Broke Road by Matthew Spencer

Publisher: Allen & Unwin (Trade Paperback – 1 July 2025)

Series: Rose Riley – Book Two

Length: 389 pages

My Rating: 5 out of 5 stars

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Australian author Matthew Spencer presented one of the best Australian crime fiction reads of 2025 with his outstanding and deeply impressive sequel novel, Broke Road.

Back in 2022, I had the great pleasure of reading the fantastic debut novel of Australian journalist turned author Matthew Spencer, Black River.  Featuring a compelling crime fiction narrative about a mysterious series of deaths around the Sydney river system, Black River was a wonderful novel that ended up being one of my favourite debuts of 2022.  I had a lot of fun with Spencer’s first book, and I was very curious when I saw that he had a sequel coming out this year, Broke Road.  I made sure to grab a copy as soon as I could, and I ended up being blown away by how good this sequel was.

Plot Synopsis:

A late-night phone call is never good news for Homicide Detective Sergeant Rose Riley. This time she’s being sent up to the Hunter Valley, where a woman has been found dead in her home.

Rose grew up further along the valley. She knows that for every vineyard and golf course resort visited by tourists to the ‘wine country’ there are as many dilapidated fibro houses and drug dens, in the shadow of one of the state’s largest prisons.

A media hound points the finger at the husband, angering Rose but capturing the attention of journalist turned true crime author Adam Bowman. His book on the ‘Blue Moon Killer’ made him famous but the case nearly cost Rose her life, and she’s not sure how she feels about seeing him again.

Suspects abound, from the grieving husband to sinister business interests and suspicious locals. But when new evidence connects the crime to an old case, Rose realises they have no time to lose. The murderer is ready to strike again.

Broke Road was an amazing new novel from Matthew Spencer, who really impresses with this second outing, producing a complex and gritty Australian crime fiction narrative that really draws you in.  Intense, clever and featuring some likeable characters, Broke Road ended up being an incredible sequel to the author’s first book, and it was one that I deeply enjoyed.

Spencer made some very interesting narrative choices that worked extremely well to tell an elaborate and deeply personal crime fiction story.  Set after the climatic events of Black River, the novel initially follows main protagonist, Detective Sergeant Rose Bailey, as she travels to investigate a brutal murder of a married woman with connections to a successful local winery.  Transferring this book from the urban streets of Sydney to the iconic Hunter Valley in rural New South Wales, Spencer provides a whole new feel to this sequel, which allows Broke Road to do its own thing.  Initially set up as a typical small-town Australian murder mystery, with Rose investigating first the victim’s husband and other members of the nearby town, things take an interesting twist when Black River’s other protagonist, reporter Adam Bowman, arrives in town to investigate the case.

What follows is a complex and deeply captivating mixture of story elements as the protagonists are forced to deal with their complicated feelings towards each other.  Simultaneously exploring the traumatic aftermath of the events of Black River while also seeing both main characters investigate the case in their own way, the plot of Broke Road becomes extremely addictive.  A lot of this is due to how the author expertly raises the stakes as the plot continues, with the several related murders across the country coming to light, hinting at a deadly and notably chilling predator stalking the Hunter Valley.  I really appreciated how the book’s story threads came together, and Spencer throws in various alternative motives, clever red herring and some great personal interactions in the lead-up to the conclusion.  The eventual big reveal in Broke Road’s finale was extremely well handled, with an exciting confrontation well mixed with all the author’s clever clues coming together.  Spencer ends everything on a great personal note, which ties everything up quite nicely and resulted in particularly outstanding narrative.

I felt that Broke Road was an outstanding novel in many ways, especially as it worked well as both a complex standalone crime novel and as a sequel to Spencer’s first book.  While any new reader can easily jump into Broke Road, Spencer works the fallout of Black River’s plot into both the plot and the protagonist’s character arcs, with both main characters still dealing with their trauma and leftover feelings.  This allows for a much more emotionally rich narrative, especially when tied into other character elements, such as Rose’s past connections to the area surrounding the murder scene.  Spencer cleverly chose to focus more on Rose in this sequel, allowing her to develop more as a character after spending much of the first book in Adam’s shadow.

Spencer also provides a very compelling change of scenery from his previous novel, taking the protagonists and readers into a much more rural setting.  Australia’s iconic Hunter Valley worked perfectly as a background to Spencer’s complex mystery, and the beautiful landscape, as well as its interesting mixture of inhabitants, added a lot to Broke Road’s impact and distinctive feel.  I also personally felt that Spencer provided a much more well-written novel with this sequel, which showcases his growth from the first book.  While the author does maintain his series’ grim tone, especially when it comes to the very disturbing killer, the story in this sequel was a lot sharper and the character arcs managed to hit a little harder.  I also think that the author brought all the story elements together a bit more concisely in the finale, allowing for a much more enjoyable journey to the end of the book.  All this really highlighted Spencer’s great development as a writer, and it will be interesting to see how he continues to improve going forward.

With some outstanding writing, clever storytelling and many grim murders, Broke Road was an exceptional book from Matthew Spencer, who really showcased his writing ability with this book.  An amazing sequel that also stands on its own feet, Broke Road is guaranteed to hook you early, and it was easily one of the best Australian crime fiction novels of 2025.

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Quick Review – An Ethical Guide to Murder by Jenny Morris

Publisher: Simon & Schuster (ebook – 16 January 2025)

Series: Standalone/Book One

Length: 400 pages

My Rating: 4.5 out of 5 stars

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In the mood for a curious crime fiction read with a clever philosophical edge?  Then make sure to read the outstanding 2025 debut, An Ethical Guide to Murder by new author Jenny Morris.

Plot Synopsis:

How to Kill Your Family meets The Power in this entertaining and thought-provoking read, that asks:

If you had the power between life and death, what would you do?

Thea has a secret.

She can tell how long someone has left to live just by touching them.

Not only that, but she can transfer life from one person to another – something she finds out the hard way when her best friend Ruth suffers a fatal head injury on a night out.

Desperate to save her, Thea touches the arm of the man responsible when he comes to check if Ruth is all right. As Ruth comes to, the man quietly slumps to the ground, dead.

Thea realises that she has a godlike power: but despite deciding to use her ability for good, she can’t help but sometimes use it for her own benefit.

Boss annoying her at work? She can take some life from them and give it as a tip to her masseuse for a great job.

Creating an ‘Ethical Guide to Murder’ helps Thea to focus her new-found skills.

But as she embarks on her mission to punish the wicked and give the deserving more time, she finds that it isn’t as simple as she first thought.

How can she really know who deserves to die, and can she figure out her own rules before Ruth’s borrowed time runs out?

Early last year I had the very great pleasure of reading Jenny Morris’s very first novel, An Ethical Guide to Murder.  This excellent book featured a compelling plot focused on a protagonist Thea, with the ability to transfer life between one person to another.  After accidentally fatally utilising this power to save her friend, Thea soon finds herself tempted to tip scales between life and death to make a better world.  Working with an ambitious love interest, Thea soon sets up her own Ethical Guide to Murder and begins to target those she believes to be truly wicked.  However, not everything is as it seems, especially when Thea comes face to face with the consequences of her actions, and the dark side of choosing who gets to life and who gets to die.  The resulting personal conflicts with those closest to her, followed by shocking revelations about those she has placed her faith in, will push her over the edge especially when she comes face to face with the person responsible for ruining her life.

