Tag: Multiple Character Perspectives

The Witcher: Crossroads of Ravens by Andrzej Sapkowski

On By The Unseen LibraryIn English Translation, Extended Universe, FantasyLeave a comment

Publisher: Gollancz (Trade Paperback – 30 September 2025)

English Translator: David French

Series: The Witcher – 0.1

Length: 310 pages

My Rating: 4.5 out of 5 stars

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Legendary fantasy author Andrzej Sapkowski returns to the epic world of The Witcher with the outstanding and awesome prequel novel, Crossroads of Ravens.

I doubt anyone familiar with fantasy fiction is unaware of the cultural juggernaut that is The Witcher franchise.  An exciting and intense fantasy series revolving around Geralt of Rivia, a wandering, monster hunting witcher who finds himself drawn into chaotic events that threaten the entire world.  The initial series birthed seven original novels that were released in Poland the 1990s (later released in English), as well as a series of short stories.  However, The Witcher novels would gain prominence around the world after they were used as the inspiration for an incredible video game series, as well as a later Netflix television show.  I personally have enjoyed several excellent pieces of The Witcher fiction over the years, including the previous novel Season of Storms.  As such, I was very happy when I received an early copy of the new prequel novel from the series, Crossroads of Ravens, which proved to be a gripping read.

Long before the events that would make him a legend, grant him the sobriquets of the White Wolf or the Butcher of Blaviken, or even before he claimed to be from Rivia, Geralt was a young, recently graduated witcher.  Descending from the witcher stronghold of Kaer Morhen for the first time, Geralt soon discovers that the world is a harsh place where ideals of heroism only get you into trouble, and that the entire continent holds nothing but disdain for his kind.

Swiftly finding himself on the wrong side of the law and a noose, Geralt is only saved by the intervention of grizzled veteran witcher Preston Holt.  An enigmatic and damaged figure with his own agenda, Holt takes the young Geralt under his wing, teaching him the true reality of being a witcher and honing the important skills that the future White Wolf needs to survive. 

Emboldened by this training, Geralt soon begins to gain fame as a witcher, serving the people previously protected by the ailing Holt.  However, as Geralt wanders the land, he finds many eyes on him, including those who hold a grudge against his order.  As new adversaries and dangerous secrets from the past are uncovered, Geralt will have to decide whether to become the noble hero he always envisioned himself to be, or the monster the world believes all witchers are.

Andrzej Sapkowski continues to expertly expand the lore of The Witcher universe with this exciting and action-packed prequel.  Crossroads of Ravens was an amazing novel that takes the readers on a series of intense adventures, loaded with intrigue, conspiracy and death that all fans of the franchise are going to have an outstanding time with.  I ended up powering through this novel in less than a day, and it proved to be a very impressive read.

Crossroads of Ravens was an outstanding and very exciting novel that piled on the action, intrigue and adventure in its fantastic story.  Starting off with an effective bang that sees a young Geralt in trouble during his first foray out as a witcher, Sapkowski does an excellent job of quickly setting up the scenario and introducing Geralt, and the reader, to a new mentor figure with the entertaining Preston Holt.  What follows is a series of compelling adventures, as Geralt initially learns from Preston, before journeying off into the wilds, facing off against various monsters and the even more troublesome human population of the land.  Sapkowski has fun placing Geralt into a new, mostly self-contained adventure each chapter of Crossroads of Ravens, the events and characters of which may reappear later in the book.  This allowed for a quick-paced and very interesting overall narrative, and it was entertaining to see the young Geralt in action.

While there is a good focus on Geralt’s independent adventures, Crossroads of Ravens has a larger, overarching narrative, that sees Geralt seeking knowledge of a historical attack on Kaer Morhen many years earlier.  Thanks to hints revealed in some of the earlier adventures, a run-in with a complex secondary antagonist, and in-universe notes from intelligence officers keeping watch on Geralt and Preston, readers get the general shape of this matter in the first half of the book, and it lies like a dark shadow over Geralt’s main adventures.  Everything comes to a head perfectly towards the last quarter of the book, as Geralt fully understands the threat towards him and those he cares about, and decides to act.  This leads to a tragic series of events, especially as Geralt faces the consequences of his action and his order’s history, while also trying to determine whether he should stay as a selfless witcher or become something far more vengeful.  Sapkowski makes sure that several open story threads from the protagonist’s previous adventures are also tied together by the end of the book, and it was interesting to see how certain plot elements from these earlier chapters came into play in the conclusion.  The result was an excellent and highly enjoyable story that serves well as both a standalone adventure and a prequel to the rest of The Witcher series.

I rather enjoyed how this great prequel Witcher novel came together, as Sapkowski imbues Crossroads of Ravens with his usual flair and wry humour.  Loaded with action, quick-paced stories and an array of unique monsters, Crossroads of Ravens was very reminiscent of early Witcher novels, especially as containing certain adventures to a specific chapter is very similar to the series’ original short-story format.  Naturally, this novel will be best enjoyed by those established fans of The Witcher franchise, especially readers of Sapkowski original novel series.  Crossroads of Ravens features various references to future events or characters in its pages, which long-running readers of the series will enjoy, and there is some great early characterization of the protagonist as well.  There are also interesting alternate versions of events readers might have seen in other media, including the historical attack on Kaer Morhen, which was featured in the Nightmare of the Wolf anime film.  While older fans will get the most of this book, anyone with any knowledge of the franchise will be able to enjoy Crossroads of Ravens to a great degree, especially as it is the earliest book in the current canon of The Witcher series.  As such, this novel will have a lot of appeal to wide array of readers, who will be in for a great time with the action and adventure.

As with all The Witcher books, Crossroads of Ravens features an excellent array of characters, including a great supporting cast around protagonist Geralt.  I very much enjoyed Geralt in this novel as Sapkowski features a young and inexperienced version of his iconic protagonist.  It was fascinating to see Geralt’s initial forays into both the world of ignorant humans, and monster hunting, especially as his reactions to both are different at a young age.  A great example of this can be seen in one adventure where Geralt attempts to save a girl turned into a striga, which parallels The Witcher short story, which is the first entry in Sapkowski’s original novel/short story collection, The Last Wish.  This adventure in Crossroads of Ravens goes very differently from the author’s original story, and it was fascinating to see how a younger, less confident Geralt dealt with the same situation.  I also quite enjoyed seeing Geralt, upon experiencing loss, go on a mission of vengeance, which threatens his previous attempts to be a respected hero rather than a monster.  I felt that Sapkowski cleverly balanced Geralt’s conflicting emotions in these sequences, and the end scene where he makes a choice about what sort of witcher he is, was a great finish to his story.  Throw in an array of excellent additional characters, including a wise, vengeful mentor, a dedicated investigator, a kind healer and many other fun figures, and Crossroads of Ravens proves to be an awesome book for fans of Sapkowski’s entertaining characters.

With another fun and captivating adventure, Andrzej Sapkowski’s The Witcher series continues in all its monster-hunting glory with Crossroads of Ravens.  An outstanding prequel novel that features an array of fantastic storylines and characters, Crossroads of Ravens serves as a highly entertaining entry in this acclaimed series that will appeal to a wide audience of fantasy fans.  I had a great time reading Crossroads of Ravens, and it’s worth checking out for anyone in the mood for fun action and an interesting narrative from an excellent established series.

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Quick Review – Landfall by James Bradley

On By The Unseen LibraryIn Australian, Murder Mystery, Quick Review, Science Fiction, Thriller1 Comment

Publisher: Penguin (ebook – 23 April 2025)

Series: Standalone

Length: 336 pages

My Rating: 4.25 out of 5 stars

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Those in the mood for a though-provoking and powerful Australian crime fiction read would do well to check out the excellent 2025 release, Landfall.  Written by acclaimed Australian author James Bradley, Landfall was a clever and intense standalone novel that presented a gritty crime fiction scenario in a dark Australian future.

Plot Synopsis:

In an already swamped city, a disastrous weather system looms, making the search to find a missing child urgent.

A missing child.

A city on edge.

Time is running out…

The world is in the grip of climate catastrophe. Sydney has been transformed by rising sea levels, soaring temperatures and rocketing social divide and unrest.

When a small girl on the margins goes missing, Senior Detective Sadiya Azad is assigned to find her. She knows exactly what it is to be displaced, and swallowed by the landscape. A murder at the site of the child’s disappearance suggests a connection and web of corruption, but fear keeps eyes turned and mouths closed.

With few leads to go on and only days until a deadly storm strikes the city, Sadiya and offsider Detective Sergeant Paul Findlay find themselves locked in a race against time.

Chilling and utterly compelling, Landfall is crime writing at its best – and a terrifying vision of the future bearing down on us.

Landfall was an excellent and exciting novel from earlier this year that presented a compelling crime fiction read with a complex and emotionally charged background setting.  Taking place in a dystopian version of modern Sydney that is starting to flood due to climate change, Landfall follows Senior Detective Sadiya Azad and her new partner, Detective Sergeant Paul Findlay, as they attempt to find a child who went missing around the Tideline, a slum area of the city that has been most impacted by rising sea levels.  However, they soon find their investigation hampered by multiple elements including corrupt policing, uncooperative family members with their own political agendas, rampart social divides and more.  This proves to be a strong start to Landfall, and Bradley does a good job of setting up the reality of Sydney, as well as introducing the case and some of the key players.

The story takes an interesting turn when a murdered body is found at a site connected to the child’s disappearance.  Assuming the two cases are linked, the protagonists are forced to investigate suspects related to the murder victim and her corporate ties, and the missing child, trying to find out who is responsible, while also dealing with the dark threat of an oncoming tropical cyclone that looks set to destroy half the city.  At the same time, several other key perspective character are introduced, including Tasim, a refugee living on the streets, who witnesses the abduction and finds himself dragged into events, and Sadiya’s dementia-suffering father, Arman, whose fractured mind provides greater context to their family’s history, as well as showing the early days of some of the environmental crisis’s impacting the world.

These character-focused storylines combine nicely to create an intriguing and compelling overall narrative, and I liked the various themes and outlooks at the future they contained.  The main investigative focus of Sadiya’s narrative is well balanced by the more human stories of Tasim and Arman, and Bradley also makes use of some intense flashback sequences to really build up the tragedy surrounding all these figures.  The mystery narrative also goes in some interesting directions, and while the culprit isn’t too surprising, Bradley does a good job focusing on the characters building their case and pulling together the conclusions.  Unsurprisingly, the climax of Landfall comes together amid the cyclone, with all the characters facing the storm in different ways.  This last part of the book, while dramatic and featuring a high-stakes backdrop, was a little rushed, and could have used a little padding to make it more satisfying.  Still, this is a mostly well-balanced narrative that allows for a good conclusion to the main story arc while also allowing Bradley to make all his thematic points.

Landfall ended up being an excellent overall read and Bradley succeeded in pulling together a complex novel with a lot of moving parts to it.  The central mystery element of the novel, while compelling on its own, was greatly enhanced by the author’s examinations of the future, which features some dire predictions and warnings, wrapped up in very human stories to make them even more impactful.  While an excellent police protagonist, I felt that Sadiya’s personal story was a bit overshadowed by Tasim and Arman’s arcs, especially as Tasmin’s story about losing his family to heatwaves and the harsh journey to Australia, as well as the very realistic depictions of dementia with Arman.  All three of these character’s stories are well wrapped up in the final chapters of the book, although I do wish there had been another chapter or two just to showcase what happened in the aftermath.  The overall focus on the potential dire future for Sydney and the world was probably the most impressive and notable part of Landfall, and Bradley provided a compelling, if terrifying, portrait of probable events to come that gives this book a fantastic edge that scrapes the edge of overshadowing the main mystery, and allows for quite a powerful overall read.

