The Unseen Library

From of eight of the world’s leading science fiction and fantasy writers comes the latest addition to the superhero-filled Wild Cards universe, edited by fantasy legend George R. R. Martin.

Wild Cards is one of the more interesting series currently running in the world today due to its distinctive anthology format and the unusual way the series came into existence. The stories that would eventually form the Wild Cards books were originally written as part of a lengthy Superworld role-playing game campaign that had Martin as gamemaster. Martin and the other players, all of whom were science fiction writers, created elaborate backstories for the campaign and characters, which were eventually incorporated into the first book in the series, a dark and gritty superhero based anthology also called Wild Cards. The following entries in the series, despite routinely changing authors, tended to follow the same format as the original book by combining together a series of short stories into a connected narrative. Low Chicago is the 25^th Wild Cards book to be released since the 1987 debut, with two other entries due to be published later in 2018.

The Wild Cards books are set in an alternative universe where an alien virus, known as the Wild Card virus, was released in 1946 above New York City. This virus affected thousands throughout the planet, killing most of the people it came into contact with and altering the DNA of the survivors. The vast majority of the infected who remained alive were mutated physically and are now referred to as Jokers. However, a small percentage gained superhuman abilities and powers and are referred to as Aces. The stories that followed have been set between 1946 and a time period that usually corresponds to the book’s real world publication date.

In Low Chicago, Martin continues to serve as editor. The book includes input from two long-running Wild Cards contributors, John J. Miller and Melinda M. Snodgrass, who authored stories in the original Wild Cards. There is also input from previous contributors Paul Cornell, Marko Kloos, Mary Anne Mohanraj and Kevin Andrew Murphy, as well as newcomers to the series, Saladin Ahmed and Christopher Rowe.

Low Chicago starts in 2017, where a high-stakes poker game has been set up in the city’s famous Palmer House Hotel by a prominent mafia boss. Each of the seven players has a one million dollar buy-in, and is allowed to bring two attendants including bodyguards. However, all hell breaks loose when a mysterious assailant targets one of the players, causing the other players and attendants, many of whom are powerful Aces, to unleash their abilities throughout the room. In the middle of the chaos one of the bodyguards unleashes his own mysterious power and accidently scatters everyone in the room back in time.

Now with history changing outside the hotel, it falls to John Nighthawk and the Sleeper, Croyd Crenson, to travel back to various points of Chicago’s past and find the people trapped there before the present unravels. But among those who have been sent back are some of the world’s most dangerous criminals, who have decided to change time for their own benefit. Stuck throughout key points of Chicago’s history, can the time travellers be recovered before the present is permanently altered?

Like many of the books in the franchise, Low Chicago is an anthology featuring several short stories that have been combined together into one overarching and interconnected narrative. Each of the short stories is unique and features one or more of the characters sent back in time, or inhabitants of the timeline they encounter. Whilst these short stories all have the same starting plot point, they all have different focuses thanks to that story’s specific characters or time periods. As a result there are several varied stories, each with their own unique features. For example, the story Stripes, by Markos Kloos, features a fantastic narrative about the half-human, half-tiger character Khan being trapped in Chicago in 1929 and getting involved in the events surrounding the St. Valentine’s Day Massacre. Not only is the narrative about an obviously powered individual attempting to influence such an iconic moment in a mob war fun and exciting, but Kloos also includes some significant and heartfelt ethical and emotional decisions that really make you feel for the character of Khan. At the same time, the story Meathooks on Ice is a complex and emotional story from Saladin Ahmed that focuses on a young and troubled Ace, Meathooks, as he attempts to find redemption and his place in the world back in prehistoric times.

In addition to the overarching time travel plot feature, each of these short stories is also connected together by the characters of John Nighthawk and Croyd Crenson, who could be considered the book’s main protagonists. Nighthawk and Crenson either appear in the stories themselves or later interact with a story’s central character in order to resolve the specific storyline. Nighthawk and Crenson are also the main characters of the book’s central storyline, A Long Night at the Palmer House, written by one of the founding authors of Wild Cards, John J. Miller. This central storyline, told from the viewpoint of John Nighthawk, a character created by Miller in a previous book, is broken up into 11 parts and spread between Low Chicago’s other stories. The first part of this storyline features the initial poker game and shows the events leading up to the other characters being sent back in time, while the reminder of this storyline focuses on the protagonists’ attempts to find them. Large portions of this storyline directly tie into Low Chicago’s other short stories, but there are also some sections where they hunt down characters not featured in any of the other short stories. Miller has included some great scenes in this central storyline, and they get particularly compelling when they encounter the results of the other characters meddling in time and they have to discuss the ethical implications of resetting the timeline. One particularly outstanding example of this is a sequence that requires the characters to navigate through and fix up a messed up dystopia caused by one of the runaway Aces.

Despite the different authors and the varied content of Low Chicago’s stories, many of the entries complement each other and fit together really well as a result. Nearly all of the stories contain links to the Wild Cards universe, make full use of Chicago’s rich history, have a comparable dark humour, feature intense action sequences, tell the story in the third person from point of view characters, and have a very similar pace. There is however, one story that doesn’t follow this trend. A Bit of a Dinosaur, by Paul Cornell, stands out from the rest of the entries in Low Chicago, as it breaks from third person narration that the other authors utilised, and is instead written in the first person. Cornell capitalises on this by ramping up the humour in the story and making it a little lighter in tone than the other stories in the book. The first line of A Bit of a Dinosaur, “I think it’s important to say, immediately, that I am no way responsible for the extinction of the dinosaurs” really sets the tone for this whole short story and it only gets better from there.

