctive things about how Ogres is told is the use of a mysterious narrator who utilises a second person perspective to tell the story.  This was a unique way to bring Ogre’s narrative to life, and it really made this story stand out in several ways.  I must admit that at first, I wasn’t the biggest fan of this narration style at first, but as Ogres continues, I did get used to it, and I found that it worked to tell the complex story and give it a more classic, heroic edge.  However, you don’t realise just how clever this choice of narration style is until the very end of the book when the twist comes into play.  It turns out that there is a very specific reason why the story is told in this way, and I deeply enjoyed how this epic turn adds so much to everything you have just read.  Throw in some very well established and polished character journeys, especially around the protagonist, that sees them grow as a person (literally and figuratively), and you come away with a very deep appreciate for Tchaikovsky’s rare ability to tell a story.

While the story and the impressive writing are pretty damn epic, one of the main things that I loved about Ogres was the sheer inventiveness of the world that the story is set in.  Tchaikovsky has come up with another elaborate and fantastic scenario for his latest work, presenting a world in which Ogres rule over humans with their size and technology, and the corresponding world is such a joy to behold.  The initial view of the world shows the Ogres as domineering landlords ruling over multiple villages, acting very much like country lords romping around their estates, treating all the humans like edible serfs.  This was a great concept to behold, and it gets even better when the protagonist travels further afield.  He soon sees a world completely dominated by the Ogres, with humans crammed into factory towns, like classic London factories, other humans forced in a Napoleonic-esque war for the Ogres’ amusement, and a weird mixture of technology and society elements from across history are present throughout the world.  I loved how Tchaikovsky blended a race of Ogres with settings reminiscent of iconic periods of British history, and it gives the book such a distinctive flair.  However, the world gets even more complicated when you learn the full scope of who and what the Ogres are, which provides the book more of a science fiction edge at that point.  Tchaikovsky does a beautiful job of effectively introducing every single wonderful facet of his complex world to the reader, and you quickly understand everything about it in a very short amount of time.  The story balances wonderfully through this world and Tchaikovsky of course takes the time to add in a few societal messages, and I particularly enjoyed how well this setting skirted the genre boundary and made Ogres a compelling mix of historical, fantasy and science fiction features.

I ended up quickly listening to Ogres on audiobook, which was a great way to dive into this compelling book.  Coming in at just under five hours in length, Ogres was a very short listen, but it still has plenty of time to get you hooked and introduced to the entire unique world.  Narrator Emma Newman does a great job of dragging listeners in with her quick narration, and I liked her take on several of the characters, especially as when she makes the Ogres seem particularly brutal and cruel.  Her voice also works for the second person narration I mentioned before and I quite enjoyed the fantastic edge she gave to this overlying narration, especially towards the end.  As such, I would strongly recommend the audiobook format to anyone interested in checking out Ogres, and it proved to be a brilliant way to enjoy this shorter story.

I think it is fairly easy to say that I loved this awesome novella and I am really glad that I listened to it.  Ogres is such a clever concept and Adrian Tchaikovsky came up with a brilliant and powerful story that really keeps you engaged the entire way through.  The entire novella is extraordinary from start to finish and you will be utterly enthralled the entire way through.  I had such a great time with Ogres and I look forward to seeing what other elaborate stories that Tchaikovsky has created.

Amazon     Book Depository

Quick Review – I Say Your Name in the Dark Nights by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Fantasy, Quick Review, Short Stories2 Comments

I Say Your Name in the Dark Nights Cover

Publisher: Macmillan Audio (Audiobook – 29 November 2022)

Series: Kagen the Damned – Book 1.5

Length: 1 hours and 20 minutes

My Rating: 4.5. of 5 stars

Amazon

Get ready to dive back into the crazy world of Jonathan Maberry’s epic Kagen the Damned series with the intriguing and fun novella, I Say Your Name in the Dark Nights.

Readers of this blog will know that I am a pretty big fan of acclaimed thriller/horror author Jonathan Maberry, and my experiences getting into his books are well documented across The Unseen Library.  I have been a particular fan of his impressive Joe Ledger science fiction thriller books (which includes books like Patient Zero, The Dragon Factory, Code Zero, and Dogs of War), his sequel Rogue Team International series (made up of Rage and Relentless), as well as his standalone horror read Ink.  These excellent thrillers cleverly feature science heavy villains or reimagined supernatural foes to great effect, and I love the dark and elaborate stories they contain.