I really enjoyed the unique story that Morris came up with for An Ethical Guide to Murder, which proves very easy to get addicted to.  Morris does a good job setting the scene for Thea’s unique abilities in the first part of the book, as well as her stressful life and the people around her.  The transition towards a secret, life-taking vigilante is well written, especially with the inclusion of a seemingly noble love interest with his own plans for her abilities, and the reader is poised to support Thea with her plans.

The last half of the book continues this story in a fantastic manner, while also adding in some strong philosophical and ethical elements, as Thea finds herself torn about whether she was ever doing the right thing.  The resulting battle of morals, especially as Thea also finds herself under investigation and forced to try and contend with true evil closer to home, allows for some deep and heartfelt moments in the book, until you honestly don’t know what the right course of action is for Thea anymore.  Everything wraps up on a heartfelt note, as the protagonist comes to terms with their powers in their own way, while also addressing all their personal problems.  I think Morris’s strong choice of ending for An Ethical Guide to Murder fit the rest of the narrative extremely well, and you come away from this book very thoughtful and appreciative of Morris’s dive into her protagonist’s psyche, and the fantastic discussion about the value of life and the impact of those who misuse it.

Overall, An Ethical Guide to Murder was a very strong debut that I was glad I got the chance to read last year.  Clever, thought-provoking, and filled with some strong characters, An Ethical Guide to Murder was an outstanding read that is worth checking out.

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Best Offer Wins by Marisa Kashino

Publisher: Doubleday (Trade Paperback – 2 December 2025)

Series: Standalone/Book One

Length: 275 pages

Rating: 4.75 out of 5 stars

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First-time author Marisa Kashino provides one of the more entertaining and devious debuts of 2025, with the wonderfully twisted and deeply addictive novel Best Offer Wins.

Plot Synopsis:

How far would you go to get the perfect home?

There was a time when Margo thought she knew. But that was before a soul-destroying eighteen months of house-hunting hell.

Now she’s not sure. Her life, her marriage, her family, her career are dangerously out of control and all she needs is a new home to get them all back on track.

So when the ideal house comes up, desperate measures are called for. A little online stalking. Some sneaky surveillance of the property in question. Befriending the owner. All reasonable enough, right?

But soon it’s clear that nothing is off limits, because when your best offer might not win, then you just need to do what it takes…

Best Offer Wins was an outstanding and captivating debut novel that dives into a very relatable topic in the most insane way possible.  Perfectly encapsulating the dark side of desire and desperation, Best Offer Wins was an impressive first outing from Kashino, who crafted an excellent thriller narrative that is both twisted and hilarious in equal measure.

I loved the crazy crime fiction story that Kashino envisioned for Best Offer Wins, which keeps pushing its delightfully deranged protagonist over the edge and dragging the reader along.  The book starts off quick and fast with a great introduction to main character Margo, and you are soon drawn into her desperate desire to break into Washington D. C.’s housing market.  Finding the perfect house, Margo attempts to ingratiate herself with its current owners, only to face backlash and humiliation when her scheme is revealed.  Still desperate to obtain the house, Margo takes her obsession to the new level and soon embarks on a campaign to find dirt on the current owners and force them to sell to her.

Kashino paints a fantastic picture of the protagonist’s overwhelming obsession at this point of the book, as her need to have the house and the perfect life it represents pushes her to take greater risks to get what she wants.  You honestly don’t know just how far Margo will go, as she manipulates, lies and even resorts to blackmail to get what she wants.  Things continue to further devolve as, after finding out some damaging truths, she decides to go all in to get her way, which has devastating results for everyone around her.  I loved how this final third of Best Offer Wins comes together in a way which is so fantastically over-the-top and crazy.  While I did see the shape of Best Offer Wins’ big twist in advance, getting there is so damn fun, as is the full extent of the protagonist’s plot.  I really loved how well Kashino wrapped her compelling book up, especially as she leaves the book on an excellent dark note, and readers will come away very satisfied and entertained by the entire outrageous narrative.

I have to say that I was really impressed with Kashino’s writing ability in Best Offer Wins, considering that this was her very first book.  The author debuted a crisp and engaging style in this novel, expertly utilising the first-person perspective of her slowly deteriorating protagonist to fully tell her tale.  The author cleverly makes obsession and desperation the central themes for Best Offer Wins, which works as they are so relatable to the reader through the housing market aspect of the novel.  I’m sure I’m not the only reader that struggled with house hunting in recent years, and while I personally never resorted to murder or blackmail (I can’t speak for my wife/editor though), the feelings of despair and loss that accompanied missing out on a house your heart is set on were very understandable.  Utilising the emotions behind this real-world issue in the plot and then turning it into a fast-paced and relentlessly entertaining novel that keeps you constantly on the edge of your seat thanks to perfectly escalating series of events really showcased Kashino’s excellent writing talent, and the resulting narrative was something very special.  I can think of a better way to highlight just how well written this book is than to reveal that I read it in one solid reading session, as there was honestly not a single moment when I wanted to put Best Offer Wins down.

I can’t move away from discussing how good Best Offer Wins was without mentioning the main character, Margo, who was simultaneously one of the most entertaining and most despicable protagonists of 2025.  Starting off as a seemingly normal figure whose early unusual quirks and behaviours can be explained away by her depression over the housing market, you soon begin to realise that Margo really isn’t a good person.  Not only does she quickly start pushing the boundaries of social norms when it comes to getting her dream house, but thanks to her narration of events you realise how little she thinks of the people around her.  Her casual self-discussion about how she manipulates her husband and the clear distain she has for the other people in her life is very off-putting, and even some intriguing insights into her troubled childhood that explain her obsessions really don’t raise too much sympathy for the reader.  Despite this, there is never a single moment where you consider turning away from Margo’s story, mainly because of just how entertaining she is, and due to how far she is willing to take things, uncaring of the impact it has on those around her.  Margo’s story is essentially a slow-motion trainwreck, and you really can’t turn away as she goes further and further to get the house she wants.  However, as you near the end of the book you begin to realise just how calculating and targeted the protagonist truly is, as Margo soon gets everything she wants in a particularly diabolic manner.  I had such a brilliant time following Margo in this novel, and Kashino did an amazing job writing an outstanding story around this complex and twisted protagonist.

Overall, I felt that Best Offer Wins was a particularly incredible debut thriller from Marisa Kashino, who delivered something particularly special here.  Combining a twisted narrative with a topic a lot of people are going to have strong feelings about; Best Offer Wins was a highly entertaining and powerful read from start to finish.  Compelling, clever, and very deranged, Best Offer Wins hooked me so damn fast, and I cannot recommend this novel enough.

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The Final Vow by M. W. Craven

Publisher: Constable (Trade Paperback – 12 August 2025)

Series: Washington Poe – Book Seven

Length: 390 pages

My Rating: 4.75 out of 5 stars

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One of world’s most outrageous and entertaining thriller writers, M. W. Craven, continues one of his best series in impressive fashion with The Final Vow, a captivating and highly addictive novel that I couldn’t get enough of.