With its complex characters, intense story, and compelling visions of the future, Landfall by James Bradley was one of the more distinctive Australian novels of 2025, and I was glad I got the chance to check out my first book from the author.  An extremely interesting novel that blends crime fiction with social messaging, Landfall comes highly recommended, especially for those with one eye on the future.

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2 Sisters Murder Investigations by James Patterson and Candice Fox

On By The Unseen LibraryIn Australian, Murder Mystery, Thriller2 Comments

Publisher: Century (Trade Paperback – 18 March 2025)

Series: 2 Sisters Detective Agency – Book Two

Length: 352 pages

My Rating: 4.5 out of 5 stars

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The team of iconic crime fiction author James Patterson and one of Australia’s best thriller authors, Candice Fox, once again come together for the outstanding 2025 sequel, 2 Sisters Murder Investigations.

James Patterson and Candice Fox are both very talented authors whose work I have been really enjoying since I started reading more crime fiction.  Patterson, the iconic writer who is known for his various long-running series, has been primarily producing collaborative work with other authors in recent years, including Death of the Black Widow with J. D. Barker, The No. 1 Lawyer with Nancy Allen and The Perfect Assassin by Brian Sitts.  Fox on the other hand, has been on a real roll with her great recent standalone novels, including Devil’s Kitchen, Fire with Fire, High Wire and The Chase.  On top of those previous novels, Patterson and Fox have found time to collaborate on several great books, including the fun 2024 novel, The Murder Inn, and their outstanding previous novel, 2 Sisters Detective Agency, the latter of which, has generated a sequel I now want to talk about with 2 Sisters Murder Investigations.  Following two mismatched sisters who find themselves investigating crimes in L. A. after re-opening their father’s old detective agency, this interesting series was very fun, I was very happy to receive a copy of the second 2 Sisters Detective Agency novel earlier this year.

Plot Synopsis:

Rhonda and Barbara “Baby” Bird are half-sisters—and full partners in their Los Angeles detective agency. They agree on nothing.

Rhonda, a former attorney, takes a by-the-book approach to solving crimes, while teenage Baby relies on her street smarts.

But when they take a controversial case of a loner whose popular wife has gone missing, they’re accused of being PIs who can’t tell a client from a killer.

The Bird sisters share a late father, but not much else…except their willingness to fight.

Fight the system. Fight for the underdog. Fight for the truth. If they can stop fighting each other long enough to work together.

Patterson and Fox produce another outstanding and highly entertaining crime fiction read with 2 Sisters Murder Investigations, which quickly grabs your attention and keeps pushing you forward.  Slick, easy-to-read, and full of excitement, 2 Sisters Murder Investigations was another great thriller from two masters of the genre.

2 Sisters Murder Investigations had an excellent story behind it that sees the dysfunctional Bird sisters, older sister Rhonda and rampart teenager Baby, working together at their family detective agency after the events of the first book.  After an entertaining start that shows that the sisters still aren’t on the same page, 2 Sisters Murder Investigations thrusts them into a compelling new case when the main suspect in a current murder case requests their help to prove his innocence.  Deciding to take on the case against their better judgment, Rhonda and Baby try to help their new client, Troy Hansen, who is accused of murdering his missing wife, and whose unusual demeanour about the case has convinced the entire city he is guilty.

Patterson and Fox’s narrative for 2 Sisters Murder Investigations splits early, as Rhonda’s perspective chapters primarily focus on the Hansen case, which goes in some interesting directions.  Under pressure from both the public and the police to stop helping Troy, Rhonda tries to prove his innocence, but she is quickly stymied by a series of problems, including lethal intruders trying, her client’s unusual behaviour, and a box full of concerning evidence hidden at the crime scene.  At the same time, Baby attempts to help an older man who is being targeted as part of a sinister scheme to force him to sell his house to a corrupt company.  The resulting storylines both go in interesting directions, especially the one around Rhonda and her attempts to help Troy, as the evidence continues to point to her client being a dangerous killer.  The eventual result for this plot thread was very captivating, and there were some great twists here, including an unlikely alternate suspect who suddenly shows up.  While the reveal about the actual killer wasn’t all that surprising, the way that Patterson and Fox set it up was extremely good, and the fast-paced conclusion to that arc, as well as the surprising tragedy, allowed for some captivating and intense moments.  While I liked this main plotline, the secondary storyline with Baby attempting to take on her own case ended up being a little rushed, especially at the end, although I did enjoy seeing how Baby comes into her own and acquires an excellent canine friend.  While this weak ending to the second storyline does rob 2 Sisters Murder Investigations of some of its overall impact, I did feel that this narrative for the sequel was very strong, and all thriller fans, even those unfamiliar with the series or the authors, will have a lot of fun with it.

I really enjoyed how entertaining and exciting the authors made 2 Sisters Murder Investigations, and Patterson and Fox ensure that this was a highly compelling and fun novel to read.  Utilising the multiple short, sharp paragraphs that Patterson fans will be familiar with, 2 Sisters Murder Investigations was a very easy novel to power through as you jump from one compelling scene to the next.  These quick chapters really encourage you to keep going, as the next twists could be only pages away, and I found myself speeding through the story.  It helped that Patterson and Fox did a good job splitting the novel’s focus between the two sister protagonists, which allows for a layered narrative, especially as both characters have different focuses and priorities, resulting in a well-balanced and complex overarching story.  These separate storylines have a certain distinctness given to them, especially as the authors switched up the perspective style depending on whose chapter it is.  For example, Rhonda is shown as more of main protagonist due to her chapters being told in the first person, while Baby’s chapters are told in the third person, which helps to reflect her more junior role in the team.  While Patterson and Fox could have perhaps done a better job at the front of each chapter showing which character is the focal point of the book at that point, for the most part this split is pretty seamless, and I liked the alternating and fast-paced nature of the novel that the author’s writing style allows for.

On top of the great story and exciting writing style, I quite enjoyed how Patterson and Fox revisited the main characters of the series, sisters Rhonda and Baby Bird.  Still in conflict despite the initial successful nature of their relationship, Rhonda and Baby play off each other extremely well as dysfunctional sisters, which allows for a lot of fun interactions amongst the darker nature of the plot.  While you could argue there is a slight loss of character growth between Rhonda and Baby in 2 Sisters Murder Investigations, as they lose some of the cohesion they built up in the first novel, I think their continued bickering and disagreement worked well in the context of the story, as Baby tried to stretch her wings, while Rhonda continues to adjust to being a responsible guardian to a new sister.  Throw in some excellent supporting characters, including Rhonda’s complicated love interest, an obsessed cop investigating the murder, a lonely old man who finds purpose thanks to Baby, and one suspicious client who helped to showcase the unlikely choices those under pressure make, and this was a fun cast that turned 2 Sisters Murder Investigations into a really awesome read.

Overall, 2 Sisters Murder Investigations was a great sequel to James Patterson and Candice Fox’s 2 Sisters Detective Agency, and it was very cool to see the Bird sisters back in action again.  Featuring a fascinating and gripping narrative that you can easily speed through and still have an awesome time, 2 Sisters Murder Investigations was an outstanding novel that is worth reading, especially if you have enjoyed the previous collaborations between Patterson and Fox.

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Burn to Shine by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Science Fiction, Thriller8 Comments

Publisher: Macmillan Audio (Audiobook – 4 March 2025)

Series: Rogue Team International – Book Four

Length: 19 hours and 9 minutes

My Rating: 4.75 out of 5 stars

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Bring on the chaos, carnage and craziness with the new epic Rogue Team International from Jonathan Maberry, Burn to Shine, which takes the reader on another dark and over-the-top ride in a deeply addictive thriller.

Readers of this blog will know that I am a massive Jonathan Maberry fan, having had the great pleasure getting to know and power through some of his biggest series.  Thanks to his intense writing, ability to pull together amazing characters and great attention for action and combat, all Maberry’s books really resonate with me, and pretty much all the Maberry books I have read have been 5-star novels in my mind.  Highlights include the dark 2024 science fiction novel, NecroTek, the creepy horror novel, Ink (one of my favourite books and audiobooks of 2020), as well as the brilliant Kagen the Damned dark fantasy trilogy, made up of Kagen the Damned (one of my favourite books and audiobooks of 2022), Son of the Poison Rose (one of my favourite books and audiobooks of 2023), and The Dragon in Winter (one of my favourite books and audiobooks of 2024).

While the above series and books are all outstanding, my favourite Maberry novels are the iconic and long-running Joe Ledger series.  Following the titular troubled protagonist as he works as a part of an elite government special forces team detailed to stopping terrorist attacks or criminal organisations using advanced and unusual technology, the Joe Ledger novels were impressive and complex thrillers with over-the-top dark elements, that often featured some outstanding science fiction and compelling horror elements.  The original series, which ran for 10 books, features some amazing novels, including Patient Zero, The Dragon Factory, Assassin’s Code, Predator One and Deep Silence just to name a few.  Each of these novels were amazing reads on their own, although I also got really drawn into the ongoing storylines and recurring villains.

Following the end of the original Joe Ledger books, Maberry continued many of his storylines in the sequel Rogue Team International series, bringing back the major characters and setting them up as independent intelligence operatives working for themselves.  This series was also extremely exciting, and I have appreciated the way in which the author has continued some of the complex story arcs and villainous narratives from the first series.  The Rogue Team International books have so far featured Rage (one of my favourite books and audiobooks of 2019), Relentless (one of my favourite books and audiobooks of 2021), and Cave 13 (one of my favourite books and audiobooks of 2023), each of which have been pretty damn amazing and filled with some dark and captivating narratives.

Naturally, I was very excited when I saw that there was a fourth Rogue Team International book coming out in 2025 with Burn to Shine.  The fourth book in the Rogue Team International series and the 14th overall Joe Ledger novel, Burn to Shine brings back the protagonist and his team in a big way, as they go toe-to-toe with some of the most dangerous recurring villains.  One of my most anticipated books of 2025, Burn to Shine had so much potential, and I read it the very first chance I got.

After suffering through another set of harrowing losses and intense damage to their already shredded psyche, the members of Rogue Team International are back in the fray.  Led by troubled veteran Joe Ledger and the enigmatic Mr Church, Rogue Team International continue to fight against elaborate high-tech threats and other strange occurrences across the world.  However, they are unprepared for their next dangerous threat, one that has emerged from the organisation’s combined dark past.

A powerful group of military contractors are expanding their influence across the United States, seeking to cause fear, division and political uncertainty.  At the same time, a series of planned attacks have breached and destroyed many of the world’s most secure bio-weapons research facilities, with the stolen diseases and technology being utilised to create chaos and fear through infected humans turned into living disease bombs.

As Ledger and his team try and counter these attacks, their path leads them to the mysterious town of Pine Deep, Pennsylvania, where a multitude of dark secrets are hidden.  Teaming up with old allies, new friends, and some of the more dangerous denizens of Pine Deep, Ledger and his team attempt to strike back against their enemies before a catastrophe is unleashed across the country.  But can even this deadly and unlikely group of heroes stand up to some of the team’s most dangerous enemies, including a ghost from their past who plans to burn the world to ground? 

Jonathan Maberry once again presents a gripping and deeply exciting tale with Burn to Shine.  A compelling continuation of his long-running Joe Ledger/Rogue Team International books, Burn to Shine had another great story that continued the author’s ongoing storylines by heavily diving back into the series’ past.  An excellent addition to the series that is guaranteed to keep you entertained all the way to the end.

