Howling Dark by Christopher Ruocchio

Howling Dark Cover

Publisher: Gollancz and Recorded Books (16 July 2019)

Series: Sun Eater – Book 2

Length: 679 pages or 28 hours and 3 minutes

My Rating: 5 out of 5 stars

Outstanding new author Christopher Ruocchio, who blew me away last year with his debut novel, Empire of Silence, returns with the second book in his brilliant Sun Eater series, Howling Dark.

Empire of Silence was one of my favourite books from last year, easily making my Top Ten Reads for 2018 list, and I absolutely loved the author’s highly addictive story and its vast new science fiction universe. This was a fantastic first book from Ruocchio, and when I finished it, I really wanted to know what happened next. As a result, I have been waiting to read this sequel for a while, having done a Waiting on Wednesday article on it and including it on my Top Ten Most Anticipated July – December 2019 Releases list. I was pretty excited to receive a copy of this book a few weeks ago, especially as Ruocchio was nice enough to mention my blog in his acknowledgements (this has not affected my review or rating in any way). However, due to having a huge number of other books that were high priority reads, I ended up listening to the audiobook format of Howling Dark instead, which is narrated by Samuel Roukin. I had extremely high hopes when I started reading this book, and I was definitely not disappointed by the final result.

The Sun Eater series is set far in humanity’s future, where humans have left Earth and expanded out to thousands of worlds. While humanity, mostly in the form of the Roman-inspired Sollan Empire, has flourished, for the last four hundred years they have been fighting a brutal and destructive war with the Cielcin, a spacefaring race of aliens who have destroyed hundreds of colonies and billons of humans. Each of the books in the series is written as a part of the autobiographical chronicle of series’ protagonist, Hadrian “Halfmortal” Marlowe, otherwise knowns as the Sun Eater. Hadrian is the man who will one day destroy a sun in order to burn every Cielcin to a cinder, and in doing so become both history’s greatest hero and most infamous monster. However, these events are set to occur much further on in the future, and these earlier books focus on the events that formed Hadrian’s character, and show how he became the man to end it all.

In Howling Dark, the story is set some 50 years after the events of Empire of Silence. During this time Hadrian Marlowe has been wandering the outer fringes of the galaxy trying and failing to find a myth. Leading a band of mercenaries, former gladiators and disguised Imperial legionnaires, and carrying a cargo of frozen Cielcin prisoners, Hadrian hopes to travel the lost planet of Vorgossos. The planet’s mysterious master apparently has a way to contact the Cielcin, who Hadrian hopes to finally negotiate peace with, ending the brutal war that has ravaged both races.

However, finding Vorgossos has proven far more difficult than Hadrian initially anticipated. The legendary planet is well hidden, and the only way to uncover its location is to deal with the Extrasolarians, a group of humans who live outside of Imperial control and whose reliance on technology and enhancements borders on the heretical. As Hadrian and his companions locate a promising lead, they are suddenly ordered back to the fleet as the war against the Cielcin needs every soldier.

Determined to bring his plan for peace to fruition, Hadrian and his companions disobey these orders and go rogue. Entering the worlds of the Extrasolarians, the Exalted and other grim horrors at the edge of the known universe, they are able to obtain passage to Vorgossos. However, what they find at their destination may be even worse than the alien foes they are attempting to contact. Between facing technological monstrosities, a cruel, immortal king and the appearance of humanity’s oldest and most feared enemy, Hadrian has his work cut out for him. But the further along his path he travels, the more Hadrian begins to understand the grim destiny in front of him and the terrible cost he will have to pay.

This is another epic book from Ruocchio! Howling Dark is a dark, gothic science fiction masterpiece that was an absolute treat to read, and which really highlights the author’s creativity and ability to create a wide-ranging universe with some unique and captivating features.

This was another incredible and ambitious story from Ruocchio, who takes the reader on an extended and powerful adventure through his great universe. The Howling Dark contains a lengthy and compelling plot which goes in some very interesting directions. While this is a long book, Ruocchio does a great job of pacing the story out, and there is rarely a moment where the plot is not progressing in an intriguing way, or where the reader is left bored. I really enjoyed some of the dark places that the author took the story in this book, and there are a variety of cool new locations, antagonists and other monsters that the protagonist and his friends need to deal with in one way or another. Hadrian goes through some notable character development in this story as he takes more and more steps down the road to becoming the biggest legend in the universe. Howling Dark has a pretty epic conclusion to it, with some major plot developments occurring in the last 100 pages or so, and I really liked how Ruocchio wrapped up the storyline. Overall, this book has an intense and captivating storyline to it, and I am exceedingly glad I got a chance to read it.

I did find that the start of the book was a tad hard to get into. Due to the complex storylines (and possibly because I have read so many different books in the last year) it took me a little while to remember whom some of the characters were and where the plot was up to. It did not help that the story had jumped ahead by 50 years, and some of the events that occurred during this break are mentioned a few times at the start of the book. However, once I was able to get my bearings, it did not take me long to get hooked on the story and I had no problems following the enjoyable plot, especially as the author does a great job explaining these missing events and offering the reader several recaps of the events from the first book. Readers of the physical copy of Howling Dark will also be helped by the detailed dramatis personae, index of worlds and lexicon of terms that is included at the back of the novel, which can really help to clear up some confusion about the events that have occurred. I would say that readers would probably be best served checking out Empire of Silence first before trying to read Howling Dark, but I believe that new readers will be able to fully enjoy this story once they reach the recaps and get a sense of what happened in the previous books.

I really enjoyed how Ruocchio continued to write his story in the chronicle format that worked so well in the first book. Each of the books in the Sun Eater series are presented as part of a self-written chronicle of Hadrian’s life, penned some years in the future after he destroyed the sun. As a result, the story is told exclusively from Hadrian’s perspective and features his memories of the various events that formed his character. This is a great way to tell the story, mainly because the reader gets to see a contemplative version of the narrative. There is a real and palpable sense of regret in Hadrian’s narration, which really adds to the book’s grim tone, as the reader gets to hear the protagonist recount events that are not only traumatic for him, but which set him down the path to his defining moment. Due to Hadrian’s lifetime of self-reflection, you also get a far more in-depth examination of the character’s motivations for taking certain actions, as well as an analysis of why other characters acted the way did, which adds a great edge to the story. I also liked how the protagonist hinted at some of the key moments that occur later in the book or may occur in later books. This dramatic irony does a wonderful job of keeping a sense of tension in the air, as the reader knows that the worst is yet to come. Ruocchio’s use of the chronicle format for these novels is cleverly done, and I really enjoyed how it helped enhance the overall story.