Maberry changed his game around last year when he presented his very first pure fantasy novel, Kagen the Damned.  An extremely dark and shocking read set in a new fantasy realm, Kagen the Damned follows Kagen Vale, a former hero and royal protector who loses everything in a single night when the force of the Witch-king of Hakkia suddenly invade, destroying his home, family and the children he was sworn to defend.  Traumatised by the carnage he witnesses and forsaken by his gods, Kagen believes himself truly damned and walks around the country in a daze before managing to pull himself together to launch a counterattack.  I had an outstanding amount of fun with Kagen the Damned, especially as Maberry made great use of his trademark writing style and successfully combined it with a fantasy setting and narrative.  Kagen the Damned ended up being one of my favourite books and audiobooks of 2022, and I have been very keen to continue the series.  While I haven’t had a chance to listen to the recently released sequel, Son of the Poison Rose (one of my most anticipated fantasy novels of 2023) yet, I did manage to quickly listen to the connected novella, I Say Your Name in the Dark Nights, which proved to be a lot of fun.

I Say Your Name in the Dark Nights is a short and sweet novella that showcases a quick and brutal adventure around Kagen during the period where he drunkenly wanders around the lands.  Featuring an intriguing new enemy, this is a very typical Maberry read, with a ton of violence, sex and some impressive horror iconography.

Plot Synopsis:

Kagen Vale—disgraced former palace guard, damned by his own gods, on the run from bounty hunters and assassins—discovers that no matter where you try to hide, evil can find you. In this standalone short story, Kagen the Damned squares off against a clan of ferocious supernatural predators in service to the Witch-king.


I Say Your Name in the Dark Nights was an excellent read that is guaranteed to whet reader’s appetites between Kagen the Damned and Son of the Poison Rose.  The plot itself is fast-paced and action packed as Kagen, drunk and depressed in the woods, comes across a young woman being chased by a pack of deadly wolves and rushes to her defence.  However, Kagen soon finds himself at the mercy of his supposed damsel as she is revealed to be a deranged werewolf hired by the Witch-king to kill him.  Maberry tells an effective and exciting story around this concept, which doesn’t take long to unfold.  For example, the audiobook version I listened to was only an hour and 20 minutes long, which I finished in a single setting.  As such, you really breeze through I Say Your Name in the Dark Nights, since Maberry ensures that it has a very concise and comprehensive story to it.

I really liked how this entire narrative came together, and it was fun to see Maberry’s typical writing style compacted down into novella form.  The action is brutal and bloody, the characters are very over the top, and it serves as an interesting continuation of the previous narrative from Kagen the Damned.  The plot itself is very self-contained, and at times it felt more like an extended interlude from the first book.  As such, fans of the first novel will have the most fun with I Say Your Name in the Dark Nights, although anyone familiar with Maberry and his horror-based books will know what they are in for.  The author has a lot of experience writing werewolf fiction, and the brutal transformations, excessive violence and inhuman nature of the characters, which really freak the protagonist out, make for some striking and compelling scenes.  Due to the length, there isn’t a great deal of universe expansion here, which isn’t too surprising, as the author focuses more on the story.  However, there are a few hints at the changing world, such as Kagen being forced to deal with more and more supernatural monsters, and he luckily comes across a useful weapon that may aid him in the future.  Plus, Maberry really showcases the continued assistance/stalking that Kagen receives from the mysterious nightbirds, which hints at things to come while also increasing the Lovecraftian feel of the entire story.

A good deal of the focus of I Say Your Name in the Dark Nights is once again on the depressed and broken Kagen Vale.  Just like with Kagen the Damned, Kagen is severely damaged and drunk, having still not recovered from the devastating events of the first book.  While the action and events of the story briefly recover his wits, he is still forced to again deal with horrors outside his understanding and watching him try and overcome the odds whilst being severely outclassed is a fantastic part of this outstanding story.  Kagen of course reverts to his more bloodthirsty and deadly persona to survive, but it takes every aspect of his being to get there, and you really feel his pain, both physical and emotional.  The audiobook version really encapsulate this, especially with the always impressive narration of Ray Porter, who is such an expert at diving into Maberry’s complex and brooding protagonists.  I deeply enjoyed seeing a struggling Kagen through Porter’s narration again, and it adds some great layers and impact to the overall experience.

Unsurprisingly, I loved my latest Jonathan Maberry experience, and I Say Your Name in the Dark Nights is an impactful and captivating read.  Serving as an electrifying and compelling companion novella to the wider Kagen the Damned series, I Say Your Name in the Dark Nights provides a fun and brutal new adventure for fans to sink their teeth into, and anyone who loved Kagen the Damned will have an epic time here.  I highly enjoyed this cool novella, especially in its audiobook format, and it has got me particularly excited for the next entry in the series.  I am planning to start listening to Son of the Poison Rose this week, and I know I am going to have an exceptional time doing so.

