Throwback Thursday: Usagi Yojimbo: Volume 13: Grey Shadows by Stan Sakai

Usagi Yojimbo - Grey Shadows Cover

Publisher: Dark Horse Comics (Paperback – March 2000)

Series: Usagi Yojimbo – Book 13

Length: 200 pages

My Rating: 5 out 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I check out another epic entry in the amazing Usagi Yojimbo series by Stan Sakai with the 13th volume, Grey Shadows.

Usagi #23

I had a lot of fun reviewing the 12th volume, Grasscutter, last week and it set me down a bit of a reread journey which saw me revisit several other Usagi Yojimbo volumes.  As such I thought I would take the time to do another review of one of Stan Sakai’s comics, and luckily the next one on my list, Grey Shadows, is a particularly good one.

Grey Shadows takes place immediately after the massive events of Grasscutter and details several adventures that rabbit ronin protagonist Miyamoto Usagi goes on during this period.  Made up of issues #23-30 of the Dark Horse Comics run on the Usagi Yojimbo series, Grey Shadows returns to the series norm of featuring several shorter stories, each of which pit Usagi against a new threat or opponent.  Grey Shadows have several excellent stories, including some that focus on fantastic murder mystery elements while simultaneously introducing interesting new characters.

The first story in this volume is the intriguing and touching entry, My Father’s Swords.  This single-issue story first sees Usagi at the temple of his friend priest Sanshobo recovering from his deadly duel with the demonic spearman Jei at the end of Grasscutter.  Still troubled by the disappearance of Jei’s body and the sudden burden of being responsible for the legendary Grasscutter sword, Usagi journeys out from the temple to scout the surrounding area and determine if it is safe to move the divine blade.  His journeys eventually lead him to meet young wandering samurai, Donbori Chiaki, whose father was an old friend of Usagi’s who served with him under Usagi’s former lord.  While travelling with Chiaki, a chance encounter reveals secrets that will rock Usagi’s soul as a samurai.

Usagi #24

This was an interesting first story for Grey Shadows and it is one that I really appreciated.  I liked the excellent start that revisited key events of the previous volume and examined the burden that Usagi, Sanshobo and Gen now bear.  Not only does Sakai use this opportunity to inform the protagonists about some of the other events of Grasscutter that they were unaware of, but it also helps set up the future 15th volume, Grasscutter II, which will end this overall storyline.  Sakai also takes a little time to showcase Usagi dealing with the dark details of the defeat of his adversary Jei, especially after Jei’s body disappeared upon his defeat.  There is a great scene where a clearly shaken Usagi destroys Jei’s fallen black spear to convince himself that his foe is truly dead, although you can tell he doesn’t believe it.  I am rather impressed that Sakai manages to do such a comprehensive wrap up of the events of the previous volume in such a short amount of time, while also leaving room for another interesting story.

The main story of My Father’s Swords is pretty moving, as Usagi is immediately brought back to another trauma, his service to Lord Mifune and the Battle of Adachi Plain (see Volume 2: Samurai and Volume 11: Seasons).  Travelling with the son of an old comrade lets Usagi briefly relive his glory days, before the past is once again thrust upon him when it is revealed that his friend, Donbori Matsuo, is still alive, following his son anonymously as a cripple.  The reasons for Matsuo hiding his existence from his son and the burden he then places on Usagi to keep this secret for him is a little heartbreaking, and it provides more context about the samurai way of life Usagi is bound to.  The entirety of this storyline is handled perfectly, from the great introduction to Chiaki, the fun remembrances of Usagi’s past, to the final revelation about Matsuo that ends the story on a poignant note that will leave you very thoughtful and moved.  I enjoyed some of the clever artistic tricks in this story, such as the dark shade around Usagi when he deals with Jei’s spear, and the fun way in which Sakai slips in the beggar Matsuo into the background of several scenes, revealing his subtle surveillance of his son.  An excellent entry that not only references the events of Grasscutter but also features a powerful story of its own, My Father’s Swords proves to be a great start to this entire volume.

Usagi #25

Sakai follows up the moving first story of Grey Shadows with the dark second entry, The Demon’s Flute, a clever and memorable horror story.  The Demon’s Flute sees Usagi traversing some remote hills only to be drawn to a small town by the haunting melodies of a flute.  Once there, he discovers that the village is under attack by a mystical menace which kills villagers in utter darkness while the sound of a flute plays.  Believing it to be a ghostly figure of a flutist who wanders around with a white tokage (the dinosaur lizards that serve as this world’s main animals), the villagers implore Usagi to help save them.  However, the true evil attacking them proves to be more complicated and sinister than anyone of them believed.

The Demon’s Flute is a great story that shows just how haunting a Usagi Yojimbo story can be, especially when Sakai utilises some of the creepiest elements of Japanese mythology.  While some of the elements of the story are slightly predictable (Usagi has rocked up to save a lot of random villages over the years), the story has a great pace to it that sees Usagi attacked by dark forces he cannot overcome.  The various scenes where Usagi runs around the village chasing the darkness and the sound of a playing flute are extremely tense, and the sudden reveal of the story’s monster proves to be very thrilling.  I loved the great art that surrounded this part of the story, especially as Sakai makes great use of pure blackness to enhance the tension and threat of a scene, with Usagi often only illuminated by a small hand torch.  The final reveal of the monster and the reason for the haunting flute is pretty cool, and I liked the dark sense of honour and duty that drives even the evil and dead of this realm.  While parts of the story are wrapped up a little too neatly, this was still a brilliant entry which reaffirms my love for Sakai’s horror stories.

The next entry in Grey Shadows is the wholesome and enjoyable Momo-Usagi-Taro, which sees Usagi arrive at a large town.  However, he is almost immediately accosted by a group of orphan children who wrangle him into accompanying them to their orphanage, where he tells them an epic tale to keep them entertained.  This is a genuinely nice entry in this volume, which helps to break up the tension and serves as a gentle buffer between the darker stories in the volume.  While Sakai does take the time to do a little set up for the upcoming stories, most of Momo-Usagi-Taro is dedicated to Usagi’s story to the children, which is a retelling of the classic Momotarō folk story.  I always love it when Sakai tells traditional Japanese stories in his comic, especially as you get to see his artistic take on the legend (which usually results in the protagonist being altered to resemble Usagi), and it was great to see this classic tale brought to life in a new way.  Readers are in for a nice story here, and I loved the fun revelation at the end that the orphanage is the same one shown in Daisho, which is supported by the bounty hunter Stray Dog.

Usagi #26

Now we are getting to some of the main stories of Grey Shadows with The Hairpin Murders.  Set across two issues, The Hairpin Murders sees Usagi get involved in a murder mystery case in town when several prominent merchants are killed using a woman’s hairpin.  Teaming up with the brilliant detective, Inspector Ishida, Usagi helps with the investigation and is soon thrust into a long-hidden conspiracy that bind the victims together.  However, the closer they get to the truth the more resistance they encounter from Ishida’s superiors, forcing them to decide just how far they want to go to get justice.

This was an excellent and intriguing story that serves as one of the more impressive entries in this entire volume.  While still maintaining its comic style and focus, The Hairpin Murders reads just like a classic murder mystery story and sees the protagonist involved in a constricted investigation to find the truth.  Sakai sets up this mystery perfectly, and you are soon racing along to find out who is responsible and why.  There are a couple of great twists here, as well as some interesting connections to kabuki theatre, with the eventual reveal of the murderer and their motivations is handled really well.  The story ends on a pretty satisfying note, and it proves to be quite an intense and intriguing story.

Usagi #27

One of the best things about The Hairpin Murders is the introduction of new character Inspector Ishida, who serves as a supporting figure in the rest of Grey Shadow’s stories.  Based on real-life policeman Chang Apana (the inspiration for fictional detective Charlie Chan), Ishida is a hard-boiled police inspector who is tasked with investigating various crimes around his town, mostly murders.  Despite being restricted by feudal Japanese practices (he can’t do a proper investigation of a body), and the interference of his corrupt superiors, Ishida is a brilliant detective, able to solve complex crimes with the most basic of clues.  Ishida gets a great introduction in The Hairpin Murders, as not only do you see him investigating a tough case but you also learn more about his personality, dedication to justice and elements of his tragic past.  It is so fun to see him in action in this story, especially as he has that great fight scene that shows of his unconventional fighting style (which is surprising considering his small, hunched stature), as well as his excellent use of the cool jutte weapon (I love the jutte so much).  However, the real hint at just how complex and fascinating a character Ishida is occurs at the end of The Hairpin Murders when Ishida is presented with a massive dilemma of justice.  It is strongly implied that Ishida, who spends most of the story sticking to the rules, takes justice into his own hands, and I think it fits perfectly into his character arc, while also leaving some ambiguity about how far he went.  This really was one of the best character introductions of the entire Usagi Yojimbo series and it was so successful that Ishida would become a major recurring character in future volumes (such as Volume 32: Mysteries and Volume 33: The Hidden).

The other two-issue long story in Grey Shadows is the compelling and moving tale, The Courtesan.  In The Courtesan, Usagi runs into the scared young woman he has noticed multiple times in the last few stories and saves her from a group of masked attackers.  His actions lead to him gaining the attention of the town’s leading courtesan, the alluring Lady Maple, who begs Usagi to help save the life of her young son, who is the legitimate heir to the local lord.  However, dangerous forces within the lord’s court see Lady Maple kidnapped and her son in danger, with only Usagi able to help.

Usagi #28

This was another powerful story that really helps to make this volume stand out in terms of story building and character work.  The Courtesan is a particularly well-paced story that ties in well with the other entries of the Grey Shadow’s volume.  Sakai has come up with a pretty compelling narrative here, and the secret battle for control of the lord’s inheritance is played out with some awesome elements, such as a dive into the world of Japanese courtesans and including several great fight sequences.  The character of Lady Maple is particularly strong, as not only does Sakai make a lot of effort to highlight her elaborate beauty with his artwork, but he also shows the mother hidden underneath the fancy makeup and costume, one who is concerned solely for the welfare of her child.  This leads up to an epic and tense conclusion, as Usagi faces down all the conspirators, only for his victory to be marred by tragedy.  I loved the powerful ending this story contained, which, while sad, also ensures that several worthy characters get what they most wanted in life.  Easily one of the strongest tales in the entire volume, I always enjoy reading this impressive story.

The final entry in Grey Shadows is the fast-paced and action-packed single-issue story, Tameshigiri, which serves as an excellent conclusion to the entire volume.  Tameshigiri is another mystery story that sees Usagi assist Inspector Ishida to investigate some murders around town.  This time the two friends are looking into a series of random killings by mysterious masked samurai.  The attacks seem extremely random and lacking in motivation, but the two are soon drawn towards the acolytes of a failing sword testing school who may have a dark reason for dropping bodies around town.