Possibly Ruocchio’s biggest strength as a writer is his amazing ability to come up with a widespread and intriguing new universe to use as a setting for his fantastic story. This was one of my favourite things about Empire of Silence, as I loved the large, sprawling human empire that Hadrian lived in during the first book. This Sollan Empire was created after a major war with artificial intelligences thousands of years before, and therefore any technology that is too advanced or which thinks for itself is considered heretical by a controlling religious organisation. The massive empire is heavily inspired by the Roman Empire, with a similar government, military system, social castes and culture. This also affects the overall tone of the story, as the narrator, Hadrian, is a true son of this empire, and thus has a classical education that guides his overall view of life. As a result, the story is filled with the Hadrian quoting a number of historical verses and aphorisms to tell his tale, which really helps to give the overall story a more classic tone in the science fiction environment. I really liked this cool combination of science fiction elements with this antique mindset, and the general history of the Sollan Empire, with its veneration of other historical empires such as the Romans or the Victorians, is deeply interesting. This Sollan Empire actually reminded me a bit of the Imperium from Warhammer 40k, which also has a Roman inspiration and overarching gothic theme to them. As a fan of Warhammer 40k, it was cool see a universe built along similar ideas, and Ruocchio comes up with a number of clever and unique new elements to make his Sollan Empire stand out. Although most of the story in Howling Dark is spent outside of the main empire, the author still spends time expanding on elements of this massive organisation, and the reader gets more of a sense of them. I especially enjoyed seeing the Imperial legions in battle during this book, and it results in a number of incredible scenes that I really enjoyed.

Ruocchio also does an outstanding job introducing a number of intriguing new universe elements to this book in the form of the Extrasolarians. I found the dive into the world of the Extrasolarians to be extremely fascinating, especially as Ruocchio let his creativity run wild during this part of the books, coming up with all manner of technological marvels, body augmentations, genetic modifications and other science fiction wonders. However, many of these technologies have a darker side to them, which the protagonist and his friends find out the hard way. Some of these modifications are downright creepy, and this really helped the author create a dark and distinctive expansion to his universe. I was especially impressed with one of the new antagonists of this story, Kharn Sagara, a sinister, technologically enhanced ancient with hidden motivations (check out the cover below to see how cool his character design is). The reader also gets a much more in-depth look at the Cielcin in this book, as the protagonist starts to understand more about them and how they think. Ruocchio does a fantastic job exploring the mindset of these creatures and showing them as truly alien beings with very little similarities to humanity, and the reader starts to get an understanding of why Hadrian will eventually be forced to destroy them. All of this is really cool, and I could honestly go on for pages about all the cool world building that Ruocchio does in this book, it was that impressive.

As I mentioned above, I ended up listening to Howling Dark’s audiobook format. The audiobook runs for 28 hours and 3 minutes and is narrated by Samuel Roukin, who does a fantastic job bringing this story and the characters to life. This is a lengthy audiobook, and readers will need to make a bit of room in their listening schedule to get through it. It is actually the longest science fiction audiobook that I have ever listened to (so far) and would easily make my Top Ten Longest Audiobooks That I Have Listened To list. I found that Howling Dark’s audiobook format was a great way to enjoy this epic novel. I always find that listening to a complex story helps me absorb a lot more of the story and universe details, making for a much fuller read. This was definitely true for Howling Dark, as I was able to really appreciate the huge amount of gothic science fiction detail that Ruocchio installed in his work. I also found that Roukin’s narration also did a wonderful job of capturing Hadrian’s inherent regret and despair, and this really helped me appreciate the entirety of the book’s story. Roukin also creates some terrific voices for the various characters and does a fantastic job bringing them to life through the audiobook. This was a fantastic format to enjoy Howling Dark with, and I will strongly consider listening to the audiobook of the next book in this series.

Overall, I think that Christopher Ruocchio does an excellent job following up on his spectacular debut, Empire of Silence. Howling Dark is an amazing read that I absolutely loved. Ruocchio has come up with a complex story for this book, which is massively enhanced by his clever writing style and impressive imagination. Clearly, Empire of Silence was no fluke, as Howling Dark gets a full five stars from me. I am really looking forward to checking out the next book in the series, especially as Ruocchio has left a huge number of intriguing storylines open, and I fully intend to stick with this series until Hadrian destroys that sun.

Howling Dark Cover 2

Graveyard Shift in Ghost Town by Michael Pryor

Graveyard Shift in Ghost Town Cover

Publisher: Allen & Unwin (Trade Paperback – 1 July 2019)

Series: Ghost Town – Book 2

Length: 307 pages

My Rating: 4 out of 5 stars

Acclaimed Australian author Michael Pryor revisits his Ghost Town young adult series with another entertaining and intriguing story, Graveyard Shift in Ghost Town.

Anton Marin is having an extremely odd gap year. As a member of an infamous outcast ghost-hunting family, Anton can see the ghosts that linger in our world, and he has recently taken up the family business. Working with his new partner, the English badass Rani Cross, Anton works to protect the people of Melbourne from the more dangerous types of ghosts while also ensuring that all the wandering spirits they encounter are helped on to the next world. However, even with Rani’s help, ghost hunting in Melbourne has recently gotten even more difficult as the city finds itself in the midst of a genuine ghost plague. A massive infestation of the most dangerous types of ghosts imaginable is wreaking havoc across the city, and even usually benign or harmless spirits are starting to attack people.

Anton and Rani’s problems are about to get even worse; a deadly cult of Trespassers, humans who use magic to control ghosts for their own ends, is in town and determined to capture anyone with ghost sight for use in their rituals. As Anton and Rani find themselves with a target on their back, Anton must deal with the return of his long-lost aunt Tanja. While Anton is overjoyed to have a member of his family back, he quickly realises that not everything with his aunt is as it seems. What secrets is Tanja hiding and what is her connection to the leader of this group of Trespassers? As secrets and occult dangers arise within Melbourne, the fate of the world hangs in the balance.

Michael Pryor is one of Australian’s most notable authors of young adult fiction, having written a number of fantasy and science fiction novels for a younger audience. Some of his most notable series include The Law of Magic, The Extraordinaries and his six entries in the long-running The Quentaris Chronicles. Graveyard Shift in Ghost Town is the second book in Pryor’s latest series, Ghost Town, and follows on from his 2017 release, Gap Year in Ghost Town. I initially thought that Graveyard Shift in Ghost Town was my first experience reading Pryor’s work, but I actually remember reading some of the books in The Doorways trilogy back when I was kid. While this was something like 20 years ago (and now I feel old), I do know that I greatly enjoyed these books and their clever concept, so I was excited to check it out.