Burn to Shine had an awesome narrative that presents its own unique tale, while also reviving multiple elements from the Maberry’s previous works, to create a novel very much designed for established fans of the author.  Starting off strong with an intense action sequence around the protagonists, Maberry also takes the time to establish multiple parallel storylines and plot threads, some of which are set well before the main narrative and showcase the emergence of the book’s antagonist and the formation of their new plan.  This allows for a very rich and intricate first half of the book, as you are given glimpses of the evil facing Joe Ledger and his team, while also watching the protagonists initially start to move to understand the new threat facing them.  This first half ends with an extended sequence inside a secret vault built to contain some of the worst bio-weapons the protagonists have encountered throughout the series.  Following a harrowing and tense descent into the vault while events get even more hectic outside, the protagonists eventually discover hints at the true mastermind of the new plot, as well as the insidious zombie-making weapon from their past that they seek to unleash.

The second half of Burn to Shine goes in some very interesting directions, as all the major characters start to converge around the town of Pine Deep, the centre of all things weird in Maberry’s shared literary universe.  Teaming up with some figures familiar to Maberry fans, the protagonists engage in a series of raids against the various bases of their opponents in some high-octane and particularly brutal sequences.  Due to the various over-the-top technologies and Maberry’s ability to imagine extremely bloody fights, these are some intense scenes, and the author really amps up the risk factor of the fights for his various recurring characters, with some very dark moments.

All this leads up to the big showdown between Ledger and the antagonists of the book, as he comes face to face with them in a very interesting location.  This showdown was very awesome, especially sandwiched amongst the other various conflict-laden storylines, and the author kept you on the edge of your seat as Ledger comes face-to-face with familiar opponents from the past.  While I love all the action and the way Maberry brought back a lot of previous story arcs, I did think that this ending was a tad rushed, and it relied way too much on having knowledge of Maberry’s first trilogy.  I also wished Maberry had taken some parts of this story a little further, perhaps with some greater tragedy, as it was a little frustrating that he didn’t follow through with the telegraphed death of a major character.  Still, this proved to be an excellent and exciting read, and there is also a very interesting final scene that provides some early, long-sought answers about one of the protagonists.

I have a great deal of love for how Maberry sets out his awesome stories, and his distinctive style always results in an impressive and layered novel, especially when it comes to his over-the-top thrillers.  Featuring a lot of dark, over-the-top elements and an at times near horror vibe, Burn to Shine was another classic Joe Ledger novel, which showcases his damaged protagonists facing off against complicated evil antagonists.  Thanks to the author’s utilisation of multiple character perspectives and scenes set in the past, this proves to be a very detailed book, and I loved the varied storylines that emerged and worked side by side with each other.  This includes a vibrant look at the antagonist’s plans from start to finish, which also involves the re-introduction of previously featured villains.  While not every detail of the antagonist’s sinister and over-the-top plans are revealed to the reader from the start, you get enough to really amp up the stakes of the plot, and it is compelling to see the protagonists act on the limited information they have.  The villainous scheme for Burn to Shine was a tad similar to some schemes from previous Maberry books, but it still produces some particularly captivating moments, especially towards the end.  I also quite enjoyed how Maberry tied the plot into a lot of modern issues, including disinformation, the use of fear in politics, fake news and AI-generated imagery, while giving it its usual excess and ultra-dark flair.  Throw in the author’s impressive action sequences, which are particularly epic, as well as the overly exaggerated villains, and this proved to be a powerful and layered novel that has all of Maberry’s typical charm and intensity.

While I had a ton of fun with Burn to Shine, this was very much a novel for the author’s established readers, although even some of them might get lost at times.  As I have hinted, the main villains of Burn to Shine are figures previously featured in prior Joe Ledger novels, including the series’ big bad, and one antagonist long believed dead.  While Maberry loads up Burn to Shine with a lot of internal recap moments in the protagonist’s head that gives the reader all the context they need to follow the plot, the true threat or emotional impact of these villains is going to be best appreciated by those who have read the previous books, especially Code Zero.  Maberry also takes the story further into his extended universe, as the plot becomes heavily enmeshed with his classic Pine Deep novels and brings in various characters from the original trilogy.  I must admit, as someone who hasn’t had the chance to read Maberry’s Pine Deep novels, I would have been a tad lost here unless I had previously read Ink, which featured several of these characters, and new readers may not quite understand their significance.  Even those who have read all the previous Joe Ledger novels might be a little confused with their inclusion, especially as these Pine Deep characters have never appeared in a Joe Ledger novel before, besides a couple of short stories.  As such, having such a big focus on them is a little surprising, and I felt that it mucked around with the flow of Burn to Shine.  Still, considering how good Maberry is at recapping or reintroducing key characters and storylines, most established Joe Ledger fans should be able to follow along fine, just keep in mind that the author is doing some deep cuts back to his previous novels.

As with all Maberry’s novels, the real heart of Burn to Shine lies in its complex characters, whose powerful stories and dark pasts allow for some deep emotional heft to the plot.  This is especially true for main protagonist, Joe Ledger, whose cracked psyche is always a key part of his appearances.  A very damaged figure, Ledger is a powerful part of Burn to Shine’s narrative and serves as the only first-person perspective character, influencing a lot of the novel as a result.  While on the surface he is a humorous, wise-cracking cowboy, determined to save the day no matter what, deep down he is haunted by all his past experiences, including the deaths of so many loved ones and the trauma of various missions.  Maberry has long perfected balancing the character’s various emotional states in his novels, and while Ledger provides a lot of the book’s humour, his darker side is a constant presence, threating to bubble out.  The author adds in some interesting additional emotional elements for Ledger to deal with this novel, including the return of an antagonist who previously caused him a lot of pain, as well as the protagonist’s battle with the knowledge that he may finally have the names of the people responsible for his earliest trauma.  The later of these is likely to be a big part of the characters’ battle with his vengeful emotional going forward, and it will be interesting to see how Maberry works them in.

Aside from Ledger, Burn to Shine is loaded with a ton of interesting supporting characters and protagonists whose various experiences help to shape the entire awesome story.  This cast includes a huge array of figures from previous Maberry books, and it was fun to see them continue to grow.  The most prominent of these characters include the mysterious Mr Church, whose secretive past has been one of the more intriguing ongoing storylines of the series.  Shown to be almost human in Burn to Shine thanks to the trauma obtained during the previous novel, Cave 13, Church has some excellent appearances in Burn to Shine, especially when it comes to facing down the antagonists.  I loved how well Maberry balanced this more fragile version of Mr Church with his mysterious persona, and the final scene where you get some interesting answers about who, or what, Church is, is very impressive.

The various other members of Rogue Team International are also great parts of the book, including the member of Ledger’s fire team, each of whom have their own distinct personality and complexity in this book.  Maberry provides some great moments for all these characters to shine, and I felt that an interesting early part of the novel where the organisation’s resident psychiatrist, Dr Rudy Sanchez, dives into the trauma all the supporting characters are feeling after Cave 13, added some excellent emotional depth to the plot.  Throw in the fascinating Pine Deep characters I mentioned above, as well as two of Maberry’s more complex and memorable antagonists, who return in a big way here, and the cast of Burn to Shine is very impressive, and you really get drawn into this dark struggles and battles.

Anyone who has read my previous Maberry reviews will know that I had no choice but to enjoy Burn to Shine on audiobook, as it is honestly the only way to enjoy one of the author’s novels.  This is primarily because of the author’s long association with legendary actor and audiobook narrator, Ray Porter, who has lent his epic voice to most of Maberry’s exciting novels, and the result is always something very special.  Porter is the perfect narrator for Maberry’s amazing and intense novels, bringing all the necessary energy, excitement and darkness you need to convey the author’s complex and twisted plots, and he is one of my favourite audiobook narrators.  Porter effortlessly brought Burn to Shine to life from the very first word, and you swiftly get drawn into the story as a result.  Everything from the dark content, the complex story elements, and the extensive action is extremely well conveyed and flows so quickly.  I particularly enjoyed how Porter once again perfectly inhabited all the characters featured in Burn to Shine, with impressive takes on all the unique figures.  Special mention must be given to Porter’s personification of the main protagonist, Joe Ledger, as the narrator has long mastered capturing all of Ledger’s pain, internal conflict and fantastic humour and presenting it to the listener in an outstanding way.  The rest of the characters are also showcased in a really awesome way, and I still love the ultra-calm and controlled voice used for Mr Church, as well as the more sinister and often unnatural voices for the crazy antagonists of the book. I honestly loved every second I spent listening to this audiobook, and it was another outstanding performance from Ray Porter and one of the best audiobooks I enjoyed in the first half of 2025.

Once again bringing all the carnage, complex characters and dark storylines you have come to expect from a Joe Ledger novel, Burn to Shine was another amazing read from Jonathan Maberry, and one I deeply enjoyed getting through.  A very interesting entry in Maberry’s long-running, combined series, Burn to Shine was an ultra-exciting and chilling Rogue Team International novel that proves very easy to power through.  I look forward to reading more of Maberry’s novels in the next few months, and I currently have the tough decision of if I want to read the advanced copy I have of his upcoming release, Cold War, or wait to listen to it on audiobook.

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The Raven Scholar by Antonia Hodgson

On By The Unseen LibraryIn Fantasy, Five-Star Books, Murder Mystery3 Comments

Publisher: Hodderscape (Trade Paperback – 29 April 2025)

Series: The Eternal Path – Book One

Length: 646 pages

My Rating: 5 out of 5 stars

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Intriguing author Antonia Hodgson presents one of the best fantasy debuts of 2025 with The Raven Scholar, a powerful and complex novel that hooks you early and refuses to let go all the way to its shocking end.

Earlier this year I was lucky enough to receive a copy of The Raven Scholar, a massive fantasy novel with a very interesting plot idea behind it that will set up the new Eternal Path trilogy.  I had really enjoyed Hodgson’s debut novel, the historical thriller The Devil in the Marshalsea, many years ago, and I really got caught up in The Raven Scholar’s complex and brilliant story.

In the empire of Orrun, a new emperor is crowned every 24 years, with a replacement chosen from acolytes of the eight animal guardians whose blessings have warded and kept the empire in check for generations.  However, the current emperor, Bersun the Brusque, has not had a peaceful reign, marred by an attempted assassination and the subsequent execution of his attacker’s daughter.  His replacement offers a chance at a new era for Orrun, but the sins of the past continue to haunt all involved.

As the next Trials to determine the next emperor begin, seven skilled and revered young challengers emerge for the crown, and it falls to Neema Kraa, the emperor’s brilliant, if unsocial, High Scholar to organise much of the proceedings.  However, the Trials are thrown into chaos when the Raven contender is brutally murdered, and all the evidence points to Neema as the suspect.

Tasked with proving her innocence, Neema is shocked when emperor Bersun decides to make her the new Raven contender.  Suddenly facing six highly skilled rival contenders who have trained their entire lives to compete in the trials, as well as a proxy chosen by the mystical Dragon temple, Neema finds herself fighting for her life in the deadliest contests imaginable.  If she succeeds, she could take the throne, but to do so she must first survive a dark conspiracy infecting the palace, one that threatens all Orrun and could lead to a new age of darkness for the empire.  Nothing is what it seems, and with the animal guardians returning to the world, chaos is about to engulf the trials, changing its contenders forever.

With an exceptional and powerful story that I could just not put down, The Raven Scholar was a particularly amazing fantasy debut that I absolutely could not stop reading.  Clever, twisty, and continuously exciting, Antonia Hodgson really impressed me with The Raven Scholar, and due to how quickly I absorbed its over 600 pages of content, I have no choice but to give it a full five-star rating.