Amazon

Quick review – Warhammer 40,000: Dredge Runners by Alec Worley

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Quick Review, Science Fiction, Short Stories, Tie-in Novel, Warhammer14 Comments

Dredge Runners

Publisher: Black Library (Audiobook – 8 August 2020)

Series: Warhammer Crime

Length: 1 hour and 1 minute

My Rating: 5 out of 5 stars

Amazon

Prepare to dive into the dark and fun world of the Warhammer Crime subseries with the short but incredible hilarious audio drama, Dredge Runners by Alec Worley.

Fans of this blog will be well aware of my current obsession with all things Warhammer fiction, as I have been making an effort to try out a range of their recently released books, all of which have been highly entertaining reads.  One of the main things that I love about the tie-in fiction that surrounds the Warhammer tabletop games is the sheer range of different stories that can be told, especially as the various authors associated with this franchise often go out of their way to blend it with other genres and story types.  As a result, there are several great Warhammer sub-series out there at the moment, including the Warhammer Crime books, which dive into the criminal underbelly of the Warhammer 40,000 universe and presents the readers with some intriguing and unique adventures.

I have been meaning to check out some Warhammer Crime novels for a while, especially as there are some quite fascinating sounding books already part of it.  I love the idea of the grim and gothic Warhammer universe blending with a more traditional crime fiction read, and I know I am going to have a lot of fun with all of them.  As such, when I saw that a new Warhammer Crime book, The Wraithbone Phoenix by Alec Worley, was coming out, I thought that it would be a good entry point to the wider Warhammer Crime sub-series.  However, I noticed that The Wraithbone Phoenix was actually a follow-up to a previous short story by Worley, Dredge Runners, which was released in 2020 as a full-cast audio drama.  Well, I am a reviewer who likes the get the complete picture and considering that Dredge Runners was just over an hour long I figured I would listen to it quickly to get some context before diving into The Wraithbone Phoenix.  As such, I listened to the whole of Dredge Runners in one go this morning, and it proved to be quite an amazing and amusing listen.

Goodreads Synopsis:

A Warhammer Crime Audio Drama

Baggit the ratling and Clodde the ogryn fight to survive on the mean streets of Varangantua as powerful enemies close in from all sides.

LISTEN TO IT BECAUSE
Experience the sounds of a crime-ridden city and enjoy the twists and turns of a tale starring some of the more unusual inhabitants of the Imperium of Man.

THE STORY
Baggit is a fast-talking ratling sniper with a greedy eye and loose morals. Clodde is an ogryn, a brute with a core of decency and a desire for a better life. Two abhuman deserters turned thieves, at large in the monolithic city of Varangantua, where only the tough or the ruthless survive. Having landed in debt to a savage crime lord, Baggit and Clodde end up in the crosshairs of the meanest, most puritanical sanctioner in the city. Caught between two powerful enemies, and with innocent lives at stake, the unlikely companions must think fast and hustle hard before death points a las-pistol in their direction… 

Unsurprisingly, Dredge Runners turned out to be just as amusing and fantastic as the plot synopsis suggested.  I loved the idea of two abhumans, in this case a ratling (a futuristic halfling sniper) and an ogryn (ogre), getting involved in a series of disastrous criminal enterprises after getting caught between the city’s biggest crime lord and a puritanical sanctioner (law enforcement official).  Despite its short runtime, Worley achieves a lot with Dredge Runners, perfectly introducing his excellent protagonists and taking them on a wild science fiction thriller adventure that includes hilarious exchanges, failed undercover operations and explosive heists.

Told completely through dialogue (with some sound effects giving off extra context), Dredge Runners’ story draws you in within the first few minutes as the author blends the more outrageous elements of the Warhammer 40,000 universe with a dark but amusing crime fiction narrative.  Due to the length, you do not often get the full story of the events taking place, but the subsequent reaction by the characters allows you to imagine the full destructive scope of their actions, and it often proves funnier this way.  There is a real focus on humour in this short production, and I was constantly left in stiches at some of the fantastic antics that the main characters get up to as a chaotic team.  However, the story also has some real heart to it, especially towards the end when the protagonists are forced to make some tough decisions about their future, and they find their greed crashing up against their moral responsibility to other abhumans.  Throw in some memorable and deeply cynical propaganda messages from the city authorities that shows just how corrupt and repressive the entirety of Imperial culture is in the Warhammer 40,000 universe (the one that concluded the story had me laughing hard), and this proves to be an outstanding Warhammer production that I had an absolute blast getting through.