Graveyard Shift in Ghost Town is an interesting and engaging piece of young adult fantasy with a number of cool features. Pryor has done a fantastic job combining a unique concept of ghost hunting with a group of enjoyable characters and grounded the story in the author’s home city of Melbourne. This results in a great piece of fiction that will do a wonderful job of enthralling a whole new generation of young Australian readers. For those readers who are only just coming onto this series, knowledge of the previous book is not a necessity to enjoy this sequel, as the author does a good job of re-introducing the characters, plot details and adventures that were featured in Gap Year in Ghost Town.

One of the most enjoyable aspects of this series is the overarching concept of a world haunted by real and potentially malevolent ghosts, and the adventures of the few individuals who can actually see them. Pryor has populated his story with all manner of different types of ghosts, each with their own specific characteristics, strengths and appearances. Readers will get to see the various ghosts that the protagonists go after, including the Lingers, Moaners, Thugs, Weepers and a new breed of zombie ghosts, just to name a few. All of these ghosts are really cool, and I enjoyed how this book started going into a little more detail about the origins of ghosts and the malevolent forces behind them. I also liked how the story also pivoted towards a more human antagonist in the form of the Trespassers, and it was intriguing to see how a group of people utilising the ghosts for nefarious purposes. It was interesting to see the protagonist’s ghost hunting techniques in action, and it results in some intense action sequences, especially when they have to fight ghosts and the Trespassers at the same time. This is an inventive and clever concept that helps make this series stand out from some of the other young adult fantasy books out there.

Another great distinguishing feature about this book is the author’s inclusion of a contemporary Melbourne setting. I love fantasy stories that utilise modern settings, and Pryor did an exceptional job bringing the city of Melbourne to life. The characters visit all manner of key landmarks in the city throughout the course of the story, and I really liked seeing locations I have visited featuring fights between ghost hunters and spirits. Pryor also uses the opportunity to showcase some of his favourite restaurants and cafes and it was nice to see an author insert elements of a city they clearly love into their story.

In addition to its intriguing concept and excellent setting, I was also impressed with the complex characters in Graveyard Shift in Ghost Town. The main protagonist is Anton, the funny and slightly odd heir to an exiled ghost hunting family with their own unique techniques for dispersing ghosts. Anton serves as the narrator and point-of-view character for the story, and he offers a fun and introspective narration to the book, while the revelations about certain family secrets offer up some interesting drama. The other main protagonist, Rani, is an extremely skilled sword-wielding badass who is a former member of an established ghost-hunting order from England and is an excellent female character for this series. Anton and Rani form a great team in this book, as the two of them find their groove as a partnership and work well against the threats they face. The character of Bec is an interesting third member of this partnership, as not only is she Anton’s oldest friend, who plays a cute game where they try to guess quotes from famous figures, but she is also Rani’s girlfriend, who they share an apartment and cat with. Bec really brings the team together, and there are some interesting examinations of the dynamics between the three of them, as each of them feels like they are the outsider in the group. There are also a few cool new additions to the series in this book, including a couple of Scottish ghost hunters, their ghost-hunting dog and a good antagonist in the form of the leader of the new cult of Trespassers.

Graveyard Shift in Ghost Town is an excellent piece of young adult fiction that is appropriate for a wide range of different ages and tastes. While there are a few dark scenes, such as a somewhat gruesome torture sequence, the vast majority of the book is appropriate for young teens and perhaps particularly mature young readers. I thought the author’s inclusion of a positive lesbian relationship between Rani and Bec was a really good feature for the young adult audience, and it was that was portrayed extremely well. I am also sure that young Australian readers, especially those living in Melbourne, will love to see these fantasy variations of locations they are familiar with, and it will hopefully invigorate their imagination.

Michael Pryor has done an amazing job following up Gap Year in Ghost Town, as he presents another compelling and enjoyable paranormal young adult adventure. With inventive ghosts, scary antagonists, great characters and a fantastic Australian setting, Pryor has once again shown why he is one of the leading authors of young adult fiction in Australia. Graveyard Shift in Ghost Town is definitely worth checking out, and it has a lot of features that should prove appealing to the younger teen audience.

A Capitol Death by Lindsey Davis

a capitol death cover

Publisher: Hodder & Stoughton (Hardcover – 4 April 2019)

Series: Flavia Albia – Book 7

Length: 383 pages

My Rating: 4 out of 5 stars

For the last 30 years, Lindsey Davis has been one of the most prolific and impressive authors of ancient history murder mystery, writing 28 amazing books during this period. Starting in 1989 with The Silver Pigs, Davis introduced the world to Falco, the private investigator who solved murders in ancient Rome. This series, known as the Marcus Didius Falco series, eventually ended after 20 books in 2010; however, several of the characters and storylines explored in these books were continued in 2013’s The Ides of April, the first book in the new Flavia Albia series. In each of the following years, Davis has released a new book in this second series, resulting in A Capitol Death, which is the seventh Flavia Albia book to be released.

I was lucky enough to get a copy of The Ides of April when it first came out, and absolutely fell in love with the awesome main character and her fantastic investigations. I have since gone out of my way to grab every book in the Flavia Albia series, as Davis is one of my auto-buy authors, and I currently have reviews for the last two books in the series, The Third Nero and Pandora’s Boy on my blog. I really loved Pandora’s Boy last year, and it even got an honourable mention on my Top Ten Reads for 2018 list. As a result, I have been quite eager to get my hands on A Capitol Death for a while now.

In Rome, in 89 AD, while the city is preparing for the return of the cruel Emperor Domitian, murder is literally in the air. The body of a minor government official has been found at the base of the symbolic Capitoline Hill, and it appears that he was pushed off the top of the cliffs. While a case like this would usually be a low priority for the city’s authorities, the man who died was responsible for all the transportation during the Emperor’s upcoming triumph and his death is now politically sensitive.

Enter Flavia Albia, professional informer and adopted daughter of the legendary investigator Falco. Employed by her husband, the magistrate Faustus, to investigate the murder for the city, Flavia sets out to discover who is responsible for this crime. However, that is easier said than done, as the victim is revealed to have been an extremely unpleasant individual whose attitude and shady dealings made him a very unpopular person. With a huge list of suspects lining up before her, Flavia has her work cut out for her.

When a second murder occurs on the hill, the case becomes even more complicated. Flavia must work out the connection between the two victims and who would want to murder both of them. As the start of the Emperor’s triumph gets closer, Flavia must interrogate a lengthy list of people, including oyster farmers, slaves, diviners, goose handlers, seamstresses and more in order to find the killer. What happens when the killer finds her instead?

