Top Ten Tuesday – Top Ten Longest Novels That I Have Ever Read

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. For Tuesday the 5th of November 2019 participants in Top Ten Tuesday are supposed to list the Top Ten Books That Give Off Autumn Vibes. However, I am going to be posting up a Top Ten list I put together last week but couldn’t post due to my internet being down (the ultimate horror in this day and age). For last week’s Top Ten Tuesday, participants got a Halloween freebie, meaning that I can make a Top Ten List on any topic of my choosing. While this list should probably have been Halloween themed, I am honestly not a massive fan of the horror genre, so I would struggle to produce any sort of list that would require at least 10 horror books. That being said, I would strongly recommend a few horror books such as Into the Drowning Deep by Mira Grant, or some of the Joe Ledger books by Jonathan Maberry such as Patient Zero, Code Zero or Assassin’s Code if you want a scary read. Instead, I decided to list the longest novels I have ever read (if you are desperate for a Halloween theme you could say that they are scary long). This is a bit of a continuation of the Top Ten Longest Audiobooks list that I did back in March of this year (and which I might do a follow-up list of in a few months).

In order to work out what was the longest book I ever read, I decided to go off the total number of pages contained within a book. I went through the longest books in my personal collection and took down the number of pages. I also went online to Goodreads to work out the page count of some books I borrowed from the library or previously owned. That means that in most cases, I am going of the versions that I have at home or using an online word count for the version I think I read, and hopefully this accurately reflects most printings of that book. I realise that this is not the most scientific method for working out which is the longest book I have ever read, especially as a number of factors such as formatting, font and print size could all come into play here, but I am personally happy that this is a mostly accurate way of working this out.

This list will only feature books that I have physically read and completed (so none that I have only listened to on audiobook), and hopefully it produces an interesting and varied list. Before I even started collecting the data for this, I had a few predictions about which books will be at the top (I assumed a few of the Ken Follett books I have read are going to make an appearance). There is also likely to be some crossover with this list and my Top Ten Longest Audiobook list, as I would have read the physical copies of several books the first time, and then relistened to them on audiobook. Let’s have a look and see which book tops this list:

Top Ten List:

1. Lord of Chaos by Robert Jordan – 1011 pages

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2. Edge of Eternity
by Ken Follett and The Shadow Rising by Robert Jordan – 1007 pages

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3. The Fires of Heaven
by Robert Jordan – 989 pages

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4. Tombland
– C. J. Sansom – 866 pages

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5. Inheritance
by Christopher Paolini and Mistress of the Empire by Raymond E. Feist and Janny Wurst – 860 pages

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6. Assassin’s Fate by Robin Hobb – 853 pages

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7. Assassin’s Quest
by Robin Hobb – 838 pages

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8. Servant of the Empire
by Raymond E. Feist and Janny Wurst – 827 pages

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9. The Priory of the Orange Tree
by Samantha Shannon – 825 pages

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10. Winter of the World
by Ken Follet – 819 pages

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This turned out to be a pretty intriguing result for me. I am a little surprised that the Robert Jordan books took two of the top three spots on the list. It has been a very long time since I read Robert Jordan’s The Wheel of Time series, but I honestly do not remember them being that long. The rest of the books on the list are not a massive surprise, though. Follett has created some amazingly long historical fiction novels over the years which, despite their length, are all incredible reads that always find a way to hook the reader. The same could be said of C. J. Samson, and there is a reason that both he and Follet made my Top Ten Auto-Buy Authors List. I am also not too surprised that some books by Raymond E. Feist (another autobuy author of mine) and Janny Wurst’s Empire books made it in, same with Christopher Paolini’s Inheritance Cycle books. While they seemed like smaller reads when I was younger (possibly because I wanted to power through them as soon as I got them), they all scored fairly highly on my Top Ten Longest Audiobook list, so I figured they would have a high page count. Assassin’s Fate and The Priory of the Orange Tree were books I reviewed in the Canberra Weekly, and I am glad they made the cut. Not only were they pretty epic reads, but it was good to see some more recent books I have read make the list.