M. W. Craven is an outstanding author who has written a truly interesting array of thrillers throughout his career. This includes his original Avison Fluke series, as well as the great action-focused Ben Koenig series, the latter of which I have deeply enjoyed in recent years thanks to amazing books like Fearless and Nobody’s Hero. However, his main body of work is his excellent Washington Poe series that started back in 2018 with The Puppet Show.  Following a grumpy but skilled detective who gets partnered with a brilliant prodigy to solve the country’s most complex crimes, the Washington Poe novels are quite exceptional.  I personally fell in love with the series when I read the dark and intense novel, The Mercy Chair.  A particularly clever read loaded with an overabundance of well-thought-out twists, The Mercy Chair was an exceptional read, and it ended up being one of my favourite books of 2024.  As such, I have been quite eager to continue the Washington Poe books, and the seventh entry in the series, The Final Vow, was one of my most anticipated books of 2025.

The people of England are living in a constant state of terror.  A murderous sniper is stalking the nation, shooting people at random and leaving no evidence behind.  This brutal shooter has so far killed over a dozen people throughout various parts of the country, never missing and always killing those who least expect it.  With the entire population locked down and hiding in their homes, the police and government are  so desperate for results that they turn to the unconventional team of Detective Sergeant Washington Poe and his genius partner Tilly Bradshaw.

After their last major case saw Poe reassigned to the worst position in UK law enforcement, and Bradshaw snapped up by the country’s intelligence services, the two seem like an unlikely choice to save the day.  But with the help of their squad leader, Detective Chief Inspector Stephanie Flynn, there is no duo who stands a better chance of finding a killer who seems to strike completely at random.

However, as Poe and Bradshaw begin their investigation, they find themselves tracking a particularly skilled and deadly killer seemingly capable of countering all their moves.  Forced to rely on unconventional methods and Bradshaw’s out-of-the-box conclusions, the duo soon finds themselves narrowing in on the shooter and identifying his sinister motives.  But identifying the killer and capturing him are two very different things, and if they want to take him down, Poe knows he’ll have to make things personal, no matter what it costs him.

Craven continues to showcase why he is one of the world’s best rising thriller authors, as The Final Vow was a particularly powerful and impressive read that I had such a brilliant time with.  Featuring a deeply compelling story, loaded with unique characters, complex motivations, and fitted with the author’s slick humour, The Final Vow was an incredible read from start to finish.  I flew through this book in less than a day, it was that damn good, and I’m still thinking about its cool twists and reveals.

The Final Vow proved to be an extremely entertaining read, and it had one of the more unique and memorable thriller narratives of 2025.  Starting off with a dark hint of events to come, Craven soon perfectly sets the terrifying scene for the novel, with the country shuttered by fear thanks to a deadly sniper.  With the government desperate to stop the killing, they reluctantly bring back Detective Sergeant Washington Poe, whose reintroduction here was particularly entertaining and does a good job highlighting his unorthodox style.  Once again teaming up with anti-social genius Tilly Bradshaw, Poe and his other police colleagues begin their unique investigation into the crime.  Using some very interesting tactics while the body count from the sniper continues to rise, Poe and Bradshaw are soon able to determine the killer’s focus, which allows them to identify who the shooter is.  However, uncovering their target’s skills, background and outrageously over-the-top motive completely changes the entire story, and forces the protagonists into a particularly deadly hunt.

Craven keeps up the intensity and complexity of the plot into the second half of The Final Vow, as Poe uses his new information to try and find the killer.  However, after some very tense scenes and some surprising tragedy, Poe decides on a risky gambit, and makes the killer very angry by publicly humiliating him in a glorious scene.  This results in an interesting final third of The Final Vow, which goes in some dark directions, while also setting up for a big final confrontation.  I must admit that while I did enjoy how this final third of the book came about, I saw the author’s big twist coming from a mile away, which removed a lot of the emotional impact Craven was hoping for.  Still, it was very entertaining and compelling to see this twist play out the way it did, especially as Craven also utilised an extended sequence showcasing the background behind the twist.  While this behind-the-scenes section of The Final Vow is a little self-indulgent, it does provide some interesting context and entertaining character interactions, while also showcasing how easy it is to control public perception.  This leads up to a heartfelt final sequence of the book, which is a nice reward after the very dark narrative that makes up most of The Final Vow, and readers will come away from this book very entertained and extremely satisfied.

The Final Vow proved to be another awesome read from Craven, who manages to ensure that this book is somehow simultaneously dark and thrilling while also being highly entertaining and a little light-hearted.  The entire set-up for The Final Vow is extremely shocking, with a calculating sniper killing seemingly at random, and creating a palpable atmosphere of fear across the entire country.  The tension and terror that inhabit the scenes where the killer strikes are quite exceptional, as is the impact his shots have on the witnesses and the public.  However, Craven matches this excellent tension with the outrageous and over-the-top, both in the actions of the protagonists and in the crazy motivation of the antagonist, which alters much of The Final Vow’s underlying feel, turning it into quite a zany book at times.  This underlying lightness does disappear at key moments, especially when the antagonist strikes at the main character’s heart, and there are some dark sequences throughout that will keep the readers on the edge of their seats.  Combine that with Craven’s constant fast-paced revelations, clever investigation elements and great character work, and The Final Vow turns into quite an addictive read where you never know what is going to happen next.

Despite being the seventh book in the Washington Poe series, The Final Vow works well as a standalone novel, which is how Craven generally intends his novels to be enjoyed.  New readers can easily jump into The Final Vow with no prior knowledge of Craven’s previous works and still get swept up in his entertaining storytelling, and this is a very fun author to read for the first time.  While a great standalone novel, established fans of Craven and this series will probably get a little more out of The Final Vow, mainly because those readers will have a little more knowledge of the damaged protagonists, and the established relationships that they have.  Watching these character elements, especially between Poe and Tilly, continue in this new novel hit a little harder if you’re already familiar with it, especially during some of the darker moments of the plot.  Craven also makes some compelling references to the previous novel in the series, The Mercy Chair, throughout The Final Vow, including the utilisation of a very distinctive character from this earlier book, who has a great Hannibal Lecter inspired role in the plot.  I felt this character’s inclusion was very fun, and readers familiar with their interactions with Poe in The Mercy Chair will appreciate how they continue to be used here.  Throw in the utilisation of a character from another one of the author’s series, and The Final Vow is a book that Craven fans are going to have a lot of fun with, while still appealing to a wider audience.

The characters of The Final Vow were also a great highlight of this novel, and I loved how entertaining and outrageous they are at times.  The continued antics of maverick cop Washington Poe and his unlikely offsider and best friend Tilly Bradshaw result in most of the book’s fantastic humour, especially when the characters are forced to interact with police and characters unfamiliar with their style.  However, I really do have to highlight the antagonist of The Final Vow as my favourite character of the book.  The deadly sniper who has single-handedly terrorised England with their killings works well as a fantastic villain for Poe and Bradshaw, especially as you quickly become aware of how clever and deadly they are, and they prove to be a great equal to the protagonists.  However, it is their underlying motivations that really showcase just how despicable they are as a villain.  While I don’t want to give too much away here, as discovering their motivations is such a fantastic part of the experience of The Final Vow, the sheer pettiness behind their actions really goes to showcase just how twisted and dark they really are.  Combine that with their desire for revenge at any perceived sleight, and the lengths they will go to destroy their opponent, and this killer truly is an outstanding villain for the narrative, who you can’t help but be impressed with.  This great combination of wacky protagonists, an over-the-top antagonist, and an excellent collection of supporting characters, including some recurring figures from the previous books in the series, and The Final Vow’s cast added a lot to the overall impact of the book, and it is going to be interesting to see where some of these characters go next.