A Capitol Death was another great addition to the Flavia Albia series, and well worth the wait. Davis once again sets a compelling mystery within her excellent Roman historical setting, and sets her unconventional protagonist on the case to find out the truth in an ancient city that is portraying some very modern attitudes and mentalities. The result is a captivating and entertaining read that I was able to finish off in relatively short order. While I did not quite enjoy A Capitol Death as much as the last two Flavia Albia novels, this was still a fantastic piece of historical crime fiction and I will be grabbing the eighth instalment of this series when it comes out next year.

At the heart of this story is a well-thought-out and compelling murder mystery. Davis constructs a complex case, involving a deeply unpopular victim, a huge number of suspects with substantial motives, very little evidence and a complete lack of cooperative witnesses. Without modern forensic techniques in this ancient setting, the protagonist’s main investigative recourse is to talk to everyone with a connection to the victim in an attempt to find out who would want to kill him. As a result, Flavia digs her way through the lives of everyone involved in the case, finding out deficiencies in stories and the various connections between the various suspects and witnesses. I really enjoy the way that the protagonist investigates this case, and it is interesting to see the variety of evidence and leads she can come up with simply by asking the right questions. The case has a substantial number of twists and turns, as well as a huge number of likely suspects that act as good red herrings. The entirety of the case is very intriguing, and I really enjoyed the investigative angle of this book.

While the murder investigation is a key part of the main plot, Davis also spends a bit of time focusing on the chaotic personal life of series protagonist Flavia Albia. Between setting up her new home, dealing with her high-maintenance family and helping out a husband only recently recovered from a freak lightning strike, there is a lot going on for the character, even before she is forced to investigate a murder. While some readers might have trouble caring about a character setting up a household, entertaining her family or finding reliable domestic help, I actually found it to be an enjoyable part of the book, mainly because the author uses these scenes to make a number of jokes of humorous observations. In addition, after all these books, I have grown attached to the main character and I am genuinely interested to see how her life progresses.

Davis has always done a great job of utilising the ancient city of Rome as a setting for her stories, and she continues to do this in A Capitol Death. This story is set in 89 AD, during the reign of the Emperor Domitian, and features an interesting version of the city. In this book, Domitian is returning to the city after a military campaign and the city is organising a triumph in his honour. This means that the city is filled with all manner of secret agents, Praetorians and officials organising the triumph for the Emperor, which makes for an intriguing background setting for this story. I really enjoyed the author’s examination of the triumph, which becomes a big focus of the book due to several of the case’s suspects or persons of interest being involved in its planning and set-up. There are a number of sequences that show the huge amount of preparation that goes into the triumph, and it was entertaining to see how they may have faked certain required elements of the triumph, such as dressing up random citizens to use as fake captured prisoners.

In addition to the examination of the political make-up of the city and the preparation for the military triumph, Davis also spends this book looking at some other fascinating aspects of the city and its citizens. The presence of certain witnesses who live outside the city of Rome necessitates a visit to one of the smaller Roman towns on the Italian coast, and it is always interesting to see the protagonist leave the city. The visit also allows the author to spend some time highlighting the process behind the creation of the coveted imperial purple dye that was used for the priciest garments in ancient Rome. There was also an intriguing focus on Capitoline Hill as the site of a murder. The Capitoline Hill, as one of the original Seven Hills of Rome, is a major feature of city, and Davis really dives into its history and importance during the course of her book, giving the reader a great idea of what this historical location is like and what goes on there. I always love it when an author takes the time to teach the reader about some obscure aspects of history, and Davis showcases some really cool bits of historical trivial in A Capitol Death. This is a fun aspect of this book and one I quite enjoyed, especially as Davis does an excellent job of weaving it into the murder mystery part of the story.

I have always loved the way that Davis has introduced characters with more modern attitudes and personalities into her historical stories, as it makes for a funny and enjoyable story. Watching characters in an ancient setting act exactly like a person in a modern city is always enjoyable, and Davis makes sure to amp up the snark in each of her characters, making for a fun bunch of characters. Flavia is of course the snarkiest of them all, and as the story’s narrator and point-of-view character, her amusing opinions, thoughts, descriptions of the other characters and anecdotes from her past really help to give this book a light-hearted and entertaining tone. This is always a great feature of the Flavia Albia books, and I am glad that Davis continued it in this book.

This was another amazing outing from Davis that once again shows why she is the master of the ancient history murder mystery. Not only does she do an excellent job blending together a clever murder mystery with some fascinating historical details, but she also brings her trademark humour to the mix, creating another entertaining tale. I look forward to continuing this series next year, with The Grove of the Caesars, set to be released in April 2020, and I am sure I will have an incredible time reading the next instalment of the Flavia Albia series.

Commodus by Simon Turney

Commodus Cover

Publisher: Orion (Trade Paperback – 11 June 2019)

Series: The Damned Emperors – Book 2

Length: 482 pages

My Rating: 5 out of 5 stars

Acclaimed historical fiction author Simon Turney catalogues another infamous ruler of Rome in the second book of his The Damned Emperors series, Commodus.

Rome, 162 AD. The Roman Empire is in a rare period of peace and stability, with two brothers, Marcus Aurelius and Lucius Verus, both ruling as Emperor. The future also looks bright, as for the first time in Rome’s history, two male heirs have been born to a ruling Emperor. However, only one of these children is destined to become Emperor and make his own mark on history. His name is Commodus.

Raised as Rome’s golden child, Commodus eventually succeeds his father as Emperor following a period of war, rebellion and disease. Beloved by the people and loathed by the Senate, Commodus styles himself as Hercules reborn, becoming a great patron and competitor of gladiatorial fights, chariot races and other feats of martial strength. However, behind the scenes, Commodus’s life has been filled with tragedy and despair, and he hides a darker side beneath his golden exterior.

As Commodus succumbs more and more to his inner demons, Rome is rocked by power struggles and plots, as his family and servants attempt to control or usurp the unpredictable Emperor. Only one woman, Marcia, truly understands Commodus and can keep his mind together. Born a simple palace servant, Marcia was the love of Commodus’s life and a skilled player of Roman politics. However, not even Marcia can contain Commodus’s self-destructive urges forever, and eventually she must decide whether she will die at the hands of her great love or make the ultimate betrayal.

Commodus is the second book in Turney’s The Damned Emperors series, which takes a look at some of the most tragic, infamous and self-destructive rulers of ancient Rome. After presenting an exciting tale of insanity and vengeance in Caligula, Turney now takes a look at one of the most intriguing emperors in Roman history, Commodus. The result is a powerful, well-written and captivating piece of historical fiction that I absolutely fell in love with and which easily earns a full five-star rating from me.