I must admit, going in I didn’t know what to expect from The Raven Scholar, but I ended up being extremely impressed with the elaborate narrative Hodgson pulled together.  Set around a wonderfully expansive fantasy story about a tournament of skill and brains, Hodgson had to do a lot in this book, and I feel that she ended up creating something very special and particularly addictive.  Starting with an intense introduction that provides some key context for the later events of the story, Hodgson pulls a very interesting move of inflicting a dark fate on the protagonist of this initial part of the book before jumping the plot forward several years and presenting a new main perspective character.  The impacts of this introduction are well felt throughout the rest of the book’s plot, and I love the various secrets, hidden hints and impacts these first couple of chapters had.

Hodgson then moves the narrative of The Raven Scholar into the elaborate period of the tournament to determine the new Emperor of Orrun.  Primarily shown from the perspective of High Scholar Neema Kraa, an isolated figure who suddenly finds herself in the middle of proceedings when the initial Raven contender for the throne, an old rival of Neema, is murdered, and Neema is considered a potential suspect.  Attempting to investigate the crime, Neema finds herself placed as the new Raven contender and must try to survive the intense trials to come.  I love a good tournament arc in fiction, and this proved to be an extremely fun one as each of the participants had to complete several different tasks chosen by each of the participating temples, as well as compete in a series of duels between each task.  This allows for an interesting combination of physical and mental assignments, which proved to be very compelling, as you tried to see who would take the throne.

While the tournament is the narrative highlight of The Raven Scholar, it is only one part of the story, as Hodgson creates some very interesting additional arcs throughout the plot.  Namely, Neema finds herself investigating a dark conspiracy within the palace following the murder of her former contender.  The author uses her past crime fiction experience extremely well here, crafting together a very elaborate and intense mystery narrative that the protagonist is constantly dragged into.  It doesn’t take too long for her to realise the scope of the conspiracy before her, as well as who the participants in it are, although there are a lot of hidden secrets and motivations that come out as the story continues.  I really loved all the impressive twists and turns that resulted in this part of the book, and the massive overarching conspiracy blends extremely well with the tournament part of the story, with the revealed antagonists using elements of it to try and take out the Neema and other problematic contenders.  I also really appreciated how so much of the big moments of the plot flowed on from the complex introduction to the story, and Hodgson does an amazing job hiding hints at what is to come throughout the entire book.  Everything leads to the big finale of The Raven Scholar, where all the secrets come out and you are left shocked by what occurs.  I honestly didn’t see every twist coming, and I loved how Hodgson kept subverting expectations about where the plot would be going.  The book ends on a very interesting note, and you will come away very excited to see where the series goes from here, especially as the story can only get more complex and twisted.

The Raven Scholar was a really well written novel, and I must highlight how well Hodgson combined her elaborate fantasy world and it’s defining tournament, with complex characters and excellent intrigue and mystery.  The range of elements in this novel is very impressive, and I liked how well Hodgson brought them together, allowing for quite a well-layered book.  The author’s ability to insert an array of subtle hints and important details throughout the book was also amazing, with a variety of seemingly inconsequential statements, conversations or observations coming back into play at later parts of the story.  Some of these were particularly clever and I really appreciated seeing all these cool elements coming into play as the story continued.  This powerful narrative is further enhanced by the author’s intricate fantasy universe, which makes good use of its zodiac inspired system of animal guardians to create a very compelling tournament background.  The scenes throughout the tournament are a true highlight and I loved the intense action and the high stakes that accompanied them.  Throw in the machinations of several of the animal guardians, as well as the complex past of some of the characters, and there is so much to absorb and appreciate about this elaborate book.

I also really enjoyed the impressive cast of The Raven Scholar, whose unique stories added some excellent additional detail to the plot.  The main protagonist, Neema Kraa, was a great central figure in the book, especially with her complex past, poor social status, and the fact that her current advancement came as a result of her worst actions.  Neema spends much of The Raven Scholar trying to redeem her past mistakes, and her eventual placement in the tournament allows her the chance to prove herself.  You really get invested in Neema’s struggles as the book continues, and I liked how she kept evolving to meet the challenges before her, becoming a major contestant to the throne.  The rest of the contenders are all interesting in their own way, and I appreciated the compelling storylines and history that the author built around them.  This includes the Fox contender, Cain, whose complicated romantic past with Neema becomes one of the more interesting recurring plotlines in the book, while his bold nature and inappropriate sense of humour made him a firm favourite of the reader.  I personally enjoyed how Neema twisted his past a little as the plot continued, ensuring that his arc went in some surprising and dark directions, and you really feel drawn to him, especially when he annoys all the other more serious figures in the book.

Other key characters include the Tiger contender, Ruko Valit, who was a dark figure in the plot, especially as he deals with the treachery that led him to become a favourite in the tournament.  A determined and arrogant figure, Hodgson works a great potential redemption arc around Ruko, while also cleverly hinting at the destructive role he will have in the future.  Ruko’s sister Yana was a key early figure in the novel, and while you don’t get the chance to know her too well, the consequences of the actions taken around her haunt many of the characters to come.  The rest of the cast are also cool, although I will limit myself by highlighting a really sinister hidden antagonist, as well as certain animal guardians who visit the realm and interfere with some of the contenders in dramatic manners.  I personally felt the various aspects of the Raven for example were fun, not only with how part of them influences Neema, but with the narrator role the main body takes on for part of the book, which includes footnotes.  All these figures, as well as the many other compelling figures featured within the plot, help to make The Raven Scholar something very special, and I look forward to seeing how many of the fantastic character arcs Hodgson started here, continue in the future.

Overall, I found The Raven Scholar to be an extremely cool and outstanding book, especially as author Antonia Hodgson weaved together a particularly intricate and captivating narrative.  Loaded with intriguing details, clever twists, amazing characters, and so much excitement, I quickly fell in love with The Raven Scholar, and I could not stop reading it, powering through hundreds of pages at a time.  I honestly cannot recommend this book enough, and I enjoyed The Raven Scholar so much that I had to include it on my recent list of top books from the first half of 2025.  I cannot wait to see how Hodgson continues this series going forward, but I am already certain it is going to be something really awesome and very memorable.

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Mort by Terry Pratchett

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Fantasy, Five-Star Books, Throwback Thursday1 Comment

Publisher: Gollancz/Penguin Audio (Audiobook – 1987)

Series: Discworld – Book Four/Death – Book One

Length: 7 hours and 18 minutes (Planer version)/7 hours and 57 minutes (Clifford version)

My Rating: 5 out of 5 stars

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My dive into the always outstanding Discworld series by the legendary Terry Pratchett continues with one of the earlier classics, Mort, a clever and highly entertaining novel that still hits hard after all these years.

Readers of this blog will be aware of my obsession for all things Discworld, which I have been a mega fan of for many years.  I have had the very great pleasure of reading all the books in the Discworld series multiple times, and I honestly love everything about them, so much so that I even named this blog after a key setting in the series.  I’ve recently been having one of my periodic re-reads of the series, which has seen me finally review some of my favourite Discworld entries, including Pyramids, Guards! Guards!, Moving Pictures, Small Gods and Men at Arms.  The next entry in the series I decided to reread was the wonderfully compelling Mort.  The fourth book in the series, this is one of the earlier Discworld novels and serves as the first book in the Death sub-series.

They say that death comes for everybody, but on the Discworld that statement couldn’t be more true, as everyone will eventually encounter Death, the black-robed, scythe wielding skeleton who personifies the end of life.  However, not all encounters with Death are the same, as terminally unqualified teenager Mort is about to discover, as instead of taking his life, Death offers Mort a job.

Suddenly saddled with the responsibilities of being the apprentice of Death, Mort finds his life a lot more complicated.  Reaping the souls of the recently departed is one thing, but learning to walk through walls and deal with the unlikely whims of his new master is another, especially as Death seems determined to set Mort up with his adopted daughter Ysabell.  However, the big problems begin when Mort impulsively decides to change fate and save the life of a young princess destined to die.

Forced to find a way to stop the diverging threads of reality while keeping the princess alive, Mort soon discovers that being the Grim Reaper isn’t all it’s cracked up to be.  Worse, with the real Death suddenly discovering the joys of life, Mort’s own humanity is starting to slip away.  Can Mort and a group of unlikely companions save reality, or will he have to face his final judgement at the hands of the universe’s most unyielding employer?

Mort was a particularly impressive Discworld novel from Pratchett, especially as it was probably the book where the author finally found his true writing groove.  Fun, thoughtful and featuring a clever and concise story, Mort was an outstanding read, and I once again powered through in very short order.  As such, Mort gets a very well-deserved five-star rating from me and is a particularly awesome Discworld novel to check out.

I loved the very impressive story that Pratchett came up with for Mort, which takes the concept of Death finding an apprentice and going to the extreme with it.  Starting at an initially slow pace that introduces the key characters of Mort and Death, you soon get invested in Mort’s tale of young man coming into his own in a very unusual field.  Things get interesting quickly when Mort decides to save the life of a young princess destined to die and soon splits reality down the middle.  This leads to a very addictive middle section, as Mort attempts to save the princess while also ensuring reality doesn’t split apart.  At the same time, Death, who finds his time freed up thanks to his assistant, begins to wonder around the world learning about humans and trying to have fun.  The resulting outlandish interactions with Death are a great counterpoint to Mort’s storyline, especially as this results in the apprentice starting to obtain his own powers, often with hilarious results.

Everything cleverly and quickly leads up to the big final third of the novel, where a less-than-human Mort and a scrappy Ysabell attempt to do a disappeared Death’s duty, while also finding a way to save the doomed princess, whose own attempts to stay in reality have been less than successful.  At the same time, fun supporting character Albert, Death’s manservant, returns to his old profession on the Disc and tries to find the original Death, who has found his own unlikely niche in the mortal world.  This final third of Mort is extremely fun, fast-paced and surprisingly impactful, especially as the author keeps raising the stakes for the protagonists, and you are very much unable to stop reading it as you try to see where all the entertaining storylines are going.  However, it’s the inevitable showdown between Death and Mort that really ties everything together perfectly.  Their intense, deeply personal and perfectly showcased duel is amazing, especially as it expertly builds off all the character growth in the novel.  Ending on a hopeful note that sets the tone for a great character going forward, you come away from Mort very happy and with an interesting new outlook on life and its always-grinning counterpart.

I really enjoyed how Mort came together, especially as this is the Discworld novel where Pratchett perfects the style and storytelling methods that make his later novels such a treat to read.  As such, Mort is an early classic in the series, so much so that it is a perfect entry point for new Discworld fans, who get to see a lot of key ideas develop here, while also being introduced to the author’s humour and clever storytelling.  Mort definitely benefited from Pratchett developing a more concise storytelling style here, keeping the narrative a little more focused than the previous novels, and this works as a well-crafted standalone read.  Pratchett also does an outstanding job combining cool fantasy elements with outrageous humour and complex characters, and the result is a very entertaining read that will appeal to a wide range of readers.  Part coming-of-age story, part examination of an extreme mid-life crisis, Mort’s narrative hits a lot of generational notes, and while some of his ideas about splitting reality and the nature of the Discworld are a little complex, Pratchett ensures that readers can completely follow his thought all the way to the fantastic conclusion.

As with all Discworld books, Pratchett imbues Mort with an amazing level of humour, and I loved how intensely funny this novel was at times.  Despite Mort essentially being a novel about mortality and destiny, this is a very light-hearted novel thanks to the entertaining characters and the unusual situations they find themselves in.  There are several different levels of humour contained within Mort, ranging from obvious jokes and over-the-top situations to well-setup references or clever name gags, as well as the subtly funny footnotes that really dive into the absurdity of this flat world that lies atop a giant turtle.  Some of the funniest parts of Mort lie in the usually hardboiled and cynical inhabitants of the Disc suddenly encountering Death in unlikely scenarios.  This becomes particularly prevalent later in the novel when Death leaves the job to Mort and wanders the world looking to understand “fun”, and the various scenes with Death fishing, going to parties, getting drunk, gambling and even searching for a job, are particularly hilarious, especially as everyone else involved in these situations is either deeply unsettled or completely terrified.  Other great jokes involve wizards coming to terms with an apparently animated statue, very long-running bar tabs, fun, if short-lived, political intrigues, unlikely deaths, and the young protagonist upsetting everyone by unwittingly walking through walls.  I laughed myself silly multiple times in Mort, even though I had heard all the jokes many times before, and you are guaranteed to have a lot of fun with this great Discworld entry.