One of the most enjoyable parts of Low Chicago is the rich history of the book’s titular city, Chicago. Throughout all of the short stories, the reader is transported to various periods of Chicago’s history in order to witness several of the most significant events in the city’s past. These include The Great Chicago Fire of 1871, the Black Sox scandal of 1919, the opening of the first Playboy Club, the St. Valentine’s Day Massacre, the disastrous 1968 Democratic National Convention and the 1893 World’s Columbian Exposition. All of the authors take significant pains to explore the significance of these events and the impact they had on Chicago and the rest of America. The reader is given a crash course in the history of these proceedings, and also experiences the author’s interpretation of several key historical figures. Many of these events occurred before the 1946 release of the Wild Card virus which removed the Wild Cards universe storyline from real world history, and it is fun to watch these events get altered due to the inclusion of several super-powered beings. It is also extremely fascinating to see the various authors’ interpretations of the historical occurrences that happened after 1946, as they occur in a world where superpowers and mutations are rampant. As a result, the authors have provided some inventive and captivating alterations that will prove to be highly enjoyable for the reader.

Fans of the Wild Cards universe will also love the deep connections that Low Chicago’s stories have with the rest of the franchise. In addition to some interesting and complex new characters, Low Chicago features a huge range of characters who originated in the previous Wild Cards books. There is a deep focus on the history of many of these characters and the readers get to see them placed in a range of unique and compelling situations. In addition, the authors make full use of the overarching time travel storyline as they visit a range of characters who were killed off in previous books or whose main adventures occurred in storylines set many years before 2017. Long-time fans of this series will love the inclusion of or nods to these early characters, especially as several have significant roles in the narrative.

Readers unfamiliar with this series may be slightly overwhelmed at the start of the book, but all of the authors contributing to Low Chicago do an amazing job of providing the relevant exposition and explanation for all the characters and the overall history of the Wild Cards universe. Indeed, Low Chicago might be a perfect book for first time readers of the Wild Cards franchise, as the huge range of characters and the focus on time travel provides the reader with a huge amount of backstory and history that the previous books did not need to contain.

Low Chicago is an outstanding new release that is a sensational and memorable inclusion to one of the best science fiction series currently on the market. It makes incredible use of its distinctive anthology format and the overarching time travel storyline throughout Chicago’s history that is an inspired and marvellous in its execution. Low Chicago really stands out from the rest of the books in the Wild Cards franchise and readers will not be disappointed by this latest offering.

My Rating:

Four and a half stars

Connect by Julian Gough

On July 9, 2018August 17, 2022 By The Unseen LibraryIn Science Fiction, ThrillerLeave a comment

Connect Cover

Publisher: Picador

Publication Date – 8 May 2018

For those looking for a darkly complex and intense techno-thriller, look no further than Connect by Julian Gough, a unique novel that also critiques future trends and humanity’s increasing reliance on technology.

In the very near future, computer technology has been incorporated into nearly everything, linking the world and helping with all aspects of day to day life. In Nevada, awkward young teen Colt is a talented hacker living with his mother, Naomi. Seeking to create a perfect replication of the real world in virtual space, Colt has also developed a dangerous fascination with his mother’s biotech research.

When Colt submits his mother’s revolutionary work to a biotech conference, Naomi comes to the attention of the government, including Colt’s father, a high-ranking spook, Ryan, concerned with its potential implications. However, Colt has also taken the opportunity to inject himself with the experimental biotech, turning himself into something new: a hybrid of man and technology. Colt and Naomi are soon considered to be threats to the government, and Ryan activates an experimental defence network to hunt them down. Colt and Naomi are forced to go on the run and must try to avoid a barrage of killer drones programmed to target and kill them at any cost. Will Colt’s new abilities be enough to overcome the computer intelligence seeking them, or will the future of technology be changed forever?

Connect is an inspired new novel from Gough which represents a different direction from his previous writings. Connect is a fascinating read and an interesting techno-thriller that examines the future of technology, creates a compelling dialogue and makes significant use of some excellent narrative elements.

The main story is an absorbing thriller that pits the protagonists against some sizeable opponents and threats. One of their main opponents is an advanced and experimental computer program that is connected to every piece of technology in the country. As a result, the protagonists are forced to find ways to avoid the overwhelming surveillance hunting them. Not only must they avoid pursuit from teaching devices and video cameras but they must also find a way to go low tech in a society that has computers connected to everything. There are some great scenes where the characters are forced to out-think drones hunting them and try to find ways around the tracking programs that determine when and where to attack. All of these play wonderfully into the book’s thriller storyline, and there is some real excitement when the protagonists encounter and attempt to counter these technological threats.

Gough spends a significant amount of Connect examining the future of technology and ends up offering some significant commentary on our reliance on technology and its potential influence on us. The story is set in the immediate future, where everything is controlled by computers and certain things common in our current world no longer exist. For example, most cars are self-driven, everything has become exceedingly automated and cash has become nearly obsolete. In other words, it is a picture of how our world is likely to turn out in the next few years, based on current advances in technology. Gough scrutinises how this over-reliance on technology could be detrimental to humanity, and how it could be turned against us by hackers and governments. There is also an examination of the automation of a nation’s defence and security as an advanced security program is activated to hunt down the protagonists. The debate around such a program is very in-depth, and the readers will be fascinated by some of the arguments presented. Naturally, the program starts getting out of hand as it is manipulated into seeing the protagonists as a bigger threat than they are and it starts to dramatically escalate its attempts to destroy its targets. This thought-provoking discussion and examination of the future of technology is a key part of Connect and will prove to be one of the most intriguing parts of the book for some thoughtful readers.

One of the most noticeable parts of the book is the unusual format that Gough has chosen to implement throughout his book. The story is broken up into 12 chapters, and then further broken down into 149 sub-chapters, and is formatted in a way that vaguely reminded me of code within a computer program. The inclusion of such a visually distinctive writing format does not break up the flow of the story, nor does it affect the reader’s ability to follow the story. It does, however, dramatically change towards the end of the book in a way that ties in nicely with some of the significant plot elements occurring during this part of the book. Gough has also chosen to include a number of relevant quotes at the start of each of the chapters. I personally enjoyed reading those and connecting them to the plot of the upcoming chapter, and may prove to be more amusing to those of a more computer or technical mindset than myself. Overall, the consistent use of this unique format and the attention grabbing quotes work well with the technology-centric plot and are a clever addition by Gough.