Commodus is truly one of the more fascinating figures in Roman history, which is saying a lot. While most would probably know him as the villain in the movie Gladiator, as portrayed by Joaquin Phoenix, he actually had a long and controversial reign, with many events that are hard to believe. As a result, a book focusing on his life is bound to be interesting; however, Turney goes above and beyond, presenting a well-researched and deeply compelling novelisation of Commodus’s life. Not only does Turney explore some of the more extraordinary aspects of Commodus’s reign, such as his devotion to becoming the new Hercules, his exploits in the arena or the cult of personality he formed around himself, but Turney also attempts to explain why he may have done them. This results in a clever and thought-provoking look at the entirety of Commodus’s life, including several formative events that are known, or are likely to have happened, and which may have led to some of his more extreme actions later in life. I really enjoyed the potential scenarios that Turney came up with to explain Commodus’s personality, and his justifications featured towards the end of the book are really quite interesting and very compelling. There are also some interesting historical tweaks to some of Commodus’s actions, but I feel that these work in the wider aspect of the story and help to create a more believable narrative. The end result is an outstanding examination of this fascinating historical figure which will allow the reader to see Commodus in a whole new light.

Turney has done an amazing job telling this story, thanks in part to the use of an excellent point-of-view character. The story is told from the perspective of Marcia, the women in love with Commodus, and is set out as a personal chronicle of Marcia’s actions, which run parallel to the life of Commodus. Turney takes more historical liberties with this character and re-imagines Marcia as a close childhood friend of Commodus. The use of Marcia as the story’s narrator and the subsequent re-imagining of parts of her life story are done extremely well, allowing the author to have a single, consistent narrator who is constantly close to the main character. This was the best way to tell the complete story of Commodus’s life, and it was an amazing storytelling device from Turney which completely justifies historical variations in the character.

Using Marcia as the point-of-view character also allowed Turney to tell an addictive historical tale of love, revenge, ambition and tragedy. Marcia is a tragic character in this book, and her storyline is really quite powerful. The daughter of a servant in the Imperial Palace, Marcia is allowed to grow close to Commodus, becoming his childhood friend and confidant before circumstances conspire to keep them apart. However, Marcia’s determination to be with Commodus results in a series of power plays, plots and other nefarious actions as she tries both to free herself and to deal with other people who wish to influence the Emperor. Despite some of the terrible actions she commits, Marcia comes across as a very sympathetic character in this book, and your heart goes out to her with some of the setbacks she encounters. Her romance with Commodus, while caring and filled with love, is also very dramatic, as Commodus’s moods and the influences of others in his circle often place strains and boundaries on them being together. The final, tragic result of this story is told extremely well, as the reader gets to see the highs of their love, swiftly followed by the swift, one-sided deterioration of their relationship. This results in a devastating conclusion to the book, and the reader is left reeling at how this romance comes to an end.

In addition to the story of Commodus and Marcia, Turney also does an excellent job exploring Roman history and events during the span of Commodus’s life in the second half of the second century. Some truly fascinating events occurred during this period of Roman history, including wars, plagues and the reign of proxy tyrants such as Cleander and Perennis. The author covers these events in some detail, and it is really interesting to see how some of the events unfolded, how long they lasted and what actions led up to them. Commodus is also filled with a number of intriguing depictions of Roman life, and the various ancient Roman settings proved to be an amazing background for this great story.

Commodus is a first-rate novel and easily one of my favourite pieces of historical fiction for 2019. Turney is an incredibly skilled author whose dedication to historical detail pairs well with his amazing ability to tell a dramatic and powerful story. Commodus comes highly recommended, and I cannot wait to see which flawed ruler of Rome Turney focuses on in his next instalment of The Damned Emperors series.

God of Broken Things by Cameron Johnston

god of broken things cover

Publisher: Angry Robot (Paperback – 11 June 2019)

Series: Age of Tyranny – Book 2

Length: 312 pages

My Rating: 4.75 out of 5 stars

Those readers looking for the next entertaining grimdark fantasy adventure to sink their teeth into need look no further than God of Broken Things, the electrifying second book in Cameron Johnston’s Age of Tyranny.

It has only been a few short months since the devastating attack by the Skallgrim raiders on the city of Setharis, which severely weakened the city. Despite repulsing the Skallgrim and their monstrous hordes, Setharis is still in incredible danger. The Skallgrim forces are massing to launch another attack on Setharis, and the Skallgrim’s masters, the parasitic alien lifeforms known as the Scarrabus, are determined to enslave the entire city to their will. Setharis’s salvation once again rests in the hands of its most hated son, Edrin Walker.

Edrin is powerful magus whose rare abilities allow him to crack open and control the minds of all those around him. His breed of magus, known as tyrants, are feared throughout the world due to their propensity to lose control and use their magic to rule whole civilisations. Despite his role in saving the city from the Skallgrim, Edrin is still distrusted by both the common people and his fellow magus of the Arcanum. However, his skills may be the only thing that can win the war against the Skallgrim and the Scarrabus.

A massive force of Skallgrim are advancing over the mountain passes of the Clanholds, hoping to launch a fresh assault on Setharis. Against his will, Edrin is forced to lead a small army to reinforce the tribes of the Clanholds against the Skallgrim army. Accompanied by a small personal bodyguard of killers and thieves, Edrin leads his forces into the mountains, where far more dangerous things than the Skallgrim and their monsters lurk. Spirits, demons, gods and his own deadly past all lie in wait for Edrin, whose powers have been altered following his battle with a treacherous god. Can Edrin and his forces hold back the Skallgrim, or will he succumb to one of the many horrors in the mountains? And what happens when the tyrant comes out to play?

Johnston is a talented author whose debut novel, The Traitor God, really impressed me last year thanks to its awesome story and enjoyable main character. As a result, I was extremely keen to get a copy of the sequel, God of Broken Things, this year and was very happy when I received it a few weeks ago. God of Broken Things turned out to be a fantastic follow-up to the first book and I had an incredible time reading it. Not only does Johnston present another wildly entertaining story for the reader to enjoy, but he also does a fantastic job of expanding his dark fantasy world and exploring the complex mind of his main character.