As with all of Pratchett’s novels, Mort features an excellent array of entertaining characters, whose unique arcs add some excellent power to book’s overall narrative.  The cast of Mort was particularly compelling and well-rounded, and I think that Pratchett did a great job of introducing some excellent new figures while also making use of one of the best side-characters in the entire series.  Unsurprisingly, most of the novel’s focus settles on the titular character of Mortimer (Mort), a young teen who unexpectedly finds himself the apprentice of Death.  Shown at the start of the book to be an awkward and unusually thoughtful figure, Mort’s storyline revolves around his attempts to fit in, learn his unlikely trade, and the interesting relationships that form thanks to his new position.  Pratchett works in a very compelling coming-of-age narrative around Mort, especially as he grows into his new role and gains the confidence that comes with finding oneself, while also walking the fine line between morality and duty.  However, there is a definite dark edge to Mort’s storyline towards the end, as Mort starts to lose his humanity and becomes more like Death, and it falls to the rest of the characters to keep him human.  Pratchett did a really good job introducing and building up Mort as a complex young character, and he ended up being one of the author’s better one-shot protagonists.

While much of the book is focused on Mort, the character who constantly steals the show is Death.  The literal personification of death on the Discworld, Death appeared in the first three novels in the series, serving as an ethereal and often entertaining figure on the sidelines who occasionally haunted the author’s original protagonist.  Pratchett cleverly expands on Death in this book, showcasing him as a wise and implacable figure doing his duty in a dispassionate way.  However, his interactions with humans, especially Mort, soon start to change his personality, especially as he becomes curious about life and tires of his eternal station.  This allows him to become a particularly entertaining figure in the second half of the book, as he roams the Disc in unlikely situations, trying to learn how to have fun.  His various ponderings on mortality and human nature result in some hilarious moments, and there are so many fantastic and funny interactions that occur here.  However, it is the final third of the book where you get a real sense of Death’s character; at first, he wistfully tries to embrace life, only to leave that behind when confronted by the actions of Mort.  The anger and sadness that accompany his return to his role and his confrontation with Mort is extremely powerful, and you can’t help but feel for him as he faces an impossible choice, as well as rejection from those he loves.  An overall excellent first deep dive into the character of Death from Pratchett, and you can really see why the author wrote several more books around this character going forward.

Aside from Mort and Death, the rest of the main cast of Mort is quite concise and contains an excellent blend of distinctive and impactful characters.  This includes Death’s adopted daughter, Ysabell, a seemingly spoiled princess and lover of over-the-top romance, who is initially antagonistic to Mort.  Despite her attitude, Ysabell soon turns into quite a likeable and sympathetic character, especially when certain traumas from her unusual life become apparent.  Due to her having some of the more emotionally poignant dialogue and character moments in the book, Ysabell is an excellent part of Mort, and I liked how Pratchett paced her storyline.  The other major resident of Death’s domain featured in this story is Albert, the mysterious servant determined to hide his past from Mort and Ysabell.  Pratchett does an excellent job of setting him up as a bigger figure within the Disc’s history, and his explosive return to form after some entertaining scenes between him and a threatening Mort are a highpoint of the book.  Other major characters include Princess Keli, a young princess who finds her sudden reign made even more difficult due her convoluted existence, and young wizard Igneous Cutwell, who serves as a great foil to the more serious Mort and Keli and becomes an excellent comic relief for the book.  Throw in an array of over-the-top minor Discworld characters whose lives briefly become that much more interesting due to their interactions with either Death or Mort, and Mort has an especially fun cast that Pratchett uses to great effect within this masterful novel.

I must once again highlight the amazing audiobook formats that are my favourite ways of enjoying the Discworld series.  I honestly have so much fun with the Discworld audiobooks, mainly because the format does such an incredible job of showcasing Pratchett’s legendary humour and inventive worldbuilding, and there is frankly no better way to enjoy this cool series.  Like the rest of the series, Mort has two particularly awesome unabridged audiobook versions, both of which come highly recommended by me.  This includes the old-school version narrated by the legendary Nigel Planer, who provided his voice to over half the unabridged Discworld audiobooks.  As with all the Discworld books he narrated, Planer does a remarkable job in this early entry in the series, and I loved the impressive array of voices that he utilised in Mort.  Due to this being the first Death audiobook, Planer had a ton of fun featuring his amazing Death voice, which combines beautifully with some of the other new character tones he had to come up with for this novel.  His great voice work also helped to showcase some of Pratchett’s excellent jokes and key bits of humour, and you really get drawn into the author’s brilliant story and fantastic writing with this classic audiobook release.

Despite my love for the Planer version of Mort, which in some ways is still the definitive audiobook version of this novel, I must also really hype up the new Mort audiobook that was recently released.  Part of the recent rerecording of the Discworld audiobooks I have spruiked in previous reviews, this new version of Mort was extremely awesome, and in some ways it surpasses the old-school version.  Coming in with a runtime of just under eight hours, around half an hour longer than the Planer version, this was a brilliant listen, especially with the impressive combined voice work of Sian Clifford, Peter Serafinowicz and Bill Nighy.

Sian Clifford (of Fleabag fame) did an excellent job as the main narrator for this audiobook, reading out most of the story and the voices of the associated cast.  This results in a swift, well-voiced and deeply compelling version of Mort, and I loved how effectively Clifford brought the story to life and helped to showcase the author’s great humour.  You really get drawn into the cool narrative as Clifford reads it out, and I enjoyed her fresh take on many aspects of the audiobook.  Despite Mort being a rather male character dominated entry in the sub-series, Clifford did an excellent job portraying the cast, and there are some great voices featured here, including of some iconic figures from other sub-series (her Rincewind voice was sufficiently terrified and grovelling).  Clifford clearly has fun when it comes to some of the more outrageous members of the cast, such as Albert, while her take on Princess Keli was excessively regal, and captured both her irritation at the events unfolding around her, while also showcasing her fear and uncertainty.  I must also highlight the voice Clifford provides for the main character, Mort, as the narrator really paints a great picture of a gangly, uncertain teenage boy who starts to come into his own as he gains confidence, and more.  I particularly enjoyed the clever voice changes that Clifford did later in the book, especially when Mort started becoming more like his employer, and the corresponding changes to Death’s voice were just perfect.  This was honestly some amazing voice work from Clifford, and I look forward to listening to her narration of the other Death audiobooks, especially once Susan is brought in as the main character.

While Clifford is amazing, I felt that Peter Serafinowicz clearly stole the show in Mort, playing his character to perfection.  Voicing the recurring character of Death in all the new Discworld audiobooks whenever he appears in the plot, Serafinowicz hits listeners with a deep and final tone that perfectly portrays the Discworld’s Grim Reaper in all his bony glory.  For most of the audiobooks, this is just a fun extra inclusion, as Death only appears in a few hilarious scenes.  But for Mort, this is much more of an involved role, as Death is one of the book’s main characters, and so much of the book’s humour and complex narrative is based around Death interactions with humanity.  As such, Serafinowicz has a ton of fun voice Death through various unusual situations and emotional states, all while keeping up the foreboding Death voice.  The clever and subtle changes to this voice that Serafinowicz makes are extremely impressive, and the humour that results from hearing Death engage in these unlikely scenarios and conversations cannot be overstated.  I also must highlight one brilliant sequence where Serafinowicz hilariously hummed the classic funeral march in his Death voice in response to the text describing Death walking away humming a tune.  Details like that in Serafinowicz’s performance, as well as the increased utilisation of Death in this audiobook, really enhanced the overall impact and humour of Mort, and I loved every second I spent listening to it. 

The final actor featured in this audiobook is the legendary Bill Nighy, who also has a recurring role in all the new Discworld audiobooks.  Nighy has a very important job of narrating all the various footnotes that Pratchett includes in his text, and his gentle voice really brings out the subtle humour hidden in these footnotes.  While Nighy doesn’t get much to do in Mort due to author only featuring a few footnotes in this novel, he still makes an impact, and I’ve really enjoyed how expertly he enhances these clever inclusions.  Honestly, all three of these narrators did an outstanding job in this new version of Mort, and I deeply appreciated how well their compelling performances blended into one impactful listen. As such, Mort is best enjoyed on audiobook, and whether it be the classic Planer version, or the new one with extended cast, you will have a wonderful time listening to it.

As the above rambling pages no doubt prove, I have a lot of love for Mort which was an excellent early Discworld novel from Terry Pratchett.  Featuring some excellent storytelling and fully embracing the clever writing style and comedic charm that made the later Discworld novels so damn awesome, Mort was a brilliant read, and one that proves impossible to put down.  An outstanding novel that really shows how impressive Pratchett could be as an author; Mort comes highly recommended and is guaranteed to be enjoyed by any reader.

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Battle Mountain by C. J. Box

On By The Unseen LibraryIn Thriller1 Comment

Publisher: Head of Zeus (ebook – 25 February 2025)

Series: Joe Pickett – Book 25

Length: 327 pages

My Rating: 4.25 out of 5 stars

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Last year I had the very great pleasure of reading my first novel from C. J. Box, Three-Inch Teeth, which was a wonderfully fun thriller.  The 24th book in Box’s long-running Joe Pickett series, Three-Inch Teeth saw a gang of vengeful criminals attempt to kill several of their old enemies, including the book’s protagonists, using an elaborate contraption that simulated a deadly bear attack.  Naturally, such a fantastically over-the-top narrative greatly appealed to me, and I had a blast getting through this amazing book.  After this excellent introduction to the series, I was keen to read the next Joe Pickett book, especially as I just had an incredible holiday around Wyoming, the main setting of the series. I couldn’t wait to see more depictions of this beautiful landscape after being back in the less-than-picturesque office for a few weeks, so I just read the 25th book in the series, Battle Mountain, which featured another amazing and exciting story.

Plot Synopsis:

Outlaw falconer Nate Romanowski is off the grid and out for revenge in this riveting new novel from #1 New York Times bestseller C. J. Box.

The campaign of destruction that Axel Soledad and Dallas Cates wreaked on Nate Romanowski and Joe Pickett left both men in tatters, especially Nate, who lost almost everything. Wondering if the civilized life left him vulnerable to attack, Nate dropped off the grid with his falcons in tow to prepare for vengeance.

When Joe gets a call from the governor asking for help finding his son-in-law, who has gone missing in the Sierra Madre mountain range, he enlists the help of a local, a rookie game warden named Susan Kany.

As Nate and fellow falconer Geronimo Jones circle closer to their prey, Joe and Susan follow the nearly cold trail to Warm Springs. Little do Nate and Joe know that their separate journeys are about to converge . . . at Battle Mountain.

Battle Mountain was a highly exciting and entertaining thriller from Box, who once again amps up the action and takes his readers out into the wilds of Wyoming.  An intense and compelling novel that readers are guaranteed to power through, Battle Mountain was a lot of fun, and I’m really glad I decided to continue this cool series.