The point of view of Connect is mostly shared between the book’s protagonists, Colt and Naomi, although the main human antagonist, Ryan, also features in a few of the book’s chapters. These separate viewpoints offer different subjects to the reader, and Gough has done a fantastic job of presenting unique content for both of his protagonists. The scenes that follow Colt are a stimulating experience, allowing the reader a real sense of Colt’s social awkwardness and the disconnectedness he feels with the real world, especially when he focuses on his recreation of the real world in his virtual reality. This virtual world appears in quite a number of scenes and plays a pivotal role in the end of the plot, and it is curious to watch Colt attempt to live most of his life within this world. The characterisation of Colt shifts subtly after he injects himself with the experimental biotech and he starts to change. It is interesting to watch his character change and mature after this point, especially as he attempts to initiate a very awkward romance with another young hacker. The interactions he has with technology after this point, including with the advanced defence program hunting him, are some great scenes, especially as he creates and utilises some clever work-arounds to manipulate the computer networks to his advantage.

The scenes that feature Naomi’s perspective are significantly different, representing a noticeable change of pace for the reader. Naomi is a very damaged person who presents herself in very different way to her socially awkward son. Gough has made sure to communicate her multiple neuroses and issues to the reader, which adds a lot of drama to the story as she must attempt to save her son whilst trying not to get overwhelmed. Like her son, she also undergoes substantial character development throughout the story, and the reader will enjoy watching her work towards a better relationship with her son. In addition to this excellent piece of character work, the chapters featuring Naomi as the focal point are generally a lot darker and more adult. For example, one of these sub-chapters features one of the most memorable and disturbing death scenes that I’ve ever read.

Connect is deep thriller that revels in its use of technological elements to create a distinctive and eccentric story. Julian Gough’s discussion and consideration of a technologically advanced future and the problems this could create is compelling and thought-provoking, and his great use of characters and formatting elements turns this into one of the most unique pieces of literature you are likely to read this the year.

My Rating:

Four stars

The Fire Court by Andrew Taylor

On July 2, 2018August 23, 2022 By The Unseen LibraryIn Historical Fiction, Murder MysteryLeave a comment

The Fire Court Cover

Publisher: Harper Collins

Australian Publication Date – 19 March 2018

World Publication Date – 5 April 2018

Bestselling author Andrew Taylor returns to the 1660’s and the scorched city of London with the thrilling murder mystery, The Fire Court.

It has only been a few short months since the Great Fire of London ravaged the city, killing many and destroying a large number of houses and buildings. The city is now finally rebuilding itself, aided by the Fire Court, an incorruptible institution that examines legal cases around the rebuilding and ensures the best result for the city. While the Fire Court is supposed to be neutral in all cases, there are some who seek to use it their advantage.

James Marwood, a low-level government official, is one of the few people in London doing better now than before the fire. However, James is still caring for his ailing father, a convicted traitor whose mind has been affected by his time as a prisoner. When his father claims to have found a murdered woman at the site of the Fire Court, James initially assumes that his father imagined the situation. But when his father is run down in the street and killed, James begins to suspect he may have actually witnessed a murder.

As James begins to look into this possibility, he soon finds evidence that connects his suspicions to an upcoming Fire Court case that will decide who will rebuild a number of profitable properties. His investigation once again leads him to an old acquaintance of his, Cat Lovett, the daughter of a regicide. James previously helped Cat escape retribution for her father’s crimes, and he now turns to Cat and her new employer to gather information on the upcoming case.

When more people connected to the case turn up dead and their investigation is hampered by influential members of the court, James and Cat begin to suspect that the Fire Court may not be as incorruptible as they thought. It soon becomes clear that death is once again stalking the streets of London and this time they will not escape unscathed.

The Fire Court is the follow-up to Taylor’s 2016 hit, The Ashes of London. Taylor is a veteran author and has significant experience writing a range of different genres and novel types. He has produced over 40 novels since 1982, mainly focusing on crime fiction, with some of his more recent books featuring captivating historical elements.

Taylor’s last book, The Ashes of London, was a fantastic piece of historical crime fiction that made full use of its distinctive setting of the Great Fire of London. Having the characters solve a crime and explore the city during the immediate aftermath of such a devastating historical event was masterstroke from Taylor which has resulted in a superb and memorable piece of literature. In The Fire Court, Taylor returns to this fascinating period to show how much rebuilding happened in the six months after the destructive fire. The focus on the historical Fire Court that was instituted in the aftermath of this event is the most intriguing part of Taylor’s new book, and readers will be extremely interested in learning more about this unique bit of history. Taylor does a tremendous job of introducing the role that the Fire Court played in the rebuilding of the city and how it worked. The reader is treated to several scenes that feature cases before the court, showing how the verdicts were reached. Several of the Fire Court’s actual judges are included as characters, which is a nice touch of historical realism. Overall, the examination and inclusion of the historical Fire Court is a notable piece of this novel and readers will appreciate how Taylor has interlaced his complex murder mystery with this interesting historical setting.

In addition to the fire-related historical elements, Taylor has also done an outstanding job of displaying what the city of London would have looked like in the 1660s. During their investigation of the crime the protagonists visit large and varied swathes of the city which are vividly described, which brings readers right in to the middle of this vibrant and bustling city. This base historical setting is well written, and readers will enjoy this incredible romp back in time.

The central plot of this novel revolves around a powerful murder mystery storyline and investigation. The Fire Court is told from the perspective of three separate narrators – James, Cat and Jemima – each of whom tries to find answers in their own way. The investigation into the murder is very intense, and what initially starts as a single potential murder spirals into a series of killings as the culprits attempt to cover up their crimes. This overall storyline is well written, filled with suspense, and very compelling. Readers will be captivated by the way fire is used by both the protagonists and the antagonists throughout the book. The use of such a tool is significant, as all the London-based characters know the power of fire and its destructive potential. It is a potent symbol of criminal wrongdoing in this series, and the audience will be shocked by how it affects the lives of the protagonists in this book. In addition to the symbolic use of fire, Taylor also includes a significant twist at the conclusion of the investigation that will leave the reader reeling and thinking for a very long time.

Taylor has produced a remarkable and enjoyable murder mystery that makes full use of its unique setting. Readers will love the detailed examination of the aftermath of London’s most destructive fire and will find themselves enthralled by an excellent mystery with one hell of an ending. This is a highly recommended read from an exceptional author.