While I enjoyed figuring out the top ten, I am still curious to see where some of the other books I read fit in my overall ranking. So as a bit of bonus material, and because I already spent all that time working out how many pages there were, here are the next top 15 books as an Honourable Mention.

Honourable Mentions:

11. The Eye of the World by Robert Jordan – 814 pages

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12. Harry Potter and the Order of the Phoenix
by J. K. Rowling – 766 pages

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Well I am glad at least one Harry Potter book made the cut. These always seemed so massive when I was kid, but in reality, they are not that big compared to some other books that are out there.

13. Brisingr by Christopher Paolini – 763 pages

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14. The Twelve Children of Paris
by Tim Willocks – 754 pages

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This one is a blast from the past that I haven’t thought about for a while. This was a bloody and gruesome action-packed historical novel that made for a fun, if rather violent, read.

15. Royal Assassin by Robin Hobb – 752 pages

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16. A Column of Fire
by Ken Follett – 751 pages

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17. Pilgrim
by Sara Douglass – 749 pages

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I am not too sure how popular the late Sara Douglass was outside of Australia, but this book was part of a great fantasy series I got into when I was younger, mostly because they were one of the few major series available in my school’s library. I think several books in The Wayfarer Redemption series make the top 25 cut, and they excellent and enjoyable series to check out.

18. Starman by Sara Douglass – 733 pages

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19. Sleeping Beauties
by Stephen King and Owen King – 718 pages

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20. The Great Hunt
by Robert Jordan – 705 pages

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21. Eldest
by Christopher Paolini and Magician by Raymond E. Feist – 681 pages

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22. Battleaxe
by Sara Douglass – 674 pages

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23. Enchanter
by Sara Douglass – 672 pages

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24. The Shining City
by Kate Forsyth – 661

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The Shining City is a fantastic entry from Australian author Kate Forsyth. Forsyth is probably best known these days for her historical dramas; however, some of her earliest works included two excellent fantasy series, which featured some outstanding novels, such as this book, of which I was a massive fan.

25. Hawk Quest by Robert Lyndon – 658

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Another exciting historical adventure. Hawk Quest was a wide-ranging epic that followed a small group of adventurers through medieval Europe and the Middle East, as they attempt to capture a rare hawk to help pay a ransom.

Now that added some variety to the list. I am not at all surprised to see more from Feist, Jordan, Paolini and Follet, but the addition of all those Sara Douglass books was a bit of a blast from the past. Some of the other books, such as Sleeping Beauties, Hawk Quest and The Shining City were a nice treat, and I think it is fair to say that I have read a good collection of long novels in my life so far. I would definitely recommend each and every book on this list to anyone who is looking to sink their teeth into a nice, massive book, as all of these books are highly enjoyable. This is probably going to be an ever-evolving list that I will hopefully add to each year, especially as I read more and more long books. For example, just today I received a copy of Legacy of Ash by Matthew Ward, which clocks in at a whopping 768 pages, and which, when I read it, will replace Order of the Phoenix’s at number 12 on this list. In the meantime, let me know what you think in the comments below; I am curious to know the longest book that you have ever read.

Top Ten Tuesday – Top Ten Longest Audiobooks That I Have Listened To

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. This week participants get an Audio Freebie week, so I get to choose any audiobook topic that I want.  Regular readers of my blog will know that I love audiobooks, so I was very keen to participate in this topic.  Because of some recent long books that I have read and listened to, I have gotten very curious about the top ten longest audiobooks I have ever had the pleasure of listening to.

Therefore, I have decided to go back and list of all the audiobooks I have listened to and their run times to see which ones were the longest.  For consistency’s sake, I will use the run times as stated on either Audible or Amazon, and I will only use the versions and narrators that I listened to.  For example, I have only listened to the Harry Potter audiobooks narrated by Jim Dale and not the Stephen Fry versions, which are apparently longer, so I will therefore list the run times for the Jim Dale versions.

I am very curious to see what makes up my Top Ten List.  I have an idea of what will be at the top, but I am expecting quite a few Harry Potter books in the top ten.  Let us have a look:

1. The Way of Kings by Brandon Sanderson, narrated by Michael Kramer and Kate Reading – 45 hours and 48 minutes

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2. The Wise Man’s Fear by Patrick Rothfuss, narrated by Nick Podehl – 42 hours and 55 minutes

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3. Magician by Raymond E. Feist, narrated by Peter Joyce – 36 hours and 14 minutes

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Technically two books combined together (Magician: Apprentice and Magician: Master), but as I will always listen to them together, I am counting it as one book.