This latest book from Box had a great multi-layered narrative to it that set up some interesting story developments, while also moving the series along in a big way.  Coming off the tragic end of Three-Inch Teeth, which featured the murder of major protagonist Nate Romanowski’s wife, Battle Mountain starts with Nate on his own and hunting for the culprit, long-time enemy Axel Soledad.  As Nate and his friend, Geronimo Jones, begin their hunt anew, the main protagonist, Joe Pickett, is tasked with finding the governor’s missing son-in-law, who was taken near the infamous Battle Mountain.  However, Joe is unaware that his target has been kidnapped by Soledad, and his actions to find the missing man could lead him right into the middle of his enemies most ambitious and destructive scheme.

Box did a good job setting up both main storylines, and you soon become quite intrigued by the separate journeys the two main protagonists embark on, especially as one stays within the law while the other is an unsanctioned revenge mission.  The two diverging paths of this story complement each other quite nicely, especially as Box also throws in some additional perspectives, including from the antagonist, the Governor’s kidnapped son-in-law, and a young woman working at the site of Soledad’s next attack, which provides key information to the reader and helps to increase the stakes of the narrative.  After some fun action-packed scenes, where the protagonists get closer to their respective goals, Box brings all these story elements together for the big conclusion, which ends in the expected shoot out.  This conclusion is relatively short and sharp, but provides a satisfying ending to the plot that leaves the series wide open for the future.

I quite liked how Battle Mountain turned out, although it did lack the fun, over-the-top nature of the previous book in the series that I read, Three-Inch Teeth.  However, Box makes up for that with a darker, grittier tale of revenge, as one of the characters embarks on a dark hunting mission to finally kill his long-time enemy.  The darker tone helped to make this a more addictive story, which, when combined with the fantastic action, ensures that you can just power through Battle Mountain in no time at all.  I really enjoyed how Box initially split his narrative and set up the key characters of the book, with Joe Pickett being the more noble protagonist, Nate Romanowski being the figure of righteous vengeance, while Axel Soledad proving to be a particularly nefarious and manipulative overarching antagonist.  Battle Mountain had a great flow as a result, and the cool tension in the lead up to the big conclusion, ensured that you couldn’t put the book down, especially near the end.

As with most of the books in the Joe Pickett series, Battle Mountain works very well as a standalone novel, although established readers of the series will no doubt get a lot more out of it, especially after tragic ending of Three-Inch Teeth.  While there are some ongoing character elements that are addressed, I felt that Box did an excellent job reestablishing all the characters, including once again hyping up Soledad as a great villain, while also ensuring that all readers get the emotional stakes of the plot.  I liked how Battle Mountain’s tone and focus matched the previous novels in the series, with a particularly enjoyable focus on the natural beauty and personality of the people of Wyoming.  I personally loved this book a little more thanks to my very recent journey to the fantastic state of Wyoming, especially when Box references locations and local elements I can now relate to (for example, bison-caused traffic jams), and you can really feel the love that the author has for this state (it’s mutual, by the way; I visited a bookshop in Wyoming with every single Joe Pickett book proudly displayed on the shelf).  This depiction of Wyoming does include a large look at the politics of the state, which as you can imagine is a bit fractious.  However, Box ensures it’s not too overwhelming, and readers can interpret or focus on it as much as they want.  An overall excellent addition to the Joe Pickett series that I feel any thriller fan could have fun with.

Once again loading up the action, outrageous characters and fantastic depictions of some of the most beautiful country in the United States, Battle Mountain was another awesome book from C. J. Box, that I had a lot of fun with.  Exciting and extremely fast paced, Battle Mountain was a very easy book to get through, and I look forward to seeing what cool adventures Box has planned next.

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A Tide of Black Steel by Anthony Ryan

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books11 Comments

Publisher: Orbit (Audiobook – 24 September 2024)

Series: Age of Wrath – Book One

Length: 19 hours and 20 minutes

My Rating: 5 out of 5 stars

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After finally getting something up for We Solve Murders, I continue trying to publish long-overdue reviews for some of the better books of 2024, including the highly captivating fantasy novel A Tide of Black Steel by Anthony Ryan.

Veteran fantasy author Anthony Ryan is an author I have been really learning to enjoy in recent years, especially as I fell in love with his epic The Covenant of Steel series.  Following a young rogue who takes on the mantle of a warrior, spy, strategist and most importantly a scribe throughout his complicated and danger-filled life, The Covenant of Steel novels were an impressive collection of books loaded with great characters, a compelling chronicle style and some brilliant twists.  All three books in the series, including The Pariah (one of my favourite books and audiobooks of 2021), The Martyr (one of my favourite books and audiobooks of 2022), and The Traitor (one of my favourite books and audiobooks of 2023), were instant five-star reads from me, and I had so much fun getting through them.  As such, I was very excited to find out about Ryan’s new novel, A Tide of Black Steel, especially as it serves as a sequel to The Covenant of Steel series.  The first book in the author’s new Age of Wrath series, A Tide of Black Steel sets up a mighty fantasy tale that I had a brilliant time with.

Plot Synopsis:

From the international bestselling author Anthony Ryan comes the spectacular first novel in a new epic new fantasy trilogy inspired by Norse mythology. A new age has dawned. An age of blood and steel. An age of wrath.

The land of Ascarlia, a fabled realm of bloodied steel and epic sagas, has been ruled by the Sister Queens for centuries. No one has dared question their rule. Until now.

Whispers speak of longships of mysterious tattooed warriors, sailing under the banners of a murderous cult of oath-breakers long thought extinct. A tide of black steel that threatens to vanquish all in its path.

Thera of the Blackspear, favoured servant of the Sister Queens, is ordered to uncover the truth. As Thera sails north, her reviled brother, Felnir, sets out on his own adventure. He hopes to find the Vault of the Altvar – the treasure room of the gods – and win the Sister Queens’ favour at his sister’s expense.

Both siblings – along with a brilliant young scribe and a prisoner with a terrifying, primal power – will play a part in the coming storm.

The Age of Wrath has begun.

A Tide of Black Steel was another outstanding novel by Anthony Ryan that provided readers with a cool and layered fantasy adventure.  Cleverly expanding the fantasy universe introduced in The Covenant of Steel books, A Tide of Black Steel brings together several interesting storylines into one exciting read with a very different tone to the author’s previous novels.  Powerful, action-packed, and featuring some interesting twists and turns, A Tide of Black Steel gets a full five-star rating from me, and it was one of my favourite books and audiobooks of 2024.

I really enjoyed how this cool novel turned out, especially as Ryan introduced an ambitious and powerful new narrative that combines bold, seafaring adventures with some complex world-building to create an outstanding read.  Serving as a loosely connected sequel to the author’s The Covenant of Steel books and told through the eyes of four compelling protagonists, the plot of A Tide of Black Steel breaks off into several divergent threads that each have their own charm while also individually exploring a dangerous new enemy threatening the world.  These perspective characters include Ruhlin, a young man who is captured for his mysterious magical abilities and must try to escape from dangerous new masters who want to use his gifts in the fighting ring.  At the same time, Thera of the Blackspear, an agent of the Sister Queens of Ascarlia, investigates a mysterious series of raids against Ascarlia’s borders, travelling to the most isolated islands of the nation.  Finally, Thera’s brother, Felnir, and the young scholar Elvine, are tasked with trying to find an ancient treasure horde and the dark secrets it contains.

Apart from Thera and Felnir’s perspective chapters, which are strongly linked for much of the book, these major storylines are kept mostly separate from each other, allowing for three separate adventures to occur simultaneously.  All these arcs were equally interesting and provided some cool alternate perspective and themes to the book, with Ruhlin’s being a dark coming-of-age plot, Thera’s being a brutal series of battles and investigation, while the combined plot of Felnir and Elvine was a great mixture of exploration, redemption and secrets.  While I was a little more drawn to Felnir and Elvine’s plotlines at times, primarily because of a couple of secretive supporting characters that hinted at a great connection between this book and The Covenant of Steel series, I honestly had a brilliant time with all the storylines, and they combined nicely into one compelling and cohesive overall plot.  All these storylines progress nicely, amping up the stakes and enhancing the adventure until they reach some thrilling conclusions where some big reveals come to pass.  While I saw a few of the twists coming, the impact of these arc conclusions was really impressive, and I came away from A Tide of Black Steel wanting more, especially as there was a cool and brutal cliff-hanger that is going to result in dark moments for the series going forward.

Ryan gave it a real classic adventure feel that worked in the context of the plot.  The author used a very different writing style here compared to The Covenant of Steel novels, as this latest book was a multi-character epic that lacked the chronicle style of the previous trilogy.  While this change in style while remaining the same universe could be potentially jarring, I think it worked quite well, and I enjoyed the complex and entertaining narrative that emerged.  Ryan proved adept at splitting the narrative between various protagonists, and the diverging perspective chapters blended well into a large and compelling story, with only occasional crossovers.  The reveal of key plot points in one perspective arc was well utilised in some of the other protagonist’s chapters, and I really enjoyed the tight, character-driven narrative that emerged.

As I have mentioned a few times, A Tide of Black Steel and the Age of Wrath series it is a part of are a sequel to Ryan’s The Covenant of Steel series, which the author uses to full effect to makes this novel even more enticing and fun.  Set years after the conclusion of The Traitor, A Tide of Black Steel takes place in a new setting, Ascarlia, a neighbouring realm to the lands featured in The Covenant of Steel books and features several characters with interesting connections to figures from the previous trilogy, including that series’ main protagonist.  Ryan has a wonderful time diving into this new setting, which has a distinctive Norse/Viking feel compared to the more traditional medieval Europe vibe of the previous novels.  This allows for an entirely new focus on naval combat, a boat and island focused culture and Norse-inspired military tactics, which really helps to set A Tide of Black Steel apart.  Ryan utilises all these elements to great effect in this new book, and the multiple longship-on-longship battles and clashes at the shield wall were impactful, as well as the well-researched and beautifully written depictions of maritime activity and nautical life.  I deeply enjoyed this expansion of Ryan’s universe, and the focus on a whole new realm within this world really opened the story options and allowed new protagonists and threats to shine.

While A Tide of Black Steel stands on its own extremely well, the events of The Covenant of Steel books are routinely referenced, and there are some very interesting connections between it and this new series.  As such, I feel that A Tide of Black Steel is a book that fans of Ryan’s previous series are going particularly enjoy, especially as they eagerly await any clues or hints about the open story threads from the end of The Covenant of Steel novels.  I know I was constantly curious to see whether some of the characters with more mysterious pasts were going to be revealed as figures we’d previously seen in the other series, and the result of that was pretty good.  I also liked how the use Ascarlia in this book finally provided a good follow-up to a key part of the first The Covenant of Steel novel, The Pariah, and I really enjoyed seeing Ryan expand on these events, including bringing back an antagonist from that book and making them a key supporting character here.  Despite all these references, those readers interested in checking out A Tide of Black Steel without reading The Covenant of Steel novels first are still guaranteed a good time, especially as Ryan provides all the relevant background and refreshes your mind about details relevant to the plot.  Still, for the full emotional attachment and background, I would recommend reading the other trilogy first, especially as they are excellent pieces of fantasy fiction.

I should also take the time to mention the excellent array of characters featured within A Tide of Black Steel, as Ryan introduces four outstanding central protagonists, as well as a great collection of supporting figures.  These characters are used to full effect throughout the course of the plot, and you grow attached to several, especially when you learn their background and motivations.  Each of the four perspective protagonists set an own excellent tone for their chapters, and I frankly enjoyed seeing all their separate adventures and differing mindsets.  Watching all of them overcome adversity, lies and issues from their past was quite impressive, and Ryan sets up some interesting, long-running character arcs that are going to be really interesting to see conclude in the future books.  The supporting cast was also quite impressive, and Ryan introduced a range of fantastic characters who were usually exclusive to a particular protagonist.  I personally enjoyed seeing a couple of Ascarlian-related characters previously featured in The Pariah return here, include Margnus Gruinskard, whose deadly duel in his previous appearance directly led to much of the carnage in the previous trilogy.  A couple of mysterious prisoners who find themselves tied to two of the protagonists also added a great deal of interest to the plot, and it was fascinating to see how they connected into the larger plot of the overall series, as well as their personal connection to a key character of this book.  I deeply enjoyed this fantastic cast, and their complex storylines added so much to the overall plot of A Tide of Black Steel.