My Rating:

Four stars

Word of Warcraft: Before the Storm by Christie Golden

On July 1, 2018October 18, 2023 By The Unseen LibraryIn Extended Universe, Fantasy, Tie-in Novel4 Comments

Before the Storm Cover.jpg

Publisher: Titan Books

Publication Date – 12 June 2018

Amazon

War is once again coming to Azeroth in the brand new World of Warcraft novelisation from the queen of tie-in books and Blizzard Entertainment’s new in-house novelist Christie Golden.

The world of Azeroth is constantly at war, and for generations its inhabitants have known nothing but conflicts and threats. Perhaps the greatest enemy that the people of Azeroth ever faced were the demonic Burning Legion, who are the root of many of the world’s great conflicts. Now, after a devastating campaign, the Burning Legion has finally been defeated, although Azeroth’s victory came at a great cost. As his final act of destruction, the leader of the Burning Legion, the Titan Sargeras, struck a great blow against Azeroth, plunging his gigantic sword into the surface of the planet and leaving a gaping wound in the side of the world.

Now both factions of Azeroth, the Alliance and the Horde, can finally recover and come to terms with the destruction caused by their demonic foes and the dramatic changes that have rocked their hierarchies. Following the death of his father, young Anduin Wrynn has inherited the throne of the human kingdom of Stormwind, and serves as the new leader of the Alliance. At the same time, the Horde is now under the sway of its new Warchief, the banshee queen of the Forsaken, Sylvanas Windrunner. Both new leaders must come to terms with the running of their respective factions and the current peace blessing the land.

But there is always tension simmering between the Alliance and the Horde, and many predict that a new conflict is just around the corner, especially when both sides make a startling discovery: the blow from Sargeras’s sword has caused the very essence of Azeroth to bleed forth from the ground. This new substance, known as Azerite, is extremely powerful, containing the very strength of Azeroth, and with the potential to be used as a mighty weapon by whichever side controls it.

As both factions investigate the wound in Azeroth and this strange new material, King Anduin seeks to finally forge peace between the Alliance and the Horde. In order to achieve this peace, Anduin embarks on an ambitious plan to win the Forsaken to his cause and gain the trust of Sylvanas. But Sylvanas has her own vision for the future of Azeroth, and woe betide anyone who stands between the Dark Lady and her goals. Will peace finally be achieved, or will the discovery of Azerite result in a new war between the Alliance and the Horde? And what role will Calia Menethil, long lost sister of the Lich King Arthas Menethil, play in this new era? One thing is certain: the Battle for Azeroth starts here.

Before the Storm is the latest tie-in book to the massive Warcraft video game franchise. People who have never played these games may be surprised to know that this franchise has a rich narrative history. The original Warcraft games came with a substantial amount of lore and plot that were in some ways just as revolutionary as the game’s mechanics. This tradition of great storytelling has continued over the years, and every single one of the games has contained a range of intricate and compelling storylines. Many of these stories are incredibly elaborate and have great potential for future adaptations. For example, this reviewer would be especially keen to see the corruption of Arthas and the rise of the Lich King told on the big screen.

The game’s narrative tradition has also resulted in a huge number of tie-ins that are mostly targeted towards fans of the game. There are currently over 30 Warcraft books, as well as a number of comics and even some manga. The vast majority of these adaptations are considered canon, and have been subsequently referenced in the plot of the games, including the franchise’s main game, the MMORPG World of Warcraft. For example, in one of the previous novels, The Shattering: Prelude to Cataclysm, Cairne Bloodhoof a major character from Warcraft III: Reign of Chaos and the leader of the Taurens in World of Warcraft, is killed off, and this carried through to the game in several different ways. Before the Storm is the latest book in this extended universe, and has been released as a tie-in for the upcoming Battle for Azeroth expansion, which is out in August.

The author of this latest novel, Christie Golden, has a bibliography of over 50 books, and has substantial experience writing tie-in books for big franchises. In addition to her debut Ravenloft trilogy, Golden has written 15 Star Trek novels, five Star Wars books, and a number of full-length and short story tie-ins for franchises such as Assassin’s Creed, Invasion America, Buffy the Vampire Slayer and Angel. Golden has also written a number of books for Blizzard, with five books based on Starcraft and 10 based around the Warcraft games. Her previous Warcraft novels include stories that help cement the franchise’s established lore, the official novelisation of the recent Warcraft movie, and novels that have established the plot prior to several of World of Warcraft’s expansions. For example, her 2014 novel, War Crimes, heavily set up the Warlords of Draenor expansion, while also presenting an elaborate novel that highlighted the crimes of the previous expansions main antagonist. Golden has incredible knowledge of Warcraft’s lore and narrative history, having provided significant contributions to it in the past, and readers will appreciate the way that this new book connects with several of her previous Warcraft novels.

Before the Storm is a fun and exciting fantasy novel that has been expertly set within the World of Warcraft universe. The narrators visit a number of key locations that feature within the games and Golden has done an amazing job of describing these distinctive and well-explored background settings. There are some great locations used within the story, including several of the game’s main cities, such as Stormwind, Ironforge, Orgrimmar and the Undercity. People familiar with the latest expansions will also love the addition of the Netherlight Temple, the priest class hall, as a key setting within this book, as it is such a unique and niche location within the game.

A large proportion of the novel is told from the perspectives of the leaders of the Alliance and the Horde, Anduin Wrynn and Sylvanas Windrunner. If the awesome trailer for Battle for Azeroth is anything to judge by, the next World of Warcraft expansion will focus heavily on these two characters as they lead their factions into a large-scale war against each other. Golden has made sure to explore both of these respective characters’ mindsets and examine potential future motives for the upcoming in-game conflict. Other parts of the story are told from the perspective of a range of minor characters, many of whom are actually interactable NPCs within the game. This range of perspectives gives a wide angle viewpoint of the story being told in both the book and the game, and allows the author to show off the different motivations and differences between the two rival factions. Players will also love to see this story woven around minor NPCs they may have interacted with in the game, especially as this book may explain why they may have moved or disappeared in future versions of the game. This is a great adaptation of the current World of Warcraft universe and Golden has successfully transplanted several key and iconic aspects of the game into this book, creating an excellent addition to this extended universe.