4. A Game of Thrones by George R. R. Martin, narrated by Roy Dotrice – 33 hours and 45 minutes

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5. Mistress of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 32 hours and 1 minutes

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6. Inheritance by Christopher Paolini, narrated by Gerrard Doyle – 31 hours and 29 minutes

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7. Servant of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 30 hours and 42 minutes

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8. Brisingr by Christopher Paolini, narrated by Gerrard Doyle – 29 hours and 34 minutes

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9. The Name of the Wind by Patrick Rothfuss, narrated by Nick Podehl – 27 hours and 55 minutes

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10. Harry Potter and the Order of the Phoenix by J. K. Rowling, narrated by Jim Dale – 27 hours and 2 minutes

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This was a very surprising result for me.  While I was expecting books such as The Way of Kings and The Wise Man’s Fear to make the cut, I really did think that Order of the Phoenix would be higher up on the list.  I was also very surprised that two books from Feist and Wurst’s The Empire Trilogy made the list, and I really did not think that Inheritance and Brisingr were that long.  Still, it’s a good result, which I have no doubt will change in the future, especially as some of the books I am keen to listen to, such as The Ember Blade (30 hours and 40 minutes long) would make it onto this list, knocking Order of the Phoenix off.  I am sure that with a different narrator or production company, some of these audiobooks would be longer or shorter; still, it was quite interesting to see.

As a bit of bonus material, and because I already had the run times listed, here are the next top ten books as an Honourable Mention.

Honourable Mentions:

11. Red Seas under Red Skies by Scott Lynch, narrated by Michael Page – 25 hours and 34 minutes

12. The Republic of Thieves by Scott Lynch, narrated by Michael Page – 23 hours and 43 minutes

13. Eldest by Christopher Paolini, narrated by Gerrard Doyle – 23 hours and 29 minutes

14. Before They Are Hanged by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 38 minutes

15. The Blade Itself by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 15 minutes

16. The Lies of Locke Lamora by Scott Lynch, narrated by Michael Page – 21 hours and 59 minutes

17. Harry Potter and the Deathly Hallows by J. K. Rowling, narrated by Jim Dale – 21 hours and 36 minutes

18. Harry Potter and the Goblet of Fire by J. K. Rowling, narrated by Jim Dale – 21 hours and 12 minutes

19. Cold Iron by Miles Cameron, narrated by Mark Meadows – 19 hours and 29 minutes

20. Promise of Blood by Brian McClellan, narrated by Christian Rodska – 19 hours

So that is where some of the other Harry Potters are.  With all 20 books being fantasy, I think it is obvious that I need to branch out into some longer books from other genres in order to break up this fantasy monopoly.  While I have reviewed some of the books on this list, I am planning to get to the rest at some point in the future.  However, I think most of those require a re-listen before I am able to do proper review of them; now I just have to find the time to fit them into my reading schedule.  I was quite happy with the interesting result of this Top Ten Tuesday, and I will have to revisit this list at some point in the future.  Feel free to comment below about the longest audiobook you have ever listened to.

Throwback Thursday: The Empire Trilogy by Raymond E. Feist and Jenny Wurst

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Publishers: Doubleday, HarperCollins

Publication Dates:

Daughter of the Empire – 1987

Servant of the Empire – 1990

Mistress of the Empire – 1992

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

If you are a fan of Raymond E. Feist’s books, check out my review of his latest work, King of Asheshttps://unseenlibrary.com/2018/05/30/king-of-ashes-by-raymond-e-feist/

 

Set in the same universe as fantasy author Raymond E. Feist’s legendary Riftwar Cycle is The Empire Trilogy, which serves as a fantastic companion series to his main body of work.  This trilogy, made up of Daughter of the Empire, Servant of the Empire and Mistress of the Empire was written in collaboration with fellow fantasy author Janny Wurst and represents an intriguing piece of literature that shines not only as a side series to Feist’s first two books but also as a substantial and powerful standalone series.