Usagi #29

This was a pretty fun and cool final story for the volume, and it leaves an exciting end note for the reader.  Sakai pulls together a fantastic and compelling shorter story here that once again combines murder mystery elements with the traditional comic book action.  While the culprits of the murder are quite clear from the outset, it is pretty fun to see their plan unfold and the protagonist’s subsequent investigation into it.  The reasons behind the antagonists’ actions are pretty fascinating, and the author paints an outstanding picture of desperation and duty that drives them to kill.  I also quite liked the intriguing investigation into traditional sword testing, which ties into the story extremely well and proves to be a fascinating addition to Tameshigiri’s plot.  The entire story leads up to a massive action sequence that sees multiple participants on both sides engage in a deadly battle to the death.  Not only doe we get to see more of Inspector Ishida’s unique fighting style, but Usagi also shines in an awesome duel.  Throw in the amusing jokes about the events of the preceding story, where Ishida clearly knows Usagi is behind some of the mayhem, and you have a very entertaining entry that not only wraps up the Ishida-based storylines extremely well, but also ensures that the reader has some fun on the way out.

I must once again highlight Sakai’s brilliant artistic work in this cool volume, as Grey Shadows contains impressive examples of Sakai’s amazing style.  There are so many beautiful and intricately detailed drawings throughout this awesome volume, and I love how perfectly it enhances the already great storylines.  I particularly love the amount of detail that he throws into the various panel backgrounds, ensuring that the reader sees both the full breadth of Japan’s majestic natural landscape and the traditional feudal style buildings in the towns and villages Usagi visits.  Sakai also does incredible justice to the many battle sequences scattered throughout Grey Shadows, perfectly portraying the intricate deadly movements that make up the character’s sword play.  You always get an impressive sense of how the characters moved as they battled, and I deeply appreciated all the brilliant and brutal fight scenes.  This incredible artwork always pairs so perfectly with the written story, ensuring that this 13th volume was very spectacular and awesome to look at.

Usagi #30

As you can see, I had a lot of fun with Grey Shadows, and it proved to be another excellent entry in Stan Sakai’s Usagi Yojimbo series.  This 13th volume features several outstanding stories, which really dive into their unique protagonists and antagonists and show the full majesty of this version of feudal Japan.  Serving as a key entry in the overall series thanks to the introduction of a cool new character, Grey Shadows is a must read for all Usagi Yojimbo fans and it gets another five-star rating from me.

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City of the Dead by Jonathan Kellerman

City of the Dead Cover 2

Publisher: Century (Trade Paperback – 15 February 2022)

Series: Alex Delaware – Book 37

Length: 319 pages

My Rating: 4.5 out of 5 stars

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Prepare to dive back into the excellent world of Jonathan Kellerman’s Alex Delaware series with the latest fantastic entry, City of the Dead.

There are some awesome crime fiction authors out there now who have some brilliant long-running series, but one I have been particularly drawn to is bestselling author Jonathan Kellerman.  Kellerman, who debuted in 1985, is an impressive murder mystery author who is best known for his Alex Delaware books.  This fantastic series follows titular protagonist psychologist Alex Delaware as he helps his police detective best friend solve some of the strangest or disturbing murders throughout Los Angeles.  I started reading this book a few years ago and have had an excellent time with the last three entries, The Wedding Guest, The Museum of Desire and Serpentine, all of which had an impressive and clever murder mystery narratives.  As such, I made a real effort to grab City of the Dead when it came out as I knew I was going to have a great time with it.  City of the Dead is the 37th Alex Delaware book and features another twisty and powerful mystery.

On a dark LA early morning, a moving truck runs over a naked body on the street.  As the police investigate this tragic accident, they discover a blood trail, which leads them to a nearby house, where the body of a murdered female is found.  Finding many of the details of this case to be unusual, LAPD homicide lieutenant Milo Sturgis once again brings in his friend, psychologist Dr Alex Delaware, to consult.  While the identity of the naked male out on the street is unknown, Alex is shocked to discover that he knows the female victim from one of his custody cases.

The victim, Cordelia “Cordi” Gannett, was a fraudulent mental health practitioner who specialised in manipulating the vulnerable for her own advantage.  Concerned that her deceptive practices may have led to her death, Alex and Milo examine her past to try and discover who killed her.  But as they dig into her intriguing life, Alex and Milo quickly discover that their victim had a troubled past, filled with mistakes, betrayals and bad influences.  But the more they uncover, the more they begin to question everything they think they knew about this terrible murder.  Was Cordi the dangerous manipulator everyone believes, or was she something far more vulnerable?  And what role, if any, did the dead man on the street play in her death?  A dangerous and disturbed murderer lies behind this crime, and their reasons for killing will shock even the hardened team of Alex and Milo.

Kellerman has done it again, producing an excellent and compelling murder investigation that will quickly hook you and take you to some dark places.  I loved the brilliant narrative of City of the Dead, which combines a complex mystery with interesting characters and the author’s unique style and perspective.  The author sets the start the story perfectly, with a couple of bodies discovered in unique positions that immediately grabs the reader’s attention.  This interest is intensified once the connection between Delaware and the victim are established, which also reveals the victim’s scandalous past.  From there the story continues at a slower pace, with Alex and Milo carefully building their case and their profile of the victim through intriguing interactions with various people with connections to the victim and her past.  This helps to set the scene for the rest of the novel, and the reader gets to see how all the details of this case are collected and pulled together.  The plot picks up a notch about halfway through when certain interesting developments to key suspects occur, producing extra complexity to the case, although I question the use of a couple of outrageous figures around this point.  From there the story reaches its zenith, as the protagonists get closer to their answers and a big reveal comes to light.  I really liked the twist towards the end, although it did kind of come out of nowhere and relied a little too much on coincidence.  However, I was very impressed by how Kellerman set up the big reveal from the very beginning of the book, especially as it helped to soften the randomness factor of the sudden reveal.  The entire motivation behind the killings was pretty bonkers (in a good way), and I loved how dark the story got, as well as the intriguing connections to the protagonist’s psychology background.  While I did think the story ended a tad too abruptly after this reveal, this was still a great story and I honestly could not put this down once I started.

Kellerman has a great writing style which I think complemented this fantastic narrative perfectly.  There is a really unique feel to each of his novels, especially as the characters have a distinctive way of interacting and talking, which I feel is a little more natural, even if they sometimes go off on some odd tangents.  I definitely liked Kellerman’s sense of pacing, and he strings this story our extremely well, with the slower, investigative side of the narrative perfectly balanced with the more intense and powerful moments.  The author hits all the right notes when it came to timing and fun reveals, with every great scene or unique character receiving a great introduction that brings the reader in.  Like all of Kellerman’s Alex Delaware novels, I found City of the Dead to be extremely inclusive to new readers, and the reader does an excellent job of re-introducing the recurring characters, plot threads and dynamics.  City of the Dead can easily be read as a standalone novel, and people with no pre-knowledge of the series can jump in here without any problems.  I had a great time getting through this impressive story and I ended up powering through the last 200 pages in less than a day, especially after I got really invested in the outstanding mystery.

One of the main things that I love about the Alex Delaware novels is the grounded and realistic approach that Kellerman takes to investigating a murder.  The characters investigate each case, including the one in City of the Dead, with a very methodical style, assessing the facts and slowly building up the case one fact at a time.  There is a particular focus on interviews and research, with the characters talking to multiple people who might know something to gain insight into the victims or potential suspects, while also diving into their past anyway they can.  This, combined with other real-life details such as delayed lab results or overworked cops and technicians, makes for a much more accurate portrayal of a murder investigation.  I personally love this style of mystery solving, and it helps to give City of the Dead a much more unique feel than some other murder mysteries out there.  I will say that some of the jumps were a bit over-the-top in places, and certain key revelations are only gained due to coincidental interactions outside of the main investigation.  Still, this is a great crime fiction story and I have a lot of fun with how a typical Kellerman investigation unfolds.

The final thing I need to discuss are the great characters of City of Dead, especially the two protagonists, Alex Delaware and Milo Sturgis.  By this point at the series, Kellerman has established an excellent dynamic between these two characters, and the brilliant psychologist and the seasoned police detective play off each other perfectly.  You can really sense the close friendship they have, and their excellent and distinctive back-and-forth banter is very entertaining.  Pretty much any story involving this partnership really works, and I have a lot of fun with this great team.  I also was quite impressed with the unique character of Cordi, the main victim of the story.  While we never see the character when she’s alive, Kellerman does a deep dive into her past and personality throughout the course of the novel as the two protagonists attempt to find out everything about her.  While you initially form a negative opinion of Cordi (even though she’s a murder victim), Kellerman successfully builds some nuance around her as the investigation continues.  The resultant picture, of a neglected and damaged person who is determined to never be poor or mistreated again, is very moving, especially as it speaks to some of her notable character choices and mistakes.  This makes for a very striking and compelling figure, and it is fascinating how much you become invested in finding her killer.  The killer was also an interesting choice from Kellerman, and while I won’t reveal too much here, I liked how they connected into the narrative, and I had a lot of fun when their motivations were revealed.  An excellent group of characters who enhance a compelling and exciting narrative.

With this latest amazing novel, City of the Dead, Jonathan Kellerman continues to shine as one of the more interesting crime fiction authors currently writing.  This fantastic novel brilliantly continues the long-running Alex Delaware series and presents the reader with an entertaining and thought-provoking murder mystery narrative.  Filled with a great story, some excellent investigation elements and a fantastic cast, City of the Dead was an impressive and addictive read that comes highly recommended, especially to fans of the iconic Jonathan Kellerman.

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Throwback Thursday – X-Factor: Volume 1: The Longest Night

X-Factor - Volume 1 - The Longest Night

Publisher: Marvel Comics (Paperback – 7 March 2007)

Series: X-Factor (Vol. 3) – Volume One

Writer: Peter David

Pencils: Ryan Sook & Dennis Calero

Inks: Wade Von Grawbadger & Dennis Calero

Colour Art: Jose Villarrubia

Letters: Cory Petit

Length: 144 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday I look at the start of one of the best comic series I have ever had the pleasure of reading, with The Longest Night, the first volume in Peter David’s impressive and incredible X-Factor series.

X-Factor - Vol3 - 2 Cover

There are many awesome comic series that I have a great appreciation for, but to my mind one of the most entertaining, clever and captivating series I have ever had the pleasure of reading has to be the third major version of the X-Factor title that ran between 2005 and 2013.  This series span off the limited series, Madrox: Multiple Choice, with its entire run written by Peter David, with a rotating team of talented artists.  Also known as X-Factor (Vol.3) or X-Factor Investigations, this long-running series focused on a team of mutants who formed a detective agency after the events of House of M.  Calling themselves X-Factor Investigations and led by Jamie Madrox, the Multiple Man, this series followed the team as they investigated mutant related crimes, protected the area of New York formerly known as Mutant Town, and did general superheroics, often for a fee.  Despite its odd-sounding plot, this was an incredibly good series, and it is one of my all-time favourite comic series.  I have recently done a bit of a re-read of this series and thought that it would be a good time to talk about it on my blog, starting with this first volume, The Longest Night.