While a number of the different Warcraft races are featured within Before the Storm, many readers will enjoy Golden’s focus on the undead playable race, the Forsaken. While many of the franchise’s previous novels have featured Forsaken characters, Golden has chosen to do a deeper examination of this race now that their ruler is the Warchief of the Horde. There are some particularly interesting discussions about the role the Forsaken play within Azeroth and how the other races view them. Readers will be intrigued by the examination about their current level of humanity, and whether they can still maintain connections to the family they had before they died, and will be intrigued by Golden’s fascinating analysis.

As an official World of Warcraft tie-in, Before the Storm is naturally a desirable read for those who are familiar with the franchise and the game’s current storylines. As mentioned above, there are a ton of elements that will appeal to those gamers currently awaiting the next expansion, as this book ties in to its central storyline. However, Golden makes sure to elaborate on a range of prior events in the franchise and this will ensure that former players will be able to jump in and follow from when they were last familiar with the story. In addition, Golden’s writing is fairly accessible, and the game elements don’t massively overwhelm the story, ensuring that readers unfamiliar with the games will be able to enjoy this fantastic fantasy adventure without getting too lost.

Christie Golden has once again created a fun and electrifying novelisation of the Warcraft universe. Before the Storm is a great tie-in to the upcoming game release, Battle for Azeroth, and serves as an excellent precursor of the exciting stories that will feature within the new expansion. Making full use of the franchise’s significant lore and a range of iconic settings, Golden has produced a deep and thrilling fantasy tale that that will massively appeal to all fans of the Warcraft games.

My Rating:

Four stars

Amazon

The Falcon of Sparta by Conn Iggulden

On June 23, 2018May 21, 2025 By The Unseen LibraryIn Five-Star Books, Historical Fiction11 Comments

Publisher: Michael Joseph

Publication Date – 3 May 2018

One of historical fiction’s very best authors is back with an enthralling story that follows history’s greatest warriors on one of their most legendary journeys. Without a doubt, Conn Iggulden is one of the top authors of historical fiction in the world today. Since 2003 he has consistently produced some of the most in-depth, detailed and engrossing chronicles of several different historical periods and cultures. His previous work includes lengthy examinations of Julius Caesar and Genghis Khan in his bestselling Emperor and Conqueror series, and he has also produced the definitive fictional account of one of the bloodiest civil wars in English history with his extraordinary War of the Roses series. Now, following his 2017 fantasy debut Darien, Iggulden has once again returned to his historical fiction roots by exploring another new realm of history, the Spartans.

In 401 BC, the new Persian king, Artaxerxes II, rules the largest empire in the known world. With an empire sprawling from the Aegean Sea to the north of India, the king of Persia is the undisputed ruler of 50 million people. However, despite all their wealth and power, the kings of Persia have never conquered Greece. From Thermopylae to Marathon and Platea, the Persians have suffered the ferocity of the Greeks, and none are more feared than the men of Sparta. As a result, it has been many years since the Persians have attempted to invade Greece, and many Spartans now serve as mercenaries in the Persian army.

When Prince Cyrus, Artaxerxes’s brother, is nearly executed by the new king following the death of their father, the young prince is determined to claim the throne of Persia for himself. After hiring an army of skilled Greek mercenaries led by an elite core of Spartan warriors and the revered Spartan General Clearchus, Cyrus marches against his brother. But battles can be lost with a single blow, and when Cyrus is killed on the battlefield the Greeks suddenly find themselves trapped in the middle of the Persian Empire.

With Clearchus and the other Greek generals having been killed through treachery, it falls to a young solider, Xenophon, to lead the surviving Greeks to safety. With limited supplies and no knowledge of the land before them, Xenophon must find a way to lead 10,000 soldiers and an additional 10,000 camp followers back to Greece. Forced to endure constant attacks from the Persian army as they travel through deserts and across mountains, their journey will become legendary.

The Falcon of Sparta is a standalone novel primarily based on the classic Greek text, Anabasis, which was written by the historical Xenophon. Iggulden’s novel focuses on the events of the first four of the seven books of Anabasis.

While The Falcon of Sparta does not contain the full version of Anabasis, in some ways it is a much more complete and detailed story that focuses on the people who featured in this great adventure. Xenophon related his tale in a rather simple and direct manner, and Iggulden has compensated for this by providing his own storytelling and dramatic writing. Many of the key characters now have significant backstories fictional justifications for many of these characters’ actions and motives. For example, Iggulden attempts to provide a more complex and dramatic explanation for the schism between Artaxerxes and Cyrus, rather than the historical story that Cyrus simply desired the throne. Iggulden also provides additional context for one of the main villains of the Anabasis, the Persian noble Tissaphernes, who led the Persian armies against the retreating Greek forces. In The Falcon of Sparta his role as a villain is greatly expanded. Not only is he portrayed as a former friend of Cyrus who betrayed him for power but also as one of the main reasons Cyrus fails to seize the throne and the protagonists are placed into such peril. Iggulden’s additional backstories and character traits make for a much more compelling and complete story with thrilling and absorbing motivations and antagonists.

These additional story elements are greatly enhanced by the author’s use of character perspectives. For the first two thirds of the story, narration is split between a number of characters, including Cyrus, Clearchus, Tissaphernes, Artaxerxes and Xenophon. Not only does this split narration help to build up the respective characters’ histories and allow the audience a better view of their personalities, but it also adds significantly to the story as these characters provide various perspectives on the events occurring in the formative parts of the main story. Through the narrators we are given glimpses into a range of interesting things, including Artaxerxes’s and Cyrus’s thoughts on the war for their father’s throne, as well as the events and feelings that led up to the conflict. We also see the respect that Cyrus and Xenophon have for their Spartan allies, as they see examples of their effectiveness in combat and their legendary self-discipline.