I first came across this series during my school days, when I had to read Daughter of the Empire for a fantasy literature course (great book, terrible teacher).  I was already very familiar with Feist’s massive fantasy universe, having read all the other books available in the series at that point, though in a somewhat eclectic order.  I had not previously attempted to read The Empire Trilogy before this point, but I eagerly dived into Daughter of the Empire when I got my copy from the school library.  I was immediately entranced by the story and read it several times in that semester, especially during the more boring classes.  Upon completing the first book, I also sought out the second and third books in the series in order to see how the fantastic storylines continued.  In recent years, I was lucky enough to find audiobook copies of the entire trilogy, and have since re-listened to it several times.  These more recent perusals only confirmed my enjoyment of this series, as well as my love of Feist’s massive fantasy world.

The first book of The Empire Trilogy, Daughter of the Empire, was published in 1987, one year after the final book in The Riftwar Saga, the first trilogy in Feist’s massive Riftwar Cycle.  In many ways, Daughter of the Empire and the second book, Servant of the Empire, serve as accompaniments to Feist’s original series, as both plots are set at the same time and events that occur in Magician and Silverthorn have significant impacts within The Empire Trilogy.

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The Empire Trilogy follows Mara of the Acoma, a young woman who becomes the Ruling Lady of her house after the sudden death of her male relatives.  Through the course of this series, Mara must become a strong ruler to maintain the honour of her family and ensure the survival of all the people pledged to her house.  Mara must use all of her cunning to overcome powerful opponents while adapting new methods and viewpoints that are uncommon in her regimented culture in order to survive.

This series is set in the world of Kelewan, a vast planet inhabited by several strange alien species, and mainly focuses on the inhabitants of the massive Empire of Tsuranuanni.  The Tsurani were introduced in Feist’s first book, Magician, where they travel through a magical rift to the world of Midkemia and clash with the inhabitants of this new planet in an event known as the Rift War.  The Tsurani are a race of humans based on a combination of real world cultures, such as the Japanese, Koreans and the Aztecs.  For example, the overriding Tsurani ideal of honour, an exceedingly important concept in the books that strongly influences their culture and way of life, is very strongly based on feudal Japanese ideals of the samurai and bushido.  Kelewan is explored within Magician through the eyes of Feist’s main protagonist, Pug.  Midkemia is the main setting for the books in the Riftwar Cycle.  While Kelewan is visited in later books of the Riftwar Cycle, most notably in Silverthorn, it becomes a more underutilised setting as Feist’s overall series continues, before eventually being destroyed in Wrath of a Mad God.

Each of the books in this trilogy contains epic and captivating stories that not only highlight life in these alien planets but also show a tale of survival and victory against all odds as the protagonist, Mara, faces and overcomes the superior forces arrayed against her.  The first book in the trilogy is Daughter of the Empire, which introduces many of the series’ main characters and storylines.  The protagonist and main point-of-view character is Mara of the Acoma, who is dramatically pulled from her peaceful life as a novice priestess into the deadly and treacherous world of Tsurani politics.  Mara’s father and brother were killed during a battle on Midkemia because of treachery from the most powerful house in the Empire, the Minwanabi.  As a result, Mara is forced to take on the role of Ruling Lady to save her house from being destroyed and her retainers taken as slaves or forced to become honourless bandits.  With the vast majority of her soldiers killed in Midkemia, Mara must find creative ways to stop the Minwanabi and other rival houses from wiping her out.

Mara proves to be an effective leader, bending Tsurani traditions to her favour, recruiting talented followers and forming new alliances.  Her machinations result in a political marriage to a brutal husband whom Mara must endure until the moment is right to remove him.  Watching the protagonist rebuild her house through any means necessary is a fantastic focus of this book which really allows the reader to get a strong idea of Tsurani politics, ideals and culture, as well as Mara’s determination as the central protagonist.  The climax of the book is set within the Minwanabi stronghold, which Mara has been forced to visit in order to attend a celebration for the Warlord (the Tsurani equivalent of a feudal Japanese Shogun).  This final part of the book is filled with significant tension and fear, as everyone is well aware that the Minwanabi will murder Mara before she leaves the party.  Mara must find a way to use the Tsurani honour system to prevent her own assassination while also striking a blow against her opponent.  Daughter of the Empire is an exceptional introduction to this fantastic series, and is a spectacular novel in its own right.