X-Factor is back, and this time they are in business for themselves as X-Factor Investigations, the weirdest and only mutant run private investigative agency in New York.  Led by Jamie Madrox (the Multiple Man), made up of the ragtag group of heroes including, Strong Guy, Wolfsbane, Siryn, Rictor and Monet, X-Factor investigates the cases no-one else will, especially if it helps current and former mutants.  However, X-Factor are about to find themselves investigating the most sinister case of their brief tenure, when a new client walks in the door, accompanied by the mysterious Layla Miller.  Following the breadcrumbs given to them by Layla, X-Factor begins looking into the rival organisation, Singularity Investigations, who have dire plans for the future of all mutant kind.  At the same time, X-Factor finds itself in the middle of the deteriorating conditions in Mutant Town, as they start their own investigation into what really depowered most of the mutant species.

As their investigations continue, X-Factor find themselves encountering crazy events and dire obstacles from all sides.  Forced to protect their client from being arrested for murder, as well as the deadly attentions of Singularity Investigations, X-Factor struggles to solve the case before it is too late.  However, their actions have awoken a dangerous enemy whose knowledge of time could prove disastrous.  Can X-Factor succeed and become the team the world needs, and what role will Layla Miller play in their future, especially as she actively attempts to hide the events of House of M and Decimation from her new friends?

X-Factor - Vol3 - 3 Cover

The Longest Night is a brilliant and intense comic volume that serves as the perfect introduction to this outstanding X-Factor series.  Containing issues #1-6 of X-Factor (Vol. 3), The Longest Night contains an incredible and epic story by Peter David that expertly introduces the new team and sets up many of their future adventures, perfectly accompanied by the excellent art of Ryan Sook and Dennis Calero.  This incredible comic will really start your fall towards X-Factor obsession.

To start this amazing series off, David has come up with an impressive narrative that not only introduces the team but also contains several clever mysteries and dangerous threats.  The Longest Night starts off in a very interesting way, with Madrox attempting to save the life of a suicidal Rictor, while other members of the team find themselves under attack from sinister forces.  The story quickly develops, with new player Layla Miller directing X-Factor Investigations towards the mysterious Singularity Investigations, while also implementing her own mysterious agenda.  This sets the X-Factor team down a dark path as they contend with the corrupt and deadly Singularity employees as well as other malicious threats that pop up.  I deeply enjoyed the main storyline, especially as the protagonists are forced to intervene in a murder case to prove that their client is innocent, despite dangerous interference from their competitors.  This leads to some dark consequences, as one of the team is attacked and then kidnapped in scenes that strongly remind you of a dark thriller.  The new villains of this early part of the series, Singularity Investigations and their management team the Tryps, prove to be pretty sinister, and I liked some of the unique storylines that are started up around them.  There are also some impressive and clever sequences that explore the aftermath of the Decimation, as well as the current mental states of the various team members, which is extremely powerful and deeply moving.

I loved the cool style that this comic had, especially as the creative team were trying to give it a classic noir detective vibe at times.  While some of the best themes from the X-Men comics are featured within this volume, such as prejudice, dual self-hatred and love of mutant abilities, and the fallout from the House of M limited series, this comic really stands on its own, and I loved the combination of mutant issues and crime fiction.  There is a certain dark edge to many of the storylines, with the character dealing with brutal murders and attempted killings.  While much of the focus is on the darker and more mature vibes, this comic also has a wicked sense of humour behind it which I deeply enjoyed.  All the characters are pretty fun, and there are some dark and clever jokes sprinkled throughout the story, especially when it comes to group clown Madrox and resident mystery girl Layla Miller.  This combination of superheroics, dark humour and crime fiction makes for quite an impressive read, and I always find myself getting really drawn into it.  Due to how many times I have read this series of the years I also really respect The Longest Night as a first entry in the overall X-Factor (Vol.3) series.  While all the best elements haven’t been introduced yet, this comic is still off to a brilliant start, and I loved all the hints and brief mentions of the events yet to come.  Multiple storylines are perfectly set up here, and there are some great references to upcoming events and some key moments from recent comics.  This proves to be an exciting and impressive first entry in this series, and I love how it spawns so many awesome moments in the future.

X-Factor - Vol3 - 4 Cover

One of the things that has always impressed me about this version of X-Factor is the excellent cast of characters featured.  The team is an intriguing combination of some of the more unique and enjoyable characters from the various X-Men comics.  The initial line-up featured in The Longest Night is a great example of this, as David has featured several previous X-Factor members alongside some interesting new choices.  There is a real mismatched feel to the characters, as not only are they angry and discontent, but there is some thinly veiled antagonism going on between them, despite them all being on the same team.  On top of that, they end up being some of the most damaged and complex figures you can expect to find in Marvel comics, as they are all dealing with unique personal issues.  This results in some major personality clashes and great internal struggles that really enhances the drama of the narrative and results in some brilliant storytelling.

The main character of this series is team leader Jamie Madrox, the Multiple Man.  Jamie is a very interesting figure in this series, due to the many divergent and tragic issues that result from his ability to create duplicates of himself.  Attempting to be a grounded and calm figure for the team, Jamie often finds himself undermined, not only by his time but also by his own dupes, which proves to be both entertaining and occasionally emotionally powerful.  A lot of these great elements are explored in The Longest Night, and you get a great sense of who the character is and his complex feelings, even if you haven’t read the lead-in limited series, Madrox: Multiple Choice.  Jamie cuts a great figure as a noir-inspired private detective leading a team of misfits, but in reality, he is scared and emotionally drained, even before the series starts.  Jamie ends up spending most of this comic battling his own inner demons and indecision, while also having difficulty controlling his team.  While in many ways Jamie is a tragic figure, he also serves as one of the main comic reliefs, and his smart-assed comments and dark jokes add a lot to the narrative, while barely hiding his struggles within.  I really liked how this comic spent significant time exploring Jamie’s power to create duplicates, as well as the many problems associated with it.  What makes this power very unique is the way that each of his dupes has their own personality, most of which are a manifestation of his own fears, internal struggles, inner dark side and more.  While this is often played for comedic effect, especially as his crazier dupes say some very random stuff, certain dupes show off a real mean side, such as one who pretends to be Zen, but is actually Jamie’s unpredictable side, his “X-Factor”.  This was an overall incredibly impressive introduction to Madrox, and it serves as a brilliant base to his various follow-on storylines that are such an impressive feature of the rest of this series.

X-Factor - Vol3 - 5 Cover

Aside from Madrox, the team is made up of former X-Factor members Julio Richter (Rictor), Guido Carosella (Strong Guy) and Rahne Sinclair (Wolfsbane), as well as X-Factor newcomers Theresa Cassidy (Siryn, daughter of Banshee) and Monet St. Croix (M from the Generation X comic).  I really liked this great blend of figures as it produces some awesome and entertaining team dynamics, such as having the arrogant party girl, Monet, getting into various disputes with the other characters.  All five of these characters have some interesting moments in this volume, such as Strong Guy and Wolfsbane’s interference against an anti-mutant riot, or Monet’s brief emotional breakdown after telepathically experiencing the murder of a young woman.  However, I the best moments of this volume probably occurred with Siryn and Rictor.  Siryn, who serves as a bit of a second-in-command, has several key storylines around her, and she ends up being the one most obsessed with the actions of Singularity Investigations.  The subsequent brutal attack and creepy hostage situation she suffers from is pretty horrifying, and the resultant mental and physical damage makes for some harrowing moments.  Rictor also has a great storyline in this series, as he is the only character on the team who lost their powers in the Decimation.  This leads him to some serious depression, especially as the first scene in the comic involves his attempted suicide, which is only just stopped by the rest of the team.  The author’s compelling and thought-provoking dive into Rictor’s feelings of loss and uncertainty is pretty heartbreaking, and I loved this complex look at the terrible impacts of the Decimation.  Despite his lack of powers, Rictor still serves as a great member of the team, and his involvement in saving Siryn from a terrible situation is extremely cool and very intense.

However, my favourite member of this new version of X-Factor had to be the young and mysterious Layla Miller.  Layla was first introduced as a unique character in House of M, as she could remember the real world and bring the memories back to the various heroes.  She reappears in this volume right in the first issue, walking into office, providing information and declaring herself a member of the team.  Despite the confusion of the other people on X-Factor and the fact that she’s a child, Miller manages to stick around on the team, mainly due to her uncanny insights into the future.  This results in some brilliant and hilarious moments, especially as she can manipulate everyone around her and change events to match what she wants.  Her sarcastic manner and funny reactions really help to enhance the humour of this entire comic, and I loved seeing her change future events in the most amusing ways.  The cloak of mystery and uncertainty that David brilliantly builds up around her is very impressive, and you have no idea the real reason why she is there or what she can do, with her only explanation to that being her favourite saying: “I’m Layla Miller, I know stuff.”  Despite this secrecy, the reader ends up getting some interesting reveals about her, such as her past in the orphanage, her secret mission to stop X-Factor finding out about House of M, and her tragic self-description as the Chaos Theory butterfly, which are pretty cool, even if they result in more questions than answers.  I really loved how dark the creative team made her at times, especially in that brilliant scene where she kills a Singularity Investigations assassin by simply taking screws out of a bath.  Her confession about her motivations to the assassin just before he gets killed is pretty heartbreaking as you can sense she’s revealing a deep secret that is eating her up.  The subsequent conversation as the assassin lies dying is just so damn dark that I love it, especially as she follows up the dying man’s question about who she is with another grim “I’m Layla Miller, I know stuff.”  Throw in that final scene where Rictor confronts Layla about her manipulations, only to completely miss her bringing a dead butterfly back to life, and you have such an impressive sequence of character moments.  I have so much love for this brilliant character, and while the rest of the team is good, Layla Miller is the real X-Factor of this series.

X-Factor - Vol3 - 6 Cover

The cool story and awesome characters are very well supported by the incredible artistic work of Ryan Sook, Dennis Calero and their team.  These great artists give The Longest Night a darker feel that fits into the noir-inspired narrative extremely well.  There are brilliant examples of shading and shadow throughout the comic, and you get a real sense of the dingy nature of the story and the depressed location of Mutant Town.  I deeply enjoyed the cool character designs featured throughout The Longest Night, especially as there is an interesting combination of new styles and classic looks from other X-Men comics.  You get a real sense of the dark emotions hiding within many of the different characters, especially around the various duplicates of Madrox, who run the gauntlet from depressed, to scared, to utterly insane.  However, I felt that the best artwork was utilised around Layla Miller, and perfectly helped to capture her true nature.  I particularly loved that brilliant scene where she killed the assassin in X-Factor headquarters, especially the final few panels.  Due to her machinations the power is out, resulting in her lighting the scene of the dying man with a torch.  The first appearance with her face completely black is just so fitting, especially given her death proclamation to the killer in the panel: ‘Your heart’ll give out in about five seconds.  Your mother will mourn you … but your wife won’t”.  The following two panels with her face in the light highlights her dark expression, followed by a perfectly set up final black panel that could either represent her turning the torch off or the death of the assassin.  I also loved all the panels focused on Layla in issue #6, especially it shows her at her most emotionally compromised as she tries to describe her various issues.  Throw in the reoccurring butterfly that is both dead and alive, and you have an excellent bit of art that emphasises just how complex this figure is.  The villains of this comic are also perfectly shown in this cool artwork, and I was especially impressed with how sinister and disturbed they made the crazy kidnapper in fifth issue.  I deeply enjoyed this and so many other aspects of the art in the volume, and I think it perfectly emphasised the darker nature of this incredibly cool comic.