I really liked where Johnston took the story in this book. While The Traitor God’s story of a hunt for answers in the dark fantasy city was cool, I really liked seeing the main character go to war in God of Broken Things. The whole storyline of Edrin leading an army up into the Clanholds, a dangerous mountainous environment filled with all manner of horrors and dangers was really cool, especially as he kept encountering worse situations and more terrifying opponents. This resulted in some epic moments and massive battles, and Johnston also took the opportunity to explore the history of several of the different races mentioned within the first books, including the Scarrabus, the Ogarim and some more mystical creatures like spirts and demons. This expansion of the Age of Tyranny universe was quite intriguing, and I wonder if there will be more exploration of the world and the various mentioned multiverses in future books. I also liked the deeper look that the author took into his protagonist’s past, showing some of the activities that occurred during the years he was exiled from Setharis. I loved the various twists and epic moments that Johnston sprinkled throughout the book’s plot, and there was never a dull moment in the entire story. I especially enjoyed how the final battle in God of Broken Things ended, especially as the author included a clever red herring in the book’s formatting to throw the reader off. Overall, this was an incredible story, and Johnston did an amazing job trapping me within this entertaining narrative.

One of the best parts of this book was the author’s continued focus on the protagonist, Edrin Walker, who serves as the book’s narrator and point-of-view character. Edrin was already a fairly complex character in The Traitor God, where he was portrayed as a powerful exiled magus hated, distrusted and ostracised by everyone due to the specific nature of his magical gift. Because of the way he is treated he acts hostile and uncaring to the world, while still participating in the odd act of heroism and compassion. This is continued in the second book, where Edrin continues to battle with his natural instincts and irritation while trying to do the right thing, especially for the few people who actually like or respect him. I really liked the way that the author continued to show Edrin exploring his moral side in this book as, against his better judgement, he actually attempts to help people and keep Setharis safe. The various sacrifices that he subsequently makes for the greater good are very much against the grain of his original character, and it is interesting to see this side of Edrin grow.

Due to the way he is treated, Edrin is an incredibly jaded character, and the author utilises this in a number of clever ways. Not only does this ensure that Edrin is the most likeable character in the book, mostly because he stands in sharp contrast to all the other magus characters, who are elitist snobs, but it also makes him a really entertaining narrator. The character’s sarcastic and mocking manner permeates the entire way he tells the story, resulting in some great reactions and a very amusing overall story.

Edrin continues to get into all sorts of entertaining misadventures in God of Broken Things, and it is hard not to love the unorthodox way he deals with things. Not only does he lead a bodyguard of deranged killers into battle but he rarely ever takes things seriously, no matter who he is dealing with. I love the disrespect and mockery that the character shows when encountering anyone in authority, be it friend or foe, magus or human, god or monster, and I laughed out loud at the way he got his revenge on one of Setharis’s gods in this book. It was also great to see the character apply his particular brand of bastardry to the battlefield, coming up with all manner of unconventional traps and attacks for the forces that are up against him. I particularly loved the cool way he took down the main antagonist of this book, and it really reflected both his cunning and his growth as a character.

The main character’s mind-bending magic continues to be a really cool part of this series, especially as his abilities become even more powerful in God of Broken Things. Johnston’s portrayals of the way that Edrin’s powers to break into and manipulate the minds of all those around him is done extremely well and it results in a number of epic scenes. I never realised how many creative ways someone could magically manipulate a person’s mind until seeing some of the scenes in this book, as Johnston comes up with some very inventive ways to utilises his protagonist’s magic. I especially loved seeing Edrin using these powers in the middle of the battle, as there are some awesome ways he disadvantages his enemies and helps his allies. However, the author also explores the consequences of the tyrant powers, as Edrin continuously runs the risk of taking things too far and grossly abusing his powers. Several examinations of the character’s guilt over some of the mental actions he commits become a compelling part of the story, and the character’s mental magic is a great part of the book.

Those readers who are looking for an explosive amount of fantasy action are in for a real treat with this book. Johnston makes sure to include a ton of battles and fight sequences in God of Broken Things, as the ragtag defenders of the Clanholds face off against a massive horde of Skallgrim, Scarrabus, demons and monsters. All of these fight scenes are incredibly brutal as Johnston depicts some amazing battles throughout this book. Most of these scenes are enhanced through the use of magic, and the sheer destructive power of the various characters’ magical abilities is pretty impressive. The various demons and monsters the protagonist finds himself up against in this book are pretty gruesome and offer up some pretty great battle scenes as a result. Overall, the action in God of Broken Things is quite superb, and fans of bloody fantasy fights will not be disappointed.

Cameron Johnston’s second outing, God of Broken Things, is an amazing piece of grimdark fantasy fiction that proved to be just as much fun as his debut novel, The Traitor God. I had an incredible time reading God of Broken Things as the excellent combination of story, magical action and character work kept me trapped until the very last page. Readers are guaranteed to love this outstanding dark fantasy read, and I strongly recommend this book to anyone looking for a fun and powerful adventure. The ending of the book makes it a little unclear if Johnston will continue the Age of Tyranny series, but I will be keeping a close eye out for any future books from this rising star in the grimdark fantasy genre.

The New Achilles by Christian Cameron

The New Achilles Cover

Publisher: Orion (Hardcover – 18 April 2019)

Series: The Commander series – Book 1

Length: 399 pages

My Rating: 4 out of 5 stars

Acclaimed historical fiction author Christian Cameron once again returns to his favourite setting of ancient Greece with his latest novel, The New Achilles.

Greece, 223 BCE. War has come to Greece, as the various Mediterranean powers, including Egypt, Rome and Macedon, engage in a proxy battle on Greek soil. In a sacred sanctuary near the city of Epidauros, Alexanor, a former marine from Rhodes, has spent several years training to become a healer, seeking to escape his violent past. However, war will find Alexanor once again when the Spartans invade the nearby city of Megalopolis, forcing the surviving defenders to bring their wounded to Alexanor’s sanctuary.

Among the wounded is the leader of the men who attempted to fight against the Spartans at Megalopolis, a young man called Philopoemen. After saving his life, Alexanor finds his future tied into that of Philopoemen, who is destined to become one of ancient Greece’s greatest military leaders. Allied with the armies of Macedon against the Spartans and their Egyptian paymasters, Philopoemen proves to be a capable military commander. More importantly, his bravery and skill in battle earn the respect of his fellow Greeks, many of whom consider him to be Achilles reborn.

When prevailing political and military currents require Philopoemen to help with a civil war on Crete, Alexanor travels with him. There they will attempt to take on the powerful city-state of Knossos with an eclectic mix of troops and minimal support from Macedon and the Achaean League. Can Philopoemen and Alexanor succeed, or will the new Achilles fall short of his destiny?