M. W. Craven continues to shine as one of the more inventive and entertaining thriller writers currently release awesome tales. His latest novel, The Final Vow, was a particularly fun and exciting read, that perfectly combines its tense and deadly narrative, with the fun antics of its outrageous cast. I powered through The Final Vow in no time at all, and this was such a great novel that will appeal to a wide range of readers.  I cannot wait to get my hands on the next Washington Poe novel later this year, and I’m sure it’s going to be another exceptional read.

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Waiting on Wednesday – Redbelly Crossing by Candice Fox

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this latest Waiting on Wednesday post, I check out an outstanding upcoming Australian crime fiction read with Redbelly Crossing by the always awesome Candice Fox.

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I’m always down for an epic crime fiction read from a talented local author, and few Australian authors have been as consistently impressive with their thrillers and murder mysteries then Candice Fox.  Currently one of Australia’s top authors of the genre, Fox has been on a roll in recent years, providing a range of excellent novels, from complex American thrillers like The Chase, Devil’s Kitchen and Fire With Fire, to unique Australian outback thrillers such as High Wire.  She has also continued her exciting partnership with the legendary James Patterson, with some recent releases including 2 Sisters Detective Agency, 2 Sisters Murder Investigations and The Murder Inn.  All these books have been a ton of fun to get through, and I always make sure to keep an eye out for anything new from Fox, especially as it’s likely to be a guaranteed hit.

For 2026 it looks like Fox will be returning to Australian outback thriller fiction, with Redbelly Crossing, an intriguing, character-focused novel with a lot of interesting potential behind it.  Set for release in late March 2026, Redbelly Crossing will follow two estranged cop brothers who are assigned to the same murder case in small-town, outback Australia.  Fox looks set to combine a compelling mystery with some intense character moments, as these two damaged police protagonists are forced to work together.  I cannot wait to see what dark family secrets and historical wounds are reopened as the story continues, and it should provide a particularly dramatic backdrop to an intriguing outback mystery.  Combine that with Fox’s exciting and fast-paced writing style and Redbelly Crossing looks set to be a particularly awesome piece of Australian fiction coming out in early 2026, and it’s one I cannot wait to check out.

Plot Synopsis:

Blood is thicker than water. But too much leaves a trail . . .

Russell and Evan Powder are cops.

The brothers haven’t spoken for five years, since a violent confrontation tore their family apart.

Now they are both assigned to the murder of a young journalist, Chloe Lutz, in the small town of Redbelly Crossing (population 205).

It’s the last thing Russell wants. This is supposed to be the week he repairs things with his teenage daughter Bridie. Now he’s had to drag her on a murderous ride-along to the middle of snake-infested nowhere.

But a big case like this is just what Evan needs after a terrible mistake nearly tanked his career.

Then a dark discovery leaves Evan with only one way out; to bury the truth Russell is so determined to uncover …

Waiting on Wednesday – Ironwood by Michael Connelly

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this week’s Waiting on Wednesday, I highlight the outstanding upcoming novel Ironwood by the master of crime fiction, Michael Connelly.

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Michael Connelly is an author who needs very introduction on this blog, especially with the impressive array of awesome crime fiction novels he has released over the years.  I have had so much fun reading and reviewing several of his most recent books ever since I started the Unseen Library, including his latest novel, The Proving Ground, which recently appeared on my favourite books of 2025 list.  As such, all of Connelly’s new books are instantly at the top of my to-read lists, and this includes his next intriguing novel, Ironwood.

Set for release in May 2026, Ironwood is the sequel to Connelly’s other 2025 novel, Nightshade, and will once again follow the author’s newest protagonist, Detective Sergeant Stilwell of the Los Angeles County Sheriff’s department, a stubborn and dedicated detective banished to Catalina Island.  This novel will once again see Stilwell in trouble, as he attempts to find out who targeted his men in a deadly firefight, while also crossing paths with another Connelly protagonist.

Plot Synopsis:

Sworn to protect a scenic island that is meant to be far from the evils of the mainland, Detective Sergeant Stilwell can feel danger closing in.

Detective Sergeant Stilwell knows that his posting on Catalina Island is no paradise, but to most residents it seems blissfully separated – by twenty-two miles of ocean – from the troubles of Los Angeles County. But now a threat is coming to his safe haven.

Acting on a tip from a confidential informant, Stilwell and his deputies watch a plane land in the middle of the night at the Airport in the Sky, a remote airstrip in the mountains. A duffel bag of drugs is dropped and the deputies move in, but things quickly go sideways. While Stilwell chases the fleeing pickup man into the mountainside brush, shots are fired on the runway and the plane flies off.

An internal inquiry follows, putting Stilwell on the bench until he is cleared of responsibility for the disastrous operation. But he is determined to find out who brought deadly violence to his island and begins his own secret investigation into the drug deal gone wrong.

While under orders to remain in the sheriff’s substation, he finds in the lost and found a valuable backpack that was never claimed. He traces it to a woman who disappeared while hiking on the island four years ago. But then why was the pack only turned in two months back? Now thoroughly intrigued, he follows the mystery all the way to the LAPD’s Open-Unsolved Unit and Detective Renée Ballard.

Stilwell and Ballard work the case from both sides of the channel, and soon realize they are on the trail of a criminal who revels in taunting the authorities. Meanwhile, frustrated at being shut out of an investigation on his own island, Stilwell risks his already shaky standing in the department to pursue a case whose reach is wider than he ever imagined.

Ironwood sounds like another awesome novel from Connelly, especially as he expands on story elements from Nightshade.  Once again utilising the unique Catalina Island as an interesting background setting, Ironwood will continue to see the banished protagonist try to uncover a deadly crime on his supposed island paradise.  Once again sideline by his superiors, the main case of Ironwood sounds extremely awesome, and I’m curious to see how it will follow-up on some of the excellent storylines from the previous book.  This will no doubt be an outstanding center to Ironwood’s exciting narrative, and I cannot wait to see how this main case unfolds.

While the focus on the failed drug arrest and shootout should be awesome on its own, Connelly will further expand the narrative of Ironwood by teaming up Stilwell with another one of his protagonists, Detective Renée Ballard.  Ballard has been one of Connelly’s main police/LAPD protagonists in recent years (having appeared in books like Dark Sacred Night, The Night Fire, The Dark Hours and Desert Star), with Connelly clearly setting her up as one of the replacements for the aging Harry Bosch.  As such, it isn’t too surprising that Stilwell’s first crossover will be with Ballard, especially as both characters are outsiders amongst their respective organisations.  As such, I’m very curious to see the two of them work together in this new novel, especially as it will likely annoy both of their superiors.  It is going to be very interesting to see how the Detective Stilwell series is incorporated into Connelly’s larger crime fiction universe, and it should result in a complex new novel from this great author.

Based on how exceptional all of Connelly’s most recent books have been, Ironwood is automatically at the top of my to-read list for 2026, and it is probably one of the crime fiction books I’m most excited to get my hands on.  I had such an outstanding time with Nightshade last year, and I cannot wait to see how Connelly continues to utilise his new protagonist in this cool upcoming sequel.  I have very high hopes for Ironwood, and I have no doubt it is going to be epic.