Overall, The Longest Night was an incredible comic that I would strongly recommend.  The awesome team of Peter David, Ryan Sock, Dennis Calero and the other artists did a fantastic job combining exquisite storytelling with outstanding characters, darker themes and wonderful artwork.  Not only does it stand on its own as an excellent read, but it also works to introduce this superb run of X-Factor and its crime-fiction related storylines.  I have so much love for this series, and I will always appreciate the way in which The Longest Night sets everything up, especially its brilliant characters.  This first volume (and indeed every volume in this series) gets a full five-star rating from me and it comes very highly recommend to anyone wanting to find a unique and powerful comic series to get into.

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Unforgiven by Sarah Barrie

Unforgiven Cover

Publisher: HQ (Trade Paperback – 1 December 2021)

Series: Standalone/Book One

Length: 480 pages

My Rating: 5 out of 5 stars

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Talented Australian author Sarah Barrie presents one of the darkest and best Australian thriller novels of 2021 with Unforgiven, a powerful and captivating read that sets determined protagonists against the very worst of human monsters.

Years ago, the city of Sydney was haunted by a terrible paedophile and murderer known as the Spider, who kidnapped, molested and killed young girls, all on camera.  His reign of terror was ended suddenly one violent night thanks to two women, a determined rookie police officer, Rachael Langley, and one of the Spider’s young victims, Lexi Winter, who disappeared never to be seen again.

Now, after years of living on the street, Lexi has grown up tough and hard, determined to escape the tortures of her childhood through alcohol while trying to reconnect with the sister she was forced to leave behind.  However, Lexi is still obsessed with taking down monsters, and with her impressive hacking skills she spends her days tracking paedophiles, entrapping them, and ensuring they are captured by the police.  However, when her latest target proves to be particularly illusive online, she makes a fateful decision to break into his house, only to witness him being murdered.

At the same time, Rachael Langley is now a successful detective inspector, solving some of the toughest crimes in Sydney.  Still lauded for her role in stopping the Spider, Rachael lives in regret for being unable to save Lexi all those years before.  However, everything changes when a man calls her, claiming to be the real Spider and providing proof by horrifically murdering another child on camera.  Quickly establishing a police taskforce, Rachael and her team must determine if the killer is a copycat or whether Rachael captured the wrong man all those years ago.  To solve this case Rachael is going to need help from the last person who wants to see her, Lexi, but can these women work together after everything they have been through?  And what happens when their killer learns that Lexi is still alive and hunting for him?

This was an intense, grim and deeply compelling Australian crime fiction read from Barrie, who has written an amazing and powerful story that proves very hard to put down.  Unforgiven was the first of Barrie’s books that I have read, although several of her other Australian crime fiction novels are quite intriguing and I might try and read them at some point after being so captivated by this epic and moving read.  This was such an addictive novel that it gets a full five-star rating from me.

Barrie has come up with a very impressive and intense narrative for Unforgiven that sees several damaged characters dragged into the web of a dangerous and clever criminal.  The story has a great start that showcases the lives of the main protagonists, Lexi, Rachael and Rachael’s nephew and fellow police officer Finn, as well as giving some hints at the events of the original Spider case that so deeply impacted the female main characters.  After this quick set-up, the story advances in all its dark and powerful glory, as two fascinating plot lines develop.  Lexi, who has become an online vigilante hunting paedophiles on the dark web, finds herself caught up in a brutal murder when one of her targets is murdered by a mysterious figure while she is sneaking into his house.  Most of her early story involves her continued attempt to hunt paedophiles while also trying to find a way to hide the body of the murdered man, for which she gains some help from an interesting source.  At the same time, Rachael and Finn become involved in a brutal case when the man claiming to be the real Spider calls Rachael and leads them to murdered young girl, forcing them to once again dive into the unsettling world of paedophiles.

Both storylines advance at a quick and compelling pace, with each of the main protagonists facing massive challenges as they attempt to achieve their objectives.  I liked this initial separation of the storyline, and the two plotlines work well together in tandem, with the reader getting pretty caught up in both narrative threads.  At the same time, the author drip-feeds in bits and pieces of Lexi and Rachael’s pasts, especially the events that led up to the arrest of the Spider and the disappearance of Lexi.  This deepens the audiences’ connections to the two protagonists so that when their storylines inevitably connect it really enhances the impact of the scene.  Unforgiven shifts into high gear once these plotlines are joined, with all three protagonists working towards the same goals, although Lexi maintains her secrets.  Barrie starts throwing in some real curveballs here, providing a complex and intriguing case that throws the protagonists through the emotional wringer as they get closer to the big and powerful conclusion of the novel.  There are some great twists in the last half of the book and while I saw a couple of things coming, there were some fantastic surprises that really threw me.  This ends up being an outstanding and complex story, and the readers will be left wanting more, especially as Barrie leaves it open for a sequel, which I really hope she does.

While I deeply enjoyed the captivating and intense story contained within Unforgiven, this was a bit of a hard novel to read at times due to its very, very dark content.  Unforgiven focuses on the hunt for a murderous paedophile and his child exploiting friends, which inevitably leads to some depictions of the terrible acts they commit, not only to children in the current storyline, but to the protagonist Lexi back in her childhood.  Barrie really does not pull any punches here, and the book contains some very dark and grim moments that really stick in the mind.  These powerful and shocking scenes really raised the stakes of the book and ensured that the reader becomes extremely invested in seeing the protagonists achieve justice through their actions.  While I really appreciated that Barrie was trying to raise awareness and showcase just how evil some people can be, I will admit that some of these scenes did get to be a bit much at times, forcing me to stop and put the book down.  Readers are warned that Unforgiven has very strong themes of violence and abuse against children and young people.  However, if you can get past that, it is worth it, as Barrie does an excellent job telling this rough story about true human evil.

Unforgiven’s already brilliant and powerful narrative is enhanced by the impressively written and complex central characters contained within.  Barrie has gone out of her way to introduce several very damaged and compelling protagonists, each of whom add so much to the overall plot thanks to their excellent backstories and substantial development.  The most prominent and interesting of these characters are the two female leads of the book, Lexi Winter and Detective Inspector Rachael Langley, whose lives became irreparably entangled all those years ago.  These two characters serve as two of the three main point-of-view characters, with most of the story told from their perspectives.

Lexi was a great character, and I was deeply impressed with the amount of work that Barrie put into her complex and damaging past, as well as her distinctive current personality.  There were so many interesting aspects to Lexi, who immediately stands out as a protagonist thanks to her damaged personality, strong sense of deduction and observation, her badass ability with a computer and the fact that she is the only character whose chapters are told in the first person.  I loved the intriguing contradictions in her life as Lexi makes a living as an escort while devoting most of her personal life to being an online vigilante/hacker extraordinaire who specialises in taking paedophiles down.  This makes for such a distinctive character, especially once you figure in all the major impacts of her childhood that has left her such an emotional mess.  Barrie does a good job of slowly revealing all the horrors of her early life, and while some of the scenes are pretty brutal, it is amazing to see everything that the character has risen above to still be such a strong figure.  The reader swiftly gets attached to Lexi as a protagonist and it will be fascinating to see what happens to her next if Barrie decides to turn this into a series.

The other central character that I must talk about is Rachael, the veteran detective inspector whose career was built off the success of the Spider case.  Rachael is a great police protagonist, a confident, intelligent and strong figure who is able to keep most of her people in line and pursue a vigorous investigation.  However, Barrie builds in several great aspects to her character that really impact this protagonist throughout the course of Unforgiven.  Firstly, there is the guilt that Rachael still feels over her past with Lexi, especially as Rachael failed her in a way which is slowly revealed over the course of the book, especially once the two reunite and have an awkward relationship.  The other aspect is the doubt that slowly creeps into Rachael as the case proceeds, especially as the possibility that the original person convicted in the Spider case might be innocent.  This doubt, coupled with the guilt over the fact that she could be responsible for the latest deaths by not actually catching the real Spider, starts to impact her throughout the book and proves to be an intriguing motivator for some of her decisions.  These complex aspects really helped enhance the emotional power of Unforgiven and I really appreciated the intense storyline that Barrie wrote about people living in the past and accepting one’s mistakes.  I really enjoyed seeing both Lexi and Rachael in this novel, and they had some great storylines in this book.

Aside from Lexi and Rachael, there are several other great characters in Unforgiven I should mention.  The most prominent of these must be Detective Senior Sergeant Finn Carson, Rachael’s nephew and second-in-command of the investigation, who ends up being the third major point-of-view character.  Finn was an excellent male police character who serves as an interesting counterpoint to the two female protagonists.  While not as damaged as the other two, Finn has his own issues, and his viewpoint really added to the overall quality of the book.  I was also a big fan of Lexi’s neighbour Dawny, an eccentric older woman who assists Lexi in several matters, including disposing of a body (what are good neighbours for?).  Dawny was one of the funniest characters in the book and it was great to see the protagonists be completely baffled by her knowledge and ability to come up with effective solutions to problems while maintaining the batty old lady routine.  I quite liked the eventual reveal of who Dawny really was, as it fit in well with the other characters in the book, and it will be fun to see if Barrie brings her back at some point in the future.  Finally, I definitely need to highlight the villain of the book, the Spider, who is one of the most despicable fictional antagonists I have seen: a sordid child abuser and murderer who films their grisly crimes.  You quickly feel a lot of hate towards this character, even if you don’t know who they are for most of the story.  The eventual reveal and the various twists around them were quite clever and I had an amazing, if disturbing, time finding out who this monster was.  An overall exceptional character driven novel, you will quickly find yourself getting stuck following all these fascinating and compelling figures.

Unforgiven by Sarah Barrie is an outstanding and impressive read that takes the reader of a gritty and vicious ride.  Filled with a disturbing narrative and some brilliantly damaged central characters, Unforgiven is an utterly captivating read that is near impossible to put down or forget about.  Easily one of the best Australian thrillers of 2021, Unforgiven comes highly recommended and I am extremely excited to see what other incredible novels Barrie comes up with in the future.

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The Judge’s List by John Grisham

The Judge's List Cover

Publisher: Hodder & Stoughton (Trade Paperback – 19 October 2021)

Series: Standalone/The Whistler – Book Two

Length: 359 pages

My Rating: 5 out of 5 stars

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Those interested in a tense, complex and brilliant thriller should definitely check out the latest novel from legendary crime fiction author John Grisham, The Judge’s List.

Grisham is an exceedingly talented author who has been producing impressive and distinctive legal-based thrillers since his 1989 debut, A Time to Kill.  Grisham has since written over 40 novels, made up of mostly standalone reads with a couple of series thrown in, such as his Theodore Boone children’s thrillers.  Most of these books have been absolute hits, with several being turned into massive films or other adaptations such as The Firm, The Pelican Brief, The Rainmaker, and The Runaway Jury.  While I have enjoyed some of the movies that came out of his work, I haven’t actually ever read one of Grisham’s novels before.  So when I received a copy of Grisham’s latest book, The Judge’s List, I decided to check it out, not only to finally see how this author writes but because I really liked the sound of its awesome plot.