The scenes told from Tissaphernes’s point of view further highlight his role as a villain as his inner monologue reveals his selfish motivations and ambitions. The story told from Tissaphernes’s viewpoint helps turn him into an embodiment of the distain that the ancient Persians had for the Greeks and their soldiers. Despite seeing the Greeks’ substantial battle prowess, Tissaphernes and many of the Persians viewed the Greeks as second-rate soldiers, and it is fascinating to see how deeply held this belief was.

After the first two thirds of the book, the story is told exclusively from the point of view of Xenophon and starts to mostly represent Book III and Book IV of the Anabasis. This part of the book allows the reader a closer view of the Spartan and Greek forces as they participate in their epic march and is very entertaining. Even as the story becomes confined to only one narrator, Iggulden is still able to provide the necessary detail and drama in the final part of the book to keep the story going strong and maintain the reader’s attention and enjoyment.

Special attention needs to be given to the masterful portrayal of the Greeks and Spartans in battle. Iggulden has an incredible eye for detail and an amazing writing style that brings the reader right into the heart of the book’s large-scale action sequences. In particular, he spends a significant amount of time focusing on the Greeks and the Spartans and does an amazing job of capturing their battle techniques, tactics and mentality. There are a large number of battle scenes within this book, and Iggulden uses every opportunity to show off the prowess of his heroes in as much detail as possible, allowing the reader to easily witness the events in their minds. The Persian soldiers are also examined in the scenes narrated by Cyrus, and it is interesting to see the differences in the fighting style and mentality of the Greeks and Persians. Those interested in reading about this part of history will love the amount of attention given to the Spartans and find many of the associated descriptions deeply fascinating.

Conn Iggulden has once again produced a masterful and absorbing fictional account that focuses on an utterly intriguing historical event. Bringing the reader right into the middle of the march of the Ten Thousand, Iggulden expands on Xenophon’s Anabasis and provides a more dramatic and elegant story of betrayal, endurance and survival. The Falcon of Sparta is a love letter to one of history’s most legendary race of warriors, and it provides the reader with a detailed exploration of Spartan warfare, lifestyle and mentality. This is a breathtaking and highly recommended piece of historical fiction that is guaranteed to drag you in for the long haul.

My Rating:

Fallen Gods by James A. Moore

On June 11, 2018August 20, 2022 By The Unseen LibraryIn FantasyLeave a comment

Fallen Gods Cover

Publisher: Angry Robot

Publication Date – 2 January 2018

Those looking for a fast-paced action fantasy adventure to really get the blood pumping should prepare themselves for Fallen Gods, the latest novel from one of the leading authors in dark fantasy, James A. Moore.

Brogan McTyre, former soldier of the Kingdom of Stennis Brae, is a damned man. After the Grakhul, the servants of his world’s cruel gods, took his entire family, Brogan risked everything to save them from being sacrificed. Although he failed, his actions resulted in the disruption of sacred rites, a desecration he compounded by killing or enslaving all of the Grakhul. Now with the gods angered beyond all belief, their dark heralds, the He-Kisshu, have unleased terrible storms and intense acts of destruction across the Five Kingdoms. The only way they will stop the destruction and avert armageddon is with the sacrifice of Brogan and his companions.

Now Brogan and his men, including his loyal second-in-command, Harper Ruttket, are being hunted. Everyone is out to capture them – not just the servants of the gods but anyone seeking to survive the oncoming destruction. As Brogan and his men flee across the Five Kingdoms, their adversaries start to become more powerful and demonic in nature, and not even an army of mercenaries will be able to save them. Their only hope might be an item of immense power: a sword containing the heart of a slain god hidden within the Broken Mountains.

Elsewhere, Myridia the Grakhul leads her remaining sisters to salvation while trying to avoid the shadowy Night People hunting them. Niall Leraby and Tully, two freed former sacrifices, seek safety in Niall’s home city of Edinrun but find it already in the grips of an intense magical madness. Brogan’s former king, Bron McNar, and his fellow rulers of the Five Kingdoms must find a way to appease the gods before their lands and people are completely destroyed. Beron the slaver seeks revenge against Brogan and the men who brought the wrath of the gods down on him and his people. But Beron is serving a darker master; one who may prove to be an even greater threat to the world then the gods.

As the world he knows breaks down around him, can Brogan claim the power he needs to survive, and will it be enough to stop the utter chaos he has unleashed?

James A Moore is a renowned author of dark fantasy and horror who has written more than 40 books in his career. Some of his previous works include the Serenity Falls trilogy, the Seven Forges series and the Subject Seven series. Fallen Gods is the second book in The Tides of War series and is the sequel to his 2017 action extravaganza, The Last Sacrifice.

This is a perfect book for readers who are looking for an action-packed adventure story. Moore has made sure to include a large number of varied battles and fight sequences through this book, as well as several other intense action scenes. These action sequences are also enhanced by the author’s use of crazy and inventive fantasy creatures that are encountered by the book’s characters. In addition to the unique creatures that Moore introduced in the previous book in this series, the characters within Fallen Gods are also forced to contend with numerous new creatures and opponents. Not only do they encounter rampaging gods, magically powered soldiers and maddened slavers, they are also forced to contend with corrupted and demonically mutated Grakhuls and He-Kissus that are even more freaky than the original versions. As a result, this is an extremely fun dark fantasy book than contains enough action to excite any reader with a pulse.

As soon as a reader starts Fallen Gods it will quickly become obvious that there is a lot going on within this book. Moore makes use of several recurring narrators throughout the books and is constantly implementing quick-fire changes between them. Each of the narrators has their own unique storyline filled with their own side characters and adventures throughout different parts of Moore’s fantasy world. There are also several interludes told from the perspectives of minor characters and groups away from the story’s main characters. Whilst many of these interludes contain key plot points and set up later scenes with one or more of the main characters, a number have been included to explore the rest of the Five Kingdoms. In particular, they show how a range of different characters are experiencing the wrath of the gods and the associated destruction, as well as the various ways in which they are attempting to survive. Moore does a great job of tying the varied storylines and interludes together at the end of the book, as most of the main and minor characters have been subtly placed in or have had their focus turned towards a singular location where they will all meet up. As a result, Moore is able to showcase large portions of his fantasy landscape to the reader whilst also expanding on his fascinating narrative of a world suffering divine punishment and the craziness that results.