Feist and Wurst followed up their first entry in this series with another sensational novel that doubles down on the action and intrigue and contains some of the best sequences in the entire series.  Servant of the Empire directly follows on from the events of the first book and sees Mara and her house still in great peril.  Mara may have overcome the previous ruling lord of the Minwanabi, but her enemies are still the most powerful house in the Empire.  While the new lord is nowhere near as competent as his father was, he has called up the family’s most devious and destructive member, Tasaio, the man who organised the death of Mara’s father and brother.  As the Minwanabi plot against the Acoma, Mara is distracted by her acquisition of a group of Midkemian slaves, especially the charismatic Kevin of Zūn.  As Mara and Kevin fall in love, the Acoma are drawn into a series of battles on many different fronts, but Kevin’s alien way of thinking offers Mara a distinct advantage.  But events completely outside Mara’s control may have the greatest impact on the future of her house.  Both the magician Pug and the chaotic event of the Riftwar bring significant change to the Empire, and Mara and her enemies must seek new ways to turn these events to their advantage.  While Mara’s relationship with Kevin provides her with strength, it also represents her greatest weakness.

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There is a lot going on within this book, including a number of large-scale battle sequences, as well several scenes focusing on the Empire’s political intrigue.  The standout scenes for me have to be either the extended sequence in the arena which features a different point of view to the chaotic magic unleased by Pug in Magician, or the sequences where the biggest houses in the Empire stage a night-time battle of assassins in the halls of the Imperial Palace.  While this might be my favourite book in the series, I am not the biggest fan of the way the romance angle between Mara and Kevin is portrayed.  Kevin, however, is a fantastic addition for this book, and it is intriguing to have a character that has a similar viewpoint as the reader to observe and comment on Tsurani honour, politics and culture.

The third book in the series, Mistress of the Empire, is set some years after Servant of the Empire and sees Mara and the Acoma once again up against a superior enemy.  After their victories in the second book, the Acoma are now the most powerful house in the Empire, but Mara’s sins have come back to haunt her.  When the Hamoi Tong assassins initiate a devastating strike at the Acoma, the Assembly of Magicians forestalls Mara’s vengeance against the house she holds responsible.  The magicians, known throughout the Empire as “Great Ones” are determined to limit the Acoma’s influence, and Mara soon finds herself in a hidden war against the most destructive force in all of Kelewan.  At the same time, her former brother-in-law, Jiro of the Anasati, seeks retribution against Mara, while her loyal Spy Master Arakasi seeks to find a way to finally destroy the Hamoi Tong.  Travelling outside the Empire, Mara uncovers dark secrets about the Assembly, and her actions will have major impacts on the future of Tsurani life.

Mistress of the Empire is an excellent conclusion to this trilogy that not only provides a compelling story with exciting new additions but also neatly wraps up storylines from the previous two books.  While this book probably has the least connections to the events of Feist’s main series, it dives deeper into the history and hidden lore of Kelewan and the Empire, including the Assembly of Magicians, a sinister and powerful group in Feist’s universe.  Many of the main characters get satisfying endings to their storylines, and we get to see several chapters told from the point of view of the Spy Master Arakasi.  Arakasi is one of the series’ best characters; however, due to the nature of his work, the readers usually do not get to see him in action, instead only hearing second-hand accounts of his missions.  Readers get to enjoy scenes that focus on Arakasi’s investigations into both the Assembly of Magicians and the Hamoi Tong, which also serve to expand on Arakasi as a character.  Readers will also enjoy the fact that, after two books in which the antagonists need to keep up the appearance that they are obeying the Tsurani code of honour in their battles with the Acoma, Mara is now forced to go up against an opponent outside the typical laws and practices of the Empire.