Throughout America’s long judicial history, no judge has ever been convicted or charged with murder, but that is about to change.  In Florida all criminal accusations against judges are handled by the Florida Board on Judicial Conduct, and their chief investigator is Lacy Stolz.  Still recovering from her ordeals during her last big case and forced to deal with the chronic underfunding affecting her agency, Lacy is strongly considering a new career path.  However, an intriguing new case may relight the fire within her when a mysterious woman contacts her, wishing to report a serious crime.

For years, Jeri Crosby has been hunting the man who murdered her father using every investigative trick and avenue she can find, while concealing her identity behind a series of elaborate aliases.  Jeri finally believes that she knows who killed her father, and her prime suspect is a sitting judge in Florida.  While this judge appears to be a dedicated legal professional, Jeri believes that he is the most dangerous form a serial killer capable of concealing his identity and using his vast legal and forensic knowledge to hide his tracks and keep his very existence secret from the police.

Determined to stop this killer no matter what, Jeri provides all her evidence to Lacy, who she believes can connect the pieces she cannot.  While initially reluctant to investigate a murder, even one potentially committed by a judge, Lacy is eventually dragged into the case by her own curiosity and sense of justice.  However, the suspected killer is no easy target; he is a compassionless psychopath capable of hunting down anyone who has ever wronged him and permanently ending them.  Now he has both Lacy and Jeri on his list of potential victims, and he is coming for both of them!

This was an amazing novel from Grisham which proves that I really should have read some of his stuff a long time ago.  The Judge’s List has a captivating and clever narrative that pits two determined women against a lethal and brilliant killer determined to survive no matter the costs.  Serving as a sequel to Grisham’s previous novel, The Whistler, The Judge’s List was an outstanding thrill ride that I had an incredible time reading.

I deeply enjoyed the amazing story of The Judge’s List as Grisham came up with an extremely clever and impressive thriller narrative.  The author starts things off extremely quickly, reintroducing the protagonist of The Whistler, Lacy Stoltz, and bringing her into contact with new character Jeri Crosby, who tells Lacy the story about the man who murdered her father.  Grisham drip feeds the details of who the killer is and what they have done to the reader, ensuring that they have just enough to whet their curiosity, without overloading them.  Thanks to the compelling and unique story that the clearly fearful Jeri tells, the readers are swiftly wrapped up in the plot, and this brilliant introduction ensures that they will come back for more.  The novel swiftly continues from here as Jeri reveals more details about the murderer she is stalking, setting him up as a real monster who is seemingly supernatural in his ability to avoid detection and destroy those hunting him.  As Lacy gets closer to starting the investigation, you start to get some scenes shown from the perspective of the killer, whose intense and chilling point of view serves as a grim counterpoint to that of the protagonists.  While Grisham initially keeps the identity of the killer hidden during his scenes to help cast doubt on Jeri’s story, you soon get a very good picture of who the killer is and why they are committing their crimes.

This proves to be an exceptional setup for when the killer become aware of the investigation and starts to take some drastic measures to eliminate their pursuers and fulfil their master plan.  I loved the impressive and clever cat-and-mouse game that soon develops as the killer attempts to stay one step ahead of the protagonists while also discovering who they are and how they can be eliminated.  There are some powerful and brutal moments in this second part of the book, and I honestly had a very hard time putting it down once I got concerned for the characters.  This second half of the book was just outstanding and it all leads up to an intriguing and surprising conclusion.  While I might have preferred a more legal-based ending, perhaps with some sort of trial, I appreciated the brilliant moves that the antagonist pulled and it was an overall satisfying and fantastic way to wrap this excellent story up.

I had a great time with the impressive writing style in this book and it has definitely made me want to check out more of Grisham’s work in the future.  The author tells a clever and sharp story, and there are some amazing twists and turns that I didn’t see coming.  I appreciated how the author revealed the identity of the killer quite early in the book and the rest of the narrative follows the protagonists’ attempts to prove it and then catch him, which was a refreshing change.  Thanks to the cool plot point of the killer being a well-respected genius judge, this proves to be a very complex and intense investigation, and you are honestly uncertain if the protagonists will succeed in their investigation.  I found the inclusion of a judicial conduct board to be an interesting investigative base for the narrative, and it was fascinating to see Grisham utilise his legal knowledge to make this organisation and the characters associated with it feel very realistic.  The author’s use of various perspectives worked well here, especially as you get some amazing shots from the antagonists’ point of view, and you really end up with a full and distinctive plot.  I can say with confidence that readers need no knowledge of any of Grisham’s previous books to enjoy The Judge’s List despite it being a sequel to The Whistler.  I deeply enjoyed the story this book contained and the way that Grisham told it, and it proved to be very addictive.

I also need to highlight the great characters contained within The Judge’s List, especially its two central protagonists, Lacy Stoltz and Jeri Crosby.  Lacy is the returning protagonist from The Whistler, and Grisham introduces some great storylines around her that impact how she investigates the case in this book.  Lacy is still traumatised and damaged after the murder attempt that occurred in the first book, which makes her reluctant to get involved with another dangerous case, especially with the increased profile her previous success has given her.  Lacy has also reached a bit of a mid-life crisis here as she is facing stagnation in both her career and her romantic life.  This becomes a major part of her character as the book progresses, and it was interesting to see her try and balance them with her role in the case.  I also liked the intriguing reluctant investigator angle that Grisham worked into this character, as Lacy isn’t convinced that she should be involved with a murder case.  However, her inherent curiosity and sense of justice keep dragging her back into the investigation despite her better judgement, and it makes for an intriguing story angle.  I had a great time getting to know Lacy in this book and I would love to see more of her in the future.

The other major protagonist is Jeri Crosby, who has been hunting the book’s killer for years.  The author does an amazing job with this character, and you soon get introduced to a dedicated woman deeply obsessed with finding the person who murdered her father.  I loved the great storylines written around Jeri, and it was amazing to see the various impacts of her obsession, including failed relationships and estrangements from family.  Despite her obsession, Jeri is a very collected and cautious person who has adapted to hunt the monster that killed her father.  For most of the book Jeri appears to be extremely paranoid, due to her belief that the killer can track down any pursuer and make them disappear, and I loved how Grisham justified her concerns.  Watching this character finally get to bask in the success of her lifelong venture is pretty cool, although I do question some of Jeri’s choices during the final stages of the case.  Still, this was a brilliant bit of character work here and I deeply enjoyed diving into the psyche of this obsessed character.

While I deeply enjoyed the protagonists of The Judge’s List, the true standout character must be its complex and dangerous antagonist who serves as a brilliant counterbalance to Lacy and Jeri.  Grisham has gone out of his way to produce a truly impressive and distinctive antagonist here, and I loved the concept of a murderous judge who uses their position and knowledge to get away with their crimes.  The author sets them up perfectly, first introducing the idea of the killer through Jeri’s eyes, and then fleshing them out in person with several excellent and thrilling chapters shown from their perspective.  From there, you find yourself caught in the mental web of an unrepentant killer, who acts on petty grudges for their own self-satisfaction.  You really get a sense of what this villain is capable as the book continues, and I found myself really starting to hate him, which is enraging as he manages to slip a lot of nets and proves to be near impossible to catch.  Grisham does a brilliant job diving into the head of this great antagonist, and the reader is given a powerful view into their motivations and history, ensuring that they know how and why he became a killer.  I really enjoyed following this excellent antagonist, and I thought that his character arc went perfectly, and it was fascinating to see the lengths they will go to win, no matter the personal cost.

Overall, The Judge’s List was an intense and impressive novel from John Grisham, which is making me really regret not checking out any of his books sooner.  This latest novel had a brilliant and powerful plot that takes the reader deep into the mind of a demented killer.  Filled with complex and compelling character moments and a thrilling and twist-filled narrative, I had an exceptional time reading The Judge’s List and it comes extremely highly recommended.  I will definitely be reading more books from Grisham in the future, and I cannot wait to see what other outstanding novels he has written.

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Kill Your Brother by Jack Heath

Kill Your Brother Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 30 November 2021)

Series: Standalone

Length: 339 pages

My Rating: 5 out of 5 stars

Amazon     Book Depository

One of Australia’s most brilliant and potentially psychotic crime fiction authors, Jack Heath, returns with a powerful and captivating thriller, Kill Your Brother, which was one of the best pieces of Australian fiction I read all year.

Would you kill your brother to save your own life?

That is the question that Elise Glyk is forced to ask herself after being placed in an impossible situation.  Elise, a disgraced athlete hated by the entire country, is a woman on a mission.  Her brother, Callum, a popular local teacher, has been missing for a month, and the police have been unable and unwilling to find him.  Determined to locate Callum, Elise’s investigation eventually leads her to a dilapidated local farm, where she is shocked to discover her brother being held prisoner in a modified septic tank.  However, before she can rescue him, Elise is captured and thrown into the same hole as her brother.

Their captor is heartbroken former sheep farmer Stephanie Hartnell, who believes that Callum is responsible for her daughter’s death and has been attempting to force him to confess to his supposed crimes.  However, Stephanie doesn’t have room for two prisoners, and while she doesn’t want to hurt the innocent Elise, she needs to make sure that she won’t immediately go to the police.  To that end, she offers Elise a deal: kill your brother and you’re free to go.

Not even considering the deal, Elise attempts to find another way to gain their freedom.  Trying to find a way to escape while also working to prove Callum’s innocence to Stephanie, Elise hopes that someone will eventually be able to find them before time runs out.  However, the more Elise digs into her brother’s story, the more inconsistencies she discovers.  What is her brother really hiding, and how will either sibling react when the truth comes out?

Kill Your Brother was an awesome and impressive novel that I powered through in a couple of days due to its incredible narrative and amazing twists.  This was a great standalone book from Jack Heath, an author from my home city of Canberra, who has written some fantastic thrillers over the years.  This includes his bestselling Timothy Blake series, the third book of which, Hideout, was one of my favourite pieces of Australian fiction in 2020Kill Your Brother was originally released as an Audible original audiobook, with the paperback version I read subsequently rewritten and adapted into a novel format.  I had an outstanding time reading this book, and it was an excellent and impressive Australian thriller.

This book has an incredible story that takes the reader on a powerful thrill ride that they cannot get off if they tried.  Told using several character perspectives, Kill Your Brother quickly launches into the book’s deadly and compelling scenario, with Elise, a universally hated woman, attempting to find her brother.  Her hunt, which has been going on for months, has been largely unsuccessful, and the evidence found at her brother house’s, combined with her own reputation, means that everyone in her life constantly brushes her off.  However, Elise’s perseverance pays off when she finds Callum being held in a septic tank in Stephanie Hartnell’s backyard.  Posing as a private investigator, Elise tries to reason with Stephanie while plotting an escape, but she is soon forced into the ultimate no-win situation when given the option to kill her brother.  From there, the story devolves even further, with several escape attempts and mounting danger from their captor, and the two siblings turning against each other as their situation gets more desperate.  As the story progresses, several viewpoints on the situation and the events leading up to it are presented.  As the protagonist attempts to survive you get an interesting view of what Callum is accused of, and the eventual reveal of the full picture really influences the rest of the narrative.  This all leads up to the gripping and deadly finale in which every secret comes out and no-one is left untouched by the revelations and accompanying violence.