Never Flinch by Stephen King

Publisher: Hodder & Stoughton/Simon & Schuster Audio (Audiobook – 5 September 2023)

Series: Holly Gibney – Book Two

Length: 14 hours and 44 minutes

My Rating: 5 out of 5 stars

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Legendary author Stephen King continues to dominate the horror and crime fiction genres with his brilliant 2025 release, Never Flinch, a gripping and intense thriller that brings back one of his more unique protagonists and keeps the reader constantly on the edge of their seat.

Ever since I started reviewing a wider range of fiction on my blog, I have been really drawn to the works of iconic author Stephen King.  King is a truly impressive author who has impacted so many levels of world fiction with his brilliant imagination, and I have had such an epic time getting through some of his latest novels.  Highlights for me so far include the fun coming-of-age story Later, the clever fantasy novel Fairy Tale, the gripping and personal thriller Billy Summers (one of my favourite books of 2021), and the impressive short story collection You Like It Darker (one of my favourite books of 2024), just to name a few.

While I have loved some of these impressive and varied reads, some of my favourite recent Stephen King books have been those where King dives into the crime fiction genre, producing some complex and particularly powerful narrative, especially when his mysteries border on horror stories.  The author’s current dive into the crime fiction genre mostly originated with his 2014 novel, Mr Mercedes.  The first book in the author’s Bill Hodges series, Mr Mercedes was a fantastic read that saw a gritty detective attempt to stop a deranged killer haunting his town.  While the Bill Hodges books featured several compelling characters, a true standout was unusual new protagonist, Holly Gibney.  An initially timid and unsocial figure, Holly grew into a competent detective as the Bill Hodges books continued and was a true standout for this clever trilogy.

King enjoyed Gibney so much as a character that she was eventually brought back for several additional books.  This included the horror thriller The Outsider (one of my favourite horror novels), where Holly is brought in halfway through the book’s plot to investigate a murder conclusively proven to be committed by a man with a perfect alibi.  The Outsider was an exceptional read, and King soon upgraded Holly to a sole protagonist with his 2023 novel Holly.  Featuring a particularly powerful and deeply shocking story, Holly saw the protagonist take on an unlikely pair of killers with a shocking motivation for committing their crimes.  Holly ended up being one of my favourite books and audiobooks of 2023, and I am still very impressed with where that dark story went.  As such, I have been very keen to read more books from Stephen King since then, and I was particularly thrilled when I found out that the author’s 2025 release was another Holly Gibney novel.  This sequel, Never Flinch, was one of my most anticipated novels of 2025, and I have been meaning to write a review about it for a while now.

Plot Synopsis:

From master storyteller Stephen King comes an extraordinary new novel with intertwining storylines—one about a killer on a diabolical revenge mission, and another about a vigilante targeting a feminist celebrity speaker—featuring the beloved Holly Gibney and a dynamic new cast of characters.

When the Buckeye City Police Department receives a disturbing letter from a person threatening to “kill thirteen innocents and one guilty” in “an act of atonement for the needless death of an innocent man,” Detective Izzy Jaynes has no idea what to think. Are fourteen citizens about to be slaughtered in an unhinged act of retribution? As the investigation unfolds, Izzy realizes that the letter writer is deadly serious, and she turns to her friend Holly Gibney for help.

Meanwhile, controversial and outspoken women’s rights activist Kate McKay is embarking on a multi-state lecture tour, drawing packed venues of both fans and detractors. Someone who vehemently opposes Kate’s message of female empowerment is targeting her and disrupting her events. At first, no one is hurt, but the stalker is growing bolder, and Holly is hired to be Kate’s bodyguard—a challenging task with a headstrong employer and a determined adversary driven by wrath and his belief in his own righteousness.

Featuring a riveting cast of characters both old and new, including world-famous gospel singer Sista Bessie and an unforgettable villain addicted to murder, these twinned narratives converge in a chilling and spectacular conclusion—a feat of storytelling only Stephen King could pull off.

Thrilling, wildly fun, and outrageously engrossing, Never Flinch is one of King’s richest and most propulsive novels.

Honestly, how the heck is King still this damn good?  Never Flinch was another exceptional novel from King, who continues to impress with his elaborate narratives, slick writing and relatable characters.  Featuring a particularly clever crime fiction plot that keeps the readers on their toes to the very end, Never Flinch proved near impossible to put down at times, especially as King keeps amping up the intensity and the danger.  Never Flinch gets a very easy five-star rating from me, and I’m already listed it as one of the top books and audiobooks from the first half of 2025.

King pulls together an awesome and compelling story for Never Flinch, that had me hooked very early on.  Starting off on an interesting note as the reader is introduced the book’s antagonist, who goes by the nickname of Trig, you are soon thrown into his desperate ploy to murder 14 random people in Buckeye City to replicate the jury who put an innocent man in prison.  Serving as a very impressive start to a great story, King soon expands the narrative further by examining the police investigation into these murders, and showing protagonist Holly Gibney’s initial interest in the case.  From there the plot expands even further, as another dangerous killer starts to stalk a women’s rights activist, Kate McKay, and her assistant, and Holly is eventually hired to act as Kate’s bodyguard during the rest of her book tour.  King does an excellent job building up all the details of this second case, while also following the growing murders in Buckeye City, and you are soon absorbed in both cases, especially when you witness all the perspectives involved with the two scenarios, including the book’s various antagonists.  There are also some fun additional personal notes added to plot, as several compelling supporting characters, including recurring Holly Gibney cast members Jerome and Barbara Robinson, the later of whom builds a connection with famous gospel singer Sista Bessie, who is performing in Buckeye City.

The author keeps the pace of Never Flinch going strong and fast as you move into the story, with interesting storylines around Holly, the police, the antagonists, and other supporting characters.  There was a real interesting mixture of storylines once King had everything set up, and I really loved the various compelling character arcs and elements as the plot continued.  While some of the big twists about the antagonists aren’t too surprising and are revealed relatively early in the plot, you are still very drawn into their respective crusades, as well as the protagonists’ attempts to stop them.  Everything comes together nicely in the second half of the book, where both cases, as well as the more personal storylines of Never Flinch, collide violently, and various characters are forced to fight for their lives.  King provides an exceedingly tense final third to Never Flinch, which sees a blow-by-blow coverage of events leading up to a dramatic and bloody final confrontation.  The alternating movements of all the participants in this case, including a deranged killer, several hostages and coerced individuals, as well as the protagonists desperately trying to save the day, produced so much tension, and you really cannot turn away until all the dramatic confrontations come to an end.  I frankly powered through this final part of the book in one extended session, as I was so damn keen to see what happened next, and this ended up being an extremely satisfying ending to a really impressive book.

I really enjoy King’s great writing style when it comes to his captivating crime fiction novels, and he excels at creating tense and ultra-exciting reads, driven by multiple compelling character arcs.  Never Flinch was an excellent example of this, as King produces a brilliant story that quickly grabs the reader’s attention and never slows down.  Featuring slick, quickfire writing and very short chapters and subchapters, the story moves along at a very fast clip, and King effectively sets up the book’s compelling scenarios very effectively.  The great array of alternating character perspectives, as well as several compelling flashbacks, really works to create a layered plot, and I loved the constant switch between the many characters.  Showcasing several antagonist perspectives also helped to really increase tension, especially as you got to see their various plans in action.  This writing style also helped to make Never Flinch feel a lot more accessible to new readers, and while established fans of the author will probably get more out of some of the character developments that occur in the novel, I felt that Never Flinch was a book that any fan of crime fiction could easily get into and have no trouble following at all.