Christian Cameron is a skilled author who has written a number of books throughout his career. While the author is probably best known for his historical fiction work, he has also branched off into fantasy under his pseudonym of Miles Cameron, including his Masters & Mages series, the first book of which, Cold Iron, I previously reviewed here. His latest book, The New Achilles, is the first book in his The Commander series, which will follow the life of the historical figure Philopoemen. This is the third of Cameron’s series which focuses on ancient Greece, with his Tyrant and Long War series both focusing on different periods of ancient Greek history. I have always found that Cameron has a very thorough writing style, and he tends to throw himself into the historical details of his books. This is continued with The New Achilles, as the reader is presented with a very complex tale that may prove a little harder to connect with. However, this book is well worth sticking with, as the author has created an outstanding historical tale that focuses on quite a remarkable character from history.

While The New Achilles does contain some other story elements, at its core it is an intriguing story about the life of Philopoemen. Philopoemen was a skilled general and political leader who was responsible for turning the Achaean League into a viable military power in Greece. He is sometimes known as “the last of the Greeks” (I believe that the next book in this series will be called The Last Greek) due to being one of the last great Greek generals before the Roman era. I have to admit that this was a historical character I had no real experience with, so I was extremely curious to see the author’s vision of his life and deeds. Cameron tackled the story with his usual highly detailed writing style, presenting a comprehensive novelisation of several key events of Philopoemen’s life, his earliest successes and his campaign on Crete. However, there is apparently a large amount of this man’s story left to tell, as he accomplished a great many deeds during his long life. I felt that the author did a fantastic job of capturing the personality of this larger-than-life figure, and I really enjoyed the well-paced story that showed his early rise to prominence.

The story is told from the perspective of the fictional character Alexanor, who, after healing Philopoemen, continues to encounter him and eventually becomes his friend and confidant, accompanying him on several adventures. I liked the use of an outside narrator to tell Philopoemen’s story, and Alexanor is an excellent character in his own right, as he constantly has to balance his duties as a medically trained priest with his desire to help Philopoemen win his battles and his wars. There are issues from his past that he has to deal with, including trauma from a previous war, a lost love and family strife, all of which make for an intriguing character. Another benefit of having a priest as a narrator is that it allows the author to spend time exploring ancient Greek medicine. This was a particularly fascinating element of the book’s story and it was extremely intriguing to see how ancient medicine compares to more modern techniques, and the differences and similarities in knowledge are quite interesting. It also results in some compelling ethical deliberations from the narrator about the dissection of human corpses, which, while strictly forbidden, could result in greater medical knowledge. Overall, I quite enjoyed the author’s use of Alexanor as a narrator, and his focus on his life was an intriguing and enjoyable addition to the story.

This book is set during quite a chaotic period of Mediterranean history, with a huge number of different ancient empires and city-states engaging in various wars and conflicts, many of which have an impact on The New Achilles’s story. Cameron makes sure to examine the various political implications of many of the conflicts occurring around the same time as the events Philopoemen was involved with, and it is quite fascinating to see what effect something like the war between Carthage and Rome could have on the inhabitants of Greece. In addition to the consequences of these distant wars or events, Cameron also looks at the political and national makeup of the various forces arrayed in the conflicts that Philopoemen and Alexanor are involved with. These could get quite complex at times, with a range of alliances, competing city-states and mercenary forces involved or attempting to intervene in a conflict. An example of how complex things could get could be seen in the protagonists extended conflict on Crete, where Philopoemen led a force of Achaean League troops to support one Cretan city state against the on the behest of Macedon. The opposing Cretan city-state was supported by the Ptolemaic dynasty of Egypt, whose Spartan allies joined in and led the fight against Philopoemen. Various other mercenary groups of different nationalities such as the Thracians and the Illyrians were also employed in this conflict and had various roles in the battles and politics. While the sheer number of different historical groups can get a bit overwhelming at times, Cameron does a great job explaining their history and their allegiances, and it is quite fascinating to see the roles they played in various conflicts.

Like many of Cameron’s previous books, the author’s dedication to historical detail and accuracy in The New Achilles is extremely impressive. Each page is full of intriguing elements from history, and it is easy for the reader to find themselves transported to this classical historical landscape. The author not only looks at the military and political aspects of this historical setting; he also examines day-to-day life for the various Greek civilisations. Cameron also makes use of a whole glossary of historical Greek terms and names throughout The New Achilles, all of which gave his story a greater sense of authenticity.

The New Achilles features a huge number of battle scenes and sequences, as the author captures a number of the historical fights Philopoemen was involved with. These battle sequences were extremely exciting, as the author presents some gritty and blood battle scenes. These were quite spectacular, and I loved the realism contained within the story as even the victors find themselves covered in all manner of wounds, and rarely is there a battle where the main characters come out unscathed. This is particularly true for Philopoemen, who tends to suffer injuries in nearly every battle he gets involved with, due to throwing himself into the heart of the fight. I thought this was a clever inclusion from the author, as not only does this reflect some historical accounts of the relevant battles but it is incredibly refreshing to see a hero that does not emerge from a battle unscathed. I quite enjoyed the examination of Greek battle tactics and weaponry, and the battle sequences in this book are fairly spectacular and well worth checking out.

Christian Cameron’s latest book, The New Achilles is a detailed and compelling examination of a truly remarkable, if overlooked, historical figure. The story of Philopoemen’s life proves to be an amazing focus for the plot, and Cameron brings a number of intriguing aspects of the ancient Greek period to life with his trademark detail orientated writing style. This was an incredibly interesting and captivating read, and I am looking forward to seeing how Philopoemen’s life progresses from here in future instalments of The Commander series.

The Secret Runners of New York by Matthew Reilly

The Secret Runners of New York Cover

Publisher: Pan Macmillan Australia (Trade Paperback Format – 26 March 2019)

Series: Standalone/Book 1

Length: 328 pages

My Rating: 4.5 out of 5 stars

The end of the world has nothing on the horrors of high school in this fast-paced and widely entertaining new book from bestselling Australian author Matthew Reilly.

When Skye Rogers and her twin brother, Red, are forced to move to New York city, they are enrolled in the prestigious The Monmouth School, learning institute of choice for the city’s ultra-wealthy and social elite.  Even among the children of the rich and powerful there exists a well-established hierarchy, and in The Monmouth School, the top of the social ladder are the friends and cronies of the Collins sisters, Misty and Chastity.  Despite only wanting a quiet existence in her new school, Skye finds herself drawn into their orbit against her better judgement.