I really cannot exaggerate how awesome this cool narrative is.  Heath has gone out of his way to make Kill Your Brother’s story as clever and thrilling as possible, and I loved every single second that I spent reading it.  This book is filled with some brilliant twists and reveals, and Heath does a wonderful job of setting each of them up and slowly revealing them as the book progresses.  I honestly did not see half the twists coming and I loved how several small and seemingly inconsequential details eventually come back with amazing significance towards the end.  Heath also perfectly utilises a series of flashbacks that examine Elise’s past, showing why she is so disliked, while also revealing several clues about her family and the circumstances that lead to her brother’s imprisonment.  This was a really good standalone read, and potential readers are guaranteed a satisfying ending after getting stuck into the unique mystery and scenario.  I deeply enjoyed how this novel flowed, and there were no obvious issues with this being an adaption of an audiobook novella.  The impressive combination of character history, twisty writing and fast-paced storytelling ensured that I was deeply addicted within a few pages of starting.

One of the things that I must highlight is the fantastic central protagonist, Elise.  Elise is a brilliantly complex and sympathetic figure due to her complicated and tragic past, which has led to her current ostracism from her community and the hatred of the entirety of Australia.  I really enjoyed the impressive and complex backstory that surrounds this interesting and unique protagonist, especially as Heath did a great job of gradually introducing the full character history as the book progressed.  The whole angle is perfectly portrayed, including her motivations and the distinctly unfortunate events surrounding her disgrace, as well as the predicted reaction of the ordinary Australian sports fans.  This compelling and damaging backstory gives her quite an interesting insight and set of emotions regarding the events around her, as well as some intense determination to survive no matter the odds.  This helps produce a really fascinating character driven narrative, and I deeply enjoyed seeing the captivating and emotionally rich development that surrounded this brilliant protagonist.

I also deeply appreciated the way that Heath captured the feel of small-town Australia in his writing.  Most of the story is set in the fictional town of Warrigal, which draws a lot of inspiration from the small rural settlements throughout Australia, such as Braidwood, where Heath apparently wrote a good portion of this novel.  I really think that Heath did an amazing job of portraying the attitudes and mindsets of people in these sorts of locations, and you get an impressive sense of the location.  Watching the protagonist attempt to deal with the challenges of being the biggest pariah in her small town is pretty fascinating, and it was also compelling to see some of the limitations of a police investigation in this location, especially when it comes to locating a missing teacher.  The impacts of growing up in such a location also become a major part of the protagonist’s backstory, especially as the pressures of succeeding and representing her family and town drive her to make some mistakes.  I also must highlight the tiny pit that the protagonist and her brother find themselves held captive in.  Heath ensures that the reader gets the full sense of claustrophobia and the feeling of being trapped as the book progresses, especially once the characters become weaker and start turning on each other.  This intense and claustrophobic setting really helps to amp up the tension, and you will feel very uncomfortable during the scenes set down there.  Finally, I had a lot of fun with the author’s occasional visits to Canberra throughout the book, mainly because it was interesting to see the author’s take on my home city.  Overall, these settings are perfectly portrayed and the reader gets a real sense of them, especially the small-town lifestyles.  These work in the narrative extremely well, and it was a lot of fun to see the various characters’ experiences and impressions of them.

Kill Your Brother was an exceptional read from Jack Heath, who is quickly becoming one of Australia’s most impressive thriller writers.  This brilliant, dark and exceedingly clever thriller takes the reader on an incredible ride, and I loved seeing all the unique and captivating twists and turns that Heath came up with.  Focused around an amazingly complex protagonist and making full use of the rural Australian landscape, Kill Your Brother’s story is just incredible, and I am still reeling about some of the twists it contains.  This is a highly recommended read that gets a well-deserved five-star rating from me.  I am extremely excited to see what Heath writes next.

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Quick Review – The Dying Squad by Adam Simcox

The Dying Squad Cover

Publisher: Gollancz (Trade Paperback – 27 July 2021)

Series: The Dying Squad – Book One

Length: 360 pages

My Rating: 4 out of 5 stars

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Intriguing new author, Adam Simcox, presents his compelling debut novel, the fun and fascinating supernatural crime fiction read, The Dying Squad, which proves that just because you are dead, it doesn’t mean that you can’t get justice.

The Dying Squad was a fantastic and intriguing first novel from Simcox that contained a fascinating premise about a man forced to solve his own murder as a ghost.  I loved the sound of this book when I first heard about it, and I was very glad when I received a copy a while ago.

Synopsis:

WHO BETTER TO SOLVE A MURDER THAN A DEAD DETECTIVE?

When Detective Inspector Joe Lazarus storms a Lincolnshire farmhouse, he expects to bring down a notorious drug gang; instead, he discovers his own body and a spirit guide called Daisy-May.

She’s there to enlist him to The Dying Squad, a spectral police force who solve crimes their flesh and blood counterparts cannot.

Lazarus reluctantly accepts and returns to the Lincolnshire Badlands, where he faces dangers from both the living and the dead in his quest to discover the identity of his killer – before they kill again.

This was an awesome and intriguing read and I ended up really getting into this fantastic supernatural novel.  Set initially in the apparently crime-ridden wilds of Lincolnshire, the novel quickly establishes itself by killing off the protagonist, Joe Lazarus, and introducing him to his co-lead the bombastic and entertaining Daisy-May, a member of the ghost-run investigative unit, known as the Dying Squad, there to recruit Lazarus.  The book then jumps to the Pen (purgatory), where Lazarus is given the chance to save his soul by solving his own murder.  Returning with Daisy to the real world, Lazarus must investigate his death while facing several limitations, including the fact that the real world is affecting his memories, and he must work to uncover his own past to discover who killed him.  At the same time, dangerous events are occurring in the Pen as a mysterious being leads an uprising of the seemingly mindless souls imprisoned there, while back in the real world, a dangerous creature stalks Lazarus and Daisy-May, seeking to drag them down below.

I really enjoyed the cool story featured within The Dying Squad, and Simcox has come up with something particularly unique and compelling here.  The author does a great job of quickly introducing all the relevant story elements, and the reader is soon expertly enthralled in the book’s compelling mystery.  I loved the unique investigation that takes place throughout the novel, especially as the protagonists must deal with a range of different problems, including the sinister Xylophone Man (he’s a lot more threatening than the name implies), the deceit of living humans, fading memories, and the protagonist’s desire to interfere in events, even when they’re not supposed to.  At the same time, the protagonist’s boss back in the Pen is forced to deal with a universe-ending revolt, as desperate lost souls attempt to tear down the walls of reality.  While Daisy May and some of the other characters are dragged between these two plot threads, Lazarus continues to follow the trial towards his death by investigating several potential suspects and slowly regaining his own memories.  This eventually leads to several startling revelations, including a very clever reveal about who was behind his death and their reasons why.  This investigation eventually leads back to the wider universe story about the rebelling souls, and there are some great moments, especially when the protagonists are forced to make some hard and afterlife-altering choices.  I really enjoyed this unique blend of storylines, as well as some of the cool characters featured throughout the book, and The Dying Squad ended up being quite a fun and interesting read.

I definitely need to highlight the unique world building featured throughout The Dying Squad.  Simcox has come up with a detailed and fascinating scenario, involving supernatural ghosts going back to Earth to investigate unsolved murders.  This results in several memorable and compelling settings, including the dark and dreary Pen, a version of Purgatory, where lost and forgotten souls congregate in confusion and apathy (unless roused by a dangerous soul with ulterior motives).  At the same time, you also have the setting of Earth, which ends up being an unnatural location for departed souls, even the protagonists.  As such, the characters who venture there to investigate encounter all manner of obstacles, from rogue spirits to the very air itself, which drains dead souls of their memories unless precautions are taken.  These various elements, especially the memory loss and the typical incorporeal nature of ghosts, are worked into the investigation aspect of the story extremely well, and it added a layer of complexity and uncertainty that really enhanced the mystery.  At the same time, Simcox really went for broke exploring the wider universe and the focus on the events in the Pen soon become a major part of the plot.  While I deeply enjoyed the potential universe ending event, I cannot help thinking that maybe more of the story could have been spent on beefing up the investigation angle of the book, especially as some of the culprits and twists ended up being a little easy to spot.  That being said, it was a fascinating part of the story that ended up being explored extremely well, and it really enhanced the stakes of the plot.  It will be interesting to see what the focus of the next novel will be, but I am sure that I will enjoy it.

Overall, this ended up being quite a clever read, and I think that Simcox did a great job of combining a complex murder investigation with complex and fascinating supernatural elements.  I had a lot of fun with The Dying Squad, and it is an excellent compelling new debut to check out in 2021.

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Quick Review – The Return by Harry Sidebottom

The Return Cover

Publisher: Zaffre (Trade Paperback – 11 June 2020)

Series: Standalone

Length: 307 pages

My Rating: 4.5 out of 5 Stars

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Bestselling historical fiction author Harry Sidebottom takes you on a dark and compelling adventure into the mind of a haunted Roman soldier as he returns home only to find more death waiting for him with, The Return.

Harry Sidebottom is an impressive author specialising in exciting and detailed Roman historical fiction novels, whose work I have been enjoying for years.  Sidebottom has so far written two amazing series, the Warrior of Rome series, which followed a barbarian turned Roman general, Ballista, as he attempts to survive the machinations and wars of the Empire, and The Throne of the Caesar’s novels that examined some of the more obscure and chaotic Roman Emperors.  In recent years Sidebottom has started experimenting with some compelling standalone novels.  The first of these, The Last Hour, brought back Ballista and set him on a fast-paced adventure through Rome in a manner reminiscent of the television series 24.  His next novel The Lost Ten, featured a group of 10 mis-matched Roman soldiers who are sent on an infiltration mission into enemy territory to break a high value target out of prison.  His third standalone novel was The Return, which came out last year.  I read it a little while ago and failed to provide a timely review for it.  However, as Sidebottom’s latest novel, The Burning Road, has just been released, I thought I would take this opportunity to quickly review The Return so I have a clean slate when I get my hands on a copy of his latest book.

Synopsis:

He came home a hero.
But death isn’t finished with him yet . . .

145BC – CALABRIA, ANCIENT ROME. After years of spilling blood for Rome, Gaius Furius Paullus has returned home to spend his remaining days working quietly on the family farm.

But it seems death has stalked Paullus from the battlefield. Just days after his arrival, bodies start appearing – murdered and mutilated. And as the deaths stack up, and panic spreads, the war hero becomes the prime suspect. After all, Paullus has killed countless enemies on the battlefield – could he have brought his habit home with him?

With the psychological effects of combat clouding every thought, Paullus must use all his soldier’s instincts to hunt the real killer. Because if they are not brought to justice soon, he may become the next victim.