King also experiments with some interesting themes in this novel, which added a lot to Never Flinch’s emotional impact, while also helping to highlight character flaws in the cast.  This includes a very compelling look at addiction in all its forms, with a particular focus on how it drives people.  While this includes a focus on more obvious addictions like drugs and alcohol, other major addictions come to light throughout the book, including Trig’s growing desire to kill, and Kate’s addiction for the spotlight and controversy.  The examination of addiction served as a key part of the book’s plot, especially as it helps to explore some of the character’s motivations, and I felt that King was putting a lot of his own personal experiences into the book.  King also spends a bit of time in Never Flinch examining mentorship, as several junior characters find themselves coming under the wing of older, seemingly wiser, people.  While some of these relationships are quite positive, others, such as Kate and her assistant, come across as a little more toxic at times, especially when the mentor puts their own needs ahead of their student’s safety.  I liked the interesting comparisons in the mentor/mentee relationships that formed throughout Never Flinch, and it was a very compelling addition to the plot.

As with most of King’s books, the true heart of Never Flinch lies in its compelling and often larger-than-life characters, who the author meticulously brings to life.  The focus of this book is once again the quirky and silently talented Holly Gibney, a skilled investigator brought into the case by her own curiosity and a desire to help a prominent women’s rights activist.  Holly serves as a dependable and likeable heart to the entire novel, and it was fascinating to watch her continue to battle her own lack of confidence and lingering social issues.  Her continued growth as both an investigator and a person is an excellent part of this book, and it was great to see the various relationships she continues to cultivate.

These relationships for Holly result in an excellent cast of returning characters, including detective Isabelle ‘Izzy’ James, who has a much bigger role in this novel as the main police character in the story.  Izzy’s official investigation serves as a good counterpart to Holly’s more general queries into the case, and her maverick personality, especially in the face of police politics, added some extra intrigue to Never Flinch.  The other two major returning characters are siblings Jerome and Barbara Robinson, who have served as Holly’s backup and friends since Mr Mercedes.  While Jerome was a great emotional support to Holly and had some key roles in this book, the standout supporting figure was Barbara, whose compelling side-plot about her work with Sista Bessie helped to make Never Flinch a little more hopeful in places, especially as King has been detailing Barbara’s artistic growth in response to the darkest of encounters for the last couple of books.  Of course, as this is a Stephen King novel, this hopefulness often results in greater trauma down the line, as the author must ensure you are constantly worried that bad things are going to happen to the good people in Holly’s life.  Throw in some other compelling supporting characters, including the radiant and soulful Sista Bessie, the bombastic feminist icon Kate McKay, and Corrie Anderson, Kate’s young assistant who finds herself in the firing line alongside her boss despite her best judgement, and there are a lot of interesting figures in Never Flinch who you become quite attached to.

While I love the main cast, another major highlight of Never Flinch is the complex antagonists who King effortlessly works into the plot.  This includes a compelling stalker figure who is hunting after Kate and Corrie for their own religious reasons.  An interesting character whose deeper issues are well exploited, this stalker was an interesting alternate antagonist for Holly in this novel, and I liked how their complex actions added some additional risk to the plot.  However, the best villain was the serial killer stalking Buckeye City, determined to murder 14 people in response to an innocent man dying in jail.  This killer, Trig, was a truly fascinating figure, with some unique motivations and quirks.  King does an excellent job mostly obscuring Trig’s identity for much of the novel, while also showcasing many compelling scenes from his perspective as continues his murderous quest.  The resulting slow-burn loss of Trig’s sanity as he becomes addicted to his dark work was a particularly sinister part of Never Flinch, and King excelled at showcasing this antagonist’s changing motivations and plans.  These outstanding villains served as an impressive counterpart to the main cast, and I felt that Trig was King’s best character in Never Flinch.

While I received copies of Never Flinch on a few different formats, I decided in the end to try out the audiobook version of this novel, especially after having some very good experiences with other Stephen King audiobooks.  This proved to be an outstanding choice, as the Never Flinch audiobook was an exceptional listen, with the layered and complex mystery really transforms into something special when read out.  Coming in with a near 15-hour long runtime, Never Flinch is a decently long audiobook, but it’s one that listeners will generally be able to power through quickly, especially with the compelling, if relatively new narrator Jessie Mueller bringing the story to life.  Now, I must admit that I was initially disappointed that Holly narrator Justine Lupe (who played Holly in the Mr Mercedes television adaptation), was not returning for Never Flinch, however Jessie Mueller quickly showed herself to be an excellent replacement.  Thanks to her outstanding voice work, Mueller quickly made the Never Flinch audiobook her own, and I liked the unique flair and compelling voices she gifted to the extended cast.  Several of these characters had a lot more personality thanks to Mueller’s narration, and I liked how well she voiced some of the distinctive members of the cast.  However, I think Mueller’s best inclusion to this audiobook was her very impressive singing voice, as there a couple of music focused scenes around Sista Bessie and Barbara.  Mueller captured these parts of the book perfectly, and her resulting singing performances were extremely good, and helped to give the audiobook more impact.  As such, Never Flinch was an overall exceptional listen and one of the best audiobooks of the year, and I would strongly recommend it as the best format to enjoy this great new King novel.

Stephen King once again showcases why he the world’s top author with another exceptional and truly gripping novel.  Never Flinch was an incredible read that combines a clever crime fiction narrative with some fantastic characters, to really grab the reader’s attention.  With its epic tension and high stakes, King’s latest novel was so damn addictive, and I really appreciated how clever the story got.  An overall exceptional read, Never Flinch was one of the best books I had the pleasure of reading in 2025, and I cannot wait to see what King writes next.

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Warhammer 40,000: Crossfire by Matthew Farrer

Publisher: Black Library (Paperback – 1 January 2003)

Series: Warhammer 40,000: Shira Calpurnia – Book One

Length: 320 pages

My Rating: 4.25 out of 5 stars

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I finally got around to reading the awesome Warhammer 40,000 novel, Crossfire.  A classic entry in the Warhammer 40,000 canon with a cool crime fiction twist, Crossfire was a great novel that serves as an excellent first entry in Farrer’s Shira Calpurnia trilogy.

In the grim future of the 41st millennium, order and control of the massive Imperium of Man is maintained through the strictest interpretation of Imperial law, with no room for variation or leniency.  The ultimate arbitrators of this law are the dedicated members of the Adeptus Arbites, elite law bringers, trained to weed out corruption, dissent and disloyalty wherever they are deployed.

Shira Calpurnia Lucina, recently promoted arbitor senioris of the Adeptus Arbites, has been assigned to the bustling dockyards of the Hydraphur system.  A glistening gem of Imperial rule dedicated to providing material to the navy, Hydraphur is a seemingly unlikely place for dissention.  But this elite planet harbours dark secrets which come to the surface after a deadly assassination attempt is made in public against Calpurnia amid the distraction and celebration of a major religious festival.

Attempting to uncover who would want her killed after only just arriving on world, Calpurnia begins her relentless investigation.  However, this is no simple case, and soon Calpurnia finds herself forced to navigate the many plots and schemes of the Hydraphur elite.  With more attacks striking close to her and the fate of the whole planet seemingly in the balance, Calpurnia must uncover all Hydraphur’s secrets before the assassins stalking her finally succeed.