One of the main things that Worley achieved with Dredge Runners is the successful introduction of protagonists Baggit and Clodde, who serve as a fantastic central duo.  On the surface, Baggit is a thieving rattling who serves as the team’s leader and plan maker, while Clodde is the muscle, going along with Baggit’s plans and often messing them up by not understanding them.  However, there is a lot more to both of them.  Baggit is desperate to escape the dark life they currently have in Varagantua and feels a responsibility to Clodde due to their connected past.  Clodde, on the other hand, is a rather unique and amusing ogryn character, who has an unusual intellectual side after getting shot in the head (by Baggit).  As such, Clodde comes off as surprisingly deep and philosophical, and he is way smarter than he appears, especially when it comes to Baggit’s antics.  These two play off each other perfectly, especially with Clodde acting as the group’s conscious, and their eventual attempts to get justice and do the right thing, paints them in a much different light that makes them even more likeable.

I really need to highlight the outstanding way that this audio drama was presented, as the fantastic production melded well with Worley’s great script.  Acted out by a full cast of talented voice actors and narrators who tell the entire story through dialogue, this was a really fun Warhammer presentation to listen to, especially as the dialogue was also enhanced by some great sound effects and small bits of music.  I was particularly impressed by the voice actors, as each of them gave it their all when it came to their specific character/characters, moulding their voices to fit their distinctive traits and personalities.  The cast was led by Jon Rand (Baggit) and Paul Putner (Clodde), who I previously deeply enjoyed in Ghazghkull Thraka: Prophet of the Waaagh!.  These two actors did an outstanding job with their abhuman characters in Dredge Runners, and they play these two humorous figures perfectly, showcasing their different natures while also slowly revealing their outstanding hidden hearts.  These two are expertly matched by Emma Noakes and Kelly Hotten, who play the antagonistic crime lord and sanctioner respectively.  Noakes and Hotten both bring some outstanding menace to their roles, and I loved hearing these more serious characters attempt to deal with the chaotic main characters.  The voice cast is rounded out by veteran narrators, David Seddon and Andrew James Spooner, who narrate some of the fun supporting characters, and I loved some of the unique and compelling voices they brought to the table.  This entire audio drama comes together extremely smoothly, and listeners are constantly aware of all the actions going on in the story, especially with the fantastic cacophony of explosions, gunshots and screams that often happen around Baggit and Clodde.  I had a wonderful time listening to Dredge Runners in one go, and you will not be disappointed with this excellent audio production.

Overall, Dredge Runners was an awesome and highly impressive Warhammer 40,000 short, that is well worth checking out.  Not only did Alec Worley come up with a captivating and deeply hilarious narrative and script for this production but it features an outstanding and talented voice cast who perfectly perform it.  As such, Dredge Runners was a particularly epic introduction to the Warhammer Crime sub-series, and I had an outstanding time seeing just how amazing and unique crime fiction in the Warhammer 40,000 universe can be.  I am really glad that I chose to check out Dredge Runners first, and I honestly was surprised at just how perfectly entertaining this short audio drama turned out to be.  As such, I am giving it a five-star review and I am now extremely excited to see how the next adventure of Baggit and Clodde turns out in The Wraithbone Phoenix.

Amazon

The Law by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Short Stories9 Comments

The Law Cover

Publisher: Podium Audio (Audiobook – 5 July 2022)

Series: The Dresden Files – Book 17.5

Length: 3 hours and 22 minutes

My Rating: 5 out of 5 stars

Amazon

Prepare to dive back into the wild world of Jim Butcher’s iconic Dresden Files series with the latest impressive novella, The Law.

Readers of this blog might have noticed that I usually don’t go out of my way to read too many novellas or short stories and instead usually focus on full-length novels and comics.  This isn’t so much a deliberate choice as I just prefer whole books I can really sink my teeth into.  However, I had to make an exception for the latest Dresden Files novella that Jim Butcher just dropped, as I have been deeply enjoying this epic series.