The Return was an intriguing and compelling novel that contains a brilliant and dark historical murder mystery.  Like some of his previous novels, Sidebottom has blended some unique crime fiction/thriller elements with his traditional historical settings and storylines.  As such, The Return reads like an interesting combination of historical fiction and a darker crime novel, specifically Scandi noir.  This results in a clever and compelling character driven narrative that follows a dark and conflicted Roman protagonist who is forced to investigate a series of murders in his grim and forbidding village.  The author does a wonderful job of blending his historical elements with the compelling crime fiction storyline, and the reader is soon treated to a harrowing and exciting murder investigation.  There is some brilliant use of a darker location, including a forbidding forest, as well as a lot of focus on his haunted protagonist, especially through a series of flashbacks.  All this comes together into an excellent narrative, and it was fascinating to see Sidebottom’s damaged protagonist dive head long into danger while trying to solve the murder and prove his own innocence.  While I did think that the solution to the mystery and the culprits behind the murder was a little obvious, this ended up being an excellent and impressive novel.  Sidebottom really takes the readers on a harrowing and enjoyable ride here, and I ended up getting through it in a few short days.

I was deeply impressed with the dark and guilt-ridden protagonist who Sidebottom set this great story around.  Paullus is a recently returned soldier who received much acclaim during Rome’s war with ancient Greece, but he is also haunted by his actions there, particularly around the fates of two of his comrades.  Thanks to his guilt he constantly sees the Furies, the Roman goddesses of vengeance and retribution, who remind him of the wrongs he commits.  To avoid seeing them Paullus dives headfirst into danger, as the threat of death is the only thing that alleviates his guilt.  This helps turns Paullus into a fascinating and deeply complex figure who has some interesting interactions with his own emotions and the people from his pre-war life who don’t understand what he is going through.  Sidebottom utilises a series of flashbacks to showcase Paullus’ military career and you slowly get the entire story of the protagonist’s heroic past, as well as the event that led to his intense guilt and heartache.  While I did think that Sidebottom might have been a tad heavy-handed with the flashbacks (it makes up nearly half the novel), I did really appreciate the sheer amount of work he put into his great protagonist.  The author did an impressive job of simulating the guilt, fear and anger of a war veteran attempting to re-enter society and it was really compelling to see.  I also deeply appreciated the author’s trick of personifying this guilt into visions of the supernatural Furies, especially as it is never fully established whether they are there or just figments of his damaged mind.  The use of Paullus as the central protagonist really enhanced The Return’s excellent story and he was an outstanding investigator for this fantastic murder mystery.

I also really enjoyed the cool historical fiction elements contained within this novel.  The Return takes place in 145BC, which is one of the earliest times that Sidebottom has explored in his historical fiction novels.  I deeply enjoyed the exploration of this time, especially as Sidebottom features more obscure conquests and locations.  The central location of the story, Calabria in Southern Italy, proved to be a fantastic and interesting setting, especially as this region of Italy contained two distinctive social groups, the Roman settlers and the original inhabitants.  Due to their historical support of Hannibal during the Punic Wars which saw them forced to give up their lands, the locals are treated as second-class citizens by the Romans, who use them as slave labour.  This adds some extra drama and intrigue to the story as these local tribes get caught up in the paranoia and despair around the hunt for the murderer.  I also really appreciated Sidebottom’s examination of the Roman invasion of Greece that the protagonist fought in.  This is one of the more obscure conflicts from Roman history and the author provides a detailed account of the causes, battles, and eventual consequences of the conflict.  I deeply enjoyed exploring this period in the flashback chapters, as there were some detailed and powerful battle sequences which featured some distinctive clashes between Greek and Roman military styles.  Throw in some Greek and Roman mythology as a potential cause for the murders or the protagonists’ actions, and you have quite a brilliant historical tale.  These grim and bloody historical elements blended perfect with the darker story that Sidebottom was telling and it was absolutely fascinating to see how they were incorporated into The Return’s compelling, multi-genre style.

Overall, The Return was an epic and complex novel that continued to showcase Harry Sidebottom’s amazing talent as a writer.  This fantastic novel ended up being one of the more unique historical fiction books I have ever read and I deeply enjoyed the cool combination of classic Roman history and darker crime fiction elements, especially when shown through the eyes of an extremely damaged protagonist.  This book comes highly recommended, and I cannot wait to get my hands on Sidebottom’s latest novel, The Burning Road.

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The Dark Hours by Michael Connelly

The Dark Hours Cover 2

Publisher: Allen & Unwin (Trade Paperback – 9 November 2021)

Series: Ballard & Bosch – Book Three

Length: 391 pages

My Rating: 5 out of 5 stars

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The master of crime fiction, bestselling author Michael Connelly, returns with another outstanding Ballard and Bosch novel, The Dark Hours, which sets his iconic protagonists on another intense and captivating case.

Connelly is one of those authors who needs very little introduction, having written an amazing number of crime fiction novels throughout his exceptional career.  I have really been getting into Connelly’s work lately, especially after reading his 2020 releases, Fair Warning and The Law of Everything.  However, my favourite Connelly novels have probably been the Ballard and Bosch sub-series, which follows the team of two of Connelly’s great protagonists.  This includes Renée Ballard, who debuted as the lead character of The Late Show, and Harry Bosch, Connelly’s long-running protagonist who has appeared in nearly every one of Connelly’s books since The Black Echo.  These two protagonists first teamed up in Dark Sacred Night in 2018, and then again in The Night Fire, one of the best books and audiobooks of 2019.  I have deeply enjoyed these two characters, and I was very excited when I saw that Connelly was featuring them again in his latest novel, The Dark Hours, which was one of my most anticipated releases for 2021.  The Dark Hours is the 36th overall novel in Connelly’s overarching crime fiction universe and proved to be another exciting and clever read.

As the clock ticks down the last seconds of 2020, the citizens of Los Angeles celebrate New Year’s Eve in their typical chaotic way, with hundreds of celebrators firing guns up into the air, with a rain of bullets coming down shortly after.  Sheltering under a bridge, LAPD detective Renée Ballard is staking out the nearby neighbourhood in hopes of catching a team of rapists terrorising women during the holidays.  However, she instead finds herself called to the scene of a party where an auto shop owner has been fatally hit in the head with a bullet.

Initially assuming that the death was an accident brought on by the lateral bullets fired in celebration, Ballard soon discovers that the shooting occurred at point-blank range, indicating that someone used the revels to disguise their up-close murder.  Starting her investigation, Ballard soon discovers that the same gun was used in an unsolved murder case which had been investigated by her friend and mentor, retired LAPD detective Harry Bosch.

Working with Bosch, Ballard soon finds herself on the trail of a dangerous killer who may have killed many times before and is at the centre of a deadly conspiracy.  Determined to catch this killer before the case is taken away from her, Ballard is willing to break any rule to catch her suspect, no matter the danger to herself or her career.  At the same time, Ballard becomes obsessed with catching the team of rapists destroying lives in her city, but finds herself fighting against a demoralised and uncaring police department, more concerned with maintaining their image than police work.  Can Ballard and Bosch solve these latest crimes before it is too late, or will the predators they stalk land another fatal strike?

This was another incredible book from Connelly that contains a clever and captivating murder mystery that I deeply enjoyed.  The Dark Hours has a fantastic story to it, that not only takes the reader on an intense and particularly dark couple of cases but which also explores the state of policing in 2021.  A brilliant and powerful read, this was an excellent Connelly novel that gets a full five-star rating from me.

Connelly came up with an exceptional crime fiction narrative for The Dark Hours, which I powered through in a few days.  This latest story, told exclusively from the perspective of Ballard, follows the character as she investigates several horrific crimes.  There are two central cases in this book; the first involves a murder of a mechanic, which sees Ballard connect with her old friend Harry Bosch, who previously worked a connected cold case; and the other is a series of rapes throughout LA, made distinctive by the presences of a two-man team.  These two cases are both pretty compelling and unique in their own way, with Ballard getting quite obsessed with both of them.  The murder case has several outlying threads that see Ballard and Bosch chase down gang connections, dirty cops, and a wide-ranging conspiracy of dentists, all of which results in a tight and powerful investigation story with some substantial dangers to Ballard.  The rape case is a dark and disturbing counterpart to this murder, and Connelly ensures that the full horror of this particular type of crime is on full display.  Both of these cases come together extremely well as the story progresses, and I really appreciated how some of the emotions and consequences stirred up in one case led to the characters doing some rash and dangerous things in the other.  Throw in some major professional drama around Ballard, and you have an intense and powerful narrative that really sticks in the mind.  I loved some of the cool and dark twists associated with these intriguing storylines, and Connelly certainly has the ability to create some major and memorable moments.  The Dark Hours also does a good job of continuing some of the storylines from the previous novels, particularly around Ballard’s many issues as a member of the LAPD, and it sets up some future plot points that will no doubt make for an awesome novel or two in the years to come.

One of the most interesting things about The Dark Hours is Connelly’s compelling and in-depth examination of the LAPD in early 2021, following COVID and the protests of 2020.  Connelly paints a detailed and intriguing picture of the LAPD as a dispirited and defunded organisation which has withdrawn from proactive police work and is instead more concerned with avoiding bad publicity and controversy.  The police characters featured within this novel are notably unmotivated and aggrieved, with many more concerned with their own lives than protecting people.  This is a rather grim but seemingly realistic view of the LAPD, and I really appreciated the fact that Connelly attempted to explore what life as a police officer is like in these controversial times.  The author makes sure to try and show both sides of the debate around policing, made easier by his protagonist’s status as LAPD outsiders, and it was fascinating and moving to see the police perspective.  The apathy of the LAPD comes into play in the story in multiple ways, and it was an exceptional and memorable inclusion to The Dark Hours.  In addition, Connelly spends a lot of time exploring early 2021 Los Angeles, with multiple references to masks, vaccines, unemployment and all the other aspects of COVID-19 that we have come to know and love.  While most people are probably quite sick (ha!) about seeing all the COVID stuff wherever you go, even into book-land, those authors wishing to display modern life need to include it, and I felt that Connelly did a great job showing it from an LA perspective.  Throw in some commentary on other key events of early 2021, and The Dark Hours turns into quite a contemporary novel with some extremely intriguing opinions and insights.

Another aspect of The Dark Hours that I enjoyed was the fantastic use of characters featured within it.  In particular, it was rather interesting to see which protagonists got the most focus throughout the novel.  When I first started reading this novel, I assumed that, like the previous Ballard and Bosch books, the story would be a split perspective narrative featuring the two main characters.  Instead, the entire story ended up being told exclusively from Ballard’s point-of-view, with Bosch featured as a supporting character.  While some long-term Bosch fans might feel a little let down, I personally did not mind this as Ballard has been a really fascinating and relatable protagonist in her last few novels.  Ballard has always been an outcast in the LAPD, following her attempt to report her previous supervisor for sexual harassment, and this sense of being an outsider has only intensified throughout her more recent novels.  This all comes to a boil in The Dark Hours, as Ballard is continually stymied by the new attitude of the LAPD, and is constantly undermined by ineffective, dispirited and politically minded colleagues and superiors.  This eventually forces her to adopt a more Bosch-like mentality and she goes outside the lines multiple times to try and bring her culprits to justice.  I rather liked this more reckless side of Ballard, and it ends up resulting in some major changes to her personality and potential law enforcement future.  It was also very fascinating to see Ballard’s opinions on the recent issues affecting policing, and even she finds herself quite angry with some of the accusations levelled against her and the LAPD, despite harbouring her own negative opinions.  Throw in an interesting new relationship and a fun new puppy friend, and this ended up being a particularly good Ballard story.  I look forward to seeing more of Ballard in the future, and I really think that Connelly is setting her up as his primary police character for the future.