Crossfire was an excellent and compelling Warhammer 40,000 novel from Farrer that proved very fun to get through.  Featuring a fantastic plot that is one of the earlier examples of a crime fiction narrative melding with the iconic Warhammer 40,000 universe, Crossfire was a great read and one that is worth checking out.

I liked the captivating story that Farrer came up with for Crossfire, which quickly gets the reader’s attention with a powerful introduction to the protagonist, as she quickly finds herself under fire from a lethal assassin.  Serving as a good start to the main investigation arc, the plot follows the protagonist as she attempts to uncover the identity of the assassin, while also learning more about the planet of Hydraphur.  While a very lore-heavy story, Farrer keeps the plot going quickly and effectively, especially as there are soon more apparent attacks against the protagonist, each of which give her more clues to follow to try and find the mastermind of the plot against her.  At the same time the protagonist gets bogged down in dealing with various other interested parties on Hydraphur, including the planet’s local elites, agents of the Imperial church, the Adeptus Mechanicus and the Inquisition, each of whom have their own interests in finding out who is trying to kill Calpurnia.

While Farrer keeps up a good pace for Crossfire as the plot continues, I do think that he might have overloaded the narrative with details about Hydraphur’s society, as well as the various plots that infest it.  While these serve as good red herring motives for the protagonist to follow, it did overcomplicate the plot at times, which slowed things down even amid some great action sequences.  Despite this, the overall narrative for Crossfire was quite strong, and you get hooked into the continued investigation, especially as the author kept raising the stakes of the case.  After some exciting scenes, everything leads up to the big final confrontation, as the protagonist fully unwinds all the conflicting conspiracies they’ve been forced to encounter.  The conclusion was a sufficiently intense and over-the-top fight, which you need in Warhammer 40,000 fiction, and I liked the clever way the protagonist was able to turn the tables on the antagonist, even if the set-up for it was a little heavy handed.  An overall excellent Warhammer 40,000 plot that nicely tells its own story, while also introducing the character for the larger trilogy.

I’ve previously had a lot of fun with previous Warhammer 40,000 novels that utilise strong crime fiction elements in their story telling, such as Bloodlines by Chris Wraight and Grim Repast by Marc Collins, as there are some outstanding crime narratives in this grimdark universe. Crossfire is an interesting early example of this utilisation of crime fiction in Warhammer 40,000 fiction, and I felt that Farrer did a pretty good job of building a compelling investigation around this fantastic setting.  The resulting story is a layered and intense read that sees the protagonist slowly unwind the case amid various battle sequences and other dark distractions.  The relevant clues, hints and misleading details are well scattered throughout the plot, and I felt there was a good amount of foreshadowing to some of the key plot reveals.  While some story elements and conspiracies came a little out of nowhere, for the most part this was a concise and ordered novel, well told through the perspective of the protagonist.  Farrer excelled at fitting a ton of interesting and heavy lore elements in the plot, and I particularly appreciated how well he utilised his setting throughout the story.  The various plots and schemes of planet’s noble families and prominent organisations, as well as the elaborate religious festival the novel is set around (ceremonial details of which are cleverly included at the start of each chapter), are expertly worked into the larger plot, and it was fascinating to see how they impacted the story and drove the investigation.

One of the more entertaining elements of Crossfire I enjoyed was the narrative’s compelling characters.  The focus is primarily around series protagonist Shira Calpurnia Lucina, the arbitor senioris through whose eyes we see the story unfold.  Calpurnia serves as an interesting central figure, especially as she provides an outsider perspective to the complex setting.  While Farrer writes Calpurnia as a somewhat bullish and highly determined figure that is initially hard to appreciate, I felt that this was an intentional choice by the author, which reflects the typical attitudes of the Arbites in the general Warhammer 40,000 setting.  Forcing her to deal with the more subtle techniques needed for the politically delicate Hydraphur brought in some interesting conflict for Calpurnia, as well as producing some interesting character growth.  Despite this, the outsider status of Calpurnia continues to be a compelling plot feature throughout Crossfire, which Farrer utilised extremely well with his writing.  The rest of the cast, while less prominent, adds some complexity to the plot, and I enjoyed the compelling array of fellow Arbites members, the gentry of Hydraphur, and other prominent figures in the planet’s hierarchy.  I particularly enjoyed the motivations of the book’s eventual antagonist, which had a great hint of madness behind it, and this was an overall excellent group of characters.

While I really enjoyed Crossfire’s compelling story, I must admit that this wasn’t the easiest Warhammer 40,000 novel to read.  The plot details of Crossfire are very dense, and it takes a lot of effort to absorb and follow the story.  I felt this was especially noticeable in the small-print paperback version I had, and you really had to focus to take everything in.  As a result, this one probably wouldn’t be a recommended starting point for a new Warhammer reader.  Farrer utilises a lot of intricate details about the Warhammer 40,000 universe that even people casually familiar with the franchise are going to struggle to follow at times.  While most new readers can probably follow along well enough through context, I would suggest it’s best enjoyed by veteran fans who will probably have a lot more fun with it.

Overall, Crossfire by Matthew Farrer was an awesome Warhammer 40,000 novel, and one that I was glad I finally got the opportunity to read.  A compelling crime fiction novel that makes great use of Farrer’s complex setting, Crossfire proved to be an exciting and interesting read.  While not the easiest novel to get through at times, Crossfire proved to be an excellent piece of Warhammer fiction and I’m hoping to get through the rest of the Shira Calpurnia trilogy soon.

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Waiting on Wednesday – Dead Fall Lake by S. R. White

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday post, I check out an excellent upcoming Australian crime fiction novel from an author who has really impressed me in recent year with Dead Fall Lake by S. R. White.

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S. R. White is an outstanding author who has been making an intriguing impact on the Australian crime fiction scene in recent years. Primarily known for his Detective Dana Russo series, White has written some deeply complex, character-driven crime fiction novels, that provides some fresh new takes on the classic crime fiction narrative. This includes the first book of White’s that I had the pleasure of reading, Prisoner, which contained a fantastic murder mystery solved through a series of complex interrogations.  The next novel in the series, Red Dirt Road, was another impressive read, with the protagonist forced to uncover the truth amid a closed pool of suspects in a remote Australian town.  His fourth Dana Russo novel, White Ash Ridge, featured another clever story, as the protagonist needed to solve a murder likely committed by a board member of a charity formed after a previous failed police investigation.  All of these, as well as the 2025 spin-off novel Pacific Heights, have been extremely impressive, and I like the elaborate and memorable cases they contain.

As such, I am always keen to see what White will be writing next, and it looks like he has another very interesting novel coming out in March 2026 with Dead Fall Lake.  Featuring another compelling case, this time involving an extreme sports enthusiast found dead in a wilderness sinkhole, Dead Fall Lake sounds pretty damn awesome, and I am curious to see how this new novel unfolds.  Based on my experiences with White’s other novels, I already know I’m going to love Dead Fall Lake, and it is already one of the top Australian releases I am looking forward to in the new year.

Plot Synopsis:
Deep in the Australian wilderness, a famed sinkhole renowned as a stunning freediving spot attracts people from all over the world. But there’s a dark, puzzling mystery when a local sports hero – and the glamorous face of a high-adrenaline video channel – is found dead far beneath the surface.