One of the most interesting aspects of this series is how the authors have tied the books into the events of Feist’s original trilogy.  There are actually a few pre-emptive mentions of characters and events that become an important part The Empire Trilogy in Feist’s first book, Magician.  For example, the Shinzawai, a major house, whose members become key characters in The Empire Trilogy, are first introduced in this book as friends of Pug.  During Pug’s adventures in Kelewan, there is mention of a visit to the Lady of the Acoma, an event that subsequently occurs in Servant of the Empire.  The Minwanabi betrayal of the Acoma forces is also described to the Midkemian protagonists of Magician by a former Tsurani slave in an attempt to highlight the Tsurani system of honour and politics.  The first book in The Empire Trilogy, Daughter of the Empire is actually set in the time gap between the two halves of Magician, and takes a closer look at the impact that the Riftwar has had in Kelewan.

A more direct connection to the series is established in Servant of the Empire.  As mentioned above, long-running Riftwar Cycle protagonist, Pug, makes several appearances in this book, mirroring events that occur in second half of Magician.  Events that occur in Feist’s original trilogy have severe impacts on the plans of Mara and her enemies, such as the destruction of a huge number of Tsurani lords in the final battle of Magician and the death of the new Warlord in Silverthorn.  All of these become significant plot points in Servant of the Empire, and it is absolutely fascinating to see the impacts of events in other books.

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The most spectacular crossover event comes about halfway through Servant of the Empire, which shows some of the cataclysmic events from Magician from a whole new perspective.  In the second half of Magician, the powerful magician Pug unleashes his full fury on an arena full of Tsurani, sending wave after wave of magical attacks and disasters on the arena’s audience.  The scene is very intense when told from Pug’s point of view; however, readers of the second book in The Empire Trilogy are shown the absolute terror and destruction that a member of this crowd experienced during these events.  Mara, Kevin and a few Acoma retainers are present when the magical attack occurs and must flee through the panicking mob while also avoiding enemy assassins.  The sheer chaos and dread experienced by these characters and the surrounding crowd is astounding, and turns an incredible scene from Magician into one of the most intense and memorable sequences Feist has ever written.

Throughout the series, the Mara and her house are engaged in significant conflict with other factions in the Tsuranuanni Empire.  In the first two books, their opponents are primarily the most powerful house in the Empire, the Minwanabi, while the third book sees Mara in conflict with another influential house, as well as the Assembly of Magicians and the Hamoi Tong assassins.  As a result, the main focus of these books is usually the battles for supremacy between the Acoma and their opponents.  However, what sets these stories apart from other fantasy novels is the way that these battles are fought.  While an all-out war would probably ensure a quicker conclusion to this struggle, the Acoma and their enemies are forced to fight within their nation’s rules of conflict and honour.  As a result, the participants are forced to fight in a far more shadowy conflict.  While there are battles between armies, often with one side in disguise, the participants also fight using economics, espionage and politics.  Throughout the book, the protagonist makes alliances, build up her resources and use her influence to mould the politics of the realm to her advantage.  The reliance on honour is a fascinating part of this battle, and the reader will enjoy seeing the protagonist use this concept of honour to manipulate her opponents.  The real fun comes when the various participants are no longer bound by the rules and are able to unleash much more devastating and direct attacks on each other, such as the massive battle in the imperial palace that takes place in Servant of the Empire.  The battles for survival and control of the Tsuranuanni Empire represent an absolutely captivating and exciting part of this series, especially when the Acoma spymaster Arakasi gets involved.