The Dresden Files are a long running series of urban fantasy novels that follow protagonist Harry Dresden, a wizard who protects the people of Chicago from the magic beings and creatures they don’t even know exist.  People may remember that I first got into the Dresden Files back in 2020 when I checked out the 17th entry in the series, Battle Ground.  While I did enter this series late in the game, I still had an outstanding time with Battle Ground and it ended up being one of my top books and audiobooks of 2020.  In fact, I enjoyed it so much that I went back and started reading the series from the beginning.  So far, I have been able to read the first four Dresden Files novels, Storm Front, Fool Moon, Grave Peril and Summer Knight, all of which have been pretty impressive and captivating reads.  This dive into the older novels, plus my lingering enjoyment of Battle Ground, ensured that I was ready and eager for any new Dresden Files content that came my way, and Butcher just delivered with his latest novella, The Law.

Set a month after the events of Battle Ground, The Law sees Harry Dresden and the city of Chicago still recovering from the invasion of the Titan Ethniu and her forces, which resulted in significant destruction.  However, Dresden is primarily mourning the tragic death of his love, Karrin Murphy, and even his new responsibilities as lord of a castle and protector of Chicago isn’t enough to keep his mind off his loss.  Determined to snap Dresden out of his funk, his friends decide to get him back to basics and introduce him to someone in need of a good investigator.

Enter Maya, a former prostitute turned tutor whose grassroots education company helps to supplement the education of Chicago’s working-class children.  Working hard, Maya has managed to turn her tutoring business into a viable, if low-profit, franchise that prioritises helping as many children as possible.  However, Maya’s past life is about to come back to haunt her in the form of her former pimp, Tripp Gregory, who initiates a bogus lawsuit against Maya’s company for a ridiculous sum.  Unable to afford a lawyer and desperate for help, Maya has no choice but to turn to Chicago’s resident miracle worker, Harry Dresden.

Deciding to the take on the case and hoping to quietly warn Tripp away from Maya, Dresden soon discovers that sometimes the most dangerous opponent is a greedy idiot concerned only for themselves.  Worse, Tripp and the case have unexpected connections to the magical world, with dangerous players taking an interest in its outcome.  Forced to deal with old and new foes of considerable power, Dresden will need all his wit and will if he is to save Maya’s business and ensure that justice is found.

Well, that has gone a long way to convincing me to check out more novellas in the future.  The Law was an epic read that took Butcher’s always outstanding Dresden File’s protagonist on a short, but extremely sweet, adventure.  Bringing Butcher’s usual flair and style, while also expanding on events from the last book, The Law was a great read that gets a full five-star rating from me.

Butcher pretty much teaches a master class on how to do a short, concise and captivating story here in The Law as, despite its length, this novella had an impressive and fun narrative that I found to be utterly addictive.  Not only does it serve as a great follow up to Battle Ground but it showcases some amazing character work while presenting the protagonist with an intriguing new adventure.  The story is so much fun, and I loved how it started as seemingly non-magical job and then morphed into something more dangerous and problematic as Dresden finds that it has connections with the magical world that forces him to deal with some of Chicago’s key players, including some old enemies.  Bringing a small but enjoyable amount of legal thriller aspect to the series’ usual urban fantasy crime fiction style, The Law goes in some fantastic directions, as Dresden attempts to placate all the players while also serving his client.  There is a great bit of action, a ton of humour, some intriguing revelations, and even some pretty dark moments, which combine extremely well to create quite the impressive narrative.  I loved how Butcher wrapped the entire novella up, especially with that one conference scene near the end, and the reader comes away very satisfied and entertained with the entire affair.  I cannot emphasise how great this story was, and I was so damn enthralled by it that I nearly finished it in an entire sitting.

One of the things that I particularly liked about The Law is the way that it serves as a bridging novella between Battle Ground and any future entries in the series.  Butcher spends a lot of time in this story looking at the aftermath of the previous novel, especially as Battle Ground featured that epic battle that saw Chicago nearly levelled.  As such, Butcher packs The Law with a ton of callbacks to the events of the last book, and there is a huge focus on how the various characters are dealing with the aftermath, especially Dresden.  There is also a very fascinating look at the rebuilding that is occurring during this time, as well as the current state of the citizenry, many of whom are traumatised or damaged because of a battle most of them couldn’t even fully comprehend.  I really appreciated seeing the various figures featured in The Law remembering or trying to understand the events of Battle Ground, whether they are a magical person who lost someone, a normal person who went through hell, or even one of Dresden’s Knights of the Bean, who now bear a dark connection with the protagonist.  Some of the details that came out as a result are deeply fascinating, and there are even a few hints about where some potential future storylines might go, such as increased Government awareness of magic (you see evidence of them covering up the events of Battle Ground here), or the increased fear that might lead to humans attacking magic kind in the future.  All of these are featured heavily in The Law, and I liked how it was well utilised for the current story, while also showing fans of the series how different the landscape of Chicago will be in the future.  I would say that this focus on the aftermath of Battle Ground did make The Law a little less accessible to those readers who haven’t read the latest Dresden Files novel, however, I think that if you are interested in reading this, then you should definitely read Battle Ground first.