While there are a number of positives to Moore having such a huge range of narrators and storylines, Fallen Gods does seem a bit overcrowded at the start. However, readers should be reassured that each of the individual storylines is very easy to follow and they should have no problem viewing all of the storylines together as one cohesive and enjoyable plot. That being said, new readers could possibly benefit from starting with the first book in the series, The Last Sacrifice. While Moore does a really good job of explaining the vast majority of the book’s story elements, there are one or two features that may confuse new readers when they are first introduced. Most of these are eventually explained later in the book, so readers will only be in the dark for a short period of time. However, there is at least one plot element that originated within The Last Sacrifice which could prove to be slightly confusing to the uninitiated. That said, if a reader wishes to start their exploration of this series with Fallen Gods, they should have no problem enjoying this excellent action adventure.

Overall, this is an exciting and highly charged book that makes the most of its dark fantasy premise. Readers will love the overarching story of a world experiencing the wrath of its vengeful gods, which Moore masterfully tells with his huge range of narrators and point-of-view characters. This is a fantastic sequel to The Last Sacrifice, and I can’t wait to see what madness occurs in the next instalment of this series.

My Rating:

Four stars

Star Wars: Last Shot by Daniel Jose Older

On May 30, 2018August 13, 2022 By The Unseen LibraryIn Extended Universe, Science Fiction, Star Wars, Tie-in Novel9 Comments

Publisher: Century

Australian Publication Date – 30 April 2018

World Publication Date – 17 April 2018

Han and Lando return in Last Shot, the latest Star Wars novel, released just ahead of the characters’ upcoming prequel movie, Solo: A Star Wars Story.

The Phylanx Transmitter is one of the most secretive and dangerous weapons in the galaxy. Built by the psychotic Fyzen Gor, over the years it has been sought by some of the most nefarious people in the galaxy, from criminal gangs to bounty hunters and even the Empire. Two captains of the Millennium Falcon have gone up against Gor in an attempt to claim the Phylanx Transmitter. In the early days of his career, the dangerously charismatic Lando Calrissian and his pilot droid, L3-37, encountered a prototype of the transmitter and barely survived. Years later, a young Han Solo and the Wookiee Chewbacca raced through the criminal underworld to reach the transmitter before it disappeared into the stars.

Since then, the Empire has fallen and the New Republic has taken its place. Lando has become a successful business owner and the respected administrator of Cloud City, while Han has settled down with Princess Leia and is now trying to be a good father to young Ben Solo. While Lando and Han both believe they have put their former lives as thieves and smugglers behind them, the past has a way of catching up with everyone.

Having escaped custody, Gor is holding Cloud City hostage and demands that Han and Lando find and reclaim the Phylanx Transmitter. Forced to fly under the radar, the two scoundrels must find the transmitter and prevent Gor from using it to rain down untold destruction across the galaxy. In order to succeed, they recruit a brand new team, including a young hotshot pilot, a brilliant Ewok slicer, a woman who may be the love of Lando’s life, and, of course, the best and fluffiest co-pilot around, Chewbacca. However, even their new team may not be able to withstand Gor and his twisted droid creations.

Last Shot is the latest book from the acclaimed Daniel Jose Older, author of the young adult fantasy sensation Shadowshaper. This represents his first venture into Star Wars fiction.

Ever since the original Star Wars movies, vast amounts of books, comics, video games and a television series have been created, resulting in a massive extended universe. Since Disney’s purchase of Lucasfilm in 2012, the vast majority of this extended universe has been expunged, with only the movies and a few products, such as The Clone Wars, now considered canon. Some elements of the original extended universe have resurfaced over the years, such as fan favourite character Grand Admiral Thrawn, who recently appeared as an antagonist in Rebels and was the subject of last year’s Thrawn by Timothy Zahn. Last Shot is the latest book in the smaller Star Wars canon extended universe which has been cultivated in the Disney years. This stand-alone book has been released as a companion piece to the upcoming movie, Solo: A Star Wars Story, and features four of the characters who are going to appear in it.

Last Shot contains a clever combination of four separate storylines set in different points in time throughout the franchise’s history. The main story is set a couple of years after the events of Return of the Jedi, and features the characters forced to return to their lives of crime. Two of the side storylines follow the main characters on a separate mission in their past, and these subplots are set on either side of the upcoming Solo movie. The final storyline is set over a period of years and follows the rise of Fyzen Gor. Older does a skilful job of switching between the various storylines to reveal certain clues and show the reader the hidden history the two main characters have with the protagonist.

This book will strongly appeal to fans of Star Wars, particularly those who like to dive deeper into the lore and storylines of the extended universe. However, even dedicated fans may feel a little overwhelmed by the constant references to other elements of canon and the inclusion of nearly every alien race in the galaxy. Even the addition of The Force Awakens fan favourite character Maz Kanata seems a bit forced and unnecessary. Despite this, casual fans will easily be able to follow the story and enjoy the funny and action-packed adventure within.

Last Shot sets itself apart from many of the other Star Wars stories by avoiding the Jedi-saturated and force-fixated storylines that define most of the movies and books. This book doesn’t even feature a single Jedi, but instead focuses on the criminal underworld of the galaxy as the main characters fight, cheat and steal their way to victory. This is a refreshing story which seems to mirror the crime-orientated plot of the upcoming Solo movie.

In addition to the crime-centric story and the multitude of action-packed scenes, the readers will really enjoy the substantial humour that Older has included within book. In particular, most readers will appreciate the number of self-deprecating jokes and references towards elements of the Star Wars universe. For example, one particularly enjoyable sequence involves a Gungan who is annoyed with how his species is perceived by the galaxy thanks to the actions of a certain individual. Despite there being a 40-year gap between the events of this book and those of The Phantom Menace, some shade is still thrown over the infamous Jar Jar Binks. Not only does the book come across as more humorous and less serious than other Star Wars stories, the book has also been written in a much more adult way, as there are a number of jokes and allusions that would never get included in the family friendly movies. As a result, Last Shot is an incredibly entertaining story that stands apart from previous works of Star Wars fiction.