Readers of The Empire Trilogy are also gifted with a deeper understanding and appreciation of the people, races and culture of Kelewan.  This world and some of its history was explored in Feist’s earlier books, including Magician, where an extended magical vision showed the reader key points in the planet’s history.  However, for those readers who wish to have a truly deep understanding of life in Kelewan, and the Tsuranuanni Empire in particular, the books in this trilogy are the best things to read.  Through the protagonist’s eyes the reader gets to explore the various pieces of land that make up the Empire, as well as the creatures that inhabit these lands.  Feist and Wurst also spend significant amount of time looking at the Cho’ja, the ant-like alien creatures who were first introduced in MagicianDaughter of the Empire takes a very interesting look at the Cho’ja, especially as an early part of the book focuses on the protagonist’s attempts to win a Cho’ja colony for her land.  In order to do this, she enters a hive and negotiates with a newly hatched queen in order to provide Mara with additional warriors and access to silk spinners.  In order to gain an edge on her competition, Mara attempts to understand the cultural differences between her race and the Cho’ja, and is able to come up with some intriguing conclusions as a result.  These initial and interesting observations of this race are then massively expanded upon in Mistress of the Empire when Mara, in an attempt to find out the secrets of the Assembly of Magicians, uncovers the true history of the Cho’ja and the ancient pacts they are bound to.  Readers will be absolutely fascinated by the lore of these creatures, and there are some great scenes featuring Cho’ja economy and their skills in battle.  In addition to the Cho’ja, Feist and Wurst also explore some of the human nations that exist in Kelewan, including the desert tribes of Dustari and the Thuril.  These explorations aren’t as detailed as the authors’ look at the Cho’ja and the Tsurani, but are intriguing in their own right, as the authors create some unique cultural features for them.

While the examination of the Cho’ja and the other human races of Tsurani is an intriguing and detailed part of the books in The Empire Trilogy, it pales in comparison to the massive amount of time spent exploring Kelewan’s main civilisation, the Tsuranuanni Empire.  The vast majority of the three books is spent within the Empire, with only a small portion of Mistress of the Empire spent outside.  Feist introduced a lot of the elements of the Tsurani in Magician, but this is expanded on substantially in this series.  Readers who read through these books will be left with an incredible amount of information about Tsurani politics, religion, culture, societal makeup and various other parts of day-to-day life in the Tsuranuanni Empire.  The use and examination of Tsurani politics at many different levels is an extremely compelling part of these books, and the various meetings and manipulations that occur represent a very enjoyable part of the book.  The concept of Tsurani honour is also explored in great detail.  Honour is a massive and defining part of Tsurani culture, and the various characters risk everything to maintain it.  Living or dying without honour is considered the worst thing imaginable as it will impact on the individual’s reincarnation in the next life.  The concept of honour is particularly skewed towards the Tsurani nobles, and it often takes an outside perspective, like that of Kevin, to identify how unfair the system is.  Mara becomes particularly adept at using this honour system to her own advantage.  While absolutely devoted to maintaining her family’s honour, her interactions with Kevin lead her to try and make some substantial changes in Tsurani society.  The books in the trilogy also reveal some deeper understandings about Tsurani history and the various secret organisations such as the Assembly of Magicians have been protecting.  While physically reading these books allows the reader to absorb a lot of this lore, I would also suggest that people check out the various audiobooks that have been produced, which can help listeners to absorb more of these amazing story elements.

I do have a few minor criticisms about this series, but nothing that is really going to change my high regard for it.  There are some unnecessary scenes where Mara is scolded and nagged by her nurse, Nacoya, who quickly becomes one of the series’ more annoying characters.  I felt that some of the scenes featuring Nacoya’s constant criticism took away from Mara’s image as a skilful and intelligent leader, and just made her seem like a foolish girl.  Luckily Nacoya is easily overshadowed by several of the other supporting characters, such as Keyoke, Arakasi and Lujan.  I also found parts of the relationship between Mara and Kevin in Servant of the Empire to be very frustrating, especially as they seemed to keep cycling through the same problems and issues.  Luckily, Kevin’s ‘barbarian’ insights and ideas more than make up for this, as he produces some excellent battle and political tactics throughout the book.  Overall, these are some fairly minor criticisms from me, and I really love all three of these books.

The Empire Trilogy from Raymond E. Feist and Jenny Wurst is a spectacular fantasy series set in the same incredible universe as the Riftwar Cycle.  This trilogy of books is an amazing series in its own right; however, it’s real strength comes from it being a clever tie-in to Feist’s main series of books.  Featuring some incredible story elements, exceptional action-packed scenes and a detailed setting stuffed full of lore, The Empire Trilogy is some of these two talented authors’ best works, which still stand up to this day.  The series is required reading for anyone who has read Magician and other books in the Riftwar Cycle, but it also comes highly recommended for those readers looking for that next fantasy series to fall in love with.

My Rating (Series and Each Book):

Four and a half stars