I also must talk about the great character work featured in The Law.  Despite its shorter length, Butcher manages to fit a decent number of characters in The Law, and there are some impressive character arcs and development that occurs as a result.  Naturally, most of this is focused on series protagonist and central point-of-view character, Harry Dresden, who puts on his usual brave face for most of this novella, bringing his usual insights and wicked humour to the new case.  However, it soon becomes very apparent that Dresden is still heavily traumatised by the events of Battle Ground, where he lost so much because of the war.  Despite his best efforts to hide it, Dresden is a wreck for much of the story, and it was quite confronting and moving to see him experience blackouts and emotional strains due to the tragedies he has experienced.  I think that Butcher covered his protagonist’s trauma and grief in a pretty realistic way, and I liked how he tried to use an old-fashioned investigatory case as a coping method for Dresden.  It was great to see Dresden going back to his roots as a private investigator after the chaotic and world-altering events of the last few books, and it was interesting to see how much the character’s powers, methods, insights and choices have changed as a result of everything he’s seen.  The Law ended up being quite an intense and fantastic look in the recovering Dresden and readers will like seeing his emotional damage, his recovery, and even some of his darker moments that are contained within this excellent novella.

Aside from Dresden, The Law features an excellent array of supporting characters, who bring a lot to the narrative.  Butcher made sure to include a combination of new faces and existing characters to fill out the cast, and I had a blast with how they were utilised throughout.  Several of the funniest and most interesting recurring figures from the series had substantial roles here, including Bob, Gentleman John Marcone, and even Mab, and each of their appearances and interactions with Dresden were entertaining and fitting with their previous appearances.  I enjoyed many of the great new characters that Butcher introduced here.  Some of them, including a devilish lawyer with a shrouded identity, may come back in the future, and it will be interesting to see how they are utilised.  I also enjoyed main antagonist, Tripp Gregory, mainly because he was so different that Dresden’s usual antagonists.  Rather than being a magical creature or a major threat, Tripp is a normal and rather idiotic criminal, who has a surprising power: he’s too stupid to believe in magic and too self-centred to avoid all the trouble Dresden is bringing his way.  Dresden’s reactions to having to deal with such a selfish and unusual opponent makes Tripp’s inclusion totally worth it, and I had fun seeing his arc unfold.  These characters, and more, were awesome inclusions to The Law, and their unique inputs added a lot the quality and entertainment value of the entire novella.

Finally, a quick note on the audiobook format, which was how I enjoyed The Law.  The Law audiobook has a very short run time of just over three hours and is a relatively easy audiobook to get through.  I always find myself really getting into Butcher’s excellent stories in this audio format, and this continued here with The Law, and it really helped me enjoy all the novella’s fun and entertaining details.  Probably the biggest thing about The Law audiobook was the choice of narrator.  I was deeply, deeply shocked when I discovered that long-time Dresden Files voice actor, the legendary James Marsters, wasn’t narrating The Law, and instead Butcher himself took over and voiced the entire thing.  Surprisingly, this ended up working out rather well and Butcher turned out to be a pretty competent and enjoyable audiobook narrator.  Don’t get me wrong, he’s no James Marsters (a point Butcher makes up-front, after promising Marsters would come back for future novels), but he does a really good job considering his lack of experience.  All the characters are given good, distinctive voices that fit their personalities and showcase their emotions and reactions perfectly.  His voice for Dresden was particularly good, and Butcher captured his creation’s cocky nature and damaged inner self perfectly.  While some of the accents he did were a little iffy, this was an overall fantastic performance from Butcher, and it was fun to see him contribute to his work in this way.  The Law audiobook ended up being an excellent and impressive way to enjoy this fantastic story, and it is easy the format I would most strongly recommend.

Jim Butcher continues to expand his epic Dresden Files series in some fantastic ways with the new novella, The Law.  Containing a compact, but highly impressive story loaded with some of Butcher’s best characters, The Law proved to be extremely entertaining and a lot of fun to get through.  Serving as a perfect follow-up to the major events of the last novel, The Law was an excellent and powerful entry in this long-running series that is a must read for all Dresden Files fans.

Amazon