While I was lucky enough to receive a copy of the A Tide of Black Steel paperback, I ended up listening to the audiobook version instead, primarily because I previously had such a great time with The Covenant of Steel audiobooks.  This proved to be an outstanding choice, especially as the audiobook version really helped to showcase the extended scope of Ryan’s fantasy world, while also enhancing the cool action sequences.  I personally really appreciated that they brought back narrator Steven Brand for A Tide of Black Steel, especially after he did such an awesome job voicing The Covenant of Steel audiobooks.  Brand really gets Ryan’s writing style, and he once again perfectly voiced all the key elements of the plot through his narration.  His take on the large cast of characters was particularly impressive, and each of the compelling figures featured in the plot was perfectly portrayed, with their complex personalities on full display.  I absolutely sped through A Tide of Black Steel’s nearly 20 hour long run time thanks to both the great story and the excellent narration, and this ended up being a particularly amazing audiobook that I deeply enjoyed.  A highly recommended listen and one of the best ways to experience Ryan’s cool new series.

Overall, A Tide of Black Steel was an outstanding fantasy novel, and one I really should have written something about earlier.  Cleverly expanding Ryan’s previously utilised fantasy world to create a compelling Norse-inspired fantasy adventure loaded with twists and hidden secrets, A Tide of Black Steel was a very worthy follow-up to The Covenant of Steel books and takes the reader on a very wild ride.  Exciting, intense and featuring some impressive characters, A Tide of Black Steel was extremely good, and there is a reason it was one of my favourite books from last year.  I cannot wait to see how Ryan continues the Age of Wrath series this year, and the upcoming sequel, Born of an Iron Storm, already sounds particularly awesome.

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Midnight Black by Mark Greaney

On By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller4 Comments

Publisher: Sphere/Audible (Audiobook – 18 February 2025)

Series: Gray Man – Book 14

Length: 15 hours and 51 minutes

My Rating: 5 out of 5 stars

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The always outstanding Mark Greaney provides another addictive and heart-pounding addition to his iconic Gray Man series with the incredible 2025 spy thriller, Midnight Black.

Ever since I started getting fully into the thriller genre, one of the main authors I check out each year is Mark Greaney, a veteran master of thriller fiction who has produced some incredible reads.  Some of his more entertaining books include his Josh Duffy series (Armored and Sentinel), as well as the fun military thriller Red Metal (cowritten with Hunter Ripley Rawlings IV).  However, his best-known body of work is the long-running Gray Man series, which was adapted into a Netflix movie of the same name.

The Gray Man series is an outstanding collection of spy thriller novels that follows elite assassin and black ops operative Court Gentry, better known by the titular moniker of the Gray Man, as he faces off against an array of deadly enemies while occasionally working for the CIA.  I have become a pretty major fan of the Gray Man series thanks to the author’s complex stories, gritty action sequences and damaged characters, and I have had a blast with books like The Gray Man, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020), Relentless (one of my favourite books and audiobooks of 2021), Sierra Six (one of my favourite books and audiobooks of 2022), Burner (one of my favourite books and audiobooks of 2023) and The Chaos Agent (one of my favourite books of 2024).  Due to how epic all these previous Gray Man entries have been, I couldn’t wait to get my hands on the next entry in the series, Midnight Black.  Providing an intense follow-up to a fantastic cliffhanger from the last book, Midnight Black was one of my most anticipated releases of 2025, and it really did not disappoint.

In the icy wilds of Mordovia, lies the brutal woman’s penal colony IK-2 Yavas.  A harsh work camp for the many political enemies of the current Russian regime, IK-2 Yavas is hell on earth for any women who have defied the state.  However, despite the prison holding many prominent criminals and politicians, their most valuable prisoner is former spy Zoya Zakharova.

Once a prominent Russian foreign intelligence agent, Zoya was forced to flee her position and eventually found herself working covertly for the CIA as a deniable asset.  However, after being captured by the Chinese and traded to the Russians, Zoya’s future is bleak as she is slowly worked to death.  Worse, a ruthless FSB operative is using Zoya as bait for the person most important left in her life, her lover Court Gentry, the Gray Man.  But, unknown to Zoya, the Gray Man is far closer than she realises.

Having spent months prowling the Eastern European countries, Gentry seeks a way to steal across the Russian border and save the woman he loves, no matter the cost.  Embarking on a risky entry plan with only minimal help from his old CIA contacts, Gentry is determined to find Zoya and kill anybody who gets in his way.  But with the entire Russian state security apparatus turned against him, can Gentry once again do the impossible and save Zoya, or will this be the final mission for the legendary Gray Man?

Mark Greaney continues to impress with his epic Gray Man series, as the 14th brilliant entry in the series, Midnight Black, was absolute fire.  Providing an intense and deeply addictive spy thriller narrative, Midnight Black hooked me from the very beginning and refused to let go until the final explosive confrontation.  Slick, emotionally charged and very clever, Midnight Black gets an easy five-star rating from me, and I had such an amazing time listening to it.

This proved to be an outstanding book to get through, as Midnight Black featured a compelling and cinematic narrative that had me hooked the entire way through.  Expertly following on from the emotional cliffhanger from the end of the previous book in the series, The Chaos Agent, Midnight Black starts several months later and sees a desperate Court Gentry doing anything he can to try to enter Russia, only to encounter setbacks he has to take care of in his usual destructive manner.  This works as an excellent introduction to Midnight Black’s plot, especially as it helps you appreciate the emotional stakes of the book, and you quickly become invested in the protagonist’s quest.  Greaney quickly expands the plot through several additional character perspectives, including recuring characters Zack Hightower and Zoya Zakharova, who have their own missions/problems, an intriguing new Russian rebel protagonist, and the perspective of some sinister Russian operatives, including the FSB agent pulling all the strings around Zoya’s imprisonment.  This serves as a great base for the rest of the story, and the author soon starts to feature some of the more complex and action-packed sequences in Midnight Black.

Starting with a well-layered extended shootout sequence in Europe, the second half of Midnight Black hits hard and keeps the reader deeply engaged.  Greaney continues to set out quite an impressive story, as Gentry enters Russia and proceeds to cause all manner of havoc, while his allies in Europe and the US throw together an audacious plan that really amps up the narrative.  Greaney keeps the plot constantly moving, taking the protagonists from one dangerous situation to the next, with compelling character moments and well-featured exposition that keeps everything going forward.  The author also throws in a ton of high-octane and memorable sequences, including a fun extended chase in Moscow involving a stolen train, which was so entertaining to behold.  Everything leads up to the big finale in the last third of the story, where the protagonist makes his play to free Zoya in very cinematic fashion.  There is a lot of intense anticipation involved in the leadup to this final part of Midnight Black, and it proves to be particularly captivating and exciting.  The conflict, high stakes and constant worry you have for the characters ensures you won’t be able to put this part of the book down, and I was so keen to see how everything came together.  Greaney wraps things up perfectly, and I liked the hopeful conclusion to Midnight Black, especially after some of the dark preceding books, and you come away satisfied, as well as excited to see where the series goes next.

I am always greatly impressed with how Greaney sets out his outstanding novels, and Midnight Black is a particularly strong example of this.  A fast-paced book with several interesting layers to it, Midnight Black drags you in with its powerful narrative and keeps you there with the well-set-out action, complex characters, and gritty realism.  Thanks to the blend of character arcs and alternating storylines, there is a lot going on in Midnight Black, and you are given a great mixture of ultra-exciting sequences of action and spy craft, intense personal moments of despair and hope, as well as a cool dive into real-world issues, such as the current war in Ukraine, that enhance the overall plot.  I particularly enjoyed the gritty realism loaded in the story, especially when it comes to looking at the current politics of Russia, and there was a particular dire tone to much of the plot that was well mirrored by several protagonist’s circumstances.

One of the writing techniques I always enjoy with the Gray Man novels is the author’s excellent use of alternating character perspectives, as the reader gets to see the narrative through a variety of different viewpoints.  While primary characters like Gentry, Hightower and Zakharova naturally get most of the focus, you also see events through the eyes of more minor protagonists, such as Gentry’s former CIA handler in the US, or a Russian rebel fighter launching attacks in Moscow, as well as from several of the book’s antagonists.  This provides a much more expansive narrative for readers, especially as you soon understand the compelling motivations of all the significant characters, as well as their often conflict plans and schemes.  I particularly enjoyed how well some of Midnight Black’s many action sequences become even more impressive when you get to see events through the eyes of all the participants in the event.  Seeing all the alternate sides of conflicts really helps to make the fight sequences stand out, and it is captivating to see the various moves and countermoves of all the characters involved.  I felt this worked particularly well in some of the book’s big firefights, such as one sequence out in the woods where Gentry and Hightower’s camp gets raided by a squad of hitters, and you really get drawn into the books brutal action thanks to this.

While Midnight Black can probably be read as a standalone novel, especially as Greaney does a good job recapping key events, I feel that this latest Gray Man novel is probably best enjoyed by those who have read the previous books in the series, especially the preceding entry, The Chaos Agent.  This is mainly because Greaney is following up on a major cliffhanger from the previous book, and a lot of the emotional weight of the plot is based around the protagonist trying to right this wrong and save the woman he loves.  Being invested in the relationship between Gentry and Zakharova, as well as appreciating the protagonist’s other character relationships, really helps to amp up the stakes of Midnight Black, and I know I was personally hooked on seeing how events played out.  While having this background does enhance the experience, I do think that new readers can easily come into the series here and still have an amazing time, especially once they get caught up in the intense plot.

I also need to once again compliment the compelling characters found within Midnight Black, as Greaney really went out of his way to create some intense character moments in this latest Gray Man novel.  A lot of this revolves around the protagonist, Court Gentry, who finds himself in emotional turmoil following the Russians imprisoning the woman he loves.  Unsure about her fate and desperate to enter Russia to rescue her, Gentry is a ghost of his former self, recklessly engaging in deadly actions without his former skill and tradecraft.  This uncharacteristic lack of planning from the main protagonist and the way he lets his emotions overwhelm him adds a compelling edge to the story, especially as it results in more carnage and close calls.

The rest of the cast are also well featured in Midnight Black, especially as Greaney brings back several old favourites in dire circumstances.  For example, Court’s love interest, Zoya Zakharova, ends up having a particularly powerful arc in Midnight Black, as she is imprisoned in a Russian work camp.  Slowly losing hope due to her surroundings, her imminent execution, and her worry for Court, Zoya’s scenes are often hard to read and really help to hammer home the dark stakes of the book.  Greaney also brings back fun recurring character Zack Hightower, who serves as a lighter point of view protagonist compared to Court and Zoya.  A veteran operator with a lot of history with the other protagonists, Zack was a great foil for Court’s moodier persona in Midnight Black, and I loved seeing them work together in this way.  Other characters of note include Court’s former CIA handler, Matthew Hanley, who works to provide outside help despite his own downward career trajectory, and Major Colonel Eriks Baronov, an FSB operative trying to use Zoya as bait for the Gray Man.  I really enjoyed how Hanley and Baronov provided interesting alternating tactical insights into the events of Midnight Black, which gave the novel a great global conflict feel at times.  All these characters and more helped to turn Midnight Black into something special, and I really enjoyed how complex and exciting the various character-driven storylines turned out to be.