Star Wars: Last Shot is an outrageously fun new novel that will greatly appeal to all fans of the Star Wars franchise. Filled with innumerable references and jokes about the wider Star Wars universe, readers will love to see Han Solo and Lando Calrissian being the very best scoundrels they can be. This is amazing and addictive new adventure in a galaxy, far, far away.

My Rating:

King of Ashes by Raymond E. Feist

On May 30, 2018August 29, 2023 By The Unseen LibraryIn Fantasy, Five-Star Books21 Comments

Publisher: Harper Voyager

Australian Publication Date – 5 April 2018

World Publication Date – 8 May 2018

For over 30 years, one of the most reliable cornerstones of fantasy fiction has been the books of Raymond E. Feist. Starting with the 1982 fantasy classic, Magician, Feist has produced 30 books, all set in the worlds of Midkemia and Kelewan, as part of his long running Riftwar Cycle. King of Ashes is the first book Feist has written since he ended the Riftwar Cycle in 2013. It is also the start of The Firemane Saga, a new series which is set in a completely different universe to the Riftwar Cycle and introduces the reader to an exciting new story.

The continent of Garn was once home to five kingdoms, the greatest of which was the Kingdom of Ithrace. Ruled by the red-haired Firemanes, Ithrace was known for its culture and creativity. However, following a great betrayal, Ithrace was destroyed and its king executed. In order to avoid any retribution, the power-hungry King of Sandura ordered the deaths of every member of the Ithrace royal family, and not even their legendary affinity for fire could save them.

Now, 17 years later, war is returning to Garn. Ancient pacts of peace are failing, and the four kingdoms are out of balance. As the kingdoms and the independent baronies prepare for a new conflict, rumours of a hidden heir to Ithrace’s throne begin to surface.

In the previously peaceful Covenant Lands, Declan, a young and talented blacksmith, is forced to flee slavers raiding his village. Carrying the rare knowledge of crafting the legendary jewel-steel, Declan flees to the Barony of Marquensas, where he hopes to create a new life for himself.

Meanwhile, in the feared and hidden island nation of Coaltachin, three youths, Donte, Hava and Hatu, are being trained in the way of the Quelli Nascosti assassins, learning how to spy, steal and kill. All three of the young agents are eager to explore the world outside of their island home, but they quickly find themselves under attack. The mysterious group of assailants seem to have been trained in a similar way to the assassins of Coaltachin. Whoever these attackers are, they are unafraid of the young assassins and have a particular interest in capturing Hatu, an orphan with red hair and a fiery temper. As events transpire, these young people find themselves in the heart of events that will transform Garn forever.

Feist delivers a fantastic and absorbing read that once again illustrates why he is one of the preeminent writers of fantasy fiction in the world today. His latest book is a classic fantasy tale set within another unique and memorable universe and is one of the most thrilling and addictive releases so far this year.

King of Ashes is the first book in a brand new trilogy that has definite potential to expand out into another long-running series. As a result, Feist presented this book as a set up for the rest of the series, rather than a stand-alone book. Substantial time was spent establishing the characters, world and overall story, and introducing elements to be further explored in future instalments of the series. While some questions are answered towards the end of the book, a number of mysteries still remain. King of Ashes proved very hard to put down—an impressive feat, considering it was 545 pages long in the hardcover edition.

Feist has done a lot of work building up this new fantasy location, producing some amazing settings and locations. The characters venture to large cities, small towns, fortified keeps, grasslands, forests and various islands. There are also several scenes set on the ocean, which allow for some intricate sequences involving ships and naval combat. It also appears that, despite how far many of the characters travel, they have only just brushed the surface of the continent mapped out in the front of the book. This area of land appears to be less than half of the entire continent of Garn, which indicates wider adventures in future books. There were also some brief mentions of other continents existing on this new world, which may be a possible indication of plans to expand this series past its initial trilogy.

While Feist introduces a number of new kingdoms and peoples throughout his story, many readers will really enjoy his inclusion of the Quelli Nascosti assassins on the island nation of Coaltachin. In the story, the nation of Coaltachin, also known as the Invisible Nation, is ruled by the Quelli Nascosti assassins, who work throughout the continent as assassins, spies and informants. Feist spends a significant amount of time focusing on this group of assassins, displaying various aspects of their society, operations, influence throughout Garn and varied training techniques. As a result, they are the most fleshed-out group of characters within King of Ashes and are a definite highlight of the book. Readers will really enjoy the significant focus Feist puts on this group, as this results in a number of high-intensity scenes with covert activities and exciting action.

Feist tells most of the story through three prominent characters, Declan, Hava and Hatu. All three of these characters have fascinating and unique accounts to follow, although all of them could be considered to be coming-of-age stories. Hava and Hatu are both members of the Quelli Nascosti, and it is through their eyes that we see most of the secretive nation and their actions. Hatu is involved in action throughout the continent, encountering mysterious foes and discovering his hidden destiny, while Hava’s story focuses on more specialised training and a secret side mission. Declan’s story is a classic fantasy story of a young man trying to find his way in life while overcoming destructive elements. There are some more classic fight scenes in this storyline, and some very detailed descriptions of blacksmithing. Each of these storylines is extremely enjoyable to read and provides different insights into this exhilarating new fantasy universe.

King of Ashes is the latest book from fantasy legend Raymond E. Feist and represents an outstanding start to a fantastic new series. Featuring multiple coming-of-age stories, this is a pure fantasy tale set within an intriguing and detailed new universe. This is mandatory reading for fans of Feist’s previous work and comes highly recommended for all fans of the fantasy genre. I cannot wait for the next book in this series.

My Rating:

Children of Blood and Bone by Tomi Adeyemi

On May 30, 2018August 13, 2022 By The Unseen LibraryIn Fantasy, Young AdultLeave a comment

Children of Blood and Bone Cover.png

Publisher: Henry Holt and Company

Australian Publication Date – 13 March 2018

World Publication Date – 6 March 2018