Despite diving the sinkhole hundreds of times, his lifeless body is discovered dressed in normal clothes, handcuffed to a supply line. With no witnesses – and evidence submerged 30 metres underwater – how can Detective Dana Russo unravel such a shocking case?

The Widow by John Grisham

Publisher: Hodder & Stoughton (Trade Paperback – 21 October 2025)

Series: Standalone

Length: 404 pages

My Rating: 4.75 out of 5 stars

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Iconic author John Grisham continues to shine as one of the leading authors of the legal thriller genre with his outstanding new novel, The Widow, a clever, character-driven book that relentlessly drags you in.

Most people will be very familiar with author John Grisham, considering he has been presenting awesome novels filled with complex legal cases since 1989, many of which have been turned into films or television series.  I started reading Grisham in the last few years, having been lucky enough to receive copies of some of his latest novels, including The Judge’s List, The Boys from Biloxi, Sparring Partners, The Exchange and Camino Ghosts.  All these novels proved to be a lot of fun, and I enjoyed the interesting collection of stories and sub-genres that Grisham would explore in these books.  As such, I was very keen to read Grisham’s new novel, The Widow, especially as it had an exciting and compelling plot behind it.

Plot Synopsis:

She needs a lawyer. He needs a payday.

Simon Latch is a small-town lawyer struggling with debt, gambling issues and an impending divorce. But when Eleanor Barnett, an 85-year-old widow, visits his office to secure a new will, it seems his luck has finally changed: she claims she’s sitting on a $20 million fortune and no one else knows about it.

She could be the ticket to his fortune.

Once he’s hooked the richest client of his career, Simon works quietly to keep her wealth under the radar, even from his own assistant. But there are complications: other lawyers are circling his client like vultures.

But when she is hospitalised after a car accident, Eleanor’s story begins to crack. Simon realises that nothing is as it seems. And as events spiral out of control, he finds himself on trial for a crime he swears he didn’t commit: murder.

The Widow was a very interesting and captivating novel from Grisham that combined a distinctive story of a down on his luck protagonist, with a complex mixture of murder and thrilling legal elements.  A very clever read that I had an excellent time getting through, The Widow is Grisham at his best and proved to be a particularly engaging read.

Grisham relies on a well-crafted character-driven narrative for The Widow, which gradually draws the reader in until they are unable to put the book down.  Starting off with a deliberate, slower pace, the early parts of The Widow are primarily focused on introducing and showcasing the life of protagonist Simon Latch, as well as the various people in his orbit.  A lawyer with a stalled career, gambling issues, and a failing marriage, Simon is eager for fresh opportunities, which seems to walk in the door in the form of elderly widow Eleanor Barnett, who requires a new will.  Unable to resist the allure of Eleanor’s reputed fortune, Simon secretly takes her on as a client, hoping to manipulate her into signing a favourable will that he can later abuse for his own financial gain.  Forced to remain in Eleanor’s orbit for his scheme, Simon begins to learn more about his unusual client, who seems to bring trouble down on all around her.  At the same time, Simon keeps making all the wrong decisions in the other areas of his life, which results in him becoming increasingly desperate for a payday.  Grisham does an outstanding job of building up the extensive background of the characters and their motivations in the first half of The Widow, and the elaborate picture of greed, secrets and self-destructive behaviour allows for a very impressive second half of the book.

Deftly amping up the pace in the second half of The Widow, things change quite dramatically when Eleanor passes suddenly, and Simon is free to enact his plan.  However, before he can go through with it, Simon is charged with Eleanor’s murder and soon finds himself a pariah in his own town.  With the evidence stacked against him, the protagonist finds himself embroiled in an elaborate court battle as he tries to prove his innocence.  Expertly building on all the events and interactions in the first half of The Widow, Grisham sets up an impressive and very realistic series of court sequences, all while the Simon’s life falls even further apart around him.  There is a brilliant sense of desperation and despair in this second half of the book, and you really get drawn into the thrilling legal battles, which are laced with beautiful uncertainty, as you are unsure if the protagonist is truly innocent and where the story is going to go next.  I personally was enthralled with this second half of The Widow and powered through it extremely quickly, as I was keen to see how the court case ended and the reveals about who was responsible for Eleanor’s death.

While I loved all the key legal battles, and the extensive court case that takes up a good chunk of the second half of the book, I must admit that I was a little disappointed with how The Widow ended.  This was because the final 50 pages contained a rushed, and slightly unlikely, investigation arc that looks to uncover the truth of how the titular widow died.  While there are some excellent elements to these final pages, the revealed truth about Eleanor’s death comes a little out of nowhere and derailed the careful nature of the rest of the plot.  While there are some hints about who or what was responsible earlier in the book, I think that Grisham erred with this ending, and a different reveal more connected to the main plot would have been better.  Still, it was a mostly satisfying conclusion to book’s overall narrative, and readers will be happy where some of the main cast, especially the protagonist, finish up.

I really enjoyed how Grisham wrote The Widow, as the author effortlessly pulled together a complex story of the legal system told primarily through the eyes of an ethically dubious lawyer.  Featuring elements reminiscent of the author’s other small-town legal thrillers, particularly those set in Clanton, this was an amazing character-focused book.  Grisham does an excellent job of effectively introducing the protagonist, Simon Latch, and viewing his descent from respected lawyer to suspected killer thanks to his own greedy actions.  Thanks to Grisham’s clever examination of all the events of the protagonist’s life, you feel very sympathetic towards Simon, even if he continuously makes things worse for himself.  The somewhat simplistic dishonestly of Simon is well matched by some of the more devious or naturally deceitful characters in The Widow, including the elderly Eleanor Barnett, who suddenly becomes the most important person in Simon’s life.  Old, crotchety and stubborn, Grisham paints a great layer of uncertainty around Eleanor, which ensures the reader is never quite sure whether she is genuinely rich, or pulling some sort of elaborate con on Simon and the other lawyers in his town.  The eventual reveal of this truth is extremely fun, and thanks to the way the two characters are entangled at the end of Eleanor’s life, it helps produce a fantastic murder trial that you can really sink your teeth into.

The resulting criminal defence case was the true highlight of The Widow, and Grisham was in his wheelhouse writing not only the trial but the more mundane legal elements of the protagonist’s practice, which proves to be a key part of the plot.  I deeply appreciated how well the court case played out in the second half of The Widow, which cleverly revisits the events of the first half of the book to examine the protagonist’s guilt.  It soon becomes clear that Grisham did an amazing job hiding a lot of hints and relevant details in the early parts of the plot, and the way these elements come to be used later in was extremely clever.  While I still have my doubts about the novel final reveal, the rest of the book has an excellent flow to it, and I really appreciate how Grisham upped the pace in the second half of the book with a truly gripping court battle.  Throw in an excellent depiction of small-town life and the Virginia legal system, thanks to the portray of fictional town of Braxton and this ended up being a very compelling novel I honestly couldn’t put down.

John Grisham continues to highlight why he is one of the very best writers of legal thriller fiction with The Widow.  A complex and powerful novel, with a compelling protagonist focus, The Widow was a brilliant read, and I loved how wrapped up I got in the book’s outstanding mystery and the various secrets and legal battles surrounding it.  While there are some stumbles towards the conclusion, The Widow was an overall incredible read that is going to appeal to all Grisham fans and those who love a good legal thriller.  I look forward to diving into whatever Grisham writes next.

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