Skye soon discovers that hanging out with the Collins sisters is very different from the usual high school cliques.  The social group is probably the most exclusive in New York, and it comes with certain privileges.  Thanks to an ancient family secret, the Collins sisters are able to activate an ancient tunnel beneath Central Park that allows teenagers to run through an alternate version of New York: a post-apocalyptic nightmare littered with ruined buildings and filled with crazed survivors.

When Skye and her fellow runners find evidence that the New York they are visiting is actually a future version of their own timeline, they need to find a way to come to terms with the end of the world, especially as the apocalypse appears to be only days away.  As society starts to crumble and the poor rise up against the rich, Skye tries to find a way to use her knowledge of the future to save everyone she loves.  However, Skye is about to learn that her new friends are far more concerned with revenge and are planning to use the end of the world to take her down.

Matthew Reilly is a veteran author of weird and electrifying fiction, having written a number of intriguing books in the last 20 years, many of which fall within the techno-thriller or science fiction genres.  In addition to a number of fun sounding standalone novels, Reilly has also published two substantial series, the Shane Schofield series and the Jack West Jr series.  Matthew Reilly is one of those authors that I have been meaning to check out for some time, as a number of his novels sound absolutely bonkers and really creative.  I am particularly drawn to his 2014 release, The Great Zoo of China, which essentially sounds like Jurassic Park with dragons; his 2013 historical thriller The Tournament; and the books in the Jack West Jr series, which features secret organisations fighting for control of ancient artefacts with world-and universe-ending potential.

I was therefore very excited to get an advanced copy of The Secret Runners of New York, due to its intriguing time travel and armageddon concepts.  I actually really enjoyed The Secret Runners of New York and had a lot of fun reading it.  The book features a surprisingly entertaining use of over-the-top high school drama that actually combines really well with the interesting science fiction elements mentioned above.  The result is an unpredictable and amusing overall story that I had a very hard time putting down and which I powered through in very short order.

The book revolves around the students at The Monmouth School (you have to say the “The”; it’s that type of place), New York’s premier high school for the rich and snooty.  Please remind me to never send any of my theoretical children to any school thought up by Reilly, as the author creates a learning institution that is essentially a viper’s nest of bitchiness, enforced social hierarchy and petty revenge, all of which is enhanced by the fact that the characters are all ultra-rich or have massive superiority complexes.  The quote below from main character Skye, one of the few well-adjusted characters in the book, shows her experiences within the first few minutes at The Monmouth School:

“In the space of a few minutes I’d seen a taunt about sluttiness, a threatened punch to the uterus, some humble bragging by the Head Girl about the school’s social status and a dose of good old-fashioned mean-girl passive aggressiveness from Misty.  School, I reflected sadly, was school no matter how high the tuition fees were.”

I have to admit I did find Reilly’s portrayal of most of the rich teenage girls in this book to be a tad extreme and unrealistic (yes, in a book featuring time travel, that’s what I am finding unrealistic).  I have never been and never will be a teenage girl, but I hope that teenage girls in high school couldn’t possibly be as petty and vicious as the girls portrayed within this book, even if they are the daughters of the uber-privileged.  That being said, I found this over-the-top viewpoint of high school life to be extremely entertaining and it was a fantastic element throughout the book.  Watching the level-headed and somewhat cynical protagonist have to deal with this insanity was a lot of fun, especially when you would imagine most people would be more concerned with the end of the world than with who made out with which guy.  An unbelievably amusing part of the story, these high school elements are great, just try and avoid thinking about it too much.

In addition to the look at the mean girls of high school, I did quite enjoy Reilly’s critique of the ultra-rich and powerful in New York City.  The protagonist finds herself drawn into the world of debutant balls, society politics and the other classy responsibilities of being rich in New York.  Again, this is an interesting part of the story, and the rich characters with their extravagant lifestyles do offer a nice disconnect from reality.  I liked Reilly’s examination of how the rich would be targeted during apocalyptic events such as the one portrayed within this book, and it played nicely into some of the current protests and perceptions of the 1%.  it’s another glorious over-the-top element for this book that provides the reader with a lot of entertainment and a real dislike of most of the privileged characters.

The science fiction parts of this book are incredibly well done and are an excellent part of this book.  Not only is there a devastating cosmic storm that will wipe out most of humanity in hours, but there is an unrelated magical tunnel that the protagonists can use to visit the future.  Reilly does an amazing job creating a devastating and crazy post-apocalyptic New York City for the readers to explore.  I was really impressed with all the brutal descriptions of how the city was in ruins and had been dramatically reclaimed by nature as the infrastructure falls into disrepair, and the whole thing is an amazing setting that Reilly uses to full effect.  I really liked how the author uses the time travel elements within the book.  Watching the protagonists slowly work out that this world is a future version of their own timeline is amazing, and it was great seeing them see all the testimonials and letters from their families describing the events that are yet to happen in their future.  The various time travelling shenanigans used by both the protagonists and antagonists of this book helped enhance this already exciting story, and I loved the way that the characters are able to see the consequences of their actions in both timelines before they actually happen.

The author has also utilised some eye-catching visual elements throughout the book to enhance the story being told.  There are a number of maps used to show the key locations of the book, and there are even a couple of diagrams used to explain the potential time travel issues in this book.  I personally liked the way that the font changed to signify the characters going into a different timeline and thought it was a nice touch.  A range of other text techniques are used to signify angry or desperate messages on different locations, such as walls or the entirety of buildings, often conveying the emotion behind these messages.  All these visual treats are great, and they really make this book stand out.

The Secret Runners of New York is currently being marketed to the teen and young adult audiences, but this book is really on the edge of what young adult fiction is.  While it is focused on teenage characters in high school, there are a significant number of very adult inclusions throughout the book.  It is interesting to note that in an interview at the back of the book, Reilly himself indicates that he does not see this story as being as a piece of young adult fiction, and I think that is shown in the way that he wrote this over-the-top story.  There is a high level of violence, drug use, coarse language and sexual references featured throughout this book, and as a result, I would say it is not really appropriate for the younger audiences and is probably more suited for older teenage readers.  This is definitely one of those young adult marketed books that adult readers can really enjoy, and there is no upper limit on enjoying this crazy tale.

This was an incredibly entertaining and captivating book that I had a lot of fun with.  Matthew Reilly pulls no punches when it comes to portraying the book’s petty and vicious teenage rich girl antagonists, which turns an already intriguing science fiction book into a wild thrill ride of revenge, betrayal and insanity.  I have to say that I quite enjoyed my first taste of Matthew Reilly’s writing and I am extremely keen to check out some of his other works in the future.  At the moment The Secret Runners of New York is a standalone book, although the author leaves a number of storylines open for sequels or prequels, and I would be interested to see where he takes the story next.