As has become my habit with the Gray Man series in recent years, I ended up listening to Midnight Black on audiobook rather than reading a physical copy.  I find that the audiobook version of the Gray Man books, narrated by the always reliable Jay Snyder, are an excellent way to absorb Greaney’s fantastic stories, especially as the various action sequences and compelling showcases of spycraft are highlighted particularly well in this format.  For Midnight Black, I listened to this audiobook while on a holiday with a lot of flying/driving time, which not only kept me from getting bored on the bus/plane but which ensured that I absolutely powered through its near 16-hour run time.  It helped that many of the best sequences in the book, such as the epic firefight at the halfway point and the big chase through Moscow, were particularly impactful in this format, and Snyder did an excellent job voicing all the characters.  I particularly appreciated all the eastern European and Russian accents that Snyder attributed to the various characters, and he also did a good job capturing key parts of the protagonist’s personalities, especially Gentry’s weariness and desperation that were a key part of this book.  Due to this brilliant voice work, as well as my general love for the format, I would strongly recommend Midnight Black on audiobook, and I can guarantee it makes for great entertainment on long road trips.

Overall, Midnight Black was another outstanding and captivating new entry in the always impressive Gray Man series.  Author Mark Greaney did an amazing job continuing one of the very best spy thriller series out there, and I deeply enjoyed Midnight Black’s particularly intense and personal story.  Featuring some fantastic action, complex character arcs and some compelling insights into major contemporary events, Midnight Black was extremely addictive, and I cannot wait to see how Greaney continues the series in the future.

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We Solve Murders by Richard Osman

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Five-Star Books, Murder Mystery, Thriller1 Comment

Publisher: Penguin Audio (Audiobook – 17 September 2024)

Series: Standalone/Book One

Length: 10 hours and 33 minutes

My Rating: 5 out of 5 stars

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One of my favourite authors of crime fiction, hilarious British television personality Richard Osman, continues his run of exceptional books with the 2024 novel, We Solve Murders.

Few authors have made as big an impact on the crime fiction world in recent years than Richard Osman.  Debuting in 2020 with his incredible novel, The Thursday Murder Club, Osman deeply impressed with his first book that cleverly blended a great mystery with likeable characters and a brilliant sense of humour.  A fun novel about four retirees who solve murders from the activity room of their retirement village, The Thursday Murder Club was quite exceptional, and it ended up being one of my favourite books, debuts and audiobooks of 2020.  Osman has done an outstanding job of continuing this series, with the next three books The Man Who Died Twice (one of my favourite books and audiobooks of 2021), The Bullet That Missed (one of my favourite books and audiobooks of 2022) and The Last Devil to Die (one of my favourite books and audiobooks of 2023), all being incredible.  After the powerful conclusion to The Last Devil to Die, Osman decided to take a break from the Thursday Murder Club books and instead dove into a cool standalone read, We Solve Murders.  A fun thriller with some entertaining twists to it, We Solve Murders was an interesting new read from Osman, that I had an exceptional time with last year.  Unfortunately, I’ve been a bit slack at getting a review out for this awesome book, but I’m trying to make an effort to get through it now before we hit the halfway mark of 2025.

Plot Synopsis:

A brand new series. An iconic new detective duo. And a puzzling new murder to solve…

Steve Wheeler is enjoying retired life. He does the odd bit of investigation work, but he prefers his familiar habits and routines: the pub quiz, his favorite bench, his cat waiting for him when he comes home. His days of adventure are over: adrenaline is daughter-in-law Amy’s business now.

Amy Wheeler thinks adrenaline is good for the soul. As a private security officer, she doesn’t stay still long enough for habits or routines. She’s currently on a remote island keeping world-famous author Rosie D’Antonio alive. Which was meant to be an easy job…

Then a dead body, a bag of money, and a killer with their sights on Amy have her sending an SOS to the only person she trusts. A breakneck race around the world begins, but can Amy and Steve stay one step ahead of a lethal enemy?

This was another exceptional book from Osman who really showcased his impressive ability to tell an engaging story with unique protagonist in this brilliant novel.  Sharp, captivating and relentlessly entertaining, We Solve Murders had me hooked the entire way through, and there were times I couldn’t stop listening to it.  A very easy five-star book for me, We Solve Murders was one of my top books and audiobooks of 2024 for a very good reason.

I must admit that before reading We Solve Murders, I wasn’t too certain that Osman was going to have the same success he’d had with the Thursday Murder Club books, especially as he was moving onto new ground and characters.  However, I really shouldn’t have been worried, as Osman crafted together an incredible, captivating and highly personal story that was so damn fun.  Focusing on the interesting father/daughter-in-law combination of Steve and Amy Wheeler, the story starts quickly with Amy getting framed for the death of several clients from her private security company.  With killers after her and unable to trust anyone at her company, Amy has no choice but to go on the run and attempt to solve the case herself, accompanied by her eccentric client, famed author Rosie D’Antonio.  Needing help and faced with a series of strange clues, a massive conspiracy and the ire of a legendary money launderer, Amy seeks the unlikely help of her semi-retired investigator father-in-law, Steve Wheeler, dragging him out of his comfortable life in small-town England and taking him on an international tour of murder and criminality.

The resulting narrative is a highly entertaining series of events, as the protagonists flit around various locations, attempting to uncover the truth behind the killings, while also trying to avoid a dangerous hitman hunting them.  At the same time, an array of excellent supporting characters nip around the edge of the investigation themselves, as they attempt to figure out how Amy is involved and who the master criminal of the case is.  I loved the various outrageous and fun moments that follow on from this, as the protagonists get into all manner of trouble, with Steve and Rosie D’Antonio becoming unlikely heroes at times.  Osman loads up an array of excellent twists throughout the novel, and you are constantly left guessing at who the overall villain of the book, as well as their mole in Amy’s agency, is, and how they are plotting against the protagonists.  It all leads up to a fantastic final sequence in Dubia, where the protagonists come face to face with the villain in a brilliant end to the mystery.  I felt that this entire story wrapped up pretty perfectly, with all the relevant threads Osman introduced coming together into a clever conclusion.  I also really liked the surprising reveal about who the villain of the story is, and it works extremely well in the context of the hidden clues and hints that Osman had expertly featured throughout the rest of the book.  An overall outstanding story that I honestly could not get enough of.

While the story focus of We Solve Murders is different from his previous novels, Osman still deploys the outstanding writing style that made the Thursday Murder Club novels such a hit.  Working well as a standalone novel outside of his main series (although there was a good minor cameo), Osman once again quickly sets up a complex story with many intriguing characters and lets them loose with an amazing blend of mystery, humour and character development.  Adapting to the international thriller genre extremely well and featuring an extended range of cool settings, Osman’s plot in We Solve Murders is very fast paced, while also taking the time to ensure readers are having fun and getting absorbed in both the clever main mystery and the unique story threads surrounding the characters.  I loved all the very subtle and clever setup that Osman features in the early parts of the book, especially as there are some impressive clues to the identity of the various bad guys, and I really need to go back now I know the solution to see these clues in a new light.

While the compelling mystery, surprising twists and dive into international criminality was a great base to We Solve Murders, the element that tied it all together was Osman’s comedic charm.  Featuring the fantastic British-centric humour that Osman is so well known for, We Solve Murders was constantly entertaining, and there are so many fun jokes and references loaded into every page.  While much of this humour is quite restrained and subtle, which allows for a general light-hearted tone amongst the discussions of murder and crime, there are also some more direct comedic moments brought about by outrageous characters, unlikely interactions and the constant subverting of expectations.  Some of my favourite jokes include a high-stakes pub quiz night, the surprising motivations of a hitman, and the main villain’s constant use of ChatGPT to re-write his communications in the style of an English gentleman.  All this ensures that the reader is constantly laughing, allowing them to stay hooked to this captivating and well-written story.

Another major highlight of We Solve Murders was the extremely likeable and compelling characters through whose eyes we see the story unfold.  Osman excels at writing fun and memorable characters, and the ones in We Solve Murders are particularly entertaining.  The two main anchor characters of this book are the fantastic duo of retired investigator Steve Wheeler and his globetrotting elite bodyguard daughter-in-law Amy Wheeler.  A fun and very likeable combination thanks to their close relationship, Steve and Amy start the books as complete opposites, with Steve a unadventurous figure whose only desire is to remain in his small town, while Amy is constantly thrust into action while also managing to keep a successful long-distance relationship with her husband.  I loved how Osman wrote both characters, and it was fascinating to see their alternative takes on how to live life.  Some of the best parts of We Solve Murders’ plot involves Amy trying to pull Steve out his shell by taking him on her adventure, and readers get to see some genuinely nice character development around Steve as a result.  There is also a good focus on Amy learning to rely on those closest to her for help, especially when she finds herself in trouble.

While Amy and Steve are the heart of the book, there are a range of other outrageous and entertaining characters loaded throughout We Solve Murders, each of whom add to the impact and enjoyability of the novel in various ways.  These include multiple residents of Steve’s village, who joyfully aid him in his investigation, a local talent agent with an unusual connection to an international crime ring, the feuding owners of two rival private security companies whose mistrust for each other leads to a lot of intrigue, a diva actor oblivious to the crazy events going on around him, various international criminals who find themselves outmatched by the unlikely team of protagonists, a relentless hitman with his own motivations, and the big bad of the story, who casts a big shadow while staying hidden.  Out of all these characters, my favourite was easily glorious author Rosie D’Antonio, who tags along with the Wheelers on their adventure and becomes a valuable part of their team.  Over-the-top, internationally beloved, and constantly providing juicy titbits about her many adventures, Rosie D’Antonio effortlessly steals every scene she is in with her big personality and unpredictable actions.  I don’t think any character made me laugh as much as Rosie did, and I guarantee We Solve Murders would not have been as good without her.  I really appreciate how well the author utilises all these great characters, splitting the story perfectly between them, and you will come away from this novel completely in love with Osman’s memorable protagonists and their brilliant personalities.

I have mentioned multiple times how much I have enjoyed the Thursday Murder Club novels on audiobook, so I naturally had to check out We Solve Murders in this format as well.  Unsurprisingly, the We Solve Murders audiobook was just as awesome as I had hoped, as the format perfectly showcased Osman’s complex storytelling and outrageous characters.  Part of the reason why the We Solve Murders audiobook worked so well was that they once again got an extremely talented English actress to narrate the book, this case Nicola Walker, who blew it out of the park.  Walker, who is well known for her roles in various UK crime shows, did a remarkable job of narrating Osman’s story, perfectly capturing the crazy thriller tone as well as the author’s fantastic subtle humour, and ensuring that the reader is constantly engaged with the plot of the book.  I really enjoyed how well Walker inhabited all the figures Osman imagined for this brilliant read, no matter how outrageous they were, and she made sure to cleverly showcase their unique personalities and intriguing outlooks on life.  This great voice acting really enhanced the overall epic experience I had with the We Solve Murders audiobook, and this is easily the best way to enjoy this exceptional read.  I honestly cannot recommend this audiobook enough and you will just power through its 10-and-a-half-hour-long runtime.

Richard Osman continues to dominate the crime fiction scene with the outstanding standalone novel, We Solve Murders.  Combining a complex mystery with likeable characters and subtle British humour, We Solve Murders was a fun new direction for Osman, who had his own brilliant take on an international thriller.  A clever and highly entertaining novel, We Solve Murders once again showed off how good Osman is as a writer, and you will be unable to put this book down.  I cannot wait to get my next hit of Osman, and with both a The Thursday Murder Club film adaptation and the fifth Thursday Murder Club novel, The Impossible Fortune, coming out later this year, fans of the author are in for a real treat.

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