While most of the focus is on Ballard, Bosch still has a significant role in The Dark Hours, serving as the main supporting character and Ballard’s unofficial partner.  While it was a little odd not to see Bosch’s perspective on the two main investigations, he was a great wingman to the protagonist and I liked how Connelly was able to work Bosch’s veteran mindset into Ballard’s way of thinking.  It was fun to see him serve the joint role of being Ballard’s voice of reason while also subtly encouraging her to do some more rebellious moves.  I really enjoyed seeing more of Bosch in the book, and it will be interesting to see what Connelly does with him in the future.  Considering that Bosch is currently a much older, out-of-work detective currently battling leukaemia, you have to imagine that Connelly is planning to retire him permanently some point soon, and I am curious to see how or when that happens, no doubt occurring in heartbreaking fashion.

Overall, The Dark Hours is another exceptional novel from Michael Connelly, who continues to showcase why he is one of the best and most consistent authors of crime fiction in the world today.  This latest novel serves as an excellent continuation of the Ballard and Bosch subseries, and it is always so much fun to travel back into Connelly’s expanded and intriguing crime fiction universe.  The Dark Hours has an outstanding and compelling narrative that follows the authors dogged protagonist as she investigates several major and disturbing crimes.  I was pretty much hooked the moment I picked this book up and it is a must-read for all crime fiction fans.

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2 Sisters Detective Agency by James Patterson and Candice Fox

2 Sisters Detective Agency Cover

Publisher: Century (Trade Paperback – 28 September 2021)

Series: Standalone/Book One

Length: 382 pages

My Rating: 4.5 out of 5 stars

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The powerhouse crime fiction team of James Patterson and Candice Fox returns for 2 Sisters Detective Agency, an intense and clever novel that sets two unlikely protagonists on a dark, character-driven case.

In recent years crime fiction icon James Patterson, best known for his Alex Cross novels and other bestselling series, has been collaborating with a range of talented authors to produce a vast library of crime fiction, murder mystery and thriller novels.  These range from major series such as The Women’s Murder Club to multiple standalone novels such as Lost (co-written by James O. Born) which I read last year.  These collaborations have allowed Patterson to release multiple books each year; including several in 2021 (examples include The President’s Daughter, which was co-written with Bill Clinton, or The Noise, which was co-written with J. D. Barker).

This latest book was co-written with Australian author Candice Fox, a writer whose crime fiction novels I have been rather enjoying over the last couple of years.  Fox is a well-established author who first made her mark with her Archer and Bennett murder mystery series set in Australia.  Since then, Fox has written several other novels, including her Crimson Lake series, and two standalone books, Gathering Dark and The Chase, both of which I had a wonderful time reading.  Fox has also previously collaborated with James Patterson several times to write the intriguing Detective Harriet Blue series, another interesting Australian crime series.  2 Sisters Detective Agency will be the fifth novel written by the team of Patterson and Fox, and it serves as an excellent standalone read with potential to start a great new series.

Rhonda Bird is a criminal defence attorney in Colorado, specialising in helping young offenders and juvenile delinquents being crushed by the criminal justice system.  A strong and independent figure, Rhonda is unprepared for the call informing her that her estranged father has died, especially as his death brings with it certain caveats that will change her life forever.

Travelling to Los Angeles, Rhonda discovers that despite abandoning her years before, her father has decided to leave behind two major surprises.  The first is his shady private detective agency; the second is a teenage half-sister she never knew existed named Baby.  Reeling from these revelations, Rhonda attempts to bond with the rebellious and strong-willed Baby, while also trying to determine what shady actions led to her father concealing a massive stash of cash in his office.  As Rhonda attempts to deal with both these strange circumstances, she suddenly finds herself drawn into a case when a young man walks in, claiming he was abducted.

The young man is a member of a teenage group of self-serving vigilantes, who specialise to bringing their own violent brand of justice to anyone they feel crosses them.  However, when their latest spree of terror goes horribly wrong, they suddenly find themselves on the wrong side of a violent former assassin, determined to get revenge.  As Rhonda and Baby start to investigate, they find themselves caught between a desperate group of violent teens and a skilled killer, neither of whom are going to have any trouble putting a bullet in two interfering sisters.  Worse, the Bird sisters are soon targeted by the Mexican cartel, who are determined to reclaim the money stolen by their father.  Can Rhonda and Baby survive their first case, or will these two sisters end up dead before they even get to know each other?

This was an outstandingly entertaining novel that takes the reader on a wild and addictive ride.  Patterson and Fox have come up with a pretty awesome story in 2 Sisters Detective Agency, and it was one that I had an extremely hard time putting down.  I ended up getting through this cool book in several intensive sessions, and I ended up finishing off the final half in one fun-filled night.  2 Sisters Detective Agency is an interesting and exciting crime fiction read told from multiple character perspectives and containing an entertaining and accessible character driven story.  Written as a standalone novel, this book also serves as a potential opening to a whole new Patterson/Fox series focused around some unique and compelling characters.  I really liked how this book was composed, with a large collection of short chapters.  These short chapters not only ensure that the author keeps the story nice and concise, but it also serves to keep the audience engaged, especially if they know that the next chapter only has a few pages in it.  It also helps that this is a pretty non-stop action novel, as the various characters are constantly in the midst of something very interesting, such as attempted murder, psychotic planning by rich teens, or near-fatal family bonding.

The authors do an amazing job of setting up everything really quickly in this book, with all the major storylines starting out in short order.  This includes the introduction to the Bird sisters, the preparation surrounding the teenage gang known as the Midnight Crew, and the start of the former assassin turned parent, Jacob, as he starts his mission of vengeance.  Once everyone has been introduced, all these storylines start off at the same pace, with the short chapters and multiple perspectives ensuring that readers are constantly updated with what is happening in the various storylines.  Rhonda and Baby’s storyline forms an entertaining and relatable half of the novel, and it was a lot of fun seeing these very mismatched siblings meet for the first time and eventually start to work together.  Their investigation into the other major storyline is only a small part of their initial narrative, with a bigger focus initially placed on their relationship and their attempts to deal with some murderous cartel members.  While I did enjoy the Bird storyline, I ended up having a lot more fun with the Midnight Crew vs assassin storyline.  This is a more intense and exciting narrative thread, and there are some outstanding moments involving this single-minded assassin taking apart the group of entitled teens one at a time.  However, this storyline really does not go as you would expect, especially as one of the teenagers really cannot be considered helpless.

I had a lot of fun with both cool storylines, and I felt that they really complemented each other.  While these two storylines have some crossover throughout the book, they really don’t join up until two-thirds of the way through, especially in the lead-up to a couple of epic showdowns.  I really liked the way in which both storylines ended, although the big and brutal confrontation at the hospital was pretty exceptional.  The story ends up in a rather cool place, and leaves the novel open to a potential sequel, which is something I would be quite eager to see.  I absolutely loved how this awesome story unfolded, and Patterson and Fox really came up with something special here.

One of the best parts of 2 Sisters Detective Agency were the awesome and distinctive group of characters featured throughout it.  Thanks to the excellent use of multiple character perspectives, the reader is given an up-close view to several of the more interesting members of this cast, and you quickly get drawn into their compelling arcs, even though you shouldn’t get too attached to some of them.

The main character is Rhonda Bird, the maverick criminal defence attorney who travels to Los Angeles to sort out her estranged father’s business, but then gets stuck minding a teenage half-sister.  Even though she only appears for around half the novel, Rhonda is set up as the central protagonist of 2 Sisters Detective Agency, especially as her chapters are the only ones told from the first-person perspective.  There are a lot of interesting things about Rhonda, especially as the authors have gone out of their way to make her as unique and memorable as possible.  Rhonda is described as a larger woman, who is obese but also extremely well-muscled, able to bench 350 pounds.  In addition, she has bright pink hair, outrageous clothes (which she wears in court), tattoos, a daring attitude, daddy issues, and destructive combat abilities.  While I would say that so many odd distinctive features might be a bit over the top (if she had any more tawdry quirks, she could open up a tawdry quirk shop), it actually ends up working really well, much to my surprise.  Despite how strong her unique features were layered on, I quite liked this distinctive character and the way she takes care of business and gets involved in any case that could potentially involve children in trouble.  Add in her massive family drama, especially as she nearly meets her match in Baby, and you have quite an interesting character who ended up being the emotional heart of this deeply exciting narrative.

Baby Bird is the wildly independent teenager who, after suffering through the sudden death of her father, is forced into the care of an older sister she never knew.  I wasn’t the biggest fan of Baby when the book started, especially as her attitude and demeanour were that of an over-exaggerated and stereotypical disrespectful teen.  However, she did grow on me as the story progressed, thanks to her keen detective insight and slowly developing relationship with her sister, which is what the authors probably intended.  Baby ends up being a lot more complicated than you would imagine, and you swiftly see that she badly messed up by her father’s lax parenting and the sudden loss of the only family she knew, and this makes for some intense and moving dramatic moments.  If this novel continues into a major series, I have a feeling that Baby is going to develop the most, and I would be quite interested in seeing that.

The rest of the characters in this novel are also exceeding distinctive, with several outrageous and over-the-top figures who help to amp up the entertainment factor of this fun novel.  These include the members of the Midnight Crew, a group of violent, rich teenagers who get their thrills breaking into houses and assaulting the residents to settle their petty grudges.  The members of the Midnight Crew are essentially a more psychotic and deranged version of the Bling Ring, and Patterson and Fox really spend time portraying them as exceedingly spoiled rich kids, more concerned with status and thrills than ethics (with one exception).  Out of all the members of the Midnight Crew, easily the best is their leader, Vera.  Vera is the entire driving force behind them, and the authors do a really good job of building her up throughout the novel, especially as she is far more psychotic and murderous than you would expect.  The entire storyline around her is exceptional, and it opens some interesting narrative threads that could be explored in any future entries in this series.  I also really liked the assassin character, Jacob, who gets violently drawn into the Midnight Crew’s obit.  The authors do a great job with Jacob, and I deeply appreciated their portrayal of him as a former killer who is dragged back into his former life and has very few regrets about it.  Finally, I must highlight the fun Dr Perry Tuddy, a world-renowned chemist who keeps getting kidnapped to make drugs. The entire storyline around Tuddy is pretty hilarious, especially as he has developed a weird fetish for getting held captive, the explanation of which makes for one of the weirdest and most entertaining scenes in the entire book.  I had a lot of fun with all these characters, and they helped turn 2 Sisters Detective Agency into something special.

Overall, 2 Sisters Detective Agency ended up being an amazing and deeply compelling read that I found to be particularly addictive.  The brilliant team of James Patterson and Candice Fox really did a great job with this clever book, and I still cannot believe how much I enjoyed its fantastic story.  I really loved the unique narrative and characters contained within this novel, and I hope that this amazing team will strongly consider providing us with a sequel to this cool and captivating read.

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